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Speaker 1: Hey, rain Drops. Yes, so I finally got merch. That's right.

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Speaker 1: You can buy your allegedly and my Boys mugs, T shirts,

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Speaker 1: rain Drops, hoodies and T shirts all on Carlos Kingshop

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Speaker 1: dot com. That's right. Get your hoodies, your T shirts,

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Speaker 1: and your mugs all on Carlos Kingshop dot com. Welc

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Speaker 1: up to Reality with the King. It's me Carlos kings

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Speaker 1: the King of Reality TV and one of the most

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Speaker 1: sought after executive producers in reality television with over ten

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Speaker 1: years a production experience. Twice a week on Reality with

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Speaker 1: the King, we'll sit down with my friends across the

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Speaker 1: entertainment industry, recap our favorite reality shows and revisit unforgettable

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Speaker 1: moments that we are still talking and tweeting about. Waters

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Speaker 1: I heard and I want to hear your opinions her.

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Speaker 1: The real villain on the show is doctor Jackie.

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Speaker 2: Absolutely as hucking lutey. Yeah she is, she is.

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Speaker 3: But if she's the real villain, then what does it

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Speaker 3: make the ladies are they? Is she geppetto and they're Pinocchio?

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Speaker 4: Like?

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Speaker 2: What does that make them?

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Speaker 3: They won't like, let's see what's gonna happen with all

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Speaker 3: of the reckoning that's happened with Jackie this season. Are

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Speaker 3: they gonna really show her, I mean, grasping her career,

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Speaker 3: her reputation, it's married to medicine.

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Speaker 2: This is she's dealing with a whole lot right now.

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Speaker 3: I mean, are they gonna really show that if she

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Speaker 3: comes back, or are they gonna all just Jackie do

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Speaker 3: these you know, great doctor you know apology letters or

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Speaker 3: I don't know, like, are they gonna really show what

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Speaker 3: she's going through and how she picked picks up the

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Speaker 3: pieces because that's what people need to see. Yes, she

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Speaker 3: is the real villain to me in what way? I

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Speaker 3: just think she's never She's just always been so horrible

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Speaker 3: to me.

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Speaker 2: I loved Jackie.

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Speaker 3: I've always loved her, looked up to her, and I

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Speaker 3: thought it was my fault. And we talked about this

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Speaker 3: one time at a reunion. She said, it's not my

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Speaker 3: fault that you looked up to me. You did that,

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Speaker 3: and she was right. She just never cared for me.

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Speaker 3: The first time she came in my house, she didn't

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Speaker 3: even speak to me.

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Speaker 2: Go back to season one, she just from day one

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Speaker 2: she did not care for me. She was really rude.

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Speaker 3: I thought she didn't you know how some older people,

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Speaker 3: my mom would say this to me, some older women

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Speaker 3: don't respect younger successful women or something. I don't know.

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Speaker 3: I don't really know what it is. I don't know

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Speaker 3: if it's you know, I just assumed it was something

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Speaker 3: she was dealing with in her own life. But I

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Speaker 3: know how she feels about the other women because how

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Speaker 3: she treated me, and it slowly but surely kind of

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Speaker 3: seeps through if you just really watch.

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Speaker 2: Yeah.

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Speaker 1: So, when she was going through this controversy in regards

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Speaker 1: to her comments on Heavenly's YouTube channel, what were your

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Speaker 1: thoughts about that?

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Speaker 2: Why was it on heav Ofless YouTube channel?

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Speaker 3: Why was it on Heavenless YouTube channel?

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Speaker 2: Was my thoughts? I thought, Oh, she is the wild god.

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Speaker 3: She is definitely I thought, why was it on Heavenly's

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Speaker 3: YouTube channel? That was my first thought. Suppose to her

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Speaker 3: best friend? That was my first thought. My heart went

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Speaker 3: out to her yet again that lebershit it did, because

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Speaker 3: I know she holds her reputation in very high regard,

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Speaker 3: but she's human.

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Speaker 2: And that's real. But I think she needs to face

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Speaker 2: the music.

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Speaker 3: This is how you make people feel. What are you

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Speaker 3: gonna do about it? And my next thought was fire

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Speaker 3: your whole PR team because honestly, like they hate people

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Speaker 3: like me.

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Speaker 2: But I would have said, Jackie, just tell people the truth.

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Speaker 2: You messed up. Why would you go on there.

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Speaker 3: First of all, you doubled down and said, you know

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Speaker 3: it was misconstrued.

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Speaker 2: You know it was a two hour video. It's misconstrued.

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Speaker 3: Then you turned around and did an apology and that

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Speaker 3: you read from a script. Just get on there and

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Speaker 3: be honest, be your authentic self, because the truth of

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Speaker 3: the matter, she's not God.

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Speaker 2: They make mistakes.

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Speaker 3: But if you keep making the same mistakes over and

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Speaker 3: over again, maybe you've created a culture. Maybe this is

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Speaker 3: who you is. Maybe you need to step back and

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Speaker 3: reevaluate how you treat people and how you treat your patients.

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Speaker 3: I would say the same thing to Aiden exactly, and

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Speaker 3: I felt like that's the issue.

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Speaker 2: There's nobody.

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Speaker 3: Probably she has a friend though that I would have

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Speaker 3: thought would have told her she got a judge tyranny

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Speaker 3: that it's real kind of like me, Like I like her.

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Speaker 2: So I was shocked.

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Speaker 3: Like when she did that apology, it was just eh,

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Speaker 3: it was cringey because it.

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Speaker 2: Was a lot of people hurt.

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Speaker 3: I do know she cares about her career and what

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Speaker 3: she does, and she loves what she does. I'll give

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Speaker 3: her that. I'm gonna do more than what they've done

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Speaker 3: for me. She loves delivering babies.

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Speaker 1: Yeah, No, she loves her career. And I've said this

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Speaker 1: publicly too, that my mom died of breast cancer and

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Speaker 1: when she was suffering, I called doctor Jackie and we

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Speaker 1: spoke for an hour, and she gave me the greatest advice. Obviously,

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Speaker 1: at that time it was too late for my mother,

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Speaker 1: she had stage four, but I've always gone on record

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Speaker 1: saying that she definitely helped me through that process and

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Speaker 1: gave me some great advice because I do know she

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Speaker 1: loves her career and she is great at what she does.

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Speaker 1: So I also wanted to make that clear too. When

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Speaker 1: it comes to the show. Do you feel like they

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Speaker 1: protect her?

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Speaker 2: They do? They do.

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Speaker 3: Like what's going on with her marriage right now, Like

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Speaker 3: this is married to medicine, and a lot of the

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Speaker 3: story of this show is how hard it is for

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Speaker 3: the husbands that are married to these successful black doctors.

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Speaker 3: Let's talk about it because the world sometimes sometimes minimizes

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Speaker 3: black men as coaches like doctor Curtis, as successful marketing reps.

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Speaker 2: Like Samone's husband Cecil.

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Speaker 3: Like, we don't see how as successful as they are,

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Speaker 3: it's not enough for the world sometimes, so I think

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Speaker 3: seeing that is important and.

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Speaker 2: Why hide it? If it was Toya, they.

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Speaker 3: Wouldn't hide it, Baby, if it was me, they wouldn't

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Speaker 3: hide it.

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Speaker 2: Why hide that? Like? It's real. It's why you're on

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Speaker 2: a show.

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Speaker 3: You can't just show the bits and pieces that work

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Speaker 3: for you.

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Speaker 2: You have to show the real shit.

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Speaker 3: And I would say that to them and it honestly,

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Speaker 3: it humanizes it. Lets you see we all are more

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Speaker 3: alike than different. Honestly, we all deal with a lot

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Speaker 3: of the same issues.

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Speaker 1: What are your thoughts on Toya?

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Speaker 3: Honestly, I think Toya is at a m passy I do.

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Speaker 3: I think she needs something for her. I think she

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Speaker 3: needs something for her. And I'm not saying raising her

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Speaker 3: kids isn't enough, being a wife isn't enough. I'm not

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Speaker 3: saying that, but she needs something for her. So when

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Speaker 3: I heard that she was doing the wine, I was really.

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Speaker 2: Happy for her.

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Speaker 3: I hope that that suffices and you know, feels whatever

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Speaker 3: void she has. But I think, honestly, Toya is probably

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Speaker 3: the most real of all the ladies. Yes, I do

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Speaker 3: I think love or hate her. For me as a producer,

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Speaker 3: she was the epitome of a doctor's wife, love a hater.

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Speaker 2: Every doctor and nurse told me go and meet Toya Harris.

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Speaker 3: That's the only person that I did not know that

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Speaker 3: everybody told me to cast. Toya was the person that

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Speaker 3: every nurse and doctor said, do you know Toya Harris?

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Speaker 2: Toya and Eugene Harris.

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Speaker 3: So for me, she was She is a major part

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Speaker 3: of married to medicine.

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Speaker 2: She is love her, love her or hate her.

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Speaker 3: That's a lot of what medicine looks like with a

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Speaker 3: lot of the wives. That wasn't my life, but I

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Speaker 3: respect it because it's.

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Speaker 1: Hers, It's I was just about to say that it's different,

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Speaker 1: and we got a chance to see the difference.

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Speaker 2: Toya reminds you know, what do you think of Toy.

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Speaker 1: I'm gonna tell you, and I'm being very honest with you.

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Speaker 1: Toya is from Detroit. I'm from Detroit. Toya reminds me

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Speaker 1: of my mom in some ways. So when you said

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Speaker 1: she needs something for her, my mother ten kids, same

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Speaker 1: man husband, and my daddy was a housewife her entire life.

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Speaker 1: The reason why I was sad, I mean not. I

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Speaker 1: was sad as a teenage boy from my mom because

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Speaker 1: I felt like she wants more, but she knows it

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Speaker 1: may come at the cost and the price of her marriage.

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Speaker 1: She knew that. And and and as a I'm a

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Speaker 1: mom's boy, huntings, I'm a liber I love my mom child,

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Speaker 1: So yeah, I'm sure he adoes.

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Speaker 3: Yes.

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Speaker 1: My mom was like, who do you my best friend?

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Speaker 1: Right when I see Toya. Because I was asked this

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Speaker 1: past Monday, does Toya love Eugene? I said, I believe

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Speaker 1: she does, absolutely, and I believe she's grateful for Eugene.

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Speaker 1: I said. When I look at Toya, she reminds me

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Speaker 1: of my mother's generation of women from Detroit who gave

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Speaker 1: everything to their husband and the kids. And when I

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Speaker 1: look at Toya and her honesty about her marriage, I

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Speaker 1: do believe in my opinion, and this is no disrespect

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Speaker 1: to Toya or Eugenie, who I love. I love the

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Speaker 1: both of them. I think Toya wants something. I'm not

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Speaker 1: saying she wants divorce or a new man. When I

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Speaker 1: look at Toya, I look at a woman who wants

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Speaker 1: something else besides what her reality is at the moment.

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Speaker 1: I think she's great television. I think she's real to

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Speaker 1: a fault. I think Toya is like that's how I feel.

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Speaker 1: I may get read by the comments I don't give

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Speaker 1: her that's how I feel. But I definitely think she

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Speaker 1: is one of the examples of your creation of this show.

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Speaker 1: And I think she I think she lives the life

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Speaker 1: for the cameras. I'm too much. I'm shocked.

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Speaker 3: I'm gonna tell you the story about toy too much almost.

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Speaker 2: I remember telling the women.

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Speaker 3: I remember I remember getting all these all the women

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Speaker 3: together and say, hey, I want to meet I think

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Speaker 3: we met it. The South African restaurant is ten degrees.

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Speaker 2: South or something.

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Speaker 1: Oh yeah, yeah, yeah, I got.

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Speaker 3: All the women together. And this is when I want

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Speaker 3: to have the most Favorite Nations. It's going into second season.

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Speaker 3: Like listen, they're gonna try to divide us. They want

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Speaker 3: to do divide and conquer, So we got to be

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Speaker 3: a step ahead.

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Speaker 2: This is what we need to do.

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Speaker 3: Let's do this most favorite nations so they can't divide us.

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Speaker 3: This is the you know, integral castle, like, this is

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Speaker 3: what it is. This is what we're gonna do.

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Speaker 1: And just so you know, Niemi Kim and Charade did

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Speaker 1: that going to season.

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Speaker 2: Two, smart switch.

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Speaker 1: I want you to know that that is good.

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Speaker 2: Yeah. I went and I told all the women.

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Speaker 3: Get together, Jackie, all of us. Toya went to the

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Speaker 3: other producers and said, Mariah is trying to get us.

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Speaker 2: Toya snitched on me.

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Speaker 3: I'm trying to help us, like I'm trying to help

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Speaker 3: with them, really, because I know I was gonna get

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Speaker 3: my coin.

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Speaker 2: I keeping it real with you. I knew I was gonna.

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Speaker 3: Get paid, yeah, but I wanted it. I knew that

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Speaker 3: they were going to start playing us who's the star,

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Speaker 3: who's not the star? So in order to just lock

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Speaker 3: everything in and everybody be on the same court, and

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Speaker 3: I knew they couldn't play us against each other with money,

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Speaker 3: you know what I mean, or the budget. If you

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Speaker 3: just lock in, do that most favorite nations. Toya went

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Speaker 3: told them so to your You're right. She does it

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Speaker 3: to a fault almost, and I think she means well,

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Speaker 3: but it comes off the wrong way at the wrong time.

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Speaker 2: Sometimes. She was the only person.

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Speaker 3: I think her and Eugenie were the only people that

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Speaker 3: kind of stepped up for me when she was the

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Speaker 3: person that suggested, honestly, I mean, this might have came

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Speaker 3: from the producers by way of her, I don't know.

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Speaker 3: She was the person that said you should go and

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Speaker 3: do the hair test with the drug stuff and yeah,

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Speaker 3: and found the place for me to go that was Toya.

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Speaker 2: And I was like, I don't really listening to Toyas, but.

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Speaker 3: I did, so, you know, I have a respect for her,

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Speaker 3: you know, in that regard because I think it comes

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Speaker 3: from a good place. But I also feel like sometimes

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Speaker 3: she just doesn't listen.

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Speaker 1: Do you guys still talk?

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Speaker 3: No, I don't talk to any of them. The last

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Speaker 3: person I talked to and it wasn't talk, it was

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Speaker 3: a text, was Quad and it was because she lost

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Speaker 3: a family member and I just sent my condolences.

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Speaker 1: Did she respond to you?

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Speaker 2: Yeah, okay, And I think she was happy to receive

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Speaker 2: the message. Yeah. I just at least you could do,

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Speaker 2: you know.

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Speaker 1: Yeah. What are your thoughts on Sweet Tea.

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Speaker 3: I don't really know her, honestly, I just I hope

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Speaker 3: she has a fair chance. I feel I really feel

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Speaker 3: like I think Heavenly is going from the snippets I've

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Speaker 3: seen from your show and just kind of what I've

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Speaker 3: seen on social media, I think Heavenly is going too

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Speaker 3: hard on her and her Man I don't understand why

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Speaker 3: she's so caught up.

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Speaker 2: If she can have babies. If she can, she didn't

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Speaker 2: do it. That's why Qua I didn't have a baby

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Speaker 2: with Doctor G.

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Speaker 3: Why didn't she do I don't think I think that

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Speaker 3: is double standards.

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Speaker 1: Do you think it's hazing the new girl.

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Speaker 2: I think it was.

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Speaker 3: I would call it hazing if I thought she was

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Speaker 3: gonna make the line. I think they do more things

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Speaker 3: to block you out and shut you out. So I

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Speaker 3: think that she's shutting Sweet Tea out versus giving her

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Speaker 3: a chance.

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Speaker 2: I don't know.

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Speaker 3: If the girl got a big person out, I don't know.

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Speaker 3: And maybe she's trying to make herself up.

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Speaker 2: I don't really know what the goal is.

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Speaker 3: But I think you have to give people a chance

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Speaker 3: because the first season you go on you don't really

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Speaker 3: know who you are. You know who you are, but

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Speaker 3: not on TV, like just it's just different. When you

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Speaker 3: see yourself, you're like, oh god, I mean I had

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Speaker 3: blue eye shadow up to like blue and yellow eye

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Speaker 3: shuddle up to my head, like you know, you just

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Speaker 3: just see yourself. When you see yourself, it's like wow.

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Speaker 3: So I think they just got to give people a chance.

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Speaker 3: I don't think they give a lot of these ladies

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Speaker 3: a real chance.

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Speaker 2: And that's the issue I have. See what she can become?

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Speaker 3: Mm hmm, Like, why are you poking this girl? She

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Speaker 3: really truly just is a newlywed. Marriage is hard enough

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Speaker 3: and heavily doesn't have room to speak on anybody's marriage

295
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Speaker 3: at all.

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Speaker 2: Why no marriage is perfect? I spoke on mine.

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Speaker 3: I was warming enough to speak on mine and the

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Speaker 3: issues we've had in it's some of the issues we've

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Speaker 3: had in it, because there's no perfect relationship, but heavens

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Speaker 3: ain't perfect either.

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Speaker 1: Do you still have the receipts and the invoices?

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Speaker 2: Absolutely?

303
00:15:33,560 --> 00:15:37,720
Speaker 3: But it's not my place to keep a journal on

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Speaker 3: anybody else's husband because I got one on my own

305
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Speaker 3: and I'm just not trying to do that. I don't

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Speaker 3: put shit past nobody, her husband, my husband. I ain't

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Speaker 3: following no husbands. That ain't what the show.

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Speaker 2: Was created for, right, you give it. I just did

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Speaker 2: not want to get into that. I really didn't.

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Speaker 3: And then Aiden is a liber too, and he's like,

311
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Speaker 3: he can't do it, you can't, And I.

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Speaker 2: Start saying, well, what you got to had? Why do

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Speaker 2: you say?

314
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Speaker 1: Why? I'm I don't put at all, even if you

315
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Speaker 1: go to the gas station at least once a day.

316
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Speaker 3: Black brown, baby white, it's about that.

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Speaker 1: Talk to me about your thoughts about Phaedra joining Mary

318
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Speaker 1: to medicine.

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Speaker 3: I didn't understand the correlation. You know, it really to me,

320
00:16:29,400 --> 00:16:32,720
Speaker 3: same thing I said, it's quiet. I think Fader deserves

321
00:16:32,720 --> 00:16:36,240
Speaker 3: her own show spin off, like she's in law. I

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00:16:36,440 --> 00:16:40,480
Speaker 3: think that she has proven that she's a big character

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Speaker 3: and she's entertaining. So I don't want to make it

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Speaker 3: seem like I'm being shady, because I'm not. I just

325
00:16:46,800 --> 00:16:49,840
Speaker 3: didn't see the correlation with her when married to medicine

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Speaker 3: unless she had a male practice suit and it was

327
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Speaker 3: referencesenting one of the women.

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Speaker 2: I just didn't get it. I don't get it.

329
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Speaker 3: And I think, honestly, Fader was there for a check.

330
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Speaker 3: She's cute and sitting up and she was perched. She

331
00:17:03,760 --> 00:17:07,600
Speaker 3: wasn't at work. She was at a collectical coin and

332
00:17:07,640 --> 00:17:09,960
Speaker 3: it was obvious. You didn't see that as a producer.

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00:17:10,320 --> 00:17:12,400
Speaker 1: I listen, was she there to work?

334
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Speaker 2: Or was she there?

335
00:17:14,160 --> 00:17:16,960
Speaker 1: But this is the thing about me, was she there

336
00:17:17,040 --> 00:17:20,840
Speaker 1: to work or collect I said it on my Monday. No,

337
00:17:21,240 --> 00:17:24,040
Speaker 1: I'm the one listen what thing about me. That's why

338
00:17:24,920 --> 00:17:28,520
Speaker 1: it bothers me when people want to talk about me,

339
00:17:28,680 --> 00:17:31,600
Speaker 1: called me out, my name, messy whatever. Why are you

340
00:17:31,680 --> 00:17:35,399
Speaker 1: mad at me for commenting on what you're showing on

341
00:17:35,440 --> 00:17:38,040
Speaker 1: a show you signed up to be on the show.

342
00:17:38,520 --> 00:17:41,239
Speaker 1: I signed up to do these YouTube and podcasts so

343
00:17:41,400 --> 00:17:43,320
Speaker 1: I know that I'll get read for PHILP. I don't

344
00:17:43,359 --> 00:17:45,800
Speaker 1: care what y'all think about me when it comes to

345
00:17:45,920 --> 00:17:50,600
Speaker 1: Theedra who I worked with Atlanta Housewives, great television, funny

346
00:17:50,600 --> 00:17:54,760
Speaker 1: as a wit, whims the call, you know, pomp to circumstance,

347
00:17:54,800 --> 00:17:58,960
Speaker 1: all those things. When it came to a maritime medicine, predictable, unpredictable,

348
00:18:00,119 --> 00:18:03,080
Speaker 1: the justaposition between being a Christian and a city girl.

349
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Speaker 3: Right.

350
00:18:04,640 --> 00:18:07,600
Speaker 1: I love that. We love it and she leans into it,

351
00:18:07,640 --> 00:18:12,520
Speaker 1: which makes it more funny because you know what she's doing. Yeah, yeah,

352
00:18:12,680 --> 00:18:15,679
Speaker 1: you know the whole like Willie Watkin's funeral home, Like

353
00:18:15,760 --> 00:18:18,919
Speaker 1: she understands the assignment. I've always said that she does.

354
00:18:19,600 --> 00:18:21,360
Speaker 1: First episode, I was like, it was good to see

355
00:18:21,400 --> 00:18:24,760
Speaker 1: her back on television because she's great TV. After episode one,

356
00:18:25,240 --> 00:18:28,160
Speaker 1: I said this public and I'll say it again. It

357
00:18:28,200 --> 00:18:34,840
Speaker 1: is anti climactic. She has brought nothing to this season.

358
00:18:35,600 --> 00:18:40,159
Speaker 1: She's a disappointment. She is there for the paycheck. And

359
00:18:40,160 --> 00:18:44,320
Speaker 1: what makes it more infuriating to me, you girls have

360
00:18:44,440 --> 00:18:49,199
Speaker 1: been there for ten seasons and you are going to

361
00:18:49,400 --> 00:18:52,840
Speaker 1: war with the people you started with, from you to Quad,

362
00:18:54,000 --> 00:18:57,720
Speaker 1: and I know that it's different wars, right, Yeah, y'all

363
00:18:57,800 --> 00:19:01,080
Speaker 1: let her get by so easily, y'all. Some of y'all

364
00:19:01,119 --> 00:19:04,560
Speaker 1: look like fans. Some of y'all are starstruck.

365
00:19:04,840 --> 00:19:07,840
Speaker 3: Do you think that maybe we had too much of

366
00:19:07,880 --> 00:19:09,800
Speaker 3: an expectation of phasia?

367
00:19:10,200 --> 00:19:11,960
Speaker 1: Well, this is the thing, Number one, I call it

368
00:19:12,080 --> 00:19:17,400
Speaker 1: stunt casting. Stunt casting is when you bring somebody who

369
00:19:17,400 --> 00:19:21,600
Speaker 1: has a familiar name and fan base and use them

370
00:19:21,640 --> 00:19:22,960
Speaker 1: to get eyeballs to the show.

371
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Speaker 3: Right.

372
00:19:24,720 --> 00:19:29,280
Speaker 1: If she was really dating a doctor, then go Off says,

373
00:19:29,960 --> 00:19:32,240
Speaker 1: is the luck of the draw, the reality God said,

374
00:19:32,600 --> 00:19:39,760
Speaker 1: girl got something for you, Right, no doctor, no relationship.

375
00:19:40,520 --> 00:19:44,840
Speaker 1: I don't see Apollo. I'm not seeing you do anything.

376
00:19:45,480 --> 00:19:48,439
Speaker 1: But what bothers me the most is these girls are

377
00:19:48,480 --> 00:19:53,439
Speaker 1: so opinionated, and some of them come across as fans, and.

378
00:19:53,840 --> 00:19:56,520
Speaker 2: Let's have they given their opinion.

379
00:19:56,119 --> 00:20:03,120
Speaker 1: On no Faje walks around there. I was shocked, shocked

380
00:20:03,680 --> 00:20:09,280
Speaker 1: that at Latoya's wine event when they were all at

381
00:20:09,280 --> 00:20:12,240
Speaker 1: the table and Quad, now I'm not Quad. Phaedria has

382
00:20:12,240 --> 00:20:15,199
Speaker 1: now admitted that she did switch her flight so that

383
00:20:15,240 --> 00:20:17,600
Speaker 1: she won't be on the same flight as Quad, because

384
00:20:17,640 --> 00:20:20,680
Speaker 1: what I now understand about the environment of Meritan medicine

385
00:20:20,840 --> 00:20:24,640
Speaker 1: is it's Sinkle swim. It's like it's Sinkle swim, right,

386
00:20:25,320 --> 00:20:29,480
Speaker 1: So she knew that if I'm around you, these other

387
00:20:29,520 --> 00:20:32,320
Speaker 1: girls won't mess with me. So when Pedro was at

388
00:20:32,320 --> 00:20:34,960
Speaker 1: that dinner table with her rear leather jacket and blonde tresses,

389
00:20:35,960 --> 00:20:38,720
Speaker 1: and these girls are coming for Quad, y'all came on

390
00:20:38,760 --> 00:20:42,080
Speaker 1: the show together. You knew you know Quah better than

391
00:20:42,080 --> 00:20:45,440
Speaker 1: the rest of these girls. You sat there and didn't

392
00:20:45,480 --> 00:20:48,480
Speaker 1: utter a word in the fence of her and all

393
00:20:48,520 --> 00:20:51,960
Speaker 1: of these girls because they were gas lit by whomever,

394
00:20:53,400 --> 00:20:55,879
Speaker 1: and gave all of that to Quad. When I'm looking

395
00:20:55,880 --> 00:20:59,320
Speaker 1: at them and saying, this is the one who possibly

396
00:20:59,320 --> 00:21:03,640
Speaker 1: makes more than y'all who came on the show showed.

397
00:21:03,359 --> 00:21:06,359
Speaker 3: Off her outfits, that's crazy.

398
00:21:05,520 --> 00:21:06,840
Speaker 2: It's she came.

399
00:21:07,000 --> 00:21:09,480
Speaker 3: She gave her, She gave the girls a fashion show.

400
00:21:09,600 --> 00:21:12,639
Speaker 3: She said, I'm not gonna sweat it out. I'm gonna

401
00:21:12,680 --> 00:21:15,280
Speaker 3: stay intact. I'm not gonna you girls work. And she

402
00:21:15,400 --> 00:21:17,520
Speaker 3: looks good, so I don't get fined.

403
00:21:18,000 --> 00:21:19,560
Speaker 1: That's one of this. She looks amazing.

404
00:21:19,720 --> 00:21:21,640
Speaker 2: She did. She does I know how.

405
00:21:21,480 --> 00:21:24,120
Speaker 1: To produce Pager in the sense of you gotta make

406
00:21:24,160 --> 00:21:26,959
Speaker 1: her work, make her work, clock clock in, clock in.

407
00:21:27,160 --> 00:21:31,639
Speaker 1: And I'm more disappointed in those girls for not saying,

408
00:21:31,840 --> 00:21:33,440
Speaker 1: if you want to be a part of our show,

409
00:21:33,760 --> 00:21:35,840
Speaker 1: we're not lucky to have you, You're lucky to have us.

410
00:21:36,400 --> 00:21:38,400
Speaker 1: Clock in. Let me show you what we do here.

411
00:21:38,720 --> 00:21:41,560
Speaker 1: So what's what is going on with you? No, you

412
00:21:41,600 --> 00:21:43,359
Speaker 1: are messy? What was going on here? Like what? And

413
00:21:43,400 --> 00:21:44,960
Speaker 1: I'm not saying, you know she was on the show.

414
00:21:44,960 --> 00:21:47,280
Speaker 3: I would want to know some of the other things,

415
00:21:47,320 --> 00:21:50,359
Speaker 3: like what happened. You can't leave this group of friends

416
00:21:50,600 --> 00:21:53,040
Speaker 3: and and and come to this one and not explain

417
00:21:53,680 --> 00:21:56,280
Speaker 3: a lot of things unanswered questions in this group.

418
00:21:56,680 --> 00:22:01,000
Speaker 1: Heavenly said that, and this is how the show works. Unfortunately,

419
00:22:01,359 --> 00:22:06,480
Speaker 1: Heavenly did say that she gave Phaedra heads up that hey,

420
00:22:06,520 --> 00:22:09,680
Speaker 1: they want me to bring up candy. What she gave

421
00:22:09,720 --> 00:22:14,080
Speaker 1: her heads up? She said this publicly, and that Phedra

422
00:22:14,840 --> 00:22:20,000
Speaker 1: allegedly called the production and the network use some curse words.

423
00:22:20,200 --> 00:22:24,119
Speaker 3: But what doesn't that strike you as odd heavenly of

424
00:22:24,240 --> 00:22:27,840
Speaker 3: all people? Do you think that she's giving Sweet Tea

425
00:22:28,200 --> 00:22:32,080
Speaker 3: heads up? Why would she give Faedra a heads up

426
00:22:32,119 --> 00:22:37,000
Speaker 3: on anything? They're not friends, they don't have history, so

427
00:22:37,080 --> 00:22:40,240
Speaker 3: it's what it's It wasn't her reputation? Was it that

428
00:22:40,320 --> 00:22:44,520
Speaker 3: she's phaser like to me like that speaks volumes? Why

429
00:22:44,560 --> 00:22:48,720
Speaker 3: would she call Faedra? I don't get that. Why would

430
00:22:48,760 --> 00:22:49,240
Speaker 3: she do that?

431
00:22:49,840 --> 00:22:52,159
Speaker 1: Phaedra has gotten that show and ran it.

432
00:22:53,000 --> 00:22:57,639
Speaker 2: You even more power too? Running bitches? Are they stupid

433
00:22:57,680 --> 00:22:58,359
Speaker 2: enough to go along?

434
00:22:58,400 --> 00:23:00,800
Speaker 1: It's crazy to me, And I say to you, it's

435
00:23:00,840 --> 00:23:01,520
Speaker 1: crazy to me.

436
00:23:01,600 --> 00:23:04,160
Speaker 2: I wish I will keep on running them.

437
00:23:04,480 --> 00:23:05,679
Speaker 1: No, I mean I deserve it.

438
00:23:06,280 --> 00:23:07,040
Speaker 3: I don't.

439
00:23:07,520 --> 00:23:09,080
Speaker 2: If they allow it, then so be it.

440
00:23:09,160 --> 00:23:11,440
Speaker 1: Who would you like to see American Medison moving forward?

441
00:23:11,480 --> 00:23:13,160
Speaker 1: Who's your dream cast? Oh?

442
00:23:13,200 --> 00:23:14,640
Speaker 2: I know he was going to ask me that.

443
00:23:15,240 --> 00:23:18,880
Speaker 3: I don't know who the dream cast is, but I do.

444
00:23:20,160 --> 00:23:26,920
Speaker 3: I feel as though Toya should be there. I think Buffy.

445
00:23:29,000 --> 00:23:30,960
Speaker 3: I'd like to see what Genie could do.

446
00:23:31,760 --> 00:23:36,480
Speaker 2: And you know, I my antennas are up for Sweet Tea.

447
00:23:36,800 --> 00:23:37,560
Speaker 2: I don't know.

448
00:23:38,000 --> 00:23:39,320
Speaker 1: I think she's great television.

449
00:23:39,560 --> 00:23:41,560
Speaker 2: I don't know yet. I haven't really watched.

450
00:23:41,560 --> 00:23:43,159
Speaker 1: She has potential.

451
00:23:43,240 --> 00:23:45,919
Speaker 3: Something's coming out of her, like making her rise to

452
00:23:45,960 --> 00:23:48,919
Speaker 3: the occasion, maybe for all wrong reasons, but you know,

453
00:23:49,119 --> 00:23:52,280
Speaker 3: I think that she will rise to do what she needs.

454
00:23:52,440 --> 00:23:56,360
Speaker 1: I agree with that, you know, I don't.

455
00:23:56,320 --> 00:23:59,080
Speaker 2: Even with the new I haven't heard the new young lady.

456
00:23:59,119 --> 00:24:01,359
Speaker 2: I think Alicia. I've never heard her say anything.

457
00:24:01,480 --> 00:24:03,840
Speaker 1: Well, she's doing the Beyonce a Mute challenge and have

458
00:24:03,880 --> 00:24:05,200
Speaker 1: been doing it for two months.

459
00:24:05,280 --> 00:24:07,520
Speaker 2: It's too like, I don't get are they cutting it

460
00:24:07,520 --> 00:24:08,040
Speaker 2: out or.

461
00:24:08,000 --> 00:24:10,240
Speaker 1: Is she just not I think she's holding her breath.

462
00:24:10,760 --> 00:24:11,679
Speaker 2: I don't think so.

463
00:24:12,280 --> 00:24:12,719
Speaker 1: I don't know.

464
00:24:12,760 --> 00:24:15,080
Speaker 3: It has to be saying like they have to be

465
00:24:15,240 --> 00:24:17,280
Speaker 3: editing out. There's no way she could be in all

466
00:24:17,320 --> 00:24:18,200
Speaker 3: those scenes and not saying.

467
00:24:18,359 --> 00:24:20,680
Speaker 1: Let me tell you, she's a beautiful girl.

468
00:24:20,920 --> 00:24:24,320
Speaker 2: She's like a younger version of Jackie. To me, y'all

469
00:24:24,320 --> 00:24:24,920
Speaker 2: don't see that.

470
00:24:26,160 --> 00:24:27,800
Speaker 1: I look again, because I don't see her.

471
00:24:28,320 --> 00:24:32,159
Speaker 2: Takeingized brown like, yeah, the looks okay.

472
00:24:32,480 --> 00:24:35,240
Speaker 3: I can tell you why they casted her, why she's

473
00:24:35,280 --> 00:24:38,680
Speaker 3: the younger version of Jackie. But she probably has another side.

474
00:24:38,720 --> 00:24:42,200
Speaker 3: She probably has another side that they haven't shown yet.

475
00:24:42,200 --> 00:24:44,720
Speaker 2: I don't know why.

476
00:24:44,960 --> 00:24:47,600
Speaker 1: That's interesting. She's a younger version of Jackie.

477
00:24:47,760 --> 00:24:49,600
Speaker 2: Guarantee you, but she has another side.

478
00:24:49,840 --> 00:24:53,800
Speaker 1: Is it time for some of the ogs to be removed?

479
00:24:53,840 --> 00:24:59,359
Speaker 3: Absolutely? Absolutely. I think that they've gotten very complacent. I

480
00:24:59,400 --> 00:25:04,440
Speaker 3: think that that, just like medicine, the shows have to evolve,

481
00:25:05,240 --> 00:25:08,640
Speaker 3: and it's not evolving. It's not And then even when

482
00:25:08,640 --> 00:25:12,080
Speaker 3: they bring on new people, they stunt their growth. They

483
00:25:12,200 --> 00:25:15,840
Speaker 3: won't allow them to prosper at all.

484
00:25:15,960 --> 00:25:17,880
Speaker 2: They block them. And I don't understand.

485
00:25:17,520 --> 00:25:20,320
Speaker 3: It could be I'm telling you, it could be a

486
00:25:20,720 --> 00:25:23,160
Speaker 3: It is a good show, but it would be an

487
00:25:23,240 --> 00:25:27,240
Speaker 3: amazing show if they the producers just take their hand

488
00:25:27,280 --> 00:25:31,000
Speaker 3: out of it and just let them ladies leave, Let

489
00:25:31,280 --> 00:25:33,199
Speaker 3: like for real, just let it happen.

490
00:25:33,760 --> 00:25:36,600
Speaker 2: It's a group of good women. And if you.

491
00:25:36,720 --> 00:25:39,439
Speaker 3: Really just let it happen the way it's supposed to,

492
00:25:39,960 --> 00:25:42,560
Speaker 3: not tell people who to be friends with, who to

493
00:25:42,600 --> 00:25:45,080
Speaker 3: ice out, then I think that things will happen the

494
00:25:45,119 --> 00:25:46,040
Speaker 3: way they're supposed to.

495
00:25:47,280 --> 00:25:49,280
Speaker 1: We want you back on television, and by we I

496
00:25:49,320 --> 00:25:51,760
Speaker 1: mean me and the world. I'm included.

497
00:25:53,359 --> 00:25:59,320
Speaker 2: I'm ready, I'm ready. Are they ready for me? For me? Well?

498
00:25:59,320 --> 00:26:01,760
Speaker 2: What on some okay? Ass is ready for me? Who

499
00:26:01,800 --> 00:26:02,399
Speaker 2: could take me.

500
00:26:03,160 --> 00:26:05,160
Speaker 1: Would you would you do an ensemble show?

501
00:26:06,040 --> 00:26:07,240
Speaker 2: What an ensemble do me?

502
00:26:09,560 --> 00:26:11,919
Speaker 1: I'm not getting what unsemble do me?

503
00:26:12,760 --> 00:26:14,560
Speaker 3: I don't know if I can get in line with

504
00:26:14,600 --> 00:26:16,680
Speaker 3: the group of girls, orf they gonna line up next

505
00:26:16,720 --> 00:26:19,280
Speaker 3: to me because I'm not gonna dumb it down anymore.

506
00:26:19,320 --> 00:26:23,480
Speaker 3: I'm not going to I'm not getting attention anymore. I mean,

507
00:26:23,520 --> 00:26:25,040
Speaker 3: I feel like I was nice and sweet and that

508
00:26:25,040 --> 00:26:27,119
Speaker 3: didn't work out. I feel like I was let the

509
00:26:27,160 --> 00:26:29,440
Speaker 3: librougs I was trying to do and then look they

510
00:26:29,480 --> 00:26:31,600
Speaker 3: still hate it and they pushed.

511
00:26:31,320 --> 00:26:34,240
Speaker 2: A bitch out. So this the next time around. Yes,

512
00:26:34,280 --> 00:26:34,880
Speaker 2: I'll do it.

513
00:26:35,359 --> 00:26:38,320
Speaker 3: I'll do it ensemble. Now how long it would be ensemble?

514
00:26:38,359 --> 00:26:39,600
Speaker 3: I don't know, but I would.

515
00:26:40,000 --> 00:26:42,240
Speaker 2: I love TV. I was born to do it.

516
00:26:42,359 --> 00:26:46,400
Speaker 1: You listen. I always say there's certain people who were

517
00:26:47,160 --> 00:26:50,080
Speaker 1: in my opinion, you know, like there's certain people who

518
00:26:50,080 --> 00:26:51,960
Speaker 1: are born to be a doctor. They were born to

519
00:26:52,000 --> 00:26:56,080
Speaker 1: be an athlete. You were born to be a reality star.

520
00:26:56,280 --> 00:26:57,320
Speaker 2: Oh a reality sung.

521
00:26:57,400 --> 00:26:58,720
Speaker 1: I know I'm gonna tell you no, no no no no

522
00:26:58,800 --> 00:27:00,520
Speaker 1: no no no no no.

523
00:27:00,680 --> 00:27:02,679
Speaker 2: You can have That's like me saying you're born to

524
00:27:02,680 --> 00:27:03,320
Speaker 2: be a blogger.

525
00:27:03,400 --> 00:27:05,000
Speaker 3: Let me get you.

526
00:27:10,080 --> 00:27:16,280
Speaker 1: It's not even shame you mean this? Always tell people reality.

527
00:27:16,359 --> 00:27:19,800
Speaker 1: I'm going to redefine when reality started me? Is the

528
00:27:19,800 --> 00:27:24,560
Speaker 1: reality of your life? Is reality unscripted things? That's what

529
00:27:24,600 --> 00:27:26,080
Speaker 1: I meant, just like I.

530
00:27:26,000 --> 00:27:27,000
Speaker 2: Was born to entertain.

531
00:27:27,240 --> 00:27:29,919
Speaker 1: Oh you're entertaining, but you are meant to be on

532
00:27:30,000 --> 00:27:34,040
Speaker 1: reality television and make a mass millions off of that

533
00:27:34,119 --> 00:27:35,520
Speaker 1: and multiple streats of income.

534
00:27:36,000 --> 00:27:38,080
Speaker 3: Right. You know the funny part you're saying that is

535
00:27:38,119 --> 00:27:40,439
Speaker 3: I never felt like that. You know what I felt like.

536
00:27:40,560 --> 00:27:42,479
Speaker 3: I feel like my gift is and this is what

537
00:27:42,520 --> 00:27:45,120
Speaker 3: people don't get why I was never jealous of any

538
00:27:45,160 --> 00:27:45,960
Speaker 3: of those ladies.

539
00:27:46,480 --> 00:27:49,199
Speaker 2: My gift is bringing the best out of other people,

540
00:27:49,480 --> 00:27:50,480
Speaker 2: making other people.

541
00:27:50,600 --> 00:27:51,119
Speaker 1: I can see that.

542
00:27:51,440 --> 00:27:54,560
Speaker 2: But in that I lost myself, like I forgot to.

543
00:27:56,080 --> 00:27:58,320
Speaker 1: I don't know too many people who could come out

544
00:27:58,359 --> 00:28:03,600
Speaker 1: and say, pressure, watch this motherfucker nasty as that's my point.

545
00:28:03,680 --> 00:28:06,760
Speaker 1: I wasn't even try but listen to me, that's my point.

546
00:28:06,840 --> 00:28:11,000
Speaker 2: I felt like that. I know it was dirty ship.

547
00:28:11,119 --> 00:28:15,359
Speaker 2: Well look she I'm painted it now. I like the white.

548
00:28:15,359 --> 00:28:18,840
Speaker 3: I ventured the pressure wash it every other week.

549
00:28:19,240 --> 00:28:22,600
Speaker 1: No, I know with some I just know it's started.

550
00:28:22,600 --> 00:28:24,760
Speaker 1: I see one and when they're being real. When you

551
00:28:24,800 --> 00:28:29,000
Speaker 1: said pressure washes, motherfucker, we all contaminated. We something said,

552
00:28:29,520 --> 00:28:34,960
Speaker 1: and then you have these you have these moments that

553
00:28:35,320 --> 00:28:40,320
Speaker 1: are you can't make them up. You are meant to

554
00:28:40,360 --> 00:28:43,400
Speaker 1: be on television. Do you have anything in the words?

555
00:28:43,440 --> 00:28:43,880
Speaker 1: Are you?

556
00:28:44,240 --> 00:28:44,440
Speaker 2: I do?

557
00:28:46,040 --> 00:28:48,080
Speaker 3: But I don't know if you're gonna like it. I

558
00:28:48,120 --> 00:28:49,680
Speaker 3: have a you know, I have a talk show coming.

559
00:28:49,760 --> 00:28:52,960
Speaker 3: It's called The Glow Up in heavy negotiations. We filmed

560
00:28:53,040 --> 00:28:58,320
Speaker 3: three episodes here e sleek, full studio audience, and I

561
00:28:58,360 --> 00:29:02,400
Speaker 3: am so excited about it. But it's not the Mariah

562
00:29:02,480 --> 00:29:04,720
Speaker 3: that you've seen in the reality way.

563
00:29:05,200 --> 00:29:07,160
Speaker 2: You know, It's still me, my personality.

564
00:29:07,280 --> 00:29:10,040
Speaker 3: It's you know it, And it's the other side of

565
00:29:10,120 --> 00:29:14,520
Speaker 3: me that loves entrepreneurship and recognizing so many minorities like

566
00:29:14,560 --> 00:29:17,240
Speaker 3: you and I that had to work so hard for

567
00:29:17,240 --> 00:29:19,280
Speaker 3: a seat at the table. And that's what this show

568
00:29:19,400 --> 00:29:19,840
Speaker 3: is about.

569
00:29:20,200 --> 00:29:21,680
Speaker 1: Congratulations, Yeah, how.

570
00:29:21,560 --> 00:29:22,880
Speaker 2: You got a seat at the table?

571
00:29:22,920 --> 00:29:25,560
Speaker 3: Telling your story how hard it is and not only

572
00:29:25,600 --> 00:29:27,040
Speaker 3: getting one, keeping one.

573
00:29:27,760 --> 00:29:29,000
Speaker 2: Nobody talks about that.

574
00:29:29,440 --> 00:29:35,680
Speaker 3: Yes, you reign supreme in reality TV, but keeping that spot, yeah,

575
00:29:35,760 --> 00:29:36,720
Speaker 3: it's so hard.

576
00:29:36,840 --> 00:29:38,720
Speaker 1: No, And people don't get it because I don't think

577
00:29:38,760 --> 00:29:41,680
Speaker 1: people know that it's hard to run a production company

578
00:29:42,160 --> 00:29:45,520
Speaker 1: full service. I am responsible for the crew, the editing,

579
00:29:45,720 --> 00:29:48,720
Speaker 1: and the cast, and all of this is a big

580
00:29:48,760 --> 00:29:50,560
Speaker 1: to do. I think people think I just said in

581
00:29:50,560 --> 00:29:53,400
Speaker 1: my clothes and read the girls and you don't and

582
00:29:53,520 --> 00:29:57,120
Speaker 1: eat some chickpea tuna like I Literally, it's a lot

583
00:29:57,120 --> 00:29:59,080
Speaker 1: of work to do. But that's the reason why I

584
00:29:59,160 --> 00:30:01,120
Speaker 1: think you are meant to be on a show that

585
00:30:01,320 --> 00:30:02,280
Speaker 1: focuses on that.

586
00:30:02,760 --> 00:30:04,280
Speaker 2: Well, why don't you create one for me?

587
00:30:04,320 --> 00:30:08,000
Speaker 1: Well, I know, would you be open to co creating

588
00:30:08,000 --> 00:30:08,440
Speaker 1: one with me?

589
00:30:08,680 --> 00:30:09,080
Speaker 2: I would?

590
00:30:09,760 --> 00:30:12,400
Speaker 3: I would, and I will let me tell you and.

591
00:30:12,360 --> 00:30:17,800
Speaker 2: I will work that mother, So yes, God, I would. Honey,

592
00:30:17,960 --> 00:30:22,400
Speaker 2: I'm ready for it. Ready, I am ready. I miss it.

593
00:30:22,680 --> 00:30:28,120
Speaker 3: I hate to say it.

594
00:30:26,200 --> 00:30:28,640
Speaker 2: Be doing, you know, I even know I am like,

595
00:30:28,680 --> 00:30:31,680
Speaker 2: I don't. Really I needed a moment. I'm gonna be honest.

596
00:30:31,720 --> 00:30:35,440
Speaker 2: I needed a moment because I wouldn't have been productive

597
00:30:35,480 --> 00:30:37,360
Speaker 2: for anybody. Like. I was angry.

598
00:30:37,960 --> 00:30:40,960
Speaker 3: I can say that I was angry for the way

599
00:30:41,200 --> 00:30:45,280
Speaker 3: things played out on Married to Medicine. I was very angry,

600
00:30:45,520 --> 00:30:46,920
Speaker 3: But you know what, so be it.

601
00:30:48,160 --> 00:30:48,720
Speaker 1: Mm hmmm.

602
00:30:49,240 --> 00:30:51,880
Speaker 2: So I'm I'm ready for the next step. I told

603
00:30:51,960 --> 00:30:55,040
Speaker 2: you what you gonna do? Love in medicine. I got

604
00:30:55,080 --> 00:30:58,280
Speaker 2: some girls in mine. What would be the perfect cast

605
00:30:58,280 --> 00:31:00,360
Speaker 2: for marriage to medicine. I'll tell you the perfect cast

606
00:31:00,400 --> 00:31:02,480
Speaker 2: for love and medicine.

607
00:31:02,080 --> 00:31:04,720
Speaker 1: Love and medicine, Atlanta.

608
00:31:04,960 --> 00:31:07,520
Speaker 2: Oh there you go. You already think a franchise?

609
00:31:08,400 --> 00:31:14,320
Speaker 3: Already, you already, and I got some girls. Mm hmmm,

610
00:31:14,440 --> 00:31:19,240
Speaker 3: I too, Yeah, I bet you won't be giving opinions

611
00:31:19,240 --> 00:31:21,400
Speaker 3: on merits and medicine for too much longer.

612
00:31:27,360 --> 00:31:30,600
Speaker 2: What you said. But you know why. I am so

613
00:31:30,640 --> 00:31:31,600
Speaker 2: proud of you.

614
00:31:31,840 --> 00:31:35,960
Speaker 3: I heard I heard Oprah give you a shout out

615
00:31:36,280 --> 00:31:37,640
Speaker 3: for your one hundred.

616
00:31:37,720 --> 00:31:39,640
Speaker 1: Yes episode The Love and Maritionsville.

617
00:31:39,680 --> 00:31:40,480
Speaker 2: How does that feel?

618
00:31:41,240 --> 00:31:46,600
Speaker 1: You know what it's. It's the combination of my hard work.

619
00:31:48,400 --> 00:31:51,040
Speaker 1: It's not it's not easy to do what we do.

620
00:31:51,720 --> 00:31:57,040
Speaker 1: I don't talk a lot about my difficulty being in

621
00:31:57,040 --> 00:31:59,640
Speaker 1: this business. I relate to you so much. I know

622
00:31:59,680 --> 00:32:01,880
Speaker 1: what it's like to be iced out. I know what

623
00:32:01,920 --> 00:32:04,720
Speaker 1: it's like to have a machine come against you. I

624
00:32:04,800 --> 00:32:08,640
Speaker 1: know what it's like when you surpassed people's expectations of you.

625
00:32:09,240 --> 00:32:13,920
Speaker 1: I know what it's like for I know what it's

626
00:32:13,920 --> 00:32:15,080
Speaker 1: like for people who look.

627
00:32:15,000 --> 00:32:20,440
Speaker 4: Like you, your own race turn on you because they're afraid

628
00:32:21,000 --> 00:32:27,760
Speaker 4: of they're afraid of going against the machine, and they

629
00:32:28,080 --> 00:32:31,880
Speaker 4: they now publicly despaired you. You know, they call you

630
00:32:31,960 --> 00:32:34,240
Speaker 4: out your name, they make up stories about you, they

631
00:32:34,240 --> 00:32:38,360
Speaker 4: tell you know, it's it's all because the only thing

632
00:32:38,480 --> 00:32:42,600
Speaker 4: I wanted to do was I just want to do more,

633
00:32:43,720 --> 00:32:46,840
Speaker 4: to be told you burned the bridge, to be told

634
00:32:47,280 --> 00:32:51,400
Speaker 4: that it's it's it's it's people don't understand it's it's

635
00:32:51,520 --> 00:32:53,160
Speaker 4: it's kept up, it's.

636
00:32:53,040 --> 00:32:56,480
Speaker 1: Stept up, and we're libras. And there's the moments of

637
00:32:56,880 --> 00:32:59,840
Speaker 1: I cried myself to sleep at nine medium nights because

638
00:32:59,840 --> 00:33:02,840
Speaker 1: I was like, the world thinks on this person when

639
00:33:03,000 --> 00:33:05,440
Speaker 1: if you ever meet me, you would say, he's like

640
00:33:05,480 --> 00:33:08,960
Speaker 1: the nicest, sweetest guy. He's funny and what ch'a don't

641
00:33:09,000 --> 00:33:12,440
Speaker 1: understand that he's doing. He's talking about you because he

642
00:33:12,600 --> 00:33:16,200
Speaker 1: cares and he knows that his voice is powerful. So

643
00:33:16,240 --> 00:33:18,200
Speaker 1: it's going to just put more money in your pocket.

644
00:33:18,680 --> 00:33:22,600
Speaker 1: But when you have somebody in your ear, what is

645
00:33:22,680 --> 00:33:25,239
Speaker 1: most hurtful for me is that the people who are

646
00:33:25,320 --> 00:33:30,600
Speaker 1: loved similar to you, who you gave opportunities to, they

647
00:33:30,720 --> 00:33:34,680
Speaker 1: turn against you because they know that there's people who

648
00:33:34,680 --> 00:33:37,760
Speaker 1: sign their checks, there's people who are the opposite race

649
00:33:37,800 --> 00:33:40,720
Speaker 1: of them, and they're afraid of them. There's a lot

650
00:33:40,720 --> 00:33:42,880
Speaker 1: of black people and unscripted who are afraid of going

651
00:33:42,920 --> 00:33:48,200
Speaker 1: against the white man so much because because because there's

652
00:33:48,240 --> 00:33:51,960
Speaker 1: a lot of people who believe white is right white.

653
00:33:53,160 --> 00:33:57,560
Speaker 1: And I am going through that as we speak. I'm

654
00:33:57,600 --> 00:33:59,240
Speaker 1: going through that as we speak.

655
00:33:59,280 --> 00:34:04,440
Speaker 3: And why we create such amazing content when we create

656
00:34:04,480 --> 00:34:07,240
Speaker 3: all of these things, if we have our own studios,

657
00:34:07,440 --> 00:34:11,719
Speaker 3: we have our they can't recreate what we do. They

658
00:34:11,760 --> 00:34:15,080
Speaker 3: can't duplicate it. And it's not about white or black.

659
00:34:15,160 --> 00:34:17,960
Speaker 3: But I'm saying, when you were born to do certain things, yeah,

660
00:34:18,000 --> 00:34:20,879
Speaker 3: and you create magic. We just have to know our

661
00:34:20,960 --> 00:34:24,480
Speaker 3: power because it's getting to a point with social media.

662
00:34:24,600 --> 00:34:28,920
Speaker 2: Do we need certain things? No, you do it ourselves.

663
00:34:29,320 --> 00:34:34,640
Speaker 1: But you've shown that, You've shown building this impot that

664
00:34:34,760 --> 00:34:37,839
Speaker 1: you have. And that's the reason why when I reached

665
00:34:37,880 --> 00:34:40,200
Speaker 1: out to you, I said, listen, I could talk to

666
00:34:40,200 --> 00:34:42,799
Speaker 1: you all their long, child, but I need to use

667
00:34:42,880 --> 00:34:46,160
Speaker 1: my platform. And I said, I want to get a tour.

668
00:34:46,280 --> 00:34:48,880
Speaker 1: I want the world to see what this black woman

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00:34:48,960 --> 00:34:53,719
Speaker 1: has created in her silent times. I know what it's

670
00:34:53,800 --> 00:34:55,719
Speaker 1: like for God to hide you when I left in

671
00:34:55,760 --> 00:34:58,320
Speaker 1: Line of Housewives and I love at a time where

672
00:34:58,760 --> 00:35:03,600
Speaker 1: I was being attacked by a cast and some other people, right,

673
00:35:04,120 --> 00:35:05,879
Speaker 1: and I left shitting.

674
00:35:05,640 --> 00:35:06,080
Speaker 2: On your name.

675
00:35:06,200 --> 00:35:09,399
Speaker 1: Oh, and I moved to LA. I moved to LA

676
00:35:09,880 --> 00:35:12,240
Speaker 1: because I wanted more for myself and it was hurtful

677
00:35:12,239 --> 00:35:13,160
Speaker 1: and I cried.

678
00:35:13,040 --> 00:35:15,120
Speaker 2: Carlos, look at you now you're reigning.

679
00:35:15,320 --> 00:35:18,200
Speaker 3: Thank you. I am so proud of you, and I

680
00:35:18,440 --> 00:35:22,000
Speaker 3: mean that from the pits of my heart and you

681
00:35:22,239 --> 00:35:23,160
Speaker 3: when I look at you.

682
00:35:23,480 --> 00:35:24,920
Speaker 2: I see the possibilities.

683
00:35:25,000 --> 00:35:25,319
Speaker 1: Thank you.

684
00:35:25,440 --> 00:35:27,680
Speaker 2: I don't even want to go to social media and

685
00:35:27,719 --> 00:35:30,439
Speaker 2: I mean that, but I'll go to yours and say

686
00:35:30,480 --> 00:35:31,080
Speaker 2: I can do this.

687
00:35:31,680 --> 00:35:34,960
Speaker 3: Maybe I should just let's see what So know that

688
00:35:35,680 --> 00:35:38,759
Speaker 3: seeing you do it and what you can do, it

689
00:35:38,880 --> 00:35:42,960
Speaker 3: inspires and it uplifts and you put a little miss

690
00:35:43,040 --> 00:35:45,040
Speaker 3: into it. I mean, so be it. We're born to

691
00:35:45,080 --> 00:35:47,600
Speaker 3: do something. Yes, we like extra credit.

692
00:35:50,120 --> 00:35:50,600
Speaker 1: So much.

693
00:35:51,200 --> 00:35:53,319
Speaker 2: We were born to be seeing too much. So that's

694
00:35:53,360 --> 00:35:54,560
Speaker 2: what that's the greatness in it.

695
00:35:54,600 --> 00:35:57,439
Speaker 3: But I am so proud of you and to see

696
00:35:57,480 --> 00:36:03,960
Speaker 3: you continue to create and not just create shows, create jobs.

697
00:36:04,960 --> 00:36:06,640
Speaker 2: People don't get that part of it.

698
00:36:10,520 --> 00:36:13,439
Speaker 1: Thank you for listening to reality with the King New

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00:36:13,520 --> 00:36:19,160
Speaker 1: episodes drop on Tuesdays and Thursdays. Share, comment, follow, and

700
00:36:19,239 --> 00:36:23,480
Speaker 1: subscribe to Reality with the King. Wherever you get your podcast,

701
00:36:24,040 --> 00:36:27,920
Speaker 1: visit Reality Withtheking dot com and be sure to follow

702
00:36:28,000 --> 00:36:33,080
Speaker 1: me at the Carlos King Underscore on Instagram, Twitter, TikTok

703
00:36:33,200 --> 00:36:36,120
Speaker 1: and Yes Baby, my YouTube channel where you could get

704
00:36:36,160 --> 00:36:40,359
Speaker 1: all of my visuals, baby, my expressions yet and don't

705
00:36:40,360 --> 00:36:43,680
Speaker 1: forget Tweet me your thoughts and hot takes about this

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00:36:43,800 --> 00:36:49,520
Speaker 1: episode using the hashtag Reality with the King. Reality with

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00:36:49,520 --> 00:36:53,759
Speaker 1: the King is a production of Kingdom Reign Entertainment. It

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00:36:53,880 --> 00:36:58,520
Speaker 1: is produced by Sierra Spragley Rix An executive produced by Me,

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00:36:59,040 --> 00:37:15,920
Speaker 1: Carlos King, King Dooming Entertainment, Baby