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Speaker 1: It's the Best Bits of the Week with Morgan. Number two,

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Speaker 1: it's the best Bits of the week. I'm Morgan. In

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Speaker 1: case you guys are a first time listener, what I

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Speaker 1: normally do is take the best seven bits from the

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Speaker 1: show this week and count them down. Well, I'm doing

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Speaker 1: something a little different this time. Instead of this week,

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Speaker 1: I'm taking the best performances over the past six months

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Speaker 1: from January twenty twenty until now and counting them down

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Speaker 1: because we've had so many epic moments of performances on

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Speaker 1: the show that there's a lot to get to. Plus,

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Speaker 1: I am bringing on one of my favorites because she's

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Speaker 1: one of my best friends. It's Hillary. What's up, HIHI.

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Speaker 1: She'll be joining with me. She'll be joining with me,

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Speaker 1: She'll be joining me on a few segments, and we're

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Speaker 1: just going to talk a lot of music things because

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Speaker 1: this is kind of a music best Bits this weekend,

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Speaker 1: So let's go. Coming in at number seven, Marion Morris

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Speaker 1: and Ryan Hurt. Not only are they country stars, but

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Speaker 1: yes they are married and they have their first baby together,

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Speaker 1: and they came on the show to perform one of

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Speaker 1: their actual first ever duets together. It's called Chasing after You.

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Speaker 1: I love when artists come on and do their duets,

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Speaker 1: especially when it's a couple like these two, because not

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Speaker 1: only are they in sync as individuals, but together they're

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Speaker 1: just so magical. So in case you missed this performance,

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Speaker 1: listen to it now. Number seven The Friday Morning Conversation

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Speaker 1: with Mary Morris and Ryan Hurd. Hello friends, Ryan, your

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Speaker 1: last song I felt was extremely underserved. Did you know that.

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Speaker 1: I appreciate you saying that. I feel like you have

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Speaker 1: so many hits and I think this next song that

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Speaker 1: you're about to play for us is the one that

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Speaker 1: does it well. I appreciate that a lot. You've always

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Speaker 1: been I mean, my first song I ever released was

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Speaker 1: called We Do Us. It was like three or four

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Speaker 1: years ago, and you were very supportive of that, and

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Speaker 1: I love every other memory. And it's just really hard

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Speaker 1: to promote a song when you can't go promote it,

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Speaker 1: you know, And so I I really do. I haven't

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Speaker 1: even played that song live. It's kind of odd to

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Speaker 1: like have a single that you didn't even get to

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Speaker 1: to play out, But I'm really proud of it, and

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Speaker 1: I'm really I don't know, I think making country music

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Speaker 1: in Nashville is its own it's its own reward, and

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Speaker 1: it's like the work. I mean, I think you feel

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Speaker 1: the same way. The work is its own reward. So

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Speaker 1: getting to make country music in Nashville and also make

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Speaker 1: music with Marin this year is kind of the two

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Speaker 1: things that I am really really proud of and excited of.

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Speaker 1: So hopefully this song is exactly what you just said.

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Speaker 1: I feel too a bit and you could tell me

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Speaker 1: if you feel differently that this song is basically after

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Speaker 1: you have argued with the umpire when you were right

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Speaker 1: on the last call, meaning everybody knew, everybody knows they

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Speaker 1: messed up. You knows he messed up. He's gonna make

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Speaker 1: it up to this call regardless. You know what, man,

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Speaker 1: I I am really blessed to get to do what

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Speaker 1: I do and I've I've gotten to do everything in

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Speaker 1: country music. I've gotten to go to every award show

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Speaker 1: with Aaron. I've gotten to write hits for other people

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Speaker 1: and see you know, my name at the top of

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Speaker 1: the charts as a writer, and so I have nothing

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Speaker 1: to complain about. And honestly, just the fact that we

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Speaker 1: get to work together this year is just a massive

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Speaker 1: I don't I think we always imagine we'd do it someday.

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Speaker 1: It's kind of feel strange that it's here now. So

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Speaker 1: I'm just really excited about all of it. Everything I

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Speaker 1: get to do, I think at this point is a blessing. Also,

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Speaker 1: Marion Morris is here him Marion, Hey, goot to see

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Speaker 1: you as well, you too, ye happy? We still say

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Speaker 1: in February Happy New Year. You know I got into

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Speaker 1: this yesterday. I just heard a Larry David thing. We

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Speaker 1: haven't seen you since the New Year, so Happy New

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Speaker 1: Year to you guys. We should say it all every

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Speaker 1: time this year we see each other. It may be September.

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Speaker 1: Dang it, I'm gonna go hey, Happy New Year. Yea, yeah,

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Speaker 1: that's a good one. Um. Instead of talking more, I

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Speaker 1: think our audience would like to hear the new song played,

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Speaker 1: and then I have a much questions about it, obviously,

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Speaker 1: But Marion Morris is here with Ryan. Heard now Ryan

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Speaker 1: this song here? Like what was Was it always going

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Speaker 1: to be a duet and was it always going to

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Speaker 1: be marin? This is a really long story on this song.

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Speaker 1: We did not write this song. Um. Our friends Brindley

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Speaker 1: and Jerry Flowers wrote this song. Jerry plays bass, guitar

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Speaker 1: for Keith Urban and it's a incredible Both of them

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Speaker 1: are incredible writers and we I mean, this song has

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Speaker 1: been I think every single artist in town has heard

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Speaker 1: this song and held it and we were just lucky

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Speaker 1: enough to get an opportunity to record it a lot

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Speaker 1: of times to get it right. And uh yeah, it's

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Speaker 1: it's odd to be a songwriter in Nashville and not

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Speaker 1: sing a song that you wrote. But we're really proud

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Speaker 1: of it. And um, what do you have to add? Well,

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Speaker 1: was it when you heard it the first time? Was

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Speaker 1: it written as a duet? It was not, and we

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Speaker 1: turned it into a duet. There's a version of Maren

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Speaker 1: that Marion has written on that we ended up like

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Speaker 1: going back, like kind of taking a step back from

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Speaker 1: and and it's had a lot of versions and it's

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Speaker 1: actually like the demo of this song is really kind

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Speaker 1: of famous on music ro in. It is like writing

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Speaker 1: circles and so I feel really really blessed that it

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Speaker 1: fell to me and to us to get an opportunity

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Speaker 1: to put it out because it is such a special song.

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Speaker 1: Here we go Ryan Hurd with Marion Morris. Here is

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Speaker 1: Chasing after You You come over when your wind's all gone.

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Speaker 1: It always catch when I'm not that strong, and then

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Speaker 1: you wound up staying all night long. Ain't nothing new,

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Speaker 1: but I know you know, it's a matter of time

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Speaker 1: to you walk till you walk back out of my life,

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Speaker 1: leave me standing here long left feeling like a food. Yeah,

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Speaker 1: every time, every time you say when you come back

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Speaker 1: to you love you're running from you don't know why.

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Speaker 1: I don't know why let you, but I do. Guse

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Speaker 1: I love chasing to you. I love chasing after you.

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Speaker 1: Come on Bobby Show, Ryan Hurd and Marion Morris are here.

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Speaker 1: Got a new song called Chasing after You, which is

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Speaker 1: just fantastic. Congratulations on another great song, Ryan, Thank you great.

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Speaker 1: I saw too that you guys watched all seven seasons

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Speaker 1: of West Wing? Is that true? Did you watch them

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Speaker 1: to Ryan or just oh yeah, oh you did? Oh yeah.

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Speaker 1: It seems like a lot of time dedicated to a

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Speaker 1: show that went away a long time ago. It's one

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Speaker 1: of those things where like, you've heard about this show

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Speaker 1: for your entire life, but I was, you know, a

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Speaker 1: kid when it came out, so it probably would have

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Speaker 1: been pretty boring for an eleven year old, you know.

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Speaker 1: So we watched the first episode and just absolutely loved

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Speaker 1: it and kept going and you still thought it was

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Speaker 1: good after it was like you felt like today it

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Speaker 1: was still good. It still holds up absolutely. The cast

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Speaker 1: is great, and you see so many cameos throughout the

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Speaker 1: seven seasons of people that are now famous and it

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Speaker 1: was their first part and it started in nineteen ninety nine,

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Speaker 1: so it's really funny to watch the first season. It

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Speaker 1: looks so dated, and but it's so smart. I love

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Speaker 1: Aaron sworkin the writer he wrote like the Social Network

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Speaker 1: and this show and so um, it's just really really smart.

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Speaker 1: And I love the I love the score. It sounds

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Speaker 1: like a Disney Channel original movie score going along with

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Speaker 1: this like really political dialogue. But no, it's just it

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Speaker 1: warms my heart. It's one of those shows where you're like,

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Speaker 1: I feel way better after watching that. I don't know

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Speaker 1: if it's something we would have watched if we weren't

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Speaker 1: at home all year, Yeah, right, yeah, Well I want

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Speaker 1: to acknowledge the accomplishment that something like that is because

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Speaker 1: I tried West Wing once and seven seasons, but some

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Speaker 1: some some seasons are six seven episodes, right, West Wing

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Speaker 1: is twenty two episodes, first season, which is one hundred

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Speaker 1: and fifty six episodes total. So that's yeah that you

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Speaker 1: also feel really good about that. Yeah, wow, a lot

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Speaker 1: of hours we did it. It's wasted because it is

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Speaker 1: a good show. It is a great show. But no,

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Speaker 1: I mean it was a lot of episodes per season,

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Speaker 1: and it came out at a time when like there

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Speaker 1: was no TiVo, so I was looking and I think

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Speaker 1: like the most viewers they had in one of their

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Speaker 1: episodes for the first or second season was like twenty

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Speaker 1: million people, which is like who watches the Grammys now?

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Speaker 1: But this was back when you know, you couldn't record stuff.

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Speaker 1: You had to watch it like as it was airing.

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Speaker 1: But it's so good. Yeah, we started it over. It

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Speaker 1: was so good you started it over. Oh yeah. The

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Speaker 1: only show I can watch over and over against the Office,

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Speaker 1: and I watched it every night before I go to bed.

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Speaker 1: But I think that could have some sort of comfortability

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Speaker 1: with it and I can go to sleep not wonder.

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Speaker 1: There are only two shows my whole life. I've been

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Speaker 1: able to do that too, the Honeymooners because I've seen

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Speaker 1: you know what that is like the old show. Yeah,

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Speaker 1: like Jackie Gleeson from like the sixties because I knew

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Speaker 1: every episode. I watch it with my grandma. It is

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Speaker 1: comforted in the office because I go to sleep knowing

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Speaker 1: what's going to happen. I'm not all butt pucker going,

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Speaker 1: I wonder what's gonna happen in the gym. Yeah, but

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Speaker 1: you also like your favorite episode of Scott's Taught Lovett's

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Speaker 1: the best if you're talking about but I can't. I

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Speaker 1: can't even watch the first scene of that episode. I

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Speaker 1: get I get anxiety. I'm like, for the one time

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Speaker 1: the television got stuck on Scott's Taught, So speak about it.

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Speaker 1: It's so it's so cringing for those that don't know.

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Speaker 1: It's an episode of the Office where Michael promises these

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Speaker 1: kids when they're, you know, their first or second year

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Speaker 1: in school, they're gonna send him out to college, and

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Speaker 1: then he goes back to go I can't afford it now.

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Speaker 1: But like in real life, if that happened, that's like

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Speaker 1: a legal case, correct, I mean it has like it's

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Speaker 1: like fraud. There has to be something that's like he

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Speaker 1: ends up buying their books or something. It's like, dude,

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Speaker 1: you well batteries for the class. Yeah, calculator, how are

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Speaker 1: you support their computer? Yeah? And but what I loved

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Speaker 1: about it in the beginning is he really felt like

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Speaker 1: he could take about taking sixteen years to be this

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Speaker 1: millionaire that he had. Yeah, he thought he was going

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Speaker 1: to be rich. Get there. He had good intentions. Yeah,

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Speaker 1: Ryan's gonna like throw He's already like an anxious I

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Speaker 1: don't know why it bothers me so much because the

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Speaker 1: whole show is like based on that cringe factor and

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Speaker 1: it's like social situations and and uh, well doesn't someone

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Speaker 1: in that episode say, like Michael, this is the worst

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Speaker 1: thing you've ever done anyone's ever done. Have you guys

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Speaker 1: met any of the actors from the Office. I did

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Speaker 1: a radio I got to ask Brian a question on

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Speaker 1: the radio once. That's cool. It was cool. Question struck Yeah,

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Speaker 1: and she was fantastic. That like the nicest and she

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Speaker 1: was like, I'll do whatever you want, talk about whatever

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Speaker 1: you want. She was super nice. Have you met any

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Speaker 1: of them? I haven't know. But I did buy a

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Speaker 1: cameo from someone from the West Wing for Ryan for

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Speaker 1: christ Yeah, from Richard Schiff. It was awesome, Toby and

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Speaker 1: what do you have him say to Ryan? And the

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Speaker 1: cameo she called him. He called me a or she

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Speaker 1: told him I was a lovable curmudgeon Toby like Toby,

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Speaker 1: and he said, I don't know if that's something to

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Speaker 1: aspire to, but yeah, He's like, you should probably cut

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Speaker 1: that out. We'll find it annoying. Yeah, it was fun though,

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Speaker 1: I mean it was one of those fun things to

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Speaker 1: get for Christmas. It's hard to I think we're getting

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Speaker 1: to the point where it's like we know each other

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Speaker 1: so well that like it. The fun part is finding

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Speaker 1: like special things that aren't like have nothing to do

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Speaker 1: with money, that that you can do for the other

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Speaker 1: person for holidays and stuff. And that was like definitely

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Speaker 1: the best Christmas present. Yeah, well it wasn't free. But

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Speaker 1: Ryan Heard and Marion Morris are here. Ryan's got a

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Speaker 1: new song called Chasing after You, which I hope all

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Speaker 1: you guys check out. I'm gonna leave you with this

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Speaker 1: final question. I'm getting married in July for the first time.

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Speaker 1: What is your advice to me about marriage, marriage or

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Speaker 1: the wedding, Well you can do I was asking about

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Speaker 1: marriage like the whole big picture, but I'll take a

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Speaker 1: piece of each first. A wedding. Don't worry about food

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Speaker 1: so much like make sure everybody's taken care of, but

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Speaker 1: nobody remembers what they ate at your wedding. That's I

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Speaker 1: think people stress out about that too much. Worry about

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Speaker 1: the important stuff. Get the words right, and find each

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Speaker 1: other throughout the night. Like we were, we like employed

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Speaker 1: our relatives, like our close you know, siblings, to be like, hey,

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Speaker 1: we're gonna be talking to a lot of people, Please

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Speaker 1: make sure that we find each other throughout the night,

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Speaker 1: because yeah, you you're talking to everyone, you forget to eat.

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Speaker 1: You're just like drinking on an empty stomach, and you

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Speaker 1: like realize, I haven't seen my new husband in half

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Speaker 1: an hour. So that was like really important for us marriage.

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Speaker 1: I mean, we've been married three years. I don't know

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Speaker 1: how wise we are with this, but I would just say,

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Speaker 1: you know, especially being in the industry, it is helpful

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Speaker 1: having someone that like going in gets what you do

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Speaker 1: and never kind of makes you feel like you're having

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Speaker 1: to choose between the two. And yeah, I mean in

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Speaker 1: our first year of marriage, like I was touring so much,

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Speaker 1: like internationally too, Like I was in South America and

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Speaker 1: we were you were like really having to fly to

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Speaker 1: come to see me, and that was like a whole

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Speaker 1: blur the first year, but we ex but it was

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Speaker 1: worth it. Yeah, just making time for each other and yeah,

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Speaker 1: you go ahead. I think that the biggest thing that

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Speaker 1: we did was making sure that no matter what happened

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Speaker 1: every day, that I could, like we would talk on

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Speaker 1: the phone, even if we weren't in the same spot.

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Speaker 1: Like having that like ten minutes a day to like

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Speaker 1: make sure that you're hearing each other's voice is really important.

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Speaker 1: So honestly, what we do is not people travel for work, right.

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Speaker 1: I mean, I try to simplify it as best as possible,

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Speaker 1: but we've had to learn how to really make sure

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Speaker 1: to like prioritize now with a kid like our Emily first,

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Speaker 1: and then the work stuff comes and it has to

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Speaker 1: fit into that part of our life too. So I

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Speaker 1: don't know, I think it's always a dance that you're doing, book,

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Speaker 1: but we're I think the more you communicate, the easier

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Speaker 1: it is to have really fun jobs that take you

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Speaker 1: all over the place and you travel for work a

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Speaker 1: lot too. And I think that, man, it's going to

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Speaker 1: be really cool because she gets it and she's a

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Speaker 1: part of it, And yeah, we're excited for you. You

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Speaker 1: guys are going to have a great, a great wedding,

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Speaker 1: throw a party for yourself. Well, should we cut a

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Speaker 1: duet together? That's what I'm one after hearing today? Is

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Speaker 1: that what we should do? Well? It took us. We've

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Speaker 1: been together for five years, so it took us five

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Speaker 1: years to do it. So, yeah, this is our first

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Speaker 1: time really really doing a duet together. We've worked together

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Speaker 1: a lot though, we've written obviously met writing songs, and

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Speaker 1: we've we've sung on each other's projects, just in the

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Speaker 1: background and like not really taking up too much oxygen.

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Speaker 1: But it's this is fun. It's fun to get to

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Speaker 1: do this for the first time, just like both of

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Speaker 1: our names on it. And did you guys do your

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Speaker 1: own bowels? We did? Yeah, I told Kaitlin in a

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Speaker 1: rap mind that's funny. Do you were you kidding? I

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Speaker 1: should wrap half of them? Yeah. How when did you

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Speaker 1: write yours compared to your wedding day? I think we

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Speaker 1: wrote the week of We went to a bar and

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Speaker 1: who's we? You and me and her separately though, Yeah,

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Speaker 1: now we sat at the same table and like we're

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Speaker 1: sitting this far and she was on her laptop and

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Speaker 1: I was writing on my like notepad, yeahs in a bar. Yeah, together,

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Speaker 1: but you didn't see them, right? Yeah, well we revealed

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Speaker 1: the day of, but yeah, do you struggle saying them?

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Speaker 1: Do you cry? Um? I tried to do a mix

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Speaker 1: of like really sentimental and obviously promising him all of

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Speaker 1: these things that I will like do for him throughout

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Speaker 1: our life together, but also, you know, I wanted to

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Speaker 1: add some levity to it as well, So I said, like,

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Speaker 1: I'll put up with you constantly watching sports every season

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Speaker 1: ends and then it's the next sports season. I will

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Speaker 1: put up with that. And you put up with me

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Speaker 1: relentlessly watching the Real Housewives at Beverly Hills, and you

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Speaker 1: somehow knowing people's names in their business. Yeah, well, are efficient?

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Speaker 1: Was our best friend, which helps kind of like smooth

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Speaker 1: a bit of a slip. And she she was really

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Speaker 1: really nervous and she's she's actually said, in thickness and

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Speaker 1: in health is pretty funny. Yeah, she goes, Ryan, do

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Speaker 1: you take Marin in thickness and in Health? And we

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Speaker 1: were like, yeah, still holds up. I guess yeah, it's

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Speaker 1: still worrying. All right. Ryan heard Marion morris new song

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Speaker 1: is Chasing After You. They did it together. It's a

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Speaker 1: great song. So love you both. Thank you guys for

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Speaker 1: coming in. Thank you, and he shout out, shout out

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Speaker 1: your producer. This is my guitar player and producer, Teddy

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Speaker 1: and he produced this with my friend Aaron, who I

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Speaker 1: grew up with, and we're uh yeah. Teddy actually doesn't

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Speaker 1: office quote before every show in our little get together,

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Speaker 1: so I'll office everywhere Teddy, great job, buddy. All right,

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Speaker 1: there they are. It's the best bits the week with Morgan.

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Speaker 1: Number two super cool moment on the show. We had

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Speaker 1: the Frontmen of Country come on. They're a new super

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Speaker 1: group formed by the three voices of the top country

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Speaker 1: bands of the nineties, Richie McDonald of A Lone Star,

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Speaker 1: Larry Stewart of Restless Heart, and Tim Rushlow formerly of

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Speaker 1: Little Texas. They formed this group together and it's so

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Speaker 1: epic because when they came on the show, they performed

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Speaker 1: each of those bands like biggest hits, I'm talking, Amazed God,

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Speaker 1: Blessed Texas, and Win She Cries, which was just a

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Speaker 1: really cool moment. Plus it's nineties nostalgia because everybody loves that.

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Speaker 1: Right now, Hillary, if you had a dream concert and

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Speaker 1: we're talking in the Frontmen of Country right now. So

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Speaker 1: if you had a dream concert with three of your

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Speaker 1: favorite country artists, who would be performing at it? This

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Speaker 1: one was pretty tough to put together. I would say

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Speaker 1: definitely carry under what has to be there. Powerhouse vocals. Yes,

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Speaker 1: I feel like this may be a little controversial to

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Speaker 1: some people because they may not consider her country, but

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Speaker 1: I do. We still love her. Taylor Swift, Okay, their

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Speaker 1: country albums, like with her three year is so hard.

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Speaker 1: I could not pick a third, but I think just

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Speaker 1: because of my childhood and I love her so much,

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Speaker 1: I'm gonna go with Martina McBride. Oh, all females, All

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Speaker 1: females love it, what about you? I mean that's a

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Speaker 1: powerhouse vocals right there with all of them. That's my favorite,

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Speaker 1: Like a really powerhouse, powerhouse vocalist like concert. Those are

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Speaker 1: those are my favorite. I can just sit there and

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Speaker 1: all like I don't have to be up at a

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Speaker 1: concert dancing around, Like I could just sit there and

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Speaker 1: just like listen to Carrie Underwood's scene, just the phone book, anything,

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Speaker 1: and I would be in my happy place. True she is,

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Speaker 1: I mean talk about like starting out on American idol

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Speaker 1: is just a star. And then to see her now

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Speaker 1: she just exploded. Yeah, it's like she became a better singer.

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Speaker 1: Oh yeah. And I've definitely claim her as my entertainer

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Speaker 1: of the year, Like out of any artist I've ever

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Speaker 1: seen and of all time, she would be my entertainer

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Speaker 1: of the year for like life she does. She puts

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Speaker 1: on an epic show in the round, which is so cool. Yeah,

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Speaker 1: and just entertains the entire stadium like it's nobody's business.

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Speaker 1: Didn't we go to that last show together? Yeah? Yeah,

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Speaker 1: I was just sitting there and all the whole time

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Speaker 1: in like it was her, Maddie and Tay and Runaway June.

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Speaker 1: Yes I believe, Okay, yeah, those three together. I was

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Speaker 1: so pumped because Runaway June I love their album and

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Speaker 1: sing with Maddie and Tay and then obviously Carrie Underwood.

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Speaker 1: So I was so pumped for that show because I

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Speaker 1: knew every single song that every single act was singing.

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Speaker 1: So it was just so much fun and I had

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Speaker 1: had a blast. Those are the best concerts when you're like,

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Speaker 1: I know all the opening acts songs too. That's a

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Speaker 1: concert that you know is just like beautifully put together

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Speaker 1: because you're like I can go from start to finish

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Speaker 1: and know every song. Yeah, because sometimes you're sitting there,

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Speaker 1: which is fine, like you get introduced to music, but

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Speaker 1: you're like, I don't know this person, I don't know

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Speaker 1: their songs, but yeah, when you can go and you

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Speaker 1: can sing. And I'm the type of person too, I

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Speaker 1: don't like people talking to me during shows, so that

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Speaker 1: one especially and all my fri so they were very

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Speaker 1: respectful of me during that show. But I just sit

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Speaker 1: there and I'm like, please don't talk to me, like

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Speaker 1: I am just straight focused focused on these people singing

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Speaker 1: in the zone. And you either, like you know, most

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Speaker 1: people will go to concerts and I have a really

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Speaker 1: good time with a lot of alcohol. That's not Hillary.

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Speaker 1: Hillary wants to enjoy every single moment and make sure

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Speaker 1: she remembers it all. I soak it in. I never understand,

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Speaker 1: Like I'll have people behind me who are just falling

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Speaker 1: over drunk, and I'm like, you paid so much money

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Speaker 1: to be here, then you just paid so much money

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Speaker 1: on alcohol and you're not even gonna remember this show tomorrow.

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Speaker 1: Like I want to remember every single moment. I just

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Speaker 1: I love it. I love shows. I feel like that

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Speaker 1: happens to a lot of people, at least once in

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Speaker 1: their life. Yeah, but I get it, it does for sure.

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Speaker 1: I don't know. I mean, I love all of those together,

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Speaker 1: but mine is not. I mean, mine's all across the board.

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Speaker 1: It'd be Keith Urban. I feel like I know one

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Speaker 1: of yours, Shania Twine yep is that the one to

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Speaker 1: say yeah? And then the third One's been hard for

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Speaker 1: me because there's just so many good ones and to

408
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Speaker 1: mix because those two together would be really fun to watch.

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Speaker 1: Sni as an entertainer. Keith is an entertainer. They both

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Speaker 1: have like she has talents in so many ways from

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Speaker 1: dancing to vocals, and he has all of the different instruments. Yes,

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Speaker 1: I'm trying to think he would be like another good

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Speaker 1: one with it that would mesh well and that that vibe.

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Speaker 1: I feel like I have a third one for you

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Speaker 1: that I know you do like, I don't know if

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Speaker 1: you would like pick it? Who Dan and shay Oh

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Speaker 1: I do love a major Dan and sha which I

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Speaker 1: am too. I feel like they would fit right in

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Speaker 1: with them because they are very entertaining. They have the vocals,

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Speaker 1: they're so talented with instruments and lyrics. I feel like

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Speaker 1: they'd kind of fit right in with those. Yeah, No,

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Speaker 1: you're right. And I've been a Dan and Chase Dan

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Speaker 1: since the very beginning, so yeah, it fits with all

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Speaker 1: of those three. I mean, that's the same with Shania

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Speaker 1: and Keith. So yeah, Keitheran, Shania Twain and Dan and Shay.

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Speaker 1: That would be a pretty epic concert. That's who. That's

427
00:21:57,280 --> 00:21:58,720
Speaker 1: why it's fun. I'm one of your best friends. We

428
00:21:58,800 --> 00:22:01,320
Speaker 1: can do this because I picked your people for you.

429
00:22:01,359 --> 00:22:04,119
Speaker 1: Like that's if I were to pick Morgan's three people,

430
00:22:04,240 --> 00:22:06,959
Speaker 1: those are the three I would pick for yes, And

431
00:22:07,000 --> 00:22:10,359
Speaker 1: I totally knew Carrie Underwood and Martina McBride. It's always

432
00:22:10,359 --> 00:22:11,800
Speaker 1: the third one that you're kind of like, wait, yeah,

433
00:22:11,840 --> 00:22:13,440
Speaker 1: I don't know which one you're gonna go, like which

434
00:22:13,440 --> 00:22:15,639
Speaker 1: one are they gonna go with? But the third is

435
00:22:15,640 --> 00:22:17,960
Speaker 1: also always, just in anything in life, is always a

436
00:22:18,040 --> 00:22:20,560
Speaker 1: toss up. It always changes, right, Like you're one and

437
00:22:20,640 --> 00:22:22,879
Speaker 1: two is always stay the same, yes, but your third

438
00:22:22,960 --> 00:22:25,160
Speaker 1: is always going to stay like a toss up, right,

439
00:22:25,200 --> 00:22:27,440
Speaker 1: And it's such a hard decision. That's such a hard

440
00:22:27,520 --> 00:22:30,159
Speaker 1: question because you're like, oh, shoot, I love this person

441
00:22:30,200 --> 00:22:32,080
Speaker 1: and I love this person, but I can only pick three,

442
00:22:32,200 --> 00:22:34,280
Speaker 1: So who do I really want? I know? And I'm

443
00:22:34,320 --> 00:22:37,280
Speaker 1: about to make it even harder. Okay, are you ready? Yeah?

444
00:22:37,400 --> 00:22:40,359
Speaker 1: What's a country song that you can never forget it?

445
00:22:40,600 --> 00:22:43,760
Speaker 1: Whether it has a memory tied to it, whether it

446
00:22:44,040 --> 00:22:45,679
Speaker 1: as soon as you heard it on the radio, You're like,

447
00:22:45,720 --> 00:22:48,040
Speaker 1: I will always remember and love this song. What's just

448
00:22:48,080 --> 00:22:52,240
Speaker 1: a country song all out of all of them that

449
00:22:52,400 --> 00:22:55,480
Speaker 1: you will never forget? Do you have to pick just one?

450
00:22:56,040 --> 00:22:57,880
Speaker 1: Just one? Do you want me to go first to

451
00:22:57,920 --> 00:22:59,920
Speaker 1: help you? Yeah? Because I have a few in mind.

452
00:23:00,119 --> 00:23:01,760
Speaker 1: I'm like, oh, shoot, how do I want to go

453
00:23:02,080 --> 00:23:05,240
Speaker 1: with this? Well, and it can go in your direction

454
00:23:05,240 --> 00:23:08,800
Speaker 1: and sad, happy, mad, whatever, Like is the trigger mine

455
00:23:08,880 --> 00:23:11,480
Speaker 1: or else? Sad? Yeah, well so is mine, because that's

456
00:23:11,520 --> 00:23:14,800
Speaker 1: just a natural thing to remember. Yes, mine was where

457
00:23:14,840 --> 00:23:18,080
Speaker 1: were you when the world stopped turning? Alan Jackson? Yes,

458
00:23:18,720 --> 00:23:21,280
Speaker 1: because that moment in history, of that moment in time

459
00:23:22,040 --> 00:23:25,720
Speaker 1: him putting out that song very quickly after everything about it,

460
00:23:25,760 --> 00:23:27,439
Speaker 1: and now every time I hear that song like it

461
00:23:27,480 --> 00:23:31,399
Speaker 1: brings me back to that moment, Yeah, which is super sad. Also,

462
00:23:31,480 --> 00:23:33,960
Speaker 1: why I don't listen to it unless, like somebody else

463
00:23:33,960 --> 00:23:36,600
Speaker 1: plays it and I hear it. Yeah, such a good song,

464
00:23:36,720 --> 00:23:42,080
Speaker 1: like such a in the moment emotional raw. It's powerful. Yeah,

465
00:23:42,119 --> 00:23:44,520
Speaker 1: just everything about it, even like the music video, like

466
00:23:44,560 --> 00:23:48,399
Speaker 1: everything that went along with it, was just insanely memorable

467
00:23:48,560 --> 00:23:51,240
Speaker 1: in the best and worst ways. Yeah, it gives me

468
00:23:51,320 --> 00:23:53,119
Speaker 1: chills just thinking about that song. I know, I'm like

469
00:23:53,160 --> 00:23:55,680
Speaker 1: trying not to cry and I'm but's so funny you

470
00:23:55,760 --> 00:23:58,399
Speaker 1: picked that one because mine is also an Alan Jackson

471
00:23:58,480 --> 00:24:02,080
Speaker 1: song too. I could have guessed that yepan is drive

472
00:24:02,800 --> 00:24:06,960
Speaker 1: because it just brings back so many childhood memories my dad.

473
00:24:07,000 --> 00:24:09,360
Speaker 1: I know, I've talked about this before. He's got three daughters,

474
00:24:09,800 --> 00:24:12,240
Speaker 1: his dad passed away, and Alan wrote that song about

475
00:24:12,280 --> 00:24:14,480
Speaker 1: his dad who passed, and then he talks about in

476
00:24:14,520 --> 00:24:17,200
Speaker 1: the end like his taking his daughters and teaching them

477
00:24:17,200 --> 00:24:19,840
Speaker 1: how to drive and things like that. And I'm sure

478
00:24:19,840 --> 00:24:22,800
Speaker 1: everybody's heard this song before, but you know, the first

479
00:24:23,040 --> 00:24:25,399
Speaker 1: part of the song just takes you through a little

480
00:24:25,400 --> 00:24:27,320
Speaker 1: boy with his dad and him teaching him. And I

481
00:24:27,400 --> 00:24:29,760
Speaker 1: just know my dad was so close with his dad,

482
00:24:30,200 --> 00:24:31,960
Speaker 1: and so that song is just always going to be

483
00:24:32,000 --> 00:24:35,640
Speaker 1: so special. And I mean, I remember driving around town

484
00:24:35,680 --> 00:24:38,240
Speaker 1: with my dad and listening to Alan Jackson, and now

485
00:24:38,520 --> 00:24:41,400
Speaker 1: that I'm older, it's reverse. I'm the one driving and

486
00:24:41,440 --> 00:24:44,440
Speaker 1: we're still listening to Alan Jackson in that song. So

487
00:24:44,600 --> 00:24:47,679
Speaker 1: I would definitely say that one for sure. Well Alan Jackson,

488
00:24:47,720 --> 00:24:49,879
Speaker 1: I mean he just in the last few weeks released

489
00:24:49,880 --> 00:24:52,639
Speaker 1: a new album, Yes, and it was really good. Like

490
00:24:52,680 --> 00:24:55,760
Speaker 1: we hadn't heard really from Alan Jackson that much new

491
00:24:55,840 --> 00:24:57,920
Speaker 1: music in a long time has it been. I think

492
00:24:57,960 --> 00:25:01,680
Speaker 1: it was six years since he had released actual album.

493
00:25:01,680 --> 00:25:04,720
Speaker 1: And I know me and you are such big Alan fans.

494
00:25:04,760 --> 00:25:06,840
Speaker 1: We've talked about it before, We've actually had Alan Jackson

495
00:25:06,880 --> 00:25:09,800
Speaker 1: jam sessions in the car. But he just springs back

496
00:25:09,880 --> 00:25:14,920
Speaker 1: so many amazing childhood memories for me and yeah, I

497
00:25:15,240 --> 00:25:17,800
Speaker 1: can just turn on an Alan Jackson album and just

498
00:25:17,840 --> 00:25:19,920
Speaker 1: be right back in my childhood sitting in the front

499
00:25:19,920 --> 00:25:23,080
Speaker 1: seat with my dad driving around town. Yes, and on

500
00:25:23,119 --> 00:25:25,280
Speaker 1: a previous best bits like it was the last one

501
00:25:25,359 --> 00:25:28,280
Speaker 1: Hillary was on, we went on a really long tangent

502
00:25:28,320 --> 00:25:31,320
Speaker 1: about like the memories associated with things, Yes, and Alan

503
00:25:31,400 --> 00:25:33,840
Speaker 1: Jackson was one of those for you. Yeah, it was.

504
00:25:33,960 --> 00:25:36,320
Speaker 1: It's just it's so crazy how music can do that.

505
00:25:36,400 --> 00:25:39,240
Speaker 1: But yeah, he will always be on a list for

506
00:25:39,359 --> 00:25:43,080
Speaker 1: me something. Yes, I love Alan for you, Shania for

507
00:25:43,160 --> 00:25:46,680
Speaker 1: me always Oh yes, Okay, Well you guys can listen here,

508
00:25:46,720 --> 00:25:50,960
Speaker 1: this is the frontman of Country performing three really massive

509
00:25:51,080 --> 00:25:54,399
Speaker 1: nineties country songs from each of their respective bands. And

510
00:25:54,440 --> 00:25:57,000
Speaker 1: it was such a cool moment, so seriously listen to

511
00:25:57,200 --> 00:26:01,560
Speaker 1: all of it. Number six on the Bobby Bones Show. Now,

512
00:26:03,160 --> 00:26:04,640
Speaker 1: I gotta tell you, guys. When I heard you guys

513
00:26:04,640 --> 00:26:07,280
Speaker 1: that created a supergroup, I was like, I had my producer,

514
00:26:07,320 --> 00:26:09,040
Speaker 1: I said, we have to get them in immediately. So

515
00:26:09,119 --> 00:26:11,360
Speaker 1: let me introduce you guys. First of all, from Lone Star,

516
00:26:11,440 --> 00:26:16,800
Speaker 1: Richie McDonald from Little Texas, Tim Rushlow, Tim was I

517
00:26:16,880 --> 00:26:22,400
Speaker 1: what do you? And Larry Stewart from Restless Heart. Larry, Well, Larry,

518
00:26:22,480 --> 00:26:25,040
Speaker 1: let me start with you. How did this come together?

519
00:26:25,280 --> 00:26:30,159
Speaker 1: Oh well, it, um short came together really sort of

520
00:26:30,240 --> 00:26:34,280
Speaker 1: part time almost ten years ago, and it was his

521
00:26:34,400 --> 00:26:38,359
Speaker 1: idea and we ended up going putting the three of

522
00:26:38,440 --> 00:26:40,479
Speaker 1: us together and going overseas and playing for the troops

523
00:26:40,480 --> 00:26:43,480
Speaker 1: for quite a few trips. And uh, and we would

524
00:26:43,520 --> 00:26:46,119
Speaker 1: just do a few shows here and there, a handful,

525
00:26:46,119 --> 00:26:51,160
Speaker 1: a couple of handfuls a year, and then here we are, Huh,

526
00:26:51,280 --> 00:26:54,280
Speaker 1: let's do something different, guys. Well, and there's such a

527
00:26:54,480 --> 00:26:58,720
Speaker 1: demand for nineties country, I would I would pay money.

528
00:26:58,760 --> 00:27:02,680
Speaker 1: I'm not bound up paying you today, but Richie, I

529
00:27:02,720 --> 00:27:05,560
Speaker 1: would pay money to watch this this group. And you

530
00:27:05,560 --> 00:27:06,920
Speaker 1: guys had to see that too, Like you can go

531
00:27:06,960 --> 00:27:09,600
Speaker 1: out and play all your hits but also play like

532
00:27:09,640 --> 00:27:12,439
Speaker 1: basically a whole generation, you know, with you three massive

533
00:27:12,480 --> 00:27:14,920
Speaker 1: Mantil thirty million records altogether. Like that had to be

534
00:27:14,960 --> 00:27:16,199
Speaker 1: a part of it too, Like we could really go

535
00:27:16,240 --> 00:27:18,000
Speaker 1: out and really entertain a lot of people because of

536
00:27:18,119 --> 00:27:21,399
Speaker 1: such a demand. Absolutely, and we're hoping that's what happens.

537
00:27:21,440 --> 00:27:24,800
Speaker 1: You know. Uh, it's such a great era for music. Uh,

538
00:27:25,040 --> 00:27:30,359
Speaker 1: just the story storytelling songs and you know, the the

539
00:27:30,400 --> 00:27:34,280
Speaker 1: melodic you know, the music of the songs. Uh. We're

540
00:27:34,320 --> 00:27:37,200
Speaker 1: excited about this, just three of us. And the thing

541
00:27:37,320 --> 00:27:40,320
Speaker 1: is it's ah, it'll be an hour. We'll pay play

542
00:27:40,359 --> 00:27:41,840
Speaker 1: an hour and a half. We could probably play two

543
00:27:41,920 --> 00:27:44,720
Speaker 1: or three hours and still not play all the hits.

544
00:27:45,160 --> 00:27:48,240
Speaker 1: Tim When I think a little Texas, it's the I

545
00:27:48,240 --> 00:27:50,159
Speaker 1: think of the video for God Bless Texas because I

546
00:27:50,200 --> 00:27:54,640
Speaker 1: was I don't know what year was that, ninety ninety three.

547
00:27:55,240 --> 00:27:58,239
Speaker 1: You think of his face, do you think of that?

548
00:27:59,359 --> 00:28:01,600
Speaker 1: That's not I think about the girls because I was

549
00:28:01,680 --> 00:28:05,040
Speaker 1: thirteen years old and I'm watching CMT and I'm like,

550
00:28:05,040 --> 00:28:10,040
Speaker 1: there are really voluptuous ladies in Texas bikinis. People always

551
00:28:10,080 --> 00:28:12,160
Speaker 1: thought we were a big part of that. In reality,

552
00:28:12,160 --> 00:28:14,760
Speaker 1: we did the concert scene at South Fork Ranch and

553
00:28:14,880 --> 00:28:17,360
Speaker 1: everything else was shot without us. They took like three

554
00:28:17,359 --> 00:28:18,919
Speaker 1: weeks and went around the whole state of Texas, and

555
00:28:19,240 --> 00:28:22,119
Speaker 1: the cheerleaders das catwal scheerleaders, all that stuff. We weren't

556
00:28:22,160 --> 00:28:24,879
Speaker 1: there for all that, but it was fun to see it. Final,

557
00:28:25,000 --> 00:28:28,440
Speaker 1: you know, killed the fantasy. Sorry, yeah, well, I mean,

558
00:28:28,440 --> 00:28:30,160
Speaker 1: you know, I could be David Lee Roth for a minute,

559
00:28:30,160 --> 00:28:33,080
Speaker 1: but oh my goodness. Well, I know you guys have

560
00:28:33,160 --> 00:28:35,280
Speaker 1: all been extremely generous with what you would do. So

561
00:28:35,600 --> 00:28:38,160
Speaker 1: let's just call a few out. How about from Let's

562
00:28:38,200 --> 00:28:41,120
Speaker 1: do up first, Let's do when she cried? Let's do

563
00:28:41,120 --> 00:28:44,480
Speaker 1: a restless Heart original? Is that cool? We start with that? Yeah,

564
00:28:44,560 --> 00:28:46,120
Speaker 1: I'd love to. All Right, here we go. I brought

565
00:28:46,120 --> 00:28:48,240
Speaker 1: my piano player, with my personal piano player with me

566
00:28:48,280 --> 00:28:53,080
Speaker 1: over here, Richie McDonald, Yeah, alright, the front minute country,

567
00:28:53,120 --> 00:29:08,719
Speaker 1: Let's go the road I have traveled on its peep

568
00:29:08,880 --> 00:29:16,680
Speaker 1: with good and teach. It's leadered with broken country that

569
00:29:17,040 --> 00:29:24,720
Speaker 1: never quite came true. When all of my hopes were dying.

570
00:29:26,200 --> 00:29:32,880
Speaker 1: Her love kept me trying. She does her best, too

571
00:29:32,960 --> 00:29:39,000
Speaker 1: high the pain that she's been through when she cries.

572
00:29:39,240 --> 00:29:44,120
Speaker 1: She cries at night at night, and she tells something

573
00:29:44,520 --> 00:29:50,760
Speaker 1: that I can't hear. She tries, she try to hide

574
00:29:51,040 --> 00:29:57,360
Speaker 1: all the fields she feels in side. So I pray

575
00:29:57,920 --> 00:30:06,680
Speaker 1: this time I can be the manchus Coosanta a little

576
00:30:06,760 --> 00:30:23,680
Speaker 1: each time when she cried nice from a trade. So

577
00:30:24,200 --> 00:30:26,280
Speaker 1: I'm assuming and this could be an awkward question. Are

578
00:30:26,280 --> 00:30:30,840
Speaker 1: we cutting in thirds here? You mean money? Yeah? Yeah, yeah,

579
00:30:31,160 --> 00:30:35,720
Speaker 1: we're all going. It's all larious. We are the oldest

580
00:30:36,040 --> 00:30:39,280
Speaker 1: we are. We're decided guys. They haven't. We haven't done

581
00:30:39,280 --> 00:30:42,160
Speaker 1: a business plan yet. We already been in that with

582
00:30:42,200 --> 00:30:46,440
Speaker 1: those bands. Man, did you guys ever tour together throughout

583
00:30:46,480 --> 00:30:49,040
Speaker 1: the nineties two thousands? Like did did Lone Star a

584
00:30:49,080 --> 00:30:51,000
Speaker 1: Little Texas a wrestler? Did you guys ever end up

585
00:30:51,000 --> 00:30:53,920
Speaker 1: on the same same bill ever? That's a great question.

586
00:30:54,040 --> 00:30:56,160
Speaker 1: Restless Heart did a couple of shows with Lone Star

587
00:30:56,600 --> 00:31:00,200
Speaker 1: two years ago. Yeah, we did. I remember in the

588
00:31:00,280 --> 00:31:03,200
Speaker 1: early nineties we did a show opening for Rus's Heart

589
00:31:03,920 --> 00:31:08,040
Speaker 1: in Oklahoma somewhere and they were like hugeness and we

590
00:31:08,040 --> 00:31:09,760
Speaker 1: were starting, but we were just like they were like

591
00:31:09,800 --> 00:31:11,880
Speaker 1: the eagles to us, and we were just in awe

592
00:31:12,320 --> 00:31:15,080
Speaker 1: and I was hoping that they would, you know, be great,

593
00:31:15,120 --> 00:31:16,320
Speaker 1: and they were better than that. They were like it

594
00:31:16,360 --> 00:31:18,360
Speaker 1: was stunning. We kind of realized at that point we

595
00:31:18,360 --> 00:31:19,760
Speaker 1: had to go back at the draw board and get

596
00:31:19,840 --> 00:31:21,560
Speaker 1: get better, which was a great thing. They were a

597
00:31:21,600 --> 00:31:24,600
Speaker 1: huge influence. Were we nice? You were very kind? Good? Yeah,

598
00:31:24,640 --> 00:31:26,880
Speaker 1: it was a good day for you. It was good.

599
00:31:27,080 --> 00:31:30,440
Speaker 1: All the front men from Lone Star, Little Texas and

600
00:31:30,480 --> 00:31:32,560
Speaker 1: Restless Harder here they're in a new band called the

601
00:31:32,640 --> 00:31:35,360
Speaker 1: Frontmen of Country and Richie, I'm gonna come over to you.

602
00:31:35,360 --> 00:31:38,640
Speaker 1: You're with Lone Star for thirty years. That's a whole lifetime.

603
00:31:39,520 --> 00:31:41,200
Speaker 1: I told my son, and he didn't like the way

604
00:31:41,200 --> 00:31:42,520
Speaker 1: I put this, but I said, you know, in the

605
00:31:42,520 --> 00:31:44,720
Speaker 1: twilight of my career. He goes, well, Dad, you're not

606
00:31:44,760 --> 00:31:46,800
Speaker 1: in the twilight. I said, well, I'm not gonna do

607
00:31:46,840 --> 00:31:48,880
Speaker 1: this for forty more years. I'm just telling you, but

608
00:31:49,360 --> 00:31:51,960
Speaker 1: I don't know. This is just a really exciting chapter

609
00:31:52,040 --> 00:31:55,320
Speaker 1: to get to sing with these two guys. I gotta

610
00:31:55,360 --> 00:31:59,040
Speaker 1: imagine when Amazed hits, because it wasn't just a massive

611
00:31:59,080 --> 00:32:02,239
Speaker 1: country song. It came a massive It was everywhere it

612
00:32:02,280 --> 00:32:06,480
Speaker 1: did ever started to be like dance like you heard

613
00:32:06,520 --> 00:32:09,280
Speaker 1: that too, your ro dance mixes of Amazed. I was

614
00:32:09,320 --> 00:32:11,320
Speaker 1: on the way home from Nashville one day and I

615
00:32:11,400 --> 00:32:14,239
Speaker 1: heard that mix, that dance mix to Amaze. I was like,

616
00:32:14,880 --> 00:32:20,280
Speaker 1: who authorized that? What? What's the feeling whenever you cross

617
00:32:20,360 --> 00:32:22,320
Speaker 1: over from being a country star to where the whole

618
00:32:22,360 --> 00:32:24,600
Speaker 1: world is hearing your music that doesn't even know country music?

619
00:32:24,720 --> 00:32:27,080
Speaker 1: Does it feel different? You know what? It really does?

620
00:32:27,120 --> 00:32:28,840
Speaker 1: And I think the three of us have all had

621
00:32:28,880 --> 00:32:32,080
Speaker 1: that song in our careers, but uh, it just opened

622
00:32:32,120 --> 00:32:34,280
Speaker 1: a lot more doors, you know, you know, sitting from

623
00:32:34,320 --> 00:32:38,440
Speaker 1: sitting in a listening room at RCA Records and p

624
00:32:38,520 --> 00:32:41,320
Speaker 1: Anda Records, and you know, getting songs pitched to you,

625
00:32:41,400 --> 00:32:44,400
Speaker 1: that song pitched to us, and going from the studio

626
00:32:44,880 --> 00:32:47,800
Speaker 1: and then to watch it morph into what it did,

627
00:32:47,880 --> 00:32:51,560
Speaker 1: you know, crossing over from country to pop to you know,

628
00:32:53,040 --> 00:32:56,800
Speaker 1: contemporary hot. I don't know all the different genres, but um,

629
00:32:56,840 --> 00:32:58,800
Speaker 1: it's crazy, but it did. It did allow us to

630
00:32:58,800 --> 00:33:01,080
Speaker 1: do a lot more things, and and it wide in

631
00:33:01,120 --> 00:33:03,000
Speaker 1: the fan base. I'd say, this is a song that

632
00:33:03,040 --> 00:33:06,280
Speaker 1: I will never dare to sing karaoke because it is

633
00:33:06,320 --> 00:33:09,880
Speaker 1: so up there. You know. No, I can't even I

634
00:33:09,960 --> 00:33:12,440
Speaker 1: can't even like. Oh, come on, no, I will not

635
00:33:12,480 --> 00:33:15,920
Speaker 1: come on you show. How in the world are you singing?

636
00:33:15,920 --> 00:33:17,360
Speaker 1: How do you not blow out a voice singing this

637
00:33:17,400 --> 00:33:20,560
Speaker 1: every night? I don't know, I just I guess I've

638
00:33:20,600 --> 00:33:22,520
Speaker 1: been lucky over the years and tried to take care

639
00:33:22,520 --> 00:33:26,320
Speaker 1: of my voice and uh, just gargle with whiskey and tequila.

640
00:33:26,720 --> 00:33:31,840
Speaker 1: But other than that, you know, just gargle the frontmen

641
00:33:31,920 --> 00:33:35,320
Speaker 1: of country or here, um, let's do let's do a little,

642
00:33:35,600 --> 00:33:45,360
Speaker 1: a little lone star here here is amazed every time

643
00:33:45,400 --> 00:33:51,880
Speaker 1: I asked me, just feeling inside me so almost more

644
00:33:52,080 --> 00:34:00,080
Speaker 1: than I can take. Baby, when you touch me, I

645
00:34:00,120 --> 00:34:05,680
Speaker 1: can fall much love me, and it just blows me away.

646
00:34:09,400 --> 00:34:15,960
Speaker 1: I've never been this close to anyone anything. I can

647
00:34:16,080 --> 00:34:22,680
Speaker 1: hear your thoughts, I can see your dreams. Don't know

648
00:34:22,719 --> 00:34:27,960
Speaker 1: how you do what you do. I'm so love with you.

649
00:34:29,440 --> 00:34:36,320
Speaker 1: Just keeps getting better. I want to spend the rest

650
00:34:36,400 --> 00:34:44,399
Speaker 1: of my life with you by my side, forever, indearver.

651
00:34:48,120 --> 00:35:00,080
Speaker 1: Every little thing that you do, baby, I'm amazed by you.

652
00:35:03,520 --> 00:35:07,480
Speaker 1: That's so good. You know what I like? I know, Well,

653
00:35:07,520 --> 00:35:10,440
Speaker 1: here's what you did. You did two things. One, you

654
00:35:10,480 --> 00:35:11,919
Speaker 1: know it's the only words of chord, but you took

655
00:35:11,960 --> 00:35:13,960
Speaker 1: us to the last you know, the last chord I

656
00:35:14,000 --> 00:35:15,440
Speaker 1: had to and you flex that. They call it a

657
00:35:15,440 --> 00:35:18,840
Speaker 1: flex when you jump back and you would. I saw you.

658
00:35:18,840 --> 00:35:20,600
Speaker 1: You're just prove it to you still had it. You're

659
00:35:20,600 --> 00:35:22,840
Speaker 1: just proving it to us. And then I like to

660
00:35:23,239 --> 00:35:25,000
Speaker 1: you that because I like how the song ends. You know,

661
00:35:25,040 --> 00:35:28,480
Speaker 1: I'm God did that? Dang, that's so cool man. So

662
00:35:28,560 --> 00:35:30,960
Speaker 1: you uh, my wife listens every morning. She said, you

663
00:35:30,960 --> 00:35:33,479
Speaker 1: need a you need you're looking for a wedding singer

664
00:35:33,560 --> 00:35:35,960
Speaker 1: or so I'm thinking I will three of them here.

665
00:35:36,040 --> 00:35:38,839
Speaker 1: I will invite you guys to the wedding. You come

666
00:35:38,880 --> 00:35:41,440
Speaker 1: up and playing goocle songs. Dang, that's so you guys are.

667
00:35:41,600 --> 00:35:43,319
Speaker 1: That's just again, I will pay money to go to

668
00:35:43,320 --> 00:35:45,960
Speaker 1: this show. And again, I don't think listen, I'm in

669
00:35:45,960 --> 00:35:48,000
Speaker 1: the industry and have a career that I have to

670
00:35:48,000 --> 00:35:50,040
Speaker 1: pay to go to mini shows. Honestly, but this is

671
00:35:50,520 --> 00:35:53,960
Speaker 1: so cool because you guys have songs of like my life.

672
00:35:53,960 --> 00:35:55,560
Speaker 1: Like when you play these songs, we're gonna do God

673
00:35:55,560 --> 00:35:57,239
Speaker 1: bless Texas in a second, Like I know where I

674
00:35:57,360 --> 00:35:59,279
Speaker 1: was at the exact time that these songs hit. You

675
00:35:59,320 --> 00:36:02,000
Speaker 1: brought up a good point. I think that when we

676
00:36:02,040 --> 00:36:04,080
Speaker 1: first did this, it was just like fun, Like, Wow,

677
00:36:04,120 --> 00:36:06,399
Speaker 1: this is fun because we're actually fans of each other's

678
00:36:06,400 --> 00:36:07,960
Speaker 1: bands big time, and we'd love to sing on each

679
00:36:07,960 --> 00:36:11,160
Speaker 1: other's songs. But there's a common thread that runs through

680
00:36:11,160 --> 00:36:15,399
Speaker 1: the three of our groups. That's really it's authentic. It's real.

681
00:36:15,480 --> 00:36:17,360
Speaker 1: We're not trying to be you know whatever. It's just

682
00:36:17,520 --> 00:36:20,240
Speaker 1: really authentic, and it really is the soundtrack to people's lives.

683
00:36:20,320 --> 00:36:23,960
Speaker 1: That that nineties thing, that's just there's just something to it.

684
00:36:24,160 --> 00:36:26,239
Speaker 1: And as we have grown and doing these shows other

685
00:36:26,320 --> 00:36:28,839
Speaker 1: that was during the COVID thing, and then of course

686
00:36:28,960 --> 00:36:31,480
Speaker 1: post that, now thank god we're going you know what,

687
00:36:32,080 --> 00:36:33,600
Speaker 1: we could go out and do this and have fun

688
00:36:33,680 --> 00:36:36,239
Speaker 1: and hopefully if people are really trying to go, hey,

689
00:36:36,520 --> 00:36:38,360
Speaker 1: what show can I go see? I got enough to

690
00:36:38,400 --> 00:36:41,560
Speaker 1: see one. Well, we want to be Hey, there's three

691
00:36:41,600 --> 00:36:43,640
Speaker 1: acts here that can play a bunch of things and

692
00:36:43,680 --> 00:36:46,520
Speaker 1: create an evening of a full fabric of the landscape

693
00:36:46,520 --> 00:36:48,680
Speaker 1: of the nineties country, at least from the band perspective.

694
00:36:48,760 --> 00:36:50,879
Speaker 1: So for us, it's kind of cool, you know, and

695
00:36:51,200 --> 00:36:53,399
Speaker 1: you said it. It's kind of your soundtrack. It it's

696
00:36:53,440 --> 00:36:55,239
Speaker 1: our soundtrack too. It's kind of cool. A kid who

697
00:36:55,239 --> 00:36:57,560
Speaker 1: grew up in Mountain Pine, Arkansas, population seven hundred and

698
00:36:57,640 --> 00:37:00,279
Speaker 1: seventy people. Man, this is it? Like this is I go?

699
00:37:00,320 --> 00:37:03,359
Speaker 1: I know exactly where I was on the Bobby Bones Show.

700
00:37:03,440 --> 00:37:07,920
Speaker 1: Now Richie McDonald from Lone Star, Tim Rushlow from Little Texas,

701
00:37:07,920 --> 00:37:10,680
Speaker 1: and Larry Stewart from Restless Heart are here. And if

702
00:37:10,680 --> 00:37:12,719
Speaker 1: you missed the first segment, go back and listen from

703
00:37:12,719 --> 00:37:14,759
Speaker 1: on the podcast. But you guys are touring. I have

704
00:37:14,800 --> 00:37:18,520
Speaker 1: your all your show dates here from April to November.

705
00:37:18,640 --> 00:37:21,040
Speaker 1: You guys are on the road. I mean three three

706
00:37:21,040 --> 00:37:24,920
Speaker 1: big stars, three big tour buses, different different jets, I

707
00:37:25,000 --> 00:37:28,840
Speaker 1: mean three road managers. Yeah right, Like is this like

708
00:37:28,880 --> 00:37:30,759
Speaker 1: the Eagles? You don't get together until it's time to

709
00:37:30,800 --> 00:37:34,520
Speaker 1: go on stage. Are your bodyguard yet? We're three minivans? Sorry?

710
00:37:35,160 --> 00:37:37,000
Speaker 1: Are you guys hitting doing the bus again? Like you

711
00:37:37,080 --> 00:37:39,200
Speaker 1: get on the bus and going back on the road

712
00:37:39,239 --> 00:37:42,160
Speaker 1: that way it looks like it. Yeah. Yeah, we're gonna

713
00:37:42,160 --> 00:37:44,040
Speaker 1: do a lot of flight dates, a lot of bus dates. Yeah,

714
00:37:44,640 --> 00:37:46,520
Speaker 1: I mean we got on some of the shows that

715
00:37:46,800 --> 00:37:48,479
Speaker 1: we're booking now it's going to be with a band

716
00:37:48,600 --> 00:37:51,120
Speaker 1: as well, So we'll do someng with just the three

717
00:37:51,160 --> 00:37:53,120
Speaker 1: of us and some with the band behind us. I'm

718
00:37:53,120 --> 00:37:54,920
Speaker 1: telling you, if I were just getting to pick I

719
00:37:54,920 --> 00:37:56,759
Speaker 1: would have no band. I know the band would be

720
00:37:56,760 --> 00:37:59,120
Speaker 1: great for it, but it's just to watch you and you.

721
00:37:59,320 --> 00:38:01,400
Speaker 1: I'm sure you're telling stories too in your show if

722
00:38:01,400 --> 00:38:03,640
Speaker 1: it's just the three of you. I mean, this is primetime,

723
00:38:03,760 --> 00:38:05,880
Speaker 1: the Unplug Show. You get more of that where you know,

724
00:38:05,920 --> 00:38:07,400
Speaker 1: you get to hear the stories behind the songs, the

725
00:38:07,400 --> 00:38:10,359
Speaker 1: band shows and more power because it's the full blown thing.

726
00:38:10,400 --> 00:38:12,879
Speaker 1: But yeah, I'm all with you. Then plug things pretty cool,

727
00:38:13,280 --> 00:38:14,960
Speaker 1: So you guys go check them out. The front End

728
00:38:15,000 --> 00:38:18,640
Speaker 1: of Country have all their tour dates up, starting in Grant, Oklahoma,

729
00:38:18,719 --> 00:38:20,680
Speaker 1: on April sixteenth, and then all the way to the

730
00:38:20,760 --> 00:38:22,839
Speaker 1: end of November where where all these dates? You gotta

731
00:38:22,880 --> 00:38:25,360
Speaker 1: does have a website or what's happening here? Yeah, Frontmen

732
00:38:25,440 --> 00:38:28,360
Speaker 1: of Country dot com and then of course our socials

733
00:38:28,360 --> 00:38:30,239
Speaker 1: and Facebook and all that stuff that everybody has. So

734
00:38:30,239 --> 00:38:32,239
Speaker 1: we work we're kind of all over and there's I mean,

735
00:38:32,280 --> 00:38:34,600
Speaker 1: we just announced this and so our agency with Bob

736
00:38:34,760 --> 00:38:38,000
Speaker 1: and Entertainment just put that out, and so that's what

737
00:38:38,200 --> 00:38:42,000
Speaker 1: just initially splashed up quick and there's a ton more

738
00:38:42,040 --> 00:38:44,680
Speaker 1: coming where you know, we just haven't got them up yet.

739
00:38:44,800 --> 00:38:46,839
Speaker 1: So are you guys, because you have I mentioned earlier,

740
00:38:46,960 --> 00:38:50,319
Speaker 1: sold over thirty million albums combined. But are you guys

741
00:38:50,360 --> 00:38:54,480
Speaker 1: working on new music as well? We actually did last

742
00:38:54,560 --> 00:38:56,960
Speaker 1: year We went in and recorded a song called if

743
00:38:57,000 --> 00:38:58,960
Speaker 1: it Wasn't for the Radio. It's really a great song.

744
00:38:59,239 --> 00:39:02,359
Speaker 1: Here are harm niece together, but also go back in

745
00:39:02,400 --> 00:39:05,560
Speaker 1: and and just hopefully make a little pee finish it up. Yeah,

746
00:39:05,680 --> 00:39:07,520
Speaker 1: for sure, that'd be fun to do. Would you guys

747
00:39:07,600 --> 00:39:10,799
Speaker 1: rather me play some of the studio version? Or play

748
00:39:10,840 --> 00:39:12,920
Speaker 1: some if it Wasn't for the Radio yourself with three

749
00:39:12,960 --> 00:39:15,360
Speaker 1: voices and guitars and piano up to you guys, I

750
00:39:15,440 --> 00:39:17,759
Speaker 1: say the record, Yeah, I go record? Okay, well let's

751
00:39:17,760 --> 00:39:19,600
Speaker 1: hear hey, Ray give us some of if it wasn't

752
00:39:19,640 --> 00:39:29,000
Speaker 1: for the radio. Wouldn't have to play if if it

753
00:39:29,080 --> 00:39:43,080
Speaker 1: wouldn't for the raid? The time rons a young lovely

754
00:39:43,440 --> 00:39:47,200
Speaker 1: who's that? That's me? Okay? Alright, right, that's Richie playing

755
00:39:47,360 --> 00:39:53,440
Speaker 1: in so I might have never learned it. Sometimes you

756
00:39:53,480 --> 00:39:57,280
Speaker 1: just gotta let her do. If it wouldn't for the radio.

757
00:39:58,719 --> 00:40:06,600
Speaker 1: If it wouldn't for the Good Dame Party soundtrack to

758
00:40:06,800 --> 00:40:18,239
Speaker 1: My Basic Beat, something Read every Time wouldn't have a

759
00:40:18,360 --> 00:40:25,279
Speaker 1: place it wasn't for the ring that Bobby, because that

760
00:40:25,360 --> 00:40:34,520
Speaker 1: no look at you guys. So is there any sort

761
00:40:34,560 --> 00:40:37,600
Speaker 1: of debate on which songs in the set list, Like

762
00:40:37,640 --> 00:40:39,680
Speaker 1: what's first? When you do a show, you got a

763
00:40:39,760 --> 00:40:41,680
Speaker 1: lot of hits. What do you start with? That's a

764
00:40:41,719 --> 00:40:44,839
Speaker 1: great question. We usually start with me doing that Rock

765
00:40:44,880 --> 00:40:49,280
Speaker 1: Won't Roll? Okay, what do you end with? That's usually

766
00:40:49,680 --> 00:40:52,960
Speaker 1: it's kind of easy because um, I mean, we try

767
00:40:53,000 --> 00:40:55,640
Speaker 1: to make the show flow obviously from you know, from

768
00:40:55,640 --> 00:40:59,879
Speaker 1: me Larry to me then Tim. But I usually think

769
00:40:59,880 --> 00:41:05,080
Speaker 1: it's it's probably yeah, absolutely because it probably gets up

770
00:41:05,160 --> 00:41:08,319
Speaker 1: loves it, yeahah and you and like between Lone Star

771
00:41:08,320 --> 00:41:10,080
Speaker 1: and Russell. So there's a lot of tempo songs in

772
00:41:10,120 --> 00:41:12,160
Speaker 1: the show. It's not just ballad heavy, but that that

773
00:41:12,239 --> 00:41:14,480
Speaker 1: definitely is the one that gets people kind of rowdy.

774
00:41:14,560 --> 00:41:17,239
Speaker 1: You know. That's funny because that song when we put

775
00:41:17,239 --> 00:41:18,759
Speaker 1: that out, we were on Warner Brothers at the time

776
00:41:18,760 --> 00:41:21,000
Speaker 1: and they were like, man, guys, I don't know if

777
00:41:21,000 --> 00:41:22,760
Speaker 1: you should put this out or not. This is regional

778
00:41:22,760 --> 00:41:24,680
Speaker 1: at best. I mean it's just a Texas song. We

779
00:41:24,719 --> 00:41:26,800
Speaker 1: were like, look, they're singing this and salt like City Loud.

780
00:41:27,000 --> 00:41:28,719
Speaker 1: It's not even a single yet, let's just put it out.

781
00:41:29,120 --> 00:41:31,239
Speaker 1: So we did, and of course it worked. So are

782
00:41:31,239 --> 00:41:33,520
Speaker 1: you like, hey, knuckleheads, ever heard of Sweet Home Alabama?

783
00:41:34,360 --> 00:41:36,480
Speaker 1: All right? Right, yeah, I mean there's like ten thousand

784
00:41:36,520 --> 00:41:38,920
Speaker 1: of those songs. Well, let's a hack like we've been

785
00:41:38,960 --> 00:41:41,799
Speaker 1: at the show. We've sing along all the hits they've

786
00:41:41,840 --> 00:41:44,239
Speaker 1: They've got one song left. The front Mint of Country

787
00:41:44,280 --> 00:41:46,680
Speaker 1: are going to play their last song, and uh tim,

788
00:41:46,680 --> 00:41:49,399
Speaker 1: I'm gonna hand it over to you, all right too.

789
00:41:58,160 --> 00:42:01,880
Speaker 1: I've seen a lot of places I better around the world.

790
00:42:05,560 --> 00:42:09,520
Speaker 1: I've seen some pretty faces, been with some beautiful girls.

791
00:42:12,920 --> 00:42:16,600
Speaker 1: We're laughter run when this one thing still amazes me,

792
00:42:20,400 --> 00:42:23,919
Speaker 1: just like a miracle. You have seen him the lead.

793
00:42:24,360 --> 00:42:27,800
Speaker 1: I'll sing it at home. Here we go. Where got

794
00:42:27,960 --> 00:42:32,959
Speaker 1: best Texas with his own hand? Rot down angels from

795
00:42:32,960 --> 00:42:37,000
Speaker 1: the Promised Land. He gave up my place where they

796
00:42:37,040 --> 00:42:40,759
Speaker 1: could dance and want to see him, and brother, he's

797
00:42:40,840 --> 00:42:46,279
Speaker 1: your chance. I've been sinning to spread the message. Come on,

798
00:42:46,320 --> 00:42:49,680
Speaker 1: Bobby and see with me. Ray God bless Texas. Yeah,

799
00:42:49,760 --> 00:42:56,640
Speaker 1: I've been sinning to spread the message. God Bless Texas,

800
00:42:59,160 --> 00:43:04,320
Speaker 1: didn't you do? Okay, let me tell you what happened

801
00:43:04,560 --> 00:43:07,440
Speaker 1: while you guys are playing. Every show member looked at

802
00:43:07,480 --> 00:43:11,120
Speaker 1: me and was like, can we sing? Oh? Well, I

803
00:43:11,160 --> 00:43:13,120
Speaker 1: like our audience to hear what it really sounds like.

804
00:43:13,160 --> 00:43:15,040
Speaker 1: So if you wouldn't mind, maybe we can just go

805
00:43:15,520 --> 00:43:18,120
Speaker 1: chorus only. We can let everyone sing the chords with

806
00:43:18,800 --> 00:43:21,200
Speaker 1: He took his cue, by the way, which was yeah,

807
00:43:21,840 --> 00:43:23,960
Speaker 1: it's an eye contact thing. Like I look at him

808
00:43:23,960 --> 00:43:26,920
Speaker 1: like I'm itching to sing and he's like, not yet,

809
00:43:26,360 --> 00:43:29,080
Speaker 1: but we will. But we wanted them to hear the

810
00:43:29,120 --> 00:43:31,200
Speaker 1: from in a country do it first? All right? Jimmy

811
00:43:31,280 --> 00:43:37,399
Speaker 1: ready of course? Yeah? Just of course go to yead

812
00:43:37,560 --> 00:43:42,600
Speaker 1: Bless Texas his own hand, bro Dawn Angels from the

813
00:43:42,719 --> 00:43:47,480
Speaker 1: Promise Land. He gave up a place where they can dance.

814
00:43:47,719 --> 00:43:51,200
Speaker 1: Aby want to see him and brother, here's your chance.

815
00:43:51,960 --> 00:43:56,200
Speaker 1: I've been sick the spread a message. It's all you

816
00:43:56,360 --> 00:43:59,759
Speaker 1: give it to us. Come on, God Bless Texas. Yeah, man,

817
00:44:00,120 --> 00:44:13,400
Speaker 1: send God plus te nic show Wow wow wow. Okay,

818
00:44:13,640 --> 00:44:18,120
Speaker 1: let me tell you they're at the frontmen Underscore couldn't

819
00:44:18,120 --> 00:44:20,440
Speaker 1: get from it a country too many still, too many characters?

820
00:44:20,520 --> 00:44:23,319
Speaker 1: Oh is that true? Don't you would know? Is that

821
00:44:23,360 --> 00:44:25,880
Speaker 1: the rumor? Okay, yes, it must be true. At the

822
00:44:25,920 --> 00:44:30,279
Speaker 1: Frontmen Underscore, is that right? Yes? Okay, okay, thing it's

823
00:44:30,360 --> 00:44:34,279
Speaker 1: at the Frontmen of Country dot Com right right right,

824
00:44:35,760 --> 00:44:39,080
Speaker 1: I sing, I just you guys have to go to

825
00:44:39,120 --> 00:44:41,040
Speaker 1: a show. I have to go to a show. Let

826
00:44:41,080 --> 00:44:43,080
Speaker 1: me see if you guys. Are you guys coming near here?

827
00:44:43,200 --> 00:44:45,279
Speaker 1: I don't see you near here, not yet. I see

828
00:44:45,280 --> 00:44:47,520
Speaker 1: Beauty of Texas. I'll go to that one. Let's see

829
00:44:47,719 --> 00:44:50,800
Speaker 1: yeah or yeah. At the Frontmen Underscore, you're on Twitter.

830
00:44:50,800 --> 00:44:54,160
Speaker 1: I'm looking at it right now, looking sharp, young, vibrant.

831
00:44:54,239 --> 00:44:57,360
Speaker 1: Look at you guys, right on time. We can do

832
00:44:57,400 --> 00:44:59,040
Speaker 1: a quick ninety minute show for you right now. You

833
00:44:59,080 --> 00:45:02,239
Speaker 1: know what do you you guys know all the songs? Huh?

834
00:45:02,600 --> 00:45:04,400
Speaker 1: All of our songs? Yeah, Like I'm saying, oh, have

835
00:45:04,480 --> 00:45:06,040
Speaker 1: you guys practiced every song that you're gonna do on

836
00:45:06,200 --> 00:45:09,600
Speaker 1: on a show? Give or take? Yeah, And we throw

837
00:45:09,760 --> 00:45:12,680
Speaker 1: some wild cards sometimes crowds getting nuts and they'll say

838
00:45:12,680 --> 00:45:14,520
Speaker 1: something's not ours and we'll go, oh yeah, we'll do that,

839
00:45:14,600 --> 00:45:16,160
Speaker 1: like if I were if a we gonna go I'm

840
00:45:16,160 --> 00:45:20,760
Speaker 1: already there, would you guys know that one? Already there

841
00:45:22,280 --> 00:45:28,919
Speaker 1: take ground. I'm the sun shining your hair, the shit

842
00:45:29,400 --> 00:45:33,480
Speaker 1: on the ground. Yeah, we would know that one. Okay, now, Bobby,

843
00:45:33,719 --> 00:45:38,719
Speaker 1: do more, do more? Listen. I'm gonna let them go.

844
00:45:38,960 --> 00:45:42,919
Speaker 1: The front Men of Country, we can go all day.

845
00:45:43,239 --> 00:45:45,200
Speaker 1: Massive fan of all three of you guys. Thank you,

846
00:45:45,400 --> 00:45:46,960
Speaker 1: such a massive fan. I don't know quite where to

847
00:45:46,960 --> 00:45:48,880
Speaker 1: look when I talk because I'm just trying to equally

848
00:45:48,920 --> 00:45:51,279
Speaker 1: spend one third of time with each of you. Thank

849
00:45:51,280 --> 00:45:53,799
Speaker 1: you for having us. You guys. It's Richie McDonald from

850
00:45:53,840 --> 00:45:56,040
Speaker 1: Lone Star, Tim Rushlo from Little Texas and Lettery Stewart

851
00:45:56,080 --> 00:45:58,120
Speaker 1: from Restless Heart. I will go to a show if

852
00:45:58,160 --> 00:45:59,640
Speaker 1: you come near and I'm in town, I will go.

853
00:45:59,719 --> 00:46:02,000
Speaker 1: That's That's the biggest thing I can say, the biggest

854
00:46:02,000 --> 00:46:03,520
Speaker 1: bot of confidence I can give you, but you don't

855
00:46:03,560 --> 00:46:05,640
Speaker 1: need mine. And my final question is if you could

856
00:46:05,640 --> 00:46:08,600
Speaker 1: put a fourth singer up on this stage, who would

857
00:46:08,600 --> 00:46:12,560
Speaker 1: it be and why would it be? Bobby Bones Because

858
00:46:12,600 --> 00:46:16,920
Speaker 1: he's a great singer and a great personality and you

859
00:46:16,920 --> 00:46:19,640
Speaker 1: would totally be the NC host of the show too.

860
00:46:20,800 --> 00:46:24,760
Speaker 1: You can sing. Yeah, all right, the Frontmen of Country,

861
00:46:24,800 --> 00:46:29,480
Speaker 1: Thank you. Guys, go check it out. It's the best

862
00:46:29,600 --> 00:46:34,520
Speaker 1: Bits of the week with Morgan. Number two a super

863
00:46:34,560 --> 00:46:36,680
Speaker 1: nostalgic one for a lot of us, because all of

864
00:46:36,760 --> 00:46:39,279
Speaker 1: us love Joe Nichols and he's released so many good

865
00:46:39,280 --> 00:46:43,160
Speaker 1: songs over the years. He played Broken Heartsville. Yeah, I

866
00:46:43,239 --> 00:46:46,440
Speaker 1: call it tequila, but it's tequila makes her clothes fall off,

867
00:46:46,719 --> 00:46:48,760
Speaker 1: and all of these songs. He came on the show

868
00:46:48,880 --> 00:46:51,200
Speaker 1: and performed him again. It was like taking a walk

869
00:46:51,200 --> 00:46:55,440
Speaker 1: down memory lane with these, I mean, heartbreaking and party

870
00:46:55,480 --> 00:46:58,200
Speaker 1: songs all in one, and he still nails it. So

871
00:46:58,440 --> 00:47:02,640
Speaker 1: this was a really epic performance. Number five on The

872
00:47:02,719 --> 00:47:06,359
Speaker 1: Bobby Bones Show. Now, how are you, Buddy? I am

873
00:47:06,400 --> 00:47:08,120
Speaker 1: good man, how are you? It's good to see you know.

874
00:47:08,120 --> 00:47:10,040
Speaker 1: There's a lot of your music plays at my house

875
00:47:10,120 --> 00:47:12,640
Speaker 1: right now all the time. I think maybe a month

876
00:47:12,719 --> 00:47:16,520
Speaker 1: or so ago, my fiance was singing one of your songs,

877
00:47:16,840 --> 00:47:18,799
Speaker 1: maybe it was Broken Heartsville. She knew every word to it,

878
00:47:18,960 --> 00:47:20,160
Speaker 1: and I was like, well, we need to record this,

879
00:47:20,200 --> 00:47:21,839
Speaker 1: and then she's like, oh, I know every Joe Nichols song.

880
00:47:22,200 --> 00:47:25,320
Speaker 1: And so even on Instagram last week she was dancing

881
00:47:25,320 --> 00:47:28,200
Speaker 1: with the bulldog and it was too Maybe it was

882
00:47:28,200 --> 00:47:30,880
Speaker 1: the Broken Heartsville on Instagram too, so she's the biggest fan.

883
00:47:30,920 --> 00:47:32,600
Speaker 1: I was like, I know, I've known Joe for ten

884
00:47:32,680 --> 00:47:35,400
Speaker 1: years at this point, and so she was gonna come

885
00:47:35,480 --> 00:47:37,279
Speaker 1: up here today and meet you. That didn't work out,

886
00:47:37,400 --> 00:47:39,319
Speaker 1: so she sends her best all right, well, thank you

887
00:47:39,920 --> 00:47:41,879
Speaker 1: my best back, and that was that was a really

888
00:47:41,920 --> 00:47:45,120
Speaker 1: good week because I got more text from friends over

889
00:47:45,200 --> 00:47:48,839
Speaker 1: that one Instagram post. Don't pay attention to me unless

890
00:47:48,840 --> 00:47:52,080
Speaker 1: Bobby Bones says up, it wasn't even me with her.

891
00:47:52,320 --> 00:47:54,840
Speaker 1: So Joe Nichols is here, We're gonna talk about the

892
00:47:54,840 --> 00:47:57,879
Speaker 1: new song coming up in a second, which, by the way,

893
00:47:57,920 --> 00:48:01,160
Speaker 1: home Run is the new track. And I feel like

894
00:48:01,520 --> 00:48:03,479
Speaker 1: you're kind of back. I han't seen you in a while,

895
00:48:03,480 --> 00:48:04,800
Speaker 1: Like is this like, hey, I'm kind of putting the

896
00:48:04,880 --> 00:48:06,879
Speaker 1: foot back in the water, like let's do it again. Yeah,

897
00:48:06,920 --> 00:48:08,759
Speaker 1: you know that a song like this kind of is

898
00:48:09,320 --> 00:48:11,560
Speaker 1: good timing. You know, it's a re entry. Like you said,

899
00:48:11,640 --> 00:48:13,440
Speaker 1: it's been a little while since I've been on radio,

900
00:48:14,160 --> 00:48:17,399
Speaker 1: and uh, man, if I could use a home run

901
00:48:17,480 --> 00:48:20,200
Speaker 1: right now, we can all use a hit, but it

902
00:48:20,320 --> 00:48:22,440
Speaker 1: sure would be good timing. I don't know that seems

903
00:48:22,480 --> 00:48:26,400
Speaker 1: like a good message certainly with the world being crazy

904
00:48:26,440 --> 00:48:29,399
Speaker 1: the last year and a half, two years, getting back

905
00:48:29,400 --> 00:48:31,799
Speaker 1: to some stuff that's real feel, it's real good. Let

906
00:48:31,880 --> 00:48:33,279
Speaker 1: me play a club of this home run Ray Mood

907
00:48:33,320 --> 00:48:37,520
Speaker 1: you got that over there. Sign my head toward that

908
00:48:37,680 --> 00:48:41,960
Speaker 1: South Sun. I'll be touching bass with the paces all

909
00:48:42,040 --> 00:48:45,080
Speaker 1: the places I ain't been too and way too long

910
00:48:45,640 --> 00:48:49,520
Speaker 1: because I've been way too gone singing for the fans.

911
00:48:49,840 --> 00:48:54,640
Speaker 1: I've been missing where I come. It's time home Run.

912
00:48:55,719 --> 00:48:57,960
Speaker 1: You gotta get out and do some shows now. Yeah, man,

913
00:48:58,040 --> 00:48:59,919
Speaker 1: second half of the year, it's looking like it's open

914
00:49:00,040 --> 00:49:01,640
Speaker 1: it up quite a bit. You know, there's a lot

915
00:49:01,680 --> 00:49:04,120
Speaker 1: of states that are opening, so a lot of venues,

916
00:49:04,120 --> 00:49:06,160
Speaker 1: Thank goodness. I've seen a lot of the smaller venues

917
00:49:06,200 --> 00:49:08,839
Speaker 1: and the medium sized venues that are able to kind

918
00:49:08,840 --> 00:49:11,560
Speaker 1: of get back up little training wheels with him. So it's, uh,

919
00:49:11,600 --> 00:49:13,960
Speaker 1: it's looking good man. Joe has so many hits, Like

920
00:49:14,000 --> 00:49:16,320
Speaker 1: he goes out and he plays songs and you're like, dang,

921
00:49:16,960 --> 00:49:19,160
Speaker 1: I know I've worded that song. Hey. I even have

922
00:49:19,280 --> 00:49:22,040
Speaker 1: hits that people didn't realize. I've had people come up

923
00:49:22,080 --> 00:49:23,560
Speaker 1: to me after the show and go, why didn't you

924
00:49:23,560 --> 00:49:27,440
Speaker 1: play the baby and the Baby or any other Blakes

925
00:49:27,520 --> 00:49:29,319
Speaker 1: or some beach. I get that one all the time too,

926
00:49:29,480 --> 00:49:34,799
Speaker 1: so people think that I don't sing that the next show.

927
00:49:34,840 --> 00:49:36,399
Speaker 1: Maybe I'll do it then. But like when you when

928
00:49:36,400 --> 00:49:40,320
Speaker 1: you look back at, for example, Broken Heartsville two thousand

929
00:49:40,320 --> 00:49:42,839
Speaker 1: and two, Yeah, isn't that crazy? It's almost be twenty years.

930
00:49:43,239 --> 00:49:46,279
Speaker 1: I know, man, I've had a I've had a lot

931
00:49:46,320 --> 00:49:48,640
Speaker 1: of story in between two thousand and two and here,

932
00:49:48,680 --> 00:49:50,680
Speaker 1: and a lot of it I wouldn't like to get into.

933
00:49:50,760 --> 00:49:54,160
Speaker 1: But now it's it's been. It's been a crazy fast

934
00:49:54,480 --> 00:49:57,279
Speaker 1: you know, nineteen years. I guess it's been crazy. Man.

935
00:49:57,320 --> 00:50:00,520
Speaker 1: I've been very fortunate. I saw a tweet from somebody

936
00:50:00,520 --> 00:50:02,320
Speaker 1: one time that said I have more comebacks than the

937
00:50:02,400 --> 00:50:06,319
Speaker 1: mc rib That's that's great. I can't even be mad

938
00:50:06,360 --> 00:50:09,360
Speaker 1: at that. That's that's good. Would you? I know you

939
00:50:09,480 --> 00:50:11,000
Speaker 1: have a guitar up here and you're your player here.

940
00:50:11,040 --> 00:50:12,319
Speaker 1: How are you? By the way? You good? Good? Yeah?

941
00:50:12,360 --> 00:50:14,400
Speaker 1: What's your name? I'm Brian, Hey, Brian, good to meet you,

942
00:50:14,520 --> 00:50:16,279
Speaker 1: to meet you? Would you give us just a little

943
00:50:16,280 --> 00:50:33,920
Speaker 1: bit like versing chorus of Broken Heartsville? Yeah? Man? Or

944
00:50:34,120 --> 00:50:43,640
Speaker 1: that cowboy I had come up is sweet talking boy?

945
00:50:43,760 --> 00:50:54,160
Speaker 1: Get tongue. Had Simpson seng before I turned around? That

946
00:50:54,360 --> 00:51:03,440
Speaker 1: had girls gone? All I can say his BArch interfullman,

947
00:51:03,719 --> 00:51:11,040
Speaker 1: something strong here shoot passing and kiss my glass? Si,

948
00:51:11,760 --> 00:51:19,799
Speaker 1: she's have you with him here shooting girl wreck? Mind?

949
00:51:19,080 --> 00:51:27,040
Speaker 1: Wo that ain't you did me? I fainted? Devil drives

950
00:51:27,040 --> 00:51:32,759
Speaker 1: a cool debut. I'm watched him driving away over the hill,

951
00:51:33,360 --> 00:51:39,080
Speaker 1: not against her will. I've got time to kill down

952
00:51:39,200 --> 00:51:43,120
Speaker 1: and broke in the horrors. Fill nice, love it, come on.

953
00:51:43,760 --> 00:51:46,359
Speaker 1: Joe Nichols is here. Thank you. So back in two

954
00:51:46,360 --> 00:51:47,960
Speaker 1: thousand and three, I just kind of looking at this

955
00:51:47,960 --> 00:51:49,560
Speaker 1: time period for a minute. You were playing the Grand

956
00:51:49,560 --> 00:51:53,560
Speaker 1: Ole Opry and a green brawl was tossed onto the

957
00:51:53,560 --> 00:51:55,760
Speaker 1: stage and supposedly was the first time that the undergarment

958
00:51:55,760 --> 00:51:58,600
Speaker 1: had ever been thrown on the opery stage. And so

959
00:51:58,680 --> 00:52:00,520
Speaker 1: at what point did you realize the I was mine?

960
00:52:02,760 --> 00:52:06,040
Speaker 1: Do you remember that moment though? I do remember that moment. Yeah,

961
00:52:06,040 --> 00:52:09,279
Speaker 1: she got her broad back. She was I think a

962
00:52:09,360 --> 00:52:12,000
Speaker 1: college student here somewhere in town and Vanderbilt, I think,

963
00:52:12,440 --> 00:52:14,840
Speaker 1: and I remember it being so cool and then realizing

964
00:52:14,880 --> 00:52:16,959
Speaker 1: on him in trouble, this is the opera. I'm gonna

965
00:52:17,000 --> 00:52:19,440
Speaker 1: go for that behavior here, but some of the old

966
00:52:19,480 --> 00:52:21,680
Speaker 1: timers thought it was pretty neat too, one of those

967
00:52:21,680 --> 00:52:24,440
Speaker 1: records that you're like, well I did that, you know,

968
00:52:24,440 --> 00:52:26,520
Speaker 1: we got number ones and stuff like that, but hey,

969
00:52:27,080 --> 00:52:29,720
Speaker 1: this guy got a brothone at him on the opera.

970
00:52:29,960 --> 00:52:32,480
Speaker 1: You're you're a Grammy nominated artist too, I know, as

971
00:52:32,480 --> 00:52:35,440
Speaker 1: you joke about people confusing you with Blake, like sometimes

972
00:52:35,440 --> 00:52:38,960
Speaker 1: people don't realize you were nominated for the Impossible, right, yeah,

973
00:52:39,000 --> 00:52:42,480
Speaker 1: the impossible. I can name the ones I lost too,

974
00:52:42,600 --> 00:52:45,080
Speaker 1: and I'm I'm very proud I lost to Johnny Cash,

975
00:52:45,160 --> 00:52:50,520
Speaker 1: Willie Nelson, the Dixie Chicks, and maybe at Vince Gill.

976
00:52:50,760 --> 00:52:52,880
Speaker 1: How did you lose all four of them? Well, they

977
00:52:52,880 --> 00:52:55,360
Speaker 1: were two separate years all at once. But it was

978
00:52:55,480 --> 00:52:59,320
Speaker 1: like Johnny Cash's last album and he won Album or

979
00:52:59,360 --> 00:53:02,960
Speaker 1: the Year, and I think Baby Events got Vocal of

980
00:53:02,960 --> 00:53:05,000
Speaker 1: the Year, Male Vocal of the Year next year, I

981
00:53:05,080 --> 00:53:08,799
Speaker 1: think Willie Nelson had to duet song that he won

982
00:53:09,160 --> 00:53:12,240
Speaker 1: Song with or Male Vocal Performance, and and the Dixie

983
00:53:12,320 --> 00:53:14,520
Speaker 1: Chicks won I think Album in the Year again. Dang

984
00:53:14,840 --> 00:53:17,680
Speaker 1: yeah man, oh for four for four, But do you

985
00:53:17,719 --> 00:53:19,839
Speaker 1: feel like four for four and being Grammy nominated, because

986
00:53:19,880 --> 00:53:21,640
Speaker 1: that's pretty cool too, like where do you sit on

987
00:53:21,680 --> 00:53:24,640
Speaker 1: that positive or like dang so close? Not to sound cliche,

988
00:53:24,719 --> 00:53:26,520
Speaker 1: but I was shocked that I was even there. I

989
00:53:26,600 --> 00:53:28,439
Speaker 1: was really shocked that they putting my face on camera

990
00:53:28,520 --> 00:53:30,840
Speaker 1: when they were calling the nominees out. I know, it

991
00:53:30,920 --> 00:53:33,480
Speaker 1: looked like an idiot up there amongst you know, Yoko

992
00:53:33,480 --> 00:53:35,759
Speaker 1: Owner was sitting over here, and Queen Latifa was sitting

993
00:53:35,760 --> 00:53:38,719
Speaker 1: over here, and I'm like, I don't think y'all got

994
00:53:38,760 --> 00:53:41,040
Speaker 1: the right guy. It was just kind of my face

995
00:53:41,120 --> 00:53:44,080
Speaker 1: and they're like in for album. They put the camera

996
00:53:44,120 --> 00:53:45,960
Speaker 1: on my face and I'm just looking at the camera

997
00:53:46,080 --> 00:53:48,680
Speaker 1: like this is uncomfortable. What do I do If I win?

998
00:53:49,239 --> 00:53:51,600
Speaker 1: I walk up on the stage, I'd probably tripped somewhere,

999
00:53:51,840 --> 00:53:54,000
Speaker 1: you know, probably can't spit words out of my face.

1000
00:53:54,120 --> 00:53:57,359
Speaker 1: Saved my life, I don't know. Probably glad it didn't win. Really,

1001
00:53:58,239 --> 00:54:00,279
Speaker 1: Joe Nichols is here, You're not glad you didn't. I'm

1002
00:54:00,320 --> 00:54:02,799
Speaker 1: not gonna like that now. I got a certificate, though,

1003
00:54:03,000 --> 00:54:05,239
Speaker 1: you do get a certificates being a nominated artist. And

1004
00:54:05,280 --> 00:54:08,239
Speaker 1: I framed it, yeah, and had it melted into this

1005
00:54:08,360 --> 00:54:11,759
Speaker 1: gold looking Grammy, So it looks like I want to

1006
00:54:11,800 --> 00:54:15,440
Speaker 1: Grammy no, I got a certificate before you recorded. Yeah,

1007
00:54:15,680 --> 00:54:17,200
Speaker 1: was that? Did someone go ahead? Joe? This is a

1008
00:54:17,239 --> 00:54:20,000
Speaker 1: huge hit, Like what was that process for when you

1009
00:54:20,040 --> 00:54:22,759
Speaker 1: got that song? When I got that song, I hadn't

1010
00:54:22,800 --> 00:54:25,799
Speaker 1: signed a deal yet, so I was still talking in

1011
00:54:25,840 --> 00:54:27,719
Speaker 1: some early stages with a couple of labels. But I

1012
00:54:27,800 --> 00:54:30,000
Speaker 1: really needed that song to walk in an office with

1013
00:54:30,120 --> 00:54:32,400
Speaker 1: and say here's our here's our beginning of the album.

1014
00:54:32,960 --> 00:54:36,359
Speaker 1: And Mike Ohens, i used to work with a Universal South,

1015
00:54:36,440 --> 00:54:38,319
Speaker 1: found this song. He's a man, this feels like a hit.

1016
00:54:38,800 --> 00:54:41,000
Speaker 1: He said, it's it's a little it's kind of current,

1017
00:54:41,560 --> 00:54:43,200
Speaker 1: and I was like, well, I kind of think we

1018
00:54:43,239 --> 00:54:45,400
Speaker 1: need to be current right now, you know. And he

1019
00:54:45,480 --> 00:54:47,399
Speaker 1: gave me this song like, man, if we can pull

1020
00:54:47,440 --> 00:54:50,120
Speaker 1: that off where it feels big, that's gonna be played

1021
00:54:50,160 --> 00:54:51,839
Speaker 1: on the radio a lot. We give us a little

1022
00:54:51,840 --> 00:54:54,799
Speaker 1: bit of yeah yeah yeah man, yeah yeah yeah yeah

1023
00:54:54,840 --> 00:55:10,279
Speaker 1: yeah yeah. It was just another night to help you.

1024
00:55:10,840 --> 00:55:19,239
Speaker 1: As she climbed down unto them, bo yeah yeah. As

1025
00:55:19,239 --> 00:55:22,719
Speaker 1: soon as that sundress at the head lights every till

1026
00:55:22,960 --> 00:55:29,400
Speaker 1: anyway out there, I was like, yeah, yeah. She started

1027
00:55:29,520 --> 00:55:34,719
Speaker 1: walking over to me like she already knew me. She

1028
00:55:34,760 --> 00:55:39,120
Speaker 1: sat down right beside me and asked if I was

1029
00:55:39,200 --> 00:55:44,080
Speaker 1: here along and I said yeah, yeah, like I was

1030
00:55:44,200 --> 00:55:48,719
Speaker 1: not a right along to a song on the radio. Yeah, yeah,

1031
00:55:49,719 --> 00:55:53,640
Speaker 1: How could I say? Do? Whatever you're drinking, that's when

1032
00:55:53,680 --> 00:55:57,640
Speaker 1: I'm drinking. Girl. You're called in the shy tonight. Whatever

1033
00:55:57,719 --> 00:56:01,239
Speaker 1: you're thinking, that's when I'm thinking. Till I mean what

1034
00:56:01,440 --> 00:56:11,440
Speaker 1: you got in so I can see? Yeah, yeah, yeah,

1035
00:56:15,320 --> 00:56:18,480
Speaker 1: Joe Nicholes is here. Hey, what's home? What's home like

1036
00:56:18,600 --> 00:56:19,879
Speaker 1: for you right now? Like? Are you on a farm?

1037
00:56:19,920 --> 00:56:21,520
Speaker 1: You have a bunch of land? Now? I live on

1038
00:56:21,520 --> 00:56:24,600
Speaker 1: a golf course. Never mind. I never in my wildest

1039
00:56:24,640 --> 00:56:26,600
Speaker 1: dreams would ever believe I'd live on a golf course.

1040
00:56:26,640 --> 00:56:28,200
Speaker 1: But it was. It was the nicest place we could

1041
00:56:28,200 --> 00:56:31,920
Speaker 1: find it. We could affords not pretty good. Yeah, and

1042
00:56:32,600 --> 00:56:33,960
Speaker 1: the people ever hit a ball and go That's what

1043
00:56:34,080 --> 00:56:38,719
Speaker 1: Joe Nichols said enough away that it would be really bad.

1044
00:56:38,719 --> 00:56:41,799
Speaker 1: And I think somebody did it on purpose. Yeah, every

1045
00:56:41,840 --> 00:56:43,400
Speaker 1: now and didn't man, I getting the golf cart and

1046
00:56:43,560 --> 00:56:45,160
Speaker 1: I have my own golf cart now, which is cool.

1047
00:56:45,200 --> 00:56:47,360
Speaker 1: It's kind of more important than my truck now. But

1048
00:56:47,400 --> 00:56:50,160
Speaker 1: it does have red velvet seating. So but you just

1049
00:56:50,200 --> 00:56:52,799
Speaker 1: said no and then went fancier. No, No, not at all,

1050
00:56:52,840 --> 00:56:56,359
Speaker 1: but it rims and it's uh, it's four by four,

1051
00:56:58,080 --> 00:57:00,759
Speaker 1: but I mean that's nothing. I'm gonna run through some

1052
00:57:00,760 --> 00:57:02,040
Speaker 1: of your clips here. I guess I got a bunch

1053
00:57:02,080 --> 00:57:04,040
Speaker 1: of a bunch of hits on a clip. Let's do

1054
00:57:04,120 --> 00:57:07,600
Speaker 1: a clip of Broken Heartsville, just kind of past thinking

1055
00:57:07,800 --> 00:57:10,719
Speaker 1: kiss mind? Is this the most real question song when

1056
00:57:10,760 --> 00:57:16,800
Speaker 1: you play a show? Ooh, I think tequila is probably Yeah,

1057
00:57:16,880 --> 00:57:19,840
Speaker 1: good point too, but I think more people talk about

1058
00:57:19,880 --> 00:57:23,800
Speaker 1: that song. Uh, ten year olds to eighty year old say,

1059
00:57:24,040 --> 00:57:26,360
Speaker 1: my favorite song ever was Broken Heartsville. So I think

1060
00:57:26,400 --> 00:57:28,280
Speaker 1: it's one of those that kind of lasted longer than

1061
00:57:28,320 --> 00:57:30,640
Speaker 1: most of my songs. Here's a clip of Tequila mixer

1062
00:57:30,680 --> 00:57:37,120
Speaker 1: clothes fall off. Did this change everything for you? Did?

1063
00:57:37,320 --> 00:57:39,200
Speaker 1: Like you had? You had a big hit with Broken Heartsville?

1064
00:57:39,200 --> 00:57:41,680
Speaker 1: But did this song? Was it like boom Joe Nichols

1065
00:57:41,680 --> 00:57:43,720
Speaker 1: is now here to stay with massive song? Yeah? And

1066
00:57:43,720 --> 00:57:45,160
Speaker 1: it was one of those comebacks. You know, we were

1067
00:57:45,160 --> 00:57:48,200
Speaker 1: coming off of one of those albums that didn't really

1068
00:57:48,200 --> 00:57:50,480
Speaker 1: have a lot of hit hits. You know, had some

1069
00:57:50,600 --> 00:57:53,840
Speaker 1: radio success, but the last single took like fifty weeks

1070
00:57:53,880 --> 00:57:56,920
Speaker 1: to kind of get really any airplay, and uh, and

1071
00:57:56,960 --> 00:57:58,840
Speaker 1: I was like, man, we need a big, strong song.

1072
00:57:58,920 --> 00:58:00,840
Speaker 1: And this came out and just pop sold a lot

1073
00:58:00,840 --> 00:58:02,480
Speaker 1: of records and all of a sudden, I'm playing at

1074
00:58:03,240 --> 00:58:04,840
Speaker 1: where the Titans play football I don't know what it's

1075
00:58:04,840 --> 00:58:09,360
Speaker 1: called now stadium, playing out there at the CMA Fest

1076
00:58:09,400 --> 00:58:11,640
Speaker 1: and and uh the crowd knew it and it was

1077
00:58:11,880 --> 00:58:14,200
Speaker 1: pretty good moment. Yeah, that's got changed the game for me.

1078
00:58:14,240 --> 00:58:16,240
Speaker 1: That was one of my comebacks Give Me That Girl

1079
00:58:16,320 --> 00:58:23,280
Speaker 1: two thousand and nine jam. This one had to be

1080
00:58:23,440 --> 00:58:25,960
Speaker 1: close too. I mean I would say not at but

1081
00:58:26,440 --> 00:58:29,640
Speaker 1: this is a big one. Everybody knows the song, yeah,

1082
00:58:30,320 --> 00:58:31,680
Speaker 1: believe it or not. You know, this is one of

1083
00:58:31,720 --> 00:58:33,560
Speaker 1: those songs that people want me to play at weddings.

1084
00:58:33,800 --> 00:58:36,040
Speaker 1: And I'm like, is that a wedding song? KED mean,

1085
00:58:36,640 --> 00:58:39,000
Speaker 1: it's not like a slow dance song or anything. And

1086
00:58:39,040 --> 00:58:43,240
Speaker 1: it's just me check me out playing my single. Uh. Yeah.

1087
00:58:43,280 --> 00:58:45,040
Speaker 1: It was a big songs for my first multi week

1088
00:58:46,000 --> 00:58:49,000
Speaker 1: number one hit, and it was another comeback. It was

1089
00:58:49,000 --> 00:58:51,160
Speaker 1: on a lull, you know, after a couple of hits,

1090
00:58:51,200 --> 00:58:53,440
Speaker 1: being gone from radio for a year or two, come

1091
00:58:53,520 --> 00:58:55,680
Speaker 1: back with give Me That Girl, and and it kind

1092
00:58:55,680 --> 00:58:58,280
Speaker 1: of kicked it off again. The Impossible was nominated for

1093
00:58:58,320 --> 00:59:05,200
Speaker 1: Best Country Song for a Grammy Unsinkable, Unbreakable, Watch You're

1094
00:59:05,280 --> 00:59:07,760
Speaker 1: riding it this one? You liked this one? Yes? Yeah,

1095
00:59:08,120 --> 00:59:10,200
Speaker 1: I like everything this is like this is that? That?

1096
00:59:10,400 --> 00:59:15,520
Speaker 1: That slow? This is the one people should have you play? Yeah? Yeah, yeah,

1097
00:59:15,640 --> 00:59:19,080
Speaker 1: not give me that girl? Uh. Sunny and seventy five

1098
00:59:19,120 --> 00:59:32,480
Speaker 1: from twenty thirteen. Was this another comeback? Yeah? Yeah. This

1099
00:59:32,680 --> 00:59:34,919
Speaker 1: was after another couple of years being away from radio.

1100
00:59:35,960 --> 00:59:38,160
Speaker 1: This was the album that I signed with Red Bow

1101
00:59:38,240 --> 00:59:40,640
Speaker 1: on and where we had Yeah, and we walked in,

1102
00:59:40,720 --> 00:59:41,880
Speaker 1: like I said, have been a couple of years of

1103
00:59:41,880 --> 00:59:43,680
Speaker 1: being off radio, and we thought for a minute we

1104
00:59:43,680 --> 00:59:46,600
Speaker 1: were gonna put you out first. And the president of label,

1105
00:59:46,640 --> 00:59:48,680
Speaker 1: Benny Brown, he's always been amazing to me, that guy

1106
00:59:48,760 --> 00:59:50,960
Speaker 1: is such a great, great guy to me. He said,

1107
00:59:50,960 --> 00:59:52,880
Speaker 1: why don't you try this out first? I think we

1108
00:59:52,920 --> 00:59:55,280
Speaker 1: can have some success with this. And of course it

1109
00:59:55,320 --> 00:59:58,000
Speaker 1: sounds unlike a lot of my catalog, you know, So

1110
00:59:58,400 --> 01:00:01,080
Speaker 1: we tried it, put it out there, and it popped

1111
01:00:01,240 --> 01:00:03,560
Speaker 1: and it again changed the game again, you know, kind

1112
01:00:03,560 --> 01:00:05,200
Speaker 1: of it kind of gave this a little bit of

1113
01:00:05,240 --> 01:00:08,600
Speaker 1: a catalog, more of a field than just having a

1114
01:00:08,600 --> 01:00:10,520
Speaker 1: few hits, it kind of started having more of a

1115
01:00:11,200 --> 01:00:15,560
Speaker 1: you know, nine ten songs that people would would recognize. Well, listen, Joe,

1116
01:00:15,760 --> 01:00:18,040
Speaker 1: I'm pumped at You're kind of back and you know

1117
01:00:18,040 --> 01:00:19,640
Speaker 1: you're hearing the studio. He's got a new song out.

1118
01:00:19,680 --> 01:00:20,920
Speaker 1: We'll play some more of it now. This is home

1119
01:00:21,000 --> 01:00:28,080
Speaker 1: run sig Head South Sign. I'll be touching basis with

1120
01:00:28,280 --> 01:00:35,160
Speaker 1: the basins as what's the worst anyone's ever mispronounced your

1121
01:00:35,200 --> 01:00:37,560
Speaker 1: name on a big stage? I pulled up one of

1122
01:00:37,560 --> 01:00:40,200
Speaker 1: my first shows. I did a radio show at a

1123
01:00:40,200 --> 01:00:44,720
Speaker 1: at a mall in uh in Washington, DC, and it

1124
01:00:44,800 --> 01:00:51,040
Speaker 1: said on today only I was a Nicholas. I don't

1125
01:00:51,040 --> 01:00:53,440
Speaker 1: know what's happening because this always happened like this my

1126
01:00:53,600 --> 01:00:55,920
Speaker 1: first radio tour things. So that was and it was

1127
01:00:56,000 --> 01:00:58,080
Speaker 1: humbling too because you played in the mall as people

1128
01:00:58,080 --> 01:01:00,760
Speaker 1: were shopping. You know, kind of felt like, oh, we're

1129
01:01:00,840 --> 01:01:04,400
Speaker 1: the piano music in the lounge, or let me play

1130
01:01:04,440 --> 01:01:07,280
Speaker 1: my new single. Wait before you go in there, stop

1131
01:01:07,320 --> 01:01:10,920
Speaker 1: and listen. Awkward stuff. Whenever tequila came out, you know,

1132
01:01:11,000 --> 01:01:13,360
Speaker 1: tequila mix your clothes fault. Do people just throw the

1133
01:01:13,520 --> 01:01:16,720
Speaker 1: clothes at you when you're performing? Like yeah, I used to.

1134
01:01:17,640 --> 01:01:21,200
Speaker 1: I think probably now it's been around a little while.

1135
01:01:21,200 --> 01:01:24,480
Speaker 1: But when the song was, you know, really hot, getting

1136
01:01:24,480 --> 01:01:27,480
Speaker 1: played a lot, I think people got got loose with

1137
01:01:27,480 --> 01:01:30,640
Speaker 1: their clothes. Man, I had one. It kind of ruined me.

1138
01:01:30,720 --> 01:01:33,520
Speaker 1: This lady threw some panties on stage one time and

1139
01:01:33,560 --> 01:01:36,160
Speaker 1: they were so big. I felt I felt like, there's nothing.

1140
01:01:36,240 --> 01:01:37,760
Speaker 1: There's no way you can respond to this because you

1141
01:01:37,760 --> 01:01:40,320
Speaker 1: can't laugh like, ah, there's somebody because he could hurt

1142
01:01:40,320 --> 01:01:43,320
Speaker 1: their feelings. But then I don't know. That kind of

1143
01:01:43,360 --> 01:01:45,479
Speaker 1: ruined me on that, So please keep clothes on because

1144
01:01:45,480 --> 01:01:49,680
Speaker 1: I never know how to take that. Uh well, listen,

1145
01:01:50,320 --> 01:01:51,919
Speaker 1: can you do a little bit of tequila? Yeah? Before

1146
01:01:51,920 --> 01:01:54,080
Speaker 1: we go, we can play yeah, tune up over here

1147
01:01:54,120 --> 01:01:56,560
Speaker 1: by the way, shout out your play over. Yeah, fantastic.

1148
01:01:56,640 --> 01:01:58,560
Speaker 1: This is Brian Spratlon. He's been with me a long

1149
01:01:58,640 --> 01:02:01,400
Speaker 1: long time. We actually did a lot of that radio

1150
01:02:01,440 --> 01:02:03,479
Speaker 1: stuff together back in two thousand and two and three,

1151
01:02:03,520 --> 01:02:05,800
Speaker 1: and actually goes back before that. We played here in

1152
01:02:05,880 --> 01:02:08,520
Speaker 1: Nashville at Rippy's on there and Fifth and Broadway. What

1153
01:02:08,720 --> 01:02:10,000
Speaker 1: was that like for you back in the day. Did

1154
01:02:10,000 --> 01:02:11,560
Speaker 1: people come in and go, well, you're so good, you

1155
01:02:11,560 --> 01:02:13,440
Speaker 1: should get out off of Fifth and Broadway and be

1156
01:02:13,480 --> 01:02:15,200
Speaker 1: a real star, and you're like, man, I'm trying, but

1157
01:02:15,280 --> 01:02:18,120
Speaker 1: it's hard to get discovered. Yeah. Absolutely, that's exactly how

1158
01:02:18,160 --> 01:02:20,600
Speaker 1: it went. You know. We did good with tips, and

1159
01:02:20,880 --> 01:02:22,240
Speaker 1: there would be a lot of people to come in

1160
01:02:22,360 --> 01:02:24,400
Speaker 1: drunk and say come see me this week, and you

1161
01:02:24,400 --> 01:02:25,760
Speaker 1: get in their office and they go, I don't, I

1162
01:02:25,800 --> 01:02:28,640
Speaker 1: don't remember seeing you. I got some good experience out

1163
01:02:28,640 --> 01:02:31,040
Speaker 1: of those years. I had some great, great times that

1164
01:02:31,160 --> 01:02:35,160
Speaker 1: I remember. How did you get discovered? What was the

1165
01:02:35,200 --> 01:02:37,760
Speaker 1: moment I went in and played for Tony Brown, who

1166
01:02:37,800 --> 01:02:39,760
Speaker 1: was an MCA. He's like, I want you to go

1167
01:02:39,920 --> 01:02:42,240
Speaker 1: over to my friends office and play for him. His

1168
01:02:42,280 --> 01:02:45,360
Speaker 1: name's Tim Dubois, and those guys formed a record label,

1169
01:02:45,360 --> 01:02:47,840
Speaker 1: and I was familiar with those guys history, and and

1170
01:02:47,920 --> 01:02:50,600
Speaker 1: that was my first singles. And Speaking of the Impossible

1171
01:02:50,720 --> 01:02:53,960
Speaker 1: had climbed into like the top thirty or top forty,

1172
01:02:54,000 --> 01:02:55,680
Speaker 1: and he's gone to radio doing really well, and I

1173
01:02:55,720 --> 01:02:58,240
Speaker 1: was still playing on Broadway because that's the only place

1174
01:02:58,280 --> 01:03:00,080
Speaker 1: I can make money. So you had a song that

1175
01:03:00,160 --> 01:03:01,400
Speaker 1: was on the radio and you're still you were still

1176
01:03:01,400 --> 01:03:03,240
Speaker 1: playing at the bars six thirty to nine thirty, still

1177
01:03:03,240 --> 01:03:05,400
Speaker 1: in the bar. Yeah. Were you doing covers like crazy? Yeah?

1178
01:03:05,440 --> 01:03:06,960
Speaker 1: Oh yeah, that's all you can do with one it

1179
01:03:09,160 --> 01:03:12,480
Speaker 1: every thirty minutes. He plays ahead again. Now, crowds, I'm

1180
01:03:12,520 --> 01:03:14,280
Speaker 1: the guy from the radio. I'm not even playing cover.

1181
01:03:14,320 --> 01:03:16,320
Speaker 1: You didn't tell that this is my song. You probably

1182
01:03:16,360 --> 01:03:18,440
Speaker 1: heard it seven times a day. All right, Joe Nichols

1183
01:03:18,520 --> 01:03:20,800
Speaker 1: is here. Tequila makes her close, fall off, float a

1184
01:03:20,800 --> 01:03:22,520
Speaker 1: little bit of this and we'll call it today. All right, man,

1185
01:03:22,520 --> 01:03:33,800
Speaker 1: all right, here we go, she said, I'm going now

1186
01:03:34,080 --> 01:03:42,680
Speaker 1: with my girl friends agreed at on the day. Oh

1187
01:03:42,840 --> 01:03:48,680
Speaker 1: have mercy, my own bob was. Tequila makes her clothes

1188
01:03:48,960 --> 01:03:57,880
Speaker 1: fall long. I'm chould her put her nightstro I don't

1189
01:03:57,880 --> 01:04:04,040
Speaker 1: know what happens when she rings pus Dronglas is missing,

1190
01:04:04,200 --> 01:04:08,520
Speaker 1: has the pain she bone? Yet the keel makes her

1191
01:04:08,640 --> 01:04:16,360
Speaker 1: close all long. She'll start by kicking out of her shoes,

1192
01:04:18,200 --> 01:04:24,680
Speaker 1: losing the hear ring in her dream, leave her jacket

1193
01:04:24,720 --> 01:04:30,920
Speaker 1: in a bathroom storm, drop a contag down the scene.

1194
01:04:33,240 --> 01:04:39,680
Speaker 1: Then pantyholes ain't gonna last you long. You's the DJ

1195
01:04:39,920 --> 01:04:46,120
Speaker 1: push bung jovion. She might come on at a table,

1196
01:04:47,640 --> 01:04:53,880
Speaker 1: yet the keeler makes her close allong oh to keeler

1197
01:04:54,240 --> 01:05:00,280
Speaker 1: makes her close allong oh to Keeler makes her who

1198
01:05:03,480 --> 01:05:06,840
Speaker 1: you guys check out's new song home Run Go follow

1199
01:05:06,920 --> 01:05:12,320
Speaker 1: on Instagram at Joe Nichols, not Jose Nicholas. Yes, at

1200
01:05:12,400 --> 01:05:15,480
Speaker 1: Joe Nichols. Joe, great to see you. A great job

1201
01:05:15,760 --> 01:05:17,520
Speaker 1: and we'll see you hopefully, we'll see you when you're

1202
01:05:17,600 --> 01:05:19,760
Speaker 1: making the making the tour for the number one. Yeah, man,

1203
01:05:19,840 --> 01:05:24,520
Speaker 1: go Hogs. There is Joe Nichols. Everybody. It's the best

1204
01:05:24,640 --> 01:05:31,280
Speaker 1: bits of the week with Morgan. Number two a super

1205
01:05:31,480 --> 01:05:34,240
Speaker 1: emotional one for me, maybe for some other members of

1206
01:05:34,280 --> 01:05:36,560
Speaker 1: the show. I'm not sure. But Edwin McCain came on

1207
01:05:36,640 --> 01:05:39,320
Speaker 1: and he performed I'll Be and I could not ask

1208
01:05:39,400 --> 01:05:42,440
Speaker 1: for more, which for me are two very emotional country

1209
01:05:42,520 --> 01:05:45,360
Speaker 1: songs because they've always been that way for me. But

1210
01:05:45,440 --> 01:05:47,880
Speaker 1: he came on and that was another nostalgic moment that

1211
01:05:47,960 --> 01:05:50,200
Speaker 1: we all were just like, Wow, what is life right now?

1212
01:05:50,320 --> 01:05:53,480
Speaker 1: Edwin McCain is performing I'll Be Um. But Hillary, I

1213
01:05:53,520 --> 01:05:56,840
Speaker 1: want to talk about some, for lack of a better term,

1214
01:05:57,040 --> 01:06:00,960
Speaker 1: vintage artists that you would love to see at a concert,

1215
01:06:01,480 --> 01:06:05,840
Speaker 1: like nineties countrists, Yeah, countrist countries, ninety country artists. I'm

1216
01:06:05,880 --> 01:06:07,960
Speaker 1: combining so many words lately. I know it was like,

1217
01:06:08,000 --> 01:06:09,760
Speaker 1: how vintage are we doing? Because I don't want to

1218
01:06:09,840 --> 01:06:13,440
Speaker 1: hurt anybody's feelings vintage. I've been told by the older

1219
01:06:13,480 --> 01:06:16,080
Speaker 1: generation that vintage is a better word than like elder.

1220
01:06:16,480 --> 01:06:18,640
Speaker 1: A vintage is like they're cool and they're they're like

1221
01:06:18,640 --> 01:06:21,520
Speaker 1: a collectible. I feel like, who you know who would

1222
01:06:21,520 --> 01:06:24,560
Speaker 1: be so much fun to see in concert is Reba? Oh? Yes,

1223
01:06:24,760 --> 01:06:27,400
Speaker 1: like getting to sing fancy along with her at a

1224
01:06:27,440 --> 01:06:30,080
Speaker 1: show because she's so I love Reba. I feel like

1225
01:06:30,160 --> 01:06:33,720
Speaker 1: she can be so sassy, but she's so sweet. I

1226
01:06:33,840 --> 01:06:35,840
Speaker 1: just I love rebast so I'd love to see her

1227
01:06:35,840 --> 01:06:37,720
Speaker 1: in concert. Well, I think we were all at the

1228
01:06:37,760 --> 01:06:42,840
Speaker 1: show when it was her, Dolly and Carrie hosting Ecmas. Yes,

1229
01:06:43,400 --> 01:06:45,640
Speaker 1: when we did get to see a performance of hers.

1230
01:06:45,840 --> 01:06:47,480
Speaker 1: That's not the same as a concert, but we did

1231
01:06:47,520 --> 01:06:49,800
Speaker 1: get to see her perform a song, and just that

1232
01:06:49,920 --> 01:06:51,800
Speaker 1: one song, We're like, Wow, this is amazing. I think

1233
01:06:51,840 --> 01:06:54,760
Speaker 1: it was fancy because she was an all Red yes,

1234
01:06:54,920 --> 01:06:57,640
Speaker 1: and she just brings out the sass and she's so

1235
01:06:58,280 --> 01:07:01,280
Speaker 1: entertaining and she's so like I would use the word

1236
01:07:01,320 --> 01:07:03,640
Speaker 1: theatric like if you watch all her music videos too,

1237
01:07:03,720 --> 01:07:06,240
Speaker 1: like it is a movie. Well, you can tell that

1238
01:07:06,280 --> 01:07:08,800
Speaker 1: she also has that actress side to her. Yes, she's

1239
01:07:09,000 --> 01:07:12,200
Speaker 1: very good at that. Yes, so like she combined it

1240
01:07:12,240 --> 01:07:16,080
Speaker 1: all into one massive career. I actually do think because Reba,

1241
01:07:16,160 --> 01:07:17,880
Speaker 1: she's been doing a lot of shows with Brooks and Done,

1242
01:07:17,920 --> 01:07:19,480
Speaker 1: So I want to make that my thing, Reba with

1243
01:07:19,520 --> 01:07:21,880
Speaker 1: Brooks and Done. Oh aren't they doing Vegas again? Or

1244
01:07:21,880 --> 01:07:23,760
Speaker 1: am I making that up in my head because I

1245
01:07:23,800 --> 01:07:25,800
Speaker 1: know they did before. I feel like I did hear that.

1246
01:07:25,840 --> 01:07:27,520
Speaker 1: So I feel like that would be such a fun

1247
01:07:27,800 --> 01:07:29,840
Speaker 1: show to go see as those two artists to go,

1248
01:07:29,960 --> 01:07:33,240
Speaker 1: oh yeah, epic because not only are they like great

1249
01:07:33,400 --> 01:07:35,800
Speaker 1: musicians on their own right, they're like friends too, right,

1250
01:07:35,920 --> 01:07:38,600
Speaker 1: and they have they'll perform together. So they have that

1251
01:07:38,640 --> 01:07:42,360
Speaker 1: Cowgirls Don't Cry song, which is really sad. Yes, So yeah,

1252
01:07:42,400 --> 01:07:45,440
Speaker 1: they're just they're great artists. They sound great together, and

1253
01:07:45,520 --> 01:07:46,800
Speaker 1: I think that would be such a fun show to

1254
01:07:46,800 --> 01:07:50,080
Speaker 1: go see. I agree, there's one that I'm super bummed

1255
01:07:50,200 --> 01:07:51,760
Speaker 1: that I missed out on because I didn't even know

1256
01:07:51,800 --> 01:07:53,640
Speaker 1: what was happening. Again, We're like getting back in the swing.

1257
01:07:53,680 --> 01:07:55,920
Speaker 1: I'm going to concerts and stuff. Yes, but it was

1258
01:07:55,960 --> 01:07:59,440
Speaker 1: Alabama's show here in Nashville had no idea either. Like

1259
01:07:59,480 --> 01:08:01,600
Speaker 1: Tim and All went up on stage. There was a

1260
01:08:01,760 --> 01:08:04,760
Speaker 1: multiple different country artists that were there. I heard Martina

1261
01:08:04,840 --> 01:08:07,000
Speaker 1: McBride was there too, and I'm really pumped about it

1262
01:08:07,120 --> 01:08:09,240
Speaker 1: like that, like I wish so, Like I know, they're

1263
01:08:09,240 --> 01:08:11,880
Speaker 1: about to go on a crazy tour across the country.

1264
01:08:12,000 --> 01:08:13,640
Speaker 1: So if you get a chance to go see Alabama,

1265
01:08:13,640 --> 01:08:15,880
Speaker 1: I feel like that's the tour to go see. Yeah,

1266
01:08:15,920 --> 01:08:18,920
Speaker 1: because from what I know, it was insane here in Nashville.

1267
01:08:18,920 --> 01:08:21,400
Speaker 1: Of course it's Nashville too because everybody's here. They can

1268
01:08:21,439 --> 01:08:24,680
Speaker 1: bring special guests out. But I'm so bummed that I

1269
01:08:24,720 --> 01:08:26,519
Speaker 1: missed that show. Did you know what our phone screen

1270
01:08:26,560 --> 01:08:29,840
Speaker 1: or Abby went. No. That's how I found out about it.

1271
01:08:29,880 --> 01:08:31,479
Speaker 1: She was going to come to my house that night,

1272
01:08:31,479 --> 01:08:34,120
Speaker 1: and she texted me and she was like, Hey, so

1273
01:08:34,439 --> 01:08:37,360
Speaker 1: is it okay if I don't come tonight? Alabama's playing

1274
01:08:37,360 --> 01:08:40,360
Speaker 1: in Martina McBride's going to be there, And I'm like, wait, what, Like,

1275
01:08:41,600 --> 01:08:43,800
Speaker 1: first of all, what's going on? And how did I

1276
01:08:43,800 --> 01:08:45,960
Speaker 1: not know about? I know absolutely you can go. Don't

1277
01:08:46,000 --> 01:08:47,960
Speaker 1: worry about coming to my Hodgen com anytime. Please go

1278
01:08:48,000 --> 01:08:50,360
Speaker 1: see that show. I had no idea no idea either.

1279
01:08:50,600 --> 01:08:53,400
Speaker 1: And I'm also like, I know a few Alabama songs

1280
01:08:53,840 --> 01:08:55,960
Speaker 1: a little bit older than me, so I'm not a

1281
01:08:56,040 --> 01:08:58,799
Speaker 1: huge Alabama fan, but there's a few of their songs

1282
01:08:58,840 --> 01:09:01,120
Speaker 1: that very much like bring back some nostalgic for me.

1283
01:09:01,240 --> 01:09:03,040
Speaker 1: It's still fun even if you don't know all of

1284
01:09:03,080 --> 01:09:06,360
Speaker 1: an artist's songs. Still having those songs that do remind

1285
01:09:06,360 --> 01:09:08,400
Speaker 1: you of a childhood or remind you of just something,

1286
01:09:08,439 --> 01:09:10,200
Speaker 1: it's just fun to go hear those songs. Then you

1287
01:09:10,479 --> 01:09:12,360
Speaker 1: still have fun. Yeah, you go for one song and

1288
01:09:12,400 --> 01:09:14,559
Speaker 1: you'll end up staying for the whole party. Yes, that's

1289
01:09:14,560 --> 01:09:16,639
Speaker 1: the whole point of a concert. Yeah. So I feel

1290
01:09:16,640 --> 01:09:18,759
Speaker 1: like that's one that I would have loved to see,

1291
01:09:18,760 --> 01:09:23,439
Speaker 1: but that opportunity when off the door already. But there

1292
01:09:23,520 --> 01:09:27,240
Speaker 1: was another one that I was thinking, Well, so I

1293
01:09:27,280 --> 01:09:30,639
Speaker 1: saw Lone Star in concert, and I like, I saw

1294
01:09:30,680 --> 01:09:33,719
Speaker 1: them at Whiskey Jam and Nashville wasn't a full blown concert.

1295
01:09:34,040 --> 01:09:36,240
Speaker 1: I would love to see them full blown in concert.

1296
01:09:36,560 --> 01:09:41,519
Speaker 1: I loved Lone Star, Amazed, Mister Mom, like all of

1297
01:09:41,520 --> 01:09:44,200
Speaker 1: those songs. I've never seen them at like a full

1298
01:09:44,200 --> 01:09:46,360
Speaker 1: blown show, and that would be one I would love

1299
01:09:46,360 --> 01:09:50,799
Speaker 1: to see. They still sound amazing. Yes, Richie, Oh my goodness,

1300
01:09:50,880 --> 01:09:54,000
Speaker 1: his voice. We were standing side stage and we were

1301
01:09:54,040 --> 01:09:55,960
Speaker 1: just sitting there watching, and I'm like, oh my gosh,

1302
01:09:55,920 --> 01:09:59,120
Speaker 1: because some some artists like it just it naturally happens.

1303
01:09:59,160 --> 01:10:01,240
Speaker 1: They just don't sound strong as they did, like if

1304
01:10:01,240 --> 01:10:05,120
Speaker 1: they had those massive vocal songs. He crushed it like

1305
01:10:05,240 --> 01:10:07,800
Speaker 1: he even when he came on the show, like he's

1306
01:10:07,840 --> 01:10:11,000
Speaker 1: just a great vocalist. Yes. Well, and Amy Grant was

1307
01:10:11,040 --> 01:10:12,760
Speaker 1: on our show recently talking about that, how she had

1308
01:10:12,800 --> 01:10:15,559
Speaker 1: to like knock down some octaves because her voice had

1309
01:10:15,640 --> 01:10:18,400
Speaker 1: changed over time. Yeah, there's a natural progression of life

1310
01:10:18,520 --> 01:10:21,840
Speaker 1: just happens. Yeah, which, by the way, I didn't know

1311
01:10:21,960 --> 01:10:24,879
Speaker 1: until after Amy Grant was on our show, but apparently

1312
01:10:24,920 --> 01:10:26,879
Speaker 1: I was in like three of her shows back in Kansas,

1313
01:10:27,520 --> 01:10:30,880
Speaker 1: what her like concerts? Yeah, so you know how Eddie's

1314
01:10:30,960 --> 01:10:34,240
Speaker 1: kids went and sang with Amy Grant. Yes, she still

1315
01:10:34,280 --> 01:10:36,360
Speaker 1: does that now, but like back when I was a kid,

1316
01:10:36,360 --> 01:10:39,040
Speaker 1: so like twenty years ago, when I was in school,

1317
01:10:39,320 --> 01:10:41,840
Speaker 1: our little choir group from school got to be on

1318
01:10:41,920 --> 01:10:46,880
Speaker 1: stage for her performances. She still did. Yes, like three

1319
01:10:46,920 --> 01:10:49,360
Speaker 1: different times. My parents told me and I was like wait, what,

1320
01:10:50,200 --> 01:10:52,360
Speaker 1: Oh my gosh. She probably would have loved to know

1321
01:10:52,400 --> 01:10:54,519
Speaker 1: that if we would, if you would have been yes

1322
01:10:54,600 --> 01:10:56,320
Speaker 1: here well and as soon as like my parents told

1323
01:10:56,320 --> 01:10:57,880
Speaker 1: me that you know when they like somebody tells you

1324
01:10:57,920 --> 01:11:00,840
Speaker 1: something and your memory gets unlocked. Yes, that's what happened

1325
01:11:00,840 --> 01:11:02,040
Speaker 1: to me. And I was like, oh my gosh, I

1326
01:11:02,040 --> 01:11:06,360
Speaker 1: remember dressing like an angel. That is so funny. She was,

1327
01:11:06,520 --> 01:11:09,519
Speaker 1: I will say, Amy Grant. I texted Mike d because

1328
01:11:09,520 --> 01:11:11,920
Speaker 1: I go get all the artists from the parking garage

1329
01:11:11,920 --> 01:11:14,680
Speaker 1: and bring them in and Amy Grant was one of

1330
01:11:14,680 --> 01:11:18,000
Speaker 1: the kindest humans. I told Mike, I said, there's just

1331
01:11:18,080 --> 01:11:22,040
Speaker 1: something about her, like, I don't know, she's like glowing.

1332
01:11:22,160 --> 01:11:26,760
Speaker 1: She's just like an actual angel on earth. She's so

1333
01:11:26,800 --> 01:11:31,160
Speaker 1: sweet and so kind and just I don't know. She

1334
01:11:31,280 --> 01:11:32,920
Speaker 1: just hung on to every word I was saying and

1335
01:11:33,040 --> 01:11:35,519
Speaker 1: was just so polite. Yes, and like even in her interview,

1336
01:11:35,600 --> 01:11:38,559
Speaker 1: just very soft spoken and down to earth, like nothing

1337
01:11:38,600 --> 01:11:42,000
Speaker 1: needed to be showing, nothing needed to be this whole production.

1338
01:11:42,040 --> 01:11:44,479
Speaker 1: It was just like talking to two people. Yeah, she

1339
01:11:44,600 --> 01:11:49,000
Speaker 1: was definitely one of my favorite guests who's been on

1340
01:11:49,040 --> 01:11:53,400
Speaker 1: the show. I love that. Yeah, and that's a massive star.

1341
01:11:54,080 --> 01:11:56,240
Speaker 1: It is. And because I talked to her after the show,

1342
01:11:56,760 --> 01:11:59,160
Speaker 1: because I'll bring them in and then take them back out.

1343
01:11:59,520 --> 01:12:02,160
Speaker 1: And we were talking about the camp that she has.

1344
01:12:02,280 --> 01:12:05,240
Speaker 1: She briefly touched on it during her interview and just

1345
01:12:05,360 --> 01:12:10,240
Speaker 1: hearing how she wants to help kids and bring kids

1346
01:12:10,280 --> 01:12:13,559
Speaker 1: together at such a young age to not care about,

1347
01:12:13,600 --> 01:12:15,560
Speaker 1: you know, if you came from money or not, or

1348
01:12:15,680 --> 01:12:18,120
Speaker 1: race or anything like that, and starting them at a

1349
01:12:18,160 --> 01:12:21,560
Speaker 1: young age to like let them have fun together. She is,

1350
01:12:22,000 --> 01:12:24,160
Speaker 1: she is such a sweetheart and you can tell like

1351
01:12:24,240 --> 01:12:27,599
Speaker 1: she's an amazing human being. Well in two I mean,

1352
01:12:27,640 --> 01:12:29,840
Speaker 1: she's in the Sweetheart Couple of Country Music with Amy

1353
01:12:29,880 --> 01:12:32,599
Speaker 1: Grant and Vince Gill. So, yes, why are we surprised?

1354
01:12:32,760 --> 01:12:35,519
Speaker 1: Another person who came and he was very kind to me. Yeah,

1355
01:12:35,640 --> 01:12:38,160
Speaker 1: I'm just always surprising people sit there and talk to me.

1356
01:12:38,360 --> 01:12:41,400
Speaker 1: So but Vince diod he was so nice too. I know. Well,

1357
01:12:41,479 --> 01:12:44,800
Speaker 1: and I just feel like something with them. Whenever they

1358
01:12:44,840 --> 01:12:46,840
Speaker 1: just get bigger, it's like they just they're glad people

1359
01:12:46,880 --> 01:12:49,840
Speaker 1: treat them like humans. Yeah, you know, I mean, because

1360
01:12:49,880 --> 01:12:52,640
Speaker 1: that's how Garth is just very like human. Yeah, just

1361
01:12:52,720 --> 01:12:56,720
Speaker 1: having real conversation with them, not you know, and it's fine.

1362
01:12:56,720 --> 01:12:59,160
Speaker 1: I know they love that people connect to their music,

1363
01:12:59,280 --> 01:13:03,080
Speaker 1: but just being able to have those real human conversations

1364
01:13:03,360 --> 01:13:05,800
Speaker 1: with them is not about their music, like, hey, how's

1365
01:13:05,800 --> 01:13:09,160
Speaker 1: the weather outside right? Like Tricias being Garth Tricia ear

1366
01:13:09,200 --> 01:13:10,680
Speaker 1: what came in And it was when we were in

1367
01:13:10,720 --> 01:13:12,840
Speaker 1: our temporary studio and she came into where I was

1368
01:13:12,840 --> 01:13:16,080
Speaker 1: sitting at and she saw my desktop and it was

1369
01:13:16,160 --> 01:13:17,960
Speaker 1: just like a mess all over the place. She goes,

1370
01:13:18,040 --> 01:13:19,840
Speaker 1: I'm the same way people get all over me, and

1371
01:13:19,880 --> 01:13:22,160
Speaker 1: I was like, yes, people do to me too, was like,

1372
01:13:22,200 --> 01:13:24,519
Speaker 1: I just connected with Trishiyar. What this is so cool?

1373
01:13:24,880 --> 01:13:26,920
Speaker 1: I love those I mean, people would love to hear

1374
01:13:26,960 --> 01:13:29,680
Speaker 1: those stories from you because it genuinely shows that they

1375
01:13:29,680 --> 01:13:32,880
Speaker 1: are just humans. Yeah. I probably have so many just

1376
01:13:33,000 --> 01:13:36,320
Speaker 1: from going to getting them and just having those few

1377
01:13:36,320 --> 01:13:39,879
Speaker 1: minutes just to talk and connect with them. It's definitely.

1378
01:13:39,960 --> 01:13:42,600
Speaker 1: It's fun. It's cool. No, there's a little behind the

1379
01:13:42,640 --> 01:13:45,879
Speaker 1: scenes that he'll just shared with those So fun. Okay,

1380
01:13:45,920 --> 01:13:51,679
Speaker 1: what about what is your favorite nineties country song? Oh? Man,

1381
01:13:51,960 --> 01:13:54,840
Speaker 1: I know I'm making things very difficult. This is so hard.

1382
01:13:54,880 --> 01:13:58,680
Speaker 1: I feel like it's a toss up between any Man

1383
01:13:58,720 --> 01:14:01,960
Speaker 1: of Mine by Shania Twain Love It or This Kiss

1384
01:14:01,960 --> 01:14:04,920
Speaker 1: by Faith Hill. Oh so so good. I am a

1385
01:14:05,000 --> 01:14:07,880
Speaker 1: very big Faith Hill fan, Like, yeah, as you should be.

1386
01:14:08,120 --> 01:14:12,040
Speaker 1: I love Faith Hill Mississippi girl, like I'm not from Mississippi.

1387
01:14:12,040 --> 01:14:15,080
Speaker 1: I'm from Florida, and I will jam out to that soul. Well.

1388
01:14:15,120 --> 01:14:17,200
Speaker 1: I feel like to all of these artists. It's funny

1389
01:14:17,240 --> 01:14:19,240
Speaker 1: that you say that I had like I couldn't choose

1390
01:14:19,240 --> 01:14:21,599
Speaker 1: a song. Yeah. I had albums that I thought of

1391
01:14:21,720 --> 01:14:24,200
Speaker 1: in Faith Hills, that this Kiss album. I don't know

1392
01:14:24,240 --> 01:14:27,400
Speaker 1: what the title the album was called. Let me see

1393
01:14:27,400 --> 01:14:30,080
Speaker 1: if I can find it. It might have been would

1394
01:14:30,080 --> 01:14:33,160
Speaker 1: it have been this Kiss? I can't think either. See

1395
01:14:33,920 --> 01:14:38,080
Speaker 1: Faith Hill Breathe, Breathe. I think that's the album. Great,

1396
01:14:38,120 --> 01:14:40,519
Speaker 1: that's a great Yeah, I'm pretty sure that's that same album.

1397
01:14:40,560 --> 01:14:42,080
Speaker 1: It's the first thing that popped up on Google. So

1398
01:14:42,080 --> 01:14:45,400
Speaker 1: if we're just gonna go with it, yes, but that

1399
01:14:45,520 --> 01:14:48,400
Speaker 1: I mean that one. Yes, it was all females, like

1400
01:14:48,439 --> 01:14:50,400
Speaker 1: I love that. Our parents were like, just listen to

1401
01:14:50,479 --> 01:14:52,760
Speaker 1: whatever you want, and we chose. We chose female, the

1402
01:14:52,800 --> 01:14:56,160
Speaker 1: women of iart country. Yes. Um. Because then there was

1403
01:14:56,560 --> 01:14:59,559
Speaker 1: Shania Twains Come on Over album, which had any Man

1404
01:14:59,600 --> 01:15:02,240
Speaker 1: of Mine and all of her very massive hits. Once

1405
01:15:02,280 --> 01:15:04,760
Speaker 1: we still sing to this day. Yes, And then there

1406
01:15:04,880 --> 01:15:08,400
Speaker 1: was the Chicks Wide Open Spaces album. Yes, all like

1407
01:15:08,600 --> 01:15:12,040
Speaker 1: three that you just listened to on on repeat if

1408
01:15:12,120 --> 01:15:15,479
Speaker 1: you were a kid. Oh yeah. And I think I'm

1409
01:15:15,520 --> 01:15:17,640
Speaker 1: trying to think what Martina album would have been from

1410
01:15:17,640 --> 01:15:19,439
Speaker 1: the nineties, because that's what I would have been listening to.

1411
01:15:19,880 --> 01:15:22,559
Speaker 1: That would be the one with her Independence Day, right, Yes,

1412
01:15:22,680 --> 01:15:25,000
Speaker 1: would have been her Greatest Hits album. If Greatest Hits

1413
01:15:25,080 --> 01:15:27,439
Speaker 1: was from the nineties, then that's the album I listened

1414
01:15:27,439 --> 01:15:31,559
Speaker 1: to like the most. Was that one I'm With You?

1415
01:15:31,600 --> 01:15:34,240
Speaker 1: I mean those were that in Reba. I think we're

1416
01:15:34,280 --> 01:15:37,800
Speaker 1: the five that were like the Really, so that's what

1417
01:15:37,880 --> 01:15:40,080
Speaker 1: I was listening to when I was a kid. Oh wait, Um,

1418
01:15:41,760 --> 01:15:46,040
Speaker 1: it might have been on her album Emotion, is that right? Yeah?

1419
01:15:46,120 --> 01:15:49,040
Speaker 1: Maybe yeah, because that has loved the only House, great song,

1420
01:15:49,240 --> 01:15:52,240
Speaker 1: great song. I'm trying to think when her Greatest Hits

1421
01:15:52,280 --> 01:15:56,120
Speaker 1: album came out, Martina. We're googling things right now. We

1422
01:15:56,200 --> 01:15:57,799
Speaker 1: just want to make sure and it's just like based

1423
01:15:57,800 --> 01:16:00,479
Speaker 1: on what is kind of You're right, it might have been. Yeah,

1424
01:16:00,479 --> 01:16:02,960
Speaker 1: it's on Greatest Hits album. Oh that came out in

1425
01:16:03,000 --> 01:16:04,800
Speaker 1: two thousand and one. Well, you know what it's close

1426
01:16:04,920 --> 01:16:06,840
Speaker 1: enough to me. Technically two thousand and one, we'd still

1427
01:16:06,880 --> 01:16:10,560
Speaker 1: be young. Well in most of the Yeah, me and

1428
01:16:10,560 --> 01:16:12,600
Speaker 1: work were both born in ninety three, but most of

1429
01:16:12,640 --> 01:16:14,559
Speaker 1: these songs on the Greatest Hits would have all been

1430
01:16:14,720 --> 01:16:17,880
Speaker 1: from the nineties. Yeah, so I'm going with it came

1431
01:16:17,920 --> 01:16:20,400
Speaker 1: somewhere in there. But like I would say that like

1432
01:16:20,400 --> 01:16:24,360
Speaker 1: SHANEI Twain, the Chicks, Faith Hill, Fifth, I told you

1433
01:16:24,400 --> 01:16:27,040
Speaker 1: I'm so bad at Worth or not, faith Hill, Martina McBride,

1434
01:16:27,040 --> 01:16:30,519
Speaker 1: and Reba Yeah, we're really the five artists. I grew

1435
01:16:30,640 --> 01:16:33,080
Speaker 1: up later on in life loving Dolly, but I didn't

1436
01:16:33,160 --> 01:16:35,519
Speaker 1: listen to Dolly as a kid. I didn't either. It

1437
01:16:35,600 --> 01:16:38,400
Speaker 1: was like those main those main women you just named,

1438
01:16:38,520 --> 01:16:40,840
Speaker 1: And I'm making sure I'm not missing anybody else, but

1439
01:16:40,880 --> 01:16:43,160
Speaker 1: those are the five that I mean. Then I like

1440
01:16:43,240 --> 01:16:45,919
Speaker 1: grew on to listen to all the other like smaller

1441
01:16:45,960 --> 01:16:48,479
Speaker 1: country female artists, but I feel like those were like

1442
01:16:48,520 --> 01:16:51,439
Speaker 1: the main five women. I think so too. I can't

1443
01:16:51,479 --> 01:16:54,839
Speaker 1: think of anybody else. And again, I'm sure we're forgetting somebody,

1444
01:16:54,960 --> 01:16:58,760
Speaker 1: but those were. Yeah, that's basically what I listened to. Well,

1445
01:16:58,760 --> 01:17:00,880
Speaker 1: that kind of answers My next is, like, what were

1446
01:17:00,880 --> 01:17:02,840
Speaker 1: the artists that you listened to the most growing up.

1447
01:17:04,120 --> 01:17:09,400
Speaker 1: Definitely Martina Alan and then I'm going to throw these

1448
01:17:09,439 --> 01:17:12,960
Speaker 1: two out there just because I was younger, but Carrie

1449
01:17:13,000 --> 01:17:15,639
Speaker 1: Underwood and Taylor Swift because I wasn't able to drive

1450
01:17:15,680 --> 01:17:17,360
Speaker 1: when they came out, Like I was still young. I

1451
01:17:17,400 --> 01:17:19,479
Speaker 1: was still living at my parents' house, sitting on the

1452
01:17:19,479 --> 01:17:21,679
Speaker 1: floor in my bedroom listening to their albums. Mom would

1453
01:17:21,720 --> 01:17:23,680
Speaker 1: take me on album released day to go to the

1454
01:17:23,680 --> 01:17:25,840
Speaker 1: store and get their albums because I couldn't drive. So

1455
01:17:26,160 --> 01:17:28,479
Speaker 1: I would say those four were the main ones I

1456
01:17:28,520 --> 01:17:31,040
Speaker 1: listened to growing up. Before you would say, like you

1457
01:17:31,080 --> 01:17:33,439
Speaker 1: were twenty, yeah, I would say it would be that

1458
01:17:33,479 --> 01:17:35,360
Speaker 1: age for you. I was under the age of fifteen

1459
01:17:35,400 --> 01:17:38,880
Speaker 1: because I thought because Taylor Swift we were fourteen, I

1460
01:17:38,880 --> 01:17:41,040
Speaker 1: think we would came out right a bin about the

1461
01:17:41,040 --> 01:17:44,200
Speaker 1: time that we could start to get like a learner's permit. Yeah,

1462
01:17:44,479 --> 01:17:48,000
Speaker 1: because I officially drive. I remember exactly, and I may

1463
01:17:48,000 --> 01:17:49,960
Speaker 1: have talked about this on the other podcast we did.

1464
01:17:50,240 --> 01:17:53,160
Speaker 1: I remember where I was exactly, like the road. I

1465
01:17:53,280 --> 01:17:57,120
Speaker 1: was one who I was with when I first heard

1466
01:17:57,120 --> 01:17:59,920
Speaker 1: a Taylor Swift song and me and my friends couldn't drive,

1467
01:18:00,080 --> 01:18:02,120
Speaker 1: was with my best friend Sarah, her mom was driving

1468
01:18:02,160 --> 01:18:04,160
Speaker 1: and Taylor Swift came on and it was our song

1469
01:18:04,439 --> 01:18:06,280
Speaker 1: or Tim McGraw had been Tim mcgrawl and I was like,

1470
01:18:06,479 --> 01:18:09,320
Speaker 1: who is this and she said, it's Taylor Swift. All right,

1471
01:18:09,320 --> 01:18:11,160
Speaker 1: I'm going to get her album. I feel like I

1472
01:18:11,200 --> 01:18:13,519
Speaker 1: think Tim McGraw is the first one she put out. Yes,

1473
01:18:13,600 --> 01:18:16,880
Speaker 1: but our song is the one that really shot her up,

1474
01:18:16,920 --> 01:18:19,519
Speaker 1: like Tim McGraw started it. Yeah, but this all our

1475
01:18:19,520 --> 01:18:22,240
Speaker 1: song came out and like solidified it. Yeah. I would

1476
01:18:22,240 --> 01:18:23,920
Speaker 1: say that because I think off the album it was

1477
01:18:24,000 --> 01:18:27,160
Speaker 1: Tim mcgrawl Picture to Burn. Oh, Picture to Burn, Nope,

1478
01:18:27,200 --> 01:18:29,040
Speaker 1: that's the song I'm thinking of Picture to Burn, my

1479
01:18:29,080 --> 01:18:31,080
Speaker 1: guitar in our song, I think were the singles from

1480
01:18:31,120 --> 01:18:34,960
Speaker 1: that album. I think I'm thinking whatever followed Tim mcgrawth

1481
01:18:35,000 --> 01:18:36,880
Speaker 1: there was a song that followed Tim McGraw's Here Drops

1482
01:18:36,880 --> 01:18:39,920
Speaker 1: Some My guitar followed Tim mcgrawl, because there was I know,

1483
01:18:39,960 --> 01:18:42,680
Speaker 1: all these random facts, I know, but they were I

1484
01:18:42,720 --> 01:18:46,040
Speaker 1: don't know why they were nervous about putting two ballads

1485
01:18:46,080 --> 01:18:47,439
Speaker 1: back to back. Yeah, so that's how I do know

1486
01:18:47,520 --> 01:18:50,120
Speaker 1: that for a fact, And then it may have been

1487
01:18:50,880 --> 01:18:52,400
Speaker 1: for some reason. I want to think it was Picture

1488
01:18:52,439 --> 01:18:54,320
Speaker 1: to Burn and then our song. Okay, no, I think

1489
01:18:54,320 --> 01:18:57,000
Speaker 1: you're right, because Picture there was one of her upbeat

1490
01:18:57,040 --> 01:19:00,360
Speaker 1: songs that I feel like, really like just catapulted her. Well.

1491
01:19:00,360 --> 01:19:03,479
Speaker 1: Our song is still played now, so it may be

1492
01:19:03,640 --> 01:19:06,320
Speaker 1: that one. But it wasn't the two ballads, because I

1493
01:19:06,320 --> 01:19:08,559
Speaker 1: remember the ballads and I loved them. They were what

1494
01:19:08,680 --> 01:19:11,639
Speaker 1: she first put out. But I just remember it being

1495
01:19:11,640 --> 01:19:13,960
Speaker 1: like such a crazy moment because it was like this

1496
01:19:14,040 --> 01:19:17,080
Speaker 1: young new female and she's coming out on fire. Yeah,

1497
01:19:17,160 --> 01:19:19,519
Speaker 1: like every song is just shooting straight to the top,

1498
01:19:19,680 --> 01:19:22,360
Speaker 1: and she's an amazing writer. She writes all her stuff well.

1499
01:19:22,400 --> 01:19:24,719
Speaker 1: And because it might have been teardrops on my guitar,

1500
01:19:24,800 --> 01:19:28,080
Speaker 1: because so when I saw and met Taylor Swift right

1501
01:19:28,080 --> 01:19:31,080
Speaker 1: before she blew up, was in Wichita at a teeny

1502
01:19:31,120 --> 01:19:34,439
Speaker 1: tiny theater for free, and the next week she was

1503
01:19:34,479 --> 01:19:36,880
Speaker 1: on the CMA's and the song she performed is what

1504
01:19:37,000 --> 01:19:39,559
Speaker 1: blew her up. And it might have been teardrops on

1505
01:19:39,560 --> 01:19:41,160
Speaker 1: my guitar, but I want to say it might have

1506
01:19:41,160 --> 01:19:44,599
Speaker 1: been Picture to Burn. Actually, I'm wondering I never wrote

1507
01:19:44,640 --> 01:19:48,120
Speaker 1: young this whole conversation. There was an award show where

1508
01:19:48,120 --> 01:19:50,280
Speaker 1: she performed tim McGraw because she had we talked about

1509
01:19:50,280 --> 01:19:52,720
Speaker 1: this on her show with Tim because she walked down

1510
01:19:52,760 --> 01:19:54,360
Speaker 1: to him and that was the first time she met him.

1511
01:19:54,400 --> 01:19:56,200
Speaker 1: She performed the song and then walked down to him.

1512
01:19:56,200 --> 01:19:58,400
Speaker 1: I guess, but that was later. I'm Taylor, and it

1513
01:19:58,439 --> 01:20:01,479
Speaker 1: was really awkward. Yes, that was later because that wasn't

1514
01:20:01,479 --> 01:20:06,280
Speaker 1: her first ever performance. I don't think which were you talking?

1515
01:20:06,280 --> 01:20:08,439
Speaker 1: Are you talking about? No, she would have performed on

1516
01:20:08,479 --> 01:20:11,080
Speaker 1: an award show because she did no that should have

1517
01:20:11,080 --> 01:20:13,000
Speaker 1: said no where she did the water one? Oh yeah, No,

1518
01:20:13,080 --> 01:20:16,840
Speaker 1: this was her first ever appearance in performance. She won

1519
01:20:17,280 --> 01:20:19,799
Speaker 1: like three different awards that night, like Best New Artist.

1520
01:20:20,439 --> 01:20:22,160
Speaker 1: I would have thought she would have performed Tim McGraw

1521
01:20:22,200 --> 01:20:23,840
Speaker 1: just because it was her first single. But I don't know.

1522
01:20:23,840 --> 01:20:25,720
Speaker 1: Maybe I'm gonna I mean, maybe I'm getting them all

1523
01:20:25,760 --> 01:20:27,560
Speaker 1: confused because they all kind of happened right at the

1524
01:20:27,600 --> 01:20:31,160
Speaker 1: same moment. Yeah, but in Maybe two Picture Burne was

1525
01:20:31,200 --> 01:20:33,040
Speaker 1: just on repeat for me for so long because it

1526
01:20:33,120 --> 01:20:36,040
Speaker 1: was such a good song. Say the whole album was like,

1527
01:20:36,640 --> 01:20:38,360
Speaker 1: that's all I listened to when the album came out

1528
01:20:38,479 --> 01:20:42,120
Speaker 1: was Taylor Swift. Yes, but yeah, yeah, so I would

1529
01:20:42,160 --> 01:20:46,679
Speaker 1: say that, but she but still like like one to ten.

1530
01:20:47,720 --> 01:20:49,560
Speaker 1: You aren't listening to Taylor swift Yetcause she had to

1531
01:20:49,600 --> 01:20:51,840
Speaker 1: come out with music yet she's about our age. Yeah,

1532
01:20:51,840 --> 01:20:53,919
Speaker 1: she's just a few years older than us. But yeah,

1533
01:20:54,040 --> 01:20:57,960
Speaker 1: more Alan Brooks and Dunne Did you say them? Um?

1534
01:20:58,120 --> 01:21:00,320
Speaker 1: I still some of them? And Alan? Yeah, we did

1535
01:21:00,360 --> 01:21:04,440
Speaker 1: a little bit. We didn't really have um their albums

1536
01:21:04,960 --> 01:21:07,320
Speaker 1: my dad because obviously we weren't driving, so I just

1537
01:21:07,320 --> 01:21:09,439
Speaker 1: listened to whatever my dad had in his truck. M

1538
01:21:09,680 --> 01:21:13,240
Speaker 1: We had Martina, Alan Jackson and George Straight Those were

1539
01:21:13,280 --> 01:21:16,200
Speaker 1: the three that the albums that we had in his

1540
01:21:16,280 --> 01:21:18,080
Speaker 1: truck that we listened to. He's still, I think, has

1541
01:21:18,120 --> 01:21:21,280
Speaker 1: that little CD holder and has all these CDs still

1542
01:21:21,320 --> 01:21:25,280
Speaker 1: in it. Yeah, all the CDs. Oh man, Yes, that

1543
01:21:25,320 --> 01:21:27,360
Speaker 1: seems like so. I actually still have that in my

1544
01:21:27,400 --> 01:21:28,920
Speaker 1: car right now out in the parking gratche I have

1545
01:21:29,000 --> 01:21:31,360
Speaker 1: my it's like a big old thick stack of CDs.

1546
01:21:31,680 --> 01:21:33,559
Speaker 1: It's my CD case. It's in my car right now.

1547
01:21:33,840 --> 01:21:35,840
Speaker 1: That's funny. Yeah, we'll have to go through one the

1548
01:21:35,920 --> 01:21:38,400
Speaker 1: height that you still have those, Oh yeah, and that

1549
01:21:38,479 --> 01:21:40,240
Speaker 1: it's in my car if I need it, because what

1550
01:21:40,439 --> 01:21:43,280
Speaker 1: if something happened in my Bluetooth win and connect and like,

1551
01:21:43,360 --> 01:21:45,840
Speaker 1: let me just pop in a CD real quick gets. Yeah,

1552
01:21:45,880 --> 01:21:47,559
Speaker 1: that's what we're gonna do. We're gonna pop in a

1553
01:21:47,560 --> 01:21:49,599
Speaker 1: CD because I've got a bunch of them in there.

1554
01:21:50,080 --> 01:21:53,680
Speaker 1: Oh my goodness, so long ago, especially because we had

1555
01:21:53,720 --> 01:21:56,680
Speaker 1: iPods and stuff too, Like, CDs are not around a

1556
01:21:56,720 --> 01:22:00,160
Speaker 1: long time for us. I feel like even when all

1557
01:22:00,160 --> 01:22:02,559
Speaker 1: of that, like when iPods and everything came out, I

1558
01:22:02,600 --> 01:22:05,160
Speaker 1: was still wanting to listen to my little CDs. I

1559
01:22:05,200 --> 01:22:07,599
Speaker 1: still did, but like not as much as I had

1560
01:22:07,680 --> 01:22:10,360
Speaker 1: used to when they were and there was an as

1561
01:22:10,400 --> 01:22:12,560
Speaker 1: soon as iPods like hit in lime wire and you

1562
01:22:12,560 --> 01:22:15,760
Speaker 1: could download song illegally download songs yeah, just like uh

1563
01:22:16,320 --> 01:22:22,720
Speaker 1: not an infection virus to see. We do remember some

1564
01:22:22,800 --> 01:22:25,960
Speaker 1: things that the older generation did. It's just we didn't

1565
01:22:25,960 --> 01:22:28,160
Speaker 1: have as a long time with them, right, we didn't.

1566
01:22:28,479 --> 01:22:32,640
Speaker 1: Ye're only twenty eight, twenty seven? Ye about to be

1567
01:22:32,640 --> 01:22:36,759
Speaker 1: twenty eight. Yep, I'm not ready for it. Um, twenty eight.

1568
01:22:37,439 --> 01:22:39,439
Speaker 1: I feel like I was okay with twenty eight. Twenty

1569
01:22:39,439 --> 01:22:41,439
Speaker 1: seven was a hard one to turn, but twenty eight

1570
01:22:41,479 --> 01:22:43,639
Speaker 1: wasn't that bad. So weird how they're all like different.

1571
01:22:43,680 --> 01:22:47,160
Speaker 1: I think it'll just depend how I feeling in that month, like, yeah,

1572
01:22:47,160 --> 01:22:48,920
Speaker 1: you'll be good. Well, we're gonna have fun. Don't know

1573
01:22:48,960 --> 01:22:50,400
Speaker 1: what we're gonna do for your birthday yet, but we'll

1574
01:22:50,439 --> 01:22:52,720
Speaker 1: have fun. Just coming up. I can't believe it's already July.

1575
01:22:52,960 --> 01:22:55,000
Speaker 1: I cannot believe we are in July right now. I

1576
01:22:55,040 --> 01:22:57,519
Speaker 1: know we're already passed the fourth of July, about to

1577
01:22:57,520 --> 01:22:59,400
Speaker 1: be August. It's so true, they say, like as you

1578
01:22:59,439 --> 01:23:02,880
Speaker 1: get older, like time just passes faster. It does, And

1579
01:23:02,960 --> 01:23:06,040
Speaker 1: I think that's when we start to appreciate more because

1580
01:23:06,080 --> 01:23:10,400
Speaker 1: we realize how much time does go by and how

1581
01:23:10,479 --> 01:23:13,880
Speaker 1: much time we do waste. So yeah, it's like when

1582
01:23:13,880 --> 01:23:15,760
Speaker 1: you're younger and you're in college, you're like, oh my gosh,

1583
01:23:15,800 --> 01:23:18,320
Speaker 1: everything moves so slow. Yeah, because we really taking tests

1584
01:23:18,320 --> 01:23:20,920
Speaker 1: and having your write papers. Yeah. I remember being in college,

1585
01:23:20,960 --> 01:23:23,240
Speaker 1: like I cannot wait for the day that I don't

1586
01:23:23,280 --> 01:23:25,639
Speaker 1: have to write a paper ever or take another test,

1587
01:23:26,040 --> 01:23:27,800
Speaker 1: which I still don't want to ever have to write

1588
01:23:27,840 --> 01:23:30,519
Speaker 1: another paper or take another test. But I mean I

1589
01:23:30,560 --> 01:23:32,439
Speaker 1: remember just I couldn't wait to get out, and I

1590
01:23:32,439 --> 01:23:33,960
Speaker 1: wish I would have enjoyed it a little more and

1591
01:23:33,960 --> 01:23:36,639
Speaker 1: slowed down a little. I know. So if your college

1592
01:23:36,680 --> 01:23:39,200
Speaker 1: could listen to this right now, slow down, enjoy it,

1593
01:23:39,320 --> 01:23:41,320
Speaker 1: and you're officially those old people that telling you to

1594
01:23:41,360 --> 01:23:43,479
Speaker 1: slow down, yes, because then you have to become a

1595
01:23:43,600 --> 01:23:46,920
Speaker 1: real official adult, and it's not fun. It's not fun.

1596
01:23:47,600 --> 01:23:51,920
Speaker 1: It's not fun. Let me tell you. Oh man, Okay,

1597
01:23:51,920 --> 01:23:55,200
Speaker 1: Well here is Edwin McCain. You know, I'm probably gonna

1598
01:23:55,200 --> 01:23:57,680
Speaker 1: cry after that segment because I'm old and these are

1599
01:23:57,720 --> 01:23:59,479
Speaker 1: making me feel old. But it was so good he

1600
01:23:59,560 --> 01:24:02,040
Speaker 1: performed I'll be and I could not ask for more.

1601
01:24:02,600 --> 01:24:07,040
Speaker 1: Number four on The Bobby Bones Show Now Edwin McCain.

1602
01:24:07,439 --> 01:24:10,320
Speaker 1: I'm a big fan. I tell you guys. When I

1603
01:24:10,360 --> 01:24:12,479
Speaker 1: was in college, I saved up all my money and

1604
01:24:12,520 --> 01:24:15,680
Speaker 1: I went across and OBIU was a school where the

1605
01:24:15,720 --> 01:24:18,080
Speaker 1: rich kids went, and Edwin was playing the rich kids school,

1606
01:24:18,200 --> 01:24:20,479
Speaker 1: and I was like, I love Edwin McCain. Saved him

1607
01:24:20,479 --> 01:24:22,200
Speaker 1: with tickets. I got the very back of the theater

1608
01:24:22,439 --> 01:24:24,000
Speaker 1: and I watched him play for an hour and a half,

1609
01:24:24,080 --> 01:24:26,000
Speaker 1: him and a horn player, and it was really I

1610
01:24:26,000 --> 01:24:27,960
Speaker 1: remember so much about it, ed one. So I'm super

1611
01:24:28,360 --> 01:24:29,920
Speaker 1: super glad you're here and I don't have to pay

1612
01:24:29,920 --> 01:24:32,679
Speaker 1: for this show. I feel I feel like maybe maybe

1613
01:24:32,720 --> 01:24:35,599
Speaker 1: we jipped you for only showing up with the guitar

1614
01:24:35,720 --> 01:24:41,040
Speaker 1: and saxophone. But you know, we played in any iteration

1615
01:24:41,200 --> 01:24:45,120
Speaker 1: back then. We could show up and play. However, So yeah,

1616
01:24:45,160 --> 01:24:47,960
Speaker 1: I was looking at your TikTok here and that's that's

1617
01:24:47,960 --> 01:24:51,439
Speaker 1: actually what brought you here. It's so bizarre, this whole thing,

1618
01:24:51,880 --> 01:24:55,360
Speaker 1: how I got here. Anybody tells you that they have

1619
01:24:55,439 --> 01:24:57,960
Speaker 1: a plan in the music business, they're just lying. It's

1620
01:24:57,960 --> 01:25:01,519
Speaker 1: just all accidental. It's a beat accident. My entire life

1621
01:25:01,560 --> 01:25:04,599
Speaker 1: is a giant accident. I was obviously a big fan

1622
01:25:04,720 --> 01:25:07,320
Speaker 1: growing up, and then I'm flipping TikTok and I see

1623
01:25:07,320 --> 01:25:10,760
Speaker 1: you singing with people doing oh be York, and I'm like,

1624
01:25:10,800 --> 01:25:14,000
Speaker 1: holy crap, he's he's played. Let's get him on the show.

1625
01:25:14,280 --> 01:25:15,639
Speaker 1: And so we call you and you're like, yeah, I'll

1626
01:25:15,640 --> 01:25:18,160
Speaker 1: be right over and here you can drove over. I'm

1627
01:25:18,240 --> 01:25:21,160
Speaker 1: so I'm I'm just shocked. I was like, people are like,

1628
01:25:21,520 --> 01:25:23,000
Speaker 1: why are you going on there? I was like I

1629
01:25:23,040 --> 01:25:27,280
Speaker 1: don't know. I was like, I'm gonna play a couple

1630
01:25:27,280 --> 01:25:28,840
Speaker 1: of clips real quick, in case you've been living in

1631
01:25:28,840 --> 01:25:37,400
Speaker 1: a rock under a rockers. Here's I'll be and here

1632
01:25:37,520 --> 01:25:47,040
Speaker 1: is I could not ask for more. I could not ask. Yeah,

1633
01:25:47,680 --> 01:25:50,080
Speaker 1: it's a little aggressive, you know what I mean, Like,

1634
01:25:50,479 --> 01:25:53,679
Speaker 1: you know that's that's begging to have a parody video.

1635
01:25:54,280 --> 01:25:57,679
Speaker 1: You know, somebody throwing a bouquet of roses at their girlfriend.

1636
01:25:59,560 --> 01:26:01,559
Speaker 1: Is it true? And you can true or false me

1637
01:26:01,600 --> 01:26:05,400
Speaker 1: on this that you got your record deal because Darius

1638
01:26:05,400 --> 01:26:06,840
Speaker 1: and the Hood, you guys were like, you gotta sign

1639
01:26:06,880 --> 01:26:09,240
Speaker 1: this guy pretty much. Yeah, no, I was with I

1640
01:26:09,280 --> 01:26:11,880
Speaker 1: was with them when they got signed to Atlantic and

1641
01:26:11,920 --> 01:26:14,519
Speaker 1: they basically said, yeah, we're bringing him with us. And

1642
01:26:14,560 --> 01:26:17,080
Speaker 1: they were like, yeah, whatever, we'll take him to and

1643
01:26:17,240 --> 01:26:21,160
Speaker 1: you know they and it was, Yeah, it's a miracle.

1644
01:26:21,200 --> 01:26:24,000
Speaker 1: I spent my life trying to repay those guys for

1645
01:26:24,040 --> 01:26:27,120
Speaker 1: what they did for me. And I say of this

1646
01:26:27,160 --> 01:26:29,640
Speaker 1: all the time. Make if you haven't read Malcolm Gladwell's

1647
01:26:29,680 --> 01:26:33,400
Speaker 1: book Outliers everyone, especially if you're in your twenties and

1648
01:26:33,400 --> 01:26:34,840
Speaker 1: you're trying to figure out what you're gonna do with

1649
01:26:34,880 --> 01:26:38,080
Speaker 1: your life, read that book because the importance of timing

1650
01:26:38,680 --> 01:26:43,679
Speaker 1: can't be overstated. Like, I worked really hard, I'll never

1651
01:26:43,800 --> 01:26:48,720
Speaker 1: deny that, but the when I was was as important

1652
01:26:49,200 --> 01:26:54,479
Speaker 1: as anything I did. The timing was perfect, The everybody

1653
01:26:54,600 --> 01:26:57,280
Speaker 1: was tired of grunge. They just got they were so

1654
01:26:57,360 --> 01:27:00,040
Speaker 1: tired of staring into their lent filled belly button. And

1655
01:27:00,479 --> 01:27:02,880
Speaker 1: then Hoodie and the Playfish came along and we were like,

1656
01:27:03,040 --> 01:27:06,840
Speaker 1: we have friends again, and yay, and whoever that guy is, yeah,

1657
01:27:06,840 --> 01:27:09,400
Speaker 1: we like him too, And that was it. You know,

1658
01:27:09,439 --> 01:27:12,840
Speaker 1: we were just really really right place right time. Edwin

1659
01:27:12,960 --> 01:27:15,040
Speaker 1: McCann is here, he's gonna play in a second. Well, actually,

1660
01:27:15,040 --> 01:27:17,760
Speaker 1: I like to do this. The TikTok that I saw him,

1661
01:27:17,840 --> 01:27:20,320
Speaker 1: that that brought him back into my life was him

1662
01:27:20,360 --> 01:27:23,240
Speaker 1: duetting with someone because he would play the first part

1663
01:27:23,320 --> 01:27:26,080
Speaker 1: of I'll Be and they would sing the second. And

1664
01:27:26,120 --> 01:27:27,519
Speaker 1: I thought I was gonna jump in and do it

1665
01:27:27,560 --> 01:27:29,599
Speaker 1: to do one too, but it just hurt. You should

1666
01:27:29,640 --> 01:27:32,160
Speaker 1: do it and I'm not. But Amy is over here.

1667
01:27:32,600 --> 01:27:36,040
Speaker 1: I think we can try this. I'll be Edwin and Amy.

1668
01:27:36,080 --> 01:27:43,879
Speaker 1: Oh boy, I'll be captivated, Hang from you live, stared

1669
01:27:44,040 --> 01:27:58,640
Speaker 1: up on the galos horta, hang from a Bey'll crying shoulder,

1670
01:27:59,760 --> 01:28:10,439
Speaker 1: I'll be love suicide, being better when I'm molder. Oh

1671
01:28:10,760 --> 01:28:18,800
Speaker 1: be the greatest fan of your life? Hey, what does

1672
01:28:18,800 --> 01:28:20,640
Speaker 1: that mean? Love suicide? By the way, like hell me,

1673
01:28:20,720 --> 01:28:22,360
Speaker 1: I've been singing it for twenty years. I don't know

1674
01:28:22,400 --> 01:28:25,479
Speaker 1: what it means. You know, I was pretty good at

1675
01:28:25,640 --> 01:28:30,840
Speaker 1: screwing up relationships it in my early twenties, and that

1676
01:28:31,000 --> 01:28:34,880
Speaker 1: was sort of the explanation for it. You know, I

1677
01:28:34,880 --> 01:28:40,000
Speaker 1: would I didn't do. I didn't do very well. So

1678
01:28:40,120 --> 01:28:42,479
Speaker 1: I was the end of them. So I that was

1679
01:28:42,520 --> 01:28:44,880
Speaker 1: how the line came out. And it's funny because the

1680
01:28:45,360 --> 01:28:47,840
Speaker 1: record company and every producer I ever worked with tried

1681
01:28:47,880 --> 01:28:50,720
Speaker 1: to get me to remove that line. And I was

1682
01:28:50,800 --> 01:28:55,000
Speaker 1: just like, I said, I'm I have the oppositional defiance disorder,

1683
01:28:55,120 --> 01:28:59,120
Speaker 1: and you know it, just refused dug my heels in

1684
01:28:59,160 --> 01:29:03,680
Speaker 1: and refused to change the lyric and and and that

1685
01:29:03,720 --> 01:29:06,080
Speaker 1: actually ended up working in my favor because when Hillary

1686
01:29:06,160 --> 01:29:09,400
Speaker 1: Duff re released the song on a soundtrack, they edited

1687
01:29:09,479 --> 01:29:13,080
Speaker 1: out that lyric and I was like, you can't do that.

1688
01:29:13,200 --> 01:29:15,240
Speaker 1: And I called my lawyers. I was like, they can't

1689
01:29:15,280 --> 01:29:17,400
Speaker 1: do that. Can They were like, no, they can't. And

1690
01:29:17,439 --> 01:29:25,000
Speaker 1: I was like, okay, So that's how I have my bus. Now. Yeah,

1691
01:29:25,040 --> 01:29:27,920
Speaker 1: we've thought about changing the name to the bus to

1692
01:29:28,040 --> 01:29:33,360
Speaker 1: Hillary's Duff. But then Edwin McCann is here, how about this,

1693
01:29:33,439 --> 01:29:35,760
Speaker 1: Let's do a verse and chorus of I'll be because

1694
01:29:35,760 --> 01:29:37,160
Speaker 1: I'm gonna ask you do something else too, so we

1695
01:29:37,240 --> 01:29:41,040
Speaker 1: don't verse and chorus's I'll close your eyes, oh yes,

1696
01:29:41,280 --> 01:29:46,120
Speaker 1: and picture ourselves, the strands in your eyes, the colored

1697
01:29:46,280 --> 01:29:56,479
Speaker 1: them wonderful. Stop steal my breath, emeralds from mountains, thrive

1698
01:29:56,600 --> 01:30:05,600
Speaker 1: starts the sky. Never feeling down in town, don't be.

1699
01:30:06,920 --> 01:30:13,120
Speaker 1: We belong together, Dress it down with the trappings of

1700
01:30:13,280 --> 01:30:20,759
Speaker 1: the love. Be captain, feedd hang from your lips, stand

1701
01:30:20,840 --> 01:30:32,120
Speaker 1: out on the gallows, party, hang from far, and I

1702
01:30:32,120 --> 01:30:40,120
Speaker 1: will be You're crying shouldered, I will be come suicide,

1703
01:30:41,600 --> 01:30:48,320
Speaker 1: and I will be better when I'm only I will

1704
01:30:48,439 --> 01:30:59,280
Speaker 1: be the greatest family live Come like the greatest fan

1705
01:30:59,400 --> 01:31:05,880
Speaker 1: of you. Horn come on the estrogen bazooka, as we'd

1706
01:31:05,920 --> 01:31:09,160
Speaker 1: like to call let me sax players. Man. You ever

1707
01:31:09,200 --> 01:31:14,719
Speaker 1: see a sax flayer with a personality? No, well, I'd

1708
01:31:14,760 --> 01:31:17,080
Speaker 1: like to hear if I can keep requesting songs in

1709
01:31:17,160 --> 01:31:18,519
Speaker 1: my favorite part of my jobs, when I have people

1710
01:31:18,560 --> 01:31:19,840
Speaker 1: come in that I really like and I can go, hey,

1711
01:31:19,880 --> 01:31:23,800
Speaker 1: do this if you don't mind. I could not ask

1712
01:31:23,840 --> 01:31:26,320
Speaker 1: for more, which may have been my jam, even more

1713
01:31:26,439 --> 01:31:28,800
Speaker 1: than I'll be. And then Sarah Evans did a great

1714
01:31:28,880 --> 01:31:30,880
Speaker 1: job on this song too. This a little bigger thing

1715
01:31:30,960 --> 01:31:41,720
Speaker 1: for I'm lying here with you, listening to rain, smiling,

1716
01:31:41,920 --> 01:31:49,560
Speaker 1: just to see smiling upon your face. These are the

1717
01:31:49,760 --> 01:31:56,360
Speaker 1: moments now, thank God that I'm a lie. These are

1718
01:31:56,400 --> 01:32:02,759
Speaker 1: the moments I remember, my lie. I've got all I'm

1719
01:32:02,760 --> 01:32:11,479
Speaker 1: waiting for, and I could not ask for more. He

1720
01:32:11,640 --> 01:32:15,680
Speaker 1: comes to the aggressive part. I could not ask for

1721
01:32:15,840 --> 01:32:19,519
Speaker 1: more than the stime to Gil, cannot ask for more

1722
01:32:19,600 --> 01:32:24,680
Speaker 1: than this time with you, and nothing prayer have been answering,

1723
01:32:25,640 --> 01:32:30,400
Speaker 1: not been dreamed. My ass come true right here in

1724
01:32:30,520 --> 01:32:36,439
Speaker 1: this moment. It's right where I'm meant to be you,

1725
01:32:36,960 --> 01:32:56,760
Speaker 1: with you, you when Edward became one. That's awesome. That's

1726
01:32:56,840 --> 01:32:58,320
Speaker 1: love having you here. I think you guys would all

1727
01:32:58,320 --> 01:33:00,320
Speaker 1: say the same thing, right. This is, of course awesome,

1728
01:33:00,560 --> 01:33:02,840
Speaker 1: great interview, great great performance. And when you're eighty and

1729
01:33:02,840 --> 01:33:04,400
Speaker 1: you have to take it down a couple and you

1730
01:33:04,400 --> 01:33:06,479
Speaker 1: want to come and sing it again, I'm gonna I'm

1731
01:33:06,520 --> 01:33:08,519
Speaker 1: gonna be like Molly Crew and just played the tracks,

1732
01:33:10,240 --> 01:33:13,479
Speaker 1: just sing sing two tracks. You can do that. They

1733
01:33:13,560 --> 01:33:15,519
Speaker 1: do that well pop stars. There's a track playing and

1734
01:33:15,560 --> 01:33:18,400
Speaker 1: they sing over and under it and everything else. Like

1735
01:33:18,479 --> 01:33:20,760
Speaker 1: the last I went to. I'm a huge crew fan

1736
01:33:20,800 --> 01:33:23,639
Speaker 1: and I went to the you know, they had more

1737
01:33:23,720 --> 01:33:26,719
Speaker 1: fire and tracks underneath there. I was like, oh, okay,

1738
01:33:26,760 --> 01:33:29,040
Speaker 1: this is what you do. Yeah, and nobody faults and

1739
01:33:29,160 --> 01:33:31,439
Speaker 1: for it for people were there for the experience. Lose

1740
01:33:31,479 --> 01:33:36,240
Speaker 1: all right. There he is Edwie McCain. It's the best

1741
01:33:36,360 --> 01:33:41,400
Speaker 1: Bits of the Week with Morgan. Number two Travis Denning

1742
01:33:41,439 --> 01:33:44,000
Speaker 1: came on our show and he has some great songs

1743
01:33:44,000 --> 01:33:46,400
Speaker 1: of his own, but this time he performed a cover

1744
01:33:46,600 --> 01:33:49,680
Speaker 1: of Blink one eighty two What's My Age Again? And

1745
01:33:49,920 --> 01:33:54,160
Speaker 1: something about Travis Denning performing such an awesome alternative song

1746
01:33:54,280 --> 01:33:58,439
Speaker 1: was just insane, Like he really dominated this cover. So

1747
01:33:58,520 --> 01:34:01,240
Speaker 1: if you missed it, this is also one to listen to.

1748
01:34:01,800 --> 01:34:06,080
Speaker 1: Number three on The Bobby Bones Show now Travis den

1749
01:34:06,640 --> 01:34:09,400
Speaker 1: Travis has co hosted this show. Travis has had a

1750
01:34:09,520 --> 01:34:11,720
Speaker 1: number one song with after a few Gonna play a

1751
01:34:11,720 --> 01:34:18,720
Speaker 1: little bit of this here you good? After he was

1752
01:34:18,800 --> 01:34:23,320
Speaker 1: voted the prestigious CRS twenty twenty one new face. Yeah

1753
01:34:23,760 --> 01:34:26,639
Speaker 1: Travis Denny is here. Yeah, I've been I've been told

1754
01:34:26,680 --> 01:34:31,599
Speaker 1: I need a new face. I'm sorry, Catilee. So this

1755
01:34:31,640 --> 01:34:33,759
Speaker 1: is what happened. I was doing this thing on TikTok

1756
01:34:33,760 --> 01:34:36,840
Speaker 1: where I said, hey Stitch and put you playing after

1757
01:34:36,920 --> 01:34:38,040
Speaker 1: I say this and I want to see you. We're

1758
01:34:38,040 --> 01:34:40,200
Speaker 1: gonna brings people up. Well, Travis goes, I like to

1759
01:34:40,200 --> 01:34:41,840
Speaker 1: make a submission and play the little part that you

1760
01:34:41,880 --> 01:34:46,720
Speaker 1: played on the TikTok was cut off, and he goes,

1761
01:34:46,760 --> 01:34:51,519
Speaker 1: I wrote this, and it's obviously Blink one eighty two.

1762
01:34:51,720 --> 01:34:54,040
Speaker 1: What's my age again? And so I hit him up.

1763
01:34:54,080 --> 01:34:55,280
Speaker 1: I was like, Travis can play that on the show.

1764
01:34:55,280 --> 01:34:58,000
Speaker 1: I'd love to hear Blink one eighty two on a banjo. Now,

1765
01:34:58,040 --> 01:35:00,920
Speaker 1: did you have to learn the whole song after? Oh? Absolutely?

1766
01:35:01,080 --> 01:35:03,400
Speaker 1: Last night I sat there and would shed at this

1767
01:35:03,439 --> 01:35:06,719
Speaker 1: whole thing. I was obviously a huge Blink fan growing up,

1768
01:35:06,760 --> 01:35:09,360
Speaker 1: but just did not really learn the words as a,

1769
01:35:09,479 --> 01:35:11,519
Speaker 1: you know, eight year old. So I learned him as

1770
01:35:11,520 --> 01:35:13,679
Speaker 1: a twenty eight year old last night. Okay, well, before

1771
01:35:13,680 --> 01:35:15,800
Speaker 1: we talk about anything else. Here he is with his

1772
01:35:15,920 --> 01:35:18,400
Speaker 1: band Joe. It is Travis Denning playing Blank one Eddy two.

1773
01:35:18,439 --> 01:35:27,800
Speaker 1: Here we go. I two gar out. It was a

1774
01:35:27,840 --> 01:35:31,280
Speaker 1: Friday night. I walk along to get the feeling right.

1775
01:35:31,479 --> 01:35:34,799
Speaker 1: We're starting magging out. She two got my pass, Hannah,

1776
01:35:34,880 --> 01:35:38,360
Speaker 1: turn on the TV. That's about the time she walked

1777
01:35:38,360 --> 01:35:42,440
Speaker 1: away from me. My body lass, you win your twenty three?

1778
01:35:42,640 --> 01:35:45,559
Speaker 1: And now some morn these my TV shows. What the

1779
01:35:45,640 --> 01:35:47,559
Speaker 1: hill is a d D? My frishee? I shit at

1780
01:35:47,600 --> 01:35:50,920
Speaker 1: my age? What's my age again? What's my age? A game?

1781
01:35:53,920 --> 01:35:57,559
Speaker 1: Later on on the drive home, I caught her mom

1782
01:35:57,880 --> 01:36:00,479
Speaker 1: from my pay phone when I said I was cops

1783
01:36:00,600 --> 01:36:03,280
Speaker 1: and your husband's in jail. The stages down on the TV.

1784
01:36:04,439 --> 01:36:06,800
Speaker 1: That's about the time that girl hung up on me.

1785
01:36:07,720 --> 01:36:10,599
Speaker 1: When he likes you win your twenty three and now

1786
01:36:10,720 --> 01:36:14,160
Speaker 1: some morning music to poll cost what the hell is

1787
01:36:14,200 --> 01:36:15,800
Speaker 1: wrong with me? And my friends say, yah, shot at

1788
01:36:15,840 --> 01:36:19,040
Speaker 1: my age? What's my age again? What's my age again?

1789
01:36:24,479 --> 01:36:27,040
Speaker 1: Here he is Travis Dad, Come on, can you play

1790
01:36:27,080 --> 01:36:29,640
Speaker 1: any song on that? Could you play the of course A?

1791
01:36:29,640 --> 01:36:35,280
Speaker 1: After a few absolutely, here we go in my bandet voice. Yeah, yeah,

1792
01:36:35,280 --> 01:36:38,759
Speaker 1: you can do vers after a few dreams. It's always

1793
01:36:38,800 --> 01:36:43,280
Speaker 1: the same thing. We find ourselves offstin conversation at the

1794
01:36:43,439 --> 01:36:47,640
Speaker 1: barn after a few songs, and kind of at you

1795
01:36:47,840 --> 01:36:51,479
Speaker 1: hold home we found ourselves seen in up against his

1796
01:36:51,560 --> 01:36:55,960
Speaker 1: spine car sit the side to sig about giving up

1797
01:36:56,040 --> 01:36:59,160
Speaker 1: bad too if we didn't want to wind up finding

1798
01:36:59,320 --> 01:37:08,519
Speaker 1: in my my bed like we always do after ye

1799
01:37:08,920 --> 01:37:19,120
Speaker 1: after that, every time, that's the out, regardless of when

1800
01:37:19,120 --> 01:37:21,400
Speaker 1: we get back on the road, the whole sets full

1801
01:37:21,439 --> 01:37:25,800
Speaker 1: band and then just banjo solo after a few what's

1802
01:37:25,840 --> 01:37:28,200
Speaker 1: your guitar story? How old were you when you finally

1803
01:37:28,200 --> 01:37:30,280
Speaker 1: started to go I can actually play real songs, so

1804
01:37:30,320 --> 01:37:33,160
Speaker 1: I saying, I brought me my guitar when I was eleven,

1805
01:37:33,280 --> 01:37:36,400
Speaker 1: and um, so yeah, I started playing then, and when

1806
01:37:36,439 --> 01:37:38,800
Speaker 1: I was like six or seven, that's kind of when

1807
01:37:39,080 --> 01:37:41,160
Speaker 1: I was really starting to really get a good grasp

1808
01:37:41,280 --> 01:37:43,800
Speaker 1: on it. And after my parents told me at that

1809
01:37:43,840 --> 01:37:47,479
Speaker 1: point I had some cheap starter guitar, they were like, hey,

1810
01:37:47,680 --> 01:37:49,400
Speaker 1: we know you're taking it seriously and we kind of

1811
01:37:49,439 --> 01:37:52,360
Speaker 1: want to challenge you. Um, if you'll learn Stairway to

1812
01:37:52,439 --> 01:37:56,000
Speaker 1: Heaven front to back, like no stops, no mess up notes,

1813
01:37:56,600 --> 01:37:58,880
Speaker 1: we'll buy you whatever guitar you want. And so I

1814
01:37:58,920 --> 01:38:01,920
Speaker 1: spent the next like four months with my guitar. Teacher

1815
01:38:02,680 --> 01:38:04,920
Speaker 1: and parents came home from work one day and I

1816
01:38:04,960 --> 01:38:07,400
Speaker 1: was like, all right, come upstairs. I got it, and

1817
01:38:07,640 --> 01:38:09,920
Speaker 1: UH played it for him and they bought me my

1818
01:38:09,960 --> 01:38:12,639
Speaker 1: first gifts and less Paul. That's what I wanted so

1819
01:38:12,680 --> 01:38:16,000
Speaker 1: bad and I literally just recorded two new songs and

1820
01:38:16,400 --> 01:38:18,600
Speaker 1: played that guitar on both songs. I still use it

1821
01:38:18,640 --> 01:38:21,320
Speaker 1: to this day. Can you still play the opening lick

1822
01:38:21,360 --> 01:38:24,760
Speaker 1: from stair with Heaven? Oh? On banjo? Man, I'm gonna

1823
01:38:24,760 --> 01:38:26,840
Speaker 1: get smited for half these licks? Right? This is just

1824
01:38:26,920 --> 01:38:38,280
Speaker 1: like anti rock and roll, but we're doing it. There's

1825
01:38:38,320 --> 01:38:44,599
Speaker 1: a lady sure all the glitters is gold and she's

1826
01:38:44,720 --> 01:38:51,360
Speaker 1: buying a stairway. Hen just sounds country. They finish okay.

1827
01:38:52,200 --> 01:38:57,000
Speaker 1: When she gets there, she knows if the stores are

1828
01:38:57,320 --> 01:39:01,920
Speaker 1: the clothes with the worst, he can get what she

1829
01:39:02,080 --> 01:39:13,720
Speaker 1: came for there. He is Travis Denning. So we've talked

1830
01:39:13,720 --> 01:39:17,080
Speaker 1: about this before. But your girlfriend, who's not a fiance

1831
01:39:17,280 --> 01:39:20,160
Speaker 1: yet not not yet, right, but I mean eventually right.

1832
01:39:20,200 --> 01:39:21,560
Speaker 1: I'm not even gonna pressure you on that, but I

1833
01:39:21,560 --> 01:39:23,880
Speaker 1: mean it's the idea that you sound like everybody in

1834
01:39:23,880 --> 01:39:25,920
Speaker 1: my life right now. Actually, yeah, I'm not gonna pressure you,

1835
01:39:25,960 --> 01:39:28,080
Speaker 1: but when's it happening? Well, I'm not asking that, but

1836
01:39:28,560 --> 01:39:32,759
Speaker 1: Madison is John Michael Montgomery's daughter. Do you learn his songs?

1837
01:39:33,479 --> 01:39:36,920
Speaker 1: You know? I actually don't know any of his songs.

1838
01:39:36,960 --> 01:39:38,680
Speaker 1: The one song I do know by heart, though, is

1839
01:39:38,840 --> 01:39:42,360
Speaker 1: Letters from Home because that's I've got like four songs

1840
01:39:42,400 --> 01:39:46,080
Speaker 1: and country music that are an automatic, like cry song,

1841
01:39:46,160 --> 01:39:48,160
Speaker 1: and that that's one of them. Just that song just

1842
01:39:48,200 --> 01:39:49,599
Speaker 1: gets me. So I know all the words of that

1843
01:39:49,600 --> 01:39:52,360
Speaker 1: one favorite nineties country song that that you will play

1844
01:39:52,360 --> 01:39:54,760
Speaker 1: in your set. Do you have any Oh? Yeah? Church

1845
01:39:54,840 --> 01:39:57,360
Speaker 1: on Cumberland Road by Shenandoah. Okay, well let's hear a

1846
01:39:57,400 --> 01:40:04,280
Speaker 1: little bit of that on the banjo. This is just

1847
01:40:04,640 --> 01:40:07,720
Speaker 1: about a mile off of one on nine. There's a

1848
01:40:07,760 --> 01:40:11,320
Speaker 1: little church sitting bagging in the pines. Promise that girl

1849
01:40:11,439 --> 01:40:14,400
Speaker 1: she was gonna be mine? How wouldn't be surprised if

1850
01:40:14,439 --> 01:40:20,960
Speaker 1: she was standing there crying deading all upon our phone

1851
01:40:21,320 --> 01:40:29,679
Speaker 1: going so so settle one. You gotta put your foot

1852
01:40:29,800 --> 01:40:34,920
Speaker 1: down on the floor. Yeah, we've been working on night,

1853
01:40:35,280 --> 01:40:37,960
Speaker 1: don't you know? You gotta give me to the Church

1854
01:40:38,040 --> 01:40:46,479
Speaker 1: on the Cumberland rohole. Yeah, that's awesome. Listen, you came

1855
01:40:46,560 --> 01:40:48,320
Speaker 1: up here only because I was like, you gotta complete

1856
01:40:49,880 --> 01:40:52,800
Speaker 1: So I appreciate you doing that. You guys, check out

1857
01:40:52,840 --> 01:40:56,360
Speaker 1: Beers Better Cold. It's Travis's EP. He's got the big

1858
01:40:56,439 --> 01:40:59,960
Speaker 1: hit with after a few David Ashley Parker, where's that

1859
01:41:00,120 --> 01:41:05,520
Speaker 1: beer beIN? Travis Denning. Follow him Travis R. Denning on Instagram.

1860
01:41:05,680 --> 01:41:08,720
Speaker 1: Funny guy, gay, great job today, by the way, coming dominating,

1861
01:41:14,720 --> 01:41:18,479
Speaker 1: It's the best bits of the week with Morgan. Number two,

1862
01:41:20,720 --> 01:41:22,760
Speaker 1: Brett Eldridge came on our show. He's been on the

1863
01:41:22,760 --> 01:41:25,160
Speaker 1: show a few times in the last few months, but

1864
01:41:25,280 --> 01:41:28,760
Speaker 1: this time he performed an unreleased song. It's called I

1865
01:41:28,800 --> 01:41:31,000
Speaker 1: Want That Back, and we posted about it online and

1866
01:41:31,080 --> 01:41:34,360
Speaker 1: everybody wanted him to drop the song, like immediately it

1867
01:41:34,479 --> 01:41:37,880
Speaker 1: was so good. But hell, I want to know what's

1868
01:41:37,880 --> 01:41:39,920
Speaker 1: the song that you heard when it dropped and you

1869
01:41:39,960 --> 01:41:43,280
Speaker 1: immediately loved it and had it on repeat. The first

1870
01:41:43,280 --> 01:41:46,120
Speaker 1: one I can think of off the top of my

1871
01:41:46,160 --> 01:41:50,240
Speaker 1: head is better Man by Little Big Town. Oh, great song.

1872
01:41:50,479 --> 01:41:52,920
Speaker 1: I remember. So I got to hear it early in

1873
01:41:52,960 --> 01:41:55,920
Speaker 1: one of the perks of radio. I was sitting I

1874
01:41:55,960 --> 01:41:58,040
Speaker 1: was in Charleston. I was sitting in my program director's

1875
01:41:58,080 --> 01:41:59,400
Speaker 1: office and he called me in there. He was like, hey,

1876
01:41:59,439 --> 01:42:00,800
Speaker 1: I want you to hear this song because he knew

1877
01:42:00,800 --> 01:42:02,760
Speaker 1: I'd love it, and he played it for me, and

1878
01:42:02,800 --> 01:42:05,640
Speaker 1: I remember just sitting there and I'm like, can you

1879
01:42:05,640 --> 01:42:07,800
Speaker 1: play that again? Like I need to hear that again,

1880
01:42:08,200 --> 01:42:11,200
Speaker 1: And I don't know that song really like struck me.

1881
01:42:11,640 --> 01:42:13,800
Speaker 1: And then finding out Taylor swift Road, I'm like, well, dah,

1882
01:42:13,840 --> 01:42:18,200
Speaker 1: that's why. But yeah, that song. I remember just downloading

1883
01:42:18,240 --> 01:42:21,759
Speaker 1: it and listening to it over and over and over

1884
01:42:21,840 --> 01:42:25,559
Speaker 1: again in my apartment just all the time I was

1885
01:42:25,560 --> 01:42:28,000
Speaker 1: listening to that song. And that's a really good song.

1886
01:42:28,040 --> 01:42:30,519
Speaker 1: I mean, a Little Big Town is underrated in so

1887
01:42:30,560 --> 01:42:34,440
Speaker 1: many ways. They're harmonies on every song, but that song especially,

1888
01:42:34,920 --> 01:42:38,559
Speaker 1: I mean Karen Fairchild, It's just her voice is so

1889
01:42:38,640 --> 01:42:43,240
Speaker 1: stunning and it really just makes you feel something that song.

1890
01:42:43,640 --> 01:42:45,599
Speaker 1: I mean, I was in a very sad place whenever

1891
01:42:45,600 --> 01:42:47,599
Speaker 1: that song came out. It's probably why I really loved it.

1892
01:42:47,880 --> 01:42:50,599
Speaker 1: But even if you weren't, I feel like the way

1893
01:42:50,680 --> 01:42:54,080
Speaker 1: the story or the song tells a story, and Karen's voice,

1894
01:42:54,400 --> 01:42:57,639
Speaker 1: it really does just it makes you feel, yes, and

1895
01:42:57,760 --> 01:43:02,520
Speaker 1: you do very much enjoy ball Oh yeah, Like I'm

1896
01:43:02,560 --> 01:43:05,000
Speaker 1: I have a sad playlist on my phone, neural ballads.

1897
01:43:05,080 --> 01:43:06,439
Speaker 1: I just and I listened to it all the time.

1898
01:43:06,479 --> 01:43:08,240
Speaker 1: And that's your normal playlist, That's not that's not like

1899
01:43:08,280 --> 01:43:10,519
Speaker 1: she goes to when she's said that's like her normal playlist.

1900
01:43:10,560 --> 01:43:12,439
Speaker 1: Oh yeah, just riding in the car or I have

1901
01:43:12,479 --> 01:43:15,680
Speaker 1: a sad CD. It's in my CD case, I have

1902
01:43:15,720 --> 01:43:17,800
Speaker 1: a sad CD. I like, if I'm just going for

1903
01:43:17,800 --> 01:43:19,640
Speaker 1: a walk or riding around in my car, I'll just

1904
01:43:19,720 --> 01:43:22,599
Speaker 1: put on my sad playlist. I love it. It's so

1905
01:43:22,720 --> 01:43:24,880
Speaker 1: interesting to me because like, I cannot listen to sad

1906
01:43:24,960 --> 01:43:27,240
Speaker 1: music unless I want to cry, And that's like my

1907
01:43:27,400 --> 01:43:29,880
Speaker 1: I have to listen to that purposely to like cry

1908
01:43:29,960 --> 01:43:32,759
Speaker 1: or be in my feels. Really, otherwise I have to listen.

1909
01:43:33,040 --> 01:43:35,840
Speaker 1: I have to listen and watch like good things. There

1910
01:43:35,880 --> 01:43:37,680
Speaker 1: are some times I have to catch myself because it

1911
01:43:37,720 --> 01:43:41,920
Speaker 1: can put me in like a sad mood. But for

1912
01:43:41,960 --> 01:43:45,559
Speaker 1: the most part, yeah, I love listening to sad music.

1913
01:43:45,760 --> 01:43:48,200
Speaker 1: Like it's just it is my favorite. It makes me

1914
01:43:48,320 --> 01:43:51,960
Speaker 1: feel something and it just it brings back memories too,

1915
01:43:51,960 --> 01:43:54,720
Speaker 1: of things. A fun fact about Hillary right there. Yeah,

1916
01:43:54,800 --> 01:43:59,040
Speaker 1: I love sad music, love sad things well, and that

1917
01:43:59,080 --> 01:44:01,280
Speaker 1: makes sense for your choice in song. And then my

1918
01:44:01,400 --> 01:44:04,200
Speaker 1: chosen song is definitely not anything close to a ballad

1919
01:44:04,720 --> 01:44:08,639
Speaker 1: sam Haunts Leave the Night on Oh yeah, okay, yeah,

1920
01:44:08,680 --> 01:44:10,759
Speaker 1: I mean as soon as it wasn't even like released

1921
01:44:10,760 --> 01:44:12,639
Speaker 1: to radio when I first heard it, and I just

1922
01:44:13,360 --> 01:44:15,240
Speaker 1: went hard jamming on it. I mean, I think I

1923
01:44:15,240 --> 01:44:16,840
Speaker 1: overplayed it. By the time it hit the radio. I

1924
01:44:16,840 --> 01:44:18,759
Speaker 1: was like, wait, I've already heard this like five thousand times.

1925
01:44:18,960 --> 01:44:21,320
Speaker 1: We not play it. I feel that way about all

1926
01:44:21,320 --> 01:44:23,960
Speaker 1: of Sam hunt songs like that is definitely somebody I

1927
01:44:24,000 --> 01:44:28,080
Speaker 1: know people hate on him, but his albums and songs

1928
01:44:28,640 --> 01:44:32,040
Speaker 1: are so good and so catchy. I'll just put on

1929
01:44:32,120 --> 01:44:35,360
Speaker 1: his CDs and just listened to him all the time. Yeah,

1930
01:44:35,400 --> 01:44:36,840
Speaker 1: and you can listen to him on repeat, and they

1931
01:44:36,880 --> 01:44:39,200
Speaker 1: don't get old until you've listened like five thousand times,

1932
01:44:39,240 --> 01:44:40,720
Speaker 1: and then at that point you have to get new

1933
01:44:40,760 --> 01:44:45,040
Speaker 1: Sam Haunt songs. Yes, I think his newest album, breaking Up,

1934
01:44:45,080 --> 01:44:46,880
Speaker 1: was Easy in the nineties. That was the song that

1935
01:44:47,000 --> 01:44:50,720
Speaker 1: I immediately was drawn to and listened to all the time.

1936
01:44:50,840 --> 01:44:53,599
Speaker 1: Such a great like idea of a song that I'm

1937
01:44:53,600 --> 01:44:57,760
Speaker 1: surprised nobody had. Nobody's done it put together that idea yet. Yeah,

1938
01:44:57,760 --> 01:45:00,639
Speaker 1: it was such a cool and interesting con accept because

1939
01:45:00,640 --> 01:45:02,360
Speaker 1: I feel like we've talked about that before about how

1940
01:45:02,400 --> 01:45:05,599
Speaker 1: social media just makes things so much harder and how

1941
01:45:05,640 --> 01:45:09,640
Speaker 1: we can so easily check on what somebody's doing, and

1942
01:45:10,360 --> 01:45:14,960
Speaker 1: that's hard, and that's yes in nineties are very in

1943
01:45:15,080 --> 01:45:18,479
Speaker 1: right now. And so he played on our nostalgia that

1944
01:45:18,520 --> 01:45:22,559
Speaker 1: we're feeling, yeah, and our hatred for social media even

1945
01:45:22,600 --> 01:45:26,200
Speaker 1: though we're all on it, I know it is m

1946
01:45:26,400 --> 01:45:29,200
Speaker 1: and combined the two into this magical song. Yeah. He

1947
01:45:29,240 --> 01:45:30,720
Speaker 1: did a great one with that one. But yeah, that's

1948
01:45:30,720 --> 01:45:32,880
Speaker 1: a good that's a great Sam Hunt song. Yes, I

1949
01:45:32,920 --> 01:45:35,400
Speaker 1: mean that was like his first intro to all of us. Yeah,

1950
01:45:35,680 --> 01:45:39,280
Speaker 1: really that was his big first hip. Who's an artist though,

1951
01:45:39,280 --> 01:45:42,519
Speaker 1: that you always get excited to hear, you know, speaking

1952
01:45:42,520 --> 01:45:45,280
Speaker 1: of this Brett Eldred unreleased song and hopefully dropping in

1953
01:45:45,280 --> 01:45:48,000
Speaker 1: the next few months. What is an artist that you

1954
01:45:48,000 --> 01:45:49,960
Speaker 1: always get excited to hear that they're about to drop

1955
01:45:50,040 --> 01:45:53,240
Speaker 1: new music? And it can be any genre. We've stuck

1956
01:45:53,240 --> 01:45:56,080
Speaker 1: with country, but if you have other genre ideas, I

1957
01:45:56,120 --> 01:45:58,280
Speaker 1: feel like, for me, it's always going to be country.

1958
01:45:59,160 --> 01:46:01,960
Speaker 1: I feel like there's a you Carrie Underwood for sure,

1959
01:46:02,120 --> 01:46:05,479
Speaker 1: Like I just get I get so excited whenever you do.

1960
01:46:05,600 --> 01:46:09,920
Speaker 1: Whenever Carrie has any semi amount of news, Hillary text

1961
01:46:09,960 --> 01:46:12,280
Speaker 1: it to me. She's like, this is what's happening. I'm like,

1962
01:46:12,320 --> 01:46:15,120
Speaker 1: thank you, I saw that, but thank you. I'm glad

1963
01:46:15,120 --> 01:46:17,479
Speaker 1: you're excited. When did she release that Christen's album. I

1964
01:46:17,479 --> 01:46:19,800
Speaker 1: think it was in October and I was listening to

1965
01:46:19,840 --> 01:46:22,160
Speaker 1: it all the time. I'm at my house. I decorated

1966
01:46:22,200 --> 01:46:25,200
Speaker 1: my Christmas tree the first week of November because of

1967
01:46:25,200 --> 01:46:27,880
Speaker 1: that album. Oh and when she teased her Las Vegas

1968
01:46:27,960 --> 01:46:30,360
Speaker 1: residency and nobody knew what it was, I like, send

1969
01:46:30,400 --> 01:46:31,639
Speaker 1: it to Hillary. I was like, this is so exciting.

1970
01:46:31,680 --> 01:46:33,320
Speaker 1: And it was the first time I'd ever texted Hillary

1971
01:46:33,400 --> 01:46:35,559
Speaker 1: something about carry that she had not texted me first,

1972
01:46:35,880 --> 01:46:37,000
Speaker 1: and she was like, yeah, I think it's this, And

1973
01:46:37,040 --> 01:46:39,599
Speaker 1: I'm like, wait, what, how did you already figure that out?

1974
01:46:39,960 --> 01:46:43,080
Speaker 1: I don't know, I just I read things. You also

1975
01:46:43,160 --> 01:46:45,840
Speaker 1: have some sick FBI skills. So if the FBI is

1976
01:46:45,880 --> 01:46:49,000
Speaker 1: looking for anybody to investigate, people shout out to Hillary.

1977
01:46:49,360 --> 01:46:51,599
Speaker 1: I will say, that's another fun fact about me. Like

1978
01:46:51,880 --> 01:46:56,040
Speaker 1: I will find out anything you can. I can find out.

1979
01:46:56,720 --> 01:47:00,800
Speaker 1: I mean dark web. Who I'm Hillary is our dark web. Seriously,

1980
01:47:01,200 --> 01:47:04,840
Speaker 1: Like I if you need to mean to investigate anyone,

1981
01:47:04,880 --> 01:47:07,080
Speaker 1: I got you, Like Morgan has to tell me if

1982
01:47:07,080 --> 01:47:09,839
Speaker 1: I'm like kind of interested in the guy she's Hillary,

1983
01:47:10,000 --> 01:47:13,120
Speaker 1: we cannot oh, yes, this is the same and investigate.

1984
01:47:13,320 --> 01:47:16,400
Speaker 1: This is a thing with Hillary. So Hillary will like

1985
01:47:16,479 --> 01:47:18,479
Speaker 1: think a guy is cute and by the end of

1986
01:47:18,479 --> 01:47:21,080
Speaker 1: the day basically have all the information on him. And

1987
01:47:21,080 --> 01:47:23,360
Speaker 1: I'm like, Hillary, you haven't even gone out with him.

1988
01:47:23,400 --> 01:47:25,679
Speaker 1: You need to give him a chance to talk about

1989
01:47:25,760 --> 01:47:28,439
Speaker 1: himself before you know everything about him. And it's like,

1990
01:47:28,479 --> 01:47:29,880
Speaker 1: I know all this stuff, I know his name, and

1991
01:47:29,920 --> 01:47:32,280
Speaker 1: I've never even said hi to the person, which I

1992
01:47:32,320 --> 01:47:35,080
Speaker 1: know makes me sound super greedby but I promise I'm

1993
01:47:35,120 --> 01:47:39,200
Speaker 1: not greedy and I'm just so so shy. Yes, we're

1994
01:47:39,240 --> 01:47:41,160
Speaker 1: working on it, though, we're working on it, and I

1995
01:47:41,200 --> 01:47:44,080
Speaker 1: just need to know if they're worth my time or interest. Yes,

1996
01:47:44,240 --> 01:47:47,759
Speaker 1: but we're working on that line where it's just piquing

1997
01:47:47,800 --> 01:47:52,320
Speaker 1: the interest, not going over ford with the interest. I'm trying.

1998
01:47:52,360 --> 01:47:54,160
Speaker 1: I feel like I'm doing a little bit better with you.

1999
01:47:54,200 --> 01:47:56,680
Speaker 1: Are you have started to get better knowing that you

2000
01:47:56,760 --> 01:47:59,000
Speaker 1: do it now And you didn't know you even did

2001
01:47:59,000 --> 01:48:01,280
Speaker 1: it until I was like, hey, by the way, you

2002
01:48:01,280 --> 01:48:04,040
Speaker 1: should like go out with them to find these things out. Yeah,

2003
01:48:04,080 --> 01:48:07,320
Speaker 1: and then you know that's how you meet people. Yeah,

2004
01:48:07,720 --> 01:48:09,400
Speaker 1: I just need to know. I'm like, I need to

2005
01:48:09,400 --> 01:48:11,599
Speaker 1: make sure they're not like a you know, a serial

2006
01:48:11,680 --> 01:48:14,320
Speaker 1: killer or something before you're not wrong, but it will

2007
01:48:14,320 --> 01:48:17,400
Speaker 1: always make me laugh. Yeah, it's funny. I mean everybody

2008
01:48:17,400 --> 01:48:19,120
Speaker 1: has their quirks, and it's not even a bad quirk.

2009
01:48:19,160 --> 01:48:21,240
Speaker 1: It's a funny quork. I think everybody has that friend

2010
01:48:21,240 --> 01:48:24,479
Speaker 1: too who they go to well and honestly, like, if

2011
01:48:24,520 --> 01:48:27,479
Speaker 1: you even meet a guy that's secure in themselves, they're

2012
01:48:27,479 --> 01:48:29,320
Speaker 1: gonna be like, oh, that's funny, you did that much

2013
01:48:29,360 --> 01:48:31,320
Speaker 1: research on me. It's also a known thing in the

2014
01:48:31,400 --> 01:48:34,559
Speaker 1: dating world too, like you facebook me or you googled me,

2015
01:48:34,680 --> 01:48:36,479
Speaker 1: like you figured me out before we went on this date.

2016
01:48:36,520 --> 01:48:40,360
Speaker 1: That is just the reality with online dating and dating

2017
01:48:40,400 --> 01:48:42,599
Speaker 1: in today's world. Yeah, we're going to find things out,

2018
01:48:42,680 --> 01:48:46,639
Speaker 1: and I do. Now. I get my best friend Courtney,

2019
01:48:46,640 --> 01:48:50,360
Speaker 1: because she's just like me, just like me. I get

2020
01:48:50,400 --> 01:48:53,439
Speaker 1: her to research them so then I can honestly be like, no,

2021
01:48:53,479 --> 01:48:55,080
Speaker 1: I didn't research you, and I'll just tell her. Let

2022
01:48:55,120 --> 01:48:56,600
Speaker 1: me know if there's any red flags, let me know.

2023
01:48:56,840 --> 01:48:58,320
Speaker 1: I don't need anything else, just let me know if

2024
01:48:58,320 --> 01:49:01,599
Speaker 1: there's a red flag, Hillary, No, no, I need to know,

2025
01:49:01,640 --> 01:49:03,599
Speaker 1: because I don't want to get invested in somebody. If

2026
01:49:03,600 --> 01:49:07,519
Speaker 1: there's like they were you know, I don't know. I

2027
01:49:07,520 --> 01:49:10,519
Speaker 1: can't think of anything arrested for something that is really

2028
01:49:10,560 --> 01:49:13,600
Speaker 1: really really bad. Yes, I mean I just need to

2029
01:49:13,640 --> 01:49:15,720
Speaker 1: know these things. All you need to do before a

2030
01:49:15,800 --> 01:49:18,400
Speaker 1: date is if you meet them online, you have known

2031
01:49:18,439 --> 01:49:21,639
Speaker 1: nothing about them. Google search him. If nothing pops up

2032
01:49:21,960 --> 01:49:24,720
Speaker 1: besides like a Facebook count or account or something, you

2033
01:49:24,920 --> 01:49:28,600
Speaker 1: verify that it is the same person, so they're not catfishing.

2034
01:49:29,560 --> 01:49:32,720
Speaker 1: No arrest records, that's all you look at. At the

2035
01:49:32,760 --> 01:49:35,760
Speaker 1: space in Courtney, I'm like, here, here's the name, here's

2036
01:49:35,760 --> 01:49:38,400
Speaker 1: the info, give me the arrest records, give me. Oh,

2037
01:49:38,479 --> 01:49:41,640
Speaker 1: she's found out like so much stuff about there was

2038
01:49:41,680 --> 01:49:44,479
Speaker 1: this one guy. This is so freaking greepy. But yeah,

2039
01:49:44,479 --> 01:49:47,240
Speaker 1: she was like she knew his political party, she knew

2040
01:49:49,000 --> 01:49:53,040
Speaker 1: his arrest records, she knew like family stuff. But she

2041
01:49:53,120 --> 01:49:55,960
Speaker 1: didn't tell me anything. She let me figure it out

2042
01:49:56,000 --> 01:49:58,200
Speaker 1: on my own. But she was gonna let me know

2043
01:49:58,200 --> 01:49:59,840
Speaker 1: if there were any red flags. But she could. She

2044
01:50:00,040 --> 01:50:03,320
Speaker 1: found out just everything. She's just like me. We make

2045
01:50:03,360 --> 01:50:06,719
Speaker 1: a great team, I know, but a team that needs

2046
01:50:06,760 --> 01:50:09,040
Speaker 1: to not do that as much anymore. I feel like

2047
01:50:09,080 --> 01:50:10,880
Speaker 1: every reason we's so creeped out. I mean, now they

2048
01:50:10,960 --> 01:50:13,840
Speaker 1: really familiar. You're such a weirdo. I just it's a

2049
01:50:13,840 --> 01:50:16,760
Speaker 1: security thing, and it is a good thing, but we're

2050
01:50:16,800 --> 01:50:19,400
Speaker 1: just teaching you to scale it back a little so

2051
01:50:19,439 --> 01:50:21,679
Speaker 1: you don't scare yourself from going on a first date,

2052
01:50:22,000 --> 01:50:24,559
Speaker 1: which I tend to do. Yes, Yeah, that is really

2053
01:50:24,560 --> 01:50:27,599
Speaker 1: the point of all of it. Dating scares me, So

2054
01:50:27,680 --> 01:50:30,679
Speaker 1: that's why I need to make sure these people are yes.

2055
01:50:30,720 --> 01:50:33,080
Speaker 1: And after you verify that they're a legit, that's that's

2056
01:50:33,080 --> 01:50:35,479
Speaker 1: where you stop. Okay, and then after the first day

2057
01:50:35,479 --> 01:50:36,840
Speaker 1: you can do more research on them, but you have

2058
01:50:36,920 --> 01:50:39,760
Speaker 1: to give them the opportunity to present themselves. I will.

2059
01:50:39,840 --> 01:50:43,000
Speaker 1: I'm doing better because I have learned a few instances

2060
01:50:43,000 --> 01:50:44,840
Speaker 1: where I judge somebody online and I was like, yeah,

2061
01:50:44,840 --> 01:50:46,280
Speaker 1: I don't think I'm going to be into this person.

2062
01:50:46,360 --> 01:50:48,000
Speaker 1: I went anyway on the date and I was like, oh,

2063
01:50:48,240 --> 01:50:51,719
Speaker 1: pleasantly surprised. Yeah, and they're different. I am always nervous

2064
01:50:51,760 --> 01:50:55,840
Speaker 1: about slipping up and like saying something that they I

2065
01:50:55,880 --> 01:50:59,240
Speaker 1: saw online that you went to Florida with your family.

2066
01:50:59,680 --> 01:51:03,920
Speaker 1: I'm from Florida. What was that? Like? You know, I can't. Yeah,

2067
01:51:03,920 --> 01:51:07,200
Speaker 1: and you cannot do that. No, I'm usually pretty careful,

2068
01:51:07,320 --> 01:51:10,120
Speaker 1: like I can, I can play it cool when needed,

2069
01:51:10,400 --> 01:51:13,919
Speaker 1: so I know you can I'm just helping protect you.

2070
01:51:13,920 --> 01:51:15,960
Speaker 1: You are, and I feel like I'm I'm doing a

2071
01:51:15,960 --> 01:51:19,200
Speaker 1: lot better you are. But I'm sure there are plenty

2072
01:51:19,200 --> 01:51:21,880
Speaker 1: of women out there who do the same. Oh it's yeah,

2073
01:51:21,920 --> 01:51:25,080
Speaker 1: it's like our natural, natural instinct. And guys, why am

2074
01:51:25,080 --> 01:51:26,640
Speaker 1: I just same woman? I know both do it and

2075
01:51:26,680 --> 01:51:28,120
Speaker 1: know I was gonna say, I'm about to get so

2076
01:51:28,160 --> 01:51:31,000
Speaker 1: many DMS from guys being like this is so creepy

2077
01:51:31,240 --> 01:51:33,040
Speaker 1: or you know. But to be fair, when I've brought

2078
01:51:33,040 --> 01:51:34,719
Speaker 1: that up on her, when I've been like very protective

2079
01:51:34,760 --> 01:51:36,760
Speaker 1: of them over myself, people will send me like their

2080
01:51:36,760 --> 01:51:40,400
Speaker 1: resume deunder cares my whole life store and I'm like, okay,

2081
01:51:40,400 --> 01:51:43,040
Speaker 1: well that helps, but I'm not going out with you. Yeah.

2082
01:51:43,200 --> 01:51:45,400
Speaker 1: Probably not gonna go out with somebody who just shoots

2083
01:51:45,439 --> 01:51:49,040
Speaker 1: the random DM. But yes, okay, well that was fun.

2084
01:51:49,080 --> 01:51:51,400
Speaker 1: I reber what the question was. It's okay. We were

2085
01:51:51,400 --> 01:51:55,080
Speaker 1: talking about artists that you get excited. Who's dropping new music? Oh? Okay, yeah,

2086
01:51:55,280 --> 01:51:58,200
Speaker 1: we went on. I say Carrie Underwood, Yeah, who would

2087
01:51:58,200 --> 01:52:01,280
Speaker 1: yours be? I want to country? Which is Keith Urban?

2088
01:52:01,680 --> 01:52:04,320
Speaker 1: Love anything Keith Urban does? I just love him great?

2089
01:52:05,400 --> 01:52:09,400
Speaker 1: And then Halsey I love her I have become a

2090
01:52:09,439 --> 01:52:13,240
Speaker 1: pretty big Halsey fan now. She is multi talented, has

2091
01:52:13,360 --> 01:52:17,040
Speaker 1: an insanely vocally talented voice like she so I even

2092
01:52:17,120 --> 01:52:18,720
Speaker 1: think that's a word, but she just is. That just

2093
01:52:18,920 --> 01:52:20,760
Speaker 1: is what it is. You created it. And I saw

2094
01:52:20,760 --> 01:52:22,640
Speaker 1: her perform at our iHeart Festival one time and I

2095
01:52:22,640 --> 01:52:25,639
Speaker 1: was like, oh my goodness, she her magic. I feel

2096
01:52:25,680 --> 01:52:27,360
Speaker 1: like I kind of really got drawn to her when

2097
01:52:27,400 --> 01:52:30,000
Speaker 1: she did that collab with Kelsey and did the CMT

2098
01:52:30,080 --> 01:52:34,240
Speaker 1: Crossroads with her. Oh my gosh, that was so good.

2099
01:52:34,360 --> 01:52:38,040
Speaker 1: That song I think isn't called Color's that name of it? Color? Maybe?

2100
01:52:38,880 --> 01:52:40,560
Speaker 1: I think it's color. I'm not gonna say yes to

2101
01:52:40,600 --> 01:52:42,880
Speaker 1: anything anymore because most of the time I'm wrong. I'm

2102
01:52:42,920 --> 01:52:45,080
Speaker 1: one of that. That's okay, I'm pretty sure it's the

2103
01:52:45,160 --> 01:52:48,280
Speaker 1: name of it. And it is such an amazing song.

2104
01:52:48,920 --> 01:52:51,040
Speaker 1: I love it. I listened to it on repeat now

2105
01:52:51,520 --> 01:52:53,559
Speaker 1: it is. It's great. I've become a very big Halsey

2106
01:52:53,600 --> 01:52:56,120
Speaker 1: fan now. See. And she's great. I mean voice like

2107
01:52:56,560 --> 01:53:00,240
Speaker 1: voice is insanely different and a lot of things out there,

2108
01:53:00,240 --> 01:53:01,680
Speaker 1: and I think that's why I love her so much.

2109
01:53:01,720 --> 01:53:06,559
Speaker 1: And her lyrics are really good too. She's a good writer. Okay,

2110
01:53:06,640 --> 01:53:09,600
Speaker 1: well that was fun. That was a really love tangent. No,

2111
01:53:09,720 --> 01:53:11,880
Speaker 1: it was a good one. I want those You learned

2112
01:53:11,880 --> 01:53:14,400
Speaker 1: a lot about me. All to get back to Brett

2113
01:53:14,400 --> 01:53:19,000
Speaker 1: Eldridge playing an unreleased song, here is him performing I

2114
01:53:19,040 --> 01:53:23,599
Speaker 1: want that back. Number two, The Friday Morning conversation with

2115
01:53:23,920 --> 01:53:26,280
Speaker 1: Brett Eldridge Brett, how are you, Budd? I'm good? How

2116
01:53:26,280 --> 01:53:28,760
Speaker 1: are you doing? I'm doing good? A question for you

2117
01:53:28,760 --> 01:53:30,680
Speaker 1: you being a Cubs fan and just a baseball fan

2118
01:53:30,720 --> 01:53:32,960
Speaker 1: in general. The debate we have on this show is

2119
01:53:32,960 --> 01:53:36,040
Speaker 1: is it okay to wear a jersey? First of all,

2120
01:53:36,080 --> 01:53:40,680
Speaker 1: as an adult man. I did wear an Arkansas Razorbacks

2121
01:53:40,680 --> 01:53:43,840
Speaker 1: baseball jersey to watch Arkansas play, and Kaitlyn was like,

2122
01:53:44,200 --> 01:53:46,160
Speaker 1: are you gonna really wear a jersey? And I was like, yeah,

2123
01:53:46,160 --> 01:53:49,160
Speaker 1: because we're going to a game. That's what a game, right?

2124
01:53:49,520 --> 01:53:51,640
Speaker 1: But first of all, can you wear a jersey to

2125
01:53:51,680 --> 01:53:54,800
Speaker 1: a game as an adult man? Absolutely? Okay? Now can

2126
01:53:54,840 --> 01:53:58,200
Speaker 1: you wear a jersey as an adult man just hanging

2127
01:53:58,240 --> 01:54:02,240
Speaker 1: out like going to like, I don't do that. You

2128
01:54:02,320 --> 01:54:04,439
Speaker 1: don't do that. I mean you can do whatever you want.

2129
01:54:04,479 --> 01:54:06,800
Speaker 1: I don't do that if you saw in a And

2130
01:54:07,000 --> 01:54:08,920
Speaker 1: also I told her too, and you guys can jump

2131
01:54:08,920 --> 01:54:10,960
Speaker 1: in on this. I said, it also matters what sport

2132
01:54:11,000 --> 01:54:12,920
Speaker 1: the jersey is. Like, You're not going to see me

2133
01:54:12,960 --> 01:54:16,200
Speaker 1: wearing a basketball jersey somewhere. Is there just too much arms?

2134
01:54:16,240 --> 01:54:17,800
Speaker 1: There too much action? You can see in this ship.

2135
01:54:17,840 --> 01:54:20,400
Speaker 1: You're not gonna see me wearing a football jersey because

2136
01:54:20,400 --> 01:54:23,639
Speaker 1: it's just too big. But a baseball jersey is almost

2137
01:54:23,720 --> 01:54:26,000
Speaker 1: like a shack it. It's almost like a ship. I mean,

2138
01:54:26,080 --> 01:54:29,559
Speaker 1: especially if it's styled, like if it's like super jersey,

2139
01:54:29,680 --> 01:54:31,880
Speaker 1: Like I don't know, Like there's I think there's vintage

2140
01:54:31,880 --> 01:54:34,600
Speaker 1: ones that I really like. I would wear certain ones,

2141
01:54:34,680 --> 01:54:36,840
Speaker 1: but I don't always do that, but I don't I

2142
01:54:36,880 --> 01:54:39,320
Speaker 1: don't judge anybody for doing that. Here's my next question

2143
01:54:39,360 --> 01:54:42,520
Speaker 1: in fashion, okay, high fashion, here we go. So being

2144
01:54:42,560 --> 01:54:45,200
Speaker 1: now that I'm forty years old, I still have hoodies

2145
01:54:45,280 --> 01:54:47,680
Speaker 1: that I bought before I turned for Is it okay

2146
01:54:47,760 --> 01:54:50,800
Speaker 1: to wear a hoodie at even your age? You thirty five? Now? Yea?

2147
01:54:51,080 --> 01:54:52,760
Speaker 1: Is it okay to wear a hoodie at thirty five?

2148
01:54:52,800 --> 01:54:55,760
Speaker 1: In your opinion? Absolutely okay? I wear lots of those.

2149
01:54:55,840 --> 01:54:59,760
Speaker 1: What about me though? Five six years? Absolutely okay? If

2150
01:54:59,800 --> 01:55:04,360
Speaker 1: you're wearing one now, yes, you can say no, I listen.

2151
01:55:04,400 --> 01:55:06,440
Speaker 1: You can say whatever he wants to say. Hoodie all day.

2152
01:55:06,560 --> 01:55:09,880
Speaker 1: I don't buy new hoodies, but I grandfather them in.

2153
01:55:10,120 --> 01:55:12,520
Speaker 1: I still wear them if I bought them. That's a

2154
01:55:12,520 --> 01:55:14,480
Speaker 1: good call. So I don't go to the store be like,

2155
01:55:14,520 --> 01:55:16,320
Speaker 1: got to get me a new hoodie. But I do

2156
01:55:16,400 --> 01:55:19,920
Speaker 1: own a bunch and I still wear them. It was

2157
01:55:19,920 --> 01:55:21,400
Speaker 1: because if you did buy a new one, you'd wear

2158
01:55:21,440 --> 01:55:23,480
Speaker 1: the same old ones that kids they're more comfortable or whatever,

2159
01:55:23,560 --> 01:55:25,840
Speaker 1: or they're just they have a thing. No. I just

2160
01:55:25,920 --> 01:55:28,320
Speaker 1: feel like I don't need to be buying new hoodies. Okay,

2161
01:55:28,560 --> 01:55:30,120
Speaker 1: I can still wear the ones I had. I don't

2162
01:55:30,160 --> 01:55:33,800
Speaker 1: need to be buying anyone would do. I get it.

2163
01:55:33,840 --> 01:55:37,720
Speaker 1: That's how you visible good. Every time I see you

2164
01:55:37,720 --> 01:55:40,000
Speaker 1: on social media, you're like deep in the woods and

2165
01:55:40,040 --> 01:55:42,680
Speaker 1: I just see your boot. I wonder on those hikes

2166
01:55:42,680 --> 01:55:45,440
Speaker 1: that you take, because it's it's always a stream or

2167
01:55:45,480 --> 01:55:48,720
Speaker 1: a tree or any eagle flying over. Do you ever

2168
01:55:48,800 --> 01:55:52,160
Speaker 1: get inspired to write music though as you're doing these

2169
01:55:52,280 --> 01:55:56,960
Speaker 1: these walks. I mean I hike almost every day. It

2170
01:55:57,000 --> 01:55:58,640
Speaker 1: just kind of gets me out of my head and

2171
01:55:58,840 --> 01:56:03,040
Speaker 1: kind of uh, real stuff, I guess, and it opens

2172
01:56:03,240 --> 01:56:05,640
Speaker 1: opens my mind up a little bit, and uh soa

2173
01:56:05,680 --> 01:56:08,000
Speaker 1: I'll get melodies or something I'll recorded on my phone,

2174
01:56:08,080 --> 01:56:11,680
Speaker 1: or and get ideas and just kind of contemplate and

2175
01:56:12,800 --> 01:56:14,560
Speaker 1: just walk around, look at look at bird, look at

2176
01:56:14,560 --> 01:56:18,080
Speaker 1: eagles up in the sky. Can you name a song

2177
01:56:18,520 --> 01:56:21,000
Speaker 1: that you have written that was inspired by you walking

2178
01:56:21,040 --> 01:56:22,640
Speaker 1: in the woods. I would say a lot of my

2179
01:56:22,680 --> 01:56:24,280
Speaker 1: new ones are, but I wouldn't say, like, there's one

2180
01:56:24,320 --> 01:56:29,040
Speaker 1: that's like I went hiking today. That's a hit. If

2181
01:56:29,040 --> 01:56:32,000
Speaker 1: I heard hiking today, I'll be there'd be a very

2182
01:56:32,040 --> 01:56:34,120
Speaker 1: specific market all the hikers out there. I love it.

2183
01:56:34,240 --> 01:56:38,560
Speaker 1: Birds chirping in the background of the song insert real birds. Yeah,

2184
01:56:38,640 --> 01:56:40,960
Speaker 1: the ones as you were hiking. I kind of liked that.

2185
01:56:40,960 --> 01:56:43,200
Speaker 1: That's the challenge we're giving you for the next three years. Okay,

2186
01:56:43,440 --> 01:56:45,520
Speaker 1: I have to somehow put the word. You have to

2187
01:56:45,560 --> 01:56:48,240
Speaker 1: put some sort of hiking reference. Have you ever put

2188
01:56:48,240 --> 01:56:50,160
Speaker 1: a hiking reference on a song? No, but I should.

2189
01:56:50,200 --> 01:56:54,680
Speaker 1: I mean I think it's very specific. Yeah, but but

2190
01:56:54,720 --> 01:56:57,840
Speaker 1: I mean people love the hi yes, and it can

2191
01:56:57,840 --> 01:57:01,120
Speaker 1: be subtle. It's like, oh, baby, looking your eyes reminds

2192
01:57:01,120 --> 01:57:04,080
Speaker 1: me of when I was hiking in my pot. Yet

2193
01:57:04,360 --> 01:57:09,800
Speaker 1: you're hiking boom there. Yeah, that's all we got right now.

2194
01:57:09,920 --> 01:57:12,080
Speaker 1: Oh yeah, that's all we need though. Hey, that's how

2195
01:57:12,120 --> 01:57:14,640
Speaker 1: you get to the hits. That's what we do. You're talking.

2196
01:57:14,720 --> 01:57:16,720
Speaker 1: You just mentioned something about new music, So are you

2197
01:57:16,760 --> 01:57:21,000
Speaker 1: recording music right now? Yes? What's that plan? Hopefully you

2198
01:57:21,040 --> 01:57:24,680
Speaker 1: get get some stuff, you know, you know, the process

2199
01:57:24,720 --> 01:57:27,840
Speaker 1: can take forever sometimes. But I've written probably aided the

2200
01:57:27,880 --> 01:57:30,760
Speaker 1: songs for my new album already, and now I'm starting

2201
01:57:30,760 --> 01:57:34,080
Speaker 1: to record him. So it's been vocaling him and recording

2202
01:57:34,120 --> 01:57:36,600
Speaker 1: him and so I'm I'm deep in it. And how

2203
01:57:36,680 --> 01:57:39,320
Speaker 1: locked up do these songs live? Because you know, like

2204
01:57:39,320 --> 01:57:40,880
Speaker 1: Taylor Swift will only play them out? Did you ever

2205
01:57:40,880 --> 01:57:42,160
Speaker 1: do you show up at the box and flip it

2206
01:57:42,160 --> 01:57:44,080
Speaker 1: open and be like you can only listen? Oh here

2207
01:57:44,200 --> 01:57:46,920
Speaker 1: like this? You know, I'm a believer that, in fact,

2208
01:57:46,960 --> 01:57:49,640
Speaker 1: if we get time, I'll play I'll play something no

2209
01:57:49,680 --> 01:57:51,920
Speaker 1: one's ever heard today. But like I I like to

2210
01:57:51,960 --> 01:57:53,680
Speaker 1: just get it out there because I like to see

2211
01:57:53,840 --> 01:57:57,080
Speaker 1: how people react to things, and there's there's avenues you

2212
01:57:57,080 --> 01:57:58,480
Speaker 1: get music out there. Now, It's like I want to.

2213
01:57:58,520 --> 01:58:00,840
Speaker 1: I want to. I'm always writing songs, so I want

2214
01:58:00,880 --> 01:58:02,560
Speaker 1: to I want to hear what people think and how

2215
01:58:02,560 --> 01:58:04,760
Speaker 1: they feel from it. What if you played a new

2216
01:58:04,760 --> 01:58:07,520
Speaker 1: song and we reacted in a negative way like we were,

2217
01:58:08,440 --> 01:58:13,200
Speaker 1: and we're like, all wrong. We don't hide it. Well

2218
01:58:13,320 --> 01:58:16,000
Speaker 1: sometimes I mean there's subtle clues like you could if

2219
01:58:16,000 --> 01:58:19,240
Speaker 1: we're like, don't give away all the subtle clues. Sometimes

2220
01:58:19,320 --> 01:58:23,600
Speaker 1: artists come in nervous right now if I something. It's tough.

2221
01:58:23,920 --> 01:58:27,600
Speaker 1: There are things because at times I will not hear

2222
01:58:27,640 --> 01:58:30,240
Speaker 1: an artist until they play on that stage that you're on,

2223
01:58:31,040 --> 01:58:33,440
Speaker 1: and once they play, you realize, oh, they do not

2224
01:58:33,640 --> 01:58:37,840
Speaker 1: sound at the same level as their recording sound. And

2225
01:58:37,880 --> 01:58:39,520
Speaker 1: then it's awkward because I don't even want to look

2226
01:58:39,520 --> 01:58:43,720
Speaker 1: at home until it's over. Yeah, we're like, I won't.

2227
01:58:43,760 --> 01:58:45,400
Speaker 1: I won't let you do. That's tough. Well, why don't

2228
01:58:45,400 --> 01:58:46,920
Speaker 1: you give us all something new? Do you have? The

2229
01:58:46,920 --> 01:58:49,960
Speaker 1: song's memorized already, have a lyric right here? Okay, what's

2230
01:58:50,000 --> 01:58:52,000
Speaker 1: this one called? This one was called I want that back?

2231
01:58:52,360 --> 01:58:54,640
Speaker 1: I want that back? And did you write this? I did?

2232
01:58:54,800 --> 01:58:56,760
Speaker 1: And what was the inspiration of this new song? This

2233
01:58:56,840 --> 01:58:59,920
Speaker 1: inspiration actually came at four am in the middle of night,

2234
01:59:00,120 --> 01:59:02,680
Speaker 1: was kind of in the heat of pandemic times and

2235
01:59:02,760 --> 01:59:07,720
Speaker 1: kind of looking through all the things I don't need

2236
01:59:07,840 --> 01:59:10,360
Speaker 1: my life and could go without, and the things that

2237
01:59:10,440 --> 01:59:12,920
Speaker 1: you want to hold, you know, pull closer, and you know,

2238
01:59:13,000 --> 01:59:15,280
Speaker 1: as as the simple things that that mean a lot,

2239
01:59:15,360 --> 01:59:17,840
Speaker 1: that that I want to hold onto, and the things

2240
01:59:17,840 --> 01:59:19,440
Speaker 1: you want to throw out. And so it's called I

2241
01:59:19,480 --> 01:59:22,360
Speaker 1: want that back. And what room of a house or

2242
01:59:22,360 --> 01:59:23,800
Speaker 1: a bedroom did you write this in? I just want

2243
01:59:23,840 --> 01:59:25,520
Speaker 1: to get the full picture. Are you did you wake

2244
01:59:25,640 --> 01:59:27,000
Speaker 1: up and write it or were you are waking up

2245
01:59:27,080 --> 01:59:30,280
Speaker 1: for this thing? Where four am? It's what almost? And

2246
01:59:30,320 --> 01:59:33,240
Speaker 1: I would I would. I've got this little like old

2247
01:59:33,240 --> 01:59:35,040
Speaker 1: school recorder because I don't put my phone by my

2248
01:59:35,080 --> 01:59:37,640
Speaker 1: bed because then I'll look at it and I'll wake

2249
01:59:37,720 --> 01:59:39,280
Speaker 1: me up and then I'll think about it or something.

2250
01:59:39,280 --> 01:59:41,120
Speaker 1: So I've got this little quarter and what I do

2251
01:59:41,160 --> 01:59:45,200
Speaker 1: as i'll, i'll, i'll. If I have something to pop up,

2252
01:59:45,400 --> 01:59:47,240
Speaker 1: I'll just record it right there. And I had the

2253
01:59:47,280 --> 01:59:49,600
Speaker 1: whole lyrics of this course just kind of show up

2254
01:59:49,640 --> 01:59:51,000
Speaker 1: in the middle of nine. I don't know, it doesn't

2255
01:59:51,000 --> 01:59:53,360
Speaker 1: always have like that, but it just did. And and

2256
01:59:53,400 --> 01:59:56,440
Speaker 1: I had one buddy that I knew was a perfect

2257
01:59:56,480 --> 01:59:58,280
Speaker 1: person to help me finish this because I already wrote

2258
01:59:58,280 --> 02:00:00,800
Speaker 1: the chorus helped me kind of shape the verses a

2259
02:00:00,800 --> 02:00:03,440
Speaker 1: little bit and everything, and and I called him up.

2260
02:00:03,440 --> 02:00:06,280
Speaker 1: His name Scooter Crusoe, and uh, we wrote mean to

2261
02:00:06,320 --> 02:00:07,680
Speaker 1: Me and want to be that song. He's kind of

2262
02:00:07,680 --> 02:00:10,000
Speaker 1: been one of my guys that I've always written with,

2263
02:00:10,040 --> 02:00:12,280
Speaker 1: and I think we got a really special one, but

2264
02:00:12,400 --> 02:00:14,840
Speaker 1: nobody's ever heard it. So here it is. We will

2265
02:00:14,880 --> 02:00:17,440
Speaker 1: be the judge of that bread. Let's see how special

2266
02:00:17,480 --> 02:00:19,640
Speaker 1: it is. Okay, So this is called I'm trying to

2267
02:00:19,640 --> 02:00:21,400
Speaker 1: get the strike because I've never it's called I want

2268
02:00:21,400 --> 02:00:23,480
Speaker 1: that back. I want that back. Written at four am

2269
02:00:23,520 --> 02:00:25,880
Speaker 1: for the most part, Yeah, what were you wearing in bed?

2270
02:00:26,560 --> 02:00:28,760
Speaker 1: Bob Miley T shirt? And uh, you sleep in a

2271
02:00:28,800 --> 02:00:32,440
Speaker 1: T shirt? Yes, staying weirdo. It was we jump on

2272
02:00:32,520 --> 02:00:35,640
Speaker 1: him for I don't sleep in a shirt sometimes when

2273
02:00:35,640 --> 02:00:38,120
Speaker 1: I'm not both, but that night it was probably about

2274
02:00:38,120 --> 02:00:40,320
Speaker 1: Morley T shirt. Let's we'll accept it right here. We

2275
02:00:40,360 --> 02:00:42,560
Speaker 1: get Bob Morley T shirt singing this song. All right,

2276
02:00:42,560 --> 02:00:45,600
Speaker 1: here's I want that back. Here. You can have the

2277
02:00:45,680 --> 02:00:51,320
Speaker 1: small toe, you can have the hey, you can have

2278
02:00:51,440 --> 02:00:54,320
Speaker 1: the check your phone each time you get a little break,

2279
02:00:56,240 --> 02:01:00,080
Speaker 1: and you can have them. Only you can have I

2280
02:01:00,120 --> 02:01:03,760
Speaker 1: have the bank. You can have the TV full of

2281
02:01:03,880 --> 02:01:08,720
Speaker 1: stations to tell you how the thing. But the smell

2282
02:01:08,840 --> 02:01:13,360
Speaker 1: of old wood, bleaches in the wood at hometime, preachers

2283
02:01:13,440 --> 02:01:19,280
Speaker 1: being rich with her in a cheap six bag. Yeah,

2284
02:01:19,400 --> 02:01:24,080
Speaker 1: the shine of a new summer, barefoot baseball with my brother,

2285
02:01:24,200 --> 02:01:29,960
Speaker 1: the first time freedom with the windows cray. I want

2286
02:01:30,000 --> 02:01:37,920
Speaker 1: that bank. That's really good. Man had really good over

2287
02:01:38,040 --> 02:01:41,200
Speaker 1: my eyes. Give me the look, give it a grammy.

2288
02:01:41,240 --> 02:01:44,600
Speaker 1: That good dang dune. That's a good one. Anybody else

2289
02:01:44,640 --> 02:01:47,920
Speaker 1: get emotional? Oh yeah, goose bumps? Uh yeah, me too.

2290
02:01:47,960 --> 02:01:49,840
Speaker 1: I felt that yeah in my forearms usually some of

2291
02:01:49,880 --> 02:01:53,840
Speaker 1: my thighs. As I started to think about where they

2292
02:01:53,920 --> 02:01:59,160
Speaker 1: hit me. It kind of have my forearms. I mean, okay, okay, yeah,

2293
02:01:59,200 --> 02:02:01,120
Speaker 1: I mean God, get the the voice of an angel.

2294
02:02:01,240 --> 02:02:03,200
Speaker 1: Thank you? Do you ever just look up and go, yo, dude,

2295
02:02:03,200 --> 02:02:07,280
Speaker 1: appreciate that I did. Sometimes that's weird. I don't understand

2296
02:02:07,280 --> 02:02:08,480
Speaker 1: how I got it, but I got it, and I'm

2297
02:02:08,480 --> 02:02:10,760
Speaker 1: glad to have it, and I feel very fortunate. So

2298
02:02:10,960 --> 02:02:12,840
Speaker 1: I'm trying to belt it out right here. Why did

2299
02:02:12,840 --> 02:02:16,080
Speaker 1: I not get it? You know, have you got other things? Man?

2300
02:02:16,200 --> 02:02:17,680
Speaker 1: I think that about a lot of people that come

2301
02:02:17,680 --> 02:02:22,960
Speaker 1: in here. It's easy to get envious of that. It's

2302
02:02:22,960 --> 02:02:25,720
Speaker 1: a brand new song from Brett Eldridge. When will people

2303
02:02:25,800 --> 02:02:27,920
Speaker 1: it just your best guests here? When do you think

2304
02:02:27,960 --> 02:02:29,600
Speaker 1: people will be able to hear the version of that

2305
02:02:29,640 --> 02:02:33,080
Speaker 1: from a studio? A month? Two months, I would hope

2306
02:02:33,080 --> 02:02:36,480
Speaker 1: in the next few months. Really, it's a good one.

2307
02:02:36,720 --> 02:02:40,560
Speaker 1: The Friday morning conversation with Brett Eldridge going out on

2308
02:02:40,600 --> 02:02:43,000
Speaker 1: the good day. The American tour dates, that means there

2309
02:02:43,040 --> 02:02:45,800
Speaker 1: are European dates too, so you're gonna go be basically

2310
02:02:45,840 --> 02:02:48,720
Speaker 1: most of may You know what when you go somewhere

2311
02:02:48,760 --> 02:02:51,800
Speaker 1: like the UK, like, how are you received? There? Is it?

2312
02:02:52,640 --> 02:02:55,520
Speaker 1: Here's an American who sings country music. Let's go explore him?

2313
02:02:55,560 --> 02:02:57,360
Speaker 1: Or are they like, oh my gosh, Brett eld are

2314
02:02:57,400 --> 02:03:00,400
Speaker 1: just coming. It is such a for me. It's like

2315
02:03:00,440 --> 02:03:02,200
Speaker 1: the excitement of like when you get your first hit

2316
02:03:02,280 --> 02:03:04,320
Speaker 1: or a song it's even starting to get played, and

2317
02:03:04,440 --> 02:03:07,400
Speaker 1: people get so excited because you know, they get to

2318
02:03:07,440 --> 02:03:10,880
Speaker 1: discover it first or something. And when you go, you know,

2319
02:03:11,120 --> 02:03:15,280
Speaker 1: thousands of miles you know, away from home and play music,

2320
02:03:15,280 --> 02:03:17,080
Speaker 1: I just feel like there's so much appreciation. So I

2321
02:03:18,080 --> 02:03:20,480
Speaker 1: continue to want to go back, you know every year

2322
02:03:20,480 --> 02:03:23,360
Speaker 1: that I can, and so it is really it's really cool.

2323
02:03:23,560 --> 02:03:25,120
Speaker 1: Is it weird to go places and they sing your

2324
02:03:25,120 --> 02:03:27,640
Speaker 1: songs back when they don't even speak your language, because

2325
02:03:27,680 --> 02:03:31,640
Speaker 1: I think that will be yes, absolutely, like well but great.

2326
02:03:32,040 --> 02:03:36,680
Speaker 1: I played in Berlin and I remember playing up there,

2327
02:03:36,720 --> 02:03:38,240
Speaker 1: and I remember like being in meet and greets and

2328
02:03:38,240 --> 02:03:41,000
Speaker 1: stuff and a lot of people didn't speak English. But

2329
02:03:41,280 --> 02:03:42,640
Speaker 1: then I'd look out in the crowd and be like,

2330
02:03:42,680 --> 02:03:45,160
Speaker 1: all these people are speaking English perfectly fine right now

2331
02:03:45,160 --> 02:03:46,840
Speaker 1: and they're singing it. So's it's pretty cool. I think

2332
02:03:46,840 --> 02:03:48,960
Speaker 1: it's it's a special thing to be able to have that.

2333
02:03:49,240 --> 02:03:52,000
Speaker 1: If your record label came to you today and they said, hey, Brett,

2334
02:03:52,320 --> 02:03:53,640
Speaker 1: we heard you play the new song that you just

2335
02:03:53,640 --> 02:03:55,800
Speaker 1: played on the bibone show. We really feel great about

2336
02:03:55,800 --> 02:03:57,520
Speaker 1: this album. We've heard some tracks, but we really need

2337
02:03:57,560 --> 02:04:00,360
Speaker 1: you to post a shirtless pick to promote record on

2338
02:04:00,400 --> 02:04:02,640
Speaker 1: the tour. They came to him, pulled you aside, and

2339
02:04:02,680 --> 02:04:05,880
Speaker 1: so we need you to go shirtless. What what is

2340
02:04:05,920 --> 02:04:09,200
Speaker 1: this question I'm asking if you If they came, it'll

2341
02:04:09,240 --> 02:04:10,680
Speaker 1: be uncomfortable, but they were like, hey, we really need

2342
02:04:10,720 --> 02:04:12,880
Speaker 1: to go full sex of pilled. Would you would you

2343
02:04:12,960 --> 02:04:15,600
Speaker 1: post a shirtless picture like on the front of your record.

2344
02:04:15,640 --> 02:04:18,080
Speaker 1: Would you do that? Would you be? Hell? No, no,

2345
02:04:19,360 --> 02:04:24,040
Speaker 1: I could that I could ever live at that? Why?

2346
02:04:24,920 --> 02:04:26,840
Speaker 1: I don't know. I just you know, I'm always working out,

2347
02:04:26,960 --> 02:04:28,839
Speaker 1: trying to I'm trying to get better, but I want

2348
02:04:28,680 --> 02:04:29,880
Speaker 1: don't I don't want. I don't want to see that.

2349
02:04:30,120 --> 02:04:31,640
Speaker 1: No one else wants to see that. What is the

2350
02:04:31,680 --> 02:04:35,520
Speaker 1: Brett Eldridge workout routine? I left about four days a

2351
02:04:35,600 --> 02:04:39,800
Speaker 1: week and then I like, h like, I'm trying to

2352
02:04:39,840 --> 02:04:41,560
Speaker 1: I'm trying to put on some weight. So I'm just

2353
02:04:41,600 --> 02:04:47,240
Speaker 1: slifting weights and and uh cycling for cardio. Yeah, but

2354
02:04:47,360 --> 02:04:48,920
Speaker 1: trying to put all weight. You have trouble putting all

2355
02:04:48,920 --> 02:04:51,880
Speaker 1: weight well. Last year during the quarantine, I ran the

2356
02:04:51,880 --> 02:04:54,160
Speaker 1: whole time and I didn't go to gyms, and so

2357
02:04:54,200 --> 02:04:56,640
Speaker 1: I just lost a ton of weight. Was running like crazy,

2358
02:04:56,680 --> 02:04:59,080
Speaker 1: which was good for my mind. But then I was like, God,

2359
02:04:59,080 --> 02:05:01,720
Speaker 1: I'm kind of skinny. So I've been trying to eat

2360
02:05:01,720 --> 02:05:04,080
Speaker 1: a lot more. And I mean I'm always eating healthy,

2361
02:05:04,120 --> 02:05:07,760
Speaker 1: but eat more and and liftoids and and uh and

2362
02:05:07,800 --> 02:05:09,280
Speaker 1: make sure I get a lot of cardio and for

2363
02:05:10,080 --> 02:05:12,760
Speaker 1: my heart. Must just want to feel good. So where

2364
02:05:12,760 --> 02:05:14,520
Speaker 1: about going back on stage and not having your air

2365
02:05:14,600 --> 02:05:17,080
Speaker 1: like if you're singing all these songs. Yeah, it's a

2366
02:05:17,120 --> 02:05:18,960
Speaker 1: big part. I mean you can, like Beyon I've been

2367
02:05:19,000 --> 02:05:21,840
Speaker 1: swimming a lot and uh and I also do these.

2368
02:05:22,160 --> 02:05:24,440
Speaker 1: I do the cold showers in the morning and I

2369
02:05:24,560 --> 02:05:30,400
Speaker 1: do that. Did anybody else? Anybody else? Guessers? Do you

2370
02:05:30,400 --> 02:05:32,320
Speaker 1: do like that? As cold as it goes? Yeah, as

2371
02:05:32,320 --> 02:05:35,360
Speaker 1: cold as I can possibly get it, sometimes at least

2372
02:05:35,400 --> 02:05:37,480
Speaker 1: three minutes. So you do the three minutes. So I

2373
02:05:37,520 --> 02:05:39,920
Speaker 1: did this morning three minutes. If there was like a

2374
02:05:39,960 --> 02:05:41,600
Speaker 1: mystery murder in town, I would go, well, let's go

2375
02:05:41,600 --> 02:05:44,400
Speaker 1: look at Brett and Amy because they're psychopaths in other ways.

2376
02:05:44,200 --> 02:05:46,280
Speaker 1: That's why I heard a whim Hoff. Have you heard

2377
02:05:46,320 --> 02:05:49,320
Speaker 1: of that guy? No? So he's this this Dutch guy

2378
02:05:49,400 --> 02:05:53,120
Speaker 1: that um teaches like this breathing and then this technique

2379
02:05:53,120 --> 02:05:55,720
Speaker 1: to where you can go in and withstand crazy cold

2380
02:05:55,720 --> 02:05:58,880
Speaker 1: temperatures by doing this technique. You gotta watch it, just

2381
02:05:59,120 --> 02:06:04,160
Speaker 1: look it up. It's I don't think I will someone whatsoever,

2382
02:06:04,320 --> 02:06:05,840
Speaker 1: you know, you know, I mean I'm always very open

2383
02:06:05,880 --> 02:06:08,520
Speaker 1: about like anxieties and stuff like the Cold Show really

2384
02:06:08,520 --> 02:06:11,800
Speaker 1: helps pop me out of like a weird state or

2385
02:06:12,160 --> 02:06:14,560
Speaker 1: have you done cryotherapy? That box you get into this

2386
02:06:14,600 --> 02:06:17,720
Speaker 1: freezing Okay, you know that? He said therapy Like I

2387
02:06:18,200 --> 02:06:21,680
Speaker 1: started going like maybe six or seven months ago, and

2388
02:06:21,720 --> 02:06:23,520
Speaker 1: it was my three minutes of some people going there

2389
02:06:23,560 --> 02:06:25,480
Speaker 1: they want to listen to music and dance out, and

2390
02:06:25,600 --> 02:06:27,400
Speaker 1: I go in and I'm like, no music, just put

2391
02:06:27,440 --> 02:06:29,120
Speaker 1: me in the box, and I come out like a

2392
02:06:29,200 --> 02:06:33,440
Speaker 1: better in a better mental state like mine. For injuries,

2393
02:06:33,480 --> 02:06:35,280
Speaker 1: I'd never felt like I'm going to be a better person.

2394
02:06:35,720 --> 02:06:37,960
Speaker 1: Oh well, I mean I would. I went and I

2395
02:06:38,000 --> 02:06:40,320
Speaker 1: was coming out like mentally better. So in a way,

2396
02:06:40,360 --> 02:06:42,680
Speaker 1: that is a different injury, you know what I mean.

2397
02:06:42,720 --> 02:06:45,000
Speaker 1: It's not like a muscle recovery, but it's like an

2398
02:06:45,000 --> 02:06:49,920
Speaker 1: emotional maybe anxiety or I'm with you type regy. Okay,

2399
02:06:49,960 --> 02:06:54,120
Speaker 1: well listen, thanks, we're going to do some breathing everyone

2400
02:06:54,320 --> 02:06:55,800
Speaker 1: when you go. Have you started walking on your set

2401
02:06:55,880 --> 02:06:58,680
Speaker 1: list at all? For when you Literally yesterday my my

2402
02:06:58,720 --> 02:07:00,720
Speaker 1: bandleader called me, it's like a right, let's get this set.

2403
02:07:00,760 --> 02:07:02,600
Speaker 1: Let's going, which makes me so nervous to do that

2404
02:07:02,880 --> 02:07:04,640
Speaker 1: because I used you don't have to pick through a

2405
02:07:04,680 --> 02:07:08,200
Speaker 1: lot of songs and what's the first song back? Like

2406
02:07:08,320 --> 02:07:10,640
Speaker 1: the first opening song. It's the first it's you. You're

2407
02:07:10,640 --> 02:07:12,800
Speaker 1: walking on stage first time in a year. I mean,

2408
02:07:12,840 --> 02:07:14,960
Speaker 1: I think it's gotta be I mean, it's a good day.

2409
02:07:14,960 --> 02:07:17,160
Speaker 1: Tis it's gonna be good day. I don't know why

2410
02:07:17,120 --> 02:07:19,520
Speaker 1: I would it fuse so you start with that, I think,

2411
02:07:19,560 --> 02:07:22,400
Speaker 1: so this is set like a positive mood. What's what

2412
02:07:22,440 --> 02:07:24,440
Speaker 1: are you close with? I don't know. We need to

2413
02:07:24,480 --> 02:07:30,880
Speaker 1: figure this out now. We gotta moin. I mean, okay,

2414
02:07:30,920 --> 02:07:32,240
Speaker 1: let me think what I would if I were going

2415
02:07:32,280 --> 02:07:34,360
Speaker 1: to your show. You just I don't think you're gonna

2416
02:07:34,400 --> 02:07:37,440
Speaker 1: like my answer. That's it because when you look back,

2417
02:07:37,600 --> 02:07:41,000
Speaker 1: I'm sure you're tired of playing. That's not tired. But

2418
02:07:41,040 --> 02:07:42,280
Speaker 1: I'm sure if you got to pick, you would play.

2419
02:07:42,320 --> 02:07:44,080
Speaker 1: The new stuff gets more exciting as an artist, right

2420
02:07:44,280 --> 02:07:46,080
Speaker 1: because you were living a different life whenever you put

2421
02:07:46,080 --> 02:07:49,360
Speaker 1: Don't You out? Yeah? Absolutely? But however, I think you

2422
02:07:49,800 --> 02:07:51,840
Speaker 1: close on don't You that's thought about song and close

2423
02:07:51,880 --> 02:07:55,800
Speaker 1: on just because it's big, it's upbeat? Yeah, actual baby,

2424
02:07:56,640 --> 02:07:59,880
Speaker 1: I mean the right to close that the music. That

2425
02:08:00,040 --> 02:08:02,000
Speaker 1: was a good one to close with. Um, but maybe

2426
02:08:02,440 --> 02:08:04,920
Speaker 1: that's not a bad thought. My running run when I

2427
02:08:04,920 --> 02:08:08,080
Speaker 1: wrote the flag pole for me do you ever not

2428
02:08:08,120 --> 02:08:12,120
Speaker 1: play a hit? Oh I did that one time. It

2429
02:08:12,160 --> 02:08:17,720
Speaker 1: didn't go well, no, does it all? Why did you

2430
02:08:17,800 --> 02:08:20,440
Speaker 1: not play? I think one time we just screwed up

2431
02:08:20,560 --> 02:08:22,800
Speaker 1: or something and we forgot to add like and I

2432
02:08:22,920 --> 02:08:24,320
Speaker 1: played mean to Me every time, but it was like

2433
02:08:24,360 --> 02:08:27,520
Speaker 1: mean to me or something, you know, And and it's

2434
02:08:27,520 --> 02:08:29,120
Speaker 1: one of my favorite songs I played, and somehow it

2435
02:08:29,160 --> 02:08:31,880
Speaker 1: slipped to our, you know, just writing the set list

2436
02:08:31,920 --> 02:08:33,520
Speaker 1: because I like to I'd like to switch it up,

2437
02:08:33,920 --> 02:08:35,720
Speaker 1: and uh, I think I forgot it that night and

2438
02:08:35,720 --> 02:08:37,320
Speaker 1: we were like, man, something didn't feel right, Like there's

2439
02:08:37,360 --> 02:08:38,760
Speaker 1: a moment in the show that we didn't have and

2440
02:08:38,760 --> 02:08:40,760
Speaker 1: it was that and so many people were like, that

2441
02:08:40,840 --> 02:08:43,800
Speaker 1: was our wedding song. Oh man, can you imagine you

2442
02:08:43,880 --> 02:08:45,920
Speaker 1: go to here one song and don't play it. So

2443
02:08:45,960 --> 02:08:47,360
Speaker 1: if you come to the Good Day tour, I will

2444
02:08:47,360 --> 02:08:50,880
Speaker 1: remember every song, I promise, And if not, h I'm sorry.

2445
02:08:51,000 --> 02:08:53,480
Speaker 1: Will you play the Long Way? Yeah? Because that is

2446
02:08:53,560 --> 02:08:55,360
Speaker 1: not not here? I mean, if you play now, that's going.

2447
02:08:55,640 --> 02:08:57,200
Speaker 1: But I'm saying, will you play that on tour because

2448
02:08:57,200 --> 02:08:59,640
Speaker 1: that's my favorite song? Yes you willhood you're committed. I

2449
02:08:59,680 --> 02:09:01,320
Speaker 1: like to. I like to break that one down sometimes

2450
02:09:01,360 --> 02:09:03,440
Speaker 1: it's played acoustic. Well, lucky for us, that's what he's

2451
02:09:03,480 --> 02:09:05,000
Speaker 1: doing here. Yeah, well you play us some of the

2452
02:09:05,040 --> 02:09:08,240
Speaker 1: long lay. Yeah, alright, okay, let's I'll bring you right

2453
02:09:08,280 --> 02:09:10,880
Speaker 1: into it. Just to take a trip around around your town.

2454
02:09:10,960 --> 02:09:14,320
Speaker 1: Right here we go. Don't think I've ever seen your

2455
02:09:14,520 --> 02:09:23,160
Speaker 1: kind pretty wandering around this midnight my house. See you

2456
02:09:23,320 --> 02:09:28,960
Speaker 1: gotta look that says you got it all good. So

2457
02:09:29,200 --> 02:09:32,640
Speaker 1: if you don't mind that light to know, you better

2458
02:09:33,640 --> 02:09:39,720
Speaker 1: see me the long way around you town. Were you

2459
02:09:40,160 --> 02:09:46,640
Speaker 1: the queen with the suver crown? I want to secrets

2460
02:09:46,800 --> 02:09:52,920
Speaker 1: you key the shine underneat of the damnon. I think

2461
02:09:53,120 --> 02:10:07,760
Speaker 1: God just found see me the long way right? I

2462
02:10:07,840 --> 02:10:09,480
Speaker 1: wonder if you had chased that big note this early

2463
02:10:09,480 --> 02:10:14,160
Speaker 1: in the morning. He did, He chased it. Just gotta

2464
02:10:14,160 --> 02:10:19,480
Speaker 1: show up and do it. Let's live. Brett Eldridge is here, listen.

2465
02:10:19,560 --> 02:10:21,600
Speaker 1: Tickets for the Good Day Tour go on sale today

2466
02:10:21,640 --> 02:10:23,760
Speaker 1: at ten am local time. Wherever you are, go to

2467
02:10:23,920 --> 02:10:26,120
Speaker 1: Brett Eldridge dot com and get tickets. It will be

2468
02:10:26,160 --> 02:10:28,360
Speaker 1: a fantastic show, not just with Brett, but he got

2469
02:10:28,400 --> 02:10:30,760
Speaker 1: a pretty powerful opening act too. Usually for an opening

2470
02:10:30,760 --> 02:10:32,400
Speaker 1: act to get somebody that people never heard of you

2471
02:10:32,440 --> 02:10:34,040
Speaker 1: had you give a couple of bucks and go, hey,

2472
02:10:34,080 --> 02:10:36,760
Speaker 1: go do good job. You got Morgan. Alang, that's awesome.

2473
02:10:37,000 --> 02:10:39,720
Speaker 1: Hell yeah, yeah, can wait all right go Brett Eldridge

2474
02:10:39,720 --> 02:10:42,720
Speaker 1: dot Com. Good to see you. Much success as always,

2475
02:10:42,800 --> 02:10:45,520
Speaker 1: the new song is fantastic. We love it. I just

2476
02:10:45,600 --> 02:10:47,600
Speaker 1: looked at number one on the chart. Already good and

2477
02:10:47,680 --> 02:10:49,400
Speaker 1: it only has been here on the show. Yeah, it's

2478
02:10:49,440 --> 02:10:54,240
Speaker 1: been great, all right, there he has, Brett Eldridge. It's

2479
02:10:54,320 --> 02:10:57,800
Speaker 1: the best bits of the week. With Morgan number two

2480
02:10:59,160 --> 02:11:02,160
Speaker 1: coming in at number one, everybody was geeking out when

2481
02:11:02,200 --> 02:11:05,000
Speaker 1: they came on the show. This is three Doors Down.

2482
02:11:05,080 --> 02:11:08,000
Speaker 1: They performed so many of their big hits, Kryptonite, Loser,

2483
02:11:08,240 --> 02:11:10,760
Speaker 1: when I'm Gone, be like that, and it was all

2484
02:11:10,800 --> 02:11:14,200
Speaker 1: like acoustic versions and it still sounded so good. This

2485
02:11:14,440 --> 02:11:17,960
Speaker 1: one seriously got you guys so excited online, So of

2486
02:11:18,040 --> 02:11:20,200
Speaker 1: course I had to have it at number one. So

2487
02:11:20,480 --> 02:11:24,640
Speaker 1: here is three Doors Down number one. The Friday Morning

2488
02:11:24,720 --> 02:11:28,520
Speaker 1: Conversation with Three Doors. I'm a big fan of these guys.

2489
02:11:29,080 --> 02:11:32,360
Speaker 1: You guys good, Yes, are good, because I'm good. You

2490
02:11:32,400 --> 02:11:34,080
Speaker 1: have so many number one songs and we're gonna get

2491
02:11:34,080 --> 02:11:35,800
Speaker 1: to some music in a second. But Brad whence the

2492
02:11:35,880 --> 02:11:37,760
Speaker 1: last time you guys actually played for people in a room.

2493
02:11:38,200 --> 02:11:40,160
Speaker 1: It has been quite a while since we played for

2494
02:11:40,240 --> 02:11:42,720
Speaker 1: some people in a room like this, and uh, it's

2495
02:11:42,960 --> 02:11:46,680
Speaker 1: it's it's always been a little bit different to do it,

2496
02:11:46,840 --> 02:11:49,200
Speaker 1: but it's actually it's really cool to be sitting here

2497
02:11:49,240 --> 02:11:51,080
Speaker 1: doing it because it's fresh and it's been so long

2498
02:11:51,120 --> 02:11:53,520
Speaker 1: since we've done it. That's I'm kind of looking forward

2499
02:11:53,520 --> 02:11:55,360
Speaker 1: to it. But I was honestly nervous this morning when

2500
02:11:55,360 --> 02:11:56,880
Speaker 1: I got up to come in. Why would you get

2501
02:11:57,000 --> 02:11:58,440
Speaker 1: You and I know each other at this point too,

2502
02:11:58,480 --> 02:12:00,240
Speaker 1: so it's not like we're meeting for the first time,

2503
02:12:00,760 --> 02:12:02,480
Speaker 1: but why would you bean? Is it because you haven't

2504
02:12:02,560 --> 02:12:05,360
Speaker 1: sang in a while? It's because we haven't sang in

2505
02:12:05,400 --> 02:12:07,440
Speaker 1: a year. And it's probably the biggest radio show in

2506
02:12:07,440 --> 02:12:11,880
Speaker 1: the Conte No pressure listen. I'm just such a big

2507
02:12:11,960 --> 02:12:15,320
Speaker 1: fan and so um, you know, you guys all coming

2508
02:12:15,360 --> 02:12:17,480
Speaker 1: in together this means the world. So thank you guys

2509
02:12:17,520 --> 02:12:19,160
Speaker 1: for waking up early and singing, because I know it's

2510
02:12:19,160 --> 02:12:20,760
Speaker 1: as famous rock band, you don't want to wake up

2511
02:12:20,760 --> 02:12:23,240
Speaker 1: early in the morning. You know it's our early in

2512
02:12:23,280 --> 02:12:25,440
Speaker 1: the morning, So I appreciate that. So where do we

2513
02:12:25,600 --> 02:12:28,840
Speaker 1: start um. You guys, the record has been out now

2514
02:12:28,920 --> 02:12:31,520
Speaker 1: what twenty years years? And I did see that you

2515
02:12:31,600 --> 02:12:34,640
Speaker 1: guys were gonna play you know, the Better Life all

2516
02:12:34,680 --> 02:12:37,240
Speaker 1: the way through from track one to track How many

2517
02:12:37,280 --> 02:12:39,600
Speaker 1: tracks are on that record? I think eleven, I believe so.

2518
02:12:39,760 --> 02:12:42,120
Speaker 1: But track one is kryptonite. And do you start off

2519
02:12:42,160 --> 02:12:45,840
Speaker 1: with the big song? I think we're going to dang.

2520
02:12:45,880 --> 02:12:47,400
Speaker 1: The crowd is gonna be like, all right, we're ready

2521
02:12:47,400 --> 02:12:49,000
Speaker 1: to get warmed at whoa, this is the big one.

2522
02:12:49,640 --> 02:12:51,760
Speaker 1: It's gonna be you know, it's it's a little bit different,

2523
02:12:51,800 --> 02:12:53,440
Speaker 1: but we've done it every year. We you know, we

2524
02:12:53,520 --> 02:12:56,200
Speaker 1: have a Better Life foundation and every year we play

2525
02:12:56,200 --> 02:12:57,880
Speaker 1: a show for that, and we actually tried this out

2526
02:12:57,920 --> 02:13:00,600
Speaker 1: of doing the record and we're done way the song, right,

2527
02:13:00,960 --> 02:13:03,200
Speaker 1: and so we just started that record, which you know,

2528
02:13:03,280 --> 02:13:05,120
Speaker 1: it has here without You, which is another one of

2529
02:13:05,120 --> 02:13:07,640
Speaker 1: our big songs, and it's like at best put that

2530
02:13:07,720 --> 02:13:10,320
Speaker 1: song on, like the fourth fits on the set. But

2531
02:13:10,440 --> 02:13:12,080
Speaker 1: it was just so cool and it was kind of

2532
02:13:12,160 --> 02:13:15,200
Speaker 1: inspired by several years ago we went out on tour

2533
02:13:15,280 --> 02:13:18,200
Speaker 1: with Aerosmith and they and it wasn't like a like

2534
02:13:18,320 --> 02:13:20,520
Speaker 1: an anniversary for the record or anything, but they came

2535
02:13:20,560 --> 02:13:22,040
Speaker 1: out and they played their hits and all, but they

2536
02:13:22,040 --> 02:13:23,920
Speaker 1: played the entire record of Toys in the attic and

2537
02:13:23,960 --> 02:13:26,560
Speaker 1: it was so awesome, and it was just it's just

2538
02:13:26,960 --> 02:13:28,360
Speaker 1: we've done it for the Better Life that year, and

2539
02:13:28,400 --> 02:13:29,760
Speaker 1: it was just so fun to do that. It would

2540
02:13:29,760 --> 02:13:31,320
Speaker 1: be fun to do this year. I think, let me

2541
02:13:31,360 --> 02:13:40,320
Speaker 1: hear a clup, Raymond, up Here Without You? I big

2542
02:13:40,440 --> 02:13:42,200
Speaker 1: was this song for you guys, Here Without You? Because

2543
02:13:42,240 --> 02:13:43,400
Speaker 1: I heard it. I heard it and played it on

2544
02:13:43,440 --> 02:13:45,400
Speaker 1: the radio. It felt like every five minutes. It was

2545
02:13:45,440 --> 02:13:47,640
Speaker 1: a monster. That was a big song. And it was

2546
02:13:47,680 --> 02:13:50,720
Speaker 1: a really important song for us too, because you know,

2547
02:13:50,840 --> 02:13:53,160
Speaker 1: after the success of the Better Life record, which was

2548
02:13:53,320 --> 02:13:55,400
Speaker 1: I mean, by the grace of God, it had it

2549
02:13:55,520 --> 02:13:57,720
Speaker 1: had four hits on it, which was really a blessing too,

2550
02:13:57,760 --> 02:13:59,440
Speaker 1: because you know, if it if we would have only

2551
02:13:59,480 --> 02:14:01,720
Speaker 1: had Krypton night, that would have been it, you know, obviously,

2552
02:14:01,880 --> 02:14:04,560
Speaker 1: but if it's really hard to kind of follow up

2553
02:14:04,560 --> 02:14:06,480
Speaker 1: a song like that and then to follow up a record,

2554
02:14:06,720 --> 02:14:08,640
Speaker 1: and so Here Without You and when I'm going off

2555
02:14:08,680 --> 02:14:11,760
Speaker 1: the off the second record really were important for kind

2556
02:14:11,760 --> 02:14:15,160
Speaker 1: of like launching us and kind of for lack of

2557
02:14:15,200 --> 02:14:17,920
Speaker 1: a better way of putting just cruise control in a way.

2558
02:14:18,000 --> 02:14:20,560
Speaker 1: You know. Whenever I think two or three years ago,

2559
02:14:20,680 --> 02:14:22,040
Speaker 1: we do a big charity show, Eddie and I do

2560
02:14:22,120 --> 02:14:23,880
Speaker 1: the Raging Idiots million dollars show, and I was like, dang,

2561
02:14:23,880 --> 02:14:25,200
Speaker 1: you know it would be awesome. Brow would co out

2562
02:14:25,200 --> 02:14:27,280
Speaker 1: and seeing Kryptonite we play it, and then I was

2563
02:14:27,360 --> 02:14:28,960
Speaker 1: nervous when you showed out because I was like, oh,

2564
02:14:29,120 --> 02:14:31,640
Speaker 1: because we're doing like the background vocals, we're playing the guitar,

2565
02:14:32,160 --> 02:14:33,840
Speaker 1: and we come out and it was we played at

2566
02:14:33,840 --> 02:14:36,120
Speaker 1: the rhymean and it was really one of the highlights

2567
02:14:36,200 --> 02:14:38,440
Speaker 1: of what we've been able to do. So so that's

2568
02:14:38,440 --> 02:14:40,040
Speaker 1: where we met the first time. I think it is

2569
02:14:40,160 --> 02:14:42,000
Speaker 1: it is man. I had fun that night too. I

2570
02:14:42,200 --> 02:14:44,440
Speaker 1: was nervous too, and then he wrote a check at

2571
02:14:44,480 --> 02:14:45,520
Speaker 1: then he's like, and then I want to give you

2572
02:14:45,560 --> 02:14:48,160
Speaker 1: ten thousand dollars and I spent I bought a new jacket.

2573
02:14:48,680 --> 02:14:51,640
Speaker 1: That's awesome gas. Yeah yeah, um, would you guys mind

2574
02:14:51,640 --> 02:14:53,800
Speaker 1: because we're gonna talk and play music both. Do you

2575
02:14:53,880 --> 02:14:55,520
Speaker 1: feel like you're warm enough? Can you guys vocals? Warm?

2576
02:14:55,600 --> 02:14:57,360
Speaker 1: You good? I think so pretty good? Can we hear

2577
02:14:57,360 --> 02:14:59,040
Speaker 1: a little verse and chorus of Kryptonite? Like we go

2578
02:14:59,120 --> 02:15:00,600
Speaker 1: to the show. It's the first on the crowd. We're

2579
02:15:00,600 --> 02:15:04,640
Speaker 1: all there, We're all naked. Here's three doors down and

2580
02:15:05,040 --> 02:15:21,280
Speaker 1: Kryptonite a lot too, can walk around the world. Two's

2581
02:15:21,400 --> 02:15:26,040
Speaker 1: my trouble mind. I love my money lying somewhere in

2582
02:15:26,240 --> 02:15:29,640
Speaker 1: the sandy time. Now I watch the world folks to

2583
02:15:29,920 --> 02:15:33,840
Speaker 1: the dark side of the man. But I feel there's

2584
02:15:33,920 --> 02:15:49,400
Speaker 1: nothing I can do. I watch the world thro to

2585
02:15:49,720 --> 02:15:54,520
Speaker 1: the dark side of the moon. After all, I knew

2586
02:15:54,560 --> 02:15:59,080
Speaker 1: it had to be something, do it. I really don't

2587
02:15:59,240 --> 02:16:09,400
Speaker 1: mind it happens now. And then a fan if crazy

2588
02:16:09,640 --> 02:16:17,240
Speaker 1: man used to call me super Man. Well in my

2589
02:16:17,440 --> 02:16:33,320
Speaker 1: hand side christ Night, Come on man, that's great. That's awesome. Man.

2590
02:16:33,480 --> 02:16:35,640
Speaker 1: How does that feel to sing again with people watching clapping?

2591
02:16:35,760 --> 02:16:37,640
Speaker 1: It feels good. Yeah. I feel like us too. We

2592
02:16:37,720 --> 02:16:40,360
Speaker 1: like to clap. Sitting here trying that switt How that

2593
02:16:40,520 --> 02:16:44,120
Speaker 1: that song? If? If I'm familiar here, like that song

2594
02:16:44,320 --> 02:16:46,680
Speaker 1: kind of became a hit locally first and kind of

2595
02:16:46,720 --> 02:16:49,360
Speaker 1: spread that way? It did it? Did? Man? Um it

2596
02:16:50,000 --> 02:16:53,120
Speaker 1: Our local radio station down in Bloxi, Mississippi played the

2597
02:16:53,200 --> 02:16:56,879
Speaker 1: song for us and um after just after playing locally,

2598
02:16:57,120 --> 02:16:59,120
Speaker 1: like like I said, and begging them to play the

2599
02:16:59,200 --> 02:17:01,000
Speaker 1: song and going on the radio station and playing on

2600
02:17:01,080 --> 02:17:03,880
Speaker 1: the local on the local show that they had once

2601
02:17:03,959 --> 02:17:05,879
Speaker 1: a month there, and it just really kind of happened

2602
02:17:05,920 --> 02:17:07,600
Speaker 1: to us like a story, you know. And I and

2603
02:17:08,120 --> 02:17:10,240
Speaker 1: we were naive when it was all happening, and we

2604
02:17:10,280 --> 02:17:12,600
Speaker 1: didn't realize that that's not how it really happened, you know.

2605
02:17:12,760 --> 02:17:14,480
Speaker 1: So it really kind of happened to us like it

2606
02:17:14,520 --> 02:17:17,080
Speaker 1: happens on TV, you know. And by the grace of God,

2607
02:17:18,200 --> 02:17:21,240
Speaker 1: it all came together, men, and it was. It just

2608
02:17:21,400 --> 02:17:24,000
Speaker 1: makes a really good story more so than than how

2609
02:17:24,040 --> 02:17:27,200
Speaker 1: it actually comes together sometimes And and uh, dude, we're

2610
02:17:27,200 --> 02:17:29,280
Speaker 1: just really thankful to be I have all been a

2611
02:17:29,360 --> 02:17:31,600
Speaker 1: part of it. The tourist announce you guys can get

2612
02:17:31,600 --> 02:17:33,879
Speaker 1: tickets at three Doors down dot com. I mean you're everywhere.

2613
02:17:33,879 --> 02:17:35,440
Speaker 1: I was gonna read some cities, but you have like

2614
02:17:35,480 --> 02:17:38,400
Speaker 1: one hundred and fifty million cities here everywhere. You're going

2615
02:17:38,440 --> 02:17:39,840
Speaker 1: back on the road. Is that exciting to go do

2616
02:17:39,920 --> 02:17:43,040
Speaker 1: band full band shows? I cannot wait, man, I cannot

2617
02:17:43,440 --> 02:17:45,760
Speaker 1: wait a long time. Brad. How how did the band

2618
02:17:45,840 --> 02:17:49,080
Speaker 1: stay together? How's this still happening? You know? Man? We

2619
02:17:49,280 --> 02:17:52,000
Speaker 1: just uh, our fans, our fans have been so good

2620
02:17:52,040 --> 02:17:55,000
Speaker 1: to us, and they have encouraged us a long way.

2621
02:17:55,280 --> 02:17:58,080
Speaker 1: God's been good to us. He's kept us, kept us going,

2622
02:17:58,680 --> 02:18:00,480
Speaker 1: and uh, you know we've been through a lot over

2623
02:18:00,520 --> 02:18:04,760
Speaker 1: the years. But you just, I mean, you know, it

2624
02:18:04,879 --> 02:18:07,880
Speaker 1: really is it's it's it's the fans. Man. You hear

2625
02:18:07,959 --> 02:18:11,080
Speaker 1: how much of music means to people and little encouraging

2626
02:18:11,160 --> 02:18:14,160
Speaker 1: notes on whether it's Instagram or Facebook or something somebody

2627
02:18:14,200 --> 02:18:16,120
Speaker 1: you walk buy in the store every day. Man, I

2628
02:18:16,160 --> 02:18:18,000
Speaker 1: don't think people realize how much it means to you

2629
02:18:18,080 --> 02:18:19,680
Speaker 1: and how much those little pats on the back just

2630
02:18:19,840 --> 02:18:21,920
Speaker 1: keep you moving forward. Do people come up to you

2631
02:18:21,959 --> 02:18:23,240
Speaker 1: now and be like, hey, you're the guy from I do.

2632
02:18:23,320 --> 02:18:25,720
Speaker 1: I'm not sure if it's Creed or Three Doors Down

2633
02:18:25,959 --> 02:18:28,040
Speaker 1: or lit. They ever do that. They can't even I

2634
02:18:28,080 --> 02:18:31,640
Speaker 1: get three days graced all the time. Yeah, three days grace.

2635
02:18:31,680 --> 02:18:41,800
Speaker 1: They're they're a little harder. Yeah, but yeah, Dango Kryptonite

2636
02:18:41,879 --> 02:18:44,320
Speaker 1: comes out. It's a massive hit, and it's it's played

2637
02:18:44,320 --> 02:18:47,640
Speaker 1: at rock radio, it's played at pop radio, it's everywhere.

2638
02:18:48,520 --> 02:18:51,360
Speaker 1: At what point do you start to feel like, wow,

2639
02:18:51,680 --> 02:18:54,760
Speaker 1: like we're being played everywhere and I can actually feel

2640
02:18:54,840 --> 02:18:58,160
Speaker 1: it as as you're living your normal life when I

2641
02:18:58,280 --> 02:19:00,600
Speaker 1: think that we've seen how think us see how far.

2642
02:19:00,640 --> 02:19:03,800
Speaker 1: It was our first trip to Europe and our first show,

2643
02:19:04,240 --> 02:19:06,000
Speaker 1: our first real show in Europe was a little club

2644
02:19:06,080 --> 02:19:08,160
Speaker 1: in Finland and uh and we've not even been to

2645
02:19:08,200 --> 02:19:10,360
Speaker 1: Finland that many times, but it was our first show

2646
02:19:10,400 --> 02:19:12,200
Speaker 1: over there. And Matt and I were walking up to

2647
02:19:12,240 --> 02:19:14,720
Speaker 1: the door of this club and four or five hundred

2648
02:19:15,000 --> 02:19:17,480
Speaker 1: revenue and it was at three o'clock in the daytime,

2649
02:19:17,480 --> 02:19:19,200
Speaker 1: and it was snowy and kind of ford. It was

2650
02:19:19,240 --> 02:19:21,200
Speaker 1: like snowy or drilling rain or something. Anyway, it was

2651
02:19:21,400 --> 02:19:23,520
Speaker 1: pretty inhospitable weather, and there was three or four little

2652
02:19:23,560 --> 02:19:25,240
Speaker 1: girl standing in front of the club wanting our autograph.

2653
02:19:25,280 --> 02:19:26,440
Speaker 1: And we just walked down there in the middle of

2654
02:19:26,480 --> 02:19:27,800
Speaker 1: the day to kind of check the place out, and

2655
02:19:28,160 --> 02:19:30,880
Speaker 1: just like we were in Finland and then, and they

2656
02:19:30,920 --> 02:19:33,760
Speaker 1: didn't hardly speak English, and I was like they were

2657
02:19:33,760 --> 02:19:35,800
Speaker 1: waiting on us in Finland. And in the show, you know,

2658
02:19:35,800 --> 02:19:37,720
Speaker 1: it was just three or four were like three or

2659
02:19:37,760 --> 02:19:39,880
Speaker 1: four hundred, But it was just showed you just how

2660
02:19:39,959 --> 02:19:42,480
Speaker 1: far that, like, your music has reached all the way

2661
02:19:42,480 --> 02:19:44,520
Speaker 1: over here and took place that you never even thought

2662
02:19:44,560 --> 02:19:47,480
Speaker 1: you'd come. Did they ever try to like flash you

2663
02:19:47,560 --> 02:19:50,560
Speaker 1: guys up and put you in fancy jackets, and like, guys,

2664
02:19:50,600 --> 02:19:52,080
Speaker 1: we need more of a like a like a like

2665
02:19:52,160 --> 02:19:55,240
Speaker 1: we need to flashy sparkling for a second. For a

2666
02:19:55,320 --> 02:19:57,760
Speaker 1: second they did, and they just realized that that just

2667
02:19:57,920 --> 02:20:01,000
Speaker 1: did not just that that shirt in that voice just

2668
02:20:01,120 --> 02:20:05,080
Speaker 1: don't look right together. They just just yeah, they well,

2669
02:20:05,080 --> 02:20:07,160
Speaker 1: they send it to like media class to teach us

2670
02:20:07,200 --> 02:20:08,960
Speaker 1: to how to even kind of do an interview. And

2671
02:20:08,959 --> 02:20:11,119
Speaker 1: I don't think I've paid attaching in that class any

2672
02:20:11,200 --> 02:20:13,920
Speaker 1: more than I did any other class, but uh it,

2673
02:20:14,120 --> 02:20:16,680
Speaker 1: I mean it helped. And I mean they tried to

2674
02:20:16,760 --> 02:20:19,880
Speaker 1: make us or tried to help us not talk quite so.

2675
02:20:21,640 --> 02:20:23,920
Speaker 1: I mean like this, you know. And I did the

2676
02:20:24,000 --> 02:20:26,560
Speaker 1: same thing when I got into doing like radio television.

2677
02:20:26,600 --> 02:20:28,760
Speaker 1: They were like, hey, you're from Arkansas. Your accents too thick,

2678
02:20:29,040 --> 02:20:31,560
Speaker 1: And so I went to a speech pathologist and tried

2679
02:20:31,600 --> 02:20:33,600
Speaker 1: to learn. And at this point I've kind of re

2680
02:20:33,720 --> 02:20:36,200
Speaker 1: embraced what I stopped doing for a while. But it

2681
02:20:36,280 --> 02:20:37,480
Speaker 1: was the same thing. They were like, you can't go

2682
02:20:37,520 --> 02:20:38,600
Speaker 1: work in a lot of places if you sound like

2683
02:20:38,640 --> 02:20:42,240
Speaker 1: a hillbilly. I know, I know, Man's it really was

2684
02:20:42,400 --> 02:20:47,600
Speaker 1: like that, And um, it was I don't know what

2685
02:20:47,680 --> 02:20:49,360
Speaker 1: would they tell you in these classes, Like they would go,

2686
02:20:49,400 --> 02:20:52,039
Speaker 1: all right, Brad, mister door's down, come on in, um

2687
02:20:52,400 --> 02:20:55,360
Speaker 1: say because for me it was gez because instead of going,

2688
02:20:55,879 --> 02:20:58,000
Speaker 1: you know, fishing, I would be like, we're going fishing

2689
02:20:58,320 --> 02:20:59,600
Speaker 1: and they would go when you first of all, you

2690
02:20:59,600 --> 02:21:01,240
Speaker 1: have to add you used all your words because you're

2691
02:21:01,280 --> 02:21:05,280
Speaker 1: eliminating somehow. And eyes for me because eyes how I've

2692
02:21:05,280 --> 02:21:07,920
Speaker 1: been now trained to say it, but as eyes yes,

2693
02:21:08,000 --> 02:21:10,280
Speaker 1: you know, it was like I got hitting, get hit

2694
02:21:10,320 --> 02:21:12,400
Speaker 1: in the eye. You know, it said if I got

2695
02:21:12,480 --> 02:21:13,760
Speaker 1: hit in the eye. And they were like, well, if

2696
02:21:13,800 --> 02:21:16,440
Speaker 1: you say a people, people aren't gonna like you because

2697
02:21:16,440 --> 02:21:19,000
Speaker 1: you're gonna sound like you're from Arkansas. And so I

2698
02:21:19,000 --> 02:21:21,240
Speaker 1: imagine they probably do that same stuff to you. They did,

2699
02:21:21,400 --> 02:21:23,000
Speaker 1: and you know, but you know it was so cool

2700
02:21:23,000 --> 02:21:25,640
Speaker 1: about it was as you get out and uh and

2701
02:21:25,800 --> 02:21:28,880
Speaker 1: you meet people in like the real world out on

2702
02:21:29,080 --> 02:21:31,800
Speaker 1: out on tour, is everybody like just it's a Southern

2703
02:21:31,879 --> 02:21:34,800
Speaker 1: accident is like disarming to people or something. It's like

2704
02:21:34,879 --> 02:21:37,080
Speaker 1: they don't they don't take you, and they look at

2705
02:21:37,120 --> 02:21:39,640
Speaker 1: you like your stupid or anything. It's like they look

2706
02:21:39,680 --> 02:21:41,720
Speaker 1: at you kind of like oh, he gotta be you

2707
02:21:41,840 --> 02:21:46,680
Speaker 1: gotta be decent, you know it. So it kind of

2708
02:21:46,760 --> 02:21:48,680
Speaker 1: like it is a little bit disarming to people. So

2709
02:21:48,760 --> 02:21:50,640
Speaker 1: I kind of embraced it also, and I'm like, well,

2710
02:21:50,720 --> 02:21:53,600
Speaker 1: I mean people like get you know, three Doors Down,

2711
02:21:53,640 --> 02:21:55,520
Speaker 1: they're in studio now they're going back out on tour.

2712
02:21:55,560 --> 02:21:57,440
Speaker 1: You guys can get tickets at three Doors down dot com.

2713
02:21:57,720 --> 02:21:59,680
Speaker 1: It says seven seventeen. I mean, have a thumbs January

2714
02:21:59,680 --> 02:22:02,960
Speaker 1: for more April May, June, July seventeenth. It's the first

2715
02:22:03,000 --> 02:22:07,080
Speaker 1: show back and you guys will be in Huber Heights, Ohio, Corbe, Kentucky,

2716
02:22:07,120 --> 02:22:10,400
Speaker 1: New Orleans, Orange Beach, Alabama, Pelham, Alabama. So a lot

2717
02:22:10,440 --> 02:22:12,120
Speaker 1: of our listeners now I gotta get to see you guys,

2718
02:22:12,400 --> 02:22:15,920
Speaker 1: you know on tour. Whenever you had Kryptonite and it hits,

2719
02:22:16,000 --> 02:22:17,560
Speaker 1: do you have that feeling like, oh man, we have

2720
02:22:17,640 --> 02:22:19,039
Speaker 1: to have a second song so we don't end up

2721
02:22:19,040 --> 02:22:21,480
Speaker 1: like Chumbawamba, like a like a one hit Wonder Was

2722
02:22:21,560 --> 02:22:25,000
Speaker 1: that was that a fear in the group? Absolutely? Absolutely,

2723
02:22:25,200 --> 02:22:28,120
Speaker 1: And I mean it was we were so thankful that

2724
02:22:28,200 --> 02:22:30,240
Speaker 1: Loser done good, and not only had it done good,

2725
02:22:30,320 --> 02:22:32,240
Speaker 1: but that it done good at rock radio because at

2726
02:22:32,280 --> 02:22:33,760
Speaker 1: the time. You know, you did you want to be

2727
02:22:33,800 --> 02:22:37,360
Speaker 1: a rock band, but uh, you know, Kryptonite was such

2728
02:22:37,360 --> 02:22:39,200
Speaker 1: a big hit it not just rock, but at top

2729
02:22:39,280 --> 02:22:41,199
Speaker 1: forty and if you went over to the top forty

2730
02:22:41,200 --> 02:22:42,920
Speaker 1: two much did the rock wouldn't play anymore. So we

2731
02:22:43,000 --> 02:22:45,879
Speaker 1: needed to definitely keep our roots and rock and Loser

2732
02:22:46,000 --> 02:22:47,960
Speaker 1: became a hit at rock and it was a It

2733
02:22:48,080 --> 02:22:50,760
Speaker 1: was number one at rock radio for months and I

2734
02:22:50,920 --> 02:22:52,880
Speaker 1: was like four to five months or something, it was.

2735
02:22:53,080 --> 02:22:55,240
Speaker 1: It was for a long time. Man, I loved that

2736
02:22:55,360 --> 02:22:57,800
Speaker 1: was that opening of a Loser. It's just it's strong.

2737
02:22:58,400 --> 02:23:00,000
Speaker 1: Thank you that would you guys? Did you guys play

2738
02:23:00,000 --> 02:23:02,240
Speaker 1: that acoustically? Do you guys do Loser? Okay? Three doors

2739
02:23:02,280 --> 02:23:03,600
Speaker 1: down her here this was the number one at rock

2740
02:23:03,680 --> 02:23:20,880
Speaker 1: for a long time. Here is Loser. You breathe in

2741
02:23:21,160 --> 02:23:26,920
Speaker 1: right away and nothing seems to fill this place. I

2742
02:23:27,200 --> 02:23:32,680
Speaker 1: need this every time, So take your lasket off my case.

2743
02:23:33,720 --> 02:23:38,400
Speaker 1: Someday I will find I love that. Folks to me

2744
02:23:38,640 --> 02:23:44,560
Speaker 1: lying this and this won't fall away, and the sooner

2745
02:23:44,600 --> 02:23:52,640
Speaker 1: fall away getting closer to pushing me on for livesttle

2746
02:23:52,800 --> 02:23:58,560
Speaker 1: edge because I'm a loser and sooner lady, you know

2747
02:23:58,920 --> 02:24:09,000
Speaker 1: I mean, d you get in the fall. I'm loser.

2748
02:24:11,240 --> 02:24:19,960
Speaker 1: I'm loser. Come on, man, that's all okay, Three Doors

2749
02:24:20,000 --> 02:24:21,680
Speaker 1: down here, when you come, we're gonna come back in

2750
02:24:21,720 --> 02:24:23,880
Speaker 1: a second. I'm gonna ask for when I'm gone. So

2751
02:24:24,040 --> 02:24:27,360
Speaker 1: just no, have you look at tars tu ready because

2752
02:24:27,360 --> 02:24:29,560
Speaker 1: I'm gonna ask for that in a second. We're gonna

2753
02:24:29,600 --> 02:24:31,480
Speaker 1: come back with three Doors Down. I'll say it again.

2754
02:24:31,720 --> 02:24:33,680
Speaker 1: Go to three Doors Down dot com. The Better Life

2755
02:24:33,720 --> 02:24:36,560
Speaker 1: twentieth anniversary. They have so many dates on this tour.

2756
02:24:36,680 --> 02:24:38,680
Speaker 1: You guys, as you can as you can hear, they

2757
02:24:38,760 --> 02:24:41,920
Speaker 1: still have it, Brad still has it. Sometimes artists come

2758
02:24:41,959 --> 02:24:43,520
Speaker 1: in they're like, I'm I'm gonna go back and play

2759
02:24:43,520 --> 02:24:45,119
Speaker 1: the record. I'm like, well sing for me, and they're like, oh,

2760
02:24:46,440 --> 02:24:48,880
Speaker 1: We're like, oh no, you got it. You guys got it.

2761
02:24:49,040 --> 02:24:52,039
Speaker 1: That's awesome. Hey, Brad. You know we we we did

2762
02:24:52,080 --> 02:24:54,240
Speaker 1: this thing where I think we celebrated the record and

2763
02:24:54,520 --> 02:24:56,280
Speaker 1: you know us three we went and we talked for

2764
02:24:56,320 --> 02:24:58,080
Speaker 1: a while and talked about the history at three Doors Down,

2765
02:24:58,280 --> 02:25:00,240
Speaker 1: and then all of a sudden, a copy of the

2766
02:25:00,280 --> 02:25:01,959
Speaker 1: Better Life on Buying All showed up in my house.

2767
02:25:02,120 --> 02:25:03,600
Speaker 1: You sneak into my house and leave it there because

2768
02:25:03,600 --> 02:25:05,000
Speaker 1: I have no idea how it got in my house.

2769
02:25:05,600 --> 02:25:08,400
Speaker 1: Blame it on JP Okay, somehow that record, it had

2770
02:25:08,440 --> 02:25:09,720
Speaker 1: a whole long note on it, and I was like,

2771
02:25:10,240 --> 02:25:12,640
Speaker 1: I didn't let anyone in the door, and then somehow

2772
02:25:12,760 --> 02:25:15,200
Speaker 1: in the house. But I gotta imagine it's crazy. You're

2773
02:25:15,200 --> 02:25:16,800
Speaker 1: still in the grocery store and you hear one of

2774
02:25:16,840 --> 02:25:18,920
Speaker 1: your songs, Like, that's gotta be a weird thing, right,

2775
02:25:19,120 --> 02:25:21,720
Speaker 1: it really is. I think you're shopping for fish sticks,

2776
02:25:22,000 --> 02:25:24,920
Speaker 1: and all of a sudden you hear I'm here without you, baby.

2777
02:25:25,760 --> 02:25:28,240
Speaker 1: It was like two weeks ago, really, and and I

2778
02:25:28,320 --> 02:25:29,800
Speaker 1: can hear it. I can hear just like a little

2779
02:25:29,879 --> 02:25:31,480
Speaker 1: note of it. I'll know it's at And now I

2780
02:25:31,640 --> 02:25:36,240
Speaker 1: told you in this my wife stops, she just rolls

2781
02:25:36,240 --> 02:25:38,920
Speaker 1: her eyes and balls of What kind of singing training

2782
02:25:39,000 --> 02:25:41,160
Speaker 1: did you have as a kid when you started the band? Um,

2783
02:25:41,320 --> 02:25:43,360
Speaker 1: I didn't. I grew I was the youngest of seven kids,

2784
02:25:43,400 --> 02:25:45,000
Speaker 1: and I grew up in a similar God church. And

2785
02:25:45,560 --> 02:25:47,480
Speaker 1: you know, in Similar God they sing a lot, and

2786
02:25:47,640 --> 02:25:49,200
Speaker 1: I never sang in front of the church friends. Just

2787
02:25:49,320 --> 02:25:51,400
Speaker 1: grew up. It was never out of place in my

2788
02:25:51,560 --> 02:25:53,800
Speaker 1: house to be loud, you know, because I mean my

2789
02:25:53,920 --> 02:25:56,200
Speaker 1: family is a pretty loud bunch, and none of them

2790
02:25:56,200 --> 02:25:59,040
Speaker 1: would argue that um and so it was never I

2791
02:25:59,160 --> 02:26:01,960
Speaker 1: was never bashful or anything. So I just kind of

2792
02:26:02,000 --> 02:26:05,800
Speaker 1: grew up singing and UM and loved eighties hair metal

2793
02:26:06,200 --> 02:26:09,119
Speaker 1: and all eighties bands, and then I loved like nineties country,

2794
02:26:09,400 --> 02:26:11,760
Speaker 1: and me and my friends we would ride around the

2795
02:26:11,760 --> 02:26:14,120
Speaker 1: neighborhood and have a little miles the Sundowner truck that

2796
02:26:14,200 --> 02:26:15,720
Speaker 1: my daddy gave me when I was like thirteen. I

2797
02:26:15,800 --> 02:26:17,840
Speaker 1: just couldn't leave the neighborhood. So we'd rad that truck

2798
02:26:17,879 --> 02:26:20,840
Speaker 1: around and we would just sing and sing and sing

2799
02:26:20,920 --> 02:26:22,640
Speaker 1: and zing. And I guess that's where I learned how

2800
02:26:22,680 --> 02:26:24,880
Speaker 1: to sing. What anyone tell you, hey, Brad, you're pretty good,

2801
02:26:24,879 --> 02:26:26,920
Speaker 1: like you should try to sing? How did you start

2802
02:26:26,959 --> 02:26:29,000
Speaker 1: to get the affirmation to know, yeah, I should try

2803
02:26:29,000 --> 02:26:31,960
Speaker 1: to do this? Well, we didn't have a singer in

2804
02:26:32,080 --> 02:26:33,720
Speaker 1: the van. It was just three of us, just jam

2805
02:26:33,840 --> 02:26:36,760
Speaker 1: and I mean we didn't even have a that was

2806
02:26:36,879 --> 02:26:39,240
Speaker 1: nobody really even thought about two singing. I was like, well,

2807
02:26:39,240 --> 02:26:42,000
Speaker 1: I try it, and I didn't. I mean, I was

2808
02:26:42,120 --> 02:26:47,280
Speaker 1: not confident at all. And and I taught our bass player,

2809
02:26:47,600 --> 02:26:49,360
Speaker 1: his girlfriend and one of her friends would be sitting

2810
02:26:49,360 --> 02:26:51,360
Speaker 1: there sometimes listen to us singment, well butt, do you

2811
02:26:51,480 --> 02:26:54,920
Speaker 1: sound good? And I think them telling me that gave

2812
02:26:54,959 --> 02:26:57,480
Speaker 1: me more encouragement to finally like stop looking at the

2813
02:26:57,520 --> 02:26:59,360
Speaker 1: wall while I was singing and kind of turn around

2814
02:26:59,400 --> 02:27:01,000
Speaker 1: and be like, all right, I can do it, you know.

2815
02:27:01,120 --> 02:27:03,360
Speaker 1: And and all my friends wore I've never had any

2816
02:27:03,440 --> 02:27:05,680
Speaker 1: friends that like picked on me about it. All my

2817
02:27:05,800 --> 02:27:08,840
Speaker 1: friends and even like a little southern, small hometown, they

2818
02:27:08,879 --> 02:27:10,640
Speaker 1: were all really encouraging about it. And that helped me

2819
02:27:10,680 --> 02:27:12,440
Speaker 1: more than anything. How'd you have those friends that the

2820
02:27:12,480 --> 02:27:15,039
Speaker 1: opposite beat me up? Told me I was a loser

2821
02:27:15,040 --> 02:27:19,400
Speaker 1: the whole time. That's why I like loser. Three doors

2822
02:27:19,440 --> 02:27:23,400
Speaker 1: down they're here. Tell me about the name? What How

2823
02:27:23,720 --> 02:27:26,000
Speaker 1: did three doors down the name come about? It was?

2824
02:27:26,280 --> 02:27:28,640
Speaker 1: It really doesn't meaning things significant. It was just we

2825
02:27:28,800 --> 02:27:31,840
Speaker 1: were kind of searching for a name and we had

2826
02:27:31,879 --> 02:27:34,240
Speaker 1: a gig coming up like that nine or either. The

2827
02:27:34,360 --> 02:27:37,640
Speaker 1: night after this little trip, we took down to go Shorts,

2828
02:27:37,680 --> 02:27:40,080
Speaker 1: and being from South Mississippi, we just the little town

2829
02:27:40,160 --> 02:27:41,840
Speaker 1: you go through going down there is just pull a

2830
02:27:41,840 --> 02:27:45,200
Speaker 1: little fruit stands and some in the same buildings, and

2831
02:27:45,520 --> 02:27:48,000
Speaker 1: one of the fruit stands had moved a couple of

2832
02:27:48,040 --> 02:27:49,760
Speaker 1: parcels down in the same building. They had put up

2833
02:27:49,800 --> 02:27:52,200
Speaker 1: some tack on letters it said business moves, I mean

2834
02:27:52,600 --> 02:27:54,320
Speaker 1: doors down, and some of them had even kind of

2835
02:27:54,360 --> 02:27:56,200
Speaker 1: fallen off. And at the time there was three of

2836
02:27:56,320 --> 02:27:58,240
Speaker 1: us and we just kind of mailed it together and

2837
02:27:58,920 --> 02:28:01,120
Speaker 1: uh used it the next night at the party and

2838
02:28:01,240 --> 02:28:03,800
Speaker 1: just figure, will it's it's seem inted now he can't

2839
02:28:03,879 --> 02:28:06,920
Speaker 1: change it. Did anyone ever have conspiracy theories about what

2840
02:28:07,040 --> 02:28:09,240
Speaker 1: the like crazy theories like three doors down is actually

2841
02:28:09,240 --> 02:28:12,160
Speaker 1: the sign of the Beast? And I've heard some doozies. Really,

2842
02:28:12,160 --> 02:28:14,680
Speaker 1: I would imagine because it's so like I never knew

2843
02:28:14,720 --> 02:28:16,600
Speaker 1: what it meant. And you're like, well, I bet it

2844
02:28:16,680 --> 02:28:19,920
Speaker 1: means something like deep or something like they're up to something.

2845
02:28:20,520 --> 02:28:22,320
Speaker 1: I'm sure you heard people all kinds of weird theories

2846
02:28:22,320 --> 02:28:25,240
Speaker 1: about the name. Huh. Absolutely, And I mean I can't

2847
02:28:25,280 --> 02:28:26,959
Speaker 1: really name them, like one off the top of my head,

2848
02:28:26,959 --> 02:28:28,640
Speaker 1: but people have asked me. It's like, well, it has

2849
02:28:28,680 --> 02:28:30,520
Speaker 1: to be like it means like such and such or

2850
02:28:30,920 --> 02:28:33,280
Speaker 1: somebody somebody left three doors down and you murdered them. Yeah,

2851
02:28:34,160 --> 02:28:36,720
Speaker 1: I heard three doors down or here right now they

2852
02:28:36,800 --> 02:28:38,440
Speaker 1: have their guitars. They were so gracious to come in

2853
02:28:38,480 --> 02:28:41,560
Speaker 1: and play some songs. Okay, so I've got two requests.

2854
02:28:41,680 --> 02:28:44,119
Speaker 1: Will you do when I'm Gone? This is my first request?

2855
02:28:44,240 --> 02:28:46,480
Speaker 1: Absolutely tell me what tell me about this song? Like

2856
02:28:46,600 --> 02:28:48,440
Speaker 1: when you when you think about back in the day,

2857
02:28:48,560 --> 02:28:51,240
Speaker 1: when you know it's written and you started recording it,

2858
02:28:51,320 --> 02:28:53,880
Speaker 1: like what comes to mind? When I'm Going is actually

2859
02:28:53,879 --> 02:28:56,720
Speaker 1: the only song we've ever written on tour. We've never

2860
02:28:56,920 --> 02:29:00,280
Speaker 1: We've always before Incense, always had the big dream getting

2861
02:29:00,320 --> 02:29:02,160
Speaker 1: out on tour and man, we're just gonna really hustle

2862
02:29:02,200 --> 02:29:03,879
Speaker 1: this time. We're gonna play shows at night time, we're

2863
02:29:03,879 --> 02:29:05,520
Speaker 1: getting get on the bus and right during the day

2864
02:29:05,520 --> 02:29:09,280
Speaker 1: and it absolutely never happens. And we wrote when I'm

2865
02:29:09,320 --> 02:29:11,480
Speaker 1: Going on on the stage one day at sound check

2866
02:29:11,640 --> 02:29:13,800
Speaker 1: and they had had they all had been playing the

2867
02:29:13,879 --> 02:29:16,760
Speaker 1: music around for a little bit, and I guess we

2868
02:29:16,840 --> 02:29:20,800
Speaker 1: don't always write lyrics and melody or music at the

2869
02:29:20,840 --> 02:29:23,720
Speaker 1: same time. And sometimes they've written this completely different ideas

2870
02:29:23,760 --> 02:29:26,560
Speaker 1: that wind up together and um, and that's kind of

2871
02:29:26,640 --> 02:29:29,640
Speaker 1: how those that idea was. And we were on stage

2872
02:29:29,680 --> 02:29:32,320
Speaker 1: at sound check one day and put it together, and uh,

2873
02:29:32,560 --> 02:29:35,840
Speaker 1: I remember somebody standing there thinking that saying that, man,

2874
02:29:35,920 --> 02:29:40,040
Speaker 1: that's a good song and uh. And it also once

2875
02:29:40,120 --> 02:29:42,400
Speaker 1: we got it, it gave us some confidence. It was

2876
02:29:42,520 --> 02:29:44,800
Speaker 1: it was really cool to have that song and play

2877
02:29:44,840 --> 02:29:46,520
Speaker 1: it a little bit on the Better Life tour even

2878
02:29:46,520 --> 02:29:47,879
Speaker 1: though it was on the way from the Sun record,

2879
02:29:48,440 --> 02:29:50,040
Speaker 1: because we knew we had one in our pocket that

2880
02:29:50,160 --> 02:29:52,400
Speaker 1: was a good song going into that recording process, and

2881
02:29:52,800 --> 02:29:54,400
Speaker 1: I think it took a lot of the anxiety out

2882
02:29:54,480 --> 02:29:56,720
Speaker 1: of that recording process, which allowed us to kind of

2883
02:29:56,760 --> 02:29:58,720
Speaker 1: open up and write the songs that we did for

2884
02:29:58,800 --> 02:30:00,760
Speaker 1: that second record. Dan, all right, here we go, here's

2885
02:30:00,800 --> 02:30:17,240
Speaker 1: three doors down with when I'm gone. There's another world

2886
02:30:17,440 --> 02:30:22,480
Speaker 1: inside of me that you may never see. And there

2887
02:30:22,480 --> 02:30:26,600
Speaker 1: are secrets in this life that I can't high high

2888
02:30:28,840 --> 02:30:32,920
Speaker 1: and somewhere in this darkness stairs and lying that I

2889
02:30:33,160 --> 02:30:41,040
Speaker 1: can't find. Well, maybe it's too far away. Maybe I'm

2890
02:30:41,160 --> 02:30:54,840
Speaker 1: just blind. Maybe I'm just blind. Hould me when I'm here,

2891
02:30:55,320 --> 02:30:58,080
Speaker 1: rob me when I'm wrong, pum me when I'm scared,

2892
02:30:58,320 --> 02:31:01,600
Speaker 1: and love me when I'm gone. Everything I am and

2893
02:31:01,800 --> 02:31:05,280
Speaker 1: everything in me won't to be the one you wanted

2894
02:31:05,360 --> 02:31:08,440
Speaker 1: me to be. I'll never let you down on even

2895
02:31:08,560 --> 02:31:11,760
Speaker 1: if I could, and give up everything, give only for

2896
02:31:12,000 --> 02:31:14,840
Speaker 1: your good to who me when I'm here, an me

2897
02:31:14,920 --> 02:31:17,240
Speaker 1: when I'm wrong. You can move me when I'm scared.

2898
02:31:17,560 --> 02:31:20,360
Speaker 1: You won't always be there. So love me when I'm

2899
02:31:20,520 --> 02:31:33,800
Speaker 1: going home, Love me. And when I'm going home, I'm

2900
02:31:33,840 --> 02:31:39,039
Speaker 1: on three doors now, So good chriss. Whenever we talk

2901
02:31:39,040 --> 02:31:41,160
Speaker 1: about these songs, I mean, you wrote a lot of

2902
02:31:41,200 --> 02:31:44,120
Speaker 1: these songs too, almost all of them. I mean, here

2903
02:31:44,160 --> 02:31:46,160
Speaker 1: you are, the quiet guy playing the guitar, knowing I'm

2904
02:31:46,200 --> 02:31:49,280
Speaker 1: making mailbox moneys, you know, writing these songs of Brad.

2905
02:31:49,320 --> 02:31:50,760
Speaker 1: I mean, it's gotta feel pretty good for these things

2906
02:31:50,760 --> 02:31:52,880
Speaker 1: to last so long, right, it really does. Um. I

2907
02:31:53,000 --> 02:31:54,280
Speaker 1: was talking to my wife the other day, but I

2908
02:31:54,360 --> 02:31:56,640
Speaker 1: was like, you know, with COVID and everything's sitting home

2909
02:31:56,680 --> 02:31:58,440
Speaker 1: for two years, like we're living off what we did

2910
02:31:58,480 --> 02:32:00,959
Speaker 1: twenty years ago. It was just really a lesson. Really,

2911
02:32:01,120 --> 02:32:03,520
Speaker 1: is the checks still actually come in the mail or

2912
02:32:03,560 --> 02:32:07,240
Speaker 1: now they're just going right to them no email? Are

2913
02:32:07,280 --> 02:32:09,560
Speaker 1: you guys still making money though? Are they? Like streams?

2914
02:32:09,600 --> 02:32:11,240
Speaker 1: Are you still you still getting a little bit here

2915
02:32:11,280 --> 02:32:15,720
Speaker 1: and there? Man, especially especially off like songs like here

2916
02:32:15,760 --> 02:32:17,880
Speaker 1: without You and stuff, And I mean you know that

2917
02:32:18,000 --> 02:32:21,840
Speaker 1: song a couple of years ago and you know, like

2918
02:32:22,320 --> 02:32:24,520
Speaker 1: that song came out in two thousand and three year whatever,

2919
02:32:24,600 --> 02:32:26,880
Speaker 1: two thousand and four or five or something on thousand

2920
02:32:26,879 --> 02:32:29,760
Speaker 1: and three, two thousand and three, but like in two

2921
02:32:29,800 --> 02:32:33,040
Speaker 1: thousand and nine or whatever, Universal took all their music

2922
02:32:33,080 --> 02:32:35,080
Speaker 1: off YouTube and put it all back. So Kryptonite and

2923
02:32:35,120 --> 02:32:37,320
Speaker 1: here without You essentially got put back on the same

2924
02:32:37,440 --> 02:32:41,520
Speaker 1: day and um from that date, like eleven years ago

2925
02:32:42,000 --> 02:32:44,720
Speaker 1: for a seventeen year old song. That song's got like

2926
02:32:44,840 --> 02:32:47,680
Speaker 1: six hundred and forty million views on YouTube and it

2927
02:32:47,959 --> 02:32:50,200
Speaker 1: still gets like a million views a week? Is it?

2928
02:32:50,560 --> 02:32:52,280
Speaker 1: Do people keep putting it in in movies and stuff too?

2929
02:32:52,320 --> 02:32:53,920
Speaker 1: And when I say the grocery store, like that's where

2930
02:32:53,920 --> 02:32:55,760
Speaker 1: you want to be, it's kind of everywhere. At that point,

2931
02:32:56,040 --> 02:32:58,080
Speaker 1: I gotta assume, like, and it's weird. Could you start

2932
02:32:58,080 --> 02:33:00,320
Speaker 1: it off as a rock band? And now like flip

2933
02:33:00,360 --> 02:33:02,560
Speaker 1: on the high AC station it's like another light one

2934
02:33:02,600 --> 02:33:05,240
Speaker 1: from three Doors Down And you're like, day, how stelf

2935
02:33:05,320 --> 02:33:07,560
Speaker 1: is transition? But that's where that's how you're getting paid.

2936
02:33:07,600 --> 02:33:10,440
Speaker 1: Still absolutely like a rom com will put three Doors

2937
02:33:10,520 --> 02:33:13,080
Speaker 1: Down in I'm here with that, chu babe, and you're like,

2938
02:33:13,280 --> 02:33:15,120
Speaker 1: all right, well, I never expected that love scene for

2939
02:33:15,200 --> 02:33:16,800
Speaker 1: the stuff. But that's got to be cool too, right,

2940
02:33:16,920 --> 02:33:19,080
Speaker 1: It really is, man, it really is, you know. And

2941
02:33:19,400 --> 02:33:21,520
Speaker 1: and where has last year? You know, we weren't able

2942
02:33:21,520 --> 02:33:23,880
Speaker 1: to go out and play shows. People were at home

2943
02:33:24,280 --> 02:33:28,240
Speaker 1: streaming some music, you know. And and uh, and that really,

2944
02:33:28,360 --> 02:33:30,920
Speaker 1: you know, is the transition of the music industry has happened.

2945
02:33:30,959 --> 02:33:33,760
Speaker 1: And where there's really not record sales anymore, artists are

2946
02:33:34,120 --> 02:33:35,959
Speaker 1: you know, that's where the artists, babe is off streaming

2947
02:33:36,080 --> 02:33:39,800
Speaker 1: music in different ways. And and uh, I don't I

2948
02:33:39,840 --> 02:33:42,000
Speaker 1: don't know if if kids and people realize what a

2949
02:33:42,080 --> 02:33:45,000
Speaker 1: blessing they were too artists last year being at home

2950
02:33:45,080 --> 02:33:47,680
Speaker 1: streaming all that music. I want to ask before we

2951
02:33:47,720 --> 02:33:50,119
Speaker 1: play one more song here, because let me say this again,

2952
02:33:50,160 --> 02:33:52,600
Speaker 1: twenty year anniversary, have the better life playing the whole thing.

2953
02:33:52,680 --> 02:33:54,480
Speaker 1: I'm not wrong here, you're playing it from top to bottom,

2954
02:33:54,520 --> 02:33:56,280
Speaker 1: top to bottom. And I want to get into be

2955
02:33:56,440 --> 02:33:59,040
Speaker 1: like that, which I believe you two wrote together, just

2956
02:33:59,160 --> 02:34:01,160
Speaker 1: you two. You're in a room, you write this song.

2957
02:34:01,600 --> 02:34:04,160
Speaker 1: This is you know, one of the metal tracks here.

2958
02:34:04,560 --> 02:34:06,920
Speaker 1: When you're right, be like that, because I am I wrong?

2959
02:34:07,160 --> 02:34:10,520
Speaker 1: Was it on the American Pie soundtrack too? Yeah? I

2960
02:34:11,000 --> 02:34:13,520
Speaker 1: remember that thing coming and the song is also over there,

2961
02:34:13,560 --> 02:34:15,120
Speaker 1: and I'm like, this is it crazy? And it was

2962
02:34:15,160 --> 02:34:18,959
Speaker 1: in the movie and so that song became again such

2963
02:34:19,000 --> 02:34:21,000
Speaker 1: a hit. Do you ever go? Can you believe us

2964
02:34:21,040 --> 02:34:23,200
Speaker 1: who just sat there and wrote that song? Man? I

2965
02:34:23,320 --> 02:34:27,640
Speaker 1: think that it was that quick. I think that all

2966
02:34:27,680 --> 02:34:30,480
Speaker 1: the time I have felt guilty before about Like man,

2967
02:34:30,640 --> 02:34:34,280
Speaker 1: it's like, I know people try like so, and I

2968
02:34:34,360 --> 02:34:40,160
Speaker 1: mean we're not overly talented, dude, But I mean I

2969
02:34:40,240 --> 02:34:42,400
Speaker 1: mean when I say, like God blessed us with some

2970
02:34:42,640 --> 02:34:46,400
Speaker 1: with some songs, he really like has because like I wonder, why,

2971
02:34:46,600 --> 02:34:48,440
Speaker 1: like so, why didn't somebody else write some of those songs,

2972
02:34:48,480 --> 02:34:51,040
Speaker 1: you know, because they just it weren't that they were

2973
02:34:51,080 --> 02:34:53,600
Speaker 1: like great, They just mean they're connected with people. And

2974
02:34:54,000 --> 02:34:57,039
Speaker 1: I guess to just do it in the simplicity of it. Um.

2975
02:34:57,680 --> 02:34:59,920
Speaker 1: But you know, and I'm sit on stage and saying

2976
02:35:00,160 --> 02:35:03,080
Speaker 1: be like that many a night, thinking that I'm singing

2977
02:35:03,120 --> 02:35:05,680
Speaker 1: what this song, I'm living, what this song is about.

2978
02:35:05,920 --> 02:35:07,800
Speaker 1: I'm like, I'm actually getting to live a song that

2979
02:35:07,920 --> 02:35:10,720
Speaker 1: I that I that I wrote about. You know. Here

2980
02:35:10,879 --> 02:35:35,000
Speaker 1: is be like that From three Doors Down. He spends

2981
02:35:35,040 --> 02:35:41,920
Speaker 1: his nine in California. Watch him stars on the Big screen,

2982
02:35:44,600 --> 02:35:50,960
Speaker 1: and then he lies awaken. He wonders, just why can

2983
02:35:51,160 --> 02:35:56,720
Speaker 1: that be me? Because then his life he's filling with

2984
02:35:56,920 --> 02:36:01,520
Speaker 1: all these good intentions. He's left a lot of things

2985
02:36:01,680 --> 02:36:06,000
Speaker 1: he'd rather nine mention right now. And just before he

2986
02:36:06,280 --> 02:36:12,800
Speaker 1: says good night, he looks up with a little smile

2987
02:36:12,920 --> 02:36:17,160
Speaker 1: at mean, he says, if I could be like that,

2988
02:36:18,840 --> 02:36:22,680
Speaker 1: I would give anything and just to live on day

2989
02:36:24,560 --> 02:36:29,560
Speaker 1: in those shoes. If I could be like that, what

2990
02:36:30,000 --> 02:36:38,200
Speaker 1: would I do? What would I do? Three doors down

2991
02:36:38,400 --> 02:36:40,760
Speaker 1: right here? I kill on that. That's awesome, guys, this

2992
02:36:40,800 --> 02:36:42,720
Speaker 1: has been so much fun for me, Brett. I saw

2993
02:36:42,760 --> 02:36:46,640
Speaker 1: a picture of you with Scott stat from Creed. Yeah,

2994
02:36:46,959 --> 02:36:49,320
Speaker 1: I was it here in town. It was I didn't

2995
02:36:49,360 --> 02:36:51,600
Speaker 1: know he lived here. He does, man, he lives up

2996
02:36:51,640 --> 02:36:53,760
Speaker 1: in Adam. Frankly, I've tried to get him on the show.

2997
02:36:53,760 --> 02:36:55,480
Speaker 1: He won't even respond. He won't come on the show.

2998
02:36:55,560 --> 02:36:58,440
Speaker 1: Come on, is he not? Did he not like me? Man?

2999
02:36:58,560 --> 02:36:59,920
Speaker 1: You know what, that's the first time I've talked to

3000
02:37:00,000 --> 02:37:02,360
Speaker 1: Scott in a long time, is that right? The Creed

3001
02:37:02,520 --> 02:37:04,480
Speaker 1: was the first band to ever take us out on tour,

3002
02:37:04,560 --> 02:37:06,720
Speaker 1: and we per se if night. You know a couple

3003
02:37:06,760 --> 02:37:08,640
Speaker 1: of times over the years, like people like air Smith

3004
02:37:08,680 --> 02:37:11,199
Speaker 1: and seas he taught. We've going and played several shows

3005
02:37:11,240 --> 02:37:14,320
Speaker 1: with but we've never opened for a band. And Creed

3006
02:37:14,480 --> 02:37:16,200
Speaker 1: was the only band that we've ever opened for. They

3007
02:37:16,240 --> 02:37:17,760
Speaker 1: were the first band to take us out on tour.

3008
02:37:18,240 --> 02:37:20,040
Speaker 1: And uh, you know that was back in like in

3009
02:37:20,160 --> 02:37:23,240
Speaker 1: the day, and um it Me and Scott just somehow

3010
02:37:23,400 --> 02:37:26,120
Speaker 1: we got to talking on Instagram and uh, I said, man,

3011
02:37:26,160 --> 02:37:28,000
Speaker 1: and he said, I'll live over in Franklin. I was like, man,

3012
02:37:28,000 --> 02:37:30,760
Speaker 1: I'll live in Murphysboro and I said, hit me up.

3013
02:37:30,879 --> 02:37:33,760
Speaker 1: Every His son was playing ball down the road from

3014
02:37:33,760 --> 02:37:35,160
Speaker 1: my house and went down there and talk to him

3015
02:37:35,160 --> 02:37:37,120
Speaker 1: and and then my wife and I went out and

3016
02:37:37,240 --> 02:37:39,000
Speaker 1: eat with him and his wife the other night man,

3017
02:37:39,040 --> 02:37:41,360
Speaker 1: and it was it's it's good to see Scott Man.

3018
02:37:41,440 --> 02:37:43,360
Speaker 1: He's doing great and he's a he's a great dude.

3019
02:37:43,400 --> 02:37:45,520
Speaker 1: Man put a good word in for me, sure, because

3020
02:37:45,520 --> 02:37:47,480
Speaker 1: I liked the guy. I know, He's like, I want

3021
02:37:47,520 --> 02:37:48,760
Speaker 1: to I want to talk with them, hang out on

3022
02:37:48,920 --> 02:37:50,960
Speaker 1: let me hear stories and so and I was like,

3023
02:37:51,120 --> 02:37:53,240
Speaker 1: I saw a picture of Brad with them. That's my end.

3024
02:37:53,480 --> 02:37:55,560
Speaker 1: Because we have a mount rushmore of guests. We've tried

3025
02:37:55,560 --> 02:37:57,280
Speaker 1: to book on the show. It's a weird it's a

3026
02:37:57,320 --> 02:38:01,200
Speaker 1: weird list, but it's Scott's staff, whole Cooking, Vanessa Carlton,

3027
02:38:01,840 --> 02:38:04,560
Speaker 1: and post Malone and we don't we can't get those

3028
02:38:04,600 --> 02:38:06,720
Speaker 1: four and so you can help us actually take one

3029
02:38:06,720 --> 02:38:10,080
Speaker 1: of the names off the mount absolutely absolutely Listen. They

3030
02:38:10,080 --> 02:38:11,560
Speaker 1: didn't come in here for their own health. They came

3031
02:38:11,600 --> 02:38:13,400
Speaker 1: in here because they have a new tour. It is

3032
02:38:13,480 --> 02:38:15,920
Speaker 1: the Better Life twentieth Anniversary Tour. Three Doors Down. They

3033
02:38:15,959 --> 02:38:17,880
Speaker 1: are all over there. If you have a city, they're

3034
02:38:17,920 --> 02:38:19,920
Speaker 1: probably in it. I'm looking at it. Here. Go to

3035
02:38:20,000 --> 02:38:21,600
Speaker 1: three Doors Down dot com or you can go to

3036
02:38:21,720 --> 02:38:23,560
Speaker 1: the three Doors on Instagram page. All the dates are

3037
02:38:23,600 --> 02:38:26,920
Speaker 1: listed there. Man, guys, you just so great. So first

3038
02:38:26,920 --> 02:38:28,440
Speaker 1: of all, if I was warning a hat, i'd tip

3039
02:38:28,520 --> 02:38:30,440
Speaker 1: it to you because you still have it. I'm such

3040
02:38:30,480 --> 02:38:32,200
Speaker 1: a big fan and for me this has been a thrill.

3041
02:38:32,280 --> 02:38:34,880
Speaker 1: So thank you guys, Thank you for having and that

3042
02:38:35,080 --> 02:38:36,800
Speaker 1: is it. And you guys go to the show, because

3043
02:38:37,040 --> 02:38:40,360
Speaker 1: are you guys coming here? Yep? Okay, if I'm in town,

3044
02:38:40,440 --> 02:38:42,440
Speaker 1: I'm going to this show. If I going to the show,

3045
02:38:42,480 --> 02:38:43,720
Speaker 1: I mean I'm singing all the songs on stage with

3046
02:38:43,760 --> 02:38:46,080
Speaker 1: a microphone. Do bring you all right? There they are

3047
02:38:46,160 --> 02:38:50,199
Speaker 1: three doors down everybody. Thank you guys. It's the Best

3048
02:38:50,360 --> 02:38:55,520
Speaker 1: Bits of the Week with Morgan number two. All right,

3049
02:38:55,560 --> 02:38:58,640
Speaker 1: that's it for this week's Best Bits podcast. Thanks for

3050
02:38:58,720 --> 02:39:00,400
Speaker 1: hanging out with me, catching up on all of our

3051
02:39:00,440 --> 02:39:02,600
Speaker 1: best performances from the year, and of course Hillary for

3052
02:39:02,720 --> 02:39:05,240
Speaker 1: hanging out with me. Of course, anytime I got an

3053
02:39:05,320 --> 02:39:07,280
Speaker 1: update on the dating line, we talked all about our

3054
02:39:07,280 --> 02:39:09,320
Speaker 1: favorite artists, which most of you at this point probably no,

3055
02:39:09,400 --> 02:39:11,840
Speaker 1: because we keep talking about the same people. Yes, same people.

3056
02:39:11,959 --> 02:39:14,320
Speaker 1: That's fine. Time, never gonna change. Nope, it's what I

3057
02:39:14,720 --> 02:39:18,600
Speaker 1: were consistent. Oh man, will you guys have a great weekend.

3058
02:39:18,680 --> 02:39:21,840
Speaker 1: I hope you all are enjoying your I don't know,

3059
02:39:22,000 --> 02:39:24,120
Speaker 1: July weekend in the summer, there's only a few summer

3060
02:39:24,160 --> 02:39:27,520
Speaker 1: months left before the summer season starts, summer season, the

3061
02:39:27,640 --> 02:39:30,039
Speaker 1: school season starts. I knew what I was trying to say.

3062
02:39:30,440 --> 02:39:32,520
Speaker 1: It was there, We know what you mean. Hillary. Tell

3063
02:39:32,560 --> 02:39:35,560
Speaker 1: them how they can find you on social media. Instagram

3064
02:39:35,720 --> 02:39:39,200
Speaker 1: is at Hillary two ells dot Borden, and then Twitter

3065
02:39:39,400 --> 02:39:42,240
Speaker 1: is at Hillary Borden. Thank dot in there, and I'm

3066
02:39:42,320 --> 02:39:45,320
Speaker 1: at web girl Morgan on all the things and of

3067
02:39:45,440 --> 02:39:47,920
Speaker 1: course the show is at Bobby Bones Show on Everything,

3068
02:39:48,040 --> 02:39:50,440
Speaker 1: So hit us all up, make sure you follow us.

3069
02:39:50,520 --> 02:39:52,160
Speaker 1: If you listen to this, share it so we can

3070
02:39:52,200 --> 02:39:54,480
Speaker 1: share you back. You know, let me know that you're

3071
02:39:54,520 --> 02:39:57,040
Speaker 1: loving it or if you hate it, but please be nice. Yeah,

3072
02:39:57,160 --> 02:39:57,960
Speaker 1: that's all my