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Speaker 1: R and B money.

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Speaker 2: We are.

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Speaker 1: Than we are the authority on all things R and B. Ladies, gentlemen,

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Speaker 1: even take the R and B the podcast, the authority

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Speaker 1: on all things R and B. Listen, name in the building. Yeah, yeah,

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Speaker 1: we got a brother. We gotta love one.

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Speaker 2: We you know, we gotta start saying to the authority

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Speaker 2: on R and B, money, R and B, everything and

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Speaker 2: everything that comes along with R and B.

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Speaker 1: You heard it, he said that I can come from

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Speaker 1: now on because everything come come along with R and B. Listen, man,

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Speaker 1: I'm not gonna make the intro too long. Man.

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Speaker 3: Okay, okay, the change you might make everybody mad.

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Speaker 1: The change is big and the money's long. Yeah, come on, man,

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Speaker 1: come on, man, come on man. First, first, let me

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Speaker 1: say like this, let me say this, let me let

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Speaker 1: me get this off my chest. First of all, O

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Speaker 1: T is the nicest, nicest, funniest guy in the world.

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Speaker 1: When I say, in the world, in the world, always smiling.

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Speaker 4: But don't play with it, don't play with don't play

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Speaker 4: with him, don't play with his people because for the

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Speaker 4: smallest thing, I'm talking the smallest thing, O T will

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Speaker 4: go there.

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Speaker 1: I'm like, like, big, bro, what's what's going on, Oh, man,

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Speaker 1: he brought me some cold fries. Cold fries. God, who

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Speaker 1: brought to the fries? Oh, it's just fighting. It's the principal.

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Speaker 1: They taking your kind of weakness. God, they trying to

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Speaker 1: say you cold out here, you caught out the street. Up,

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Speaker 1: I'm gonna have a hundred niggas. It's just fright. It's

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Speaker 1: the principal car.

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Speaker 3: He will go, hey, listen, that's movie.

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Speaker 1: He can really fight. That's the problem. That's the problem.

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Speaker 1: But I love it because nigga, he's standing on all

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Speaker 1: the business. If he's fucking with you and he got

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Speaker 1: love for your nigga, you're not gonna let nobody play

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Speaker 1: with you. Yeah yeah, it starts there. Yeah yeah. Oh.

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Speaker 1: This is a few incidents I could go into. I'm

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Speaker 1: just like, oh no, stop it, please don't do this.

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Speaker 5: I let nobody play with my role. Man, it ain't happening.

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Speaker 5: We'll be heavy that switch. I don't be sad. I'll

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Speaker 5: be saying for the other we're just bowling. I'm a

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Speaker 5: bonus nigga. I'll be having to go back to the

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Speaker 5: people and apologize.

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Speaker 1: I'm so sorry my little brother. You know, he's laughing,

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Speaker 1: like because I really was like, it's tired. You mean

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Speaker 1: what you mean?

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Speaker 3: He he just love heart.

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Speaker 1: I'm sorry my life was in it was, but don't

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Speaker 1: worry about it. He's fine. Man, oh man, I just

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Speaker 1: had to get that off of my chest. Man brother,

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Speaker 1: I appreciate you. Oh, you know, we've had many a

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Speaker 1: deep conversation man, and you know, I think that for

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Speaker 1: me and of course I can speak for Jay bringing

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Speaker 1: you here on the R and B Money Podcast. It's like,

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Speaker 1: you know, it's it's one of those things where you know,

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Speaker 1: maybe maybe maybe as an overall title, you consider yourself

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Speaker 1: a rapper. I consider you a songwriter for sure. Yeah,

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Speaker 1: I consider you a hit songwriter. You know what I'm saying.

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Speaker 1: And you've done that, whether it just be rap, or

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Speaker 1: whether it be melodic, or whether you go ahead and

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Speaker 1: just fucking sing, get your remix on it to it.

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Speaker 1: Like you've done all of that. And I think that

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Speaker 1: that conversation is and that information is important for everybody

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Speaker 1: all across the border. So let's go. Let's go back

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Speaker 1: to the beginning. That's what that's what was. What was

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Speaker 1: a little old tie doing the beach?

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Speaker 5: Yeah, I was, I was, I was in like I

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Speaker 5: was in long Beach, running around, you know, shooting dice

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Speaker 5: at school, you know, selling candy for some money, you know,

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Speaker 5: all that type of stuff. Obviously, Like I'm from Long

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Speaker 5: be so you know we have a certain type of

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Speaker 5: thing over there. I don't know if you say that

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Speaker 5: on this say what you want to say for you. Yeah,

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Speaker 5: so you know we come from like cript culture and

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Speaker 5: everything like that. I wanted to play football, but I

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Speaker 5: was bad as hell, so I was always ineligible. You know, you.

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Speaker 1: Know, look at you right now. I got nigga fast.

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Speaker 1: He ain't got a grade. I know that nigga fastest,

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Speaker 1: low hissy grade, make sure he don't play here.

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Speaker 5: So my grades was bad, but I never I never.

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Speaker 5: I never got to like I'm one of the dudes

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Speaker 5: that like, I always used to get confused. And then

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Speaker 5: I start saying for school only because I like go

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Speaker 5: there and I like, do I do good?

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Speaker 1: I do?

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Speaker 5: I finish all my homework and then fail all the

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Speaker 5: time because I would never like retain I can retain

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Speaker 5: the information. I'll just make sure I complete what I

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Speaker 5: need to complete, you know what I'm saying. And so

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Speaker 5: and so I started doing music. Then like by the

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Speaker 5: time I'm like sixteen, but then I went to like like.

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Speaker 1: Seven high schools you went to.

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Speaker 5: I went to like seven, yeah, because I was Yeah,

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Speaker 5: because everybody wanted me to go to their school.

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Speaker 1: I'll be over there next week. It's not a party.

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Speaker 1: I'm gonna pull up.

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Speaker 5: No, I got I got kicked out of all of

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Speaker 5: all the schools I was.

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Speaker 1: I was, I was going to it.

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Speaker 5: So I got kicked out at every school I went to,

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Speaker 5: and then I found in high school.

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Speaker 1: Yeah yeah, yeah.

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Speaker 5: Because I was getting I was getting kicked out of

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Speaker 5: like districts and so and so I would so I

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Speaker 5: would start like in one and then I go like,

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Speaker 5: I gotta go from gonna be so Serritos.

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Speaker 1: We don't want you to go to any of these

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Speaker 1: ten schools, right, you can't go to none of it.

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Speaker 2: So what you're saying is you've been doing club hosting.

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Speaker 3: You permitt.

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Speaker 5: He only had two hour requirements. He come to his

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Speaker 5: hour and a half. I was kidding so like because

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Speaker 5: they were like I was so bad. They were like,

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Speaker 5: now we kick you out of the district, not out

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Speaker 5: of the school. It's not gonna expel you from the school.

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Speaker 5: You're gonna go down there and do the same ship.

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Speaker 5: So we get kick out whatever. But I was doing

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Speaker 5: music and I used to like go online and go,

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Speaker 5: I want to go back to something real quick, go

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Speaker 5: to the music.

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Speaker 1: I want to go to this. I was so bad

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Speaker 1: because I was really bad in school. Yeah, And I

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Speaker 1: don't know why I was really bad at school, Like

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Speaker 1: I was just up for whatever challenge, whatever another nigga

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Speaker 1: wouldn't do right right right before. It was before I

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Speaker 1: got to high school, right before I found the Lord.

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Speaker 1: The Lord changed me, but before that, and the psychologists

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Speaker 1: tried to give me, you know, all these reasons as

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Speaker 1: to why, and your parents and they left you early

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Speaker 1: and went overseas without you. It's just your rebel. I

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Speaker 1: was like, no, I'm not rebeling. The nigga just said

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Speaker 1: you want to fight, and I was with it. Teacher

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Speaker 1: said some bullshit and I called him the asshole. I

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Speaker 1: was That's just what I was on. What was your thing?

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Speaker 1: What was it that made you that way? Was it

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Speaker 1: just you was just like taking all challenges.

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Speaker 5: Yeah, I was, especially when I left Long Beach because

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Speaker 5: when you kick me out of school, I'm like it

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Speaker 5: was kind of like I felt that like I was

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Speaker 5: already I was already bad because like like when I

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Speaker 5: had to always to.

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Speaker 1: Catch the bus. So I catch the bus.

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Speaker 5: When I get to like the train station, like they're

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Speaker 5: banging on you a train station for those who don't

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Speaker 5: know what's like where are you from?

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Speaker 1: So you start to get it, you get in that energy.

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Speaker 5: I already had that energy before I even get to school,

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Speaker 5: you know what I'm saying. And then we like shoot

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Speaker 5: dice at the McDonald's outside of my school in the morning,

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Speaker 5: like so we'll try to get with that's that that

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Speaker 5: that's what makes us get up early.

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Speaker 1: You know, you said, we gotta we.

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Speaker 5: Gotta shoot dice at McDonald's before we before we across

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Speaker 5: the street. And so but some time, but my, my, my, my,

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Speaker 5: you know, all through my youth, I have to catch

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Speaker 5: the bus and catch the training. That's when you run

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Speaker 5: into niggas and you run into.

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Speaker 1: Whoop and where you're from. Oh oh damn.

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Speaker 5: We gotta get off on this stop because over there,

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Speaker 5: you know.

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Speaker 1: What I mean.

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Speaker 5: And so so then when I when I left Jordan

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Speaker 5: My my my main school, that's like my homeschool across

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Speaker 5: like down street from my.

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Speaker 1: And I left out of Long Beach.

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Speaker 5: I'm always looking at other niggas different, you know, because

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Speaker 5: they looking at me and I'm like, you know, so

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Speaker 5: I'm instantly it's a it's a defense mechanism, you know.

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Speaker 5: And but I'm like, I'm ripping, and I'm like I

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Speaker 5: always now now I'm I'm I'm always trying to prove

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Speaker 5: myself to somebody, you know what I mean, and prove

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Speaker 5: that I ain't no bitch, I ain't no that I

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Speaker 5: come from here. You know, So when somebody says something

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Speaker 5: to you here, even if it's not even if it's

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Speaker 5: not like really threatening like that, you take it like

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Speaker 5: that because you know, you come from a certain place.

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Speaker 5: So I can't the way I'm trying to collect this

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Speaker 5: information that you're telling me right.

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Speaker 1: Now, different, it all, it all feels, it all feel

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Speaker 1: the same.

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Speaker 5: Yeah, yeah, And so you mean by that, yeah, so

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Speaker 5: I would I would do that. I would do that,

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Speaker 5: you know what I mean. I had like I used

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Speaker 5: to have like my you don't have the eye, the

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Speaker 5: I seven thirdys and next tails and all that, you know.

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Speaker 5: I used to do that bring like, yeah, call my homies,

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Speaker 5: you know what I mean, Like bring guns to school.

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Speaker 5: I used to have my little douce fires and my

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Speaker 5: little backpack and everything like that. Like I used to

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Speaker 5: be like I used to be like on bullshit unto you,

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Speaker 5: was really out of control. Yeah yeah, yeah yeah, but

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Speaker 5: but yeah, but it was like because every time I

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Speaker 5: get on a bus stop and I get on the train,

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Speaker 5: they got this thing called.

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Speaker 1: The Blue Line, right la, and they go from Long Beach.

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Speaker 5: You got the Long Beach station, the Artisa station, then

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Speaker 5: you got the Wilmington station, which is Compton. Then you

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Speaker 5: got the one hundred and third station which is Watts

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Speaker 5: you know, and your shit keep going all the way

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Speaker 5: from Long Beach or downtown today somebody. So you're going

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Speaker 5: through every hood and when you get off, you get

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Speaker 5: off the train. You know, it's sometimes Nigga is sitting outside.

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Speaker 5: They just sitting outside the train station tripping, you know

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Speaker 5: what I mean, Like just nobody want no money, no nothing.

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Speaker 5: We just hear trip you know what I'm saying. And

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Speaker 5: so I was always moving that way to protect myself.

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Speaker 5: So I'm like, I'm like overly protective about myself. But

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Speaker 5: at the same time, I'm like I'm like I'm aggressive

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Speaker 5: because I'm overly protected by myself.

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Speaker 3: And at sixteen, you can't turn that on and off.

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Speaker 2: Yeah, it's not like, oh, now I'm in a classroom.

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Speaker 1: Now I'm gonna turn.

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Speaker 3: I'm gonna turn this this this tripping off.

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Speaker 1: No, I'm tripping on.

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Speaker 5: Everything because I gotta be like this happened to protection,

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Speaker 5: So I gotta be like this for nothing, nothing that

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Speaker 5: happened to me, you know what I'm saying.

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Speaker 1: So you got initiated, so motherfuckers. No exactly exactly him alone, exactly.

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Speaker 1: I'm not waiting for a nigga run up on me.

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Speaker 1: And I'm like, as soon as I get off, I'm

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Speaker 1: saying it instantly. I ain't.

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Speaker 5: And I always felt like I had to be that way,

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Speaker 5: you know, and that obviously that's what got me kicked

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Speaker 5: out of all these damn schools. You know, there's others

225
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Speaker 5: I gotta be. I always feel like I had to

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Speaker 5: be the rest, you know. So he was going into

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Speaker 5: the computer, into the music. Yeah, so so I would

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Speaker 5: I would look on online and I would see certain

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Speaker 5: things where damn, what's that site was back then?

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Speaker 1: No?

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Speaker 5: No, no, no, no, where they like sell stuff in

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Speaker 5: cars and and craigs, right, and then like people were

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Speaker 5: like you know, and they just like people would put

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Speaker 5: up like shows into where you like artist gotta sell

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Speaker 5: tickets and everything. And back then they had shine heagely

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Speaker 5: they had all this all this stuff right.

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Speaker 3: Where that's what is that golden voice?

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Speaker 1: Yeah, I think it was.

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Speaker 5: And so like they would have like artists perform, but

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Speaker 5: you had to sell like ten tickets, but what get

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Speaker 5: to get on the show. So it's like if I

242
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Speaker 5: sell team, he sells tea, he sell he sellt We

243
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Speaker 5: got a packed show and all our people was there.

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Speaker 5: So I would that's what that's what I would do whatever.

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Speaker 5: But every time I performed, it was like, damn, you're

246
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Speaker 5: a great performer. You da da da We love your music, Blase,

247
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Speaker 5: but this is me young, you know. And I kept

248
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Speaker 5: doing that, kept doing that, kept doing that, and you know,

249
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Speaker 5: you you start to meet people, and you start to grow,

250
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Speaker 5: and people start to grow, you know, as you guys

251
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Speaker 5: are going up and and then I start meeting people.

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Speaker 5: That's like they're like, yo, we're gonna put you on

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Speaker 5: this show. And you know, you win this contest, you

254
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Speaker 5: you do a song with Lil Wayne, you know what

255
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Speaker 5: I mean, like what and then you know, then they

256
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Speaker 5: have this and then but the whole time they like

257
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Speaker 5: they finishing you your bread you know what I'm saying.

258
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Speaker 5: And so they trying to figure out who can sell

259
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Speaker 5: the most tickets, so you can sell thirty, you know,

260
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Speaker 5: thirty tickets at ten ten dollars each or twenty twenty

261
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Speaker 5: dollars each, you know, and just how the people how

262
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Speaker 5: they was making money. So so years after that go

263
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Speaker 5: by and I do a song out here. It was

264
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Speaker 5: a song called Touchdown that I did, and I met

265
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Speaker 5: this guy there and this guy so I think it

266
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Speaker 5: was a Jamaican guy. He was like, yo, you signed

267
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Speaker 5: and signing anybody. I'm like nah, He's like, all right, cool,

268
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Speaker 5: I got I got, I got somebody you know for

269
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Speaker 5: you to talk to. I'm like, okay, cool. So so

270
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Speaker 5: coming to happen. The guy that he was talking about

271
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Speaker 5: was his name was Dino's name was Dino Devaye. So

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Speaker 5: he had signed cast Money and he was trying to

273
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Speaker 5: sign fifty. But when he was trying to sign fifty

274
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Speaker 5: at University originally before fifty went to in the scope

275
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Speaker 5: and so he's still but University didn't want to sign

276
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Speaker 5: fifth because of all the shit. The gun was so like,

277
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Speaker 5: well now we're not signing him, so I guess, so

278
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Speaker 5: Fifth still kept a relationship with him because he was

279
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Speaker 5: trying to make something happen, you know. And then he

280
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Speaker 5: sent over the music. So Dino sent over the music

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Speaker 5: to Fifth, and then Fifth called me and I'm helping,

282
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Speaker 5: Like I'm helping my boy move. I got a refrigerator,

283
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Speaker 5: Like I'm want a dolly helping my homeboy move out

284
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Speaker 5: of his apartment.

285
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Speaker 1: You know what I'm saying.

286
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Speaker 5: It's like, yeah, they like yo, da da da da da.

287
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Speaker 5: Some guy get on the phone. I'm on the phone

288
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Speaker 5: with Dino. Then he goes, yo, yeah, yeah, that guy's fifty.

289
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Speaker 5: What someone the phone?

290
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Speaker 1: What's up? Niggah? So now me and Fifth on the phone,

291
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Speaker 1: we're talking for like an hour. You still have refrigerator.

292
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Speaker 1: So so look I got the I got I got

293
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Speaker 1: all of It's like we got all. We got the

294
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Speaker 1: truck right there.

295
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Speaker 5: We're really moving, bro, like I'm really helping him move.

296
00:16:26,520 --> 00:16:28,400
Speaker 5: And so Fifth it's like, yo, so we chopping up.

297
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Speaker 5: He's like, look, man, we gonna do something. So listen

298
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Speaker 5: when we get off this phone. I think he said

299
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Speaker 5: he was. I remember he was like, we got the phone.

300
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Speaker 5: Don't go around telling your whole hood you.

301
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Speaker 1: Rich, right.

302
00:16:37,680 --> 00:16:39,440
Speaker 3: He was like the last thing like yeah.

303
00:16:39,480 --> 00:16:41,960
Speaker 5: He said, don't go around telling your whole hood you rich, right,

304
00:16:42,080 --> 00:16:43,840
Speaker 5: and so he was like, I'm gonna come meet you

305
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Speaker 5: in l A.

306
00:16:44,560 --> 00:16:46,760
Speaker 1: All right, cool, So he came meet me in l A.

307
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Speaker 5: We chopped it up and then that's around the time

308
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Speaker 5: he was doing like his s K headphones, his his

309
00:16:54,160 --> 00:16:56,080
Speaker 5: energy dreams, all that stuff. So we was running around,

310
00:16:56,320 --> 00:16:57,760
Speaker 5: was like me and him and Floyd. That's when him

311
00:16:57,760 --> 00:17:01,840
Speaker 5: and Floyd was like super tight. And but I didn't

312
00:17:01,880 --> 00:17:04,440
Speaker 5: know what a single deal was. You know what I'm saying.

313
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Speaker 5: You just know you got to deal song for the

314
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Speaker 5: time exactly, and so okay, boom. So now that deal

315
00:17:13,119 --> 00:17:14,800
Speaker 5: is over and I'm kind of like, yoh, what's going on?

316
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Speaker 5: What's going on? Is going but I'm not knowing that

317
00:17:16,720 --> 00:17:18,760
Speaker 5: this is a single diss, this is for one song

318
00:17:18,800 --> 00:17:22,480
Speaker 5: you've been signed for. And I was okay, cool, But

319
00:17:22,760 --> 00:17:24,840
Speaker 5: I always say it in contact with him, I always

320
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Speaker 5: check you know, I mean check in, check in whatever.

321
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Speaker 1: So maybe I'm not. So I tell Dino who song

322
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Speaker 1: came out?

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Speaker 5: Yeah, it came out, it came out, Yeah, it came out,

324
00:17:35,160 --> 00:17:41,600
Speaker 5: and it was all right. But then I tell Dino

325
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Speaker 5: became my manager at that time, I think he made

326
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Speaker 5: the place. So I'm like, what's going on? So, you know,

327
00:17:46,960 --> 00:17:48,919
Speaker 5: this is just a single deal, was like, this is

328
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Speaker 5: how things work or whatever.

329
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Speaker 1: I'm like, I thought I was fifty forever, you know

330
00:17:52,040 --> 00:18:02,440
Speaker 1: what I mean? Yeah, yeah, chef is on that.

331
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Speaker 4: You know.

332
00:18:03,160 --> 00:18:08,119
Speaker 1: Wow, man, you gotta come through, you gotta come through you.

333
00:18:08,160 --> 00:18:10,200
Speaker 1: So I don't you know, I don't know. You know

334
00:18:10,240 --> 00:18:11,240
Speaker 1: what I'm saying. I don't know.

335
00:18:11,359 --> 00:18:15,800
Speaker 5: I'm so I'm new to this and whatever. So I

336
00:18:15,840 --> 00:18:17,920
Speaker 5: just buggled down, kept recording.

337
00:18:18,600 --> 00:18:19,240
Speaker 1: And then.

338
00:18:20,920 --> 00:18:27,360
Speaker 5: Three years later, I mean, playhouse out here and I'm performing,

339
00:18:28,040 --> 00:18:30,439
Speaker 5: and then I meet Buster and the busts like yo,

340
00:18:30,520 --> 00:18:32,280
Speaker 5: we're starting to I'm like nobody.

341
00:18:33,040 --> 00:18:35,920
Speaker 1: He's like, oh, let's go talk to the studio. In

342
00:18:35,960 --> 00:18:39,080
Speaker 1: the studio, let's go talk about cool. And then when

343
00:18:39,080 --> 00:18:41,200
Speaker 1: I go home, like, what's up all these New York niggas?

344
00:18:41,600 --> 00:18:44,040
Speaker 1: You know what I mean, I'm right here, you know

345
00:18:44,119 --> 00:18:45,600
Speaker 1: what I mean? And so.

346
00:18:47,320 --> 00:18:48,960
Speaker 5: And so I meet him at the studio. We start

347
00:18:49,040 --> 00:18:52,040
Speaker 5: chopping it up. We started talking about life and and

348
00:18:52,040 --> 00:18:54,960
Speaker 5: and principles and you know everything. I was telling him

349
00:18:54,960 --> 00:18:57,960
Speaker 5: like as a man, like you know what, I go forward.

350
00:18:58,000 --> 00:19:02,720
Speaker 5: I ain't going for while you know things like and

351
00:19:02,720 --> 00:19:07,040
Speaker 5: and so be cool. So he goes to Atlantic, gives

352
00:19:07,040 --> 00:19:10,680
Speaker 5: me a deal at Atlantic. You know when they give

353
00:19:10,760 --> 00:19:12,480
Speaker 5: him a label deal. They give me a deal, get

354
00:19:12,480 --> 00:19:13,040
Speaker 5: a label deal.

355
00:19:13,119 --> 00:19:14,040
Speaker 1: It was to me.

356
00:19:14,960 --> 00:19:21,080
Speaker 5: And so now they gave me some money. Nigga, I

357
00:19:21,080 --> 00:19:23,320
Speaker 5: ain't recorded for damn near a year.

358
00:19:23,480 --> 00:19:24,920
Speaker 3: Right off of your advance.

359
00:19:25,040 --> 00:19:30,600
Speaker 1: Yeah, I'm spending the money, right, I'm busy. So I'm

360
00:19:30,640 --> 00:19:32,280
Speaker 1: spending the money. Now, you got it.

361
00:19:32,320 --> 00:19:34,439
Speaker 3: Now you have a full record, right right right.

362
00:19:34,320 --> 00:19:35,120
Speaker 1: I have a full record deal.

363
00:19:35,200 --> 00:19:38,239
Speaker 5: So now I'm not knowing that. I just know they

364
00:19:38,240 --> 00:19:40,159
Speaker 5: gave me some money. Nobody's teaching me.

365
00:19:40,920 --> 00:19:42,320
Speaker 1: And why here is this?

366
00:19:42,320 --> 00:19:49,280
Speaker 5: This is two thousand and fourteen. Wow, okay, wait yeah, no, no,

367
00:19:49,480 --> 00:19:50,680
Speaker 5: it's twenty thirteen.

368
00:19:51,640 --> 00:19:57,760
Speaker 1: It was thirteen. And then the December of twenty.

369
00:19:57,520 --> 00:20:01,119
Speaker 5: Thirteen when it's happened, and so it to like August

370
00:20:02,000 --> 00:20:05,760
Speaker 5: and the A and R comes my A and R riggs.

371
00:20:05,800 --> 00:20:08,080
Speaker 5: At the time, he came with some verbiage. I don't

372
00:20:08,119 --> 00:20:09,120
Speaker 5: know what he's talking about.

373
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Speaker 1: So I did. I'm like what he's doing.

374
00:20:11,040 --> 00:20:13,720
Speaker 5: They're like, oh, they're saying that they're about to drop you.

375
00:20:13,720 --> 00:20:15,480
Speaker 5: You know, at the end of the year, you haven't

376
00:20:15,480 --> 00:20:18,280
Speaker 5: put out no music, it's no, no, no nothing. I'm like,

377
00:20:18,440 --> 00:20:21,120
Speaker 5: oh ship, So I'm panicking right.

378
00:20:21,840 --> 00:20:23,800
Speaker 3: So because you that at this point they just paid

379
00:20:23,840 --> 00:20:24,359
Speaker 3: you the party.

380
00:20:24,720 --> 00:20:30,840
Speaker 1: Yeah, I was hoping, so look hoping that they gave

381
00:20:30,880 --> 00:20:32,679
Speaker 1: me some money. I'm thinking, look right now, I'm like,

382
00:20:32,680 --> 00:20:33,600
Speaker 1: they gave me some money.

383
00:20:33,600 --> 00:20:35,800
Speaker 5: I'm like, you know, y'all, ain't you know I had

384
00:20:35,800 --> 00:20:37,640
Speaker 5: to like hustle for shit like this, like, y'all give

385
00:20:37,640 --> 00:20:38,840
Speaker 5: me some money, Okay? Cool?

386
00:20:39,760 --> 00:20:40,120
Speaker 1: And so.

387
00:20:41,680 --> 00:20:46,439
Speaker 5: We get into August. They gave me that conversation. We

388
00:20:46,520 --> 00:20:52,520
Speaker 5: get the September, I dropped, I record Coco right, and

389
00:20:53,840 --> 00:20:55,800
Speaker 5: I record Coco and I was about to shoot was

390
00:20:55,800 --> 00:20:58,320
Speaker 5: about to shoot another video for a different song that.

391
00:20:58,240 --> 00:21:01,040
Speaker 1: I did, right, so I should this. This is the

392
00:21:01,080 --> 00:21:02,080
Speaker 1: coldest thing ever.

393
00:21:03,119 --> 00:21:07,040
Speaker 5: So this song was about to put out and we

394
00:21:07,080 --> 00:21:11,000
Speaker 5: shot a video, everything, big budget video everything. I was like, oh,

395
00:21:11,040 --> 00:21:15,359
Speaker 5: this shit is about to be lit right. And I

396
00:21:15,400 --> 00:21:19,400
Speaker 5: saw the video and I was like, I don't like it.

397
00:21:19,640 --> 00:21:22,200
Speaker 5: And this is when I start going. I started paying

398
00:21:22,200 --> 00:21:24,880
Speaker 5: attention where I really start to understand videos and understand

399
00:21:24,920 --> 00:21:28,440
Speaker 5: that editors make the video as well, you know what

400
00:21:28,480 --> 00:21:31,760
Speaker 5: I mean. So I'm like, what happened that scene? What happened,

401
00:21:31,840 --> 00:21:33,639
Speaker 5: that scene, what happened and that seen you see? All

402
00:21:33,680 --> 00:21:36,720
Speaker 5: those dope moments that made you excited about the video

403
00:21:36,920 --> 00:21:39,240
Speaker 5: is not in the video. You go, oh, man I

404
00:21:39,480 --> 00:21:42,160
Speaker 5: I don't like it. Then go so what you want

405
00:21:42,160 --> 00:21:43,720
Speaker 5: to do? And then Bus like, so what you want

406
00:21:43,760 --> 00:21:46,240
Speaker 5: to do? I'm like, man, I I don't like it.

407
00:21:46,480 --> 00:21:48,440
Speaker 5: He said, you got another song? Like, I got another

408
00:21:48,440 --> 00:21:51,600
Speaker 5: song I want to put out. This is exactly how

409
00:21:51,640 --> 00:21:55,000
Speaker 5: I went. We're supposed to put the video the whole

410
00:21:55,000 --> 00:21:58,520
Speaker 5: second song after no, No, No, this is this song. It

411
00:21:58,560 --> 00:22:00,600
Speaker 5: was a song called Yum Yum that I did right,

412
00:22:01,119 --> 00:22:03,520
Speaker 5: and we're supposed to put it out. I didn't like

413
00:22:03,520 --> 00:22:07,400
Speaker 5: the video, big budget video, everything. I didn't like it.

414
00:22:07,440 --> 00:22:07,960
Speaker 5: I don't like it.

415
00:22:07,960 --> 00:22:09,600
Speaker 1: I'm not I'm not putting that I don't like it.

416
00:22:09,920 --> 00:22:11,960
Speaker 1: So Bus looking at me like, so what you want

417
00:22:11,960 --> 00:22:12,119
Speaker 1: to do?

418
00:22:12,160 --> 00:22:15,080
Speaker 5: Oh Tam, And he's like stressed out, like what the

419
00:22:15,520 --> 00:22:18,080
Speaker 5: we just shot a whole spend that money on you.

420
00:22:18,840 --> 00:22:20,679
Speaker 5: I'm like, I don't want to do. I recorded some

421
00:22:20,720 --> 00:22:24,000
Speaker 5: ship the other night that I want to do right cool.

422
00:22:24,800 --> 00:22:27,919
Speaker 5: So he's like, all right, word me here. So that's

423
00:22:27,920 --> 00:22:31,199
Speaker 5: SOM's Coco. You go shoot the video on the project.

424
00:22:31,200 --> 00:22:35,600
Speaker 5: It ain't no budget, no more, you know what I mean?

425
00:22:35,640 --> 00:22:42,879
Speaker 5: But yeah, exactly, shoot that video. Everybody was scared, like,

426
00:22:43,119 --> 00:22:44,840
Speaker 5: look at all this ship you put in the video

427
00:22:46,160 --> 00:22:47,240
Speaker 5: or drop that bitch.

428
00:22:46,960 --> 00:23:06,919
Speaker 1: And motherfucker that listen. I remember the first.

429
00:23:06,640 --> 00:23:08,200
Speaker 3: Time I heard it.

430
00:23:08,400 --> 00:23:13,600
Speaker 2: I remember, I want to say, I was in Graystone. Yeah,

431
00:23:13,840 --> 00:23:18,920
Speaker 2: what year is that? Twenty fourteen? Yes, yeah, around that time. Yeah,

432
00:23:19,640 --> 00:23:21,879
Speaker 2: and that shit kicked in and I was like, what

433
00:23:21,920 --> 00:23:27,639
Speaker 2: the fuck is that? And we had no idea you

434
00:23:27,800 --> 00:23:28,639
Speaker 2: was from California?

435
00:23:29,000 --> 00:23:31,160
Speaker 1: Yeah? I love that part.

436
00:23:31,920 --> 00:23:33,840
Speaker 3: We had no idea you was from California.

437
00:23:33,880 --> 00:23:35,320
Speaker 2: And I kind of want to go back to what

438
00:23:35,440 --> 00:23:38,160
Speaker 2: when you were saying you were like all these cats

439
00:23:38,160 --> 00:23:40,760
Speaker 2: from New York had reached out to you. Do you

440
00:23:40,840 --> 00:23:45,840
Speaker 2: feel like the politic with the culture that y'all have

441
00:23:45,920 --> 00:23:50,480
Speaker 2: in l A kind of kept people away from reaching

442
00:23:50,480 --> 00:23:51,480
Speaker 2: out to you to do a deal.

443
00:23:52,240 --> 00:23:55,160
Speaker 1: I think that. I think that.

444
00:23:59,280 --> 00:24:01,480
Speaker 5: Let me tell you, let me tell you this short story.

445
00:24:02,960 --> 00:24:07,560
Speaker 5: I used to run around with just dj DJ Amen Yeah,

446
00:24:07,960 --> 00:24:12,520
Speaker 5: and Amen did everything to try to get me on,

447
00:24:13,600 --> 00:24:15,680
Speaker 5: but they were like the music that he does, everything,

448
00:24:15,760 --> 00:24:17,520
Speaker 5: he don't sound like a West Coast artist.

449
00:24:17,600 --> 00:24:18,280
Speaker 1: This is what.

450
00:24:18,280 --> 00:24:22,800
Speaker 5: People DJ's are saying right. And I used to a

451
00:24:22,840 --> 00:24:24,919
Speaker 5: hustle in Atlanta all the time. I used to hustle,

452
00:24:25,440 --> 00:24:29,720
Speaker 5: and so everybody was like, he's from Atlanta, He's I

453
00:24:29,760 --> 00:24:32,000
Speaker 5: never said I wasn't. I never said nothing. I'm like,

454
00:24:32,040 --> 00:24:36,119
Speaker 5: I'm gonna play the game. And so it's crazy because

455
00:24:36,160 --> 00:24:38,840
Speaker 5: your own city be like, oh, well, if you don't

456
00:24:38,880 --> 00:24:41,399
Speaker 5: sound like you're from here, you're from here, then you

457
00:24:41,400 --> 00:24:45,479
Speaker 5: ain't from here, you know what I mean. But nigga,

458
00:24:45,520 --> 00:24:49,320
Speaker 5: I'm from here for shelfah. But they're like, oh, if

459
00:24:49,400 --> 00:24:51,120
Speaker 5: you're gonna sound like you from here, then we can't

460
00:24:51,119 --> 00:24:53,840
Speaker 5: give you that love like that because we feel like

461
00:24:54,240 --> 00:24:57,600
Speaker 5: that's that maybe not it's maybe not deemed authentic to

462
00:24:57,680 --> 00:25:00,840
Speaker 5: our culture, you know, as far as l he is concerned.

463
00:25:01,880 --> 00:25:05,960
Speaker 5: And so when I understood that, I played the card.

464
00:25:06,800 --> 00:25:09,560
Speaker 5: And by the time they realized bro from it was

465
00:25:09,560 --> 00:25:13,119
Speaker 5: too late. So that when it was like, oh, you

466
00:25:13,200 --> 00:25:18,040
Speaker 5: see walking over here long down the street, right, and

467
00:25:18,119 --> 00:25:21,280
Speaker 5: anybody who knows here like, oh, he cold.

468
00:25:21,640 --> 00:25:23,200
Speaker 1: So I just played the game the system.

469
00:25:23,480 --> 00:25:25,040
Speaker 3: That's how it came That's how it came back.

470
00:25:25,880 --> 00:25:29,040
Speaker 2: Now you had to love me, yeah, yeah, yeah, And

471
00:25:29,080 --> 00:25:31,320
Speaker 2: it worked out in your favor absolutely because that's how

472
00:25:31,320 --> 00:25:33,600
Speaker 2: it came back around from Obviously, I'm from the Bay

473
00:25:33,640 --> 00:25:35,440
Speaker 2: and man's from the Bay, and he had been telling

474
00:25:35,440 --> 00:25:38,159
Speaker 2: me about right, and I didn't realize it was the

475
00:25:38,160 --> 00:25:38,919
Speaker 2: same artists.

476
00:25:39,200 --> 00:25:40,880
Speaker 3: Yeah, I didn't realize the same artist.

477
00:25:40,920 --> 00:25:44,199
Speaker 2: Crazy because like you said, when you first hear Coco,

478
00:25:44,800 --> 00:25:46,560
Speaker 2: you can't you really can't say where the.

479
00:25:46,600 --> 00:25:47,680
Speaker 1: Artist where's from? Ye? Yeah?

480
00:25:47,720 --> 00:25:50,920
Speaker 3: Yeah, yeah yeah, because for one, you're always yelling at people.

481
00:25:51,880 --> 00:25:55,080
Speaker 1: I don't know what that's about. You like to yell.

482
00:25:59,560 --> 00:26:06,640
Speaker 1: I know, the Spanish got torn.

483
00:26:09,119 --> 00:26:10,440
Speaker 3: So funny, you know what I'm saying.

484
00:26:10,760 --> 00:26:13,960
Speaker 1: Listen, I'm with Floyd Mayweather and the Strip Club. That's

485
00:26:14,000 --> 00:26:16,520
Speaker 1: a great place to hear. He like, what's your take?

486
00:26:17,280 --> 00:26:21,399
Speaker 1: What's your sake? That's so came on. I know he records,

487
00:26:21,720 --> 00:26:26,600
Speaker 1: I know he records records. Like, who the fuck is

488
00:26:26,840 --> 00:26:31,480
Speaker 1: what you're doing this? He's doing this? I said, what

489
00:26:31,520 --> 00:26:33,520
Speaker 1: the fucking side, nigga?

490
00:26:33,960 --> 00:26:35,879
Speaker 5: I went to the Strip Club, Floyd, Floyd went to

491
00:26:35,880 --> 00:26:39,640
Speaker 5: Strict Club. He played that I was in there. Play again,

492
00:26:39,800 --> 00:26:44,119
Speaker 5: play again. That was his favorite song, play back. You

493
00:26:44,160 --> 00:26:46,240
Speaker 5: have to walk around with the what's the what's the ship?

494
00:26:46,320 --> 00:26:48,800
Speaker 5: That not before that, before the iPhone, they had the

495
00:26:48,840 --> 00:26:49,399
Speaker 5: I what was it?

496
00:26:49,520 --> 00:26:52,640
Speaker 3: I it was like the little the I Pop.

497
00:26:52,760 --> 00:26:54,359
Speaker 2: Yeah, he used to walk around the ipid with the

498
00:26:54,440 --> 00:26:55,760
Speaker 2: motherfucker headphones off.

499
00:26:55,880 --> 00:27:01,440
Speaker 1: When I say that, Nigga played that song over, no,

500
00:27:02,960 --> 00:27:08,040
Speaker 1: pretty much. It pretty much by bottles to it one

501
00:27:08,119 --> 00:27:11,479
Speaker 1: hundred thousand and one to Yeah, yep. I seen him.

502
00:27:11,680 --> 00:27:12,240
Speaker 1: I've seen him.

503
00:27:12,520 --> 00:27:16,560
Speaker 5: I seen him in the club go throw like eighty

504
00:27:16,920 --> 00:27:19,560
Speaker 5: and it was all on Coco, back to back to

505
00:27:19,760 --> 00:27:21,960
Speaker 5: back to back to back, and I'm in there like

506
00:27:22,680 --> 00:27:25,360
Speaker 5: and and when when they come in with they coming

507
00:27:25,440 --> 00:27:26,000
Speaker 5: with boxes.

508
00:27:26,400 --> 00:27:27,879
Speaker 1: You know what I'm saying, They can with boxes. They

509
00:27:27,920 --> 00:27:29,159
Speaker 1: got to put the money in the boxes.

510
00:27:29,800 --> 00:27:33,560
Speaker 5: So it's too much and it's over and it's my

511
00:27:33,640 --> 00:27:37,400
Speaker 5: ship though, and I'm like, this ship is crazy.

512
00:27:38,680 --> 00:27:41,840
Speaker 1: It's crazy. Fact that it's not another song. Now, one

513
00:27:41,920 --> 00:27:42,360
Speaker 1: other song.

514
00:27:42,400 --> 00:27:44,280
Speaker 5: Come on, He's like, if you want me to keep

515
00:27:44,320 --> 00:27:46,600
Speaker 5: throwing this money, keep playing this song.

516
00:27:46,680 --> 00:27:49,320
Speaker 2: So so I'm going to I'm going to just guess

517
00:27:49,359 --> 00:27:51,120
Speaker 2: that Atlantic didn't drop.

518
00:27:50,920 --> 00:27:55,240
Speaker 5: You know, and that And at that point when I

519
00:27:55,240 --> 00:27:57,880
Speaker 5: started to understand music, I said, damn, I wish they did.

520
00:27:59,600 --> 00:28:00,960
Speaker 1: That and dependent.

521
00:28:06,760 --> 00:28:09,280
Speaker 2: Because this whole time I thought that he had Coco

522
00:28:09,400 --> 00:28:12,000
Speaker 2: Independent before you did that deal you didn't.

523
00:28:13,200 --> 00:28:16,240
Speaker 1: You did that record? Because they literally that I dropped.

524
00:28:16,600 --> 00:28:21,000
Speaker 5: I literally recorded Coco Boom with like September shot, the

525
00:28:21,080 --> 00:28:25,920
Speaker 5: shot the video late September. Dropped Coco November twenty fourteen,

526
00:28:26,320 --> 00:28:27,840
Speaker 5: and they say when they were supposed to drop me

527
00:28:28,280 --> 00:28:31,439
Speaker 5: at the end of the year, So I probably had.

528
00:28:31,320 --> 00:28:33,720
Speaker 1: Like one month month now.

529
00:28:33,760 --> 00:28:36,920
Speaker 5: And mind you, mind you when I dropped it, they

530
00:28:36,960 --> 00:28:40,920
Speaker 5: didn't service it. It just went got you boom and

531
00:28:40,960 --> 00:28:42,920
Speaker 5: then they had to catch on lab. But it was

532
00:28:43,280 --> 00:28:45,560
Speaker 5: it was too it was too big. It was too big.

533
00:28:46,040 --> 00:28:49,320
Speaker 2: So how much do you think that cost you? The

534
00:28:49,400 --> 00:28:51,880
Speaker 2: video would have been independent? How much money you think

535
00:28:51,920 --> 00:28:54,440
Speaker 2: it cost you being signed to catch it?

536
00:28:54,640 --> 00:28:56,200
Speaker 1: No? No, no, how much money do you think you

537
00:28:56,240 --> 00:28:58,640
Speaker 1: would have got in your pocket.

538
00:28:58,360 --> 00:29:00,760
Speaker 3: If you would have been in with that record?

539
00:29:01,440 --> 00:29:02,000
Speaker 1: What do you think?

540
00:29:03,800 --> 00:29:06,120
Speaker 2: I don't mean to make you mad to think about this,

541
00:29:06,160 --> 00:29:11,360
Speaker 2: but you know, if you drop Coco as an independent artist.

542
00:29:11,600 --> 00:29:13,760
Speaker 5: It takes all the same way.

543
00:29:13,920 --> 00:29:22,560
Speaker 1: Label eighty five, fifteen, ninety ten. How many are sold.

544
00:29:26,080 --> 00:29:26,160
Speaker 4: It?

545
00:29:28,840 --> 00:29:31,920
Speaker 1: What's the numbers today on Coco? For how much? How

546
00:29:32,000 --> 00:29:33,480
Speaker 1: much I'm playing?

547
00:29:33,520 --> 00:29:36,040
Speaker 5: Well, but I'm gonna take one thing, I tell you

548
00:29:36,080 --> 00:29:36,360
Speaker 5: one thing.

549
00:29:37,040 --> 00:29:40,120
Speaker 1: Because your performance royalties alone.

550
00:29:39,840 --> 00:29:43,800
Speaker 5: My performance royalties is crazy alone. But how much money

551
00:29:43,840 --> 00:29:48,560
Speaker 5: I made on the road just on just doing shows.

552
00:29:48,240 --> 00:29:53,560
Speaker 1: Off of Coco. Like I'm like somewhere like in like ten,

553
00:29:54,080 --> 00:29:59,440
Speaker 1: I can believe it. Yeah I'm talking yeah, yeah, just

554
00:29:59,480 --> 00:30:01,360
Speaker 1: off Coca. Just off the yeah, just off the shows.

555
00:30:01,880 --> 00:30:03,920
Speaker 5: You know what I'm saying. Yeah, just off show. And

556
00:30:03,960 --> 00:30:08,960
Speaker 5: then I want you to go double back. And everybody's like, oh,

557
00:30:09,000 --> 00:30:10,520
Speaker 5: he's a one hit winner, He's done it that. And

558
00:30:10,560 --> 00:30:13,520
Speaker 5: I'm like I'm hearing this the whole time, right, and

559
00:30:13,560 --> 00:30:16,320
Speaker 5: I'm like, oh, ship, So what I'm gonna do. I'm like, damn,

560
00:30:16,360 --> 00:30:18,240
Speaker 5: I'm still getting money on the road. And when I'm

561
00:30:18,240 --> 00:30:21,000
Speaker 5: doing interviews, they asked me, so, what's next? You know

562
00:30:21,000 --> 00:30:21,840
Speaker 5: what I did after that?

563
00:30:22,480 --> 00:30:28,680
Speaker 1: Cut it boom, we're young question. Let me ask your question.

564
00:30:29,400 --> 00:30:30,840
Speaker 2: Cut it cut I'm gonna tell you what he used

565
00:30:30,840 --> 00:30:31,880
Speaker 2: to be doing when we be in the club.

566
00:30:33,680 --> 00:30:35,440
Speaker 1: Would come on and that nigga take it. Just look

567
00:30:35,440 --> 00:30:40,600
Speaker 1: at nig like that. I used to sing like a chirt.

568
00:30:40,920 --> 00:30:42,960
Speaker 1: I used to sing like a thinking when he comes

569
00:30:43,040 --> 00:30:45,920
Speaker 1: up and say cut it, cut it, cut cut it,

570
00:30:45,960 --> 00:30:50,400
Speaker 1: cut it, cut it, cut law, you gotta cut it.

571
00:30:51,440 --> 00:30:55,000
Speaker 1: Cut it from me long and breaks this way too.

572
00:30:56,000 --> 00:31:01,720
Speaker 1: You gotta cut it along, cut it cut. Let me

573
00:31:01,720 --> 00:31:04,000
Speaker 1: ask you a question because because now we're starting to

574
00:31:04,040 --> 00:31:06,920
Speaker 1: get into Now we're starting to get into songwriting and

575
00:31:07,000 --> 00:31:11,400
Speaker 1: consistency and understand and understanding and being a professional at

576
00:31:11,440 --> 00:31:13,720
Speaker 1: this ship being able to dial it up on demand.

577
00:31:14,200 --> 00:31:16,920
Speaker 1: When you did Coco, did you feel like you had

578
00:31:16,960 --> 00:31:21,080
Speaker 1: found something that you took from uh just just just

579
00:31:21,120 --> 00:31:24,280
Speaker 1: from a format standpoint to to do cut it or

580
00:31:24,400 --> 00:31:26,560
Speaker 1: was cut it just a new build for you? Completely?

581
00:31:29,320 --> 00:31:32,320
Speaker 5: I'm really I'm not even gonna lie. I was just

582
00:31:32,400 --> 00:31:35,880
Speaker 5: drinking alcohol, and I'm.

583
00:31:38,680 --> 00:31:41,040
Speaker 3: You want to write here, record kids, you want to

584
00:31:41,040 --> 00:31:41,800
Speaker 3: write records.

585
00:31:42,680 --> 00:31:48,760
Speaker 5: And sometimes it's just open like because like I'm not

586
00:31:48,960 --> 00:31:51,880
Speaker 5: trying to promote drinking, right, But what I say is

587
00:31:52,680 --> 00:31:57,880
Speaker 5: like when I'm when I'm drinking, like even with my personality,

588
00:31:58,080 --> 00:32:01,160
Speaker 5: like the only thing it does is it you know

589
00:32:01,200 --> 00:32:01,760
Speaker 5: what I'm saying.

590
00:32:01,880 --> 00:32:05,520
Speaker 1: So, but I can be be really happy, really upset,

591
00:32:06,040 --> 00:32:06,280
Speaker 1: you know.

592
00:32:06,760 --> 00:32:09,280
Speaker 5: But when I'm in a studio and I'm drinking, I'm in,

593
00:32:09,400 --> 00:32:12,200
Speaker 5: I'm in I'm at home. You know, it's the vibes.

594
00:32:12,240 --> 00:32:14,240
Speaker 5: I feel like I'm in the club. I feel like

595
00:32:14,320 --> 00:32:18,680
Speaker 5: i'm you know, And so I actually recorded, cut it

596
00:32:18,960 --> 00:32:20,880
Speaker 5: and push it the same night, Go get the money.

597
00:32:21,160 --> 00:32:23,720
Speaker 5: I record that shit the same night. I recorded them

598
00:32:23,720 --> 00:32:26,080
Speaker 5: the same night, same night, the same night. Yeah and

599
00:32:26,120 --> 00:32:27,440
Speaker 5: so and so.

600
00:32:28,960 --> 00:32:32,600
Speaker 1: But it's not like you're encouraging like, oh, drink and

601
00:32:32,600 --> 00:32:34,880
Speaker 1: you're gonna make hit records. I think you're speaking from

602
00:32:34,880 --> 00:32:37,240
Speaker 1: a place of your just your comfort zone.

603
00:32:37,320 --> 00:32:37,520
Speaker 4: Yeah.

604
00:32:37,880 --> 00:32:42,920
Speaker 1: Yeah, studio, having a beverage, having.

605
00:32:41,400 --> 00:32:44,680
Speaker 3: A good having Everybody has the methods.

606
00:32:44,480 --> 00:32:46,040
Speaker 1: Everybody has their their environment.

607
00:32:46,640 --> 00:32:50,200
Speaker 5: Because because when I was coming up and I was

608
00:32:50,240 --> 00:32:53,240
Speaker 5: making music, it was always fun for me.

609
00:32:53,920 --> 00:32:54,320
Speaker 1: And so.

610
00:32:56,320 --> 00:32:58,040
Speaker 5: Then when I start getting a deal and everything and

611
00:32:58,120 --> 00:33:00,760
Speaker 5: I watch everybody else, I'm like, damn, everybody's so serious,

612
00:33:01,480 --> 00:33:04,000
Speaker 5: you know, and I'm like, it ain't it ain't fun.

613
00:33:04,080 --> 00:33:06,400
Speaker 5: No more so when you when you when you create

614
00:33:06,440 --> 00:33:11,160
Speaker 5: that that lane to where it's fun again and you

615
00:33:11,360 --> 00:33:14,840
Speaker 5: like a kid again, that's when you start making all

616
00:33:14,880 --> 00:33:18,280
Speaker 5: like your best music, you know what I mean, Because

617
00:33:18,560 --> 00:33:21,840
Speaker 5: it's fun, you know. You know, sometimes we we you know,

618
00:33:22,320 --> 00:33:26,040
Speaker 5: we're worry about criticism or other people, how other people think, whatever,

619
00:33:26,080 --> 00:33:30,400
Speaker 5: But so much so much pressure, necessary pressure, But but

620
00:33:30,720 --> 00:33:33,800
Speaker 5: you never felt that when you were trying to get on,

621
00:33:34,120 --> 00:33:34,600
Speaker 5: you know what I mean.

622
00:33:34,680 --> 00:33:36,040
Speaker 1: We were trying to get on. It was just like,

623
00:33:36,440 --> 00:33:37,920
Speaker 1: this is who I am just doing that?

624
00:33:38,240 --> 00:33:40,880
Speaker 5: You're singing your ass off, you're doing it. Nothing was

625
00:33:40,920 --> 00:33:44,120
Speaker 5: a bad song. Nothing was that. Nothing was you keep

626
00:33:44,160 --> 00:33:47,080
Speaker 5: listening to that ship your whole leader studio. You get

627
00:33:47,120 --> 00:33:49,160
Speaker 5: a copy of that, you listening to the whole way home,

628
00:33:49,240 --> 00:33:54,200
Speaker 5: like damn. And so I had to you know, with

629
00:33:54,240 --> 00:33:56,200
Speaker 5: psychological for me. So I had to go, you know what,

630
00:33:56,520 --> 00:33:58,760
Speaker 5: let's get back in that lane. Let me just have fun.

631
00:33:59,080 --> 00:34:01,840
Speaker 5: And even if I don't court nothing tonight, that's okay.

632
00:34:02,280 --> 00:34:04,320
Speaker 5: I bring people to the studio. Everybody, have a drink,

633
00:34:04,360 --> 00:34:06,280
Speaker 5: y'all have a drink here. We're gonna party. Have whatever

634
00:34:06,360 --> 00:34:08,040
Speaker 5: come to me, come to me. And if I don't

635
00:34:08,120 --> 00:34:10,279
Speaker 5: record anything this night, that's what.

636
00:34:10,360 --> 00:34:10,759
Speaker 1: That's okay.

637
00:34:10,800 --> 00:34:13,120
Speaker 5: I'm okay with that, you know what I mean, because

638
00:34:13,160 --> 00:34:15,319
Speaker 5: I know what I came. I came to have a

639
00:34:15,360 --> 00:34:16,080
Speaker 5: good time.

640
00:34:16,480 --> 00:34:20,279
Speaker 1: And listen and within that good time, even if it's

641
00:34:20,280 --> 00:34:24,560
Speaker 1: not that night, reflecting on that good time. Oh Ship,

642
00:34:25,320 --> 00:34:27,239
Speaker 1: there's a record, there's a gym in there, there's a

643
00:34:27,520 --> 00:34:30,720
Speaker 1: there's a moment where we was saying whatever we were saying,

644
00:34:30,840 --> 00:34:34,160
Speaker 1: we'll put that in it. Like the experience is what

645
00:34:34,200 --> 00:34:37,680
Speaker 1: makes the record. Yeah yeah, yeah, living this ship is

646
00:34:37,680 --> 00:34:39,600
Speaker 1: what makes the records. You know. People ask me like,

647
00:34:39,600 --> 00:34:41,000
Speaker 1: how do you stay current? I was like, I just

648
00:34:41,040 --> 00:34:45,640
Speaker 1: stay alive. Yeah for real, that's how you say. I

649
00:34:45,680 --> 00:34:49,439
Speaker 1: write about today. I write about things I actually do.

650
00:34:49,560 --> 00:34:52,759
Speaker 1: I'm doing these things. I'm putting the ship on. You

651
00:34:52,800 --> 00:34:55,120
Speaker 1: know what I'm saying, I'm that name in Marcus. I'm

652
00:34:55,160 --> 00:34:57,560
Speaker 1: surfing through the through the drip. Yeah, you know. You

653
00:34:57,719 --> 00:35:00,560
Speaker 1: know what I'm saying. I'm you know, I'm at the

654
00:35:00,560 --> 00:35:02,399
Speaker 1: strip club, you know, so I know where they got

655
00:35:02,440 --> 00:35:05,839
Speaker 1: the best chicken tenders. I know where the best impossible

656
00:35:05,880 --> 00:35:10,200
Speaker 1: bird is. A magic city men there. So it's like

657
00:35:10,280 --> 00:35:12,840
Speaker 1: as you as you live and you're in it and

658
00:35:12,840 --> 00:35:15,279
Speaker 1: you stay in it. It don't matter if you do

659
00:35:15,360 --> 00:35:17,319
Speaker 1: it that night or even even that. We don't put

660
00:35:17,400 --> 00:35:21,440
Speaker 1: don't put that unnecessarily. Yeah yeah, yeah yeah, guard ain't

661
00:35:21,520 --> 00:35:22,200
Speaker 1: like that. Yep.

662
00:35:22,320 --> 00:35:24,920
Speaker 5: You just know at the end of the day, I'm

663
00:35:24,920 --> 00:35:27,680
Speaker 5: gonna get back to the plate and I'm a bad again.

664
00:35:27,760 --> 00:35:30,960
Speaker 1: That's it, so Coco. And then the second one is

665
00:35:31,520 --> 00:35:34,200
Speaker 1: cut it, cut it, and then the third one is

666
00:35:34,640 --> 00:35:43,120
Speaker 1: push it. And then after that was I didn't think

667
00:35:43,440 --> 00:35:44,760
Speaker 1: thick with two chains.

668
00:35:46,120 --> 00:35:49,000
Speaker 2: So did you what did you what did you realize

669
00:35:49,000 --> 00:35:52,680
Speaker 2: though that you were doing or do you realize that

670
00:35:52,800 --> 00:35:55,000
Speaker 2: you do motivational music?

671
00:35:56,239 --> 00:35:56,759
Speaker 1: You know what?

672
00:35:57,440 --> 00:35:59,520
Speaker 3: I feel like I can lift the whole gym when

673
00:35:59,560 --> 00:36:00,000
Speaker 3: I'm listening.

674
00:36:00,040 --> 00:36:07,920
Speaker 2: Now, teacher, okay, throw your whole back out.

675
00:36:13,080 --> 00:36:15,440
Speaker 5: I was at the airport the other day in the

676
00:36:15,480 --> 00:36:16,200
Speaker 5: air for the day.

677
00:36:16,840 --> 00:36:20,200
Speaker 1: I was buying I buy some chips, and the.

678
00:36:20,239 --> 00:36:23,799
Speaker 5: Lady was like, damn, I just got back from the

679
00:36:23,840 --> 00:36:27,720
Speaker 5: gym listening to you, you know what I mean? And

680
00:36:27,160 --> 00:36:29,120
Speaker 5: I and I never knew it like that. I just

681
00:36:29,200 --> 00:36:32,279
Speaker 5: always because I used to like and still to this day,

682
00:36:32,360 --> 00:36:35,399
Speaker 5: like like, I party so much and have a good

683
00:36:35,440 --> 00:36:37,719
Speaker 5: time so much. So when I am like I spent

684
00:36:37,800 --> 00:36:39,719
Speaker 5: so much time in the club, like girls just like

685
00:36:40,080 --> 00:36:43,480
Speaker 5: you always in the club, I'm like, yeah, well my

686
00:36:43,560 --> 00:36:44,960
Speaker 5: music is there too, sweetheart.

687
00:36:45,280 --> 00:36:51,040
Speaker 1: What are you doing here? You do research? Yeah, I'm

688
00:36:51,080 --> 00:36:51,759
Speaker 1: actually in there.

689
00:36:51,800 --> 00:36:55,480
Speaker 5: Yeah yeah, and so so I So I listened to

690
00:36:56,200 --> 00:37:00,279
Speaker 5: the vibration, the sounds, I listened to the pockets, listening

691
00:37:00,280 --> 00:37:03,280
Speaker 5: to other people like and so I start making recordster

692
00:37:03,400 --> 00:37:05,879
Speaker 5: where it starts becoming like chance.

693
00:37:06,120 --> 00:37:09,080
Speaker 1: You know, and I'm not knowing it, but I'm knowing it, you.

694
00:37:09,040 --> 00:37:09,760
Speaker 5: Know what I'm saying.

695
00:37:10,200 --> 00:37:11,239
Speaker 1: And so when I spend the.

696
00:37:11,239 --> 00:37:14,239
Speaker 5: Time in the club when I'm partying, then I said,

697
00:37:14,280 --> 00:37:19,400
Speaker 5: I can hear what catches somebody, and I go, okay, I'm.

698
00:37:19,200 --> 00:37:20,520
Speaker 1: Not gonna do exactly what that is.

699
00:37:20,560 --> 00:37:22,000
Speaker 5: But if I do what I do and I get

700
00:37:22,000 --> 00:37:24,960
Speaker 5: to catch them the way that caught them, then I'm

701
00:37:25,040 --> 00:37:27,320
Speaker 5: you know, I'm good. So when I am in the studio,

702
00:37:27,680 --> 00:37:31,319
Speaker 5: I'm in the club, you know, and and and I'm

703
00:37:31,360 --> 00:37:33,520
Speaker 5: near and I'm like, what if I'm like, no, no, no,

704
00:37:33,600 --> 00:37:36,279
Speaker 5: that i' sound right. Okay, Now I said too many

705
00:37:36,280 --> 00:37:38,759
Speaker 5: words right here. It's not gonna be to the to

706
00:37:38,800 --> 00:37:41,520
Speaker 5: the to the human ear.

707
00:37:43,680 --> 00:37:46,799
Speaker 1: So I gotta what's catchy? What to be there?

708
00:37:46,880 --> 00:37:49,279
Speaker 5: Okay, I say this, Okay, then I play it back.

709
00:37:49,320 --> 00:37:53,120
Speaker 5: I'm like, alright, cool, I look good.

710
00:37:53,320 --> 00:37:55,480
Speaker 1: I look like back. You know what I'm saying, Like

711
00:37:55,600 --> 00:37:57,120
Speaker 1: you know what I mean? Like you know what I mean.

712
00:37:57,160 --> 00:38:00,600
Speaker 2: It's so much you giving real information right now, You're

713
00:38:00,640 --> 00:38:06,319
Speaker 2: giving a masterclass in songwriting. Yeah, because listen, you know

714
00:38:06,600 --> 00:38:09,080
Speaker 2: your pocket, you know where your music belongs.

715
00:38:09,280 --> 00:38:13,040
Speaker 1: You make music for the club. You make music for

716
00:38:13,080 --> 00:38:13,399
Speaker 1: the club.

717
00:38:13,480 --> 00:38:16,360
Speaker 2: So okay, what are the elements of the club people

718
00:38:16,360 --> 00:38:17,959
Speaker 2: are either singing off key.

719
00:38:18,480 --> 00:38:20,840
Speaker 3: You know what I'm saying, They really can't remember a

720
00:38:20,880 --> 00:38:22,480
Speaker 3: whole bunch of shit because they might be drunk.

721
00:38:22,480 --> 00:38:25,520
Speaker 2: So they need only a certain amount of words like

722
00:38:25,560 --> 00:38:28,120
Speaker 2: you said, like okay, maybe I said too much. That

723
00:38:28,200 --> 00:38:32,319
Speaker 2: is that is songwriting. That is truly songwriting. Somebody could

724
00:38:32,360 --> 00:38:34,399
Speaker 2: try to you know, you got the purest of the world.

725
00:38:34,400 --> 00:38:37,879
Speaker 2: That'd be like, oh no, you must do this, No motherfucker,

726
00:38:39,040 --> 00:38:43,680
Speaker 2: you must take yourself away from your extreme talented self

727
00:38:44,400 --> 00:38:48,160
Speaker 2: and say, what would these people, the person who hasn't

728
00:38:48,200 --> 00:38:52,400
Speaker 2: been to Berkeley School of Music, what are they going

729
00:38:52,440 --> 00:38:56,520
Speaker 2: to dance to? How can I motivate them in their lives?

730
00:38:56,520 --> 00:38:58,080
Speaker 2: What do they want to ride around in the car?

731
00:38:58,239 --> 00:38:58,359
Speaker 1: Too?

732
00:38:58,760 --> 00:38:58,880
Speaker 6: Right?

733
00:38:59,360 --> 00:39:01,400
Speaker 3: Right, that's exactly what you've been doing.

734
00:39:01,480 --> 00:39:04,360
Speaker 1: Right, And it's like who's in the club, who's in

735
00:39:04,400 --> 00:39:11,800
Speaker 1: the class, who's my client? Who's my clean tale? Tell listen,

736
00:39:11,960 --> 00:39:16,920
Speaker 1: it's drug dealers, it's gangsters and all the other niggas

737
00:39:16,920 --> 00:39:23,120
Speaker 1: in there, the niggas that beautiful and the most beautiful women. Yeah,

738
00:39:23,239 --> 00:39:26,160
Speaker 1: to put they put that ship on to be recognized

739
00:39:26,280 --> 00:39:31,520
Speaker 1: or seen by the So you you you give them voices.

740
00:39:31,760 --> 00:39:37,920
Speaker 5: And I also understand that that if I want to

741
00:39:37,920 --> 00:39:40,319
Speaker 5: get the attention of these women, that's here.

742
00:39:42,120 --> 00:39:44,440
Speaker 1: If I get the attention of these guys, that's here.

743
00:39:45,280 --> 00:39:48,200
Speaker 5: These guys are the one that's paying for these tables,

744
00:39:48,239 --> 00:39:50,719
Speaker 5: and these women are the ones that singing the song

745
00:39:50,800 --> 00:39:53,239
Speaker 5: with these guys, because these guys are the guys with

746
00:39:53,280 --> 00:39:57,680
Speaker 5: the money who's paying for so they attach themselves to them.

747
00:39:58,320 --> 00:40:02,040
Speaker 5: So and so girls will go you see girls pull up. Uh,

748
00:40:02,280 --> 00:40:04,200
Speaker 5: you go to a house party, go to even you

749
00:40:04,239 --> 00:40:06,040
Speaker 5: go to a hooker lounge, go to whatever, and a

750
00:40:06,040 --> 00:40:07,160
Speaker 5: girl grabbed the ice core.

751
00:40:07,200 --> 00:40:09,160
Speaker 1: You're like, how she noticed she had heard this because

752
00:40:09,160 --> 00:40:09,400
Speaker 1: she was.

753
00:40:09,400 --> 00:40:11,719
Speaker 5: Hanging with that nigga over there with all that money,

754
00:40:11,760 --> 00:40:13,880
Speaker 5: and she was hanging with him, and that's that became

755
00:40:13,920 --> 00:40:14,680
Speaker 5: her favorite song.

756
00:40:14,960 --> 00:40:25,040
Speaker 1: Yeah, research, research, Yeah, like that songwriting, being in those spaces. Yeah,

757
00:40:25,160 --> 00:40:27,440
Speaker 1: you gotta be in it. Yeah, you gotta be in it.

758
00:40:27,560 --> 00:40:30,160
Speaker 1: Yeah yeah, yeah, yeah, you gotta be.

759
00:40:31,160 --> 00:40:34,399
Speaker 2: You gotta gotta get some you gotta get some on

760
00:40:34,440 --> 00:40:35,879
Speaker 2: you get yeah.

761
00:40:35,920 --> 00:40:38,200
Speaker 1: Yeah. Okay. So it's like you just like.

762
00:40:40,440 --> 00:40:44,280
Speaker 5: You're here and you go, okay, thinking like you're talking

763
00:40:44,280 --> 00:40:48,120
Speaker 5: about something. You're talking about something valentime. You like y'all

764
00:40:48,160 --> 00:40:50,920
Speaker 5: talking about this or this experience. Y'all singing to a

765
00:40:50,960 --> 00:40:53,960
Speaker 5: woman and you talking about experiences that you had and

766
00:40:54,040 --> 00:40:57,640
Speaker 5: all this stuff. But you guys never done this, you

767
00:40:57,680 --> 00:41:00,360
Speaker 5: know what I mean? Or you guys never you know,

768
00:41:00,800 --> 00:41:03,399
Speaker 5: please the woman this way, but you're talking about it's

769
00:41:03,440 --> 00:41:06,319
Speaker 5: not gonna feel the same.

770
00:41:05,480 --> 00:41:09,800
Speaker 1: It doesn't send off the same exact raations. It can't exactly.

771
00:41:09,800 --> 00:41:12,799
Speaker 5: So when you're when you're there and you're doing that

772
00:41:13,680 --> 00:41:16,080
Speaker 5: and you talk about that, that's when I.

773
00:41:16,040 --> 00:41:20,600
Speaker 1: Don't write from a mystical place. I write from your reality.

774
00:41:20,600 --> 00:41:23,520
Speaker 1: I do. Yeah, yeah, now your reality, even if I

775
00:41:23,520 --> 00:41:27,400
Speaker 1: got to write it ten times. Yeah. Nigga Tank always

776
00:41:27,400 --> 00:41:35,960
Speaker 1: sucking up yeah in his songs, Well always I sucked

777
00:41:36,040 --> 00:41:39,799
Speaker 1: up a lot better now. Yeah, you know what I'm saying. Yeah,

778
00:41:40,000 --> 00:41:41,480
Speaker 1: there was run down the list of songs. Man. We

779
00:41:41,560 --> 00:41:43,319
Speaker 1: were we were just we were just getting to some

780
00:41:43,760 --> 00:41:44,480
Speaker 1: to some more songs.

781
00:41:44,480 --> 00:41:47,239
Speaker 2: Okay, let's start with because as they were interviewing you,

782
00:41:47,320 --> 00:41:50,000
Speaker 2: asking you what was next, think you was a one

783
00:41:50,040 --> 00:41:52,240
Speaker 2: hit wonder, No no, and then you went crazy.

784
00:41:52,239 --> 00:41:58,520
Speaker 1: You went crazy after that cut, after that push it,

785
00:41:58,960 --> 00:42:02,840
Speaker 1: push it pushy, thick, thick it was thick.

786
00:42:05,040 --> 00:42:10,799
Speaker 5: Who bay I look like looked like bee mm hmm. Everybody, man,

787
00:42:11,440 --> 00:42:12,200
Speaker 5: let's started.

788
00:42:12,280 --> 00:42:18,520
Speaker 1: Stop right there, Stop, everybody relaxed. We're gonna post up right.

789
00:42:18,400 --> 00:42:22,680
Speaker 3: Here, get into the mondy everybody, Mari and you.

790
00:42:23,040 --> 00:42:25,879
Speaker 1: You know who heard that? You know who heard that record? Yeah,

791
00:42:25,960 --> 00:42:26,759
Speaker 1: I'm gonna dance that.

792
00:42:26,920 --> 00:42:27,200
Speaker 4: You know.

793
00:42:27,280 --> 00:42:33,120
Speaker 1: The Queen yeah said I need some of this for myself.

794
00:42:33,320 --> 00:42:40,359
Speaker 1: Yeah yeah yeah. Listen, man, how does that feel? My

795
00:42:40,400 --> 00:42:46,040
Speaker 1: brother from Long Beach kicked out of seven districts, told

796
00:42:46,320 --> 00:42:50,440
Speaker 1: he was only gonna have well ship, wasn't promised life

797
00:42:50,480 --> 00:42:55,000
Speaker 1: past eighteen right right right then you get an opportunity.

798
00:42:55,560 --> 00:42:58,319
Speaker 1: I was told you're not gonna have another one of

799
00:42:58,360 --> 00:43:04,120
Speaker 1: these right now? We five six in deep.

800
00:43:08,040 --> 00:43:11,919
Speaker 5: Yeah, yeah, we ain't talking about the track.

801
00:43:12,200 --> 00:43:24,920
Speaker 1: We talked about the track. Beyonce the Queen, Yeah, yes,

802
00:43:25,640 --> 00:43:32,040
Speaker 1: you know what. Nigga cheers, Yeah, yeah, yeah it was

803
00:43:32,040 --> 00:43:37,319
Speaker 1: a man.

804
00:43:37,360 --> 00:43:45,120
Speaker 2: We got to this to this cheers, My brother cheers.

805
00:43:49,760 --> 00:43:54,719
Speaker 1: The Queen says, I need these bars, I need this

806
00:43:54,840 --> 00:43:59,160
Speaker 1: moment in my show, and you get to see that

807
00:43:59,480 --> 00:44:03,880
Speaker 1: live with the choreography with the band. I mean, is

808
00:44:03,920 --> 00:44:06,560
Speaker 1: this Coachella, I mean this is around.

809
00:44:07,040 --> 00:44:10,040
Speaker 5: This is the first night the first time did yeah,

810
00:44:10,560 --> 00:44:12,320
Speaker 5: the first the first time she did is Coachella.

811
00:44:12,560 --> 00:44:14,560
Speaker 1: What goes through your mind when you see that?

812
00:44:15,120 --> 00:44:18,719
Speaker 5: Now watch this? Okay, I had a show in North

813
00:44:18,719 --> 00:44:22,239
Speaker 5: Carolina at the time. So I did a show in

814
00:44:22,280 --> 00:44:24,880
Speaker 5: North Carolina, and then I had to do an after party.

815
00:44:25,600 --> 00:44:27,560
Speaker 5: And I was on my way to the after party

816
00:44:27,640 --> 00:44:30,759
Speaker 5: while this was going on to Coachella. And as I'm

817
00:44:30,760 --> 00:44:33,719
Speaker 5: on way to the after party, my phone is blowing up.

818
00:44:34,080 --> 00:44:36,560
Speaker 5: But I keep ending everybody because I'm on the art score.

819
00:44:37,360 --> 00:44:40,719
Speaker 5: I'm trying to play. I'm trying to play my man.

820
00:44:41,200 --> 00:44:44,279
Speaker 5: I was yeah, And so my brother called me. My

821
00:44:44,320 --> 00:44:49,880
Speaker 5: older brother called me, yo, I'm what's up? You see what?

822
00:44:51,760 --> 00:44:51,920
Speaker 1: Yo?

823
00:44:52,000 --> 00:44:54,680
Speaker 5: I checked my I checked my Instagram. It's bumble bees

824
00:44:54,840 --> 00:44:57,080
Speaker 5: everywhere everywhere.

825
00:44:59,000 --> 00:45:02,120
Speaker 1: What happened? I see it?

826
00:45:02,480 --> 00:45:12,360
Speaker 5: Then I get to play it back and watching it? Oh, no, fucking.

827
00:45:18,719 --> 00:45:21,400
Speaker 1: So my brother were going with it.

828
00:45:21,480 --> 00:45:29,400
Speaker 5: Cham pushing, pushed the keys, push the kings.

829
00:45:29,200 --> 00:45:34,280
Speaker 1: Push the keys. You know, and your and your travels

830
00:45:34,280 --> 00:45:37,279
Speaker 1: and in the design of your melodies, You've you've You've

831
00:45:38,680 --> 00:45:44,040
Speaker 1: come across some other R and B singers aside from yourself,

832
00:45:44,080 --> 00:45:49,840
Speaker 1: aside from yourself, that you also thought were great in

833
00:45:49,960 --> 00:45:58,239
Speaker 1: developing your style. T Who's your h top five, your

834
00:45:58,320 --> 00:46:10,320
Speaker 1: top five Top Fun, You're tough, Bry saying, let's.

835
00:46:10,080 --> 00:46:13,600
Speaker 2: Sure he can't out saying all me so honest thing

836
00:46:13,719 --> 00:46:14,480
Speaker 2: that he can't out.

837
00:46:14,320 --> 00:46:20,279
Speaker 6: Saying you man, you'll be dripping, You'll be cripping now

838
00:46:20,480 --> 00:46:24,680
Speaker 6: you do, but we are know your top.

839
00:46:27,040 --> 00:46:32,760
Speaker 1: Yeah, stop far.

840
00:46:38,280 --> 00:46:52,640
Speaker 7: Oot fun, let's go, let's go, let's go.

841
00:46:53,200 --> 00:47:00,520
Speaker 1: Yeah you still you still think you the kig? Yeah?

842
00:47:00,880 --> 00:47:08,759
Speaker 1: Oh t ship your top five R and B singers,

843
00:47:10,440 --> 00:47:20,520
Speaker 1: My top five R and B singers. Okay, who I

844
00:47:20,560 --> 00:47:22,480
Speaker 1: love R and B man, so it's kind of already

845
00:47:22,480 --> 00:47:22,759
Speaker 1: know you do.

846
00:47:23,400 --> 00:47:31,919
Speaker 5: Oh okay, I go with not in any order.

847
00:47:31,960 --> 00:47:37,480
Speaker 1: I go with Beyonce. I mean you got to do that,

848
00:47:38,000 --> 00:47:42,279
Speaker 1: you got to do that. You're gonna have some more

849
00:47:42,360 --> 00:47:53,440
Speaker 1: bes under your episode. Yeah uh, I would say av.

850
00:47:54,480 --> 00:48:00,480
Speaker 2: Yeah oh on real quick yeah yeah yeah yeah yeah.

851
00:48:01,080 --> 00:48:05,200
Speaker 1: Niggas don't talk enough about a yeah, cold bloody yeah

852
00:48:05,719 --> 00:48:13,560
Speaker 1: if my cold blooded Oh oh this is good. Wow,

853
00:48:14,360 --> 00:48:22,600
Speaker 1: it's nice. I will go with Keith Sweat Yeah yeah,

854
00:48:22,920 --> 00:48:23,439
Speaker 1: new edition.

855
00:48:24,320 --> 00:48:30,759
Speaker 5: Yeah yeah, because I'm not saying it because you hear,

856
00:48:30,800 --> 00:48:32,719
Speaker 5: because you have one of my greatest songs that you

857
00:48:32,760 --> 00:48:33,680
Speaker 5: still don't know that you do?

858
00:48:33,800 --> 00:48:35,279
Speaker 1: You do know because I told you to sing it.

859
00:48:35,280 --> 00:48:39,000
Speaker 1: Before I go a tank. God, damn it, Come on, man,

860
00:48:39,080 --> 00:48:43,440
Speaker 1: you know what I mean. I can't make you love me.

861
00:48:43,480 --> 00:48:48,240
Speaker 3: I remember your singing.

862
00:48:48,880 --> 00:48:51,600
Speaker 1: Yeah, I love it. I love that.

863
00:48:51,600 --> 00:48:54,239
Speaker 3: For you to find a clip, I can't make that

864
00:48:54,360 --> 00:48:55,520
Speaker 3: song where I love that song.

865
00:48:55,560 --> 00:48:57,480
Speaker 5: Bro, I'm not gonna lie to you. I promise you.

866
00:48:57,560 --> 00:48:59,040
Speaker 5: I love that fucking song.

867
00:48:59,400 --> 00:49:01,359
Speaker 1: Brother. I don't don't know what where are you? What

868
00:49:01,400 --> 00:49:03,640
Speaker 1: you was? What was going on? Where he was at?

869
00:49:03,680 --> 00:49:06,640
Speaker 1: What part of we just left me and him? We

870
00:49:06,800 --> 00:49:10,760
Speaker 1: just left King of Diamonds for real? Yeah? Circle House,

871
00:49:10,920 --> 00:49:16,000
Speaker 1: circle House in Miami. Wow, still a little drunk. I

872
00:49:16,000 --> 00:49:19,840
Speaker 1: didn't think circle House. Listen. They make record, make records

873
00:49:19,840 --> 00:49:26,000
Speaker 1: and great cookies. Yeah, they make fire cookies. Wow. Yeah,

874
00:49:26,520 --> 00:49:27,359
Speaker 1: I said all the time.

875
00:49:27,360 --> 00:49:30,480
Speaker 5: Because it's some it's something like a lot of people have,

876
00:49:30,560 --> 00:49:34,200
Speaker 5: like a lot of you know, anybody have like big

877
00:49:34,239 --> 00:49:36,360
Speaker 5: catalogs and everything in music, especially with R and B,

878
00:49:36,480 --> 00:49:39,480
Speaker 5: you know, but it's certain songs that just were like, Damn,

879
00:49:39,560 --> 00:49:42,000
Speaker 5: that's a fucking beautiful that's.

880
00:49:41,920 --> 00:49:45,879
Speaker 1: That song right there. I always like, Damn, that's that ship.

881
00:49:46,320 --> 00:49:49,120
Speaker 1: You know, every rapper had that R and B song.

882
00:49:49,160 --> 00:49:51,719
Speaker 1: They wish that they that they that they you know,

883
00:49:52,800 --> 00:49:55,960
Speaker 1: something that was like that one, that one you.

884
00:49:55,920 --> 00:49:58,040
Speaker 3: Should read, you should remake. I can't make you let me?

885
00:49:58,320 --> 00:50:02,239
Speaker 1: Yeah, that be your next easy I gotta hear. I've

886
00:50:02,320 --> 00:50:10,279
Speaker 1: seen him. I can't wait to drink. Starting to set

887
00:50:10,320 --> 00:50:16,920
Speaker 1: in you. Maybe maybe the lyric can be you can't

888
00:50:17,120 --> 00:50:30,840
Speaker 1: you can't cot me, niggas can out cut me. Trust me,

889
00:50:30,880 --> 00:50:37,640
Speaker 1: I'll figure it out. I know you, I know you are. Okay,

890
00:50:38,600 --> 00:50:44,720
Speaker 1: your top five R and B songs, Okay.

891
00:50:45,800 --> 00:50:52,720
Speaker 5: R Kelly, I decided dang, I can't make you love me? Obviously,

892
00:50:52,800 --> 00:50:56,680
Speaker 5: it's one of my favorites. Beyonce, best thing I ever had.

893
00:50:56,800 --> 00:51:02,719
Speaker 1: Wow Wow ray song. Right, yeah, Charlie Wilson, I can

894
00:51:02,760 --> 00:51:03,280
Speaker 1: do magic.

895
00:51:03,920 --> 00:51:05,200
Speaker 3: Come on, uncle Charlie.

896
00:51:05,440 --> 00:51:20,120
Speaker 1: He sweat twisted. Yeah, yeah, you know she came in

897
00:51:20,200 --> 00:51:23,160
Speaker 1: there like, but I got up the man. I got

898
00:51:23,160 --> 00:51:23,480
Speaker 1: out of the.

899
00:51:26,800 --> 00:51:27,040
Speaker 6: Wrong.

900
00:51:30,200 --> 00:51:33,360
Speaker 2: That's when you got a great song. Yeah, nicking immediately

901
00:51:33,360 --> 00:51:34,919
Speaker 2: down the immediately.

902
00:51:35,840 --> 00:51:37,760
Speaker 1: Record. Sweat was right and own.

903
00:51:37,640 --> 00:51:41,719
Speaker 5: It and what and they fucked it up with ls

904
00:51:41,800 --> 00:51:44,040
Speaker 5: G too, with my body l G.

905
00:51:44,760 --> 00:51:47,439
Speaker 1: He's the prototype. Yeah, you want to be you want

906
00:51:47,440 --> 00:51:49,080
Speaker 1: to be like something in this R and B business.

907
00:51:50,000 --> 00:51:52,920
Speaker 5: Swim I got too much and then like y'all putting

908
00:51:52,920 --> 00:51:54,560
Speaker 5: me on the spots like, damn, I gotta.

909
00:51:54,719 --> 00:51:58,520
Speaker 1: I mean it's it all changes every day. Yeah, every

910
00:51:58,520 --> 00:52:01,959
Speaker 1: time you hear you. So did you like, oh Ship

911
00:52:03,680 --> 00:52:07,160
Speaker 1: forget like it's too many? Yes, all right, here we go.

912
00:52:07,160 --> 00:52:09,839
Speaker 1: We're gonna make what's called the R and B voultron. Right,

913
00:52:10,160 --> 00:52:12,320
Speaker 1: We're going to make your super R and B artists.

914
00:52:12,880 --> 00:52:16,200
Speaker 1: So you need to decide, as we're building this artist,

915
00:52:16,680 --> 00:52:19,640
Speaker 1: who you want to get the vocal from, who you

916
00:52:19,680 --> 00:52:22,879
Speaker 1: want to get the performance style from, who you want

917
00:52:22,880 --> 00:52:25,880
Speaker 1: to get the styling from, and who you want to

918
00:52:25,920 --> 00:52:29,040
Speaker 1: get the passion from the heart of the artists, all

919
00:52:29,080 --> 00:52:33,360
Speaker 1: of your R and B vocalists for your super R

920
00:52:33,440 --> 00:52:38,240
Speaker 1: and B artists, your vultual You're getting the vocal from Ship.

921
00:52:38,280 --> 00:52:39,520
Speaker 1: This is this is good?

922
00:52:39,960 --> 00:52:44,080
Speaker 5: All right, I'm getting a vocal well damn okay, yeah,

923
00:52:44,080 --> 00:52:45,439
Speaker 5: because I'm building the R and B artist.

924
00:52:45,880 --> 00:52:47,960
Speaker 1: It's not okay, So I'm getting a vocal.

925
00:52:49,160 --> 00:52:53,080
Speaker 3: Man, what.

926
00:52:52,880 --> 00:52:56,040
Speaker 1: So it can't be me? Because I'm let me think

927
00:52:56,120 --> 00:53:02,799
Speaker 1: real quick, because I'm clearly the best choice for There

928
00:53:02,840 --> 00:53:04,719
Speaker 1: is no way I could pick anybody else.

929
00:53:05,560 --> 00:53:12,640
Speaker 5: You know, I'm getting I'm getting the vocals from Roy Carrey, Monster,

930
00:53:13,719 --> 00:53:16,280
Speaker 5: who're getting the performance style from.

931
00:53:16,040 --> 00:53:17,280
Speaker 1: The performance stage.

932
00:53:17,840 --> 00:53:22,120
Speaker 5: I'm getting the performance from Bobby Brown.

933
00:53:22,480 --> 00:53:25,840
Speaker 1: Yeah, who You're getting the styling from the drip.

934
00:53:26,520 --> 00:53:31,200
Speaker 5: I'm getting the styling from I'm gonna style it from

935
00:53:31,280 --> 00:53:32,879
Speaker 5: David ruff Yeah.

936
00:53:33,040 --> 00:53:42,520
Speaker 1: Put the getting I'm getting that styllar. Yeah, custom like who,

937
00:53:42,520 --> 00:53:45,400
Speaker 1: You're getting the passion of the heart of the artists.

938
00:53:45,440 --> 00:53:49,000
Speaker 1: Who means I think I'm getting a passion from David Ruffing.

939
00:53:49,040 --> 00:53:54,120
Speaker 3: Also, I got one more for him now. And what

940
00:53:54,400 --> 00:53:59,000
Speaker 3: R and B singer would you want to steal the

941
00:53:59,040 --> 00:53:59,600
Speaker 3: record from?

942
00:54:00,280 --> 00:54:00,440
Speaker 4: Hm?

943
00:54:00,520 --> 00:54:03,960
Speaker 1: Hmm what I want to steal a record from? Whose?

944
00:54:04,000 --> 00:54:04,440
Speaker 3: Song? Who?

945
00:54:04,560 --> 00:54:05,000
Speaker 6: Who? Who?

946
00:54:05,000 --> 00:54:10,279
Speaker 1: Will be next? Oh? That a record that you're like,

947
00:54:10,320 --> 00:54:11,560
Speaker 1: oh yeah, I gotta get him.

948
00:54:13,560 --> 00:54:17,480
Speaker 5: Oh, I have some ship in mind already too. It

949
00:54:17,520 --> 00:54:23,120
Speaker 5: would probably have to be Mariah Carey the next one.

950
00:54:23,160 --> 00:54:26,839
Speaker 5: I want to set this song from hit You're.

951
00:54:26,719 --> 00:54:27,479
Speaker 3: Gonna hit the notes.

952
00:54:28,719 --> 00:54:34,160
Speaker 1: Yeah, I kind of look hold on hold on ship.

953
00:54:34,640 --> 00:54:40,920
Speaker 1: He has way Oh my god, my god.

954
00:54:48,320 --> 00:54:51,280
Speaker 3: Yeah, nigga mine as well.

955
00:54:53,520 --> 00:54:59,360
Speaker 1: Yeah, you're so cold? Wait can now you're so cold?

956
00:54:59,480 --> 00:55:00,640
Speaker 1: With sikes me.

957
00:55:00,680 --> 00:55:14,000
Speaker 8: That songwriters, producers, artists on in every genre take notes,

958
00:55:16,080 --> 00:55:20,680
Speaker 8: perfect what you do and just do more of it.

959
00:55:25,719 --> 00:55:30,919
Speaker 1: Yeah, we're there, we are there. I ain't saying no names.

960
00:55:30,960 --> 00:55:33,800
Speaker 1: I ain't saying no names. I ain't saying no names.

961
00:55:34,040 --> 00:55:40,120
Speaker 1: Ain't saying no names. We will what you did? Don't

962
00:55:40,160 --> 00:55:44,760
Speaker 1: say she I ain't saying no names.

963
00:55:51,640 --> 00:55:54,319
Speaker 3: Yeah, nigga, we've come to that part of this show.

964
00:55:54,440 --> 00:55:54,920
Speaker 1: Talk to him.

965
00:55:55,000 --> 00:55:56,799
Speaker 2: We can't go ahead, yea, yeah, yeah, you need you

966
00:55:56,800 --> 00:56:01,320
Speaker 2: need a poet real quick. Okay, okay, So right now

967
00:56:02,360 --> 00:56:05,480
Speaker 2: we had this special segment. It's called I Ain't saying

968
00:56:05,480 --> 00:56:09,200
Speaker 2: no names? Will you tell us a story? Funny and

969
00:56:09,320 --> 00:56:15,160
Speaker 2: fucked up? Are funny and fucked up? On the journey

970
00:56:15,239 --> 00:56:22,440
Speaker 2: in the Travels of O T Genesis. The only rule

971
00:56:22,520 --> 00:56:27,560
Speaker 2: to the game you can't say no names, no names.

972
00:56:28,160 --> 00:56:35,440
Speaker 1: So this is funny. So I went. I went bowling.

973
00:56:37,239 --> 00:56:43,080
Speaker 5: With this specific artist when I'm saying no names, and

974
00:56:43,120 --> 00:56:46,280
Speaker 5: he's like, let's.

975
00:56:46,120 --> 00:56:49,399
Speaker 1: Do it, let's bowl. I feel I can whoop your ass.

976
00:56:49,640 --> 00:56:50,960
Speaker 1: I feel like I could whoop your ass.

977
00:56:50,960 --> 00:56:56,880
Speaker 5: And so me there, you know, I I had, you know,

978
00:56:56,880 --> 00:56:58,000
Speaker 5: I have my baby mama with.

979
00:56:57,960 --> 00:57:00,720
Speaker 1: Me, just girl with him chilling.

980
00:57:00,800 --> 00:57:07,520
Speaker 5: So we're bowling. I win the first one, he won,

981
00:57:07,560 --> 00:57:09,640
Speaker 5: the second, bestie three. I want the first one. He

982
00:57:09,719 --> 00:57:11,200
Speaker 5: won the second one, and.

983
00:57:12,600 --> 00:57:13,719
Speaker 1: Ass the third.

984
00:57:13,480 --> 00:57:18,200
Speaker 5: One, but me, I'm not the winner. That's like, I

985
00:57:18,280 --> 00:57:20,560
Speaker 5: just want one. I'm falling all over the floor.

986
00:57:20,920 --> 00:57:31,960
Speaker 1: I'm I'm falling all over the floor. I'm screaming, I'm laughing.

987
00:57:32,600 --> 00:57:33,480
Speaker 1: I'm sitting there.

988
00:57:33,560 --> 00:57:35,360
Speaker 5: I'm like, oh my god, I got the ball. I'm

989
00:57:35,360 --> 00:57:38,040
Speaker 5: throwing the ball down the other lane. I'm doing, I'm doing.

990
00:57:38,160 --> 00:57:40,040
Speaker 5: I'm anything that's.

991
00:57:39,880 --> 00:57:40,960
Speaker 1: The winner that I know.

992
00:57:41,600 --> 00:57:44,480
Speaker 5: I'm the type of winner that if you beat me

993
00:57:44,560 --> 00:57:46,680
Speaker 5: a hundred times, I beat you at once, You're gonna

994
00:57:46,680 --> 00:57:48,880
Speaker 5: feel it because I'm gonna let you hold we ever

995
00:57:48,880 --> 00:57:50,720
Speaker 5: play again after that.

996
00:57:52,480 --> 00:57:57,840
Speaker 1: I got you. So so I'm doing all of the Waller.

997
00:57:58,600 --> 00:58:03,160
Speaker 5: We go to the hook A lounge after we're chilling Hooker.

998
00:58:03,600 --> 00:58:09,600
Speaker 5: He's still sick. He goes I'm like yeah. He's like, Yo,

999
00:58:09,680 --> 00:58:12,200
Speaker 5: we're talking and I'm still talking about you know how

1000
00:58:12,240 --> 00:58:16,240
Speaker 5: many Grammys I want? You know how many grammys I got?

1001
00:58:17,480 --> 00:58:21,760
Speaker 1: He went to the Grammys. I said, you're still lost.

1002
00:58:24,760 --> 00:58:25,440
Speaker 1: So her.

1003
00:58:25,880 --> 00:58:29,920
Speaker 5: So he's talking like, but you know, I don't I

1004
00:58:29,920 --> 00:58:32,960
Speaker 5: don't got that. That was a rock. I mean, you

1005
00:58:33,000 --> 00:58:35,080
Speaker 5: know much breaks and so you know how much wool

1006
00:58:35,200 --> 00:58:38,480
Speaker 5: coming up? You know how wool that I'm talking. So Ever,

1007
00:58:38,600 --> 00:58:48,000
Speaker 5: grammy one, Yeah, it relates to someone.

1008
00:58:48,960 --> 00:58:53,000
Speaker 1: So now we get into a show where I take

1009
00:58:53,080 --> 00:58:54,520
Speaker 1: your Grammys from you. I don't came out know what

1010
00:58:54,560 --> 00:58:55,240
Speaker 1: you're talking about.

1011
00:58:55,680 --> 00:58:59,640
Speaker 5: You went to wool talking about so now my baby mama,

1012
00:58:59,680 --> 00:59:00,840
Speaker 5: she's uneasy.

1013
00:59:01,480 --> 00:59:02,680
Speaker 1: His girl is uneasy.

1014
00:59:02,840 --> 00:59:07,280
Speaker 5: We made it so weird for the girls, right, we

1015
00:59:07,400 --> 00:59:07,960
Speaker 5: made it so.

1016
00:59:07,960 --> 00:59:08,720
Speaker 1: Weird for the girls.

1017
00:59:08,720 --> 00:59:12,200
Speaker 5: They looking like they're apologizing to each other.

1018
00:59:13,320 --> 00:59:15,720
Speaker 1: We're going far talking about this grammy.

1019
00:59:15,760 --> 00:59:18,320
Speaker 5: I'm talking about your grammy. I don't give a about

1020
00:59:18,320 --> 00:59:21,560
Speaker 5: none of that. You know, you know what I'm driving.

1021
00:59:21,600 --> 00:59:27,240
Speaker 5: You know that it became a whole thing from bowling right,

1022
00:59:27,880 --> 00:59:31,360
Speaker 5: And I really want to still say his name, but

1023
00:59:31,360 --> 00:59:37,240
Speaker 5: I'm not gonna I take your brand because I already

1024
00:59:37,280 --> 00:59:38,080
Speaker 5: know where you went.

1025
00:59:38,920 --> 00:59:40,880
Speaker 1: I have a hundred niggas outside. Niggas wait right now,

1026
00:59:40,960 --> 00:59:43,600
Speaker 1: niggas take your whole grammy. Yeah, I got the.

1027
00:59:46,000 --> 00:59:47,680
Speaker 5: Won't give a funk about none of that. You talking

1028
00:59:47,680 --> 00:59:52,560
Speaker 5: about you? You're talking about some grammy. I said, good,

1029
00:59:53,120 --> 00:59:54,160
Speaker 5: because you fool.

1030
00:59:56,800 --> 00:59:57,400
Speaker 6: With you? Man?

1031
01:00:00,280 --> 01:00:02,560
Speaker 1: How you get from Grand's the brickstand?

1032
01:00:02,680 --> 01:00:05,840
Speaker 5: Because no, because because I wasn't I wasn't trying to be.

1033
01:00:05,960 --> 01:00:08,280
Speaker 1: I just don't want the game. But he was got

1034
01:00:08,400 --> 01:00:09,120
Speaker 1: so mad.

1035
01:00:08,960 --> 01:00:11,160
Speaker 2: The way you won too, You fell all over the

1036
01:00:12,640 --> 01:00:18,000
Speaker 2: you come on man, accountability, accountability.

1037
01:00:18,400 --> 01:00:21,240
Speaker 5: So you get when I say he was going crazy

1038
01:00:21,360 --> 01:00:26,000
Speaker 5: with the Grammy talk. Oh my god, I said, brood

1039
01:00:26,240 --> 01:00:28,600
Speaker 5: a bunch of grammars. You still lost. First of all,

1040
01:00:28,640 --> 01:00:32,680
Speaker 5: you're a sore loser. You lost the sore winner.

1041
01:00:32,880 --> 01:00:35,840
Speaker 1: The sore winner him a sored loser. You won't let

1042
01:00:35,880 --> 01:00:39,680
Speaker 1: me do my dance. You won't let me dance on

1043
01:00:39,720 --> 01:00:41,040
Speaker 1: your face like you you.

1044
01:00:42,840 --> 01:00:47,680
Speaker 5: But but it's brotos So it's like, you know, it's

1045
01:00:46,800 --> 01:00:48,840
Speaker 5: the drop of a dime.

1046
01:00:49,800 --> 01:00:53,680
Speaker 2: He started tripping, tripped. I want to bring up something new,

1047
01:00:54,720 --> 01:00:57,400
Speaker 2: something is really important and something that I know that

1048
01:00:57,480 --> 01:01:04,600
Speaker 2: you have been there they they passionate about. Yeah, autism absolutely, yeah,

1049
01:01:04,640 --> 01:01:07,080
Speaker 2: can you kind of give because you know, we we

1050
01:01:07,200 --> 01:01:10,040
Speaker 2: love to bring attention to causes, to you know, to

1051
01:01:10,160 --> 01:01:12,960
Speaker 2: different things that people are behind and that people support.

1052
01:01:13,440 --> 01:01:15,760
Speaker 2: And a lot of people in the black community don't

1053
01:01:15,760 --> 01:01:18,600
Speaker 2: talk about it a lot. Yeah, but a lot of

1054
01:01:18,600 --> 01:01:24,080
Speaker 2: our families have kids, yeah who you know are dealing

1055
01:01:24,120 --> 01:01:24,720
Speaker 2: with autism.

1056
01:01:24,840 --> 01:01:32,920
Speaker 5: Yeah, yeah, yeah, because it's like right now, I think

1057
01:01:32,920 --> 01:01:37,080
Speaker 5: it's like one and every eight black children, black.

1058
01:01:36,840 --> 01:01:37,880
Speaker 1: Little boys, black boys.

1059
01:01:37,960 --> 01:01:42,000
Speaker 5: Yeah, and so yeah, it's definitely something that, you know,

1060
01:01:42,200 --> 01:01:45,600
Speaker 5: something that we need to touch on. But if you don't know,

1061
01:01:45,880 --> 01:01:49,440
Speaker 5: you know, autism is a neurology disorder.

1062
01:01:49,560 --> 01:01:54,560
Speaker 1: You know, and most of the kids.

1063
01:01:55,760 --> 01:01:58,120
Speaker 5: No, like with my son, my son he's thirteen now,

1064
01:01:58,440 --> 01:02:00,400
Speaker 5: my oldest son, that's or something.

1065
01:02:01,520 --> 01:02:02,360
Speaker 1: He's thirteen now.

1066
01:02:03,600 --> 01:02:06,240
Speaker 5: We found out around the time he was like maybe

1067
01:02:06,320 --> 01:02:09,320
Speaker 5: what like two two and a half three years old,

1068
01:02:10,040 --> 01:02:12,400
Speaker 5: you know, when you call him and then like he

1069
01:02:12,400 --> 01:02:14,600
Speaker 5: couldn't even the answer. Was kind of like he had

1070
01:02:14,680 --> 01:02:16,880
Speaker 5: selective hearing, but he just wouldn't answer. You say his name,

1071
01:02:17,040 --> 01:02:22,560
Speaker 5: his name, say his name. Figure it out.

1072
01:02:23,560 --> 01:02:24,200
Speaker 1: A lot of.

1073
01:02:26,800 --> 01:02:31,080
Speaker 5: Parents to this day, right, it's they're in denial. I

1074
01:02:31,120 --> 01:02:34,000
Speaker 5: was about to you know what I mean, And they

1075
01:02:34,000 --> 01:02:35,400
Speaker 5: don't want to get there, you know, they don't want

1076
01:02:35,400 --> 01:02:37,200
Speaker 5: to get their kids checked or anything like that.

1077
01:02:37,880 --> 01:02:40,440
Speaker 1: Find out they hid him the spectrum. It's kind of like, no,

1078
01:02:40,640 --> 01:02:41,120
Speaker 1: he's not.

1079
01:02:41,040 --> 01:02:43,440
Speaker 5: That or that, but they don't a lot of women

1080
01:02:43,480 --> 01:02:46,640
Speaker 5: don't have women or men don't have the information.

1081
01:02:46,840 --> 01:02:48,440
Speaker 1: They don't know what autism is.

1082
01:02:49,120 --> 01:02:53,720
Speaker 5: And it's best to get your you know, your child

1083
01:02:53,760 --> 01:02:56,600
Speaker 5: checked early at an early age because mom my son

1084
01:02:56,720 --> 01:02:59,880
Speaker 5: is he's he's not severe, but a lot of that

1085
01:03:00,040 --> 01:03:05,240
Speaker 5: at being that we were on it early, early, early, early, early, early,

1086
01:03:05,440 --> 01:03:10,840
Speaker 5: and and it was the sad part about it is

1087
01:03:11,320 --> 01:03:12,959
Speaker 5: my my son's mom.

1088
01:03:13,600 --> 01:03:14,480
Speaker 1: I'm not saying this is the.

1089
01:03:14,400 --> 01:03:17,200
Speaker 5: Sad part, but the sad part about life. And like people,

1090
01:03:17,240 --> 01:03:19,160
Speaker 5: my son's mom, I was in a position to where

1091
01:03:20,000 --> 01:03:22,120
Speaker 5: I can make sure that she didn't have to work,

1092
01:03:22,240 --> 01:03:28,400
Speaker 5: because it's it gets crazy when both parents have to

1093
01:03:28,400 --> 01:03:30,920
Speaker 5: still make money for the household and one is going

1094
01:03:30,960 --> 01:03:33,960
Speaker 5: and one is going, and so it's like just sending

1095
01:03:33,960 --> 01:03:37,240
Speaker 5: them to speech therapy is okay, cool, but you still

1096
01:03:37,280 --> 01:03:39,920
Speaker 5: need to work on your child at home every day.

1097
01:03:40,480 --> 01:03:42,520
Speaker 5: And a lot of a lot of kids don't have

1098
01:03:42,680 --> 01:03:46,400
Speaker 5: done because my mommy got to go this way, Daddy

1099
01:03:46,400 --> 01:03:47,640
Speaker 5: got to go this way, and then we got to

1100
01:03:47,640 --> 01:03:50,960
Speaker 5: pick up the child, and so some of those and

1101
01:03:51,000 --> 01:03:54,040
Speaker 5: then also at the same time, mommy and daddy's probably

1102
01:03:54,120 --> 01:03:56,600
Speaker 5: tired from working, and so now the child is not

1103
01:03:56,600 --> 01:03:59,480
Speaker 5: getting all the help that he needs in order to

1104
01:03:59,720 --> 01:04:02,560
Speaker 5: you know, to become you know better, And.

1105
01:04:04,160 --> 01:04:09,600
Speaker 1: You know, like I had, my.

1106
01:04:09,120 --> 01:04:13,640
Speaker 5: Son's mom was She's always there, She's all about my son,

1107
01:04:13,760 --> 01:04:15,480
Speaker 5: she's all over my son, she's all over my son.

1108
01:04:15,520 --> 01:04:18,040
Speaker 5: It's not about like this steam words. So yeah, we're

1109
01:04:18,040 --> 01:04:19,560
Speaker 5: gonna have fun and we'll run around to the club.

1110
01:04:19,560 --> 01:04:24,920
Speaker 5: And my investment is making sure my child is you know,

1111
01:04:25,800 --> 01:04:27,560
Speaker 5: is everything he needs, you know what I mean, because

1112
01:04:27,640 --> 01:04:28,960
Speaker 5: at the end of the day, there is going to

1113
01:04:29,000 --> 01:04:32,840
Speaker 5: be a time where we, you know, God willing, you know,

1114
01:04:32,920 --> 01:04:36,400
Speaker 5: we die before our kids do, you know, and it's

1115
01:04:36,400 --> 01:04:39,040
Speaker 5: gonna be a time where they're left here, you know.

1116
01:04:39,600 --> 01:04:46,520
Speaker 5: And I was told a story from this one kid,

1117
01:04:47,200 --> 01:04:50,440
Speaker 5: and he's autistic, but he's you.

1118
01:04:50,480 --> 01:04:51,320
Speaker 1: Know, he's better now.

1119
01:04:52,080 --> 01:04:55,360
Speaker 5: But he was saying, like you know, at a younger ages,

1120
01:04:55,480 --> 01:04:59,160
Speaker 5: like especially with the tantrums and everything that they throw.

1121
01:04:59,840 --> 01:05:02,760
Speaker 5: He he knew what he wanted to say, the words

1122
01:05:02,840 --> 01:05:05,280
Speaker 5: just wouldn't come out of his mouth. And that's what

1123
01:05:05,400 --> 01:05:08,520
Speaker 5: made him more frustrated and more frustrated and more frustrated

1124
01:05:08,520 --> 01:05:09,200
Speaker 5: and more frustrating.

1125
01:05:09,280 --> 01:05:12,880
Speaker 1: You see all this, you know, to act out exactly.

1126
01:05:14,080 --> 01:05:21,800
Speaker 5: But I think that us as parents, black parents, white, like,

1127
01:05:21,840 --> 01:05:25,520
Speaker 5: we just have to pay attention to our kids, you know,

1128
01:05:25,680 --> 01:05:29,280
Speaker 5: and stay there, stop being in denial because all that

1129
01:05:29,360 --> 01:05:31,960
Speaker 5: time you're being in now your child is losing from

1130
01:05:32,040 --> 01:05:32,680
Speaker 5: becoming better.

1131
01:05:32,720 --> 01:05:32,920
Speaker 6: You know.

1132
01:05:33,320 --> 01:05:35,720
Speaker 1: All that shit is repetition time is of the essence

1133
01:05:35,760 --> 01:05:37,960
Speaker 1: when you talk about autism. Yeah, you know what I mean,

1134
01:05:38,040 --> 01:05:40,400
Speaker 1: like really being able to get into those because now

1135
01:05:41,000 --> 01:05:44,880
Speaker 1: now that we've identified it, you know, as a society

1136
01:05:44,920 --> 01:05:47,520
Speaker 1: and even medically, it's on a whole other level now

1137
01:05:47,560 --> 01:05:51,000
Speaker 1: to where there there's so many programs, so many different

1138
01:05:52,800 --> 01:05:57,000
Speaker 1: whether it be schooling and whether it be like even

1139
01:05:57,040 --> 01:05:59,320
Speaker 1: gathering places where they can have fun with other kids

1140
01:05:59,360 --> 01:06:02,000
Speaker 1: that are like them, right right, there's so many things

1141
01:06:02,000 --> 01:06:03,880
Speaker 1: in place now. But it goes back to that one

1142
01:06:03,920 --> 01:06:06,320
Speaker 1: thing you said, you have to pay attention to your

1143
01:06:06,400 --> 01:06:09,920
Speaker 1: kid and get them to help early or you're gonna

1144
01:06:09,960 --> 01:06:13,160
Speaker 1: miss the window because being because you know, we like

1145
01:06:14,720 --> 01:06:16,080
Speaker 1: obviously we're human, we're human.

1146
01:06:16,160 --> 01:06:18,600
Speaker 5: So you go, oh damn, like you know, and they

1147
01:06:18,600 --> 01:06:20,760
Speaker 5: because you see somebody in the denial, You're like, no,

1148
01:06:20,840 --> 01:06:23,440
Speaker 5: you got to understand what that is, you know, And

1149
01:06:23,440 --> 01:06:27,600
Speaker 5: and no matter what, you know, God sat here for you.

1150
01:06:27,840 --> 01:06:29,840
Speaker 5: You have to take that and go, Okay, this is

1151
01:06:29,840 --> 01:06:32,880
Speaker 5: what I'm gonna deal with, you know, And and that's

1152
01:06:33,040 --> 01:06:37,760
Speaker 5: that's your job as a I see too many parents

1153
01:06:38,560 --> 01:06:40,240
Speaker 5: personally and they're.

1154
01:06:40,040 --> 01:06:44,480
Speaker 1: Like oh yeah, yeah and brush it off.

1155
01:06:44,960 --> 01:06:49,760
Speaker 5: Yeah, the son is you know, obviously behavior is really

1156
01:06:49,800 --> 01:06:50,400
Speaker 5: really bad.

1157
01:06:51,320 --> 01:06:52,480
Speaker 1: Everything is really really bad.

1158
01:06:52,480 --> 01:06:54,680
Speaker 5: And I'm not saying because because they're autistic, but because

1159
01:06:54,720 --> 01:06:56,880
Speaker 5: they also don't have to help. So you go year

1160
01:06:56,920 --> 01:07:00,360
Speaker 5: for year for year that child still hasn't improved because us,

1161
01:07:02,400 --> 01:07:06,080
Speaker 5: you know, that parent is like, well, we're just let

1162
01:07:06,120 --> 01:07:08,320
Speaker 5: the school deal with it, though, We're just let you know,

1163
01:07:09,000 --> 01:07:10,840
Speaker 5: you have to stay on top of your child.

1164
01:07:11,000 --> 01:07:15,680
Speaker 1: My son right now, he's he he was.

1165
01:07:18,240 --> 01:07:21,720
Speaker 5: Obviously it was like special classes, but now it's half

1166
01:07:21,720 --> 01:07:23,960
Speaker 5: and half, you know, so now he's in general and

1167
01:07:24,120 --> 01:07:26,720
Speaker 5: especial when he has straight a's. You know, my son,

1168
01:07:26,880 --> 01:07:30,600
Speaker 5: he's like he's sharp. He's like a super genius, you

1169
01:07:30,600 --> 01:07:31,080
Speaker 5: know what I mean.

1170
01:07:31,160 --> 01:07:33,439
Speaker 1: But most of times that's what it is. Though.

1171
01:07:33,640 --> 01:07:41,400
Speaker 5: Yeah, they it's crazy because they lack. They lack the

1172
01:07:41,480 --> 01:07:45,560
Speaker 5: things that we're great at, and then we lack the

1173
01:07:45,600 --> 01:07:46,880
Speaker 5: things that they're great at.

1174
01:07:46,840 --> 01:07:51,560
Speaker 1: And they're really great at whatever that yeah, super yeah,

1175
01:07:51,680 --> 01:07:54,000
Speaker 1: So whether it be a communication thing with them or

1176
01:07:55,160 --> 01:07:57,920
Speaker 1: them or but but when when they're when they're down

1177
01:07:58,000 --> 01:08:01,680
Speaker 1: into what I always say is their purpose because I

1178
01:08:01,680 --> 01:08:04,440
Speaker 1: feel like autistic, you know, a lot of autism is

1179
01:08:04,480 --> 01:08:09,480
Speaker 1: like a hyper focus on on a true design and

1180
01:08:10,120 --> 01:08:14,760
Speaker 1: sometimes it's about identifying what that is once once somebody

1181
01:08:14,880 --> 01:08:18,200
Speaker 1: you know, in an autistic space find that thing.

1182
01:08:18,479 --> 01:08:22,000
Speaker 5: Yeah yeah, magic, yeah, great kids.

1183
01:08:22,000 --> 01:08:22,320
Speaker 1: Magic.

1184
01:08:23,360 --> 01:08:25,000
Speaker 2: I just wanted to I wanted to bring us stuf

1185
01:08:25,040 --> 01:08:27,760
Speaker 2: because I just know, you know how how much of

1186
01:08:27,800 --> 01:08:30,560
Speaker 2: an advocate that you are for and you know it,

1187
01:08:30,680 --> 01:08:32,960
Speaker 2: and it's to me, it's not brought up enough in

1188
01:08:33,040 --> 01:08:36,160
Speaker 2: our community right right, And it happened knowing how much

1189
01:08:36,200 --> 01:08:39,559
Speaker 2: it affects it happening to us, right, so you know,

1190
01:08:39,640 --> 01:08:42,880
Speaker 2: and just like you said, I think this conversation just

1191
01:08:42,920 --> 01:08:45,880
Speaker 2: hopefully it brings some awareness to someone who may have

1192
01:08:46,360 --> 01:08:48,800
Speaker 2: a young child that they're trying to figure it out.

1193
01:08:48,880 --> 01:08:52,519
Speaker 2: It's like, right, go now, right, get them checked so

1194
01:08:52,520 --> 01:08:54,040
Speaker 2: that you can get in front of it right and

1195
01:08:54,080 --> 01:08:56,599
Speaker 2: that you can really help the child right now.

1196
01:08:56,760 --> 01:09:01,760
Speaker 1: I appreciate that, no problem. That's really dope. Brother. Yeah. Well,

1197
01:09:01,840 --> 01:09:04,760
Speaker 1: ladies and gentlemen, my name is Tank. This is the

1198
01:09:04,840 --> 01:09:07,679
Speaker 1: R and B Money Podcast, the authority on all things,

1199
01:09:08,840 --> 01:09:14,599
Speaker 1: All things, the R and B Touches. Yeah, yeah, we

1200
01:09:14,680 --> 01:09:19,960
Speaker 1: love you, brother, We appreciate you man. Your energy, it's everything, man,

1201
01:09:20,280 --> 01:09:23,000
Speaker 1: and we pray that you know, when people watch this

1202
01:09:23,160 --> 01:09:26,000
Speaker 1: and people see this man, that they if they don't

1203
01:09:26,000 --> 01:09:27,840
Speaker 1: take nothing else man that they just figure out.

1204
01:09:27,880 --> 01:09:28,040
Speaker 6: Man.

1205
01:09:28,080 --> 01:09:31,200
Speaker 1: I was just have a good time exactly. Have a

1206
01:09:31,200 --> 01:09:34,720
Speaker 1: good time, exactly. You know what I'm saying. Yeah, write it,

1207
01:09:34,960 --> 01:09:37,760
Speaker 1: sing it, produce it, rapp it. Whatever you do.

1208
01:09:38,640 --> 01:09:39,280
Speaker 6: Have a good time.

1209
01:09:39,479 --> 01:09:42,840
Speaker 1: Yes, be happy, be happy, don't worry, be happy, Ladies

1210
01:09:42,880 --> 01:09:51,360
Speaker 1: and Gentlemen. R and Money.

1211
01:09:52,000 --> 01:09:53,800
Speaker 2: R and B Money is a production of the Black

1212
01:09:53,800 --> 01:09:58,320
Speaker 2: Effect podcast Network. For more podcasts from iHeart Radio, is

1213
01:09:58,360 --> 01:10:02,280
Speaker 2: it the iHeartRadio app, Apple Podcasts, or wherever you listen

1214
01:10:02,280 --> 01:10:05,599
Speaker 2: to your favorite shows, don't forget to subscribe to and

1215
01:10:05,760 --> 01:10:08,080
Speaker 2: rate our show, and you can connect with us on

1216
01:10:08,120 --> 01:10:11,679
Speaker 2: social media at Jay Valentine and at the Real Tank.

1217
01:10:12,080 --> 01:10:16,760
Speaker 2: For the extended episode, subscribe to YouTube dot com or

1218
01:10:17,000 --> 01:10:18,439
Speaker 2: slash R and B Money