1 00:00:00,080 --> 00:00:01,720 Speaker 1: My next guest. I usually give a lot of credits 2 00:00:01,760 --> 00:00:04,240 Speaker 1: about how good we're doing and what we're adding all 3 00:00:04,280 --> 00:00:07,320 Speaker 1: these things. But my next guest has been affected my 4 00:00:07,400 --> 00:00:12,879 Speaker 1: life for over twenty six years. Um. I say twenty 5 00:00:12,880 --> 00:00:16,560 Speaker 1: six years because Team marks his twenty six year music. 6 00:00:17,400 --> 00:00:20,360 Speaker 1: I remember when he released a single call While We Sing, 7 00:00:21,200 --> 00:00:24,599 Speaker 1: that changed the landscape of gospel music. His little story 8 00:00:24,600 --> 00:00:28,360 Speaker 1: about that. I remember Steve Harve and I were so 9 00:00:28,400 --> 00:00:32,040 Speaker 1: a lot of concert in Houston, Texas is at the 10 00:00:32,120 --> 00:00:38,960 Speaker 1: music hall see see the four thousand and I played 11 00:00:39,000 --> 00:00:41,400 Speaker 1: two songs. Steve said, why are you playing music? But 12 00:00:41,640 --> 00:00:45,240 Speaker 1: stought the show. I played, Uh, this song called While 13 00:00:45,240 --> 00:00:47,760 Speaker 1: We Sing? See so you playing gospel music before we 14 00:00:47,800 --> 00:00:50,879 Speaker 1: start a comedy show. As I do, I just I 15 00:00:50,920 --> 00:00:54,200 Speaker 1: gotta play this song. This is my song. This song 16 00:00:54,280 --> 00:00:57,560 Speaker 1: had affected me in a way that opened my eyes 17 00:00:57,680 --> 00:00:59,960 Speaker 1: because I was I was in transition with my life 18 00:01:00,720 --> 00:01:03,880 Speaker 1: and to hear this music, um, from this young man 19 00:01:03,960 --> 00:01:08,080 Speaker 1: out of the four worth of Dallas area, just changed 20 00:01:08,120 --> 00:01:10,800 Speaker 1: the landscape. His album remained at number one on Billboard 21 00:01:10,840 --> 00:01:13,800 Speaker 1: Top Gospel for four the two weeks he was the 22 00:01:13,800 --> 00:01:17,000 Speaker 1: first gospel music artists an album to sell over one 23 00:01:17,080 --> 00:01:22,120 Speaker 1: million units he's a gospel of musician, songwriter, choir director, 24 00:01:22,160 --> 00:01:26,319 Speaker 1: and arthur. He's known for leading urban contemporary gospel choirs 25 00:01:26,319 --> 00:01:29,640 Speaker 1: such as The Family, God's Property and One Nation Crew, 26 00:01:30,319 --> 00:01:35,080 Speaker 1: and it's won multiple awards, including fourteen Grammy Awards. Variety 27 00:01:35,600 --> 00:01:39,200 Speaker 1: dubbed him as the reigning king of urban Gospel. Please 28 00:01:39,240 --> 00:01:44,720 Speaker 1: welcome to money making conversations, my man, Kurt Franklin. What's 29 00:01:44,760 --> 00:01:49,440 Speaker 1: going on? Family? You know? The thing that I like 30 00:01:49,520 --> 00:01:53,440 Speaker 1: about you is that I figured like I love because 31 00:01:53,480 --> 00:01:56,840 Speaker 1: I've been able to watch you grow as a husband, 32 00:01:56,920 --> 00:02:02,800 Speaker 1: a friend, U uh, an ambassador, UH, spokesperson. I've seen 33 00:02:02,880 --> 00:02:04,960 Speaker 1: you uh because it SE's a lot of people don't 34 00:02:05,000 --> 00:02:07,240 Speaker 1: know that uh with Steve and I. Steve is the 35 00:02:07,280 --> 00:02:10,480 Speaker 1: host Celebration of Gospel and BT, I was writing produced it. 36 00:02:10,880 --> 00:02:14,040 Speaker 1: So for thirteen years I got that. I got the 37 00:02:14,400 --> 00:02:20,400 Speaker 1: joy watching Kurk Franklin the formal stage. Wow wow. And 38 00:02:20,680 --> 00:02:24,840 Speaker 1: in that thirteen years because that that show helped transform 39 00:02:25,000 --> 00:02:29,040 Speaker 1: the landscape of gospel music. At Steve Harvey, which who 40 00:02:29,120 --> 00:02:31,920 Speaker 1: wasn't wasn't a typical guy to be associated with gospel, 41 00:02:31,960 --> 00:02:34,520 Speaker 1: so he brought an audience that wouldn't normally come to 42 00:02:34,560 --> 00:02:37,880 Speaker 1: gospel and then you guys did your theme from a 43 00:02:38,040 --> 00:02:41,000 Speaker 1: uh it was like it was like the Grammys version 44 00:02:41,560 --> 00:02:48,839 Speaker 1: of UH or BT Awards. Yeah yeah, yeah, man, yeah man. 45 00:02:48,919 --> 00:02:52,720 Speaker 1: And you know, if it was transformed, if it changed 46 00:02:52,720 --> 00:02:55,960 Speaker 1: the trajectory of the genre, because what it did is 47 00:02:56,000 --> 00:02:59,640 Speaker 1: that they gave a visual introduction to a lot of 48 00:02:59,680 --> 00:03:02,600 Speaker 1: the people that uh, a lot of people the mainstream 49 00:03:02,720 --> 00:03:04,960 Speaker 1: have just heard the music, but they didn't really know 50 00:03:04,960 --> 00:03:07,880 Speaker 1: who the people were. And so to be able to 51 00:03:07,960 --> 00:03:10,679 Speaker 1: now have a platform where people can see who these 52 00:03:10,680 --> 00:03:13,480 Speaker 1: people are and can be connected to what is that 53 00:03:13,520 --> 00:03:16,600 Speaker 1: they're doing at a deeper level, that's a very powerful thing. 54 00:03:17,040 --> 00:03:20,760 Speaker 1: And so Celebration of Gospel was very transformative, and that 55 00:03:20,919 --> 00:03:23,960 Speaker 1: you were transformative, and that Steve was transformative and at it. 56 00:03:24,040 --> 00:03:28,640 Speaker 1: So you know, those those were the beginnings foundations of 57 00:03:29,760 --> 00:03:33,200 Speaker 1: a revolution that kind of happened within the genre. But 58 00:03:33,919 --> 00:03:36,880 Speaker 1: we can say that about Celebration of Gospel, but you 59 00:03:37,000 --> 00:03:42,640 Speaker 1: started it way back then with while we sing that money, 60 00:03:42,920 --> 00:03:45,839 Speaker 1: how did you? How did that telling the truth? Now? 61 00:03:46,160 --> 00:03:49,160 Speaker 1: Telling the truth? Because you know, you know Irban Irban 62 00:03:49,280 --> 00:03:53,680 Speaker 1: music was like you know, you had Osley Brothers O Jays, 63 00:03:54,440 --> 00:03:57,400 Speaker 1: and then then they started playing your song and they 64 00:03:57,440 --> 00:04:00,200 Speaker 1: started playing on a regular basis on these hot R 65 00:04:00,240 --> 00:04:03,760 Speaker 1: and B station. Your song wasn't regulated to just Sunday music. 66 00:04:05,800 --> 00:04:08,160 Speaker 1: Why do you think what's the timing or was it 67 00:04:08,200 --> 00:04:14,360 Speaker 1: just the words of that song? You know? If I 68 00:04:14,400 --> 00:04:17,360 Speaker 1: can be very candid and and and I know there's 69 00:04:17,400 --> 00:04:22,880 Speaker 1: no human science that can regulate this statement or can 70 00:04:23,480 --> 00:04:26,720 Speaker 1: you know safe to try to prove uh, this type 71 00:04:26,760 --> 00:04:29,240 Speaker 1: of theory. This is a theory that is seen with 72 00:04:29,320 --> 00:04:32,680 Speaker 1: invisible eye, and uh, and I trusted with invisible hand. 73 00:04:32,960 --> 00:04:35,799 Speaker 1: I believe it was just God's grace, you know. And 74 00:04:35,800 --> 00:04:38,359 Speaker 1: and I know it's hard to quantify that in in 75 00:04:38,400 --> 00:04:42,440 Speaker 1: a platform that is all about returns and dividends and 76 00:04:42,520 --> 00:04:44,520 Speaker 1: so when they were not able to always do that 77 00:04:44,880 --> 00:04:48,200 Speaker 1: when we talk about the supernatural, but I still believe 78 00:04:48,240 --> 00:04:50,160 Speaker 1: in it, and I believe that there's been a salvation 79 00:04:50,200 --> 00:04:52,360 Speaker 1: of my life. To think about it. Bro, you're talking 80 00:04:52,360 --> 00:04:54,599 Speaker 1: about somebody that does gospel music and been doing it 81 00:04:54,640 --> 00:04:57,120 Speaker 1: for twenty six years. How I've been doing it? And 82 00:04:57,200 --> 00:05:00,840 Speaker 1: I can't say you know that people said that the 83 00:05:00,960 --> 00:05:04,120 Speaker 1: dope singers, you know, and I am learning around bounce 84 00:05:04,160 --> 00:05:07,240 Speaker 1: around on stage, and you know that ain't number just 85 00:05:07,400 --> 00:05:09,960 Speaker 1: you know, got an amazing grace because they don't make 86 00:05:09,960 --> 00:05:12,760 Speaker 1: a little sin. It makes sense. It makes sense because 87 00:05:12,760 --> 00:05:15,680 Speaker 1: you make me, you make me emotional, you make me 88 00:05:15,839 --> 00:05:18,760 Speaker 1: uh feel good, you make you inspire me with your music. 89 00:05:19,080 --> 00:05:22,440 Speaker 1: You make me uh step back and take hold of 90 00:05:22,440 --> 00:05:26,080 Speaker 1: what is happening in my life with your music. Um, 91 00:05:26,160 --> 00:05:29,960 Speaker 1: just an amazing combination of styles. Uh. I've asked him 92 00:05:29,960 --> 00:05:32,880 Speaker 1: to appear on the TV shows like Sister Sister with Me, 93 00:05:33,640 --> 00:05:36,320 Speaker 1: so are asking the asked him Gold Tour with Me 94 00:05:36,520 --> 00:05:40,920 Speaker 1: with Steve Harvey, which was unprecedented, and uh, because that's 95 00:05:41,040 --> 00:05:44,919 Speaker 1: his brand and it was Steve Harvey's brand. And then uh, 96 00:05:45,040 --> 00:05:48,040 Speaker 1: I asked him to open up the Neighborhood Awards in 97 00:05:48,160 --> 00:05:53,520 Speaker 1: Las Vegas with me and he never said no, yes sir, 98 00:05:53,800 --> 00:05:57,760 Speaker 1: yes sir, And I never will I never will, you 99 00:05:57,800 --> 00:05:59,880 Speaker 1: know because because I remember I thinking, I went to 100 00:06:00,040 --> 00:06:01,800 Speaker 1: Gott said Kurt, I said, could you could you do 101 00:06:01,839 --> 00:06:03,760 Speaker 1: the Neighborhood Awards? A lot of people who noblehood. The 102 00:06:03,760 --> 00:06:06,080 Speaker 1: awards was an awards. Sohold that, Stephen how I did 103 00:06:06,160 --> 00:06:09,320 Speaker 1: in Las Vegas for sixteen years, which sold lot everywhere 104 00:06:09,360 --> 00:06:12,480 Speaker 1: to recognized that the stars on our community. It's an 105 00:06:12,480 --> 00:06:17,640 Speaker 1: amazing uh, production of quality and sixteen years, seven or 106 00:06:17,680 --> 00:06:20,120 Speaker 1: sixteen years and I said, I said, Kurt, could you 107 00:06:20,200 --> 00:06:22,640 Speaker 1: could you open up with melodies from Heaven? He said, 108 00:06:23,160 --> 00:06:26,479 Speaker 1: melodies from Heaven? I said, man, melodies from heaven. Rained 109 00:06:26,560 --> 00:06:30,880 Speaker 1: down on me, run down on me, take me in 110 00:06:31,040 --> 00:06:37,720 Speaker 1: your arms and hold me close. Yeah yeah, yeah yeah wow. 111 00:06:37,920 --> 00:06:40,360 Speaker 1: So man, I'm I'm just very grateful for those moments. 112 00:06:40,400 --> 00:06:43,720 Speaker 1: So those are really life subsiding moments for my career. Man. 113 00:06:43,839 --> 00:06:46,320 Speaker 1: And you know, I'm just very glad to be you know, 114 00:06:46,480 --> 00:06:49,120 Speaker 1: still around, and you know, even doing it with a 115 00:06:49,160 --> 00:06:52,440 Speaker 1: new music now. So's it's really a blessing. We know 116 00:06:52,520 --> 00:06:54,960 Speaker 1: it's a blessing because I tell you when he says 117 00:06:54,960 --> 00:06:56,600 Speaker 1: the word because he said family when he said my 118 00:06:56,680 --> 00:06:59,720 Speaker 1: name up from and uh, what's your family? And he 119 00:06:59,800 --> 00:07:01,120 Speaker 1: means us that when he says that. Because when we 120 00:07:01,200 --> 00:07:03,200 Speaker 1: used to do the celebration the gospel, you know, Steve 121 00:07:03,279 --> 00:07:05,440 Speaker 1: and I we've been our trailer and then Kurt come on, 122 00:07:05,560 --> 00:07:07,279 Speaker 1: knock on the door, he come on in. He said, 123 00:07:07,279 --> 00:07:10,880 Speaker 1: what's a family? It was like talking to a younger 124 00:07:10,920 --> 00:07:13,960 Speaker 1: brother because he's younger than me. And Steven said, Steve too, 125 00:07:14,240 --> 00:07:16,640 Speaker 1: and he said, I got some advice something, and we're 126 00:07:16,640 --> 00:07:18,600 Speaker 1: looking at him, you know, because because it's like it's 127 00:07:18,640 --> 00:07:20,680 Speaker 1: like it's like walking into a church, you know, because 128 00:07:21,080 --> 00:07:23,760 Speaker 1: we were we were very respectful of the environment that 129 00:07:23,840 --> 00:07:26,880 Speaker 1: we were walking into. When you went into the gospel arena, 130 00:07:27,000 --> 00:07:31,600 Speaker 1: that's not our arena. We're performers, were entertainers, and guess 131 00:07:31,680 --> 00:07:38,440 Speaker 1: what we cussed and so and so when we walked 132 00:07:38,480 --> 00:07:40,960 Speaker 1: in there, we had to remember that. And so when 133 00:07:41,000 --> 00:07:43,560 Speaker 1: he would come into our trailer, it all put up, 134 00:07:43,600 --> 00:07:45,160 Speaker 1: the calls put up there with that Kurt coming in, 135 00:07:45,840 --> 00:07:47,720 Speaker 1: Curt said, we all stop it. When y'all stop it, 136 00:07:48,920 --> 00:07:53,200 Speaker 1: stop it, and and and and he would ask for advice. 137 00:07:53,880 --> 00:07:55,400 Speaker 1: And I remember when he when they when they when 138 00:07:55,400 --> 00:07:58,120 Speaker 1: they had the opportunity to put together the the Tool 139 00:07:58,200 --> 00:08:05,080 Speaker 1: with him, Marvin Stapp and uh who's up there? Uh yeah, 140 00:08:05,400 --> 00:08:11,240 Speaker 1: with U with Oh my god, that was a great 141 00:08:11,280 --> 00:08:13,360 Speaker 1: tour they put together. You know. He came in out 142 00:08:13,400 --> 00:08:15,800 Speaker 1: trailer talking about that, what do you think? What do 143 00:08:15,840 --> 00:08:18,480 Speaker 1: you think about this? Songs? He would songs that he 144 00:08:18,720 --> 00:08:20,840 Speaker 1: would hit song. He asked us, what do you think 145 00:08:20,840 --> 00:08:22,400 Speaker 1: about this song? What do you think about this song? 146 00:08:22,760 --> 00:08:25,080 Speaker 1: And Steve had for music, and he knew that Steve 147 00:08:25,160 --> 00:08:27,360 Speaker 1: had an ear for music. I give him that he 148 00:08:27,600 --> 00:08:30,080 Speaker 1: hear a song and he knew words and and Kirk 149 00:08:30,160 --> 00:08:33,040 Speaker 1: respected that. But what we respected most was that he 150 00:08:33,360 --> 00:08:36,360 Speaker 1: is just a regular guy. And I don't think I 151 00:08:36,480 --> 00:08:39,480 Speaker 1: don't think that. I say that and all honestly because 152 00:08:40,200 --> 00:08:42,240 Speaker 1: being in the musical twenties few years, there's so many 153 00:08:42,280 --> 00:08:44,120 Speaker 1: trends and so many up his downs, and so many 154 00:08:44,160 --> 00:08:47,240 Speaker 1: people say your music, your genre is done, you won't 155 00:08:47,320 --> 00:08:50,280 Speaker 1: make it. And he's always now I wouldn't even say 156 00:08:50,280 --> 00:08:52,840 Speaker 1: the word evolved. He's just performed. He's just been Kurt Franklin. 157 00:08:53,760 --> 00:08:57,640 Speaker 1: And that's a special quality. Brother. Thank you. That's very 158 00:08:57,720 --> 00:09:00,240 Speaker 1: humbling that that that is her humbling coming from you. 159 00:09:00,400 --> 00:09:02,880 Speaker 1: And and I'm just glad to be here on the 160 00:09:03,000 --> 00:09:06,200 Speaker 1: show and letting people know that, you know, I'm still 161 00:09:06,720 --> 00:09:08,640 Speaker 1: trying to do it, still trying to make that difference, 162 00:09:08,679 --> 00:09:11,640 Speaker 1: and uh, you know, I'm still doing it even with 163 00:09:11,720 --> 00:09:15,560 Speaker 1: the new music you Loan Live Love album and Love Theory, 164 00:09:15,800 --> 00:09:19,720 Speaker 1: the new single, and you know, I'm just just very thankful, 165 00:09:19,760 --> 00:09:22,559 Speaker 1: that very thankful. Yes, we're gonna come back in this 166 00:09:22,640 --> 00:09:25,000 Speaker 1: next break and we're gonna talk about because Sunday's Best 167 00:09:25,080 --> 00:09:29,679 Speaker 1: is coming back. You know, I usually calling us, said 168 00:09:29,760 --> 00:09:32,800 Speaker 1: Kirk Man, you're so good boy boy when he holds 169 00:09:32,880 --> 00:09:34,839 Speaker 1: up Sunday best is like a natural for him. And 170 00:09:34,880 --> 00:09:37,079 Speaker 1: we're gonna talk about that. We're gonna talk about the Long, 171 00:09:37,559 --> 00:09:39,880 Speaker 1: Long Live Love tour. We're gonna talk about that new 172 00:09:39,920 --> 00:09:42,559 Speaker 1: single this out and at festival that he's doing every year, 173 00:09:42,559 --> 00:09:45,040 Speaker 1: just selling out. There's gentlemen, we're talking to the one 174 00:09:45,080 --> 00:09:48,800 Speaker 1: that only Kirk Franklin. He's family and I'm happy to 175 00:09:49,120 --> 00:09:54,400 Speaker 1: be recognized as part of his family. This was Sean McDonald. 176 00:09:54,440 --> 00:09:58,880 Speaker 1: You're listening to money making conversations. I'm interviewing Ker Franklin 177 00:09:59,200 --> 00:10:03,520 Speaker 1: um when it's six years marks his um introduction into us, 178 00:10:03,640 --> 00:10:07,280 Speaker 1: knowing who he is in this business. But how did 179 00:10:07,320 --> 00:10:10,160 Speaker 1: it all start for you? Kirk? Uh the music that 180 00:10:10,320 --> 00:10:14,839 Speaker 1: the whole choir directing, being inspired to believe that the 181 00:10:15,040 --> 00:10:18,720 Speaker 1: songs that you have should be heard by and listened 182 00:10:18,720 --> 00:10:21,560 Speaker 1: to by millions. How did it all start for you? Yeah, 183 00:10:21,720 --> 00:10:25,320 Speaker 1: well it is. I was adopted when I was four 184 00:10:25,960 --> 00:10:29,280 Speaker 1: by sixty four year old lady who who paid for 185 00:10:29,360 --> 00:10:33,240 Speaker 1: my piano lessons by recycling cans and newspapers. She didn't 186 00:10:33,240 --> 00:10:35,480 Speaker 1: have a lot of money, you know, and she apparently 187 00:10:35,520 --> 00:10:37,840 Speaker 1: saw something in me. It was just being led by 188 00:10:37,960 --> 00:10:42,560 Speaker 1: once again by that invisible hand, and so she died 189 00:10:42,600 --> 00:10:45,360 Speaker 1: before she heard it in my music ever recorded. But 190 00:10:45,800 --> 00:10:48,800 Speaker 1: I developed a very strong passion for the music at 191 00:10:48,840 --> 00:10:52,080 Speaker 1: a very young age. And uh and then one gift 192 00:10:52,160 --> 00:10:54,800 Speaker 1: that got in there early on was songwriting. And so 193 00:10:55,000 --> 00:10:59,040 Speaker 1: songwriting I really changed my life, changed my life book 194 00:10:59,160 --> 00:11:01,079 Speaker 1: because these were the only that God was given me 195 00:11:01,320 --> 00:11:04,000 Speaker 1: that God couldn't believe he would be kind enough to 196 00:11:04,200 --> 00:11:08,000 Speaker 1: let me borrow these kind of songs. And so that's 197 00:11:08,240 --> 00:11:11,439 Speaker 1: that that was really the foundation of my career. And 198 00:11:11,640 --> 00:11:14,559 Speaker 1: so it just opened up doors for me to work 199 00:11:14,600 --> 00:11:17,679 Speaker 1: with some man incredible people as a songwriter and then 200 00:11:17,720 --> 00:11:20,800 Speaker 1: as a producer and then as an arranger and uh 201 00:11:21,600 --> 00:11:25,880 Speaker 1: quide director or performer and or curator, and so you know, 202 00:11:25,920 --> 00:11:29,040 Speaker 1: I'm just just really humbled by just opportunities that I've 203 00:11:29,040 --> 00:11:31,480 Speaker 1: been able to do it in. And that's that's really 204 00:11:32,280 --> 00:11:35,520 Speaker 1: a journey, a humbling journey. And that's why I guess 205 00:11:35,559 --> 00:11:37,719 Speaker 1: when you say just a humble by it, when you 206 00:11:37,800 --> 00:11:40,840 Speaker 1: hear that that story and lets you know that there 207 00:11:40,960 --> 00:11:43,640 Speaker 1: was no silver spoon for you, there was no defined 208 00:11:43,679 --> 00:11:45,959 Speaker 1: opportunity that you walked on this path, there's going to 209 00:11:46,040 --> 00:11:50,199 Speaker 1: be success. There was all blessings and you were there 210 00:11:50,240 --> 00:11:54,880 Speaker 1: to receive the blessings and understand the blessings. Correct, yes, sir, Yes, sir. 211 00:11:55,280 --> 00:11:58,080 Speaker 1: And and that's all it's been. It's has been God's blessings, 212 00:11:58,280 --> 00:12:00,839 Speaker 1: ron blessings, and so that's all I've been able to have. 213 00:12:01,000 --> 00:12:03,520 Speaker 1: H That's all I know. And and it's been enough. 214 00:12:04,040 --> 00:12:08,320 Speaker 1: It's really been enough. Now. This song, Love Theory, debated 215 00:12:08,440 --> 00:12:11,080 Speaker 1: number one on Billboards Hot Gospel Song chart that has 216 00:12:11,120 --> 00:12:14,000 Speaker 1: been number one for twenty straight weeks. Song is number 217 00:12:14,040 --> 00:12:17,360 Speaker 1: four on Billboards Adult R and BC. He gonna cross over, 218 00:12:18,720 --> 00:12:28,800 Speaker 1: He's gonna cross over. Come on, come on, Kurt Kirk, 219 00:12:28,960 --> 00:12:33,240 Speaker 1: Kirk my brother two to six years and just deliver that. 220 00:12:33,440 --> 00:12:36,000 Speaker 1: Because you're still a young man. What's the future hole 221 00:12:36,080 --> 00:12:39,160 Speaker 1: for you? Because you know, in music, there's always a 222 00:12:39,280 --> 00:12:42,000 Speaker 1: point where people I've been there. I've seen the artists. 223 00:12:42,760 --> 00:12:44,640 Speaker 1: They tend to get locked into a beat, and then 224 00:12:44,679 --> 00:12:49,160 Speaker 1: the records, the the record industry of the fan basio. 225 00:12:49,240 --> 00:12:51,800 Speaker 1: I know that already. But you tend to you tend 226 00:12:51,840 --> 00:12:54,440 Speaker 1: to shift gears a lot in good ways and plus 227 00:12:54,480 --> 00:12:55,800 Speaker 1: a lot of people don't know he writes a lot 228 00:12:55,880 --> 00:12:58,120 Speaker 1: of other people's hits as well. We'll talking about that 229 00:12:58,160 --> 00:13:00,280 Speaker 1: inn because he got one of my favorite all time. 230 00:13:00,480 --> 00:13:02,600 Speaker 1: We talked about that last time. But let's talk about 231 00:13:02,640 --> 00:13:08,240 Speaker 1: love Theory. Uh you know, I'm just grateful that you know, 232 00:13:08,400 --> 00:13:10,520 Speaker 1: once again that the Logan and the Bordi songs, you 233 00:13:10,600 --> 00:13:13,600 Speaker 1: know love Theory as a song. You know, it's it's 234 00:13:13,640 --> 00:13:16,560 Speaker 1: funny because it came. I was playing with uh well, 235 00:13:17,320 --> 00:13:19,320 Speaker 1: my wife and my son in the living room, playing 236 00:13:19,360 --> 00:13:22,520 Speaker 1: actors silly, and when I saw them, I wanted to, 237 00:13:22,880 --> 00:13:25,400 Speaker 1: you know, just jumped on the piano. When I jumped 238 00:13:25,400 --> 00:13:28,160 Speaker 1: on the piano and started playing, I started playing this 239 00:13:28,280 --> 00:13:29,880 Speaker 1: groove and as I played the group, I was like, 240 00:13:29,920 --> 00:13:32,120 Speaker 1: wait a minute, that feels kind of good. And so 241 00:13:32,440 --> 00:13:35,040 Speaker 1: as I started playing that group and it started feeling right, 242 00:13:35,679 --> 00:13:37,120 Speaker 1: I was like, you know, this may be a little 243 00:13:37,160 --> 00:13:39,960 Speaker 1: some here. And so that's how I kind of transformed 244 00:13:41,240 --> 00:13:45,199 Speaker 1: that's had happened. Oh my goodness. And so so when 245 00:13:45,200 --> 00:13:46,920 Speaker 1: you when you when you feel it like that that 246 00:13:47,080 --> 00:13:49,280 Speaker 1: that you hopped on you, you was inspired and so 247 00:13:49,440 --> 00:13:51,120 Speaker 1: that so it just float out of here and they 248 00:13:51,160 --> 00:13:53,400 Speaker 1: made that that happened like that now there are other 249 00:13:53,520 --> 00:13:56,320 Speaker 1: singles on that album. How does how does the music 250 00:13:57,080 --> 00:14:02,160 Speaker 1: collaborations come about when you put together albums? Well, you know, um, 251 00:14:02,480 --> 00:14:05,160 Speaker 1: it kind of starts with with a major getting with God. 252 00:14:05,280 --> 00:14:07,839 Speaker 1: I'm just seeing if they're you know, if there's some 253 00:14:07,960 --> 00:14:10,319 Speaker 1: songs he can download. And then you know, and I 254 00:14:10,440 --> 00:14:13,760 Speaker 1: take a few months just to you know, just kind 255 00:14:13,760 --> 00:14:15,559 Speaker 1: of be at the piano and or you know, go 256 00:14:15,720 --> 00:14:18,079 Speaker 1: to the park or going to my old neighborhood and 257 00:14:18,160 --> 00:14:21,280 Speaker 1: just you know, and just right, you know, and and 258 00:14:21,400 --> 00:14:23,240 Speaker 1: I just write it spent a lot of time just 259 00:14:24,000 --> 00:14:26,880 Speaker 1: asking God to give me something significant to say, something 260 00:14:27,400 --> 00:14:30,080 Speaker 1: that can be transformative and not cliche is and and 261 00:14:30,240 --> 00:14:33,440 Speaker 1: not just you know, kind of running the meal. And uh, 262 00:14:33,840 --> 00:14:35,480 Speaker 1: you know, you know, there's just a lot of time 263 00:14:35,520 --> 00:14:38,320 Speaker 1: spent with that. And then even as I you know, 264 00:14:38,680 --> 00:14:40,840 Speaker 1: as as God give me the songs he can kind 265 00:14:40,840 --> 00:14:43,920 Speaker 1: of he also gives me direction of kinda if it's 266 00:14:43,920 --> 00:14:46,160 Speaker 1: going to be more of urban B program, but it's 267 00:14:46,160 --> 00:14:48,480 Speaker 1: gonna be live music, if it's gonna have strings or 268 00:14:48,520 --> 00:14:50,440 Speaker 1: horns like you know, And then I just kind of 269 00:14:50,480 --> 00:14:54,320 Speaker 1: begin to hear hear those things, you know, and and 270 00:14:54,560 --> 00:14:55,920 Speaker 1: and I said, by the time I get to the 271 00:14:56,000 --> 00:14:58,280 Speaker 1: band and kind of tell them what I'm hearing, or 272 00:14:58,280 --> 00:15:00,240 Speaker 1: if had a couple of great guys take cop douce 273 00:15:00,320 --> 00:15:02,200 Speaker 1: with me, you know, I tell them that I'm here, 274 00:15:02,200 --> 00:15:05,800 Speaker 1: and you know, you know, you know that this song 275 00:15:06,200 --> 00:15:09,360 Speaker 1: as drum program and then you know, you know, uh, 276 00:15:10,000 --> 00:15:12,760 Speaker 1: they may work on some beats and and kind of 277 00:15:12,840 --> 00:15:15,120 Speaker 1: you know, you know, and we may tweet the beats, 278 00:15:15,160 --> 00:15:17,280 Speaker 1: you know, because I got some really beat makers around 279 00:15:17,360 --> 00:15:19,920 Speaker 1: me and programmers and and so you know, just kind 280 00:15:19,920 --> 00:15:21,800 Speaker 1: of starts with that. It kind of goes from there. 281 00:15:21,880 --> 00:15:24,440 Speaker 1: And and then I and so like what I do 282 00:15:25,040 --> 00:15:27,840 Speaker 1: is that demo all the songs before we start production. 283 00:15:28,440 --> 00:15:30,160 Speaker 1: So what I do, I said, then at the piano 284 00:15:30,720 --> 00:15:33,840 Speaker 1: with singers and our demo like the whole album out, 285 00:15:34,200 --> 00:15:37,360 Speaker 1: you know, like like I'll sit down with the singers 286 00:15:37,440 --> 00:15:40,800 Speaker 1: and and in the in the studio and I will 287 00:15:40,880 --> 00:15:43,560 Speaker 1: lay down every song. So by the time we start 288 00:15:43,640 --> 00:15:46,120 Speaker 1: putting beats and sounds around them, all they have to 289 00:15:46,200 --> 00:15:48,480 Speaker 1: do is just continue to keep building on the demo 290 00:15:48,640 --> 00:15:51,920 Speaker 1: that I've laid down. And so, uh, you know, it's 291 00:15:51,960 --> 00:15:54,160 Speaker 1: a feel good process. It feels really good like that. 292 00:15:54,520 --> 00:15:57,240 Speaker 1: And and you know, just because sometimes a good beat 293 00:15:58,200 --> 00:16:00,440 Speaker 1: you know, or sometimes you try to use a B 294 00:16:00,640 --> 00:16:03,600 Speaker 1: to cover up a bad song. So you don't want 295 00:16:04,000 --> 00:16:06,640 Speaker 1: to trap the pen on the production to try to 296 00:16:06,720 --> 00:16:08,840 Speaker 1: make the song better. You know, you want the song 297 00:16:08,920 --> 00:16:11,560 Speaker 1: to be good on the song wow. Now, the ninth 298 00:16:11,600 --> 00:16:14,960 Speaker 1: season of the hit music competition show Sunday's Best or 299 00:16:15,080 --> 00:16:18,720 Speaker 1: Sunday Best comes back on BT June and the host 300 00:16:18,960 --> 00:16:21,520 Speaker 1: is the one and only Kurk Frank. They asked you 301 00:16:21,600 --> 00:16:23,360 Speaker 1: to come back. Why did you come back and host 302 00:16:23,400 --> 00:16:26,920 Speaker 1: Sunday Best. Well, you know, I've been in talks with 303 00:16:27,040 --> 00:16:30,120 Speaker 1: them over the last year year, so you know, it's 304 00:16:31,040 --> 00:16:34,360 Speaker 1: it was definitely a a you know, this conversation that 305 00:16:34,520 --> 00:16:37,120 Speaker 1: was ongoing for for about the last year or so. 306 00:16:37,360 --> 00:16:39,880 Speaker 1: You know, like like I never lost contact with with BT. 307 00:16:40,280 --> 00:16:43,400 Speaker 1: You know, they they were going through their transitions. You know, 308 00:16:43,520 --> 00:16:46,200 Speaker 1: there was something that they went through as a company, 309 00:16:46,560 --> 00:16:50,720 Speaker 1: and so you know, um, you know, sometimes you gotta 310 00:16:51,240 --> 00:16:53,120 Speaker 1: have the right people in the room, and of course 311 00:16:53,360 --> 00:16:55,640 Speaker 1: that you know that very well. You know that you 312 00:16:55,720 --> 00:16:57,400 Speaker 1: can have the right idea but the wrong people in 313 00:16:57,480 --> 00:16:59,520 Speaker 1: the room, you know, or you're gonna have the right 314 00:16:59,600 --> 00:17:04,680 Speaker 1: people in room and have the wrong idea. Yeah, yeah, yeah, yeah, 315 00:17:04,720 --> 00:17:07,040 Speaker 1: So it kind of goes both ways, and so uh, 316 00:17:07,200 --> 00:17:10,320 Speaker 1: you know, God and his sovereign timing you know, made 317 00:17:10,359 --> 00:17:12,240 Speaker 1: it where you know, it just worked out at the 318 00:17:12,359 --> 00:17:17,280 Speaker 1: right time. And so yeah, new new production, new production company, 319 00:17:17,359 --> 00:17:20,879 Speaker 1: knew uh level that. I think that people are going 320 00:17:20,920 --> 00:17:23,160 Speaker 1: to be very, very very excited about. I think people 321 00:17:23,440 --> 00:17:25,760 Speaker 1: are going to be extremely sad about this new season. Okay, 322 00:17:25,880 --> 00:17:27,920 Speaker 1: they have judges on the show. Are the judges knew? 323 00:17:27,960 --> 00:17:30,719 Speaker 1: Or who are the judges this year? Um? The new 324 00:17:30,800 --> 00:17:35,240 Speaker 1: judges are gonna be Kelly Price, the incredible Kelly Price, MARKA. Campbell, 325 00:17:35,600 --> 00:17:37,960 Speaker 1: and now this young buck named Jonathan McReynolds, who's a 326 00:17:38,000 --> 00:17:40,119 Speaker 1: new face in dust to music and he's a beast. 327 00:17:40,520 --> 00:17:42,359 Speaker 1: I love that. I love that. I love that line up. 328 00:17:42,400 --> 00:17:43,560 Speaker 1: But first of all, I love the fact that got 329 00:17:43,640 --> 00:17:46,600 Speaker 1: Kelly Price because it brings again, like with Steve, it 330 00:17:46,680 --> 00:17:50,240 Speaker 1: brings up another audience to you. You know, you're not 331 00:17:50,480 --> 00:17:52,800 Speaker 1: you're not in the pocket of the same voices. That's 332 00:17:52,840 --> 00:17:55,560 Speaker 1: pretty hot. That's pretty hot. Now your tour now you 333 00:17:57,000 --> 00:18:00,760 Speaker 1: go ahead. Now your tour will long live not The 334 00:18:00,840 --> 00:18:03,159 Speaker 1: tours are presently on tour right now and they started 335 00:18:03,320 --> 00:18:05,520 Speaker 1: as they started July. Level, that's the start day from 336 00:18:05,520 --> 00:18:08,159 Speaker 1: the tour it starts. Let man, it's gonna be an 337 00:18:08,160 --> 00:18:10,280 Speaker 1: incredible tour man, And I'm and I'm giving people all 338 00:18:10,320 --> 00:18:12,800 Speaker 1: the music. I'm giving them the old music music. So 339 00:18:12,920 --> 00:18:15,520 Speaker 1: when they come, they're gonna get the s Kurl Kirk Franklin. 340 00:18:17,320 --> 00:18:21,880 Speaker 1: They're gonna get the pros colors Kirk Franklin, not Kirk Franklin. 341 00:18:22,200 --> 00:18:24,040 Speaker 1: And then they're gonna get the Kirk. They got his 342 00:18:24,080 --> 00:18:28,240 Speaker 1: teeth thinks with a visilne Kirk Franklin. So so I 343 00:18:28,320 --> 00:18:30,639 Speaker 1: can do. I smile, So you know it's gonna be 344 00:18:30,720 --> 00:18:32,960 Speaker 1: all see what are you talking about? You need to 345 00:18:32,960 --> 00:18:36,440 Speaker 1: go Google. I smiled the video and that's what you're 346 00:18:36,480 --> 00:18:39,159 Speaker 1: talking about right there. I smiled because that's that That 347 00:18:39,359 --> 00:18:41,760 Speaker 1: video was important for us because you know, he came 348 00:18:41,760 --> 00:18:43,440 Speaker 1: to us and said, I'm doing this video with Shaun 349 00:18:43,560 --> 00:18:46,000 Speaker 1: shooting in the Atlanta Man, and and we were running 350 00:18:46,040 --> 00:18:48,040 Speaker 1: ideas because a lot of things about the relationship that 351 00:18:48,320 --> 00:18:51,080 Speaker 1: I have with Kirker's that we would do celebration of 352 00:18:51,160 --> 00:18:54,120 Speaker 1: gospel and then we go go all go eatther Cape 353 00:18:54,119 --> 00:18:57,040 Speaker 1: Mandolini late at night by twelve thirty one o'clock in 354 00:18:57,080 --> 00:19:00,159 Speaker 1: the morning. You don't tell them truth and we were 355 00:19:00,240 --> 00:19:03,159 Speaker 1: just sitting the back and the enrollment man and uh 356 00:19:03,359 --> 00:19:05,560 Speaker 1: and just listened to his brilliance. You know, one of 357 00:19:05,640 --> 00:19:07,439 Speaker 1: the all time, one of the one of I love 358 00:19:07,520 --> 00:19:11,920 Speaker 1: his catalog anyway, but imagine me. And I asked him 359 00:19:11,920 --> 00:19:13,520 Speaker 1: how he came up there. He just because that's all 360 00:19:13,560 --> 00:19:17,119 Speaker 1: that's you playing at piano. And he opened up that. 361 00:19:17,359 --> 00:19:20,000 Speaker 1: He opened up one of the celebrations of Gospels playing 362 00:19:20,080 --> 00:19:22,840 Speaker 1: that song. And it was so inspiring to me to 363 00:19:23,200 --> 00:19:25,199 Speaker 1: hear your ability to be able to articulate. So when 364 00:19:25,240 --> 00:19:28,000 Speaker 1: you're talking about jumping on the piano after sending your 365 00:19:28,040 --> 00:19:30,640 Speaker 1: family play around, I understand where that came from. Because 366 00:19:30,680 --> 00:19:34,920 Speaker 1: that piano is magical to you. Man, I'm very grateful, 367 00:19:35,040 --> 00:19:37,960 Speaker 1: I really am. And I think and I think God 368 00:19:38,000 --> 00:19:41,879 Speaker 1: forgirt you preparing for them pianos. Now before I go, 369 00:19:42,040 --> 00:19:44,000 Speaker 1: I know you got the festival every year. Tell us, 370 00:19:44,200 --> 00:19:47,359 Speaker 1: tell us what what is the future of their festival? Yeah, man, 371 00:19:47,560 --> 00:19:50,960 Speaker 1: you know um genre has a music festival, you know, 372 00:19:51,600 --> 00:19:54,200 Speaker 1: you know, like this coach and you know that. You know, 373 00:19:54,280 --> 00:19:57,639 Speaker 1: there's all these other music festivals, but gospel music that 374 00:19:58,000 --> 00:20:00,920 Speaker 1: had its own music festival. And now and so now 375 00:20:01,080 --> 00:20:03,920 Speaker 1: you know we are we Uh, we we have this 376 00:20:04,040 --> 00:20:06,800 Speaker 1: ex set of music festival that allows us to be 377 00:20:06,880 --> 00:20:09,440 Speaker 1: able to showcase the genre, and I want to build 378 00:20:09,480 --> 00:20:12,720 Speaker 1: it to be a weekend so that they can you know, 379 00:20:13,000 --> 00:20:16,080 Speaker 1: also be you know something that we even you know 380 00:20:16,280 --> 00:20:21,080 Speaker 1: kind of do um um do even like you know, uh, 381 00:20:21,280 --> 00:20:24,720 Speaker 1: film festivals and yeah, you know different thing. Yeah, so 382 00:20:24,800 --> 00:20:27,440 Speaker 1: it's like I wanted to turn them to be something huge. Well, Kurt, 383 00:20:27,680 --> 00:20:31,160 Speaker 1: you know, I'm for you. You will film festival telling 384 00:20:31,240 --> 00:20:33,760 Speaker 1: whatever you want to do. Just contact with Sean McDonald. 385 00:20:33,800 --> 00:20:36,080 Speaker 1: I'll be there to help you. You're Uh. This was 386 00:20:36,160 --> 00:20:38,560 Speaker 1: a great episode for me, the interview You be a 387 00:20:38,600 --> 00:20:41,080 Speaker 1: part of money making conversation because they talked about our history. 388 00:20:41,119 --> 00:20:44,080 Speaker 1: Our relationship is for real. So whatever you want to expand, 389 00:20:44,640 --> 00:20:47,320 Speaker 1: allow me to be a part of it. Okay, Bro, 390 00:20:47,640 --> 00:20:49,719 Speaker 1: thank you, man, I love you, Bro. Thank you. That's 391 00:20:49,800 --> 00:20:50,800 Speaker 1: Kurt Franklin. Everybody