WEBVTT - EXCLUSIVE: Mariah Huq Interview PT. 2

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<v Speaker 1>Hey, rain Drops. Yes, so I finally got merch. That's right.

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<v Speaker 1>up to Reality with the King. It's me Carlos kings

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<v Speaker 1>the King of Reality TV and one of the most

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<v Speaker 1>sought after executive producers in reality television with over ten

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<v Speaker 1>years a production experience. Twice a week on Reality with

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<v Speaker 1>the King, we'll sit down with my friends across the

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<v Speaker 1>entertainment industry, recap our favorite reality shows and revisit unforgettable

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<v Speaker 1>moments that we are still talking and tweeting about. Waters

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<v Speaker 1>I heard and I want to hear your opinions her.

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<v Speaker 1>The real villain on the show is doctor Jackie.

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<v Speaker 2>Absolutely as hucking lutey. Yeah she is, she is.

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<v Speaker 3>But if she's the real villain, then what does it

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<v Speaker 3>make the ladies are they? Is she geppetto and they're Pinocchio?

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<v Speaker 4>Like?

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<v Speaker 2>What does that make them?

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<v Speaker 3>They won't like, let's see what's gonna happen with all

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<v Speaker 3>of the reckoning that's happened with Jackie this season. Are

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<v Speaker 3>they gonna really show her, I mean, grasping her career,

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<v Speaker 3>her reputation, it's married to medicine.

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<v Speaker 2>This is she's dealing with a whole lot right now.

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<v Speaker 3>I mean, are they gonna really show that if she

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<v Speaker 3>comes back, or are they gonna all just Jackie do

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<v Speaker 3>these you know, great doctor you know apology letters or

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<v Speaker 3>I don't know, like, are they gonna really show what

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<v Speaker 3>she's going through and how she picked picks up the

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<v Speaker 3>pieces because that's what people need to see. Yes, she

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<v Speaker 3>is the real villain to me in what way? I

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<v Speaker 3>just think she's never She's just always been so horrible

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<v Speaker 3>to me.

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<v Speaker 2>I loved Jackie.

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<v Speaker 3>I've always loved her, looked up to her, and I

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<v Speaker 3>thought it was my fault. And we talked about this

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<v Speaker 3>one time at a reunion. She said, it's not my

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<v Speaker 3>fault that you looked up to me. You did that,

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<v Speaker 3>and she was right. She just never cared for me.

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<v Speaker 3>The first time she came in my house, she didn't

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<v Speaker 3>even speak to me.

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<v Speaker 2>Go back to season one, she just from day one

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<v Speaker 2>she did not care for me. She was really rude.

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<v Speaker 3>I thought she didn't you know how some older people,

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<v Speaker 3>my mom would say this to me, some older women

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<v Speaker 3>don't respect younger successful women or something. I don't know.

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<v Speaker 3>I don't really know what it is. I don't know

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<v Speaker 3>if it's you know, I just assumed it was something

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<v Speaker 3>she was dealing with in her own life. But I

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<v Speaker 3>know how she feels about the other women because how

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<v Speaker 3>she treated me, and it slowly but surely kind of

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<v Speaker 3>seeps through if you just really watch.

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<v Speaker 2>Yeah.

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<v Speaker 1>So, when she was going through this controversy in regards

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<v Speaker 1>to her comments on Heavenly's YouTube channel, what were your

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<v Speaker 1>thoughts about that?

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<v Speaker 2>Why was it on heav Ofless YouTube channel?

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<v Speaker 3>Why was it on Heavenless YouTube channel?

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<v Speaker 2>Was my thoughts? I thought, Oh, she is the wild god.

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<v Speaker 3>She is definitely I thought, why was it on Heavenly's

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<v Speaker 3>YouTube channel? That was my first thought. Suppose to her

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<v Speaker 3>best friend? That was my first thought. My heart went

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<v Speaker 3>out to her yet again that lebershit it did, because

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<v Speaker 3>I know she holds her reputation in very high regard,

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<v Speaker 3>but she's human.

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<v Speaker 2>And that's real. But I think she needs to face

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<v Speaker 2>the music.

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<v Speaker 3>This is how you make people feel. What are you

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<v Speaker 3>gonna do about it? And my next thought was fire

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<v Speaker 3>your whole PR team because honestly, like they hate people

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<v Speaker 3>like me.

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<v Speaker 2>But I would have said, Jackie, just tell people the truth.

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<v Speaker 2>You messed up. Why would you go on there.

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<v Speaker 3>First of all, you doubled down and said, you know

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<v Speaker 3>it was misconstrued.

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<v Speaker 2>You know it was a two hour video. It's misconstrued.

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<v Speaker 3>Then you turned around and did an apology and that

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<v Speaker 3>you read from a script. Just get on there and

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<v Speaker 3>be honest, be your authentic self, because the truth of

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<v Speaker 3>the matter, she's not God.

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<v Speaker 2>They make mistakes.

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<v Speaker 3>But if you keep making the same mistakes over and

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<v Speaker 3>over again, maybe you've created a culture. Maybe this is

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<v Speaker 3>who you is. Maybe you need to step back and

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<v Speaker 3>reevaluate how you treat people and how you treat your patients.

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<v Speaker 3>I would say the same thing to Aiden exactly, and

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<v Speaker 3>I felt like that's the issue.

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<v Speaker 2>There's nobody.

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<v Speaker 3>Probably she has a friend though that I would have

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<v Speaker 3>thought would have told her she got a judge tyranny

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<v Speaker 3>that it's real kind of like me, Like I like her.

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<v Speaker 2>So I was shocked.

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<v Speaker 3>Like when she did that apology, it was just eh,

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<v Speaker 3>it was cringey because it.

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<v Speaker 2>Was a lot of people hurt.

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<v Speaker 3>I do know she cares about her career and what

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<v Speaker 3>she does, and she loves what she does. I'll give

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<v Speaker 3>her that. I'm gonna do more than what they've done

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<v Speaker 3>for me. She loves delivering babies.

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<v Speaker 1>Yeah, No, she loves her career. And I've said this

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<v Speaker 1>publicly too, that my mom died of breast cancer and

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<v Speaker 1>when she was suffering, I called doctor Jackie and we

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<v Speaker 1>spoke for an hour, and she gave me the greatest advice. Obviously,

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<v Speaker 1>at that time it was too late for my mother,

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<v Speaker 1>she had stage four, but I've always gone on record

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<v Speaker 1>saying that she definitely helped me through that process and

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<v Speaker 1>gave me some great advice because I do know she

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<v Speaker 1>loves her career and she is great at what she does.

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<v Speaker 1>So I also wanted to make that clear too. When

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<v Speaker 1>it comes to the show. Do you feel like they

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<v Speaker 1>protect her?

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<v Speaker 2>They do? They do.

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<v Speaker 3>Like what's going on with her marriage right now, Like

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<v Speaker 3>this is married to medicine, and a lot of the

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<v Speaker 3>story of this show is how hard it is for

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<v Speaker 3>the husbands that are married to these successful black doctors.

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<v Speaker 3>Let's talk about it because the world sometimes sometimes minimizes

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<v Speaker 3>black men as coaches like doctor Curtis, as successful marketing reps.

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<v Speaker 2>Like Samone's husband Cecil.

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<v Speaker 3>Like, we don't see how as successful as they are,

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<v Speaker 3>it's not enough for the world sometimes, so I think

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<v Speaker 3>seeing that is important and.

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<v Speaker 2>Why hide it? If it was Toya, they.

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<v Speaker 3>Wouldn't hide it, Baby, if it was me, they wouldn't

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<v Speaker 3>hide it.

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<v Speaker 2>Why hide that? Like? It's real. It's why you're on

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<v Speaker 2>a show.

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<v Speaker 3>You can't just show the bits and pieces that work

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<v Speaker 3>for you.

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<v Speaker 2>You have to show the real shit.

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<v Speaker 3>And I would say that to them and it honestly,

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<v Speaker 3>it humanizes it. Lets you see we all are more

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<v Speaker 3>alike than different. Honestly, we all deal with a lot

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<v Speaker 3>of the same issues.

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<v Speaker 1>What are your thoughts on Toya?

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<v Speaker 3>Honestly, I think Toya is at a m passy I do.

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<v Speaker 3>I think she needs something for her. I think she

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<v Speaker 3>needs something for her. And I'm not saying raising her

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<v Speaker 3>kids isn't enough, being a wife isn't enough. I'm not

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<v Speaker 3>saying that, but she needs something for her. So when

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<v Speaker 3>I heard that she was doing the wine, I was really.

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<v Speaker 2>Happy for her.

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<v Speaker 3>I hope that that suffices and you know, feels whatever

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<v Speaker 3>void she has. But I think, honestly, Toya is probably

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<v Speaker 3>the most real of all the ladies. Yes, I do

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<v Speaker 3>I think love or hate her. For me as a producer,

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<v Speaker 3>she was the epitome of a doctor's wife, love a hater.

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<v Speaker 2>Every doctor and nurse told me go and meet Toya Harris.

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<v Speaker 3>That's the only person that I did not know that

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<v Speaker 3>everybody told me to cast. Toya was the person that

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<v Speaker 3>every nurse and doctor said, do you know Toya Harris?

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<v Speaker 2>Toya and Eugene Harris.

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<v Speaker 3>So for me, she was She is a major part

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<v Speaker 3>of married to medicine.

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<v Speaker 2>She is love her, love her or hate her.

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<v Speaker 3>That's a lot of what medicine looks like with a

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<v Speaker 3>lot of the wives. That wasn't my life, but I

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<v Speaker 3>respect it because it's.

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<v Speaker 1>Hers, It's I was just about to say that it's different,

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<v Speaker 1>and we got a chance to see the difference.

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<v Speaker 2>Toya reminds you know, what do you think of Toy.

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<v Speaker 1>I'm gonna tell you, and I'm being very honest with you.

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<v Speaker 1>Toya is from Detroit. I'm from Detroit. Toya reminds me

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<v Speaker 1>of my mom in some ways. So when you said

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<v Speaker 1>she needs something for her, my mother ten kids, same

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<v Speaker 1>man husband, and my daddy was a housewife her entire life.

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<v Speaker 1>The reason why I was sad, I mean not. I

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<v Speaker 1>was sad as a teenage boy from my mom because

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<v Speaker 1>I felt like she wants more, but she knows it

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<v Speaker 1>may come at the cost and the price of her marriage.

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<v Speaker 1>She knew that. And and and as a I'm a

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<v Speaker 1>mom's boy, huntings, I'm a liber I love my mom child,

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<v Speaker 1>So yeah, I'm sure he adoes.

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<v Speaker 3>Yes.

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<v Speaker 1>My mom was like, who do you my best friend?

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<v Speaker 1>Right when I see Toya. Because I was asked this

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<v Speaker 1>past Monday, does Toya love Eugene? I said, I believe

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<v Speaker 1>she does, absolutely, and I believe she's grateful for Eugene.

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<v Speaker 1>I said. When I look at Toya, she reminds me

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<v Speaker 1>of my mother's generation of women from Detroit who gave

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<v Speaker 1>everything to their husband and the kids. And when I

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<v Speaker 1>look at Toya and her honesty about her marriage, I

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<v Speaker 1>do believe in my opinion, and this is no disrespect

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<v Speaker 1>to Toya or Eugenie, who I love. I love the

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<v Speaker 1>both of them. I think Toya wants something. I'm not

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<v Speaker 1>saying she wants divorce or a new man. When I

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<v Speaker 1>look at Toya, I look at a woman who wants

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<v Speaker 1>something else besides what her reality is at the moment.

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<v Speaker 1>I think she's great television. I think she's real to

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<v Speaker 1>a fault. I think Toya is like that's how I feel.

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<v Speaker 1>I may get read by the comments I don't give

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<v Speaker 1>her that's how I feel. But I definitely think she

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<v Speaker 1>is one of the examples of your creation of this show.

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<v Speaker 1>And I think she I think she lives the life

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<v Speaker 1>for the cameras. I'm too much. I'm shocked.

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<v Speaker 3>I'm gonna tell you the story about toy too much almost.

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<v Speaker 2>I remember telling the women.

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<v Speaker 3>I remember I remember getting all these all the women

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<v Speaker 3>together and say, hey, I want to meet I think

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<v Speaker 3>we met it. The South African restaurant is ten degrees.

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<v Speaker 2>South or something.

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<v Speaker 1>Oh yeah, yeah, yeah, I got.

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<v Speaker 3>All the women together. And this is when I want

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<v Speaker 3>to have the most Favorite Nations. It's going into second season.

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<v Speaker 3>Like listen, they're gonna try to divide us. They want

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<v Speaker 3>to do divide and conquer, So we got to be

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<v Speaker 3>a step ahead.

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<v Speaker 2>This is what we need to do.

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<v Speaker 3>Let's do this most favorite nations so they can't divide us.

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<v Speaker 3>This is the you know, integral castle, like, this is

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<v Speaker 3>what it is. This is what we're gonna do.

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<v Speaker 1>And just so you know, Niemi Kim and Charade did

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<v Speaker 1>that going to season.

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<v Speaker 2>Two, smart switch.

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<v Speaker 1>I want you to know that that is good.

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<v Speaker 2>Yeah. I went and I told all the women.

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<v Speaker 3>Get together, Jackie, all of us. Toya went to the

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<v Speaker 3>other producers and said, Mariah is trying to get us.

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<v Speaker 2>Toya snitched on me.

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<v Speaker 3>I'm trying to help us, like I'm trying to help

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<v Speaker 3>with them, really, because I know I was gonna get

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<v Speaker 3>my coin.

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<v Speaker 2>I keeping it real with you. I knew I was gonna.

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<v Speaker 3>Get paid, yeah, but I wanted it. I knew that

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<v Speaker 3>they were going to start playing us who's the star,

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<v Speaker 3>who's not the star? So in order to just lock

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<v Speaker 3>everything in and everybody be on the same court, and

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<v Speaker 3>I knew they couldn't play us against each other with money,

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<v Speaker 3>you know what I mean, or the budget. If you

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<v Speaker 3>just lock in, do that most favorite nations. Toya went

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<v Speaker 3>told them so to your You're right. She does it

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<v Speaker 3>to a fault almost, and I think she means well,

0:12:21.679 --> 0:12:24.920
<v Speaker 3>but it comes off the wrong way at the wrong time.

0:12:25.280 --> 0:12:27.800
<v Speaker 2>Sometimes. She was the only person.

0:12:27.880 --> 0:12:30.600
<v Speaker 3>I think her and Eugenie were the only people that

0:12:30.760 --> 0:12:34.200
<v Speaker 3>kind of stepped up for me when she was the

0:12:34.240 --> 0:12:37.160
<v Speaker 3>person that suggested, honestly, I mean, this might have came

0:12:37.160 --> 0:12:38.960
<v Speaker 3>from the producers by way of her, I don't know.

0:12:39.200 --> 0:12:41.120
<v Speaker 3>She was the person that said you should go and

0:12:41.160 --> 0:12:45.360
<v Speaker 3>do the hair test with the drug stuff and yeah,

0:12:45.400 --> 0:12:48.559
<v Speaker 3>and found the place for me to go that was Toya.

0:12:48.720 --> 0:12:51.559
<v Speaker 2>And I was like, I don't really listening to Toyas, but.

0:12:51.600 --> 0:12:55.760
<v Speaker 3>I did, so, you know, I have a respect for her,

0:12:56.200 --> 0:12:59.360
<v Speaker 3>you know, in that regard because I think it comes

0:12:59.400 --> 0:13:03.040
<v Speaker 3>from a good place. But I also feel like sometimes

0:13:03.040 --> 0:13:05.560
<v Speaker 3>she just doesn't listen.

0:13:06.360 --> 0:13:07.280
<v Speaker 1>Do you guys still talk?

0:13:07.600 --> 0:13:10.439
<v Speaker 3>No, I don't talk to any of them. The last

0:13:10.480 --> 0:13:12.520
<v Speaker 3>person I talked to and it wasn't talk, it was

0:13:12.559 --> 0:13:16.040
<v Speaker 3>a text, was Quad and it was because she lost

0:13:16.080 --> 0:13:19.040
<v Speaker 3>a family member and I just sent my condolences.

0:13:19.080 --> 0:13:20.040
<v Speaker 1>Did she respond to you?

0:13:20.440 --> 0:13:23.760
<v Speaker 2>Yeah, okay, And I think she was happy to receive

0:13:23.760 --> 0:13:28.000
<v Speaker 2>the message. Yeah. I just at least you could do,

0:13:28.040 --> 0:13:28.240
<v Speaker 2>you know.

0:13:28.360 --> 0:13:30.360
<v Speaker 1>Yeah. What are your thoughts on Sweet Tea.

0:13:31.120 --> 0:13:35.640
<v Speaker 3>I don't really know her, honestly, I just I hope

0:13:35.679 --> 0:13:38.840
<v Speaker 3>she has a fair chance. I feel I really feel

0:13:38.840 --> 0:13:42.840
<v Speaker 3>like I think Heavenly is going from the snippets I've

0:13:42.880 --> 0:13:46.560
<v Speaker 3>seen from your show and just kind of what I've

0:13:46.600 --> 0:13:49.520
<v Speaker 3>seen on social media, I think Heavenly is going too

0:13:49.559 --> 0:13:51.920
<v Speaker 3>hard on her and her Man I don't understand why

0:13:51.960 --> 0:13:53.080
<v Speaker 3>she's so caught up.

0:13:53.480 --> 0:13:55.320
<v Speaker 2>If she can have babies. If she can, she didn't

0:13:55.360 --> 0:13:56.800
<v Speaker 2>do it. That's why Qua I didn't have a baby

0:13:56.800 --> 0:13:57.319
<v Speaker 2>with Doctor G.

0:13:57.880 --> 0:13:59.720
<v Speaker 3>Why didn't she do I don't think I think that

0:13:59.880 --> 0:14:01.120
<v Speaker 3>is double standards.

0:14:01.440 --> 0:14:03.360
<v Speaker 1>Do you think it's hazing the new girl.

0:14:04.800 --> 0:14:05.440
<v Speaker 2>I think it was.

0:14:06.000 --> 0:14:08.080
<v Speaker 3>I would call it hazing if I thought she was

0:14:08.080 --> 0:14:12.360
<v Speaker 3>gonna make the line. I think they do more things

0:14:12.400 --> 0:14:15.320
<v Speaker 3>to block you out and shut you out. So I

0:14:15.360 --> 0:14:20.040
<v Speaker 3>think that she's shutting Sweet Tea out versus giving her

0:14:20.080 --> 0:14:20.520
<v Speaker 3>a chance.

0:14:21.080 --> 0:14:21.480
<v Speaker 2>I don't know.

0:14:21.520 --> 0:14:23.440
<v Speaker 3>If the girl got a big person out, I don't know.

0:14:23.840 --> 0:14:25.480
<v Speaker 3>And maybe she's trying to make herself up.

0:14:25.560 --> 0:14:28.800
<v Speaker 2>I don't really know what the goal is.

0:14:29.200 --> 0:14:31.320
<v Speaker 3>But I think you have to give people a chance

0:14:31.600 --> 0:14:34.400
<v Speaker 3>because the first season you go on you don't really

0:14:34.440 --> 0:14:36.720
<v Speaker 3>know who you are. You know who you are, but

0:14:36.840 --> 0:14:40.880
<v Speaker 3>not on TV, like just it's just different. When you

0:14:40.920 --> 0:14:43.000
<v Speaker 3>see yourself, you're like, oh god, I mean I had

0:14:43.040 --> 0:14:46.000
<v Speaker 3>blue eye shadow up to like blue and yellow eye

0:14:46.040 --> 0:14:48.280
<v Speaker 3>shuddle up to my head, like you know, you just

0:14:48.560 --> 0:14:51.120
<v Speaker 3>just see yourself. When you see yourself, it's like wow.

0:14:51.720 --> 0:14:54.000
<v Speaker 3>So I think they just got to give people a chance.

0:14:54.080 --> 0:14:55.880
<v Speaker 3>I don't think they give a lot of these ladies

0:14:55.920 --> 0:14:56.760
<v Speaker 3>a real chance.

0:14:57.280 --> 0:14:59.960
<v Speaker 2>And that's the issue I have. See what she can become?

0:15:00.240 --> 0:15:03.160
<v Speaker 3>Mm hmm, Like, why are you poking this girl? She

0:15:03.400 --> 0:15:07.840
<v Speaker 3>really truly just is a newlywed. Marriage is hard enough

0:15:08.360 --> 0:15:12.480
<v Speaker 3>and heavily doesn't have room to speak on anybody's marriage

0:15:13.320 --> 0:15:13.800
<v Speaker 3>at all.

0:15:14.440 --> 0:15:18.520
<v Speaker 2>Why no marriage is perfect? I spoke on mine.

0:15:18.920 --> 0:15:20.800
<v Speaker 3>I was warming enough to speak on mine and the

0:15:21.800 --> 0:15:23.920
<v Speaker 3>issues we've had in it's some of the issues we've

0:15:23.960 --> 0:15:27.880
<v Speaker 3>had in it, because there's no perfect relationship, but heavens

0:15:27.880 --> 0:15:28.720
<v Speaker 3>ain't perfect either.

0:15:30.200 --> 0:15:32.080
<v Speaker 1>Do you still have the receipts and the invoices?

0:15:32.320 --> 0:15:32.960
<v Speaker 2>Absolutely?

0:15:33.560 --> 0:15:37.720
<v Speaker 3>But it's not my place to keep a journal on

0:15:37.720 --> 0:15:40.040
<v Speaker 3>anybody else's husband because I got one on my own

0:15:40.840 --> 0:15:42.920
<v Speaker 3>and I'm just not trying to do that. I don't

0:15:43.000 --> 0:15:47.320
<v Speaker 3>put shit past nobody, her husband, my husband. I ain't

0:15:47.400 --> 0:15:50.040
<v Speaker 3>following no husbands. That ain't what the show.

0:15:49.960 --> 0:15:53.120
<v Speaker 2>Was created for, right, you give it. I just did

0:15:53.200 --> 0:15:55.560
<v Speaker 2>not want to get into that. I really didn't.

0:15:55.760 --> 0:15:57.920
<v Speaker 3>And then Aiden is a liber too, and he's like,

0:15:58.000 --> 0:15:59.320
<v Speaker 3>he can't do it, you can't, And I.

0:15:59.280 --> 0:16:01.000
<v Speaker 2>Start saying, well, what you got to had? Why do

0:16:01.080 --> 0:16:01.400
<v Speaker 2>you say?

0:16:03.120 --> 0:16:11.360
<v Speaker 1>Why? I'm I don't put at all, even if you

0:16:11.400 --> 0:16:12.920
<v Speaker 1>go to the gas station at least once a day.

0:16:13.040 --> 0:16:18.480
<v Speaker 3>Black brown, baby white, it's about that.

0:16:18.960 --> 0:16:21.360
<v Speaker 1>Talk to me about your thoughts about Phaedra joining Mary

0:16:21.400 --> 0:16:23.280
<v Speaker 1>to medicine.

0:16:24.280 --> 0:16:28.800
<v Speaker 3>I didn't understand the correlation. You know, it really to me,

0:16:29.400 --> 0:16:32.720
<v Speaker 3>same thing I said, it's quiet. I think Fader deserves

0:16:32.720 --> 0:16:36.240
<v Speaker 3>her own show spin off, like she's in law. I

0:16:36.440 --> 0:16:40.480
<v Speaker 3>think that she has proven that she's a big character

0:16:41.080 --> 0:16:44.880
<v Speaker 3>and she's entertaining. So I don't want to make it

0:16:44.880 --> 0:16:46.720
<v Speaker 3>seem like I'm being shady, because I'm not. I just

0:16:46.800 --> 0:16:49.840
<v Speaker 3>didn't see the correlation with her when married to medicine

0:16:49.920 --> 0:16:52.960
<v Speaker 3>unless she had a male practice suit and it was

0:16:53.040 --> 0:16:54.520
<v Speaker 3>referencesenting one of the women.

0:16:54.680 --> 0:16:56.600
<v Speaker 2>I just didn't get it. I don't get it.

0:16:57.120 --> 0:16:59.720
<v Speaker 3>And I think, honestly, Fader was there for a check.

0:16:59.800 --> 0:17:03.640
<v Speaker 3>She's cute and sitting up and she was perched. She

0:17:03.760 --> 0:17:07.600
<v Speaker 3>wasn't at work. She was at a collectical coin and

0:17:07.640 --> 0:17:09.960
<v Speaker 3>it was obvious. You didn't see that as a producer.

0:17:10.320 --> 0:17:12.400
<v Speaker 1>I listen, was she there to work?

0:17:12.520 --> 0:17:13.160
<v Speaker 2>Or was she there?

0:17:14.160 --> 0:17:16.960
<v Speaker 1>But this is the thing about me, was she there

0:17:17.040 --> 0:17:20.840
<v Speaker 1>to work or collect I said it on my Monday. No,

0:17:21.240 --> 0:17:24.040
<v Speaker 1>I'm the one listen what thing about me. That's why

0:17:24.920 --> 0:17:28.520
<v Speaker 1>it bothers me when people want to talk about me,

0:17:28.680 --> 0:17:31.600
<v Speaker 1>called me out, my name, messy whatever. Why are you

0:17:31.680 --> 0:17:35.399
<v Speaker 1>mad at me for commenting on what you're showing on

0:17:35.440 --> 0:17:38.040
<v Speaker 1>a show you signed up to be on the show.

0:17:38.520 --> 0:17:41.239
<v Speaker 1>I signed up to do these YouTube and podcasts so

0:17:41.400 --> 0:17:43.320
<v Speaker 1>I know that I'll get read for PHILP. I don't

0:17:43.359 --> 0:17:45.800
<v Speaker 1>care what y'all think about me when it comes to

0:17:45.920 --> 0:17:50.600
<v Speaker 1>Theedra who I worked with Atlanta Housewives, great television, funny

0:17:50.600 --> 0:17:54.760
<v Speaker 1>as a wit, whims the call, you know, pomp to circumstance,

0:17:54.800 --> 0:17:58.960
<v Speaker 1>all those things. When it came to a maritime medicine, predictable, unpredictable,

0:18:00.119 --> 0:18:03.080
<v Speaker 1>the justaposition between being a Christian and a city girl.

0:18:03.880 --> 0:18:04.080
<v Speaker 3>Right.

0:18:04.640 --> 0:18:07.600
<v Speaker 1>I love that. We love it and she leans into it,

0:18:07.640 --> 0:18:12.520
<v Speaker 1>which makes it more funny because you know what she's doing. Yeah, yeah,

0:18:12.680 --> 0:18:15.679
<v Speaker 1>you know the whole like Willie Watkin's funeral home, Like

0:18:15.760 --> 0:18:18.919
<v Speaker 1>she understands the assignment. I've always said that she does.

0:18:19.600 --> 0:18:21.360
<v Speaker 1>First episode, I was like, it was good to see

0:18:21.400 --> 0:18:24.760
<v Speaker 1>her back on television because she's great TV. After episode one,

0:18:25.240 --> 0:18:28.160
<v Speaker 1>I said this public and I'll say it again. It

0:18:28.200 --> 0:18:34.840
<v Speaker 1>is anti climactic. She has brought nothing to this season.

0:18:35.600 --> 0:18:40.159
<v Speaker 1>She's a disappointment. She is there for the paycheck. And

0:18:40.160 --> 0:18:44.320
<v Speaker 1>what makes it more infuriating to me, you girls have

0:18:44.440 --> 0:18:49.199
<v Speaker 1>been there for ten seasons and you are going to

0:18:49.400 --> 0:18:52.840
<v Speaker 1>war with the people you started with, from you to Quad,

0:18:54.000 --> 0:18:57.720
<v Speaker 1>and I know that it's different wars, right, Yeah, y'all

0:18:57.800 --> 0:19:01.080
<v Speaker 1>let her get by so easily, y'all. Some of y'all

0:19:01.119 --> 0:19:04.560
<v Speaker 1>look like fans. Some of y'all are starstruck.

0:19:04.840 --> 0:19:07.840
<v Speaker 3>Do you think that maybe we had too much of

0:19:07.880 --> 0:19:09.800
<v Speaker 3>an expectation of phasia?

0:19:10.200 --> 0:19:11.960
<v Speaker 1>Well, this is the thing, Number one, I call it

0:19:12.080 --> 0:19:17.400
<v Speaker 1>stunt casting. Stunt casting is when you bring somebody who

0:19:17.400 --> 0:19:21.600
<v Speaker 1>has a familiar name and fan base and use them

0:19:21.640 --> 0:19:22.960
<v Speaker 1>to get eyeballs to the show.

0:19:23.440 --> 0:19:23.720
<v Speaker 3>Right.

0:19:24.720 --> 0:19:29.280
<v Speaker 1>If she was really dating a doctor, then go Off says,

0:19:29.960 --> 0:19:32.240
<v Speaker 1>is the luck of the draw, the reality God said,

0:19:32.600 --> 0:19:39.760
<v Speaker 1>girl got something for you, Right, no doctor, no relationship.

0:19:40.520 --> 0:19:44.840
<v Speaker 1>I don't see Apollo. I'm not seeing you do anything.

0:19:45.480 --> 0:19:48.439
<v Speaker 1>But what bothers me the most is these girls are

0:19:48.480 --> 0:19:53.439
<v Speaker 1>so opinionated, and some of them come across as fans, and.

0:19:53.840 --> 0:19:56.520
<v Speaker 2>Let's have they given their opinion.

0:19:56.119 --> 0:20:03.120
<v Speaker 1>On no Faje walks around there. I was shocked, shocked

0:20:03.680 --> 0:20:09.280
<v Speaker 1>that at Latoya's wine event when they were all at

0:20:09.280 --> 0:20:12.240
<v Speaker 1>the table and Quad, now I'm not Quad. Phaedria has

0:20:12.240 --> 0:20:15.199
<v Speaker 1>now admitted that she did switch her flight so that

0:20:15.240 --> 0:20:17.600
<v Speaker 1>she won't be on the same flight as Quad, because

0:20:17.640 --> 0:20:20.680
<v Speaker 1>what I now understand about the environment of Meritan medicine

0:20:20.840 --> 0:20:24.640
<v Speaker 1>is it's Sinkle swim. It's like it's Sinkle swim, right,

0:20:25.320 --> 0:20:29.480
<v Speaker 1>So she knew that if I'm around you, these other

0:20:29.520 --> 0:20:32.320
<v Speaker 1>girls won't mess with me. So when Pedro was at

0:20:32.320 --> 0:20:34.960
<v Speaker 1>that dinner table with her rear leather jacket and blonde tresses,

0:20:35.960 --> 0:20:38.720
<v Speaker 1>and these girls are coming for Quad, y'all came on

0:20:38.760 --> 0:20:42.080
<v Speaker 1>the show together. You knew you know Quah better than

0:20:42.080 --> 0:20:45.440
<v Speaker 1>the rest of these girls. You sat there and didn't

0:20:45.480 --> 0:20:48.480
<v Speaker 1>utter a word in the fence of her and all

0:20:48.520 --> 0:20:51.960
<v Speaker 1>of these girls because they were gas lit by whomever,

0:20:53.400 --> 0:20:55.879
<v Speaker 1>and gave all of that to Quad. When I'm looking

0:20:55.880 --> 0:20:59.320
<v Speaker 1>at them and saying, this is the one who possibly

0:20:59.320 --> 0:21:03.640
<v Speaker 1>makes more than y'all who came on the show showed.

0:21:03.359 --> 0:21:06.359
<v Speaker 3>Off her outfits, that's crazy.

0:21:05.520 --> 0:21:06.840
<v Speaker 2>It's she came.

0:21:07.000 --> 0:21:09.480
<v Speaker 3>She gave her, She gave the girls a fashion show.

0:21:09.600 --> 0:21:12.639
<v Speaker 3>She said, I'm not gonna sweat it out. I'm gonna

0:21:12.680 --> 0:21:15.280
<v Speaker 3>stay intact. I'm not gonna you girls work. And she

0:21:15.400 --> 0:21:17.520
<v Speaker 3>looks good, so I don't get fined.

0:21:18.000 --> 0:21:19.560
<v Speaker 1>That's one of this. She looks amazing.

0:21:19.720 --> 0:21:21.640
<v Speaker 2>She did. She does I know how.

0:21:21.480 --> 0:21:24.120
<v Speaker 1>To produce Pager in the sense of you gotta make

0:21:24.160 --> 0:21:26.959
<v Speaker 1>her work, make her work, clock clock in, clock in.

0:21:27.160 --> 0:21:31.639
<v Speaker 1>And I'm more disappointed in those girls for not saying,

0:21:31.840 --> 0:21:33.440
<v Speaker 1>if you want to be a part of our show,

0:21:33.760 --> 0:21:35.840
<v Speaker 1>we're not lucky to have you, You're lucky to have us.

0:21:36.400 --> 0:21:38.400
<v Speaker 1>Clock in. Let me show you what we do here.

0:21:38.720 --> 0:21:41.560
<v Speaker 1>So what's what is going on with you? No, you

0:21:41.600 --> 0:21:43.359
<v Speaker 1>are messy? What was going on here? Like what? And

0:21:43.400 --> 0:21:44.960
<v Speaker 1>I'm not saying, you know she was on the show.

0:21:44.960 --> 0:21:47.280
<v Speaker 3>I would want to know some of the other things,

0:21:47.320 --> 0:21:50.359
<v Speaker 3>like what happened. You can't leave this group of friends

0:21:50.600 --> 0:21:53.040
<v Speaker 3>and and and come to this one and not explain

0:21:53.680 --> 0:21:56.280
<v Speaker 3>a lot of things unanswered questions in this group.

0:21:56.680 --> 0:22:01.000
<v Speaker 1>Heavenly said that, and this is how the show works. Unfortunately,

0:22:01.359 --> 0:22:06.480
<v Speaker 1>Heavenly did say that she gave Phaedra heads up that hey,

0:22:06.520 --> 0:22:09.680
<v Speaker 1>they want me to bring up candy. What she gave

0:22:09.720 --> 0:22:14.080
<v Speaker 1>her heads up? She said this publicly, and that Phedra

0:22:14.840 --> 0:22:20.000
<v Speaker 1>allegedly called the production and the network use some curse words.

0:22:20.200 --> 0:22:24.119
<v Speaker 3>But what doesn't that strike you as odd heavenly of

0:22:24.240 --> 0:22:27.840
<v Speaker 3>all people? Do you think that she's giving Sweet Tea

0:22:28.200 --> 0:22:32.080
<v Speaker 3>heads up? Why would she give Faedra a heads up

0:22:32.119 --> 0:22:37.000
<v Speaker 3>on anything? They're not friends, they don't have history, so

0:22:37.080 --> 0:22:40.240
<v Speaker 3>it's what it's It wasn't her reputation? Was it that

0:22:40.320 --> 0:22:44.520
<v Speaker 3>she's phaser like to me like that speaks volumes? Why

0:22:44.560 --> 0:22:48.720
<v Speaker 3>would she call Faedra? I don't get that. Why would

0:22:48.760 --> 0:22:49.240
<v Speaker 3>she do that?

0:22:49.840 --> 0:22:52.159
<v Speaker 1>Phaedra has gotten that show and ran it.

0:22:53.000 --> 0:22:57.639
<v Speaker 2>You even more power too? Running bitches? Are they stupid

0:22:57.680 --> 0:22:58.359
<v Speaker 2>enough to go along?

0:22:58.400 --> 0:23:00.800
<v Speaker 1>It's crazy to me, And I say to you, it's

0:23:00.840 --> 0:23:01.520
<v Speaker 1>crazy to me.

0:23:01.600 --> 0:23:04.160
<v Speaker 2>I wish I will keep on running them.

0:23:04.480 --> 0:23:05.679
<v Speaker 1>No, I mean I deserve it.

0:23:06.280 --> 0:23:07.040
<v Speaker 3>I don't.

0:23:07.520 --> 0:23:09.080
<v Speaker 2>If they allow it, then so be it.

0:23:09.160 --> 0:23:11.440
<v Speaker 1>Who would you like to see American Medison moving forward?

0:23:11.480 --> 0:23:13.160
<v Speaker 1>Who's your dream cast? Oh?

0:23:13.200 --> 0:23:14.640
<v Speaker 2>I know he was going to ask me that.

0:23:15.240 --> 0:23:18.880
<v Speaker 3>I don't know who the dream cast is, but I do.

0:23:20.160 --> 0:23:26.920
<v Speaker 3>I feel as though Toya should be there. I think Buffy.

0:23:29.000 --> 0:23:30.960
<v Speaker 3>I'd like to see what Genie could do.

0:23:31.760 --> 0:23:36.480
<v Speaker 2>And you know, I my antennas are up for Sweet Tea.

0:23:36.800 --> 0:23:37.560
<v Speaker 2>I don't know.

0:23:38.000 --> 0:23:39.320
<v Speaker 1>I think she's great television.

0:23:39.560 --> 0:23:41.560
<v Speaker 2>I don't know yet. I haven't really watched.

0:23:41.560 --> 0:23:43.159
<v Speaker 1>She has potential.

0:23:43.240 --> 0:23:45.919
<v Speaker 3>Something's coming out of her, like making her rise to

0:23:45.960 --> 0:23:48.919
<v Speaker 3>the occasion, maybe for all wrong reasons, but you know,

0:23:49.119 --> 0:23:52.280
<v Speaker 3>I think that she will rise to do what she needs.

0:23:52.440 --> 0:23:56.360
<v Speaker 1>I agree with that, you know, I don't.

0:23:56.320 --> 0:23:59.080
<v Speaker 2>Even with the new I haven't heard the new young lady.

0:23:59.119 --> 0:24:01.359
<v Speaker 2>I think Alicia. I've never heard her say anything.

0:24:01.480 --> 0:24:03.840
<v Speaker 1>Well, she's doing the Beyonce a Mute challenge and have

0:24:03.880 --> 0:24:05.200
<v Speaker 1>been doing it for two months.

0:24:05.280 --> 0:24:07.520
<v Speaker 2>It's too like, I don't get are they cutting it

0:24:07.520 --> 0:24:08.040
<v Speaker 2>out or.

0:24:08.000 --> 0:24:10.240
<v Speaker 1>Is she just not I think she's holding her breath.

0:24:10.760 --> 0:24:11.679
<v Speaker 2>I don't think so.

0:24:12.280 --> 0:24:12.719
<v Speaker 1>I don't know.

0:24:12.760 --> 0:24:15.080
<v Speaker 3>It has to be saying like they have to be

0:24:15.240 --> 0:24:17.280
<v Speaker 3>editing out. There's no way she could be in all

0:24:17.320 --> 0:24:18.200
<v Speaker 3>those scenes and not saying.

0:24:18.359 --> 0:24:20.680
<v Speaker 1>Let me tell you, she's a beautiful girl.

0:24:20.920 --> 0:24:24.320
<v Speaker 2>She's like a younger version of Jackie. To me, y'all

0:24:24.320 --> 0:24:24.920
<v Speaker 2>don't see that.

0:24:26.160 --> 0:24:27.800
<v Speaker 1>I look again, because I don't see her.

0:24:28.320 --> 0:24:32.159
<v Speaker 2>Takeingized brown like, yeah, the looks okay.

0:24:32.480 --> 0:24:35.240
<v Speaker 3>I can tell you why they casted her, why she's

0:24:35.280 --> 0:24:38.680
<v Speaker 3>the younger version of Jackie. But she probably has another side.

0:24:38.720 --> 0:24:42.200
<v Speaker 3>She probably has another side that they haven't shown yet.

0:24:42.200 --> 0:24:44.720
<v Speaker 2>I don't know why.

0:24:44.960 --> 0:24:47.600
<v Speaker 1>That's interesting. She's a younger version of Jackie.

0:24:47.760 --> 0:24:49.600
<v Speaker 2>Guarantee you, but she has another side.

0:24:49.840 --> 0:24:53.800
<v Speaker 1>Is it time for some of the ogs to be removed?

0:24:53.840 --> 0:24:59.359
<v Speaker 3>Absolutely? Absolutely. I think that they've gotten very complacent. I

0:24:59.400 --> 0:25:04.440
<v Speaker 3>think that that, just like medicine, the shows have to evolve,

0:25:05.240 --> 0:25:08.640
<v Speaker 3>and it's not evolving. It's not And then even when

0:25:08.640 --> 0:25:12.080
<v Speaker 3>they bring on new people, they stunt their growth. They

0:25:12.200 --> 0:25:15.840
<v Speaker 3>won't allow them to prosper at all.

0:25:15.960 --> 0:25:17.880
<v Speaker 2>They block them. And I don't understand.

0:25:17.520 --> 0:25:20.320
<v Speaker 3>It could be I'm telling you, it could be a

0:25:20.720 --> 0:25:23.160
<v Speaker 3>It is a good show, but it would be an

0:25:23.240 --> 0:25:27.240
<v Speaker 3>amazing show if they the producers just take their hand

0:25:27.280 --> 0:25:31.000
<v Speaker 3>out of it and just let them ladies leave, Let

0:25:31.280 --> 0:25:33.199
<v Speaker 3>like for real, just let it happen.

0:25:33.760 --> 0:25:36.600
<v Speaker 2>It's a group of good women. And if you.

0:25:36.720 --> 0:25:39.439
<v Speaker 3>Really just let it happen the way it's supposed to,

0:25:39.960 --> 0:25:42.560
<v Speaker 3>not tell people who to be friends with, who to

0:25:42.600 --> 0:25:45.080
<v Speaker 3>ice out, then I think that things will happen the

0:25:45.119 --> 0:25:46.040
<v Speaker 3>way they're supposed to.

0:25:47.280 --> 0:25:49.280
<v Speaker 1>We want you back on television, and by we I

0:25:49.320 --> 0:25:51.760
<v Speaker 1>mean me and the world. I'm included.

0:25:53.359 --> 0:25:59.320
<v Speaker 2>I'm ready, I'm ready. Are they ready for me? For me? Well?

0:25:59.320 --> 0:26:01.760
<v Speaker 2>What on some okay? Ass is ready for me? Who

0:26:01.800 --> 0:26:02.399
<v Speaker 2>could take me.

0:26:03.160 --> 0:26:05.160
<v Speaker 1>Would you would you do an ensemble show?

0:26:06.040 --> 0:26:07.240
<v Speaker 2>What an ensemble do me?

0:26:09.560 --> 0:26:11.919
<v Speaker 1>I'm not getting what unsemble do me?

0:26:12.760 --> 0:26:14.560
<v Speaker 3>I don't know if I can get in line with

0:26:14.600 --> 0:26:16.680
<v Speaker 3>the group of girls, orf they gonna line up next

0:26:16.720 --> 0:26:19.280
<v Speaker 3>to me because I'm not gonna dumb it down anymore.

0:26:19.320 --> 0:26:23.480
<v Speaker 3>I'm not going to I'm not getting attention anymore. I mean,

0:26:23.520 --> 0:26:25.040
<v Speaker 3>I feel like I was nice and sweet and that

0:26:25.040 --> 0:26:27.119
<v Speaker 3>didn't work out. I feel like I was let the

0:26:27.160 --> 0:26:29.440
<v Speaker 3>librougs I was trying to do and then look they

0:26:29.480 --> 0:26:31.600
<v Speaker 3>still hate it and they pushed.

0:26:31.320 --> 0:26:34.240
<v Speaker 2>A bitch out. So this the next time around. Yes,

0:26:34.280 --> 0:26:34.880
<v Speaker 2>I'll do it.

0:26:35.359 --> 0:26:38.320
<v Speaker 3>I'll do it ensemble. Now how long it would be ensemble?

0:26:38.359 --> 0:26:39.600
<v Speaker 3>I don't know, but I would.

0:26:40.000 --> 0:26:42.240
<v Speaker 2>I love TV. I was born to do it.

0:26:42.359 --> 0:26:46.400
<v Speaker 1>You listen. I always say there's certain people who were

0:26:47.160 --> 0:26:50.080
<v Speaker 1>in my opinion, you know, like there's certain people who

0:26:50.080 --> 0:26:51.960
<v Speaker 1>are born to be a doctor. They were born to

0:26:52.000 --> 0:26:56.080
<v Speaker 1>be an athlete. You were born to be a reality star.

0:26:56.280 --> 0:26:57.320
<v Speaker 2>Oh a reality sung.

0:26:57.400 --> 0:26:58.720
<v Speaker 1>I know I'm gonna tell you no, no no no no

0:26:58.800 --> 0:27:00.520
<v Speaker 1>no no no no no.

0:27:00.680 --> 0:27:02.679
<v Speaker 2>You can have That's like me saying you're born to

0:27:02.680 --> 0:27:03.320
<v Speaker 2>be a blogger.

0:27:03.400 --> 0:27:05.000
<v Speaker 3>Let me get you.

0:27:10.080 --> 0:27:16.280
<v Speaker 1>It's not even shame you mean this? Always tell people reality.

0:27:16.359 --> 0:27:19.800
<v Speaker 1>I'm going to redefine when reality started me? Is the

0:27:19.800 --> 0:27:24.560
<v Speaker 1>reality of your life? Is reality unscripted things? That's what

0:27:24.600 --> 0:27:26.080
<v Speaker 1>I meant, just like I.

0:27:26.000 --> 0:27:27.000
<v Speaker 2>Was born to entertain.

0:27:27.240 --> 0:27:29.919
<v Speaker 1>Oh you're entertaining, but you are meant to be on

0:27:30.000 --> 0:27:34.040
<v Speaker 1>reality television and make a mass millions off of that

0:27:34.119 --> 0:27:35.520
<v Speaker 1>and multiple streats of income.

0:27:36.000 --> 0:27:38.080
<v Speaker 3>Right. You know the funny part you're saying that is

0:27:38.119 --> 0:27:40.439
<v Speaker 3>I never felt like that. You know what I felt like.

0:27:40.560 --> 0:27:42.479
<v Speaker 3>I feel like my gift is and this is what

0:27:42.520 --> 0:27:45.120
<v Speaker 3>people don't get why I was never jealous of any

0:27:45.160 --> 0:27:45.960
<v Speaker 3>of those ladies.

0:27:46.480 --> 0:27:49.199
<v Speaker 2>My gift is bringing the best out of other people,

0:27:49.480 --> 0:27:50.480
<v Speaker 2>making other people.

0:27:50.600 --> 0:27:51.119
<v Speaker 1>I can see that.

0:27:51.440 --> 0:27:54.560
<v Speaker 2>But in that I lost myself, like I forgot to.

0:27:56.080 --> 0:27:58.320
<v Speaker 1>I don't know too many people who could come out

0:27:58.359 --> 0:28:03.600
<v Speaker 1>and say, pressure, watch this motherfucker nasty as that's my point.

0:28:03.680 --> 0:28:06.760
<v Speaker 1>I wasn't even try but listen to me, that's my point.

0:28:06.840 --> 0:28:11.000
<v Speaker 2>I felt like that. I know it was dirty ship.

0:28:11.119 --> 0:28:15.359
<v Speaker 2>Well look she I'm painted it now. I like the white.

0:28:15.359 --> 0:28:18.840
<v Speaker 3>I ventured the pressure wash it every other week.

0:28:19.240 --> 0:28:22.600
<v Speaker 1>No, I know with some I just know it's started.

0:28:22.600 --> 0:28:24.760
<v Speaker 1>I see one and when they're being real. When you

0:28:24.800 --> 0:28:29.000
<v Speaker 1>said pressure washes, motherfucker, we all contaminated. We something said,

0:28:29.520 --> 0:28:34.960
<v Speaker 1>and then you have these you have these moments that

0:28:35.320 --> 0:28:40.320
<v Speaker 1>are you can't make them up. You are meant to

0:28:40.360 --> 0:28:43.400
<v Speaker 1>be on television. Do you have anything in the words?

0:28:43.440 --> 0:28:43.880
<v Speaker 1>Are you?

0:28:44.240 --> 0:28:44.440
<v Speaker 2>I do?

0:28:46.040 --> 0:28:48.080
<v Speaker 3>But I don't know if you're gonna like it. I

0:28:48.120 --> 0:28:49.680
<v Speaker 3>have a you know, I have a talk show coming.

0:28:49.760 --> 0:28:52.960
<v Speaker 3>It's called The Glow Up in heavy negotiations. We filmed

0:28:53.040 --> 0:28:58.320
<v Speaker 3>three episodes here e sleek, full studio audience, and I

0:28:58.360 --> 0:29:02.400
<v Speaker 3>am so excited about it. But it's not the Mariah

0:29:02.480 --> 0:29:04.720
<v Speaker 3>that you've seen in the reality way.

0:29:05.200 --> 0:29:07.160
<v Speaker 2>You know, It's still me, my personality.

0:29:07.280 --> 0:29:10.040
<v Speaker 3>It's you know it, And it's the other side of

0:29:10.120 --> 0:29:14.520
<v Speaker 3>me that loves entrepreneurship and recognizing so many minorities like

0:29:14.560 --> 0:29:17.240
<v Speaker 3>you and I that had to work so hard for

0:29:17.240 --> 0:29:19.280
<v Speaker 3>a seat at the table. And that's what this show

0:29:19.400 --> 0:29:19.840
<v Speaker 3>is about.

0:29:20.200 --> 0:29:21.680
<v Speaker 1>Congratulations, Yeah, how.

0:29:21.560 --> 0:29:22.880
<v Speaker 2>You got a seat at the table?

0:29:22.920 --> 0:29:25.560
<v Speaker 3>Telling your story how hard it is and not only

0:29:25.600 --> 0:29:27.040
<v Speaker 3>getting one, keeping one.

0:29:27.760 --> 0:29:29.000
<v Speaker 2>Nobody talks about that.

0:29:29.440 --> 0:29:35.680
<v Speaker 3>Yes, you reign supreme in reality TV, but keeping that spot, yeah,

0:29:35.760 --> 0:29:36.720
<v Speaker 3>it's so hard.

0:29:36.840 --> 0:29:38.720
<v Speaker 1>No, And people don't get it because I don't think

0:29:38.760 --> 0:29:41.680
<v Speaker 1>people know that it's hard to run a production company

0:29:42.160 --> 0:29:45.520
<v Speaker 1>full service. I am responsible for the crew, the editing,

0:29:45.720 --> 0:29:48.720
<v Speaker 1>and the cast, and all of this is a big

0:29:48.760 --> 0:29:50.560
<v Speaker 1>to do. I think people think I just said in

0:29:50.560 --> 0:29:53.400
<v Speaker 1>my clothes and read the girls and you don't and

0:29:53.520 --> 0:29:57.120
<v Speaker 1>eat some chickpea tuna like I Literally, it's a lot

0:29:57.120 --> 0:29:59.080
<v Speaker 1>of work to do. But that's the reason why I

0:29:59.160 --> 0:30:01.120
<v Speaker 1>think you are meant to be on a show that

0:30:01.320 --> 0:30:02.280
<v Speaker 1>focuses on that.

0:30:02.760 --> 0:30:04.280
<v Speaker 2>Well, why don't you create one for me?

0:30:04.320 --> 0:30:08.000
<v Speaker 1>Well, I know, would you be open to co creating

0:30:08.000 --> 0:30:08.440
<v Speaker 1>one with me?

0:30:08.680 --> 0:30:09.080
<v Speaker 2>I would?

0:30:09.760 --> 0:30:12.400
<v Speaker 3>I would, and I will let me tell you and.

0:30:12.360 --> 0:30:17.800
<v Speaker 2>I will work that mother, So yes, God, I would. Honey,

0:30:17.960 --> 0:30:22.400
<v Speaker 2>I'm ready for it. Ready, I am ready. I miss it.

0:30:22.680 --> 0:30:28.120
<v Speaker 3>I hate to say it.

0:30:26.200 --> 0:30:28.640
<v Speaker 2>Be doing, you know, I even know I am like,

0:30:28.680 --> 0:30:31.680
<v Speaker 2>I don't. Really I needed a moment. I'm gonna be honest.

0:30:31.720 --> 0:30:35.440
<v Speaker 2>I needed a moment because I wouldn't have been productive

0:30:35.480 --> 0:30:37.360
<v Speaker 2>for anybody. Like. I was angry.

0:30:37.960 --> 0:30:40.960
<v Speaker 3>I can say that I was angry for the way

0:30:41.200 --> 0:30:45.280
<v Speaker 3>things played out on Married to Medicine. I was very angry,

0:30:45.520 --> 0:30:46.920
<v Speaker 3>But you know what, so be it.

0:30:48.160 --> 0:30:48.720
<v Speaker 1>Mm hmmm.

0:30:49.240 --> 0:30:51.880
<v Speaker 2>So I'm I'm ready for the next step. I told

0:30:51.960 --> 0:30:55.040
<v Speaker 2>you what you gonna do? Love in medicine. I got

0:30:55.080 --> 0:30:58.280
<v Speaker 2>some girls in mine. What would be the perfect cast

0:30:58.280 --> 0:31:00.360
<v Speaker 2>for marriage to medicine. I'll tell you the perfect cast

0:31:00.400 --> 0:31:02.480
<v Speaker 2>for love and medicine.

0:31:02.080 --> 0:31:04.720
<v Speaker 1>Love and medicine, Atlanta.

0:31:04.960 --> 0:31:07.520
<v Speaker 2>Oh there you go. You already think a franchise?

0:31:08.400 --> 0:31:14.320
<v Speaker 3>Already, you already, and I got some girls. Mm hmmm,

0:31:14.440 --> 0:31:19.240
<v Speaker 3>I too, Yeah, I bet you won't be giving opinions

0:31:19.240 --> 0:31:21.400
<v Speaker 3>on merits and medicine for too much longer.

0:31:27.360 --> 0:31:30.600
<v Speaker 2>What you said. But you know why. I am so

0:31:30.640 --> 0:31:31.600
<v Speaker 2>proud of you.

0:31:31.840 --> 0:31:35.960
<v Speaker 3>I heard I heard Oprah give you a shout out

0:31:36.280 --> 0:31:37.640
<v Speaker 3>for your one hundred.

0:31:37.720 --> 0:31:39.640
<v Speaker 1>Yes episode The Love and Maritionsville.

0:31:39.680 --> 0:31:40.480
<v Speaker 2>How does that feel?

0:31:41.240 --> 0:31:46.600
<v Speaker 1>You know what it's. It's the combination of my hard work.

0:31:48.400 --> 0:31:51.040
<v Speaker 1>It's not it's not easy to do what we do.

0:31:51.720 --> 0:31:57.040
<v Speaker 1>I don't talk a lot about my difficulty being in

0:31:57.040 --> 0:31:59.640
<v Speaker 1>this business. I relate to you so much. I know

0:31:59.680 --> 0:32:01.880
<v Speaker 1>what it's like to be iced out. I know what

0:32:01.920 --> 0:32:04.720
<v Speaker 1>it's like to have a machine come against you. I

0:32:04.800 --> 0:32:08.640
<v Speaker 1>know what it's like when you surpassed people's expectations of you.

0:32:09.240 --> 0:32:13.920
<v Speaker 1>I know what it's like for I know what it's

0:32:13.920 --> 0:32:15.080
<v Speaker 1>like for people who look.

0:32:15.000 --> 0:32:20.440
<v Speaker 4>Like you, your own race turn on you because they're afraid

0:32:21.000 --> 0:32:27.760
<v Speaker 4>of they're afraid of going against the machine, and they

0:32:28.080 --> 0:32:31.880
<v Speaker 4>they now publicly despaired you. You know, they call you

0:32:31.960 --> 0:32:34.240
<v Speaker 4>out your name, they make up stories about you, they

0:32:34.240 --> 0:32:38.360
<v Speaker 4>tell you know, it's it's all because the only thing

0:32:38.480 --> 0:32:42.600
<v Speaker 4>I wanted to do was I just want to do more,

0:32:43.720 --> 0:32:46.840
<v Speaker 4>to be told you burned the bridge, to be told

0:32:47.280 --> 0:32:51.400
<v Speaker 4>that it's it's it's it's people don't understand it's it's

0:32:51.520 --> 0:32:53.160
<v Speaker 4>it's kept up, it's.

0:32:53.040 --> 0:32:56.480
<v Speaker 1>Stept up, and we're libras. And there's the moments of

0:32:56.880 --> 0:32:59.840
<v Speaker 1>I cried myself to sleep at nine medium nights because

0:32:59.840 --> 0:33:02.840
<v Speaker 1>I was like, the world thinks on this person when

0:33:03.000 --> 0:33:05.440
<v Speaker 1>if you ever meet me, you would say, he's like

0:33:05.480 --> 0:33:08.960
<v Speaker 1>the nicest, sweetest guy. He's funny and what ch'a don't

0:33:09.000 --> 0:33:12.440
<v Speaker 1>understand that he's doing. He's talking about you because he

0:33:12.600 --> 0:33:16.200
<v Speaker 1>cares and he knows that his voice is powerful. So

0:33:16.240 --> 0:33:18.200
<v Speaker 1>it's going to just put more money in your pocket.

0:33:18.680 --> 0:33:22.600
<v Speaker 1>But when you have somebody in your ear, what is

0:33:22.680 --> 0:33:25.239
<v Speaker 1>most hurtful for me is that the people who are

0:33:25.320 --> 0:33:30.600
<v Speaker 1>loved similar to you, who you gave opportunities to, they

0:33:30.720 --> 0:33:34.680
<v Speaker 1>turn against you because they know that there's people who

0:33:34.680 --> 0:33:37.760
<v Speaker 1>sign their checks, there's people who are the opposite race

0:33:37.800 --> 0:33:40.720
<v Speaker 1>of them, and they're afraid of them. There's a lot

0:33:40.720 --> 0:33:42.880
<v Speaker 1>of black people and unscripted who are afraid of going

0:33:42.920 --> 0:33:48.200
<v Speaker 1>against the white man so much because because because there's

0:33:48.240 --> 0:33:51.960
<v Speaker 1>a lot of people who believe white is right white.

0:33:53.160 --> 0:33:57.560
<v Speaker 1>And I am going through that as we speak. I'm

0:33:57.600 --> 0:33:59.240
<v Speaker 1>going through that as we speak.

0:33:59.280 --> 0:34:04.440
<v Speaker 3>And why we create such amazing content when we create

0:34:04.480 --> 0:34:07.240
<v Speaker 3>all of these things, if we have our own studios,

0:34:07.440 --> 0:34:11.719
<v Speaker 3>we have our they can't recreate what we do. They

0:34:11.760 --> 0:34:15.080
<v Speaker 3>can't duplicate it. And it's not about white or black.

0:34:15.160 --> 0:34:17.960
<v Speaker 3>But I'm saying, when you were born to do certain things, yeah,

0:34:18.000 --> 0:34:20.879
<v Speaker 3>and you create magic. We just have to know our

0:34:20.960 --> 0:34:24.480
<v Speaker 3>power because it's getting to a point with social media.

0:34:24.600 --> 0:34:28.920
<v Speaker 2>Do we need certain things? No, you do it ourselves.

0:34:29.320 --> 0:34:34.640
<v Speaker 1>But you've shown that, You've shown building this impot that

0:34:34.760 --> 0:34:37.839
<v Speaker 1>you have. And that's the reason why when I reached

0:34:37.880 --> 0:34:40.200
<v Speaker 1>out to you, I said, listen, I could talk to

0:34:40.200 --> 0:34:42.799
<v Speaker 1>you all their long, child, but I need to use

0:34:42.880 --> 0:34:46.160
<v Speaker 1>my platform. And I said, I want to get a tour.

0:34:46.280 --> 0:34:48.880
<v Speaker 1>I want the world to see what this black woman

0:34:48.960 --> 0:34:53.719
<v Speaker 1>has created in her silent times. I know what it's

0:34:53.800 --> 0:34:55.719
<v Speaker 1>like for God to hide you when I left in

0:34:55.760 --> 0:34:58.320
<v Speaker 1>Line of Housewives and I love at a time where

0:34:58.760 --> 0:35:03.600
<v Speaker 1>I was being attacked by a cast and some other people, right,

0:35:04.120 --> 0:35:05.879
<v Speaker 1>and I left shitting.

0:35:05.640 --> 0:35:06.080
<v Speaker 2>On your name.

0:35:06.200 --> 0:35:09.399
<v Speaker 1>Oh, and I moved to LA. I moved to LA

0:35:09.880 --> 0:35:12.240
<v Speaker 1>because I wanted more for myself and it was hurtful

0:35:12.239 --> 0:35:13.160
<v Speaker 1>and I cried.

0:35:13.040 --> 0:35:15.120
<v Speaker 2>Carlos, look at you now you're reigning.

0:35:15.320 --> 0:35:18.200
<v Speaker 3>Thank you. I am so proud of you, and I

0:35:18.440 --> 0:35:22.000
<v Speaker 3>mean that from the pits of my heart and you

0:35:22.239 --> 0:35:23.160
<v Speaker 3>when I look at you.

0:35:23.480 --> 0:35:24.920
<v Speaker 2>I see the possibilities.

0:35:25.000 --> 0:35:25.319
<v Speaker 1>Thank you.

0:35:25.440 --> 0:35:27.680
<v Speaker 2>I don't even want to go to social media and

0:35:27.719 --> 0:35:30.439
<v Speaker 2>I mean that, but I'll go to yours and say

0:35:30.480 --> 0:35:31.080
<v Speaker 2>I can do this.

0:35:31.680 --> 0:35:34.960
<v Speaker 3>Maybe I should just let's see what So know that

0:35:35.680 --> 0:35:38.759
<v Speaker 3>seeing you do it and what you can do, it

0:35:38.880 --> 0:35:42.960
<v Speaker 3>inspires and it uplifts and you put a little miss

0:35:43.040 --> 0:35:45.040
<v Speaker 3>into it. I mean, so be it. We're born to

0:35:45.080 --> 0:35:47.600
<v Speaker 3>do something. Yes, we like extra credit.

0:35:50.120 --> 0:35:50.600
<v Speaker 1>So much.

0:35:51.200 --> 0:35:53.319
<v Speaker 2>We were born to be seeing too much. So that's

0:35:53.360 --> 0:35:54.560
<v Speaker 2>what that's the greatness in it.

0:35:54.600 --> 0:35:57.439
<v Speaker 3>But I am so proud of you and to see

0:35:57.480 --> 0:36:03.960
<v Speaker 3>you continue to create and not just create shows, create jobs.

0:36:04.960 --> 0:36:06.640
<v Speaker 2>People don't get that part of it.

0:36:10.520 --> 0:36:13.439
<v Speaker 1>Thank you for listening to reality with the King New

0:36:13.520 --> 0:36:19.160
<v Speaker 1>episodes drop on Tuesdays and Thursdays. Share, comment, follow, and

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<v Speaker 1>subscribe to Reality with the King. Wherever you get your podcast,

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<v Speaker 1>visit Reality Withtheking dot com and be sure to follow

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<v Speaker 1>me at the Carlos King Underscore on Instagram, Twitter, TikTok

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<v Speaker 1>and Yes Baby, my YouTube channel where you could get

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<v Speaker 1>all of my visuals, baby, my expressions yet and don't

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<v Speaker 1>forget Tweet me your thoughts and hot takes about this

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<v Speaker 1>episode using the hashtag Reality with the King. Reality with

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<v Speaker 1>the King is a production of Kingdom Reign Entertainment. It

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<v Speaker 1>is produced by Sierra Spragley Rix An executive produced by Me,

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<v Speaker 1>Carlos King, King Dooming Entertainment, Baby