1 00:00:00,120 --> 00:00:09,720 Speaker 1: He's another Jubila on the twenties. Hello. Hey, this is 2 00:00:09,760 --> 00:00:13,119 Speaker 1: Seth McElroy Colin from music shop. I was looking for 3 00:00:13,320 --> 00:00:17,720 Speaker 1: Rita speaking Hi, Rita. How are you? You had a 4 00:00:17,840 --> 00:00:23,720 Speaker 1: violin in here being serviced? Right? Oh? Yes, it's my son, Josh's. Okay. Yeah, 5 00:00:23,760 --> 00:00:25,560 Speaker 1: well I'm calling to give you an update on that. 6 00:00:25,600 --> 00:00:29,320 Speaker 1: We've fixed the problem. Oh great, great, great, he really 7 00:00:29,360 --> 00:00:32,479 Speaker 1: needs it. What was wrong with it? Yeah? Well the 8 00:00:32,520 --> 00:00:39,280 Speaker 1: problem is that Josh is a boy, right, yes, yeah, 9 00:00:39,320 --> 00:00:41,519 Speaker 1: and he's playing a violin. So I went ahead and 10 00:00:41,560 --> 00:00:44,440 Speaker 1: threw it in the trash. What are you talking about? 11 00:00:44,440 --> 00:00:48,080 Speaker 1: You threw his violin away? No little boy should be 12 00:00:48,120 --> 00:00:49,600 Speaker 1: playing violin. So I went ahead and tossed that, and 13 00:00:49,600 --> 00:00:52,040 Speaker 1: I figure we get him some drums or something, something 14 00:00:52,080 --> 00:00:55,279 Speaker 1: a little better set him up. Well, I know it's 15 00:00:55,280 --> 00:00:58,840 Speaker 1: a little presumptuous, but I figured. You know, it's not presumptuous, 16 00:00:58,920 --> 00:01:02,000 Speaker 1: it's psychotic. Excuse me, who the hell does that? Are 17 00:01:02,040 --> 00:01:05,399 Speaker 1: you out of your mind? No, I'm actually trying to 18 00:01:05,440 --> 00:01:07,959 Speaker 1: help your son out, okay, because you're one. I'm helping 19 00:01:08,160 --> 00:01:14,119 Speaker 1: my son out by throwing away his violin. He's a violinist, Okay, ridiculous. 20 00:01:14,200 --> 00:01:16,760 Speaker 1: Let me. Let me speak to your manager. Well, that's 21 00:01:16,800 --> 00:01:20,360 Speaker 1: the problem, is mine, man, Let me speak to your manager. 22 00:01:20,400 --> 00:01:24,440 Speaker 1: You're your bloody crazy I mean, seriously, you I got 23 00:01:24,440 --> 00:01:26,720 Speaker 1: to talk to the store owner. Let me talk to 24 00:01:27,080 --> 00:01:30,800 Speaker 1: somebody in charge you. I mean you've lost your mind. 25 00:01:30,840 --> 00:01:32,800 Speaker 1: I mean you know, I'm sorry, ma'am. Have you been 26 00:01:32,880 --> 00:01:36,400 Speaker 1: drinking today? No? I haven't been drinking. How dare you 27 00:01:36,440 --> 00:01:40,120 Speaker 1: even insinuate that. Get your manager on the phone right 28 00:01:40,160 --> 00:01:43,480 Speaker 1: now before I go down to that store with the police. 29 00:01:43,880 --> 00:01:46,520 Speaker 1: That is my property. Wow, you're gonna come down with 30 00:01:46,560 --> 00:01:49,320 Speaker 1: the police to try to find the missing violin. That 31 00:01:49,400 --> 00:01:51,960 Speaker 1: sounds like the case of the century. Down there to 32 00:01:52,080 --> 00:01:54,800 Speaker 1: arrest your ass how about? Yeah? Yeah, because I'm sure 33 00:01:54,840 --> 00:01:57,400 Speaker 1: they can do that. Crazy son of a I never 34 00:01:57,480 --> 00:01:59,400 Speaker 1: heard of such a thing. You're out of your damn 35 00:01:59,440 --> 00:02:02,280 Speaker 1: mind right Well, I'm serious. I will be there with 36 00:02:02,320 --> 00:02:05,280 Speaker 1: the cops. Okay, Well, as long as you're not driving, 37 00:02:05,360 --> 00:02:08,480 Speaker 1: because it sounds like you should not be operating heavy 38 00:02:08,520 --> 00:02:12,520 Speaker 1: machinery right now. Hey, you know what, boy, get put 39 00:02:12,520 --> 00:02:14,880 Speaker 1: the manager on the phone. I don't have time for 40 00:02:14,919 --> 00:02:17,959 Speaker 1: your bullshit. You're calling me a boy, but your son 41 00:02:18,040 --> 00:02:21,320 Speaker 1: is the one who plays violin. Yeah, that's right, because 42 00:02:21,320 --> 00:02:27,920 Speaker 1: he sophisticated. Okay, because he's educated and he's sophisticated unlike you. Well, 43 00:02:28,040 --> 00:02:31,640 Speaker 1: an interesting choice of words, sophisticated, especially with the language 44 00:02:31,639 --> 00:02:33,600 Speaker 1: you've used with me on the phone here and the 45 00:02:33,600 --> 00:02:38,440 Speaker 1: fact that you're obviously clearly hammered. I'm not hammered. Put 46 00:02:38,639 --> 00:02:42,200 Speaker 1: put that owner on the phone. Put him or her 47 00:02:42,520 --> 00:02:44,919 Speaker 1: on the phone. Okay, okay, Well who do you want? 48 00:02:44,919 --> 00:02:48,359 Speaker 1: Do you want him or her? I'm confused. Listen, I 49 00:02:48,400 --> 00:02:51,320 Speaker 1: don't know who the store owner is or the manager. 50 00:02:51,560 --> 00:02:54,200 Speaker 1: Put them on the phone, now, okay, there's not two 51 00:02:54,240 --> 00:02:56,520 Speaker 1: people though, there's one one person? Oh now, or I'm 52 00:02:56,520 --> 00:02:59,359 Speaker 1: gonna call the police. Okay. Well you said then to 53 00:02:59,560 --> 00:03:02,720 Speaker 1: three him or her or whoever it is. Okay, So 54 00:03:02,800 --> 00:03:05,200 Speaker 1: now there's three people. I am hanging no, no, don't 55 00:03:05,200 --> 00:03:06,840 Speaker 1: do it. We're making progress. I'm trying to figure out 56 00:03:06,880 --> 00:03:08,640 Speaker 1: how those So now you've got three people, him, her, 57 00:03:08,680 --> 00:03:12,680 Speaker 1: and you destroyed my property. Put them on the phone. 58 00:03:13,360 --> 00:03:17,880 Speaker 1: Who who's them? That's one? That's what I'm confusing the police. 59 00:03:18,160 --> 00:03:21,120 Speaker 1: I am hanging up right now, and I'm calling the cops. 60 00:03:21,360 --> 00:03:24,040 Speaker 1: I'm going to count to five and I will hang up. Okay, 61 00:03:24,040 --> 00:03:25,720 Speaker 1: so you want me to put the police on the phone, 62 00:03:26,160 --> 00:03:30,240 Speaker 1: to put the owner and the manager on the phone. Three. Okay, 63 00:03:30,240 --> 00:03:31,960 Speaker 1: you want the owner or the manager? Which one? Because 64 00:03:31,960 --> 00:03:35,240 Speaker 1: I'll get you who you need? The owner? Four? Four? 65 00:03:35,520 --> 00:03:37,280 Speaker 1: I don't. I can't put the number four on the phone. 66 00:03:37,320 --> 00:03:39,360 Speaker 1: I have no idea how I would do that. Five. 67 00:03:39,520 --> 00:03:42,680 Speaker 1: I'm hanging up. Five. I don't know how. What's Who's five? 68 00:03:43,320 --> 00:03:45,720 Speaker 1: I'm hanging up. I'm gonna be there with the cops. 69 00:03:45,840 --> 00:03:51,880 Speaker 1: So what do you want? I hope this is an 70 00:03:51,880 --> 00:03:55,480 Speaker 1: owner manager whoever the Hello, this is Rita. You're a 71 00:03:55,560 --> 00:03:58,720 Speaker 1: sales manager or whoever your sales rep? Through my son's 72 00:03:58,800 --> 00:04:01,320 Speaker 1: violin out. Ye know it's it's still me, But I 73 00:04:01,360 --> 00:04:02,800 Speaker 1: just wanted to tell you that it's a prank phone 74 00:04:02,800 --> 00:04:06,040 Speaker 1: call and your ex husband set you up. Wait what 75 00:04:06,120 --> 00:04:08,480 Speaker 1: are you talking about? Oh, this is actually Jewel from 76 00:04:08,480 --> 00:04:10,560 Speaker 1: Brook and Jewel in the morning doing a phone tap 77 00:04:10,600 --> 00:04:13,720 Speaker 1: on you. Your ex husband, Bill set you up. What 78 00:04:14,600 --> 00:04:19,440 Speaker 1: it's a joke. Oh my god. Nope, Nope, he didn't. No, 79 00:04:19,760 --> 00:04:22,479 Speaker 1: yeah he didn't. He says he still likes to mess 80 00:04:22,520 --> 00:04:25,640 Speaker 1: with you even though whether you're divorced or not. You know, 81 00:04:25,680 --> 00:04:29,320 Speaker 1: that's son of a Oh my god, that's not okay. 82 00:04:29,360 --> 00:04:33,040 Speaker 1: That is not okay. You hear me, that's not okay. Okay, 83 00:04:33,080 --> 00:04:34,200 Speaker 1: do you want to put him on the phone or 84 00:04:34,200 --> 00:04:35,839 Speaker 1: would you like the owner or the manager on the phone. 85 00:04:36,880 --> 00:04:39,719 Speaker 1: That's not funny anymore. What do you want me to 86 00:04:39,760 --> 00:04:42,480 Speaker 1: tell you? That is not funny. I'm gonna coss everybody 87 00:04:42,560 --> 00:04:47,000 Speaker 1: out right now. There's no reason I'm not I'm not 88 00:04:47,040 --> 00:04:50,480 Speaker 1: happy about this at all. You and my ex Bill 89 00:04:50,480 --> 00:04:53,400 Speaker 1: tell him to go to hell. Okay, And you know what, 90 00:04:53,880 --> 00:04:55,760 Speaker 1: I don't want to speak to any y'all. Y'all are 91 00:04:55,760 --> 00:04:59,599 Speaker 1: crazy and I know he's crazy already. He's bipolar. And 92 00:04:59,600 --> 00:05:02,680 Speaker 1: I'll kind the other oh wow going on there? All right, 93 00:05:02,760 --> 00:05:06,920 Speaker 1: so you know, just ha ha and it's not funny. Okay, 94 00:05:07,080 --> 00:05:10,760 Speaker 1: it's not fun Yeah, right, okay, cool your violence? Okay. 95 00:05:10,800 --> 00:05:13,800 Speaker 1: I just want to let you know that. All right, 96 00:05:14,040 --> 00:05:16,080 Speaker 1: that's nice and all. Well, I'm good, I'm glad my 97 00:05:16,160 --> 00:05:19,160 Speaker 1: violins fine, but I'm pissed off. Are you going to 98 00:05:19,240 --> 00:05:21,839 Speaker 1: do this for free? Is it for free? I hope. 99 00:05:21,839 --> 00:05:25,240 Speaker 1: I'm not paying for this unless you want to pay 100 00:05:25,320 --> 00:05:27,600 Speaker 1: for it. But usually I do it for free. Yeah, 101 00:05:27,680 --> 00:05:30,560 Speaker 1: you know what, I had enough of this whole charade. 102 00:05:30,640 --> 00:05:33,600 Speaker 1: Excuse me, I need a drink. I'm hanging up, goodbye, 103 00:05:33,680 --> 00:05:41,520 Speaker 1: all right, yeah, well go get another one. Thank you yourself. Bye. Thanks. 104 00:05:41,839 --> 00:05:44,920 Speaker 1: Wake up every morning with Jubalone ta weekday mornings on 105 00:05:45,040 --> 00:05:45,560 Speaker 1: the twenties.