WEBVTT - Da'Vine Joy Randolph

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<v Speaker 1>Hi. My name is Avine Joy Randolph, and I'm an actress.

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<v Speaker 2>Hi everybody, how's it going. I am so glad to

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<v Speaker 2>have you here. You are off the beat with me,

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<v Speaker 2>your host, Brian Baumgartner. I'm so excited for my guest today,

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<v Speaker 2>both for you and for me, because we get to

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<v Speaker 2>learn today about drum roll please, Davine Joy Randolph. Davine,

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<v Speaker 2>she is a phenomenal actor and truly a legend being

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<v Speaker 2>made here right before our eyes. You know her, of

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<v Speaker 2>course from the Holdovers Only Murders in the Building. Dolomite

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<v Speaker 2>is my name. Empire, people of Earth, this is us

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<v Speaker 2>and much much more. We all need to be paying

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<v Speaker 2>attention because she has done, is doing, and will certainly

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<v Speaker 2>continue to do great, great things. In fact, I believe

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<v Speaker 2>she is on her way to the coveted title egot.

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<v Speaker 2>You know what that is, Emmy Grammy Oscar Tony. Hear

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<v Speaker 2>me out. She's already got the Oscar for the Holdovers

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<v Speaker 2>that's in the bag at this moment. She is an

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<v Speaker 2>Emmy nominee for her Outstanding Guest Actress performance in Only

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<v Speaker 2>Murders in the Building. So we're gonna know about the

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<v Speaker 2>e here very shortly. She almost got a t a

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<v Speaker 2>tony back in twenty twelve when she was nominated for

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<v Speaker 2>her very first Broadway performance in Ghost the Musical, So

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<v Speaker 2>next time she's she'll probably win. And then this is

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<v Speaker 2>the clincher. She is a trained opera singer and a

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<v Speaker 2>musical theater major, so she could very very easily down

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<v Speaker 2>a track of music and steal the deal with that Grammy.

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<v Speaker 2>I'm telling you this is gonna happen. So, ladies and

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<v Speaker 2>gentlemen of Off the Beat, for your consideration, here is

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<v Speaker 2>Davine Joy Randolph, Bubble and Squeak. I love it.

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<v Speaker 1>Bubble and Squeak, gonna Bubble and Squeaker cook get every

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<v Speaker 1>mole lift over from the night before.

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<v Speaker 2>What's up, Davine, Hey, how's it going?

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<v Speaker 1>How are you?

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<v Speaker 2>I'm good? How are you doing?

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<v Speaker 1>I'm doing fantastic. I'm so happy to be here.

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<v Speaker 2>Well, I'm happy that you're here as well. It's been

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<v Speaker 2>a hell of a year for you.

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<v Speaker 1>Thank you.

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<v Speaker 2>I mean yeah, you feel good.

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<v Speaker 1>You feel good, and I'm trying to catch up on

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<v Speaker 1>my rest. So I've been having a good summer.

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<v Speaker 2>It's been good resting the summer. Where do you go

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<v Speaker 2>to rest?

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<v Speaker 1>I'm never home, So sometimes it's just being home, to

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<v Speaker 1>be honest with you, because I'm always traveling every which away. Yeah,

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<v Speaker 1>but I'm trying to think of LA spots that feel

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<v Speaker 1>good for rest. Have you ever been to Tarranna and

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<v Speaker 1>Palos Verna?

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<v Speaker 2>Oh yeah, yeah, you're very fancy, very fancy.

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<v Speaker 1>Yeah. Sometimes I remember when I used to book the

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<v Speaker 1>big ones for me that I was like, oh my god,

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<v Speaker 1>I booked it, or like write that weekend that you

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<v Speaker 1>got to wait to find out if you got the job. Yes,

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<v Speaker 1>I would take myself there and to like woo song,

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<v Speaker 1>try not to think about it too much, treat yourself between. So, yeah,

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<v Speaker 1>I love Tearraning. That's my little get a. I like

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<v Speaker 1>it because it's it's a way, but it's not like

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<v Speaker 1>it's not a full committing of going to like oh

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<v Speaker 1>High or Springs right drive forty five minutes.

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<v Speaker 2>Yes there, but depending on where you live, it feels

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<v Speaker 2>like another world. Yeah, sure, which is what I love. Yes. Yeah, well,

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<v Speaker 2>full disclosure, I moved out of LA, so I've been

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<v Speaker 2>a place like that all the time.

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<v Speaker 1>Now, what are you in California state? Still?

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<v Speaker 2>I am still in the state of California.

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<v Speaker 1>Isn't California. Amazing. Yes, there's so many areas. It's beast.

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<v Speaker 1>I'm a fan of California. I'm into it.

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<v Speaker 2>Well, yeah, and I know your East coast East coast based.

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<v Speaker 2>How long have you officially been a Californian? I guess

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<v Speaker 2>that's how you'd say it.

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<v Speaker 1>Oh, that's tricky, right, when you come here for work.

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<v Speaker 1>That's tricky to right. That doesn't spot of when I would.

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<v Speaker 2>Say forty years.

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<v Speaker 1>Yeah, sure, forty years been in years. I first came

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<v Speaker 1>here for a pilot in twenty fifteen, I think. Okay,

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<v Speaker 1>But honestly, I've never I've only done two projects in LA.

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<v Speaker 1>So that may give you a bit of an idea

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<v Speaker 1>of just how much I am never in Los Angeles. Yeah,

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<v Speaker 1>I've only in the ten years that I've been doing this.

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<v Speaker 1>I did a movie with Eddie Murphy, and then I

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<v Speaker 1>did a TV show last summer, The Idol, that filmed

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<v Speaker 1>in LA. That's it here. That's why I say like

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<v Speaker 1>coming back here feels like a vacation.

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<v Speaker 2>I get it. You know, I worked for a long

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<v Speaker 2>time there, but yeah, a lot most things are gone now,

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<v Speaker 2>that's for sure. But I do want to talk about

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<v Speaker 2>your time growing up. I know that you grew up

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<v Speaker 2>in Philly, in or around Philly as a kid, and

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<v Speaker 2>I read you went to Interlock In. Now how old

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<v Speaker 2>were you when you started that?

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<v Speaker 1>That was my junior year of high school, the summer

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<v Speaker 1>of my junior year of high school.

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<v Speaker 2>Oh my gosh, I'm wondering if our stories are exactly

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<v Speaker 2>the same. So was that transformative for you?

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<v Speaker 1>Absolutely? But everyone says that went there everyone, but you know,

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<v Speaker 1>it was so great. It really what I loved most

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<v Speaker 1>about it. It fortified my love and like reverence and

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<v Speaker 1>commitment and devotion to being an artist. Yes, like right,

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<v Speaker 1>like that was I think that was the greatest. It

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<v Speaker 1>gave me so many gifts, but I think that would

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<v Speaker 1>be the greatest gift. That place gave me that sense

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<v Speaker 1>of like the reverence or how lucky and blessed and

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<v Speaker 1>special we are to be artists and like refect it

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<v Speaker 1>and be disciplined and do the work, and oh my god,

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<v Speaker 1>I love that place.

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<v Speaker 2>See what I would say to you is exactly the same.

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<v Speaker 2>I didn't go to Interlock and so it was Northwestern

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<v Speaker 2>Institute of the Arts. I think that's what it was

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<v Speaker 2>called at Northwestern University. I was a cherub. You were

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<v Speaker 2>a cherub, which is weird. That's like a chubby baby,

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<v Speaker 2>I think, but that's what it was like, the Cherub program.

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<v Speaker 2>And so for me how I always describe because I

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<v Speaker 2>started out in the theater and we'll talk about that too,

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<v Speaker 2>but I think prior to that, it was a hobby, right,

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<v Speaker 2>It was an activity. It was something that I did,

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<v Speaker 2>and I had fairly good instincts, and I was loud

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<v Speaker 2>and could like command a presence. But it was that

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<v Speaker 2>time there where I was like, oh, this is like

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<v Speaker 2>oh I get oh like creating a character and oh

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<v Speaker 2>like this is the hard work that you put in

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<v Speaker 2>and voice and movement and all those things. So was

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<v Speaker 2>that it for you too? Was it like, oh, I

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<v Speaker 2>want to do this but you were music maybe right?

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<v Speaker 1>Yeah. I was a major and I was coming from

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<v Speaker 1>the city. To be really honest, I hadn't been I

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<v Speaker 1>went to prep schools like in the suburbs and stuff

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<v Speaker 1>like that, but I had never been around that much

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<v Speaker 1>like greenery and nature. So I actually got sick that

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<v Speaker 1>I had like really bad sinuses and allergies issues and

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<v Speaker 1>I ended up losing my voice. So it was even

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<v Speaker 1>more deeper and like meta and introspective. And all because

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<v Speaker 1>I literally couldn't talk, so I'm literally like with my

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<v Speaker 1>thoughts all day in this beautiful manager. It was it

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<v Speaker 1>was deep. Yeah, that reverence of the arts, being of

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<v Speaker 1>the arts and just how special it is, and like

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<v Speaker 1>I would sit in on the musical theater classes or

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<v Speaker 1>watch the plays with the theater kids, and I remember

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<v Speaker 1>being like I kind of liked that too a little bit,

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<v Speaker 1>but I remember just being like, Wow, I feel so

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<v Speaker 1>lucky and we are so cool. It was like, I

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<v Speaker 1>don't know, I guess it's like in our world, right,

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<v Speaker 1>it'd be like band camp being cool, Like, wow, it's

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<v Speaker 1>so cool to be artists. Everyone that goes there is.

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<v Speaker 2>Like, Yeah, you go to Temple and you're studying classical vocals.

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<v Speaker 2>That's singing, right, and an opera. Now, at one point

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<v Speaker 2>you switched to musical theater. Now what happens there? What's

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<v Speaker 2>the what's the process behind that decision.

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<v Speaker 1>To musical theater? Well, I graduated from Yale at that point, and.

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<v Speaker 2>So this was after you went to Yale for acting

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<v Speaker 2>for yeah no, but before that, so where do you

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<v Speaker 2>change from like singing and an opera?

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<v Speaker 1>Yeah? Yeah, yeah? So no, I mean, well, of a

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<v Speaker 1>lack of better word. I got kicked out because I

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<v Speaker 1>think it was because when I don't.

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<v Speaker 2>Thank you for your honesty, I appreciate that.

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<v Speaker 1>So no, I think I found that this was a

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<v Speaker 1>thing that occurs when institutions don't truly have a musical

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<v Speaker 1>theater department. So that time, Temple did not have a

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<v Speaker 1>musical theater department, but their theater department would do musicals

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<v Speaker 1>from time to time, like maybe like one a year

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<v Speaker 1>or whatever, so I guess what was happening, which was

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<v Speaker 1>actually not the case for me. A lot of times

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<v Speaker 1>singers and actors would flee, I guess, be changing their

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<v Speaker 1>major and being indecisive and going from one to the other.

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<v Speaker 1>So they all each department had their feelings about that,

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<v Speaker 1>and was not the case for me. At that point.

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<v Speaker 1>I was fully committed due to interlock in, which introduced

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<v Speaker 1>me to classical arts. Right like, I'm all in now,

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<v Speaker 1>I'm like, oh, I'm an opera singer. This is what

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<v Speaker 1>we're doing. I'm about to travel the world. This is great,

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<v Speaker 1>And so we were preparing for Aida and the opera

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<v Speaker 1>and I just remember feeling like disconnected or like it

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<v Speaker 1>just feeling very like an old, antiquated thing you know,

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<v Speaker 1>I was like, well, my parents and family or friends

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<v Speaker 1>are coming see this. I wanted to be something, but

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<v Speaker 1>they can connect to It's like Shakespeare right, like you can.

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<v Speaker 1>I want them to know what's going on. And the

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<v Speaker 1>only way that they're gonna know and be able to

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<v Speaker 1>follow this and not just be like snoozefest opera is

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<v Speaker 1>if I do my job right of like understanding what

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<v Speaker 1>I'm saying so that that can convey. And so I

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<v Speaker 1>ended up working with one of the acting teachers basically

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<v Speaker 1>as like a coach, to work with me on the

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<v Speaker 1>scenes that I was singing so that it could be conveyed.

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<v Speaker 1>And so then the music department found out. I mean

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<v Speaker 1>I wasn't trying to keep it a secret, but they

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<v Speaker 1>found out, and so they kicked me out. And so

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<v Speaker 1>it was my mom who was like, you need to

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<v Speaker 1>go across the street to the theater department because a

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<v Speaker 1>logically most of your credits can transfer and be you're

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<v Speaker 1>gonna graduate on time, so you just need to get

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<v Speaker 1>that diploma and we'll figure it out after there. And

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<v Speaker 1>so that is literally like literally crying, kicking, and screaming

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<v Speaker 1>going to the theater department. It was never something that I

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<v Speaker 1>wanted to do. I thought the theater kids were weird,

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<v Speaker 1>and then yeah, and so then it just so happened

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<v Speaker 1>that they had a musical. I think it was Into

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<v Speaker 1>the Woods, so like I got that experience, and then

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<v Speaker 1>the musical later happened just because post graduating, they were like, oh,

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<v Speaker 1>it'll be a great job that you can do. Is

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<v Speaker 1>like your hustle job essentially a swing right like the

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<v Speaker 1>understudies understudy. That's how they pitched it to me. But

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<v Speaker 1>then when I auditioned to this day, I don't know

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<v Speaker 1>if that was actually what it was because I was

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<v Speaker 1>nannying at the time. Loved my job, I had great kids.

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<v Speaker 1>It was dream job.

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<v Speaker 2>Are you talking about ghost? Is that what you're doing?

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<v Speaker 1>So it ghost? Yeah, so it ghost. That was a

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<v Speaker 1>fluke they were saying it. I was nannying, and they

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<v Speaker 1>didn't really love that I was nannying, even though I

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<v Speaker 1>was an afternoon nanny, so you had me from you know,

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<v Speaker 1>the morning to like one thirty to audition and stuff

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<v Speaker 1>like that. But they didn't. My team at the TI

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<v Speaker 1>in love that I had that job, and they wanted

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<v Speaker 1>me just like you know, be broke and be a

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<v Speaker 1>full artist available all day for them. They didn't like

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<v Speaker 1>those time restraints, and so they were like, oh, yeah,

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<v Speaker 1>this will just be like a hustle, like your side

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<v Speaker 1>hustle job, while we find you the job. To this day,

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<v Speaker 1>I still don't know if that was exactly the case,

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<v Speaker 1>but I auditioned and ended up getting one of the

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<v Speaker 1>leads of it and doing it, but then doing it

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<v Speaker 1>first on the West End because the lady who was

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<v Speaker 1>doing it there had got hurt, and so instead of

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<v Speaker 1>them going for another one of their understudies in London,

0:13:39.160 --> 0:13:42.240
<v Speaker 1>they decided, well, let's just get it started early, and

0:13:42.320 --> 0:13:43.880
<v Speaker 1>so I went and did it on the West End

0:13:44.000 --> 0:13:46.600
<v Speaker 1>for several months, and then I came and did it.

0:13:47.400 --> 0:13:52.199
<v Speaker 2>I'm Broadwick Tony nomination for your first Pray and.

0:13:52.160 --> 0:13:54.520
<v Speaker 1>I was sick voice. That was another time when I

0:13:54.559 --> 0:13:56.760
<v Speaker 1>lost my voice. I was so I had like forty

0:13:56.760 --> 0:14:01.400
<v Speaker 1>percent of my I could not believe that nomination because

0:14:01.440 --> 0:14:07.040
<v Speaker 1>I literally had forty percent vocal production and I was

0:14:07.080 --> 0:14:10.800
<v Speaker 1>literally performing on less than half of these, so that

0:14:10.840 --> 0:14:11.440
<v Speaker 1>blew me away.

0:14:11.960 --> 0:14:14.400
<v Speaker 2>Here's the thing. I'm always performing at less than half

0:14:14.400 --> 0:14:18.160
<v Speaker 2>of a voice when I'm singing, so I know the feelings.

0:14:18.280 --> 0:14:19.520
<v Speaker 2>Oh my god, very well.

0:14:19.840 --> 0:14:20.320
<v Speaker 1>Get it?

0:14:20.640 --> 0:14:23.640
<v Speaker 2>But but to back up half a second, you end

0:14:23.680 --> 0:14:26.200
<v Speaker 2>up at Yale School of Drama, and at that point

0:14:26.240 --> 0:14:29.920
<v Speaker 2>are you committed full on to a life in the theater.

0:14:30.480 --> 0:14:33.560
<v Speaker 1>No, No, it was just for me. It was just

0:14:33.760 --> 0:14:37.720
<v Speaker 1>like because timeline wise, right, it was only a year

0:14:37.880 --> 0:14:41.280
<v Speaker 1>that I began to branch into acting in my undergrad

0:14:41.720 --> 0:14:44.120
<v Speaker 1>and so I just knew. It was the dean of

0:14:44.120 --> 0:14:47.240
<v Speaker 1>the school that was like, you're good, I'm going to

0:14:47.400 --> 0:14:50.560
<v Speaker 1>apply you to these graduate acting programs. I didn't even

0:14:50.600 --> 0:14:53.880
<v Speaker 1>know about this stuff, so he applied me. I did

0:14:53.960 --> 0:14:58.080
<v Speaker 1>the interviews and the you know, auditions and whatnot, and

0:14:58.120 --> 0:15:00.480
<v Speaker 1>for me, it was just like I knew because it

0:15:00.560 --> 0:15:04.360
<v Speaker 1>was this major change of now no longer in my

0:15:04.480 --> 0:15:07.800
<v Speaker 1>mind never singing again that I was like, whoa, I

0:15:07.840 --> 0:15:09.920
<v Speaker 1>have to figure out what my life is because when

0:15:09.920 --> 0:15:12.480
<v Speaker 1>I was ready to be on this one track, it

0:15:12.760 --> 0:15:19.240
<v Speaker 1>quickly changed. And so that then was where I think

0:15:19.360 --> 0:15:22.560
<v Speaker 1>while in graduate school, I was figuring it out and like, Okay,

0:15:22.720 --> 0:15:24.880
<v Speaker 1>is this the life I want? Do we like? This?

0:15:25.080 --> 0:15:29.640
<v Speaker 1>Is this something that we're into? But again, I think

0:15:29.680 --> 0:15:32.160
<v Speaker 1>I did feel a bit of comfort or familiarity in

0:15:32.200 --> 0:15:36.480
<v Speaker 1>regards to like again, the devotion, the reverence, the pedigree,

0:15:36.520 --> 0:15:41.600
<v Speaker 1>the studying, the classical training as it were, that was

0:15:41.640 --> 0:15:43.640
<v Speaker 1>something that I was like, Oh, I can geek out

0:15:43.640 --> 0:15:46.040
<v Speaker 1>over this a little bit. And then too, I just

0:15:46.240 --> 0:15:49.120
<v Speaker 1>love people and how people take and work, and so

0:15:49.640 --> 0:15:54.480
<v Speaker 1>I really enjoyed like certain classes of like text analysis

0:15:54.520 --> 0:15:57.000
<v Speaker 1>and stuff like that of really getting into the like

0:15:57.600 --> 0:16:00.840
<v Speaker 1>I love getting into the psychology of my care. That's

0:16:00.920 --> 0:16:04.880
<v Speaker 1>really where I get a lot of mileage. And so yeah,

0:16:05.040 --> 0:16:09.120
<v Speaker 1>I think like while I was going through school in

0:16:09.120 --> 0:16:12.520
<v Speaker 1>those three years, I was kind of like not warming

0:16:12.600 --> 0:16:15.360
<v Speaker 1>up to it, but like it was a whole new world. Yeah,

0:16:15.400 --> 0:16:19.160
<v Speaker 1>so I was like, Okay, let's see what this is about.

0:16:20.800 --> 0:16:24.240
<v Speaker 2>Ghost. So did you say you did that seven months

0:16:24.320 --> 0:16:25.000
<v Speaker 2>on the West End?

0:16:25.840 --> 0:16:27.600
<v Speaker 1>No? I think at the end of it all it

0:16:27.720 --> 0:16:30.600
<v Speaker 1>was maybe like four or five months it were. Yeah,

0:16:30.640 --> 0:16:32.080
<v Speaker 1>I think it was like four or five months.

0:16:32.160 --> 0:16:35.840
<v Speaker 2>Yeah, and then on in New York. So how long total?

0:16:36.680 --> 0:16:39.280
<v Speaker 1>So total, I think it would have been about a

0:16:39.400 --> 0:16:43.800
<v Speaker 1>year and a half. Oh, my year and a half. Yeah, Now,

0:16:43.800 --> 0:16:44.240
<v Speaker 1>how was.

0:16:44.280 --> 0:16:47.440
<v Speaker 2>That for you? So you're out of school, you haven't

0:16:47.440 --> 0:16:50.120
<v Speaker 2>worked on a character for an extended period of time.

0:16:52.080 --> 0:16:56.920
<v Speaker 1>I had graduated in June. I booked it in August

0:16:57.960 --> 0:17:00.880
<v Speaker 1>or no, November. It was it's November because it was Thanksgiving,

0:17:00.960 --> 0:17:03.200
<v Speaker 1>so I was I remember I booked it and I

0:17:03.280 --> 0:17:05.800
<v Speaker 1>was like, can I be home for Thanksgiving? Because it

0:17:05.800 --> 0:17:07.120
<v Speaker 1>was like my first job, you know what I mean,

0:17:07.280 --> 0:17:09.960
<v Speaker 1>Like I'm not used to like working on holidays, And

0:17:10.000 --> 0:17:12.160
<v Speaker 1>I was like, can I please be with my family.

0:17:12.600 --> 0:17:15.639
<v Speaker 2>I've got Eagles tickets back in Philly. I need to

0:17:15.680 --> 0:17:16.600
<v Speaker 2>get back home.

0:17:16.960 --> 0:17:22.720
<v Speaker 1>Yeah, exactly, And so literally the day after Thanksgiving they

0:17:22.720 --> 0:17:25.640
<v Speaker 1>put me on a plane and then literally within days

0:17:25.760 --> 0:17:29.679
<v Speaker 1>I had to get off book And sorry to those people,

0:17:29.840 --> 0:17:33.959
<v Speaker 1>but in paid performances was my rehearsals?

0:17:35.440 --> 0:17:35.840
<v Speaker 2>Crazy?

0:17:36.280 --> 0:17:40.800
<v Speaker 1>I hope they discounted those people, because that's crazy.

0:17:40.840 --> 0:17:44.879
<v Speaker 2>Did you did you enjoy it? I loved it the

0:17:44.920 --> 0:17:45.520
<v Speaker 2>whole time.

0:17:45.880 --> 0:17:48.719
<v Speaker 1>I loved it. The West End was my favorite. I

0:17:48.760 --> 0:17:53.920
<v Speaker 1>love it. The way that they treat theater artists is

0:17:53.960 --> 0:17:56.480
<v Speaker 1>how they treat movie stars. Yeah, and I think it's

0:17:56.480 --> 0:17:58.760
<v Speaker 1>almost interchangeable too, because right like, you can go and

0:17:58.800 --> 0:18:01.800
<v Speaker 1>see it play and you're like, yo, is that Hella Mirrin?

0:18:01.960 --> 0:18:06.879
<v Speaker 1>Like British movie stars who will happily or Olivia Coleman

0:18:06.960 --> 0:18:10.600
<v Speaker 1>happily pop into a play. So for them, there's no

0:18:10.960 --> 0:18:14.960
<v Speaker 1>real delineation how it is for us right for them,

0:18:15.080 --> 0:18:17.240
<v Speaker 1>it's your artists, you all one big things. I had

0:18:17.359 --> 0:18:21.600
<v Speaker 1>never that was my first experience of really being treated

0:18:22.680 --> 0:18:24.920
<v Speaker 1>so well in that way that I was like, oh,

0:18:24.960 --> 0:18:30.960
<v Speaker 1>I never want to leave and Broadway it was just

0:18:31.040 --> 0:18:35.639
<v Speaker 1>it was harder, and so it was a more aggressive schedule.

0:18:35.760 --> 0:18:39.080
<v Speaker 1>And then there's the summer schedule. In the holiday schedule,

0:18:39.080 --> 0:18:41.720
<v Speaker 1>you're already doing eight shows a week, and so now

0:18:41.760 --> 0:18:43.720
<v Speaker 1>it's like twelve shows a week, so it's just like

0:18:43.760 --> 0:18:45.480
<v Speaker 1>a burnerout. And then on top of it, you're being

0:18:45.560 --> 0:18:49.280
<v Speaker 1>six So it felt more of like survival and maintenance

0:18:49.320 --> 0:18:51.720
<v Speaker 1>and just like get through the show. Let's get through

0:18:51.720 --> 0:18:55.320
<v Speaker 1>this show, and let's see what tomorrow brings. So it

0:18:55.400 --> 0:18:58.560
<v Speaker 1>was intense. It was really really intense. I think it's

0:18:58.560 --> 0:19:01.280
<v Speaker 1>the hardest thing I've ever done. Musicals, even more so

0:19:01.440 --> 0:19:05.760
<v Speaker 1>than a play. That is a real even I've done

0:19:05.800 --> 0:19:10.720
<v Speaker 1>movie musicals now and it's not even at the same voltage,

0:19:10.800 --> 0:19:11.320
<v Speaker 1>I guess is the.

0:19:11.359 --> 0:19:13.679
<v Speaker 2>Right word, because of the stamina it takes.

0:19:13.880 --> 0:19:18.840
<v Speaker 1>The Yeah, it's constantly moving, there's no breaks. Once the

0:19:18.880 --> 0:19:21.719
<v Speaker 1>curtain goes up, it's on for the next two and

0:19:21.720 --> 0:19:24.879
<v Speaker 1>a half to three hours, depending on your musical musicals

0:19:24.880 --> 0:19:25.200
<v Speaker 1>are long?

0:19:25.640 --> 0:19:29.840
<v Speaker 2>Yeah? When you were done, yeah, were you like? I

0:19:29.880 --> 0:19:31.320
<v Speaker 2>want to work in film and television.

0:19:31.880 --> 0:19:36.480
<v Speaker 1>So what was funny was we got maybe three weeks

0:19:36.480 --> 0:19:40.600
<v Speaker 1>notice that the show was closing, and I remember saying

0:19:40.720 --> 0:19:44.920
<v Speaker 1>to my team at the time, I was like, I

0:19:44.960 --> 0:19:49.120
<v Speaker 1>think that I want to dry out this pilot season thing.

0:19:49.240 --> 0:19:51.639
<v Speaker 1>I remember, I didn't know anything about it, right, and

0:19:51.680 --> 0:19:54.040
<v Speaker 1>I was like, and I would like to do a

0:19:54.080 --> 0:19:58.800
<v Speaker 1>play and a TV show before I leave New York.

0:19:59.119 --> 0:20:00.760
<v Speaker 1>I was like, I want to be able check everything

0:20:00.800 --> 0:20:02.760
<v Speaker 1>off the list, and I want to try that pilot thing.

0:20:03.080 --> 0:20:05.879
<v Speaker 1>And they were like okay. And I remember I had

0:20:06.840 --> 0:20:10.720
<v Speaker 1>five auditions in one week and I ended up booking

0:20:11.080 --> 0:20:12.879
<v Speaker 1>a TV show I think it was a Good Wife.

0:20:13.880 --> 0:20:19.920
<v Speaker 1>And I booked Robin Williams's last movie. And I originated

0:20:20.119 --> 0:20:22.000
<v Speaker 1>a new role in a new play at the Atlantic

0:20:22.000 --> 0:20:26.080
<v Speaker 1>Theater Company, and that literally took me up to at

0:20:26.080 --> 0:20:30.119
<v Speaker 1>that time January, which right before when pilot season was

0:20:30.800 --> 0:20:35.680
<v Speaker 1>more formal timing in that regard. Then the play ended

0:20:35.760 --> 0:20:39.760
<v Speaker 1>literally January second. I ended up booking, well, not booking,

0:20:39.800 --> 0:20:42.600
<v Speaker 1>but getting auditioning or final call back or whatever you

0:20:42.640 --> 0:20:44.919
<v Speaker 1>want to call it for a pilot that brought me

0:20:44.960 --> 0:20:48.679
<v Speaker 1>out here. It ends up not going through, and then

0:20:48.720 --> 0:20:52.200
<v Speaker 1>I stayed for a little bit and then it went

0:20:52.240 --> 0:20:53.280
<v Speaker 1>off on the races for me.

0:21:11.160 --> 0:21:15.520
<v Speaker 2>I got to ask you about working with Robin on

0:21:16.040 --> 0:21:18.240
<v Speaker 2>The Angriest Man, one of his last films. So I

0:21:18.280 --> 0:21:21.240
<v Speaker 2>had the opportunity to work with him a few times

0:21:21.480 --> 0:21:24.800
<v Speaker 2>and loved every bit of it. Tell me about your

0:21:24.880 --> 0:21:27.080
<v Speaker 2>experience working with him on that, and.

0:21:27.640 --> 0:21:31.800
<v Speaker 1>It was perfect. It was perfect. It happened at the

0:21:31.840 --> 0:21:35.440
<v Speaker 1>perfect time in my life, and I hope that it

0:21:35.480 --> 0:21:38.760
<v Speaker 1>was equally enjoyable for him at that time in his life.

0:21:38.880 --> 0:21:42.200
<v Speaker 1>I had just well, yeah, you know, I've I had

0:21:42.320 --> 0:21:45.879
<v Speaker 1>just graduated, I hadn't even been a year out. That

0:21:45.960 --> 0:21:47.600
<v Speaker 1>was still in the summer. I remember it was hot.

0:21:47.640 --> 0:21:54.200
<v Speaker 1>But anyways, I remember I could not believe how much

0:21:54.359 --> 0:21:58.399
<v Speaker 1>time he gave me and how much he talked to me.

0:21:58.640 --> 0:22:01.800
<v Speaker 1>And in some cases the other actors would joke and

0:22:01.840 --> 0:22:03.520
<v Speaker 1>be like, you're talking to her more than you talk

0:22:03.640 --> 0:22:06.280
<v Speaker 1>to us. And I was the youngest person on the set,

0:22:06.320 --> 0:22:09.520
<v Speaker 1>and I remember we just had the most amazing conversations

0:22:09.560 --> 0:22:12.159
<v Speaker 1>in which I remember he told me, he was like,

0:22:12.840 --> 0:22:15.560
<v Speaker 1>you know, you can do this whole TV and film thing.

0:22:15.560 --> 0:22:18.359
<v Speaker 1>I think you should do it. You're gifted, blah blah blah.

0:22:18.400 --> 0:22:21.360
<v Speaker 1>And I remember him distinctly saying to me like, think

0:22:21.359 --> 0:22:24.280
<v Speaker 1>about San Francisco though, like I remember, he was like

0:22:24.320 --> 0:22:26.000
<v Speaker 1>it was like it was not He was like, I

0:22:26.080 --> 0:22:28.600
<v Speaker 1>don't know, He's like, you gotta hear a good person.

0:22:28.600 --> 0:22:30.960
<v Speaker 1>You have a good heart. I don't know about la.

0:22:31.040 --> 0:22:33.520
<v Speaker 1>He was like, think about San frian and he was like,

0:22:33.680 --> 0:22:36.960
<v Speaker 1>I love it there and it's so peaceful for me.

0:22:37.160 --> 0:22:40.159
<v Speaker 1>But we just we had a ball. That man is

0:22:42.200 --> 0:22:44.760
<v Speaker 1>a wonder And I don't know about you, but I

0:22:44.800 --> 0:22:52.600
<v Speaker 1>could almost feel his brain thinking when he was silent,

0:22:53.640 --> 0:22:56.280
<v Speaker 1>I could like I could almost like a sneeze about

0:22:56.320 --> 0:22:57.679
<v Speaker 1>to happen. Does that make sense?

0:22:58.080 --> 0:22:59.440
<v Speaker 2>It does make sense that I.

0:22:59.400 --> 0:23:01.280
<v Speaker 1>Could feel like he's about to say something and I

0:23:01.280 --> 0:23:03.080
<v Speaker 1>don't even have to look at him. And I remember

0:23:03.320 --> 0:23:07.119
<v Speaker 1>describing it before to a friend like how the like

0:23:07.200 --> 0:23:09.440
<v Speaker 1>New York Penin station. I don't know if other train

0:23:09.480 --> 0:23:13.159
<v Speaker 1>stations have this, but that ticker thing, that's how it

0:23:13.320 --> 0:23:17.320
<v Speaker 1>felt to me being near him, of like his brain,

0:23:17.440 --> 0:23:19.919
<v Speaker 1>like I could feel like there was a buzz within

0:23:20.119 --> 0:23:23.880
<v Speaker 1>him that I could tell. I was like, it really

0:23:23.880 --> 0:23:29.400
<v Speaker 1>feels like his brain and his thoughts truly moved at

0:23:29.440 --> 0:23:34.320
<v Speaker 1>that rate, and it almost was like, for the lack

0:23:34.359 --> 0:23:36.160
<v Speaker 1>of a better word, Torett, you know what I mean,

0:23:36.200 --> 0:23:41.440
<v Speaker 1>like it just all came out. But it was so so,

0:23:41.440 --> 0:23:43.800
<v Speaker 1>so amazing, And then you just didn't have these quiet,

0:23:43.880 --> 0:23:47.800
<v Speaker 1>super intimate moments with him, and You're like, what the

0:23:47.840 --> 0:23:50.880
<v Speaker 1>only other person that I've ever met, first of all,

0:23:51.000 --> 0:23:54.560
<v Speaker 1>no one liked that, but of someone who can be

0:23:54.680 --> 0:23:58.400
<v Speaker 1>larger than life, and then very very quiet and intimate

0:23:58.560 --> 0:24:03.479
<v Speaker 1>was Eddie, but still nothing like that. That man was

0:24:03.560 --> 0:24:08.359
<v Speaker 1>so giving and so kind and I couldn't believe it.

0:24:08.440 --> 0:24:11.359
<v Speaker 1>He paid for my sad card because that was my

0:24:11.480 --> 0:24:15.159
<v Speaker 1>first Oh wow, So in order for me to have

0:24:15.200 --> 0:24:17.280
<v Speaker 1>done the movie, you know, I was gonna have to

0:24:17.280 --> 0:24:19.280
<v Speaker 1>pay broke. I mean, well, I had the Broadway show,

0:24:19.320 --> 0:24:22.040
<v Speaker 1>but I wasn't making that much money where I would

0:24:22.080 --> 0:24:24.600
<v Speaker 1>have to basically pay in order to get in the movie.

0:24:24.680 --> 0:24:29.480
<v Speaker 1>And I was just like, it was an amazing, amazing experience.

0:24:30.600 --> 0:24:36.720
<v Speaker 2>Wow. Yeah. When I worked with him, he was a

0:24:36.760 --> 0:24:40.720
<v Speaker 2>person and I worked with a lot of kind, very kind,

0:24:41.080 --> 0:24:45.480
<v Speaker 2>generous people before a sense, but there was a way

0:24:46.280 --> 0:24:51.880
<v Speaker 2>that he interacted on the set with the crew yep,

0:24:52.280 --> 0:24:58.400
<v Speaker 2>that I attempt to do a bad impersonation of on

0:24:58.520 --> 0:25:01.200
<v Speaker 2>every set that I worked with. And there was an

0:25:01.359 --> 0:25:05.320
<v Speaker 2>energy from him that was like, this is such a

0:25:05.359 --> 0:25:07.879
<v Speaker 2>cliche phrase, but like what we're doing is and this

0:25:07.960 --> 0:25:11.359
<v Speaker 2>is not rocket science, Like let's have a good time,

0:25:11.520 --> 0:25:13.679
<v Speaker 2>let's enjoy each other. And the phrase that I always

0:25:13.680 --> 0:25:16.639
<v Speaker 2>say to people is it takes just as much energy

0:25:16.720 --> 0:25:18.600
<v Speaker 2>to be nice as it does to be an asshole.

0:25:19.000 --> 0:25:24.679
<v Speaker 2>And he always chose nice. And there was a it

0:25:24.800 --> 0:25:29.200
<v Speaker 2>was very clear just in people's faces of the crew

0:25:29.440 --> 0:25:31.320
<v Speaker 2>that it was like we were going to have a

0:25:31.359 --> 0:25:33.760
<v Speaker 2>good day, but we're just going to have a good

0:25:33.840 --> 0:25:36.879
<v Speaker 2>day today. And I attempt to do the same thing.

0:25:36.960 --> 0:25:39.399
<v Speaker 2>Sometimes I do it a little snark here, I'll be honest,

0:25:39.800 --> 0:25:43.720
<v Speaker 2>that's just but snarkier in like a play snarky way.

0:25:44.320 --> 0:25:46.880
<v Speaker 2>He was just always That's what I know. I learned

0:25:46.880 --> 0:25:48.879
<v Speaker 2>that from him. That was the gift that he gave me.

0:25:49.440 --> 0:25:53.199
<v Speaker 2>He did not pay for my sad card, but he

0:25:53.320 --> 0:25:56.680
<v Speaker 2>gave me. He gave me that you worked with my pal,

0:25:57.240 --> 0:26:01.439
<v Speaker 2>Oscar Nunez. In fact, you've worked with a lot of

0:26:01.480 --> 0:26:05.159
<v Speaker 2>my old pals, which is starting to hurt my feelings.

0:26:05.520 --> 0:26:09.479
<v Speaker 2>We have are you okay after working with him? Are

0:26:09.520 --> 0:26:12.200
<v Speaker 2>you Are you all right? Are you scarred in any way?

0:26:12.400 --> 0:26:13.080
<v Speaker 2>Are you fine?

0:26:13.240 --> 0:26:15.600
<v Speaker 1>I've since healed. I have definitely.

0:26:16.359 --> 0:26:19.240
<v Speaker 2>Yeah, Well you worked on People of Earth? What else

0:26:19.240 --> 0:26:20.240
<v Speaker 2>did you work on with them?

0:26:20.440 --> 0:26:23.159
<v Speaker 1>Lost City? And we were like low key each other's

0:26:23.200 --> 0:26:24.720
<v Speaker 1>love interests a bit.

0:26:25.320 --> 0:26:26.560
<v Speaker 2>In Lost City.

0:26:27.080 --> 0:26:32.600
<v Speaker 1>Yeah, he plays like this rogue crazy man that's like

0:26:33.400 --> 0:26:38.359
<v Speaker 1>he flies exotic animals all over the world. And I'm like,

0:26:38.800 --> 0:26:41.480
<v Speaker 1>on this track to find my client. I play like

0:26:41.520 --> 0:26:46.159
<v Speaker 1>a publicist. Look is this author? And so I'm on

0:26:46.200 --> 0:26:50.080
<v Speaker 1>this journey because she's gotten kidnapped. And along the way

0:26:50.240 --> 0:26:53.600
<v Speaker 1>I meet him and he's like, you can get on

0:26:53.720 --> 0:26:58.600
<v Speaker 1>my rigged plane. So I'm sitting there with animals and

0:26:58.680 --> 0:27:02.000
<v Speaker 1>stuff and he's like, I'm in love. It's the whole thing. Yeah,

0:27:02.040 --> 0:27:05.680
<v Speaker 1>I was gonna do it twice. Wow, he's brain. He's

0:27:05.720 --> 0:27:08.280
<v Speaker 1>another one the things that he comes up. I'm like,

0:27:08.359 --> 0:27:09.760
<v Speaker 1>where did this even come from?

0:27:10.000 --> 0:27:13.520
<v Speaker 2>I'll tell you what of all of the people that

0:27:13.600 --> 0:27:15.639
<v Speaker 2>I worked with on the office, Because you get you know,

0:27:15.680 --> 0:27:18.639
<v Speaker 2>you get the question like who is your favorite or

0:27:18.680 --> 0:27:21.320
<v Speaker 2>who was and it's like, oh, yeah, I'm gonna answer

0:27:21.320 --> 0:27:25.840
<v Speaker 2>that question. But I do answer this off camera. He's

0:27:25.920 --> 0:27:28.720
<v Speaker 2>the funniest is he makes me laugh. He makes me

0:27:28.800 --> 0:27:29.880
<v Speaker 2>laugh harder than anybody else.

0:27:30.119 --> 0:27:33.920
<v Speaker 1>Yeah, I actually find that it's more it's the people

0:27:34.000 --> 0:27:36.880
<v Speaker 1>off camera that can sell it the most. For him,

0:27:36.920 --> 0:27:40.560
<v Speaker 1>it's like he'll be quiet and then he'll be like no, no, no, no,

0:27:40.800 --> 0:27:42.919
<v Speaker 1>it'll just literally just roll out of his mouth and

0:27:42.960 --> 0:27:43.480
<v Speaker 1>you're like.

0:27:43.680 --> 0:27:49.679
<v Speaker 2>What, where did that? I know, I know he's insane.

0:27:49.040 --> 0:27:50.440
<v Speaker 2>He's like he has a.

0:27:50.400 --> 0:27:54.760
<v Speaker 1>Whole story, he's in a whole world, and you think

0:27:54.800 --> 0:27:57.320
<v Speaker 1>you're in the same scene with him, and then he'll

0:27:57.359 --> 0:28:01.359
<v Speaker 1>say something and you're like, I gotta catch up with you. Yeah,

0:28:01.440 --> 0:28:03.000
<v Speaker 1>I don't know where you're at. I'm going to get there,

0:28:03.480 --> 0:28:11.240
<v Speaker 1>give me two seconds. He's a genius. Yeah, I've never wow.

0:28:11.600 --> 0:28:16.040
<v Speaker 1>There's never anytime the camera's rolling or let's try another option.

0:28:16.160 --> 0:28:20.640
<v Speaker 1>He never repeats anything. It's always something new, and it's

0:28:20.840 --> 0:28:23.800
<v Speaker 1>you're just like, whoa where is this coming from?

0:28:24.640 --> 0:28:28.400
<v Speaker 2>Speaking of people who are pretty damn good at improvising.

0:28:28.720 --> 0:28:32.000
<v Speaker 2>I have heard that you have said the role and

0:28:32.119 --> 0:28:34.879
<v Speaker 2>movie that catapulted you. I don't even know if you

0:28:35.000 --> 0:28:38.280
<v Speaker 2>use that word, but that's how I'm interpreting it. Dolomite

0:28:38.400 --> 0:28:41.840
<v Speaker 2>is my name with Eddie Murphy. Why did that film

0:28:41.920 --> 0:28:43.080
<v Speaker 2>feel so special to you?

0:28:45.320 --> 0:28:47.400
<v Speaker 1>For a couple of reasons. I think that was my

0:28:47.520 --> 0:28:51.520
<v Speaker 1>first Well, that was for sure my first big movie.

0:28:52.440 --> 0:28:57.920
<v Speaker 1>In regards to the cast, it was my first. Yeah,

0:28:57.960 --> 0:28:59.720
<v Speaker 1>I think that was my first. Like if we want

0:28:59.720 --> 0:29:03.040
<v Speaker 1>to call like a studio movie, okay, first, well, it

0:29:03.080 --> 0:29:04.680
<v Speaker 1>wasn't my first movie with a big star, because I

0:29:04.760 --> 0:29:08.480
<v Speaker 1>did do it with Robin. But like with the Robert Williams.

0:29:08.080 --> 0:29:10.720
<v Speaker 2>Movie, I'm Gonna Oscar, you said that by the way,

0:29:11.280 --> 0:29:12.400
<v Speaker 2>Oscar you said that too.

0:29:13.480 --> 0:29:18.040
<v Speaker 1>Get at that point. But so it was that and

0:29:18.160 --> 0:29:21.360
<v Speaker 1>getting to work with someone of that stature, but that

0:29:21.440 --> 0:29:24.520
<v Speaker 1>it was a bigger size role and I had more

0:29:24.760 --> 0:29:28.920
<v Speaker 1>to be responsible for. I think also too, there was

0:29:28.920 --> 0:29:33.280
<v Speaker 1>something just very special about it. It was very pared

0:29:33.440 --> 0:29:37.520
<v Speaker 1>for and loved on. And at that time I believe

0:29:37.720 --> 0:29:39.960
<v Speaker 1>it had only been a year or two. I could

0:29:39.960 --> 0:29:42.920
<v Speaker 1>be wrong. Eddie's brother had passed and that was a

0:29:42.920 --> 0:29:47.360
<v Speaker 1>passion project they had had, and that I believe. Actually

0:29:48.640 --> 0:29:53.720
<v Speaker 1>Eddie wanted his brother to play the lead, and Eddie,

0:29:53.760 --> 0:29:56.600
<v Speaker 1>I think was gonna end up playing Wesley Snyder's character.

0:29:56.640 --> 0:29:58.840
<v Speaker 1>I could be wrong. So there was a lot of

0:29:58.880 --> 0:30:04.560
<v Speaker 1>like care and around it. We had phenomenal writers on it.

0:30:04.560 --> 0:30:08.640
<v Speaker 1>It was really taken care of very well, and Eddie

0:30:08.680 --> 0:30:11.520
<v Speaker 1>was very kind to me as well. And even when

0:30:11.520 --> 0:30:16.160
<v Speaker 1>we then did began press, he made it a point

0:30:16.360 --> 0:30:19.160
<v Speaker 1>that he was like, whatever press I do, I want

0:30:19.200 --> 0:30:22.160
<v Speaker 1>her to do too, So what could have potentially you

0:30:22.240 --> 0:30:25.000
<v Speaker 1>know how that stuff goes, Especially when it's ensemble cast.

0:30:25.600 --> 0:30:27.600
<v Speaker 1>Sometimes it's like number one and number two in the

0:30:27.640 --> 0:30:30.040
<v Speaker 1>call sheet, and those are the people that go out

0:30:30.080 --> 0:30:34.160
<v Speaker 1>and do the press. Because he did that, which interestingly enough,

0:30:34.680 --> 0:30:38.840
<v Speaker 1>was good practice for me for last year, because he

0:30:39.040 --> 0:30:43.920
<v Speaker 1>took me on this like tour with him and just

0:30:44.000 --> 0:30:47.640
<v Speaker 1>that whole experience, it was like great media training for

0:30:47.720 --> 0:30:49.840
<v Speaker 1>me and all those things. I never had that before.

0:30:49.880 --> 0:30:52.320
<v Speaker 1>I was always you know, oh I'm in this TV show,

0:30:52.440 --> 0:30:54.719
<v Speaker 1>or I did this independent movie, you know, and then

0:30:54.760 --> 0:30:57.160
<v Speaker 1>the movie got on or it came out. I never

0:30:57.240 --> 0:31:03.160
<v Speaker 1>had like a post life press life experience before. So

0:31:03.240 --> 0:31:06.520
<v Speaker 1>I think in many ways it kind of endoctored me

0:31:06.880 --> 0:31:11.960
<v Speaker 1>into this industry by having that experience, even just for myself.

0:31:12.400 --> 0:31:15.200
<v Speaker 2>That's awesome. Yeah, that makes a ton of sense. And

0:31:15.360 --> 0:31:18.760
<v Speaker 2>you did get award buzz around the role. You were

0:31:19.240 --> 0:31:24.640
<v Speaker 2>nominated for an NAACP Image Award. I can imagine that

0:31:24.760 --> 0:31:27.200
<v Speaker 2>feels like a great gift for him.

0:31:27.440 --> 0:31:31.520
<v Speaker 1>Yeah, I couldn't even believe it the whole thing. Netflix

0:31:31.680 --> 0:31:35.120
<v Speaker 1>was very kind and they helped me find the publicist

0:31:35.160 --> 0:31:38.200
<v Speaker 1>that I have now, Like I felt ushered in. Does

0:31:38.200 --> 0:31:43.080
<v Speaker 1>that make sense? Like everything. I was very gentle and

0:31:43.200 --> 0:31:45.600
<v Speaker 1>it was the best way that I would hope any

0:31:45.640 --> 0:31:50.360
<v Speaker 1>other young actress could experience of getting ushered into the

0:31:50.440 --> 0:31:53.920
<v Speaker 1>business in a really lovely way. And I just was

0:31:54.000 --> 0:31:59.560
<v Speaker 1>quickly exposed, you know, to this world and what it

0:31:59.600 --> 0:32:02.000
<v Speaker 1>could be, especially because I would do always press with him,

0:32:02.040 --> 0:32:05.320
<v Speaker 1>so then being around him and all those super fans

0:32:05.360 --> 0:32:08.200
<v Speaker 1>and everything that he has to deal with, it was

0:32:08.240 --> 0:32:10.480
<v Speaker 1>like really eye opening that I was like, oh wow,

0:32:10.840 --> 0:32:13.880
<v Speaker 1>it could for some people. It looks like this.

0:32:14.080 --> 0:32:18.680
<v Speaker 2>Also, Yeah, you know, he is obviously well one of

0:32:18.680 --> 0:32:20.680
<v Speaker 2>the best comedians to ever do it.

0:32:20.960 --> 0:32:21.240
<v Speaker 1>Yeah.

0:32:21.360 --> 0:32:24.800
<v Speaker 2>Another buddy of mine was in that film, Craig Robinson. Yes,

0:32:25.320 --> 0:32:28.760
<v Speaker 2>on a stand up stage, there are not many funnier

0:32:28.800 --> 0:32:30.800
<v Speaker 2>than him. If you've ever had the opportunity to see him,

0:32:30.840 --> 0:32:35.040
<v Speaker 2>he is unbelievable. Yeah. You go on to work on

0:32:35.160 --> 0:32:39.600
<v Speaker 2>Jordan Peele's The Last Og with some other comedians Tracy Morgan,

0:32:39.680 --> 0:32:43.600
<v Speaker 2>Tiffany Cedric the entertainer. Here's my question. Yeah, right, you

0:32:43.640 --> 0:32:48.320
<v Speaker 2>and I have a similar path. We came from drama

0:32:48.760 --> 0:32:52.960
<v Speaker 2>then eventually made our way into doing some sitcoms and

0:32:53.280 --> 0:32:58.320
<v Speaker 2>comedic acting roles. Yeah, do you consider yourself a comedian?

0:32:59.200 --> 0:33:03.840
<v Speaker 1>No? And oh what's interesting when I when we did

0:33:04.080 --> 0:33:06.400
<v Speaker 1>we did showcase, we did like a showcase when we

0:33:06.480 --> 0:33:12.240
<v Speaker 1>graduated from Yale, and I remember thinking like, I didn't

0:33:12.240 --> 0:33:15.240
<v Speaker 1>even think LA was an option, And it was ironic

0:33:15.320 --> 0:33:20.080
<v Speaker 1>because I got more interest in LA and in TV

0:33:20.400 --> 0:33:22.720
<v Speaker 1>than I did in New York, which I was like,

0:33:22.800 --> 0:33:25.200
<v Speaker 1>what the heck, Like I did three year, what does

0:33:25.240 --> 0:33:28.760
<v Speaker 1>this even mean? But I always get asked that question,

0:33:29.360 --> 0:33:32.120
<v Speaker 1>and if I auditioned for someone for the first time,

0:33:32.840 --> 0:33:35.720
<v Speaker 1>it's always like, oh, you're a comedian or oh are

0:33:35.760 --> 0:33:37.640
<v Speaker 1>you one of the U TV kids or what you

0:33:37.640 --> 0:33:38.320
<v Speaker 1>know I like, And.

0:33:38.280 --> 0:33:42.160
<v Speaker 2>I'm like, now not, yeah, see, I'm the same. I'm

0:33:42.160 --> 0:33:46.280
<v Speaker 2>an actor and sometimes maybe even more often than others now,

0:33:46.520 --> 0:33:49.800
<v Speaker 2>I do comedic roles, but I'm not a comedian. I

0:33:49.840 --> 0:33:52.840
<v Speaker 2>don't view myself in that way. And also I love

0:33:52.880 --> 0:33:54.160
<v Speaker 2>that you said that no.

0:33:54.120 --> 0:33:57.840
<v Speaker 1>Because also to like, if you haven't gathered already I'm

0:33:58.000 --> 0:34:01.440
<v Speaker 1>big on like technique and training and so even like

0:34:01.480 --> 0:34:03.720
<v Speaker 1>with a writing like, yeah, I could write something, but

0:34:03.720 --> 0:34:05.280
<v Speaker 1>I would never call myself a writer, do you know

0:34:05.320 --> 0:34:06.440
<v Speaker 1>what I mean? So I kind of see it in

0:34:06.440 --> 0:34:09.400
<v Speaker 1>the same vein like the skill set and what is

0:34:09.440 --> 0:34:12.680
<v Speaker 1>required and then writing their jokes and touring it on

0:34:12.719 --> 0:34:15.279
<v Speaker 1>the road and all. I don't do that. So I

0:34:15.320 --> 0:34:19.760
<v Speaker 1>would feel disingenuous almost to be like, yeah, I'm a comedian,

0:34:19.920 --> 0:34:21.719
<v Speaker 1>Like what I don't what are you?

0:34:22.520 --> 0:34:27.000
<v Speaker 2>Yeah? Exactly, I'm not doing that. I know. It goes

0:34:27.080 --> 0:34:29.200
<v Speaker 2>both ways, right On the one hand, it's like there

0:34:29.239 --> 0:34:32.120
<v Speaker 2>is a connotation of like, oh, you're just naturally funny.

0:34:32.160 --> 0:34:34.759
<v Speaker 2>There's not the there's not a work there, right, And

0:34:34.800 --> 0:34:37.640
<v Speaker 2>on the other hand, I'm like, yeah, I don't want

0:34:37.680 --> 0:34:41.560
<v Speaker 2>to do what they do. I have no desire going

0:34:41.600 --> 0:34:44.600
<v Speaker 2>to around the laugh factories, Like I can't do that.

0:34:45.120 --> 0:34:47.759
<v Speaker 1>Yeah.

0:34:48.120 --> 0:34:49.399
<v Speaker 2>Do you do you still sing?

0:34:50.120 --> 0:34:52.160
<v Speaker 1>Yeah? Yeah I do?

0:34:52.160 --> 0:34:56.760
<v Speaker 2>Do you want to do more musical theater at some point?

0:34:58.280 --> 0:35:03.000
<v Speaker 1>Is tough? Yeah? I think I.

0:35:03.280 --> 0:35:05.439
<v Speaker 2>Did the ho a week thing too, by the way,

0:35:05.520 --> 0:35:09.040
<v Speaker 2>not singing so much. But it's no, it's no joke, right,

0:35:09.080 --> 0:35:11.600
<v Speaker 2>it is no joke.

0:35:11.719 --> 0:35:15.560
<v Speaker 1>I always say never say never, But I do think

0:35:16.080 --> 0:35:19.120
<v Speaker 1>it would have to be something that I am so

0:35:19.440 --> 0:35:24.240
<v Speaker 1>passionate about and so in love with to give of

0:35:24.600 --> 0:35:28.719
<v Speaker 1>my time and my energy to that, because also it's

0:35:28.760 --> 0:35:33.480
<v Speaker 1>longer runs. How only is it more performances? Is actually

0:35:33.560 --> 0:35:35.680
<v Speaker 1>when you look at it. I remember when I first

0:35:35.680 --> 0:35:38.480
<v Speaker 1>started working in TV and film, I was like, wait

0:35:38.480 --> 0:35:43.000
<v Speaker 1>a minute, we're done. Okay, it's done. We don't have

0:35:43.040 --> 0:35:46.640
<v Speaker 1>to work on the weekends. What do you mean? Floored me?

0:35:47.200 --> 0:35:50.040
<v Speaker 1>And it's like triple sometimes ten times the amount of money.

0:35:50.080 --> 0:35:53.400
<v Speaker 1>So I was like, wait what. But I do think

0:35:53.800 --> 0:35:56.160
<v Speaker 1>an all seriousness, theater is a very beautiful and a

0:35:56.200 --> 0:35:59.080
<v Speaker 1>sacred art form. So I do think that will I'm

0:35:59.320 --> 0:36:03.480
<v Speaker 1>I will never turn my back on theater at all.

0:36:03.600 --> 0:36:05.440
<v Speaker 1>And I do think and I'm grateful that I have

0:36:05.640 --> 0:36:09.600
<v Speaker 1>that in my toolbox. And I just think it's you know,

0:36:10.960 --> 0:36:13.279
<v Speaker 1>something that I really love, or you know, something that's

0:36:13.280 --> 0:36:16.360
<v Speaker 1>a limited run or a director I've always wanted to

0:36:16.360 --> 0:36:19.400
<v Speaker 1>work with, or a role I've always wanted to portray.

0:36:19.480 --> 0:36:22.839
<v Speaker 1>It's actually in my mind less of a Broadway thing. Ironically,

0:36:22.960 --> 0:36:25.080
<v Speaker 1>if it's like, oh I could work the Geffen or

0:36:25.120 --> 0:36:27.440
<v Speaker 1>what you know, I mean whatever kind of like a house,

0:36:27.760 --> 0:36:32.080
<v Speaker 1>a theater that's well respected with a great director. It's

0:36:32.120 --> 0:36:34.719
<v Speaker 1>not even for me of like, oh I need to

0:36:34.760 --> 0:36:37.440
<v Speaker 1>go back on Broadway and be in the machine of

0:36:37.520 --> 0:36:40.760
<v Speaker 1>that necessarily, But if I did go back into that machine,

0:36:40.760 --> 0:36:43.319
<v Speaker 1>it would definitely have to be worth it, because it's

0:36:43.600 --> 0:36:46.839
<v Speaker 1>a big commitment, and if you're not from New York,

0:36:46.880 --> 0:36:49.240
<v Speaker 1>you're basically paying them to let you go do a play.

0:36:49.520 --> 0:36:54.359
<v Speaker 2>Yeah. I have a friend who has a number, and

0:36:54.400 --> 0:36:57.880
<v Speaker 2>that's how expensive it was for her to do a play.

0:36:58.560 --> 0:37:04.400
<v Speaker 1>Yeah, it's really sick. It's a whole another beast. And

0:37:04.440 --> 0:37:06.520
<v Speaker 1>the only reason why I left New York because I

0:37:06.560 --> 0:37:09.839
<v Speaker 1>love New York was that even when I was auditioning

0:37:10.000 --> 0:37:13.360
<v Speaker 1>for New York movies or New York TV shows that

0:37:13.440 --> 0:37:15.879
<v Speaker 1>take places in New York, the whole cruise from New York,

0:37:16.480 --> 0:37:18.839
<v Speaker 1>I was realizing, oh, wait, the decisions are still being

0:37:18.880 --> 0:37:22.879
<v Speaker 1>made in LA And so originally it was just like, oh,

0:37:22.960 --> 0:37:26.000
<v Speaker 1>let me go to like the mecca where it happens.

0:37:26.480 --> 0:37:28.560
<v Speaker 1>I'll book something and then I'll come back. But then

0:37:28.560 --> 0:37:32.400
<v Speaker 1>it just started moving and I was like, Oh, I

0:37:32.440 --> 0:37:33.120
<v Speaker 1>got some beer.

0:37:51.320 --> 0:37:55.560
<v Speaker 2>I gotta ask you about the holdovers. You blew me

0:37:56.160 --> 0:38:01.120
<v Speaker 2>and everybody else away with your performance that thank you

0:38:01.480 --> 0:38:05.920
<v Speaker 2>and the Oscar. The film was up for so many

0:38:05.960 --> 0:38:11.400
<v Speaker 2>different awards. You got to work with an amazing cast,

0:38:11.840 --> 0:38:17.200
<v Speaker 2>an amazing director, and artistic mind. I'm going to try

0:38:17.239 --> 0:38:19.640
<v Speaker 2>to ask you some questions that hopefully you haven't answered

0:38:19.640 --> 0:38:27.200
<v Speaker 2>a thousand times. Were you surprised by the attention that

0:38:27.280 --> 0:38:31.160
<v Speaker 2>the movie ended up getting or did you feel that

0:38:31.239 --> 0:38:34.000
<v Speaker 2>you had something special with the film?

0:38:34.920 --> 0:38:38.439
<v Speaker 1>I would say yes and no. So walking into it right,

0:38:38.520 --> 0:38:40.279
<v Speaker 1>like when your agent calls you and you're like, hey,

0:38:40.320 --> 0:38:43.040
<v Speaker 1>so there's an Alexander Payne movie. You're like, oh, okay, So,

0:38:43.120 --> 0:38:47.960
<v Speaker 1>like there's a possible, there's a flight chance, this is

0:38:47.960 --> 0:38:50.120
<v Speaker 1>gonna be good, right, you know what I mean. There's

0:38:50.120 --> 0:38:52.200
<v Speaker 1>gonna at least get eyes on it, which was at

0:38:52.200 --> 0:38:55.400
<v Speaker 1>that point a big deal for me because I was

0:38:55.440 --> 0:38:59.319
<v Speaker 1>working and I was working consistently, but I had yet

0:38:59.360 --> 0:39:01.040
<v Speaker 1>to be a part of it is like a critically

0:39:01.080 --> 0:39:05.000
<v Speaker 1>acclaimed thing or a phenom like yours. I remember even

0:39:05.040 --> 0:39:07.719
<v Speaker 1>with People of Earth. I remember Greg was like, you know,

0:39:07.840 --> 0:39:09.759
<v Speaker 1>well it took like what was it? Three was it

0:39:09.800 --> 0:39:14.720
<v Speaker 1>for you guys? Three seasons before? Like really like yeah too?

0:39:15.040 --> 0:39:19.319
<v Speaker 1>And so I remember my brain right, I'm just being honest. Actually, actor,

0:39:19.360 --> 0:39:21.080
<v Speaker 1>I was like, oh, yeah, it's a guy from the

0:39:21.160 --> 0:39:26.560
<v Speaker 1>office people have about to blow up, but huge and

0:39:26.719 --> 0:39:29.520
<v Speaker 1>so to a certain degree, yeah, right, Like if we're

0:39:29.560 --> 0:39:33.960
<v Speaker 1>really honest, you when you know you are working with

0:39:34.000 --> 0:39:37.600
<v Speaker 1>a director that has a certain track record and it's

0:39:37.600 --> 0:39:42.280
<v Speaker 1>so beloved and for many obvious reasons because of his gift,

0:39:42.920 --> 0:39:45.440
<v Speaker 1>When you know that your co star is Paul Giamatti,

0:39:45.680 --> 0:39:49.640
<v Speaker 1>you're like this did I think like, oh, yeah, it's

0:39:49.640 --> 0:39:52.440
<v Speaker 1>gonna get an Oscar No. But at least that I

0:39:52.520 --> 0:39:55.000
<v Speaker 1>was like, this could be something critically acclaimed because also

0:39:55.040 --> 0:39:58.839
<v Speaker 1>at that point I realized the difference between a hit

0:40:00.160 --> 0:40:03.960
<v Speaker 1>something that's critically acclaimed, Like there's there's sometimes a different

0:40:04.239 --> 0:40:08.120
<v Speaker 1>uned a difference. There's like the commercial value of something,

0:40:08.200 --> 0:40:10.719
<v Speaker 1>and then there's like, well the critics loved it, and

0:40:10.800 --> 0:40:16.759
<v Speaker 1>so I thought, for sure, this will probably maybe intrigue

0:40:16.920 --> 0:40:21.719
<v Speaker 1>from a critical point of view, But the life that

0:40:21.760 --> 0:40:27.200
<v Speaker 1>it took on I never could have imagined. Also, timeline wise,

0:40:28.040 --> 0:40:30.680
<v Speaker 1>we were in the middle of a strike and literally

0:40:31.040 --> 0:40:32.960
<v Speaker 1>the strike and the only reason I know this is

0:40:32.960 --> 0:40:37.440
<v Speaker 1>because of the premier day. The strike ended November eighth,

0:40:38.520 --> 0:40:41.759
<v Speaker 1>and the movie came out November tenth, so I will

0:40:41.800 --> 0:40:47.000
<v Speaker 1>never forget. I was here in La going through my

0:40:47.160 --> 0:40:49.360
<v Speaker 1>closes and clothes, like you know, you're a bored actor,

0:40:49.440 --> 0:40:51.760
<v Speaker 1>so you're like, go through my closset. Let me actually

0:40:51.840 --> 0:40:54.319
<v Speaker 1>claim and organize my house. Got nothing else to do.

0:40:54.920 --> 0:40:58.000
<v Speaker 1>And I remember getting a call saying the strike was over.

0:40:59.000 --> 0:41:03.640
<v Speaker 1>Literally thirty minutes later, my phone was ringing off the

0:41:03.719 --> 0:41:10.040
<v Speaker 1>hook and it did not stop until March whatever the

0:41:10.080 --> 0:41:15.720
<v Speaker 1>day is after the Oscars. So it literally was a whirlwind.

0:41:16.120 --> 0:41:19.640
<v Speaker 1>And I did not foresee that that was going to

0:41:19.680 --> 0:41:22.680
<v Speaker 1>have such traction because before you know, it was like

0:41:23.080 --> 0:41:25.080
<v Speaker 1>we remember they were like, Oh, we're just so lucky

0:41:25.120 --> 0:41:28.520
<v Speaker 1>that we have such an amazing director speaking on our

0:41:28.560 --> 0:41:30.720
<v Speaker 1>behalf right, because at this point we would have already

0:41:30.760 --> 0:41:35.000
<v Speaker 1>missed Tell your Ride and Tiff. He was doing those

0:41:35.120 --> 0:41:37.480
<v Speaker 1>by himself, and he was so guind He would send

0:41:37.600 --> 0:41:40.440
<v Speaker 1>us text messages and be like they really liked it,

0:41:40.480 --> 0:41:44.600
<v Speaker 1>and we'd be like, aha, everything went over. Well, they

0:41:44.680 --> 0:41:47.480
<v Speaker 1>really enjoyed your part in this part, and so we

0:41:47.480 --> 0:41:51.840
<v Speaker 1>were so removed. But unbeknownst I guess it was like

0:41:51.960 --> 0:41:55.680
<v Speaker 1>slowly picking up steam. In the moment that the strike

0:41:55.800 --> 0:41:57.520
<v Speaker 1>was over, it was full speed of hint.

0:41:58.320 --> 0:42:02.000
<v Speaker 2>Yeah, were you and meately attracted to the role of

0:42:02.120 --> 0:42:03.600
<v Speaker 2>Mary or she grow on you?

0:42:05.239 --> 0:42:07.759
<v Speaker 1>She grew on me because of how which I thought

0:42:07.800 --> 0:42:13.040
<v Speaker 1>was really smart, how Alexander positioned or propositioned her to me.

0:42:14.000 --> 0:42:17.480
<v Speaker 1>It wasn't a big cell. It was very He was

0:42:17.560 --> 0:42:20.520
<v Speaker 1>very casual of like, there's this role. I think you'd

0:42:20.560 --> 0:42:22.480
<v Speaker 1>be grateful it. I saw you in Dola Mine and

0:42:22.520 --> 0:42:27.399
<v Speaker 1>I thought, you know, I saw things that I feel

0:42:27.440 --> 0:42:31.960
<v Speaker 1>as though you could bring this role to life. Give

0:42:32.000 --> 0:42:33.759
<v Speaker 1>it a read. I remember it was over. It was

0:42:33.840 --> 0:42:37.759
<v Speaker 1>right before Thanksgiving weekend and he was like, and I'll

0:42:37.760 --> 0:42:40.520
<v Speaker 1>give you a call on Tuesday, and I was like, okay.

0:42:40.600 --> 0:42:44.200
<v Speaker 1>So it was real casual and nice and easy, and

0:42:44.640 --> 0:42:47.840
<v Speaker 1>there was some parts that was like intentionally left open,

0:42:48.320 --> 0:42:50.839
<v Speaker 1>and he expressed of like the writer, and I want

0:42:50.840 --> 0:42:53.680
<v Speaker 1>to figure this out with you and how we see

0:42:53.719 --> 0:42:57.279
<v Speaker 1>her coming to life and what she say this? Would

0:42:57.320 --> 0:42:59.640
<v Speaker 1>she not say that? What would this look like? So

0:43:00.040 --> 0:43:03.120
<v Speaker 1>it was this nice and easy approach. But then we

0:43:03.120 --> 0:43:05.640
<v Speaker 1>shot in January, so it went really fast. So it

0:43:05.719 --> 0:43:10.640
<v Speaker 1>was like the moment I said yes, I got cigarettes

0:43:10.680 --> 0:43:14.359
<v Speaker 1>delivered to me and I'm working over dialect and we're

0:43:14.400 --> 0:43:17.560
<v Speaker 1>going over tech stuff. And what are we wearing. So

0:43:18.040 --> 0:43:22.080
<v Speaker 1>once I said yes, it moved very quickly leading up

0:43:22.120 --> 0:43:25.919
<v Speaker 1>to when we began filming because we filmed right after

0:43:25.960 --> 0:43:26.600
<v Speaker 1>New Year's Day.

0:43:27.400 --> 0:43:31.200
<v Speaker 2>Right, it's like you're looking at my notes here because

0:43:31.400 --> 0:43:33.520
<v Speaker 2>you kind of touched on this a little bit. But

0:43:33.680 --> 0:43:37.640
<v Speaker 2>I'm interested in your perspective. So, right before all this

0:43:37.880 --> 0:43:43.040
<v Speaker 2>holdover buzz happened, you were in a show called The Idol.

0:43:43.640 --> 0:43:43.799
<v Speaker 1>Yeah.

0:43:44.160 --> 0:43:47.600
<v Speaker 2>I had a lot of great people involved, Sam Levinson, Yes,

0:43:47.680 --> 0:43:52.320
<v Speaker 2>the Weekend. The critics were not kind, right, The Idol.

0:43:52.880 --> 0:43:57.239
<v Speaker 2>It's currently at nineteen percent on Rotten Tomatoes, which I

0:43:57.280 --> 0:43:58.920
<v Speaker 2>don't know if you know this or not. That's not

0:43:59.040 --> 0:44:04.680
<v Speaker 2>great now? Was it strange or is it strange or

0:44:04.719 --> 0:44:09.160
<v Speaker 2>somewhat confusing that at the same moment in time you've

0:44:09.200 --> 0:44:15.040
<v Speaker 2>got two projects going, one that everyone is loving and

0:44:15.080 --> 0:44:19.880
<v Speaker 2>the other. Although the La Times was very nice to

0:44:19.920 --> 0:44:21.439
<v Speaker 2>you in an article I read today, well.

0:44:21.320 --> 0:44:24.360
<v Speaker 1>That don't have to say that was an interesting thing, Okay,

0:44:25.280 --> 0:44:30.960
<v Speaker 1>interesting experience, right, Like I gave my best right and

0:44:31.080 --> 0:44:34.879
<v Speaker 1>I at the same time had a really great relationship

0:44:35.040 --> 0:44:39.600
<v Speaker 1>with Sam and we were able to He gave me

0:44:39.640 --> 0:44:42.680
<v Speaker 1>a lot of creative leeway that we really collaborated on

0:44:42.760 --> 0:44:48.400
<v Speaker 1>my characters. So who Destiny became I actually felt great about, okay,

0:44:48.520 --> 0:44:53.680
<v Speaker 1>I felt as though what I contributed was contributed was decent,

0:44:54.360 --> 0:44:58.920
<v Speaker 1>and what was an interesting experience for me was though

0:44:59.560 --> 0:45:03.960
<v Speaker 1>for a lot like scandalous salacious reasons, they didn't enjoy it.

0:45:05.000 --> 0:45:07.319
<v Speaker 1>I had an interesting experience because they were like, but

0:45:07.640 --> 0:45:10.800
<v Speaker 1>Destiny blah blah blah blah blah blah blah blah blah.

0:45:10.880 --> 0:45:12.680
<v Speaker 2>Right, so that's fair.

0:45:12.920 --> 0:45:18.239
<v Speaker 1>Yeah, So for me, it's something that I would definitely

0:45:18.320 --> 0:45:22.680
<v Speaker 1>not hide or try to make disappear because I actually

0:45:22.719 --> 0:45:27.520
<v Speaker 1>am really stand by and am really down for the

0:45:27.640 --> 0:45:29.600
<v Speaker 1>work that I created, and also too, to be honest,

0:45:29.680 --> 0:45:34.239
<v Speaker 1>like it was nice to do something different. I always

0:45:34.440 --> 0:45:42.520
<v Speaker 1>want to continue to reinvent myself or keep people guessing.

0:45:42.800 --> 0:45:44.560
<v Speaker 1>And it may change, I don't know why, might get

0:45:44.640 --> 0:45:46.399
<v Speaker 1>older and be like I might be okay with this,

0:45:46.760 --> 0:45:49.640
<v Speaker 1>But for me right now, I love the idea that

0:45:50.080 --> 0:45:53.520
<v Speaker 1>people can't really pigeonhole me just yet or be like, oh, yeah,

0:45:53.560 --> 0:45:57.000
<v Speaker 1>she's that type. I feel like even with a comedy,

0:45:57.160 --> 0:46:02.239
<v Speaker 1>like I do different types of things intentionally and I

0:46:02.280 --> 0:46:06.160
<v Speaker 1>think now too, yes, there's more opportunity, but I think

0:46:06.200 --> 0:46:09.080
<v Speaker 1>it also requires me to have more discernment of what

0:46:09.280 --> 0:46:13.040
<v Speaker 1>roles I choose. I'm really specific and strategic about it.

0:46:13.080 --> 0:46:16.360
<v Speaker 1>So in a way, I guess you could say it

0:46:16.400 --> 0:46:19.200
<v Speaker 1>was like the best in a not so great situation

0:46:20.000 --> 0:46:22.080
<v Speaker 1>that I could have had. I think for sure, out

0:46:22.080 --> 0:46:24.759
<v Speaker 1>of all the other characters, I got lucky in that

0:46:24.840 --> 0:46:29.080
<v Speaker 1>regard that if they did say something nice, it was

0:46:29.160 --> 0:46:32.399
<v Speaker 1>usually my character. And I will say that everyone worked

0:46:32.440 --> 0:46:34.920
<v Speaker 1>really hard and sometimes people just.

0:46:34.880 --> 0:46:36.160
<v Speaker 2>Don't like it, you know what I mean.

0:46:36.320 --> 0:46:40.080
<v Speaker 1>But I cannot not give credit where credit is due

0:46:40.560 --> 0:46:44.200
<v Speaker 1>to everyone involved. They were committed to it, and this

0:46:44.280 --> 0:46:46.800
<v Speaker 1>is what the story they wanted to tell, and yeah,

0:46:46.880 --> 0:46:47.719
<v Speaker 1>it just didn't hit.

0:46:48.320 --> 0:46:50.439
<v Speaker 2>I'm not even talking about one being good or bad

0:46:50.520 --> 0:46:54.600
<v Speaker 2>or the other. I more mean psychologically for you. I mean,

0:46:54.640 --> 0:46:57.319
<v Speaker 2>it's the whole, Like is all press good press? Right?

0:46:57.480 --> 0:47:01.560
<v Speaker 2>Like I mean, you're you're having people like loving this

0:47:01.640 --> 0:47:05.239
<v Speaker 2>one thing that you're doing and not so much a

0:47:05.239 --> 0:47:08.080
<v Speaker 2>fan to be kind of this other thing, and you're

0:47:08.120 --> 0:47:11.840
<v Speaker 2>getting it all at sort of the same moment. That's

0:47:12.000 --> 0:47:12.680
<v Speaker 2>more what I'm saying.

0:47:12.719 --> 0:47:16.759
<v Speaker 3>Yeah, you're right because I remember because during well so,

0:47:16.840 --> 0:47:19.640
<v Speaker 3>I was in a way pseudo doing press for it

0:47:19.680 --> 0:47:23.040
<v Speaker 3>as well, and because it wasn't going so great.

0:47:23.440 --> 0:47:26.560
<v Speaker 1>Halfway through, I was the only one that was doing press.

0:47:26.960 --> 0:47:30.719
<v Speaker 1>No one else was doing press. Idle, no one did

0:47:30.760 --> 0:47:34.440
<v Speaker 1>the press unbeknowns because people, you know, they just made

0:47:34.440 --> 0:47:36.840
<v Speaker 1>a decision of oh, it's for whatever reason it's not

0:47:36.920 --> 0:47:39.120
<v Speaker 1>being received. Well, I don't want to give more time

0:47:39.200 --> 0:47:42.080
<v Speaker 1>to that. But you're right because that was during the strike.

0:47:42.120 --> 0:47:44.279
<v Speaker 1>I remember because it was a whole lot of phoners.

0:47:44.360 --> 0:47:49.560
<v Speaker 1>So at that time it was too soon actually timeline wise, Okay,

0:47:49.760 --> 0:47:53.879
<v Speaker 1>I did not know yet that holdovers was becoming a thing,

0:47:54.600 --> 0:47:59.120
<v Speaker 1>so I would say, but yes, one definitely went one

0:47:59.160 --> 0:48:05.479
<v Speaker 1>way and that then ended and then it then picked

0:48:05.560 --> 0:48:07.080
<v Speaker 1>up for the other. But yeah, in no way, I

0:48:07.080 --> 0:48:09.120
<v Speaker 1>guess it is to a certain degree. Like I said,

0:48:09.120 --> 0:48:11.480
<v Speaker 1>it was the best in a not so great situation,

0:48:11.680 --> 0:48:16.040
<v Speaker 1>right in regards of like all press, yeah can be

0:48:16.120 --> 0:48:18.720
<v Speaker 1>good press. That I to be clear, I got lucky

0:48:18.800 --> 0:48:21.560
<v Speaker 1>because if they did say something nice, it was about

0:48:21.560 --> 0:48:25.200
<v Speaker 1>my characters. So even though it wasn't so great, right,

0:48:25.920 --> 0:48:28.200
<v Speaker 1>I was able to make the best of that moment

0:48:28.280 --> 0:48:30.120
<v Speaker 1>and then boom boom the next thing.

0:48:30.200 --> 0:48:35.320
<v Speaker 2>Then being holders, you have another milestone this year, your

0:48:35.480 --> 0:48:41.840
<v Speaker 2>first Emmy nomination Outstanding guest Actress on Only Murders in

0:48:41.920 --> 0:48:46.360
<v Speaker 2>the Building Season four, coming out? Did you audition for

0:48:46.400 --> 0:48:46.800
<v Speaker 2>this show?

0:48:47.960 --> 0:48:50.839
<v Speaker 1>I got a This is also why I think Dolamite

0:48:51.000 --> 0:48:54.840
<v Speaker 1>was the thing, because that like catapulted me or what

0:48:55.000 --> 0:48:58.960
<v Speaker 1>or at least open doors because Eddie's who he is

0:48:59.080 --> 0:49:02.880
<v Speaker 1>and because we countered on one another in our scenes.

0:49:03.760 --> 0:49:06.239
<v Speaker 1>There were several jobs last og was one of them

0:49:06.520 --> 0:49:11.080
<v Speaker 1>where you know, Tracy called and was like, I'm thinking

0:49:11.600 --> 0:49:15.759
<v Speaker 1>about potentially offering to her this role. What do you

0:49:15.800 --> 0:49:19.320
<v Speaker 1>think to Eddie? Eddie vouched for me. Then Steve Martin

0:49:19.640 --> 0:49:21.600
<v Speaker 1>was like, I really love dolo mine and it made

0:49:21.640 --> 0:49:23.479
<v Speaker 1>me think that you would be great for this. And

0:49:23.560 --> 0:49:26.359
<v Speaker 1>so Dolomine is a gift that keeps on giving. For sure,

0:49:26.520 --> 0:49:29.640
<v Speaker 1>that's awesome, But yeah, no, I didn't. It was during

0:49:29.680 --> 0:49:34.760
<v Speaker 1>the pandemic Jonathan Hoffman when Steve Martin began crafting this character,

0:49:35.600 --> 0:49:37.759
<v Speaker 1>and I remember thinking like, there's no way there were

0:49:37.800 --> 0:49:40.680
<v Speaker 1>going to be This is like peak pandemic where I

0:49:40.760 --> 0:49:43.759
<v Speaker 1>was like, no way, right, this one's not going to

0:49:43.840 --> 0:49:44.680
<v Speaker 1>get over the fence.

0:49:44.840 --> 0:49:48.160
<v Speaker 2>And they did have a great time doing it.

0:49:48.440 --> 0:49:51.600
<v Speaker 1>Oh, it's fantastic. One of my favorite jobs to do.

0:49:52.000 --> 0:49:54.719
<v Speaker 1>These guys are amazing. I mean I've never been on

0:49:54.760 --> 0:49:57.799
<v Speaker 1>anything before. I mean, you guys did how many seven? Eight?

0:49:57.840 --> 0:49:59.160
<v Speaker 1>How many seasons did you guys have?

0:50:00.000 --> 0:50:01.879
<v Speaker 2>Well, ten years, nine seasons?

0:50:02.080 --> 0:50:03.839
<v Speaker 1>Oh my gosh, so.

0:50:04.560 --> 0:50:08.080
<v Speaker 2>You but I think you'd have to do like thirty

0:50:08.440 --> 0:50:11.840
<v Speaker 2>seasons because we did two hundred and something episodes.

0:50:12.360 --> 0:50:16.680
<v Speaker 1>Yes, so real. Yeah, I've never This is for me,

0:50:16.840 --> 0:50:20.760
<v Speaker 1>the longest time I've been on I feel like your Guys'

0:50:20.880 --> 0:50:25.160
<v Speaker 1>show was like the last of the era of like

0:50:25.320 --> 0:50:27.880
<v Speaker 1>i mean, first of all, it was hugely successful. I

0:50:27.840 --> 0:50:30.560
<v Speaker 1>don't feel like shows go past. I feel like six

0:50:31.239 --> 0:50:32.960
<v Speaker 1>is the hurdle that they want to get across to

0:50:33.000 --> 0:50:35.400
<v Speaker 1>go to syndication, and then they just crap out.

0:50:35.640 --> 0:50:35.879
<v Speaker 2>Yeah.

0:50:35.920 --> 0:50:39.200
<v Speaker 1>So this is the longest that I've ever done of

0:50:39.239 --> 0:50:42.440
<v Speaker 1>a show. But it's so fantastic. These guys are legends

0:50:42.560 --> 0:50:46.439
<v Speaker 1>and they have such a child like zeel. I think

0:50:46.480 --> 0:50:49.200
<v Speaker 1>that's the key when I think about it, of like

0:50:49.360 --> 0:50:52.160
<v Speaker 1>legendary the people that I've worked with, and I'm sure

0:50:52.200 --> 0:50:56.640
<v Speaker 1>you can corroborate this, but it's like it's as if

0:50:56.640 --> 0:51:03.960
<v Speaker 1>it's their first gig, right, that this sense of like play, yes, yeah, exactly,

0:51:04.520 --> 0:51:10.320
<v Speaker 1>these guys, they have endless energy. Helena and I are like, okay,

0:51:10.360 --> 0:51:12.480
<v Speaker 1>I think we got it, and they're like, no, what

0:51:12.640 --> 0:51:14.759
<v Speaker 1>is it this way? And there's something fun about it too,

0:51:14.840 --> 0:51:17.680
<v Speaker 1>because it feels a little wad village. Yeah, it's like

0:51:17.680 --> 0:51:23.160
<v Speaker 1>physical comedy. It's just so much fun to see them

0:51:23.680 --> 0:51:28.359
<v Speaker 1>having a blast. It's also an amazing shooting schedule, which

0:51:28.400 --> 0:51:31.640
<v Speaker 1>is essentially nine to five or ten to six. I've

0:51:31.800 --> 0:51:33.200
<v Speaker 1>never been on a show like that before.

0:51:33.680 --> 0:51:39.520
<v Speaker 2>And when you get legends that time for dinner. Yeah, yeah,

0:51:39.560 --> 0:51:42.880
<v Speaker 2>what are you talking about? Although you've got to shoot

0:51:43.040 --> 0:51:46.440
<v Speaker 2>nights some right, but when we.

0:51:46.360 --> 0:51:50.600
<v Speaker 1>Do, it's usually towards the end. For whatever reason. They

0:51:50.719 --> 0:51:52.920
<v Speaker 1>usually save it for the end, and it's like in

0:51:53.040 --> 0:51:55.359
<v Speaker 1>one week and we just knock it out and then

0:51:55.400 --> 0:51:56.040
<v Speaker 1>it's done.

0:51:57.040 --> 0:52:01.520
<v Speaker 2>You're a very very very fun person. But I mean no,

0:52:01.600 --> 0:52:03.800
<v Speaker 2>and that's not a butt. You're a very funny person.

0:52:04.120 --> 0:52:08.600
<v Speaker 2>And in this you play the straight person. Straight man.

0:52:08.640 --> 0:52:11.960
<v Speaker 2>The phrase is straight man. That's what do we call

0:52:12.000 --> 0:52:13.400
<v Speaker 2>it now? Right?

0:52:13.560 --> 0:52:15.959
<v Speaker 1>I haven't heard it call it anything else. I don't

0:52:15.960 --> 0:52:18.040
<v Speaker 1>know of a new phrase for that, you.

0:52:18.000 --> 0:52:21.359
<v Speaker 2>Know what I'm saying? Like, you play the straight man

0:52:21.400 --> 0:52:28.000
<v Speaker 2>to these two unbelievably, and as you mentioned physically gifted comedians.

0:52:28.280 --> 0:52:29.759
<v Speaker 2>Is that tough for you?

0:52:30.280 --> 0:52:34.920
<v Speaker 1>It's actually it's nice. I like doing both. I like

0:52:35.120 --> 0:52:37.120
<v Speaker 1>when I'm playing those kind of roles and I like

0:52:37.160 --> 0:52:38.799
<v Speaker 1>when I'm the one that's the silly one.

0:52:38.960 --> 0:52:39.600
<v Speaker 2>It's nice.

0:52:39.719 --> 0:52:42.719
<v Speaker 1>I enjoy both. To me, it's kind of saying of

0:52:42.760 --> 0:52:47.600
<v Speaker 1>like comedy and drama. I like using all of those

0:52:48.120 --> 0:52:52.120
<v Speaker 1>different skill sets. And I like what I like about

0:52:52.640 --> 0:52:58.919
<v Speaker 1>when you're playing a straight man. It's finding the nuances,

0:52:58.920 --> 0:53:03.920
<v Speaker 1>oftentimes instill ill and minimalism and how impactful that can be,

0:53:04.760 --> 0:53:07.839
<v Speaker 1>you know what I mean. Yes, that's what ends up.

0:53:07.880 --> 0:53:11.040
<v Speaker 1>I'm always looking for what's the game, what's the right

0:53:11.200 --> 0:53:14.720
<v Speaker 1>And for me a lot of times it's how little

0:53:14.760 --> 0:53:15.520
<v Speaker 1>can I move?

0:53:16.360 --> 0:53:17.000
<v Speaker 2>I love that.

0:53:17.640 --> 0:53:23.480
<v Speaker 1>How simple can I be to make pack the biggest punch. Yeah, yeah,

0:53:23.760 --> 0:53:25.399
<v Speaker 1>it's nice. It's fun that way.

0:53:26.360 --> 0:53:30.839
<v Speaker 2>Very smart. Good for you, very smart. Thank you. Oh.

0:53:30.880 --> 0:53:33.279
<v Speaker 2>By the way, there's there's some other newcomer on the

0:53:33.320 --> 0:53:35.080
<v Speaker 2>show too, right, Meryl. What's her name?

0:53:35.640 --> 0:53:37.520
<v Speaker 1>Yeah, so she came in season three.

0:53:38.160 --> 0:53:38.680
<v Speaker 2>Was a joke.

0:53:42.239 --> 0:53:46.680
<v Speaker 1>We have had lots of really great people come in

0:53:47.080 --> 0:53:48.000
<v Speaker 1>and it's.

0:53:47.840 --> 0:53:53.160
<v Speaker 2>Become like Amy Ryan, Yeah, I saw her. Paul Rudd.

0:53:53.280 --> 0:53:57.640
<v Speaker 1>Yeah, so when they were like streep. I was like, Okay,

0:53:57.960 --> 0:54:01.360
<v Speaker 1>cut it out, guys, this is not funny. And I

0:54:01.520 --> 0:54:05.600
<v Speaker 1>literally was at a precedent for a holdover. It's like

0:54:05.600 --> 0:54:10.319
<v Speaker 1>an early President for holdovers. And because that season was

0:54:10.320 --> 0:54:13.800
<v Speaker 1>like a musical within the TV show, the composers was like,

0:54:13.840 --> 0:54:16.120
<v Speaker 1>oh my god, we can't wait for this year. We

0:54:16.160 --> 0:54:18.040
<v Speaker 1>can't wait to work with you. It's such a dream.

0:54:18.080 --> 0:54:21.000
<v Speaker 1>I cannot believe I'm writing a strong a song for MARYL. Street.

0:54:21.320 --> 0:54:21.960
<v Speaker 2>And I was like what.

0:54:22.840 --> 0:54:26.040
<v Speaker 1>And I immediately called John Hoffman and I was like,

0:54:26.560 --> 0:54:29.400
<v Speaker 1>figure it out. You didn't tell me, and I figured

0:54:29.440 --> 0:54:31.239
<v Speaker 1>it out, and you better figure out a way to

0:54:31.280 --> 0:54:32.040
<v Speaker 1>get me in there.

0:54:33.080 --> 0:54:36.560
<v Speaker 2>Oh my gosh, good, what can you tell us about

0:54:36.600 --> 0:54:42.600
<v Speaker 2>season four? So Steve dies right right.

0:54:43.719 --> 0:54:47.200
<v Speaker 1>So they're very secretive, though I will say if it

0:54:47.280 --> 0:54:50.080
<v Speaker 1>wasn't I'm a Marvel movie or something. But I will

0:54:50.120 --> 0:54:55.520
<v Speaker 1>say so the last season was a play within a

0:54:55.560 --> 0:54:58.799
<v Speaker 1>TV show, and this season will be another form of

0:54:58.960 --> 0:55:00.920
<v Speaker 1>media that's in this season.

0:55:01.600 --> 0:55:03.080
<v Speaker 2>That's what they've allowed you to say.

0:55:03.520 --> 0:55:06.560
<v Speaker 1>Yeah, because I don't know what people I don't know

0:55:06.600 --> 0:55:15.480
<v Speaker 1>what things they said, and movie or filmy Martin and

0:55:15.520 --> 0:55:19.920
<v Speaker 1>Martin Short's characters right for this season.

0:55:20.480 --> 0:55:23.840
<v Speaker 2>Yep, all right, it's really helpful. All the outlets are

0:55:23.840 --> 0:55:27.000
<v Speaker 2>going to pick up that kid bit. Everyone that's gonna

0:55:27.040 --> 0:55:29.719
<v Speaker 2>they're gonna be all they're gonna be rushing to press

0:55:29.800 --> 0:55:34.400
<v Speaker 2>with that. Uh, Davin, thank you so much. Good luck

0:55:34.840 --> 0:55:38.359
<v Speaker 2>at them as I'll be watching for sure, and good

0:55:38.440 --> 0:55:41.680
<v Speaker 2>luck with the season. And I mean, really, honest to God,

0:55:41.840 --> 0:55:47.320
<v Speaker 2>with everything that you do, you're so unbelievably fun to watch.

0:55:48.080 --> 0:55:52.000
<v Speaker 2>And my conversation today, well, you're a good person too,

0:55:52.160 --> 0:55:55.440
<v Speaker 2>and you're super smart and thoughtful about your choices and

0:55:55.520 --> 0:55:56.960
<v Speaker 2>I respect the hell out of that.

0:55:56.840 --> 0:55:59.879
<v Speaker 1>And you Thank you so much, Brian, I really appreciate that.

0:56:00.560 --> 0:56:16.960
<v Speaker 2>Best of luck, all right, thank you, Davine. So great

0:56:16.960 --> 0:56:19.120
<v Speaker 2>to have you. Thank you so much for taking the time.

0:56:19.719 --> 0:56:24.400
<v Speaker 2>I know it has been a busy, busy ride for you.

0:56:24.600 --> 0:56:28.200
<v Speaker 2>Good luck at the Emmys next month. You've got my vote,

0:56:28.600 --> 0:56:31.600
<v Speaker 2>and then just do yourself a favorite. Take a break,

0:56:31.880 --> 0:56:35.879
<v Speaker 2>all right, listeners, go and watch her Emmy nominated performance

0:56:36.000 --> 0:56:39.640
<v Speaker 2>in Only Murders in the Building, and go hit that

0:56:39.719 --> 0:56:42.520
<v Speaker 2>subscribe button and make sure you come back here for

0:56:42.600 --> 0:56:48.840
<v Speaker 2>our next episode. We've got another award winner coming up next,

0:56:49.000 --> 0:56:59.960
<v Speaker 2>So come back next week. Off The Beat is host

0:57:00.120 --> 0:57:04.239
<v Speaker 2>did and executive produced by me Brian Baumgartner, alongside our

0:57:04.280 --> 0:57:08.680
<v Speaker 2>executive producer Lang Lee. Our senior producer is Diego Tapia.

0:57:08.840 --> 0:57:12.680
<v Speaker 2>Our producers are Emily Carr and seth Olansky, and our

0:57:12.719 --> 0:57:17.120
<v Speaker 2>talent producer is Ryan Papa Zachary. Our theme song Bubble

0:57:17.200 --> 0:57:20.560
<v Speaker 2>and Squeak, performed by the one and Only Breed Bretton