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Speaker 1: Welcome to It's Up There Podcast, your number one place

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Speaker 1: for business and podcasting rang number through these six in

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Speaker 1: little motherfucking world. Shit back. Turn up the volume on

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Speaker 1: your phone and enjoy the show with your homie an

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Speaker 1: host Big Loon Podcast. Welcome to another episode of this

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Speaker 1: up there podcast. I am your active and attractive hosts

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Speaker 1: big Loan for another episode of the fastest growing podcasts

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Speaker 1: on the market. Right now, we are in a position

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Speaker 1: to be grateful, thankful, um, and appreciate every single individual

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Speaker 1: that listens tounes in get to us in whatever way

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Speaker 1: that you get to us, you know, get put up

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Speaker 1: on us in whatever way that you get put up

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Speaker 1: on us. We want to appreciate y'all for a second.

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Speaker 1: It's always important to be um, be alive, and be

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Speaker 1: present in the moment while on the journey. And I'm

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Speaker 1: on a journey. I'm building, and what I'm building can't

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Speaker 1: no man to down, can't no man a fit. Thank God,

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Speaker 1: I understood independence. Thank god, my understanding and perspective is

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Speaker 1: in a position as well. I can navigate around such

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Speaker 1: a volatile game. This game here is fleeting us. It's

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Speaker 1: unapproachable for most people. It's unsustainable for even more. But

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Speaker 1: I'm trying to navigate in it and and in a way

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Speaker 1: where I put all my eggs in the basket and

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Speaker 1: I say let's let's play. I got faith in my skills,

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Speaker 1: I got faith in what I got going on, and um,

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Speaker 1: as long as I believe in it, I'll put things

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Speaker 1: in it and be present involved in it. If you're

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Speaker 1: listening to the audio version of the podcasts and you

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Speaker 1: want to catch the video version, I need you to

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Speaker 1: go over to YouTube and put in fog fo TV

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Speaker 1: and I have a playlist with all the episodes videos out.

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Speaker 1: You know, we're shooting four K got some of the

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Speaker 1: best equipment that the industry has the offer. Um, if

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Speaker 1: you are looking at the video version and you need

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Speaker 1: to understand where do I find the audio, then you

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Speaker 1: head the wherever you get podcasts that put in this

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Speaker 1: up that podcast and we should pop up and then

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Speaker 1: engage with us. Engage with us. Also, I need for

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Speaker 1: y'all to understand and go get some merch We got

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Speaker 1: merch at. I just dropped eighteen new new pieces. I

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Speaker 1: need to see some people engaging with that. I need

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Speaker 1: to see you buy as something, letting people know, yeah,

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Speaker 1: we're part of the journey. Yeah, you don't know about

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Speaker 1: it yet, but it's only so long, you know, it's

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Speaker 1: only so long. So um, this game here, man, it's

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Speaker 1: it's a it's a beautiful thing. As I'm as I'm

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Speaker 1: coming through and writing, I pour from people. So it's

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Speaker 1: a science to this, to this thing. I was told

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Speaker 1: that imitation is the bit is the highest form of flattery,

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Speaker 1: right when you see somebody copy you, right, and copying

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Speaker 1: somebody is relative right in regards to how egregious you

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Speaker 1: do this. Right. So if you take, if you pour

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Speaker 1: from people that inspire you, that's different than taking the

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Speaker 1: exact blueprint that you see them doing and doing it

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Speaker 1: while they're still in the game. Like it's always cool

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Speaker 1: now to come back and have a little John esque

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Speaker 1: type of artists or bone crush your s type of artists,

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Speaker 1: or one of these type of individuals that we haven't

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Speaker 1: seen in a while. But to be a Riddy Rich

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Speaker 1: standing next to a Righty Rich is uncomfortable. Right to

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Speaker 1: be a carbon copy of that same artist is uncomfortable.

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Speaker 1: And I think, and I'll get into Kanye and Jay

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Speaker 1: and certain people, it's almost like you can't really duplicate them.

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Speaker 1: You can't, Drake. You can try, but you you can't

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Speaker 1: live where they're going. It's just it's deep. But I'll

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Speaker 1: get into that later. Because Kanye is always doing something

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Speaker 1: and being ahead of the game. Um, but but but

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Speaker 1: but but. Imitation is the highest form of flattery. Is

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Speaker 1: always been pushed on us, and a lot of us

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Speaker 1: take that. I reject that. I think it depends on

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Speaker 1: high's done right, because, in my opinion, imitation without acknowledgement

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Speaker 1: is still in see what I'm saying, because a lot

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Speaker 1: of times the person that's imitating somebody won't promote the

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Speaker 1: person they imitate because then he feels the void that

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Speaker 1: I'm trying to feel because I'm doing what he's doing right.

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Speaker 1: So there's there's there's no value in me shed light

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Speaker 1: on somebody that I'm copying. That's number one. And I

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Speaker 1: and I and I also think that whoever made that

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Speaker 1: up was somebody that didn't create nothing. He was He

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Speaker 1: was a dude that copied something from somebody. You see

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Speaker 1: what I'm saying, because it's it's about how it's done.

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Speaker 1: Or he may have said that with people thinking people

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Speaker 1: would understand that, like, you can't copy somebody, you know

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Speaker 1: more for more while they're still in the same hustle,

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Speaker 1: and then don't see that to be a problem, and

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Speaker 1: then don't acknowledge the aid man because listen, I expect

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Speaker 1: for on the creative tip to you respect the game

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Speaker 1: so much that every time somebody compliment you for that,

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Speaker 1: you say, now, well, you know I got that from

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Speaker 1: Woo Do Woo, but I just I adopted it, and

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Speaker 1: I took it to the next level and I tried

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Speaker 1: to like. But but to not even say anything is

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Speaker 1: what a problem arrives. That's what the issue arrives at.

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Speaker 1: You understand me, so I don't. I don't agree with

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Speaker 1: the whole and you know, he long imitation is the

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Speaker 1: high form of flattery. Hey man, Imitation without acknowledgement is stealing. Yeah,

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Speaker 1: you're doing me good and the money you're doing me

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Speaker 1: super good. Over there, they thank you hard, They thank

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Speaker 1: you coming up with our lists. They don't know you regurgitating.

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Speaker 1: They don't know it's somebody that you won't tell him about,

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Speaker 1: some street dude that don't really know how to internet

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Speaker 1: thing go. So he may not be it know how

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Speaker 1: to get it to him yet, but you're pulling from

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Speaker 1: him and regurgitating everything that he's doing. I think it's

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Speaker 1: just weird. It's uncomfortable. I'm not. I think that's what

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Speaker 1: took me so long to really do this thing. It's

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Speaker 1: because I had to make sure that I can stand

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Speaker 1: on my ideas and my identity and my experience. I

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Speaker 1: can be able to explain my encounters and what it

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Speaker 1: took for me personally to get through things. Stand for

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Speaker 1: things right. So when people try to be you, or

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Speaker 1: people try to do the same thing you do it

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Speaker 1: just I don't know, it just be coming off it

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Speaker 1: be I receive it wrong, especially when I ain't been

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Speaker 1: paid at a high level for what I'm doing. A

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Speaker 1: lot of you dudes taking topics from me. I'm talking

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Speaker 1: industry guys. You're taking things that I'm doing right, and

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Speaker 1: it's cool. I don't know. Maybe maybe our minds think alike.

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Speaker 1: It's just it's received bad because a lot of you

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Speaker 1: dudes are getting millions of dollars for things that I'm

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Speaker 1: sure that you got from me. You execute now, right,

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Speaker 1: not not that you got your money from that, but

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Speaker 1: but you executing it, and you are you're doing it

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Speaker 1: at a high level, right, And so for me, I

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Speaker 1: need to be paid for these things when I'm from there,

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Speaker 1: crash shout about anything. Right. So, and with me being

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Speaker 1: a creative person, I gotta make sure you know sudden

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Speaker 1: things it's coincidence. And I'm like, yo, this is a

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Speaker 1: really crazy coincidence, all right, but just keep hustling right now.

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Speaker 1: I'm don't you think now, I'm keeping this in mind now,

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Speaker 1: but I gotta keep hustling. I can't stop what I'm doing.

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Speaker 1: But you better know I'm punching that ticket. You know

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Speaker 1: how you go to one of the restaurants, they give

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Speaker 1: your ticket once they get to this minute. I'm for

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Speaker 1: show on my end, and I gotta go with what

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Speaker 1: more My move is right because it's coincidence, coincidence, coincidence, coincidence.

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Speaker 1: It's like, yo, something may be up with that. So

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Speaker 1: I gotta kind of look into what's going on, you know.

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Speaker 1: So don't hit me. What the imitation is to high

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Speaker 1: form of flattering thing? Pay me to imitate me, you

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Speaker 1: know what I mean? Pay me to imitate me. I

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Speaker 1: ain't imitate nobody, not one person will I imitate. Hey,

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Speaker 1: I don't listen, this thing comes so natural. I gotta

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Speaker 1: just do me. We ain't doing no imitation of nobody

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Speaker 1: that ain't what the vibes is. We're not even interested

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Speaker 1: in doing that, you know what I'm saying. We do

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Speaker 1: that were then lost already because our whole game, my

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Speaker 1: whole brand is we got to figure this out. Our

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Speaker 1: hold brand is information in bawling and being a boss,

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Speaker 1: you know what I'm saying. So we can't imitate people

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Speaker 1: that ain't gonna get us nowhere. Hey, let me let's

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Speaker 1: let's let's let's talk about Kanye ain't let's talk about

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Speaker 1: Kanye West. Kanye West just sold out the stadium in Atlanta,

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Speaker 1: thanks Mercedes Being Stadium, fifty thousand tickets promoted it for

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Speaker 1: a week. A whole bunch of people came out, fifty

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Speaker 1: thousand people. He had him wait the hour and a

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Speaker 1: half hour before he got out there. They way that

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Speaker 1: they got out there and enjoyed themselves. He played his

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Speaker 1: music live walking around the stadium. We have to understand

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Speaker 1: the gravity of moves like this in the game. We

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Speaker 1: have to understand the gravity move like this in the game.

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Speaker 1: This ain't something that you're gonna just look at and

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Speaker 1: say that this is a rap, This is a this

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Speaker 1: is wrapped that they're taking to this level here this

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Speaker 1: is wrapped that they're reaching way up to stadiums home

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Speaker 1: the same game that you win, that you can you

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Speaker 1: can get up off your couch and go get you

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Speaker 1: some equipment and try to figure out a way to

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Speaker 1: get in. They're taking rap the spots man where nobody

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Speaker 1: had under been that and to do that when in

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Speaker 1: such short time, who else can do that? I don't

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Speaker 1: think nobody else can do that. When we talk about

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Speaker 1: the draking Kanye thing, that's a different thing, and I'll

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Speaker 1: talk about that, but we talk about can Jay do that?

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Speaker 1: I don't know. Fifty thousand tickets, have them wait for

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Speaker 1: an hour new music. Jay maybe can do that, But

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Speaker 1: Kanye is a different type of beasts. When we talk

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Speaker 1: about the game, this ain't no you're dealing with the

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Speaker 1: You're dealing with the top of the top. When you're

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Speaker 1: dealing with some of these names in this game, some

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Speaker 1: of these people represent the pinnacle not only in our lifetime,

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Speaker 1: but in ever in our industry, in hip hop, in

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Speaker 1: entertainment and wrapped. Some of these folks represent the pinnacle

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Speaker 1: where this thing can go so far and to be

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Speaker 1: present in the moment I was telling my old man,

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Speaker 1: I should have went down there. I should have went

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Speaker 1: through that, But I'm still uncomfortable with the COVID thing.

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Speaker 1: I ain't got to the point where I want to

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Speaker 1: jump out and be just amongst fifty thousand people or

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Speaker 1: a roll in loud or something like that. You know

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Speaker 1: what I'm saying. Those kind of things or thousands of

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Speaker 1: people will have me uncomfortable, you know. Um. But and

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Speaker 1: then you gotta understand that what rappers do for promo,

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Speaker 1: it's a thing now where your whole promo package now

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Speaker 1: it's try to go viral some kind of way. So

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Speaker 1: rappers do things to try to go viral. They spend

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Speaker 1: money to get people to do dances and make skits

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Speaker 1: up and this and that they and all this promo.

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Speaker 1: This dude just sold out and had the Internet on

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Speaker 1: fire and didn't drop the album. That level of promode

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Speaker 1: that I talk about when you hit me, talk about

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Speaker 1: somebody like a Joe Rogan that hey, since I'm number

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Speaker 1: one on every platform, I'm gonna be and everybody suggested box.

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Speaker 1: That's a certain level of plays period that's gonna keep

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Speaker 1: me at the number one spot. Now I got the

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Speaker 1: number one podcast, but also on the episode category, reck

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Speaker 1: got number one, episode number eight, number sixteen, number eighteen,

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Speaker 1: twenty two, twenty six, twenty eight, twenty nine. You see,

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Speaker 1: it keeps my numbers building. Everybody tries to build on

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Speaker 1: the promode. That's the point I'm making. He just did

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Speaker 1: all of that and didn't even drop the album. So

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Speaker 1: when we talk about, like jac these are the different

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Speaker 1: phases of rappers, that's different phases. That's the rapper straight

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Speaker 1: out the street, this hustling good, that's gonna go get

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Speaker 1: the teeth and the set up in the lamb bowl

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Speaker 1: and pull up in the lamb chop and the bent

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Speaker 1: lick truck. It's that rapper. And then you even got

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Speaker 1: levels under that, right, you also got the hood rapper.

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Speaker 1: They's streaming pretty good. They got a little Nicholas and

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Speaker 1: maybe got a few thousand doing pretty well. But when

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Speaker 1: we start talking about what this is a real career

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Speaker 1: for you, that's phases of rappers. There's a phase after

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Speaker 1: that that that that that rapper like a let me

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Speaker 1: see what name cannot put on that? Let me see

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Speaker 1: who cannot put right there? It's real a lot of them.

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Speaker 1: It's real a whole genre like the dudes, like the Dirks,

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Speaker 1: the posh SCHISTI that type of brand of rapper right

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Speaker 1: where you do it's two of them can where that

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Speaker 1: can is the candy where you you you rich, but

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Speaker 1: you still you know you're shiny, you flash it this,

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Speaker 1: that and the third. There's a level over that where

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Speaker 1: you're dealing with the j Coles and the Kendricks and

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Speaker 1: the big Seans and the wids could leaves. There's a

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Speaker 1: genre there right where you're rich, but you don't really

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Speaker 1: engage with all of that. But they know, they know

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Speaker 1: what type of Yeah we're doing we're doing well. But

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Speaker 1: then that's even one over that, and that's where you're

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Speaker 1: boarding them laying that. That's where you're you did it.

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Speaker 1: And some people are gonna get on me for saying

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Speaker 1: did it with the rapper, But that means you don't

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Speaker 1: understand the business, exclude yourself from the conversation. That's where

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Speaker 1: you're Jay and you did it. I'm telling you where

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Speaker 1: they're taking the ball. Let y'all want to talk about

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Speaker 1: me about who rapping and writing. What I'm telling you

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Speaker 1: where the folk taking our culture to the buildings they're

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Speaker 1: going into you understand, and me the land mass they

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Speaker 1: tiptoeing around with the coach in their hand. The folk

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Speaker 1: got the backpack of the coach on and they walking in.

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Speaker 1: NBC and ABC passed them in certain cases, you know,

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Speaker 1: doing things representing us far as the culture it's concerned,

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Speaker 1: far as the information is concerned. You understand. It's a

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Speaker 1: reason why Jay let us have grow out like that.

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Speaker 1: It's a reason why did it go in and still

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Speaker 1: talking embrace the coach in the way that he does.

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Speaker 1: I got questions for Dre. I got questions for some

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Speaker 1: of our other billion there brothers, is have you separated

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Speaker 1: yourself from the culture to endorse the money, to endorse

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Speaker 1: the money, have you separated yourself from the culture? Right?

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Speaker 1: Because you still carry out flag even when you do that.

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Speaker 1: So even though you spunk around and spunked off and

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Speaker 1: thought you went that way, you still represent and those

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Speaker 1: way over there while you're playing, and when they get

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Speaker 1: done with you and you come running back. Some of us,

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Speaker 1: especially the ones with a bunch of money, they're gonna

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Speaker 1: receive you with love. They don't have no more. They

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Speaker 1: were res in a different place us. They're still skeptical.

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Speaker 1: That's trying to get up on some paper. It depends

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Speaker 1: on the day you come whether or not we accept

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Speaker 1: you with open arms or not, because we're still in

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Speaker 1: the fight. And it's understanding that. I mean, it's a

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Speaker 1: much you understand that, right, But we're talking about how

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Speaker 1: fight e Folk taking the ball? The folk is that

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Speaker 1: other tier rapper and Drake Drake his head at there.

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Speaker 1: And now this is where it gets crazy because people say, well,

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Speaker 1: I don't think Drey was a big conversation on social

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Speaker 1: media about Drake and Kanye. You think Drake could have

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Speaker 1: sold out them fifty thousand and head them people waiting

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Speaker 1: this and that he probably could have done on it.

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Speaker 1: But when we're dealing with Drake and Kanye, right, we're

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Speaker 1: dealing with two different type of brands. We're dealing with

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Speaker 1: two different type of things, and not because one is

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Speaker 1: stronger than any other. It's just about the place that

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Speaker 1: these two brands are in. Kanye West is almost almost afore.

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Speaker 1: He's been able to branch out, he's been able to

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Speaker 1: conquer other other industries, and he's done it in a

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Speaker 1: way where he's understood business infrastructure. That's why I told

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Speaker 1: people about the information. You didn't see Kanye West say

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Speaker 1: I'm happy with getting to shoe. He understand. I need

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Speaker 1: the information. It's the same fight you hit me. I

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Speaker 1: always have Yo. Yeah, I like it. Co Sign that's

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Speaker 1: a funny game. Yeah, the co Sign game. That's cute.

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Speaker 1: We're gonna get it done quick. That's cute. But at

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Speaker 1: what expense? I won't understand anything when we go too fast? Right,

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Speaker 1: there's a sweet science unless you're willing to let me

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Speaker 1: study the game tape. But the game still going on.

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Speaker 1: While the game's going on though, right, so I get

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Speaker 1: to end my spare time catch up on what is

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Speaker 1: the rules of this? What's going on? So? How do

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Speaker 1: you really work the record? How do you service the song?

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Speaker 1: How does the DJ and Atlanta end up playing a

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Speaker 1: song out of Detroit? And how when I put it

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Speaker 1: in my no matter where I pull this song up at,

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Speaker 1: it recognizes what' so on this is? And how do

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Speaker 1: I make sure that it comes up in this particular

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Speaker 1: chart category? Because I'm getting drowned out because my music

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Speaker 1: is in a category that doesn't necessarily fit exactly. You know,

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Speaker 1: it's information involved in it. But what they'll do is

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Speaker 1: that take you, take you out of there, put you here,

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Speaker 1: this and or less happening on the back end. You

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Speaker 1: don't even know how did they do that? Therefore you

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Speaker 1: can't do it for your brother. You can't do it

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Speaker 1: for the little rapper that you find that which which

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Speaker 1: now creates a term morel in between this the count

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Speaker 1: because you don't have the information they think you have.

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Speaker 1: You seem to have come from nothing and that you did,

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Speaker 1: but you didn't understand how you got where you win.

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Speaker 1: Therefore you won't understand how to get where you're trying

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Speaker 1: to go. That's what make Jay and Kanye did in

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Speaker 1: them They've always understood how to get where they wanted

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Speaker 1: to go, not necessarily even being there yet. But Bad

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Speaker 1: Boy was a real company. Rockefeller was a real company.

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Speaker 1: Didn't one street dudes running around saying, we rappers, We've

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Speaker 1: been there, man. We these is real companies meaning investing money,

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Speaker 1: taking losses, ends and nights, you know what I mean.

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Speaker 1: Focused on the RWI trying to figure out how we're

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Speaker 1: gonna get it back when we put it out. Videos

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Speaker 1: casts a harm in the leg back then, right, we're

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Speaker 1: juggling artists. Right, So it's a thing, man, it's it's

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Speaker 1: it's it's hustling involved in this thing. But the tier

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Speaker 1: rappers is always interesting when you when you get there.

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Speaker 1: So when we look at Drake, Drake hasn't went outside

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Speaker 1: a route and he's catching up with people. He got

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Speaker 1: head for what some of the greats guy and they

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Speaker 1: went outside of rap and been outside of rap for

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Speaker 1: ten or fifteen years. His influence Nay's winters, shoes and

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Speaker 1: little things like that. I'm talking about really when out

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Speaker 1: and said boom, here's a real situation. Some people are

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Speaker 1: gonna say, well, what about the adda? You know, what

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00:21:42,560 --> 00:21:47,560
Speaker 1: about the little merchant? We y'all talking rap stuff? Jay

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Speaker 1: Zenon were doing being and they were doing liquor, They

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Speaker 1: were doing fifty, were doing head phone fifty with doing liquor, shoes, clothes,

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Speaker 1: did it close? Jay close all that, you know, But

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Speaker 1: they burnt that game out because everybody after them did

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Speaker 1: the same thing. That's why Kanye West was the last

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Speaker 1: one and he took it past where they took it.

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Speaker 1: He the last one that really got the profit off

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Speaker 1: the clothing game in a way where where was sustainable.

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Speaker 1: Everybody merched said, ain't time about the rapper merch. That's

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Speaker 1: a different I'm talking about Sean John Rockefeller clothing, you know, yeasy,

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Speaker 1: I'm talking about that type of thing, and he had

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Speaker 1: to fight for that because it was a dying things

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Speaker 1: as he was coming. But he fought for that, Ladd

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Speaker 1: and took it past them because he understood the game

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Speaker 1: they put down, took a little more, put a little

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Speaker 1: moan on top of that, and then took it a

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Speaker 1: little for them. But Drake hadn't had a chance to

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Speaker 1: do none of that. He got head for what they got.

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Speaker 1: You gotta understand, man, de Folk been hustling for twenty

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Speaker 1: twenty five, twenty five good year. Drake been going ten

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Speaker 1: only in music and catching folds with endorsement deals and

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Speaker 1: this and that. So when you can't compare Drake to

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Speaker 1: Kanye in that space yet, in my opinion, because people

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Speaker 1: respect Kanye from a different perspective. They see him tanning

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Speaker 1: the fashion and work his way in and tell Nike

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Speaker 1: now you can't do that. Use his music influence to

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Speaker 1: tip tip over here and try to pass Jordan or

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Speaker 1: the elease put it in the conversation. Did some other

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Speaker 1: things to make sure the marketing stayed in a great place,

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Speaker 1: make sure that the brand and the interest in the

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Speaker 1: brand was always high, that it was limited edition and

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Speaker 1: only this amount. It was things he was doing that

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Speaker 1: Jam didn't do. See Jay and them went mass production,

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Speaker 1: get out all the money. Kanye went exclusive that last longer.

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Speaker 1: He took the Rose Rose, he took the Lamborghini, he

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Speaker 1: took the may back approach, and Jay and them do

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Speaker 1: that now because they understand taste back. Then it's about hustle.

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Speaker 1: I keep telling people, it ain't about who looking at you.

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Speaker 1: It's about what they taste is. Because if somebody come

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Speaker 1: under my thing and tell me then I ain't hey man,

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Speaker 1: you trads, And then I look into them a little bit.

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Speaker 1: Oh yeah, you're supposed to think I'm tred. You don't

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Speaker 1: know what bow taker. You're supposed to think I ain't done.

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Speaker 1: So I'm doing the right thing. You ain't poled to

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Speaker 1: think I'm none with your class. In my class, I'm

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Speaker 1: pulled to be on this floor. You pulled to be

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Speaker 1: on that floor. We ain't posed to be coexistent with

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Speaker 1: each other. That what you kicking and when I'm kicking

388
00:24:44,320 --> 00:24:47,680
Speaker 1: it ain't even the same flavor. You're a little bit

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00:24:47,760 --> 00:24:52,720
Speaker 1: more lame within most people. You understand me, you're a

390
00:24:52,760 --> 00:24:56,760
Speaker 1: little bit more lament. I can't you see. So sometimes

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Speaker 1: it's about the taste of the person that's critical of you. Yeah,

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Speaker 1: you posted to think it about somebody that winning got

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Speaker 1: his own, you know when they look at what you're

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Speaker 1: doing and they think it yeah yeah, yeah, yeah, yeah

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Speaker 1: yeah yeah yo. People yeah they yeah, they funded you.

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Speaker 1: You will go fund me wrap them. You know what

397
00:25:16,320 --> 00:25:19,280
Speaker 1: I'm saying, You will go fund me podcaster. So yeah,

398
00:25:19,320 --> 00:25:21,840
Speaker 1: you posted to think about there you know, did it

399
00:25:21,960 --> 00:25:25,080
Speaker 1: or whoever? They came right in and you got blessed in.

400
00:25:25,760 --> 00:25:27,760
Speaker 1: I come out of the street with this. It's a

401
00:25:27,800 --> 00:25:31,080
Speaker 1: different texture of it and it must be understood and

402
00:25:31,160 --> 00:25:34,160
Speaker 1: respected in my opinion. But but let's get let's get

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00:25:34,200 --> 00:25:36,800
Speaker 1: back to the Drake and Kanye thing. When you look

404
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Speaker 1: at Drake and you look at the top selling artists

405
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Speaker 1: of all time, we talk about sold artists, sold records.

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Speaker 1: So you know how many streams it take to be

407
00:25:48,880 --> 00:25:52,400
Speaker 1: a sale. That's all that's considered. Now, we of course

408
00:25:52,480 --> 00:25:55,800
Speaker 1: we got eminem at number one. He's Caucasian. Shout out

409
00:25:55,840 --> 00:25:59,280
Speaker 1: to m though. You know, he hustled good in the

410
00:25:59,400 --> 00:26:04,320
Speaker 1: game on hustles very well straight music too. He did

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00:26:04,359 --> 00:26:07,720
Speaker 1: a few other movies in there. I'm telling he made

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Speaker 1: a killing off the music. But right, after him, you

413
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Speaker 1: got Drake, and then you got your people. Everybody else

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Speaker 1: did the Kanye's and the let me see if I

415
00:26:18,400 --> 00:26:21,720
Speaker 1: can even pull it up. Yeah, So what I'm saying

416
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Speaker 1: is you gotta respect what Drake. Drake doing that from

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Speaker 1: a whole different level. So you got Eminem at two

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Speaker 1: hundred and twenty seven million units old, Drake one hundred

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Speaker 1: and fifty two million units old. Now Eminem got two

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Speaker 1: hundred and twenty seven, Drake got one fifty two. That's

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Speaker 1: seventy five. That's a whole bunch of millions of mole.

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Speaker 1: So Eminem serve a whole bunch of more people because

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Speaker 1: he's white. Now, Drake one fifty two, Kanye West one forty,

424
00:26:51,160 --> 00:26:55,200
Speaker 1: jay Z one twenty five, Little Wayne one ten. These

425
00:26:55,240 --> 00:26:58,879
Speaker 1: are millions of units. NICKI minage one hundred and six million,

426
00:26:59,400 --> 00:27:02,040
Speaker 1: flow right out of one hundred and two million. Somebody

427
00:27:02,080 --> 00:27:04,720
Speaker 1: that a lot of people in hip hop rap the

428
00:27:05,440 --> 00:27:08,600
Speaker 1: the shoot them up, bang bang, they don't mention flow rider.

429
00:27:08,880 --> 00:27:11,320
Speaker 1: I keep telling you, man, you can hustle without the

430
00:27:11,640 --> 00:27:15,600
Speaker 1: folky knowing you hustling. Man. Some of these folks is

431
00:27:15,640 --> 00:27:17,679
Speaker 1: so stuck and in one thing, they don't even know

432
00:27:18,000 --> 00:27:21,159
Speaker 1: other people hustling right around them. They don't know it's hustling.

433
00:27:21,200 --> 00:27:25,440
Speaker 1: The going on Tupacs. You Cool at seventy five million,

434
00:27:26,000 --> 00:27:29,560
Speaker 1: Snoop Dogg at forty million, DM Mix at thirty for million.

435
00:27:30,119 --> 00:27:33,040
Speaker 1: Now Drake, just think of that. Look at how huge

436
00:27:33,040 --> 00:27:36,920
Speaker 1: people think DM mix is thirty four million units. We

437
00:27:37,040 --> 00:27:39,719
Speaker 1: got Drake at one hundred and fifty two million units.

438
00:27:40,160 --> 00:27:43,440
Speaker 1: Drake got over one hundred and some more mellion units

439
00:27:43,600 --> 00:27:49,080
Speaker 1: than DM Mix. So we can't discount what Drake is

440
00:27:49,119 --> 00:27:52,040
Speaker 1: to the culture. We can't discount what Drake is to

441
00:27:52,160 --> 00:27:55,280
Speaker 1: the the overall thing I keep telling you. For me,

442
00:27:55,640 --> 00:27:59,280
Speaker 1: it's about the culture, who taking the who is taking

443
00:27:59,320 --> 00:28:05,040
Speaker 1: the backpath further die in the role so we can

444
00:28:05,160 --> 00:28:08,199
Speaker 1: open up avenues to where you ain't got time. He

445
00:28:08,320 --> 00:28:11,080
Speaker 1: went over, He went over him painting a little bit,

446
00:28:11,119 --> 00:28:13,040
Speaker 1: but he had to keep going because he only got

447
00:28:13,040 --> 00:28:16,320
Speaker 1: a bigger mission. But that lead for another rabbit that's

448
00:28:16,359 --> 00:28:18,480
Speaker 1: creeping up there, and then you take the paint known

449
00:28:18,600 --> 00:28:21,840
Speaker 1: down through there. Oh, he went over in video games

450
00:28:21,840 --> 00:28:25,160
Speaker 1: a little bit. He played with it. Next, dude, come

451
00:28:25,240 --> 00:28:28,199
Speaker 1: through podcasting, You take it your brand and you go

452
00:28:28,320 --> 00:28:30,120
Speaker 1: all the way. You see what I'm saying so it's

453
00:28:30,160 --> 00:28:36,040
Speaker 1: important always interpet what's going on and know your place

454
00:28:36,160 --> 00:28:38,840
Speaker 1: in the ecosystem, because you may be right there where

455
00:28:38,880 --> 00:28:41,400
Speaker 1: you need to take the game that was left right

456
00:28:41,400 --> 00:28:43,800
Speaker 1: there and go it's fur down the street as you

457
00:28:43,840 --> 00:28:47,040
Speaker 1: can't win the hill hop bad. You know, they gotta

458
00:28:47,120 --> 00:28:49,840
Speaker 1: deal with jay Z looking like that talking three and

459
00:28:49,880 --> 00:28:52,720
Speaker 1: four hundred million at a time. They got to deal

460
00:28:52,720 --> 00:28:55,840
Speaker 1: with Kanye West coming in like that talking two and

461
00:28:55,960 --> 00:28:59,040
Speaker 1: three hundred million at a time. You got so now

462
00:28:59,080 --> 00:29:01,680
Speaker 1: when you see me and I pop up, hopefully you

463
00:29:01,800 --> 00:29:04,760
Speaker 1: understand I can possibly be one of them people. Y'all

464
00:29:04,840 --> 00:29:06,600
Speaker 1: don't know what to do with the money. No way,

465
00:29:06,720 --> 00:29:08,400
Speaker 1: hand me the money and get out the way and

466
00:29:08,480 --> 00:29:11,520
Speaker 1: let me triple this up right quick. Kanye and jay

467
00:29:11,640 --> 00:29:14,760
Speaker 1: Z seem to be back straight now. They have a

468
00:29:14,800 --> 00:29:19,960
Speaker 1: song on this new album. They say that. They say

469
00:29:20,040 --> 00:29:24,120
Speaker 1: that on Twitter, and of course all this is alleged.

470
00:29:24,240 --> 00:29:26,200
Speaker 1: You know, I just do a podcast or I have

471
00:29:26,280 --> 00:29:30,920
Speaker 1: to talk about certain things and in its current context

472
00:29:31,680 --> 00:29:35,040
Speaker 1: on the Internet. I don't validate these things. I only

473
00:29:35,080 --> 00:29:39,000
Speaker 1: indicate what's being said already on the Internet. I need

474
00:29:39,000 --> 00:29:42,800
Speaker 1: that to be clear. So my business never interrupts what

475
00:29:42,960 --> 00:29:46,040
Speaker 1: I have to say in regards to the content, right,

476
00:29:46,120 --> 00:29:48,959
Speaker 1: It's always important that I land somewhere in the middle.

477
00:29:50,320 --> 00:29:53,480
Speaker 1: I can't always appease the fans, but also can't I

478
00:29:53,520 --> 00:29:57,240
Speaker 1: always appease the people that don't need me to examine

479
00:29:57,320 --> 00:29:59,640
Speaker 1: things at a very high level, you know. So I

480
00:29:59,640 --> 00:30:02,640
Speaker 1: gotta always kind of stay in the middle. I gotta

481
00:30:02,720 --> 00:30:06,160
Speaker 1: stay the well. The fans appreciate me more than anything,

482
00:30:06,960 --> 00:30:10,880
Speaker 1: but my business is in tag as well. You're right,

483
00:30:11,080 --> 00:30:18,840
Speaker 1: so um. The Internet says that after Kanye divorce Kim

484
00:30:19,880 --> 00:30:22,520
Speaker 1: that him and jay Z got back cool like Jay

485
00:30:23,080 --> 00:30:26,160
Speaker 1: like Jay basically wouldn't mess with him because of Kim.

486
00:30:28,640 --> 00:30:31,640
Speaker 1: I don't know. Was Jay even at the at the stadium.

487
00:30:32,720 --> 00:30:35,280
Speaker 1: I'm not sure. You may maybe it was. It happened

488
00:30:35,320 --> 00:30:38,040
Speaker 1: so quick somebody as b as is Jay. I'm not sure,

489
00:30:38,160 --> 00:30:40,480
Speaker 1: you know, maybe he could. I don't know. You're boss,

490
00:30:40,560 --> 00:30:43,600
Speaker 1: you can move some things around if you would like to,

491
00:30:43,800 --> 00:30:48,280
Speaker 1: But I don't know. But they say that the Internet,

492
00:30:48,280 --> 00:30:51,600
Speaker 1: Twitter specifically is basically it's a it's a couple of

493
00:30:51,680 --> 00:30:55,560
Speaker 1: conspiracy theories they have out. They have out that Kanye

494
00:30:55,680 --> 00:30:59,040
Speaker 1: was saying that Kim then was trying to uh make

495
00:30:59,120 --> 00:31:03,080
Speaker 1: him out to be I'm sort of crazy individual and

496
00:31:03,160 --> 00:31:05,880
Speaker 1: try to take rights over his money and things like that,

497
00:31:06,200 --> 00:31:07,880
Speaker 1: because you know, it was a minute what they hate

498
00:31:07,920 --> 00:31:09,880
Speaker 1: him on medicine and they were saying this and that.

499
00:31:10,000 --> 00:31:12,360
Speaker 1: So we don't you know, we don't really know. But

500
00:31:12,400 --> 00:31:16,360
Speaker 1: the Internet says a lot of things that can't be validated,

501
00:31:16,680 --> 00:31:18,120
Speaker 1: you know what I'm saying, And we don't have no

502
00:31:18,200 --> 00:31:20,640
Speaker 1: evidence of those things, so we don't know. We'll just

503
00:31:20,720 --> 00:31:24,160
Speaker 1: leave those things to where they are. The idea that

504
00:31:24,320 --> 00:31:26,800
Speaker 1: somebody won't mess with you while you're messing with a

505
00:31:26,840 --> 00:31:31,000
Speaker 1: certain individual is kind of what I think. It's very

506
00:31:31,120 --> 00:31:35,040
Speaker 1: interesting about this because we see it happen all the time,

507
00:31:35,120 --> 00:31:38,760
Speaker 1: whether you are engaged or involved with somebody that people

508
00:31:38,800 --> 00:31:41,479
Speaker 1: around you feel as though you shouldn't be involved with

509
00:31:42,560 --> 00:31:47,000
Speaker 1: or engage with right for whatever reason. It's and that's

510
00:31:47,000 --> 00:31:51,240
Speaker 1: why sometimes because if you remember, when Kanye got married

511
00:31:51,240 --> 00:31:56,440
Speaker 1: to Kim, Jenim didn't go. So people are saying that

512
00:31:56,480 --> 00:31:59,920
Speaker 1: it's a thing now that's some sort of situation where

513
00:32:00,320 --> 00:32:03,240
Speaker 1: with Kim and and and and Jay them, you know

514
00:32:03,280 --> 00:32:06,640
Speaker 1: what I'm saying. But if we just talk about the

515
00:32:06,760 --> 00:32:11,960
Speaker 1: music for Kanye that we heard, it was, I like

516
00:32:12,120 --> 00:32:15,200
Speaker 1: the music. I think people are saying he's taking drums

517
00:32:15,200 --> 00:32:18,880
Speaker 1: out of his beats. You know how hard it is

518
00:32:19,040 --> 00:32:22,640
Speaker 1: in this industry, in this game dealing with these people

519
00:32:22,680 --> 00:32:25,600
Speaker 1: that when I'm telling you, these folks is redefining and

520
00:32:25,760 --> 00:32:30,760
Speaker 1: what's going on. They redefend the boy if you're taking

521
00:32:30,840 --> 00:32:36,080
Speaker 1: drums out of your songs. Man, But then a lot

522
00:32:36,120 --> 00:32:40,680
Speaker 1: of people sleep on Drake Boy finds that we talk

523
00:32:40,760 --> 00:32:45,600
Speaker 1: about that them song d Folks is creating dope music, man.

524
00:32:46,840 --> 00:32:49,040
Speaker 1: You know what, what what I'm saying, the Folks is really

525
00:32:49,080 --> 00:32:52,240
Speaker 1: putting dope music down. And I just feel like it's

526
00:32:52,280 --> 00:32:55,720
Speaker 1: important that we embrace these people as we alive. And

527
00:32:55,760 --> 00:32:58,160
Speaker 1: this is a great time to be involved with things.

528
00:32:59,720 --> 00:33:02,600
Speaker 1: A great time man. But the music sounds great, Jay

529
00:33:02,680 --> 00:33:05,040
Speaker 1: sound good, He said, the return of the Throne may

530
00:33:05,080 --> 00:33:07,719
Speaker 1: be back with these two guys. You know, we know

531
00:33:07,800 --> 00:33:10,040
Speaker 1: how they get down. They they had one of the

532
00:33:10,080 --> 00:33:14,680
Speaker 1: best albums ever came at you know, watching Watch the Throne.

533
00:33:15,240 --> 00:33:18,800
Speaker 1: So if they do it again, that'll be dope. I know,

534
00:33:18,920 --> 00:33:22,360
Speaker 1: Jay probably like, look a dude creating that fire over there,

535
00:33:22,440 --> 00:33:26,160
Speaker 1: because Kanye is a monster man. When we talk about

536
00:33:26,200 --> 00:33:30,600
Speaker 1: creating that that music. But yeah, man, so Kanye man

537
00:33:30,600 --> 00:33:33,360
Speaker 1: shout out Kanye the album, and I think NaN's gonna

538
00:33:33,400 --> 00:33:36,960
Speaker 1: drop August six, the idea that he wasted all that

539
00:33:37,080 --> 00:33:42,040
Speaker 1: promotil you your icon in this man default many that's

540
00:33:42,080 --> 00:33:48,120
Speaker 1: the formula, get the promo, drop it. That's the formula.

541
00:33:48,240 --> 00:33:51,920
Speaker 1: He went against the grain. I'm already powerful. I'm trying to.

542
00:33:52,000 --> 00:33:55,040
Speaker 1: I gotta break the mold a little bit, you know

543
00:33:55,040 --> 00:33:57,560
Speaker 1: what I'm saying. And then you gotta appreciate those things.

544
00:33:57,560 --> 00:34:01,520
Speaker 1: He's back in that creative place, and Kim, for whatever

545
00:34:01,600 --> 00:34:05,800
Speaker 1: reason may could have not necessarily stop it because you

546
00:34:05,840 --> 00:34:09,120
Speaker 1: can't stop or dude, this creative. You really can't stop him.

547
00:34:09,360 --> 00:34:12,520
Speaker 1: You can slow him down, though, but he can juggle you.

548
00:34:12,520 --> 00:34:17,200
Speaker 1: You can be the biggest issue, the biggest problem to anybody.

549
00:34:17,400 --> 00:34:19,680
Speaker 1: You can be his biggest issue. He can juggle that

550
00:34:19,760 --> 00:34:23,120
Speaker 1: and still create, and a lot of times create at

551
00:34:23,160 --> 00:34:26,560
Speaker 1: a decent high level. You know, other people may think

552
00:34:26,600 --> 00:34:29,680
Speaker 1: it's extremely high, but for him it's it's me a tear.

553
00:34:30,080 --> 00:34:33,359
Speaker 1: But if he able to get all the distractions, get

554
00:34:33,440 --> 00:34:35,800
Speaker 1: all of the worry, and get all of the doubts,

555
00:34:35,920 --> 00:34:38,560
Speaker 1: get all of the the fu and get all of

556
00:34:38,600 --> 00:34:42,279
Speaker 1: the the term moral and things away from him, he

557
00:34:42,320 --> 00:34:45,239
Speaker 1: can create at a very high level. Kim was there

558
00:34:45,320 --> 00:34:50,239
Speaker 1: at the stadium. It's just now like we're friends, you

559
00:34:50,280 --> 00:34:53,280
Speaker 1: know what I'm saying. We got kids, were friends, were family.

560
00:34:53,440 --> 00:34:56,080
Speaker 1: It's cool, you know what I'm saying. But it ain't

561
00:34:56,080 --> 00:35:00,239
Speaker 1: know we I'm not embracing that like that, you know

562
00:35:00,280 --> 00:35:02,560
Speaker 1: what I'm saying. I gotta I'm getting back to what

563
00:35:02,640 --> 00:35:07,000
Speaker 1: I know to be who Kanye Ye is. So rapper

564
00:35:07,239 --> 00:35:13,080
Speaker 1: fredo'bag was arrested in Miami had a worn out force

565
00:35:13,280 --> 00:35:20,879
Speaker 1: arrest for parole probation violation UM after following the rest

566
00:35:21,000 --> 00:35:26,720
Speaker 1: of lit Yoshi, which is one of his comrades. UM.

567
00:35:26,800 --> 00:35:28,759
Speaker 1: I see this happen a lot of time, and I

568
00:35:28,920 --> 00:35:32,400
Speaker 1: remove it off Fredo them situation, just because I like

569
00:35:32,480 --> 00:35:36,160
Speaker 1: to speak about things in a general standpoint, because that's

570
00:35:36,200 --> 00:35:39,239
Speaker 1: where I can let the information be drawn out, you know,

571
00:35:39,400 --> 00:35:41,440
Speaker 1: and let people be able to get something from what

572
00:35:41,560 --> 00:35:44,480
Speaker 1: it is that it's being spoken about. I see it

573
00:35:44,520 --> 00:35:50,799
Speaker 1: happened a lot in regards to street people and how

574
00:35:50,840 --> 00:35:55,120
Speaker 1: the streets align themselves with each other, and just how

575
00:35:55,280 --> 00:35:58,600
Speaker 1: kind of the cookie crumbles, especially if it's a serious

576
00:35:58,640 --> 00:36:02,040
Speaker 1: thing or things or happening. What I'm speaking about. It

577
00:36:02,080 --> 00:36:04,560
Speaker 1: is a lot of times when you're in the street,

578
00:36:06,560 --> 00:36:09,960
Speaker 1: you gotta arrival. There's something that's happened, or somebody that

579
00:36:10,040 --> 00:36:12,960
Speaker 1: don't like you, or somebody that I wish you know,

580
00:36:13,040 --> 00:36:15,239
Speaker 1: you may have dropped the number one hundred dollars less

581
00:36:15,239 --> 00:36:17,759
Speaker 1: than theirs and they phone ain't ringing a lot of

582
00:36:17,920 --> 00:36:21,520
Speaker 1: breeze envy. Certain things that you're doing to get your

583
00:36:21,600 --> 00:36:24,759
Speaker 1: hustle up has placed them in a situation to be

584
00:36:26,680 --> 00:36:30,759
Speaker 1: losing money or not as fruitful as they maybe once was.

585
00:36:30,840 --> 00:36:33,440
Speaker 1: You may have done slowed they love operation down a

586
00:36:33,480 --> 00:36:38,560
Speaker 1: little bit. Something is gonna happen. It just happens in

587
00:36:38,600 --> 00:36:42,720
Speaker 1: the streets. People do something to your people, your people

588
00:36:42,760 --> 00:36:47,360
Speaker 1: do something to his people. Somebody sold somebody something that

589
00:36:47,440 --> 00:36:51,279
Speaker 1: wasn't no good. Something takes place in which there's always

590
00:36:51,320 --> 00:36:57,080
Speaker 1: a lot of times arrival in the street or even

591
00:36:57,120 --> 00:37:00,440
Speaker 1: in business. Some people say create arrival in bids in

592
00:37:00,440 --> 00:37:03,520
Speaker 1: the entertainment and things like that. My thing is this,

593
00:37:04,960 --> 00:37:08,640
Speaker 1: there's levels to rivals as well, when we real when

594
00:37:08,640 --> 00:37:11,520
Speaker 1: that when we really arrival. That's one thing. When you

595
00:37:11,600 --> 00:37:15,520
Speaker 1: become an OPT, that's a totally different genre. I'm putting

596
00:37:15,560 --> 00:37:19,719
Speaker 1: you in a OPT mean that you posted been dead right.

597
00:37:19,920 --> 00:37:23,160
Speaker 1: If I call you my op. That really means you

598
00:37:23,239 --> 00:37:28,200
Speaker 1: posted die. You you shouldn't be living right now. You

599
00:37:28,480 --> 00:37:31,960
Speaker 1: count your days. How they say it, If I call

600
00:37:32,040 --> 00:37:34,440
Speaker 1: you my opt because my OP want to see me

601
00:37:34,680 --> 00:37:38,239
Speaker 1: dead right, that's what my option. Then if you're my

602
00:37:38,480 --> 00:37:41,479
Speaker 1: rival or somebody that we may got a little yeah,

603
00:37:42,239 --> 00:37:45,680
Speaker 1: I don't know, little the energy off. But once I

604
00:37:45,760 --> 00:37:48,640
Speaker 1: call you my OP, I think it's a totally different thing.

605
00:37:49,400 --> 00:37:53,640
Speaker 1: Fred o'banging NBA young boys real opts. So things have

606
00:37:53,800 --> 00:37:59,000
Speaker 1: took place and transpired that that the public may not know,

607
00:37:59,200 --> 00:38:01,560
Speaker 1: may or may not know. Sometimes the public no more

608
00:38:01,600 --> 00:38:03,920
Speaker 1: than they should know because the young boys now they

609
00:38:04,120 --> 00:38:07,439
Speaker 1: they rapping about what that we slang in and doing

610
00:38:07,480 --> 00:38:10,200
Speaker 1: this that the third this is how this is, This

611
00:38:10,280 --> 00:38:16,279
Speaker 1: is how they're coming up. But this is how you

612
00:38:16,360 --> 00:38:18,960
Speaker 1: know whether or not it's serious in the street when

613
00:38:19,000 --> 00:38:21,640
Speaker 1: you're dealing with somebody, or when it's serious even when

614
00:38:21,680 --> 00:38:25,280
Speaker 1: you're dealing with another rapper, Because once the fids get involved,

615
00:38:25,280 --> 00:38:30,160
Speaker 1: they're doing a thorough investigation. When that thorough investigation say

616
00:38:30,280 --> 00:38:34,319
Speaker 1: that ain't no pressure being applied by the opposition them

617
00:38:34,440 --> 00:38:37,839
Speaker 1: boys is playing on the internet. But when they look

618
00:38:37,880 --> 00:38:41,000
Speaker 1: into it, nine times out of ten, if it's really

619
00:38:41,080 --> 00:38:46,640
Speaker 1: going down. They're gonna see, Oh it was a shooting

620
00:38:46,680 --> 00:38:48,800
Speaker 1: over here. There was a shooting happening over here. It

621
00:38:48,920 --> 00:38:50,960
Speaker 1: was a breaking and enter and they tried to tie

622
00:38:51,040 --> 00:38:54,040
Speaker 1: somebody up. There were things that the FIDS doesn't caught

623
00:38:54,040 --> 00:38:58,279
Speaker 1: winn up because they're watching everything real close. Things that

624
00:38:58,360 --> 00:39:01,160
Speaker 1: the gangs might be missing and y'all might be y'all

625
00:39:01,160 --> 00:39:03,200
Speaker 1: walk right past. They will find to hop out. But

626
00:39:03,239 --> 00:39:06,680
Speaker 1: they didn't because of sudden whatever reason. They the FIDS

627
00:39:06,719 --> 00:39:10,360
Speaker 1: actually caught them doing in the act right because they surveillance,

628
00:39:10,440 --> 00:39:13,400
Speaker 1: They on top of thing this. If they following it's

629
00:39:13,480 --> 00:39:16,440
Speaker 1: high profile, like I assume that to be so when

630
00:39:16,440 --> 00:39:19,520
Speaker 1: they investigate one side, they tend to find out something

631
00:39:19,560 --> 00:39:22,279
Speaker 1: on the other side. A lot of times when they

632
00:39:22,360 --> 00:39:24,160
Speaker 1: if a lot of times, if you really got a

633
00:39:24,960 --> 00:39:27,960
Speaker 1: shaking in the street, if you really that's really an issue,

634
00:39:28,080 --> 00:39:33,320
Speaker 1: is real beef and they arisk your opposition, they probably

635
00:39:33,360 --> 00:39:35,520
Speaker 1: find a risk sue. If it was the FIDZ and

636
00:39:35,640 --> 00:39:38,000
Speaker 1: you and there was a real situate like a war

637
00:39:38,200 --> 00:39:41,239
Speaker 1: going on, they're gonna probably find a rescue because if

638
00:39:41,280 --> 00:39:44,960
Speaker 1: they was watching him, they knowing you want to apply

639
00:39:45,160 --> 00:39:47,680
Speaker 1: some kind of pressure. The same way with you, if

640
00:39:47,719 --> 00:39:51,000
Speaker 1: they watching you, they knowing that this happening, that happening

641
00:39:51,040 --> 00:39:54,840
Speaker 1: is pressure being applied. They know that's coming from somewhere.

642
00:39:54,840 --> 00:39:57,000
Speaker 1: They're trying to track it down to see them a

643
00:39:57,080 --> 00:39:59,560
Speaker 1: rest fred though it kind of it kind of would

644
00:39:59,600 --> 00:40:02,080
Speaker 1: like it will coming. Then they're saying that one of

645
00:40:02,080 --> 00:40:07,240
Speaker 1: the dudes is cooperating or somebody's supposed to be testifying

646
00:40:07,360 --> 00:40:10,920
Speaker 1: on lit Yoshi, so when he posted, he got word

647
00:40:11,080 --> 00:40:13,640
Speaker 1: or in some kind of way some shots rang out

648
00:40:13,680 --> 00:40:17,919
Speaker 1: at the guy that's supposed to be, oh, testifying, See

649
00:40:17,920 --> 00:40:22,000
Speaker 1: how all that work? A lot of time dudes get

650
00:40:22,000 --> 00:40:25,120
Speaker 1: scared in the street though the street thing it sound fun,

651
00:40:25,239 --> 00:40:27,919
Speaker 1: though it sound cool. You want to sag and where

652
00:40:27,960 --> 00:40:30,439
Speaker 1: you're you on the where you're hooded and you want

653
00:40:30,440 --> 00:40:34,000
Speaker 1: to act like you tugging and yeah with the yea huh.

654
00:40:34,120 --> 00:40:37,080
Speaker 1: You don't want to know. You don't want to go

655
00:40:37,160 --> 00:40:39,600
Speaker 1: through that, man. You don't want to be involved with

656
00:40:39,640 --> 00:40:42,440
Speaker 1: somebody looking for you and they shooting at your mama

657
00:40:42,480 --> 00:40:45,000
Speaker 1: and them and they trying to gun you down there

658
00:40:45,080 --> 00:40:47,279
Speaker 1: time you coming, you don't want you don't want to

659
00:40:47,320 --> 00:40:49,560
Speaker 1: be involved in that. They're saying, oh, we think he

660
00:40:49,719 --> 00:40:53,879
Speaker 1: telling we think he's telling, so we're trying to kill

661
00:40:53,960 --> 00:40:56,880
Speaker 1: all his people. They shooting up your people ship Like

662
00:40:57,000 --> 00:41:00,000
Speaker 1: you don't want to be involved with those thing. Huh,

663
00:41:00,320 --> 00:41:02,799
Speaker 1: this is not what folks need to be involved then.

664
00:41:03,880 --> 00:41:07,880
Speaker 1: But it looked funny. It looked fun They think that

665
00:41:07,960 --> 00:41:11,120
Speaker 1: the girls like it. That's why the young boys nowadays

666
00:41:11,160 --> 00:41:16,640
Speaker 1: they confused. They confused, and they on the outside they

667
00:41:16,719 --> 00:41:19,440
Speaker 1: look like they read it for war. But on the

668
00:41:19,520 --> 00:41:23,000
Speaker 1: inside you're dealing with somebody that ain't read it for nothing.

669
00:41:24,640 --> 00:41:26,279
Speaker 1: You see what I'm saying a lot of time they

670
00:41:26,280 --> 00:41:28,680
Speaker 1: ain't got even the weird power to understand how to

671
00:41:28,760 --> 00:41:32,719
Speaker 1: navigate through the simplest thing. It can be something, It's

672
00:41:32,920 --> 00:41:36,719
Speaker 1: very simple. So what I'm saying is I always tell

673
00:41:36,800 --> 00:41:43,840
Speaker 1: my children the strong outlast the week, but the smart

674
00:41:43,840 --> 00:41:48,280
Speaker 1: outlast the strong, because the smart gonna allow the strong

675
00:41:48,400 --> 00:41:51,840
Speaker 1: and the weak to duke it out and then outsmart

676
00:41:51,920 --> 00:41:55,799
Speaker 1: whoever the strongest one. Would you see what I'm saying,

677
00:41:55,840 --> 00:41:59,719
Speaker 1: So y'all can say whoever the strongest, and y'all have that.

678
00:42:00,200 --> 00:42:02,400
Speaker 1: I need your mind and be in a position to

679
00:42:02,480 --> 00:42:06,520
Speaker 1: understand how to navigate around things. Outside of that, we

680
00:42:06,640 --> 00:42:09,920
Speaker 1: can figure everything else side. You can work out and

681
00:42:10,000 --> 00:42:12,759
Speaker 1: get your body together. You can work out, you know,

682
00:42:13,040 --> 00:42:15,920
Speaker 1: and get all let together. You can do a whole

683
00:42:15,960 --> 00:42:18,759
Speaker 1: bunch of stuff. But if your brain ain't wired in

684
00:42:18,800 --> 00:42:21,560
Speaker 1: a way where you can understand how to make five

685
00:42:21,640 --> 00:42:24,200
Speaker 1: dollars in the ten, all you know how to do

686
00:42:24,360 --> 00:42:27,600
Speaker 1: is make ten in the five, in the two, in

687
00:42:27,680 --> 00:42:30,400
Speaker 1: the one. You don't know how to make two in

688
00:42:30,480 --> 00:42:33,280
Speaker 1: the foe in the six, in the nine, in the eighteen.

689
00:42:33,560 --> 00:42:36,000
Speaker 1: You don't know nothing about the other side? Or ain't

690
00:42:36,000 --> 00:42:40,759
Speaker 1: nobody told you? Put you down? Ain't nobody put you down?

691
00:42:41,160 --> 00:42:43,239
Speaker 1: That which that why they run to me, Because I

692
00:42:43,280 --> 00:42:46,560
Speaker 1: put them down. I show them some game. Pay attention,

693
00:42:47,400 --> 00:42:49,920
Speaker 1: because why I'm gonna take ain't nobody never took you.

694
00:42:51,880 --> 00:42:55,080
Speaker 1: Why I'm gonna take ain't nobody never took you? And

695
00:42:55,200 --> 00:42:57,920
Speaker 1: you need to be thankful in the screen or just

696
00:42:58,040 --> 00:43:00,840
Speaker 1: being somebody to thank you tough or thank you this

697
00:43:01,040 --> 00:43:05,200
Speaker 1: and that. It's always cool when you're on offense. Everything

698
00:43:05,360 --> 00:43:09,919
Speaker 1: is cool because offense is fun, it's easy to play.

699
00:43:09,960 --> 00:43:13,440
Speaker 1: But but yeah, it's always cool on the offense. You

700
00:43:13,520 --> 00:43:16,880
Speaker 1: know your jumper look good, you know your form is together,

701
00:43:18,080 --> 00:43:20,279
Speaker 1: you know how to do a hell of a crossover.

702
00:43:20,480 --> 00:43:25,719
Speaker 1: Huh Yeah, you're looking you're looking good. But the defense

703
00:43:26,680 --> 00:43:31,520
Speaker 1: is will make them. Everybody can hit somebody? Can you

704
00:43:31,560 --> 00:43:37,719
Speaker 1: take a punch because the unique thing about altercations and

705
00:43:37,880 --> 00:43:43,640
Speaker 1: interactions with people is that they're unpredictable. You understand me.

706
00:43:43,800 --> 00:43:47,920
Speaker 1: Had you been hit? Can you handle that? Had you

707
00:43:48,040 --> 00:43:51,640
Speaker 1: been met with resistance? Do you understand what that's like?

708
00:43:52,320 --> 00:43:57,239
Speaker 1: Have you navigated around things you didn't understand without any assistance,

709
00:43:57,680 --> 00:44:02,200
Speaker 1: without any influence. Have you been in the rut and

710
00:44:02,320 --> 00:44:08,120
Speaker 1: had to get out yourself? Don't tell nobody about your situations.

711
00:44:08,160 --> 00:44:13,440
Speaker 1: Don't tell nobody about your problems, you encounters, your wins,

712
00:44:13,440 --> 00:44:18,200
Speaker 1: your losses. You just keep it in, keep it to yourself.

713
00:44:19,440 --> 00:44:23,799
Speaker 1: That's warrior mentality. A lot of these little dudes, they

714
00:44:23,800 --> 00:44:28,440
Speaker 1: don't got warrior mentality. They got the mentality their moms

715
00:44:30,920 --> 00:44:34,360
Speaker 1: And not that's wrong with the mother's mentality. It's just

716
00:44:34,520 --> 00:44:39,720
Speaker 1: something wrong with a man having it right. I always

717
00:44:39,760 --> 00:44:42,399
Speaker 1: tell people the rules that work for the man don't

718
00:44:42,400 --> 00:44:44,520
Speaker 1: work for the woman, and the rules that work for

719
00:44:44,560 --> 00:44:48,960
Speaker 1: the woman don't work for the man. The certain things

720
00:44:49,000 --> 00:44:53,839
Speaker 1: that's acceptable for men ain't acceptable for really, men don't

721
00:44:53,880 --> 00:44:57,080
Speaker 1: have no lead way what children and women can get

722
00:44:57,080 --> 00:45:01,560
Speaker 1: away with men can't get away with. Here's the kids don't.

723
00:45:02,800 --> 00:45:06,480
Speaker 1: When you're a child, it don't matter whether you man

724
00:45:06,680 --> 00:45:12,280
Speaker 1: or woman, or non binary or whatever they're saying Nowaday,

725
00:45:12,840 --> 00:45:15,960
Speaker 1: it don't matter matter whether or not you man or woman.

726
00:45:17,200 --> 00:45:22,160
Speaker 1: Here's the catch though, for a man, you go from

727
00:45:22,200 --> 00:45:26,240
Speaker 1: a child to a man just like that. There's no warning,

728
00:45:27,080 --> 00:45:31,120
Speaker 1: So you still operate with the childish ways, with the

729
00:45:31,320 --> 00:45:38,040
Speaker 1: child like mindset, the child like behavior. Not understand you

730
00:45:38,160 --> 00:45:43,480
Speaker 1: being accepted and received like a man now. And then

731
00:45:43,560 --> 00:45:45,640
Speaker 1: you look up and you don't have no tools to

732
00:45:45,719 --> 00:45:50,399
Speaker 1: do nothing outside of what you know, what we all do.

733
00:45:51,160 --> 00:45:55,000
Speaker 1: Mama then put us in my Mamma put me in basketball. Mama,

734
00:45:55,000 --> 00:46:00,719
Speaker 1: put me in boxing. Mama put me in football. I

735
00:46:00,760 --> 00:46:03,120
Speaker 1: ain't never have a book, didn't nobody to talk to

736
00:46:03,160 --> 00:46:07,600
Speaker 1: me about understanding, But I somewhat along the lines, I

737
00:46:07,719 --> 00:46:10,560
Speaker 1: gained it. They didn't think they was doing nothing wrong.

738
00:46:10,680 --> 00:46:13,600
Speaker 1: They didn't understand what I needed because they were women.

739
00:46:13,719 --> 00:46:16,600
Speaker 1: They didn't understand. Yo, you need to understanding as a

740
00:46:16,680 --> 00:46:19,960
Speaker 1: man to go out there. I might can go out

741
00:46:20,000 --> 00:46:22,520
Speaker 1: there a little bit more. They gonna hold those for me,

742
00:46:22,600 --> 00:46:24,960
Speaker 1: depending on who it is. They're gonna let me skip

743
00:46:25,080 --> 00:46:28,480
Speaker 1: certain things gonna happen for me, but for you. Ain't

744
00:46:28,520 --> 00:46:32,000
Speaker 1: nobody gonna look your way except whoever the woman is

745
00:46:32,040 --> 00:46:34,279
Speaker 1: that love you, or the women that want to love

746
00:46:34,400 --> 00:46:36,480
Speaker 1: you or want something from you or want to be

747
00:46:36,880 --> 00:46:39,759
Speaker 1: those people gonna It's a lot of faking going on

748
00:46:39,840 --> 00:46:43,120
Speaker 1: in that though. It's a lot of faking going on.

749
00:46:43,239 --> 00:46:48,040
Speaker 1: It's a lot of transactional things going on in that right,

750
00:46:48,120 --> 00:46:52,280
Speaker 1: So those things are left for for you to interpret

751
00:46:52,360 --> 00:46:55,160
Speaker 1: however you interpret. What I'm more so speaking about it

752
00:46:55,280 --> 00:46:58,160
Speaker 1: is the lead way that the black man has or

753
00:46:58,200 --> 00:47:03,920
Speaker 1: the man period is is, uh, it's less than other people's.

754
00:47:06,000 --> 00:47:10,080
Speaker 1: You understand, it's less than other people's and and uh

755
00:47:10,120 --> 00:47:13,479
Speaker 1: we we maneuver around that. But the little boys, they'd

756
00:47:13,480 --> 00:47:16,880
Speaker 1: be scared, man, they be they don't know, you know,

757
00:47:16,960 --> 00:47:21,000
Speaker 1: they don't know. They'd be scared. They're tough too. Man.

758
00:47:21,440 --> 00:47:24,239
Speaker 1: You will see some of them. You will think to yourself, man,

759
00:47:24,280 --> 00:47:27,880
Speaker 1: he had hurt everybody. And then you take him in

760
00:47:27,920 --> 00:47:31,600
Speaker 1: the room and you sell him, Hey, this dude right here, Yeah, yeah,

761
00:47:31,640 --> 00:47:34,319
Speaker 1: he won't. Ye gonta kill each other. They ain't gonna

762
00:47:34,360 --> 00:47:37,760
Speaker 1: do nothing, or they go to prison. So many people

763
00:47:37,840 --> 00:47:41,080
Speaker 1: come back home from prison like yo, man who who

764
00:47:41,239 --> 00:47:44,800
Speaker 1: was in prison. They were doing him so bad. I'm like, na, no,

765
00:47:45,160 --> 00:47:49,640
Speaker 1: not him, not with the decorations on his face, And

766
00:47:49,800 --> 00:47:52,680
Speaker 1: oh lad, I know he ain't getting done, you know

767
00:47:52,760 --> 00:47:55,640
Speaker 1: it just be certainly gimmicks. They like to play. People

768
00:47:55,680 --> 00:47:58,120
Speaker 1: want to play games. They want to they want to

769
00:47:58,200 --> 00:48:03,840
Speaker 1: bluffy off to heal. And when you don't get scared,

770
00:48:03,840 --> 00:48:07,080
Speaker 1: you perform way better when you ain't nervous. Because I

771
00:48:07,080 --> 00:48:11,840
Speaker 1: don't get nervous. I don't get nervous. I don't get nervous.

772
00:48:12,040 --> 00:48:15,080
Speaker 1: The only thing that makes me nervous is I'm talking

773
00:48:15,120 --> 00:48:17,719
Speaker 1: about in fights and all that. It's funny to me,

774
00:48:19,000 --> 00:48:22,120
Speaker 1: you know, altercations. It'd be funny, but I ain't playing.

775
00:48:22,840 --> 00:48:25,840
Speaker 1: I'd be laughing, but I ain't playing, though, you know

776
00:48:25,960 --> 00:48:28,279
Speaker 1: what I'm saying. That be the thing that they don't know.

777
00:48:28,719 --> 00:48:31,080
Speaker 1: I'm laughing, but I ain't playing. It's a different type.

778
00:48:31,160 --> 00:48:34,240
Speaker 1: It's a different thing. It's a new thing they're doing now, laughing,

779
00:48:34,280 --> 00:48:37,520
Speaker 1: but they ain't playing. Let me talk about toy relays

780
00:48:38,360 --> 00:48:41,920
Speaker 1: and Cassidy because tour relanes, for those of you that

781
00:48:42,080 --> 00:48:45,400
Speaker 1: don't know it, just left off funk master flex. Everybody

782
00:48:45,440 --> 00:48:49,120
Speaker 1: gonna flex? Do they want too, you know, do their

783
00:48:49,120 --> 00:48:51,680
Speaker 1: freestyle when they got something coming or when they want

784
00:48:51,680 --> 00:48:53,920
Speaker 1: to get something off their chestes. A lot of times

785
00:48:53,960 --> 00:48:57,800
Speaker 1: it's dope. Other times it's not staple in the culture.

786
00:48:58,239 --> 00:49:00,640
Speaker 1: A lot of long time it was on High ninety seven.

787
00:49:00,719 --> 00:49:03,520
Speaker 1: He was losing major bags. These dudes was late on

788
00:49:03,560 --> 00:49:07,399
Speaker 1: the digital space. So now he's recreated the bread as

789
00:49:07,400 --> 00:49:10,839
Speaker 1: he should. Funk Master Flex's who I'm speaking about, and

790
00:49:10,880 --> 00:49:15,560
Speaker 1: took that over to his own platform and still operating

791
00:49:15,560 --> 00:49:18,520
Speaker 1: in the same space as he was before. Probably something

792
00:49:18,560 --> 00:49:23,400
Speaker 1: he created and doing it there. I mean, that's a

793
00:49:23,400 --> 00:49:25,879
Speaker 1: whole other talk. I can get into the bags that's

794
00:49:25,880 --> 00:49:30,040
Speaker 1: been fumbled in hippop and wrapping entertainment, the bags that's

795
00:49:30,040 --> 00:49:34,120
Speaker 1: been fumbled in hippopping entertainment. These are we talking millions

796
00:49:34,120 --> 00:49:38,040
Speaker 1: of dollars, easily millions of dollars all over they just

797
00:49:38,280 --> 00:49:41,960
Speaker 1: been you know, and so it's it's always it's always interesting,

798
00:49:42,080 --> 00:49:44,200
Speaker 1: and I'm gonna have to get into that because I'm

799
00:49:44,200 --> 00:49:47,120
Speaker 1: doing starting to I'm doing a spinoff thing that I'll

800
00:49:47,120 --> 00:49:49,680
Speaker 1: get into a little later and tell y'all exactly what

801
00:49:49,719 --> 00:49:52,160
Speaker 1: I'm doing. We're going deep with it though. On Patreon.

802
00:49:52,680 --> 00:49:57,200
Speaker 1: We're doing a documentary only fans, documentary about the game

803
00:49:57,280 --> 00:50:01,759
Speaker 1: about only fans, about the dog side of escorton and

804
00:50:02,600 --> 00:50:06,040
Speaker 1: sex trafficking and things like that. So we were working

805
00:50:06,120 --> 00:50:09,200
Speaker 1: on that as we speak, and so that's gonna be real, dope.

806
00:50:09,239 --> 00:50:11,759
Speaker 1: We creative, man, We're gonna create. So that's what we're

807
00:50:11,800 --> 00:50:15,960
Speaker 1: gonna do. But oh but Torrey Lanes went over on

808
00:50:16,120 --> 00:50:22,880
Speaker 1: funk Flix and did his freestyle thing. And I like Tory.

809
00:50:22,920 --> 00:50:26,520
Speaker 1: Torre's talented. You know, when I say I like toy

810
00:50:26,760 --> 00:50:30,560
Speaker 1: I mean it's music. I know some people and I've

811
00:50:30,600 --> 00:50:33,719
Speaker 1: been critical of Toyre. I've been critical of the information.

812
00:50:33,800 --> 00:50:37,120
Speaker 1: I've been critical of the way that Meg has handled it.

813
00:50:37,160 --> 00:50:39,480
Speaker 1: I've asked her to get off the internet. There's certain

814
00:50:39,520 --> 00:50:42,920
Speaker 1: things I've done in regards to this right. So you know,

815
00:50:43,480 --> 00:50:46,520
Speaker 1: as I navigate through it, and that's I learned nothing

816
00:50:46,680 --> 00:50:49,279
Speaker 1: from it. More and more I just I'm more and

817
00:50:49,320 --> 00:50:51,720
Speaker 1: more confused. But I'll get away from that and speak

818
00:50:51,760 --> 00:50:54,399
Speaker 1: more so to the music, because that's why I think

819
00:50:54,440 --> 00:50:57,920
Speaker 1: I'm gonna live that with these two particular individuals in

820
00:50:58,000 --> 00:51:01,040
Speaker 1: the near future, because it's so bleury as to what

821
00:51:01,120 --> 00:51:07,360
Speaker 1: the circumstances are surrounding that situation. Right now, tourists talented,

822
00:51:08,040 --> 00:51:13,240
Speaker 1: very talented, I mean music, very high level musician, makes

823
00:51:13,320 --> 00:51:18,239
Speaker 1: great music, does the sane thing. I mean, it's it's

824
00:51:18,320 --> 00:51:27,320
Speaker 1: it's it's high level, high level. Now with that being said,

825
00:51:28,560 --> 00:51:31,160
Speaker 1: I see people now aligning themselves back with him. You

826
00:51:31,200 --> 00:51:33,439
Speaker 1: see Kodek do a song the baby and them drop

827
00:51:33,520 --> 00:51:36,319
Speaker 1: the song. I think it was a default thing. Um,

828
00:51:36,480 --> 00:51:40,000
Speaker 1: just certain things happening for him, you know, people back

829
00:51:40,120 --> 00:51:42,359
Speaker 1: messing with him. So he goes old and he takes

830
00:51:42,400 --> 00:51:44,520
Speaker 1: certain shots saying that baby them would have got their

831
00:51:44,560 --> 00:51:47,120
Speaker 1: Grammy if they wouldn't have never framed him, Just saying

832
00:51:47,200 --> 00:51:50,800
Speaker 1: that aligning himself with him kind of got him black balled,

833
00:51:50,920 --> 00:51:54,160
Speaker 1: is what he was trying to say. Now, I'm gonna

834
00:51:54,160 --> 00:51:56,400
Speaker 1: talk about the texture of the freestyle. To me, it

835
00:51:56,520 --> 00:51:59,480
Speaker 1: was a it just seemed like he was trying too hard,

836
00:51:59,719 --> 00:52:04,480
Speaker 1: Like it was like he wrote all them bars down

837
00:52:04,560 --> 00:52:07,160
Speaker 1: and made him smash on the beat. It was something

838
00:52:07,200 --> 00:52:09,839
Speaker 1: about it. And I know he know how to ride

839
00:52:09,840 --> 00:52:12,520
Speaker 1: a beat. That's what he'd do with the scene and

840
00:52:12,600 --> 00:52:14,759
Speaker 1: out that he do the ride the beat things, so

841
00:52:14,800 --> 00:52:17,200
Speaker 1: I know he knows what he's doing. This ain't a

842
00:52:17,320 --> 00:52:19,239
Speaker 1: shot at whether or not even know what he's doing.

843
00:52:19,320 --> 00:52:23,080
Speaker 1: The problem is I think that he just was trying

844
00:52:23,160 --> 00:52:28,000
Speaker 1: too hard. And a lot of his bars were Cassidy

845
00:52:28,080 --> 00:52:34,560
Speaker 1: old bars or setups. There was like Cassidy type of setups.

846
00:52:35,920 --> 00:52:40,280
Speaker 1: You know, they were Cassidy type of setups. Likes ain't

847
00:52:40,280 --> 00:52:42,879
Speaker 1: he just if you are a fan of hip hop,

848
00:52:42,880 --> 00:52:45,320
Speaker 1: a fan of Cassidy, you know what I'm talking about.

849
00:52:45,360 --> 00:52:47,600
Speaker 1: How he used to set them punch lines up, even

850
00:52:48,000 --> 00:52:50,879
Speaker 1: some of his one liners. You were here, Tory say,

851
00:52:50,960 --> 00:52:54,080
Speaker 1: and they ain't the first time I've saw Torrey kind

852
00:52:54,080 --> 00:52:57,440
Speaker 1: of grab going his Cassidy bag. I keep telling you

853
00:52:57,440 --> 00:52:59,879
Speaker 1: a lot of creators they got a bag, and it's

854
00:53:00,000 --> 00:53:01,920
Speaker 1: certain stuff they can go in there and grab. Some

855
00:53:02,000 --> 00:53:04,960
Speaker 1: of it is good, some of it is not. Some

856
00:53:05,040 --> 00:53:07,280
Speaker 1: of it they need to keep in there. Certain things

857
00:53:07,280 --> 00:53:09,799
Speaker 1: in your When people say I mean my bag, they

858
00:53:09,840 --> 00:53:11,960
Speaker 1: don't even understand. You could be in your bag and

859
00:53:12,000 --> 00:53:14,919
Speaker 1: then grab the wrong thing. A lot of times tour

860
00:53:15,000 --> 00:53:17,560
Speaker 1: re Lanes go in there and he grabbed some of

861
00:53:17,560 --> 00:53:22,520
Speaker 1: that cass City sauce and then he come back out

862
00:53:22,560 --> 00:53:24,560
Speaker 1: with it. Last time it was it was it was

863
00:53:24,600 --> 00:53:26,799
Speaker 1: better than this time. This time it kind of was,

864
00:53:27,640 --> 00:53:30,279
Speaker 1: I don't know, man, This time it just was. It

865
00:53:30,400 --> 00:53:36,800
Speaker 1: kind of just was. I just don't know. It was

866
00:53:36,880 --> 00:53:39,840
Speaker 1: giving me a certain type of feel. And then Cassidy

867
00:53:39,920 --> 00:53:42,600
Speaker 1: came out. Because of course the fans, I keep telling you,

868
00:53:42,640 --> 00:53:44,960
Speaker 1: the fans, once you get to a certain level, your

869
00:53:44,960 --> 00:53:47,399
Speaker 1: fans do a lot of the work for you. So

870
00:53:47,480 --> 00:53:49,840
Speaker 1: the fans dig up all of his old balls and

871
00:53:49,920 --> 00:53:53,080
Speaker 1: show how he's stilling his balls and put it out

872
00:53:53,400 --> 00:53:55,359
Speaker 1: and tour it like yo, man, I was a big

873
00:53:55,400 --> 00:53:57,920
Speaker 1: fan of yours. I am you are my favorite rapper.

874
00:53:58,040 --> 00:54:02,720
Speaker 1: Like I guess it's how these old dudes interpid things.

875
00:54:02,800 --> 00:54:06,080
Speaker 1: See in those shots. They always try to call you old,

876
00:54:06,120 --> 00:54:09,000
Speaker 1: to call you alienated, to make you think you're missing

877
00:54:09,040 --> 00:54:12,200
Speaker 1: out on something. You don't get what's going on. Nah,

878
00:54:12,440 --> 00:54:15,680
Speaker 1: pay me anything other than that, pay me. And then

879
00:54:15,719 --> 00:54:19,359
Speaker 1: he wasn't filling Cassidy, which was interesting. Cassidy said, Then

880
00:54:19,480 --> 00:54:22,080
Speaker 1: with Cassidy, he doesn't fell off to me in regards

881
00:54:22,080 --> 00:54:26,200
Speaker 1: to them type of ball. He don't. He don't kick

882
00:54:26,239 --> 00:54:29,120
Speaker 1: it like that no more, you know what I mean.

883
00:54:29,280 --> 00:54:31,600
Speaker 1: He do his little thing, but like how that was,

884
00:54:32,360 --> 00:54:35,920
Speaker 1: I don't get that from him no more, you know.

885
00:54:36,080 --> 00:54:39,040
Speaker 1: And so it's just to me, it's bad to see

886
00:54:39,120 --> 00:54:41,560
Speaker 1: people that copy up. It just I don't know, man,

887
00:54:41,920 --> 00:54:46,000
Speaker 1: I was just talking about that, like that imitation all

888
00:54:46,120 --> 00:54:48,719
Speaker 1: is imitation. You know what I'm imitating you? Now you

889
00:54:48,760 --> 00:54:51,799
Speaker 1: need to say that then let the people know I'm

890
00:54:51,840 --> 00:54:54,719
Speaker 1: going in my cassidy bag and then going. Then we

891
00:54:54,880 --> 00:54:58,959
Speaker 1: it's cool, you're gone. But when they I keep telling

892
00:54:59,000 --> 00:55:05,279
Speaker 1: you imitation, what acknowledgement is stealing, it's stilling. And then

893
00:55:05,400 --> 00:55:10,080
Speaker 1: speaking of that, dealing with Kevin Samuels, there's a petition

894
00:55:10,160 --> 00:55:14,759
Speaker 1: going around where thousands of people have signed to get

895
00:55:14,840 --> 00:55:19,400
Speaker 1: Kevin Samuels removed off YouTube. We've seen this happened before.

896
00:55:19,480 --> 00:55:25,120
Speaker 1: What I think that what's his name, uh, Pooty Pile something.

897
00:55:25,440 --> 00:55:28,320
Speaker 1: I can't think of a guy named really really huge YouTube.

898
00:55:28,400 --> 00:55:31,600
Speaker 1: But they petition. Next thing you know, he was gone

899
00:55:31,600 --> 00:55:35,160
Speaker 1: off YouTube. He probably lost out on a couple of

900
00:55:35,200 --> 00:55:38,040
Speaker 1: million dollars a year just off off that revenue along

901
00:55:38,200 --> 00:55:42,520
Speaker 1: from YouTube, not even speaking about the brand itself and

902
00:55:42,600 --> 00:55:45,000
Speaker 1: the awareness that he lost in regards to losing the

903
00:55:45,120 --> 00:55:50,680
Speaker 1: channel with that that much engagement and subscription m was

904
00:55:50,719 --> 00:55:54,640
Speaker 1: it was a very very detrimental to his business. Now

905
00:55:54,680 --> 00:55:56,960
Speaker 1: they're trying to do the same thing with Kevin Samuels.

906
00:55:57,000 --> 00:56:00,560
Speaker 1: One thing I've noticed a lot of women that I'm

907
00:56:01,320 --> 00:56:06,160
Speaker 1: that's that's coming in communication with me and getting on

908
00:56:06,200 --> 00:56:10,359
Speaker 1: my platform and trying to they hate Kevin Samuel's y'all

909
00:56:10,440 --> 00:56:13,040
Speaker 1: got to tag me in some videos of what Kevin

910
00:56:13,080 --> 00:56:17,560
Speaker 1: Samuel has done done because they hate Kevin Samuel. I mean,

911
00:56:17,600 --> 00:56:22,439
Speaker 1: it is a real hatred about it. One thing they say,

912
00:56:22,680 --> 00:56:25,759
Speaker 1: and you know, I don't know how to feel about that. Well,

913
00:56:25,800 --> 00:56:30,400
Speaker 1: one thing they asked me is, hey, if his last

914
00:56:30,400 --> 00:56:35,120
Speaker 1: two wife's wives were bad like pretty or high value

915
00:56:35,719 --> 00:56:40,160
Speaker 1: is the term that they use his term? Why has

916
00:56:40,239 --> 00:56:44,880
Speaker 1: no one ever seen him? Because we feel like that

917
00:56:45,160 --> 00:56:50,480
Speaker 1: we get to see inside of Kevin Samuel's life to

918
00:56:50,560 --> 00:56:53,000
Speaker 1: a certain extent, you know, we get to see he

919
00:56:53,160 --> 00:56:56,080
Speaker 1: shows people when he's shopping, when he's riding around, and

920
00:56:56,920 --> 00:57:00,840
Speaker 1: certain things like like show us that you really that

921
00:57:01,000 --> 00:57:03,719
Speaker 1: you that you that show us what you're reaching in

922
00:57:03,760 --> 00:57:06,560
Speaker 1: the pun and grab me, you know what I mean?

923
00:57:06,640 --> 00:57:12,719
Speaker 1: And so UM, I kind of understood that. Um with

924
00:57:12,880 --> 00:57:15,239
Speaker 1: the petition thing, I just don't know if that or

925
00:57:15,280 --> 00:57:17,440
Speaker 1: if that's gonna be if that's a good thing, because

926
00:57:17,440 --> 00:57:21,400
Speaker 1: again I've I've always look at people that that people

927
00:57:21,440 --> 00:57:24,000
Speaker 1: are trying to censor and understand that I talk for

928
00:57:24,120 --> 00:57:26,480
Speaker 1: a living, so I'm gonna say some things that may

929
00:57:26,520 --> 00:57:29,320
Speaker 1: offend at some point without knowing, and then I can

930
00:57:29,360 --> 00:57:32,640
Speaker 1: be in those same shoes. So I'm very skeptical about

931
00:57:32,720 --> 00:57:36,760
Speaker 1: engaging with those kind of things. UM. Also looking at

932
00:57:36,800 --> 00:57:39,560
Speaker 1: Kevin Sammue's I said, oh, cas, see what's going on?

933
00:57:39,960 --> 00:57:46,360
Speaker 1: He putting down that UM charade our league game? That

934
00:57:46,560 --> 00:57:49,760
Speaker 1: charade our league game. That some of them talking points

935
00:57:49,760 --> 00:57:52,520
Speaker 1: that she had is the game he putting down. And

936
00:57:52,600 --> 00:57:56,000
Speaker 1: a lot of them is undisputed. A lot of those facts,

937
00:57:56,040 --> 00:57:58,120
Speaker 1: a lot of those things that that later was putting

938
00:57:58,160 --> 00:58:00,640
Speaker 1: down that you hear Kevin Sammuels kind of trying to

939
00:58:00,680 --> 00:58:03,360
Speaker 1: add ton in two thousand and twenty one, a lot

940
00:58:03,360 --> 00:58:07,120
Speaker 1: of those things are undisputed. One thing I do say, though, man,

941
00:58:07,280 --> 00:58:10,960
Speaker 1: and one of my biggest feels, and that I expressed

942
00:58:10,960 --> 00:58:15,720
Speaker 1: to my loved ones, is that I pray. And that's why.

943
00:58:15,800 --> 00:58:20,920
Speaker 1: That's why the imitation thing or just the transferring of information,

944
00:58:21,920 --> 00:58:25,480
Speaker 1: when you're getting the same information just from another brand

945
00:58:25,480 --> 00:58:29,120
Speaker 1: and you love it so much, it's a very interesting thing.

946
00:58:29,200 --> 00:58:33,520
Speaker 1: And that's one of my biggest feels is that Lord,

947
00:58:33,560 --> 00:58:37,600
Speaker 1: don't let them steal from me, and then they receive

948
00:58:37,760 --> 00:58:39,680
Speaker 1: this in a way where they make out of money

949
00:58:39,720 --> 00:58:42,880
Speaker 1: and I make no money. Like that's a real feel

950
00:58:42,880 --> 00:58:46,840
Speaker 1: of a creative because you don't you see it happening, right,

951
00:58:46,920 --> 00:58:49,960
Speaker 1: You see it happen even with a Kevin Samuel's and

952
00:58:50,040 --> 00:58:54,000
Speaker 1: a charade missus a Lee. She's been saying a lot

953
00:58:54,000 --> 00:58:56,080
Speaker 1: of those things, all those yar. She never got to

954
00:58:56,160 --> 00:59:00,840
Speaker 1: notoriety that he has. When you see somebody that say,

955
00:59:00,920 --> 00:59:03,600
Speaker 1: hey yo, they stole my beat. That dude, they ain't

956
00:59:03,640 --> 00:59:07,360
Speaker 1: got no hey yo, that's my song. Hey yo, it's unfortunate,

957
00:59:08,760 --> 00:59:14,040
Speaker 1: Like that's one of my biggest fields. The folkus steal

958
00:59:14,200 --> 00:59:16,320
Speaker 1: my game and didn't put it down, and then they

959
00:59:16,400 --> 00:59:18,800
Speaker 1: run off and get out all the money. I'm crashing.

960
00:59:23,000 --> 00:59:27,440
Speaker 1: I'm crashing about that. That's that's that's that's real life nightmare,

961
00:59:28,800 --> 00:59:31,560
Speaker 1: you know what I'm saying. Like I've saw dudes come

962
00:59:31,600 --> 00:59:36,040
Speaker 1: around me for one week, change their whole style look

963
00:59:36,720 --> 00:59:39,160
Speaker 1: and then take it over in another area and act

964
00:59:39,240 --> 00:59:42,080
Speaker 1: like they're putting some real game down. They had to

965
00:59:42,120 --> 00:59:49,600
Speaker 1: pour their coat tail a semified k. Yeah, that's how

966
00:59:49,600 --> 00:59:52,080
Speaker 1: I pull your coat tail. I don't I don't come

967
00:59:52,120 --> 00:59:54,960
Speaker 1: asking for none because you're in the wrong. So I

968
00:59:55,040 --> 00:59:57,520
Speaker 1: just gonna put the tab on you. You know what

969
00:59:57,560 --> 00:59:59,720
Speaker 1: I'm saying. Oh, you know, stole my whole style. You

970
00:59:59,800 --> 01:00:01,920
Speaker 1: tell and what I'm saying, and you're making you putting

971
01:00:01,920 --> 01:00:04,240
Speaker 1: money out and I ain't charge I just come pull

972
01:00:04,280 --> 01:00:11,280
Speaker 1: your coach here he yo. Semifive k home cashell, PayPal,

973
01:00:11,440 --> 01:00:14,760
Speaker 1: friends and family, semifive k about that what you're doing,

974
01:00:15,240 --> 01:00:19,520
Speaker 1: what I'm saying. And usually I don't get any issue

975
01:00:19,600 --> 01:00:21,560
Speaker 1: because they got to keep coming to get the game.

976
01:00:22,160 --> 01:00:24,360
Speaker 1: I don't give you enough to bear to run. Often

977
01:00:25,200 --> 01:00:28,960
Speaker 1: I ain't that dumb, you know what I'm saying. And

978
01:00:29,080 --> 01:00:32,680
Speaker 1: let's talk about rappers being under attacked by law enforcement.

979
01:00:33,000 --> 01:00:36,120
Speaker 1: Robbers have to make a decision when they encounter a

980
01:00:36,240 --> 01:00:41,439
Speaker 1: situation that involves so much upside. I think in our

981
01:00:41,440 --> 01:00:47,520
Speaker 1: community often times we put being tough over the financial

982
01:00:47,600 --> 01:00:50,360
Speaker 1: stability of our loved ones. And I think that's a

983
01:00:50,480 --> 01:00:53,600
Speaker 1: very vital mistake being the head of the family, seeing

984
01:00:53,600 --> 01:00:57,520
Speaker 1: that it's mostly men that engage in these behaviors that's

985
01:00:57,520 --> 01:00:59,800
Speaker 1: supposed to be the head of the family. Me too,

986
01:01:00,160 --> 01:01:03,560
Speaker 1: fall victim to my ego and fall victim to me

987
01:01:03,760 --> 01:01:07,919
Speaker 1: being involved with things that can only crash what I'm

988
01:01:07,960 --> 01:01:11,440
Speaker 1: doing in regards to whether you know, because I'm a

989
01:01:11,480 --> 01:01:14,040
Speaker 1: man first and we all men first. But at the

990
01:01:14,160 --> 01:01:19,320
Speaker 1: end of the day, certain things are vaudable. And we're

991
01:01:19,360 --> 01:01:21,680
Speaker 1: dealing with the industry, and we're dealing with a law

992
01:01:21,760 --> 01:01:26,040
Speaker 1: enforcement agency that believes these rappers, that has intil that

993
01:01:26,160 --> 01:01:28,920
Speaker 1: says these rappers are telling the truth when they're saying

994
01:01:28,960 --> 01:01:33,240
Speaker 1: some of these outland these things on this mic, and

995
01:01:33,360 --> 01:01:38,600
Speaker 1: they handling it with such Now, our rappers under attach.

996
01:01:39,680 --> 01:01:45,200
Speaker 1: I say, rappers are the modern day leaders, and they

997
01:01:45,200 --> 01:01:50,840
Speaker 1: don't know. The key point is they don't know. Right.

998
01:01:50,920 --> 01:01:53,480
Speaker 1: They got a lot more influenced than they understand. They

999
01:01:53,560 --> 01:01:56,040
Speaker 1: got a lot more power than they understand. And heard

1000
01:01:56,120 --> 01:01:59,200
Speaker 1: somebody to say that your local that a lot of

1001
01:01:59,240 --> 01:02:02,000
Speaker 1: these rappers can get more people in the stadium. Look

1002
01:02:02,040 --> 01:02:04,800
Speaker 1: at look at what Kanye just done. Name me a

1003
01:02:04,880 --> 01:02:09,040
Speaker 1: politician that can do that without giving the seats away

1004
01:02:09,480 --> 01:02:14,440
Speaker 1: charged to do that. Name me somebody with influence on

1005
01:02:14,640 --> 01:02:19,920
Speaker 1: the politics side. They can do that without giving those

1006
01:02:19,960 --> 01:02:24,080
Speaker 1: tickets away free and offering some giveaways. And it's tricks

1007
01:02:24,120 --> 01:02:28,000
Speaker 1: to get it done now. But I'm talking about sale

1008
01:02:28,040 --> 01:02:32,000
Speaker 1: spots to see me come out with no just I'm

1009
01:02:32,040 --> 01:02:35,640
Speaker 1: just letting the music play. That influence comes with a

1010
01:02:35,720 --> 01:02:43,200
Speaker 1: heightened sense of activity from law enforcement because they're afraid

1011
01:02:43,240 --> 01:02:46,640
Speaker 1: of the power that can be associated with some of

1012
01:02:46,640 --> 01:02:50,200
Speaker 1: the individuals that's in the game. Right. We can be

1013
01:02:50,240 --> 01:02:53,360
Speaker 1: doing certain things. We can be building a smile military,

1014
01:02:53,520 --> 01:02:55,720
Speaker 1: we can be getting this thing together. And we got

1015
01:02:55,720 --> 01:02:58,040
Speaker 1: some people that are goal You know that y'all looking

1016
01:02:58,040 --> 01:03:01,000
Speaker 1: into us. You know, my homeboy behind me with the glasses,

1017
01:03:01,360 --> 01:03:04,120
Speaker 1: don't be three bodies. I got him looking like it

1018
01:03:04,280 --> 01:03:07,000
Speaker 1: as a facade. They looking into the end of these

1019
01:03:07,080 --> 01:03:10,600
Speaker 1: things and everybody. A lot of people love the rappers,

1020
01:03:12,720 --> 01:03:17,040
Speaker 1: the girls. You go somewhere and they run and they

1021
01:03:17,200 --> 01:03:20,120
Speaker 1: come in holland they want autographs and pictures and this

1022
01:03:20,280 --> 01:03:23,400
Speaker 1: and there. It's always people that's on the opposite side

1023
01:03:23,440 --> 01:03:26,680
Speaker 1: of that. They feel a way about somebody loving you,

1024
01:03:26,880 --> 01:03:29,960
Speaker 1: or somebody accepting what it is that you do and

1025
01:03:30,120 --> 01:03:33,600
Speaker 1: saying that man, that helped me through this, or I

1026
01:03:33,800 --> 01:03:39,360
Speaker 1: love what you do, or you know certain things. And

1027
01:03:39,520 --> 01:03:47,760
Speaker 1: these these police officers and law enforcement agencies don't want

1028
01:03:47,760 --> 01:03:51,200
Speaker 1: to lose their what they think is their grip around

1029
01:03:51,240 --> 01:03:55,400
Speaker 1: these cities because in some of these cities, people are powerful,

1030
01:03:57,240 --> 01:04:01,640
Speaker 1: a lot more powerful than your local right, Like they

1031
01:04:01,680 --> 01:04:04,440
Speaker 1: can make some phone calls and get some things done.

1032
01:04:05,760 --> 01:04:08,560
Speaker 1: When the police can't find where the necklace went, that

1033
01:04:09,520 --> 01:04:12,000
Speaker 1: you can go get every police dying. Now they can't

1034
01:04:12,040 --> 01:04:14,600
Speaker 1: get that necklace back, but I know who can get

1035
01:04:14,640 --> 01:04:20,080
Speaker 1: that necklace back. Oh they killed your could you can

1036
01:04:20,120 --> 01:04:23,560
Speaker 1: call whoever you want. They ain't gonna find out who

1037
01:04:23,680 --> 01:04:26,760
Speaker 1: done that, but we can get that too care of.

1038
01:04:26,880 --> 01:04:30,480
Speaker 1: If you know such and sugant, you know you know

1039
01:04:30,560 --> 01:04:33,120
Speaker 1: so that sometimes in the streets there's a lot going

1040
01:04:33,200 --> 01:04:36,320
Speaker 1: on and these dudes are so believable that you better

1041
01:04:36,360 --> 01:04:38,920
Speaker 1: be careful with who you're dealing with. You better, you

1042
01:04:39,000 --> 01:04:42,040
Speaker 1: better understand you're dealing with some people that may that

1043
01:04:42,200 --> 01:04:45,160
Speaker 1: may be serious about what they're saying, and the police

1044
01:04:45,200 --> 01:04:47,320
Speaker 1: taking it that way, because when they're looking into them

1045
01:04:47,320 --> 01:04:50,440
Speaker 1: things happening, Oh shootout poland oh he got killed, that's it,

1046
01:04:51,440 --> 01:04:54,000
Speaker 1: they just drop y f and Lucia murder cases. I

1047
01:04:54,000 --> 01:04:56,200
Speaker 1: gotta look into that. I'm not sure if it's because

1048
01:04:56,200 --> 01:04:59,160
Speaker 1: the FIDS picked him um and the state usually just

1049
01:04:59,200 --> 01:05:01,440
Speaker 1: dismissed stuff when the FIST pick it up, or did

1050
01:05:01,480 --> 01:05:05,640
Speaker 1: they beat the charges dismissal on some sort of technicality

1051
01:05:06,160 --> 01:05:08,040
Speaker 1: that's still up for debate, and I'm gonna have to

1052
01:05:08,040 --> 01:05:11,240
Speaker 1: go in, go in and look at that. You understand me.

1053
01:05:11,520 --> 01:05:14,560
Speaker 1: But but yeah, so it's a lot going on in

1054
01:05:14,720 --> 01:05:16,960
Speaker 1: and out of the game. We're gonna take a small

1055
01:05:17,080 --> 01:05:20,640
Speaker 1: break and then you know, we're gonna come back with

1056
01:05:20,720 --> 01:05:22,720
Speaker 1: some more game and then we'll get out of here.

1057
01:05:23,520 --> 01:05:26,240
Speaker 1: After this break, we'll be back breaking a game. Gab

1058
01:05:26,720 --> 01:05:30,240
Speaker 1: with each of their podcast stay tune. I want to

1059
01:05:30,280 --> 01:05:33,800
Speaker 1: talk about a little dirt, you know. I was just

1060
01:05:33,880 --> 01:05:36,200
Speaker 1: talking to one of my homeboards, one of my people

1061
01:05:37,440 --> 01:05:42,480
Speaker 1: about little dirt. You know, because sometimes on the internet,

1062
01:05:43,200 --> 01:05:48,600
Speaker 1: sometimes in this industry and the entertainment industry, just dealing

1063
01:05:48,680 --> 01:05:51,280
Speaker 1: with social media, dealing with some of these hads beings

1064
01:05:51,280 --> 01:05:55,080
Speaker 1: and never had individuals online we go to dealing with

1065
01:05:55,160 --> 01:06:00,320
Speaker 1: people who opinion can seem to be like screw dreams.

1066
01:06:00,400 --> 01:06:03,480
Speaker 1: It can seem to be loud, right, So sometimes that

1067
01:06:03,600 --> 01:06:09,240
Speaker 1: can affect the psyche of people who don't think independently. Um,

1068
01:06:10,960 --> 01:06:14,600
Speaker 1: and so my homeboy was he said, you know, because

1069
01:06:14,640 --> 01:06:17,440
Speaker 1: he one of them dudes that just got out of prison,

1070
01:06:17,520 --> 01:06:21,360
Speaker 1: so he don't really necessarily keep up with what's going

1071
01:06:21,440 --> 01:06:23,880
Speaker 1: on online on the Internet and this, and that he

1072
01:06:23,960 --> 01:06:26,320
Speaker 1: really ain't one of them type guys, but he hid

1073
01:06:26,440 --> 01:06:29,560
Speaker 1: me because he's just now getting around and seeing the

1074
01:06:29,600 --> 01:06:31,600
Speaker 1: picture of a little baby and little dirt and the

1075
01:06:31,680 --> 01:06:34,040
Speaker 1: car in the line where little Dirt was kind of looking,

1076
01:06:35,720 --> 01:06:41,400
Speaker 1: you know, looking around, like what's going on? And he said, uh,

1077
01:06:43,040 --> 01:06:45,760
Speaker 1: he said, the internet thing, a little dirt scared Donna.

1078
01:06:47,320 --> 01:06:51,320
Speaker 1: He'd be looking nervous. I said, yeah, yeah, yeah, he'd

1079
01:06:51,360 --> 01:06:57,160
Speaker 1: be looking nervous. That's that's normal, you know, he said,

1080
01:06:59,080 --> 01:07:01,840
Speaker 1: Because I know we've all seen these things go along

1081
01:07:01,880 --> 01:07:04,200
Speaker 1: on the Internet. What people are saying, Dirt seems to

1082
01:07:04,240 --> 01:07:07,360
Speaker 1: be outside of his element whenever he's inside of the ghett.

1083
01:07:09,280 --> 01:07:14,200
Speaker 1: I disagree with that, though, just because I understand what

1084
01:07:14,280 --> 01:07:16,200
Speaker 1: it feels like and what it looked like dealing with

1085
01:07:16,240 --> 01:07:18,400
Speaker 1: some of these things. Right. So we'll get into it

1086
01:07:18,440 --> 01:07:22,080
Speaker 1: a little bit. But when people talk about when they

1087
01:07:22,120 --> 01:07:23,600
Speaker 1: look at it, and then they talk about it from

1088
01:07:23,640 --> 01:07:27,640
Speaker 1: their perspective, it lets me know that their perspective is off.

1089
01:07:29,080 --> 01:07:33,160
Speaker 1: You know, I know a little bit about being involved

1090
01:07:33,200 --> 01:07:35,640
Speaker 1: with things that's just a little more serious than they

1091
01:07:35,680 --> 01:07:39,920
Speaker 1: are to certain people. So what I'm saying is the

1092
01:07:40,040 --> 01:07:44,600
Speaker 1: outlook can be a y'all playing like y'all, y'all rapping

1093
01:07:44,640 --> 01:07:50,760
Speaker 1: and having a great time. We at war like, and

1094
01:07:51,040 --> 01:07:53,880
Speaker 1: I've been in situations where we haven't been sitting like this.

1095
01:07:54,240 --> 01:07:57,080
Speaker 1: Next thing, you know, two people dead, two of my homeboards,

1096
01:07:57,080 --> 01:08:00,640
Speaker 1: they're gone, right, So I'm dealing with my experiences. When

1097
01:08:00,680 --> 01:08:04,880
Speaker 1: you see me somewhere with my my, my, I'm looking

1098
01:08:04,920 --> 01:08:07,280
Speaker 1: around trying to figure out who, what, when and where

1099
01:08:07,360 --> 01:08:11,360
Speaker 1: and what's going on. It's no different than if you

1100
01:08:11,440 --> 01:08:14,640
Speaker 1: take a puppet. You're gonna grab a puppet that's been

1101
01:08:14,640 --> 01:08:17,679
Speaker 1: living outside in the wild. It's been attacked and almost

1102
01:08:17,800 --> 01:08:19,920
Speaker 1: hit by cause and this and that, or may be

1103
01:08:20,040 --> 01:08:23,120
Speaker 1: abused in some sort of way, and you bring them

1104
01:08:23,120 --> 01:08:27,200
Speaker 1: into a big home, a loving home. That puppet senses

1105
01:08:27,360 --> 01:08:30,320
Speaker 1: is still gonna be heightened from dealing with his experiences.

1106
01:08:30,720 --> 01:08:33,920
Speaker 1: It gotta build the level of understanding and trust in

1107
01:08:33,960 --> 01:08:37,680
Speaker 1: the environment before it can just lower everything. You're right,

1108
01:08:37,680 --> 01:08:41,240
Speaker 1: and I'm watching everybody. I'm looking at everything. That's a

1109
01:08:41,320 --> 01:08:44,240
Speaker 1: part of the game, because while I'm from we're not playing.

1110
01:08:45,040 --> 01:08:49,439
Speaker 1: We're killing and shooting and people dying. Y'all rapping and

1111
01:08:49,520 --> 01:08:54,559
Speaker 1: having a good time. It's a little different, right, what

1112
01:08:54,760 --> 01:08:57,600
Speaker 1: y'all think about me means nothing. What happens is what

1113
01:08:57,720 --> 01:09:02,720
Speaker 1: I'm concerned with. You understand me, And so it's always important.

1114
01:09:02,840 --> 01:09:06,600
Speaker 1: And and then I got the thing, and like with

1115
01:09:06,800 --> 01:09:11,240
Speaker 1: it being sold, when it being almost like a war

1116
01:09:11,720 --> 01:09:16,840
Speaker 1: revolving around that brother I wanted to do. The people

1117
01:09:16,880 --> 01:09:20,160
Speaker 1: that come around him, I just think that damn, they're

1118
01:09:20,160 --> 01:09:23,320
Speaker 1: everybody that come around and want to be paid like security.

1119
01:09:25,560 --> 01:09:28,200
Speaker 1: Because when it's up, like when when when things like

1120
01:09:28,320 --> 01:09:31,680
Speaker 1: these things are happening and people have to come around you,

1121
01:09:31,720 --> 01:09:33,479
Speaker 1: they want to make it like they're doing you a

1122
01:09:33,520 --> 01:09:38,599
Speaker 1: favor because it's danger around you. So when I come

1123
01:09:38,640 --> 01:09:40,800
Speaker 1: around you, I can't come like you're a rapper. I

1124
01:09:40,840 --> 01:09:44,760
Speaker 1: gotta bring my aar slick. Might gotta have a vests on,

1125
01:09:45,720 --> 01:09:49,160
Speaker 1: a handgun, a little one shooter case we go, a knife.

1126
01:09:49,880 --> 01:09:52,200
Speaker 1: I gotta travel like that. A lot of time dudes

1127
01:09:52,320 --> 01:09:54,920
Speaker 1: is already two time losers. So when they show up,

1128
01:09:55,760 --> 01:09:58,559
Speaker 1: they probably like, bro, you you gotta you know and

1129
01:09:58,680 --> 01:10:00,800
Speaker 1: that that a coastal that are cast your arm in

1130
01:10:00,840 --> 01:10:06,200
Speaker 1: the leg. You see what I'm saying. Because people start

1131
01:10:06,280 --> 01:10:10,160
Speaker 1: to put around you that it ain't just fun time

1132
01:10:10,280 --> 01:10:14,920
Speaker 1: being around you. It might at any time go up

1133
01:10:14,960 --> 01:10:18,519
Speaker 1: and we might gotta start shooting things, might you know

1134
01:10:18,560 --> 01:10:22,120
Speaker 1: what I'm saying, at any moment, at any moment. So

1135
01:10:23,840 --> 01:10:26,160
Speaker 1: I just think that they everybody be trying to, you know,

1136
01:10:26,560 --> 01:10:31,000
Speaker 1: charge like a security fee when they come around, especially

1137
01:10:31,040 --> 01:10:34,400
Speaker 1: if he think they'll do something, because you gotta also think,

1138
01:10:34,520 --> 01:10:37,479
Speaker 1: dude lost Vaughn. He lost his brother. Like when you

1139
01:10:37,560 --> 01:10:41,559
Speaker 1: lose Vaughn, somebody that you probably call when things get

1140
01:10:42,720 --> 01:10:44,880
Speaker 1: that's probably one of the ones you know where to

1141
01:10:44,960 --> 01:10:48,240
Speaker 1: win with you on any level. And they boom, they

1142
01:10:48,280 --> 01:10:50,840
Speaker 1: got him. Oh no, what's going on? Boom, they get

1143
01:10:50,880 --> 01:10:53,759
Speaker 1: my brother. See I'm dealing with I'm thinking I'm looking

1144
01:10:53,760 --> 01:10:56,839
Speaker 1: at a dude that saying, hey man, I'm ready to whatever.

1145
01:10:57,040 --> 01:11:01,120
Speaker 1: Let's do this. And I got money, I fight these

1146
01:11:01,280 --> 01:11:04,280
Speaker 1: let's do this. Like I think you're dealing with somebody

1147
01:11:04,280 --> 01:11:09,840
Speaker 1: that are doing the circumstances. I don't see one thing

1148
01:11:09,880 --> 01:11:12,639
Speaker 1: I know about people, one thing I know about dudes

1149
01:11:12,720 --> 01:11:16,680
Speaker 1: out the ghetto, out the hood, the right circumstances to

1150
01:11:16,800 --> 01:11:20,920
Speaker 1: turn a man into whatever he needs to be. I

1151
01:11:21,000 --> 01:11:24,760
Speaker 1: don't saw good kids turn into the hardest role in

1152
01:11:24,880 --> 01:11:27,439
Speaker 1: sixty Cribs that you would ever want to see going

1153
01:11:27,560 --> 01:11:33,080
Speaker 1: hard with the cribman, I don't seen dudes that come

1154
01:11:33,120 --> 01:11:41,360
Speaker 1: from two parent homes, middle class Americans turn into the

1155
01:11:43,320 --> 01:11:47,599
Speaker 1: some of the most hardest bloods that I've known. Right,

1156
01:11:47,720 --> 01:11:50,599
Speaker 1: the environment that you choose to indulge in, where you

1157
01:11:50,680 --> 01:11:55,439
Speaker 1: choose to the time, that you choose to honor, where

1158
01:11:55,439 --> 01:11:58,280
Speaker 1: you choose to spend your time, that's what's gonna mold you.

1159
01:11:59,560 --> 01:12:02,120
Speaker 1: The things that happened to you, That's what's gonna mold you.

1160
01:12:03,000 --> 01:12:06,960
Speaker 1: The things that happened around you. So when you're dealing

1161
01:12:06,960 --> 01:12:09,439
Speaker 1: with somebody that's dealing with that level of how can

1162
01:12:09,479 --> 01:12:14,519
Speaker 1: you really think that? Do you really honestly think? And

1163
01:12:14,600 --> 01:12:16,880
Speaker 1: that's why when I see six nine do some of

1164
01:12:16,920 --> 01:12:19,599
Speaker 1: that stuff, because then you got a thing we can

1165
01:12:19,680 --> 01:12:22,720
Speaker 1: talk like, yeah, but this internet thing ain't nothing to

1166
01:12:22,800 --> 01:12:26,439
Speaker 1: play with. Like every day they under the post, they yeah,

1167
01:12:26,479 --> 01:12:29,160
Speaker 1: I'm you know, I know, you know, if I was Dirk,

1168
01:12:29,200 --> 01:12:32,920
Speaker 1: I would know that I'm getting money. I don't got

1169
01:12:33,000 --> 01:12:35,519
Speaker 1: no being. This can about the comments. That's at the

1170
01:12:35,560 --> 01:12:39,240
Speaker 1: forefront of my mind. But somewhere along the line, the

1171
01:12:39,439 --> 01:12:42,160
Speaker 1: folks keep coming under here talking about what I ain't

1172
01:12:42,240 --> 01:12:45,240
Speaker 1: did and ain't nothing happened to this dude's dropping song

1173
01:12:45,439 --> 01:12:48,360
Speaker 1: and ain't nothing happening. This is happening. That is happening.

1174
01:12:48,400 --> 01:12:50,960
Speaker 1: Now if something dude happen, they don't get under that

1175
01:12:51,080 --> 01:12:54,600
Speaker 1: and say, yeah, you know the dude that done this,

1176
01:12:54,840 --> 01:12:57,680
Speaker 1: something end up happening to them or this that you know.

1177
01:12:57,840 --> 01:13:00,880
Speaker 1: It's always you ain't then them, dude, you're rapping about

1178
01:13:00,880 --> 01:13:02,560
Speaker 1: what they did to such and such and this is it.

1179
01:13:03,080 --> 01:13:07,599
Speaker 1: And it's like, man, you want to defend your people honor,

1180
01:13:08,920 --> 01:13:11,920
Speaker 1: even if you never say nothing at one thing, I

1181
01:13:11,920 --> 01:13:14,320
Speaker 1: can implaud home and for us. He won't never really

1182
01:13:14,560 --> 01:13:18,280
Speaker 1: react on that on that internet as much. But the

1183
01:13:18,280 --> 01:13:21,519
Speaker 1: thing is there, boy, you they under the us saying that,

1184
01:13:21,600 --> 01:13:24,280
Speaker 1: then soon and my people die. You got six nine,

1185
01:13:24,320 --> 01:13:28,400
Speaker 1: he come right out boom hey these things is like,

1186
01:13:29,160 --> 01:13:33,080
Speaker 1: but I think six nine committed to it. I think

1187
01:13:33,080 --> 01:13:36,120
Speaker 1: he committed to doing whatever. Whatever. Go with this. This

1188
01:13:36,360 --> 01:13:39,000
Speaker 1: my hand, I'm running with it. Whatever, go with this,

1189
01:13:39,560 --> 01:13:43,240
Speaker 1: because you can't thank you playing. You can't think we're

1190
01:13:43,280 --> 01:13:46,840
Speaker 1: playing with that level of disrespect. You can't think it's

1191
01:13:46,840 --> 01:13:49,559
Speaker 1: a joke. If you come under and I lose my

1192
01:13:49,640 --> 01:13:53,200
Speaker 1: real brother. This ain't rapt home. This ain't entertainment home.

1193
01:13:53,840 --> 01:13:56,200
Speaker 1: My mama and daddy just had to bear it my

1194
01:13:56,280 --> 01:13:59,040
Speaker 1: brother that I grew up with in the same bed

1195
01:13:59,160 --> 01:14:01,760
Speaker 1: as and you this and on that, and you think

1196
01:14:01,800 --> 01:14:06,800
Speaker 1: we entertaining each other. You think that for me? That like,

1197
01:14:06,920 --> 01:14:09,320
Speaker 1: That's why I say about this game is very um,

1198
01:14:09,920 --> 01:14:13,800
Speaker 1: it's very strange. And I gotta start to I gotta

1199
01:14:13,840 --> 01:14:17,720
Speaker 1: start to adjust my mindset because they've seen you to prison.

1200
01:14:18,680 --> 01:14:21,240
Speaker 1: This game has seen you to prison if you want us.

1201
01:14:21,720 --> 01:14:25,000
Speaker 1: A lot of people say, man, you can't be a

1202
01:14:25,040 --> 01:14:27,839
Speaker 1: gamestand to rapper. A lot of these dudes, no, they're

1203
01:14:27,880 --> 01:14:31,160
Speaker 1: trying to go into rapp a mold. But when you

1204
01:14:31,320 --> 01:14:34,240
Speaker 1: presented with a certain kind of energy, Man, do you

1205
01:14:34,320 --> 01:14:36,479
Speaker 1: know what what what rappers got to go through to

1206
01:14:36,520 --> 01:14:39,840
Speaker 1: go pick these little boy bags up? A lot of

1207
01:14:39,920 --> 01:14:44,120
Speaker 1: y'all dudes is scary. A lot of y'all dudes ain't

1208
01:14:44,160 --> 01:14:47,280
Speaker 1: going in. No other person sited at twelve at night

1209
01:14:47,360 --> 01:14:50,240
Speaker 1: to pull up and pick up ten grand four times

1210
01:14:50,240 --> 01:14:53,160
Speaker 1: a week, y'all A little boys is scary. And why

1211
01:14:53,160 --> 01:14:55,040
Speaker 1: a lot of these rappers never get on, they'd be

1212
01:14:55,080 --> 01:14:57,160
Speaker 1: having the fan base. They're scared to go in and

1213
01:14:57,240 --> 01:15:01,639
Speaker 1: out these cities. It's real storing game being put down

1214
01:15:01,680 --> 01:15:04,280
Speaker 1: its fans. It looked fun, but it's something behind the

1215
01:15:04,280 --> 01:15:08,479
Speaker 1: scenes happening. I'm picking up the back in I'm coming.

1216
01:15:09,400 --> 01:15:12,000
Speaker 1: A lot of these dudes ain't gonna go get the

1217
01:15:12,080 --> 01:15:15,760
Speaker 1: money even if it's there. That's the whole point. These

1218
01:15:15,840 --> 01:15:17,840
Speaker 1: dudes go through a lot to get that money. Then

1219
01:15:17,880 --> 01:15:24,200
Speaker 1: they be presented with somebody playing or threatening them. Like me,

1220
01:15:24,280 --> 01:15:28,320
Speaker 1: I deal with video dudes and engineered guys that you know,

1221
01:15:28,360 --> 01:15:30,280
Speaker 1: I'd be like, boy, this was the streets. I would

1222
01:15:30,320 --> 01:15:33,439
Speaker 1: want to I want to smack you, but I know

1223
01:15:33,560 --> 01:15:36,000
Speaker 1: I can't. I need you for this little and it's

1224
01:15:36,080 --> 01:15:39,040
Speaker 1: it's a weird thing, like but I don't come from that.

1225
01:15:39,400 --> 01:15:42,880
Speaker 1: So sometimes it's that. Other times it's trying to lean

1226
01:15:43,000 --> 01:15:46,400
Speaker 1: too much into the gangster, lean too much into the image.

1227
01:15:47,120 --> 01:15:52,800
Speaker 1: I'm just talking about when unfortunate situations happen. Right when

1228
01:15:52,840 --> 01:15:56,920
Speaker 1: you're dealing with Kevin Gates on the stage in Florida

1229
01:15:57,000 --> 01:16:00,519
Speaker 1: and a girl keep grabbing and touching on me and

1230
01:16:00,640 --> 01:16:03,360
Speaker 1: I say, yo, don't touch me, and you keep grabbing

1231
01:16:03,400 --> 01:16:08,720
Speaker 1: my this my private area. You keep grabbing that. You

1232
01:16:08,760 --> 01:16:11,519
Speaker 1: don't know. You don't know what's in my past. You

1233
01:16:11,520 --> 01:16:14,160
Speaker 1: don't know if I've been molested or somebody that undertook

1234
01:16:14,200 --> 01:16:17,040
Speaker 1: advantage of me. You keep grabbing me. I then I

1235
01:16:17,200 --> 01:16:19,519
Speaker 1: kick you. I gotta go do two three four years

1236
01:16:19,560 --> 01:16:25,600
Speaker 1: about that. See, I ain't talking about the wars, this

1237
01:16:25,800 --> 01:16:28,880
Speaker 1: doing some dumb I'm talking about the things that well

1238
01:16:29,280 --> 01:16:31,479
Speaker 1: I have snapped in the wrapper mode and then here

1239
01:16:31,600 --> 01:16:36,280
Speaker 1: comes somebody with the and I gotta, you know, my

1240
01:16:36,800 --> 01:16:40,320
Speaker 1: natural reactions kick in, or my natural defense kick in,

1241
01:16:41,560 --> 01:16:43,320
Speaker 1: or I go back to being a product of my

1242
01:16:43,520 --> 01:16:48,080
Speaker 1: environment because my mind takes a back seat to my waringess.

1243
01:16:48,520 --> 01:16:51,400
Speaker 1: I gotta be awaring present in the moment to defend

1244
01:16:51,479 --> 01:16:54,439
Speaker 1: myself and defend my family, and defend whatever it is

1245
01:16:54,479 --> 01:16:57,920
Speaker 1: that I care about, and definitely make sure that they

1246
01:16:58,040 --> 01:17:00,519
Speaker 1: don't take none of this money of these Jews, whales

1247
01:17:00,640 --> 01:17:03,200
Speaker 1: or none of that. We're not taking no else. Gun

1248
01:17:03,240 --> 01:17:08,920
Speaker 1: them down. That's the mandset. I gotta have to survive, dude.

1249
01:17:09,120 --> 01:17:11,080
Speaker 1: I got to pull up in tim buck two for

1250
01:17:11,240 --> 01:17:15,240
Speaker 1: seting the five hundred. It's one in the morning, I

1251
01:17:15,320 --> 01:17:19,519
Speaker 1: mean here with the killers and the robbers. Yeah, to

1252
01:17:19,640 --> 01:17:23,160
Speaker 1: come get this little bag they got for me, right,

1253
01:17:23,240 --> 01:17:25,840
Speaker 1: So it's a it's a it's a different thing. I

1254
01:17:25,880 --> 01:17:33,840
Speaker 1: also wanted how little baby interacts with that because a

1255
01:17:33,840 --> 01:17:36,760
Speaker 1: little baby for the most part on the outside, from

1256
01:17:36,800 --> 01:17:39,240
Speaker 1: what we see when he first came in, there was

1257
01:17:39,360 --> 01:17:42,400
Speaker 1: some little people saying things. Think people had some issues

1258
01:17:42,400 --> 01:17:44,920
Speaker 1: with him. It's like he got bigger than he got

1259
01:17:44,960 --> 01:17:47,360
Speaker 1: kind of bigger than the issue. So they can't be gainsting.

1260
01:17:47,439 --> 01:17:50,320
Speaker 1: Didn't let it go. We ain't even going at home

1261
01:17:50,400 --> 01:17:53,439
Speaker 1: no more, wee. That's just that it was that and

1262
01:17:53,640 --> 01:17:56,719
Speaker 1: over with. That's what it seemed to be. I could

1263
01:17:56,720 --> 01:18:00,519
Speaker 1: be wrong, but he seemed to not have many issues

1264
01:18:00,600 --> 01:18:05,680
Speaker 1: on that. In the entertainment industry, shows never really have

1265
01:18:05,840 --> 01:18:10,280
Speaker 1: any issues. That's why with them two guys linking up

1266
01:18:10,360 --> 01:18:17,960
Speaker 1: like that, what's that show like in regards to it's

1267
01:18:18,040 --> 01:18:21,360
Speaker 1: little baby in danger? When you go do a show

1268
01:18:21,360 --> 01:18:26,880
Speaker 1: with dirt, it's the issues that we know they can't

1269
01:18:26,960 --> 01:18:29,880
Speaker 1: bring baby in. And from a technical standpoint or from

1270
01:18:29,920 --> 01:18:36,200
Speaker 1: a literal standpoint, but sometimes when things when when when

1271
01:18:36,360 --> 01:18:38,640
Speaker 1: when I got some coming for you and it's my

1272
01:18:38,720 --> 01:18:41,680
Speaker 1: only opportunity to get that to you, right, I got

1273
01:18:41,760 --> 01:18:44,960
Speaker 1: a package for you. I need to get to you, right,

1274
01:18:45,320 --> 01:18:48,360
Speaker 1: and it's my only opportunity to deliver that package to you.

1275
01:18:49,560 --> 01:18:54,040
Speaker 1: I think who's around it could take a back seat

1276
01:18:54,080 --> 01:18:58,479
Speaker 1: now certain politics. You gotta respect certain people when things

1277
01:18:58,520 --> 01:19:02,160
Speaker 1: happen to certain people. It's gonna rain in the city,

1278
01:19:03,840 --> 01:19:06,960
Speaker 1: you know, So I wonder if they leaning on that.

1279
01:19:07,040 --> 01:19:10,479
Speaker 1: It's just I don't know, man. It's just like I

1280
01:19:10,520 --> 01:19:13,400
Speaker 1: don't know man. Or is he jumping into with with him?

1281
01:19:13,560 --> 01:19:15,640
Speaker 1: Is he is they meeting in the city is indifferent

1282
01:19:16,080 --> 01:19:18,880
Speaker 1: like because if I if it were me, I'll probably

1283
01:19:18,920 --> 01:19:21,760
Speaker 1: see a home like. Bro, you know, I love you, Bro,

1284
01:19:21,920 --> 01:19:25,080
Speaker 1: don't but don't be next to us though, you know

1285
01:19:25,080 --> 01:19:27,000
Speaker 1: what I'm saying. We gotta show over. We got what

1286
01:19:27,000 --> 01:19:29,120
Speaker 1: We're going to North Carolina with meet at the venue,

1287
01:19:29,200 --> 01:19:31,679
Speaker 1: or meet at the hotel, or meet you know, we'll

1288
01:19:31,800 --> 01:19:34,920
Speaker 1: meet somewhere. But I don't want you to just rad

1289
01:19:35,040 --> 01:19:37,559
Speaker 1: with us and all that, because you know it's up

1290
01:19:37,600 --> 01:19:39,479
Speaker 1: with us. It's up on that end. I don't you

1291
01:19:39,640 --> 01:19:42,960
Speaker 1: have to adopt this. It's going down though you know

1292
01:19:43,000 --> 01:19:45,200
Speaker 1: what I'm saying, I would, I wouldn't necessarily, I would

1293
01:19:45,240 --> 01:19:47,320
Speaker 1: have that outlook on it and try to give him

1294
01:19:47,360 --> 01:19:53,559
Speaker 1: some of that lead way, you know, because um, it

1295
01:19:53,600 --> 01:19:57,200
Speaker 1: gets dangerous sometimes and just because you got some money,

1296
01:19:57,240 --> 01:20:00,559
Speaker 1: don't pull you out the game. Yeah, you got four

1297
01:20:00,560 --> 01:20:05,240
Speaker 1: million dollars but you still want up, we won't you. Yeah, yeah, yeah,

1298
01:20:05,320 --> 01:20:07,360
Speaker 1: So that little money don't me no matter of fact,

1299
01:20:07,400 --> 01:20:09,320
Speaker 1: and make it harder for you because we're gonna know

1300
01:20:09,360 --> 01:20:12,439
Speaker 1: where you be here. We can creep up, you know

1301
01:20:12,439 --> 01:20:14,599
Speaker 1: what I'm saying. We can creep up every single time

1302
01:20:14,720 --> 01:20:17,080
Speaker 1: you got because because part of your job make your

1303
01:20:17,120 --> 01:20:19,800
Speaker 1: face got to be on flies and people got to

1304
01:20:19,880 --> 01:20:24,080
Speaker 1: know you coming to see the venue out. You think

1305
01:20:24,080 --> 01:20:26,639
Speaker 1: you're talking to your fans, and you're talking to your ops.

1306
01:20:28,640 --> 01:20:31,240
Speaker 1: See that's what's happening. A lot of times you posting up,

1307
01:20:31,320 --> 01:20:33,880
Speaker 1: hey I be here. You think you're doing that for

1308
01:20:33,960 --> 01:20:36,240
Speaker 1: your fans, and you are, but you also doing that

1309
01:20:36,280 --> 01:20:39,479
Speaker 1: for the opposition. The opposition though. Also you're gonna be

1310
01:20:39,520 --> 01:20:45,599
Speaker 1: at Woodewam and will be there. And some people hate

1311
01:20:45,600 --> 01:20:48,679
Speaker 1: you so much they some people hate you so much

1312
01:20:48,680 --> 01:20:51,800
Speaker 1: they hate the people that love you so all these

1313
01:20:51,880 --> 01:20:54,200
Speaker 1: people out here too, they don't care nothing about them

1314
01:20:54,240 --> 01:20:56,760
Speaker 1: because they heal for you. They like you. Some of

1315
01:20:56,760 --> 01:20:59,040
Speaker 1: these people could mean coming because I want to have

1316
01:20:59,120 --> 01:21:02,559
Speaker 1: a drink in this what the party is. But don't

1317
01:21:02,560 --> 01:21:05,559
Speaker 1: nobody consider that. Man. We're going up there and tag

1318
01:21:05,640 --> 01:21:08,120
Speaker 1: this spot up, man, letting them folk take it how

1319
01:21:08,120 --> 01:21:12,160
Speaker 1: they want to take it, and that's unfortunate, man. But

1320
01:21:12,400 --> 01:21:14,960
Speaker 1: you know, just I wanted to look at that situation

1321
01:21:15,000 --> 01:21:17,720
Speaker 1: a little bit and I may re examine it. You know,

1322
01:21:18,520 --> 01:21:21,040
Speaker 1: I go off the top, so I try to lean

1323
01:21:21,160 --> 01:21:24,679
Speaker 1: into what I can currently understand without even looking at it. Right,

1324
01:21:24,720 --> 01:21:27,599
Speaker 1: So we may get back into that at some point.

1325
01:21:27,960 --> 01:21:31,640
Speaker 1: Jeff Bezos, let's talk about Jeff Bezos. Jeff Bezos went

1326
01:21:31,720 --> 01:21:36,639
Speaker 1: out of space for eleven minutes, costing five million, five

1327
01:21:36,720 --> 01:21:43,519
Speaker 1: minutes cost thirty million dollars. This is a unique time

1328
01:21:44,080 --> 01:21:47,720
Speaker 1: in humanity. This is a unique time in humanity. I

1329
01:21:47,760 --> 01:21:51,200
Speaker 1: think people really may not be awake. They need to

1330
01:21:51,200 --> 01:21:55,440
Speaker 1: look alive, right because when we talk about the transferring

1331
01:21:55,520 --> 01:22:00,800
Speaker 1: of information, the transferring of wealth, the transferring of all

1332
01:22:01,000 --> 01:22:10,640
Speaker 1: things finance, finances, we are currently in the most productive

1333
01:22:10,760 --> 01:22:14,439
Speaker 1: time in mankind. So I think there needs to be

1334
01:22:14,520 --> 01:22:19,200
Speaker 1: something right there to put in perspective, just so you

1335
01:22:19,200 --> 01:22:22,640
Speaker 1: can understand why we have a character like a Jeff Bezos,

1336
01:22:23,360 --> 01:22:25,880
Speaker 1: because this is a you dealing with the world right

1337
01:22:25,920 --> 01:22:29,960
Speaker 1: now that you can hustle in and you can always

1338
01:22:30,040 --> 01:22:32,400
Speaker 1: hustle in this world. Right even back in the day

1339
01:22:32,400 --> 01:22:35,040
Speaker 1: when there was no technology, there was hustling fruit, There

1340
01:22:35,120 --> 01:22:40,680
Speaker 1: was hustling salt. There was hustling bananas and horses, and uh,

1341
01:22:41,080 --> 01:22:45,200
Speaker 1: you know you're gonna cotton even that on our backs, right,

1342
01:22:45,240 --> 01:22:48,559
Speaker 1: So things happen where you gotta figure out how to

1343
01:22:48,640 --> 01:22:51,360
Speaker 1: hustle in this thing. Right now, it's so many different

1344
01:22:51,400 --> 01:22:56,639
Speaker 1: ways to get you some money. Amazon has made this

1345
01:22:56,680 --> 01:23:00,880
Speaker 1: guy the richest man in the world, not even counting

1346
01:23:00,920 --> 01:23:07,679
Speaker 1: all these other companies that he owns through Amazon. Right,

1347
01:23:07,840 --> 01:23:11,160
Speaker 1: we're talking Prime, We're talking and then he has his

1348
01:23:11,240 --> 01:23:15,280
Speaker 1: hands in I think Square and other things. So these

1349
01:23:15,280 --> 01:23:19,719
Speaker 1: things are just he's a hustling machine. He took a loss,

1350
01:23:19,760 --> 01:23:22,439
Speaker 1: had to give his girl, I think thirty billion, and

1351
01:23:22,479 --> 01:23:24,559
Speaker 1: it didn't affect him at all. I think he made

1352
01:23:24,560 --> 01:23:29,080
Speaker 1: that money right back in two months. Like these things

1353
01:23:29,080 --> 01:23:33,719
Speaker 1: are just never been seen before. With that being said,

1354
01:23:33,840 --> 01:23:36,280
Speaker 1: when him with him going out of space, the first

1355
01:23:36,280 --> 01:23:40,200
Speaker 1: thing get told me, or made me ask myself, is

1356
01:23:41,320 --> 01:23:45,719
Speaker 1: why is the richest man on this planet leaving the planet.

1357
01:23:49,320 --> 01:23:54,360
Speaker 1: How could you be the richest person on this planet?

1358
01:23:55,240 --> 01:23:59,080
Speaker 1: And then you want to leave the planet. I think

1359
01:23:59,200 --> 01:24:05,240
Speaker 1: sometimes these people speak to us without speaking to us, right,

1360
01:24:05,280 --> 01:24:07,720
Speaker 1: they don't really tell you what's going on. They're not

1361
01:24:07,800 --> 01:24:10,479
Speaker 1: gonna really come out and say certain things. You gotta

1362
01:24:10,520 --> 01:24:15,080
Speaker 1: watch the movement of an individual. It's like basketball when

1363
01:24:15,120 --> 01:24:17,439
Speaker 1: they tell you, watch this, watch this little Paul right

1364
01:24:17,479 --> 01:24:19,559
Speaker 1: here of his body. Don't worry about his head or

1365
01:24:19,600 --> 01:24:22,240
Speaker 1: nothing else he doing. There's just a throw off. Watch

1366
01:24:22,320 --> 01:24:25,479
Speaker 1: this right here to tell you where he's going. I

1367
01:24:25,560 --> 01:24:27,960
Speaker 1: think sometimes it's the same thing when you deal with

1368
01:24:28,000 --> 01:24:32,760
Speaker 1: the people that's at the highest level of finances in

1369
01:24:32,760 --> 01:24:35,080
Speaker 1: this country, right when we deal with some of the

1370
01:24:35,200 --> 01:24:38,000
Speaker 1: richest people in the world. The information that comes along

1371
01:24:38,080 --> 01:24:46,120
Speaker 1: with that, I think it's I think it's it's top secret,

1372
01:24:46,200 --> 01:24:50,240
Speaker 1: and it's top secret because it can be received different ways.

1373
01:24:51,439 --> 01:24:53,920
Speaker 1: And that's what the issue is. When you deal with

1374
01:24:53,960 --> 01:24:59,080
Speaker 1: the media, they know how they want to funnel certain things,

1375
01:24:59,120 --> 01:25:01,120
Speaker 1: but some of the inform mation that they know it's

1376
01:25:01,160 --> 01:25:03,719
Speaker 1: on the other side, they don't know how to funnel

1377
01:25:03,760 --> 01:25:05,920
Speaker 1: it in a way what they think we can receive

1378
01:25:06,000 --> 01:25:13,120
Speaker 1: it without us, in their opinion, overreacting to it. But

1379
01:25:13,240 --> 01:25:16,280
Speaker 1: this is what they don't consider. Certain information that they

1380
01:25:16,360 --> 01:25:20,240
Speaker 1: have does need to be overreacted to because it needs

1381
01:25:20,280 --> 01:25:24,400
Speaker 1: to be changed. That's things happening behind the scenes that

1382
01:25:24,520 --> 01:25:27,879
Speaker 1: we don't even consider because we don't know this happening.

1383
01:25:28,760 --> 01:25:32,000
Speaker 1: When you see people got these uproars about Trump, but

1384
01:25:32,040 --> 01:25:37,200
Speaker 1: they don't vote locally. They got a judge literally that

1385
01:25:37,240 --> 01:25:40,519
Speaker 1: they gave their boyfriend or their cousin, or they uncle

1386
01:25:40,640 --> 01:25:45,559
Speaker 1: or they father gave them years in the penitentiary prison system,

1387
01:25:45,920 --> 01:25:52,240
Speaker 1: prison system sometimes over things like drinking, public intoxication, being

1388
01:25:52,280 --> 01:25:58,120
Speaker 1: caught with marijuana, smoking, violating approbation because he couldn't keep

1389
01:25:58,160 --> 01:26:01,360
Speaker 1: a job, these things, certain things, and these dudes get

1390
01:26:01,400 --> 01:26:03,680
Speaker 1: sent to prison. And this can be changed if you

1391
01:26:03,840 --> 01:26:06,240
Speaker 1: knew that. Hey, when they say go vote for the

1392
01:26:06,360 --> 01:26:09,839
Speaker 1: local DA, when they say go vote for the judge,

1393
01:26:09,880 --> 01:26:13,320
Speaker 1: you can go and vote and affect who who's sending

1394
01:26:13,439 --> 01:26:17,000
Speaker 1: uncle rom run them to prison. But people don't know that.

1395
01:26:17,200 --> 01:26:20,400
Speaker 1: They'd rather see somebody would make America great again. Hat

1396
01:26:20,720 --> 01:26:24,040
Speaker 1: and said look at this stupid mother. They don't have

1397
01:26:24,160 --> 01:26:27,320
Speaker 1: the information. Ain't nothing wrong with the aim, just gotta

1398
01:26:27,400 --> 01:26:32,160
Speaker 1: change the target. Oh yeah, yeah, yeah, you're shooting good.

1399
01:26:32,840 --> 01:26:38,200
Speaker 1: You're just shooting at the wrong thing. Or you can

1400
01:26:38,200 --> 01:26:40,960
Speaker 1: shoot at both things if you don't got good with it.

1401
01:26:42,080 --> 01:26:44,200
Speaker 1: But you you notice when you're dealing with a gun,

1402
01:26:44,400 --> 01:26:48,000
Speaker 1: a gun smith, he don't go to shooting all him

1403
01:26:48,040 --> 01:26:51,760
Speaker 1: at once, you still gotta take him one at a time. Now,

1404
01:26:51,840 --> 01:26:54,280
Speaker 1: you might can go fast and fast on how you

1405
01:26:54,360 --> 01:26:57,280
Speaker 1: handle them and how you hit your target based on

1406
01:26:57,360 --> 01:27:00,040
Speaker 1: how long you've done it and how much information you

1407
01:27:00,080 --> 01:27:03,000
Speaker 1: got light. Right, you see a gunstman, boom boom, boom boom,

1408
01:27:03,000 --> 01:27:05,920
Speaker 1: point you knocking all of them down. It's the same thing.

1409
01:27:06,000 --> 01:27:11,320
Speaker 1: But you gotta always remember to pay attention. If you

1410
01:27:11,360 --> 01:27:16,240
Speaker 1: don't do that, you're gonna lose every single time. You know.

1411
01:27:16,360 --> 01:27:18,920
Speaker 1: So when you see somebody like the richest man in

1412
01:27:18,960 --> 01:27:23,160
Speaker 1: the on the planet leave the planet, you gotta ask yourself,

1413
01:27:23,200 --> 01:27:27,120
Speaker 1: what what's that about? You? See Elon Musk. See Elon

1414
01:27:27,200 --> 01:27:30,120
Speaker 1: is saying, oh, Nonna, I ignore that. You're cheating. That's

1415
01:27:30,160 --> 01:27:32,800
Speaker 1: not the right thing. You're not doing what I'm talking

1416
01:27:32,800 --> 01:27:35,640
Speaker 1: about doing. You're just going up there to beat me

1417
01:27:35,800 --> 01:27:38,479
Speaker 1: up there. See, this is a different level of money

1418
01:27:38,520 --> 01:27:40,960
Speaker 1: we're dealing with. We're dealing with people that's trying to

1419
01:27:41,479 --> 01:27:47,559
Speaker 1: beat each other to space. These dudes got everything in

1420
01:27:47,600 --> 01:27:50,519
Speaker 1: the world. Man, at this point, they're trying to beat

1421
01:27:50,560 --> 01:27:55,760
Speaker 1: each other to space. Man. But see what Elon is

1422
01:27:55,800 --> 01:27:58,080
Speaker 1: doing is a little different. He wants to put life

1423
01:27:58,160 --> 01:28:02,840
Speaker 1: on Mars. He's saying what we're going to Earth will

1424
01:28:03,000 --> 01:28:06,839
Speaker 1: consequently in Earth we would have to move to Mars.

1425
01:28:07,320 --> 01:28:10,000
Speaker 1: And we better get on that now because and he's

1426
01:28:10,040 --> 01:28:14,080
Speaker 1: dealing with we're talking about climate change. Right when you

1427
01:28:14,160 --> 01:28:19,040
Speaker 1: see that it's hot in Desembol, it's eidy degrees. Everybody like, oh,

1428
01:28:19,040 --> 01:28:21,880
Speaker 1: I feel good out here. They ain't understanding that's an

1429
01:28:21,880 --> 01:28:26,680
Speaker 1: issue that's global warm warming right there you're dealing with.

1430
01:28:26,760 --> 01:28:30,879
Speaker 1: But people don't even understand that right when it's freezing

1431
01:28:31,000 --> 01:28:34,600
Speaker 1: cold in times when well usually it used to be

1432
01:28:34,720 --> 01:28:40,320
Speaker 1: high when it's wonner, but it's still sixty degrees out there. Nah,

1433
01:28:40,479 --> 01:28:42,479
Speaker 1: you see what I'm saying. These things are happening. That's

1434
01:28:42,479 --> 01:28:45,600
Speaker 1: why you see Tornay. It's it's just so Elon is

1435
01:28:45,600 --> 01:28:47,519
Speaker 1: saying we're gonna have to get off this planet and

1436
01:28:47,640 --> 01:28:52,639
Speaker 1: move based on what we've done to the planet. Jeff

1437
01:28:52,640 --> 01:28:54,960
Speaker 1: Bezos is just like, let's herrub and get up there

1438
01:28:54,960 --> 01:28:56,720
Speaker 1: because people are trying to get out there, and then

1439
01:28:57,000 --> 01:29:00,160
Speaker 1: we want our name in the record books. But what

1440
01:29:00,280 --> 01:29:02,320
Speaker 1: was fuck? What was messed up about it? I got

1441
01:29:02,320 --> 01:29:05,720
Speaker 1: a quick custom for my sponsors. Shout out to the sponsorship.

1442
01:29:06,920 --> 01:29:12,599
Speaker 1: But what was crazy about it is that he thanked

1443
01:29:12,600 --> 01:29:18,639
Speaker 1: the Amazon workers after he went to Space. That cost

1444
01:29:18,720 --> 01:29:22,080
Speaker 1: him millions of dollars in which he could have gave raises,

1445
01:29:22,240 --> 01:29:27,840
Speaker 1: bonuses things like that. Right, you can do both things.

1446
01:29:27,840 --> 01:29:29,720
Speaker 1: You have that kind of money, which I would hope

1447
01:29:29,720 --> 01:29:32,280
Speaker 1: that that's what's happening. Having looked in it as much.

1448
01:29:32,640 --> 01:29:36,519
Speaker 1: With the Amazon worker thing, though, it's interesting right when

1449
01:29:36,520 --> 01:29:40,760
Speaker 1: you look at the Amazon workers and the conditions of

1450
01:29:40,840 --> 01:29:43,920
Speaker 1: the Amazon workers, if you've never looked into that, I

1451
01:29:44,080 --> 01:29:47,960
Speaker 1: urged you to look into what allegedly is the conditions

1452
01:29:48,000 --> 01:29:50,920
Speaker 1: of the Amazon workers. They I've been told and I've

1453
01:29:50,920 --> 01:29:55,320
Speaker 1: read that they have to have not have to have

1454
01:29:55,760 --> 01:30:02,479
Speaker 1: that their situations. What the drivers have bags in the

1455
01:30:02,600 --> 01:30:05,080
Speaker 1: car with them because they don't have time to go

1456
01:30:05,400 --> 01:30:07,640
Speaker 1: and go to the restroom. If they stop and go

1457
01:30:07,720 --> 01:30:11,680
Speaker 1: to the restroom, it docks their pay. So they have

1458
01:30:11,840 --> 01:30:14,479
Speaker 1: bags in the car and they're riding around using the

1459
01:30:14,560 --> 01:30:17,120
Speaker 1: restroom in the bags and leaving it in the car.

1460
01:30:18,560 --> 01:30:21,479
Speaker 1: Just to get you that batteries next day, Just to

1461
01:30:21,520 --> 01:30:25,640
Speaker 1: get you those curling irons next day. Right, you know

1462
01:30:25,680 --> 01:30:29,040
Speaker 1: how they say order before team, get it tomorrow. That's

1463
01:30:29,080 --> 01:30:32,719
Speaker 1: a very big convenience for somebody that's receiving that product.

1464
01:30:33,200 --> 01:30:37,599
Speaker 1: But there's human beings on the other end. But what's

1465
01:30:37,640 --> 01:30:41,400
Speaker 1: gonna happen is they're gonna keep criticizing Jeff Bezo and

1466
01:30:41,439 --> 01:30:44,360
Speaker 1: he's gonna put robots in all them spaces and we're

1467
01:30:44,360 --> 01:30:46,559
Speaker 1: gonna lose a lot of jobs in America. So it's

1468
01:30:46,560 --> 01:30:49,080
Speaker 1: a it's a it's a line there. But those conditions

1469
01:30:49,120 --> 01:30:54,240
Speaker 1: that we talk about. And one thing I noticed about Amazon,

1470
01:30:55,400 --> 01:30:59,920
Speaker 1: I said, oh my goodness, Amazon. But what I know

1471
01:31:00,160 --> 01:31:02,800
Speaker 1: it's about Amazon and how they treat their workers is

1472
01:31:02,880 --> 01:31:06,160
Speaker 1: I said, now, look what they're doing. They're using the

1473
01:31:06,200 --> 01:31:10,479
Speaker 1: same intel of information that they used that they used

1474
01:31:10,479 --> 01:31:14,240
Speaker 1: to market to people to buy the new toothbrush or

1475
01:31:14,280 --> 01:31:17,719
Speaker 1: the new water bottle or the new bike or whatever

1476
01:31:17,720 --> 01:31:20,400
Speaker 1: it may be. They're using that same technology the market

1477
01:31:20,479 --> 01:31:24,519
Speaker 1: to their workers. Man, they come in the day and

1478
01:31:24,560 --> 01:31:28,000
Speaker 1: you can almost you you got a chance to make

1479
01:31:28,040 --> 01:31:31,920
Speaker 1: sixty dollars an hour. They know when you get to work,

1480
01:31:31,920 --> 01:31:36,960
Speaker 1: they got somebody there that incentive that is incentivized for

1481
01:31:37,200 --> 01:31:41,679
Speaker 1: not allowing y'all to go over a certain amount of hours. Right,

1482
01:31:41,720 --> 01:31:43,920
Speaker 1: it's all the game, but the market and get you

1483
01:31:43,960 --> 01:31:45,639
Speaker 1: in the door. Once we get you in the dough

1484
01:31:45,720 --> 01:31:47,719
Speaker 1: we hurry up and make you get this done within

1485
01:31:47,800 --> 01:31:51,719
Speaker 1: that fifteen dollars an hour what you get paid. But

1486
01:31:51,800 --> 01:31:54,840
Speaker 1: this morning you receive the email. But this morning you

1487
01:31:54,920 --> 01:31:57,599
Speaker 1: receive the email that said, hey, come in the day,

1488
01:31:57,640 --> 01:31:59,719
Speaker 1: you got a chance to make sixty dollars a hour.

1489
01:32:00,600 --> 01:32:03,559
Speaker 1: Like it's even down to those games. But I just

1490
01:32:03,640 --> 01:32:06,040
Speaker 1: want people to really consider what the cost steal is

1491
01:32:06,080 --> 01:32:08,000
Speaker 1: for you to get that thing next day and I

1492
01:32:08,200 --> 01:32:15,439
Speaker 1: use it. I'm telling you I'm definitely m responsible for

1493
01:32:15,640 --> 01:32:19,640
Speaker 1: using it like I love it, but I didn't know

1494
01:32:19,720 --> 01:32:22,880
Speaker 1: what what costs. I didn't know that they had somebody

1495
01:32:22,920 --> 01:32:25,640
Speaker 1: on the other side riding with a bag to use

1496
01:32:25,680 --> 01:32:28,320
Speaker 1: the bathroom. And that was like wow to me when

1497
01:32:28,360 --> 01:32:31,920
Speaker 1: I read that, right, And so it's other conditions, but

1498
01:32:31,960 --> 01:32:35,160
Speaker 1: he thanked them after he went to space, and then

1499
01:32:35,200 --> 01:32:37,360
Speaker 1: he gave Van Jones one hundred million to do what

1500
01:32:37,439 --> 01:32:43,200
Speaker 1: he wants to do with it. There's ways to do

1501
01:32:43,320 --> 01:32:45,360
Speaker 1: things with that will hopefully he'll be able to get

1502
01:32:45,400 --> 01:32:47,760
Speaker 1: some of that money and then put the rest of

1503
01:32:47,760 --> 01:32:50,120
Speaker 1: it in spots where it really is meaningful to the

1504
01:32:50,160 --> 01:32:55,640
Speaker 1: community or whatever cause that he has in mind. But

1505
01:32:55,880 --> 01:32:58,920
Speaker 1: going to space is a very big deal. I hear

1506
01:32:59,640 --> 01:33:03,679
Speaker 1: people talking about the nineteen twenties. Go back forty five

1507
01:33:03,720 --> 01:33:06,840
Speaker 1: episodes ago with me. I'm the one that told you

1508
01:33:07,160 --> 01:33:10,400
Speaker 1: this time that we in now was like the nineteen twenties.

1509
01:33:11,479 --> 01:33:14,080
Speaker 1: It's to access the information that we need. It's the

1510
01:33:14,160 --> 01:33:17,519
Speaker 1: same way that it was in the twinnies, right, I'm

1511
01:33:17,520 --> 01:33:19,360
Speaker 1: the one that put all this kind of game down.

1512
01:33:19,360 --> 01:33:21,160
Speaker 1: And if you've been following me, you know that, and

1513
01:33:21,240 --> 01:33:23,639
Speaker 1: I know you know that. So you just stick around.

1514
01:33:23,680 --> 01:33:26,080
Speaker 1: You will hit them regurgitate some more the game that

1515
01:33:26,240 --> 01:33:29,000
Speaker 1: you came here to get, because that's just how to cook.

1516
01:33:29,040 --> 01:33:31,519
Speaker 1: It crumbles in this game. These dudes are not as

1517
01:33:34,800 --> 01:33:38,679
Speaker 1: not as witty as you would like to think. They're

1518
01:33:38,720 --> 01:33:42,360
Speaker 1: not dealing with experiences. They're dealing with regurgitation of things

1519
01:33:42,400 --> 01:33:47,679
Speaker 1: that they've heard other people say. And so hopefully, hopefully,

1520
01:33:47,840 --> 01:33:50,400
Speaker 1: hopefully we'll get a chance to share shit light on

1521
01:33:50,439 --> 01:33:55,880
Speaker 1: the truth in the coming future. I see people there's

1522
01:33:55,880 --> 01:34:02,760
Speaker 1: a conversation going around about do you got what it

1523
01:34:02,880 --> 01:34:06,120
Speaker 1: takes to deal with a rich nigga or a rich woman,

1524
01:34:07,040 --> 01:34:10,760
Speaker 1: rich man or a rich woman. Again, I think it's

1525
01:34:11,080 --> 01:34:14,160
Speaker 1: more sponsive friendly when I don't use profanity. So I

1526
01:34:14,200 --> 01:34:17,360
Speaker 1: want to bag off of the profanity, just a tad

1527
01:34:17,479 --> 01:34:21,040
Speaker 1: bit as I want to grease my palms a little

1528
01:34:21,080 --> 01:34:27,400
Speaker 1: more with this, with this podcast and ad space. See

1529
01:34:27,479 --> 01:34:30,360
Speaker 1: only a dumb person, now, hold on, let me only

1530
01:34:30,360 --> 01:34:33,800
Speaker 1: a dumb dude to crash itself out. When you look

1531
01:34:33,880 --> 01:34:39,439
Speaker 1: on the internet and people got the game so close,

1532
01:34:40,280 --> 01:34:42,599
Speaker 1: people got the game right in their back pocket. They

1533
01:34:42,600 --> 01:34:48,000
Speaker 1: crashed theirself out. You're dealing with famous. You're dealing with

1534
01:34:48,040 --> 01:34:52,200
Speaker 1: the famous itis. They really want to be famous. They

1535
01:34:52,200 --> 01:34:54,920
Speaker 1: don't want to be rich, they don't want to be

1536
01:34:55,000 --> 01:34:58,800
Speaker 1: well that they want to be known. See I'm dealing

1537
01:34:58,880 --> 01:35:05,040
Speaker 1: with I'm dealing with wealth hunger. I'm dealing with wealth hunger.

1538
01:35:05,040 --> 01:35:09,800
Speaker 1: I'm hungry man for this, I got to have certain things.

1539
01:35:10,840 --> 01:35:14,679
Speaker 1: I got to have the house fifteen thousand square feet,

1540
01:35:15,240 --> 01:35:19,040
Speaker 1: the guest house five thousand square feet, for the fake security,

1541
01:35:19,280 --> 01:35:25,000
Speaker 1: for the fake security, and for whoever family members or

1542
01:35:25,040 --> 01:35:27,760
Speaker 1: loved ones of my old lady people whoever want to

1543
01:35:27,840 --> 01:35:31,519
Speaker 1: be I gotta have these things. This is what this

1544
01:35:31,600 --> 01:35:37,960
Speaker 1: is what drives me. You understand what I'm saying. So

1545
01:35:38,600 --> 01:35:41,960
Speaker 1: I'm you're dealing with a different level of guy. I'm

1546
01:35:41,960 --> 01:35:46,400
Speaker 1: on a whole different type of vibration. So when you

1547
01:35:46,479 --> 01:35:48,840
Speaker 1: come at me, and you come at me not respecting

1548
01:35:48,880 --> 01:35:53,120
Speaker 1: the vibrations, or maybe we don't share the same wonts.

1549
01:35:54,439 --> 01:35:57,560
Speaker 1: I can respect it, but I choose not to engage

1550
01:35:57,640 --> 01:36:04,160
Speaker 1: with it, although we're the same skin color. I got

1551
01:36:04,200 --> 01:36:06,960
Speaker 1: somewhere I'm trying to go that you may not even

1552
01:36:07,000 --> 01:36:11,519
Speaker 1: be interested in going. Why you ain't interested in going

1553
01:36:11,920 --> 01:36:15,800
Speaker 1: ain't my business. Whether you don't know, you blind, you're deaf,

1554
01:36:15,880 --> 01:36:18,840
Speaker 1: for you dumb, I don't know why you don't want

1555
01:36:18,840 --> 01:36:21,840
Speaker 1: to go. If I can get your little game along

1556
01:36:21,960 --> 01:36:25,360
Speaker 1: the way, then that's one thing. So I see a

1557
01:36:25,360 --> 01:36:29,559
Speaker 1: lot of people that that in the shadows, they say

1558
01:36:29,600 --> 01:36:32,000
Speaker 1: a few things. You know why Lorne ain't came out

1559
01:36:32,000 --> 01:36:35,360
Speaker 1: and hempty kids? Or is he is he? Is he

1560
01:36:35,520 --> 01:36:41,320
Speaker 1: giving money to these organizations and these type of things.

1561
01:36:43,200 --> 01:36:48,400
Speaker 1: I got family, I got family, I got people, I

1562
01:36:48,439 --> 01:36:51,960
Speaker 1: got love ones that need help. I ain't got done

1563
01:36:52,000 --> 01:36:54,400
Speaker 1: with my backyard yet. You want me to cut your

1564
01:36:54,520 --> 01:36:59,599
Speaker 1: grass soon? I got a patch of my grass cut

1565
01:36:59,640 --> 01:37:02,280
Speaker 1: on the back y'all y'all want me come cut your grads?

1566
01:37:02,439 --> 01:37:05,040
Speaker 1: I got to get mine together first. When I get

1567
01:37:05,080 --> 01:37:10,120
Speaker 1: mine together, all I'm I'm available and I can't waiver

1568
01:37:10,360 --> 01:37:14,519
Speaker 1: from that. I can't waiver from that, no matter what

1569
01:37:14,600 --> 01:37:17,120
Speaker 1: they say, no matter how they feel, no matter what

1570
01:37:17,160 --> 01:37:21,519
Speaker 1: they think. I can't waiver from what is necessary for

1571
01:37:21,560 --> 01:37:25,160
Speaker 1: the next level, because if I don't get there, we

1572
01:37:25,360 --> 01:37:29,479
Speaker 1: damn show don't get there. If I don't get there,

1573
01:37:29,520 --> 01:37:34,040
Speaker 1: we regular. And at some point I gotta stop us

1574
01:37:34,040 --> 01:37:37,280
Speaker 1: from being regular. I gotta stop. I gotta stop the

1575
01:37:37,360 --> 01:37:41,519
Speaker 1: generational thing where we were worried about certain things. I

1576
01:37:41,560 --> 01:37:45,840
Speaker 1: gotta stop that. That's on me. That's on me. You

1577
01:37:45,960 --> 01:37:49,200
Speaker 1: understand me, and if you don't adopt that, you will

1578
01:37:49,280 --> 01:37:52,519
Speaker 1: never understand my fight. All you want to do is

1579
01:37:52,560 --> 01:37:55,520
Speaker 1: get signed to a rapper and go off and be famous.

1580
01:37:57,120 --> 01:38:00,000
Speaker 1: I'm looking for some information from these guys. I can't

1581
01:38:00,040 --> 01:38:02,320
Speaker 1: even signed to a guy that don't know nothing. It's

1582
01:38:02,360 --> 01:38:05,240
Speaker 1: offensive to me. We'll get into as soon as we

1583
01:38:05,360 --> 01:38:07,920
Speaker 1: bump into each other. I'm gonna ask him things he

1584
01:38:08,000 --> 01:38:12,639
Speaker 1: gonna find offensive because he don't got the information. This

1585
01:38:12,720 --> 01:38:15,040
Speaker 1: is how this game works for people like me. We

1586
01:38:15,080 --> 01:38:20,280
Speaker 1: don't indulge in what we can't criticize. You understand it's

1587
01:38:20,360 --> 01:38:22,559
Speaker 1: important to be able to say, hey, hold on, you

1588
01:38:22,600 --> 01:38:25,720
Speaker 1: sure all right? Is that right? Like? I gotta be

1589
01:38:25,760 --> 01:38:27,439
Speaker 1: able to do that. For me to be able to

1590
01:38:27,560 --> 01:38:31,559
Speaker 1: entertain things. That's the way that this work. Like it

1591
01:38:31,720 --> 01:38:34,679
Speaker 1: or not love it or being different about it, that

1592
01:38:34,680 --> 01:38:37,040
Speaker 1: don't change the facts, and that won't change the way

1593
01:38:37,040 --> 01:38:39,760
Speaker 1: that the outcome has to be right. So that's how

1594
01:38:39,840 --> 01:38:43,360
Speaker 1: things go. When you deal with somebody like me. You

1595
01:38:43,439 --> 01:38:46,400
Speaker 1: have to understand that it's levels to everything that we do.

1596
01:38:47,160 --> 01:38:53,920
Speaker 1: Nothing comes without a cost, Nothing comes without a cost. Right.

1597
01:38:54,960 --> 01:39:01,320
Speaker 1: But I was seeing on Twitter about, um, do you

1598
01:39:01,400 --> 01:39:03,559
Speaker 1: got what it takes to deal with a rich man

1599
01:39:03,880 --> 01:39:08,880
Speaker 1: or a rich woman? And everybody want to be the

1600
01:39:08,960 --> 01:39:13,120
Speaker 1: girl to get the deal. Everybody want to be the

1601
01:39:13,200 --> 01:39:17,360
Speaker 1: girl to get the shitt there. Everybody want to be

1602
01:39:17,479 --> 01:39:19,680
Speaker 1: the girl to go over here and go out of

1603
01:39:19,760 --> 01:39:23,679
Speaker 1: town of this and oversees the Turks and all these

1604
01:39:23,720 --> 01:39:26,960
Speaker 1: different things. Everybody want to do that. And everybody want

1605
01:39:26,960 --> 01:39:31,479
Speaker 1: to be the guy that deals with the girl with

1606
01:39:31,560 --> 01:39:36,280
Speaker 1: the nice body and the girl with the pretty face

1607
01:39:36,479 --> 01:39:40,960
Speaker 1: and the woman with the all the intangibles that not

1608
01:39:41,160 --> 01:39:44,280
Speaker 1: only you like that, most men, like every every woman

1609
01:39:44,360 --> 01:39:47,840
Speaker 1: want the man that the girls may look at and

1610
01:39:47,920 --> 01:39:50,840
Speaker 1: they can appreciate how he put it together right. They

1611
01:39:50,880 --> 01:39:53,599
Speaker 1: may can't touch him, but yeah, you see what I'm

1612
01:39:53,640 --> 01:39:57,320
Speaker 1: working with you know, she having a blast with this guy.

1613
01:39:57,400 --> 01:39:59,760
Speaker 1: This guy seems to be at the top of the

1614
01:39:59,760 --> 01:40:02,320
Speaker 1: fo chain, and the same with the one she seems

1615
01:40:02,360 --> 01:40:05,519
Speaker 1: to be. He seems to be really engaged with her.

1616
01:40:05,680 --> 01:40:09,720
Speaker 1: She's very great woman. But everybody act like they want

1617
01:40:09,760 --> 01:40:12,400
Speaker 1: to deal with that. But this coast involved in dealing

1618
01:40:12,439 --> 01:40:18,360
Speaker 1: with those things, are you mentally prepare right? Even even

1619
01:40:18,920 --> 01:40:21,680
Speaker 1: you see, I was listening to Joey Diaz shout out

1620
01:40:21,680 --> 01:40:23,800
Speaker 1: to him. He said he was dealing with a stripper,

1621
01:40:25,960 --> 01:40:28,160
Speaker 1: and he said that he faked like he had what

1622
01:40:28,280 --> 01:40:31,160
Speaker 1: he took to be with the stripper like fis. Mentally,

1623
01:40:32,360 --> 01:40:35,559
Speaker 1: he told himself mentally, I don't bother me when she leaves.

1624
01:40:35,560 --> 01:40:38,120
Speaker 1: It's it's part of it. It's cool. And he said

1625
01:40:38,120 --> 01:40:41,599
Speaker 1: he broke his heart every single time she left. He

1626
01:40:41,720 --> 01:40:44,440
Speaker 1: was in the wrong, sick, he was in the wrong circumstances,

1627
01:40:44,479 --> 01:40:48,479
Speaker 1: wrong situation. He shouldn't have been in that. When you're

1628
01:40:48,560 --> 01:40:51,600
Speaker 1: uncomfortable with something on a very high level like that,

1629
01:40:51,760 --> 01:40:57,400
Speaker 1: you can't handle it. You know what I'm saying. If

1630
01:40:57,400 --> 01:41:01,000
Speaker 1: you're dealing with a rapper and you don't want of course,

1631
01:41:01,160 --> 01:41:05,080
Speaker 1: we're not gonna let women disrespect our women. That's point

1632
01:41:05,080 --> 01:41:09,120
Speaker 1: blank period. But women gonna want to take pictures. Women

1633
01:41:09,200 --> 01:41:11,960
Speaker 1: may say they love you, they not even unders they ain't.

1634
01:41:12,000 --> 01:41:14,320
Speaker 1: It ain't the same love but love it guy. For me,

1635
01:41:14,640 --> 01:41:19,560
Speaker 1: it ain't even nothing in that stratosphere. They just infatuated

1636
01:41:19,640 --> 01:41:23,120
Speaker 1: with the character that they see, right. So it's cool,

1637
01:41:23,840 --> 01:41:27,519
Speaker 1: you know. But the but the thing is is a

1638
01:41:27,560 --> 01:41:29,840
Speaker 1: lot of times when you're dealing with a rich dude,

1639
01:41:30,000 --> 01:41:32,639
Speaker 1: or you got a rich girl or a pretty rich

1640
01:41:32,760 --> 01:41:36,880
Speaker 1: woman or something, you don't get to get her by herself.

1641
01:41:36,920 --> 01:41:40,760
Speaker 1: A lot like when you look at bag and Ari

1642
01:41:40,920 --> 01:41:44,000
Speaker 1: and they go at the country. She gotta have a

1643
01:41:44,160 --> 01:41:47,719
Speaker 1: makeup person, she gotta have a hair person, she gotta

1644
01:41:47,800 --> 01:41:50,880
Speaker 1: have this person, that person you know this is. She

1645
01:41:50,920 --> 01:41:53,400
Speaker 1: gotta have all of that just to be able to

1646
01:41:53,439 --> 01:41:56,840
Speaker 1: travel and move the way she needs to move. Now,

1647
01:41:56,920 --> 01:42:00,680
Speaker 1: y'all can get some time with each other, But sometimes

1648
01:42:02,200 --> 01:42:07,080
Speaker 1: dudes and people crave that one on one time and

1649
01:42:07,200 --> 01:42:09,479
Speaker 1: sometimes you can't get that when you win them kind

1650
01:42:09,520 --> 01:42:11,640
Speaker 1: of relationships, or you can't get it as much as

1651
01:42:11,680 --> 01:42:15,200
Speaker 1: you would like traditional relationships. You and your old laid

1652
01:42:15,280 --> 01:42:18,880
Speaker 1: on your birthday, you get to just kick it with hud,

1653
01:42:20,240 --> 01:42:24,160
Speaker 1: spend your money in without the fame attest to it,

1654
01:42:24,320 --> 01:42:27,880
Speaker 1: you know what I'm saying. And then on the man side,

1655
01:42:27,920 --> 01:42:33,280
Speaker 1: you got hey, baby, everybody knows your dude. Everybody know

1656
01:42:33,400 --> 01:42:38,280
Speaker 1: he got paper. Yeah, everybody like how your dude talk

1657
01:42:38,400 --> 01:42:41,360
Speaker 1: and how he maneuvers and handling his business. Baby, it's

1658
01:42:41,439 --> 01:42:50,559
Speaker 1: women that like that dude, right, and that could be uncomfortable, right,

1659
01:42:50,680 --> 01:42:53,679
Speaker 1: That can be uncomfortable for certain individuals. But you gotta

1660
01:42:53,760 --> 01:42:55,720
Speaker 1: know whether or not that's something you can deal with,

1661
01:42:57,160 --> 01:42:59,920
Speaker 1: you know what I'm saying. Some people can't deal with

1662
01:43:00,120 --> 01:43:02,840
Speaker 1: people screaming the woman name and loving. I don't, but

1663
01:43:03,000 --> 01:43:05,640
Speaker 1: I love you. Can I just take a picture like

1664
01:43:06,600 --> 01:43:09,639
Speaker 1: some women can't deal with that, you know it just

1665
01:43:09,720 --> 01:43:12,320
Speaker 1: had this game is and I and I had to

1666
01:43:12,360 --> 01:43:16,639
Speaker 1: ask that question. You know, it's very important. And so

1667
01:43:16,680 --> 01:43:19,400
Speaker 1: I think I was just talking about not sure because

1668
01:43:19,400 --> 01:43:22,280
Speaker 1: I went on a little break there. I had to

1669
01:43:22,360 --> 01:43:26,840
Speaker 1: go grab some food and take my family somewhere. Um,

1670
01:43:27,080 --> 01:43:29,760
Speaker 1: But I think I was talking about the do you

1671
01:43:29,800 --> 01:43:34,800
Speaker 1: have what it takes to deal with have a rich

1672
01:43:35,600 --> 01:43:40,400
Speaker 1: opposite sex or a rich spouse, you know. Um, again,

1673
01:43:40,640 --> 01:43:43,360
Speaker 1: just looking over how some of these women travel the world.

1674
01:43:43,439 --> 01:43:45,040
Speaker 1: You know, they traveled the world in a way where

1675
01:43:45,040 --> 01:43:46,880
Speaker 1: they got to have at least five people with them.

1676
01:43:46,880 --> 01:43:51,200
Speaker 1: They gotta have a guy, um makeup person. A lot

1677
01:43:51,280 --> 01:43:53,120
Speaker 1: of times they got a style. It's maybe got who

1678
01:43:53,240 --> 01:43:56,640
Speaker 1: the dude that does that photos and the lights, and

1679
01:43:58,160 --> 01:44:00,320
Speaker 1: a lot of times they got maybe somebody that's like

1680
01:44:00,320 --> 01:44:03,639
Speaker 1: a best friend bodyguard type situation. So it's five, six

1681
01:44:03,680 --> 01:44:11,120
Speaker 1: people moving around. And I'm also speaking again to the psyche.

1682
01:44:13,000 --> 01:44:17,679
Speaker 1: You know, it's all good till they now all good.

1683
01:44:18,479 --> 01:44:20,320
Speaker 1: You know what I'm saying, It's all good till they

1684
01:44:20,400 --> 01:44:23,160
Speaker 1: now good. So I'll tap in on Sundays and let

1685
01:44:23,160 --> 01:44:26,360
Speaker 1: people get a little involved in that and see how

1686
01:44:26,360 --> 01:44:32,800
Speaker 1: people feel about that. Speaking about relationships, you want to

1687
01:44:32,800 --> 01:44:35,120
Speaker 1: talk about Polo G and his girlfriend. They seem to

1688
01:44:35,160 --> 01:44:37,960
Speaker 1: have now been broken up. She's been caught I guess

1689
01:44:38,000 --> 01:44:40,600
Speaker 1: with another rapper. It's cool choose, you know, deal with

1690
01:44:40,640 --> 01:44:43,120
Speaker 1: who you want to deal with. That's always a beautiful thing.

1691
01:44:43,160 --> 01:44:47,559
Speaker 1: We don't never criticize people for choosing up. You know,

1692
01:44:47,680 --> 01:44:50,240
Speaker 1: we know it's to choose and feet in most cases,

1693
01:44:50,640 --> 01:44:53,600
Speaker 1: so we don't know. We think women should be with

1694
01:44:53,800 --> 01:44:56,240
Speaker 1: who they want to be with, has six with who

1695
01:44:56,320 --> 01:44:58,920
Speaker 1: they want to have six with, do everything that they

1696
01:44:58,920 --> 01:45:00,800
Speaker 1: would like to do just when the man does it

1697
01:45:00,880 --> 01:45:02,519
Speaker 1: as well. I don't think it needs to be in

1698
01:45:02,680 --> 01:45:07,600
Speaker 1: shade involved in the way that is view. What I

1699
01:45:07,640 --> 01:45:10,840
Speaker 1: don't like to see is at the relationships people start

1700
01:45:10,880 --> 01:45:14,160
Speaker 1: to make people look like, oh, your six wasn't good,

1701
01:45:14,280 --> 01:45:17,560
Speaker 1: or you're because somebody asked her, you know, have she

1702
01:45:17,640 --> 01:45:22,360
Speaker 1: ever had an orgasm in six? And her response to

1703
01:45:22,439 --> 01:45:27,479
Speaker 1: that was maybe twice since she'd been with due. But

1704
01:45:27,600 --> 01:45:30,639
Speaker 1: the internet is the internet, so they found another clip

1705
01:45:30,680 --> 01:45:36,960
Speaker 1: when she was praising his six. When she was praising

1706
01:45:36,960 --> 01:45:38,840
Speaker 1: his six, basically saying that he had some of the

1707
01:45:38,840 --> 01:45:41,240
Speaker 1: best six that she's ever had. Now, let's talk about

1708
01:45:41,360 --> 01:45:48,479
Speaker 1: lying to your spouse about six. I think when you

1709
01:45:48,560 --> 01:45:50,720
Speaker 1: lie to your spouse about six, it breeds a lot

1710
01:45:50,760 --> 01:45:53,760
Speaker 1: of cheating because what happens is you live in that

1711
01:45:53,920 --> 01:45:57,080
Speaker 1: unhappy place. It's one thing to be unhappy, to know

1712
01:45:57,240 --> 01:45:59,000
Speaker 1: that you're unhappy, to try to work to get out

1713
01:45:59,000 --> 01:46:03,080
Speaker 1: of being unhappy. There's a total different thing when you're

1714
01:46:03,080 --> 01:46:10,519
Speaker 1: in a situation too. We're in a situation to be unhappy,

1715
01:46:10,560 --> 01:46:13,639
Speaker 1: but have to play like you, not to me. That's

1716
01:46:13,640 --> 01:46:17,439
Speaker 1: when the mental hardship sets in. I tell my people,

1717
01:46:17,640 --> 01:46:21,280
Speaker 1: the people that follow me, my children, and my family. Hey,

1718
01:46:21,360 --> 01:46:24,160
Speaker 1: ain't nothing wrong. Will being unhappy something wrong? Will being

1719
01:46:24,280 --> 01:46:27,680
Speaker 1: unhappy and acting like you not because what happens is

1720
01:46:29,160 --> 01:46:32,040
Speaker 1: what nobody can see. A lot of times we won't fix.

1721
01:46:32,760 --> 01:46:35,040
Speaker 1: That's why you see a lot of women that look

1722
01:46:35,120 --> 01:46:37,400
Speaker 1: good on the outside, but you're going to their homes

1723
01:46:37,439 --> 01:46:40,559
Speaker 1: and they won't clean their homes, they won't wash their clothes,

1724
01:46:40,600 --> 01:46:42,960
Speaker 1: they get dressed out of the flooring things. It's because

1725
01:46:43,439 --> 01:46:47,080
Speaker 1: nobody will never see that. They're only concerned with what

1726
01:46:47,200 --> 01:46:49,200
Speaker 1: you can see. So long as when I step out

1727
01:46:49,280 --> 01:46:51,479
Speaker 1: the door and I look like I got it all together,

1728
01:46:52,439 --> 01:46:55,439
Speaker 1: they're moren't satisfied with that than actually having it together.

1729
01:46:56,520 --> 01:46:58,400
Speaker 1: And that's why you see a lot of people fake

1730
01:46:58,479 --> 01:47:00,639
Speaker 1: like they're happy when they really not. When you do

1731
01:47:00,680 --> 01:47:03,559
Speaker 1: that in a relationship, what it does is it lends

1732
01:47:04,040 --> 01:47:09,720
Speaker 1: unwarranted confidence, right because if a woman or a man

1733
01:47:09,840 --> 01:47:12,840
Speaker 1: think that they have you sexually satisfied, it lends them

1734
01:47:12,880 --> 01:47:16,280
Speaker 1: a certain level of confidence and swagger in the relationship.

1735
01:47:17,240 --> 01:47:20,080
Speaker 1: They get to approach you to a a certain way and

1736
01:47:20,120 --> 01:47:23,519
Speaker 1: feel a certain way about it. So just picture somebody

1737
01:47:23,560 --> 01:47:26,200
Speaker 1: approaching you thinking that they're doing a hell of a job,

1738
01:47:26,280 --> 01:47:28,559
Speaker 1: and then your brain is really like, I really don't

1739
01:47:28,560 --> 01:47:31,960
Speaker 1: even like this. So she come in with a yell,

1740
01:47:32,080 --> 01:47:35,479
Speaker 1: I'm gonna turn up. I'm gonna take you down through

1741
01:47:35,560 --> 01:47:40,320
Speaker 1: that and your man, you like man. That's where the

1742
01:47:40,400 --> 01:47:47,519
Speaker 1: problem comes in, at that suppression of the reality. It's

1743
01:47:47,600 --> 01:47:53,360
Speaker 1: important to embrace reality. In my opinion, it's important ambrace reality,

1744
01:47:53,720 --> 01:47:57,800
Speaker 1: you know. So um, y'all do that and then we'll

1745
01:47:58,200 --> 01:48:00,799
Speaker 1: get to that next week talk about a few more things.

1746
01:48:01,360 --> 01:48:03,519
Speaker 1: If you listen to this part right here, I really

1747
01:48:03,560 --> 01:48:08,479
Speaker 1: appreciate you again. I've dropped a whole bunch of new

1748
01:48:08,560 --> 01:48:12,240
Speaker 1: merchants up that podcast. Merchant on t Springs. Please go

1749
01:48:12,360 --> 01:48:16,080
Speaker 1: get you some merch man. Send your donations to anchor

1750
01:48:16,160 --> 01:48:19,120
Speaker 1: through whatever app Cash shall PayPal