1 00:00:09,640 --> 00:00:14,600 Speaker 1: Come on my ancle tracts from the side to go 2 00:00:14,800 --> 00:00:16,800 Speaker 1: into a really behome. 3 00:00:16,960 --> 00:00:20,280 Speaker 2: My boot rest Tablin. 4 00:00:19,800 --> 00:00:22,720 Speaker 3: Way Sunday may get us in Sandy. 5 00:00:23,680 --> 00:00:26,960 Speaker 1: Do you get down to way Easter many can stay 6 00:00:27,000 --> 00:00:27,800 Speaker 1: and sleep. 7 00:00:28,280 --> 00:00:29,600 Speaker 4: From the stime. 8 00:00:30,960 --> 00:00:34,279 Speaker 5: Be a more bally long Starn. 9 00:00:35,680 --> 00:00:39,160 Speaker 2: Make on Sunday long the stars. 10 00:00:40,320 --> 00:00:48,280 Speaker 1: Looking on that Sodomas. 11 00:00:49,600 --> 00:00:58,560 Speaker 5: Previously on Princess of South Beach. Both stev and l 12 00:00:58,640 --> 00:00:59,520 Speaker 5: are pinching pennies. 13 00:01:00,120 --> 00:01:03,480 Speaker 6: Estevan started his first day as mayor of Miami, but 14 00:01:03,640 --> 00:01:07,200 Speaker 6: after a disastrous meeting with the city council, He's decided 15 00:01:07,280 --> 00:01:09,839 Speaker 6: to reach out to someone for help. 16 00:01:11,360 --> 00:01:14,440 Speaker 5: As for Raoul, he had to ask the mob to 17 00:01:14,600 --> 00:01:18,200 Speaker 5: loan him money like father, like son. While their car 18 00:01:18,480 --> 00:01:20,560 Speaker 5: is in the shop, Raoul got a reading from a 19 00:01:20,600 --> 00:01:24,320 Speaker 5: fortune teller who told him my killer is closer than 20 00:01:24,400 --> 00:01:40,640 Speaker 5: he thinks. Yes, the person responsible for your father's fate 21 00:01:41,200 --> 00:01:45,000 Speaker 5: they are Niah, and I can tell you exactly who 22 00:01:45,080 --> 00:01:45,320 Speaker 5: it is. 23 00:01:46,280 --> 00:01:50,360 Speaker 7: For two hundred dollars. Two hundred dollars yep. Seeing into 24 00:01:50,440 --> 00:01:52,640 Speaker 7: the future ain't cheap. I don't have that kind of cash. 25 00:01:53,440 --> 00:01:57,080 Speaker 7: Did you take American Express or a diners Club? Ooh, 26 00:01:57,160 --> 00:01:58,800 Speaker 7: I think I have a group on gift card. Sorry, 27 00:01:58,880 --> 00:02:00,240 Speaker 7: the spirits up. 28 00:02:01,240 --> 00:02:02,920 Speaker 4: But you just told me there's a killer on the loose, 29 00:02:03,320 --> 00:02:06,320 Speaker 4: and there's somewhere nearby. You have to tell me something 30 00:02:06,360 --> 00:02:08,400 Speaker 4: about them, you know. I could be in danger. 31 00:02:08,960 --> 00:02:09,680 Speaker 7: A killer could be. 32 00:02:09,919 --> 00:02:12,959 Speaker 4: You know, outside or waiting for me in a bathroom, 33 00:02:13,360 --> 00:02:16,280 Speaker 4: you know, or in a dressing room at a clothing store. 34 00:02:16,800 --> 00:02:21,040 Speaker 7: Sounds like a problem too. Hundred dogs. Okay, okay, okay, 35 00:02:21,600 --> 00:02:22,280 Speaker 7: just give me a minute. 36 00:02:45,280 --> 00:02:50,080 Speaker 8: Hey, I guess you're still on the road, Sarah, call 37 00:02:50,200 --> 00:02:51,600 Speaker 8: me back when you're home and let me know you 38 00:02:51,720 --> 00:02:51,919 Speaker 8: got it. 39 00:02:52,040 --> 00:02:56,919 Speaker 1: Okay. I ended up at this random county fair and well, 40 00:02:57,000 --> 00:02:58,240 Speaker 1: it's a long story. 41 00:02:58,520 --> 00:03:00,680 Speaker 5: I love you, babe Insteajah. 42 00:03:00,960 --> 00:03:02,280 Speaker 7: Why do you have so many stuff to animals? 43 00:03:02,520 --> 00:03:05,320 Speaker 1: I won them for Sarah? She loves her some Spongeboble. 44 00:03:05,600 --> 00:03:07,239 Speaker 7: But I was only gone like five minutes. 45 00:03:07,480 --> 00:03:10,080 Speaker 1: I'm really good at ringtars. Wait, why are you sweating? 46 00:03:10,360 --> 00:03:11,320 Speaker 7: I need two hundred dollars? 47 00:03:11,639 --> 00:03:11,679 Speaker 9: What? 48 00:03:12,440 --> 00:03:12,600 Speaker 7: Why? 49 00:03:13,200 --> 00:03:13,320 Speaker 3: Well? 50 00:03:13,400 --> 00:03:15,239 Speaker 4: Fortune tell her knew about my puppy. She says, she 51 00:03:15,280 --> 00:03:16,840 Speaker 4: knows who killed him, but you won't tell me unless I. 52 00:03:16,840 --> 00:03:19,200 Speaker 7: Give her two hundred dollars. She said, what she knows 53 00:03:19,200 --> 00:03:21,399 Speaker 7: who killed my puppy is jah, She said, it's someone 54 00:03:21,520 --> 00:03:23,360 Speaker 7: close to me. We could be in danger. 55 00:03:23,600 --> 00:03:26,000 Speaker 1: Well, well I told you fortune tellers were scams. 56 00:03:26,639 --> 00:03:27,000 Speaker 8: You know what. 57 00:03:27,240 --> 00:03:32,799 Speaker 1: I'm so flabbergasted. I can't even be leaf she would use. 58 00:03:32,720 --> 00:03:36,240 Speaker 8: Your father's passing for her own personal I mean, what 59 00:03:36,400 --> 00:03:37,320 Speaker 8: kind of foots? 60 00:03:38,000 --> 00:03:42,480 Speaker 1: Honestly, I am so disgusting. Come on, let's get out 61 00:03:42,520 --> 00:03:42,800 Speaker 1: of here. 62 00:03:43,560 --> 00:03:45,560 Speaker 4: It's no but this is real. What if it's that 63 00:03:45,600 --> 00:03:48,080 Speaker 4: green Prius that keeps following us? What if they're nere 64 00:03:48,160 --> 00:03:49,080 Speaker 4: to finish the job? 65 00:03:49,320 --> 00:03:50,840 Speaker 1: No one is following us? 66 00:03:51,280 --> 00:03:51,480 Speaker 6: Wait? 67 00:03:51,520 --> 00:03:53,880 Speaker 1: Wait, wait, wait a minute. What do you need me 68 00:03:54,000 --> 00:03:57,080 Speaker 1: to give you two hundred dollars anyway? Aren't you supposed 69 00:03:57,080 --> 00:03:59,800 Speaker 1: to be the one bake rolling this whole trip? All right? 70 00:04:00,160 --> 00:04:03,360 Speaker 7: Yeah, so I guess this could be a good time 71 00:04:03,440 --> 00:04:06,440 Speaker 7: to mention that I, uh don't have any money? 72 00:04:07,880 --> 00:04:07,920 Speaker 9: What? 73 00:04:08,560 --> 00:04:08,760 Speaker 1: Yeah? 74 00:04:09,200 --> 00:04:11,520 Speaker 4: When my dad died, the bank repossessed everything we had, 75 00:04:11,600 --> 00:04:13,200 Speaker 4: and between the loans he took out with the mob 76 00:04:13,280 --> 00:04:16,200 Speaker 4: and the dip at of business, I was left with nothing. 77 00:04:17,800 --> 00:04:22,200 Speaker 1: Rabel, I can't even I am sorry, okay, but why 78 00:04:22,360 --> 00:04:22,719 Speaker 1: didn't you. 79 00:04:22,960 --> 00:04:23,480 Speaker 5: Just tell me? 80 00:04:23,680 --> 00:04:27,040 Speaker 7: Because I didn't think you would let me come with 81 00:04:27,080 --> 00:04:28,160 Speaker 7: you unless I pay for everything? 82 00:04:28,360 --> 00:04:34,039 Speaker 1: What as facts. That's pure facts. Come here. I'm sorry, 83 00:04:34,120 --> 00:04:34,800 Speaker 1: I didn't mean that. 84 00:04:35,240 --> 00:04:38,640 Speaker 7: It's okay, It's true. I don't really have a lot 85 00:04:38,680 --> 00:04:40,960 Speaker 7: of friends, and the friends I did have all bailed 86 00:04:41,000 --> 00:04:42,160 Speaker 7: when they found out I was broke. 87 00:04:42,440 --> 00:04:43,240 Speaker 1: So you lied to me. 88 00:04:43,880 --> 00:04:46,640 Speaker 7: Well, I guess there's a lot of that going around. 89 00:04:46,720 --> 00:04:46,880 Speaker 4: Huh. 90 00:04:49,320 --> 00:04:51,719 Speaker 1: Well, I'm not paying for no damn fortune to tell us, 91 00:04:51,720 --> 00:04:53,680 Speaker 1: So come on. The car should be ready by dawn, 92 00:04:55,520 --> 00:04:57,799 Speaker 1: which ab okay, I's trying to be jail and me. Goddamn, 93 00:04:57,800 --> 00:05:02,440 Speaker 1: but I lie because I've been loved Johnny, say you 94 00:05:02,640 --> 00:05:02,800 Speaker 1: just go? 95 00:05:04,360 --> 00:05:08,440 Speaker 6: Oh boy, even I'm getting lost in all these all 96 00:05:08,520 --> 00:05:12,000 Speaker 6: these lying liars everywhere. I guess Raoul will have to 97 00:05:12,040 --> 00:05:15,080 Speaker 6: wait to find out what really happened to his Bobby, to. 98 00:05:15,200 --> 00:05:17,320 Speaker 5: His loving, devoted father. 99 00:05:18,240 --> 00:05:20,600 Speaker 6: How long will it take before he sees the answer 100 00:05:21,040 --> 00:05:26,080 Speaker 6: is right under that big nose of HISO. Come on, boy, 101 00:05:26,520 --> 00:05:29,120 Speaker 6: let's head over to city hall and see who is 102 00:05:29,160 --> 00:05:31,480 Speaker 6: stey one called in to save the day. 103 00:05:34,720 --> 00:05:36,720 Speaker 10: You said you'll take all the help you can get. 104 00:05:36,880 --> 00:05:38,720 Speaker 7: No, there has to be another way. 105 00:05:38,839 --> 00:05:40,080 Speaker 10: I promise you there isn't. 106 00:05:40,320 --> 00:05:40,360 Speaker 9: No. 107 00:05:40,600 --> 00:05:44,520 Speaker 5: But I really truly hate her. 108 00:05:47,880 --> 00:05:52,760 Speaker 3: This better be good, alo Alice, Yeah, oh, I haven't 109 00:05:52,800 --> 00:05:59,279 Speaker 3: seen you since since I whoop you're ass in the election, and. 110 00:05:59,400 --> 00:06:02,560 Speaker 2: I haven't I've seen you since you were in handcuffs, 111 00:06:03,040 --> 00:06:04,560 Speaker 2: and I don't mean your time in jail. 112 00:06:04,800 --> 00:06:06,000 Speaker 3: Ah, she's so funny. 113 00:06:06,600 --> 00:06:09,680 Speaker 10: Council Woman Mendez, thank you for coming on such short notice. 114 00:06:10,320 --> 00:06:14,960 Speaker 3: Yes, Alicia, thank you, thank you. I mean not that 115 00:06:15,080 --> 00:06:16,960 Speaker 3: I need any help, since we are doing fine on 116 00:06:17,000 --> 00:06:23,240 Speaker 3: our own, but I suppose your deep knowledge of obscure 117 00:06:23,400 --> 00:06:26,760 Speaker 3: by laws could be useful in some ways. 118 00:06:26,839 --> 00:06:29,520 Speaker 2: Oh, cut the crap a seven. I'm not here for you. 119 00:06:30,040 --> 00:06:33,200 Speaker 2: I'm here as a favorite of Kellogg, and I'm actually 120 00:06:33,279 --> 00:06:36,040 Speaker 2: in the middle of a very important investigation. So if 121 00:06:36,040 --> 00:06:37,599 Speaker 2: you don't mind, what do you want? 122 00:06:37,800 --> 00:06:40,760 Speaker 7: Well, there's been some disagreements about a proposal. 123 00:06:40,360 --> 00:06:42,600 Speaker 2: And Perez won't let you build the new highway through 124 00:06:42,640 --> 00:06:43,159 Speaker 2: his district. 125 00:06:43,240 --> 00:06:43,400 Speaker 3: Huh. 126 00:06:43,600 --> 00:06:46,600 Speaker 2: Yes, but also Cunningham's pulling the kids with asthma card. 127 00:06:46,960 --> 00:06:48,040 Speaker 4: Yes, well, how did you know? 128 00:06:48,279 --> 00:06:52,800 Speaker 2: Because it's my job, because I take this seriously, because 129 00:06:52,880 --> 00:06:56,560 Speaker 2: not everyone runs for mayor as a pr stunt. Some 130 00:06:56,760 --> 00:06:59,839 Speaker 2: of us actually want to make a differences tend to. 131 00:06:59,800 --> 00:07:02,280 Speaker 3: Make and maybe it can be well, we seem to 132 00:07:02,320 --> 00:07:03,320 Speaker 3: be at a name pass. 133 00:07:03,279 --> 00:07:06,320 Speaker 2: You need to build the highway somewhere. Cunningham's right. The traffic, 134 00:07:06,520 --> 00:07:10,920 Speaker 2: it's horrendous, But I know Perez, he's never gonna give in. 135 00:07:11,480 --> 00:07:12,680 Speaker 2: What you need is another route. 136 00:07:12,880 --> 00:07:17,720 Speaker 5: But the only other way would be Bee who councilman Bay. 137 00:07:18,320 --> 00:07:20,600 Speaker 2: The industrial part of his district just got rezoned a 138 00:07:20,880 --> 00:07:23,000 Speaker 2: If you get him to agree, you could reroute the 139 00:07:23,040 --> 00:07:23,680 Speaker 2: highway through there. 140 00:07:23,920 --> 00:07:27,280 Speaker 10: Oh, come on, Alicia, you know Bay. He doesn't do 141 00:07:27,440 --> 00:07:29,160 Speaker 10: anything unless there's something in it for him. 142 00:07:29,560 --> 00:07:30,960 Speaker 2: Oh, he's not so bad. 143 00:07:31,360 --> 00:07:34,080 Speaker 10: I once saw him literally take candy from a baby. 144 00:07:34,600 --> 00:07:36,240 Speaker 10: It was a Mars bar and the baby had a 145 00:07:36,320 --> 00:07:37,760 Speaker 10: full set of teeth, and there was a tussle and 146 00:07:37,800 --> 00:07:39,200 Speaker 10: it was very unsettling. 147 00:07:40,280 --> 00:07:42,080 Speaker 2: Well, Bey has been asking me to co chair the 148 00:07:42,120 --> 00:07:44,880 Speaker 2: restoration committee with him for months. I'd rather chew on 149 00:07:45,040 --> 00:07:48,600 Speaker 2: glass than do that. But if I did say yes, 150 00:07:50,120 --> 00:07:54,200 Speaker 2: i'd have a favorite accussion. But if no one here 151 00:07:54,360 --> 00:07:57,280 Speaker 2: needs my help, then I guess I'll just be on 152 00:07:57,480 --> 00:07:57,920 Speaker 2: my way. 153 00:08:00,240 --> 00:08:05,040 Speaker 3: Wat What was that, cous Your help? 154 00:08:05,680 --> 00:08:05,720 Speaker 9: What? 155 00:08:06,240 --> 00:08:08,480 Speaker 2: I'm sorry? I? Oh, hold on, I think there's something 156 00:08:08,520 --> 00:08:09,440 Speaker 2: in my ear. I can't hear you. 157 00:08:09,560 --> 00:08:10,440 Speaker 5: What I'm sorry? What? 158 00:08:10,920 --> 00:08:11,880 Speaker 1: Excuse your help? 159 00:08:12,680 --> 00:08:15,800 Speaker 2: Okay, good to see you kellg bye, good luck at seven? 160 00:08:16,440 --> 00:08:21,160 Speaker 3: Oh, come on, okay, okay, I am sorry I called 161 00:08:21,240 --> 00:08:25,600 Speaker 3: you ferret faced, and I'm sorry I called you a 162 00:08:25,680 --> 00:08:26,640 Speaker 3: hot dog on a stick. 163 00:08:27,160 --> 00:08:29,520 Speaker 2: And I'm sure you're very sorry about that debate where 164 00:08:29,520 --> 00:08:31,720 Speaker 2: you made part noises every time I tried to talk. 165 00:08:33,200 --> 00:08:34,320 Speaker 7: That was not just idea. 166 00:08:37,640 --> 00:08:38,880 Speaker 3: Yeah, I'm sorry for that too. 167 00:08:39,640 --> 00:08:43,200 Speaker 7: I was a complete jerk. But I could really. 168 00:08:44,400 --> 00:08:45,120 Speaker 9: Use your help. 169 00:08:46,720 --> 00:08:48,240 Speaker 7: Will you help me get this done? 170 00:08:51,679 --> 00:08:55,959 Speaker 2: Let's just be clear, I still detest you, but the 171 00:08:56,040 --> 00:08:58,920 Speaker 2: people of Miami are more important than me hating you, 172 00:08:59,600 --> 00:09:04,720 Speaker 2: which I do very much, So you'll do it. Yes, 173 00:09:06,480 --> 00:09:09,080 Speaker 2: Hell Cunningham to swing by my office later this afternoon. 174 00:09:09,800 --> 00:09:10,439 Speaker 2: I'll get it done. 175 00:09:10,760 --> 00:09:11,040 Speaker 11: Okay. 176 00:09:11,320 --> 00:09:14,040 Speaker 2: By the way, I wouldn't get too comfortable in that chair. 177 00:09:14,679 --> 00:09:17,640 Speaker 2: The investigation that I'm leading, it's looking into voter fraud, 178 00:09:18,200 --> 00:09:21,520 Speaker 2: and I seem to remember there being a sudden influx 179 00:09:21,600 --> 00:09:24,079 Speaker 2: of votes at the very last. 180 00:09:23,960 --> 00:09:25,400 Speaker 6: Minute for you. 181 00:09:25,800 --> 00:09:29,880 Speaker 2: Ah, fascinating. Well, Hell, Loug, I'll see you at a 182 00:09:30,040 --> 00:09:32,319 Speaker 2: karaoke on Friday, Steve one, You're not invited. 183 00:09:32,520 --> 00:09:44,520 Speaker 5: Bye, saved by your arch nemesis. What I unexpected turn 184 00:09:45,120 --> 00:09:47,679 Speaker 5: And I don't care what anyone says that Bartnoys's thing 185 00:09:48,200 --> 00:09:51,800 Speaker 5: was uh hilarious, and I do it again. I do 186 00:09:51,880 --> 00:09:55,559 Speaker 5: it even now now that I stay on is settling in. 187 00:09:56,640 --> 00:10:00,920 Speaker 5: Let's turn to Luisa, who is out of her comfort zalty. 188 00:10:22,679 --> 00:10:23,199 Speaker 4: Louisa. 189 00:10:23,559 --> 00:10:26,920 Speaker 1: Oh there you are, and you're wearing the dress I 190 00:10:27,080 --> 00:10:29,800 Speaker 1: sent you. You look fabulous. 191 00:10:30,280 --> 00:10:32,200 Speaker 2: I look like I'm twenty two. 192 00:10:32,840 --> 00:10:35,319 Speaker 1: Don't you think it's a little die? Of course not. 193 00:10:35,840 --> 00:10:38,280 Speaker 1: It's amazing what some cool sculpting can do. 194 00:10:39,720 --> 00:10:42,200 Speaker 2: Okay, you stay right here. 195 00:10:43,120 --> 00:10:44,520 Speaker 1: I'm gonna go find Joel. 196 00:10:45,040 --> 00:10:47,520 Speaker 2: Okay, I'm sure you too will hit it off. 197 00:10:49,120 --> 00:10:57,959 Speaker 7: Oh hello there, beautiful. 198 00:10:57,880 --> 00:10:58,560 Speaker 5: Oh oh. 199 00:11:00,080 --> 00:11:04,600 Speaker 2: Hello, Uh, I'm Louisa Jonathan. 200 00:11:05,480 --> 00:11:06,800 Speaker 7: Friends call me Johnny. 201 00:11:07,280 --> 00:11:11,280 Speaker 1: So you're a member of the church. No, no, my 202 00:11:11,640 --> 00:11:20,680 Speaker 1: friend is Victoria. Wow, your hair is really uh oh fuck? 203 00:11:24,160 --> 00:11:25,280 Speaker 1: Can I touch it? 204 00:11:25,600 --> 00:11:25,640 Speaker 3: No? 205 00:11:26,000 --> 00:11:31,959 Speaker 2: No, no, no, excuse mescal. 206 00:11:40,559 --> 00:11:41,560 Speaker 5: You're running from Johnny. 207 00:11:42,520 --> 00:11:44,920 Speaker 2: Yes, yes, he has to touch my hair. 208 00:11:45,280 --> 00:11:47,520 Speaker 5: Oh you got off easy once. I saw him like 209 00:11:47,640 --> 00:11:49,719 Speaker 5: a hair of a woman's head and flows with it. 210 00:11:50,000 --> 00:11:53,360 Speaker 2: No, no, no, I think that's an urban myth. 211 00:11:53,880 --> 00:11:57,680 Speaker 5: I swear my mother's grave. Well now I'm Louisa, Frank. 212 00:11:58,160 --> 00:11:58,800 Speaker 5: Nice to meet you. 213 00:11:59,520 --> 00:12:02,440 Speaker 7: So how is a beautiful woman like you single? 214 00:12:03,600 --> 00:12:06,400 Speaker 11: Well, that's a long story. Now I've got time. 215 00:12:07,200 --> 00:12:10,040 Speaker 2: Basically, my ex husband turned out to be gay. 216 00:12:10,200 --> 00:12:12,440 Speaker 5: Oh are you kidding me? They're everywhere these days. 217 00:12:14,960 --> 00:12:17,760 Speaker 11: My friend, my friend is calling me over, if you'll 218 00:12:17,800 --> 00:12:26,880 Speaker 11: excuse me, Victardia, what is wrong with all of these guys? 219 00:12:27,440 --> 00:12:28,000 Speaker 7: There you are? 220 00:12:28,679 --> 00:12:29,760 Speaker 1: I was looking for you. 221 00:12:30,280 --> 00:12:32,600 Speaker 2: Yeah, well I've been busy running from all of these creeps. 222 00:12:33,040 --> 00:12:33,240 Speaker 1: Yeah. 223 00:12:33,760 --> 00:12:37,959 Speaker 10: It's not our best showing, but I saved the best 224 00:12:38,080 --> 00:12:43,480 Speaker 10: for last because this is my brother Joel. 225 00:12:43,960 --> 00:12:45,480 Speaker 11: Luisa, such a pleasure to meet you. 226 00:12:45,880 --> 00:12:49,120 Speaker 7: I've heard such wonderful things. It's lovely to meet you, Jue. 227 00:12:50,440 --> 00:12:52,040 Speaker 1: But we need to get a couple of things out 228 00:12:52,080 --> 00:12:52,439 Speaker 1: of the way. 229 00:12:52,559 --> 00:12:55,760 Speaker 2: Okay, First, how do you feel about gay people? 230 00:12:56,480 --> 00:12:58,040 Speaker 7: I'm an ally, but it's not for me. 231 00:12:58,440 --> 00:12:59,960 Speaker 1: Okay, okay, that works. That works? 232 00:13:00,200 --> 00:13:02,480 Speaker 2: And do you want to touch my hair? I do, 233 00:13:03,040 --> 00:13:04,280 Speaker 2: but only after the third day. 234 00:13:04,800 --> 00:13:07,439 Speaker 7: Ideally you ask me to grab it by the fistful. 235 00:13:07,960 --> 00:13:12,880 Speaker 1: Oh isn't he just too much? 236 00:13:15,679 --> 00:13:15,880 Speaker 3: Well? 237 00:13:16,679 --> 00:13:17,600 Speaker 5: I think that's my cue. 238 00:13:19,280 --> 00:13:20,880 Speaker 11: So Luisa, Miami. 239 00:13:21,520 --> 00:13:24,240 Speaker 1: It's not quite Florida, but it's separate. 240 00:13:28,440 --> 00:13:32,040 Speaker 5: Whoa looks like Louisa is finally hitting it off with someone. 241 00:13:32,440 --> 00:13:36,080 Speaker 6: Good for you, Louisa, I gotta say, now that she's 242 00:13:36,200 --> 00:13:39,840 Speaker 6: not married to my boyfriend, I like her a lot better. 243 00:13:40,400 --> 00:13:41,680 Speaker 6: It's funny how that happens. 244 00:13:42,600 --> 00:13:45,320 Speaker 5: Now, let's check in with Estray and Raoul back at 245 00:13:45,360 --> 00:13:45,920 Speaker 5: the hospital. 246 00:13:51,960 --> 00:13:55,200 Speaker 1: Hi, I called earlier. I'm here to see Gabby Cabrera. 247 00:13:55,800 --> 00:13:59,200 Speaker 1: Oh sure, I just want to make sure you're aware. 248 00:14:00,120 --> 00:14:03,920 Speaker 11: This patient is in a coma has been for five years. 249 00:14:04,559 --> 00:14:08,040 Speaker 1: I'm aware. Okay, just take a seat and someone will 250 00:14:08,080 --> 00:14:26,240 Speaker 1: call you in. Thank you. Hey, babe, I just got 251 00:14:26,280 --> 00:14:29,480 Speaker 1: to the hospital. You should be home by now. Maybe 252 00:14:29,520 --> 00:14:33,000 Speaker 1: your phone died or something. Anyway, I'm hoping to be 253 00:14:33,080 --> 00:14:36,600 Speaker 1: back by tonight. Call me back. I love you bye. 254 00:14:38,240 --> 00:14:38,920 Speaker 7: Are you ready for this? 255 00:14:39,760 --> 00:14:45,320 Speaker 1: Yes? No, I don't know. I just can't believe it's 256 00:14:45,360 --> 00:14:48,040 Speaker 1: finally happening, that this will finally be over. 257 00:14:48,840 --> 00:14:50,840 Speaker 7: H What should I do? Should I get your coffee? 258 00:14:51,160 --> 00:14:53,480 Speaker 7: Do you need a donut? Is there a gift shop around? Wow? 259 00:14:53,520 --> 00:14:55,040 Speaker 1: Oh? I don't need you to pay me to be 260 00:14:55,120 --> 00:14:59,480 Speaker 1: your friend. We are friends. You've been really supportive through 261 00:14:59,480 --> 00:15:03,600 Speaker 1: all this, and I appreciate your help. Really, thank you. 262 00:15:04,280 --> 00:15:05,720 Speaker 1: I just wish you hadn't lied to me. 263 00:15:06,400 --> 00:15:09,280 Speaker 4: Yeah, I'm sorry about that. I guess I'm just a 264 00:15:09,320 --> 00:15:13,320 Speaker 4: little embarrassed about it. Still, I've never been poor before. 265 00:15:14,040 --> 00:15:16,200 Speaker 1: Well, welcome to the club. We meet every Tuesday. 266 00:15:16,520 --> 00:15:18,280 Speaker 7: Ooh all right, I can't wait. 267 00:15:18,480 --> 00:15:20,040 Speaker 1: No, see, now you're no longer invited. 268 00:15:20,240 --> 00:15:23,080 Speaker 7: Oh okay, And. 269 00:15:23,200 --> 00:15:25,720 Speaker 4: Now that I am poorer, I need to make new friends, 270 00:15:26,120 --> 00:15:29,560 Speaker 4: and it's hard. I've never had to make poor friends before. 271 00:15:29,920 --> 00:15:31,680 Speaker 4: You know, rich friends are easy. You just buy each 272 00:15:31,720 --> 00:15:34,880 Speaker 4: other Bugattis and boom your friends. I don't know what 273 00:15:35,000 --> 00:15:35,800 Speaker 4: poor people want. 274 00:15:36,360 --> 00:15:38,760 Speaker 8: Well, I'll take a Bugatti with leather seats and picking 275 00:15:38,840 --> 00:15:42,800 Speaker 8: tea the next time you're giving them away. Okay, But 276 00:15:42,920 --> 00:15:45,000 Speaker 8: what I really need is just someone who is there 277 00:15:45,080 --> 00:15:48,080 Speaker 8: for me, who listens, and who cares. 278 00:15:48,880 --> 00:15:49,600 Speaker 7: I think I can do that. 279 00:15:50,480 --> 00:15:50,680 Speaker 5: Miss. 280 00:15:51,200 --> 00:15:52,040 Speaker 9: You can come back now. 281 00:15:52,160 --> 00:15:54,640 Speaker 1: Oh it's the room down the hallway to the line. Okay, 282 00:15:54,720 --> 00:15:56,960 Speaker 1: thank you? Come with me? 283 00:15:57,520 --> 00:15:58,080 Speaker 7: Are you sure? 284 00:15:58,720 --> 00:15:58,920 Speaker 2: Yes? 285 00:15:59,560 --> 00:16:03,000 Speaker 1: Hell? Yeah, you came all this way. You're part of this. 286 00:16:03,160 --> 00:16:08,120 Speaker 1: Now you's gonna hold your hand. It is so clammy. 287 00:16:08,480 --> 00:16:09,920 Speaker 7: I know I've got clam hands. 288 00:16:13,840 --> 00:16:22,800 Speaker 1: Okay, on the kind of three one two three? Why 289 00:16:22,880 --> 00:16:24,160 Speaker 1: did you guess? I don't know. 290 00:16:24,400 --> 00:16:26,680 Speaker 7: Curtain reveals are so dramatic it felt appropriate. 291 00:16:27,560 --> 00:16:28,560 Speaker 1: Man, What the hell is this? 292 00:16:33,680 --> 00:16:34,720 Speaker 5: Hey, Australia. What's up? 293 00:16:34,960 --> 00:16:35,520 Speaker 3: Did you find her? 294 00:16:35,640 --> 00:16:38,440 Speaker 1: I'm here at the hospital. It's not heart what. 295 00:16:39,040 --> 00:16:39,360 Speaker 5: No, No. 296 00:16:39,560 --> 00:16:42,480 Speaker 6: I checked the record to the birthday's match and everything. 297 00:16:42,840 --> 00:16:45,480 Speaker 6: There is no way that there are two Gabby Cabreras. 298 00:16:46,080 --> 00:16:47,040 Speaker 6: Maybe you're at the wrong bed. 299 00:16:47,240 --> 00:16:49,600 Speaker 1: I'm looking right at this way. It's not heart. 300 00:16:49,840 --> 00:16:50,960 Speaker 4: How can you be sure? 301 00:16:51,240 --> 00:16:54,560 Speaker 1: Because this is a man Ooh, I didn't think. 302 00:16:54,480 --> 00:16:55,120 Speaker 3: Of look at gender. 303 00:16:55,360 --> 00:16:57,480 Speaker 6: Yeah, yeah, yeah, no, it says it right there, gob 304 00:16:57,760 --> 00:16:58,480 Speaker 6: real Cabrera. 305 00:16:59,200 --> 00:16:59,520 Speaker 5: Damn it. 306 00:16:59,560 --> 00:17:02,360 Speaker 1: I'm sorry, It's okay. Maybe this is a sign. 307 00:17:03,080 --> 00:17:05,359 Speaker 8: I've been running myself ragged trying to find her, and 308 00:17:05,400 --> 00:17:08,520 Speaker 8: I keep hitting dead ends. Maybe the universe is telling 309 00:17:08,600 --> 00:17:10,399 Speaker 8: me to let it go. 310 00:17:11,000 --> 00:17:11,920 Speaker 6: I'm sorry, Astraa. 311 00:17:12,200 --> 00:17:13,760 Speaker 5: I really thought this was it. 312 00:17:15,240 --> 00:17:16,920 Speaker 1: That's all right, I'll call you when I get back. 313 00:17:19,240 --> 00:17:19,879 Speaker 7: How are you feeling? 314 00:17:20,480 --> 00:17:24,320 Speaker 1: Honestly, kind of relieved. I've been feeling so guilty about 315 00:17:24,400 --> 00:17:27,160 Speaker 1: lying to Sarah and this is kind of our last lead. 316 00:17:27,920 --> 00:17:29,080 Speaker 1: I feel like I gave it my off. 317 00:17:29,840 --> 00:17:33,000 Speaker 7: You did, you never gave up? I think Gabby would 318 00:17:33,000 --> 00:17:33,359 Speaker 7: be proud. 319 00:17:33,920 --> 00:17:36,159 Speaker 1: I think I'm ready to just put all this behind me, 320 00:17:36,320 --> 00:17:40,199 Speaker 1: really focus on the future. There she is. I've been 321 00:17:40,200 --> 00:17:44,359 Speaker 1: calling this girl all day she stayed losing her phone. Babe, 322 00:17:44,400 --> 00:17:47,560 Speaker 1: where have you been? I've been calling you off. I 323 00:17:47,640 --> 00:17:48,720 Speaker 1: thought that you've been calling. 324 00:17:49,960 --> 00:17:55,119 Speaker 5: I'm sorry we've been Sarah was in an accident. You 325 00:17:55,240 --> 00:17:57,840 Speaker 5: need to get here as soon as possible. 326 00:17:58,680 --> 00:17:59,879 Speaker 10: I don't know how much time she. 327 00:18:02,800 --> 00:18:08,560 Speaker 5: Oh my god, not Sarah. I really liked her for Estray. 328 00:18:08,640 --> 00:18:09,520 Speaker 5: I can't catch a break. 329 00:18:09,560 --> 00:18:14,359 Speaker 6: I mean, I'm still mad at her, but damn, looks 330 00:18:14,400 --> 00:18:16,600 Speaker 6: like these two are in for another long drive. 331 00:18:30,800 --> 00:18:33,720 Speaker 9: The Princess of South Beach Season two was produced by 332 00:18:33,800 --> 00:18:39,120 Speaker 9: Sonato in partnership with Iheartsmichael Tura Network. Created and directed 333 00:18:39,160 --> 00:18:43,520 Speaker 9: by Jazmine Romero, Written by Jasmine Romero with help from 334 00:18:43,600 --> 00:18:48,679 Speaker 9: Anissa Hendrix, Produced by Luisa Eduardo Castillo, Executive produced by 335 00:18:48,760 --> 00:18:53,360 Speaker 9: Jasmine Romero. Executive produced by conaal Byron and Jaselle Bansis 336 00:18:53,400 --> 00:18:58,000 Speaker 9: for iHeart and Camilla Victoriano and Josha Weinstein for Sonatro. 337 00:18:58,800 --> 00:19:06,640 Speaker 9: Performances in this episode by Danny Pino, Joseph Limos, Andy Bustillos, 338 00:19:07,160 --> 00:19:14,240 Speaker 9: ex Maio, Raul Sparsa, Mike Cabelan, Jasmine Romero, Kelly Contell, 339 00:19:14,960 --> 00:19:22,000 Speaker 9: Gina Torres, Wendel Johnson, Ryan Peres Brent Harvey, Nico Posi, 340 00:19:22,760 --> 00:19:28,960 Speaker 9: Alan Eisenberg and Dorein Hamilton. Our production manager is kennsa Chains. 341 00:19:29,760 --> 00:19:33,959 Speaker 9: Recording engineering and sound design by Lundgoyan and Joan Diaz 342 00:19:34,160 --> 00:19:38,080 Speaker 9: with help from Cassandra Tinajiro and Andres Yena. Casting and 343 00:19:38,160 --> 00:19:43,760 Speaker 9: coordination by Kennca Gairis, Ansli Martinez, Alex Gonzalez and Andres Chilis. 344 00:19:44,320 --> 00:19:48,680 Speaker 9: Theme song and original music by Rodrigo Garcia Rodis theme 345 00:19:48,760 --> 00:19:53,800 Speaker 9: song performed by Jafetzamajoa and Carol velasco voices. Recorded at 346 00:19:53,840 --> 00:19:57,080 Speaker 9: the Invisible Studios in Los Angeles, the Relly Groom in 347 00:19:57,119 --> 00:20:00,960 Speaker 9: New York, and the Hollowood Halls Importman, with engineering by 348 00:20:01,080 --> 00:20:06,720 Speaker 9: Charles Carroll, David Wilson, Neil Wagenson, Sam Bear, Brett Tubin 349 00:20:07,080 --> 00:20:11,200 Speaker 9: and Justin Phelps. With special thanks to Heronima Villa