1
00:00:02,560 --> 00:00:05,200
Speaker 1: Millions of listeners. Now it's tuning in across the country.

2
00:00:13,560 --> 00:00:17,319
Speaker 1: Little mister ran in the morning show. Oh well look

3
00:00:17,320 --> 00:00:21,080
Speaker 1: what that cat dragged in. Hey, how was your weekend? Good? Amazing?

4
00:00:21,239 --> 00:00:24,360
Speaker 1: It's over. Sorry, bad news, it's over. Thank you for

5
00:00:24,400 --> 00:00:26,799
Speaker 1: all the birthday wishes. Yes, I'm a year older. We

6
00:00:26,880 --> 00:00:29,520
Speaker 1: hope you had a fabulous I look fabulous. I'm still

7
00:00:29,560 --> 00:00:32,720
Speaker 1: having a fantastic birthday anyway. Welcome to the show. A

8
00:00:32,760 --> 00:00:37,280
Speaker 1: good morning, Danielle my Froggy. Hello there, producer Sama. They're

9
00:00:37,320 --> 00:00:40,559
Speaker 1: straight and eate, They're scary. What's up all right? You

10
00:00:40,600 --> 00:00:42,520
Speaker 1: know we have a great show. We have a hyper

11
00:00:42,560 --> 00:00:45,879
Speaker 1: chiller free money phone tap this morning worth a thousand dollars.

12
00:00:46,200 --> 00:00:49,360
Speaker 1: We've Gottnages coming in to perform for us. He is

13
00:00:49,400 --> 00:00:52,840
Speaker 1: so fantastic money A little Rihanna to start the show.

14
00:00:52,880 --> 00:01:02,720
Speaker 1: What do you have please, I'll stop the music right together.

15
00:01:02,760 --> 00:01:06,959
Speaker 1: Know you know the words. MoMA same, I'm sam mousa.

16
00:01:08,959 --> 00:01:12,319
Speaker 1: Thank you, Rihanna, I'm the same. I could use some

17
00:01:12,360 --> 00:01:14,759
Speaker 1: new Rihanna music, couldn't you? Yeah, me too. Hey, good

18
00:01:14,760 --> 00:01:18,720
Speaker 1: morning Anna, how are you? Good morning? Oh my gosh,

19
00:01:18,760 --> 00:01:20,880
Speaker 1: I cannot believe I actually got on to you. Guys,

20
00:01:20,920 --> 00:01:23,480
Speaker 1: I call like every single morning, But now you're here.

21
00:01:23,480 --> 00:01:26,520
Speaker 1: How much your weekend? Was it a good weekend? Um? Actually,

22
00:01:26,560 --> 00:01:29,080
Speaker 1: it's been a really hectic weekend so far because I've

23
00:01:29,120 --> 00:01:31,959
Speaker 1: been packing to go to Florida to visit my mimi.

24
00:01:32,080 --> 00:01:34,560
Speaker 1: So I'm very excited you're going to visit your What

25
00:01:35,840 --> 00:01:38,560
Speaker 1: my mimi? He's my grandma. She's eighty years old, and

26
00:01:38,680 --> 00:01:40,520
Speaker 1: me and her are going down to PoCA. We're gonna

27
00:01:40,520 --> 00:01:43,880
Speaker 1: go gambling together. I'm very very excited gambling with your

28
00:01:43,920 --> 00:01:46,280
Speaker 1: eighty year old grandma. Yeah, yeah, oh yeah, it was.

29
00:01:46,360 --> 00:01:48,520
Speaker 1: He's way more fun than I am. Really Like, I'm

30
00:01:48,520 --> 00:01:50,720
Speaker 1: actually a little bit nervous about taking your ass. We're

31
00:01:50,720 --> 00:01:53,360
Speaker 1: gonna have a few bloody marries in her systems, so

32
00:01:53,520 --> 00:01:55,600
Speaker 1: she's I don't know what she's gonna do. Funny you

33
00:01:55,600 --> 00:01:59,920
Speaker 1: call your grandma mimi? Yeah? A parent. We all have

34
00:02:00,240 --> 00:02:01,480
Speaker 1: like a weird name for our grand I used to

35
00:02:01,560 --> 00:02:07,080
Speaker 1: call my grandmother me mama. My friend Deetri's kids call

36
00:02:07,120 --> 00:02:09,120
Speaker 1: the grandma mima. What do you call your grandma? I

37
00:02:09,200 --> 00:02:11,400
Speaker 1: used to come they're both deceased, but one was grandma

38
00:02:11,400 --> 00:02:13,760
Speaker 1: and one was naughty. Yeah, did you have a weird one? Sam,

39
00:02:13,800 --> 00:02:16,519
Speaker 1: I'm boring. Both of mine were grandma grandma. What about you?

40
00:02:16,960 --> 00:02:23,760
Speaker 1: Straight name? My was grandma, grandma, Grandma, grandma, Grandma, Grandmama, grandma,

41
00:02:23,919 --> 00:02:25,960
Speaker 1: grandma without the art grand So hanging out with your

42
00:02:25,960 --> 00:02:29,520
Speaker 1: grandma with your name your mimi at the at the casino,

43
00:02:29,560 --> 00:02:31,320
Speaker 1: that sounds like fun. Now do you party with her hard?

44
00:02:31,360 --> 00:02:34,880
Speaker 1: I mean does she? Does she go hard? I mean

45
00:02:35,040 --> 00:02:37,840
Speaker 1: when she was younger, she was very reserved, very calm.

46
00:02:37,880 --> 00:02:40,080
Speaker 1: But as she's gotten older, I guess she the end

47
00:02:40,160 --> 00:02:43,720
Speaker 1: is approaching and she's just going hard of every single time.

48
00:02:43,800 --> 00:02:47,880
Speaker 1: Every time we sake you tell your mimi we said hi,

49
00:02:48,000 --> 00:02:49,520
Speaker 1: and you guys have a great one and thanks for

50
00:02:49,560 --> 00:02:51,560
Speaker 1: listening to us. We're gonna send you an Elvis Durand shirt.

51
00:02:51,600 --> 00:02:54,359
Speaker 1: And since you're the first caller of the day, can

52
00:02:54,400 --> 00:02:56,720
Speaker 1: you ruin it for my mimi. We're gonna ruin it.

53
00:02:57,080 --> 00:02:59,120
Speaker 1: Maybe he's gonna wear in Florida. We're gonna ruin it

54
00:02:59,120 --> 00:03:00,840
Speaker 1: for your maybe, hold on, what's second? Have a great day?

55
00:03:00,919 --> 00:03:02,720
Speaker 1: All right, let's do it. Let's do a show for me,

56
00:03:02,840 --> 00:03:07,840
Speaker 1: me around the room from em all Danielle, what's on

57
00:03:07,880 --> 00:03:09,520
Speaker 1: your mind before the show gets So when you go

58
00:03:09,560 --> 00:03:11,640
Speaker 1: to Target. You know you're in the self checkout lane.

59
00:03:12,040 --> 00:03:15,400
Speaker 1: I really think they should start making you only do

60
00:03:15,480 --> 00:03:18,720
Speaker 1: like ten items. You cannot get into the self checkout

61
00:03:18,760 --> 00:03:22,320
Speaker 1: lane if you have a freaking cart filled with stuff.

62
00:03:22,320 --> 00:03:24,520
Speaker 1: Why not. I was behind somebody and I swear they

63
00:03:24,560 --> 00:03:26,760
Speaker 1: had like twenty five thirty items, and I'm like, oh

64
00:03:26,800 --> 00:03:29,639
Speaker 1: my gosh, come on, come on, come on, I mean really,

65
00:03:29,639 --> 00:03:33,639
Speaker 1: I had three items real quick and let's go. There

66
00:03:33,680 --> 00:03:36,240
Speaker 1: should be a limit to what you bring in the

67
00:03:36,240 --> 00:03:38,720
Speaker 1: self checkout aisle. Okay, I really feel that way. Why

68
00:03:38,760 --> 00:03:40,560
Speaker 1: don't you talk to the manager of your grocery store.

69
00:03:40,640 --> 00:03:42,920
Speaker 1: I'm very passionate about phipiz. I have a thing. I

70
00:03:42,960 --> 00:03:45,960
Speaker 1: have a Target. Yeah, Target. I have a thing about

71
00:03:45,960 --> 00:03:50,120
Speaker 1: these self checkouts. I always feel like I've thrown something

72
00:03:50,120 --> 00:03:51,960
Speaker 1: in the bag that I didn't pay for it. But

73
00:03:52,480 --> 00:03:54,560
Speaker 1: I know and I would never do it on purpose,

74
00:03:54,680 --> 00:03:57,640
Speaker 1: guilty feeling, because it's too easy to do that. I

75
00:03:57,720 --> 00:03:59,320
Speaker 1: swipe and then I make sure I hold it out

76
00:03:59,320 --> 00:04:01,960
Speaker 1: for a second so the security camera can see it.

77
00:04:02,920 --> 00:04:05,240
Speaker 1: Producer Sam, what's on your mind today? So everyone out

78
00:04:05,280 --> 00:04:07,960
Speaker 1: there who has a doggiecam or a petcam of some sort,

79
00:04:08,400 --> 00:04:10,440
Speaker 1: make sure you're aware of when it's on or when

80
00:04:10,480 --> 00:04:13,240
Speaker 1: it's not. Because a good friend of mine almost ruined

81
00:04:13,280 --> 00:04:16,040
Speaker 1: his proposal last weekend when he called me and told

82
00:04:16,120 --> 00:04:18,800
Speaker 1: me all about it on his couch in front of

83
00:04:18,839 --> 00:04:23,440
Speaker 1: his doggiecam, which fed to his girlfriend's phone. Oh no, yeah,

84
00:04:23,560 --> 00:04:25,719
Speaker 1: so he actually had to call the system and have

85
00:04:25,839 --> 00:04:29,400
Speaker 1: them remove it off the clouds and look. Yeah, there

86
00:04:29,480 --> 00:04:32,919
Speaker 1: was someone that got busted cheating the doggiecam because the

87
00:04:32,960 --> 00:04:35,960
Speaker 1: doggie cam was on and when the other one wasn't home,

88
00:04:36,080 --> 00:04:39,000
Speaker 1: they had somebody come over and they got busted. I

89
00:04:39,040 --> 00:04:41,120
Speaker 1: mean that guy I don't feel as bad for. But

90
00:04:41,200 --> 00:04:44,240
Speaker 1: Jordan almost ruins his proposal to Amanda. You forget how

91
00:04:44,240 --> 00:04:47,440
Speaker 1: many things you have on in your house. Yeah, they're

92
00:04:47,520 --> 00:04:50,000
Speaker 1: watching and listening at all times. He's scary. What's up

93
00:04:50,000 --> 00:04:53,760
Speaker 1: with you? I saw something really horrific yesterday. You looked

94
00:04:53,760 --> 00:04:59,600
Speaker 1: in the mirror, slay me anyway? What This woman was

95
00:04:59,600 --> 00:05:04,040
Speaker 1: pushing a baby carriage across a five six lane highway

96
00:05:04,160 --> 00:05:06,839
Speaker 1: or avenue whatever it is, like a boulevard, and she

97
00:05:07,000 --> 00:05:10,320
Speaker 1: all of a sudden, she wasn't looking, she was looking

98
00:05:10,320 --> 00:05:13,400
Speaker 1: at her phone. She put the carriage out in front

99
00:05:13,400 --> 00:05:16,000
Speaker 1: of her. She's walking and she's not even looking. She's

100
00:05:16,040 --> 00:05:19,680
Speaker 1: looking down at her phone, and I'm like, I in retrospect, Elvis,

101
00:05:19,680 --> 00:05:22,040
Speaker 1: I should have hunked my horn and be like, hey,

102
00:05:22,279 --> 00:05:23,840
Speaker 1: you know, you know what, you want to put your

103
00:05:23,839 --> 00:05:26,000
Speaker 1: own life in danger. But look, not looking and crossing

104
00:05:26,080 --> 00:05:28,400
Speaker 1: the street, that's one thing, But you're pushing a baby

105
00:05:28,400 --> 00:05:30,560
Speaker 1: carriage and the carriage and the kid is out in

106
00:05:30,560 --> 00:05:34,600
Speaker 1: front of her. That's like doubly frightening. I mean, some

107
00:05:34,640 --> 00:05:36,360
Speaker 1: people should not be allowed to be parents. I mean,

108
00:05:36,360 --> 00:05:39,520
Speaker 1: don't let people. Don't people people drive a car with

109
00:05:39,720 --> 00:05:42,320
Speaker 1: with a license, but you need a license to have

110
00:05:42,320 --> 00:05:45,240
Speaker 1: a kid. It's crazy. I know they should. They would

111
00:05:45,279 --> 00:05:47,599
Speaker 1: never ever let me have a license to one. I

112
00:05:47,600 --> 00:05:51,360
Speaker 1: would never get one anyway. It is Monday, August sixth, Friday.

113
00:05:51,440 --> 00:05:54,040
Speaker 1: We are doing it live from the Iowa State Fair.

114
00:05:54,240 --> 00:05:57,880
Speaker 1: Yeah that's right, that's this week. Yeah. Absolutely, let's get

115
00:05:58,000 --> 00:06:00,080
Speaker 1: into your horoscope. She guts ready to go. Yeah, you

116
00:06:00,120 --> 00:06:02,360
Speaker 1: want to straight and eight to help you with this one? No, no, no,

117
00:06:02,560 --> 00:06:04,560
Speaker 1: you're here? Why people want to hear you do it?

118
00:06:04,800 --> 00:06:08,880
Speaker 1: I could do it like Nate Capricorn. Never never mind,

119
00:06:08,880 --> 00:06:11,359
Speaker 1: how about how about Daniel? You and Sandue? All right?

120
00:06:11,560 --> 00:06:14,640
Speaker 1: Capricorn lead by example, your strength and stubbornness will come

121
00:06:14,680 --> 00:06:16,600
Speaker 1: in handy as you climb to the top. Your Days

122
00:06:16,600 --> 00:06:19,320
Speaker 1: and nine Aquarius, people have been trying to meddle in

123
00:06:19,360 --> 00:06:21,960
Speaker 1: your plans. Don't let this shake your faith in yourself.

124
00:06:22,000 --> 00:06:24,560
Speaker 1: You know what you're doing. Your Days of ten Gys Easier.

125
00:06:24,640 --> 00:06:26,640
Speaker 1: Compassion needs to be paired with a strict hand for

126
00:06:26,720 --> 00:06:28,720
Speaker 1: people to respect it. Don't back down even if you're

127
00:06:28,760 --> 00:06:31,320
Speaker 1: afraid of hurting somebody's feelings. Your Days and eight Aries,

128
00:06:31,400 --> 00:06:34,080
Speaker 1: Love keeps trying to come into your life, so stop

129
00:06:34,120 --> 00:06:36,479
Speaker 1: pushing it away. Your walls are too high, so bring

130
00:06:36,520 --> 00:06:38,559
Speaker 1: them down a little. Your Days of seven, Hey Tauris,

131
00:06:38,600 --> 00:06:41,120
Speaker 1: it feels like the future can't come fast enough, but

132
00:06:41,160 --> 00:06:43,640
Speaker 1: don't wish your time away. Cherish the moment and good

133
00:06:43,640 --> 00:06:46,479
Speaker 1: things will come. Your Days and nine Femini, discuss something

134
00:06:46,520 --> 00:06:49,320
Speaker 1: you've been avoiding. The weight off your conscious will free

135
00:06:49,360 --> 00:06:51,880
Speaker 1: your energy. Your Days and eighth, Hey, Cancer, pull back

136
00:06:51,880 --> 00:06:54,560
Speaker 1: from a ten situation. It's easy to let others drama

137
00:06:54,600 --> 00:06:57,400
Speaker 1: become your own. Let it go. Your Days of seven Leo,

138
00:06:57,680 --> 00:07:00,880
Speaker 1: no one can slow down your mojo. Use this news

139
00:07:00,880 --> 00:07:03,560
Speaker 1: start for a potential hobby or a project. Your Days

140
00:07:03,560 --> 00:07:06,760
Speaker 1: of nine Hey, Virgo. Honesty demands effort. It's training to

141
00:07:06,839 --> 00:07:08,479
Speaker 1: do the right thing, but it's worth it in the

142
00:07:08,480 --> 00:07:11,400
Speaker 1: long run. Your days of seven Libra. Everyone has their

143
00:07:11,400 --> 00:07:13,680
Speaker 1: own view of a problem, but only you can look

144
00:07:13,720 --> 00:07:16,480
Speaker 1: at it without bias. Take your time and help find

145
00:07:16,480 --> 00:07:19,320
Speaker 1: a solution for everyone. Your days in eight Scorpio. It's

146
00:07:19,360 --> 00:07:21,720
Speaker 1: awesome to be in charge, but don't get drunk off power.

147
00:07:21,800 --> 00:07:25,600
Speaker 1: Stay grounded despite that leadership. Your days of seven and Sagittarius.

148
00:07:25,640 --> 00:07:29,000
Speaker 1: Good news travels fast. Don't try and hold back your accomplishments.

149
00:07:29,040 --> 00:07:31,240
Speaker 1: Brag a little, there's no harm in it. Your day

150
00:07:31,280 --> 00:07:34,000
Speaker 1: is a nine and those are you a Monday morning horoscope?

151
00:07:34,040 --> 00:07:36,320
Speaker 1: There you go once again. We have a one thousand

152
00:07:36,400 --> 00:07:38,840
Speaker 1: dollar hyper chill or free money phone tap coming up.

153
00:07:39,480 --> 00:07:42,080
Speaker 1: Are we giving away a hyperchiller? We'll give away two

154
00:07:42,200 --> 00:07:47,760
Speaker 1: fucking roller. Also today we wish happy birthday to Scottiebe

155
00:07:49,880 --> 00:07:52,000
Speaker 1: happy birthday, Scotty. Be all right, you guys ready for

156
00:07:52,040 --> 00:07:55,600
Speaker 1: your Monday? Yeah, come on, let's have a Monday. Back

157
00:07:55,640 --> 00:07:58,160
Speaker 1: to school a great time to refresh for everyone in

158
00:07:58,240 --> 00:08:00,520
Speaker 1: the family. Whether you're going back to school, are going

159
00:08:00,560 --> 00:08:03,520
Speaker 1: back to your regular routine. J C. Penny has everything

160
00:08:03,560 --> 00:08:08,720
Speaker 1: your family needs at a great value. This Elvis Durrand

161
00:08:08,920 --> 00:08:11,960
Speaker 1: in the Morning Show. All right, producer, Sam's about to

162
00:08:11,960 --> 00:08:15,000
Speaker 1: make us feel good? Yeah, it made me feel good.

163
00:08:14,480 --> 00:08:17,000
Speaker 1: I'm work on a Monday. I would need to be

164
00:08:17,000 --> 00:08:20,559
Speaker 1: made to feel good. Hey. Also, we're so excited about

165
00:08:20,560 --> 00:08:23,680
Speaker 1: our return to the Iowa State Fair this Friday morning.

166
00:08:23,680 --> 00:08:26,240
Speaker 1: Will be there. I'm so exciting. We've been going for years.

167
00:08:26,240 --> 00:08:28,280
Speaker 1: Oh my gosh. And it's so exciting, not only to

168
00:08:28,320 --> 00:08:30,760
Speaker 1: eat our favorite foods on the stick we always gravitate to.

169
00:08:30,800 --> 00:08:33,440
Speaker 1: Are those same ones we love. We love the chocolate

170
00:08:33,520 --> 00:08:37,720
Speaker 1: chip cookies. Yeah, and the chicken lips. Oh, what's that

171
00:08:37,880 --> 00:08:40,760
Speaker 1: chicken sandwich with the muzzar is scary? The one we love?

172
00:08:40,760 --> 00:08:46,600
Speaker 1: The gizmos of course, of the oh, don't even get

173
00:08:46,640 --> 00:08:50,440
Speaker 1: me started anyway, the pork loin. Why would you love that? Yeah?

174
00:08:50,480 --> 00:08:53,480
Speaker 1: So what straight name? What corn thing? We had the

175
00:08:53,679 --> 00:08:56,920
Speaker 1: corn thing? Then we have corn corn on a stick,

176
00:08:57,360 --> 00:08:59,360
Speaker 1: but it was different the corn tick. Well, I tell

177
00:08:59,360 --> 00:09:01,079
Speaker 1: you what. Danielle has the list in front of her.

178
00:09:01,080 --> 00:09:02,679
Speaker 1: You have all the old ones, but you also have

179
00:09:02,800 --> 00:09:09,600
Speaker 1: new foods for this year. Hold on a stick. It's

180
00:09:09,640 --> 00:09:12,920
Speaker 1: not on a stick. Don't eat it. They should have

181
00:09:13,000 --> 00:09:16,600
Speaker 1: edible sticks. All right, What foods are new? They have

182
00:09:16,720 --> 00:09:19,680
Speaker 1: fifty six new foods, twelve more than last year that

183
00:09:19,720 --> 00:09:23,680
Speaker 1: are being dished up. So something called the brisket mango tango.

184
00:09:23,840 --> 00:09:27,600
Speaker 1: It's Cattleman's Beef Quarters on the southeast corner of Walnut Square.

185
00:09:27,800 --> 00:09:29,640
Speaker 1: Whatever that. Yeah, you don't have to give us the address.

186
00:09:30,200 --> 00:09:34,200
Speaker 1: Dishy fresh made guacamole. They've never had that before. Many

187
00:09:34,640 --> 00:09:37,560
Speaker 1: we're in Rocky Mountain oysters. You know what that is? Right?

188
00:09:38,840 --> 00:09:42,559
Speaker 1: Those are cowballs? Are they really bowl balls? Yeah? Mo?

189
00:09:42,679 --> 00:09:46,239
Speaker 1: Than what's pork belly? Burnt ends? Is that that pork

190
00:09:46,280 --> 00:09:48,880
Speaker 1: belly is? It's like bacon. That's good. No, what's the

191
00:09:48,920 --> 00:09:50,880
Speaker 1: burnt ends? Is that the butt? Well? No, it's it's

192
00:09:50,920 --> 00:09:52,839
Speaker 1: the ends of when they cook it. It's the ends

193
00:09:52,840 --> 00:09:55,280
Speaker 1: that get kind of tough and good. It's really good. No,

194
00:09:55,320 --> 00:09:57,640
Speaker 1: but go back to the Rocky Mountain oysters. Okay, I

195
00:09:57,679 --> 00:09:59,960
Speaker 1: can't believe they're serving them. They put those on a stick.

196
00:10:00,040 --> 00:10:05,360
Speaker 1: It doesn't say anything about the stick for this named though. Yeah,

197
00:10:05,640 --> 00:10:09,719
Speaker 1: you're you're eating scrotum from a bovine. That's what it's

198
00:10:09,760 --> 00:10:13,360
Speaker 1: called apple egg rolls. Okay, it's like a dessert that's

199
00:10:13,360 --> 00:10:16,320
Speaker 1: a four leaf clover cooler, which is a salad bowl

200
00:10:16,360 --> 00:10:19,480
Speaker 1: if you want that. There's pickled beer. Hold on, no offense.

201
00:10:20,240 --> 00:10:21,720
Speaker 1: You go to the I stat fair to eat a

202
00:10:21,720 --> 00:10:25,760
Speaker 1: salad something you don't know. I know people probably would

203
00:10:25,840 --> 00:10:29,760
Speaker 1: like a salad. Okay, go ahead. There's duck bacon wantons. Okay,

204
00:10:29,840 --> 00:10:34,560
Speaker 1: that's a good. Yeah, bacon pancake dippers, that sounds good.

205
00:10:34,880 --> 00:10:39,880
Speaker 1: Deep fried pecan pie on a stick, pec pecan alright,

206
00:10:40,200 --> 00:10:43,559
Speaker 1: Cherry pie flurry so it's it's like a Sunday um

207
00:10:43,600 --> 00:10:45,960
Speaker 1: and it's a cherry pie flavor, so that would be delicious.

208
00:10:46,120 --> 00:10:49,400
Speaker 1: Pork belly on a stick. Okay, you get a lamb sandwich.

209
00:10:49,440 --> 00:10:56,599
Speaker 1: Breast gets breakfast sandwich. Okay, there's a Caribbean leg of

210
00:10:56,679 --> 00:10:59,959
Speaker 1: lamb taco. Okay, are you getting hungry? Yeah? I am,

211
00:11:00,040 --> 00:11:01,920
Speaker 1: but I'm also I'm almost full at this point. You've

212
00:11:01,920 --> 00:11:05,600
Speaker 1: been going for so long. Chicken livers, chicken gizzard. No oh,

213
00:11:05,640 --> 00:11:09,080
Speaker 1: this is there's the best of Show cooler. That scares

214
00:11:09,120 --> 00:11:12,000
Speaker 1: me because does that mean that the person who won

215
00:11:12,080 --> 00:11:16,800
Speaker 1: the award is getting killed? We eat it. I mean,

216
00:11:16,840 --> 00:11:19,600
Speaker 1: if it's the best of show, isn't that usually the

217
00:11:19,679 --> 00:11:23,000
Speaker 1: cattle that gets the ribbon. Every animal gets, right, So

218
00:11:23,040 --> 00:11:24,720
Speaker 1: what does that mean if we're eating the best of

219
00:11:24,760 --> 00:11:29,800
Speaker 1: show that it doesn't pay to win? It's all right?

220
00:11:29,840 --> 00:11:32,280
Speaker 1: Well so far, I gotta be honest the one I

221
00:11:32,280 --> 00:11:34,800
Speaker 1: will not be eating the Rocky Mountain oysters, but I

222
00:11:34,840 --> 00:11:39,080
Speaker 1: will be I'll eat other stuff. Oh, there's so many

223
00:11:39,080 --> 00:11:40,720
Speaker 1: foods on a stick. Oh my god, look at all

224
00:11:40,760 --> 00:11:42,480
Speaker 1: this chocolate on it. And you put some stuff in

225
00:11:42,480 --> 00:11:45,600
Speaker 1: your pocket for me and bringing home? All right, we'll

226
00:11:45,600 --> 00:11:47,280
Speaker 1: tell you what. In one hour, we've got your hyper

227
00:11:47,320 --> 00:11:49,280
Speaker 1: childer free money phone tap and we are live from

228
00:11:49,320 --> 00:11:51,480
Speaker 1: the Iowa State Fair on Friday. Make sure you come

229
00:11:51,480 --> 00:11:55,240
Speaker 1: out to the the one seven five Kiss FM booth

230
00:11:55,640 --> 00:11:59,040
Speaker 1: to say Hi, it's the kissing booth. This year we're

231
00:11:59,040 --> 00:12:01,480
Speaker 1: actually making out with the Oh we are scarier in charge.

232
00:12:01,720 --> 00:12:04,440
Speaker 1: All right, diverson feel goods? What do you have? Producer Sam?

233
00:12:04,480 --> 00:12:07,280
Speaker 1: All right? Does anybody know the United States Postal Service

234
00:12:07,360 --> 00:12:09,599
Speaker 1: CREED that's inscribed on that giant post office here in

235
00:12:09,640 --> 00:12:15,920
Speaker 1: the nutting Yeah, neither snow, nor rain, nor heat nor

236
00:12:16,040 --> 00:12:19,439
Speaker 1: gloom of night stays these couriers from the swift completion

237
00:12:19,520 --> 00:12:22,360
Speaker 1: of their appointed rounds. Okay, which basically means you're getting

238
00:12:22,360 --> 00:12:24,200
Speaker 1: your mail no matter what. Yeah, they're good at that, right,

239
00:12:24,200 --> 00:12:26,600
Speaker 1: And that makes sense because the delivery of my mail

240
00:12:26,720 --> 00:12:29,199
Speaker 1: is the most stable thing in my entire life. So

241
00:12:29,600 --> 00:12:33,079
Speaker 1: I really like this submission because Scott O'Brien has nominated

242
00:12:33,200 --> 00:12:35,880
Speaker 1: himself for feel Goods because he wants to toot his

243
00:12:35,920 --> 00:12:38,959
Speaker 1: own horn. He really appreciates the hard labor that these

244
00:12:39,000 --> 00:12:41,000
Speaker 1: guys do that most of us don't really think about.

245
00:12:41,160 --> 00:12:44,360
Speaker 1: And he hands out water bottles every time someone's on

246
00:12:44,400 --> 00:12:49,120
Speaker 1: his street delivering mail or packages to anyone around. This

247
00:12:49,200 --> 00:12:51,360
Speaker 1: is so super nice and it seems like such a

248
00:12:51,400 --> 00:12:54,160
Speaker 1: small thing, but I really like this because it's something

249
00:12:54,240 --> 00:12:56,720
Speaker 1: each one of us can just decide to do and

250
00:12:56,840 --> 00:12:58,960
Speaker 1: make someone's day a little bit easier. Thinking about all

251
00:12:59,000 --> 00:13:01,959
Speaker 1: those people that that do things for you every day,

252
00:13:02,000 --> 00:13:04,360
Speaker 1: and you don't remember it, you don't recognize it because

253
00:13:04,360 --> 00:13:06,800
Speaker 1: it's just you expect it to be there exactly, you know.

254
00:13:07,000 --> 00:13:10,160
Speaker 1: Like when I go flush my toilet, there's water in there.

255
00:13:10,240 --> 00:13:12,559
Speaker 1: Someone did something to make sure there was water connected

256
00:13:12,559 --> 00:13:15,440
Speaker 1: to my house. Thank you, water people. I should take

257
00:13:16,000 --> 00:13:22,640
Speaker 1: them water water people. Here's some water. Maybe vodka for

258
00:13:22,720 --> 00:13:25,760
Speaker 1: them maybe better anyway, So what's his name again? His

259
00:13:25,840 --> 00:13:29,760
Speaker 1: name is Scott O'Brien. Excellent, Thank you Scott, Thank you Scott.

260
00:13:29,840 --> 00:13:32,040
Speaker 1: And if you want to submit your feel good how

261
00:13:32,080 --> 00:13:34,000
Speaker 1: do you do that? You can email me Sam at

262
00:13:34,000 --> 00:13:37,400
Speaker 1: Elvis drand dot com and subject feel goods. We'll be

263
00:13:37,440 --> 00:13:41,400
Speaker 1: back after this. I love that we have this mindless job.

264
00:13:42,040 --> 00:13:45,400
Speaker 1: Why it's mindless? Can you imagine if we had to

265
00:13:45,440 --> 00:13:50,360
Speaker 1: actually manage a company and hire people? No, I can't even.

266
00:13:50,440 --> 00:13:52,800
Speaker 1: I can't even. You remember how I hired my intern,

267
00:13:53,160 --> 00:13:57,720
Speaker 1: how he flucked in and I said, when can you start?

268
00:13:58,600 --> 00:14:00,240
Speaker 1: As I was about to say, I just I can't

269
00:14:00,240 --> 00:14:03,080
Speaker 1: imagine me being in charge of anything now. So that's

270
00:14:03,120 --> 00:14:05,000
Speaker 1: why you know, I'm not the boss here. But if

271
00:14:05,040 --> 00:14:07,880
Speaker 1: you are the person who has to hire someone finding

272
00:14:07,960 --> 00:14:10,800
Speaker 1: qualified candidates, it's just it's got to be a nightmare.

273
00:14:11,000 --> 00:14:13,960
Speaker 1: I just can't. Yeah, I can't. Applicants are out there,

274
00:14:14,000 --> 00:14:16,240
Speaker 1: they're getting in touch with you at a rapid pace,

275
00:14:16,360 --> 00:14:18,280
Speaker 1: and they all want a job, and you'd either to

276
00:14:18,320 --> 00:14:20,880
Speaker 1: sift through their resumes. No, that's a stupid way to

277
00:14:20,960 --> 00:14:24,600
Speaker 1: hire people. Stupid, stupid step. There is a place you

278
00:14:24,640 --> 00:14:27,000
Speaker 1: can go. We're hiring as simple. It's fast, it's smart,

279
00:14:27,120 --> 00:14:31,320
Speaker 1: it's zip recruder dot com slash elvis. All right, zip

280
00:14:31,360 --> 00:14:33,640
Speaker 1: recruiter What they do. They send your job out over

281
00:14:33,720 --> 00:14:36,400
Speaker 1: a hundred of the web's leading job boards and then

282
00:14:37,280 --> 00:14:40,120
Speaker 1: with their powerful matching technology and it's pretty wild. I've

283
00:14:40,120 --> 00:14:42,680
Speaker 1: seen it work. They scan all the resumes, they find

284
00:14:42,680 --> 00:14:44,680
Speaker 1: the people with the right experience, then they invite them

285
00:14:44,720 --> 00:14:46,080
Speaker 1: to apply for the job, so you don't have a

286
00:14:46,080 --> 00:14:50,120
Speaker 1: lot of unnecessary applicants coming your way, right, and then

287
00:14:50,680 --> 00:14:54,200
Speaker 1: zip recruider also analyzes every one of them and spotlights

288
00:14:54,280 --> 00:14:57,320
Speaker 1: the top candidates, so you never missed the greatest matches.

289
00:14:57,840 --> 00:15:00,640
Speaker 1: Zip recruider is so effective eighty per so of employers

290
00:15:00,640 --> 00:15:03,280
Speaker 1: who post on zip recruiter dot com slash elvis get

291
00:15:03,280 --> 00:15:06,280
Speaker 1: a quality candidate in just a day. Use it for free.

292
00:15:06,280 --> 00:15:10,080
Speaker 1: It's the highest rated hiring site in America. For free

293
00:15:10,280 --> 00:15:13,640
Speaker 1: at zip recruiter dot com, slash elvis, it's an exclusive

294
00:15:13,640 --> 00:15:19,240
Speaker 1: web address just for you. Zip recruder dot com, slash elvis, Elvis.

295
00:15:19,320 --> 00:15:22,120
Speaker 1: Duran in the Morning Show, so we made this new rule.

296
00:15:22,240 --> 00:15:24,640
Speaker 1: Every time we have a guest come in, it doesn't

297
00:15:24,640 --> 00:15:27,000
Speaker 1: matter if they're a singer or an actor or whatever.

298
00:15:28,200 --> 00:15:32,800
Speaker 1: We asked them what song growing up? It was very, very,

299
00:15:32,960 --> 00:15:36,880
Speaker 1: very instrumental in shaping you into the person you are today. Right,

300
00:15:37,000 --> 00:15:38,960
Speaker 1: we all have those songs. We actually got into this

301
00:15:39,320 --> 00:15:41,320
Speaker 1: the other day. Yeah, and I said one of my

302
00:15:41,360 --> 00:15:44,840
Speaker 1: songs was Bohemian Rhapsody. We played the whole thing. Yeah,

303
00:15:44,920 --> 00:15:47,600
Speaker 1: Mine was How Lovely to Be a Woman from Bye

304
00:15:47,600 --> 00:15:50,960
Speaker 1: Bye Birdie, which is a movie in a Broadway musical, Right,

305
00:15:50,960 --> 00:15:53,560
Speaker 1: Froggy had Salt and Peppa push it. Anyway, these are

306
00:15:53,680 --> 00:15:55,800
Speaker 1: not just songs that we love growing up, but these

307
00:15:55,840 --> 00:15:59,920
Speaker 1: particular songs actually were like a turning point in our lives,

308
00:16:00,080 --> 00:16:02,400
Speaker 1: and they represent a part of our lives are still

309
00:16:02,440 --> 00:16:05,280
Speaker 1: important to us today. It's so important to ask yourself

310
00:16:05,280 --> 00:16:08,480
Speaker 1: the same question, like what songs were extremely influential on

311
00:16:08,560 --> 00:16:10,560
Speaker 1: you when you're growing up? You know, we never got

312
00:16:10,560 --> 00:16:14,840
Speaker 1: to you straight, Nate. Yeah, Like what song like or two?

313
00:16:15,120 --> 00:16:18,160
Speaker 1: We're really really, really instrumental in shaping you into who

314
00:16:18,280 --> 00:16:20,960
Speaker 1: you are today. I have one that really stuck out

315
00:16:20,960 --> 00:16:24,040
Speaker 1: when you asked this question, and it's Adelweiss from the

316
00:16:24,080 --> 00:16:29,360
Speaker 1: Sound of Music. Oh, Nate, that's a nice one. What

317
00:16:29,520 --> 00:16:39,760
Speaker 1: a great song. Now, why was this song instrumental in

318
00:16:39,880 --> 00:16:44,800
Speaker 1: turning you into this? Because it was the first musical

319
00:16:45,160 --> 00:16:49,640
Speaker 1: I ever auditioned for. And I was toned, and I

320
00:16:49,640 --> 00:16:51,920
Speaker 1: still am to a certain degree. I can't say, you're

321
00:16:51,920 --> 00:16:56,000
Speaker 1: trying to sing along with Christopher Plumber. You look happy.

322
00:16:56,720 --> 00:17:00,840
Speaker 1: I can't. I can't. You're pretty bad. So so I

323
00:17:00,920 --> 00:17:03,000
Speaker 1: had it was your first taste of rejection. It was no.

324
00:17:03,280 --> 00:17:05,439
Speaker 1: So here's the story. So you had to sing a

325
00:17:05,440 --> 00:17:07,680
Speaker 1: song from the musical. And I was auditioning for Captain

326
00:17:07,760 --> 00:17:11,120
Speaker 1: von Trap and I go in there and and I

327
00:17:11,280 --> 00:17:13,800
Speaker 1: was very nervous, and I'm very tone deaf. So the

328
00:17:13,840 --> 00:17:16,120
Speaker 1: person that gave me some instruction said, well, just find

329
00:17:16,160 --> 00:17:18,120
Speaker 1: something to focus at on the wall. So I looked

330
00:17:18,119 --> 00:17:21,399
Speaker 1: at the clock. And then mister Martone starts playing the

331
00:17:21,400 --> 00:17:24,679
Speaker 1: piano and I sang it, and I didn't see the

332
00:17:24,840 --> 00:17:27,920
Speaker 1: entire crowd until I was done with the song. And

333
00:17:27,960 --> 00:17:30,080
Speaker 1: I look at the crowd when I was done, and

334
00:17:30,240 --> 00:17:35,440
Speaker 1: people's heads were just in their hands. The director, mister Gondolpho,

335
00:17:35,480 --> 00:17:38,840
Speaker 1: was crying with laughter. It was so bad. And mister

336
00:17:38,960 --> 00:17:44,240
Speaker 1: Martone just like turned away from me at the piano.

337
00:17:44,359 --> 00:17:46,560
Speaker 1: But it shaped me. It realized, all right, I'm not

338
00:17:46,640 --> 00:17:49,600
Speaker 1: that good of a singer. I realized that I'm not

339
00:17:49,880 --> 00:17:52,560
Speaker 1: that good so I just focused on acting. It's a

340
00:17:52,680 --> 00:17:55,840
Speaker 1: very influential song in his life. Maybe not for the positive.

341
00:17:55,960 --> 00:17:58,760
Speaker 1: It's not no no, but songs can be not positive.

342
00:17:58,760 --> 00:18:00,840
Speaker 1: Sometimes they can be negative, like it shaped me to

343
00:18:00,880 --> 00:18:03,800
Speaker 1: who I am. Like great Tea chose an old song

344
00:18:04,240 --> 00:18:06,560
Speaker 1: called Cats in the Cradle. Remember this song. I don't

345
00:18:06,560 --> 00:18:13,120
Speaker 1: know if you do. So you remember growing up listening

346
00:18:13,160 --> 00:18:15,239
Speaker 1: to this song? Yeah, I remember hearing in the can

347
00:18:15,320 --> 00:18:17,359
Speaker 1: the car radio. Okay, we all heard this growing up.

348
00:18:17,520 --> 00:18:19,440
Speaker 1: Obviously it meant more to you than it did to

349
00:18:19,640 --> 00:18:22,240
Speaker 1: the rest of us. Like, what's so incredible about this song?

350
00:18:22,440 --> 00:18:25,119
Speaker 1: So for me, you know, we've always told the stories.

351
00:18:25,160 --> 00:18:27,280
Speaker 1: You know, I had this loser of a biological dad,

352
00:18:27,760 --> 00:18:30,560
Speaker 1: and when I finally realized that, like, you know, I

353
00:18:30,560 --> 00:18:32,879
Speaker 1: don't really need him and then I'm moving on in

354
00:18:33,000 --> 00:18:34,800
Speaker 1: my life. Is when I heard the song and then

355
00:18:34,800 --> 00:18:36,919
Speaker 1: all of a sudden, I remember trying to record the

356
00:18:36,920 --> 00:18:39,320
Speaker 1: song to write it, really hear all the lyrics. So

357
00:18:39,359 --> 00:18:41,480
Speaker 1: I heard all the lyrics. How it really started, like

358
00:18:41,520 --> 00:18:43,600
Speaker 1: you know, um, the child was born. It takes you through,

359
00:18:43,760 --> 00:18:46,439
Speaker 1: you know, all these different stages as he grows older

360
00:18:46,480 --> 00:18:48,200
Speaker 1: and then he wants to go out with his friends

361
00:18:48,240 --> 00:18:51,280
Speaker 1: and if you listen closely. At the end, he finally

362
00:18:51,320 --> 00:18:53,320
Speaker 1: moves on because the dad calls him and he says,

363
00:18:53,440 --> 00:18:54,960
Speaker 1: you know, I wanted to check in, say you're doing.

364
00:18:55,000 --> 00:18:57,040
Speaker 1: And then he turns it around and says, but you know, Dad,

365
00:18:57,119 --> 00:18:59,440
Speaker 1: I really gotta go. Kids got the flu. This is

366
00:18:59,480 --> 00:19:02,119
Speaker 1: what's going on. So so sorry, but bye hangs up

367
00:19:02,160 --> 00:19:04,560
Speaker 1: the phone because he's moved on with his life, and

368
00:19:04,720 --> 00:19:07,159
Speaker 1: the dad kind of like sits back and just realizes that,

369
00:19:07,200 --> 00:19:09,640
Speaker 1: you know, he doesn't need me, kind of just grew

370
00:19:09,720 --> 00:19:12,480
Speaker 1: up on his own. So far you and straighten it

371
00:19:12,520 --> 00:19:20,600
Speaker 1: are depressing me. And then producer Sam you chose Janet Jackson. Yeah,

372
00:19:20,640 --> 00:19:24,359
Speaker 1: I used this song to audition for the third Great

373
00:19:24,440 --> 00:19:27,639
Speaker 1: Talent Show. Yeah. My act was called Kid Janet and

374
00:19:27,680 --> 00:19:30,840
Speaker 1: I had a lot of sparkles and I was I

375
00:19:30,880 --> 00:19:33,600
Speaker 1: was loving it and I was so bad, but it

376
00:19:33,680 --> 00:19:36,920
Speaker 1: was so much fun. And I remember taking off my

377
00:19:37,000 --> 00:19:39,159
Speaker 1: jacket during the audition at one point and it was

378
00:19:39,200 --> 00:19:40,920
Speaker 1: a little too revealing the off that I was wearing

379
00:19:40,960 --> 00:19:43,159
Speaker 1: underneath because I thought I was Janet Jackson. So my

380
00:19:43,200 --> 00:19:46,040
Speaker 1: mom got a phone call. Here you go. Yeah, a

381
00:19:46,080 --> 00:19:48,560
Speaker 1: really big day for me. So so that song in

382
00:19:48,600 --> 00:19:50,959
Speaker 1: particular more than any other song that you can just

383
00:19:51,040 --> 00:19:53,760
Speaker 1: recall today. Yeah, it was actually just that's a moment

384
00:19:53,760 --> 00:19:55,800
Speaker 1: you're never gonna ever forget. Yeah, it was a fun

385
00:19:55,840 --> 00:20:00,240
Speaker 1: moment for me and then Brody. Yeah, growing up a

386
00:20:00,240 --> 00:20:04,680
Speaker 1: a rock and roll loving kid in Brooklyn. Sure what Triumph? Yes,

387
00:20:05,000 --> 00:20:07,840
Speaker 1: I'm not I'm not familiar. I'm not familiar with Triumph.

388
00:20:09,440 --> 00:20:12,840
Speaker 1: Three man band. It's called Somebody's out There. They're from Canada,

389
00:20:12,920 --> 00:20:15,840
Speaker 1: and it's about being alone but knowing that somebody's out

390
00:20:15,840 --> 00:20:20,600
Speaker 1: there somewhere, waiting for something to be somebody somewhere and

391
00:20:20,680 --> 00:20:22,960
Speaker 1: so's so sweet. Now, how old were you in this song?

392
00:20:23,119 --> 00:20:33,600
Speaker 1: Was like, really, instrument were you go? I song seventeen

393
00:20:33,680 --> 00:20:36,359
Speaker 1: or eighteen and girls had nothing to do with me

394
00:20:36,520 --> 00:20:39,639
Speaker 1: kind of right now. And so this song basically says,

395
00:20:39,840 --> 00:20:43,240
Speaker 1: you know what, somebody is made for you and somehow

396
00:20:43,480 --> 00:20:47,119
Speaker 1: I will be somebody's somewhe Oh so cool, and so

397
00:20:47,240 --> 00:20:49,000
Speaker 1: it gave me an out look and made me hopeful.

398
00:20:50,160 --> 00:20:52,840
Speaker 1: So you still hear that song, You're like, okay, Well, absolutely,

399
00:20:52,880 --> 00:20:54,280
Speaker 1: every time I hear it reminds me of when I

400
00:20:54,320 --> 00:20:56,600
Speaker 1: didn't have a family in a life and girls interested

401
00:20:56,600 --> 00:20:59,480
Speaker 1: in me and and now they're throwing themselves at you.

402
00:20:59,600 --> 00:21:02,160
Speaker 1: Oh no, they're throwing things at me for throwing up

403
00:21:02,160 --> 00:21:04,760
Speaker 1: on you. Yeah. That was the serious song in this collection.

404
00:21:04,760 --> 00:21:06,280
Speaker 1: And I think there's a humorous one there as well.

405
00:21:06,320 --> 00:21:11,000
Speaker 1: Oh and of course weird out ye number one. We're

406
00:21:11,040 --> 00:21:15,080
Speaker 1: already back there. Which song is this? This is a

407
00:21:15,119 --> 00:21:17,879
Speaker 1: parody of Queens. Another one bites the Dust, This is

408
00:21:17,920 --> 00:21:22,560
Speaker 1: another one. Rides the Bus just came out when I

409
00:21:22,640 --> 00:21:25,959
Speaker 1: was in high school and I started writing parodies in

410
00:21:26,000 --> 00:21:27,920
Speaker 1: class and got in trouble for it. And now I

411
00:21:27,960 --> 00:21:29,600
Speaker 1: get paid to do that for a living. Is it funny?

412
00:21:29,720 --> 00:21:36,359
Speaker 1: Nice now, Garrett? Yes, one of them is foot Loose.

413
00:21:36,440 --> 00:21:38,240
Speaker 1: So I grew up watching in this movie. This was

414
00:21:38,280 --> 00:21:40,480
Speaker 1: the movie that as a kid I would watch constantly,

415
00:21:40,560 --> 00:21:42,760
Speaker 1: over and over and over again, because kids love to

416
00:21:42,760 --> 00:21:45,639
Speaker 1: watch the same movie over exactly. This was your and

417
00:21:45,680 --> 00:21:48,040
Speaker 1: this was the movie. And then all of a sudden

418
00:21:48,040 --> 00:21:50,920
Speaker 1: it just started sticking with me throughout life. And I

419
00:21:50,960 --> 00:21:52,800
Speaker 1: don't know if it was just because I just started

420
00:21:52,880 --> 00:21:55,399
Speaker 1: dancing all over the place like like no one was watching.

421
00:21:56,080 --> 00:21:58,760
Speaker 1: I wasn't a very good dancer, but something about that

422
00:21:58,800 --> 00:22:01,119
Speaker 1: movie just has always up with me, and including this

423
00:22:01,119 --> 00:22:03,160
Speaker 1: song too, even when I hear it today, it still

424
00:22:03,160 --> 00:22:05,040
Speaker 1: puts this smile on my face. So as you listen

425
00:22:05,080 --> 00:22:06,639
Speaker 1: to this, I mean, look, you know, these are just

426
00:22:06,800 --> 00:22:09,840
Speaker 1: songs to some people, but these songs connected to the

427
00:22:09,880 --> 00:22:12,640
Speaker 1: Garrets and the Broadies and the great teas of the world.

428
00:22:12,640 --> 00:22:16,320
Speaker 1: I mean these are like, this is your soundtrack. I

429
00:22:16,359 --> 00:22:19,160
Speaker 1: know that's an overused phrase, but they truly are. Then

430
00:22:19,200 --> 00:22:24,840
Speaker 1: I look over at coaster Boy Josh, Hello, Doobie Brothers.

431
00:22:25,520 --> 00:22:28,199
Speaker 1: You see, I grew up with this too. This was

432
00:22:28,600 --> 00:22:30,240
Speaker 1: we would go on road trips. My dad would take

433
00:22:30,280 --> 00:22:32,480
Speaker 1: us on road trip, right, and we had like one CD.

434
00:22:32,600 --> 00:22:34,480
Speaker 1: It was the best of the Doobie Brothers, and this

435
00:22:34,640 --> 00:22:39,560
Speaker 1: album would start out every road trip and I just

436
00:22:38,280 --> 00:22:42,680
Speaker 1: love it. And then I grew up and my uncle

437
00:22:42,760 --> 00:22:47,000
Speaker 1: Greg rest his awesome radical soul. We karaoke this song

438
00:22:47,040 --> 00:22:53,000
Speaker 1: all the time together. This one Metallica um so you

439
00:22:53,040 --> 00:22:56,480
Speaker 1: can Destroy. You grew up in Cleveland, big rock town, right, Well,

440
00:22:56,560 --> 00:22:59,359
Speaker 1: this one you ever have like a life changing epiphany?

441
00:23:00,000 --> 00:23:02,119
Speaker 1: I happened to this song. What do you mean? I

442
00:23:02,160 --> 00:23:05,000
Speaker 1: was my second year of college. I was in Bowling Green, Ohio,

443
00:23:05,600 --> 00:23:09,399
Speaker 1: enrolled in business school, hating my life. Rural town was

444
00:23:09,440 --> 00:23:11,280
Speaker 1: just like what am I doing here? I like, I

445
00:23:11,440 --> 00:23:13,760
Speaker 1: wasn't couldn't put all the pieces and parts together yet

446
00:23:13,760 --> 00:23:15,840
Speaker 1: on what I wanted to do with my life. And

447
00:23:15,960 --> 00:23:18,720
Speaker 1: this metallicic documentary came out called Some Kind of Monster,

448
00:23:19,320 --> 00:23:22,680
Speaker 1: and the filmmakers chose to start the documentary by playing

449
00:23:22,680 --> 00:23:25,280
Speaker 1: that song at different points in their career. So it

450
00:23:25,359 --> 00:23:28,040
Speaker 1: started out with them playing that in a club, angry

451
00:23:28,040 --> 00:23:31,160
Speaker 1: punk kids twenty years old playing to other punk kids,

452
00:23:31,200 --> 00:23:34,040
Speaker 1: then them going to play in a bigger club, and

453
00:23:34,080 --> 00:23:37,360
Speaker 1: then an arena and then a giant stadium, and in

454
00:23:37,359 --> 00:23:41,040
Speaker 1: that moment, I realized, Holy crap, these are people that

455
00:23:41,160 --> 00:23:43,280
Speaker 1: chose to do what they loved for a living and

456
00:23:43,359 --> 00:23:46,520
Speaker 1: became one of the biggest performance acts in all of music.

457
00:23:46,720 --> 00:23:49,199
Speaker 1: So what was your epiphany from that? I'm gonna go

458
00:23:49,520 --> 00:23:52,160
Speaker 1: drop out of school, move home to Cleveland, get an

459
00:23:52,160 --> 00:23:55,080
Speaker 1: internship in radio, And then I did, and I ended

460
00:23:55,119 --> 00:23:57,280
Speaker 1: up hearing it was because of that song and that

461
00:23:57,359 --> 00:24:07,920
Speaker 1: moment in that movie there you got the coach Josh everyone. Hey, Danielle,

462
00:24:08,280 --> 00:24:10,879
Speaker 1: I'll tell you before she talks about this song, she

463
00:24:10,960 --> 00:24:13,399
Speaker 1: actually had a crush on George Michael. He was gonna

464
00:24:13,400 --> 00:24:20,120
Speaker 1: be mine. I remember this. My girlfriends and I loved WAM.

465
00:24:20,160 --> 00:24:22,000
Speaker 1: I had a post of George Michael and my door

466
00:24:22,119 --> 00:24:24,560
Speaker 1: growing up that I would kiss you would kiss your

467
00:24:24,560 --> 00:24:26,600
Speaker 1: George Michael at night. It had like a hole in

468
00:24:26,680 --> 00:24:30,760
Speaker 1: its mouth because it got so wet from me. Oh

469
00:24:30,920 --> 00:24:32,640
Speaker 1: my god. I mean I had a couple of posters

470
00:24:32,680 --> 00:24:35,080
Speaker 1: like that. But but yeah, and I was he was

471
00:24:35,119 --> 00:24:38,399
Speaker 1: gonna be mine and a little did I know that

472
00:24:38,680 --> 00:24:41,640
Speaker 1: WAM and George Michael and that whole culture club type

473
00:24:41,680 --> 00:24:44,840
Speaker 1: era that music was just when I grew up with

474
00:24:44,920 --> 00:24:47,760
Speaker 1: And it's like it was just fun. Yeah, So what

475
00:24:47,800 --> 00:24:53,040
Speaker 1: about this song from Selena? It reminds me of just

476
00:24:53,200 --> 00:24:55,560
Speaker 1: hanging out in my Boyla's house with all my little cousins.

477
00:24:55,680 --> 00:24:57,320
Speaker 1: We were actually all the same age, but I had

478
00:24:57,320 --> 00:25:00,239
Speaker 1: little cousins and older cousins and just dressing up like

479
00:25:00,240 --> 00:25:03,560
Speaker 1: the infamous purple outfit. We try to recreate it Selena

480
00:25:03,600 --> 00:25:07,160
Speaker 1: outfit and just saying we'll like pass around the hairbrush

481
00:25:07,240 --> 00:25:10,760
Speaker 1: as a microphone. Yeah, it was like so cute. It

482
00:25:10,760 --> 00:25:13,240
Speaker 1: just reminds me of Mabella's house. And now we were

483
00:25:13,240 --> 00:25:15,880
Speaker 1: all grown up and some have kids, some don't, and

484
00:25:16,240 --> 00:25:18,080
Speaker 1: it's kind of hard to get together, but when we do,

485
00:25:18,160 --> 00:25:27,159
Speaker 1: we always sing Selina. She was so talented and like

486
00:25:27,280 --> 00:25:30,040
Speaker 1: Jennifer Lotos on the map right, Yes, she played for

487
00:25:30,040 --> 00:25:32,880
Speaker 1: a long time. I thought Jay Love was Feuena for

488
00:25:32,920 --> 00:25:34,920
Speaker 1: a long time. She did a great job. That really

489
00:25:35,040 --> 00:25:37,240
Speaker 1: was the beginning of her well, some would say the

490
00:25:37,240 --> 00:25:41,760
Speaker 1: beginning of her true, true, true career. All right, so Jake, yes, okay,

491
00:25:41,760 --> 00:25:45,160
Speaker 1: So what were you influencing songs I have cold Play,

492
00:25:45,280 --> 00:25:52,120
Speaker 1: Fix You are great songs. Where were you in your

493
00:25:52,119 --> 00:25:54,960
Speaker 1: life when the song affected you so deeply? Going through

494
00:25:55,040 --> 00:26:00,400
Speaker 1: my first breakup, I remember that it was for that

495
00:26:00,359 --> 00:26:06,760
Speaker 1: that was like a month ago. So what you played

496
00:26:06,760 --> 00:26:08,760
Speaker 1: the song on loop like over and over and over. Yeah,

497
00:26:08,760 --> 00:26:10,760
Speaker 1: this was the first song that like really made me

498
00:26:10,800 --> 00:26:14,200
Speaker 1: emotional and made my connection with music a lot deeper

499
00:26:14,240 --> 00:26:16,880
Speaker 1: because you know, I had never had a song before

500
00:26:16,920 --> 00:26:20,720
Speaker 1: that made that emotional. So yeah, so still to this

501
00:26:20,840 --> 00:26:23,840
Speaker 1: day and helped me get through that break up. Music

502
00:26:24,160 --> 00:26:26,240
Speaker 1: still makes me cry every time I listened to this

503
00:26:26,920 --> 00:26:28,960
Speaker 1: is so fantastic, what Sam. I was actually in a

504
00:26:29,000 --> 00:26:31,880
Speaker 1: traveling acapella group in high school because I'm so super cool,

505
00:26:31,960 --> 00:26:34,240
Speaker 1: and we did this song and I was removed from

506
00:26:34,240 --> 00:26:37,960
Speaker 1: the live performances because it would make me cry. It's

507
00:26:37,960 --> 00:26:40,120
Speaker 1: so sad, that is, so I'll give you another one.

508
00:26:40,240 --> 00:26:42,880
Speaker 1: My mom and dad used to have all the albums

509
00:26:42,920 --> 00:26:44,879
Speaker 1: from all the big Broadway shows, and one of them

510
00:26:45,000 --> 00:26:48,560
Speaker 1: was Camelot. It's true, it's true. So this is Richard

511
00:26:48,600 --> 00:26:54,200
Speaker 1: Burton made He and Julie Andrews and Robert Goulay. It

512
00:26:54,240 --> 00:26:58,760
Speaker 1: was all about Gwinnevere. I wanted to be gwinne who

513
00:26:58,840 --> 00:27:03,960
Speaker 1: was like between King Arthur and of course Sir Lancelot.

514
00:27:05,440 --> 00:27:07,520
Speaker 1: Sir Lancelot was the guy I wanted to hook up

515
00:27:07,520 --> 00:27:11,160
Speaker 1: with because it was like the crazy, you know guy

516
00:27:11,200 --> 00:27:16,320
Speaker 1: in the woods, like I bet he knew Robin Hood did.

517
00:27:16,960 --> 00:27:19,600
Speaker 1: I don't know see people anyway, But I always thought

518
00:27:19,680 --> 00:27:21,520
Speaker 1: musicals were so cool because they would stand on the

519
00:27:21,600 --> 00:27:23,919
Speaker 1: stage and it would take you to another era that

520
00:27:23,960 --> 00:27:26,520
Speaker 1: we just didn't know anything about, and they would sing

521
00:27:26,560 --> 00:27:29,040
Speaker 1: and have fun. And that's where I just wanted to

522
00:27:29,080 --> 00:27:34,719
Speaker 1: be on Broadway. But I didn't have a voice anyway. Hey,

523
00:27:34,800 --> 00:27:40,160
Speaker 1: reb girl, Kathleen, what do you got Paula Cole? This

524
00:27:40,280 --> 00:27:42,360
Speaker 1: is a huge song. This is because the Dawson's Cree

525
00:27:43,880 --> 00:27:46,399
Speaker 1: my number one show the whole time. That was your

526
00:27:46,400 --> 00:27:50,280
Speaker 1: favorite song? Your favorite show too? Oh my God. I mean,

527
00:27:50,600 --> 00:27:54,639
Speaker 1: this is Joey just looking up at Dawson's window and

528
00:27:54,800 --> 00:27:57,040
Speaker 1: climbing up the ladder. Meant to be together, but then

529
00:27:57,080 --> 00:27:59,920
Speaker 1: they're not meant to be together. Oh they don't even

530
00:28:00,080 --> 00:28:01,960
Speaker 1: wind up together at the end. I've been watching that

531
00:28:02,000 --> 00:28:06,240
Speaker 1: show with the caption on lately and actually reading the words. Man,

532
00:28:06,280 --> 00:28:10,960
Speaker 1: if you want a good night, do that Dawson's creating. Yes, Yes,

533
00:28:11,000 --> 00:28:13,400
Speaker 1: if you want to study for the SATs, watch Dawson's Creek.

534
00:28:13,560 --> 00:28:16,080
Speaker 1: They hit the cloth cap. Remember when Pacy hooked up

535
00:28:16,080 --> 00:28:19,320
Speaker 1: with the teacher. They would never put that on TV now,

536
00:28:19,359 --> 00:28:21,520
Speaker 1: And it's not probably Felicity, but we had the entire

537
00:28:21,560 --> 00:28:24,080
Speaker 1: cast of Felicity on our show and then they canceled it.

538
00:28:24,160 --> 00:28:30,440
Speaker 1: We never heard from your memory now, Scotty B. Yeah.

539
00:28:30,560 --> 00:28:33,360
Speaker 1: Michael Jackson, I know it's weird. No, not at all.

540
00:28:33,480 --> 00:28:37,360
Speaker 1: But this song indirectly got me into radio because when

541
00:28:37,400 --> 00:28:40,320
Speaker 1: I was either eleven or twelve years old, I want

542
00:28:40,320 --> 00:28:42,600
Speaker 1: a pair of tickets from Michael Jackson con to the

543
00:28:42,640 --> 00:28:45,200
Speaker 1: Madison Square Garden at two o'clock in the morning, and

544
00:28:45,240 --> 00:28:47,280
Speaker 1: I heard my voice on the radio when they played

545
00:28:47,280 --> 00:28:49,160
Speaker 1: me back as a winner. And this had a super

546
00:28:49,200 --> 00:28:51,360
Speaker 1: long intro. So I was on for like twenty five

547
00:28:51,400 --> 00:28:53,840
Speaker 1: seconds and sitting in my bed at two o'clock in

548
00:28:53,840 --> 00:28:55,800
Speaker 1: the morning and listening to this, I was like, this

549
00:28:55,880 --> 00:28:57,200
Speaker 1: is what I want to do. I want to be

550
00:28:57,240 --> 00:29:00,280
Speaker 1: on the radio. And ever since then, I was pretty

551
00:29:00,360 --> 00:29:02,360
Speaker 1: much in radio. I started interning when I was like

552
00:29:02,360 --> 00:29:04,560
Speaker 1: fifteen years old, so I've been doing it for forever,

553
00:29:04,640 --> 00:29:06,560
Speaker 1: ever since I was a little kid. And there you go,

554
00:29:06,680 --> 00:29:09,600
Speaker 1: and that's what did it. So these songs to others,

555
00:29:09,640 --> 00:29:11,800
Speaker 1: they're just songs, but to you, they are really truly

556
00:29:11,880 --> 00:29:14,760
Speaker 1: meaningful parts of your life. Yeah, and that's why we

557
00:29:14,800 --> 00:29:19,120
Speaker 1: love our music Instagram Elvis Duran show what song made

558
00:29:19,200 --> 00:29:21,520
Speaker 1: you you? I want to hear from you. I want

559
00:29:21,520 --> 00:29:25,440
Speaker 1: to see what song made you into that you're looking

560
00:29:25,480 --> 00:29:27,760
Speaker 1: at in the mirror right now. Something to talk to

561
00:29:27,760 --> 00:29:29,840
Speaker 1: your friends about today. We gotta take a break. We're

562
00:29:29,880 --> 00:29:34,120
Speaker 1: back After The Walkers and Talkers a podcast for Walking

563
00:29:34,160 --> 00:29:40,480
Speaker 1: Dead fans. You Can't Say Anything but No Stop. It

564
00:29:40,760 --> 00:29:44,480
Speaker 1: recaps the latest news and interviews with members of the cast.

565
00:29:44,600 --> 00:29:47,880
Speaker 1: Hosted by David Brodyan his co host Jamie Walkers and

566
00:29:47,960 --> 00:29:52,600
Speaker 1: Talkers listen on the iHeartRadio app. It's the twentieth anniversary

567
00:29:52,720 --> 00:29:55,280
Speaker 1: of the Now that's what I call music Series, and

568
00:29:55,440 --> 00:29:59,320
Speaker 1: Volume sixty seven is out now and available everywhere you are.

569
00:29:59,640 --> 00:30:03,120
Speaker 1: Plus you can shape the upcoming twentieth anniversary edition with

570
00:30:03,200 --> 00:30:07,240
Speaker 1: your votes. And now that's music dot Com slash twentieth

571
00:30:07,240 --> 00:30:14,160
Speaker 1: anniversary slash vote Elvis Duran in the Morning show, Are

572
00:30:14,200 --> 00:30:21,960
Speaker 1: you ever? Love? Are every story? Yere? Are you sitting?

573
00:30:22,400 --> 00:30:26,080
Speaker 1: So before before I even tell you, I'm I both

574
00:30:26,400 --> 00:30:31,640
Speaker 1: like to anywhere, So even in the privacy of your

575
00:30:31,640 --> 00:30:34,200
Speaker 1: own I wear jean shorts. I wear jean shorts in

576
00:30:34,200 --> 00:30:37,920
Speaker 1: my shower. Guys. Okay, all right, So I hate using

577
00:30:38,000 --> 00:30:40,400
Speaker 1: big public bathrooms where like in the movie theater or

578
00:30:40,400 --> 00:30:43,040
Speaker 1: the mall where there's like twenty stalls in a row.

579
00:30:43,160 --> 00:30:46,280
Speaker 1: Gives me adjita. Okay, So when again in the stall

580
00:30:46,480 --> 00:30:49,680
Speaker 1: and you know you hear that wheel turning people everywhere

581
00:30:49,800 --> 00:30:53,160
Speaker 1: pull in toilet paper, right, it is my biggest fear

582
00:30:53,680 --> 00:30:56,040
Speaker 1: to have that metal piece between the two stalls that

583
00:30:56,080 --> 00:30:58,800
Speaker 1: holds the toilet paper and the little garbage to fall out,

584
00:30:59,320 --> 00:31:03,160
Speaker 1: and it can happen to me, guys. Hold on, So

585
00:31:03,160 --> 00:31:07,640
Speaker 1: so the toilet paper holder, the little metal holder fell

586
00:31:07,720 --> 00:31:10,040
Speaker 1: out of the wall. So you can look into the

587
00:31:10,080 --> 00:31:12,440
Speaker 1: next stall. So I'm sitting on the pot and I'm

588
00:31:12,480 --> 00:31:14,960
Speaker 1: getting my toilet paper, and the damn thing falls right

589
00:31:14,960 --> 00:31:16,959
Speaker 1: out of the wall, crashes to the ground, and now

590
00:31:16,960 --> 00:31:19,200
Speaker 1: there's a big hole in between me and the stall

591
00:31:19,240 --> 00:31:21,280
Speaker 1: next to me, and this woman and I are just

592
00:31:21,840 --> 00:31:25,800
Speaker 1: looking at each other, like, oh, what happened? And I

593
00:31:25,880 --> 00:31:28,280
Speaker 1: just put my hand very slightly over my crutch, and

594
00:31:28,280 --> 00:31:31,440
Speaker 1: I was so uncomfortable. I said, forgive me, father, for

595
00:31:31,560 --> 00:31:34,880
Speaker 1: I have sitten. She laughed, She didn't well, she didn't

596
00:31:34,880 --> 00:31:37,840
Speaker 1: speak English, and she starts screaming. Then I'm screaming. I

597
00:31:37,920 --> 00:31:40,120
Speaker 1: just pulled up my pants. I didn't even didn't even

598
00:31:40,160 --> 00:31:42,240
Speaker 1: have anything to clean off a shake, and I just

599
00:31:42,320 --> 00:31:45,120
Speaker 1: ran out of the bathroom. I didn't even realize that

600
00:31:45,200 --> 00:31:47,440
Speaker 1: there's a hole. If that thing fell out, I didn't

601
00:31:47,760 --> 00:31:50,600
Speaker 1: because they never fall out. That's definitely an are you

602
00:31:50,960 --> 00:31:53,239
Speaker 1: and kidd in me? Moment? You know, we have an

603
00:31:53,320 --> 00:31:56,240
Speaker 1: are you and kidd in me? Bathroom? Here it's a

604
00:31:56,360 --> 00:32:00,200
Speaker 1: radio station. Every time I walk in, I'd say that one. No,

605
00:32:00,240 --> 00:32:01,720
Speaker 1: this is on another floor. Have you heard about it?

606
00:32:01,880 --> 00:32:04,160
Speaker 1: Have you heard about have you heard about a code? Three?

607
00:32:04,200 --> 00:32:06,840
Speaker 1: Two four? Two? No? No, what is that? Can we

608
00:32:06,840 --> 00:32:11,400
Speaker 1: talk about this code? Okay, So there's a men's room

609
00:32:11,400 --> 00:32:13,960
Speaker 1: on another floor. So if you really really have to

610
00:32:14,000 --> 00:32:18,080
Speaker 1: go like destroy a bathroom, we i've heard roomor that.

611
00:32:19,200 --> 00:32:21,600
Speaker 1: Guys go to that floor and you go to that bathroom,

612
00:32:21,640 --> 00:32:23,640
Speaker 1: but there's a code to get in, and it's three

613
00:32:23,680 --> 00:32:26,719
Speaker 1: two four two. Be hearing. If you hear us say, well,

614
00:32:26,720 --> 00:32:28,640
Speaker 1: where's Nate? Well he had to go three two four two.

615
00:32:29,000 --> 00:32:30,400
Speaker 1: That means he had to go to the other floor,

616
00:32:30,520 --> 00:32:32,480
Speaker 1: use that code to go in and destroy the bathroom

617
00:32:32,480 --> 00:32:35,240
Speaker 1: because you know you're gonna wreck it. In fact, was

618
00:32:35,280 --> 00:32:37,320
Speaker 1: it two weeks ago? Scary goes, hey, man, what's the

619
00:32:37,320 --> 00:32:39,640
Speaker 1: code for the bathroom? Three two four two three four?

620
00:32:39,960 --> 00:32:41,920
Speaker 1: How come no one else knows about this but the boy?

621
00:32:42,080 --> 00:32:45,080
Speaker 1: Because it's that's all right. If I have a code,

622
00:32:45,080 --> 00:32:50,160
Speaker 1: it can become microbe. I'm basically one anyway, can't I share? Yes,

623
00:32:50,240 --> 00:32:54,200
Speaker 1: you're just a shade away from mail. What's scary? Everybody

624
00:32:54,280 --> 00:32:57,400
Speaker 1: in their office has to have that remote bathroom and

625
00:32:57,440 --> 00:32:59,680
Speaker 1: it has to have a three two four two bathroom somewhere.

626
00:32:59,760 --> 00:33:02,240
Speaker 1: You know me, I go to the Hyatt. Yeah, do

627
00:33:02,240 --> 00:33:04,400
Speaker 1: you at the time you rented a room just to

628
00:33:04,440 --> 00:33:06,600
Speaker 1: go shushy. I paid two hundred dollars to get a

629
00:33:06,640 --> 00:33:08,880
Speaker 1: room just so I couldn't shushy at work. I had to.

630
00:33:09,200 --> 00:33:10,920
Speaker 1: But anyway, it's an are you eving kidding me? I

631
00:33:10,920 --> 00:33:13,000
Speaker 1: remember when I told you guys you're always screaming? I mean,

632
00:33:13,040 --> 00:33:15,840
Speaker 1: are you eving kidding me? Anyway, there's a problem with

633
00:33:15,880 --> 00:33:18,320
Speaker 1: the three two four two secret bathroom. What's that broad? Yeah,

634
00:33:18,320 --> 00:33:20,360
Speaker 1: So the bathroom that the men use here on this floor,

635
00:33:20,440 --> 00:33:23,320
Speaker 1: we use every day, is an exact replica of the

636
00:33:23,320 --> 00:33:26,840
Speaker 1: three two four two bathroom, except there's one difference. We

637
00:33:26,920 --> 00:33:29,600
Speaker 1: have automatic sinks down here, so you put your hands

638
00:33:29,640 --> 00:33:32,840
Speaker 1: underneath and the water comes out. Ye upstairs, it's bizarro world.

639
00:33:32,880 --> 00:33:34,920
Speaker 1: Everything looks exactly the same. When you're sitting, you think

640
00:33:34,960 --> 00:33:37,080
Speaker 1: you're here, but when you go to wash your hands,

641
00:33:37,080 --> 00:33:39,560
Speaker 1: the water doesn't come out. It's manual. So every one

642
00:33:39,600 --> 00:33:41,560
Speaker 1: of us stands are going coming out in the water,

643
00:33:41,600 --> 00:33:43,000
Speaker 1: and you want to hurry up and get out before

644
00:33:43,040 --> 00:33:45,040
Speaker 1: someone cases, and so you're hitting it and you don't

645
00:33:45,080 --> 00:33:47,240
Speaker 1: because you don't remember, and it takes a couple of minutes.

646
00:33:47,280 --> 00:33:50,560
Speaker 1: Every right, mate, problem you can't get the water out

647
00:33:50,600 --> 00:33:52,560
Speaker 1: because it's not an automatic sink. I was up there

648
00:33:52,600 --> 00:33:54,000
Speaker 1: and I was trying to wash my hands, and there's

649
00:33:54,040 --> 00:33:55,680
Speaker 1: a guy standing next to me looking at me like

650
00:33:55,720 --> 00:34:00,000
Speaker 1: I'm from another planet, because my standing from another floor. Yeah,

651
00:34:00,120 --> 00:34:01,840
Speaker 1: standing in there, my hands underneath the fossle, wait for

652
00:34:01,880 --> 00:34:03,280
Speaker 1: the water to come out, but you have to actually

653
00:34:03,360 --> 00:34:06,200
Speaker 1: touch it. It's it's the crazy, it's bizarre world up there.

654
00:34:06,680 --> 00:34:10,080
Speaker 1: I think that the ladies need a three two four two. Yeah. Yeah,

655
00:34:10,160 --> 00:34:12,520
Speaker 1: because I was in the bathroom not so long ago,

656
00:34:12,600 --> 00:34:15,080
Speaker 1: and there's somebody that works on this floor who's very

657
00:34:15,120 --> 00:34:17,479
Speaker 1: well known. She runs into the ladies room and starts

658
00:34:17,520 --> 00:34:22,040
Speaker 1: screaming everybody else everybody else? Are you kidding? No? And

659
00:34:22,120 --> 00:34:23,680
Speaker 1: everybody was like, oh my god, I have to wash

660
00:34:23,719 --> 00:34:26,120
Speaker 1: my hands. Stone she's giving you a warning. I would

661
00:34:26,200 --> 00:34:28,120
Speaker 1: hate the warning. So you know what, I think you

662
00:34:28,120 --> 00:34:29,840
Speaker 1: do have a three two four two. It's a different

663
00:34:29,880 --> 00:34:31,839
Speaker 1: code on a different floor. I'm sure you have one.

664
00:34:31,960 --> 00:34:33,440
Speaker 1: I need to figure this out. Why would they put

665
00:34:33,440 --> 00:34:36,160
Speaker 1: a code on the man's room and not the women. Yeah,

666
00:34:36,160 --> 00:34:38,760
Speaker 1: why can't you just go and use the private bathroom

667
00:34:38,760 --> 00:34:41,840
Speaker 1: in the lobby because everyone is because everyone destroys that.

668
00:34:41,880 --> 00:34:43,319
Speaker 1: I'm not going to go in there. Turn the water

669
00:34:43,560 --> 00:34:45,960
Speaker 1: nobody's any worse than sitting on a toilet and it's

670
00:34:45,960 --> 00:34:50,440
Speaker 1: still warm from the person before you. That is good disgusting.

671
00:34:50,960 --> 00:34:52,920
Speaker 1: So so Nate, are do you haven't? Are you f

672
00:34:53,040 --> 00:34:54,960
Speaker 1: and kidding me? It's funny that Kathleen brought up this

673
00:34:55,040 --> 00:34:57,440
Speaker 1: story because I have an areu F and kidney story

674
00:34:57,480 --> 00:34:59,640
Speaker 1: and it revolves around a bathroom as well. So it's

675
00:34:59,680 --> 00:35:02,200
Speaker 1: the las time I was overseas and I was in

676
00:35:02,239 --> 00:35:06,759
Speaker 1: the airport going shushy, and it was one of those

677
00:35:06,800 --> 00:35:09,160
Speaker 1: bathrooms where the lights on a timer, and I was

678
00:35:09,239 --> 00:35:11,000
Speaker 1: kind of enjoying my books. So I'm sitting there for

679
00:35:11,000 --> 00:35:13,239
Speaker 1: like fifteen minutes and all of a sudden, lights go

680
00:35:13,280 --> 00:35:16,920
Speaker 1: out right, and so I'm waving my arms figuring it's

681
00:35:16,960 --> 00:35:20,880
Speaker 1: like motion activated and nothing's happening. But it's pitch dark

682
00:35:20,920 --> 00:35:24,040
Speaker 1: in the bathroom, but I know my bag has my

683
00:35:24,080 --> 00:35:27,040
Speaker 1: phone in front of me, hanging on the door, so

684
00:35:27,080 --> 00:35:29,520
Speaker 1: I'm like trying to fumble and feel from my bag.

685
00:35:30,520 --> 00:35:33,719
Speaker 1: Pitch dark, I mean as dark as the universe. I

686
00:35:33,719 --> 00:35:35,920
Speaker 1: mean it's so dark in there you can't see anything.

687
00:35:35,960 --> 00:35:37,759
Speaker 1: So I'm like trying to find the toilet paper, and

688
00:35:37,800 --> 00:35:40,960
Speaker 1: I you know, do you know whatever? And so I

689
00:35:41,320 --> 00:35:43,359
Speaker 1: managed to do that, and then I'm looking for my

690
00:35:43,400 --> 00:35:46,879
Speaker 1: bag to find my phone to get the flashlight. As

691
00:35:46,920 --> 00:35:49,520
Speaker 1: I'm doing that, fumbling with my bag, I hear my

692
00:35:49,600 --> 00:35:53,200
Speaker 1: boarding pass slip out of the pocket and I'm like,

693
00:35:53,200 --> 00:35:56,640
Speaker 1: oh God, please know. So I finally get my phone

694
00:35:56,960 --> 00:36:00,640
Speaker 1: and I turn on the phone and the light flashlight,

695
00:36:00,719 --> 00:36:07,680
Speaker 1: and there's my boarding pass in thet and I was like,

696
00:36:07,719 --> 00:36:10,040
Speaker 1: are you effing kidding me? I was so tired because

697
00:36:10,040 --> 00:36:11,759
Speaker 1: I had already taken two flights that day. I'm like,

698
00:36:11,760 --> 00:36:13,600
Speaker 1: are you effing kidding me? And it was like this

699
00:36:13,760 --> 00:36:15,600
Speaker 1: is kind of graphic. It was like a chipping dip.

700
00:36:15,680 --> 00:36:20,719
Speaker 1: I mean it was. And I'm like, I'm not doing this.

701
00:36:21,040 --> 00:36:23,600
Speaker 1: Oh gosh, aren't we done with this? No? I have

702
00:36:23,680 --> 00:36:28,239
Speaker 1: one that the toilet story. So when I was in

703
00:36:28,320 --> 00:36:30,800
Speaker 1: the airport getting ready to wait, waiting for my bags

704
00:36:30,840 --> 00:36:32,440
Speaker 1: to come around the carousel, and I had to go.

705
00:36:32,800 --> 00:36:35,040
Speaker 1: So I go in the room and I go to

706
00:36:35,040 --> 00:36:37,959
Speaker 1: the bathroom and I see all these men shoes start

707
00:36:38,040 --> 00:36:40,719
Speaker 1: coming in the bathroom and I'm like, oh, and I

708
00:36:40,800 --> 00:36:44,319
Speaker 1: realized I was in the bathroom, So how long did

709
00:36:44,320 --> 00:36:46,160
Speaker 1: you have to stay there? I can't even tell you.

710
00:36:46,239 --> 00:36:48,520
Speaker 1: It must have been half an hour because I had

711
00:36:48,520 --> 00:36:50,960
Speaker 1: to wait until it was totally clear, and there was

712
00:36:51,040 --> 00:36:52,960
Speaker 1: no guys in the bathroom, and they kept coming in

713
00:36:53,320 --> 00:36:55,520
Speaker 1: because it was by the carousel, and everybody going to

714
00:36:55,600 --> 00:36:59,040
Speaker 1: the bathroom waiting for their bags, and I'm like, holy crap.

715
00:36:59,160 --> 00:37:01,279
Speaker 1: I'm like, this is where iculous. And eventually I was

716
00:37:01,320 --> 00:37:03,759
Speaker 1: able to sneak out. But I was so quiet, like

717
00:37:03,760 --> 00:37:07,640
Speaker 1: a little mouse, not making this one caught you. Oh god, no,

718
00:37:08,400 --> 00:37:10,400
Speaker 1: I was like you, how did I not see? I

719
00:37:10,440 --> 00:37:12,839
Speaker 1: wasn't paying attention. I don't know. I just but if

720
00:37:12,840 --> 00:37:15,520
Speaker 1: it was a reverse, it would be just as evenly awful.

721
00:37:15,960 --> 00:37:18,680
Speaker 1: I can't imagine, like seeing all all the shoes walking

722
00:37:18,719 --> 00:37:20,120
Speaker 1: by in the bathroom and I'm sitting on the toilet

723
00:37:20,120 --> 00:37:22,680
Speaker 1: and they're all pumps right. I was like, that doesn't

724
00:37:22,719 --> 00:37:26,360
Speaker 1: look female. What is that? Are you effing kid me?

725
00:37:26,880 --> 00:37:31,279
Speaker 1: We should do this every day. I love. It was

726
00:37:31,320 --> 00:37:33,040
Speaker 1: from his regular show where you may know him from

727
00:37:33,040 --> 00:37:38,480
Speaker 1: our studio show. Back to School a great time to

728
00:37:38,560 --> 00:37:41,080
Speaker 1: refresh for everyone in the family, whether you're going back

729
00:37:41,120 --> 00:37:43,840
Speaker 1: to school or going back to your regular routine. J C.

730
00:37:44,000 --> 00:37:47,400
Speaker 1: Penny has everything your family needs at a great value.

731
00:37:47,520 --> 00:37:52,000
Speaker 1: This the rand in the Morning Shows, Free Money, the

732
00:37:52,080 --> 00:37:56,000
Speaker 1: hyper Chiller. I love my hyper children. My brother stole mine.

733
00:37:56,040 --> 00:37:59,080
Speaker 1: I told you that, right, order another one. It's the

734
00:37:59,160 --> 00:38:01,839
Speaker 1: one thousand dollars hyper Chiller Free money phone tap. You're

735
00:38:01,840 --> 00:38:04,560
Speaker 1: about twenty thousand dollars. But back to the hyper chiller. Yeah.

736
00:38:04,840 --> 00:38:09,080
Speaker 1: Let's say you have coffee and you want iced coffee. Yeah,

737
00:38:09,120 --> 00:38:10,640
Speaker 1: but you don't want to put ice in it, because

738
00:38:10,760 --> 00:38:13,759
Speaker 1: the ice melts and it dilutes. Yeah, your coffee. That's

739
00:38:14,600 --> 00:38:17,080
Speaker 1: mine for iced coffee. Yeah, because he knows that it's

740
00:38:17,080 --> 00:38:19,080
Speaker 1: not going to dilute and it's going to keep it cold.

741
00:38:19,200 --> 00:38:21,720
Speaker 1: And he's like, oh, I'll just take this, thanks exactly.

742
00:38:21,760 --> 00:38:25,000
Speaker 1: The hyper chiller, this device, it quickly chills your fresh

743
00:38:25,000 --> 00:38:29,040
Speaker 1: hot coffee or let's say rose yeah, or white wine. Yeah,

744
00:38:29,080 --> 00:38:31,000
Speaker 1: you don't want to put ice in that now, So

745
00:38:31,080 --> 00:38:36,520
Speaker 1: it uses its hyper chiller technology to make it cold,

746
00:38:36,680 --> 00:38:39,040
Speaker 1: and it gets cold really fast. It's as little as

747
00:38:39,080 --> 00:38:42,760
Speaker 1: a minute. So iced coffee, wine, whatever, you can chill everything.

748
00:38:42,760 --> 00:38:46,279
Speaker 1: The hyper Chiller V two is the new version of

749
00:38:46,400 --> 00:38:48,640
Speaker 1: the original iced coffee maker that changed the way we

750
00:38:49,000 --> 00:38:52,800
Speaker 1: ice our coffee. The new version has a deeper lid

751
00:38:52,920 --> 00:38:55,440
Speaker 1: for easier use with wine. And spirits. They did this

752
00:38:55,520 --> 00:38:58,560
Speaker 1: because they knew that we drink lots of wine and spirits.

753
00:38:58,840 --> 00:39:01,480
Speaker 1: You can actually get twenty five percent off one hyperchiller

754
00:39:01,600 --> 00:39:05,520
Speaker 1: this week if you use the code Elvis at hyperchiller

755
00:39:05,600 --> 00:39:07,880
Speaker 1: dot com. You need one. Okay, let let me just

756
00:39:07,880 --> 00:39:10,200
Speaker 1: stay for the record. Go to hyperchiller dot com. You

757
00:39:10,239 --> 00:39:12,960
Speaker 1: get twenty five percent off a hyperchiller if you use

758
00:39:13,000 --> 00:39:15,560
Speaker 1: the code to Elvis. All right, with that said, let's

759
00:39:15,560 --> 00:39:20,120
Speaker 1: get into your one thousand dollars hyper chiller phone tap Elvis,

760
00:39:20,160 --> 00:39:24,399
Speaker 1: Elvis Duran, the Elvis durand phone tap. Scary. Yes, here

761
00:39:24,400 --> 00:39:27,280
Speaker 1: we go. So Frank wanted a phone tap his brother John,

762
00:39:27,320 --> 00:39:29,440
Speaker 1: who runs a business from his cell phone, so that

763
00:39:29,440 --> 00:39:31,200
Speaker 1: means he always has to pick up the phone, which

764
00:39:31,200 --> 00:39:33,560
Speaker 1: is great. So he wanted us to do one of

765
00:39:33,880 --> 00:39:36,920
Speaker 1: the Rod Phillips c D collections. We've done Renegades of

766
00:39:36,960 --> 00:39:41,280
Speaker 1: Reggae Boy, Bend, Bonanza, Ghetto Girl Greats, and Punk Pop Party.

767
00:39:41,640 --> 00:39:44,120
Speaker 1: So now we give you a brand new one recall

768
00:39:44,600 --> 00:39:47,880
Speaker 1: Twerks of Art. And by the way, there really is

769
00:39:47,920 --> 00:39:50,480
Speaker 1: no such collection, so when it's over, don't get mad

770
00:39:50,520 --> 00:39:53,799
Speaker 1: at us when you try to order it. All right,

771
00:39:53,800 --> 00:39:57,120
Speaker 1: here we go. Let's listen into today's Rod Phillips selling

772
00:39:57,239 --> 00:40:01,920
Speaker 1: twerks of art. Phone tap, Hello is this John Sanchez?

773
00:40:03,200 --> 00:40:08,280
Speaker 1: John Sanchez, Let yourself they go. Urban Dictionary defines twerking

774
00:40:08,560 --> 00:40:11,600
Speaker 1: as the rhythmic gyrating of the lower fleshy extremities in

775
00:40:11,600 --> 00:40:14,960
Speaker 1: a lascivious manner with the attempt to listen sexual arousal

776
00:40:15,280 --> 00:40:18,640
Speaker 1: in one's intended audience. Are you My name is Rod

777
00:40:18,960 --> 00:40:23,360
Speaker 1: Villi clot. No one encapsulates the spirit of this dance

778
00:40:23,640 --> 00:40:30,080
Speaker 1: better than due this timeless collection we call works of Art.

779
00:40:30,120 --> 00:40:33,080
Speaker 1: I'm pity I hear you're expressing yourself right now. And

780
00:40:33,120 --> 00:40:35,759
Speaker 1: that's funny because that's the song that's playing by Diplo. Hi,

781
00:40:36,120 --> 00:40:44,040
Speaker 1: thank you, thank you. Hi. Hi Well, babe bag, I'm

782
00:40:44,080 --> 00:40:47,120
Speaker 1: about to drop a deuce. That's d u I Ce

783
00:40:47,160 --> 00:40:49,239
Speaker 1: who had a smash twork hit with Daisy Dukes in

784
00:40:49,280 --> 00:40:55,960
Speaker 1: the Hey Hey yeah yeah. Let me take it to

785
00:40:56,000 --> 00:40:58,759
Speaker 1: the atl where the Yin Yang Quins are from. They

786
00:40:58,800 --> 00:41:01,240
Speaker 1: gave us some of the most important non stopping booty

787
00:41:01,280 --> 00:41:05,520
Speaker 1: popping around whatever that is ghetto trash fourteen dollars in

788
00:41:05,640 --> 00:41:08,560
Speaker 1: ninety nine cents for the CD. Today it's Works of

789
00:41:08,680 --> 00:41:13,680
Speaker 1: All No get that off my mouth. You don't like it?

790
00:41:14,239 --> 00:41:18,880
Speaker 1: I sound like are you from the ATL? Do I salad?

791
00:41:18,920 --> 00:41:22,680
Speaker 1: I'm a I'm sorry, I went to college. Hello, people

792
00:41:22,760 --> 00:41:25,480
Speaker 1: from the ATL went to college and some went for

793
00:41:25,560 --> 00:41:28,520
Speaker 1: college and injections to get a plumper dumper. Now. The

794
00:41:28,600 --> 00:41:30,920
Speaker 1: Young egg Twins played with pit Bull on this track

795
00:41:30,960 --> 00:41:33,960
Speaker 1: shake you know pit Bull right? No, but I wish

796
00:41:34,000 --> 00:41:36,360
Speaker 1: I had a pit Bull for you right now. But

797
00:41:36,480 --> 00:41:39,239
Speaker 1: that's just the beginning. The dinamic duo Dunk and Dunk

798
00:41:39,360 --> 00:41:42,400
Speaker 1: encourages women all over the world to wear tight leopard

799
00:41:42,400 --> 00:41:49,680
Speaker 1: print pants and shake it like a sock shaker. Do

800
00:41:49,760 --> 00:41:53,520
Speaker 1: you know this song? Get that college out of my ear?

801
00:41:53,600 --> 00:41:56,880
Speaker 1: Asked he did somebody say ass right on an ass?

802
00:41:56,920 --> 00:42:00,800
Speaker 1: Noeworking CD would be complete without Who's got the whole

803
00:42:00,800 --> 00:42:04,840
Speaker 1: Sweet sixteen Wobbledie wabbling and acting in appropriately in his

804
00:42:05,000 --> 00:42:10,680
Speaker 1: recent twerk anthem Dance Hats. Did you know even the

805
00:42:10,719 --> 00:42:14,200
Speaker 1: bulbous Nicki Minaj gets in on the action, demanding that

806
00:42:14,280 --> 00:42:26,759
Speaker 1: you busted open in the Islands of Waikiki. Wabble Wagon stop, Well,

807
00:42:26,800 --> 00:42:30,200
Speaker 1: you know you could always whistle while you twork. I'm working,

808
00:42:30,360 --> 00:42:34,680
Speaker 1: I'm working now. Surely you like Bruno Mars Right. Yeah,

809
00:42:37,560 --> 00:42:40,960
Speaker 1: he sings the chorus on this twerk anthem bubble But

810
00:42:42,200 --> 00:42:46,719
Speaker 1: do you remember Uci Wally? This is a girl explaining

811
00:42:46,760 --> 00:42:51,080
Speaker 1: to everyone that she knows how he worked her body.

812
00:42:56,520 --> 00:43:04,040
Speaker 1: Let me see that I'm not speaking of Here's dude,

813
00:43:04,080 --> 00:43:08,000
Speaker 1: you bron We're bringing it back to the forefathers of twerk.

814
00:43:08,360 --> 00:43:11,440
Speaker 1: Uncle look from two Life Crew. This quintessential twork of

815
00:43:11,560 --> 00:43:14,160
Speaker 1: art has a bootiful video to go along with the song.

816
00:43:14,520 --> 00:43:17,640
Speaker 1: I'll tell you what if you act now and by

817
00:43:17,640 --> 00:43:19,719
Speaker 1: its works of art from us, We're gonna throw in

818
00:43:19,760 --> 00:43:25,120
Speaker 1: this bonus c name. It's working overtime from your mother.

819
00:43:26,920 --> 00:43:29,160
Speaker 1: This early two thousand swork track was a dance floor

820
00:43:29,160 --> 00:43:31,479
Speaker 1: smash and broke down the barriers of the booty pop.

821
00:43:31,680 --> 00:43:33,879
Speaker 1: It made its way to every wedding and even when

822
00:43:33,920 --> 00:43:38,000
Speaker 1: you're drunk and look foolish. Yes, that's why you're on

823
00:43:38,000 --> 00:43:40,080
Speaker 1: the phone, Crea. There's your name with you? John? This

824
00:43:40,160 --> 00:43:45,839
Speaker 1: is little John with the East Side Boy. Damn. Now

825
00:43:45,840 --> 00:43:49,120
Speaker 1: you want to play, let's play the game. Did you

826
00:43:49,120 --> 00:43:51,640
Speaker 1: say what you don't like? You? Now? Right? You don't

827
00:43:51,680 --> 00:43:57,799
Speaker 1: like the right? Here comes plays David Banners. Kid. We're

828
00:43:57,840 --> 00:44:01,239
Speaker 1: sitting on the long he's just trying to get your body. Well,

829
00:44:01,640 --> 00:44:08,280
Speaker 1: damn man, what's your father did? Uncle's lame for Uncle Chumley?

830
00:44:08,960 --> 00:44:13,719
Speaker 1: For Christmas? We got this great CD called Santa's Twork Shop. Okay,

831
00:44:14,000 --> 00:44:18,960
Speaker 1: I got your trace. No you don't. I told you?

832
00:44:19,480 --> 00:44:23,960
Speaker 1: Who are you find up? Keep talking? Don't mind if

833
00:44:23,960 --> 00:44:26,080
Speaker 1: I do. Taking it back to the nineties. This is

834
00:44:26,120 --> 00:44:29,719
Speaker 1: Rexit effect. Yeah, you're gonna shaking a few Boddy when

835
00:44:29,719 --> 00:44:31,439
Speaker 1: I when I find out where you are, I will

836
00:44:31,480 --> 00:44:34,319
Speaker 1: be down there. Tworks of Art, Twerking over Time, and

837
00:44:34,440 --> 00:44:37,920
Speaker 1: Santa's Workshop, all three for fourteen dollars a ninety nine.

838
00:44:37,960 --> 00:44:43,439
Speaker 1: S damn, I got you great. And finally we put

839
00:44:43,440 --> 00:44:45,400
Speaker 1: this juvenile song on here at the request of your

840
00:44:45,440 --> 00:44:49,760
Speaker 1: brother because he says you're juvenile. What are you talking about?

841
00:44:49,840 --> 00:44:54,239
Speaker 1: I'm telling you that you've been phoe tapped. This is

842
00:44:54,280 --> 00:44:56,640
Speaker 1: Scary Jones from Elvis d Ran The Morning Show. Your

843
00:44:56,640 --> 00:45:01,600
Speaker 1: brother Frank's phone tapping you right now. Frank he called you.

844
00:45:01,880 --> 00:45:03,000
Speaker 1: This is what he wanted to do to you as

845
00:45:03,000 --> 00:45:05,200
Speaker 1: he caught his flight to the Bahamas. The other thing

846
00:45:05,320 --> 00:45:12,879
Speaker 1: was jokes comes back on the bahamaside. Is it wrong

847
00:45:12,920 --> 00:45:15,680
Speaker 1: that I want to order the three D see the

848
00:45:15,680 --> 00:45:18,240
Speaker 1: free CD collection. Let's put it out there. Santras Workshop

849
00:45:18,360 --> 00:45:22,080
Speaker 1: is my favorite. Faltab was prerecorded permission granted by All

850
00:45:22,160 --> 00:45:27,640
Speaker 1: Party Space, Duran Phone Tabor, Moneys Durand in the Morning

851
00:45:27,640 --> 00:45:31,880
Speaker 1: Show the free Money phone Tap. All right, that was

852
00:45:31,920 --> 00:45:33,520
Speaker 1: worth a thousand dollars. If you want to win a

853
00:45:33,560 --> 00:45:36,640
Speaker 1: thousand dollars thanks to our friends at Hyperchiller, we call

854
00:45:36,680 --> 00:45:38,879
Speaker 1: her one hundred now to win one eight hundred two

855
00:45:38,920 --> 00:45:41,440
Speaker 1: four two zero one hundred four. Elvis Durand in the

856
00:45:41,480 --> 00:45:43,680
Speaker 1: Morning Show is free Money phone Tap entry and foe

857
00:45:43,760 --> 00:45:47,120
Speaker 1: and rules. So visit Elvis Durand dot com keyword contests.

858
00:45:47,440 --> 00:45:50,040
Speaker 1: I've been telling you and it's true. My Samsung Galaxy

859
00:45:50,120 --> 00:45:52,799
Speaker 1: S nine is fast. And I realized how fast it

860
00:45:52,960 --> 00:45:55,640
Speaker 1: is because now I'm relying on it more than my

861
00:45:55,680 --> 00:45:57,880
Speaker 1: own laptop. If I'm going to do things that I

862
00:45:57,960 --> 00:46:00,839
Speaker 1: usually do on my laptop, like emailing, dreaming TV shows,

863
00:46:00,880 --> 00:46:04,040
Speaker 1: downloading music whatever, it's faster on my phone. If I

864
00:46:04,080 --> 00:46:06,000
Speaker 1: want to quit get a picture of something, I get it.

865
00:46:06,040 --> 00:46:07,560
Speaker 1: I don't lose it, and as soon as I want

866
00:46:07,560 --> 00:46:09,759
Speaker 1: to show it to someone, I don't have to say wait, wait, wait,

867
00:46:09,800 --> 00:46:11,080
Speaker 1: let me pull this up. Let me pull it up.

868
00:46:11,120 --> 00:46:12,960
Speaker 1: It's just there. It's up to you to check it

869
00:46:12,960 --> 00:46:14,919
Speaker 1: out for yourself and then you'll believe me. So thanks

870
00:46:14,920 --> 00:46:24,760
Speaker 1: to Samsung's S nine, you're not gonna wait for anything.

871
00:46:25,480 --> 00:46:29,000
Speaker 1: Still in the morning show. All right, look, you know what.

872
00:46:29,040 --> 00:46:30,839
Speaker 1: I'm glad great tea just walked here. We gotta talk

873
00:46:30,840 --> 00:46:33,440
Speaker 1: to you. Is it true that you want to admit

874
00:46:33,520 --> 00:46:36,560
Speaker 1: something right here? I want to admit something. You don't

875
00:46:36,560 --> 00:46:39,680
Speaker 1: know how to dance. Oh my god, Elvis, he took

876
00:46:39,680 --> 00:46:41,480
Speaker 1: the words out of my mouth. So you go to

877
00:46:41,719 --> 00:46:45,399
Speaker 1: let's say, a wedding or whatever, and your wife Trish says, yeah,

878
00:46:45,440 --> 00:46:47,680
Speaker 1: come on, everyone else's dancing. Don't you know that feeling,

879
00:46:47,760 --> 00:46:49,960
Speaker 1: Danielle when you're sitting at the table and everyone's dancing

880
00:46:50,000 --> 00:46:52,560
Speaker 1: but you yes, and you're like, well maybe I should dance.

881
00:46:52,640 --> 00:46:54,560
Speaker 1: You feel like a loser a little bit, right, Like

882
00:46:54,719 --> 00:46:57,279
Speaker 1: I'm okay. So recently I was at this wedding and

883
00:46:57,440 --> 00:46:59,719
Speaker 1: I was the last one at the table. Everybody up.

884
00:47:00,000 --> 00:47:01,680
Speaker 1: Everybody else had gone up, and they already we're on

885
00:47:01,680 --> 00:47:03,520
Speaker 1: the dance floor. So you're buy yourself. You're the only

886
00:47:03,560 --> 00:47:05,840
Speaker 1: one sitting at the wedding and everybody's staring at me

887
00:47:05,880 --> 00:47:07,960
Speaker 1: like why is he not dancing? What's he? What's he doing?

888
00:47:08,000 --> 00:47:10,440
Speaker 1: And it gets lonely, and I just said to myself,

889
00:47:10,520 --> 00:47:13,400
Speaker 1: it's because Greg T, you don't know how to dance.

890
00:47:13,680 --> 00:47:15,080
Speaker 1: This is what I do when I go to dance

891
00:47:15,120 --> 00:47:18,560
Speaker 1: floor for any song. Okay, you name and I will

892
00:47:18,600 --> 00:47:22,759
Speaker 1: do this. He does this, Okay, I start snapping right

893
00:47:22,880 --> 00:47:25,920
Speaker 1: like this, and then I move my right light foot

894
00:47:25,960 --> 00:47:28,319
Speaker 1: and then touch together left foot, then touch together so

895
00:47:28,320 --> 00:47:31,640
Speaker 1: it's right together and my lip the white man over

896
00:47:31,680 --> 00:47:36,040
Speaker 1: by right, And that's what you do, the deep knee bends.

897
00:47:36,120 --> 00:47:38,400
Speaker 1: And then sometimes I get creative and I do a

898
00:47:38,400 --> 00:47:43,440
Speaker 1: backwards one like this. Wow, like I go backwards in

899
00:47:43,520 --> 00:47:46,800
Speaker 1: front words. Here's the thing, Like, I don't really like

900
00:47:46,920 --> 00:47:49,840
Speaker 1: to dance at events either. Yeah, So what you do

901
00:47:49,960 --> 00:47:52,320
Speaker 1: is you get out into the most crowded part of

902
00:47:52,520 --> 00:47:54,640
Speaker 1: the of the dance floor and just kind of just

903
00:47:54,800 --> 00:47:56,800
Speaker 1: move a little bit. You don't eile to move your feet,

904
00:47:57,160 --> 00:47:59,040
Speaker 1: and you look like you you fit in. No one's

905
00:47:59,160 --> 00:48:02,960
Speaker 1: judging you on your moves. I feel so weird, like awkward,

906
00:48:03,000 --> 00:48:07,600
Speaker 1: like somebody's looking at me. So I'm like, oh my god,

907
00:48:08,160 --> 00:48:10,160
Speaker 1: I think it's worse when you when you don't know

908
00:48:10,239 --> 00:48:12,200
Speaker 1: what you're doing and you like put your whole body

909
00:48:12,239 --> 00:48:15,200
Speaker 1: into it. That's when people go, oh boiler. If you

910
00:48:15,320 --> 00:48:18,880
Speaker 1: can't dance, don't dance, but just move a little bit, Yes,

911
00:48:19,080 --> 00:48:21,919
Speaker 1: producer say, I'm of the school of thought that everybody

912
00:48:22,040 --> 00:48:24,640
Speaker 1: can dance. It's just moving and it's having a lot

913
00:48:24,680 --> 00:48:26,920
Speaker 1: of fun. I've never seen someone look horrible in the

914
00:48:27,000 --> 00:48:30,759
Speaker 1: dance floor and thought like, I'm like, hell, yeah, let's

915
00:48:30,880 --> 00:48:34,000
Speaker 1: do it. If I have a few drinks in me,

916
00:48:34,080 --> 00:48:36,719
Speaker 1: I'll dance. Oh yeah, you've seen me go crazy. Yeah,

917
00:48:36,880 --> 00:48:38,600
Speaker 1: but you you have a good time out there. And

918
00:48:38,719 --> 00:48:41,160
Speaker 1: I got rid of them. No scary does the dance

919
00:48:41,200 --> 00:48:48,000
Speaker 1: of the credit for at least trying. I do the avoidance.

920
00:48:48,120 --> 00:48:50,759
Speaker 1: As soon as the dance floor starts getting crazy, I

921
00:48:51,000 --> 00:48:53,200
Speaker 1: slide to the back, try to find somebody at the bar,

922
00:48:53,440 --> 00:48:55,359
Speaker 1: or just take a bathroom break and leave the room

923
00:48:55,400 --> 00:48:58,239
Speaker 1: all together. Well, see, you should participate. I will tell

924
00:48:58,239 --> 00:49:01,280
Speaker 1: you about what I won't do at weddings and receptions.

925
00:49:01,760 --> 00:49:06,600
Speaker 1: The organized dances, the line dances. No no, no, no,

926
00:49:06,960 --> 00:49:08,400
Speaker 1: not chicken dances. I mean when they do the like

927
00:49:09,960 --> 00:49:12,920
Speaker 1: well maybe you know, come up to like closer to

928
00:49:13,040 --> 00:49:20,759
Speaker 1: this year, they still Yeah, I hate those because I

929
00:49:20,880 --> 00:49:23,080
Speaker 1: never can do that. I need to do my own thing.

930
00:49:23,960 --> 00:49:26,520
Speaker 1: You want to follow my dance, then you're in I

931
00:49:26,600 --> 00:49:29,160
Speaker 1: don't know, so you admit you can't dance. Everybody in

932
00:49:29,239 --> 00:49:33,200
Speaker 1: tricious family they're all dancers, whether they're men, women, little kids,

933
00:49:33,440 --> 00:49:35,400
Speaker 1: and it's just me And I'm like, why did I

934
00:49:35,480 --> 00:49:37,560
Speaker 1: have to find this woman in this family that all

935
00:49:37,680 --> 00:49:40,239
Speaker 1: dancers like fire? And then you know, you always get

936
00:49:40,280 --> 00:49:42,719
Speaker 1: like tricious Aunt will come over and girt comes over

937
00:49:42,760 --> 00:49:46,080
Speaker 1: and goes, come on, Gregory, let's go. Then there I

938
00:49:46,160 --> 00:49:48,439
Speaker 1: am with an girt and Aunt's girt it's like, yeah,

939
00:49:48,560 --> 00:49:51,239
Speaker 1: you're doing great, and I'm like, this is more embarrassing

940
00:49:51,280 --> 00:49:53,720
Speaker 1: if that girt thinks you're doing well, you know, horrible

941
00:49:53,800 --> 00:49:55,440
Speaker 1: for me. The worst thing that can happened at a

942
00:49:55,440 --> 00:49:57,839
Speaker 1: wedding is the dance circle starts to form and then

943
00:49:57,880 --> 00:50:01,040
Speaker 1: they push you into the middle. You're in the middle

944
00:50:01,120 --> 00:50:05,680
Speaker 1: being judged by about forty people. Dance battle happens. Dance battle.

945
00:50:06,400 --> 00:50:08,359
Speaker 1: Here's the thing. You go to these receptions. If you're

946
00:50:08,360 --> 00:50:10,800
Speaker 1: gonna go, you might as well have a little cocktail

947
00:50:10,840 --> 00:50:13,719
Speaker 1: and have some fun, of course, and that includes dancing. Well,

948
00:50:13,800 --> 00:50:15,640
Speaker 1: you know, a great tea we're not judging. We know

949
00:50:15,840 --> 00:50:18,719
Speaker 1: you have no rhythm, and it's okay, it's okay. See

950
00:50:18,760 --> 00:50:20,680
Speaker 1: the thing is that doesn't make you less of a person.

951
00:50:20,920 --> 00:50:24,000
Speaker 1: So I'm also kind of marked because you know, everybody

952
00:50:24,040 --> 00:50:26,160
Speaker 1: there's like, you know, oh, that's great Tea, from the

953
00:50:26,160 --> 00:50:28,520
Speaker 1: Elvis to Rand Morning Show. So what happens is they

954
00:50:28,560 --> 00:50:31,080
Speaker 1: all think, well, great Tea's wild. He wants to be crazy.

955
00:50:31,400 --> 00:50:33,960
Speaker 1: So just like Nate said, when they formed that circle,

956
00:50:34,360 --> 00:50:40,560
Speaker 1: who do you think they always put in this? Would

957
00:50:40,600 --> 00:50:45,480
Speaker 1: you ever consider? Would you ever consider taking dance lessons?

958
00:50:47,080 --> 00:50:49,719
Speaker 1: Would you I don't know. I'm so nervous because I

959
00:50:49,760 --> 00:50:52,080
Speaker 1: really just don't know that. That's how you get over nervous,

960
00:50:52,080 --> 00:50:54,520
Speaker 1: you know what I mean? You go take some lessons

961
00:50:54,560 --> 00:50:56,480
Speaker 1: and it gives you. It gives you the confidence to

962
00:50:56,560 --> 00:50:58,480
Speaker 1: go out there and own the floor. You think that

963
00:50:58,560 --> 00:51:00,960
Speaker 1: I can go from an app salute zero on the

964
00:51:01,040 --> 00:51:04,359
Speaker 1: dance floor to at least a six side dance floor less.

965
00:51:04,440 --> 00:51:06,839
Speaker 1: There are no guarantees, but at least at least it's

966
00:51:07,280 --> 00:51:09,600
Speaker 1: a step in the right direction. If you can make

967
00:51:09,640 --> 00:51:11,600
Speaker 1: me half of a you know what are they? What's

968
00:51:11,640 --> 00:51:18,879
Speaker 1: his name? Ginger Rogers? Fred is people you don't need

969
00:51:19,000 --> 00:51:21,520
Speaker 1: to do that. I'm telling you, first of all, only

970
00:51:21,600 --> 00:51:24,640
Speaker 1: go to the dance floor if it's crowded, if it's hacked. Okay,

971
00:51:24,760 --> 00:51:26,560
Speaker 1: I have three more weddings to go to this year,

972
00:51:26,680 --> 00:51:30,400
Speaker 1: three more, and I'm dreading them. I start sweating. My

973
00:51:30,640 --> 00:51:33,400
Speaker 1: suit is all sweaty. Okay, I gott ring around the collar.

974
00:51:33,520 --> 00:51:37,160
Speaker 1: I got nerves, new shirt. Look, you may want to

975
00:51:37,960 --> 00:51:40,480
Speaker 1: dance like fredi Stair, but right now you write you

976
00:51:40,600 --> 00:51:46,960
Speaker 1: dance like Fred Flintstone, and that's okay. I like cutting

977
00:51:46,960 --> 00:51:54,000
Speaker 1: a rug though boot scooting. Why don't you go to

978
00:51:54,120 --> 00:51:56,800
Speaker 1: YouTube and learn how to do like the shiggy dance

979
00:51:57,200 --> 00:51:59,920
Speaker 1: or the stuff that's going on right now. Because he's shuggy,

980
00:52:00,080 --> 00:52:04,160
Speaker 1: he should not be. You don't scary. Once again, it's scary.

981
00:52:04,160 --> 00:52:05,279
Speaker 1: I don't want you to do that either, because you

982
00:52:05,320 --> 00:52:07,080
Speaker 1: would look like a fool if you did that. If

983
00:52:07,120 --> 00:52:08,800
Speaker 1: I try to sit your challenge, if they go like

984
00:52:08,920 --> 00:52:15,440
Speaker 1: this with the arms, that you should do the fortnight dances,

985
00:52:15,480 --> 00:52:23,200
Speaker 1: that all the kid fortnight dance. All right, that's it

986
00:52:23,360 --> 00:52:25,000
Speaker 1: when I get when I get married, there is no

987
00:52:25,160 --> 00:52:29,839
Speaker 1: dancing any of you to be dancing it my way

988
00:52:30,719 --> 00:52:35,080
Speaker 1: because I wasn't going to hire a harpist. I guess

989
00:52:35,160 --> 00:52:37,600
Speaker 1: wouldn't hurt. I guess like from you a lesson or two.

990
00:52:37,680 --> 00:52:40,720
Speaker 1: All right, that's fine. I'm so embarrassed. But okay, speaking

991
00:52:40,719 --> 00:52:43,719
Speaker 1: of wedding receptions, I think I enjoy those more than

992
00:52:43,800 --> 00:52:47,680
Speaker 1: the actual wedding. That's the party. Everybody likes the party better.

993
00:52:47,840 --> 00:52:49,840
Speaker 1: What if you did this? Maybe I should think it

994
00:52:50,160 --> 00:52:52,440
Speaker 1: through this way. You should have a party. In the

995
00:52:52,520 --> 00:52:54,320
Speaker 1: middle of the party, you stop down, get married, and

996
00:52:54,400 --> 00:52:57,400
Speaker 1: get back to the party's Can you do that for

997
00:52:57,480 --> 00:52:59,640
Speaker 1: your wedding? Well, we're still trying to figure it out.

998
00:52:59,680 --> 00:53:01,800
Speaker 1: I would be awesome. I actually went to one of

999
00:53:01,840 --> 00:53:03,439
Speaker 1: those and I was the plus one, so I didn't

1000
00:53:03,480 --> 00:53:05,560
Speaker 1: know the groom and bride personally. So I went up

1001
00:53:05,600 --> 00:53:07,640
Speaker 1: to this guy at the you know party, I told

1002
00:53:07,719 --> 00:53:09,919
Speaker 1: him how good he looks at His response was, I hope,

1003
00:53:09,960 --> 00:53:14,879
Speaker 1: so I'm getting married? Why do we have to turn

1004
00:53:14,960 --> 00:53:17,560
Speaker 1: it into Look, I know, for religious reasons, if you're

1005
00:53:17,680 --> 00:53:20,800
Speaker 1: very if you're a very spiritual in that regard, I

1006
00:53:20,840 --> 00:53:23,000
Speaker 1: can see why you'd want to have the ceremony in

1007
00:53:23,120 --> 00:53:25,399
Speaker 1: the church and then you want to separate it usually

1008
00:53:25,480 --> 00:53:28,480
Speaker 1: with the parties elsewhere. But you know, I'm not I'm

1009
00:53:28,520 --> 00:53:31,040
Speaker 1: not gonna be that religious at my wedding. I don't

1010
00:53:31,040 --> 00:53:33,280
Speaker 1: think so. I really think it'll be like party, party, party,

1011
00:53:33,400 --> 00:53:36,080
Speaker 1: get married, get married, get married, back to the party. Hey,

1012
00:53:36,280 --> 00:53:39,400
Speaker 1: I like that. Combine it with the cutting of the

1013
00:53:39,480 --> 00:53:41,960
Speaker 1: cake or something, just you know, cut the cake at

1014
00:53:42,000 --> 00:53:44,359
Speaker 1: the same time. Do we have to have a cake?

1015
00:53:44,719 --> 00:53:46,000
Speaker 1: But you know what I'm saying, I want to just

1016
00:53:46,160 --> 00:53:48,800
Speaker 1: break it all. I want to change all the rules.

1017
00:53:49,320 --> 00:53:53,000
Speaker 1: I'm gonna I'm gonna have a wedding pie. Oh, I

1018
00:53:53,080 --> 00:53:59,840
Speaker 1: think a cookie a wedding ambrosion. I have a question.

1019
00:54:00,200 --> 00:54:02,800
Speaker 1: So it's weddings are expensive. So if you I was

1020
00:54:02,880 --> 00:54:05,160
Speaker 1: thinking about this, if you had to cut someone from

1021
00:54:05,320 --> 00:54:08,640
Speaker 1: the guest list from the show and not invite them,

1022
00:54:08,760 --> 00:54:12,480
Speaker 1: who would it be? I'll just leave now, I think no,

1023
00:54:12,560 --> 00:54:14,920
Speaker 1: I think it's the person you've known the least amount

1024
00:54:14,920 --> 00:54:17,320
Speaker 1: of time. So would that be Nate or would that

1025
00:54:17,400 --> 00:54:20,399
Speaker 1: be I think I could not. I could not cut

1026
00:54:20,440 --> 00:54:23,359
Speaker 1: anywhere from the n W. I would cut myself before.

1027
00:54:23,400 --> 00:54:28,480
Speaker 1: I mean, but does the wedding party have to be

1028
00:54:29,280 --> 00:54:33,120
Speaker 1: my work friends? Can just be people I know from out? Yeah? Yeah, No,

1029
00:54:33,400 --> 00:54:35,640
Speaker 1: you can have anybody in your wedding party. Of course,

1030
00:54:35,640 --> 00:54:37,840
Speaker 1: I'm gonna invite You invited me to your wedding, Garrett,

1031
00:54:37,840 --> 00:54:40,719
Speaker 1: you invited me to your wedding. Yeah, great, tea, I

1032
00:54:40,760 --> 00:54:43,120
Speaker 1: went to your wedding. Yeah, I didn't have one yet. Sorry,

1033
00:54:43,120 --> 00:54:48,080
Speaker 1: you're out pop the question. So well, okay, let's talk

1034
00:54:48,080 --> 00:54:50,399
Speaker 1: about Samantha. Are you getting married anytime? Have you guys

1035
00:54:50,440 --> 00:54:52,239
Speaker 1: talked about it? Yeah, we talk about it. We both

1036
00:54:52,280 --> 00:54:55,400
Speaker 1: want to. It's just we're not there yet, you know,

1037
00:54:55,480 --> 00:54:59,440
Speaker 1: it's do you know it's each other though? Yeah? Yeah,

1038
00:54:59,640 --> 00:55:03,480
Speaker 1: but Nate, oh god, yeah, you'll talk about it. Would

1039
00:55:03,480 --> 00:55:08,239
Speaker 1: that girl you live with? Yes, it's scary. How you

1040
00:55:08,320 --> 00:55:12,719
Speaker 1: doing all? I'm doing just fine? Scary? Do you talk

1041
00:55:12,760 --> 00:55:17,800
Speaker 1: about it? No? Does she talk about it? You know it?

1042
00:55:17,880 --> 00:55:20,239
Speaker 1: Scary has been standing behind me for twenty two years.

1043
00:55:20,800 --> 00:55:23,239
Speaker 1: Does he have to stand behind me at my wedding? Yeah.

1044
00:55:26,120 --> 00:55:28,399
Speaker 1: By the way, every time you bring up scary getting married,

1045
00:55:28,440 --> 00:55:30,680
Speaker 1: it turns into a very uncomfortable thing. And it's scary.

1046
00:55:30,760 --> 00:55:32,680
Speaker 1: Is not the only one in the world who is

1047
00:55:32,800 --> 00:55:36,160
Speaker 1: just not, you know, putting marriage in the top one

1048
00:55:36,320 --> 00:55:39,160
Speaker 1: hundred things to get done. And so you know, there

1049
00:55:39,200 --> 00:55:41,719
Speaker 1: are many people listening right now who talking about a

1050
00:55:41,800 --> 00:55:45,040
Speaker 1: wedding other than attending a wedding is just not in

1051
00:55:45,239 --> 00:55:48,880
Speaker 1: their lives. That makes sense. It's true. We just like

1052
00:55:49,000 --> 00:55:51,799
Speaker 1: to mess with Scary because it's funny. He gets very

1053
00:55:51,840 --> 00:55:54,440
Speaker 1: nervous start. He starts sweating. The other day, the lizeners

1054
00:55:54,480 --> 00:55:56,480
Speaker 1: don't know. We talked about it and he edited out

1055
00:55:56,520 --> 00:56:00,560
Speaker 1: of the conversation. Wait, you edited out it was on

1056
00:56:00,640 --> 00:56:02,840
Speaker 1: the fifteen minute morning show? Is that why it was

1057
00:56:02,880 --> 00:56:07,239
Speaker 1: only thirteen minutes minutes? You edited out two minutes of

1058
00:56:07,320 --> 00:56:10,279
Speaker 1: conversation that you felt uncomfortable about us because it was

1059
00:56:10,480 --> 00:56:13,480
Speaker 1: rapid fire questions. It was like I was like sent

1060
00:56:13,600 --> 00:56:16,759
Speaker 1: to the wall and everybody was given like machetes and

1061
00:56:16,840 --> 00:56:18,960
Speaker 1: everyone was just firing at me. It was web girl

1062
00:56:19,080 --> 00:56:22,040
Speaker 1: Kathleen who brought it up. He started it all, Yes, Scarrett,

1063
00:56:22,080 --> 00:56:24,800
Speaker 1: So we were wanting to talk about your engagement and

1064
00:56:24,920 --> 00:56:27,520
Speaker 1: we didn't get to it. What Scary was doing was

1065
00:56:27,600 --> 00:56:29,640
Speaker 1: he was deflecting it and we were talking about other things.

1066
00:56:29,800 --> 00:56:31,120
Speaker 1: So I said, I know what he's doing. He doesn't

1067
00:56:31,120 --> 00:56:33,200
Speaker 1: want to talk about it. And then from there that's

1068
00:56:33,239 --> 00:56:36,160
Speaker 1: where you know it all hit. The fans started it.

1069
00:56:36,400 --> 00:56:39,800
Speaker 1: So the vote is you started you instigated a little

1070
00:56:39,840 --> 00:56:42,880
Speaker 1: problem talking about marriage with Scary I did instigate it,

1071
00:56:42,960 --> 00:56:45,560
Speaker 1: and Scary's giving me a look right now like he's

1072
00:56:45,600 --> 00:56:47,680
Speaker 1: going to murder me. Well he's not going. Do you

1073
00:56:47,800 --> 00:56:51,840
Speaker 1: have the safety of me? Oh okay, I was just

1074
00:56:52,040 --> 00:56:56,000
Speaker 1: upset because it but you edited out two minutes from

1075
00:56:56,040 --> 00:56:58,080
Speaker 1: the fifteen minute morning show podcast. It made people of

1076
00:56:58,160 --> 00:57:01,560
Speaker 1: two minutes. So I I feel terrible now that I've

1077
00:57:01,600 --> 00:57:04,520
Speaker 1: even said that. Oh my god, Well, don't worry about it,

1078
00:57:04,560 --> 00:57:06,440
Speaker 1: because he's gonna edit this out too. He's going to

1079
00:57:06,560 --> 00:57:08,480
Speaker 1: edit this out too. So Scary, I'm sorry. I don't

1080
00:57:08,520 --> 00:57:11,080
Speaker 1: mean to push your buttons, but you did deflect and

1081
00:57:11,200 --> 00:57:13,080
Speaker 1: that's why we went back to it. Hey, listeners, if

1082
00:57:13,120 --> 00:57:16,880
Speaker 1: you don't hear this, let us know that makes no sense. Whatsover?

1083
00:57:19,600 --> 00:57:21,840
Speaker 1: I just now I know why he's upset. This is

1084
00:57:21,920 --> 00:57:23,640
Speaker 1: exactly how it turned you. Oh really, you guys are

1085
00:57:23,720 --> 00:57:26,240
Speaker 1: taking this down the road. Okay. Here's the thing. When

1086
00:57:26,280 --> 00:57:28,960
Speaker 1: it comes to people like Scary and a billion people

1087
00:57:29,080 --> 00:57:31,040
Speaker 1: out there in this world who are not ready to

1088
00:57:31,080 --> 00:57:33,440
Speaker 1: get married. Maybe they think about it, but they're not

1089
00:57:33,480 --> 00:57:35,200
Speaker 1: ready to go there when you put pressure on it.

1090
00:57:35,280 --> 00:57:37,520
Speaker 1: That's just not fair because they're not walking in the

1091
00:57:37,600 --> 00:57:39,880
Speaker 1: same on the same path as you. Sure it's not fair.

1092
00:57:40,080 --> 00:57:42,120
Speaker 1: Scary's not a very different path than most people. And

1093
00:57:42,200 --> 00:57:44,200
Speaker 1: that's fine. Not most people. There are a lot of

1094
00:57:44,240 --> 00:57:46,560
Speaker 1: people like you, not just with marriage, with lots of things.

1095
00:57:47,960 --> 00:57:50,720
Speaker 1: Scary sscriminate against me too because they should not. Well,

1096
00:57:50,760 --> 00:57:52,920
Speaker 1: here's why. Because when I get invited to weddings and

1097
00:57:52,960 --> 00:57:56,440
Speaker 1: there's limited space, they're like, oh no, it's only for you,

1098
00:57:56,680 --> 00:57:59,640
Speaker 1: plus if you have a spouse, so plus one, you're

1099
00:57:59,640 --> 00:58:02,320
Speaker 1: not allowed. That happened to me recently. That's there's nothing

1100
00:58:02,360 --> 00:58:04,000
Speaker 1: wrong with that. I was invited to a wedding by

1101
00:58:04,040 --> 00:58:06,680
Speaker 1: myself and I'm like, well, I have a girlfriend, and like, nope,

1102
00:58:06,840 --> 00:58:09,920
Speaker 1: you're not. Now. See, I have to understand that weddings

1103
00:58:09,960 --> 00:58:12,000
Speaker 1: are very expensive and you have to try to figure

1104
00:58:12,040 --> 00:58:13,640
Speaker 1: out where you can cut costs. And if that's how

1105
00:58:13,720 --> 00:58:15,680
Speaker 1: they were cutting costs, you have to respect that. Well,

1106
00:58:15,680 --> 00:58:17,479
Speaker 1: I know, but what you're what you guys are saying

1107
00:58:17,640 --> 00:58:20,960
Speaker 1: is a relationship is only is only strong enough for

1108
00:58:21,040 --> 00:58:23,560
Speaker 1: a wedding invite is if if you're married. I don't

1109
00:58:23,560 --> 00:58:25,280
Speaker 1: think that's fair. There are people, there are people who

1110
00:58:25,360 --> 00:58:27,480
Speaker 1: go through lives with partners who never get married, and

1111
00:58:27,560 --> 00:58:30,000
Speaker 1: I wouldn't do that, but maybe that's how the person

1112
00:58:30,080 --> 00:58:33,200
Speaker 1: who invited you looks at it? Who was it? Oh no,

1113
00:58:33,560 --> 00:58:36,000
Speaker 1: don't do that. I can't say who was it? Will

1114
00:58:36,120 --> 00:58:40,800
Speaker 1: edit it out. Sometimes people use the judgment if you

1115
00:58:40,880 --> 00:58:43,360
Speaker 1: live with that person, then that other man, you're significant other,

1116
00:58:43,440 --> 00:58:44,680
Speaker 1: has to be invited. But if you don't live with

1117
00:58:44,760 --> 00:58:46,720
Speaker 1: that and then it's not not a guarantee if you

1118
00:58:46,840 --> 00:58:49,800
Speaker 1: move in next time you get the invite, Hey, scary

1119
00:58:49,800 --> 00:58:55,400
Speaker 1: when you're going to move in with Robin at Actually,

1120
00:58:55,640 --> 00:58:58,280
Speaker 1: here's the thing. We live in a world where relationships

1121
00:58:58,640 --> 00:59:01,479
Speaker 1: aren't just one thing. There are different things for different people.

1122
00:59:01,840 --> 00:59:05,360
Speaker 1: It is to discriminate against someone because they don't live together.

1123
00:59:06,480 --> 00:59:08,240
Speaker 1: I don't think that's not only think that's very fair.

1124
00:59:08,480 --> 00:59:10,760
Speaker 1: I don't think it is. That's only touching someone off

1125
00:59:10,800 --> 00:59:13,040
Speaker 1: of what you understand from a personal level. Like just

1126
00:59:13,200 --> 00:59:16,120
Speaker 1: because I'm not in that boat doesn't mean that's perfectly

1127
00:59:16,200 --> 00:59:18,400
Speaker 1: it's a huge boat for other people. Like just because

1128
00:59:18,440 --> 00:59:21,320
Speaker 1: I'm not with you scary personally? You do you booboo? Look,

1129
00:59:21,440 --> 00:59:23,200
Speaker 1: you know I lived in a world where I was

1130
00:59:23,320 --> 00:59:26,040
Speaker 1: never ever allowed to get married. It was illegal, right,

1131
00:59:26,320 --> 00:59:28,919
Speaker 1: So then I'm discriminated against because well you're not married.

1132
00:59:29,000 --> 00:59:31,560
Speaker 1: Well I can't well, now I can and I am.

1133
00:59:32,360 --> 00:59:36,160
Speaker 1: But it doesn't mean that's not everybody wants to get married.

1134
00:59:37,000 --> 00:59:39,640
Speaker 1: Oh I'm sorry who said that. I wasn't the one

1135
00:59:39,640 --> 00:59:44,080
Speaker 1: who started the poop storm. That was Kathleen pop storm.

1136
00:59:44,800 --> 00:59:50,120
Speaker 1: I'm just a poop storm chaser. Anyway, this has been fun.

1137
00:59:50,320 --> 00:59:54,360
Speaker 1: We love you scary too, not enough to marry us.

1138
00:59:57,560 --> 01:00:01,200
Speaker 1: The official Twitter account of Elvis Elvie Sturan. Hit of

1139
01:00:01,280 --> 01:00:04,640
Speaker 1: Twitter and follow him now. This is Elvie Sturan in

1140
01:00:04,720 --> 01:00:08,040
Speaker 1: the Morning show. Livelock now includes the power of Norton

1141
01:00:08,120 --> 01:00:11,800
Speaker 1: Security for more protection against cyber threats in today's connected world.

1142
01:00:12,320 --> 01:00:15,040
Speaker 1: Join at livelock dot com. Use promo code Elvis for

1143
01:00:15,080 --> 01:00:17,360
Speaker 1: an extra ten percent off of your first year plus

1144
01:00:17,400 --> 01:00:20,400
Speaker 1: a twenty five dollars Amazon gift card with annual enrollment

1145
01:00:20,720 --> 01:00:28,720
Speaker 1: terms apply. Are you hello, lighting Elvis Durand in the

1146
01:00:28,800 --> 01:00:32,480
Speaker 1: Morning Show. So once again we're posting pictures of us

1147
01:00:33,760 --> 01:00:37,200
Speaker 1: on the Instagram, and there's Nate wearing these shorts once

1148
01:00:37,240 --> 01:00:41,280
Speaker 1: again that the nut hugger thing is. I don't know. Okay,

1149
01:00:41,680 --> 01:00:43,720
Speaker 1: let me ask you. Is your body built in some

1150
01:00:43,880 --> 01:00:46,320
Speaker 1: weird way? I don't know what's happening? Look like this

1151
01:00:48,480 --> 01:00:50,640
Speaker 1: is I get older? My body is starting and I

1152
01:00:50,760 --> 01:00:53,600
Speaker 1: know Greg t maybe it scary. Maybe you guys can help. Matt,

1153
01:00:53,840 --> 01:00:59,280
Speaker 1: does your body start to like disproportionately gravity. It's like

1154
01:00:59,400 --> 01:01:01,040
Speaker 1: my body is not the way it used to be,

1155
01:01:01,320 --> 01:01:03,600
Speaker 1: and so things are popping up where they shouldn't pop

1156
01:01:03,760 --> 01:01:07,000
Speaker 1: up or droop then popped up before. No, Nate, your

1157
01:01:07,120 --> 01:01:11,760
Speaker 1: pants are too tight weight all right, but keep in mind,

1158
01:01:11,840 --> 01:01:17,000
Speaker 1: Danielle to be to be fair, everyone's body is built differently,

1159
01:01:17,120 --> 01:01:19,360
Speaker 1: and his is built in a way where it shoves

1160
01:01:19,440 --> 01:01:25,080
Speaker 1: his his his egg His eggs are coming forward. I

1161
01:01:25,200 --> 01:01:27,400
Speaker 1: usually keep my legs pretty close together, so I guess

1162
01:01:27,440 --> 01:01:31,360
Speaker 1: that pushes it more forward. I guess in this but

1163
01:01:31,480 --> 01:01:34,120
Speaker 1: see in this picture your legs are actually apart. I

1164
01:01:34,240 --> 01:01:37,280
Speaker 1: feel judged by your crotch in that photo. I'll say this,

1165
01:01:37,400 --> 01:01:39,840
Speaker 1: my butt has been getting bigger. Let me see it

1166
01:01:40,000 --> 01:01:41,680
Speaker 1: has been. But you've been working out, so that's a

1167
01:01:41,720 --> 01:01:46,960
Speaker 1: good good. But yet, what's wrong with having a big

1168
01:01:47,000 --> 01:01:49,760
Speaker 1: old bulge in the front. Look, there's nothing wrong with it.

1169
01:01:49,840 --> 01:01:51,440
Speaker 1: But I'm looking at the picture of all the other

1170
01:01:51,520 --> 01:01:54,720
Speaker 1: guys on this show, and everyone's pants are like a

1171
01:01:55,080 --> 01:01:58,720
Speaker 1: nice size on them, and Nate, I feel like Nate

1172
01:01:59,400 --> 01:02:02,840
Speaker 1: always buy shorts one size smaller so that he can

1173
01:02:03,000 --> 01:02:05,480
Speaker 1: show it. All. Right, here's what I'll say, because I

1174
01:02:05,600 --> 01:02:07,600
Speaker 1: think you're onto something there, but I don't think it's

1175
01:02:07,720 --> 01:02:10,040
Speaker 1: on purpose. Is because I like my clothes a little

1176
01:02:10,080 --> 01:02:13,120
Speaker 1: form fitting, and when I purchased form fitting clothes and

1177
01:02:13,120 --> 01:02:14,400
Speaker 1: then I put on a little bit of weight, they

1178
01:02:14,440 --> 01:02:17,320
Speaker 1: become extra formed. I know, my butts a little bigger

1179
01:02:17,360 --> 01:02:19,960
Speaker 1: in the back, making it a little tighter. Totally understand.

1180
01:02:20,000 --> 01:02:21,880
Speaker 1: To the front, I understand because I lost a lot

1181
01:02:21,920 --> 01:02:23,760
Speaker 1: of weight bottom clothes. Then I gained a little weight

1182
01:02:23,840 --> 01:02:26,680
Speaker 1: and I can't button him anymore. We all have that problem.

1183
01:02:27,000 --> 01:02:28,880
Speaker 1: Since I don't have a penis that doesn't show on

1184
01:02:29,440 --> 01:02:32,160
Speaker 1: the problem with you, Nate is you shouldn't be buying

1185
01:02:32,200 --> 01:02:36,600
Speaker 1: shorts at Gap Kids Kids. It might look like it,

1186
01:02:36,720 --> 01:02:38,680
Speaker 1: but he likes his shirts tight too, though you know,

1187
01:02:38,800 --> 01:02:41,400
Speaker 1: I do like the shirts touch anyway. So, as embarrassing

1188
01:02:41,440 --> 01:02:46,520
Speaker 1: as this sounds, and it wasn't long ago, I put

1189
01:02:46,960 --> 01:02:50,720
Speaker 1: the request on my Instagram saying, Hey, ask us anything

1190
01:02:50,760 --> 01:02:52,520
Speaker 1: you want, and we had a great time with this,

1191
01:02:52,600 --> 01:02:54,120
Speaker 1: so great, T says, I'm going to do it too,

1192
01:02:54,240 --> 01:02:56,760
Speaker 1: So you you put the request out there for everyone

1193
01:02:56,840 --> 01:02:58,880
Speaker 1: to see. Yeah, exactly, so I wanted to step it up,

1194
01:02:58,920 --> 01:03:01,520
Speaker 1: and I just felt like, I bet you that there

1195
01:03:01,600 --> 01:03:05,320
Speaker 1: are absolute deep questions that are audience that's been with

1196
01:03:05,400 --> 01:03:07,200
Speaker 1: us such a long time that they really want to know.

1197
01:03:07,280 --> 01:03:08,800
Speaker 1: And I just said, look, don't be the really bush

1198
01:03:09,000 --> 01:03:11,720
Speaker 1: like come out and just ask it. So I compile

1199
01:03:11,880 --> 01:03:15,080
Speaker 1: the list of I think there's close to one hundred questions,

1200
01:03:15,520 --> 01:03:18,320
Speaker 1: and here's what I've gotten from the past couple of days.

1201
01:03:18,360 --> 01:03:21,360
Speaker 1: Where here we go, Danielle, Yeah, when you start gagging,

1202
01:03:21,560 --> 01:03:24,200
Speaker 1: is that real or is it just a fake on airthing? Ps?

1203
01:03:24,280 --> 01:03:26,360
Speaker 1: It cracks me up. I wish it was it was fake.

1204
01:03:26,560 --> 01:03:28,560
Speaker 1: It's not fake. It's real. And they do it on

1205
01:03:28,640 --> 01:03:30,520
Speaker 1: purpose because they know I'm going to do it. So

1206
01:03:30,840 --> 01:03:33,400
Speaker 1: they're like, oh, let's put this smelly food in front

1207
01:03:33,440 --> 01:03:35,200
Speaker 1: of her, because we know it doesn't take food. It's

1208
01:03:35,200 --> 01:03:37,080
Speaker 1: just a thought. You don't mean to watch you want

1209
01:03:37,120 --> 01:03:39,800
Speaker 1: to watch me make her gag? Yeah? Yeah, yeah, yeah, yeah,

1210
01:03:39,800 --> 01:03:43,160
Speaker 1: all right. So not only is the mayonnaise warm, yeah,

1211
01:03:44,080 --> 01:03:46,120
Speaker 1: but it's about to be dropped on your tongue with

1212
01:03:46,200 --> 01:03:49,720
Speaker 1: this spoon the hot warm mayonnaise. Here, there he goes,

1213
01:03:49,800 --> 01:03:57,840
Speaker 1: here we go. It's a that is real that's okay,

1214
01:03:57,840 --> 01:04:03,360
Speaker 1: you're gonna stop now, I don't throw up. You put

1215
01:04:03,400 --> 01:04:06,120
Speaker 1: the trash can. So no, that is very real. It's disgusting,

1216
01:04:06,200 --> 01:04:09,640
Speaker 1: all right. Question what is everyone's favorite Disney character? Oh?

1217
01:04:09,840 --> 01:04:15,200
Speaker 1: Who cares? Next time? Maleficent? Okay, there you all right?

1218
01:04:15,280 --> 01:04:18,680
Speaker 1: What celebrity have you had has really changed your mindset

1219
01:04:18,880 --> 01:04:22,040
Speaker 1: or has given you new perspective? I will tell you Pharrell.

1220
01:04:22,520 --> 01:04:25,040
Speaker 1: I love Pharrell. That was a while back, though anyone

1221
01:04:25,120 --> 01:04:27,560
Speaker 1: else I like. I really liked Michael Boublay because he

1222
01:04:27,680 --> 01:04:30,600
Speaker 1: came and brought donuts for us, just because. Yeah, I

1223
01:04:30,640 --> 01:04:33,720
Speaker 1: always say Enrique Iglesias because he said to us once.

1224
01:04:34,120 --> 01:04:36,320
Speaker 1: My dad always told me that you know better than

1225
01:04:36,720 --> 01:04:39,560
Speaker 1: the let's say, the garbage man, that everybody is equal.

1226
01:04:39,640 --> 01:04:41,840
Speaker 1: And that's why I treat everybody the same way. And

1227
01:04:41,960 --> 01:04:44,120
Speaker 1: I always kept that in my mind that that's just

1228
01:04:44,200 --> 01:04:46,520
Speaker 1: the kind of guy. He is, very good. Such a sweetie.

1229
01:04:46,720 --> 01:04:50,000
Speaker 1: Question do you get to choose which sponsors you do

1230
01:04:50,160 --> 01:04:52,880
Speaker 1: campaigns for? And part two? Do any of you write

1231
01:04:52,920 --> 01:04:57,560
Speaker 1: your own jokes or are they always written by Brodie? Answer?

1232
01:04:57,760 --> 01:04:59,880
Speaker 1: Number one, Yes, we get to choose who we do

1233
01:05:00,160 --> 01:05:02,360
Speaker 1: sponsorships for it and number two no, Brody does not

1234
01:05:02,400 --> 01:05:04,040
Speaker 1: write all of our jokes, yes, some of them, but

1235
01:05:04,120 --> 01:05:06,560
Speaker 1: for me he does. He writes all my jokes. Wrote

1236
01:05:06,600 --> 01:05:12,360
Speaker 1: that question you go when Elvis retires one day? Have

1237
01:05:12,520 --> 01:05:15,560
Speaker 1: show members had secret conversations about who would be the

1238
01:05:15,720 --> 01:05:20,080
Speaker 1: spin off show and who wouldn't? Have you guys decided

1239
01:05:20,200 --> 01:05:22,680
Speaker 1: what show will be here after I decided to walk

1240
01:05:22,720 --> 01:05:25,200
Speaker 1: out that door. I know the Brooklyn boys would love

1241
01:05:25,200 --> 01:05:29,080
Speaker 1: to sit. Actually, we've had this conversation that an incasional

1242
01:05:29,120 --> 01:05:31,880
Speaker 1: emergency pull you know, break glass would manage me trust

1243
01:05:31,960 --> 01:05:34,840
Speaker 1: the rest of us to just kind of form our

1244
01:05:34,840 --> 01:05:36,640
Speaker 1: own show. I say, no, what do we need to

1245
01:05:36,720 --> 01:05:38,840
Speaker 1: bring in a new leader? I'm going to open a

1246
01:05:38,920 --> 01:05:44,440
Speaker 1: shoe store. I don't know. My real thought, a legitimate thought,

1247
01:05:44,840 --> 01:05:47,000
Speaker 1: is that you know, when the show comes to a close,

1248
01:05:47,040 --> 01:05:49,840
Speaker 1: who knows when? Whenever that is. I don't believe that

1249
01:05:50,200 --> 01:05:53,160
Speaker 1: you know, management's gonna go okay, next show is going

1250
01:05:53,200 --> 01:05:55,040
Speaker 1: to be blah blah blah from the Morning Show, and

1251
01:05:55,120 --> 01:05:58,280
Speaker 1: then without Elvis. I think that management honestly is gonna

1252
01:05:58,320 --> 01:06:00,880
Speaker 1: go let's let things breathe. The just gonna play music

1253
01:06:00,880 --> 01:06:02,360
Speaker 1: for a while, and then they're gonna bring in a

1254
01:06:02,480 --> 01:06:04,280
Speaker 1: brand new team. I don't believe it's actually gonna be

1255
01:06:04,320 --> 01:06:07,440
Speaker 1: like a spin off. I don't believe that you value

1256
01:06:07,760 --> 01:06:09,560
Speaker 1: I'm not saying that, I just don't. I think that

1257
01:06:09,760 --> 01:06:12,800
Speaker 1: the audience needs to like, let things breathe. I think

1258
01:06:12,960 --> 01:06:16,920
Speaker 1: that they're gonna want to have something familiar for the audience.

1259
01:06:17,000 --> 01:06:19,800
Speaker 1: So maybe they'll keep one person or two people because

1260
01:06:19,840 --> 01:06:22,520
Speaker 1: they just want them to feel a little bit comfortable

1261
01:06:22,600 --> 01:06:29,320
Speaker 1: going into the knowing that Elvis abandoned them. He would

1262
01:06:29,400 --> 01:06:33,160
Speaker 1: want when it's time for me to go, it's it's

1263
01:06:33,240 --> 01:06:35,640
Speaker 1: my decision. But what you're not thinking about is I'm

1264
01:06:35,720 --> 01:06:39,040
Speaker 1: never retiring. But when I leave here, I'll go do

1265
01:06:39,120 --> 01:06:41,560
Speaker 1: another show somewhere else, and I'll be inviting some people

1266
01:06:41,600 --> 01:06:44,560
Speaker 1: to go help them on the list? Can I do it?

1267
01:06:44,680 --> 01:06:51,320
Speaker 1: Via Skype? From whare uh? Question? When was the last

1268
01:06:51,360 --> 01:06:53,360
Speaker 1: time the lawyers had to be called over something that

1269
01:06:53,480 --> 01:06:57,200
Speaker 1: was said on the air? Five minutes ago? Yeah? Uh,

1270
01:06:57,560 --> 01:06:59,720
Speaker 1: we have we called lawyers nothing that's been said on

1271
01:06:59,760 --> 01:07:03,560
Speaker 1: the air, stuff that's happened off the air, stuff that's

1272
01:07:03,600 --> 01:07:08,840
Speaker 1: happened contesting. Yeah, but we we came out clean. Yep.

1273
01:07:09,080 --> 01:07:11,560
Speaker 1: We didn't do anything wrong with the recent end to

1274
01:07:11,640 --> 01:07:14,200
Speaker 1: the Wheel of Games. What are some bits for the

1275
01:07:14,240 --> 01:07:16,000
Speaker 1: show that you guys would like to see come back,

1276
01:07:16,400 --> 01:07:19,400
Speaker 1: or what are some that are best left in the past. Well,

1277
01:07:19,920 --> 01:07:22,320
Speaker 1: the Wheel of Games, we'll leave that in the past.

1278
01:07:24,120 --> 01:07:25,720
Speaker 1: Anything we used to do they want to do again.

1279
01:07:25,800 --> 01:07:27,600
Speaker 1: Oh I got one. What it was from the Wheel

1280
01:07:27,600 --> 01:07:32,560
Speaker 1: of Games? In the butt? Crack crack. That's the game.

1281
01:07:32,600 --> 01:07:34,880
Speaker 1: We're great, Tea pooped all over the studio right right.

1282
01:07:35,880 --> 01:07:37,960
Speaker 1: Who is the one Elvis drain morning show member that

1283
01:07:38,080 --> 01:07:42,120
Speaker 1: Elvis can't stand? Who makes him lose it the most

1284
01:07:42,200 --> 01:07:47,400
Speaker 1: when you're off the air. I'm going absolutely know that

1285
01:07:47,520 --> 01:07:49,280
Speaker 1: the answer is. I don't think you guys know the

1286
01:07:49,320 --> 01:07:51,840
Speaker 1: answer there is there is one person I have the

1287
01:07:52,080 --> 01:07:54,760
Speaker 1: least amount of patience for right now, and it's not me.

1288
01:07:55,000 --> 01:07:57,480
Speaker 1: I'm not gonna say it's not great Tea. Have you

1289
01:07:57,640 --> 01:08:01,520
Speaker 1: ever felt like you were destined for failure? Every day?

1290
01:08:01,640 --> 01:08:06,880
Speaker 1: Every morning at six ams? I often did. I did

1291
01:08:06,960 --> 01:08:08,480
Speaker 1: not know where I was gonna go with my life,

1292
01:08:08,720 --> 01:08:10,680
Speaker 1: and I did think, um, you know what am I

1293
01:08:10,720 --> 01:08:12,280
Speaker 1: gonna end up doing? So I kind of got lucky

1294
01:08:12,520 --> 01:08:15,200
Speaker 1: doing this, you know, being a jackass. I'm pretty good

1295
01:08:15,240 --> 01:08:17,439
Speaker 1: at it and I get paid. Really, you had doubts

1296
01:08:17,439 --> 01:08:20,559
Speaker 1: about your life before radio I did. Yeah, I just um,

1297
01:08:20,960 --> 01:08:23,479
Speaker 1: you know, when when college was getting ready to wrap up,

1298
01:08:23,760 --> 01:08:26,120
Speaker 1: I was sitting there in the fraternity house just wondering, really,

1299
01:08:26,160 --> 01:08:27,519
Speaker 1: where am I gonna go? What am I gonna do?

1300
01:08:27,880 --> 01:08:29,800
Speaker 1: What am I qualified to do? I don't know if

1301
01:08:29,800 --> 01:08:31,800
Speaker 1: I got anything out of college. Really. I spent so

1302
01:08:31,920 --> 01:08:35,240
Speaker 1: many drunken days and high times at the fraternity house.

1303
01:08:35,280 --> 01:08:38,000
Speaker 1: I kind of really lost track of that. I needed

1304
01:08:38,120 --> 01:08:40,519
Speaker 1: to set myself up for something in the future, perfect

1305
01:08:40,560 --> 01:08:43,679
Speaker 1: candidate for radio. Have any of you ever been robbed

1306
01:08:43,760 --> 01:08:46,720
Speaker 1: by knife or gun point? Oh? No, nine or no.

1307
01:08:47,520 --> 01:08:51,000
Speaker 1: The day is young. I've had my car broken into,

1308
01:08:51,120 --> 01:08:53,599
Speaker 1: but that's about it too. How often do you get

1309
01:08:53,680 --> 01:08:57,720
Speaker 1: recognized in public? Oh? Oh a lot? Yeah, it happens. Yeah,

1310
01:08:58,280 --> 01:09:01,720
Speaker 1: like four or five times a night at night, only

1311
01:09:01,760 --> 01:09:04,200
Speaker 1: at night night. At the day, listen his apartment. We'll

1312
01:09:04,240 --> 01:09:06,120
Speaker 1: help us. You know, you're on television a lot. Do

1313
01:09:06,160 --> 01:09:09,120
Speaker 1: you get recognized much more now that you're right? Yeah?

1314
01:09:09,160 --> 01:09:11,400
Speaker 1: I don't talk about it, no cares, But you know

1315
01:09:11,400 --> 01:09:14,320
Speaker 1: what I'm saying, It's like i'd other people recognize this

1316
01:09:14,439 --> 01:09:16,920
Speaker 1: because we do a radio show, then anything else. What

1317
01:09:17,280 --> 01:09:19,640
Speaker 1: really goes on backstage at a concert? All right. We

1318
01:09:19,720 --> 01:09:21,800
Speaker 1: all have opinions on this. Do you start, Danielle. It's

1319
01:09:22,120 --> 01:09:25,360
Speaker 1: first of all, it's it's chaos, total chaos, and all

1320
01:09:25,400 --> 01:09:27,080
Speaker 1: people do is push you out of the way because

1321
01:09:27,120 --> 01:09:29,040
Speaker 1: they pretend that you're in the way when I don't

1322
01:09:29,040 --> 01:09:31,360
Speaker 1: think you really are. Everyone wants to go backstage, don't

1323
01:09:31,360 --> 01:09:33,160
Speaker 1: tell you. It's just the worst place to be. It's hard,

1324
01:09:33,240 --> 01:09:34,960
Speaker 1: it's not fun, and you're not going to really meet

1325
01:09:35,000 --> 01:09:37,559
Speaker 1: anybody because most times does they just rush the person

1326
01:09:37,640 --> 01:09:39,559
Speaker 1: to the stage and rush the person off the stage

1327
01:09:39,600 --> 01:09:41,200
Speaker 1: and push us out of the way. Anyone else want

1328
01:09:41,200 --> 01:09:43,719
Speaker 1: to add to this backstage thing, it's dangerous. I almost

1329
01:09:43,720 --> 01:09:45,439
Speaker 1: punched Demi Lavado in the face when she came to

1330
01:09:45,479 --> 01:09:48,479
Speaker 1: give you a kiss last time. I was flailing there.

1331
01:09:48,840 --> 01:09:50,720
Speaker 1: A lot of people are smoking pot back there. Yeah,

1332
01:09:50,800 --> 01:09:52,680
Speaker 1: that's true. We will catch a glimpse. I guess I'm

1333
01:09:52,680 --> 01:09:54,320
Speaker 1: a seleb here and there. But I think for the

1334
01:09:54,360 --> 01:09:56,759
Speaker 1: most part it's a lot of union workers moving equipment.

1335
01:09:56,920 --> 01:09:58,840
Speaker 1: You know. Yeah, I'll say get out of the way.

1336
01:10:00,000 --> 01:10:02,160
Speaker 1: I get out of the way, right, all right? Is

1337
01:10:02,240 --> 01:10:04,559
Speaker 1: there one thing that you do on your personal time

1338
01:10:04,640 --> 01:10:08,479
Speaker 1: that nobody would believe you do? I think we would

1339
01:10:08,479 --> 01:10:10,360
Speaker 1: know each other well enough to know what we do. Yeah,

1340
01:10:10,680 --> 01:10:14,880
Speaker 1: don't we sure do? Oh this is sound this sounds

1341
01:10:14,920 --> 01:10:18,519
Speaker 1: like a this is a little trouble here. Do we

1342
01:10:18,600 --> 01:10:20,360
Speaker 1: have some secret lives going on that we're not talking

1343
01:10:20,400 --> 01:10:23,200
Speaker 1: about anyone? Do we? I get a feeling that someone's

1344
01:10:23,240 --> 01:10:26,280
Speaker 1: living a life that they're not sharing about. Nate, what

1345
01:10:26,400 --> 01:10:32,240
Speaker 1: am I doing? You murder people? All right? Who in

1346
01:10:32,280 --> 01:10:38,880
Speaker 1: the room is the cheapest? Is not in the room

1347
01:10:38,960 --> 01:10:43,320
Speaker 1: to not defend themselves? Like when this morning show comes

1348
01:10:43,360 --> 01:10:45,720
Speaker 1: to an end, who will you most likely stay in

1349
01:10:45,840 --> 01:10:49,880
Speaker 1: contact with? And who will you not? That's so say,

1350
01:10:50,400 --> 01:10:55,120
Speaker 1: a horrible question. That's a terrible question. Well, I know,

1351
01:10:55,280 --> 01:10:57,880
Speaker 1: but you don't know till you get there. Look take

1352
01:10:57,920 --> 01:11:00,800
Speaker 1: it from me. I've moved around from the city and

1353
01:11:00,920 --> 01:11:03,439
Speaker 1: so many years, and I had best best friends in

1354
01:11:03,479 --> 01:11:05,479
Speaker 1: each city. But when it was time to move on

1355
01:11:05,640 --> 01:11:08,800
Speaker 1: to another city, good intentions are there and you're like, oh,

1356
01:11:08,840 --> 01:11:11,000
Speaker 1: we're gonna stay good friends, and you really don't. You

1357
01:11:11,160 --> 01:11:12,840
Speaker 1: move on and you have a new life, and it's

1358
01:11:12,840 --> 01:11:15,400
Speaker 1: just the way life is. See, I've told people on

1359
01:11:15,439 --> 01:11:17,400
Speaker 1: the show the same thing. Almost. I said, Look, I'm

1360
01:11:17,520 --> 01:11:19,800
Speaker 1: not probably gonna I'm probably not gonna stay in touch

1361
01:11:19,800 --> 01:11:21,519
Speaker 1: with everybody, and they're like, what do you mean. I'm like,

1362
01:11:21,560 --> 01:11:23,640
Speaker 1: I'm just gonna kind of go on my own and

1363
01:11:24,080 --> 01:11:26,720
Speaker 1: that'll be it. You'll hear like legend, the legend of

1364
01:11:26,760 --> 01:11:28,600
Speaker 1: great tea. I think I saw here somewhere. You know,

1365
01:11:28,680 --> 01:11:30,479
Speaker 1: when will you'll hear from us? When you put that

1366
01:11:30,600 --> 01:11:32,960
Speaker 1: book out and you trash us all, that's when you're

1367
01:11:32,960 --> 01:11:35,479
Speaker 1: gonna hear hits the chance it's gonna be a great book.

1368
01:11:36,840 --> 01:11:39,920
Speaker 1: Can't wait to read that. Do you really like the

1369
01:11:40,040 --> 01:11:43,360
Speaker 1: music you play on your station? Yes, yes I do.

1370
01:11:44,120 --> 01:11:46,840
Speaker 1: I love it well, I mean, well great to you

1371
01:11:47,040 --> 01:11:49,320
Speaker 1: like old man music? I like country music. I do

1372
01:11:49,439 --> 01:11:51,400
Speaker 1: like country. I like a lot of country music. But

1373
01:11:51,439 --> 01:11:54,320
Speaker 1: you also you want to hear like old music. Sec

1374
01:11:54,479 --> 01:11:57,439
Speaker 1: is pretty cool, you know. Oh my gosh, Okay, here's

1375
01:11:57,439 --> 01:12:00,599
Speaker 1: a question where any of you good students and high school?

1376
01:12:01,960 --> 01:12:05,840
Speaker 1: Yeah not me student. I wasn't you weren't so Garrett,

1377
01:12:05,880 --> 01:12:11,240
Speaker 1: We were what letter C minus? I was a C student? Yeah? Absolutely. School.

1378
01:12:11,439 --> 01:12:13,000
Speaker 1: School was boring to me. And even though I do

1379
01:12:13,360 --> 01:12:15,880
Speaker 1: understand the importance of school, it wasn't for me. I

1380
01:12:16,000 --> 01:12:18,759
Speaker 1: was just bored. Yeo, like that. I was too smart

1381
01:12:18,840 --> 01:12:25,400
Speaker 1: for school. Have any of you ever gotten a sexual disease? No,

1382
01:12:26,840 --> 01:12:34,800
Speaker 1: I don't know. Let me check. Can you name just

1383
01:12:34,920 --> 01:12:39,760
Speaker 1: one intern you have by name Scary? We have a

1384
01:12:40,760 --> 01:12:46,920
Speaker 1: right there, Jillian out there somewhere. She was five internships ago.

1385
01:12:47,960 --> 01:12:49,960
Speaker 1: It wasn't an Amy that came and helped me this morning.

1386
01:12:53,600 --> 01:13:02,400
Speaker 1: It was it was Amy, you bitch, dude, bag butthole,

1387
01:13:06,680 --> 01:13:17,519
Speaker 1: bart knocker, smoker cutter. It was intern Amy that helped

1388
01:13:17,560 --> 01:13:19,280
Speaker 1: me get into the building this morning because I forgot

1389
01:13:19,360 --> 01:13:22,320
Speaker 1: my card. I remember the intern names. Uh, speaking of interns,

1390
01:13:22,360 --> 01:13:25,439
Speaker 1: the king of all interns, it's Brody. I just want

1391
01:13:25,479 --> 01:13:28,080
Speaker 1: to say for people listening, there's this impression that people

1392
01:13:28,120 --> 01:13:30,840
Speaker 1: have about interns that we send them to do dirty

1393
01:13:30,880 --> 01:13:33,519
Speaker 1: work and we poop on them, we don't care about them.

1394
01:13:33,720 --> 01:13:35,800
Speaker 1: It's it'll always text in, Oh, how have the intern

1395
01:13:35,880 --> 01:13:38,960
Speaker 1: clean up great teas? Poop the have the intern go

1396
01:13:39,120 --> 01:13:41,559
Speaker 1: get your drugs from the store. We treat them very well,

1397
01:13:41,600 --> 01:13:43,240
Speaker 1: and we know their names and they're part of the

1398
01:13:43,320 --> 01:13:46,519
Speaker 1: family here. I just people must have terrible internships in

1399
01:13:46,600 --> 01:13:49,519
Speaker 1: their lives. They get into that. By the way, how

1400
01:13:49,760 --> 01:13:52,120
Speaker 1: bad was your internship? Our interns are treated better than

1401
01:13:52,160 --> 01:13:54,519
Speaker 1: we are. Yeah, because I interned here and I remember

1402
01:13:54,560 --> 01:13:57,519
Speaker 1: how I always treated at times by certain individuals that

1403
01:13:57,640 --> 01:14:03,080
Speaker 1: are no longer here. So I got store The Brooklyn

1404
01:14:03,160 --> 01:14:05,880
Speaker 1: Boys Podcast with Scary and Brody. That's going out with

1405
01:14:05,960 --> 01:14:08,439
Speaker 1: Brody and Scar. I'm Scary, You're Brody. It's the Brooklyn

1406
01:14:08,479 --> 01:14:10,760
Speaker 1: Boys Podcast. But it's not about Brooklyn. It's about us.

1407
01:14:10,880 --> 01:14:13,240
Speaker 1: We're from Brooklyn. We talk about everything, and we debate

1408
01:14:13,280 --> 01:14:15,280
Speaker 1: a lot of things. We don't debate. We debate everything.

1409
01:14:15,439 --> 01:14:18,200
Speaker 1: Stop yelling. I'm not yelling. Who are you getting loud?

1410
01:14:22,000 --> 01:14:26,280
Speaker 1: The Brooklyn Boys Podcast on the iHeartRadio app ellis Durand

1411
01:14:26,320 --> 01:14:31,040
Speaker 1: in the morning show, my Samsung Galaxy S nine is fast.

1412
01:14:31,520 --> 01:14:33,160
Speaker 1: Now I can pull up all the things that are

1413
01:14:33,160 --> 01:14:35,120
Speaker 1: important to be like my pictures, things I want to

1414
01:14:35,160 --> 01:14:36,479
Speaker 1: send to friends. And as soon as I want to

1415
01:14:36,479 --> 01:14:38,280
Speaker 1: take a picture of boom, camera up, don't have to

1416
01:14:38,400 --> 01:14:40,639
Speaker 1: fumble and find it. So when I'm living my life,

1417
01:14:40,640 --> 01:14:42,599
Speaker 1: I can pull it up faster with my S nine.

1418
01:14:45,040 --> 01:14:47,800
Speaker 1: Duran in the morning show, All right, all right, time

1419
01:14:47,840 --> 01:14:51,960
Speaker 1: for some music. Yeah, So Danielle, there's guys to night. Yeah,

1420
01:14:52,160 --> 01:14:54,120
Speaker 1: look at him out there. He's so he's our he's

1421
01:14:54,120 --> 01:14:56,880
Speaker 1: our funny. I love him. It's so fantastic, and we'll

1422
01:14:56,880 --> 01:14:58,759
Speaker 1: talk to him about this in a few moments. It's

1423
01:14:58,800 --> 01:15:02,600
Speaker 1: fantastic to hear the stories behind how artists start and

1424
01:15:02,680 --> 01:15:03,920
Speaker 1: how they get to where they are, and how they're

1425
01:15:03,960 --> 01:15:05,479
Speaker 1: going to get to where he wants to be. Of course,

1426
01:15:05,560 --> 01:15:08,720
Speaker 1: Denage is not a household name yet. But wait till

1427
01:15:08,760 --> 01:15:11,400
Speaker 1: you hear this voice. Wait till you hear this. You've

1428
01:15:11,439 --> 01:15:14,320
Speaker 1: heard it. Oh, he's he's amazing, all right, William. You'll

1429
01:15:14,400 --> 01:15:15,840
Speaker 1: know more about him when we talked to him in

1430
01:15:15,920 --> 01:15:17,840
Speaker 1: a second. But first listen to him saying, this is

1431
01:15:18,240 --> 01:15:29,439
Speaker 1: Denage facing far into the sky using time would pass us, spy,

1432
01:15:31,160 --> 01:15:57,880
Speaker 1: you're not walking the housing miles fucking job, na facking.

1433
01:15:58,160 --> 01:16:13,920
Speaker 1: Just fantastic. That was awesome. Thank you, Thank you guys.

1434
01:16:14,600 --> 01:16:17,760
Speaker 1: You do it better than her. I've never spoken to her.

1435
01:16:18,040 --> 01:16:20,400
Speaker 1: I mean, maybe we should do like a rendition together.

1436
01:16:20,560 --> 01:16:23,839
Speaker 1: Maybe you don't need her. You should have like battling

1437
01:16:23,920 --> 01:16:27,040
Speaker 1: pianos downtown Square. That was awesome. Let me just tell

1438
01:16:27,080 --> 01:16:30,040
Speaker 1: you my Donage story. It was a year and a

1439
01:16:30,080 --> 01:16:32,920
Speaker 1: half two years ago, and I went to UH I

1440
01:16:32,960 --> 01:16:35,880
Speaker 1: think it was a Republic Records showcase. They brought them

1441
01:16:36,040 --> 01:16:38,320
Speaker 1: artists out and it was a late night. I was

1442
01:16:38,439 --> 01:16:39,960
Speaker 1: I was about to leave. I had to I had

1443
01:16:39,960 --> 01:16:41,519
Speaker 1: to go home, and someone said, Doude, you really should

1444
01:16:41,520 --> 01:16:45,320
Speaker 1: stay and listen to this denage. I'm like, great, I'll

1445
01:16:45,360 --> 01:16:47,360
Speaker 1: listen to it later. I gotta go. I think what

1446
01:16:47,439 --> 01:16:51,280
Speaker 1: I said, I'll listen to her later. Wow, I didn't know.

1447
01:16:51,960 --> 01:16:55,280
Speaker 1: I didn't know who you were. So I was walking

1448
01:16:55,439 --> 01:16:59,200
Speaker 1: out and you started performing and it was unbelievable. I

1449
01:16:59,800 --> 01:17:02,360
Speaker 1: walked back in and I sat there and watched you

1450
01:17:02,479 --> 01:17:05,480
Speaker 1: do this incredible set. I didn't know that. Oh absolutely,

1451
01:17:05,600 --> 01:17:08,360
Speaker 1: I was leaving your voice. I mean you did a

1452
01:17:08,479 --> 01:17:12,439
Speaker 1: lot of you know, up tempost stuff, and you're don't

1453
01:17:12,479 --> 01:17:16,759
Speaker 1: get me started. Thank you. My nipples are so hid

1454
01:17:16,760 --> 01:17:18,439
Speaker 1: the shirt. He actually came in the next day and

1455
01:17:18,479 --> 01:17:20,639
Speaker 1: I remember him saying, you gotta listen to this artist.

1456
01:17:20,680 --> 01:17:23,000
Speaker 1: And then you know, we played you literally the the

1457
01:17:23,160 --> 01:17:26,960
Speaker 1: next The next day, everybody's like like waking me up.

1458
01:17:27,000 --> 01:17:28,960
Speaker 1: I'm getting like a hundred phone calls and they're like,

1459
01:17:29,000 --> 01:17:32,519
Speaker 1: turn one hundred and and I turned it on right

1460
01:17:32,560 --> 01:17:36,400
Speaker 1: when he started, uh crying, and then and then Danielle

1461
01:17:36,520 --> 01:17:38,639
Speaker 1: was like daniel was like, I was, I haven't seen

1462
01:17:38,640 --> 01:17:40,160
Speaker 1: to cry. And then the first thing I hear that

1463
01:17:40,200 --> 01:17:41,639
Speaker 1: comes out of your mouth is like listen to nas

1464
01:17:41,640 --> 01:17:44,639
Speaker 1: don't get a big head. You're like, don't get caught

1465
01:17:44,720 --> 01:17:49,120
Speaker 1: you wherever you are. You know, I'm Scottish. I cried,

1466
01:17:50,240 --> 01:17:52,200
Speaker 1: you know. In this business that we're in, we were

1467
01:17:52,280 --> 01:17:54,680
Speaker 1: so fortunate to be touched by the art of so

1468
01:17:54,800 --> 01:17:58,479
Speaker 1: many incredibly talented people who not only can hit notes,

1469
01:17:59,040 --> 01:18:02,320
Speaker 1: but they sing from their soul. And it's just as

1470
01:18:02,400 --> 01:18:04,840
Speaker 1: an artist can sit in front of a canvas and

1471
01:18:05,040 --> 01:18:07,200
Speaker 1: create this artwork and we can throw it on the wall.

1472
01:18:07,560 --> 01:18:11,400
Speaker 1: I consider our show a gallery of the art that

1473
01:18:11,600 --> 01:18:15,360
Speaker 1: people like you put up there and it makes me weep. Anyway,

1474
01:18:15,600 --> 01:18:17,679
Speaker 1: So I think you're awesome. Thank you, Thank you guys

1475
01:18:17,680 --> 01:18:21,880
Speaker 1: seriously and big egos. Yea, My head barely fit through

1476
01:18:21,920 --> 01:18:25,960
Speaker 1: the door, but listen. First thing I need to say

1477
01:18:26,320 --> 01:18:29,240
Speaker 1: before I even continue is the fact that every single day,

1478
01:18:30,360 --> 01:18:35,760
Speaker 1: every day from first grade to graduating high school until

1479
01:18:35,760 --> 01:18:39,280
Speaker 1: I moved to La Was, I was ran in z

1480
01:18:39,439 --> 01:18:43,120
Speaker 1: morning zoo going for every single day from the phone tap.

1481
01:18:43,439 --> 01:18:45,120
Speaker 1: I used to be like, I'm gonna I'm gonna be

1482
01:18:45,160 --> 01:18:46,920
Speaker 1: a little late for class this morning because this phone

1483
01:18:46,960 --> 01:18:49,479
Speaker 1: tap is just ridiculous. Like every day and the fact

1484
01:18:49,560 --> 01:18:55,479
Speaker 1: that I'm sitting here is the craziest. Like I live

1485
01:18:55,560 --> 01:18:57,880
Speaker 1: up the street, I'm in Westchester, Like I'm born and

1486
01:18:57,960 --> 01:19:00,760
Speaker 1: raised in Westchester. I want to school in Westchester. Like

1487
01:19:00,880 --> 01:19:03,240
Speaker 1: you guys like this is that's kind of wild. This

1488
01:19:03,400 --> 01:19:06,400
Speaker 1: is crazy. But wait, but let's talk about your childhood

1489
01:19:06,439 --> 01:19:08,400
Speaker 1: and growing up listening to our show. Did you ever

1490
01:19:08,680 --> 01:19:12,920
Speaker 1: imagine that one day your music would be on the rodio? Well?

1491
01:19:12,960 --> 01:19:15,280
Speaker 1: It was seriously, what did you what was it in

1492
01:19:15,400 --> 01:19:18,200
Speaker 1: your in your youth stanage that made you want to

1493
01:19:18,320 --> 01:19:21,240
Speaker 1: sit in front of a keyboard and perform for people? Like?

1494
01:19:21,320 --> 01:19:24,639
Speaker 1: Where did that come from? Where does that come from? Well?

1495
01:19:24,720 --> 01:19:28,400
Speaker 1: I mean it's literally in my family. Like everybody in

1496
01:19:28,439 --> 01:19:31,000
Speaker 1: my family sings, they do some kind of you know, instrument.

1497
01:19:31,120 --> 01:19:33,200
Speaker 1: My scissor sings and plays the violin, my other brother,

1498
01:19:33,720 --> 01:19:37,040
Speaker 1: uh the drums, My other brother singer and piano. I

1499
01:19:37,200 --> 01:19:42,840
Speaker 1: think because I was the baby slash accident child. Because

1500
01:19:42,840 --> 01:19:44,479
Speaker 1: they're they're you know, they're all older than I am.

1501
01:19:44,720 --> 01:19:46,960
Speaker 1: My brother in the room back there, he's actually turning

1502
01:19:47,000 --> 01:19:49,680
Speaker 1: forty one. Wow, look at that, right, So you're a

1503
01:19:49,720 --> 01:19:53,040
Speaker 1: spoiled So I'm like, I like, they paved the way

1504
01:19:53,080 --> 01:19:54,920
Speaker 1: for me. They're like, Okay, we're not gonna, We're not

1505
01:19:55,040 --> 01:19:56,920
Speaker 1: we can't do it. But um but literally, when I

1506
01:19:56,960 --> 01:19:58,760
Speaker 1: was a kid, they were always so supportive of me

1507
01:19:58,800 --> 01:20:01,479
Speaker 1: actually trying to do it, and it was always actually

1508
01:20:01,520 --> 01:20:04,479
Speaker 1: Albanian music that I was singing. It really wasn't. I

1509
01:20:04,560 --> 01:20:07,240
Speaker 1: wasn't singing English music that much until like actually high school.

1510
01:20:07,240 --> 01:20:09,920
Speaker 1: You should have stuck with it because the Albanian music scenes,

1511
01:20:10,800 --> 01:20:14,040
Speaker 1: Albanian folklore is popping. Yeah, I know that they have

1512
01:20:14,120 --> 01:20:18,160
Speaker 1: a big radio thing somewhere. We're in Albanian song come

1513
01:20:18,240 --> 01:20:27,880
Speaker 1: on man Macatchis and gothrpoiotic servocate can get dark no fu,

1514
01:20:29,840 --> 01:20:31,880
Speaker 1: I was my breath there. I haven't take Alberid so long.

1515
01:20:32,960 --> 01:20:36,320
Speaker 1: Oh my gosh, so beautiful. Though, it's like it's like

1516
01:20:36,400 --> 01:20:41,000
Speaker 1: almost like a like a yodel slash uh. I don't know,

1517
01:20:41,080 --> 01:20:44,479
Speaker 1: it's like dramatic scales. Yeah yeah, yeah, yeah. Okay, so

1518
01:20:44,560 --> 01:20:48,360
Speaker 1: you grew up in this musical house. I grew up

1519
01:20:48,400 --> 01:20:51,559
Speaker 1: in this musical house, and we're with parents I'm assuming

1520
01:20:51,600 --> 01:20:54,800
Speaker 1: who encouraged this. Yeah, yeah, you need to go get

1521
01:20:54,840 --> 01:20:56,680
Speaker 1: a job in a tall building in the city. You

1522
01:20:56,760 --> 01:20:59,240
Speaker 1: want to know. It's funny. So my whole family does construction, right,

1523
01:20:59,320 --> 01:21:02,559
Speaker 1: And I remember when I was like, for the first

1524
01:21:02,600 --> 01:21:04,880
Speaker 1: time again, I'm like the accident job. So my dad

1525
01:21:05,000 --> 01:21:08,719
Speaker 1: is actually like seventy three seventy four, and my brothers

1526
01:21:08,800 --> 01:21:12,600
Speaker 1: were almost like my dad, like oddly enough, they were

1527
01:21:12,640 --> 01:21:13,880
Speaker 1: like the ones that I would go to if I,

1528
01:21:14,200 --> 01:21:16,640
Speaker 1: you know, want to ask for something, right. So I

1529
01:21:16,760 --> 01:21:19,080
Speaker 1: remember I sat down at my brother Mark and I'm like, listen,

1530
01:21:19,120 --> 01:21:20,400
Speaker 1: I don't think I want to go to college. I

1531
01:21:20,479 --> 01:21:24,040
Speaker 1: think I want to do you know, music. And it's

1532
01:21:24,120 --> 01:21:26,679
Speaker 1: crazy because I knew my dad came here with nothing.

1533
01:21:26,920 --> 01:21:29,200
Speaker 1: I'm a child of immigrants, right, he came here with nothing,

1534
01:21:29,840 --> 01:21:32,200
Speaker 1: worked his butt off for me to you know, for

1535
01:21:32,320 --> 01:21:34,240
Speaker 1: all of us kids to do something with our lives,

1536
01:21:34,360 --> 01:21:38,400
Speaker 1: right and and you know, go to college and get

1537
01:21:38,439 --> 01:21:40,240
Speaker 1: a great job. This is that. So I was like,

1538
01:21:40,360 --> 01:21:42,599
Speaker 1: what the hell I'm gonna tell. I'm gonna tell my dad,

1539
01:21:42,640 --> 01:21:44,600
Speaker 1: who has been like slaving away all these years, like

1540
01:21:45,080 --> 01:21:46,840
Speaker 1: I want to go sing. Like to me, I was

1541
01:21:46,880 --> 01:21:49,160
Speaker 1: so scared because I didn't know what was going to happen, right,

1542
01:21:49,880 --> 01:21:51,280
Speaker 1: And I go to my brother, I'm like, listen, I

1543
01:21:51,320 --> 01:21:54,679
Speaker 1: want to do this. And before my brother told my dad,

1544
01:21:55,200 --> 01:21:56,760
Speaker 1: he was like are you sure this is a big thing?

1545
01:21:56,840 --> 01:21:59,400
Speaker 1: And I'm like yeah. I would wake up every single

1546
01:21:59,479 --> 01:22:01,439
Speaker 1: morning and it was something new, but like one morning

1547
01:22:01,479 --> 01:22:04,680
Speaker 1: it would be a microphone, and then like right next

1548
01:22:04,720 --> 01:22:06,800
Speaker 1: to it, it would be a pair of plumber supliers

1549
01:22:07,320 --> 01:22:09,439
Speaker 1: and and there would always be a note and he'd

1550
01:22:09,439 --> 01:22:11,120
Speaker 1: be like, choose one for the rest of your life.

1551
01:22:11,439 --> 01:22:13,240
Speaker 1: And then there would be like a microphone or like

1552
01:22:13,400 --> 01:22:16,639
Speaker 1: a blowtorch, right, because it's like everybody does construction my family,

1553
01:22:16,720 --> 01:22:18,479
Speaker 1: Like that's that's It's like there was no other option.

1554
01:22:18,560 --> 01:22:20,280
Speaker 1: It's like love a blowtorch, you know what I mean.

1555
01:22:23,920 --> 01:22:26,640
Speaker 1: And then I was like, listen, I want to do it.

1556
01:22:26,680 --> 01:22:28,400
Speaker 1: And I and I spoke to my dad and he's like, listen,

1557
01:22:28,400 --> 01:22:30,960
Speaker 1: I didn't work my butt off for you to, you know,

1558
01:22:31,640 --> 01:22:33,080
Speaker 1: for you to be forced into something else. He's like,

1559
01:22:33,080 --> 01:22:34,200
Speaker 1: I worked my butt off for you to do what

1560
01:22:34,280 --> 01:22:35,720
Speaker 1: you love to do. And you know that was my

1561
01:22:35,840 --> 01:22:37,560
Speaker 1: goal was to be able to have my kids do

1562
01:22:37,600 --> 01:22:40,400
Speaker 1: what they love. Wow. And once I heard that, I

1563
01:22:40,560 --> 01:22:43,560
Speaker 1: was like I was biting my fist. I was like

1564
01:22:43,600 --> 01:22:48,640
Speaker 1: in the MVP dad. So I think it was since then, um,

1565
01:22:49,080 --> 01:22:52,559
Speaker 1: you know, I drove to California from New York, packed

1566
01:22:52,600 --> 01:22:56,920
Speaker 1: up my car, which was an intense five day drive. Right. Um,

1567
01:22:57,680 --> 01:23:01,479
Speaker 1: I was living at the the zuel In motel in

1568
01:23:01,560 --> 01:23:06,920
Speaker 1: Santa Monica. Sounds sexy. It was. It was sexy, all right.

1569
01:23:07,000 --> 01:23:10,960
Speaker 1: It was something. Um And so how long ago was that?

1570
01:23:11,439 --> 01:23:13,640
Speaker 1: That was maybe like three years ago? Right? That was

1571
01:23:13,640 --> 01:23:15,360
Speaker 1: like probably a year before I met you. So this

1572
01:23:15,560 --> 01:23:20,280
Speaker 1: is not an overnight thing. We met you two years ago. Yeah,

1573
01:23:20,479 --> 01:23:22,880
Speaker 1: and you're you're still like but if you're still working

1574
01:23:22,920 --> 01:23:25,479
Speaker 1: your ass off to make it work even that. Because

1575
01:23:25,479 --> 01:23:27,000
Speaker 1: I was working in New York too, I was singing

1576
01:23:27,040 --> 01:23:30,040
Speaker 1: in every karaoke bar, every open mic in New York.

1577
01:23:30,160 --> 01:23:33,479
Speaker 1: And literally I was under twenty one, so I'm sneaking

1578
01:23:33,479 --> 01:23:35,000
Speaker 1: into these places. When I was in La I was

1579
01:23:35,080 --> 01:23:38,200
Speaker 1: going through the kitchen through like this little karaoke bars

1580
01:23:38,240 --> 01:23:40,160
Speaker 1: to try to go and sing. And it was so

1581
01:23:40,760 --> 01:23:43,719
Speaker 1: brutal because I'm singing in front of three drunk guys

1582
01:23:44,040 --> 01:23:46,920
Speaker 1: who are there after work, and nobody really cares, like

1583
01:23:47,160 --> 01:23:50,720
Speaker 1: you know what I mean. So it was almost like dejecting,

1584
01:23:50,800 --> 01:23:52,720
Speaker 1: like I'm like, what am I doing? When did you

1585
01:23:52,720 --> 01:23:57,400
Speaker 1: finally get someone's attention that mattered? Um? So I was

1586
01:23:57,560 --> 01:24:02,000
Speaker 1: singing at this is a true story actually, hand to God.

1587
01:24:02,080 --> 01:24:05,800
Speaker 1: I'm I'm at the Azulin and We've been singing at

1588
01:24:05,920 --> 01:24:08,960
Speaker 1: karaoke bars and open mics for maybe two three months,

1589
01:24:09,800 --> 01:24:12,000
Speaker 1: and I'm getting super dejected and I'm like, I don't

1590
01:24:12,000 --> 01:24:13,240
Speaker 1: want to do this anymore. I'm singing in front of

1591
01:24:13,320 --> 01:24:16,240
Speaker 1: like three people in night, like at a drunk karaoke

1592
01:24:16,400 --> 01:24:18,360
Speaker 1: bar because I didn't know anybody in la. I didn't

1593
01:24:18,360 --> 01:24:20,920
Speaker 1: know what to do. And then my brother's like, please tonight.

1594
01:24:21,040 --> 01:24:23,040
Speaker 1: Let's like, let's just go out tonight, just you and me,

1595
01:24:23,439 --> 01:24:26,080
Speaker 1: you know, no pressure, just sing a song. Who cares.

1596
01:24:26,120 --> 01:24:27,800
Speaker 1: And I was like adamant that I didn't want to go,

1597
01:24:28,360 --> 01:24:30,800
Speaker 1: and he literally him right there. He would not let

1598
01:24:30,920 --> 01:24:33,240
Speaker 1: me not go. He was like dress up, like I'm

1599
01:24:33,240 --> 01:24:35,519
Speaker 1: not gonna let you sit down and be like sad

1600
01:24:35,600 --> 01:24:37,720
Speaker 1: and mope around. He's like, you got you said you

1601
01:24:37,760 --> 01:24:39,640
Speaker 1: wanted to do it, You're gonna do it. And we

1602
01:24:39,760 --> 01:24:43,439
Speaker 1: went to this like karaoke bar slash open mic kind

1603
01:24:43,479 --> 01:24:46,519
Speaker 1: of thing in North Hollywood and I'm in there and

1604
01:24:46,600 --> 01:24:49,040
Speaker 1: I sing right and in the back, I'm a big

1605
01:24:49,080 --> 01:24:52,120
Speaker 1: basketball fan. I see the point guard for the Milwaukee Bucks,

1606
01:24:52,200 --> 01:24:56,160
Speaker 1: Brandon Jennings, and he he's there. I don't know what

1607
01:24:56,240 --> 01:24:58,200
Speaker 1: it was. It was like someone's birthday or something. And

1608
01:24:58,280 --> 01:25:00,519
Speaker 1: he's just randomly at this place, like just the most

1609
01:25:00,640 --> 01:25:03,280
Speaker 1: random thing ever. And he posts a video of me

1610
01:25:03,400 --> 01:25:07,240
Speaker 1: singing that night right, him and his uh his girlfriend

1611
01:25:07,240 --> 01:25:10,400
Speaker 1: at the time. And then I wake up. I went

1612
01:25:10,479 --> 01:25:13,920
Speaker 1: to bed that night with like three thousand followers. I

1613
01:25:14,000 --> 01:25:16,439
Speaker 1: wake up the next morning with like twenty five thousand followers,

1614
01:25:16,479 --> 01:25:18,200
Speaker 1: and I'm like, wait, what the hell just happened? What

1615
01:25:18,280 --> 01:25:19,960
Speaker 1: did I do? You know what I mean, I'm like,

1616
01:25:20,120 --> 01:25:23,960
Speaker 1: did I drink that much? So it was like a

1617
01:25:24,040 --> 01:25:26,240
Speaker 1: little it was like that was the snowball that went

1618
01:25:26,800 --> 01:25:30,760
Speaker 1: like down Mount Everest? Right, because from that, this person

1619
01:25:30,840 --> 01:25:33,200
Speaker 1: sawt on Instagram. This person saw the video on Instagram.

1620
01:25:33,280 --> 01:25:35,640
Speaker 1: This person sat on Instagram. And now I'm singing the

1621
01:25:35,720 --> 01:25:39,760
Speaker 1: same song in Drake's living room. Yeah, it was Drake home.

1622
01:25:40,080 --> 01:25:43,320
Speaker 1: Drake was home. It was like I'm breaking it into

1623
01:25:43,400 --> 01:25:46,160
Speaker 1: his house. I'm like, uh, excuse me, question now he

1624
01:25:46,280 --> 01:25:49,720
Speaker 1: was home. And and and then from that, literally, uh,

1625
01:25:51,200 --> 01:25:56,200
Speaker 1: Kim Kardashian's makeup artist, he shows her video of me singing,

1626
01:25:56,680 --> 01:26:01,280
Speaker 1: and then she posts it, and then and then Chris

1627
01:26:01,400 --> 01:26:04,360
Speaker 1: Brown posts it and then uh, Justin Bieber came to

1628
01:26:04,479 --> 01:26:07,960
Speaker 1: my uh open mic night that I had at the

1629
01:26:08,160 --> 01:26:10,240
Speaker 1: w in Hollywood, and then E Hollywood News was like

1630
01:26:10,400 --> 01:26:17,360
Speaker 1: Justin Bieber visits artist friends Dena Jesus how for everyone? Now, Oh,

1631
01:26:17,439 --> 01:26:19,800
Speaker 1: hold on, I had never even been in a music

1632
01:26:19,880 --> 01:26:23,080
Speaker 1: studio yet, Like I hadn't recorded a song yet, So

1633
01:26:23,240 --> 01:26:26,360
Speaker 1: all of this is happening. All the record labels aren't calling.

1634
01:26:26,720 --> 01:26:28,600
Speaker 1: All of this is happening while I'm at the a

1635
01:26:28,680 --> 01:26:31,120
Speaker 1: zuol In and I haven't even I've never recorded a song,

1636
01:26:31,520 --> 01:26:34,880
Speaker 1: and I'm like sitting there, I'm like, what is happening? Right?

1637
01:26:35,400 --> 01:26:39,120
Speaker 1: So like NonStop, and there's like so many little stories,

1638
01:26:39,200 --> 01:26:45,679
Speaker 1: like just random, random stories like I'm getting pit fire

1639
01:26:45,800 --> 01:26:48,200
Speaker 1: in North Hollywood, Like this little corner place right and

1640
01:26:49,920 --> 01:26:53,080
Speaker 1: right behind me taps on my shoulder. Jealous is the

1641
01:26:53,120 --> 01:26:55,400
Speaker 1: biggest song in the country, and it's Nick Jonas. He's like, dude,

1642
01:26:55,400 --> 01:26:56,760
Speaker 1: you have a great voice, Like let's catch up. We

1643
01:26:56,800 --> 01:27:00,679
Speaker 1: should go and have dinner. I'm like, for a while,

1644
01:27:00,720 --> 01:27:03,160
Speaker 1: you just don't like where the camera I'm I'm having

1645
01:27:03,240 --> 01:27:06,559
Speaker 1: dinner at his house. I'm like going up the elevator

1646
01:27:06,640 --> 01:27:09,320
Speaker 1: into his apartment. It's like one of those, I'm like,

1647
01:27:09,680 --> 01:27:14,080
Speaker 1: what is happening? Like Hayley stein Fell's in there, She's like, hey,

1648
01:27:14,160 --> 01:27:16,479
Speaker 1: how are you? Blah blah blah, like all this stuff,

1649
01:27:16,479 --> 01:27:18,160
Speaker 1: and I'm meeting all these people and I'm like, dude,

1650
01:27:18,640 --> 01:27:20,640
Speaker 1: They're like, oh, like, do you have any music? And

1651
01:27:20,760 --> 01:27:23,280
Speaker 1: I've and I've never recorded a song, right, so well,

1652
01:27:23,320 --> 01:27:25,439
Speaker 1: I mean, did anyone ever look at you and go,

1653
01:27:25,479 --> 01:27:30,280
Speaker 1: wait a minute, You're a scam man? Literally literally, my family,

1654
01:27:30,400 --> 01:27:32,559
Speaker 1: my family calls me Forrest Gump because like the luckiest

1655
01:27:32,560 --> 01:27:34,439
Speaker 1: things that can happen knock on wood or wherever it is,

1656
01:27:34,880 --> 01:27:37,599
Speaker 1: these things happen for a reason. The universe is smiling

1657
01:27:37,800 --> 01:27:40,680
Speaker 1: at you. Obviously you deserve it or you owe the

1658
01:27:40,840 --> 01:27:43,600
Speaker 1: universe big time, big time. I don't know what it is.

1659
01:27:43,760 --> 01:27:47,280
Speaker 1: All I know is that it's I'm super super lucky,

1660
01:27:47,320 --> 01:27:51,320
Speaker 1: super grateful because it just it just kept happening, and

1661
01:27:51,479 --> 01:27:54,280
Speaker 1: I mean it's luckily. I mean I'm here like even

1662
01:27:54,400 --> 01:27:56,560
Speaker 1: this to me, and I don't want to sound like,

1663
01:27:56,840 --> 01:27:59,800
Speaker 1: oh gosh, she's trying to be nice, like this is

1664
01:28:00,280 --> 01:28:02,360
Speaker 1: insane that I'm here. I look at this the same

1665
01:28:02,400 --> 01:28:05,320
Speaker 1: way as Brandon Jennings being at the karaoke bar and

1666
01:28:05,880 --> 01:28:08,800
Speaker 1: taking the video wild. By the way, you're listening to Stonage,

1667
01:28:08,920 --> 01:28:10,760
Speaker 1: he performed a few minutes ago. We're about to play

1668
01:28:11,280 --> 01:28:12,759
Speaker 1: what are we going to play for in a second?

1669
01:28:13,360 --> 01:28:15,920
Speaker 1: Dirty mind? Oh dirty mind? You've got work to do.

1670
01:28:16,120 --> 01:28:18,720
Speaker 1: You you still have heads to turn? You have you

1671
01:28:19,080 --> 01:28:21,600
Speaker 1: you haven't sold out a stadium yet? Oh yeah, this

1672
01:28:21,760 --> 01:28:26,560
Speaker 1: is this is your plan. So what's what's next? What'stonage

1673
01:28:26,680 --> 01:28:28,280
Speaker 1: is going to do? What next? And what can we

1674
01:28:28,400 --> 01:28:31,559
Speaker 1: do to assist? Oh? Man, um, I mean you guys

1675
01:28:31,600 --> 01:28:34,760
Speaker 1: are just having me here. Today's is like seriously, like

1676
01:28:35,040 --> 01:28:38,479
Speaker 1: on my list of dreams come true, this is right

1677
01:28:38,600 --> 01:28:40,880
Speaker 1: up there with, you know, my biggest goals. And I

1678
01:28:40,960 --> 01:28:45,240
Speaker 1: started this was like I want you know, one of

1679
01:28:45,320 --> 01:28:48,120
Speaker 1: my first goal number one was salad Madison Square Garden,

1680
01:28:48,320 --> 01:28:50,000
Speaker 1: Like we can do that, like being in New York,

1681
01:28:50,560 --> 01:28:52,519
Speaker 1: I hope. So being in New York, I was like

1682
01:28:52,600 --> 01:28:55,320
Speaker 1: I've I've always I don't care if I'm doing stadiums,

1683
01:28:55,360 --> 01:28:57,920
Speaker 1: if I'm doing you know, Wembley ninety thousand a night.

1684
01:28:58,080 --> 01:29:01,360
Speaker 1: Like what is it about Madison Square Garden? Every artist

1685
01:29:01,520 --> 01:29:04,320
Speaker 1: says that it's the magic. It really is, Like I

1686
01:29:04,479 --> 01:29:06,519
Speaker 1: know it sounds, it's really just a big square building

1687
01:29:06,560 --> 01:29:08,320
Speaker 1: with the stage at the end of the day, it

1688
01:29:08,640 --> 01:29:10,840
Speaker 1: is once you get inside, yeah, because when you look

1689
01:29:10,880 --> 01:29:12,960
Speaker 1: from the outside, it kind of looks just like it's

1690
01:29:13,120 --> 01:29:15,559
Speaker 1: just like another building in the city, right yeah, yeah,

1691
01:29:16,240 --> 01:29:18,439
Speaker 1: But once you get inside, there's something that happens. And

1692
01:29:18,520 --> 01:29:20,080
Speaker 1: I think since I was going there, because you know,

1693
01:29:20,439 --> 01:29:22,880
Speaker 1: you go to Knicks games when you're eight years old,

1694
01:29:23,160 --> 01:29:25,400
Speaker 1: you know, nine years old, So I think for me,

1695
01:29:25,520 --> 01:29:28,360
Speaker 1: it's more of that like sentimental thing um and and

1696
01:29:28,520 --> 01:29:31,200
Speaker 1: just the magic itself. So it was always Madison Square

1697
01:29:31,200 --> 01:29:35,640
Speaker 1: Garden zero one hundred and one a Grammy award. So

1698
01:29:38,080 --> 01:29:41,000
Speaker 1: right now I'm literally like, because you're asking me, you know,

1699
01:29:41,080 --> 01:29:43,080
Speaker 1: what's next and what do I have to do? Every

1700
01:29:43,160 --> 01:29:45,479
Speaker 1: day I'm in the studio recording. Uh, I have to

1701
01:29:45,600 --> 01:29:50,799
Speaker 1: keep putting out songs because you know, I'm I've garnered

1702
01:29:50,840 --> 01:29:54,000
Speaker 1: all these fans right that that you know, we're fans

1703
01:29:54,000 --> 01:29:56,280
Speaker 1: of mine again before I ever recorded a song, right

1704
01:29:56,400 --> 01:29:57,920
Speaker 1: you know? When I signed my record deal, I think

1705
01:29:57,920 --> 01:30:01,240
Speaker 1: I had three hundred and something thousand followers without any

1706
01:30:01,280 --> 01:30:04,840
Speaker 1: songs out, and that was just damn man. That was

1707
01:30:05,000 --> 01:30:08,000
Speaker 1: all from like from people posting me. When Chris Brown

1708
01:30:08,040 --> 01:30:10,360
Speaker 1: posting me that night, I woke up and and literally

1709
01:30:10,920 --> 01:30:13,240
Speaker 1: it was like ten hours later I had I think

1710
01:30:13,280 --> 01:30:16,599
Speaker 1: it was seventy six thousand more followers. How many followers

1711
01:30:16,640 --> 01:30:22,519
Speaker 1: we have on Instagram today today? Have four hundred and ten. Yeah,

1712
01:30:22,920 --> 01:30:24,800
Speaker 1: I know, but you know what I just I mean,

1713
01:30:24,840 --> 01:30:26,320
Speaker 1: it's not the biggest number in the world, but but

1714
01:30:26,400 --> 01:30:29,360
Speaker 1: I think for me, it's like for scam artists like here,

1715
01:30:29,520 --> 01:30:32,679
Speaker 1: you know what I mean, even recorded any in your pockets?

1716
01:30:34,120 --> 01:30:37,559
Speaker 1: Where's my watch? When it was still I'm so proud

1717
01:30:37,600 --> 01:30:41,760
Speaker 1: of you and I want to like we I want

1718
01:30:41,800 --> 01:30:43,600
Speaker 1: to just remind everyone we're on the We're on the

1719
01:30:43,680 --> 01:30:45,760
Speaker 1: fifty yard line in this game, so we we're gonna

1720
01:30:45,840 --> 01:30:48,240
Speaker 1: watch you. We're gonna be here for you. And uh,

1721
01:30:48,320 --> 01:30:49,960
Speaker 1: I can't wait till you sail about your first Medics

1722
01:30:50,080 --> 01:30:52,160
Speaker 1: Square Garden concert. It's not going to be the thank you.

1723
01:30:52,240 --> 01:30:55,240
Speaker 1: It's not thank you. It's not going to be this year.

1724
01:30:55,280 --> 01:30:58,599
Speaker 1: And and it is our hard a lot of hard work,

1725
01:30:58,640 --> 01:31:00,840
Speaker 1: and you know, when it happens. I know, I have

1726
01:31:00,920 --> 01:31:03,400
Speaker 1: a bunch of artist friends that have told me, like,

1727
01:31:04,000 --> 01:31:06,280
Speaker 1: you know, I was in Miami with Shawn Mendez right

1728
01:31:06,320 --> 01:31:07,840
Speaker 1: and I was telling him, you know, I was venting

1729
01:31:07,880 --> 01:31:09,600
Speaker 1: to him in town him all this stuff, and he

1730
01:31:09,760 --> 01:31:12,360
Speaker 1: was like, dude, when it happens, like it happens. Like

1731
01:31:12,840 --> 01:31:14,800
Speaker 1: He's like, just keep going, don't worry about it, like

1732
01:31:15,720 --> 01:31:17,840
Speaker 1: it just happens. The same thing. You know. We're good

1733
01:31:17,880 --> 01:31:20,519
Speaker 1: family friends with Duelipa, and they're like, when it happens,

1734
01:31:20,560 --> 01:31:22,479
Speaker 1: it happened. So for me, I'm just like keep my

1735
01:31:22,560 --> 01:31:24,560
Speaker 1: head down because we were there with their when it

1736
01:31:24,600 --> 01:31:28,280
Speaker 1: happened because we knew both Dua Lippa and before they

1737
01:31:28,360 --> 01:31:32,439
Speaker 1: had before they had three hundred thousand followers. Yeah, absolutely,

1738
01:31:32,479 --> 01:31:35,400
Speaker 1: and look at him now it happened. Well, congratulations to Cash.

1739
01:31:35,560 --> 01:31:37,240
Speaker 1: Before we play your song, I want to ask you

1740
01:31:37,680 --> 01:31:41,240
Speaker 1: looking back, can you think of a song that changed

1741
01:31:41,280 --> 01:31:44,640
Speaker 1: your life, a song that you can look back on

1742
01:31:44,760 --> 01:31:48,080
Speaker 1: and go, Wow, that song actually means more than most others. Yeah,

1743
01:31:48,160 --> 01:31:53,200
Speaker 1: what would that be? Well, my favorite song ever, you know,

1744
01:31:53,360 --> 01:31:56,360
Speaker 1: written to me is actually I can't make it. Let

1745
01:31:56,400 --> 01:31:59,680
Speaker 1: me buy Bonnie Rate. But the song where I was

1746
01:31:59,760 --> 01:32:01,360
Speaker 1: listening to it and I was like, you know what

1747
01:32:01,479 --> 01:32:03,639
Speaker 1: I want to do music for the rest of my life.

1748
01:32:04,160 --> 01:32:07,040
Speaker 1: This is what I want to do was justin Timberlake's

1749
01:32:07,120 --> 01:32:13,479
Speaker 1: Crimean River. What about this song that made you fit it.

1750
01:32:13,960 --> 01:32:17,360
Speaker 1: I mean everything from the vocal to the production, it was.

1751
01:32:18,160 --> 01:32:22,479
Speaker 1: It was just it. I remember having my headphones in

1752
01:32:22,560 --> 01:32:25,640
Speaker 1: and I was just completely you know, in awe of

1753
01:32:25,680 --> 01:32:26,880
Speaker 1: this song, and I was like, I want to do

1754
01:32:26,960 --> 01:32:29,920
Speaker 1: this is what I want to do, right, And I

1755
01:32:30,040 --> 01:32:33,400
Speaker 1: remember Justin obviously is Justin. You know, he's a legend,

1756
01:32:33,479 --> 01:32:38,040
Speaker 1: and he's a living legend already probably as an artist,

1757
01:32:38,120 --> 01:32:41,920
Speaker 1: one of my biggest inspirations. Right. And I really don't

1758
01:32:41,920 --> 01:32:45,599
Speaker 1: get nervous much because when you know, I'm when I'm singing,

1759
01:32:45,880 --> 01:32:47,960
Speaker 1: I won't sing unless I know one hundred percent. I

1760
01:32:48,080 --> 01:32:49,479
Speaker 1: know what I'm doing, Like I know the song like

1761
01:32:49,560 --> 01:32:52,200
Speaker 1: the back of my hand. I've practiced it a million times,

1762
01:32:52,520 --> 01:32:54,000
Speaker 1: So I don't get nervous. I'm like, I'm gonna do

1763
01:32:54,000 --> 01:32:56,839
Speaker 1: what I do a million times, you know, in rehearsal.

1764
01:32:57,600 --> 01:33:00,160
Speaker 1: So when I'm when I was on Jimmy Fallon, like

1765
01:33:00,280 --> 01:33:03,000
Speaker 1: I was good. My whole family was, you know, they

1766
01:33:03,040 --> 01:33:06,040
Speaker 1: were in the bathroom non stop because they were so nervous.

1767
01:33:06,560 --> 01:33:08,200
Speaker 1: I'm in the back room, I'm like ready, I'm like

1768
01:33:08,280 --> 01:33:10,040
Speaker 1: ready to go, and then they hit me with a curveball.

1769
01:33:10,080 --> 01:33:13,040
Speaker 1: They're like, oh, by the way, Justin's here tonight now,

1770
01:33:14,240 --> 01:33:16,840
Speaker 1: and I'm good right, like I was so good before that,

1771
01:33:17,040 --> 01:33:19,960
Speaker 1: like the however million people watching. I was like, yeah,

1772
01:33:20,000 --> 01:33:22,920
Speaker 1: I'm good, like I got this. And then out of nowhere,

1773
01:33:23,360 --> 01:33:28,639
Speaker 1: I'm getting my makeup done in the dressing room and knock, knock, knock,

1774
01:33:28,840 --> 01:33:31,080
Speaker 1: Who is it. It's justin right and he walks in.

1775
01:33:31,200 --> 01:33:34,040
Speaker 1: He goes, hey, man, he said something. He said something

1776
01:33:34,080 --> 01:33:36,120
Speaker 1: along the lines like, you know, I don't want to

1777
01:33:36,160 --> 01:33:37,479
Speaker 1: bother you too much before you go on. I just

1778
01:33:37,560 --> 01:33:38,840
Speaker 1: want to say that like I'm a big fan of

1779
01:33:38,920 --> 01:33:41,200
Speaker 1: your voice, and you know, I think I think you're really,

1780
01:33:41,240 --> 01:33:43,160
Speaker 1: really awesome. I've been listening. I'd been heard about you

1781
01:33:43,200 --> 01:33:45,760
Speaker 1: for a couple months now, and I think that that

1782
01:33:46,040 --> 01:33:48,800
Speaker 1: you have like a super insane voice. And I'm sitting

1783
01:33:48,880 --> 01:33:54,120
Speaker 1: there thinking of crimea River that I literally can't even

1784
01:33:54,120 --> 01:33:56,200
Speaker 1: say what I said on air. Okay. I turned around

1785
01:33:56,240 --> 01:33:58,680
Speaker 1: and I was like, shut the bleep up. I was like,

1786
01:33:58,840 --> 01:34:01,800
Speaker 1: shut up, and he's looking at me like I'm telling him,

1787
01:34:01,840 --> 01:34:06,040
Speaker 1: like to shut up. I'm like, shut your face. I

1788
01:34:06,200 --> 01:34:07,960
Speaker 1: was like, you're not in my dressing room right now.

1789
01:34:08,040 --> 01:34:12,280
Speaker 1: This is not happening, and and he was dying a laughter,

1790
01:34:12,360 --> 01:34:15,960
Speaker 1: and you know, we started talking um, and he's just

1791
01:34:16,880 --> 01:34:19,240
Speaker 1: it's scary to meet you idol to me at least,

1792
01:34:19,280 --> 01:34:21,679
Speaker 1: Like I say, you should never meet your idols typically

1793
01:34:21,760 --> 01:34:24,800
Speaker 1: you'll be disappointed because like you were you that night,

1794
01:34:24,880 --> 01:34:27,439
Speaker 1: you were good to me. I was like, I never

1795
01:34:27,520 --> 01:34:29,439
Speaker 1: thought of meeting him nothing. I was like, if I

1796
01:34:29,520 --> 01:34:31,280
Speaker 1: meet him, like if he's not the guy who I

1797
01:34:31,439 --> 01:34:34,680
Speaker 1: envisioned better than the guy who I thought literally like

1798
01:34:35,240 --> 01:34:37,080
Speaker 1: take my number, let's you know, let's talk if you

1799
01:34:37,200 --> 01:34:39,519
Speaker 1: need anything, like the fact that I could text him

1800
01:34:39,840 --> 01:34:42,760
Speaker 1: in my phone. He doesn't need me for anything, you know,

1801
01:34:42,880 --> 01:34:45,080
Speaker 1: he doesn't have sent him text. Yeah, yeah, I I've

1802
01:34:45,120 --> 01:34:46,720
Speaker 1: sent him. I don't like to be I don't like

1803
01:34:46,840 --> 01:34:53,360
Speaker 1: to be like that guy where I'm like, you're that

1804
01:34:53,520 --> 01:34:57,080
Speaker 1: guy is so cool. So so it's literally it's it's

1805
01:34:57,360 --> 01:35:01,400
Speaker 1: going from crimea River to having that and it's he

1806
01:35:01,760 --> 01:35:04,280
Speaker 1: Actually they told me because he was doing the trolls

1807
01:35:04,360 --> 01:35:05,840
Speaker 1: the movie, and they were like, he has to he

1808
01:35:05,880 --> 01:35:08,240
Speaker 1: has to go do promo for the movie, so he

1809
01:35:08,240 --> 01:35:10,880
Speaker 1: can't stay for your performance. So I was like, oh,

1810
01:35:11,040 --> 01:35:14,240
Speaker 1: were you happy he was just saying for your performance? Actually, no,

1811
01:35:14,400 --> 01:35:16,000
Speaker 1: At that point I committed that he was going to

1812
01:35:16,040 --> 01:35:17,960
Speaker 1: be there. So I was like, I was like, focus,

1813
01:35:18,080 --> 01:35:20,000
Speaker 1: you got this. And then I was like, oh man,

1814
01:35:20,080 --> 01:35:22,920
Speaker 1: he's not going to be there. And he gets dressed up,

1815
01:35:22,920 --> 01:35:25,000
Speaker 1: he's in his coat, he's in his hat. Everybody's ready

1816
01:35:25,000 --> 01:35:28,760
Speaker 1: to leave the building. He goes, you know what, he goes,

1817
01:35:28,800 --> 01:35:31,080
Speaker 1: I want to stay and watch you. And I was

1818
01:35:31,080 --> 01:35:33,360
Speaker 1: like what it's like, I want to stay and watch

1819
01:35:34,040 --> 01:35:35,560
Speaker 1: and my whole family is in the green room and

1820
01:35:35,600 --> 01:35:37,439
Speaker 1: he's like he goes in like with his little scully

1821
01:35:37,560 --> 01:35:39,320
Speaker 1: like and I believe he went into the live room.

1822
01:35:39,560 --> 01:35:41,120
Speaker 1: Like I see him in the corner of the live room,

1823
01:35:41,479 --> 01:35:44,000
Speaker 1: like where all the audiences and I'm sitting up there

1824
01:35:44,400 --> 01:35:46,600
Speaker 1: with the microphone about to start and I'm just like,

1825
01:35:47,200 --> 01:35:51,200
Speaker 1: I'm like, Justin Timberlake is right there watching me. I'm like,

1826
01:35:51,840 --> 01:35:54,160
Speaker 1: I was singing Crime River as loud as I can

1827
01:35:54,479 --> 01:35:57,439
Speaker 1: in my bathroom and now he's sitting there watching me.

1828
01:35:57,640 --> 01:36:00,400
Speaker 1: And I finished the performance. He goes like this, it

1829
01:36:00,520 --> 01:36:02,840
Speaker 1: gives me like a nice clap, and then he was

1830
01:36:02,880 --> 01:36:06,000
Speaker 1: like he tweets me like this, kids. Tonaje has an insane,

1831
01:36:06,280 --> 01:36:12,080
Speaker 1: insane voice. Wow, so it's crazy again. My family calls

1832
01:36:12,120 --> 01:36:14,840
Speaker 1: me for its gone like it just so I guess

1833
01:36:14,880 --> 01:36:16,640
Speaker 1: it's simple. It's simple to say, but I'll say it.

1834
01:36:16,840 --> 01:36:19,920
Speaker 1: Life is Life is great. Life is great. It gets hard,

1835
01:36:20,000 --> 01:36:24,880
Speaker 1: and there's obviously there was so many hard times, uh,

1836
01:36:25,840 --> 01:36:27,920
Speaker 1: to get to where I am. Like, you know, you

1837
01:36:28,040 --> 01:36:31,040
Speaker 1: always see the good stuff, right, Um. And everybody has

1838
01:36:31,080 --> 01:36:33,360
Speaker 1: a story. Everybody has a tough time, everybody has, you know,

1839
01:36:33,439 --> 01:36:35,799
Speaker 1: the struggle, whether it's in music, whether it's in anything.

1840
01:36:35,920 --> 01:36:37,519
Speaker 1: But you should have that. You need you need it.

1841
01:36:37,640 --> 01:36:39,240
Speaker 1: You need it because it builds, it builts you you

1842
01:36:39,280 --> 01:36:41,160
Speaker 1: are as an artist, it builds your character. And for me,

1843
01:36:41,280 --> 01:36:44,360
Speaker 1: it's helped me with songwriting. It's helped me with my music. Um,

1844
01:36:44,600 --> 01:36:47,120
Speaker 1: and I'm grateful for both. You know, however amazing the

1845
01:36:47,760 --> 01:36:51,360
Speaker 1: good times are, and however many times I'm like, you know, damn,

1846
01:36:51,400 --> 01:36:53,720
Speaker 1: I wish this didn't happen, or this is like I'm

1847
01:36:53,760 --> 01:36:56,720
Speaker 1: in a really tough spot looking back at them now,

1848
01:36:57,400 --> 01:36:59,640
Speaker 1: I'm grateful for them because they literally they were a

1849
01:36:59,680 --> 01:37:01,920
Speaker 1: step song for me to be in this room. Here

1850
01:37:01,960 --> 01:37:03,919
Speaker 1: you go. I'm glad you are in this room, Sage.

1851
01:37:04,080 --> 01:37:05,600
Speaker 1: I think so many people are going to fall in

1852
01:37:05,680 --> 01:37:07,600
Speaker 1: love with you just by listening to you talk in

1853
01:37:07,680 --> 01:37:15,720
Speaker 1: your story. How genuine you are if I act, I've

1854
01:37:15,720 --> 01:37:17,639
Speaker 1: been around a long time. This guy is a total

1855
01:37:17,960 --> 01:37:24,200
Speaker 1: total scam. Thank you for coming. Thank you. Okay, now

1856
01:37:24,280 --> 01:37:27,240
Speaker 1: set it up. The song the songs Donaj Dirty Mind

1857
01:37:27,280 --> 01:37:31,439
Speaker 1: featuring ty Dolla Sign. So this song um actually so

1858
01:37:32,400 --> 01:37:35,880
Speaker 1: Republic Records, uh and even you know management, they had

1859
01:37:35,920 --> 01:37:38,559
Speaker 1: no idea that uh what they know about the song, right,

1860
01:37:38,560 --> 01:37:43,000
Speaker 1: and and the song actually I write pretty much like songs.

1861
01:37:43,000 --> 01:37:46,360
Speaker 1: This song I actually didn't write. Um. However, I heard

1862
01:37:46,400 --> 01:37:47,800
Speaker 1: it and to me, when when you got to sing

1863
01:37:47,880 --> 01:37:50,320
Speaker 1: a song for the rest of your life, right, god

1864
01:37:50,360 --> 01:37:53,760
Speaker 1: willing hopefully, I'm like like Bennett on stage until I'm

1865
01:37:53,800 --> 01:37:56,120
Speaker 1: like one hundred years old, right, And I'm like, I

1866
01:37:56,200 --> 01:37:57,639
Speaker 1: got to sing a song for the rest of my life.

1867
01:37:57,800 --> 01:37:59,240
Speaker 1: If I don't write it, I had at least got

1868
01:37:59,320 --> 01:38:01,200
Speaker 1: to make sure it's relatable to me and I can

1869
01:38:01,240 --> 01:38:04,640
Speaker 1: connect with it forever. So I hear this song and

1870
01:38:04,840 --> 01:38:06,479
Speaker 1: you know, for one of the first times, I'm like,

1871
01:38:06,920 --> 01:38:11,360
Speaker 1: this song is like it's me. It's like my goofy noess,

1872
01:38:11,439 --> 01:38:14,600
Speaker 1: it's my realness. It's like everything in one song. And

1873
01:38:14,800 --> 01:38:16,760
Speaker 1: I'm like, Okay, this is the song. And then I

1874
01:38:16,880 --> 01:38:20,400
Speaker 1: find out that, you know, there's like seven ten other

1875
01:38:20,560 --> 01:38:23,000
Speaker 1: artists that want the song, and I can't say who

1876
01:38:23,000 --> 01:38:25,240
Speaker 1: they are, but these are like big artists, right, And

1877
01:38:25,320 --> 01:38:29,040
Speaker 1: I'm like, we need a song. So you know my

1878
01:38:29,160 --> 01:38:34,080
Speaker 1: brother my you know, Jason Flamante Avery, uh, they all

1879
01:38:34,320 --> 01:38:36,479
Speaker 1: you know Hop on the Call, Jason flies to La.

1880
01:38:36,600 --> 01:38:39,080
Speaker 1: We're like, we just how we need. This happens to songs.

1881
01:38:39,120 --> 01:38:43,280
Speaker 1: People fight over song. It is crazy. It's well. Actually,

1882
01:38:43,360 --> 01:38:45,960
Speaker 1: once I recorded the song, I think that's when they

1883
01:38:46,000 --> 01:38:49,360
Speaker 1: were like who wrote it? Um? Who said, Okay, Stanage,

1884
01:38:49,360 --> 01:38:51,360
Speaker 1: you may have my song? It was it was um

1885
01:38:52,200 --> 01:38:58,840
Speaker 1: Ray Keys uh uh, it was Johnny Price, uh, JP

1886
01:38:59,040 --> 01:39:04,680
Speaker 1: Sacks and Lucky Day. And you know, I think once

1887
01:39:04,720 --> 01:39:06,920
Speaker 1: they heard me on it, they were, you know, from

1888
01:39:06,960 --> 01:39:08,519
Speaker 1: what they told me that day in the studio, they

1889
01:39:08,560 --> 01:39:10,400
Speaker 1: were like, this is it. Like once they heard my

1890
01:39:10,479 --> 01:39:11,880
Speaker 1: voice hunt it, they were like, this is the perfect

1891
01:39:11,920 --> 01:39:15,639
Speaker 1: fit for it. And you know, I have the song

1892
01:39:15,720 --> 01:39:17,080
Speaker 1: in my in my car and I'm listening to it

1893
01:39:17,160 --> 01:39:19,800
Speaker 1: and I'm like, you know, man, this would be sick

1894
01:39:19,880 --> 01:39:22,960
Speaker 1: with ty Dolla sign. And I had met Tye because

1895
01:39:22,960 --> 01:39:25,960
Speaker 1: I did Ultra with Afrojack in Miami and he was

1896
01:39:26,000 --> 01:39:27,960
Speaker 1: in his set, so I just met ty and you know,

1897
01:39:28,880 --> 01:39:30,559
Speaker 1: just very high and by but you know, we were

1898
01:39:30,600 --> 01:39:33,360
Speaker 1: friendly enough to exchange phone numbers. So I text them

1899
01:39:33,360 --> 01:39:36,160
Speaker 1: once in a while and it was great, and I

1900
01:39:36,280 --> 01:39:38,120
Speaker 1: was like, do I text them to be on the song? Like?

1901
01:39:38,200 --> 01:39:40,400
Speaker 1: Am I that close? Am I going to burn a bridge? Like?

1902
01:39:40,439 --> 01:39:41,960
Speaker 1: I don't want him to think that. I'm like thirsty

1903
01:39:42,040 --> 01:39:44,200
Speaker 1: to like have a song, but you know, you gotta

1904
01:39:44,240 --> 01:39:46,280
Speaker 1: shoot your shot. You only have one shot to do

1905
01:39:46,360 --> 01:39:48,240
Speaker 1: this music thing. So I'm like, if it doesn't happen,

1906
01:39:48,280 --> 01:39:51,920
Speaker 1: it doesn't happen anyway. So I sent him this song

1907
01:39:52,040 --> 01:39:54,960
Speaker 1: with the open bridge, and I'm like, hey, man, like,

1908
01:39:55,520 --> 01:39:57,560
Speaker 1: I hope you're doing well. You know, I would have

1909
01:39:57,560 --> 01:39:59,040
Speaker 1: loved for you to be on the song, right, And

1910
01:40:00,439 --> 01:40:04,400
Speaker 1: he always responds to me, always instantly, but this song,

1911
01:40:04,560 --> 01:40:07,519
Speaker 1: like I send this message and there's no response, and

1912
01:40:07,640 --> 01:40:09,880
Speaker 1: I'm like, oh no, And now we're going on like

1913
01:40:10,080 --> 01:40:12,840
Speaker 1: five six hours of no response, and I'm like, Okay,

1914
01:40:12,880 --> 01:40:16,800
Speaker 1: maybe he's on a flight or something, something's happening. Ten

1915
01:40:16,880 --> 01:40:20,360
Speaker 1: hours no response, I'm like, he doesn't like the song

1916
01:40:20,520 --> 01:40:23,240
Speaker 1: or it's just not gonna happen. And then I get

1917
01:40:23,280 --> 01:40:27,960
Speaker 1: a FaceTime and he's at the Palms Casino Hotel, in

1918
01:40:28,080 --> 01:40:30,800
Speaker 1: Vegas in the studio and he's just holding the phone

1919
01:40:30,880 --> 01:40:33,679
Speaker 1: up in the air the FaceTime with his verse playing

1920
01:40:33,760 --> 01:40:36,800
Speaker 1: in the background of Dirty already doing it. And he

1921
01:40:36,920 --> 01:40:40,000
Speaker 1: was doing it while while I was in the bathroom

1922
01:40:40,160 --> 01:40:42,560
Speaker 1: like sweating my brains out. I'm like, holy crap, is

1923
01:40:42,600 --> 01:40:44,560
Speaker 1: this guy doing it? And he and he sends it

1924
01:40:44,640 --> 01:40:47,360
Speaker 1: and like while the song is playing, he's like, I

1925
01:40:47,479 --> 01:40:49,000
Speaker 1: love this song. The song is a smash and he's

1926
01:40:49,040 --> 01:40:51,040
Speaker 1: like holding it up. He's like, he's like, we got one.

1927
01:40:51,080 --> 01:40:54,120
Speaker 1: We got one. And literally I go to Republic the

1928
01:40:54,200 --> 01:40:58,000
Speaker 1: next day. I slapped my phone on the table Dirty

1929
01:40:58,080 --> 01:41:02,320
Speaker 1: Mind featuring Ty Dollars sign and everybody's like, what's so awesome? Boom?

1930
01:41:02,520 --> 01:41:05,080
Speaker 1: So you never hear how these things happen. You think

1931
01:41:05,080 --> 01:41:07,040
Speaker 1: there's like months and months of going back and forth. No,

1932
01:41:07,320 --> 01:41:09,680
Speaker 1: he just recorded it. Yeah he doesn't hear. He was like,

1933
01:41:09,760 --> 01:41:12,439
Speaker 1: here you go, grab all right, we'll hear it. So

1934
01:41:12,520 --> 01:41:15,720
Speaker 1: that's Dirty Mind. Uh snatch drink Tide dollars. Here we go.

1935
01:41:15,880 --> 01:41:17,760
Speaker 1: Thanks for coming in today, Thank you for having me, guys,

1936
01:41:17,880 --> 01:41:44,760
Speaker 1: Thank you, thank you, thank your mind. This is personality

1937
01:41:45,280 --> 01:41:48,160
Speaker 1: who tells a story to so many people. Elvis Duran

1938
01:41:48,280 --> 01:41:52,479
Speaker 1: in the Morning Show. Ever wonder what it is about

1939
01:41:52,520 --> 01:41:55,840
Speaker 1: you that makes you you yes all the time, Well,

1940
01:41:56,200 --> 01:41:59,559
Speaker 1: the answer is this, it's your DNA. Yeah, twenty three

1941
01:41:59,640 --> 01:42:01,840
Speaker 1: in me. What a fun journey you can go on

1942
01:42:02,000 --> 01:42:04,920
Speaker 1: discovering who you are and who brought you here? Where

1943
01:42:04,920 --> 01:42:07,559
Speaker 1: are you from? If you, like us, have already used

1944
01:42:07,640 --> 01:42:09,400
Speaker 1: twenty three in me, you know how great it is

1945
01:42:09,439 --> 01:42:12,479
Speaker 1: to see your DNA health reports. Now we can tell

1946
01:42:13,160 --> 01:42:16,040
Speaker 1: what we're predisposed to for health and wellness. That's cool.

1947
01:42:16,680 --> 01:42:20,519
Speaker 1: Your weight, your caffeine consumptions, sleep quality. They tell you

1948
01:42:20,640 --> 01:42:23,320
Speaker 1: everything in these reports. Even sometimes if you have assist

1949
01:42:23,400 --> 01:42:25,960
Speaker 1: for a brother you don't know about, Well, there you go.

1950
01:42:26,680 --> 01:42:30,240
Speaker 1: The ancestry reports share where your DNA is from worldwide.

1951
01:42:30,280 --> 01:42:32,760
Speaker 1: So join us. You can do it to order your

1952
01:42:32,840 --> 01:42:35,639
Speaker 1: kid at twenty three and me dot com slash Elvis

1953
01:42:36,000 --> 01:42:40,439
Speaker 1: twenty three and me dot com slash Elvis. You're at

1954
01:42:40,439 --> 01:42:41,920
Speaker 1: the food court at the mall. You see a line

1955
01:42:41,960 --> 01:42:43,920
Speaker 1: at your favorite restaurant. You're gonna go to another restaurant.

1956
01:42:43,960 --> 01:42:45,920
Speaker 1: You're tired of waiting. Aren't we all tired of waiting?

1957
01:42:46,080 --> 01:42:48,280
Speaker 1: This is why the Samsung Galaxy S nine is great,

1958
01:42:48,360 --> 01:42:50,559
Speaker 1: because you're tired of waiting. If you want to take

1959
01:42:50,600 --> 01:42:52,400
Speaker 1: a picture of something, you don't want to fumble around

1960
01:42:52,479 --> 01:42:55,479
Speaker 1: until your camera pops up the S nine, it's right there,

1961
01:42:55,560 --> 01:42:57,360
Speaker 1: your camera's ready to take a picture. That way, you

1962
01:42:57,439 --> 01:43:00,519
Speaker 1: don't miss your life looking up directions. The nine handles

1963
01:43:00,560 --> 01:43:03,439
Speaker 1: it very fast. This phone is changing everything. If you're

1964
01:43:03,439 --> 01:43:05,760
Speaker 1: like me and you're done waiting, add extra minutes to

1965
01:43:05,880 --> 01:43:08,720
Speaker 1: your day with the Samsung Galaxy S nine. Waiting is

1966
01:43:08,840 --> 01:43:13,800
Speaker 1: so last year. Elvis terran in the Morning show. I've

1967
01:43:13,840 --> 01:43:17,600
Speaker 1: some friends that just had a baby. They had the

1968
01:43:17,640 --> 01:43:21,400
Speaker 1: baby late Wednesday night into Thursday morning. Yeah, still haven't

1969
01:43:21,479 --> 01:43:25,040
Speaker 1: named the baby. I can see how that happens. Yeah,

1970
01:43:25,040 --> 01:43:27,400
Speaker 1: if you because if you can't decide on something that

1971
01:43:27,479 --> 01:43:30,640
Speaker 1: you agree upon, it takes a while sometimes. Look, the

1972
01:43:30,680 --> 01:43:33,800
Speaker 1: baby came a little early, but the baby's fine. They've

1973
01:43:33,800 --> 01:43:36,439
Speaker 1: been very busy and you know, their business lives this

1974
01:43:36,560 --> 01:43:38,559
Speaker 1: and that they had a baby. They've been too busy

1975
01:43:39,520 --> 01:43:43,040
Speaker 1: to name their baby. Time. Well, I don't know this.

1976
01:43:43,360 --> 01:43:44,920
Speaker 1: That was my question. I asked them, Well, do you

1977
01:43:45,000 --> 01:43:47,519
Speaker 1: have a deadline? Yeah? They said, well, no, we're going

1978
01:43:47,600 --> 01:43:50,000
Speaker 1: to name the baby and we're not going to make

1979
01:43:50,040 --> 01:43:51,960
Speaker 1: it official until we agree on it. We're not gonna

1980
01:43:52,360 --> 01:43:54,400
Speaker 1: rush it. So I wonder how many people are listening

1981
01:43:54,479 --> 01:43:57,800
Speaker 1: right now that have babies, maybe grown kids, they still

1982
01:43:57,840 --> 01:44:00,600
Speaker 1: haven't named. I had a friend who took her a

1983
01:44:00,720 --> 01:44:03,719
Speaker 1: couple of weeks because she thought she was having a girl.

1984
01:44:03,840 --> 01:44:06,639
Speaker 1: She wound up having a boy. She had only come

1985
01:44:06,760 --> 01:44:09,760
Speaker 1: up with girl names. She had no idea what to

1986
01:44:09,800 --> 01:44:11,800
Speaker 1: call this kid, and it took them a while to

1987
01:44:11,920 --> 01:44:16,400
Speaker 1: agree on something. Call him Martha Cares. Okay, let's say

1988
01:44:16,479 --> 01:44:21,160
Speaker 1: you have a month. Yeah that's a long time. Still,

1989
01:44:21,280 --> 01:44:22,599
Speaker 1: I mean, I don't but do you have to put

1990
01:44:22,680 --> 01:44:24,920
Speaker 1: something on the birth certificates? So how do you have

1991
01:44:25,080 --> 01:44:26,879
Speaker 1: to do that? Yeah? I don't know what the legalities

1992
01:44:26,880 --> 01:44:29,880
Speaker 1: are different in different cities or whatever. But they haven't

1993
01:44:29,920 --> 01:44:31,720
Speaker 1: named their baby. I'm wondering how many people listening you

1994
01:44:31,800 --> 01:44:33,800
Speaker 1: have a baby with no name, the baby with what

1995
01:44:33,920 --> 01:44:35,479
Speaker 1: if you just never had a name. What if you

1996
01:44:35,680 --> 01:44:38,120
Speaker 1: grew up and lived a life with no name? Oh

1997
01:44:38,200 --> 01:44:40,840
Speaker 1: my gosh, what is your name? I'm the person with

1998
01:44:41,000 --> 01:44:43,280
Speaker 1: no name. But I wonder if anyone's changed their kid's

1999
01:44:43,400 --> 01:44:46,679
Speaker 1: name like you at two weeks and you're like, I'm

2000
01:44:46,720 --> 01:44:49,080
Speaker 1: just not feeling that name. I want to change She's

2001
01:44:49,080 --> 01:44:52,439
Speaker 1: just not acting like exactly. Yeah, you don't seem like

2002
01:44:52,479 --> 01:44:55,600
Speaker 1: a Debora. Oh you have you have a penis. A

2003
01:44:55,640 --> 01:44:57,479
Speaker 1: lot of people are texting him. By the way, had

2004
01:44:57,520 --> 01:44:59,439
Speaker 1: two kids. They wouldn't let us leave without a name.

2005
01:44:59,640 --> 01:45:03,559
Speaker 1: Oh well, that's the way to stay in the hospital long. Then, well,

2006
01:45:03,600 --> 01:45:05,320
Speaker 1: I know that is true. But they say you can

2007
01:45:05,439 --> 01:45:07,439
Speaker 1: change the baby names. Because as you were asking, Daniel,

2008
01:45:07,439 --> 01:45:11,439
Speaker 1: people are answering. They're saying they did change their baby's names,

2009
01:45:11,640 --> 01:45:14,080
Speaker 1: like a year into it. Oh wow. One person says,

2010
01:45:14,080 --> 01:45:16,120
Speaker 1: we named my son, then a year later we changed it.

2011
01:45:16,200 --> 01:45:19,760
Speaker 1: It's better way. So okay, so if you won't let

2012
01:45:19,760 --> 01:45:26,120
Speaker 1: me leave the hospital, we're gonna name our kid Elevator. Okay,

2013
01:45:26,479 --> 01:45:28,920
Speaker 1: then change it when you're ready, Yeah, quickly. Chris on

2014
01:45:29,000 --> 01:45:32,800
Speaker 1: line twenty two, you too as well. You named your

2015
01:45:32,840 --> 01:45:35,280
Speaker 1: son and then how long did it take before you said, nah,

2016
01:45:35,320 --> 01:45:38,880
Speaker 1: we're gonna change the name. It was about a year.

2017
01:45:39,960 --> 01:45:42,880
Speaker 1: So so you just what was it about the name?

2018
01:45:42,880 --> 01:45:44,200
Speaker 1: You don't have to tell us what the name was,

2019
01:45:44,280 --> 01:45:46,840
Speaker 1: but what was it that you just didn't Yeah, it

2020
01:45:46,960 --> 01:45:49,240
Speaker 1: didn't feel right. I mean, how do you decide it's

2021
01:45:49,240 --> 01:45:52,920
Speaker 1: not right? It just didn't feel right. And then we

2022
01:45:53,000 --> 01:45:56,000
Speaker 1: decided to name him after my grandfather. So it was

2023
01:45:56,120 --> 01:45:59,760
Speaker 1: kind of like everything changed and it just felt better.

2024
01:46:00,160 --> 01:46:02,320
Speaker 1: But let's ask the question, like, your family knew what

2025
01:46:02,400 --> 01:46:04,200
Speaker 1: you named the kid, so like, what do you do?

2026
01:46:04,320 --> 01:46:06,200
Speaker 1: Do you have like a dinner to announce that you're

2027
01:46:06,280 --> 01:46:11,559
Speaker 1: renaming the chi? Yeah? A renaming party? Right, not really

2028
01:46:11,600 --> 01:46:13,519
Speaker 1: a party, but kind of just like a slow just

2029
01:46:13,680 --> 01:46:17,680
Speaker 1: let everybody now right, Okay, I got it, put out

2030
01:46:17,720 --> 01:46:22,559
Speaker 1: a press release. Yeah, So did it feel weird you've

2031
01:46:22,600 --> 01:46:24,800
Speaker 1: been calling your son by his name for a year.

2032
01:46:24,920 --> 01:46:26,800
Speaker 1: Did it feel like it was a different he was

2033
01:46:26,840 --> 01:46:28,800
Speaker 1: like a different person with a different name. I would

2034
01:46:28,840 --> 01:46:31,360
Speaker 1: think so a little bit. It kind of did feel

2035
01:46:31,400 --> 01:46:34,960
Speaker 1: like a different person, but it also felt better. I guess, now,

2036
01:46:35,920 --> 01:46:38,040
Speaker 1: how drastic a name change was it? What was his

2037
01:46:38,120 --> 01:46:42,519
Speaker 1: original name? It was? It was pretty drastic. Okay, what's

2038
01:46:42,640 --> 01:46:45,920
Speaker 1: what was the first name? Nick? And then what do

2039
01:46:46,000 --> 01:46:50,040
Speaker 1: you go with? Kobe? Oh? Yeah, that's different. All the

2040
01:46:50,120 --> 01:46:52,240
Speaker 1: knicks out there are very upsetting, but that's okay, get

2041
01:46:52,280 --> 01:46:54,240
Speaker 1: over it all. Well, thank you for listening to us.

2042
01:46:54,320 --> 01:47:01,640
Speaker 1: You tell Kobe? Was said? Hie? All right, you're right.

2043
01:47:01,920 --> 01:47:06,719
Speaker 1: The Morning Show's official YouTube channel. Go to YouTube search

2044
01:47:06,800 --> 01:47:10,960
Speaker 1: Elvis Duranto and subscribe today. Kelvie Sturry in the morning show.

2045
01:47:12,320 --> 01:47:15,000
Speaker 1: Back to School a great time to refresh for everyone

2046
01:47:15,080 --> 01:47:17,120
Speaker 1: in the family, whether you're going back to school or

2047
01:47:17,200 --> 01:47:19,960
Speaker 1: going back to your regular routine. J. C. Penny has

2048
01:47:20,040 --> 01:47:25,200
Speaker 1: everything your family needs at a great value. Elvis Elvis Durant,

2049
01:47:25,280 --> 01:47:28,840
Speaker 1: The Elvis Durant phone task scary. Yes, here we go.

2050
01:47:29,160 --> 01:47:31,720
Speaker 1: So Frank wanted to phone tap his brother John, who

2051
01:47:31,880 --> 01:47:33,880
Speaker 1: runs a business from his cell phone, so that means

2052
01:47:33,960 --> 01:47:35,840
Speaker 1: he always has to pick up the phone, which is great.

2053
01:47:36,439 --> 01:47:38,559
Speaker 1: So he wanted us to do one of the Rod

2054
01:47:38,640 --> 01:47:42,519
Speaker 1: Phillips c D collections. We've done Renegades of Reggae, Boy Bend, Bonanza,

2055
01:47:42,560 --> 01:47:46,400
Speaker 1: Ghetto Girl Greats, and Punk Pop Party. So now we

2056
01:47:46,520 --> 01:47:49,800
Speaker 1: give you a brand new one, recall Twerks of Art.

2057
01:47:50,080 --> 01:47:53,120
Speaker 1: And by the way, there really is no such collection,

2058
01:47:53,400 --> 01:47:55,200
Speaker 1: so when it's over, don't get mad at us when

2059
01:47:55,200 --> 01:47:58,360
Speaker 1: you try to order it. All Right, here we go.

2060
01:47:58,479 --> 01:48:02,240
Speaker 1: Let's listen in to today's Rod Phillips selling Tworks of

2061
01:48:02,479 --> 01:48:08,200
Speaker 1: Art phone tip, Well, hello is this John Sanchez? John Sanchez,

2062
01:48:08,320 --> 01:48:14,120
Speaker 1: rest yourself. Urban Dictionary finds twerking as the rhythmic gyrating

2063
01:48:14,160 --> 01:48:17,120
Speaker 1: of the lower fleshy extremities in a lascivious manner, with

2064
01:48:17,280 --> 01:48:20,919
Speaker 1: the attempt to elicit sexual arousal in one's intended audience.

2065
01:48:21,320 --> 01:48:25,599
Speaker 1: Are you My name is Rod Phillips Clocks. No one

2066
01:48:25,720 --> 01:48:29,600
Speaker 1: encapsulates the spirit of this dance better than do this

2067
01:48:29,760 --> 01:48:35,519
Speaker 1: timeless collection we call tworks of Art. I hear you

2068
01:48:35,600 --> 01:48:38,479
Speaker 1: expressing yourself right now, and that's funny because that's the

2069
01:48:38,520 --> 01:48:41,320
Speaker 1: song that's playing by Diplo. Hi No, thank you, thank you,

2070
01:48:41,520 --> 01:48:49,840
Speaker 1: hill babe bag, I'm about to drop a deuce. That's

2071
01:48:50,000 --> 01:48:52,519
Speaker 1: d u i Ce who had a smash twork hit

2072
01:48:52,600 --> 01:48:55,800
Speaker 1: with Daisy Dukes in the mid ninety Hey hey, hey,

2073
01:48:56,040 --> 01:49:01,240
Speaker 1: yeah yeah. Let me take get to the ATL where

2074
01:49:01,280 --> 01:49:03,479
Speaker 1: the Yin Yang Twins are from. They gave us some

2075
01:49:03,520 --> 01:49:07,120
Speaker 1: of the most important non stopping booty popping around. Whoever

2076
01:49:07,280 --> 01:49:10,719
Speaker 1: that is Yotto trash fourteen dollars and ninety nine cents

2077
01:49:10,760 --> 01:49:14,040
Speaker 1: for the CD today it's works of all. No, get

2078
01:49:14,120 --> 01:49:20,200
Speaker 1: that off my mouth, listen you don't like it. I'm

2079
01:49:21,280 --> 01:49:24,800
Speaker 1: are you from the ATL. I'm solid, I'm I'm sorry.

2080
01:49:24,840 --> 01:49:27,880
Speaker 1: I went to college. Helone people from the ATL went

2081
01:49:27,960 --> 01:49:31,360
Speaker 1: to college, and some went for college injections to get

2082
01:49:31,400 --> 01:49:34,000
Speaker 1: a Plumper Dumper Now the Ying Yang Twins played with

2083
01:49:34,160 --> 01:49:37,680
Speaker 1: pit Bull on this track. Shake you know pit Bull? Right? No?

2084
01:49:37,840 --> 01:49:39,080
Speaker 1: But I wish I had a pit Bull for you

2085
01:49:39,200 --> 01:49:42,840
Speaker 1: right now. But that's just the beginning. The dynamic duel

2086
01:49:42,960 --> 01:49:45,880
Speaker 1: Duncan Dunk encourages women all over the world to wear

2087
01:49:46,000 --> 01:49:49,559
Speaker 1: tight leopard print pants and shake it like a salt shaker.

2088
01:49:53,880 --> 01:49:58,040
Speaker 1: Do you know this song? College out of my as?

2089
01:49:58,920 --> 01:50:01,719
Speaker 1: Did somebody say a right on? An? Ass? No? Tworking

2090
01:50:01,760 --> 01:50:05,000
Speaker 1: CD would be complete without going on who's got the whole?

2091
01:50:05,080 --> 01:50:09,120
Speaker 1: Sweet sixteen Wobbledie wabbling and acting in appropriately in his

2092
01:50:09,280 --> 01:50:14,800
Speaker 1: recent twerk anthem and dance Assu did you know? Even

2093
01:50:14,880 --> 01:50:18,240
Speaker 1: the bulbous Nicki Minaj gets in on the action, demanding

2094
01:50:18,360 --> 01:50:23,559
Speaker 1: that you busted open in the Islands of Waikiki. Wabble

2095
01:50:23,720 --> 01:50:32,320
Speaker 1: wabbon stop. I'm well, you know you could always whistle

2096
01:50:32,400 --> 01:50:36,639
Speaker 1: while you t work. I'm working, I'm ning now. Surely

2097
01:50:36,680 --> 01:50:42,639
Speaker 1: you like Bruno Mars right? Yeah? He sings the chorus

2098
01:50:42,720 --> 01:50:46,960
Speaker 1: on this twerk anthem bubble But but do you remember

2099
01:50:47,080 --> 01:50:53,560
Speaker 1: Uci Wally? This is a girl explaining to everyone that

2100
01:50:53,720 --> 01:51:00,920
Speaker 1: she knows how he worked her body. I'm not let

2101
01:51:01,000 --> 01:51:10,400
Speaker 1: me see I'm not speaking of here's Dudu brother. We're

2102
01:51:10,479 --> 01:51:13,160
Speaker 1: bringing it back to the forefathers of twerk, Uncle Luke

2103
01:51:13,240 --> 01:51:16,160
Speaker 1: from Two Life Crew. This quintessential twork of art has

2104
01:51:16,200 --> 01:51:18,960
Speaker 1: a bootiful video to go along with the song. I'll

2105
01:51:19,000 --> 01:51:21,680
Speaker 1: tell you what We're nothing. If you act now and

2106
01:51:21,800 --> 01:51:23,800
Speaker 1: buy t works of art from us, we're gonna throw

2107
01:51:23,840 --> 01:51:31,599
Speaker 1: it in this bonus c names working overtime. This early

2108
01:51:31,640 --> 01:51:33,920
Speaker 1: two thousand smart track was a dance floor smash and

2109
01:51:34,040 --> 01:51:36,280
Speaker 1: broke down the barriers of the booty pop. It made

2110
01:51:36,320 --> 01:51:38,639
Speaker 1: its way to every wedding and even made you're drunk

2111
01:51:38,680 --> 01:51:42,519
Speaker 1: and look foolish. Yes, that's why you're on the phone.

2112
01:51:42,520 --> 01:51:44,479
Speaker 1: Cre So there's a name with you, John. This is

2113
01:51:44,520 --> 01:51:50,120
Speaker 1: little John with the East Side Boy. Damn, Now you

2114
01:51:50,200 --> 01:51:54,000
Speaker 1: want to play, let's play the game. Did you say bloody?

2115
01:51:54,360 --> 01:51:56,599
Speaker 1: You don't like? Now? Right? You don't like the now right?

2116
01:51:56,800 --> 01:52:01,599
Speaker 1: Here comes plays David Banner. Have you as a kid.

2117
01:52:01,880 --> 01:52:04,120
Speaker 1: We're sitting on the uncle laugh too long. He's just

2118
01:52:04,200 --> 01:52:07,240
Speaker 1: trying to get your body. Well, damn man, what's your father?

2119
01:52:07,479 --> 01:52:10,080
Speaker 1: Did you say Uncle's lap time? I want to do

2120
01:52:11,760 --> 01:52:14,920
Speaker 1: for Uncle Juley huh. For Christmas? We got this great

2121
01:52:15,000 --> 01:52:19,120
Speaker 1: ZD called Santa's twork Shop. Okay, I got your trace.

2122
01:52:19,320 --> 01:52:25,559
Speaker 1: No you don't. I told you. Who are you find up?

2123
01:52:25,760 --> 01:52:28,920
Speaker 1: I keep talking? Don't mind if I do. Taking it

2124
01:52:28,960 --> 01:52:32,680
Speaker 1: back to the nineties. This is Rexit effect. Yeah, you're

2125
01:52:32,720 --> 01:52:34,599
Speaker 1: gonna shaking a few buddy when I when I find

2126
01:52:34,640 --> 01:52:36,960
Speaker 1: out where you are, I will be down there. Tworks

2127
01:52:37,000 --> 01:52:40,320
Speaker 1: of Art, Twerking over Time, and Santa's Workshop, all three

2128
01:52:40,680 --> 01:52:44,280
Speaker 1: for fourteen dollars A ninety nine said I got you.

2129
01:52:46,760 --> 01:52:48,960
Speaker 1: And finally we put this juvenile song on here at

2130
01:52:49,000 --> 01:52:51,280
Speaker 1: the request of your brother because he says you're juvenile?

2131
01:52:51,360 --> 01:52:54,600
Speaker 1: What are you talking about? You listening? I'm telling you

2132
01:52:54,720 --> 01:52:59,120
Speaker 1: that you've been phoe tapped, John. This is Gary Jones

2133
01:52:59,160 --> 01:53:01,720
Speaker 1: from Elvis the Random Morning Show. Your brother Frank's phoe

2134
01:53:01,760 --> 01:53:06,840
Speaker 1: tapping you right now. This is what he wanted to

2135
01:53:06,880 --> 01:53:08,559
Speaker 1: do to you as he caught his flight to the Bahamas.

2136
01:53:09,120 --> 01:53:17,120
Speaker 1: Everything everything comes back on the Bahamas. Is it wrong

2137
01:53:17,200 --> 01:53:19,840
Speaker 1: that I want to order the three d s the

2138
01:53:19,960 --> 01:53:22,479
Speaker 1: three CD collection? Let's put it out this Santra's Workshop

2139
01:53:22,640 --> 01:53:27,040
Speaker 1: is my favorite recorded quick permission granted by all participates.

2140
01:53:27,680 --> 01:53:31,560
Speaker 1: See Ellis Duran, Phil and Tabard Ellis Duran in the

2141
01:53:31,640 --> 01:53:35,960
Speaker 1: morning show. Hey it's Danielle. I have to tell you

2142
01:53:36,000 --> 01:53:38,799
Speaker 1: about Make It Count. It's the new rewards program fueled

2143
01:53:38,840 --> 01:53:41,439
Speaker 1: by Marathon. Marathon helps you make the most out of

2144
01:53:41,560 --> 01:53:44,639
Speaker 1: every mile you drive. You can earn points on gas, hotels,

2145
01:53:44,760 --> 01:53:47,600
Speaker 1: or airfare. You can even use your rewards points to

2146
01:53:47,760 --> 01:53:50,880
Speaker 1: support the environment. Earn points every time you fill up

2147
01:53:51,320 --> 01:53:54,559
Speaker 1: or make select purchases at Marathon. Visit miles have Meaning

2148
01:53:54,640 --> 01:53:57,160
Speaker 1: dot com to sign up today. Make Account is great

2149
01:53:57,160 --> 01:53:59,840
Speaker 1: for families like mine because I'm always driving the boys

2150
01:53:59,840 --> 01:54:02,760
Speaker 1: to their soccer games or baseball games, and of course

2151
01:54:02,760 --> 01:54:05,320
Speaker 1: I'm always stopping for gas. Think of all the points

2152
01:54:05,360 --> 01:54:08,120
Speaker 1: that I can earn. Sometimes our games are over an

2153
01:54:08,160 --> 01:54:11,120
Speaker 1: hour away, so we make a lot of our memories

2154
01:54:11,200 --> 01:54:14,320
Speaker 1: on the road. We stop at nearby restaurants, We go

2155
01:54:14,439 --> 01:54:16,240
Speaker 1: and have a bite to eat, and we have a

2156
01:54:16,320 --> 01:54:18,960
Speaker 1: lot of chats. Don't miss your chance to earn discounts

2157
01:54:19,000 --> 01:54:21,439
Speaker 1: on gas, hotels, airfare and more. Sign up for Make

2158
01:54:21,479 --> 01:54:24,720
Speaker 1: Account Rewards fueled by Marathon. As a member, you'll earn

2159
01:54:24,840 --> 01:54:27,840
Speaker 1: twenty cents off per gallon on your first fill. To join,

2160
01:54:28,000 --> 01:54:30,680
Speaker 1: go to Milesavmaning dot com and click on the make

2161
01:54:30,720 --> 01:54:35,800
Speaker 1: Acount Tile Marathon, fueling the American spirit. You never know

2162
01:54:36,000 --> 01:54:39,360
Speaker 1: what will happen. In the Mercedes Bands Interview Lounge, Chadwick Boseman,

2163
01:54:39,400 --> 01:54:41,400
Speaker 1: of course, to start with the movie Black Panther is here?

2164
01:54:41,720 --> 01:54:44,160
Speaker 1: Do you have Time Magazine? Did you How did it

2165
01:54:44,240 --> 01:54:46,080
Speaker 1: make you feel to see you on the cover of

2166
01:54:46,120 --> 01:54:50,240
Speaker 1: Time magazine? Oh? Man, look at that? So cool. That's crazy,

2167
01:54:50,400 --> 01:54:52,720
Speaker 1: It's crazy every time. I'll look at it that now,

2168
01:54:54,200 --> 01:54:57,000
Speaker 1: watch you by the twenty eighteen Mercedes Benz Summer Event.

2169
01:54:57,200 --> 01:54:59,680
Speaker 1: When it comes to summer performance never takes a vacation.

2170
01:55:00,040 --> 01:55:03,360
Speaker 1: Mercedes bends the best or nothing. Elvis Duran in the

2171
01:55:03,440 --> 01:55:04,040
Speaker 1: Morning Show