WEBVTT - #282 - Zoe Osama

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<v Speaker 1>Blue lay Cap Podcast special guests in here one of

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<v Speaker 1>the hottest in the city, Zoel Simons here. What is

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<v Speaker 1>the deal? Welcome man, I appreciate it, man. Of course

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<v Speaker 1>you've been doing your thing. Man, Man, I've been trying,

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<v Speaker 1>but yeah, day at the time, it's just I guess

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<v Speaker 1>it's starting to pay off. Congratulations on I see you

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<v Speaker 1>posting your numbers all the time and getting all these

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<v Speaker 1>huge playlists, replacements and what you would you say, because

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<v Speaker 1>I do feel like that is one of the biggest

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<v Speaker 1>uphill battles. It feels like for LA artists is to

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<v Speaker 1>kind of get the music industry is East Coast bias.

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<v Speaker 1>A lot of the people who curate these playlists are

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<v Speaker 1>East Coast bias. Like, what do you think is kind

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<v Speaker 1>of the secret to your success so far? Promote your

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<v Speaker 1>music NonStop, not just a few times a week or

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<v Speaker 1>for a month and then go on to the next song.

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<v Speaker 1>I think I promoted the song long enough to the

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<v Speaker 1>point that it was able to reach over there for

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<v Speaker 1>somebody to even put it on their platform, Because if

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<v Speaker 1>I just posted the shit a few times when it

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<v Speaker 1>came out, left alone, it wouldn't have touched no platforms

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<v Speaker 1>or playlist especially not organically right, you know. So, I

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<v Speaker 1>think a lot of artists coming up feel like if

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<v Speaker 1>the song don't take off in the first month, two

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<v Speaker 1>months top, that is a it's a dud. But that's

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<v Speaker 1>when they really be having it fucked up. If you're

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<v Speaker 1>an independent artist, are gonna probably least take you a

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<v Speaker 1>year or two to make one single move, if you know.

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<v Speaker 1>And that's the difference between the major and do it yourself. Yeah. No,

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<v Speaker 1>it's crazy because most people give up on hit records

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<v Speaker 1>before they become hits. I see it all the time.

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<v Speaker 1>You'll hear a record like, Yo, this is a fucking

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<v Speaker 1>hit record, but because it did not take off in

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<v Speaker 1>the first thirty days of it being released, a new

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<v Speaker 1>song next week. Yeah. Like, there's a dude from the Bay.

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<v Speaker 1>You probably heard of a stunner man who had a

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<v Speaker 1>big stepping record, and he's another that record every fucking day.

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<v Speaker 1>He's a prime example of what can happen. You see.

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<v Speaker 1>He got to the forty nine ers yep, and to

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<v Speaker 1>go to State Warriors. So that might be a song

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<v Speaker 1>he never have to work again off of, you know,

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<v Speaker 1>if you do, if you make it with if you

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<v Speaker 1>follow his protocol, like some artists is doing him and

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<v Speaker 1>Lo Russell and people like that, You're gonna win. Bro,

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<v Speaker 1>Do you pay attention to a guy like l Russell,

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<v Speaker 1>who I feel like has kind of, you know, in

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<v Speaker 1>my opinion, helped kind of guide a whole new generation

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<v Speaker 1>of like what it means to be independent. I fuck

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<v Speaker 1>with Larussell. Heavyl Russell is the Bay Area Nipsey hustle

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<v Speaker 1>with businessing and marketing and do it yourself. So's he's imfluent.

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<v Speaker 1>He's taking what Nipsey did and doing it and is

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<v Speaker 1>working for him. And he's showing you that with what

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<v Speaker 1>Nipsey was saying, he's proving to you guys, this ship's real. Yeah.

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<v Speaker 1>So I fuck with Larussell heavy. And that's a that's

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<v Speaker 1>really like a method that I'm going off of, you know,

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<v Speaker 1>and ship every day. We just we just keep on

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<v Speaker 1>pushing bro. That that's what it's all about. I just

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<v Speaker 1>really feel people be giving up too fast. What part

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<v Speaker 1>of LA are you from? I'm from South Central I'm

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<v Speaker 1>from I'm actually off the east side of South Central, Okay,

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<v Speaker 1>like Forrestone District. That's what's up. Do you feel like LA?

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<v Speaker 1>Because I always say it's like it seems like nowadays,

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<v Speaker 1>more than maybe like ten years ago, or even like

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<v Speaker 1>five or six years ago, a lot of the new

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<v Speaker 1>generation of LA artists, I wouldn't say put politics aside,

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<v Speaker 1>but I feel like a lot more people are working

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<v Speaker 1>with each other, a lot more people are more open

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<v Speaker 1>to like supporting each other, you know what I mean.

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<v Speaker 1>I mean, obviously there are examples of that not being

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<v Speaker 1>the case, but do you feel like there's more of

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<v Speaker 1>a unified front amongst the younger guys in LA right now?

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<v Speaker 1>It's getting better? I said, like, this is probably a

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<v Speaker 1>big reason is a lot of the you know, a

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<v Speaker 1>lot of them guys is either dead or in jail

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<v Speaker 1>right now, So you don't we really got generations of

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<v Speaker 1>people that's not really like that, so the politics don't

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<v Speaker 1>matter as much to them, And then you have people

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<v Speaker 1>like me that just didn't been around the shit that

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<v Speaker 1>the politics is shit bullshit, right, you know, to a

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<v Speaker 1>certain extent. So I think in a way it's getting better.

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<v Speaker 1>But it's all carried off of how you carry yourself

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<v Speaker 1>as a man first, Because you can have the people

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<v Speaker 1>that's talking crazy that crazy things happen to or you

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<v Speaker 1>can have people like how Nip came in the game

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<v Speaker 1>that you know where you're from, staying on ten toes.

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<v Speaker 1>At the same time, it's respectful, we'll take the piece,

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<v Speaker 1>but we accept the war too, but we rather take

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<v Speaker 1>the piece because you're trying to get this bag. So

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<v Speaker 1>I just really think it's all all of the mentality

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<v Speaker 1>of how the person is and how the rapper is.

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<v Speaker 1>How did you get the Osama in your name? Because

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<v Speaker 1>obviously a legendary terrorist, uh right, right, Michael Jordan a terrorist,

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<v Speaker 1>but you see in the crazy thing about it, Michael

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<v Speaker 1>Jordan terrorists. The crazy thing about it is the name

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<v Speaker 1>on Simon means Lyon, Like yeah, I mean listen, right,

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<v Speaker 1>so I felt right. I mean, Barack's name is Barack

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<v Speaker 1>wit no, Hussein Obama. I'm tripping. See that was fucking

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<v Speaker 1>it was who says Hussein was in the middle Another

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<v Speaker 1>some might argue, legendary terrorists, You're a legend Baracks Cusain

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<v Speaker 1>Obama's a legend. Legendary terrors is crazy. But that's crazy,

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<v Speaker 1>like like damn, Like that's crazy. But like you know,

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<v Speaker 1>I mean, it's a great rap name, it's a great name,

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<v Speaker 1>but like, what what made you, you know, stick with that?

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<v Speaker 1>It's like man, you're fucking blowing up these beats. But

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<v Speaker 1>every time you rap it is great actually in the way. Yeah,

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<v Speaker 1>I guess if you put it like that, But I

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<v Speaker 1>just like I went for the the definition of you know, lying,

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<v Speaker 1>Like I feel like that's how I stand. But you know,

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<v Speaker 1>you've got other people using the same name for the

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<v Speaker 1>legendary terrors. You talk the guy from Chicago, right, well,

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<v Speaker 1>yeah he's hard too about the fire, nice kid too,

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<v Speaker 1>he go up. But you know a lot of people

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<v Speaker 1>it's from the streets, so they look at Osama as

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<v Speaker 1>a legendary terrorist. But the definition of the name is lying,

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<v Speaker 1>like he gave a bad rep to the name. He yeah, yeah,

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<v Speaker 1>it's nothing. Yeah, it's like it's like no one ever

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<v Speaker 1>is gonna name their kid Adolph anymore. You won't know.

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<v Speaker 1>It's crazy. Look, I try make a player in NBA

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<v Speaker 1>two K right, it put Osama, and they told me

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<v Speaker 1>that name was not allowed to be That's some bullshit,

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<v Speaker 1>because what if that you're real? Hey, that's what I

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<v Speaker 1>was on. I'm like, it's some Muslim person out there

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<v Speaker 1>name Osama for sure. And they scrimmaget that they would

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<v Speaker 1>they would watch go home and try to do that shit.

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<v Speaker 1>Just play with it, go but like use another name,

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<v Speaker 1>but it can't use that. I was like, that's crazy.

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<v Speaker 1>How long have you been like rapping like and like

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<v Speaker 1>taking it serious? Where you were like all in on

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<v Speaker 1>this ship twenty eighteen, like December twenty eighteen when I

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<v Speaker 1>figured out what the fuck dishow Kid was and got

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<v Speaker 1>off a SoundCloud. Yeah, once I figured that, and I

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<v Speaker 1>made a song called gang Shit and get Easty featuring

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<v Speaker 1>my boy to pregrams. He's a hard rap out of

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<v Speaker 1>the long beat. You gotta get up with him. But man,

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<v Speaker 1>we did the song years ago and it's still streaming

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<v Speaker 1>right now, like since when it started. And uh after

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<v Speaker 1>I seen you know how to give my music on

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<v Speaker 1>the platforms and people was actually fucking with it, I

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<v Speaker 1>was all gas from right there, Yeah, because like that's

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<v Speaker 1>I feel like it's crazy, like distro kid and like

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<v Speaker 1>tune core. For a long time, people were like it

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<v Speaker 1>was like the hardest thing to figure out, Well, how

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<v Speaker 1>do I get my shit on iTunes? I was googling

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<v Speaker 1>shit late at night, couldn't make in my head it shit,

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<v Speaker 1>can figure out how the fuck to do it? And

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<v Speaker 1>then I stumbled across it. At first I stumbled across

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<v Speaker 1>the shit called CD Baby, Yeah, CD Baby, Yep. I

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<v Speaker 1>just couldn't afford. I was down bad. I couldn't even

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<v Speaker 1>afford to twenty dollars. So my brother had bought me

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<v Speaker 1>a description for dishow Kid for the twenty and I

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<v Speaker 1>just picked I just you know, any mini money, just

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<v Speaker 1>picked one. But now I'm used to dishow so I

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<v Speaker 1>just fuck with dishoshow Kid is great because you can

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<v Speaker 1>pay your producers, right, you can give everybody to give

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<v Speaker 1>them their split, your manager, I d everybody, and then

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<v Speaker 1>it's like from there. You know what I'm saying, sign

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<v Speaker 1>up for your own account, right is that to get

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<v Speaker 1>your money because other than that, you know, but yeah,

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<v Speaker 1>you can't even put the you can't even get video

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<v Speaker 1>creators credit. Now in your own disho kid you can

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<v Speaker 1>get and they got a whole for anybody that could

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<v Speaker 1>do anything, you can give them credit and then it

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<v Speaker 1>shows up on your Spotify and places. I'm assuming that

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<v Speaker 1>there has been a lot of discussions about maybe you

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<v Speaker 1>signing somewhere or got like maybe a bigger distribution situation,

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<v Speaker 1>Like what for you? How important is it to keep

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<v Speaker 1>your independence as long as possible. Or are you even

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<v Speaker 1>would you even consider doing the major thing. Everything different

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<v Speaker 1>for everybody, and I'm gonna say it like this for

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<v Speaker 1>me personally, if the paperwork right, we can talk about it.

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<v Speaker 1>That's the point. I don't care if it's an indie

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<v Speaker 1>you know, or major you know, or halfway indie you know.

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<v Speaker 1>If the paperwork right and you can manage off of that,

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<v Speaker 1>then it's negotiable. But I'm not all against signing with

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<v Speaker 1>a major. I'm just all against the crazy ass deals

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<v Speaker 1>that people take. What I was giving the paper to

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<v Speaker 1>the lawyer, right, so you know, that kind of leave

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<v Speaker 1>a sour taste in a lot of people mouth. But

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<v Speaker 1>when you start learning your business, you put that ship

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<v Speaker 1>to the side in its business. So I do feel

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<v Speaker 1>like labels need to start. If an artist does not

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<v Speaker 1>have a lawyer, I feel like it is malpracticed for

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<v Speaker 1>them to allow an artists to sign with them. I mean,

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<v Speaker 1>I feel like they low key need to be like,

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<v Speaker 1>so here's twenty five hundred dollars, go get a lawyer

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<v Speaker 1>for you to hire your own lawyer. We're not gonna

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<v Speaker 1>hire the lawyer for you because they work for us.

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<v Speaker 1>But but that's like, that's like saying that's like the

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<v Speaker 1>police officers telling you after you get caught doors with shit,

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<v Speaker 1>you can't we're gonna, we're gonna pay for your lawyers

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<v Speaker 1>before we interrogate you. Like they're not gonna they're not

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<v Speaker 1>about to help you. Well like a lot of right,

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<v Speaker 1>because a lot of these labels they do get people

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<v Speaker 1>in like shitty predatory deals at the same time, like

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<v Speaker 1>people sign them. That's why you can't be mad at

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<v Speaker 1>what you signed. If you signed it, if you sign

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<v Speaker 1>it just for the money, then you just got the money.

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<v Speaker 1>And then now don't get mad when the money goes. Yeah,

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<v Speaker 1>you sign it, sign it if you you know, you

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<v Speaker 1>do some stupid shit, and and you know I didn't

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<v Speaker 1>see some crazy situations with people, you know, right, So

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<v Speaker 1>it's just like you now, I mean, we hear about

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<v Speaker 1>it all the time. People complain in like you'll hear

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<v Speaker 1>the biggest rappers with platinum records be like, I haven't

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<v Speaker 1>seen any money off my actions. They be signing these

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<v Speaker 1>crazy deals and they take the front in advance that

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<v Speaker 1>with this smile on their face, and they don't recoup

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<v Speaker 1>market budget. That's what all that shit costs money. And

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<v Speaker 1>it's gotta and then once you start doing the math

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<v Speaker 1>and you're like, okay, thirty nine hundred dollars for every

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<v Speaker 1>million streams times can't sound crazy, right, It's like, Okay,

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<v Speaker 1>you probably didn't even recoop and you and you might

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<v Speaker 1>have went platinum. You you didn't recoup, you went plant them.

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<v Speaker 1>It's time to drop another album. They gonna give you

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<v Speaker 1>another budget. On top of that, it's like, every time

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<v Speaker 1>you need more money, you got to drop a project.

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<v Speaker 1>So you probably signed for a meal each project, and

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<v Speaker 1>you down to the fourth project and you ain't recouped

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<v Speaker 1>from the first one, but they keep giving you a ticket. Bro,

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<v Speaker 1>you ain't you stuck? And then you're making albums for

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<v Speaker 1>paydays and not for like the artistic like integrity. That's

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<v Speaker 1>how shitty albums happen with a lot of these ros.

0:10:43.520 --> 0:10:45.320
<v Speaker 1>But it depends on what kind of person you want

0:10:45.320 --> 0:10:47.559
<v Speaker 1>to be. You might want to be you might want

0:10:47.559 --> 0:10:48.959
<v Speaker 1>to be you might want to be an artist, or

0:10:49.000 --> 0:10:51.120
<v Speaker 1>you might want to be exact right it is. You know,

0:10:51.240 --> 0:10:55.040
<v Speaker 1>sometimes the artist you know, paying somebody fifty thousand a

0:10:55.120 --> 0:10:57.120
<v Speaker 1>year every time you get ready to drop is probably

0:10:57.160 --> 0:10:58.960
<v Speaker 1>better than what they came up from. They probably came

0:10:59.000 --> 0:11:01.160
<v Speaker 1>up from food stamps and team, so they probably still

0:11:01.160 --> 0:11:02.840
<v Speaker 1>win it. And for some I always say this too,

0:11:02.880 --> 0:11:06.720
<v Speaker 1>for some artists to take the advance because you're you're

0:11:06.760 --> 0:11:09.720
<v Speaker 1>you caught it a little shitty TikTok songwave. Take that

0:11:09.800 --> 0:11:11.679
<v Speaker 1>advance because it's probably as good as it's gonna get,

0:11:11.679 --> 0:11:13.439
<v Speaker 1>and do something with it. Do something with it though,

0:11:13.480 --> 0:11:16.080
<v Speaker 1>for sure. See, but that's what that's what people fuck up.

0:11:16.120 --> 0:11:18.800
<v Speaker 1>You can take it, but Mike, go get an accounting.

0:11:18.880 --> 0:11:20.800
<v Speaker 1>Some they give you a little change, Go go figure

0:11:20.800 --> 0:11:23.520
<v Speaker 1>out where you can, you know, move the shit around

0:11:23.520 --> 0:11:26.160
<v Speaker 1>that oh shit, go back to doing what you know

0:11:26.200 --> 0:11:28.640
<v Speaker 1>how to make it, make it happen. You do whatever

0:11:28.679 --> 0:11:31.760
<v Speaker 1>you gotta do, but don't get mad with everything gone

0:11:31.800 --> 0:11:33.880
<v Speaker 1>and start blaming the label for something you agree with.

0:11:34.000 --> 0:11:36.520
<v Speaker 1>That's what probably I don't be like, it'd be crazy. Hey,

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<v Speaker 1>Shout out to hard Dean man. That's the family man.

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<v Speaker 1>Go if you're in Vegas, pull up on the man Hardean,

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<v Speaker 1>Las Vegas. Uh. For people who aren't from Los Angeles,

0:14:14.440 --> 0:14:17.440
<v Speaker 1>if they're visiting town, let's say for rolling loud this weekend,

0:14:18.679 --> 0:14:23.720
<v Speaker 1>which is in Watts or Inglewood, not watching east Side

0:14:23.720 --> 0:14:31.600
<v Speaker 1>west Side ship? Uh? What is the safest hat to wear? Ours?

0:14:32.040 --> 0:14:34.080
<v Speaker 1>Just the Dodgers and Dodger hat. I know, head always

0:14:34.080 --> 0:14:36.720
<v Speaker 1>says the black and white Dodger hat. Dodger hat. Oh

0:14:36.800 --> 0:14:39.880
<v Speaker 1>you are you about? Don't? Yeah, you wear it if

0:14:39.880 --> 0:14:41.840
<v Speaker 1>you want to, or the one I got. I'm only

0:14:41.880 --> 0:14:44.920
<v Speaker 1>wearing this in the valley. I don't wear it though.

0:14:44.960 --> 0:14:47.480
<v Speaker 1>But you're the off of ble. But you know, if

0:14:47.520 --> 0:14:51.440
<v Speaker 1>you just a low bid and a citizen, hey you

0:14:51.640 --> 0:14:54.560
<v Speaker 1>just like you don't la la la la. Yeah, they're

0:14:54.560 --> 0:14:56.880
<v Speaker 1>certain hats, you know, like this, how this how I

0:14:56.960 --> 0:14:59.760
<v Speaker 1>gonna nigga can see this hap from down the block, right,

0:15:00.120 --> 0:15:02.360
<v Speaker 1>It's just I don't know something about it. I was

0:15:02.400 --> 0:15:06.920
<v Speaker 1>wearing a Texas Rangers hat. Oh yeah, they' that's the

0:15:06.960 --> 0:15:09.000
<v Speaker 1>equivalent to this right to listen. So I was at

0:15:09.720 --> 0:15:13.040
<v Speaker 1>Barry's Pizza at like two thirty in the morning and

0:15:13.120 --> 0:15:17.360
<v Speaker 1>I get hit up by Big You, and uh, He's like,

0:15:18.200 --> 0:15:20.520
<v Speaker 1>you know, I have a really good relationship with Big U,

0:15:20.760 --> 0:15:24.800
<v Speaker 1>like I've known for a long time. And he texts me.

0:15:24.840 --> 0:15:27.480
<v Speaker 1>He's like, family, we gotta meet. I need to face

0:15:27.520 --> 0:15:30.240
<v Speaker 1>to face. And it's two thirty in the morning and

0:15:30.280 --> 0:15:32.880
<v Speaker 1>I'm with Brian Samson, who hopefully you'll never have to

0:15:32.920 --> 0:15:36.440
<v Speaker 1>meet in your life just because of that name that

0:15:36.560 --> 0:15:39.920
<v Speaker 1>sounds that sketchy. Well, we gotta get to that one.

0:15:39.920 --> 0:15:46.040
<v Speaker 1>There's a round Filipino. So I'm like, yo, what's up you?

0:15:46.040 --> 0:15:47.640
<v Speaker 1>You know, it's like random to get a text for

0:15:47.680 --> 0:15:48.920
<v Speaker 1>Big You at the middle of the night, you know

0:15:48.960 --> 0:15:51.440
<v Speaker 1>what I mean. And like he's like, I need to

0:15:51.440 --> 0:15:53.440
<v Speaker 1>face to face. We family, We got to talk. And

0:15:53.480 --> 0:15:58.240
<v Speaker 1>I'm like, what's up, bro. He's like issues, and I'm like, well,

0:15:58.440 --> 0:16:01.040
<v Speaker 1>he's like, pull up on me right now. That sound

0:16:01.080 --> 0:16:02.720
<v Speaker 1>like somebody getting the DP. So this is when I

0:16:03.120 --> 0:16:05.280
<v Speaker 1>lied and I was like, man, I'm all the way

0:16:05.280 --> 0:16:10.040
<v Speaker 1>in Valencia right now? What about tomorrow? And he's like,

0:16:10.480 --> 0:16:12.120
<v Speaker 1>if you're all the way in Valencia, why you got

0:16:12.120 --> 0:16:16.440
<v Speaker 1>that hat on? And I'm like, and this motherfucker stood

0:16:16.520 --> 0:16:18.320
<v Speaker 1>up from the booth like three boots over it just

0:16:18.360 --> 0:16:22.520
<v Speaker 1>started dying like it's like, bro, and I ain't gonna

0:16:22.520 --> 0:16:26.280
<v Speaker 1>lie my bad bro. And that's like the first thing

0:16:26.320 --> 0:16:27.880
<v Speaker 1>you notice about to do when you see a dude

0:16:27.880 --> 0:16:29.880
<v Speaker 1>gotta hat on? What kind of hat is it? Yeah,

0:16:30.000 --> 0:16:32.800
<v Speaker 1>that's like from that's like LA culture for sure. So

0:16:32.880 --> 0:16:36.920
<v Speaker 1>I would say, if it's not a basketball team or

0:16:36.960 --> 0:16:40.440
<v Speaker 1>a LA hat, what about the Arizona Diamondbacks. That's the

0:16:40.520 --> 0:16:43.160
<v Speaker 1>D hat, right, don't wear that hat? I mean you can't.

0:16:43.440 --> 0:16:45.560
<v Speaker 1>It's about the A. What about the AH don't for

0:16:45.600 --> 0:16:48.160
<v Speaker 1>sure don't wear that hat. Okay. So just the dining

0:16:48.200 --> 0:16:50.360
<v Speaker 1>acts are out because everyone's always told me looking as

0:16:50.360 --> 0:16:51.880
<v Speaker 1>are kind of saying, no, that's what I'm saying. It's

0:16:51.960 --> 0:16:55.040
<v Speaker 1>kind of safe because it's not the Detroit hat, okay,

0:16:55.120 --> 0:16:57.840
<v Speaker 1>so you know, but it's still the D You might

0:16:58.000 --> 0:16:59.600
<v Speaker 1>you might be from a certain place and just want

0:16:59.600 --> 0:17:01.160
<v Speaker 1>to wear the yeah because it go you know, you

0:17:01.160 --> 0:17:04.040
<v Speaker 1>get the dominic back and say that the Detroit. It's

0:17:04.080 --> 0:17:06.640
<v Speaker 1>not about the hat. It's about the let letter. The letter,

0:17:06.680 --> 0:17:09.119
<v Speaker 1>the letter it might be. It might be an inn

0:17:09.160 --> 0:17:11.600
<v Speaker 1>white hat that's not a Yankee hat and it just

0:17:11.600 --> 0:17:13.639
<v Speaker 1>got n y on it. It's the n y what

0:17:13.760 --> 0:17:16.000
<v Speaker 1>you got that n y on folk. It's that type

0:17:16.000 --> 0:17:19.120
<v Speaker 1>of situation in l a black and white LA hat.

0:17:19.400 --> 0:17:20.679
<v Speaker 1>You can do the blue and white to you can

0:17:20.760 --> 0:17:24.639
<v Speaker 1>do any now stand away from the when you have

0:17:24.680 --> 0:17:27.320
<v Speaker 1>a red l A hat on it look kind of sketchy. Yeah,

0:17:27.520 --> 0:17:30.160
<v Speaker 1>like you are dom MoU for sure. These who buys

0:17:30.200 --> 0:17:33.120
<v Speaker 1>a LA the blue lad I heard is like that's

0:17:33.160 --> 0:17:35.360
<v Speaker 1>like the official south Side. That's like the Yeah, that's

0:17:35.359 --> 0:17:37.400
<v Speaker 1>the say half for sure. I mean, if you're black

0:17:37.440 --> 0:17:39.240
<v Speaker 1>and you wear you good to go, okay, that's you

0:17:39.280 --> 0:17:42.000
<v Speaker 1>feel me so or if you like Caucasian, that's good.

0:17:42.200 --> 0:17:45.080
<v Speaker 1>So let's say I'm Caucasian. But you can you can

0:17:45.160 --> 0:17:48.119
<v Speaker 1>you can low key pass for Hispanic. Bro, Listen, you

0:17:48.160 --> 0:17:50.040
<v Speaker 1>can pass for Hispanic definitely. Like if you're in the

0:17:50.080 --> 0:17:54.760
<v Speaker 1>wrong area where like I get off, they're gonna get

0:17:54.760 --> 0:17:56.280
<v Speaker 1>on you. Let's say I gotta get off the one

0:17:56.320 --> 0:17:59.560
<v Speaker 1>ten right, I gotta get gas. Oh, someone comes up

0:17:59.560 --> 0:18:02.040
<v Speaker 1>to me and they're yo, where are you from nowhere?

0:18:02.280 --> 0:18:05.320
<v Speaker 1>What do I say nowhere at all? Or tell them

0:18:05.320 --> 0:18:07.560
<v Speaker 1>where you're actually from. Someone told me I need to

0:18:07.600 --> 0:18:10.200
<v Speaker 1>just start acting like super like angry, like I'm fighting

0:18:10.240 --> 0:18:13.160
<v Speaker 1>with my man. I'm dealing with this bitch. I don't

0:18:13.160 --> 0:18:14.720
<v Speaker 1>even know where I'm at. And I just called my

0:18:14.760 --> 0:18:17.119
<v Speaker 1>bitch cheating, Oh my mama, and nigga gonna hit you

0:18:17.160 --> 0:18:19.320
<v Speaker 1>so cause you you might, you might start at him,

0:18:19.320 --> 0:18:21.639
<v Speaker 1>you might eat my hold on. What's up with this nigga? No,

0:18:21.840 --> 0:18:25.400
<v Speaker 1>but don't ever do that. Just start acting like you're

0:18:25.400 --> 0:18:27.320
<v Speaker 1>fighting with your girl in your lost But I see,

0:18:27.359 --> 0:18:31.439
<v Speaker 1>I've seen this by I've seen this by experience. It

0:18:31.560 --> 0:18:34.040
<v Speaker 1>might be that I've seen it. It happened a lot, man,

0:18:34.080 --> 0:18:36.120
<v Speaker 1>you know, it might be somewhere yohood, wherever the case

0:18:36.160 --> 0:18:39.119
<v Speaker 1>may be. Somebody might bang on somebody that don't be

0:18:39.200 --> 0:18:41.679
<v Speaker 1>from nowhere. But then he started trying to put his

0:18:41.680 --> 0:18:43.480
<v Speaker 1>foot down as a man like, bro, I'm just saying,

0:18:43.800 --> 0:18:46.159
<v Speaker 1>now you're getting locked out. Now, now you're talking to

0:18:46.200 --> 0:18:48.040
<v Speaker 1>me crazy in my hood. Now I gotta get on you.

0:18:48.400 --> 0:18:51.480
<v Speaker 1>That's how people think. It's fucked up man thinking. But

0:18:51.720 --> 0:18:54.440
<v Speaker 1>in situations with gang members just tell them you not

0:18:54.560 --> 0:18:57.440
<v Speaker 1>from nowhere. And if that go where you can see

0:18:57.480 --> 0:18:59.080
<v Speaker 1>you can see the bite language. Dude, you gotta do

0:18:59.080 --> 0:19:01.160
<v Speaker 1>to get up up the situation. I had a situation

0:19:01.440 --> 0:19:03.920
<v Speaker 1>where he was there. We were in a Vallejo which

0:19:04.560 --> 0:19:10.000
<v Speaker 1>the creston Vallejo, which is like a very uh legendary area, right.

0:19:10.040 --> 0:19:13.280
<v Speaker 1>I was just out there and we were supposed to

0:19:13.280 --> 0:19:16.840
<v Speaker 1>be shooting with a rapper from Vallejo, not the Russell.

0:19:18.000 --> 0:19:22.280
<v Speaker 1>And I guess like right before we got there, somebody

0:19:22.320 --> 0:19:25.080
<v Speaker 1>who knew this rapper got into like a situation, like

0:19:25.119 --> 0:19:27.520
<v Speaker 1>a violent situation with somebody, and they knew that guy

0:19:27.600 --> 0:19:29.680
<v Speaker 1>was going to be there to shoot something. So we're

0:19:29.680 --> 0:19:32.199
<v Speaker 1>there with our cameras and shit about to shoot a

0:19:32.200 --> 0:19:35.280
<v Speaker 1>piece of content was about the trans This motherfucker's got

0:19:35.280 --> 0:19:38.080
<v Speaker 1>his drone in the air in front of King's Market

0:19:38.160 --> 0:19:40.840
<v Speaker 1>was a King's Market, n anywhere that'se named king is

0:19:40.840 --> 0:19:43.879
<v Speaker 1>probably listen. So I know I'm in. I already know

0:19:43.880 --> 0:19:45.640
<v Speaker 1>where I'm at, you know, So I know. So these

0:19:45.680 --> 0:19:47.840
<v Speaker 1>guys come up and they're like, hey, you guys with

0:19:47.960 --> 0:19:52.480
<v Speaker 1>so and so, and I was like I was like, hey, man, no,

0:19:52.920 --> 0:19:56.440
<v Speaker 1>So these guys got chains on that like like record

0:19:56.520 --> 0:19:58.240
<v Speaker 1>label chain. I don't know they had some ship that.

0:19:58.280 --> 0:20:01.800
<v Speaker 1>I'm like, okay, these guys might be artists. So I'm like,

0:20:02.040 --> 0:20:04.639
<v Speaker 1>I just said, hey, what's good, bro. I introduced myself.

0:20:05.280 --> 0:20:07.639
<v Speaker 1>I'm like, yeah, man, we're just shooting some content, you know,

0:20:07.680 --> 0:20:09.600
<v Speaker 1>with so and so. I didn't say the guy's name.

0:20:09.680 --> 0:20:12.399
<v Speaker 1>You just confirmed somebody here. No, no no, no, no. I

0:20:12.520 --> 0:20:15.680
<v Speaker 1>realized we needed to leave immediately. But I'm like, yo,

0:20:15.720 --> 0:20:18.120
<v Speaker 1>what's up. You know. I introduced myself and I'm like, hey,

0:20:18.520 --> 0:20:20.520
<v Speaker 1>you know, I do radio, I got a podcast, y'all

0:20:20.560 --> 0:20:22.359
<v Speaker 1>do music. Hey, let me follow y'all. You know. So

0:20:22.400 --> 0:20:26.600
<v Speaker 1>I'm like we're following each other back, you know. And

0:20:26.640 --> 0:20:29.720
<v Speaker 1>I'm like, man, I'm gonna tap in, you know. I'm like, hey,

0:20:29.760 --> 0:20:31.320
<v Speaker 1>I'm like, hey, man, my boy, we got to go

0:20:31.359 --> 0:20:32.720
<v Speaker 1>pick up the other camera man at the hotel on

0:20:32.720 --> 0:20:34.120
<v Speaker 1>the other side of the freeway. We'll be right back.

0:20:34.119 --> 0:20:37.800
<v Speaker 1>But like, I'm gonna tap in, We'll be right back. Meanwhile,

0:20:38.640 --> 0:20:41.879
<v Speaker 1>I tell our boy laying the fucking drone because we

0:20:41.960 --> 0:20:47.760
<v Speaker 1>got to get the fuck out of it. Yeah. Yeah. So,

0:20:47.880 --> 0:20:51.080
<v Speaker 1>like when people go do content in the hood, I'm

0:20:51.119 --> 0:20:53.639
<v Speaker 1>saying that y'all not comfortable good, whe y'all go is

0:20:53.680 --> 0:20:56.080
<v Speaker 1>how did that feel like when y'all know, y'all got

0:20:56.080 --> 0:20:59.000
<v Speaker 1>to go to the slums. I'm from the slums. And

0:20:59.040 --> 0:21:02.560
<v Speaker 1>when motherfucker's be like, bro, like you wear because I know,

0:21:02.600 --> 0:21:04.639
<v Speaker 1>I was like, you know, so like so I've been

0:21:04.760 --> 0:21:07.240
<v Speaker 1>like like doing this show called tapped In with Empire

0:21:07.280 --> 0:21:10.959
<v Speaker 1>for a while where we'll go to like areas. Yeah,

0:21:11.000 --> 0:21:14.080
<v Speaker 1>and I've never really felt like that was the only

0:21:14.160 --> 0:21:18.600
<v Speaker 1>time where I was like, Okay, we should probably get

0:21:18.600 --> 0:21:21.960
<v Speaker 1>a batty but you said you was in Yeah, And

0:21:21.960 --> 0:21:23.680
<v Speaker 1>I and I went back to Vallejo. We went back

0:21:23.680 --> 0:21:27.000
<v Speaker 1>to the same I said the gas station LEO, great

0:21:27.000 --> 0:21:34.880
<v Speaker 1>gas station shout is good. No, but yeah, it's definitely

0:21:34.960 --> 0:21:38.320
<v Speaker 1>uh you know, I think I think if you are

0:21:38.920 --> 0:21:41.639
<v Speaker 1>not from somewhere, as long as you're respectful and you're

0:21:41.680 --> 0:21:44.359
<v Speaker 1>not acting like a dick. That's why I said, Juicy,

0:21:44.400 --> 0:21:46.719
<v Speaker 1>don't try to go back and forth with the gang members,

0:21:46.960 --> 0:21:50.040
<v Speaker 1>just fucking you know, be respectful, don't be a weirdo.

0:21:50.400 --> 0:21:53.640
<v Speaker 1>And by the way, weirdo another bad LA word. Oh yeah,

0:21:53.640 --> 0:21:55.760
<v Speaker 1>that's that's the equivalent to all you know, like New

0:21:55.840 --> 0:21:58.879
<v Speaker 1>York niggas be like suck my dick. Yo, Well, calling

0:21:58.880 --> 0:22:01.680
<v Speaker 1>a nigga weird though you're being a weirdo. Hey, that's

0:22:01.760 --> 0:22:07.520
<v Speaker 1>crazy because that's crazy because weirdo serious, that's that's like

0:22:07.560 --> 0:22:09.679
<v Speaker 1>you you can probably get away with calls somebody a

0:22:09.720 --> 0:22:12.479
<v Speaker 1>nigga before you say word on la. I'm south Central.

0:22:12.520 --> 0:22:14.199
<v Speaker 1>I would like to point out that I mean not

0:22:14.240 --> 0:22:18.040
<v Speaker 1>doing that. I'm saying I'm like, if you saying my

0:22:18.119 --> 0:22:20.080
<v Speaker 1>nigga not with the e R, but you feel you

0:22:20.080 --> 0:22:21.800
<v Speaker 1>would get But if you're be like, bro, you was

0:22:21.840 --> 0:22:25.640
<v Speaker 1>a weirdo, weird ass nigga, Oh yeah, say less. Oh yeah,

0:22:25.960 --> 0:22:27.720
<v Speaker 1>you might as well go ahead and start wrapping it up.

0:22:27.720 --> 0:22:30.080
<v Speaker 1>So are you saying that if I say, suck my

0:22:30.160 --> 0:22:33.280
<v Speaker 1>dick in weirdo at similar levels of disrespected to you,

0:22:33.320 --> 0:22:37.480
<v Speaker 1>suck my Dick's crazy? It is crazy. That's crazy, Like

0:22:37.480 --> 0:22:39.280
<v Speaker 1>like you know, niggas from New York, they be like

0:22:39.280 --> 0:22:41.760
<v Speaker 1>they said that shit freely. That's like, that's like my

0:22:41.800 --> 0:22:43.560
<v Speaker 1>dick son. That's like how you be playing with your

0:22:43.560 --> 0:22:45.800
<v Speaker 1>friend you like, shut up, bitch, you know, like that's crazy.

0:22:46.240 --> 0:22:48.960
<v Speaker 1>Like to suck my dick is like whoa. So if

0:22:48.960 --> 0:22:51.320
<v Speaker 1>you want to get into a serious situation, my dick

0:22:51.400 --> 0:22:53.600
<v Speaker 1>is crazier. You run to suck my dick, you weirdo.

0:22:54.000 --> 0:22:55.280
<v Speaker 1>I mean, if I go to New York to call

0:22:55.280 --> 0:22:58.399
<v Speaker 1>a nigga a weirdough, they probably be like so what like,

0:22:58.480 --> 0:23:00.680
<v Speaker 1>But if a nigga tell me, hey, suck my dick,

0:23:00.840 --> 0:23:02.800
<v Speaker 1>you weird ass nigga, Now you got a double double,

0:23:02.840 --> 0:23:05.680
<v Speaker 1>you got something got to happen. That's Anthony Davis healthy

0:23:05.760 --> 0:23:08.560
<v Speaker 1>right now. No, No, No, New York win on the

0:23:08.560 --> 0:23:11.880
<v Speaker 1>ship talk and they win for sure. They they talk crazy. Yeah,

0:23:11.960 --> 0:23:15.040
<v Speaker 1>New York they talk crazy as fun. Definitely East Coast guys.

0:23:15.040 --> 0:23:16.560
<v Speaker 1>I think in general that they have to deal with

0:23:16.600 --> 0:23:19.080
<v Speaker 1>more people on a daily basis. Now they just be Yeah,

0:23:19.119 --> 0:23:21.080
<v Speaker 1>they be mad as I mean, of course they're on

0:23:21.160 --> 0:23:23.600
<v Speaker 1>subways and what I mean, have you been to New York? No,

0:23:23.760 --> 0:23:27.040
<v Speaker 1>but all seos on Instagram do when you when you

0:23:27.080 --> 0:23:28.800
<v Speaker 1>go to New York New York though, No, when you

0:23:28.840 --> 0:23:31.479
<v Speaker 1>go to New York, you'll understand why everybody from New

0:23:31.520 --> 0:23:33.680
<v Speaker 1>York is the way they are. I mean I could

0:23:33.760 --> 0:23:38.200
<v Speaker 1>kind of see it your entire day. You're around strangers

0:23:38.560 --> 0:23:41.120
<v Speaker 1>every day no matter what. But the New York niggas

0:23:41.160 --> 0:23:44.800
<v Speaker 1>have no filter. They can't not even the females don't

0:23:44.840 --> 0:23:48.240
<v Speaker 1>even the females sound like the niggas. Yeah, I suck

0:23:48.320 --> 0:23:51.600
<v Speaker 1>my dick yo. I'd be like they Wow they wold

0:23:51.720 --> 0:23:54.640
<v Speaker 1>sonyare Wow. They shout out to Pete Davidson. Just back

0:23:54.640 --> 0:23:56.640
<v Speaker 1>to New York. They music, they music be going up though,

0:23:56.680 --> 0:23:58.840
<v Speaker 1>y'all keep doing a'all thing, y'all wow through Who would

0:23:58.840 --> 0:24:01.560
<v Speaker 1>you consider to be your biggest influences like as as

0:24:01.800 --> 0:24:09.080
<v Speaker 1>in terms of rapping, I'm gonna go nip. I'm gonna

0:24:09.080 --> 0:24:10.720
<v Speaker 1>always have to put both first. He got me to

0:24:10.720 --> 0:24:12.720
<v Speaker 1>where I'm at as far as business wise and made

0:24:12.720 --> 0:24:16.360
<v Speaker 1>me open my eyes. Then we're gonna go Dre Snoop Cube,

0:24:16.440 --> 0:24:22.639
<v Speaker 1>sugar Free, DJ Quick M she ain't. We're gonna go easy,

0:24:22.680 --> 0:24:24.879
<v Speaker 1>E gotta go easy. We're gonna go with the whole

0:24:24.920 --> 0:24:28.119
<v Speaker 1>dog Pound in the East Siders. We're gonna go with

0:24:30.480 --> 0:24:34.480
<v Speaker 1>I always Little Boozy and Webby Savage life for sure,

0:24:34.600 --> 0:24:40.119
<v Speaker 1>all all the collectible mind of Maniac D a maniac

0:24:40.160 --> 0:24:42.639
<v Speaker 1>where he had his eye man, my little cousins. I

0:24:42.720 --> 0:24:44.240
<v Speaker 1>used to hate that ship. I can't do that ship.

0:24:44.480 --> 0:24:51.439
<v Speaker 1>I used to people that do that wirdos, weirdos. But yeah, so,

0:24:51.600 --> 0:24:53.399
<v Speaker 1>but I ain't gonna lie probably ought to all that

0:24:53.440 --> 0:24:56.840
<v Speaker 1>for me just naming the West Coast, I'm gonna have

0:24:56.880 --> 0:24:58.600
<v Speaker 1>to go with Boozy and Webby because I used to

0:24:58.600 --> 0:25:00.400
<v Speaker 1>fuck with them more than a lot of Wet Coast

0:25:00.520 --> 0:25:02.880
<v Speaker 1>artists in twenty and ten at that era when Boosie

0:25:02.880 --> 0:25:05.560
<v Speaker 1>came out with the Mind of the Maniac and you

0:25:05.600 --> 0:25:08.159
<v Speaker 1>know him a little whatever, believe a little fat and

0:25:08.480 --> 0:25:11.959
<v Speaker 1>you know, you know that was that was with all

0:25:11.960 --> 0:25:16.880
<v Speaker 1>those questionable necklaces on the be A t Awards. Hey,

0:25:16.920 --> 0:25:20.199
<v Speaker 1>Boozy got it? Yeah, those was real. I don't know,

0:25:20.280 --> 0:25:23.000
<v Speaker 1>I don't know. I started looking at like back then,

0:25:23.200 --> 0:25:26.680
<v Speaker 1>like them big eys necklaces roppers used to have. They

0:25:26.680 --> 0:25:30.600
<v Speaker 1>look kind of crazy. Now, lab diamonds, hey, hey, as

0:25:30.640 --> 0:25:32.600
<v Speaker 1>long as it pass on the little tester is good.

0:25:33.000 --> 0:25:36.199
<v Speaker 1>I agree. Who I mean, who gives it for? Like, yeah, yo,

0:25:36.280 --> 0:25:37.960
<v Speaker 1>you did you need to spend a hundred thousand on

0:25:38.000 --> 0:25:40.240
<v Speaker 1>this dimon right because I bought a house with that money.

0:25:40.280 --> 0:25:43.120
<v Speaker 1>Still look good, I'll fuck you bitch, And still a diamond.

0:25:43.320 --> 0:25:48.280
<v Speaker 1>I fuck her in the lab listen, and it's the

0:25:48.359 --> 0:25:50.800
<v Speaker 1>same material. And when the sun hit is gonna it's

0:25:50.960 --> 0:25:52.640
<v Speaker 1>it's gonna bling the same. You know what you say,

0:25:52.720 --> 0:25:54.919
<v Speaker 1>you say, yeah, my diamond came from a lab. Yours

0:25:54.920 --> 0:25:57.160
<v Speaker 1>came on the sweat a twelve year old African boy,

0:25:57.240 --> 0:26:04.959
<v Speaker 1>big one arm. These diamond minds are fucked my diamonds,

0:26:05.000 --> 0:26:08.480
<v Speaker 1>echo Franks the diamond. Yeah that's crazy. You want your

0:26:08.480 --> 0:26:11.800
<v Speaker 1>blood diamonds. I'll take my live credit that. But like,

0:26:12.080 --> 0:26:14.440
<v Speaker 1>who really just be up on somebody to the point

0:26:14.480 --> 0:26:16.520
<v Speaker 1>that you be like I really don't care about material

0:26:16.560 --> 0:26:18.199
<v Speaker 1>exten so you don't really see me with jewelry. But

0:26:18.240 --> 0:26:19.439
<v Speaker 1>I got it. If I want to buy it, I

0:26:19.440 --> 0:26:23.360
<v Speaker 1>could bust down my whole shit. But it's just I've

0:26:23.359 --> 0:26:26.320
<v Speaker 1>been there, done that. See My thing is, I'm at

0:26:26.320 --> 0:26:28.200
<v Speaker 1>the point now where I'm getting it through the music.

0:26:28.800 --> 0:26:31.119
<v Speaker 1>Because I didn't grew up raised in the streets. Section

0:26:31.240 --> 0:26:33.200
<v Speaker 1>they all that I didn't got it. I didn't see

0:26:33.240 --> 0:26:35.240
<v Speaker 1>the most money out the streets and lost the most

0:26:35.240 --> 0:26:37.640
<v Speaker 1>money in the streets. So now I know I didn't

0:26:37.640 --> 0:26:39.560
<v Speaker 1>lost it twice the third time, you will never lose

0:26:39.560 --> 0:26:41.320
<v Speaker 1>it again. So I'm on my third chance right now.

0:26:41.359 --> 0:26:43.040
<v Speaker 1>I know how to move my money and save it

0:26:43.119 --> 0:26:45.520
<v Speaker 1>and put it right here. You know, I got I

0:26:45.560 --> 0:26:48.160
<v Speaker 1>got kids that I gotta if anything, you know, they

0:26:48.200 --> 0:26:50.680
<v Speaker 1>gotta make I gotta make sure something good with them.

0:26:50.720 --> 0:26:52.560
<v Speaker 1>They might have to need a medical build that's one

0:26:52.600 --> 0:26:55.000
<v Speaker 1>hundred thousand dollars. And if you ain't got to have

0:26:55.040 --> 0:26:57.120
<v Speaker 1>that shit ready or else, they ain't gonna get done

0:26:57.119 --> 0:26:58.800
<v Speaker 1>to them. That's how the world works. So I just

0:26:58.840 --> 0:27:02.399
<v Speaker 1>got different priority. But don't get it wrong when a

0:27:02.440 --> 0:27:05.040
<v Speaker 1>nigga get like a meal ticket. Plus, I'm i'm'a bust

0:27:05.080 --> 0:27:07.680
<v Speaker 1>down again. But right now, I feel like most people

0:27:07.760 --> 0:27:10.919
<v Speaker 1>wear jewelry for other people, niggas wear jelly for bitches.

0:27:11.200 --> 0:27:13.959
<v Speaker 1>Right If right now niggas will follow the trend. If

0:27:14.000 --> 0:27:16.040
<v Speaker 1>niggas say, ain't nobody wearing jewey no more, that should

0:27:16.040 --> 0:27:19.040
<v Speaker 1>bogus everybody else stop wearing jelry. Right, But if the

0:27:19.080 --> 0:27:20.800
<v Speaker 1>bitch is liking this, is gonna go bust they shit

0:27:20.880 --> 0:27:23.680
<v Speaker 1>right down. Just the fucking bitch that nigga probably broke

0:27:23.760 --> 0:27:28.359
<v Speaker 1>his hell, right, So I don't know, can Hey, we

0:27:28.400 --> 0:27:29.919
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0:27:29.920 --> 0:27:32.080
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0:27:32.119 --> 0:27:34.880
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<v Speaker 1>get back to the interview. What do you got coming

0:30:35.720 --> 0:30:38.360
<v Speaker 1>in terms of down the pipeline and you've been dropping

0:30:38.400 --> 0:30:40.440
<v Speaker 1>a lot, what music wise, what do you got coming up?

0:30:41.160 --> 0:30:43.440
<v Speaker 1>I'm making a lot of music right now, just just

0:30:43.440 --> 0:30:47.960
<v Speaker 1>making music. But however, we do got Underrated Volume two.

0:30:48.040 --> 0:30:50.000
<v Speaker 1>That's gonna be the name of the project that's coming up.

0:30:50.040 --> 0:30:52.960
<v Speaker 1>And we also got the remix. I can't say the name,

0:30:53.720 --> 0:30:58.480
<v Speaker 1>but we got some la guys. I can't say the name,

0:30:58.520 --> 0:31:02.240
<v Speaker 1>but where they're from. They from the world. You're gonna see.

0:31:02.240 --> 0:31:04.600
<v Speaker 1>I wanted to be a surprise when people be like, damn,

0:31:04.600 --> 0:31:07.440
<v Speaker 1>how he do that? You feel me? So the world

0:31:07.680 --> 0:31:10.880
<v Speaker 1>from the world they you know so, but it's like,

0:31:11.040 --> 0:31:14.320
<v Speaker 1>damn how many people as of now? Well, actually, for

0:31:14.400 --> 0:31:16.440
<v Speaker 1>the remix, I got a lot of versions of it,

0:31:16.880 --> 0:31:18.680
<v Speaker 1>but the one that we bought the you're gonna have

0:31:18.760 --> 0:31:20.800
<v Speaker 1>multiple remixes. Yeah, I want to do like the Welcome

0:31:20.840 --> 0:31:23.480
<v Speaker 1>to Atlanta thing, So you're gonna have Atlanta guys. I

0:31:23.560 --> 0:31:27.360
<v Speaker 1>have somebody from Florida on it, someone from Florida. Yeah,

0:31:27.480 --> 0:31:31.520
<v Speaker 1>I got somebody from Florida. I got I could say

0:31:31.560 --> 0:31:33.200
<v Speaker 1>money signs sway because I didn't already put that on

0:31:33.240 --> 0:31:36.840
<v Speaker 1>Instagram last year. Is he still in jail? Yeah, free bro,

0:31:37.560 --> 0:31:40.360
<v Speaker 1>nice kid. Yeah, good guy, real stand up guard. That's

0:31:40.360 --> 0:31:43.080
<v Speaker 1>my nigga. Yeah. I think he's doing a good job too,

0:31:43.080 --> 0:31:46.200
<v Speaker 1>because I do feel like like the new generation breaking

0:31:45.760 --> 0:31:49.800
<v Speaker 1>the parents Latino rappers. I feel like this new like

0:31:49.880 --> 0:31:53.880
<v Speaker 1>wave like Bravo him are like free Bravo too, bringing

0:31:53.920 --> 0:31:56.280
<v Speaker 1>the to you know, two sides of LA together. That's

0:31:56.320 --> 0:31:58.280
<v Speaker 1>not the only one though, you got you got Doe

0:31:58.280 --> 0:32:01.040
<v Speaker 1>Boy from the Empires bunch of people. I'm just saying, like,

0:32:01.080 --> 0:32:03.240
<v Speaker 1>I feel like the new wave of Latin rappers are Like,

0:32:03.280 --> 0:32:06.000
<v Speaker 1>it's dope to see like everyone working together, you know,

0:32:06.360 --> 0:32:09.360
<v Speaker 1>yeah it is. And it's even doper to see the

0:32:09.440 --> 0:32:11.440
<v Speaker 1>black and the browns fucking with each other with the

0:32:11.520 --> 0:32:13.560
<v Speaker 1>with the sound because ship, we all come from the

0:32:13.600 --> 0:32:16.520
<v Speaker 1>same fucking place. You your rent is the same as

0:32:16.640 --> 0:32:19.400
<v Speaker 1>my rent. Bro, We're both from Section eight. Figure it out,

0:32:19.480 --> 0:32:23.080
<v Speaker 1>like you know, like so you like me, I'm like you.

0:32:23.520 --> 0:32:25.760
<v Speaker 1>It ain't no difference between the brown and the black

0:32:25.800 --> 0:32:29.400
<v Speaker 1>community at all. It's just what the picture is painted

0:32:30.080 --> 0:32:32.440
<v Speaker 1>in the fake ass division line that shouldn't even really

0:32:32.440 --> 0:32:35.040
<v Speaker 1>be there. I wasn't even a hip to all of

0:32:35.080 --> 0:32:39.120
<v Speaker 1>that before moving here. It's only in LA. It's not

0:32:39.320 --> 0:32:41.960
<v Speaker 1>it's not it's not even Eli's game politics. It's it's

0:32:42.000 --> 0:32:45.360
<v Speaker 1>it's something that's higher up about higher up ship that

0:32:45.440 --> 0:32:47.960
<v Speaker 1>has nothing to do with nothing before soldiers that's gonna

0:32:48.000 --> 0:32:51.640
<v Speaker 1>listen to. It's like an az like we're like they

0:32:51.680 --> 0:32:53.680
<v Speaker 1>love each other with each other. Yeah, it's just some

0:32:53.920 --> 0:32:58.200
<v Speaker 1>l A politics. LA politics is different the Hispanish, Hispanish people,

0:32:58.280 --> 0:33:01.320
<v Speaker 1>Hispanics like you know, like black people. It's just it's

0:33:01.400 --> 0:33:04.400
<v Speaker 1>just difference. But it's it gets light gets shine on

0:33:04.760 --> 0:33:07.080
<v Speaker 1>when it's the two different races going to war with

0:33:07.120 --> 0:33:09.520
<v Speaker 1>each other. But if you just look at the fucking

0:33:09.520 --> 0:33:12.720
<v Speaker 1>graphics on what really happens in LA, Hispanics be for Hispanics,

0:33:12.840 --> 0:33:16.160
<v Speaker 1>Blacks with blacks, everybody, be for everybody, and everybody get

0:33:16.200 --> 0:33:18.120
<v Speaker 1>along with everybody. But when it's something that could be

0:33:18.200 --> 0:33:21.360
<v Speaker 1>marketed as negative and racial, it's always gonna make the

0:33:21.360 --> 0:33:24.920
<v Speaker 1>front page. Yep, that's the ship that pushes views. Right.

0:33:25.080 --> 0:33:29.240
<v Speaker 1>So you know, what's your top five LA hip hop

0:33:29.280 --> 0:33:34.640
<v Speaker 1>albums of all time? Ooh, Section eighty Good Kid, Mass City,

0:33:35.560 --> 0:33:39.720
<v Speaker 1>We gotta go with Smell my Finger sugar Free. We

0:33:39.840 --> 0:33:43.600
<v Speaker 1>gotta go with what the name of an album? I'm

0:33:43.600 --> 0:33:46.000
<v Speaker 1>gonna have to go with what's the name of the

0:33:46.040 --> 0:33:52.160
<v Speaker 1>fucking album? Rhythm against Snoop Dogg. Really, it's a great

0:33:52.240 --> 0:33:54.320
<v Speaker 1>that's a that's a very random Snoop album, but a

0:33:54.320 --> 0:33:56.760
<v Speaker 1>great one. That was I that ups and Downs was

0:33:56.800 --> 0:33:58.600
<v Speaker 1>my favorite song. And the song that he made for

0:33:58.640 --> 0:34:01.120
<v Speaker 1>Tickie Williams him Nate Don't talking two one three one G.

0:34:01.800 --> 0:34:03.760
<v Speaker 1>That's one of my favorite. I was really deep in

0:34:03.760 --> 0:34:05.440
<v Speaker 1>the streets at that time. So anything with the Blue

0:34:05.480 --> 0:34:07.440
<v Speaker 1>Rag I was. I was sticking to it. The Snoop

0:34:07.560 --> 0:34:11.080
<v Speaker 1>is my my guy. So and we're gonna go with

0:34:13.840 --> 0:34:17.960
<v Speaker 1>while we thugs ice Cube. You know what was the

0:34:18.000 --> 0:34:20.760
<v Speaker 1>name of the album? You know the name of the album?

0:34:20.840 --> 0:34:22.640
<v Speaker 1>Funk I had it. I know what you're talking about.

0:34:22.680 --> 0:34:24.799
<v Speaker 1>I forgot the name of the album. You have some

0:34:25.080 --> 0:34:29.000
<v Speaker 1>random that's a random ice Cube album, all right? Because

0:34:29.040 --> 0:34:31.520
<v Speaker 1>I usually like music that everybody I like to pick

0:34:31.560 --> 0:34:34.040
<v Speaker 1>the albums that everybody don't really well. Also, that's probably

0:34:34.040 --> 0:34:36.359
<v Speaker 1>the albums that like were coming up, Like that came

0:34:36.360 --> 0:34:38.080
<v Speaker 1>out while we were coming up. I mean, no, I

0:34:38.080 --> 0:34:41.719
<v Speaker 1>could have set the old albums easy. But yeah, yeah,

0:34:41.800 --> 0:34:44.280
<v Speaker 1>right that so I could have set the old album easy,

0:34:44.320 --> 0:34:48.920
<v Speaker 1>but I feel like I feel like that's that's the

0:34:48.960 --> 0:34:51.640
<v Speaker 1>ship that people expect you to say, you know, but

0:34:51.840 --> 0:34:54.799
<v Speaker 1>album A real fan of their music. So those are

0:34:54.840 --> 0:34:56.759
<v Speaker 1>the You're probably right, those is the when when they

0:34:56.840 --> 0:34:58.759
<v Speaker 1>was dropping at that time, those was the ones that

0:34:58.800 --> 0:35:02.160
<v Speaker 1>I stick to. So what's that number four? And we're

0:35:02.200 --> 0:35:07.040
<v Speaker 1>gonna go with Victory Lap The fuck that should have

0:35:07.040 --> 0:35:09.600
<v Speaker 1>been number one? No matter of fact, his whole catalog. Bro,

0:35:10.120 --> 0:35:12.359
<v Speaker 1>favorite song by Nippas, pay my dues, Bro. That shit

0:35:12.400 --> 0:35:15.960
<v Speaker 1>got me through a lot. All right, what's the best

0:35:15.960 --> 0:35:21.080
<v Speaker 1>album out of these five? You gotta pick one? Victory Lap,

0:35:21.880 --> 0:35:28.279
<v Speaker 1>Good Kid, Mad City, Doggy Style, The Chronic and the

0:35:28.360 --> 0:35:32.040
<v Speaker 1>Chronic two thousand and one, two thousand and one. Okay,

0:35:32.719 --> 0:35:38.520
<v Speaker 1>I gotta say it, Salas is sick, but Sallace it's

0:35:38.560 --> 0:35:42.279
<v Speaker 1>Doggy Style, right, Okay. Gotta know, Hey, why a were

0:35:42.280 --> 0:35:43.799
<v Speaker 1>gonna put get Rich your Datron in there? Because I'm

0:35:43.840 --> 0:35:46.320
<v Speaker 1>picked on la Shit. I just said all l a album.

0:35:46.360 --> 0:35:48.399
<v Speaker 1>Hey fifty, you know you from New York, but shit,

0:35:48.440 --> 0:35:50.400
<v Speaker 1>get Rich you Dartron, that's West Coast. We love you,

0:35:50.440 --> 0:35:53.920
<v Speaker 1>my niggas a definitely not West Coast all them beats

0:35:53.920 --> 0:35:56.000
<v Speaker 1>on there's West Coast type beat. That ship is the

0:35:56.000 --> 0:35:58.319
<v Speaker 1>West Coast of them. All right, you're right, not all

0:35:58.360 --> 0:36:01.120
<v Speaker 1>of them, but that ship it he broke off the

0:36:01.120 --> 0:36:04.040
<v Speaker 1>West coast. He I mean, listen, we go, we go,

0:36:04.280 --> 0:36:06.160
<v Speaker 1>we go, keep, we go, keep fifty? Who could we

0:36:06.200 --> 0:36:08.520
<v Speaker 1>trade for? Who could be? Who could who could we trade?

0:36:08.760 --> 0:36:10.839
<v Speaker 1>Who would you trade? You gotta give me a list,

0:36:10.840 --> 0:36:14.480
<v Speaker 1>Give me a list. He's not about to make me

0:36:14.600 --> 0:36:16.080
<v Speaker 1>just start saying that. Give me a list, and I'm

0:36:16.080 --> 0:36:17.799
<v Speaker 1>gonna pick off of your multiple choice. All right. I'm

0:36:17.800 --> 0:36:20.080
<v Speaker 1>gonna have ten rappers. You gotta trade one of them

0:36:20.080 --> 0:36:23.799
<v Speaker 1>for fifty, all right, all right, fifty one of my

0:36:23.800 --> 0:36:25.440
<v Speaker 1>favor rappers. I really don't give him back. I'm just

0:36:25.440 --> 0:36:28.440
<v Speaker 1>gonna start naming off West Coast rappers off the top

0:36:28.480 --> 0:36:30.839
<v Speaker 1>of my head. I don't say nothing new, but off

0:36:30.880 --> 0:36:32.920
<v Speaker 1>the top of my head. If there's any new rappers,

0:36:32.920 --> 0:36:35.359
<v Speaker 1>bro don't take it serious, because the top of my head,

0:36:36.080 --> 0:36:44.399
<v Speaker 1>all right, girl, DJ quick y g m hm, dre hmm,

0:36:45.600 --> 0:36:52.280
<v Speaker 1>mac ten mm hmm, ice cube mmm, sugar free hmm.

0:36:52.440 --> 0:36:56.280
<v Speaker 1>He ain't going nowhere. We already know that the game. Mmmmm,

0:36:56.840 --> 0:37:00.840
<v Speaker 1>school Boy C, that's that's your list. Who's who's you

0:37:00.840 --> 0:37:04.680
<v Speaker 1>trading for fifty? It's gonna be out a YG and

0:37:04.680 --> 0:37:10.359
<v Speaker 1>school Board Q. Make your choice for fifty. But ah,

0:37:11.360 --> 0:37:13.520
<v Speaker 1>we go, were gonna trade school Boy Q for fifty

0:37:13.520 --> 0:37:15.680
<v Speaker 1>for five hundred? Please a school Boy Q. I love

0:37:15.719 --> 0:37:21.920
<v Speaker 1>your music, bro, It's not the personal, nothing personal for fifty.

0:37:21.920 --> 0:37:24.759
<v Speaker 1>My god, I'm I'm betrayed. I betrade you for fifty.

0:37:24.800 --> 0:37:26.239
<v Speaker 1>I'm gonna put fifty at the top of the list

0:37:26.239 --> 0:37:29.080
<v Speaker 1>of everybody though, so it's like it's nothing personal. I like,

0:37:29.080 --> 0:37:32.680
<v Speaker 1>I fucking fifty cent uh so remix coming? So how

0:37:32.680 --> 0:37:36.080
<v Speaker 1>soon is the remix coming? I'll probably say April Florida

0:37:36.280 --> 0:37:38.719
<v Speaker 1>is on the remix, Probably not the first one I'm

0:37:38.719 --> 0:37:42.279
<v Speaker 1>gonna drop. Mm hmmm, because I'll tell you the first one.

0:37:42.320 --> 0:37:44.200
<v Speaker 1>I just wanted to be such a surprise. What's city

0:37:44.200 --> 0:37:48.640
<v Speaker 1>in Florida? I'll tell you. Seti Hendrix, Oh, Seti Hendrick. Yeah,

0:37:48.640 --> 0:37:51.279
<v Speaker 1>he's a sweet guy, man, that's my boy. He's from Jacksonville, right, yeah, yeah,

0:37:51.280 --> 0:37:52.920
<v Speaker 1>I apprec sure. I did a show for him at

0:37:52.920 --> 0:37:55.319
<v Speaker 1>the Roxy. I opened up for him. Yeah yeah, Seti's dope.

0:37:55.360 --> 0:37:58.040
<v Speaker 1>Yeah yeah. So that's one of the persons that's on

0:37:58.520 --> 0:38:00.520
<v Speaker 1>the remix. I don't know. I said thought already a

0:38:00.560 --> 0:38:05.120
<v Speaker 1>couple of times. So yeah, side's way instead Saddy, and

0:38:05.280 --> 0:38:12.680
<v Speaker 1>we got some zeke for all. Bro. Well, listen, man,

0:38:12.680 --> 0:38:15.200
<v Speaker 1>I appreciate you pulling up looking forward to everything you

0:38:15.280 --> 0:38:17.160
<v Speaker 1>got in the works. Man, you're killing it. You're moving

0:38:17.200 --> 0:38:18.920
<v Speaker 1>in the right way with the right energy. Bro, keep

0:38:18.920 --> 0:38:22.000
<v Speaker 1>that ship up. And uh, we're gonna do a freestyle

0:38:22.040 --> 0:38:23.600
<v Speaker 1>so you guys can watch a separate YouTube video. This

0:38:23.640 --> 0:38:28.359
<v Speaker 1>got rapping, rapping. Yeah, they're gonna watch me rap. Let's

0:38:28.360 --> 0:38:30.240
<v Speaker 1>go Blue leg Head Podcast