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Speaker 1: I I'm trying to bring back two phrases, and I

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Speaker 1: need your help.

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Speaker 2: No, stop trying to make that happen.

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Speaker 1: No, I don't even know what that is. We did

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Speaker 1: this already, didn't We wasn't not a thing.

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Speaker 3: I've got the movie. Do you want to bring back

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Speaker 3: I've got the boom.

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Speaker 4: I want to bring back Cat's pajamas and Bee's knees.

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Speaker 3: I say all the time, Well, but nineteen twenties.

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Speaker 2: Yeah, I say that all the time, do you. Yeah,

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Speaker 2: I really do.

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Speaker 4: I also help me.

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Speaker 2: Yeah, it's very easy.

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Speaker 3: But I also can help you.

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Speaker 5: I say those things, but I also will say things like,

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Speaker 5: well if I had my druthers, and so I love

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Speaker 5: I love all these.

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Speaker 1: Well, writer, I don't mind to remember you and having

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Speaker 1: phrases from your childhood well around.

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Speaker 3: Yes, oh my god, I'll never forget. Will when you

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Speaker 3: when you finally made it to Sebasta bull By Hometown,

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Speaker 3: that's the first thing you did when you stepped out

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Speaker 3: of the car.

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Speaker 4: You screamedrofty.

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Speaker 3: But no. That is a perfect example of why you

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Speaker 3: can't force language like phrases like the only the only

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Speaker 3: way things they happen organically. You can't like like if

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Speaker 3: I was around. If I was hanging out with you

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Speaker 3: and you were like, man, that's just the cat's pajamas,

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Speaker 3: I would be like, oh, that's so put on right

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Speaker 3: all the time, but maybe you really really do.

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Speaker 5: I'll say it like, I'll be like, well, I don't know,

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Speaker 5: he thinks she's the bee's knees, Like you know, I'll

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Speaker 5: just I just throw it in or else. And you know,

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Speaker 5: I don't know. I don't know that cat's pajamas feels

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Speaker 5: as natural. I do say it occasionally, but bee's knees.

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Speaker 2: I I love saying.

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Speaker 4: I didn't think I could love her respect you more.

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Speaker 4: Danielle and I do. We do because you're the cat's pajamas.

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Speaker 5: It's not quite as cool as Riz, but you know

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Speaker 5: we're working on it. Can you explain for our dear

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Speaker 5: listeners who are now all going to be using strofty bright,

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Speaker 5: can you please explain what strofty bright?

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Speaker 3: I have no idea, well I do. This was my

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Speaker 3: one of my old friends. I'm still good friends with Ocean.

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Speaker 3: He said it one day. I don't know what we

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Speaker 3: were doing. He was like, Oh, that's so cool, that's

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Speaker 3: strafty bright. I don't know what we were he was

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Speaker 3: referring to or what. But I was like, what did

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Speaker 3: you just say? And he said, strofty bride, I don't know,

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Speaker 3: And he had just made up this word to describe

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Speaker 3: something as really cool, and so we started saying it

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Speaker 3: to you know, and I decided, I guess that I

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Speaker 3: was going to introduce this to the vocabulary, and so

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Speaker 3: I started saying it on this set.

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Speaker 4: I can't force season one exactly.

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Speaker 3: That's the boy.

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Speaker 4: We couldn't make Strofty break stick.

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Speaker 3: So you guys still lessly made fun of me for

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Speaker 3: trying to introduce strafty Bride into.

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Speaker 5: Also, like we've joked, writer hates the Genevia Brieves, Like

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Speaker 5: I remember conversations about writer being like, no, no one

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Speaker 5: calls it san fran can't call it San Fran.

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Speaker 3: No, it's probably Frisco because everybody, OK, yeah, but Frisco.

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Speaker 3: But it's just notorious a non San Franciscans call it Frisco.

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Speaker 2: But you also don't like gualwk.

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Speaker 3: I don't like, I hate. I'm hand. If you're Australian

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Speaker 3: or English, I'll take brecky although, but if you're not,

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Speaker 3: if you're American, no, don't say this.

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Speaker 1: Nothing makes me viscerally angry, like hearing the word delish, I.

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Speaker 5: Agree when you said it now, I really It's also

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Speaker 5: my thing with like abbreviations is it's just really not

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Speaker 5: that much less delish.

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Speaker 6: It's just the the US is.

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Speaker 4: A kado kado is what's stopping you from finishing this.

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Speaker 3: Isn't it weird that, like, of all the like phrases,

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Speaker 3: dude has stuck around as much as it has, Like,

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Speaker 3: dude's been around I think since like the the a

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Speaker 3: teen but like when we were okay, so we were teenager,

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Speaker 3: like rad was still okay to say, but that didn't

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Speaker 3: stick around. But you like is now in everything we say,

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Speaker 3: like all the time, even if you're not just from

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Speaker 3: California and like it and like dude. And the thing

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Speaker 3: about dude is like now at this point, like basically

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Speaker 3: my wife and I have to stop each other from

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Speaker 3: calling each other.

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Speaker 2: Dude, right right, because what you call everybody?

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Speaker 3: Everybody? Hey listen, dude.

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Speaker 4: Yeah, yeah, it's true. I think didn't that start with

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Speaker 4: the cowboys? Wasn't that a cowboy thing?

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Speaker 2: I think it was ranch?

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Speaker 1: Yeah, So I think that's I think that's the genesis

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Speaker 1: of that word. But I mean it's the beast knees.

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Speaker 4: Don't do it, man, don't do it.

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Speaker 3: Do you think any of our listeners do you think

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Speaker 3: any of our listeners noticed that Dedie di Stefano had

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Speaker 3: an English accent on just one word we got you did.

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Speaker 2: Can't you can't? Can't You have to be clear what

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Speaker 2: you're saying?

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Speaker 3: Writer?

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Speaker 4: No?

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Speaker 7: No?

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Speaker 3: Oh yes. I was like, what I can't do that?

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Speaker 2: Yeah, I can't.

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Speaker 3: And she used to laugh at herself about it. She'd

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Speaker 3: be like, I know it's my.

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Speaker 5: Thing, but do you remember David Combs, My my one

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Speaker 5: of my favorite things about David Combs was that he

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Speaker 5: also had some English phrases because his wife was English.

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Speaker 2: David Combs studio teacher, David.

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Speaker 5: Combs the reason any of us have a brain in

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Speaker 5: our head. And I had, you know, Easter. We used

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Speaker 5: to get Easter baskets, apparently all the way up until

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Speaker 5: I was way old to be getting Easter baskets because

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Speaker 5: I was on Boys World as a teenager. But I

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Speaker 5: came back from from Easter break and was we were

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Speaker 5: talking about what we did. Yes, the Easter Bunny brought

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Speaker 5: me a bathing suit, as the Easter Bunny did every

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Speaker 5: Easter because it was feeding into summer. So in my

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Speaker 5: Eastern rescue, my easter bunny would give me a bathing suit,

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Speaker 5: and Jesus.

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Speaker 3: Obviously after three days, gave you a bathing suit.

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Speaker 4: Okay, okay.

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Speaker 5: So I told David Combs and I got a bathing

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Speaker 5: suit and he said, oh, you got avolving costume.

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Speaker 2: And I was like, sure, evolving costume.

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Speaker 6: I've never called him evolving costume, but I have never

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Speaker 6: gotten over it.

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Speaker 5: I will now only refer to bathing suits as bolving costumes.

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Speaker 3: This is also the person who said, oh, you're attracted

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Speaker 3: to power when you said you like David Letterman, Yeah,

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Speaker 3: And I was like, David Combs was the king of

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Speaker 3: the one liners that could devastate you or change your life.

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Speaker 3: And just like he would just say things and walk away.

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Speaker 3: Remember you would always be eating popcorn. Yeah he's just

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Speaker 3: sitting there eating popcorn and he couldn't okay. So David

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Speaker 3: was just a genius. His IQ was like through the roof.

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Speaker 3: He spoke seven languages, and he would just have these

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Speaker 3: moments where he would say something he was so he

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Speaker 3: was so confident and so cocky about his intelligence and

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Speaker 3: he had no problem just being the smartest person in

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Speaker 3: the room and letting everybody know it, which led to

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Speaker 3: some pretty hysterical encounters. I have so many memories. I

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Speaker 3: actually went to England and France with him between I

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Speaker 3: guess probably the break after this season. It was between

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Speaker 3: second and third. Yeah, I spent We spent three weeks. Yeah. Well,

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Speaker 3: we went and his mother in law because his wife

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Speaker 3: was from England, so we stayed with his mother in

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Speaker 3: law outside of London. But then we went to France.

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Speaker 3: All the French workers were on strike, which is surprising,

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Speaker 3: so we couldn't go to any of the museums because

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Speaker 3: the Ministry of Culture went on strike while we were there,

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Speaker 3: so we were stuck in France with nothing to do.

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Speaker 3: But yeah, I mean he was just amazing and we

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Speaker 3: went and saw We saw like two plays a day.

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Speaker 3: I saw my first ballet I saw. Yeah, he was

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Speaker 3: such a huge influence on my life. But man, he

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Speaker 3: would say these things.

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Speaker 4: France isn't known for their museums.

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Speaker 5: Yeah, I love the idea of culture strike. By the way, cultures. Well,

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Speaker 5: welcome to Pod meets Cat's Pajamas. I'm Danielle Fischel.

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Speaker 4: I'm riders Strafty, bright, strong, and I'm the Besnys for now. Yes,

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Speaker 4: it's coming back people.

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Speaker 5: Oh, we are so happy to welcome back our friend

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Speaker 5: and trusted mister turner, Tony Quinn to the show. He's here,

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Speaker 5: ready to recap with us. Let's welcome Tony Quinn.

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Speaker 3: Yay, show up with a tie on.

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Speaker 4: Oh if he's been listening to her to our episodes

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Speaker 4: at all, well.

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Speaker 1: No.

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Speaker 3: Am I here.

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Speaker 2: You're here, Hi Tony, Hi Tony.

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Speaker 8: How are you guys?

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Speaker 3: How are you great?

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Speaker 8: Going? Well, I'm much better now than I'm here.

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Speaker 2: Yay.

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Speaker 5: So we are going to recap an episode with you,

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Speaker 5: which I am so excited about. But we we did

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Speaker 5: have two things we wanted to bring up to you

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Speaker 5: since the last time you were here. First is that

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Speaker 5: we got a lot of emails about this. When we

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Speaker 5: interviewed you, you said you had two favorite memories from

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Speaker 5: the show. We talked about your first, and then we

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Speaker 5: all just kept talking and we never got to your second.

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Speaker 3: First, what was his first favorite memory?

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Speaker 2: Well, let's let's play the clip. I have a clip

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Speaker 2: for you.

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Speaker 7: Okay, my favorite memory of the show I can watch.

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Speaker 7: There's two of them and it's a tie. The first

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Speaker 7: one is the scene where you're trying to get Danielle

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Speaker 7: and you're hiding in the couch.

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Speaker 2: That was it.

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Speaker 3: That was it?

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Speaker 7: Okay, okay, okay, yeah, I are we talking about my

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Speaker 7: favorite like moments from the show that.

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Speaker 8: That okay, Uh.

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Speaker 7: My second favorite moment was probably the episode where you

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Speaker 7: guys there's a murderer. Oh yeah, yeah, the scream episode

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Speaker 7: and uh it was you guys were all in the

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Speaker 7: hall and it was Will was there and he came

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Speaker 7: in and screamed and he's like, oh my.

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Speaker 8: Ball, somebody gives it back to me and he goes, oh.

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Speaker 7: Thank you.

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Speaker 2: And the most Will thing that.

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Speaker 7: Was the Those two moments for me were hilarious. So

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Speaker 7: you guys all together like that, absolutely hilarious.

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Speaker 5: Okay, good well, everyone was dying to know that we okay,

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Speaker 5: we have a real tendency to just run right over it.

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Speaker 3: Oh my god.

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Speaker 5: Okay, I have another one for you, Tony. This is

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Speaker 5: from the episode Sister Teresa. During the recap, we noticed

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Speaker 5: a very funny reaction from you. It's a sound basically,

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Speaker 5: and Will said he thinks it might even have been

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Speaker 5: like an inside joke between the two of you, and

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Speaker 5: that what you said the way you said it may

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Speaker 5: have been a reference to a movie or a TV

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Speaker 5: show or something.

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Speaker 2: So let me play the clip for you.

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Speaker 5: And there's there's a little bit of a setup from

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Speaker 5: Joey Durrat letting you know, someone may have messed with

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Speaker 5: your bike.

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Speaker 4: You you missed a Turner.

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Speaker 7: Yeah, jennetbub wants to see you down in the parking

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Speaker 7: lot someone about his truck running over your motorcycle my bike.

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Speaker 4: This was just a little did you not do? Like

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Speaker 4: the Kurt Russell right there?

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Speaker 8: I think it was something to do with that you touch.

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Speaker 9: Me and.

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Speaker 1: Exactly it was. I knew it when we recapped it.

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Speaker 1: I was like, Tony did that for me? Was one

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Speaker 1: take that was just for me? Okay?

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Speaker 4: I Oh, I knew it.

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Speaker 3: I knew it.

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Speaker 2: Oh man, I love it. I love it. Okay.

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Speaker 5: So, lastly, going deeper into season two, we have noticed

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Speaker 5: what we are lovingly referring to as Turner's ties. It

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Speaker 5: seems like every episode you have a more outlandish, like

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Speaker 5: almost spray painted tie.

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Speaker 4: Do you free like three an episode?

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Speaker 5: Do you remember anything about the ties? Did you and

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Speaker 5: Sarah talk about them? How much input did you have?

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Speaker 5: Tell us everything you can about the Turners ties.

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Speaker 7: I didn't really have any input. I just kind of

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Speaker 7: I just kind of took what she gave me. So

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Speaker 7: each particular tie was like more outlandish or more crazy.

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Speaker 7: I was like, hey, I'm just gonna go with it.

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Speaker 8: Why not? Like what the heck?

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Speaker 2: So cool?

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Speaker 3: So it was never a conversation. You were never like

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Speaker 3: she never said we're going to do this as.

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Speaker 4: A oh wow, that's so loud because it's.

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Speaker 3: So clearly a bold choice. Every time it's like really bold.

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Speaker 9: And did you decide on the enormous belt buckles or

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Speaker 9: was that also Sarah?

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Speaker 7: Oh?

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Speaker 8: That was that was just all Sarah just doing what

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Speaker 8: she does. And I'm like, hey, I dig it. I

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Speaker 8: love this.

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Speaker 3: I love that we all, almost all of us to

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Speaker 3: a person, was that way with wardrobe? Is that interesting?

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Speaker 4: We were all just like I don't know, well, where

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Speaker 4: whatever you tell us to.

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Speaker 7: Whatever, because I have no fashion sense. I mean, I like, he's.

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Speaker 3: Such an after thing. It's so fun.

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Speaker 8: Yeah, I have no idea what works what doesn't work.

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Speaker 7: So it's like I rely on them to give me

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Speaker 7: whatever they give me, and I just hope it looks

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Speaker 7: good on me.

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Speaker 4: But I'll talk too.

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Speaker 1: I like to think that it's because we know that

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Speaker 1: we've worked with so many people that whoever is the

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Speaker 1: head of their department is really good at.

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Speaker 4: What they do. Yeah, so it's like, I don't I

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Speaker 4: don't know anything about you for.

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Speaker 3: But I got so screwed by that mentality as an

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Speaker 3: actor because really because on a show like Boym's World,

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Speaker 3: that was certainly the case, like we were, we had

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Speaker 3: the best makeup and hair people ever. You know, these

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Speaker 3: people not only were great at the like the actual

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Speaker 3: application of their job, they had an amazing taste that

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Speaker 3: was partly wonder why they were hired. It's because they

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Speaker 3: were up on trends. They knew what was happening. When

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Speaker 3: you're doing an indie film in North Carolina in two

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Speaker 3: thousand and four and they've hired like the local hairstylist

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Speaker 3: to be the haircutter, you can't trust that person. And

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Speaker 3: like I've had so many I walked into so many

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Speaker 3: situations as an actor being like, oh no, they'll make

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Speaker 3: me look good and guess what they did. They they

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00:14:53,760 --> 00:14:56,760
Speaker 3: don't know what they're doing. And so it's very helpful

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Speaker 3: for actors to have their own sense and to know

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Speaker 3: when to step in and when to step back, and

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Speaker 3: like on a show like Boy metsor we had top

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Speaker 3: notch Hollywood experts, but like on so many other situations,

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Speaker 3: I've been and they didn't know what they were doing,

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Speaker 3: and I would be screwed by having that sort of

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Speaker 3: like shave my face, do whatever, make me look, you know,

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Speaker 3: I had.

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Speaker 7: I had one situation like that where I was on

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Speaker 7: the TV show.

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Speaker 8: I can't remember which show it.

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Speaker 4: Was, Yeah, it was it was a network show.

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Speaker 5: Really.

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Speaker 7: I sat in the trailer and the guy did my

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Speaker 7: hair and like you rider, like you say, just hey,

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Speaker 7: do whatever you want to do.

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Speaker 8: And when he was done.

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Speaker 7: I looked in the mirror and I was like, there's

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00:15:39,240 --> 00:15:42,920
Speaker 7: no way I I'm gonna go on camera with this hair.

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Speaker 8: Dude, I don't know what you've done.

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Speaker 7: But I just basically said, hey, thanks a lot, and

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Speaker 7: I went back into my trailer and I redid the

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Speaker 7: whole thing, because I.

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Speaker 3: Know you have to. There are times I walked. I

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Speaker 3: walked out of the trailer onto the set with my

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Speaker 3: fellow actors, and two of the lead actors in this

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Speaker 3: movie looked at me and just burst out laughing. Stop laughing.

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Speaker 3: And then when they realized that I was that that

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00:16:07,320 --> 00:16:09,280
Speaker 3: that that that was serious. There was not a wig

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Speaker 3: that but that I actually they were like no, they

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Speaker 3: it was like we need to fit, like this is

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Speaker 3: a problem. Actually, those two actors ended up leaving the

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Speaker 3: film like two days later. They abandoned the film, and

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00:16:20,720 --> 00:16:23,800
Speaker 3: I stayed I should have left with them. But yeah,

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Speaker 3: the haircut was that bad. It was like just instant

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00:16:26,680 --> 00:16:30,040
Speaker 3: laughter then complete concern, like, oh god, righter, that's for real,

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Speaker 3: you can't do that.

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Speaker 2: Oh oh Wowrie, I.

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Speaker 4: Want to see this movie. Yeah.

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Speaker 5: Well, let's go ahead and jump into our recap. We

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Speaker 5: are going to recap season two, episode sixteen, Danger Boy.

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Speaker 3: What are you shaking your head for?

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Speaker 9: Will?

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00:16:47,880 --> 00:16:51,160
Speaker 4: I hated this episode? Oh my god, I couldnot predict

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00:16:51,280 --> 00:16:55,040
Speaker 4: you know what? How did you hate this episode?

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00:16:55,240 --> 00:16:55,800
Speaker 3: I did not.

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Speaker 4: I know why you hated this because of Rusty and

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00:16:58,080 --> 00:16:58,720
Speaker 4: Betsy's story.

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Speaker 9: You know that actually didn't that wasn't that? That was

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00:17:01,720 --> 00:17:02,320
Speaker 9: okay to me.

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Speaker 1: I felt like for myself, for my own acting in

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00:17:07,040 --> 00:17:11,119
Speaker 1: this episode, I have taken three steps way backwards. And

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Speaker 1: it's because, oh, and I think it was because I

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00:17:13,520 --> 00:17:15,879
Speaker 1: did so well in the last episode with the with

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Speaker 1: the hair cutting that now I'm reaching for it. So

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Speaker 1: I was pushing all these moments that just weren't there,

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Speaker 1: and I'm watching this going like this is awful.

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00:17:25,440 --> 00:17:28,080
Speaker 4: So yeah, I didn't. I oh, I was. I was

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00:17:28,200 --> 00:17:32,000
Speaker 4: uncomfortable this entire episode perform, But you're.

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Speaker 3: Okay with everything, like storyline wise or the.

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Speaker 1: Storyline of of I loved seeing well, we'll get into it,

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Speaker 1: but I love seeing Corey and Feenie back together again,

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Speaker 1: and like all that.

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Speaker 4: Stuff felt right.

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Speaker 1: At the Betsy and Rusty stuff, I'm now just going, Okay,

355
00:17:43,359 --> 00:17:44,880
Speaker 1: that's where they're throwing them and I hate that. I'm

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Speaker 1: not going to bring it up anymore. It's just bad

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00:17:47,040 --> 00:17:50,320
Speaker 1: sitcom trope. But the but no, I love the rest

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00:17:50,320 --> 00:17:52,440
Speaker 1: of it was great. I just my performance I could

359
00:17:52,520 --> 00:17:55,240
Speaker 1: not get over. I just I felt like I was

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00:17:55,280 --> 00:17:56,960
Speaker 1: trying to swing for the fence every time.

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Speaker 4: Like, oh, I can make it funny, and it just

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00:17:59,280 --> 00:17:59,840
Speaker 4: never worked.

363
00:18:03,640 --> 00:18:08,600
Speaker 8: Yeah, I have to disagree. I just watched it yesterday

364
00:18:08,640 --> 00:18:10,360
Speaker 8: because I wanted this to be fresh. Now.

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00:18:10,359 --> 00:18:13,679
Speaker 7: I don't know if this is your guys' experience, but

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00:18:14,440 --> 00:18:17,560
Speaker 7: I think I watched this episode when it first aired,

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00:18:18,560 --> 00:18:22,560
Speaker 7: but it's been so long that it was literally like

368
00:18:22,640 --> 00:18:24,160
Speaker 7: I was watching it for the first time.

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Speaker 2: That's exactly right, and.

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Speaker 3: This is I mean, we'll talk about this, but Will

371
00:18:28,880 --> 00:18:30,679
Speaker 3: and I always talk about how we never worked together.

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00:18:31,000 --> 00:18:33,040
Speaker 4: This is a Sean and Eric storyline.

373
00:18:34,400 --> 00:18:38,760
Speaker 3: Neither of us remember, like, yes, together all the time,

374
00:18:39,000 --> 00:18:41,400
Speaker 3: and like this whole storyline with you, Tony, I don't

375
00:18:41,600 --> 00:18:43,720
Speaker 3: obviously I wasn't there for it, but I didn't remember it.

376
00:18:43,800 --> 00:18:47,280
Speaker 3: I remember the roller coaster, I remember to ask it,

377
00:18:47,359 --> 00:18:49,560
Speaker 3: but I didn't remember why it was there, like or

378
00:18:49,720 --> 00:18:52,600
Speaker 3: any any aspect of the storyline. I just remember Ben

379
00:18:52,640 --> 00:18:54,040
Speaker 3: getting hurt unfortunately.

380
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Speaker 4: Yeah, yeah, yeah, we'll get into.

381
00:18:57,320 --> 00:19:00,120
Speaker 2: That, all right, so let's jump in.

382
00:19:00,160 --> 00:19:03,080
Speaker 5: The synopsis is that Corey and mister Feenie are fed

383
00:19:03,160 --> 00:19:06,680
Speaker 5: up with being considered safe and boring, so they decide

384
00:19:06,720 --> 00:19:11,040
Speaker 5: to find their dangerous sides. It was directed by David Traynor.

385
00:19:11,119 --> 00:19:14,920
Speaker 5: It was written by Glenn Mercer, and it guest stars

386
00:19:15,000 --> 00:19:22,320
Speaker 5: Monni Hoffman as Chubby, who's a new actor, Kathy Kinney

387
00:19:22,440 --> 00:19:25,480
Speaker 5: as Rifkin. She was Mimi from The Drew Carey Show,

388
00:19:26,119 --> 00:19:28,840
Speaker 5: but this was before she was on Drew Carey.

389
00:19:29,280 --> 00:19:30,160
Speaker 8: I remember that.

390
00:19:30,560 --> 00:19:36,440
Speaker 5: And then McNally's Segal as Tricia Stone, Heidi Lucas as Kim.

391
00:19:36,720 --> 00:19:40,560
Speaker 5: She's Dina from salute your shorts, and then the first

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00:19:40,640 --> 00:19:46,240
Speaker 5: appearance of Mina Suvari as Laura. Mina Suvari play a

393
00:19:46,240 --> 00:19:46,919
Speaker 5: different character.

394
00:19:47,200 --> 00:19:49,200
Speaker 4: She was Oh, I thought she only did this one.

395
00:19:49,320 --> 00:19:49,959
Speaker 2: No, she was in.

396
00:19:50,040 --> 00:19:52,239
Speaker 5: She was in another episode. She'll come back later. And

397
00:19:52,280 --> 00:19:56,760
Speaker 5: then we have Terry Crisp as Elvis, Philip Simon as Rodique,

398
00:19:56,760 --> 00:20:00,720
Speaker 5: and Harley Zumbrum as Swindl. I thought it was interesting

399
00:20:00,720 --> 00:20:03,640
Speaker 5: that we had a real life Harley on the set,

400
00:20:05,560 --> 00:20:08,040
Speaker 5: not a Harvey, not a Harvey, but a Harley.

401
00:20:08,520 --> 00:20:11,000
Speaker 2: So to recap, we jump into the Matthew's living.

402
00:20:11,280 --> 00:20:13,119
Speaker 3: I'm sorry, did you already say when this episode aired?

403
00:20:13,520 --> 00:20:15,840
Speaker 2: I did not, Wow, I didn't know anybody paid attention

404
00:20:15,880 --> 00:20:16,320
Speaker 2: to those things.

405
00:20:17,359 --> 00:20:18,360
Speaker 4: When did you get here?

406
00:20:20,760 --> 00:20:22,680
Speaker 3: I'm just trying to figure out when, because I feel

407
00:20:22,720 --> 00:20:25,760
Speaker 3: like Mina was was on an episode in like right

408
00:20:25,760 --> 00:20:29,520
Speaker 3: around my sixteenth birthday, and I'm trying to remember that

409
00:20:29,520 --> 00:20:31,959
Speaker 3: would have been ninety six, so she was Was she

410
00:20:32,000 --> 00:20:33,560
Speaker 3: in like the next episode or was it?

411
00:20:33,840 --> 00:20:37,840
Speaker 5: No, this episode originally aired February third, nineteen ninety five,

412
00:20:38,320 --> 00:20:42,040
Speaker 5: so you have like around a whole year possibly, or

413
00:20:42,080 --> 00:20:43,880
Speaker 5: maybe if she was around your birthday, you would have been.

414
00:20:43,840 --> 00:20:47,240
Speaker 3: Turning December December. Yeah, it would have been December of

415
00:20:47,280 --> 00:20:48,200
Speaker 3: this ninety.

416
00:20:47,920 --> 00:20:50,200
Speaker 5: Five, right, So she was going to come back later

417
00:20:50,480 --> 00:20:54,480
Speaker 5: for the next season, probably season season three. Sorry everybody,

418
00:20:54,480 --> 00:20:57,080
Speaker 5: I will never forget the date it originally aired. Maybe

419
00:20:57,080 --> 00:20:59,359
Speaker 5: I already said it and I don't know, but I

420
00:20:59,359 --> 00:21:06,240
Speaker 5: feel bad. So we opened the show with Eric making

421
00:21:06,280 --> 00:21:09,480
Speaker 5: out with Kim and I just the scene opened and

422
00:21:09,520 --> 00:21:10,800
Speaker 5: I went, who is this?

423
00:21:10,960 --> 00:21:11,840
Speaker 2: Who's Tim?

424
00:21:12,320 --> 00:21:15,439
Speaker 4: Me too? And we're like making out on the couch?

425
00:21:16,160 --> 00:21:21,960
Speaker 1: Yeah, yeah, yeah, yeah, didn't remember that at talking about kissing,

426
00:21:22,359 --> 00:21:24,720
Speaker 1: talking about kissing and just all that kind of stuff,

427
00:21:24,760 --> 00:21:26,400
Speaker 1: and it started my performance.

428
00:21:26,400 --> 00:21:28,439
Speaker 4: I was like, Okay, I'm easing into it.

429
00:21:28,480 --> 00:21:28,920
Speaker 2: This is good.

430
00:21:28,960 --> 00:21:31,280
Speaker 4: Yeah, we'll get into it. But yeah, it was I.

431
00:21:31,240 --> 00:21:31,960
Speaker 2: Thought it was great.

432
00:21:32,000 --> 00:21:34,160
Speaker 5: The two of you were trying to focus on studying

433
00:21:34,200 --> 00:21:36,399
Speaker 5: for a test. I thought it seemed very natural that

434
00:21:36,440 --> 00:21:39,720
Speaker 5: you were getting distracted with each other. Eric says they'll

435
00:21:39,720 --> 00:21:42,000
Speaker 5: have more time to kiss on Saturday, but Kim says

436
00:21:42,040 --> 00:21:44,120
Speaker 5: she has to spend time with her younger cousin who's

437
00:21:44,119 --> 00:21:46,240
Speaker 5: out of town. Coming in from out of town, Eric

438
00:21:46,359 --> 00:21:49,600
Speaker 5: suggests they double date with Corey, who is also thirteen,

439
00:21:49,880 --> 00:21:52,800
Speaker 5: just like Kim's cousin. Eric says Corey is mature for

440
00:21:52,880 --> 00:21:55,520
Speaker 5: his age, and right then Corey runs in and pretends

441
00:21:55,560 --> 00:21:57,840
Speaker 5: he's a fountain as he spits water out of his

442
00:21:57,920 --> 00:21:59,200
Speaker 5: mouth with one leg up.

443
00:21:59,680 --> 00:22:00,480
Speaker 2: He said he was.

444
00:22:00,520 --> 00:22:04,440
Speaker 4: Also carrying potato chips. I was wondering why.

445
00:22:04,680 --> 00:22:06,560
Speaker 3: I guess it just makes it funnier for his hands

446
00:22:06,600 --> 00:22:07,880
Speaker 3: to be full, Like, I don't know.

447
00:22:08,040 --> 00:22:10,600
Speaker 5: And I can understand. I think they're trying to include

448
00:22:10,600 --> 00:22:12,560
Speaker 5: the reality of why was he in the kitchen? Why

449
00:22:12,600 --> 00:22:14,760
Speaker 5: is sewn upstairs? So he ran to the kitchen to

450
00:22:14,760 --> 00:22:18,320
Speaker 5: get hip a snack and then realized he was a fountain.

451
00:22:18,400 --> 00:22:20,440
Speaker 2: But I actually thought the fountain bit was very It

452
00:22:20,560 --> 00:22:21,240
Speaker 2: was very funny.

453
00:22:21,320 --> 00:22:22,280
Speaker 3: It was very funny.

454
00:22:22,400 --> 00:22:23,440
Speaker 2: No one cleans up the water.

455
00:22:24,240 --> 00:22:26,560
Speaker 4: But also why would he go through the livery like

456
00:22:26,640 --> 00:22:27,360
Speaker 4: we keep coming through.

457
00:22:27,440 --> 00:22:29,520
Speaker 3: I mean, obviously Sean comes here to check out the

458
00:22:29,520 --> 00:22:32,359
Speaker 3: makeout session, but like there's stairs out of the kitchen.

459
00:22:32,600 --> 00:22:36,879
Speaker 1: So I guess he wanted to show them. The thing

460
00:22:36,880 --> 00:22:38,719
Speaker 1: that I love is the way that Ben performed it.

461
00:22:38,960 --> 00:22:40,960
Speaker 1: You could tell he was in the kitchen and he

462
00:22:41,040 --> 00:22:43,920
Speaker 1: had discovered this thing. I know, like he had obviously

463
00:22:43,960 --> 00:22:45,199
Speaker 1: been in there and he was like, oh wait, I

464
00:22:45,200 --> 00:22:50,400
Speaker 1: could be a fountain and also changes dad it was disgusting, like.

465
00:22:52,040 --> 00:22:55,720
Speaker 3: This is something my son would do now eight And

466
00:22:55,760 --> 00:22:58,520
Speaker 3: I'm like, dude, that's disgusting. Stops it.

467
00:23:01,280 --> 00:23:03,880
Speaker 2: So Corey says he has to show Sean. He runs out.

468
00:23:04,040 --> 00:23:06,600
Speaker 5: Eric changes his mind and says never mind, and then

469
00:23:06,680 --> 00:23:08,760
Speaker 5: he says, I'll hook your cousin up with the squeegee

470
00:23:08,800 --> 00:23:11,240
Speaker 5: guy from the gas station down the street.

471
00:23:12,880 --> 00:23:15,200
Speaker 2: By the way, is that kid thirteen?

472
00:23:16,280 --> 00:23:16,520
Speaker 9: I know?

473
00:23:16,760 --> 00:23:20,639
Speaker 4: Yeah, I don't know, squeegee guy. I don't know.

474
00:23:20,760 --> 00:23:23,600
Speaker 1: There's a lot of strange words in this episode. Squeegee

475
00:23:23,600 --> 00:23:24,640
Speaker 1: that's always a funny word.

476
00:23:26,400 --> 00:23:27,320
Speaker 4: Strange stuff.

477
00:23:27,560 --> 00:23:28,440
Speaker 7: Yeah.

478
00:23:28,800 --> 00:23:30,960
Speaker 5: Kim says they can get together in two weeks once

479
00:23:31,000 --> 00:23:34,080
Speaker 5: her cousin leaves she's visiting for a long time.

480
00:23:34,720 --> 00:23:39,359
Speaker 4: Yeah, in the middle of the school year, like you do.

481
00:23:39,600 --> 00:23:42,160
Speaker 5: But Eric says he'll talk to Corey. He'll make sure

482
00:23:42,240 --> 00:23:45,000
Speaker 5: he's in line for the date. Sean then comes downstairs

483
00:23:45,080 --> 00:23:48,080
Speaker 5: and Kim asks if he's also thirteen, because her cousin

484
00:23:48,119 --> 00:23:50,600
Speaker 5: would have a really good time with him, and Eric

485
00:23:50,600 --> 00:23:52,919
Speaker 5: says he doesn't want to ditch Corey because he's his blood,

486
00:23:53,359 --> 00:23:56,840
Speaker 5: but then Kim kisses him and Eric says Sean has

487
00:23:56,880 --> 00:24:01,520
Speaker 5: blood guys, why does this show act like certain kisses

488
00:24:02,160 --> 00:24:07,879
Speaker 5: are more powerful than unmagicalorceled by.

489
00:24:07,760 --> 00:24:13,160
Speaker 4: Her lyrics to no longer scala?

490
00:24:13,359 --> 00:24:18,920
Speaker 7: Does that go along with squeegee? Well, she did throw

491
00:24:18,960 --> 00:24:21,520
Speaker 7: you back onto the couch, so that had something to do.

492
00:24:21,440 --> 00:24:22,600
Speaker 2: With I guess yeah.

493
00:24:22,640 --> 00:24:25,400
Speaker 5: I guess it was the force of being pushed against

494
00:24:25,440 --> 00:24:26,840
Speaker 5: it and then and then a kiss.

495
00:24:27,560 --> 00:24:30,760
Speaker 8: Yeah, anybody does that to me. I'm going to reconsider

496
00:24:30,880 --> 00:24:31,680
Speaker 8: what I was just thinking.

497
00:24:32,720 --> 00:24:34,480
Speaker 4: I guess maybe, okay, okay.

498
00:24:34,920 --> 00:24:38,080
Speaker 5: I I remember it being that, like we would do

499
00:24:38,119 --> 00:24:39,840
Speaker 5: these things and it would be like we're making out,

500
00:24:39,840 --> 00:24:41,480
Speaker 5: we're making out, we're making out, and then like one

501
00:24:41,520 --> 00:24:43,359
Speaker 5: thing would change, like I put my hand on your shoulder,

502
00:24:43,359 --> 00:24:44,480
Speaker 5: and now it's like, wow.

503
00:24:44,440 --> 00:24:47,280
Speaker 4: The world is over. Here's my bank account?

504
00:24:49,960 --> 00:24:50,719
Speaker 3: What? What?

505
00:24:50,720 --> 00:24:51,560
Speaker 4: What is happening.

506
00:24:54,040 --> 00:24:56,040
Speaker 3: It's a weird setup for this whole thing. I don't

507
00:24:56,080 --> 00:25:00,680
Speaker 3: know why, Like Sean walking through gets more attention because

508
00:25:00,680 --> 00:25:03,480
Speaker 3: I'm being respectful, because I'm like, oh, I'm just just here,

509
00:25:03,920 --> 00:25:07,080
Speaker 3: you know, whereas Cory is being a fountain. Like it's

510
00:25:07,160 --> 00:25:09,680
Speaker 3: kind of weird, like the fact that Eric's dating life

511
00:25:09,760 --> 00:25:12,800
Speaker 3: is tethered to like Sean's desirability is it's a very

512
00:25:13,080 --> 00:25:13,680
Speaker 3: weird thing.

513
00:25:13,800 --> 00:25:14,520
Speaker 2: Ye agree.

514
00:25:14,560 --> 00:25:18,560
Speaker 9: And also they needed you separate so you weren't tainted

515
00:25:18,640 --> 00:25:21,280
Speaker 9: by the fountain, because why wouldn't they just come out

516
00:25:21,280 --> 00:25:22,199
Speaker 9: of the kitchen together.

517
00:25:22,320 --> 00:25:24,520
Speaker 1: But then it's one's supposed to look like a little

518
00:25:24,600 --> 00:25:26,240
Speaker 1: kid while the other's supposed to look like he's a

519
00:25:26,240 --> 00:25:27,040
Speaker 1: little more adult.

520
00:25:27,080 --> 00:25:28,840
Speaker 3: And the irony is that, like, if you think about

521
00:25:28,920 --> 00:25:31,600
Speaker 3: Corey and Sean, Cory is clearly the more mature.

522
00:25:31,960 --> 00:25:34,600
Speaker 4: Yeah, Sean is the one who.

523
00:25:34,480 --> 00:25:36,520
Speaker 3: Would love the fountain. He would like be doing the

524
00:25:36,520 --> 00:25:39,600
Speaker 3: fountain over and over again. But I guess when it

525
00:25:39,600 --> 00:25:41,440
Speaker 3: comes to girls, you know, Corey.

526
00:25:41,880 --> 00:25:45,800
Speaker 1: They also the title of the pieces danger boy, and

527
00:25:45,840 --> 00:25:49,200
Speaker 1: they do nothing to show that Sean is dangerous even slightly.

528
00:25:49,240 --> 00:25:51,440
Speaker 1: It's not like you came down and lit a cigarette,

529
00:25:51,680 --> 00:25:53,520
Speaker 1: you know what I mean. It's like you're actually want

530
00:25:53,520 --> 00:25:54,200
Speaker 1: to get some soda.

531
00:25:54,400 --> 00:25:56,480
Speaker 3: That would make sense if I was doing something a

532
00:25:56,480 --> 00:25:59,639
Speaker 3: little like risky or like right showing that I was

533
00:25:59,680 --> 00:26:02,760
Speaker 3: more of a rebellious teenager than exactly.

534
00:26:02,280 --> 00:26:03,160
Speaker 2: Which I guess.

535
00:26:03,240 --> 00:26:05,840
Speaker 5: To that point, the fact that you came down and

536
00:26:06,119 --> 00:26:08,640
Speaker 5: just admitted I'm actually only down here because I heard

537
00:26:08,640 --> 00:26:10,359
Speaker 5: you were smoking hot and I wanted to check you

538
00:26:10,400 --> 00:26:12,760
Speaker 5: out is kind of a little.

539
00:26:12,880 --> 00:26:14,760
Speaker 4: Does it, ye, kind of does it.

540
00:26:14,760 --> 00:26:16,560
Speaker 2: It's a little mature and risky.

541
00:26:16,680 --> 00:26:18,520
Speaker 3: But I heard that he was she was smoking hot

542
00:26:18,560 --> 00:26:21,720
Speaker 3: because Corey told me she was smoking hot.

543
00:26:21,960 --> 00:26:30,840
Speaker 7: So yeah, I love I love the line.

544
00:26:31,240 --> 00:26:33,919
Speaker 4: Okay, as you were as you were, as you were?

545
00:26:34,119 --> 00:26:36,840
Speaker 8: Sure? Yeah, yeah, that actually made me laugh.

546
00:26:36,920 --> 00:26:46,840
Speaker 3: That was fun. That's funny.

547
00:26:48,119 --> 00:26:50,960
Speaker 5: So then we were in the school hallway and by

548
00:26:51,000 --> 00:26:54,760
Speaker 5: the way, Will, I didn't recognize a single background actor

549
00:26:54,920 --> 00:27:00,520
Speaker 5: I did except for Ricky in this first when the

550
00:27:00,560 --> 00:27:02,800
Speaker 5: first shock, when they opened and there were people crossing,

551
00:27:02,800 --> 00:27:04,760
Speaker 5: I was like, I don't know those people. And I'm

552
00:27:04,800 --> 00:27:08,280
Speaker 5: saying this Tony because Will commented I have seen the

553
00:27:08,480 --> 00:27:12,720
Speaker 5: same seven background in this all the way.

554
00:27:13,440 --> 00:27:19,320
Speaker 3: Will's pissed off that people had consistent jobs. Can we

555
00:27:20,080 --> 00:27:25,119
Speaker 3: you know, a different eye, Candy, I mean, come up

556
00:27:25,160 --> 00:27:25,640
Speaker 3: a little bit.

557
00:27:25,720 --> 00:27:30,000
Speaker 5: It was like, yeah, Tony, did you ever get to

558
00:27:30,080 --> 00:27:31,880
Speaker 5: know any of our background actors?

559
00:27:32,200 --> 00:27:32,600
Speaker 8: Yeah?

560
00:27:32,720 --> 00:27:35,000
Speaker 7: Yeah, absolutely, yeah, because when we were just kind of

561
00:27:35,000 --> 00:27:38,119
Speaker 7: hanging around waiting for between takes, we would talk and

562
00:27:38,320 --> 00:27:40,239
Speaker 7: I would always, you know, have something to say to him.

563
00:27:40,320 --> 00:27:45,800
Speaker 8: So yeah, they were all very recognizable, although I don't.

564
00:27:45,960 --> 00:27:48,440
Speaker 8: I look at him and I go, who are those people.

565
00:27:49,960 --> 00:27:52,760
Speaker 5: Well, we there are few that we really know, like

566
00:27:52,800 --> 00:27:55,560
Speaker 5: the regulars. And then I actually was like, wow, these

567
00:27:55,560 --> 00:27:57,239
Speaker 5: are not oli ore you. And then once we got

568
00:27:57,280 --> 00:27:59,200
Speaker 5: to the downstairs part and Ricky was in the back,

569
00:27:59,240 --> 00:28:00,919
Speaker 5: I was like, Okay, now I know some of these people.

570
00:28:00,920 --> 00:28:03,320
Speaker 1: But at the open the one girl who I see

571
00:28:03,359 --> 00:28:04,920
Speaker 1: all the time, who she and I used to talk

572
00:28:05,000 --> 00:28:08,080
Speaker 1: all the time, with the big hair. She's a shorter

573
00:28:08,160 --> 00:28:09,879
Speaker 1: girl with the big hair, and she was very sweet.

574
00:28:09,880 --> 00:28:11,320
Speaker 1: I can't unfortunately can't remember her name, but she and

575
00:28:11,359 --> 00:28:12,240
Speaker 1: I used to talk quite a bit.

576
00:28:12,840 --> 00:28:15,520
Speaker 4: Okay, very nice people. I just I think there's.

577
00:28:15,280 --> 00:28:17,120
Speaker 3: That guy, the black guy.

578
00:28:17,560 --> 00:28:19,520
Speaker 4: Is he like, he's got really short short hair.

579
00:28:19,640 --> 00:28:21,280
Speaker 3: He was super nice to you, I think.

580
00:28:21,560 --> 00:28:26,880
Speaker 1: I was like, I think it was another super nice

581
00:28:26,880 --> 00:28:29,520
Speaker 1: guy and one of our consistent.

582
00:28:29,160 --> 00:28:32,400
Speaker 3: Actors, like good performers, so he was always figured prominently

583
00:28:32,520 --> 00:28:34,520
Speaker 3: and yeah, and it was it was so weird to

584
00:28:34,520 --> 00:28:36,399
Speaker 3: have his name like flash in my head. I was like,

585
00:28:36,520 --> 00:28:38,080
Speaker 3: Ron Ron, but I hope i'm.

586
00:28:38,680 --> 00:28:40,800
Speaker 1: Rider, will say, Rider will say, I have no memory

587
00:28:40,840 --> 00:28:43,320
Speaker 1: for anything, and then a month later, remember the.

588
00:28:43,200 --> 00:28:46,080
Speaker 2: Most obscure thing that will true.

589
00:28:46,520 --> 00:28:50,440
Speaker 1: It's like where the French background actor was born?

590
00:28:51,400 --> 00:28:52,840
Speaker 3: Like are you kidding me.

591
00:28:52,960 --> 00:28:55,600
Speaker 4: It's like, what, Well, it's all coming back, you know.

592
00:28:55,680 --> 00:28:58,560
Speaker 3: You see the juices start flowing.

593
00:28:59,320 --> 00:29:01,600
Speaker 4: Sounds right round. I think it was wrong.

594
00:29:01,680 --> 00:29:02,360
Speaker 3: Yeah.

595
00:29:02,400 --> 00:29:06,120
Speaker 5: So we see mister Feenie who walks by reminding mister

596
00:29:06,160 --> 00:29:10,600
Speaker 5: Turner of a faculty advisor meeting at four o'clock. Mister Turner,

597
00:29:10,680 --> 00:29:13,360
Speaker 5: who clearly makes fun of the meeting, says he doesn't

598
00:29:13,440 --> 00:29:14,080
Speaker 5: want to go.

599
00:29:14,520 --> 00:29:16,240
Speaker 2: Do you remember this scene, Tony?

600
00:29:16,880 --> 00:29:17,320
Speaker 7: I do not.

601
00:29:19,880 --> 00:29:20,800
Speaker 4: Do you remember any.

602
00:29:20,640 --> 00:29:21,400
Speaker 3: Of this episode?

603
00:29:23,240 --> 00:29:25,040
Speaker 7: I will get to it, but the only thing I

604
00:29:25,520 --> 00:29:28,960
Speaker 7: have is a takeaway from this episode has to do

605
00:29:29,000 --> 00:29:30,240
Speaker 7: with the roller coaster. Ye.

606
00:29:31,080 --> 00:29:34,960
Speaker 8: But yeah, I look at myself and I go, I

607
00:29:35,080 --> 00:29:35,600
Speaker 8: know that's me.

608
00:29:36,280 --> 00:29:37,200
Speaker 3: Yeah, but I don't.

609
00:29:37,600 --> 00:29:39,160
Speaker 8: I don't remember it.

610
00:29:39,160 --> 00:29:41,959
Speaker 1: It's like watching somebody else, isn't it. It's like watching

611
00:29:42,120 --> 00:29:43,760
Speaker 1: somebody else. Yeah, it's weird.

612
00:29:43,840 --> 00:29:46,000
Speaker 8: Yes, Why why is that?

613
00:29:46,880 --> 00:29:49,480
Speaker 4: Because it was just another another day work?

614
00:29:49,760 --> 00:29:52,520
Speaker 3: Yeah? You were probably more concerned about what you and

615
00:29:52,600 --> 00:29:55,160
Speaker 3: Will we're going to do for lunch than like you.

616
00:29:57,520 --> 00:29:59,680
Speaker 3: I mean, also, I feel like you and Bill had

617
00:29:59,760 --> 00:30:02,880
Speaker 3: so many of these scenes that were just the two

618
00:30:02,920 --> 00:30:04,520
Speaker 3: of you, or the two of you and like other

619
00:30:04,600 --> 00:30:08,080
Speaker 3: guest cast. In the later scene, which is which probably

620
00:30:08,080 --> 00:30:10,840
Speaker 3: you guys spent like five minutes rehearsing because you were

621
00:30:10,880 --> 00:30:13,000
Speaker 3: the pros, like you know, it was like you just

622
00:30:13,080 --> 00:30:15,120
Speaker 3: buzzed through and like we we wouldn't have been around

623
00:30:15,120 --> 00:30:17,640
Speaker 3: for that. So you guys probably rehearse like you'll sit here,

624
00:30:17,640 --> 00:30:19,120
Speaker 3: you'll sit here. You did it once and then you

625
00:30:19,160 --> 00:30:22,560
Speaker 3: forgot about it, you know, like yeah, yeah, it's so

626
00:30:22,680 --> 00:30:24,960
Speaker 3: cool because I don't remember any of these storylines and

627
00:30:25,000 --> 00:30:30,320
Speaker 3: I just love the Phoenie Turner dynamic. Yeah, so fun. Yeah,

628
00:30:30,520 --> 00:30:32,360
Speaker 3: especially at this point in the season, you guys have

629
00:30:32,440 --> 00:30:35,000
Speaker 3: sort of become like a I was thinking about, like

630
00:30:35,080 --> 00:30:37,680
Speaker 3: the you guys are kind of like the Greek gods

631
00:30:37,920 --> 00:30:40,760
Speaker 3: of the of the show, Like you know, like we're

632
00:30:40,760 --> 00:30:43,560
Speaker 3: the students like flailing around, and then you guys are

633
00:30:43,600 --> 00:30:45,960
Speaker 3: like the authority figures to kind of know like whether

634
00:30:46,000 --> 00:30:48,200
Speaker 3: to step in or not constantly, and so you're kind

635
00:30:48,200 --> 00:30:50,720
Speaker 3: of like having these assigns to each other like throughout

636
00:30:50,720 --> 00:30:52,840
Speaker 3: the season like should we fix this, No, let's let

637
00:30:52,840 --> 00:30:55,040
Speaker 3: the kids figure this out. And then you're also debating

638
00:30:55,080 --> 00:30:58,160
Speaker 3: amongst each other like when do we like when do

639
00:30:58,200 --> 00:31:01,400
Speaker 3: we go in or who's right. It's a cool dynamic.

640
00:31:01,640 --> 00:31:04,560
Speaker 5: Yeah, yeah, yeah, did Bill joke around with you a

641
00:31:04,600 --> 00:31:06,600
Speaker 5: lot in real life, Like while you guys were doing

642
00:31:06,600 --> 00:31:08,400
Speaker 5: these scenes, did you did you and Bill have kind

643
00:31:08,400 --> 00:31:09,760
Speaker 5: of a jokey, fun relationship?

644
00:31:10,200 --> 00:31:10,440
Speaker 7: Uh?

645
00:31:10,560 --> 00:31:13,680
Speaker 8: Yeah, sometimes we did. He was he was kind of,

646
00:31:13,720 --> 00:31:15,280
Speaker 8: you know, just kind of all business about it.

647
00:31:15,320 --> 00:31:17,560
Speaker 7: But if we if I would throw something out there,

648
00:31:17,600 --> 00:31:19,320
Speaker 7: he would joke back to me and we would laugh

649
00:31:19,360 --> 00:31:21,360
Speaker 7: a little bit, and then he would make comments about

650
00:31:21,360 --> 00:31:23,400
Speaker 7: some of the other storylines or something, so we would

651
00:31:23,440 --> 00:31:24,080
Speaker 7: have a lot of fun.

652
00:31:24,480 --> 00:31:24,800
Speaker 2: Okay.

653
00:31:26,280 --> 00:31:29,160
Speaker 5: So Phoene says, uh, Turner has no choice, and he

654
00:31:29,240 --> 00:31:31,000
Speaker 5: calls him mister Picky.

655
00:31:32,160 --> 00:31:34,520
Speaker 4: A beautiful roos.

656
00:31:34,760 --> 00:31:35,880
Speaker 3: Yeah, did you love it?

657
00:31:36,240 --> 00:31:37,040
Speaker 2: I did love it?

658
00:31:37,120 --> 00:31:38,080
Speaker 4: I love it absolute?

659
00:31:38,320 --> 00:31:42,320
Speaker 8: Yeah, don't remember it? And do you remember that tie

660
00:31:42,320 --> 00:31:42,600
Speaker 8: at all?

661
00:31:43,040 --> 00:31:45,200
Speaker 5: Well, you had so many of them, I could find

662
00:31:45,200 --> 00:31:48,560
Speaker 5: it hard to believe you'd ever remember any of them. Nearby,

663
00:31:48,920 --> 00:31:50,960
Speaker 5: Eric asks Sean if he wants to go on a

664
00:31:51,000 --> 00:31:54,640
Speaker 5: double date with him Kim and Kim's cousin. Sean asks, well,

665
00:31:54,640 --> 00:31:57,800
Speaker 5: what about Corey, and Eric gets defensive, saying he definitely

666
00:31:57,840 --> 00:31:59,640
Speaker 5: asked his brother, what do you think of me?

667
00:32:00,040 --> 00:32:01,920
Speaker 2: And Sewan answers, I don't think anything of you.

668
00:32:03,760 --> 00:32:06,000
Speaker 3: We don't talk to each other exist.

669
00:32:06,560 --> 00:32:09,040
Speaker 1: I know it's very strange, but we this is now

670
00:32:09,040 --> 00:32:12,840
Speaker 1: what the nineteenth episode we've been together where we're it's

671
00:32:12,880 --> 00:32:14,600
Speaker 1: like we rider and I would always.

672
00:32:14,320 --> 00:32:15,200
Speaker 4: Say we never worked together.

673
00:32:15,240 --> 00:32:17,200
Speaker 1: We had like one scene together, and then throughout the

674
00:32:17,240 --> 00:32:19,000
Speaker 1: first season we worked together a bunch.

675
00:32:19,120 --> 00:32:20,720
Speaker 4: Now the second season, we've got other things.

676
00:32:20,800 --> 00:32:23,400
Speaker 1: It's like, what show were we watching where we thought

677
00:32:23,400 --> 00:32:24,400
Speaker 1: we never worked together?

678
00:32:24,520 --> 00:32:25,720
Speaker 4: Because we did.

679
00:32:26,800 --> 00:32:27,920
Speaker 8: And I said the same thing.

680
00:32:28,000 --> 00:32:29,960
Speaker 7: I said the same thing about you and I Will,

681
00:32:30,000 --> 00:32:32,479
Speaker 7: where I was thinking we hardly had any scenes together.

682
00:32:33,120 --> 00:32:35,600
Speaker 7: And then when I watched this show, I was like, wait,

683
00:32:35,640 --> 00:32:36,560
Speaker 7: I don't remember that.

684
00:32:37,160 --> 00:32:37,880
Speaker 4: Yeah, exactly.

685
00:32:37,920 --> 00:32:39,960
Speaker 1: I remember one thing that we'll get to, which we'll

686
00:32:40,000 --> 00:32:41,960
Speaker 1: get to later, which is which is such a Tony

687
00:32:42,000 --> 00:32:42,520
Speaker 1: Will moment.

688
00:32:42,560 --> 00:32:43,080
Speaker 4: Oh my god.

689
00:32:43,600 --> 00:32:45,520
Speaker 1: And it was just for us and we were just

690
00:32:45,680 --> 00:32:49,280
Speaker 1: entertaining each other, but it was it was great. But no,

691
00:32:49,400 --> 00:32:51,760
Speaker 1: this is where my acting to me, this scene going

692
00:32:51,840 --> 00:32:53,480
Speaker 1: up to Sean, and it was like.

693
00:32:53,400 --> 00:32:54,000
Speaker 3: What do you think?

694
00:32:54,120 --> 00:32:57,800
Speaker 1: Oh, I just I haven't had trouble with my acting

695
00:32:57,880 --> 00:33:00,520
Speaker 1: in a while now, and this one I found a

696
00:33:00,560 --> 00:33:01,160
Speaker 1: little Wow.

697
00:33:01,680 --> 00:33:03,400
Speaker 4: Yeah, it was not a fan of my performance in

698
00:33:03,400 --> 00:33:04,080
Speaker 4: this episode.

699
00:33:04,360 --> 00:33:05,440
Speaker 8: No, I did not. I did not.

700
00:33:05,680 --> 00:33:06,440
Speaker 3: That's very sweet.

701
00:33:06,760 --> 00:33:07,800
Speaker 8: Did at all.

702
00:33:07,880 --> 00:33:10,720
Speaker 7: And I would say it if I if I really

703
00:33:10,800 --> 00:33:13,479
Speaker 7: felt like, yeah, you were not on your I don't know,

704
00:33:13,520 --> 00:33:15,560
Speaker 7: but I didn't feel that way at all.

705
00:33:15,680 --> 00:33:17,760
Speaker 3: Yeah, I mean, I'll come back to Earth will. It's

706
00:33:17,800 --> 00:33:20,040
Speaker 3: just not super funny, you know what I mean, Like

707
00:33:20,040 --> 00:33:20,400
Speaker 3: it's not that.

708
00:33:20,480 --> 00:33:23,320
Speaker 4: Great, like trying to force the comedy.

709
00:33:23,400 --> 00:33:25,600
Speaker 1: So I'm like, I'm pushing it because I got so

710
00:33:25,680 --> 00:33:27,400
Speaker 1: many laughs in the last episode and.

711
00:33:27,280 --> 00:33:29,360
Speaker 4: That became like a thing that now I'm trying to

712
00:33:29,400 --> 00:33:30,360
Speaker 4: find them.

713
00:33:30,360 --> 00:33:33,000
Speaker 1: So I'm pushing too hard to make something that isn't

714
00:33:33,040 --> 00:33:35,480
Speaker 1: there and that and I see it on screen where

715
00:33:35,520 --> 00:33:35,920
Speaker 1: I'm just.

716
00:33:35,800 --> 00:33:36,840
Speaker 4: Like, oh, dupe, just push.

717
00:33:37,000 --> 00:33:39,120
Speaker 1: It's like that kid in you know, the eighth grade

718
00:33:39,160 --> 00:33:41,479
Speaker 1: school play who's like, I'm going to take over the play.

719
00:33:41,560 --> 00:33:43,960
Speaker 1: Like that's kind of what it seemed like to me

720
00:33:44,040 --> 00:33:44,680
Speaker 1: for this episode.

721
00:33:44,720 --> 00:33:46,440
Speaker 4: It just it hurt a little bit to watch this one.

722
00:33:46,440 --> 00:33:49,000
Speaker 7: But see for me as I just with fresh eyes

723
00:33:49,040 --> 00:33:52,080
Speaker 7: on the episode like I'd never seen it before. The

724
00:33:52,160 --> 00:33:56,200
Speaker 7: overriding theme from this from the very first moment to

725
00:33:56,240 --> 00:33:58,520
Speaker 7: where you're trying to fix up Corey and she doesn't

726
00:33:58,520 --> 00:33:59,880
Speaker 7: want to have anything to do with them, so you

727
00:34:00,120 --> 00:34:04,240
Speaker 7: know you've kind of done something bad. Sure, So it's

728
00:34:04,320 --> 00:34:06,200
Speaker 7: kind of a heavy moment where you feel like you've

729
00:34:06,280 --> 00:34:08,520
Speaker 7: kind of let your brother down, so you're trying to

730
00:34:08,520 --> 00:34:10,839
Speaker 7: be that Hey, Hey, I'm funny.

731
00:34:10,560 --> 00:34:11,799
Speaker 3: Hey make up with me.

732
00:34:11,960 --> 00:34:13,800
Speaker 4: Yeah, that's how at the end.

733
00:34:14,320 --> 00:34:16,239
Speaker 8: But I felt like it played that way throughout the

734
00:34:16,239 --> 00:34:21,160
Speaker 8: whole episode though you were in trouble the whole episode.

735
00:34:21,280 --> 00:34:25,160
Speaker 1: Yeah, your tie was was was a better performer in

736
00:34:25,200 --> 00:34:26,680
Speaker 1: this one than I was.

737
00:34:26,920 --> 00:34:28,400
Speaker 3: Did you know what is my hand rubbing? As we

738
00:34:28,440 --> 00:34:31,960
Speaker 3: walk away from Oh yeah, what am I doing? Sean

739
00:34:32,080 --> 00:34:37,920
Speaker 3: got he acted, I'm excited, get to make up with girls?

740
00:34:38,080 --> 00:34:42,480
Speaker 2: It's so dumbs well.

741
00:34:42,640 --> 00:34:45,359
Speaker 5: Sean asks what the cousin looks like and Eric says

742
00:34:45,400 --> 00:34:48,520
Speaker 5: she's l McPherson with Cindy Crawford's mind.

743
00:34:52,640 --> 00:34:52,920
Speaker 4: Nothing.

744
00:34:53,000 --> 00:34:54,360
Speaker 2: I don't know what that means.

745
00:34:54,800 --> 00:34:55,520
Speaker 8: I got nothing.

746
00:34:55,920 --> 00:34:59,960
Speaker 5: Sean realizes Eric hasn't seen her. Eric says he's paying,

747
00:35:00,200 --> 00:35:01,800
Speaker 5: and Sean has then a hundred.

748
00:35:05,680 --> 00:35:06,520
Speaker 3: Shawn's poor.

749
00:35:10,800 --> 00:35:12,960
Speaker 2: So then we are in the school cafeteria for the

750
00:35:12,960 --> 00:35:14,280
Speaker 2: teachers meeting. Ms.

751
00:35:14,320 --> 00:35:17,600
Speaker 5: Rifkin played by Kathy Kinney asks mister Turner if he

752
00:35:17,640 --> 00:35:20,160
Speaker 5: could advise the senior ski trip, and she does it

753
00:35:20,160 --> 00:35:23,359
Speaker 5: in a very flirty manner, and he says, only if

754
00:35:23,400 --> 00:35:25,719
Speaker 5: you come with me, and she giggles and gives him

755
00:35:25,719 --> 00:35:26,160
Speaker 5: the job.

756
00:35:26,760 --> 00:35:30,040
Speaker 2: Oh, Tony, do you remember do you remember working with

757
00:35:30,080 --> 00:35:30,480
Speaker 2: her at all?

758
00:35:31,640 --> 00:35:35,759
Speaker 7: I remember, I remember working with her, but I don't

759
00:35:35,840 --> 00:35:39,959
Speaker 7: remember that scene and especially that line. I don't remember that.

760
00:35:40,320 --> 00:35:43,719
Speaker 7: I do remember. I do remember working with her though,

761
00:35:43,760 --> 00:35:45,759
Speaker 7: because I remember when later on when she was on

762
00:35:45,800 --> 00:35:48,040
Speaker 7: the Drew Carry Show, I was like, that's.

763
00:35:47,840 --> 00:35:51,840
Speaker 4: The that's the show, right, So yeah.

764
00:35:51,680 --> 00:35:53,640
Speaker 8: I remember that. I just don't remember that line.

765
00:35:53,800 --> 00:35:55,359
Speaker 3: What's right now?

766
00:35:55,400 --> 00:35:56,480
Speaker 2: Are we in the cafeteria?

767
00:35:56,640 --> 00:35:57,560
Speaker 4: Cafeteria?

768
00:35:57,760 --> 00:36:00,000
Speaker 5: By the way, one of the clubs on the whiteboard

769
00:36:00,200 --> 00:36:02,320
Speaker 5: is Scuba Club, which is a nice little throwback to

770
00:36:02,360 --> 00:36:03,000
Speaker 5: season one.

771
00:36:03,120 --> 00:36:04,040
Speaker 3: But we don't have a fool.

772
00:36:04,680 --> 00:36:08,040
Speaker 1: I also, I also asked Sue because she went to

773
00:36:08,080 --> 00:36:10,480
Speaker 1: a high school just like this, and there is at

774
00:36:10,560 --> 00:36:15,200
Speaker 1: least during football season, there is a pep rally every week. Oh,

775
00:36:15,239 --> 00:36:17,520
Speaker 1: so that's why the signs are always up, because every

776
00:36:17,520 --> 00:36:18,239
Speaker 1: single weeks there.

777
00:36:18,400 --> 00:36:21,160
Speaker 4: Is That makes sense.

778
00:36:21,239 --> 00:36:25,840
Speaker 5: Okay, So mister Feoene is automatically given the role to

779
00:36:25,920 --> 00:36:29,000
Speaker 5: advise the chess club, and mister Feoenie asks why it's

780
00:36:29,040 --> 00:36:31,080
Speaker 5: a given that he will lead the chess club, just

781
00:36:31,120 --> 00:36:33,640
Speaker 5: because of the way he dresses and speaks. His little

782
00:36:33,680 --> 00:36:37,919
Speaker 5: sweater vest. He wants everyone to stop assuming things about him.

783
00:36:38,239 --> 00:36:41,400
Speaker 5: Turner moves for everyone to stop assuming anything and then says,

784
00:36:41,400 --> 00:36:43,040
Speaker 5: but you probably assumed I didn't.

785
00:36:47,239 --> 00:36:49,640
Speaker 2: And then we're in the Matthew's kitchen. Amy comes home.

786
00:36:49,800 --> 00:36:52,840
Speaker 3: Tony does one of my favorite again, one of my

787
00:36:52,960 --> 00:36:54,040
Speaker 3: favorite deliveries.

788
00:36:54,520 --> 00:36:56,719
Speaker 4: You have this certain delivery you give.

789
00:36:58,480 --> 00:36:59,920
Speaker 3: You did it. You did it the first time you

790
00:37:00,120 --> 00:37:01,960
Speaker 3: did it, and I noticed it. I remembered it so well.

791
00:37:02,080 --> 00:37:05,400
Speaker 3: Was when you walked up to Corey during the school

792
00:37:05,480 --> 00:37:07,480
Speaker 3: dance and he had put on like tons of perfume

793
00:37:07,600 --> 00:37:08,000
Speaker 3: or something.

794
00:37:08,440 --> 00:37:11,480
Speaker 4: You're like, Matthew, just smell good.

795
00:37:12,920 --> 00:37:14,839
Speaker 3: And you've done that delivered. You do it here about

796
00:37:14,840 --> 00:37:17,319
Speaker 3: the sweater vests too. I forget exactly what you say,

797
00:37:17,480 --> 00:37:19,040
Speaker 3: but you say something to with it that you kind

798
00:37:19,040 --> 00:37:21,640
Speaker 3: of turn away and have this like a little side.

799
00:37:21,000 --> 00:37:24,040
Speaker 4: Like hey, George, n exactly.

800
00:37:25,200 --> 00:37:28,720
Speaker 3: It's like you're saying the thing, but I don't believe

801
00:37:28,719 --> 00:37:31,400
Speaker 3: you're saying that. I love it. It's one of the best.

802
00:37:31,880 --> 00:37:34,040
Speaker 4: Hey, Matthews, you smell smell good.

803
00:37:34,800 --> 00:37:37,200
Speaker 3: You've done it like three times this season. I love it.

804
00:37:37,440 --> 00:37:41,240
Speaker 3: The sweater belt specific memory.

805
00:37:41,320 --> 00:37:43,640
Speaker 7: I have a specific memory about I think it was

806
00:37:43,719 --> 00:37:46,319
Speaker 7: the one where you guys were making fun of of

807
00:37:47,560 --> 00:37:51,239
Speaker 7: George Phoenie's name and it was weenie Weenie or whatever. Yeah,

808
00:37:51,280 --> 00:37:53,880
Speaker 7: And I do that same thing to Corey when I

809
00:37:53,920 --> 00:37:55,759
Speaker 7: when I say something about what if what what?

810
00:37:55,760 --> 00:37:58,000
Speaker 8: What if I called you booger or something like that?

811
00:37:58,480 --> 00:38:02,040
Speaker 8: Would you would you? Would you read? I don't know

812
00:38:02,320 --> 00:38:02,799
Speaker 8: how I feel.

813
00:38:03,080 --> 00:38:14,040
Speaker 6: Yeah, exactly, yes, yeah, yeah, because how else do you.

814
00:38:14,040 --> 00:38:14,879
Speaker 8: Make that line work?

815
00:38:18,520 --> 00:38:21,400
Speaker 5: No, it's perfect too, because the other thing is that

816
00:38:21,480 --> 00:38:23,480
Speaker 5: you have to you have to thread the needle between

817
00:38:23,960 --> 00:38:26,319
Speaker 5: are you being a little sarcastic, but you would never

818
00:38:26,520 --> 00:38:30,879
Speaker 5: like outwardly disrespect him totally, And so it's a really

819
00:38:31,000 --> 00:38:33,600
Speaker 5: like it's the it's a perfect delivery for exactly what

820
00:38:33,600 --> 00:38:34,319
Speaker 5: you're trying to do.

821
00:38:34,400 --> 00:38:38,719
Speaker 3: It's really super interesting because Turner can't be mean to Feoenie, right, right,

822
00:38:38,719 --> 00:38:40,480
Speaker 3: But there has to be conflict. There has to be

823
00:38:40,480 --> 00:38:44,000
Speaker 3: some conflict. You can't like, we would never accept Turner

824
00:38:44,200 --> 00:38:48,480
Speaker 3: on the show if he was fun yeah, like actually

825
00:38:48,560 --> 00:38:51,239
Speaker 3: undermined Phoenie's authority. It would be like, you know, or

826
00:38:51,280 --> 00:38:53,880
Speaker 3: made fun of me. So, but he is kind of threatening,

827
00:38:54,000 --> 00:38:55,200
Speaker 3: you know, it's a good dynamic.

828
00:38:55,239 --> 00:38:58,960
Speaker 10: It's really good Tony, that was that a good delivery?

829
00:39:00,000 --> 00:39:01,520
Speaker 3: It's a good scene.

830
00:39:04,200 --> 00:39:05,600
Speaker 8: Trying to find a comedy.

831
00:39:05,880 --> 00:39:13,200
Speaker 5: Yes, Amy comes home with the dry cleaning just as

832
00:39:13,239 --> 00:39:16,640
Speaker 5: Alan is off to his poker game. Amy sarcastically thanks

833
00:39:16,719 --> 00:39:18,799
Speaker 5: him for the compliment on her new hair because she

834
00:39:18,880 --> 00:39:22,480
Speaker 5: got a weave, and Alan goes with it, pretending he

835
00:39:22,600 --> 00:39:26,120
Speaker 5: notices until she says it costs a fortune. Then that

836
00:39:26,280 --> 00:39:28,359
Speaker 5: stops him in his tracks, and he wants to know

837
00:39:28,400 --> 00:39:31,360
Speaker 5: how much. Alan looks at her check book and sees

838
00:39:31,400 --> 00:39:34,520
Speaker 5: that it cost one hundred and thirty dollars. Alan asks

839
00:39:34,520 --> 00:39:37,360
Speaker 5: if that includes airfare, and Amy says, well, that's what

840
00:39:37,480 --> 00:39:40,279
Speaker 5: Rodique charges. Alan wants her to go back to this

841
00:39:40,400 --> 00:39:42,839
Speaker 5: rodeque and get her money back, and she pushes him

842
00:39:42,840 --> 00:39:44,200
Speaker 5: out the door for his poker night.

843
00:39:44,440 --> 00:39:47,200
Speaker 3: Hair obsession on our show. Just just want to note that.

844
00:39:47,680 --> 00:39:50,919
Speaker 2: Such a hair obsession storyline.

845
00:39:51,040 --> 00:39:53,279
Speaker 1: I'm no longer going to bring up the Yeah, don't

846
00:39:53,440 --> 00:39:55,720
Speaker 1: Alan's worth it?

847
00:39:55,920 --> 00:39:57,080
Speaker 4: It is what it is now.

848
00:39:57,120 --> 00:40:01,640
Speaker 1: They are the typical stereotypical sick husband and wife, and

849
00:40:01,800 --> 00:40:02,440
Speaker 1: that's what it is.

850
00:40:02,680 --> 00:40:06,160
Speaker 5: Well, after we interviewed David Kendall and he made it

851
00:40:06,440 --> 00:40:10,080
Speaker 5: very clear how many mandates from the network they had

852
00:40:10,360 --> 00:40:14,320
Speaker 5: for ways to age up the show. I guarantee you

853
00:40:14,840 --> 00:40:19,120
Speaker 5: this was a couple dynamic they wanted for them because

854
00:40:19,120 --> 00:40:21,640
Speaker 5: it was what was popular on other shows.

855
00:40:21,640 --> 00:40:24,200
Speaker 3: Probably, I guarantee you that's what it was. I also

856
00:40:24,280 --> 00:40:26,080
Speaker 3: think the next scene with them in the kitchen is

857
00:40:26,080 --> 00:40:29,359
Speaker 3: one of the coolest scenes ever. Performance was so which

858
00:40:29,400 --> 00:40:32,239
Speaker 3: was like at the end, were they yeah, yeah, well

859
00:40:32,280 --> 00:40:34,640
Speaker 3: two of them in the scene, but before the actual

860
00:40:34,680 --> 00:40:37,160
Speaker 3: poker night, but when the two of them have it's

861
00:40:37,280 --> 00:40:40,160
Speaker 3: just great, it's great, And that like won me over

862
00:40:40,360 --> 00:40:42,040
Speaker 3: to this whole story a lot. I was like, Okay,

863
00:40:42,120 --> 00:40:44,720
Speaker 3: you put Betsy and Rusty in anything, and they're entertaining,

864
00:40:45,640 --> 00:40:46,360
Speaker 3: so I'm fine.

865
00:40:46,440 --> 00:40:49,200
Speaker 1: But yeah, Betsy's last moment here when she pushes him

866
00:40:49,239 --> 00:40:50,880
Speaker 1: out the door to and it almost is like a throway,

867
00:40:50,920 --> 00:40:51,640
Speaker 1: like yeah, I love you too.

868
00:40:51,680 --> 00:40:55,280
Speaker 4: Whatever that was. I mean, again, they're they're hitting the beats,

869
00:40:55,360 --> 00:40:58,840
Speaker 4: They're good. It's just the obligatory nature of the being exactly.

870
00:40:58,840 --> 00:41:01,560
Speaker 3: I did like, actually liked that they said how much

871
00:41:01,640 --> 00:41:04,560
Speaker 3: money the haircut costs too, because when it first started happening,

872
00:41:04,560 --> 00:41:06,479
Speaker 3: and I was like, what it was like one hundred

873
00:41:06,480 --> 00:41:08,839
Speaker 3: and thirty sounds just about it, right, You're like, that

874
00:41:09,000 --> 00:41:12,000
Speaker 3: is really expensive and still today that seems pretty expensive

875
00:41:12,000 --> 00:41:15,920
Speaker 3: for a haircut, you know in ninety five, Yeah.

876
00:41:15,800 --> 00:41:17,120
Speaker 8: Yeah, it was expensive.

877
00:41:17,280 --> 00:41:17,560
Speaker 3: Yeah.

878
00:41:17,600 --> 00:41:20,000
Speaker 8: Well, how else would you service those characters? I mean,

879
00:41:20,040 --> 00:41:21,600
Speaker 8: what else would you have them doing?

880
00:41:22,120 --> 00:41:23,759
Speaker 9: Well, the thing that we we talked about is, like

881
00:41:23,800 --> 00:41:26,280
Speaker 9: the first season of the show, they were they weren't

882
00:41:26,320 --> 00:41:27,960
Speaker 9: the typical sitcom parents.

883
00:41:27,960 --> 00:41:30,040
Speaker 4: They were like young hippies kind.

884
00:41:29,800 --> 00:41:33,440
Speaker 1: Of yeah, and you know, they the way they parented

885
00:41:33,600 --> 00:41:35,120
Speaker 1: was a little more out of the box.

886
00:41:35,880 --> 00:41:37,920
Speaker 4: There were constantly scenes of them.

887
00:41:37,760 --> 00:41:40,359
Speaker 1: Which Riders has alluded to a bunch of times where

888
00:41:40,400 --> 00:41:42,879
Speaker 1: where they would be talking about, Okay, we don't really

889
00:41:42,920 --> 00:41:43,439
Speaker 1: know what we're doing.

890
00:41:43,440 --> 00:41:44,640
Speaker 4: How do we parent through this? Yea?

891
00:41:45,080 --> 00:41:48,279
Speaker 10: And it was very real and then but they had

892
00:41:48,520 --> 00:41:51,239
Speaker 10: such nutual respect too, right, Like that was the key

893
00:41:51,360 --> 00:41:54,360
Speaker 10: is that they always they weren't like even if they

894
00:41:54,360 --> 00:41:56,680
Speaker 10: had conflicts with one another, there was this level of like,

895
00:41:56,719 --> 00:42:00,360
Speaker 10: but we really understand one another and love one another,

896
00:42:00,440 --> 00:42:02,080
Speaker 10: and like there were.

897
00:42:01,960 --> 00:42:05,000
Speaker 5: Also more storylines of like them with their shared interests,

898
00:42:05,000 --> 00:42:07,600
Speaker 5: and a lot of a conflict came between them and

899
00:42:07,640 --> 00:42:10,000
Speaker 5: their kids, like the power struggle of like oh my gosh,

900
00:42:10,080 --> 00:42:11,879
Speaker 5: can you guys just be old parents? And I'm going,

901
00:42:11,920 --> 00:42:14,640
Speaker 5: but we're not. We're young and cool. And so they

902
00:42:14,680 --> 00:42:17,960
Speaker 5: were like a team kind of against the children, and

903
00:42:17,960 --> 00:42:20,160
Speaker 5: and then of course sometimes the conflict would come up

904
00:42:20,200 --> 00:42:22,200
Speaker 5: and they would then have differing ways of handling that,

905
00:42:22,239 --> 00:42:23,879
Speaker 5: and so then they have to be like team, team, team,

906
00:42:23,920 --> 00:42:24,839
Speaker 5: look at us as a team.

907
00:42:25,280 --> 00:42:26,839
Speaker 2: How do we bring us back as a team?

908
00:42:26,920 --> 00:42:30,600
Speaker 5: And this feels like every time now the conflict is

909
00:42:31,400 --> 00:42:32,440
Speaker 5: I do man thing.

910
00:42:32,400 --> 00:42:33,359
Speaker 3: You do woman thing.

911
00:42:33,680 --> 00:42:35,839
Speaker 2: We do men and women things, and women and women things.

912
00:42:35,960 --> 00:42:40,319
Speaker 3: We don't stand one another. Well, it's men are from

913
00:42:41,200 --> 00:42:42,080
Speaker 3: women are from vemalelage.

914
00:42:42,080 --> 00:42:43,560
Speaker 5: Which, by the way, when did that book come out?

915
00:42:43,560 --> 00:42:45,719
Speaker 5: I wondered about this exactly. So that was just a

916
00:42:45,880 --> 00:42:49,960
Speaker 5: very popular It was the zeitgeist of male female dynamics

917
00:42:50,000 --> 00:42:52,280
Speaker 5: and TV and everything.

918
00:42:52,320 --> 00:42:56,279
Speaker 3: So good version of it is the banded episode, right, yes,

919
00:42:56,400 --> 00:42:59,000
Speaker 3: where was that where it was like she's kind of

920
00:42:59,000 --> 00:43:01,200
Speaker 3: not supportive but also just doesn't get it. And then

921
00:43:01,200 --> 00:43:03,440
Speaker 3: where it comes back around it's because he really sucks

922
00:43:03,440 --> 00:43:05,840
Speaker 3: it singing ye, And that's right because then it's like

923
00:43:05,880 --> 00:43:09,080
Speaker 3: she's not supportive because she's can't be like she'd rather

924
00:43:09,160 --> 00:43:11,720
Speaker 3: much rather you know he'd just be him, and whereas

925
00:43:11,719 --> 00:43:13,840
Speaker 3: in this case it really is like poker night with

926
00:43:13,920 --> 00:43:16,040
Speaker 3: guys loses money doesn't make it.

927
00:43:16,080 --> 00:43:18,000
Speaker 1: We've had a couple episodes now where it's just a

928
00:43:18,000 --> 00:43:19,719
Speaker 1: bunch in a row where it's kind of like, I'm

929
00:43:19,840 --> 00:43:22,399
Speaker 1: just a dumb guy and I'm I don't understand what's

930
00:43:22,400 --> 00:43:22,799
Speaker 1: going and.

931
00:43:22,760 --> 00:43:25,359
Speaker 4: It's like, well, that wasn't what you guys were doing before, it.

932
00:43:25,280 --> 00:43:28,439
Speaker 8: Was right, right. But I do like the fact that

933
00:43:29,160 --> 00:43:34,040
Speaker 8: I always loved the fact that Rusty and Betsy loved

934
00:43:34,040 --> 00:43:34,439
Speaker 8: each other.

935
00:43:34,880 --> 00:43:36,200
Speaker 2: Yeah, yeah, Yeah.

936
00:43:36,040 --> 00:43:38,560
Speaker 7: Those characters loved each other and if there was ever

937
00:43:38,600 --> 00:43:41,000
Speaker 7: any kind of conflict, they always worked it out and

938
00:43:41,040 --> 00:43:43,920
Speaker 7: they always were best friends. Yeah, and they came to

939
00:43:43,920 --> 00:43:45,919
Speaker 7: get like that moment in the kitchen where they kiss

940
00:43:45,960 --> 00:43:48,480
Speaker 7: each other and they're laughing and joking. You could tell

941
00:43:48,600 --> 00:43:52,640
Speaker 7: you feel like these two people really do love each other. Yea.

942
00:43:52,680 --> 00:43:54,920
Speaker 1: No, they always loved each other. They just didn't always

943
00:43:55,000 --> 00:43:56,040
Speaker 1: love Eric or Morgan.

944
00:43:56,680 --> 00:43:59,879
Speaker 4: But that's okay. Yeah, And the fans of Corey Big

945
00:44:02,440 --> 00:44:04,200
Speaker 4: it's Corey's world exactly right.

946
00:44:04,800 --> 00:44:09,000
Speaker 5: Oh my gosh, we are having so much fun with Tony.

947
00:44:09,200 --> 00:44:11,560
Speaker 2: We're no dummies. If you've got him, keep them as

948
00:44:11,600 --> 00:44:14,200
Speaker 2: long as possible, so we're turning this into a two parter.

949
00:44:14,480 --> 00:44:17,160
Speaker 5: The second part of this Danger Boy episode will be

950
00:44:17,200 --> 00:44:20,759
Speaker 5: released later this week. We Love you All, pod Dismissed.

951
00:44:22,640 --> 00:44:25,640
Speaker 5: Pod Meets World is an iHeart podcast produced and hosted

952
00:44:25,680 --> 00:44:29,800
Speaker 5: by Danielle Fischel, Wilfredell and Ryder Strong. Executive producers Jensen

953
00:44:29,840 --> 00:44:33,520
Speaker 5: Karp and Amy Sugarman. Executive in charge of production, Danielle Romo,

954
00:44:33,680 --> 00:44:38,360
Speaker 5: producer and editor, Tara sudbachsch producer, Jackie Rodriguez, engineer and

955
00:44:38,440 --> 00:44:41,520
Speaker 5: Boy Meets World super fan Easton Allen. Our theme song

956
00:44:41,600 --> 00:44:44,279
Speaker 5: is by Kyle Morton of Typhoon. You can follow us

957
00:44:44,280 --> 00:44:47,120
Speaker 5: on Instagram at Pod meets World Show or email us

958
00:44:47,120 --> 00:44:49,600
Speaker 5: at pod Meets World Show at gmail dot com.