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Speaker 1: Transmitting hellos, Good morning, studio. Why don't we start with

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Speaker 1: some voicemails we got last night. Here's voicemail number one. Hi,

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Speaker 1: I was wondering, yes you could give a shout out

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Speaker 1: to my husband, Cliff Marrow Lison's birthday, and he has

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Speaker 1: a big fan of the show. He has a hard

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Speaker 1: job working in the medical fields. He loves it and

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Speaker 1: he does an amazing job taking care of his family.

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Speaker 1: Cliffie Pooh, we love you, cliff I bet he loves

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Speaker 1: getting called Cliffie poop too. Cliffie Pooh, we love you too, Bubba.

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Speaker 1: I hope your birthday is good, Bubba, Cliffy Pooh. Here's

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Speaker 1: voicemail number two. Hi Bobby, Hi studio. I'm just curious.

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Speaker 1: I've heard you guys talk a lot about it and

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Speaker 1: the service industry. What dude, guys typically do if you

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Speaker 1: have a bad service, like it's the waiter, it's not

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Speaker 1: very good. I have, on occasion had terrible service, and

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Speaker 1: I know it's generally you tip book on the servant.

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Speaker 1: But I just want to know what you guys typically

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Speaker 1: using that situation. Well, I can tell you when I

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Speaker 1: was a young waiter, I was not a good waiter.

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Speaker 1: So thankfully, a lot of folks had grace for and

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Speaker 1: with me because I'd forget things you never got punished. Yeah,

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Speaker 1: but I was so new at it, and when someone

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Speaker 1: would still tip me twenty percent, I would be like,

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Speaker 1: thank you God. Yeah, like I'm learning, thanks for being there,

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Speaker 1: and I try to, you know, exhibit that that same

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Speaker 1: feeling toward folks. Listen if you can, and unless they're

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Speaker 1: just calling you the B word, it could be somebody

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Speaker 1: else's fault, unless you're sure that they just aren't terrible

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Speaker 1: like they you see them spinning your food in front

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Speaker 1: of your face, because it could be the kitchen's fault.

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Speaker 1: They could be having a really bad day. Somebody could

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Speaker 1: have died in their family or sick or all that

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Speaker 1: kids are. My only request would be that you fully

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Speaker 1: evaluate the situation and if you go, you know what,

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Speaker 1: they're just a bad person, then you possibly think of

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Speaker 1: going I'm not gonna do full But there's just so many,

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Speaker 1: so many variables that go into getting bad service. Would

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Speaker 1: you go none? No, never, I wouldn't. I'm gonna be

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Speaker 1: honest with you because I was in the service industry

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Speaker 1: for so long. If it was bad service, I'd still

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Speaker 1: tit full them out unless they were just mean. All right,

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Speaker 1: here's Tom in New York. I got a strange question,

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Speaker 1: what's going on with Kenny Chesney. He consistently puts out

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Speaker 1: hits and you never really hear much from him. He

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Speaker 1: got his own satellite radio show, but he's never you know,

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Speaker 1: getting the big awards. He's never on stage, he's not

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Speaker 1: doing many interviews, but he just consistently puts out top hits.

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Speaker 1: So he's been curious. Hope you can help me out

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Speaker 1: and give me an answer. Thanks. Then sure. Kenny used

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Speaker 1: to get all the awards. Kenny was an Entertainer of

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Speaker 1: the Year. He has been maybe multiple times now. I

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Speaker 1: think Kenny has reached the height of success and just

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Speaker 1: now collects checks on an island with a big boat. Yeah,

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Speaker 1: he's not around town much, so you don't hear him

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Speaker 1: do interviews. He's not in your microphones. And he tours

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Speaker 1: a bunch still. He will tour some but massive stadiums

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Speaker 1: if he does. Kenny's just kind of done it and

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Speaker 1: he's like, I'm good. That's why it's nobody not wanting

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Speaker 1: to talk to Kenny Chesney. I like Kenny at times

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Speaker 1: done a lot of stuff together and then then for

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Speaker 1: eight months I won't see him. So but yeah, it's

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Speaker 1: not a slide on Kenny at all. That's him. I'm

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Speaker 1: just going I'm good. I'm musa stand in the Virgin Island.

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Speaker 1: Here's Angela in Springfield, Missouri. Angela, thank you for calling

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Speaker 1: the show. What's going on with you? Good morning, studio.

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Speaker 1: I am in cosmotology school right now and I'm gonna

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Speaker 1: graduate and I have my very first interview today at

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Speaker 1: two o'clock. Wow, congratulations on all of that. Yeah, I'm

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Speaker 1: super excited. I'm excited to start my career. So what's

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Speaker 1: the interview about? So it's for a stylist position at

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Speaker 1: all the beauty here in Springfield. Do you feel like

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Speaker 1: you're prepared for this interview? Do you feel like you're

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Speaker 1: you know, yeah, you have the credentials to go on

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Speaker 1: and get this job. Oh definitely, yeah for sure. Well,

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Speaker 1: then I think you walk to that interview with the

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Speaker 1: exact tone that you just gave me, like, yeah, I'm qualified,

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Speaker 1: thank you. Because people want to hear confidence, they don't

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Speaker 1: want to hear arrogance. And there's a fine line, but

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Speaker 1: I'd rather Yeah, you fall on the side of confidence

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Speaker 1: with a little arrogance. Then the other way, Like if

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Speaker 1: it were me when I interview people for jobs, like

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Speaker 1: I want you to be so confident in your work

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Speaker 1: that if it does happen to scrape a little bit

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Speaker 1: on the arrogant side, I can I can take that.

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Speaker 1: It's on the other side, I'm like, I don't know.

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Speaker 1: And remember, you got a blank check. You can fill

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Speaker 1: in these all the zeros you want as far as

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Speaker 1: the amount of work you do and the job a

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Speaker 1: career that you want, so you know, go into this thing.

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Speaker 1: And here's my advice to everybody. When you do an interview,

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Speaker 1: ask a lot of questions, flip it on them. Make

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Speaker 1: it feel like they're being interviewed because you'll sound like

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Speaker 1: you are completely invested on what they're doing. They'll like that.

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Speaker 1: And two psychologically, they'll go, wait, she's really good. She's

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Speaker 1: asking me a lot of questions. I'm trying to get hurt.

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Speaker 1: It can work for us, So go do that. Go

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Speaker 1: be yourself. You'll nail this. Okay, Okay, awesome, Thank you

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Speaker 1: so much. You're welcome. Hope you have a good day.

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Speaker 1: Congratulations on graduation, and hopefully we'll talk to you soon.

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Speaker 1: I'm okay, awesome, thank you bye? All right? Picture it

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Speaker 1: last night I have von a pair of red sweats,

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Speaker 1: no socks and shoes, no shirt. In my kitchen, getting

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Speaker 1: a little drink. I like to make my great fruit

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Speaker 1: and sparkling water. Mix that too much sugar, but it's

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Speaker 1: a water loose sparkling water, so it has some flavor

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Speaker 1: to it. And as I'm getting ice from the dispenser,

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Speaker 1: some of the cubes fall and hit the floor. Okay,

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Speaker 1: so I stood there for a moment. I thought to

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Speaker 1: myself should I pick them up or kick them under

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Speaker 1: the fridge. I mean picking them up as a hassle,

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Speaker 1: because they're all slippering anyway, and it's hard to get

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Speaker 1: them back up. You can't quite grab the cube. It

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Speaker 1: slides all over the place, on the floor and in

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Speaker 1: your hand. In your hands got gross water on it.

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Speaker 1: How many cubes are we talking? Two to three? And

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Speaker 1: if you kick it under the fridge, who cares? Right?

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Speaker 1: It'll dry? Correct, That's that's conventional thinking. There, I sits

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Speaker 1: the floor. What do you do? I'll tell you what

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Speaker 1: I did after you guys tell me yours. Go ahead,

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Speaker 1: me kick it under the fridge. Never see it again

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Speaker 1: it evaporates. Dude, there's no I've done it hundreds of times.

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Speaker 1: That's what I do. It's what I'll always do with

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Speaker 1: the ice. It's the floor. I guess I would kick

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Speaker 1: it under the fridge, but in my house, our dog

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Speaker 1: loves ice. Sorr. I just say, ka, she comes in,

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Speaker 1: we'll eat it. But I've been busted kicking it under

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Speaker 1: the fridge before. And my husband gets upset because we

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Speaker 1: have hardwood floors, and then it could ruin the wood

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Speaker 1: under the fridge. But I say it's under the fridge.

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Speaker 1: Who cares? Yeah, well, eventually have to move the fridge

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Speaker 1: if it breaks or you move sure, and then the

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Speaker 1: wood's messed up. I pick it up. I do pick

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Speaker 1: it up. I pick it up. You're setting us up. No,

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Speaker 1: I was just asking. I thought you were going to

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Speaker 1: be a kick it under the frigerator guy. Honestly, I

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Speaker 1: pick it up and then I don't have to worry

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Speaker 1: about did that moisture? Do something to bottom the fridge

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Speaker 1: to the floor, But it is gross and I don't

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Speaker 1: like touching the floor. Yeah. I think everyone has to

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Speaker 1: deal with this, right, like anyone that has an ice

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Speaker 1: dispenser on the refrigerator has to deal with this or

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Speaker 1: do you just pick it up and put it in

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Speaker 1: your drink? What off the floor? No? No, no, no, no, no.

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Speaker 1: Where you just running that bias? If we judge you,

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Speaker 1: that's what you do. Do you do that? Really? But

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Speaker 1: some people might it's time for the good news. There's

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Speaker 1: a water Burger in Florida that hosted a pay it

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Speaker 1: forward chain that lasted over a hundred customers. That's a

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Speaker 1: lot of people. I've been part of this, and I

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Speaker 1: feel like it's just going to end right behind me.

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Speaker 1: But a hundred people, that's good. So someone goes and says,

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Speaker 1: I'd like to order a meal, and then after you

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Speaker 1: order the meal, they go, hey, it's already been paid for. Yeah. Well,

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Speaker 1: it starts with the guy that orders the meal and says, hey,

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Speaker 1: I'm gonna go ahead and pay for the people behind me.

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Speaker 1: Don't know what they ordered. Whatever it is, I'll take it.

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Speaker 1: My question is do you ever get told you're in

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Speaker 1: that chain before you order? Oh, that's a good question.

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Speaker 1: I've been a part of this and no, like whenever

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Speaker 1: I've been a part of a paid forward, they don't

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Speaker 1: tell you until after I get my drink. Or whatever,

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Speaker 1: because if I'm being honest, it may affect what I ordered,

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Speaker 1: right or then even if you want to participate, like

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Speaker 1: I feel as though someone that's in the chain, they

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Speaker 1: might be able to pay for one person's latte or hamburger,

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Speaker 1: but what if the person's ordering five, then they don't

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Speaker 1: want to break the chain. But honestly, that's not going

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Speaker 1: to work for them financially. That happened to me. Bones.

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Speaker 1: I got one cup of coffee, and then when they

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Speaker 1: said it's paid for, I'm like, well, that's great, I'll

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Speaker 1: pay for the people behind me. Okay, great they ordered five,

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Speaker 1: All right, now I got six, but it's okay. I

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Speaker 1: kept it going. Wow, man, December people really feel the

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Speaker 1: reason for the season. Yeah, you know, that's awesome. There

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Speaker 1: you go, that's what it's all about. That was tell

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Speaker 1: me something good. I'll play you a famous country artist

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Speaker 1: doing their version of a White Christmas. They're all going

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Speaker 1: to be singing White Christmas. You just have to name

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Speaker 1: the artist. Four eggs example, who is singing this version

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Speaker 1: of White Christmas dream? Yeah? Yeah, easy, Chris see example,

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Speaker 1: go ahead, els, Yeah, you got the point, would you up?

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Speaker 1: Lunchbox Johnny Cash, Johnny cash would not have been right. Okay,

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Speaker 1: that's the example. Can we just stay in us now

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Speaker 1: you're out, You're out. It's survivor style. Please give me

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Speaker 1: a quick what country artist is singing White Christmas? Here

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Speaker 1: you go, dreaming by Christmas, just like the one to know, Lunchbox,

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Speaker 1: brod Aldridge, Eddie, mister country Christmas, bred Eldridge Amy, there

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Speaker 1: you go, nice shot. Next up, who's singing white Christmas?

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Speaker 1: Dreaming Christmas? Just like one where the tree goods and

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Speaker 1: to listen to slam the snow. Okay, there you go,

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Speaker 1: lunch Box. I'll put George straight Amy, George Straight. I

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Speaker 1: know I this is a quick game, Eddie. Guys, it's

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Speaker 1: the goat. That's Garth's Yeah. Wow, he was really channeling

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Speaker 1: as George there, No, he was channeling the garden. I

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Speaker 1: almost changed halfway through to Garth. Yeah, because I was like, wait,

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Speaker 1: that kind of like all right, we have to keep playing.

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Speaker 1: We have more than that. I don't know, you guys

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Speaker 1: are gonna be alright, so bad. We missed one. The

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Speaker 1: second one. One, we missed one. Next one I dreaming,

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Speaker 1: I will Christmas come on? So just like the ones

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Speaker 1: I used to know were the tree tops listen and

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Speaker 1: to dream. Listen to sleigh bells in the snow. Okay,

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Speaker 1: lunch box, that's Easius. That's Darius, Eddie. He's singing it

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Speaker 1: very differently, like not like he usually does. But I

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Speaker 1: have Darius. It's not Darius sings a little bit Amy, Darius.

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Speaker 1: There's a lot of though. Yeah, all right, name this one.

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Speaker 1: Dreaming wild Christmas, just like the one I used to

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Speaker 1: know what where the tree tops Listen to him sleep. Okay,

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Speaker 1: lunch you can't miss that one. That's George Straight Amy,

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Speaker 1: George Straight, guys one honor again. That's Blake Shelton. It's

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Speaker 1: it's over whatever with I still don't hear Blake smost

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Speaker 1: call Yes you do? You don't want you hear Blake?

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Speaker 1: Maybe tell me you hear Blake I do. That's offensive

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Speaker 1: a George. I'm just throwing him in as a last answer, Eddie,

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Speaker 1: if you can the last two one quick? Next one up?

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Speaker 1: Ye straight George Strapers Rosco flat Rasco flats dreaming of

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Speaker 1: Taylor Taylor squeat correct, dreaming of tough one Christmas, just

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Speaker 1: like the one us to know. This is tough where

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Speaker 1: the tree tops. It's weird to hear this guy sing

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Speaker 1: at Christmas songs you drunen there you go? You know

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Speaker 1: this and the snow I hear Toby Kei oh okay

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Speaker 1: now uh and they give me one more dreaming heart

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Speaker 1: of win Christma. Is that Alan Jackson is? Nice job? Yeah?

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Speaker 1: Good for thank you. Eddie's the winner. Play his song there.

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Speaker 1: Somebody texted me the day like, dude, what is your

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Speaker 1: victory song? That's my uncle. People don't believe it. This

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Speaker 1: is my uncle singer. This is Eddie's uncle singing this

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Speaker 1: song every time he wents it runs to his family.

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Speaker 1: That's why he went so many games. That's a family.

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Speaker 1: Many than look up so hungry last night that I

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Speaker 1: add some beet jerky And I was eating beat jerky

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Speaker 1: in bed last night and it stinks, and I dropped

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Speaker 1: some in the bed and didn't realize it till this morning,

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Speaker 1: and I was like, someun smells like meat. It was

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Speaker 1: the beat jerkey And I could tell him too. My

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Speaker 1: dog was really trying to get in the bed and

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Speaker 1: he doesn't get to get up in the bed. I mean,

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Speaker 1: I was like, what is going on? To pull up

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Speaker 1: the cover and there's like little shreds to beef jerkey

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Speaker 1: in the bed Canton was asleep, or I wouldn't have

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Speaker 1: been eaten beep jerkee in bed that late. Do you

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Speaker 1: guys have a food in bedroole? Yeah. I typically don't

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Speaker 1: allow it, but for whatever reason, my daughter ate salmon

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Speaker 1: in bed. Recently, my bed and dropped salmon and it

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Speaker 1: like I found it. It was similar to you, like,

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Speaker 1: it was disgusting. So now I'm like, look, maybe you

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Speaker 1: can hop up there with some nerves or candy or something,

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Speaker 1: but no more salmon or food like dinner. That's the

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Speaker 1: second time you've mentioned she likes salmon. Yeah, for like

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Speaker 1: a teenage kid, young teenage kid just eating salmon. Yeah,

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Speaker 1: well it's either salmon or grilled cheese. So and I

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Speaker 1: feel lucky too because she loves avocados and broccoli but

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Speaker 1: in carrots. So yeah, I guess she is doing pretty

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Speaker 1: good for herself. But don't get it twisted. Some days

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Speaker 1: she has her moments where I'm like trying to make

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Speaker 1: sure she gets some form of nutrients that when you're

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Speaker 1: a kid, though, you do only need him. You know,

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Speaker 1: he candy all day. There's a guy who's living in

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Speaker 1: a twenty two thousand square foot mansion for free. In

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Speaker 1: New York City. Wow, do you see the story his

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Speaker 1: house him, He's standing out in front of it. His

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Speaker 1: name is Roy Fox. He hasn't paid rent for his

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Speaker 1: New York City apartment more than thirty years in a

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Speaker 1: city of eight point four million people. Eighty one years old,

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Speaker 1: he is one of the people who reside and one

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Speaker 1: of the city's publicly owned historic sites. He worked as

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Speaker 1: a radio host, but he lives free in the king

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Speaker 1: Manor House, an eleven acre historic landmark in Jamaica. Queen's

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Speaker 1: the only catch. He serves as the caretaker, So if

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Speaker 1: you take care of the house, you get to be

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Speaker 1: in the house. Hey, Scooba, Steve, didn't you once when

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Speaker 1: you were in Orlando live in like a massive house

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Speaker 1: rent free? Yeah? So I lived in this house. It

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Speaker 1: was eleven thousand square feet and I lived in the

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Speaker 1: guest house wing attached next to it. And all I

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Speaker 1: had to do was watch it while he was in

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Speaker 1: the French riviera with his wife and mow the lawn

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Speaker 1: and that was it. And when I was living there,

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Speaker 1: I didn't really take it in what I was doing.

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Speaker 1: But now I look back and I was like, holy crap,

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Speaker 1: this is pretty crazy that I was living in his

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Speaker 1: house as an eighteen year old kid for about a

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Speaker 1: good year year and a half, so you lived there

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Speaker 1: even when they were living there. Yeah, he was hardly

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Speaker 1: ever there. He was there a lot in France with

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Speaker 1: his wife. But even when he was there, Yeah, I'd

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Speaker 1: be there with him and I'd be in the little

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Speaker 1: guest house. Sometimes he'd come over and talked to me,

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Speaker 1: you have a beer or walk around his house. And

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Speaker 1: when I'd walk aroun his house, he had some of

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Speaker 1: the coolest stuff I was partly. The top thing that

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Speaker 1: I saw that was pretty interesting was next to his

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Speaker 1: master bathroom tub, he had the original last he's stuffed

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Speaker 1: looking at him while he bathed. Wait, the dog from

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Speaker 1: the show, the actual dog from the actuality have the dog.

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Speaker 1: I think he's the original owner of it, Like he

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Speaker 1: owned the dog. What did this guy do to have

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Speaker 1: this house in his life? So he invented this this

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Speaker 1: mechanism that was popular in the eighties and nineties that

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Speaker 1: would switch from the phone to the fax machine. So

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Speaker 1: he's the inventor of that. And his wife was the

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Speaker 1: heir to Alpha Romeo, so they had family money as well.

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Speaker 1: What's Alpha Romeo? It's a car um it's It's was

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Speaker 1: popular in the eighties and nineties, but it's become popular

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Speaker 1: again lately. And how did you meet this guy? I

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Speaker 1: met him through my ex girlfriend's father, who also lived

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Speaker 1: there as well. When he was going through divorce. I

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Speaker 1: let him live with me. You were ex girlfriends I

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Speaker 1: was getting and my I mean obviously my ex now

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Speaker 1: because I'm married. But when I was dating her, her

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Speaker 1: father lived there with me, and that's how I found

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Speaker 1: out for this guy was through him. Did you ever

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Speaker 1: go on a trip or anything like that? Um, we

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Speaker 1: went on a skiing trip in Maryland? Are you sure

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Speaker 1: you want to like a kid jiggle over like I

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Speaker 1: was his houseboy. Yeah, that was happening in here. Maybe

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Speaker 1: I wasn't. I didn't realize that at the time, but

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Speaker 1: we didn't do anything weird, so it wasn't that. Are

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Speaker 1: you sure did the wife ever flirt with you? I

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Speaker 1: never met her because she was he said that she

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Speaker 1: was sick, so she can never leave France to come

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Speaker 1: to America. This who I mean? Are you sure she

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Speaker 1: wasn't stuffed in the guest bathroom? Yeah? Maybe, I don't know.

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Speaker 1: But when I would tour the house, there was all

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Speaker 1: kinds of weird things and rooms that where I couldn't

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Speaker 1: go into really, like he told you this room's off limits. Yes.

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Speaker 1: And he had an obsession with keeping dead animals, like

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Speaker 1: he had a garage at ten car garage, and anything

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Speaker 1: that died in his property he would keep it and

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Speaker 1: eventually with stuff it and put it in his house.

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Speaker 1: Any animal died he had, like raccoons, dogs from the

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Speaker 1: path that he's happened why, I don't know. I don't know.

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Speaker 1: I never really dope into. I was eighteen years old,

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Speaker 1: so I didn't really questioned. I was living in eleven

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Speaker 1: thousand square foot mansion and my friends would come over

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Speaker 1: at parties. It was the coolest part of my life.

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Speaker 1: He didn't care if he had people. Ever, he didn't

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Speaker 1: care it all as long as I was. I was clean,

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Speaker 1: and he wasn't home a lot, so it didn't really

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Speaker 1: matter when he was home, and it just it was

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Speaker 1: cool to hang out with. And you never peeked in

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Speaker 1: the rooms you weren't supposed to peek into. I didn't know.

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Speaker 1: I was a rule follower, so if he said don't

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Speaker 1: go in there, I didn't go in there. I didn't

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Speaker 1: want to. I don't want to lose the house that

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Speaker 1: I was living in, And what does this guy do? Now?

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Speaker 1: I haven't seen him a long time. He was probably

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Speaker 1: in his late seventies, so I don't even know if

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Speaker 1: he's still alive. Okay, I don't need to google him. Yeah,

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Speaker 1: I'll tell you his name off air. Okay, Well, I'm

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Speaker 1: just gonna google guy that invented phone to fascination and

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Speaker 1: then see where his wife is exactly or what years

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Speaker 1: she disappeared. That's a good point. Wow, that's a crazy story. Yeah,

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Speaker 1: thank you. Why did you leave? I left because then

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Speaker 1: I started dating somebody else and then so I ended

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Speaker 1: up moving in with her. That was all I mean.

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Speaker 1: Otherwise I was probably still be there this day if

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Speaker 1: I could. How was Orlando for you? Living? For me?

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Speaker 1: It was cool because we were forty five minutes from

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Speaker 1: the beach, um all my friends were there, So that

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Speaker 1: was that was life for me. So I loved living

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Speaker 1: in Orlando with a theme parks nearby. I love the weather.

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Speaker 1: I love the hot weather, so it was that was

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Speaker 1: my life. So I enjoyed Orlando. Your wife from California, Yeah,

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Speaker 1: from San Francisco. You're from Florida. From Florida, Orlando. So

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Speaker 1: it was Nashville like the perfect medium place or is

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Speaker 1: the goal to get back to one or the other.

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Speaker 1: I love Nashville. Um, I still have a little bit

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Speaker 1: of me that wants to go back to Hollywood at

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Speaker 1: some point, La, but Nashville is. It's a great chapter

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Speaker 1: in my book right now. Hollywood, Yeah, where he came

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Speaker 1: from Scuba. Steve before I hired him here as executive producer,

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Speaker 1: was producing Ryan Seacrest. What I mean, Well, I just wondered,

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Speaker 1: what what what? What? Why do you want to go

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Speaker 1: back to Hollywood? Why am I struggling? Well, my original

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Speaker 1: move there. When I first moved there, I was not

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Speaker 1: in radio for a moment. I worked for Doctor Phil.

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Speaker 1: So my my aspirations was to be in Hollywood to

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Speaker 1: produce TV shows and be a part of that. But

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Speaker 1: I'd like to go back there to work in that,

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Speaker 1: in that realm. So I think a lot of people

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Speaker 1: just went Doctor Phil. So you work for Doctor Phil. Yeah,

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Speaker 1: I was one of his, like PA's. I was kind

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Speaker 1: of working my way up his pool boy too, guest house,

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Speaker 1: great stuff dogs where I was cool. So you worked

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Speaker 1: as a production assistant for Doctor Phil? Correct? Yeah, did

387
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Speaker 1: you ever meet him a couple of times. Yeah, I

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Speaker 1: mean he's a nice guy. Wous here's a nice guy

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Speaker 1: and then diverts his eyes and the only medium a

390
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Speaker 1: couple of times, isn't crazy? How did that go? The

391
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Speaker 1: Doctor Phil? Like, what did you learn from that job?

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Speaker 1: Where did he get you? For me? It was so

393
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Speaker 1: it was on the Paramount lot, So that alone was surreal.

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Speaker 1: I got to drive my Honda Civic on the Paramount

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Speaker 1: lot and see all that. So I got to see

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Speaker 1: like a lot for the downtime, I got to see

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Speaker 1: other productions and just kind of see how they were

398
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Speaker 1: doing things um and learning how to write scripts and

399
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Speaker 1: how to book guests and all these kind of things.

400
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Speaker 1: So I learned a lot of tools that I took

401
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Speaker 1: and brought into radio as well. And then you went

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Speaker 1: from Doctor Phil to wear to Seacrest, God in Seacrest

403
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Speaker 1: to you There you go, he's moving on up. Here's

404
00:21:53,480 --> 00:21:55,399
Speaker 1: the thing the celebrities, and I think it's going the

405
00:21:55,440 --> 00:22:03,760
Speaker 1: wrong way. Yeah again, looks a little weirder. You're clambing down,

406
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Speaker 1: sir by the way. That's Scuba Steve, our executive producer

407
00:22:07,440 --> 00:22:11,640
Speaker 1: who sits on the glass room. You're Samy's pile of stories.

408
00:22:11,920 --> 00:22:14,040
Speaker 1: So experts are saying that one of the best ways

409
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Speaker 1: to let out your aggression is through punching bags or

410
00:22:16,840 --> 00:22:21,240
Speaker 1: just punching something, not someone, something before it gets to

411
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Speaker 1: the point, because if you bottle up your emotions too much,

412
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Speaker 1: it's too late. And this makes me think of mister Rogers.

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Speaker 1: And while he didn't punch things in that movie that

414
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Speaker 1: I watched with Tom Hanks, A Beautiful Day in the Neighborhood,

415
00:22:33,800 --> 00:22:36,720
Speaker 1: he shared that he would get out anger by slamming

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Speaker 1: the piano keys, like and like that was it. When

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Speaker 1: right when I read this, I was like, oh, look,

418
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Speaker 1: mister Rusher's way of doing it. It was not punching

419
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Speaker 1: but slaming keys. So maybe for you it's not punching.

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Speaker 1: But when you let your emotions build up, nothing good

421
00:22:52,640 --> 00:22:54,879
Speaker 1: comes of that. So find a way to talk about them,

422
00:22:55,040 --> 00:22:58,359
Speaker 1: find a way to release something. My one of my

423
00:22:58,760 --> 00:23:02,760
Speaker 1: therapists last year was saying something about maybe go outside

424
00:23:02,800 --> 00:23:05,520
Speaker 1: and throw ice cubes. I know that sounds weird, but

425
00:23:05,640 --> 00:23:08,119
Speaker 1: it's like something about the sensation of the ice and

426
00:23:08,200 --> 00:23:10,359
Speaker 1: then it's like you're throwing really nothing, but you just

427
00:23:10,440 --> 00:23:12,120
Speaker 1: throw them as hard as you can in your backyard.

428
00:23:12,680 --> 00:23:15,879
Speaker 1: And it can release something. I watch these clips on

429
00:23:15,960 --> 00:23:18,480
Speaker 1: the internet of these slap contests or these big guys

430
00:23:18,520 --> 00:23:20,720
Speaker 1: slap each other as hard as they can, and they're

431
00:23:20,760 --> 00:23:23,920
Speaker 1: like regulated contests, like they're on TV okay, and they're

432
00:23:24,000 --> 00:23:27,879
Speaker 1: big guys. It's like guys. You see an arm wrestling championship,

433
00:23:28,040 --> 00:23:31,159
Speaker 1: big big dudes and they just go bam. They smack

434
00:23:31,240 --> 00:23:33,160
Speaker 1: the other guy, and the other guy either goes down

435
00:23:33,359 --> 00:23:35,440
Speaker 1: or he stays up, and then it's his terms. It is.

436
00:23:35,680 --> 00:23:38,120
Speaker 1: They doing it till someone goes down. It's hard to watch,

437
00:23:38,440 --> 00:23:41,119
Speaker 1: but I can't stop watching it. I think this is

438
00:23:41,200 --> 00:23:45,080
Speaker 1: your pimble popper. Maybe there's something satisfying about watching it happen.

439
00:23:45,359 --> 00:23:48,680
Speaker 1: I will Oh what would you guys did slap contests? No,

440
00:23:49,680 --> 00:23:53,520
Speaker 1: I'll play with Eddie. I go first. No cash prize though,

441
00:23:53,680 --> 00:23:56,159
Speaker 1: no how much how much I see Eddie say no

442
00:23:56,359 --> 00:23:58,560
Speaker 1: until I mean, maybe we make it worth it. Everything

443
00:23:58,600 --> 00:24:01,919
Speaker 1: has a prize. Think about that. Maybe what else you got?

444
00:24:02,119 --> 00:24:05,360
Speaker 1: A Vermont home is hitting the market with a unique

445
00:24:05,680 --> 00:24:09,040
Speaker 1: little ad on The house has a jail in it,

446
00:24:09,480 --> 00:24:11,800
Speaker 1: and it really was a jail in the late sixties.

447
00:24:12,240 --> 00:24:16,440
Speaker 1: So you've got four bedrooms, couple bathrooms in the house

448
00:24:16,600 --> 00:24:18,600
Speaker 1: and then a jail portion. I was looking at the

449
00:24:19,359 --> 00:24:21,440
Speaker 1: real estate the website where you can buy it, Yeah,

450
00:24:21,520 --> 00:24:23,919
Speaker 1: and it looks like a normal house. Click click picture seventeen.

451
00:24:23,960 --> 00:24:27,480
Speaker 1: You're like, whoop, there's a jail. Yeah, it's terry looking.

452
00:24:27,600 --> 00:24:31,200
Speaker 1: The agent is asking one hundred and forty nine thousand dollars.

453
00:24:31,680 --> 00:24:35,720
Speaker 1: But my concern here is in the listing it says

454
00:24:35,960 --> 00:24:38,439
Speaker 1: bring your own ideas on what this twenty eight by

455
00:24:38,520 --> 00:24:41,520
Speaker 1: forty wing could be the prison wing, And I'm thinking,

456
00:24:41,560 --> 00:24:44,159
Speaker 1: we need to watch out who buys this because they

457
00:24:44,280 --> 00:24:46,400
Speaker 1: might be like, oh sweet, already a built in place

458
00:24:46,480 --> 00:24:50,720
Speaker 1: to keep my people or whoever you know your kidnap. Yeah,

459
00:24:51,240 --> 00:24:53,200
Speaker 1: so it just keep an eye on who buys it.

460
00:24:53,400 --> 00:24:56,560
Speaker 1: And then lastly, I never knew Luke Holme's audition for

461
00:24:56,640 --> 00:24:59,520
Speaker 1: The Voice, did you. I mean, most people that are

462
00:24:59,600 --> 00:25:01,680
Speaker 1: artists audition for one of the shows, either The Voice

463
00:25:01,720 --> 00:25:03,800
Speaker 1: of American Idol. At some point, well, Blake Shelton was

464
00:25:03,840 --> 00:25:06,119
Speaker 1: asked about an interview and he was like, yep, this

465
00:25:06,280 --> 00:25:08,520
Speaker 1: is just straight up embarrassing. He auditioned, he made it

466
00:25:08,560 --> 00:25:11,480
Speaker 1: a couple of rounds, but never to the full show part.

467
00:25:12,000 --> 00:25:14,480
Speaker 1: But I like the way Luke handled it too. He said,

468
00:25:14,960 --> 00:25:17,440
Speaker 1: you know, I got a letter saying basically I was rejected,

469
00:25:17,560 --> 00:25:19,200
Speaker 1: But for me it gave me a lot of confidence

470
00:25:19,200 --> 00:25:21,480
Speaker 1: because I was good enough to make it through a

471
00:25:21,600 --> 00:25:24,919
Speaker 1: couple of producer auditions. And he used that, even though

472
00:25:24,960 --> 00:25:26,800
Speaker 1: he didn't make it all the way, to fuel him

473
00:25:26,920 --> 00:25:29,120
Speaker 1: to believe in himself. Well, Morgan Wallat made it, made

474
00:25:29,119 --> 00:25:31,160
Speaker 1: it to like the Top twelve or something on The Boy.

475
00:25:31,200 --> 00:25:33,400
Speaker 1: I mean, yeah, The Voice doesn't really have any winners

476
00:25:33,440 --> 00:25:35,359
Speaker 1: that end up being big stars because that show is

477
00:25:35,400 --> 00:25:37,600
Speaker 1: about the judges and can you imagine all the talent

478
00:25:37,680 --> 00:25:39,959
Speaker 1: that goes through there. That doesn't make it both shows, right,

479
00:25:40,000 --> 00:25:41,960
Speaker 1: It's just about what the producers are looking for or

480
00:25:42,000 --> 00:25:43,560
Speaker 1: if they're having a good day. It's like a judge

481
00:25:43,560 --> 00:25:45,679
Speaker 1: in a case. You will judge be having a good

482
00:25:45,760 --> 00:25:47,680
Speaker 1: day because they'll be a little lighter on you. You know,

483
00:25:47,760 --> 00:25:51,200
Speaker 1: you never know what's happening with that the producers. All right, Amy,

484
00:25:51,280 --> 00:25:53,760
Speaker 1: is that it? Yep? But maybe that's my piblem. That

485
00:25:54,200 --> 00:25:58,960
Speaker 1: was Amy's pile of stories. It's time for the good news.

486
00:25:59,200 --> 00:26:05,960
Speaker 1: Like Bobby, this dad was arrested for breaking a bunch

487
00:26:06,000 --> 00:26:09,879
Speaker 1: of traffic laws, for speeding, for running stop signs for

488
00:26:09,960 --> 00:26:12,440
Speaker 1: all these things, and nobody got hurt. But he was

489
00:26:12,480 --> 00:26:14,239
Speaker 1: doing it because he was rushing his one year old

490
00:26:14,320 --> 00:26:16,760
Speaker 1: daughter to the hospital. She was choking out a penny.

491
00:26:17,200 --> 00:26:18,600
Speaker 1: He was trying to get there in a hurry. He

492
00:26:18,720 --> 00:26:21,639
Speaker 1: also did not have a valid driver's license, so what

493
00:26:21,760 --> 00:26:24,879
Speaker 1: he does he speeds there, nobody gets hurt, takes the

494
00:26:24,960 --> 00:26:26,920
Speaker 1: baby in. She ends up being Okay, they got the

495
00:26:26,960 --> 00:26:29,239
Speaker 1: penny out of her throat, and here you go. Here

496
00:26:29,440 --> 00:26:32,840
Speaker 1: the good news comes in. The nurses bonded him out. Oh,

497
00:26:33,680 --> 00:26:37,320
Speaker 1: they got the money together, and he pulled into the hospital.

498
00:26:37,560 --> 00:26:40,120
Speaker 1: He was taken into custody because cops are right behind him,

499
00:26:40,400 --> 00:26:43,440
Speaker 1: and the nurses took the money, put them all together

500
00:26:43,480 --> 00:26:46,119
Speaker 1: and bonded him out of jail. Wow, come on, and

501
00:26:46,200 --> 00:26:48,240
Speaker 1: nobody got hurt. Like I don't like you running lines

502
00:26:48,280 --> 00:26:51,320
Speaker 1: and stuff because I don't want but if your kid's choking, yeah,

503
00:26:52,520 --> 00:26:54,840
Speaker 1: like it's go time. Yeah, you gotta go. And then

504
00:26:54,880 --> 00:26:56,440
Speaker 1: the nurses said, oh, if he didn't have any money,

505
00:26:56,440 --> 00:26:59,040
Speaker 1: we'll get him out. Love that story right there, that's

506
00:26:59,080 --> 00:27:02,040
Speaker 1: what it's all about. That was tell me something good.

507
00:27:03,800 --> 00:27:07,200
Speaker 1: It is now time for the morning Corny. Once a

508
00:27:07,240 --> 00:27:10,919
Speaker 1: week we try to figure out Amy's corny joke. Ninety

509
00:27:11,000 --> 00:27:14,000
Speaker 1: seconds will be on the clock, Amy, are you ready ready?

510
00:27:14,400 --> 00:27:21,560
Speaker 1: Let's go morning corny. What do you get if you

511
00:27:21,720 --> 00:27:26,080
Speaker 1: cross Santa with a detective? What do you get when

512
00:27:26,119 --> 00:27:33,400
Speaker 1: you crossed Santa with a detective? Santa? Cop? Ho ho ho? Well,

513
00:27:33,560 --> 00:27:38,760
Speaker 1: they call a detective a dick? So what's what's the joke?

514
00:27:39,000 --> 00:27:41,920
Speaker 1: Not my morning, corny? Okay, this isn't after dark? Well

515
00:27:41,960 --> 00:27:44,600
Speaker 1: they do say that's what a detective is called. Okay,

516
00:27:45,320 --> 00:27:50,959
Speaker 1: under sanon say it again. What do you get when

517
00:27:51,000 --> 00:27:59,080
Speaker 1: you cross Santa with a detective? Chris cring bool Santa

518
00:27:59,200 --> 00:28:04,600
Speaker 1: with a detective? Of stick him up the nightmare? No, Santa,

519
00:28:04,760 --> 00:28:08,920
Speaker 1: slum and stuff him? Oh, go to cop terms Yeah,

520
00:28:08,960 --> 00:28:11,560
Speaker 1: I'm trying to think of chance wagon. Get in the back.

521
00:28:13,240 --> 00:28:20,200
Speaker 1: You're under arrest, you're under the rest. I don't understand, reindeer.

522
00:28:20,400 --> 00:28:27,200
Speaker 1: What does the detective do? Crime? Santa? Crime? Solve Santa? Santa? Investigator? Man,

523
00:28:28,840 --> 00:28:31,000
Speaker 1: what's the joke again? What do you get when you

524
00:28:31,080 --> 00:28:35,879
Speaker 1: crossed Santa with a detective? You wus a famous detective shaft?

525
00:28:36,640 --> 00:28:43,520
Speaker 1: I'm giving sat cheft Santa, inspector, gadget, oh, inspector, what

526
00:28:43,640 --> 00:28:49,240
Speaker 1: are detectives us. I'm sangnifying glass. You shouldn't be Okay,

527
00:28:49,280 --> 00:28:53,840
Speaker 1: I'll shut up. Sherlock Holmes a detective. Sure, Santa Lock,

528
00:28:55,480 --> 00:29:02,520
Speaker 1: we're struggling here, all right? What is it, morning corn?

529
00:29:02,920 --> 00:29:05,440
Speaker 1: What do you get when you cross Santa with the detective?

530
00:29:05,760 --> 00:29:14,040
Speaker 1: What Santa clues? That's pretty fun. We were nowhere. We

531
00:29:14,160 --> 00:29:15,560
Speaker 1: were never gonna get that. We could have been here

532
00:29:15,600 --> 00:29:16,640
Speaker 1: to the end of the show. We were not going

533
00:29:16,680 --> 00:29:18,720
Speaker 1: to get that. I'm sorry for everybody had to hear that.

534
00:29:20,080 --> 00:29:23,880
Speaker 1: Six and ten Americans see gift giving as a competition. Yeah,

535
00:29:24,280 --> 00:29:26,320
Speaker 1: so more than half going all right, we're gonna give

536
00:29:26,360 --> 00:29:29,800
Speaker 1: gifts on a beat you at the gift exchange. So

537
00:29:30,120 --> 00:29:31,920
Speaker 1: six out of ten and mitt Yep, they're trying to

538
00:29:32,000 --> 00:29:35,680
Speaker 1: out gift their circle of loved ones set they have

539
00:29:35,720 --> 00:29:39,360
Speaker 1: two thousand Americans revealed. Sibling rivalries never seemed to disappear.

540
00:29:40,320 --> 00:29:41,920
Speaker 1: Some people want to win the whole We have the

541
00:29:42,000 --> 00:29:44,360
Speaker 1: best gift, period to give. Would you rather give the

542
00:29:44,440 --> 00:29:47,160
Speaker 1: best gift or get the best gift? Give it, give it,

543
00:29:47,840 --> 00:29:54,800
Speaker 1: get it, give it? Are all or not? I would

544
00:29:54,880 --> 00:29:57,960
Speaker 1: rather give it. Okay, then everybody give me presents and

545
00:29:57,960 --> 00:30:00,360
Speaker 1: I won't give you anything and see how happy you are. Great.

546
00:30:01,280 --> 00:30:05,040
Speaker 1: But I'm going to give the best one of everyone here. Yeah,

547
00:30:06,200 --> 00:30:08,680
Speaker 1: see what I'm saying, Like, no one's gonna subo. You

548
00:30:08,840 --> 00:30:10,320
Speaker 1: never want to give somebody a great gift who is

549
00:30:10,360 --> 00:30:13,240
Speaker 1: an appreciative of it. I would appreciate it. People are

550
00:30:13,280 --> 00:30:17,560
Speaker 1: still making a competitive sport. I I like giving great gifts.

551
00:30:17,600 --> 00:30:20,440
Speaker 1: I don't feel like I compete, but I do like

552
00:30:20,560 --> 00:30:22,360
Speaker 1: giving great gifts. No, not on the show. On the show,

553
00:30:22,400 --> 00:30:26,440
Speaker 1: we're playing a game in life. Yeah, I like giving

554
00:30:26,520 --> 00:30:28,880
Speaker 1: great gifts, and I think I guess some pretty good one.

555
00:30:28,880 --> 00:30:30,200
Speaker 1: You know. I've had to buy gifts for other and

556
00:30:30,200 --> 00:30:31,640
Speaker 1: I had to got some other for other people in

557
00:30:31,720 --> 00:30:33,880
Speaker 1: my life before Christmas. I'm pretty proud of them. I'm

558
00:30:34,040 --> 00:30:37,040
Speaker 1: i get excited to give them. I'm gonna be very

559
00:30:37,120 --> 00:30:40,160
Speaker 1: vulnerable with you guys here. I'm gonna share something that

560
00:30:40,360 --> 00:30:42,720
Speaker 1: I know could get me made fun of. Oh boy,

561
00:30:42,840 --> 00:30:47,120
Speaker 1: this is good. But I have found real security in

562
00:30:47,320 --> 00:30:51,080
Speaker 1: being the little spoon in my relationship. Oh god, what

563
00:30:51,200 --> 00:30:55,960
Speaker 1: are you doing? This little spoon? So I don't know

564
00:30:56,200 --> 00:31:00,360
Speaker 1: why I'm big spooned enough this guy to go back

565
00:31:00,400 --> 00:31:04,480
Speaker 1: to childhood again. But right I've now started to realize

566
00:31:04,960 --> 00:31:07,880
Speaker 1: that I fall asleep so much better when I'm the

567
00:31:07,960 --> 00:31:12,560
Speaker 1: little spoon. This is deeper than we think. Maybe laughing

568
00:31:12,600 --> 00:31:14,360
Speaker 1: his butt off in there, you don't think that's good.

569
00:31:14,680 --> 00:31:17,040
Speaker 1: I just can't imagine a woman being the big spoon

570
00:31:17,080 --> 00:31:19,040
Speaker 1: and you're the little spoon. You're taller than her, you're

571
00:31:19,040 --> 00:31:21,960
Speaker 1: bigger than her. I know it's a weird formation, but

572
00:31:22,080 --> 00:31:25,520
Speaker 1: that doesn't mean I can't get feet a lee because

573
00:31:25,560 --> 00:31:28,240
Speaker 1: that's what happens. I kind of get into a little

574
00:31:28,280 --> 00:31:31,360
Speaker 1: ball and she will and then put her arm over

575
00:31:31,480 --> 00:31:33,560
Speaker 1: me because what I'll say, I'm being very vulnerable with

576
00:31:33,600 --> 00:31:36,480
Speaker 1: you guys here. Huh. I'll say, hey, will you hug me?

577
00:31:36,960 --> 00:31:40,800
Speaker 1: And wait, wait, wait? What does she say she knows

578
00:31:40,840 --> 00:31:43,000
Speaker 1: it now? Is she cool about her or she just

579
00:31:43,120 --> 00:31:45,640
Speaker 1: kind of like, whatever you need, I'll do whatever. Well

580
00:31:45,800 --> 00:31:47,440
Speaker 1: both that. You know, the other night I just could

581
00:31:47,520 --> 00:31:49,960
Speaker 1: not sleep. I had a lot on my mind, personal stuff,

582
00:31:50,040 --> 00:31:53,680
Speaker 1: professional stuff. And I was like oh, and she was like, okay,

583
00:31:53,800 --> 00:31:59,840
Speaker 1: turn over. So I turned over to become the little spoon.

584
00:32:00,440 --> 00:32:03,000
Speaker 1: And she says, within three to five minutes, I fell asleep,

585
00:32:03,120 --> 00:32:05,400
Speaker 1: and it hadn't been able to fall asleep forever. Your

586
00:32:05,440 --> 00:32:09,600
Speaker 1: thumb too, Yeah, exactly. I didn't, but I just wonder

587
00:32:09,840 --> 00:32:13,200
Speaker 1: and we'll go around the room here, Raymond, I'll start

588
00:32:13,240 --> 00:32:15,840
Speaker 1: with you me being a little spoon. What do you think?

589
00:32:16,600 --> 00:32:19,520
Speaker 1: I mean, I guess if you fell asleep, congrats. Most

590
00:32:19,600 --> 00:32:21,960
Speaker 1: guys aren't comfortable saying they'll be a little spoon. I

591
00:32:22,040 --> 00:32:23,840
Speaker 1: don't know if any of my friends who've ever been

592
00:32:23,920 --> 00:32:25,840
Speaker 1: little spoon. That's very I mean, it's just not a

593
00:32:25,960 --> 00:32:28,960
Speaker 1: guy type thing. It usually an animal's little spoon or

594
00:32:29,040 --> 00:32:33,120
Speaker 1: a kid. It's never the guy. But isn't that some

595
00:32:33,280 --> 00:32:39,760
Speaker 1: sort of stigma we should break? No, Eddie, look, man,

596
00:32:39,920 --> 00:32:42,880
Speaker 1: I mean, I really think this is something that has

597
00:32:43,000 --> 00:32:46,480
Speaker 1: to be psychological for your childhood, because it's definitely not

598
00:32:46,680 --> 00:32:49,600
Speaker 1: normal as a grown man for a grown man to

599
00:32:49,760 --> 00:32:51,840
Speaker 1: be little spoon. Why can't a grown man want to

600
00:32:51,840 --> 00:32:54,360
Speaker 1: be love gona be little spoon? Hey? You do you though?

601
00:32:54,440 --> 00:32:56,720
Speaker 1: It's okay. I'm not gonna judge you Morgan as a

602
00:32:56,840 --> 00:32:59,000
Speaker 1: woman if you were with the guy and he wanted

603
00:32:59,000 --> 00:33:01,920
Speaker 1: to be a little spoon. I don't even want to

604
00:33:01,960 --> 00:33:08,320
Speaker 1: answer this. I mean, look, I would say, like every

605
00:33:08,400 --> 00:33:11,760
Speaker 1: so often, I totally understand her supporting you and what

606
00:33:11,960 --> 00:33:15,080
Speaker 1: you need in that, But no, I don't think I

607
00:33:15,120 --> 00:33:17,120
Speaker 1: would like that if a guy wanted me to always

608
00:33:17,480 --> 00:33:21,040
Speaker 1: be the biggest spoon. I didn't say always most of that,

609
00:33:21,280 --> 00:33:23,080
Speaker 1: but there's a good enough amount of times where I'm

610
00:33:23,080 --> 00:33:25,440
Speaker 1: just like, you hug me, and that made roll over

611
00:33:25,800 --> 00:33:27,520
Speaker 1: and then she puts her arm over me and becomes

612
00:33:27,560 --> 00:33:31,880
Speaker 1: big spoon. Can she fall asleep like that? Yeah, she's

613
00:33:31,920 --> 00:33:34,440
Speaker 1: probably right behind you, going like what is happening right now?

614
00:33:34,520 --> 00:33:37,680
Speaker 1: This is so awkward? But whatever, latch box, it's embarrassing.

615
00:33:38,000 --> 00:33:40,440
Speaker 1: Eddie's right as she's laying there going, she goes. She's

616
00:33:40,480 --> 00:33:43,040
Speaker 1: sitting there going, this is so weird and awkward and like,

617
00:33:43,320 --> 00:33:45,440
Speaker 1: what is he doing? Like I wanted a man to

618
00:33:45,520 --> 00:33:47,560
Speaker 1: protect me. I don't want to protect my man. I

619
00:33:47,680 --> 00:33:50,200
Speaker 1: do all of that. It's not protection. Oh that No,

620
00:33:50,560 --> 00:33:53,160
Speaker 1: that's that's mama bear getting her a little cub and

621
00:33:53,280 --> 00:33:55,520
Speaker 1: making sure you can go to sleep ninety night. That's

622
00:33:55,520 --> 00:33:58,200
Speaker 1: what you do. You're supposed to show dominance and you know, hey,

623
00:33:58,640 --> 00:34:01,240
Speaker 1: I got you girl, and hold her. You're safe, go

624
00:34:01,320 --> 00:34:03,160
Speaker 1: to sleep now. And she's like, oh, come here, my

625
00:34:03,240 --> 00:34:07,880
Speaker 1: little puppy. It's embarrassing. There is no dominance. Scooba, Steve,

626
00:34:07,880 --> 00:34:09,120
Speaker 1: do you have something you want to say our producer.

627
00:34:09,120 --> 00:34:10,520
Speaker 1: Everybody's trying to get in there two cents, and I

628
00:34:10,640 --> 00:34:12,120
Speaker 1: was just saying that I'm one hundred percent with you.

629
00:34:12,280 --> 00:34:14,840
Speaker 1: I grew up in a kind of a broken household,

630
00:34:15,120 --> 00:34:16,920
Speaker 1: and so for me, I didn't really get hugged a lot,

631
00:34:17,080 --> 00:34:19,200
Speaker 1: and I never got hugged my entire life up until

632
00:34:19,200 --> 00:34:21,640
Speaker 1: I met my wife. And so for me, I kind

633
00:34:21,640 --> 00:34:23,279
Speaker 1: of relate to you, and I feel like I have

634
00:34:23,520 --> 00:34:26,040
Speaker 1: a lot of anxiety. And when I get that spoon

635
00:34:26,120 --> 00:34:28,359
Speaker 1: for my wife, which is not very often, Hey, it's

636
00:34:28,400 --> 00:34:30,520
Speaker 1: okay to say it's all the time. I would say

637
00:34:30,560 --> 00:34:32,359
Speaker 1: at least once a month, I need to be held.

638
00:34:32,680 --> 00:34:34,960
Speaker 1: And I'm a bigger guy, and when my wife holds me,

639
00:34:35,080 --> 00:34:37,840
Speaker 1: it just I feel at peace, I feel comforted, and

640
00:34:37,960 --> 00:34:39,920
Speaker 1: like you, I'm asleep in minutes, and it's just the

641
00:34:40,040 --> 00:34:42,080
Speaker 1: best feeling in the world. I was not hugged as

642
00:34:42,080 --> 00:34:45,879
Speaker 1: a kid almost ever, never had picked up hug nothing. Yeah,

643
00:34:46,200 --> 00:34:48,120
Speaker 1: and maybe that's what it is. I just haven't talked

644
00:34:48,120 --> 00:34:49,680
Speaker 1: to a therapist about it. But I got no affection.

645
00:34:49,680 --> 00:34:51,360
Speaker 1: I was not told that I was loved. I was

646
00:34:51,440 --> 00:34:54,200
Speaker 1: not loved. Yeah, I get it. So Scoob and I

647
00:34:54,239 --> 00:34:57,319
Speaker 1: started crying. I want to hug both of you guys,

648
00:34:57,880 --> 00:34:59,319
Speaker 1: not listen to any but I feel like you should

649
00:34:59,320 --> 00:35:01,239
Speaker 1: continue to do this. But I think it's totally fine.

650
00:35:01,360 --> 00:35:04,840
Speaker 1: But maybe that's it. Yeah, okay, so we have four votes.

651
00:35:05,080 --> 00:35:09,719
Speaker 1: I'm a loser for being absolutely and we have one

652
00:35:09,800 --> 00:35:12,360
Speaker 1: vote Scuba Steve, who says it's okay, yes, do it

653
00:35:13,040 --> 00:35:14,920
Speaker 1: all right? Is that why you always want to be

654
00:35:15,040 --> 00:35:17,520
Speaker 1: little spoon when you hang out with me? Well, you're

655
00:35:17,960 --> 00:35:21,680
Speaker 1: you're pretty tall, I'm bigger. It feels more natural that way.

656
00:35:23,239 --> 00:35:25,480
Speaker 1: You can write your answer on Facebook if you want. Oh,

657
00:35:25,880 --> 00:35:28,560
Speaker 1: it's not gonna go over. There is not gonna go

658
00:35:28,680 --> 00:35:34,080
Speaker 1: good Amy mentioned that in one of her friends wedding

659
00:35:34,200 --> 00:35:38,120
Speaker 1: registries you could donate and they took that money and

660
00:35:38,239 --> 00:35:40,799
Speaker 1: hired a night nurse once or twice a week. Baby

661
00:35:40,840 --> 00:35:43,719
Speaker 1: shower registry, not wedding, he said, wedding. That would be

662
00:35:43,800 --> 00:35:47,319
Speaker 1: really weird. I don't know the difference in these things. Okay,

663
00:35:47,360 --> 00:35:49,439
Speaker 1: So that's when you're pregnant, you're gonna have a baby

664
00:35:49,480 --> 00:35:51,279
Speaker 1: shower and you put a bunch of gift ideas up

665
00:35:51,280 --> 00:35:53,680
Speaker 1: and people get to choose, and yes, they had night

666
00:35:53,760 --> 00:35:55,400
Speaker 1: nurse is an option, not for you to pay for

667
00:35:55,480 --> 00:35:57,800
Speaker 1: the whole thing, but you could donate twenty five fifty

668
00:35:57,840 --> 00:36:00,759
Speaker 1: bucks towards it, and then they would have funds to

669
00:36:01,000 --> 00:36:03,160
Speaker 1: tap into if they needed to hire help. Well, then

670
00:36:03,719 --> 00:36:05,279
Speaker 1: I go to a night nurse, does all that I

671
00:36:05,320 --> 00:36:08,440
Speaker 1: should have one for me? Yeah, got a little chuckle.

672
00:36:08,920 --> 00:36:10,799
Speaker 1: Then Lunchbox took it to the next level. He called

673
00:36:10,840 --> 00:36:12,080
Speaker 1: a night nurse to see what it would be like

674
00:36:12,160 --> 00:36:16,239
Speaker 1: to actually hire one for an adult man. So there

675
00:36:16,360 --> 00:36:19,120
Speaker 1: was a talk about this and the benefits of having one.

676
00:36:20,120 --> 00:36:22,400
Speaker 1: So here you go, Lunchbox is calling to see if

677
00:36:22,400 --> 00:36:24,520
Speaker 1: she would take care of him. By the way, Lunchboxes

678
00:36:24,560 --> 00:36:27,080
Speaker 1: four hundred and seventy three months old. Hey, you're wondering

679
00:36:27,080 --> 00:36:28,960
Speaker 1: howld the baby is because when you talk baby talk,

680
00:36:28,960 --> 00:36:31,640
Speaker 1: you always say how old are six months? Twelve months,

681
00:36:31,760 --> 00:36:36,279
Speaker 1: thirteen months? So here you go. Hello, Oh, yes, ma'am,

682
00:36:36,320 --> 00:36:39,520
Speaker 1: I'm just calling to get some information on a night nanny. Okay,

683
00:36:39,560 --> 00:36:42,719
Speaker 1: it's the baby here yet, sir? Oh yeah, he's here,

684
00:36:42,920 --> 00:36:46,360
Speaker 1: And just sometimes at night he's really really fussy and crying,

685
00:36:46,600 --> 00:36:48,719
Speaker 1: and I just what I'm gonna do is I'm going

686
00:36:48,760 --> 00:36:50,680
Speaker 1: to take your name in phone number. I'm gonna pass

687
00:36:50,719 --> 00:36:53,200
Speaker 1: the info to a gentleman name, and he's going to

688
00:36:53,280 --> 00:36:55,360
Speaker 1: be able to help you out, like I was hoping,

689
00:36:55,440 --> 00:36:57,640
Speaker 1: like you can like rub his head that that seems

690
00:36:57,680 --> 00:36:59,920
Speaker 1: to make him calm down. Like, well, he'll tell you

691
00:37:00,160 --> 00:37:02,680
Speaker 1: about the nurses. So let me pick and like I

692
00:37:03,120 --> 00:37:04,960
Speaker 1: like it. I like it when you tickle me, Like

693
00:37:05,200 --> 00:37:06,920
Speaker 1: it really, you know, puts me in a good mood

694
00:37:06,920 --> 00:37:10,920
Speaker 1: and I fall asleep after that. What yeah, Like you know,

695
00:37:11,040 --> 00:37:12,840
Speaker 1: like when you're kind of upset and you tickle and

696
00:37:12,880 --> 00:37:16,719
Speaker 1: then it kind of calms calms me dows. Okay, So

697
00:37:16,960 --> 00:37:19,800
Speaker 1: so what what's your name? Yeah, and my name is

698
00:37:19,880 --> 00:37:22,400
Speaker 1: Jason Gibble. Do you also help them go peep in

699
00:37:22,480 --> 00:37:26,440
Speaker 1: the potty? No, that's different. We're talking about babies. How

700
00:37:26,520 --> 00:37:29,560
Speaker 1: old is the child? Four hundred and seventy three months old?

701
00:37:30,200 --> 00:37:33,560
Speaker 1: How old? Four hundred and seventy three months that's a

702
00:37:33,680 --> 00:37:36,080
Speaker 1: bit so like thirty nine and a half years old?

703
00:37:36,160 --> 00:37:40,040
Speaker 1: Is how old? I am? Not? Well? Yeah, I mean

704
00:37:40,160 --> 00:37:41,920
Speaker 1: I just like to be held and cuddled, you know,

705
00:37:42,040 --> 00:37:49,000
Speaker 1: sometimes I have nightmares. Hang out you want anything to

706
00:37:49,040 --> 00:37:53,880
Speaker 1: do with that? That's funny? Huh? Christine and Massachusetts, you

707
00:37:53,960 --> 00:37:57,200
Speaker 1: are on the Bobby Bone Show. High Christine, Hi, good morning,

708
00:37:57,239 --> 00:38:00,480
Speaker 1: Bobby and everybody morning morning. I absolutely I am a

709
00:38:00,600 --> 00:38:04,080
Speaker 1: night nurse, and I think it's a great idea. If

710
00:38:04,160 --> 00:38:06,200
Speaker 1: people can afford it, it's a great idea. And they've

711
00:38:06,200 --> 00:38:09,080
Speaker 1: done studies that people that have extra help at night,

712
00:38:09,160 --> 00:38:13,399
Speaker 1: it helps the mom avoid postpartum depression. She needs less

713
00:38:13,480 --> 00:38:17,600
Speaker 1: pain relief and sleep is very therapeutic. So I've helped

714
00:38:17,640 --> 00:38:19,880
Speaker 1: plenty of families kind of get over that bridge of

715
00:38:19,920 --> 00:38:22,759
Speaker 1: the first month or two and it's really beneficial and

716
00:38:22,880 --> 00:38:25,600
Speaker 1: it helps the bonding during the day because mom is

717
00:38:25,640 --> 00:38:29,640
Speaker 1: not tired. Yeah. The debate isn't is it beneficial? It's

718
00:38:30,200 --> 00:38:34,040
Speaker 1: it's an expense. It's a crazy expense, right, I mean, yeah,

719
00:38:34,200 --> 00:38:37,000
Speaker 1: most most people can America don't do that. But like

720
00:38:37,200 --> 00:38:39,640
Speaker 1: my friend did, it's not an expense they could afford.

721
00:38:39,719 --> 00:38:40,880
Speaker 1: But they were like, you know what, we want to

722
00:38:40,920 --> 00:38:43,600
Speaker 1: bypass other gifts and donate towards this, And I thought

723
00:38:43,640 --> 00:38:46,759
Speaker 1: it was genius. So it's just an idea and it

724
00:38:46,840 --> 00:38:48,960
Speaker 1: doesn't have to be I don't know if some night

725
00:38:49,040 --> 00:38:53,720
Speaker 1: nurses probably work every night. How much you cost, well,

726
00:38:53,960 --> 00:38:57,719
Speaker 1: it doesn't m We do a sliding scale too. I'm

727
00:38:57,760 --> 00:39:02,160
Speaker 1: an average of forty or forty five an hour. Overnight? Yeah,

728
00:39:02,480 --> 00:39:06,800
Speaker 1: well overnight it's more expensive anyways, because even for everybody

729
00:39:06,840 --> 00:39:12,360
Speaker 1: I'll do it with thirty, I start undercutting her. It

730
00:39:12,520 --> 00:39:16,480
Speaker 1: also depends, Um, some nannies are not nurses. I'm a nurse,

731
00:39:16,640 --> 00:39:19,960
Speaker 1: but some are left if they're not a nurse. Right,

732
00:39:20,040 --> 00:39:23,399
Speaker 1: so you're different. Qualify forty five dollars an hour? Wow? Wow?

733
00:39:23,520 --> 00:39:27,680
Speaker 1: And how many hours will you work overnight? Usually? Well? Usually, um,

734
00:39:27,880 --> 00:39:30,040
Speaker 1: the family likes you to come in around ten o'clock

735
00:39:30,080 --> 00:39:32,400
Speaker 1: at night and then stay till six in the morning.

736
00:39:32,680 --> 00:39:37,200
Speaker 1: What age did you become a millionaire? Yeah, well it

737
00:39:37,360 --> 00:39:39,920
Speaker 1: hasn't happened yet, but most people only do it at

738
00:39:40,120 --> 00:39:45,879
Speaker 1: like two nights a week. It's expensive, man, and maybe

739
00:39:46,239 --> 00:39:49,200
Speaker 1: just in the beginning. It's not forever. Why not exactly?

740
00:39:49,600 --> 00:39:52,160
Speaker 1: Some people do a month, some people do two months.

741
00:39:52,239 --> 00:39:56,200
Speaker 1: Here's my venmo. No, listen. Definitely, it's definitely worth it

742
00:39:56,280 --> 00:39:58,040
Speaker 1: in the morning, when you have gotten a full eight

743
00:39:58,080 --> 00:40:00,640
Speaker 1: hours of sleep. I think people would pay anything. I'm

744
00:40:00,719 --> 00:40:04,360
Speaker 1: sure it's worth it if you can afford it, right exactly,

745
00:40:04,400 --> 00:40:07,920
Speaker 1: if you can't ask your friends for it, right exactly.

746
00:40:08,400 --> 00:40:11,000
Speaker 1: Some people register for honeymoon money. You know, it's kind

747
00:40:11,000 --> 00:40:13,120
Speaker 1: of a sting so the registry is a great idea.

748
00:40:13,200 --> 00:40:15,000
Speaker 1: Can I ask you a question, honest question, Christine. You

749
00:40:15,040 --> 00:40:17,960
Speaker 1: ever meet a baby and you just don't like that baby? Oh?

750
00:40:18,040 --> 00:40:20,040
Speaker 1: Of course, you're just like, this is like I'm going

751
00:40:20,080 --> 00:40:21,359
Speaker 1: to do my job and take care of this baby

752
00:40:21,400 --> 00:40:25,120
Speaker 1: to the to the absolute fullest cone. But I don't

753
00:40:25,200 --> 00:40:28,400
Speaker 1: like this baby, right, And you don't have to like everyone.

754
00:40:28,440 --> 00:40:30,200
Speaker 1: But it's a job and you do the best your

755
00:40:30,360 --> 00:40:33,719
Speaker 1: ability because you know they're baby. But still, are there

756
00:40:33,840 --> 00:40:35,959
Speaker 1: some babies that you really like? And you're like, I'd

757
00:40:35,960 --> 00:40:38,560
Speaker 1: like to take this one home from me. Oh yes,

758
00:40:38,640 --> 00:40:42,319
Speaker 1: but I for my own, so I don't need six

759
00:40:42,400 --> 00:40:44,480
Speaker 1: of your own. How do you do six year own

760
00:40:44,560 --> 00:40:46,040
Speaker 1: and go take care of other people's babies in the

761
00:40:46,040 --> 00:40:48,080
Speaker 1: middle of night. They has a night nanny, She has sight,

762
00:40:48,920 --> 00:40:52,080
Speaker 1: she affords them with her high salary. Sorry, go ahead, Christine.

763
00:40:53,080 --> 00:40:55,600
Speaker 1: Mine are all older now, their college, so I don't

764
00:40:55,680 --> 00:40:57,880
Speaker 1: have any funny home at night. But when when I

765
00:40:57,960 --> 00:40:59,880
Speaker 1: was they were younger, I didn't do you overnight. But

766
00:41:00,800 --> 00:41:03,000
Speaker 1: you have college to make some money. You have sound.

767
00:41:03,080 --> 00:41:07,000
Speaker 1: You have quite the young voice there, Christine. Oh thanks,

768
00:41:07,400 --> 00:41:13,120
Speaker 1: I'm old. No, I have fun, but five in college

769
00:41:13,160 --> 00:41:15,560
Speaker 1: and one heading that way. So all right, Christine, have

770
00:41:15,600 --> 00:41:24,040
Speaker 1: a good day. It's time for the good news. So

771
00:41:24,239 --> 00:41:27,439
Speaker 1: shout out to this teenager named Cole. He was born

772
00:41:27,560 --> 00:41:30,200
Speaker 1: with cystic fibrosis, so he's been in out of the

773
00:41:30,280 --> 00:41:33,000
Speaker 1: hospital and most recently he had to go in for

774
00:41:33,120 --> 00:41:34,840
Speaker 1: some treatment that kept in there for a while, and

775
00:41:35,280 --> 00:41:37,520
Speaker 1: on his last day, he wanted to do something special

776
00:41:37,960 --> 00:41:40,680
Speaker 1: to thank the nurses and staff are taking good care

777
00:41:40,719 --> 00:41:42,480
Speaker 1: of him, and that's when the idea for a pizza

778
00:41:42,520 --> 00:41:44,040
Speaker 1: party popped in his head. But I mean, he's a

779
00:41:44,120 --> 00:41:46,200
Speaker 1: kid in the hospital. I don't have money for that.

780
00:41:46,719 --> 00:41:50,000
Speaker 1: So he got some paint and wrote a message on

781
00:41:50,080 --> 00:41:52,480
Speaker 1: the upper floor window of the hospital that said all

782
00:41:52,600 --> 00:41:57,280
Speaker 1: caps send pizza to eight South, Room fourteen. And it worked,

783
00:41:57,640 --> 00:42:01,560
Speaker 1: like eighteen pizzas showed up up, sent by strangers who

784
00:42:01,640 --> 00:42:03,800
Speaker 1: saw his side, and he was able to throw a

785
00:42:03,840 --> 00:42:08,319
Speaker 1: pizza party for the staff. Yeah, that's really cool. Shout

786
00:42:08,320 --> 00:42:10,200
Speaker 1: out to those people who did that too. That's so cool.

787
00:42:10,320 --> 00:42:12,319
Speaker 1: That's a good idea. Well, how old was a kid?

788
00:42:13,600 --> 00:42:18,480
Speaker 1: He's eighteen? Yeah, yeah, that's smart idea. He's an adult.

789
00:42:18,520 --> 00:42:20,920
Speaker 1: That's a good A good story. That was tell me

790
00:42:21,040 --> 00:42:25,560
Speaker 1: something good. All right, this will be the Iconic Sounds game.

791
00:42:25,760 --> 00:42:28,799
Speaker 1: I'm gonna play. All I've been told are these sounds

792
00:42:28,840 --> 00:42:31,320
Speaker 1: are just very famous and just by hearing it we

793
00:42:31,360 --> 00:42:35,480
Speaker 1: should know what? Is it? A brand? Is it? It's

794
00:42:35,480 --> 00:42:39,200
Speaker 1: all wide open, wide open? Okay you guys ready, ready,

795
00:42:39,239 --> 00:42:43,000
Speaker 1: all right? Writes your answer down. Let's go hit that again. Please.

796
00:42:44,719 --> 00:42:47,000
Speaker 1: I thought per second it was gonna be Andy Griffith show.

797
00:42:47,120 --> 00:42:48,960
Speaker 1: Sounds like it because there could have been any of that. Yeah,

798
00:42:50,040 --> 00:42:53,719
Speaker 1: all right, so you're writing that down? Yeah almost was

799
00:42:53,760 --> 00:42:57,040
Speaker 1: Andy griff All right. If you miss it, you're out,

800
00:42:57,239 --> 00:43:03,200
Speaker 1: all right. Eddie McDonald's Amy McDonald's lunchbox I have, I'm

801
00:43:03,280 --> 00:43:07,000
Speaker 1: loving it. McDonald's correct? Is that how we're supposed to

802
00:43:07,000 --> 00:43:09,120
Speaker 1: say it? I have? McDonald I didn't. I wasn't quite sure.

803
00:43:09,200 --> 00:43:18,520
Speaker 1: What can you name that? Iconic sound? Amy feels good?

804
00:43:19,400 --> 00:43:22,720
Speaker 1: Can you se about paper? Yeah? No, I am typing mine? Okay,

805
00:43:22,719 --> 00:43:24,920
Speaker 1: how do you feel? I know it? Good? Yeah? I

806
00:43:24,960 --> 00:43:27,319
Speaker 1: know it. I know it pretty iconic. Do you know it? Nope?

807
00:43:27,360 --> 00:43:30,000
Speaker 1: I don't think so. I'm guessing. What do you have?

808
00:43:30,520 --> 00:43:35,720
Speaker 1: X files? Yeah? You don't know it? About it? Lunch box?

809
00:43:36,440 --> 00:43:42,239
Speaker 1: NYPD Blue? What Yo? This is so easy? Is it? Lawn? Order.

810
00:43:45,120 --> 00:43:47,799
Speaker 1: I scratched lawn Order out or you two have been eliminated, right,

811
00:43:48,120 --> 00:43:50,560
Speaker 1: I thought you watched lawn Order every night or something lunchbox.

812
00:43:50,680 --> 00:43:53,120
Speaker 1: Now my wife watches lawn Order SVU, but I don't,

813
00:43:53,600 --> 00:43:56,359
Speaker 1: so SPU is a little different. All right? Number three, Amy,

814
00:43:56,400 --> 00:44:06,560
Speaker 1: you and I battling it out day day one two

815
00:44:07,000 --> 00:44:15,799
Speaker 1: three Simpsons. Number four you've got mail, You've got mail?

816
00:44:16,480 --> 00:44:18,920
Speaker 1: You know it? I don't. I'm making sure. Oh you

817
00:44:18,920 --> 00:44:22,520
Speaker 1: don't have a doubt. Yes I do? Okay? One two three? Lay?

818
00:44:24,840 --> 00:44:28,239
Speaker 1: All right? Iconic sounds game, Amy and I left? I

819
00:44:28,239 --> 00:44:48,239
Speaker 1: go ahead? Oh good? I mean, how do you feel

820
00:44:48,280 --> 00:44:49,840
Speaker 1: about that? I mean, I just have to make a

821
00:44:50,520 --> 00:44:53,160
Speaker 1: get a movie guest because it could be any big

822
00:44:53,880 --> 00:44:58,160
Speaker 1: it's any of the big movie production companies. If you

823
00:44:58,280 --> 00:45:01,080
Speaker 1: don't know, you can go to Eddio Lunchbox as a lifeline.

824
00:45:01,080 --> 00:45:02,200
Speaker 1: You can't talk about it. You have to go with

825
00:45:02,280 --> 00:45:04,520
Speaker 1: their answer. Okay, because I know it well, I mean

826
00:45:04,600 --> 00:45:06,880
Speaker 1: I have something written down that I'm not one hundred percent,

827
00:45:07,040 --> 00:45:10,000
Speaker 1: so I would I would trust Eddie on you. Okay,

828
00:45:11,040 --> 00:45:14,520
Speaker 1: I have written down lions Gate. Okay, she needs me? Okay,

829
00:45:14,680 --> 00:45:17,919
Speaker 1: Oh you say she's wrong? Absolutely? Are you going with Eddie. Yeah,

830
00:45:17,920 --> 00:45:20,279
Speaker 1: I'm gonna go with Eddie. Go ahead, all right, it's

831
00:45:20,360 --> 00:45:23,879
Speaker 1: twentieth century Fox. Well I have twentieth century five. Oh yeah, okay,

832
00:45:23,920 --> 00:45:25,760
Speaker 1: I'm still in it. Good job, Eddie. How are you welcome?

833
00:45:26,040 --> 00:45:29,160
Speaker 1: Do you want to go on Lunchbox? Did you have that? Yep?

834
00:45:29,920 --> 00:45:37,160
Speaker 1: Well that's rude, that's cool. What do you have really? Paramount? Okay?

835
00:45:37,280 --> 00:45:43,760
Speaker 1: All right? Play that again? Why does that sound so familiar?

836
00:45:44,480 --> 00:45:47,160
Speaker 1: I know right, I have an answer, but I'm not

837
00:45:47,200 --> 00:45:54,719
Speaker 1: confident with it. Played again, I don't know. Uh, I'm

838
00:45:54,760 --> 00:45:59,800
Speaker 1: gonna write it down. How do you feel about that?

839
00:46:01,080 --> 00:46:03,839
Speaker 1: I feel like it's I feel like I just I'm

840
00:46:03,840 --> 00:46:07,120
Speaker 1: gonna answer something. But I know, I know evidence. You

841
00:46:07,160 --> 00:46:10,480
Speaker 1: can go to lunchbox. You've already used ADDI way you

842
00:46:10,600 --> 00:46:16,960
Speaker 1: might know it? He doesn't, okay, lunchbox? Do you know that? One? Oh? Yeah? Paramount?

843
00:46:19,360 --> 00:46:25,759
Speaker 1: What is cops? Is it? Cops? Ray? No? I never

844
00:46:25,800 --> 00:46:31,319
Speaker 1: slam the jail sale? Play one more time. I think

845
00:46:31,360 --> 00:46:35,120
Speaker 1: that's a knockoff version. I think I just come on,

846
00:46:35,280 --> 00:46:38,799
Speaker 1: think about me too much already? Amy one? Two, three show,

847
00:46:39,800 --> 00:46:47,200
Speaker 1: the Phone Show? Is it? This is the Bobby Show? Uh?

848
00:46:47,640 --> 00:46:52,960
Speaker 1: Raymondo is either one of us right, Yes, I don't. Ah,

849
00:46:57,040 --> 00:47:00,200
Speaker 1: is it the Bobby Bones? No, it's Netflix. How to

850
00:47:00,200 --> 00:47:05,680
Speaker 1: be Netflix? Did I just beat you at a game? No? Not?

851
00:47:05,800 --> 00:47:07,440
Speaker 1: What do you think that is? I know what it is.

852
00:47:07,600 --> 00:47:10,360
Speaker 1: This sound haunts me in my dreams. It's Netflix. No,

853
00:47:10,920 --> 00:47:12,759
Speaker 1: he said, one of us is right. Yeah, so it's

854
00:47:12,800 --> 00:47:15,680
Speaker 1: the Bobby Yeah. This is all my videos, every video.

855
00:47:16,120 --> 00:47:21,839
Speaker 1: It leads into all the videos. Watch my videos now

856
00:47:21,960 --> 00:47:29,160
Speaker 1: I've reposted them on that is it isn't? Oh, I

857
00:47:29,239 --> 00:47:31,880
Speaker 1: didn't beat you, Not Netflix. I knew it was a

858
00:47:32,000 --> 00:47:37,239
Speaker 1: video thing. Not going to our show? Play it again? Ray, Yes,

859
00:47:39,040 --> 00:47:42,359
Speaker 1: tell me. That's so when every Instagram video, that's how

860
00:47:42,400 --> 00:47:44,880
Speaker 1: it starts, like that's the opening slate. It goes Bob

861
00:47:45,000 --> 00:47:48,120
Speaker 1: b Bones going and then the video starts. And that's

862
00:47:48,120 --> 00:47:49,600
Speaker 1: why I thought it could have been Netflix too, because

863
00:47:49,600 --> 00:47:52,359
Speaker 1: I just have a video picture in my head. Right. Wow, Hey,

864
00:47:53,120 --> 00:47:55,799
Speaker 1: thank you. I win? You know what I say? Oh,

865
00:47:56,520 --> 00:48:04,279
Speaker 1: you're unbelievable on the Bobby Bones Show. Now, Mariah, how

866
00:48:04,360 --> 00:48:06,919
Speaker 1: are you? I'm good? How are you? I'm doing really good.

867
00:48:06,960 --> 00:48:09,200
Speaker 1: It's an honor to talk to you. Love the New

868
00:48:09,320 --> 00:48:11,560
Speaker 1: Christmas song. I mean, you are the Queen of Christmas.

869
00:48:11,920 --> 00:48:14,520
Speaker 1: I appreciate that, but I don't claim it. I don't

870
00:48:14,520 --> 00:48:17,680
Speaker 1: claim it. You know, Christmas is Christmas. I just happened

871
00:48:17,680 --> 00:48:20,560
Speaker 1: to enjoy it, like making Christmas music and other music.

872
00:48:20,960 --> 00:48:23,440
Speaker 1: But yeah, we had great time working on this new

873
00:48:23,520 --> 00:48:26,799
Speaker 1: Christmas record. It's been so fun. Whenever you first cut

874
00:48:26,920 --> 00:48:28,640
Speaker 1: all I Want for Christmas As You, did you know

875
00:48:28,880 --> 00:48:31,799
Speaker 1: that song was that was that special? That was going

876
00:48:31,880 --> 00:48:34,680
Speaker 1: to be just you know, lasting for twenty years at

877
00:48:34,719 --> 00:48:38,319
Speaker 1: this point. No, because here's the thing I had never done.

878
00:48:38,640 --> 00:48:41,160
Speaker 1: This was like in the beginning of my career, and

879
00:48:41,600 --> 00:48:44,680
Speaker 1: I had only done like, I think two albums really

880
00:48:45,160 --> 00:48:48,839
Speaker 1: at that point, and maybe like in the MTV unplug DP.

881
00:48:49,080 --> 00:48:51,680
Speaker 1: But the label was like, why don't you do a

882
00:48:51,800 --> 00:48:53,600
Speaker 1: Christmas album. I don't know if they were just like,

883
00:48:53,640 --> 00:48:55,439
Speaker 1: we don't know how long this thing's going to last.

884
00:48:55,760 --> 00:48:58,279
Speaker 1: Do a Christmas album? And I felt like it was

885
00:48:58,360 --> 00:49:01,320
Speaker 1: too soon because going but it was always like people

886
00:49:01,400 --> 00:49:03,560
Speaker 1: did that later on, you know what I mean. And

887
00:49:03,760 --> 00:49:06,800
Speaker 1: then I said, I love Christmas a lot, so I

888
00:49:06,920 --> 00:49:08,920
Speaker 1: might as well try. So I just wrote All I

889
00:49:09,000 --> 00:49:12,080
Speaker 1: Want for Christmas As You and then finished up you know,

890
00:49:12,200 --> 00:49:15,239
Speaker 1: the writing of it with my then collaborator Walter A.

891
00:49:15,640 --> 00:49:19,160
Speaker 1: And recorded it and wanted it to feel like a

892
00:49:19,280 --> 00:49:22,640
Speaker 1: timeless classic. Wanted it not to feel like, oh, this

893
00:49:22,800 --> 00:49:25,200
Speaker 1: is from the nineties or this is from the whatever era,

894
00:49:25,400 --> 00:49:28,200
Speaker 1: you know what I mean. And so over the years

895
00:49:28,280 --> 00:49:30,080
Speaker 1: it just kind of took on a life of its own,

896
00:49:30,160 --> 00:49:32,600
Speaker 1: and it is I get goose. I was thinking of

897
00:49:32,680 --> 00:49:35,160
Speaker 1: it because I never knew. I was just like, this

898
00:49:35,320 --> 00:49:36,800
Speaker 1: is what I like, you know what I mean, This

899
00:49:36,920 --> 00:49:38,800
Speaker 1: is what I want to do for Christmas. I always

900
00:49:38,840 --> 00:49:41,280
Speaker 1: wanted to have that perfect Christmas, and I wrote about

901
00:49:41,280 --> 00:49:44,480
Speaker 1: it in my memoir The Meeting of Mariah Carey last year.

902
00:49:44,800 --> 00:49:47,200
Speaker 1: Like I had, I had kind of tough upbringing, so

903
00:49:47,360 --> 00:49:50,080
Speaker 1: we never had a lot of things that most kids have,

904
00:49:50,600 --> 00:49:53,239
Speaker 1: and I really wanted that perfect Christmas. It was like

905
00:49:53,360 --> 00:49:55,200
Speaker 1: in my mind, I just always wanted it, and it

906
00:49:55,280 --> 00:49:58,719
Speaker 1: always got ruined. So now, you know, I kind of

907
00:49:58,800 --> 00:50:01,880
Speaker 1: feel great that people will get to my song is

908
00:50:01,920 --> 00:50:05,160
Speaker 1: a part of other people's Christmases and it helps me

909
00:50:05,320 --> 00:50:08,560
Speaker 1: have a festive moment with my family and friends as well.

910
00:50:09,160 --> 00:50:11,200
Speaker 1: You bring up your book. Your book is now gone

911
00:50:11,200 --> 00:50:13,880
Speaker 1: to paperback and people can get the book. What was

912
00:50:13,920 --> 00:50:18,040
Speaker 1: the hardest part for you personally about sharing your story? Well,

913
00:50:18,080 --> 00:50:21,359
Speaker 1: I worked on the book for like three I would say,

914
00:50:21,960 --> 00:50:26,440
Speaker 1: basically almost three years. But previously I had wanted to

915
00:50:26,600 --> 00:50:29,759
Speaker 1: tell the story like it's mostly about my childhood. And

916
00:50:29,880 --> 00:50:32,759
Speaker 1: when I went I wrote the book with my friend

917
00:50:32,840 --> 00:50:36,879
Speaker 1: and collaborator, MICHAELA, and she and I, you know, really

918
00:50:36,960 --> 00:50:39,440
Speaker 1: talked about She said, what do you really want to achieve?

919
00:50:39,800 --> 00:50:41,960
Speaker 1: Because I am a writer. I've always been a writer

920
00:50:42,080 --> 00:50:44,200
Speaker 1: as a songwriter, but it's a different thing when you

921
00:50:44,239 --> 00:50:46,160
Speaker 1: go to a book. She hadn't written a book yet either,

922
00:50:46,320 --> 00:50:48,960
Speaker 1: so we were both just figuring it out, and I

923
00:50:49,080 --> 00:50:51,959
Speaker 1: just said, I wanted to emancipate my little girl self

924
00:50:52,080 --> 00:50:55,640
Speaker 1: that nobody knew, that nobody understood, that was different, that

925
00:50:55,800 --> 00:50:59,759
Speaker 1: was other, that didn't really have a category that people understood.

926
00:51:00,239 --> 00:51:03,040
Speaker 1: So that was our goal. And now it's out on paperback.

927
00:51:03,080 --> 00:51:05,960
Speaker 1: But the first, like the most exciting moment was when

928
00:51:06,040 --> 00:51:09,160
Speaker 1: it became an instant number one New York Times best

929
00:51:09,200 --> 00:51:12,719
Speaker 1: selling book. So I'm now working on figuring out the

930
00:51:12,840 --> 00:51:15,719
Speaker 1: adaptation for that and whether it's going to be a

931
00:51:15,800 --> 00:51:20,239
Speaker 1: scripted series or a series of movies, and talking to

932
00:51:20,400 --> 00:51:22,759
Speaker 1: I can't tell the whole thing now, but that's my

933
00:51:22,920 --> 00:51:25,839
Speaker 1: next project, and I can't wait, we have Mariah Carey

934
00:51:25,920 --> 00:51:28,440
Speaker 1: on with us in your holiday plans. I'm just assuming

935
00:51:28,480 --> 00:51:30,320
Speaker 1: that you have this pressure to be like the greatest

936
00:51:30,320 --> 00:51:33,040
Speaker 1: holiday person of all time because you are Mariah Carey.

937
00:51:34,960 --> 00:51:38,640
Speaker 1: I don't know. I think I put the pressure on myself, honestly,

938
00:51:39,080 --> 00:51:41,960
Speaker 1: Like we have a set plan. When I say we,

939
00:51:42,160 --> 00:51:44,759
Speaker 1: I really mean me because I start figuring this out

940
00:51:45,120 --> 00:51:48,359
Speaker 1: like months before. But then if one thing goes wrong,

941
00:51:48,440 --> 00:51:50,839
Speaker 1: I get. I don't know, it's not if one thing

942
00:51:50,880 --> 00:51:53,560
Speaker 1: goes wrong. I just want it to be this like

943
00:51:54,520 --> 00:51:58,440
Speaker 1: idyllic sort of thing that is almost impossible to achieve.

944
00:51:58,920 --> 00:52:01,640
Speaker 1: But we have pretty quote and you know, we do

945
00:52:01,760 --> 00:52:04,799
Speaker 1: stuff that most people maybe they hear about in the song,

946
00:52:05,000 --> 00:52:07,560
Speaker 1: but we do go on a two horse open sleigh

947
00:52:07,640 --> 00:52:12,799
Speaker 1: ride no good. And you know, I have this new

948
00:52:13,960 --> 00:52:17,360
Speaker 1: this Christmas inspie. It's for all year round, but you

949
00:52:17,440 --> 00:52:20,399
Speaker 1: know it was inspired by the holidays, and it's called

950
00:52:20,480 --> 00:52:22,680
Speaker 1: Black Irish and it's a liquor that's coming out this year.

951
00:52:22,719 --> 00:52:25,800
Speaker 1: But it's like it's an Irish cream and but we

952
00:52:25,920 --> 00:52:28,279
Speaker 1: have like three different flavors and so you know, I

953
00:52:28,400 --> 00:52:30,120
Speaker 1: was working on it last year and it was so

954
00:52:30,880 --> 00:52:32,880
Speaker 1: much fun to do. By the fire and I have

955
00:52:33,000 --> 00:52:35,040
Speaker 1: this my favorite flavor. I'm not allowed to pick one,

956
00:52:35,080 --> 00:52:37,280
Speaker 1: but I'll pick one anyway. You won't tell anybody salted

957
00:52:37,360 --> 00:52:39,759
Speaker 1: caramel is the best one. It's out in stores now.

958
00:52:39,840 --> 00:52:43,120
Speaker 1: But we're gonna, you know, during Christmas, we'll be enjoying that.

959
00:52:43,840 --> 00:52:46,560
Speaker 1: And no, I just like, we have the best time.

960
00:52:46,640 --> 00:52:48,960
Speaker 1: And it's like you can't choose your family, which you

961
00:52:48,960 --> 00:52:51,720
Speaker 1: can choose your friends and create the most beautiful moments

962
00:52:51,760 --> 00:52:53,520
Speaker 1: that you can. And that's what I try to do.

963
00:52:53,640 --> 00:52:55,879
Speaker 1: But it is pressure. But again, I think I put

964
00:52:55,960 --> 00:52:58,360
Speaker 1: that pressure on myself and now I hate to say it,

965
00:52:58,440 --> 00:53:01,560
Speaker 1: but my kids kind of put that press shown me. Well, Maria,

966
00:53:01,640 --> 00:53:04,440
Speaker 1: thank you for your time. We're big fans, and congratulations

967
00:53:04,640 --> 00:53:09,880
Speaker 1: on everything from the paperback to you know, the Christmas

968
00:53:10,160 --> 00:53:15,040
Speaker 1: outfit Yere Khalid and Kirk Franklin. Hope you guys like it.

969
00:53:15,200 --> 00:53:23,120
Speaker 1: Thanks for having me right byeye Bye bye, get something

970
00:53:23,440 --> 00:53:28,040
Speaker 1: we call Hello, Bobby Bones. My name is Ellie and

971
00:53:28,120 --> 00:53:29,960
Speaker 1: I'm a huge fan of your show. I wanted an

972
00:53:29,960 --> 00:53:33,360
Speaker 1: email say thank you for making mornings tolerable. Now. I

973
00:53:33,520 --> 00:53:36,000
Speaker 1: recently found out that my best friend Megan accepted a

974
00:53:36,160 --> 00:53:40,520
Speaker 1: friend request on Instagram from my ex boyfriend. Now he's

975
00:53:40,560 --> 00:53:44,600
Speaker 1: like two ex boyfriends ago, but still an ex boyfriend.

976
00:53:45,320 --> 00:53:48,000
Speaker 1: The thing that bothers me is that she didn't even

977
00:53:48,040 --> 00:53:50,160
Speaker 1: tell me. She just accepted it and didn't think twice

978
00:53:50,160 --> 00:53:52,440
Speaker 1: about it. We had a bad breakup after he cheated

979
00:53:52,520 --> 00:53:54,799
Speaker 1: on me, so why would she want to be friends

980
00:53:54,800 --> 00:53:57,920
Speaker 1: with him on social media? I feel like she cheated

981
00:53:58,000 --> 00:54:00,839
Speaker 1: on me. Now she doesn't think it's a big deal.

982
00:54:01,440 --> 00:54:03,759
Speaker 1: She said she'll block them if I really want her to,

983
00:54:04,360 --> 00:54:07,719
Speaker 1: but I feel like the damage is done. I feel

984
00:54:07,760 --> 00:54:11,040
Speaker 1: like I can't trust her anymore. In your opinion, do

985
00:54:11,120 --> 00:54:14,360
Speaker 1: you think I'm overreacting and should apologize to her or

986
00:54:15,719 --> 00:54:20,239
Speaker 1: are my feelings justified? Signed Ellie. Okay, here's the thing.

987
00:54:20,800 --> 00:54:23,879
Speaker 1: How close are you and her? If my bf if,

988
00:54:23,920 --> 00:54:28,440
Speaker 1: for example, Amy became friends on social media with somebody

989
00:54:28,520 --> 00:54:32,440
Speaker 1: that I had a terrible breakup, but I would be ticked.

990
00:54:32,880 --> 00:54:35,719
Speaker 1: If one of your class A friends, It's like, yeah,

991
00:54:35,719 --> 00:54:39,759
Speaker 1: I'll accept your request, I'll belived. However, if it was

992
00:54:39,800 --> 00:54:42,880
Speaker 1: like just a friend at work, somebody to hang out

993
00:54:42,920 --> 00:54:46,359
Speaker 1: with occasionally, I don't think I would. I don't think

994
00:54:46,360 --> 00:54:48,480
Speaker 1: I would have the right to be debt mad. So

995
00:54:48,560 --> 00:54:50,600
Speaker 1: I think it depends how close you are to this person,

996
00:54:51,280 --> 00:54:54,920
Speaker 1: because a real friend, a true friend would unfollow and

997
00:54:55,080 --> 00:54:57,239
Speaker 1: say sorry I followed, Yeah, like I was just I

998
00:54:57,360 --> 00:54:58,560
Speaker 1: was just doing it because it was there another I

999
00:54:58,600 --> 00:55:00,960
Speaker 1: want to be awkward if I saw them. Yeah, but

1000
00:55:01,080 --> 00:55:04,359
Speaker 1: a true friend, if it was that ugly, doesn't hop

1001
00:55:04,440 --> 00:55:06,880
Speaker 1: on that team ensure. Social media is trivial, but not

1002
00:55:06,960 --> 00:55:10,120
Speaker 1: really anymore. It's a big part of our life every day. Amy,

1003
00:55:10,160 --> 00:55:12,520
Speaker 1: If I was in a really bad breakup, bad past

1004
00:55:12,760 --> 00:55:14,879
Speaker 1: relationship and they were like, hey, friend requests, what would

1005
00:55:14,880 --> 00:55:17,399
Speaker 1: you do? I wouldn't accept it, probably for a couple

1006
00:55:17,440 --> 00:55:19,040
Speaker 1: of reasons. So that would be like, wait, why are

1007
00:55:19,080 --> 00:55:21,040
Speaker 1: you reaching out to me? You know I'm bff with

1008
00:55:21,239 --> 00:55:23,600
Speaker 1: your X or you trying to follow me so you

1009
00:55:23,719 --> 00:55:27,000
Speaker 1: can keep tabs on whatever and try to get it

1010
00:55:27,080 --> 00:55:32,000
Speaker 1: inside look in my friend's new life. So that's just weird.

1011
00:55:32,160 --> 00:55:34,640
Speaker 1: I would just respect my friend on that for sure.

1012
00:55:35,800 --> 00:55:37,840
Speaker 1: And it's hard to do, but yeah, I mean, and

1013
00:55:37,920 --> 00:55:40,600
Speaker 1: this is an opportunity for you to, yeah, talk to

1014
00:55:40,760 --> 00:55:42,880
Speaker 1: your friend and then see how they respond, and then

1015
00:55:42,920 --> 00:55:45,840
Speaker 1: if if she responds like oh no problem, all unfollow,

1016
00:55:46,400 --> 00:55:49,719
Speaker 1: then you can maintain your friendship. If not, you may

1017
00:55:49,800 --> 00:55:52,200
Speaker 1: need to just create some distance, because yes, it does

1018
00:55:52,239 --> 00:55:55,719
Speaker 1: seem so trivial. But still it's like, why do you

1019
00:55:55,760 --> 00:55:57,719
Speaker 1: want to be friends with him? Did she like him?

1020
00:55:58,239 --> 00:56:00,200
Speaker 1: You know? My thing was, I bet there's something going

1021
00:56:00,239 --> 00:56:03,799
Speaker 1: on or he wants something to go on at the least,

1022
00:56:04,040 --> 00:56:07,920
Speaker 1: which could be worse than just liking him. Ellie, you

1023
00:56:08,040 --> 00:56:10,960
Speaker 1: have every right to be a bit upset, especially if

1024
00:56:11,000 --> 00:56:13,680
Speaker 1: you're really close to her. Yeah, if she's like a

1025
00:56:13,760 --> 00:56:16,040
Speaker 1: secondary a third dairy friend who cares, not a good

1026
00:56:16,080 --> 00:56:18,879
Speaker 1: friend anyway, let her get roped up with him. Let's

1027
00:56:18,880 --> 00:56:24,520
Speaker 1: see what happens. We got your Now it's found the

1028
00:56:24,640 --> 00:56:33,880
Speaker 1: clothed Bobby or Today. This story comes to us from Tennessee.

1029
00:56:34,520 --> 00:56:37,080
Speaker 1: A manager at a local windis was arrested and charged

1030
00:56:37,120 --> 00:56:39,719
Speaker 1: with simple assault after he bent an employee on the

1031
00:56:39,800 --> 00:56:43,080
Speaker 1: shoulder because she wasn't working the fries fast enough. The

1032
00:56:43,320 --> 00:56:45,000
Speaker 1: employee was standing in front of the fryer, and he

1033
00:56:45,120 --> 00:56:47,920
Speaker 1: was like, you're not going fast enough, bitter on the shoulder.

1034
00:56:48,320 --> 00:56:52,799
Speaker 1: What an odd reaction for punishment to bite someone. You're

1035
00:56:52,840 --> 00:56:56,879
Speaker 1: not a dog. Even then, my dogs shouldn't be biting me. Yeah,

1036
00:56:56,960 --> 00:56:59,239
Speaker 1: that's weird. And if and that's the manager, you said, yeah,

1037
00:56:59,280 --> 00:57:03,200
Speaker 1: that was the man, you're buying a regular employee. He

1038
00:57:03,200 --> 00:57:05,560
Speaker 1: shouldn't be the manager much longer. Maybe he read that

1039
00:57:05,640 --> 00:57:07,680
Speaker 1: in one of those seminars that they go to, like

1040
00:57:08,040 --> 00:57:11,000
Speaker 1: discipline actions. I think it hasn't gone to the seminars.

1041
00:57:11,120 --> 00:57:14,160
Speaker 1: That's what it is, Tony Robbins type thing like if

1042
00:57:14,200 --> 00:57:17,480
Speaker 1: you really want to inspire. Okay, there you go, I'm lunchbox.

1043
00:57:17,560 --> 00:57:20,480
Speaker 1: That's your bone head story of the day. Let's hear

1044
00:57:20,560 --> 00:57:23,760
Speaker 1: from Jim in Pennsylvania. I was wondering if you could

1045
00:57:23,800 --> 00:57:26,120
Speaker 1: do a shout out for my wife, who has been

1046
00:57:26,200 --> 00:57:29,360
Speaker 1: married to me for thirty years. On Tuesdays. We listen

1047
00:57:29,400 --> 00:57:32,480
Speaker 1: to your show on podcasts all the time talk about

1048
00:57:32,520 --> 00:57:35,320
Speaker 1: you guys like we're best friends. So have a great

1049
00:57:35,400 --> 00:57:37,680
Speaker 1: day and thank you, and the shout out goes to

1050
00:57:37,840 --> 00:57:40,600
Speaker 1: Barb And if you could have Ray Moondo do a

1051
00:57:40,720 --> 00:57:43,800
Speaker 1: big yeah, that would be awesome. All right, Well, let

1052
00:57:43,880 --> 00:57:48,120
Speaker 1: us first say Barbara, happy everything you've been married thirty years,

1053
00:57:48,520 --> 00:57:51,400
Speaker 1: sounds like your husband loves you. And now a shout

1054
00:57:51,440 --> 00:57:58,560
Speaker 1: out from Ray. All right, here's one more, Hey, Bobby

1055
00:57:58,760 --> 00:58:02,680
Speaker 1: Morning Studio. Yesterday was my son's twelfth birthday, and after

1056
00:58:02,920 --> 00:58:05,920
Speaker 1: all we did to celebrate him, I got questioned if

1057
00:58:05,960 --> 00:58:08,640
Speaker 1: I called the Bobby Bone Show to announce it. Um,

1058
00:58:09,080 --> 00:58:12,080
Speaker 1: I didn't, so I liked him and pulled him. Yes,

1059
00:58:12,440 --> 00:58:14,160
Speaker 1: but that he missed it because she got up too

1060
00:58:14,240 --> 00:58:17,240
Speaker 1: late to listen to the show. So here I am

1061
00:58:17,440 --> 00:58:19,320
Speaker 1: asking you to give him a birthday shout out to

1062
00:58:19,440 --> 00:58:22,840
Speaker 1: my son Alesio from USCU Tusday, Mexico. Thanks so much.

1063
00:58:22,920 --> 00:58:26,280
Speaker 1: I appreciate it. Alesio lost cruses, thank you for listening.

1064
00:58:26,520 --> 00:58:30,640
Speaker 1: Nice youthday. It's all out there. But yeah, she really didn't,

1065
00:58:30,680 --> 00:58:32,320
Speaker 1: but then she did, then you got on the air.

1066
00:58:33,080 --> 00:58:35,280
Speaker 1: You can always call us, leave us a message. Eight

1067
00:58:35,480 --> 00:58:41,960
Speaker 1: seven seven seventy seven Bobby eight seven seven seventy seven Bobby,

1068
00:58:42,840 --> 00:58:45,880
Speaker 1: Bobby Bone, Merry Christmas and Happy Holidays.