1 00:00:00,120 --> 00:00:04,920 Speaker 1: Hello, fake doctors, fans, and welcome to Daniel's Rap recap Show, 2 00:00:05,040 --> 00:00:09,520 Speaker 1: where I wrap a recap of the entire series thus far. Now, 3 00:00:09,560 --> 00:00:12,680 Speaker 1: I'm not gonna do that. Could you imagine that'd be ridiculous? Anyway, Hi, everybody, 4 00:00:12,720 --> 00:00:15,400 Speaker 1: it's your friend d J Daniel and um, I'm here 5 00:00:15,440 --> 00:00:18,280 Speaker 1: to tell you a little bit about some of the 6 00:00:18,400 --> 00:00:21,279 Speaker 1: music that has been made for the show or used 7 00:00:21,320 --> 00:00:24,759 Speaker 1: for the show to accompany the very talent to Donald 8 00:00:24,760 --> 00:00:29,400 Speaker 1: Phazon's dip into the world of wrapping recap shakoor if 9 00:00:29,440 --> 00:00:32,239 Speaker 1: you will, as one great friend and fan of the 10 00:00:32,280 --> 00:00:35,480 Speaker 1: show has dubbed him. Uh, the way this is gonna 11 00:00:35,520 --> 00:00:37,440 Speaker 1: work is, I'm going to tell you a little bit 12 00:00:37,440 --> 00:00:39,839 Speaker 1: about myself, a little history of the you know, of 13 00:00:39,960 --> 00:00:42,880 Speaker 1: my music making and how I, you know, got into 14 00:00:43,000 --> 00:00:45,560 Speaker 1: doing this, and then we're going to go through all 15 00:00:45,640 --> 00:00:47,880 Speaker 1: of the beats that have been used for the show 16 00:00:48,560 --> 00:00:53,680 Speaker 1: and how they came about. Um, and so let's get 17 00:00:53,760 --> 00:01:19,120 Speaker 1: right into it. We made a nurses before working at 18 00:01:19,160 --> 00:01:22,320 Speaker 1: my Heart, I was a touring DJ and musician with 19 00:01:22,360 --> 00:01:24,959 Speaker 1: my best friend Ian. We were a group called Gladiator 20 00:01:25,000 --> 00:01:27,679 Speaker 1: and we made electronic music and we were, you know, 21 00:01:27,800 --> 00:01:32,720 Speaker 1: so lucky to play electronic music shows and you know, raves, festivals, 22 00:01:32,760 --> 00:01:35,720 Speaker 1: all that stuff all over the world. After that time 23 00:01:35,760 --> 00:01:38,720 Speaker 1: of my life, I was again so lucky to move 24 00:01:38,880 --> 00:01:42,320 Speaker 1: into the world of podcasting and start working at then 25 00:01:42,440 --> 00:01:45,160 Speaker 1: How Stuff Works and now I heart Radio. And even 26 00:01:45,200 --> 00:01:47,840 Speaker 1: though I was out of the world of electronic music, 27 00:01:47,960 --> 00:01:51,120 Speaker 1: I still had a love for making music, making beats. 28 00:01:51,200 --> 00:01:54,720 Speaker 1: I still did it occasionally, and I still had a 29 00:01:54,720 --> 00:01:57,280 Speaker 1: lot of music left in the library to use and 30 00:01:57,360 --> 00:02:00,000 Speaker 1: to you know, just kind of hang onto and sometimes 31 00:02:00,080 --> 00:02:02,760 Speaker 1: I used it for a little highlight reels for my 32 00:02:02,840 --> 00:02:05,560 Speaker 1: stream or whatever. But really I just had a bunch 33 00:02:05,600 --> 00:02:07,840 Speaker 1: of music lying around that I, you know, had had 34 00:02:07,880 --> 00:02:11,520 Speaker 1: no intention of using for anything else. So, as you're 35 00:02:11,560 --> 00:02:15,600 Speaker 1: all familiar, Donald does the recaps at the beginning of 36 00:02:15,600 --> 00:02:18,160 Speaker 1: the episode. They've been a little bit absent recently because 37 00:02:18,160 --> 00:02:19,960 Speaker 1: as you can tell, we use them for special occasions 38 00:02:20,000 --> 00:02:23,320 Speaker 1: when he really wants to wrap, etcetera. But early on 39 00:02:23,320 --> 00:02:26,320 Speaker 1: in the show he would write them down, have it 40 00:02:26,400 --> 00:02:28,200 Speaker 1: nice and rehearsed and ready to go to really hit 41 00:02:28,240 --> 00:02:31,000 Speaker 1: that thirty second mark. So later on there was one 42 00:02:31,040 --> 00:02:35,040 Speaker 1: episode where Donald wasn't exactly totally prepared, which is fine. 43 00:02:35,080 --> 00:02:37,800 Speaker 1: Everybody's busy we'll have lives to lead. And he said, 44 00:02:38,200 --> 00:02:40,840 Speaker 1: or rather Zack said, so you're going to a free 45 00:02:40,880 --> 00:02:43,480 Speaker 1: for free something. Well, you know what, I'll just let 46 00:02:43,560 --> 00:02:47,560 Speaker 1: you hear it. Let's get into the recap, all right, listen, 47 00:02:47,639 --> 00:02:49,800 Speaker 1: let's get into your non written recap. Are you gonna 48 00:02:49,840 --> 00:02:52,519 Speaker 1: like are you gonna like? Free? Free flow it? What 49 00:02:52,600 --> 00:02:54,760 Speaker 1: do you call that? When you when you? When you are? 50 00:02:55,800 --> 00:02:58,520 Speaker 1: And I'm gonna do it off the top a go ahead, 51 00:02:58,639 --> 00:03:04,120 Speaker 1: go ahead, pep pep pep pep pep pep pep pe. 52 00:03:06,600 --> 00:03:09,680 Speaker 1: Dr Cox and Dr Kelso are like an old married couple. 53 00:03:10,160 --> 00:03:15,560 Speaker 1: Tower reads back, and she's looking prettier and prettier. Right, 54 00:03:15,760 --> 00:03:18,000 Speaker 1: did I say it right? Those eyes are so blue. 55 00:03:18,360 --> 00:03:21,480 Speaker 1: Carlos freaking out about the wedding. J B wants what 56 00:03:21,720 --> 00:03:26,600 Speaker 1: he can't have. Victory could be snatched from you at 57 00:03:26,680 --> 00:03:30,960 Speaker 1: the last moment. It's very interested. The grass is also 58 00:03:31,639 --> 00:03:35,640 Speaker 1: always greener on the other side. This was That's what 59 00:03:35,760 --> 00:03:39,560 Speaker 1: this episode was about. This episode was about what's on 60 00:03:39,720 --> 00:03:42,960 Speaker 1: the other side, and you everybody has fomo but when 61 00:03:43,000 --> 00:03:45,520 Speaker 1: you get it finally, at the end of the day, 62 00:03:46,200 --> 00:03:50,280 Speaker 1: the grass isn't greener. If anything, it's maybe a little 63 00:03:50,400 --> 00:03:53,880 Speaker 1: less green. Or if not worse, be happy with what 64 00:03:54,000 --> 00:03:57,440 Speaker 1: you got people you like who you get what you get, 65 00:03:57,680 --> 00:04:00,640 Speaker 1: and you don't get upset. That's how it goes, all right, Well, 66 00:04:00,720 --> 00:04:02,560 Speaker 1: listen on behalf of all of our listeners. I think 67 00:04:02,640 --> 00:04:04,720 Speaker 1: it's better when you pre write them and plan them 68 00:04:04,720 --> 00:04:07,440 Speaker 1: out a little bit. I had shipped to do. I'm 69 00:04:07,520 --> 00:04:11,720 Speaker 1: sorry people had my kids had to eat today. So yeah, 70 00:04:11,760 --> 00:04:14,040 Speaker 1: even though Donald kind of prompted me with his butt, 71 00:04:14,920 --> 00:04:17,600 Speaker 1: I wasn't you know, that wasn't a beat. That was 72 00:04:17,680 --> 00:04:19,360 Speaker 1: just him, you know, making the sounds of what he 73 00:04:19,880 --> 00:04:21,640 Speaker 1: what a beat intro kind of sounds like. But I 74 00:04:21,760 --> 00:04:23,440 Speaker 1: laid a beat under it. And that beat is called 75 00:04:23,560 --> 00:04:25,360 Speaker 1: Team Supreme Beat. It's a beat that I made a 76 00:04:25,440 --> 00:04:28,200 Speaker 1: long time ago as part of a remix contest for 77 00:04:28,520 --> 00:04:44,360 Speaker 1: a for a music collective called Team Supreme. The thing 78 00:04:44,400 --> 00:04:47,440 Speaker 1: about the Team Supreme collective or the Team Supreme you 79 00:04:47,520 --> 00:04:50,200 Speaker 1: know beat competition, is that like you have to make 80 00:04:50,240 --> 00:04:52,440 Speaker 1: them really quickly, and I'm kind of a slow producer. 81 00:04:52,839 --> 00:04:54,680 Speaker 1: So I missed the deadline to make that beat, but 82 00:04:54,720 --> 00:04:56,440 Speaker 1: I still ended up finishing it out and it just 83 00:04:56,560 --> 00:04:58,680 Speaker 1: sits in my library. And so it was one of 84 00:04:58,720 --> 00:05:00,320 Speaker 1: the ones that I like to just like throw around. 85 00:05:00,360 --> 00:05:02,600 Speaker 1: It's a nice kind of chill beat, and yeah, I 86 00:05:02,640 --> 00:05:04,320 Speaker 1: threw it on top and it really seemed to work. 87 00:05:05,000 --> 00:05:07,480 Speaker 1: It works so much, as a matter of fact, that 88 00:05:07,800 --> 00:05:11,000 Speaker 1: Donald did the same exact thing two episodes later. All right, 89 00:05:11,000 --> 00:05:15,760 Speaker 1: here comes Donald's recab. I hope that I hope on 90 00:05:15,839 --> 00:05:19,560 Speaker 1: behalf of everyone that he chose to pre write it 91 00:05:19,680 --> 00:05:23,159 Speaker 1: this time. Now it's freestyle again, Like I like the beat. 92 00:05:23,680 --> 00:05:25,640 Speaker 1: The beat was fire first of all. Yeah, the beat 93 00:05:25,680 --> 00:05:30,719 Speaker 1: was good. Daniel. I was, oh god, I was worried. 94 00:05:30,760 --> 00:05:35,280 Speaker 1: I saw like one positive instant. I was like, now 95 00:05:35,400 --> 00:05:37,760 Speaker 1: he's never gonna write it again. He's gonna rely on 96 00:05:38,080 --> 00:05:41,119 Speaker 1: Daniel's beat. Let's go all right, dropped the beat. Daniel, 97 00:05:41,800 --> 00:05:45,279 Speaker 1: Turk and Carla finally reached their wedding to day. Jordan 98 00:05:45,360 --> 00:05:49,119 Speaker 1: and Cox have the house to themselves. If you're married 99 00:05:49,200 --> 00:05:52,160 Speaker 1: with kids, you know exactly how special that is. J 100 00:05:52,320 --> 00:05:55,480 Speaker 1: d and Elliott are beefing. And is it Danny or 101 00:05:55,560 --> 00:05:59,039 Speaker 1: Doug or Danny and Ted or is it Danny and Sean. 102 00:05:59,400 --> 00:06:05,400 Speaker 1: I don't know, but Danny get around like Tupac. Marriage 103 00:06:05,480 --> 00:06:09,600 Speaker 1: is a beautiful thing when you get it right. Yeah, 104 00:06:10,279 --> 00:06:13,960 Speaker 1: good work. That was funny. That was a good one. Donald, 105 00:06:15,520 --> 00:06:17,960 Speaker 1: A nice beat, Daniel, thank you. So that beat is 106 00:06:18,000 --> 00:06:20,560 Speaker 1: called DIGERI Dang and it's made out of a sample 107 00:06:20,640 --> 00:06:23,760 Speaker 1: pack from a good friend of mine named Crabbins. That's 108 00:06:23,800 --> 00:06:27,159 Speaker 1: his artist name, and uh, the same sample pack actually 109 00:06:27,279 --> 00:06:29,360 Speaker 1: that if you're familiar with the show the disury Do 110 00:06:29,520 --> 00:06:32,320 Speaker 1: sample from any time we do a fix your Life 111 00:06:32,360 --> 00:06:33,960 Speaker 1: with a little digury Do at the end, it's the 112 00:06:34,000 --> 00:06:36,520 Speaker 1: same sample pack. So yeah, I just made a beat 113 00:06:36,560 --> 00:06:39,320 Speaker 1: out of that, out of this this dis Reid sample 114 00:06:39,360 --> 00:06:41,960 Speaker 1: that I really liked, and as it was, you know, 115 00:06:42,520 --> 00:06:45,080 Speaker 1: pretty hard, pretty pretty knocking. Definitely a lot of more 116 00:06:45,200 --> 00:06:47,599 Speaker 1: slapping drums on there, a lot of skinny high hats, 117 00:06:47,640 --> 00:06:49,560 Speaker 1: stuff that just like you know, adds a lot of 118 00:06:49,680 --> 00:06:51,880 Speaker 1: rhythm to what is more or less just a single 119 00:06:52,040 --> 00:07:07,880 Speaker 1: note kind of groove. That be was a lot of 120 00:07:07,880 --> 00:07:09,520 Speaker 1: fun and another one that I've been holding onto for 121 00:07:09,640 --> 00:07:11,520 Speaker 1: a long time. The thing about these beats is that 122 00:07:11,680 --> 00:07:14,960 Speaker 1: you know, they're ultimately pretty simple, and so they never 123 00:07:15,080 --> 00:07:18,880 Speaker 1: really had a place as like a whole entire song. 124 00:07:19,800 --> 00:07:22,400 Speaker 1: You know, their their their ideas, their concepts, and you know, 125 00:07:22,520 --> 00:07:25,640 Speaker 1: either you give them to you know, performers, rappers, singers 126 00:07:25,640 --> 00:07:28,120 Speaker 1: anybody who would want to work on the beat um 127 00:07:28,200 --> 00:07:30,160 Speaker 1: but otherwise, you know, if they're not going to be 128 00:07:30,240 --> 00:07:32,400 Speaker 1: complete songs in their own they just you know, they 129 00:07:32,440 --> 00:07:35,360 Speaker 1: sit in the library and uh a little little insight 130 00:07:35,440 --> 00:07:38,520 Speaker 1: into the whole production process. So this is the last 131 00:07:38,560 --> 00:07:42,840 Speaker 1: time that Donald freestyled without actually rapping. And this next 132 00:07:42,880 --> 00:07:46,360 Speaker 1: beat is called how do y'all? Another situation where I 133 00:07:46,440 --> 00:07:48,400 Speaker 1: found a sample that I really liked, this time from 134 00:07:48,400 --> 00:07:51,440 Speaker 1: an artist named Kashmir k s h m r uh. 135 00:07:51,520 --> 00:07:53,560 Speaker 1: And they have just an awesome sample back of original 136 00:07:53,720 --> 00:07:56,480 Speaker 1: composed sounds and samples and loops and stuff like that. 137 00:07:56,800 --> 00:07:59,840 Speaker 1: And this was a really super twangy guitar sample that 138 00:08:00,320 --> 00:08:02,800 Speaker 1: really spoke to me, and was also kind of a 139 00:08:02,920 --> 00:08:05,040 Speaker 1: genre that I hadn't really worked with before. I was 140 00:08:05,080 --> 00:08:07,960 Speaker 1: so used to working with very like, you know, metallic 141 00:08:08,080 --> 00:08:10,960 Speaker 1: samples and other synth kind of things, and hadn't really 142 00:08:11,000 --> 00:08:12,920 Speaker 1: worked with a really twangy guitar. It has kind of 143 00:08:13,000 --> 00:08:16,560 Speaker 1: a southern or rather country feel to it, and I 144 00:08:16,680 --> 00:08:18,640 Speaker 1: really wanted to do something with that. I still ended 145 00:08:18,720 --> 00:08:21,239 Speaker 1: up making it pretty hip hoppy, but hip hoppy Jesus 146 00:08:21,320 --> 00:08:24,040 Speaker 1: listen to me. Still, it still sounds pretty hard, and 147 00:08:24,320 --> 00:08:26,280 Speaker 1: I really like this beat. Here, let's listen to a 148 00:08:26,320 --> 00:08:28,680 Speaker 1: little bit of the original sample before I played the recap. 149 00:08:46,000 --> 00:08:48,120 Speaker 1: So that's kind of the original sample. It's just you know, 150 00:08:48,200 --> 00:08:50,920 Speaker 1: it's it's a guitar loop. It's just you know, playing simple. 151 00:08:51,000 --> 00:08:53,360 Speaker 1: But I cut it up. I I trusted a little 152 00:08:53,400 --> 00:08:55,280 Speaker 1: bit to some pitching. You can hear that later on 153 00:08:55,400 --> 00:09:34,040 Speaker 1: in the beat. And again, unprompted, Donald does a freestyle 154 00:09:34,960 --> 00:09:36,800 Speaker 1: recap and I threw the beat under it and here 155 00:09:36,840 --> 00:09:40,479 Speaker 1: that is alright. Sorry, sorry for the one hour prologue. 156 00:09:40,559 --> 00:09:45,079 Speaker 1: It's time to talk about the television show Scrubs. Donald, 157 00:09:46,040 --> 00:09:51,120 Speaker 1: are you ready with your recap? Ready? Let me set 158 00:09:51,200 --> 00:09:56,840 Speaker 1: my timer, because everyone wants to know and go. Carla 159 00:09:56,960 --> 00:10:00,559 Speaker 1: has competition in the advice department. Cox needs to win. 160 00:10:01,000 --> 00:10:03,479 Speaker 1: J D and Elliott seemed to be on the relationship. 161 00:10:03,640 --> 00:10:07,120 Speaker 1: Man and Molly Clock played by Heather Graham, could be 162 00:10:07,320 --> 00:10:11,880 Speaker 1: its own investigative medical comedy with the cast of Scrubs 163 00:10:12,080 --> 00:10:14,920 Speaker 1: as a supporting element. Being competitive is one of the 164 00:10:15,000 --> 00:10:19,439 Speaker 1: most resourceful human assets in light. It can fuel a 165 00:10:19,559 --> 00:10:22,880 Speaker 1: person to greatness. Some people go too far, some people 166 00:10:22,960 --> 00:10:26,360 Speaker 1: have a problem. Life isn't the competition, But I often 167 00:10:26,440 --> 00:10:29,719 Speaker 1: find I'm most effective and successful, and I compete in 168 00:10:29,840 --> 00:10:34,240 Speaker 1: its game. M in it's game. Nice forty seconds graph guy. 169 00:10:34,960 --> 00:10:38,400 Speaker 1: All right, well those were all of the pre composed 170 00:10:38,440 --> 00:10:41,400 Speaker 1: beasts before Donald, you know, got real original and started 171 00:10:41,480 --> 00:10:44,120 Speaker 1: writing raps. But before we get to those, we're gonna 172 00:10:44,160 --> 00:10:53,679 Speaker 1: take a quick break and we're bad. We're back. I 173 00:10:53,720 --> 00:10:56,600 Speaker 1: always wanted to do that, all right, So now we're 174 00:10:56,600 --> 00:10:59,880 Speaker 1: onto the originals when I actually started making beats for Donald. Now, 175 00:11:00,080 --> 00:11:03,720 Speaker 1: this conversation you're about to hear is pretty much completely fresh. 176 00:11:03,840 --> 00:11:07,160 Speaker 1: Donald starts off the conversation by saying, uh, Daniel, I 177 00:11:07,240 --> 00:11:08,679 Speaker 1: want this beat to be a little different, and Zach 178 00:11:08,760 --> 00:11:11,160 Speaker 1: jumps to my defense immediately. Is a good friend he is. 179 00:11:11,280 --> 00:11:14,520 Speaker 1: But it ends up, you know, really working out. Donald, 180 00:11:14,840 --> 00:11:18,160 Speaker 1: you know again, completely unprompted or or without any warning, 181 00:11:18,800 --> 00:11:22,400 Speaker 1: just raps for us. And we're all completely blown away 182 00:11:22,440 --> 00:11:24,559 Speaker 1: by that. And you hear my little explanation of, like, 183 00:11:24,760 --> 00:11:26,800 Speaker 1: you know, how I've been making the beats in the past, 184 00:11:26,880 --> 00:11:28,800 Speaker 1: so this some of this information might you know, be 185 00:11:28,920 --> 00:11:31,640 Speaker 1: redundant to y'all, but uh then I explained how I'm 186 00:11:31,640 --> 00:11:33,160 Speaker 1: going to make a new beat, and that's what you 187 00:11:33,240 --> 00:11:35,199 Speaker 1: hear right there. But that was me truly hearing that 188 00:11:35,360 --> 00:11:38,760 Speaker 1: rap for the first time. Obviously, what you're hearing is 189 00:11:39,360 --> 00:11:41,400 Speaker 1: the beat with the rap on top of it. But 190 00:11:41,480 --> 00:11:44,000 Speaker 1: Donald just like rapped for us straight away. We're sitting 191 00:11:44,040 --> 00:11:46,400 Speaker 1: there in silence with our jaws on the floor, like what, 192 00:11:47,160 --> 00:11:50,520 Speaker 1: oh my god, Man's really did it? So um, it 193 00:11:50,640 --> 00:11:53,320 Speaker 1: was a really fun opportunity to, you know, pick up 194 00:11:53,360 --> 00:11:54,880 Speaker 1: the sticks again and make a fresh beat. And this 195 00:11:55,040 --> 00:11:57,040 Speaker 1: is the This was the first fresh beat I had 196 00:11:57,120 --> 00:12:01,240 Speaker 1: made and probably four or five of years literally, you know, 197 00:12:01,240 --> 00:12:02,520 Speaker 1: I had to take them quite a bit of a 198 00:12:02,559 --> 00:12:04,960 Speaker 1: break from producing music, and this was the first Batimate 199 00:12:05,040 --> 00:12:08,040 Speaker 1: in four to five years. So enjoy, Daniel. I feel 200 00:12:08,080 --> 00:12:12,000 Speaker 1: like this beat. It might be a little uh whoa, 201 00:12:13,080 --> 00:12:16,400 Speaker 1: I feel like this one. I feel like this beat 202 00:12:16,520 --> 00:12:20,120 Speaker 1: might be a little Adams family ish. You'll understand what 203 00:12:20,200 --> 00:12:21,760 Speaker 1: I'm saying. When we're done, you're rather you want him 204 00:12:21,760 --> 00:12:23,640 Speaker 1: to change, hold on, you want to go the beat? 205 00:12:23,800 --> 00:12:27,920 Speaker 1: Here we go if you don't need to stop watch. 206 00:12:28,080 --> 00:12:31,839 Speaker 1: But the last beat was fuego. They're always thank you 207 00:12:32,240 --> 00:12:36,439 Speaker 1: are ready and go yo, Carla lose his rowdy and 208 00:12:36,559 --> 00:12:39,800 Speaker 1: janetor have to squirrel Army Turk. Streams of coming true, 209 00:12:39,880 --> 00:12:43,400 Speaker 1: and Elliott fights with Molly j D doesn't want to 210 00:12:43,520 --> 00:12:48,240 Speaker 1: hurt nobody that Todd has superherring. He enters and it's comedy. 211 00:12:48,440 --> 00:12:51,240 Speaker 1: The talk shide is so powerful and useful. If you're 212 00:12:51,320 --> 00:12:54,160 Speaker 1: fearing beer can save a life, that's crazy, right, like 213 00:12:54,280 --> 00:12:58,800 Speaker 1: what you're hearing Big Doctor's real friends, d J, Daniel, Joel, Monique, dB. 214 00:12:59,360 --> 00:13:07,480 Speaker 1: That's the red cap plasterer turned your key. God, here 215 00:13:07,559 --> 00:13:12,240 Speaker 1: we go, he's got your Hamilton bag. Dude, dude, that's 216 00:13:12,280 --> 00:13:14,040 Speaker 1: the best one you've ever done. I look like, look, 217 00:13:14,080 --> 00:13:17,200 Speaker 1: I got goose bumps. That's the best one you've ever done. 218 00:13:17,360 --> 00:13:21,200 Speaker 1: And you hit thirty two seconds. I'm not even thirty. 219 00:13:21,320 --> 00:13:24,199 Speaker 1: I was trying to get dirty, dude, was I have 220 00:13:24,320 --> 00:13:29,200 Speaker 1: so many What led you to take it so much? Marajuana? 221 00:13:31,880 --> 00:13:38,800 Speaker 1: You're in my day so much in my day today, 222 00:13:39,480 --> 00:13:42,319 Speaker 1: all kay? So you're crediting Ganja for that, because I 223 00:13:42,400 --> 00:13:46,120 Speaker 1: would have. I was sitting in my house watching my 224 00:13:46,360 --> 00:13:51,080 Speaker 1: kids and I was bored. Okay, So they were doing 225 00:13:51,280 --> 00:13:53,640 Speaker 1: their zoom and I was like, I'm gonna write this 226 00:13:53,880 --> 00:13:57,640 Speaker 1: down so like a rap song. It was accompanying. But 227 00:13:57,800 --> 00:13:59,839 Speaker 1: but but you always are high when you write these 228 00:13:59,880 --> 00:14:03,640 Speaker 1: and this one was particularly great. I don't know what happened. 229 00:14:04,200 --> 00:14:07,000 Speaker 1: Something got into me today, I feel like something got 230 00:14:07,080 --> 00:14:11,480 Speaker 1: in you gotta you gotta make sure the beat is 231 00:14:11,520 --> 00:14:13,719 Speaker 1: worthy of that I was. I was just going to 232 00:14:13,760 --> 00:14:15,480 Speaker 1: say a little peek behind the curtain. All the beats 233 00:14:15,520 --> 00:14:16,920 Speaker 1: that I've played you are like you know, beats that 234 00:14:16,920 --> 00:14:18,480 Speaker 1: I've made over the past, like four or five years 235 00:14:18,520 --> 00:14:20,160 Speaker 1: whatever that was pulled from the bank, and just like 236 00:14:20,240 --> 00:14:22,880 Speaker 1: you know, little bits here and there. This is gonna be. Oh, 237 00:14:23,000 --> 00:14:26,960 Speaker 1: you might do any an original, well, they've all been original, 238 00:14:27,840 --> 00:14:32,000 Speaker 1: might do one just completely fresh? This is this is this, 239 00:14:32,200 --> 00:14:34,960 Speaker 1: this will be this will be in. This is gonna 240 00:14:34,960 --> 00:14:39,040 Speaker 1: be a This's gonna be a brand new one for you. God, 241 00:14:39,080 --> 00:14:41,240 Speaker 1: that was a banger. Honestly, that that beat is really 242 00:14:41,720 --> 00:14:43,760 Speaker 1: reminiscent of the kind of like hip hop beats that 243 00:14:43,760 --> 00:14:46,240 Speaker 1: I that I very much started making these like you know, 244 00:14:46,680 --> 00:14:51,320 Speaker 1: seventy b pm, just like very straightforward like hip hop 245 00:14:51,440 --> 00:14:53,240 Speaker 1: be It's kind of like, you know, real stank face 246 00:14:53,360 --> 00:14:57,160 Speaker 1: like head nodding kind of music. Lots of fun, all right, 247 00:14:57,400 --> 00:15:01,240 Speaker 1: So onto the next one, to the next, on to 248 00:15:01,360 --> 00:15:04,520 Speaker 1: the next, to the next, and the next one. I 249 00:15:04,640 --> 00:15:07,200 Speaker 1: feel like we really got into our stride. Donald was 250 00:15:07,280 --> 00:15:10,000 Speaker 1: really comfortable rapping. Everybody was ready for what was going 251 00:15:10,080 --> 00:15:11,960 Speaker 1: to come. I was really ready for what was coming 252 00:15:11,960 --> 00:15:15,840 Speaker 1: down the pipeline. And I think this was probably my 253 00:15:16,040 --> 00:15:18,560 Speaker 1: favorite meeting of our minds. This might be my favorite 254 00:15:18,600 --> 00:15:21,600 Speaker 1: beat of the ones that we made together. Donald's flow 255 00:15:21,720 --> 00:15:24,200 Speaker 1: is just so in the pocket. He had a great 256 00:15:24,280 --> 00:15:26,840 Speaker 1: I mean everything about it. The writing was perfect, and 257 00:15:27,080 --> 00:15:29,840 Speaker 1: I think personally the beat is pretty hard. Some of 258 00:15:29,880 --> 00:15:32,760 Speaker 1: the cleanest drums that I did for this. UM. I 259 00:15:32,880 --> 00:15:35,640 Speaker 1: love the sample. Um. The kind of pan flute sounds 260 00:15:35,680 --> 00:15:39,280 Speaker 1: really nice. And yeah, it was just a really really 261 00:15:39,360 --> 00:15:42,280 Speaker 1: fun beat to make. So enjoy all right, Well, listen, Bill. 262 00:15:42,360 --> 00:15:44,360 Speaker 1: You might not have heard the last episode, but Donald 263 00:15:44,840 --> 00:15:47,320 Speaker 1: did a rap version of the of the summary of 264 00:15:47,400 --> 00:15:49,440 Speaker 1: the show that was so amazing that it's all everyone's 265 00:15:49,480 --> 00:15:52,080 Speaker 1: talking about. And Daniel made a really really cool beat 266 00:15:52,120 --> 00:15:59,520 Speaker 1: to it. Really yeah, it was really good, really good, 267 00:15:59,760 --> 00:16:03,880 Speaker 1: so pure, so um. Much like um a showrunner who 268 00:16:03,960 --> 00:16:06,960 Speaker 1: has to make his second season really really good after 269 00:16:07,080 --> 00:16:10,440 Speaker 1: everyone loves the first, Donald now has to keep his 270 00:16:10,560 --> 00:16:14,600 Speaker 1: second dope rap as good as the first. Are you ready, Donald, man? 271 00:16:14,640 --> 00:16:17,240 Speaker 1: That's high pressure. High pressure. He gave me to Kathleen 272 00:16:17,360 --> 00:16:20,760 Speaker 1: Kennedy jump off like I gotta, I said, picture, you're 273 00:16:20,800 --> 00:16:23,280 Speaker 1: Kathleen Kennedy trying to make make another one. All right, 274 00:16:23,280 --> 00:16:30,520 Speaker 1: here you go, ready, you got this? Hit it? Daniel? Hey, Yo, 275 00:16:32,160 --> 00:16:34,280 Speaker 1: you know how the song goes. I can't do this 276 00:16:34,440 --> 00:16:37,120 Speaker 1: on my own. Well, j D passes the mike and 277 00:16:37,240 --> 00:16:40,880 Speaker 1: Elliott sets the tone, keeping it. Really, she's more together 278 00:16:41,040 --> 00:16:43,840 Speaker 1: then I thought. And Terry and j D h the 279 00:16:43,960 --> 00:16:47,200 Speaker 1: cute it because they bought to tape recorder. Call the 280 00:16:47,320 --> 00:16:50,600 Speaker 1: made tape order and ends all games like it was 281 00:16:50,800 --> 00:16:54,280 Speaker 1: the fourth call. The bridges get burnt, lessons get learned. 282 00:16:54,280 --> 00:16:57,120 Speaker 1: For what it's worth. Dad can't command is in ternedific. 283 00:16:57,200 --> 00:16:59,920 Speaker 1: It's not for Papa Smurf, Tella pills on the show. 284 00:17:00,120 --> 00:17:02,280 Speaker 1: Let's all dives in Yo, here we go. If you 285 00:17:02,360 --> 00:17:05,480 Speaker 1: don't already, it's time to act like you know, I 286 00:17:05,560 --> 00:17:09,119 Speaker 1: hope like Tony the Tigers and show, we'll be great. Yo. 287 00:17:09,280 --> 00:17:14,880 Speaker 1: Bill hit him with that. Here's some stories about show 288 00:17:15,119 --> 00:17:19,320 Speaker 1: we made about a bunch of docs and nurses. And 289 00:17:19,840 --> 00:17:28,520 Speaker 1: Janitor said, he's a stories. So YadA around here? Are 290 00:17:29,200 --> 00:17:38,080 Speaker 1: YadA around here? M That was incredible. Donald, You've really 291 00:17:38,160 --> 00:17:42,600 Speaker 1: raised the bar groovy slapping smacker. Really enjoyed that one, 292 00:17:43,160 --> 00:17:45,399 Speaker 1: all right. So this next one, I really felt like 293 00:17:45,480 --> 00:17:48,760 Speaker 1: Donald got kind of in his like little John east 294 00:17:48,800 --> 00:17:53,280 Speaker 1: Side Boys Yin Yang Twins bag and just like threw down. 295 00:17:53,400 --> 00:17:55,920 Speaker 1: So I knew I had to match that, and I 296 00:17:56,040 --> 00:17:58,040 Speaker 1: kind of want I feel like this beat is kind 297 00:17:58,080 --> 00:18:00,280 Speaker 1: of a mix of the first beat the I made 298 00:18:00,320 --> 00:18:02,040 Speaker 1: for him and the second beat, and this is like, 299 00:18:02,240 --> 00:18:04,320 Speaker 1: you know, a kind of like a culmination of those 300 00:18:04,359 --> 00:18:07,280 Speaker 1: two sounds. Uh, It's a little bit faster than the 301 00:18:07,320 --> 00:18:09,800 Speaker 1: first beat. It has the same kind of horns as 302 00:18:09,840 --> 00:18:11,480 Speaker 1: the first beat, though it's basically like the speed of 303 00:18:11,520 --> 00:18:14,040 Speaker 1: the second beat the horns of the first beat. But 304 00:18:14,320 --> 00:18:17,280 Speaker 1: really like basically, the more practice that I got making 305 00:18:17,359 --> 00:18:20,560 Speaker 1: music again, the more plussed up these beats gotten, the 306 00:18:20,680 --> 00:18:23,520 Speaker 1: more you know, more exciting they really were. And and 307 00:18:23,640 --> 00:18:25,360 Speaker 1: basically I just think I just did a better job 308 00:18:25,440 --> 00:18:27,760 Speaker 1: each time, Like each progressive beat afterwards was like I 309 00:18:27,840 --> 00:18:30,600 Speaker 1: remember a lot more of my old techniques. I remembered 310 00:18:30,600 --> 00:18:32,240 Speaker 1: a lot more of like what I really loved about 311 00:18:32,240 --> 00:18:35,120 Speaker 1: making music again, and I just you know, I feel 312 00:18:35,119 --> 00:18:37,960 Speaker 1: like I was really in the groove. And um, this one, 313 00:18:38,560 --> 00:18:42,160 Speaker 1: this one's a big old banger so um enjoy. I'll 314 00:18:42,160 --> 00:18:45,000 Speaker 1: be knocking my head right there along with you. We 315 00:18:45,080 --> 00:18:46,679 Speaker 1: have so much to talk about, all right right, let 316 00:18:46,720 --> 00:18:48,200 Speaker 1: me just rehearsed this real quick and then we could 317 00:18:48,200 --> 00:18:50,119 Speaker 1: get into we have to what if the one that 318 00:18:50,200 --> 00:18:52,960 Speaker 1: you rehearse is magical? Then we don't have recorded? And 319 00:18:53,040 --> 00:18:54,719 Speaker 1: then I got recorded and we got it all right, 320 00:18:56,359 --> 00:19:01,320 Speaker 1: all right, here we go. J D was like, cannot 321 00:19:01,359 --> 00:19:04,600 Speaker 1: freaky frequent Molly to Elliott, who was hard pressed, but 322 00:19:04,720 --> 00:19:07,080 Speaker 1: probably when I thinking that knew he had no chance 323 00:19:07,160 --> 00:19:09,200 Speaker 1: in hell, so she sent him on the quest. Feel 324 00:19:09,240 --> 00:19:12,720 Speaker 1: me watch he fails. This episode was directed Buzzy visit 325 00:19:12,840 --> 00:19:14,639 Speaker 1: at the gardens. They came out, so he was starting 326 00:19:14,640 --> 00:19:16,800 Speaker 1: to sist. Della Bill was like, I don't want the 327 00:19:16,840 --> 00:19:19,600 Speaker 1: boy to visit. I'll let him to wreck Pete. Their 328 00:19:19,720 --> 00:19:23,440 Speaker 1: reason back lick crazy shots improvised what you Got treat 329 00:19:23,560 --> 00:19:26,280 Speaker 1: by aka Yo. That's kind of hot topic. Got a 330 00:19:26,359 --> 00:19:28,840 Speaker 1: chuck a lot so Ja based Dr Cox Mom Shannon 331 00:19:28,880 --> 00:19:32,720 Speaker 1: Molly put side all well received by the popular list 332 00:19:32,800 --> 00:19:36,720 Speaker 1: because like prim Z, b was an optimist. I'm rocking 333 00:19:36,800 --> 00:19:38,879 Speaker 1: like a lodge. You want serpent and he's like a 334 00:19:39,000 --> 00:19:41,879 Speaker 1: restaurant you can just called the face off. That's the recap, 335 00:19:41,960 --> 00:19:43,960 Speaker 1: but it wouldn't be complete without shot now d J 336 00:19:44,119 --> 00:19:52,520 Speaker 1: Daniel and Joel Monique. Yeah, dude, I feel like it's 337 00:19:52,600 --> 00:19:54,760 Speaker 1: my birthday and he gave me the best president you've 338 00:19:54,760 --> 00:19:58,960 Speaker 1: ever given. Yo. I hope that you can put this together. Oh, 339 00:19:59,080 --> 00:20:02,680 Speaker 1: don't you worry about a thing? That was hard? What 340 00:20:02,840 --> 00:20:09,400 Speaker 1: was the metrodome said to beats per minute? How happy 341 00:20:09,440 --> 00:20:12,720 Speaker 1: you made your beat maker? Don't you worry about the thing? 342 00:20:13,200 --> 00:20:17,919 Speaker 1: Slapper banger, smasher, radio smash. Anyway, that was a lot 343 00:20:17,960 --> 00:20:20,000 Speaker 1: of fun. And before we get to the next beat, 344 00:20:20,320 --> 00:20:22,240 Speaker 1: which is really exciting, has a fun has an interesting 345 00:20:22,240 --> 00:20:24,440 Speaker 1: story behind it. We are going to take a quick break. 346 00:20:24,480 --> 00:20:33,200 Speaker 1: We'll be right back and we are back once again. 347 00:20:33,520 --> 00:20:36,560 Speaker 1: So back once again with the renegame Master Default Amager 348 00:20:36,560 --> 00:20:38,240 Speaker 1: for power to the people anyway. But the next beat, 349 00:20:38,680 --> 00:20:42,160 Speaker 1: this was probably my greatest challenge working with Donald because 350 00:20:43,000 --> 00:20:45,560 Speaker 1: it was the rap that had the most unique meter 351 00:20:46,160 --> 00:20:48,879 Speaker 1: um Donald wrapped in a kind of waltz style of 352 00:20:49,000 --> 00:20:52,359 Speaker 1: three four think like you know a limerick or you know, 353 00:20:52,440 --> 00:20:54,480 Speaker 1: happy birthday for that matter, but happy birthday that you 354 00:20:54,480 --> 00:20:56,560 Speaker 1: don't really get the vibe of it, but instead of 355 00:20:56,600 --> 00:20:58,840 Speaker 1: it being just four on the floor of one two 356 00:20:59,280 --> 00:21:03,399 Speaker 1: three four or one two three four. His rapping was 357 00:21:03,520 --> 00:21:07,720 Speaker 1: more in counts of three one two three, one two three. 358 00:21:08,000 --> 00:21:12,440 Speaker 1: But that, but that that, or but that that butt 359 00:21:12,520 --> 00:21:15,879 Speaker 1: that that the butt that that that, and making a 360 00:21:16,000 --> 00:21:18,240 Speaker 1: beat at that meter is a little bit tough because 361 00:21:18,280 --> 00:21:20,639 Speaker 1: the way the flow works, it makes it sound more like, 362 00:21:21,119 --> 00:21:23,480 Speaker 1: you know, you're rocking back and forth, then you really 363 00:21:23,560 --> 00:21:28,480 Speaker 1: are knocking your head. It's more like um dumb, dumb dum. 364 00:21:29,000 --> 00:21:32,240 Speaker 1: And finding something that really matches that style that's also 365 00:21:32,320 --> 00:21:33,960 Speaker 1: like a knock and hip hop beat can be kind 366 00:21:34,000 --> 00:21:36,600 Speaker 1: of tough. So I've really played around with a lot 367 00:21:36,640 --> 00:21:40,520 Speaker 1: of ideas. I I knocked my head against the wall, 368 00:21:40,560 --> 00:21:42,399 Speaker 1: as they say, as I was trying to come up 369 00:21:42,400 --> 00:21:44,760 Speaker 1: with a really cool beat to to match Donald's just 370 00:21:44,960 --> 00:21:47,680 Speaker 1: unique flow, I mean, and the writing was great once again, 371 00:21:47,800 --> 00:21:49,639 Speaker 1: like you know, he really knocked it out of the 372 00:21:49,720 --> 00:21:51,840 Speaker 1: park with all of these raps and everything he wrote 373 00:21:51,920 --> 00:21:54,200 Speaker 1: was just spectacular, and so I really wanted to match 374 00:21:54,280 --> 00:21:56,080 Speaker 1: that energy, even though he was giving me a more 375 00:21:56,280 --> 00:22:00,080 Speaker 1: unique meter and something different to work with. Um And 376 00:22:00,200 --> 00:22:03,720 Speaker 1: then I remembered one of my favorite kind of freaky 377 00:22:03,960 --> 00:22:07,400 Speaker 1: songs that's in three four, and that would be Pink Elephants. 378 00:22:07,600 --> 00:22:11,040 Speaker 1: Pink Elephants from Dumbo is also a waltz, and so 379 00:22:11,720 --> 00:22:18,760 Speaker 1: or Dundundu wanted, they wanted, they wanted, they wanted, they wanted. 380 00:22:20,040 --> 00:22:24,000 Speaker 1: So I thought that would be a great a great 381 00:22:24,200 --> 00:22:27,560 Speaker 1: piece to sample and work around. And you know, again, 382 00:22:27,640 --> 00:22:30,480 Speaker 1: this was definitely one of the greater challenges of making 383 00:22:30,520 --> 00:22:33,680 Speaker 1: a beat for Donald because it's not standard. It's a 384 00:22:33,800 --> 00:22:35,960 Speaker 1: very unstandard meter for a rap song. If you're familiar 385 00:22:35,960 --> 00:22:38,480 Speaker 1: with artists like Andre Nicotina, that's where you hear it 386 00:22:38,560 --> 00:22:40,399 Speaker 1: the most. You might be thinking of people like the 387 00:22:40,480 --> 00:22:44,439 Speaker 1: Megos who were like doing the triplet style to put uh. 388 00:22:44,680 --> 00:22:48,160 Speaker 1: But the thing is the beats are still in four 389 00:22:48,280 --> 00:22:51,280 Speaker 1: four because most of their meter is still very standard, 390 00:22:51,400 --> 00:22:54,480 Speaker 1: but they have these moments of rapping and triple uh say, 391 00:22:56,840 --> 00:22:59,560 Speaker 1: and that can work. But if the entire thing is 392 00:22:59,600 --> 00:23:02,280 Speaker 1: in three for, you don't have that standard for for 393 00:23:02,480 --> 00:23:05,840 Speaker 1: to hold onto. It just makes it If the beat 394 00:23:06,000 --> 00:23:08,200 Speaker 1: was to sound just a straight forward for all the 395 00:23:08,240 --> 00:23:10,919 Speaker 1: way across, it would really feel like it's not matching 396 00:23:11,000 --> 00:23:13,000 Speaker 1: Donald's rap. So I wanted to do my best to 397 00:23:13,080 --> 00:23:18,720 Speaker 1: match it all the way across. And that's when I've 398 00:23:18,760 --> 00:23:23,720 Speaker 1: found pink elephants and uh yeah, I think it turned 399 00:23:23,760 --> 00:23:27,439 Speaker 1: out all right, so together we'll enjoy it. Please check 400 00:23:27,480 --> 00:23:29,760 Speaker 1: it out, all right you ready? Donald, Here we go 401 00:23:30,440 --> 00:23:33,200 Speaker 1: j D and they got beef thanks to Julie and 402 00:23:33,480 --> 00:23:35,800 Speaker 1: mug A Lee. I wish it was beat like the 403 00:23:35,920 --> 00:23:38,240 Speaker 1: Face because we all sing along. Yeah, you know the 404 00:23:38,320 --> 00:23:41,600 Speaker 1: theme song, Elliot's sick of bullshit. They tested her at 405 00:23:41,640 --> 00:23:44,199 Speaker 1: work like a quiz. She becomes a boy because her 406 00:23:44,240 --> 00:23:47,800 Speaker 1: patients a dick. Thanks are so say ish. Georgie's pep 407 00:23:47,880 --> 00:23:50,480 Speaker 1: talk was a refreshing shift to get to sex. Allie 408 00:23:50,560 --> 00:23:52,520 Speaker 1: leap in the end on your favorite of Kanya. You 409 00:23:52,600 --> 00:23:55,480 Speaker 1: know we stake friends rose before hose, but love always wins. 410 00:23:55,520 --> 00:23:58,520 Speaker 1: I learned all of this watching Wanda Vision Joel Monique. 411 00:23:58,560 --> 00:24:01,200 Speaker 1: The recap is complete. Don't beat for this beat you 412 00:24:01,240 --> 00:24:03,440 Speaker 1: what free? DJ Daniel hear me, I see how you 413 00:24:03,560 --> 00:24:06,080 Speaker 1: do respect to all of you. Listen this too. Now 414 00:24:06,160 --> 00:24:09,119 Speaker 1: back to this show. I was almost so late after one, two, three, 415 00:24:09,160 --> 00:24:15,040 Speaker 1: four comes here's some stories about show we made about 416 00:24:15,080 --> 00:24:19,680 Speaker 1: a bunch of docs and nurses and said, he's the 417 00:24:19,840 --> 00:24:38,520 Speaker 1: stories around here around here, m that's amazing, So are 418 00:24:38,520 --> 00:24:42,399 Speaker 1: amazing dude, in your next life, you need to be 419 00:24:42,480 --> 00:24:45,439 Speaker 1: a rapper. Love that one. Um, You're talented. You're very 420 00:24:45,480 --> 00:24:48,400 Speaker 1: talented rapper, Daniel. I hope that you're beat can can 421 00:24:48,560 --> 00:24:51,920 Speaker 1: match the awesome he will, he will crush that dude 422 00:24:51,960 --> 00:24:54,840 Speaker 1: if he that. The thing is it's at one fifteen 423 00:24:55,240 --> 00:24:58,159 Speaker 1: beats per minute, so the beat could be like something 424 00:24:58,400 --> 00:25:01,240 Speaker 1: freaky with that. You know what I like? What do 425 00:25:01,280 --> 00:25:03,720 Speaker 1: you want him to do slower? I want him to 426 00:25:03,760 --> 00:25:06,560 Speaker 1: do whatever he want, whatever he's feeling, man, whatever you're feeling. 427 00:25:07,320 --> 00:25:09,399 Speaker 1: And there you have a pink elephants, ladies and gentlemen. 428 00:25:09,400 --> 00:25:11,840 Speaker 1: Shout out Dumbo for the sample. Dumbo on the beat 429 00:25:12,080 --> 00:25:16,199 Speaker 1: as it were. Okay, well we've come to the end 430 00:25:16,240 --> 00:25:18,920 Speaker 1: of our little adventure. It's been so fun talking with 431 00:25:19,040 --> 00:25:21,120 Speaker 1: you all. I mean, I'm sitting here talking to myself 432 00:25:21,160 --> 00:25:25,720 Speaker 1: in my office, scary, it's lonely. I'm just kidding. But 433 00:25:25,800 --> 00:25:28,280 Speaker 1: it's been fun to take you all on a journey 434 00:25:28,320 --> 00:25:30,080 Speaker 1: of you know, where these beats came from, what the 435 00:25:30,119 --> 00:25:32,920 Speaker 1: process was like. Uh, if you have any questions, I 436 00:25:32,960 --> 00:25:35,120 Speaker 1: would love to, you know, talk about this process more, 437 00:25:35,320 --> 00:25:37,399 Speaker 1: or if you are interested in seeing some of the 438 00:25:37,440 --> 00:25:40,600 Speaker 1: samples live or talking about some of the production processes. 439 00:25:40,920 --> 00:25:42,680 Speaker 1: You can catch me on my stream on Wednesdays and 440 00:25:42,720 --> 00:25:46,920 Speaker 1: Sundays a Twitch, dot tv slash DJ Underscore Daniel and Yeah, 441 00:25:46,960 --> 00:25:49,239 Speaker 1: I invite to you know, talk about music stuff more 442 00:25:49,240 --> 00:25:51,600 Speaker 1: because it's really a lot of fun. But we're down 443 00:25:51,680 --> 00:25:55,040 Speaker 1: to the last original beat for the show. And guess 444 00:25:55,119 --> 00:25:57,359 Speaker 1: what it was for? I think you all know that's right, 445 00:25:57,760 --> 00:26:00,960 Speaker 1: the live show? Where what did we sample the theme 446 00:26:01,080 --> 00:26:03,399 Speaker 1: song itself? Donald and I talked about that a little bit. 447 00:26:03,440 --> 00:26:04,920 Speaker 1: We were like, how are we gonna like really like 448 00:26:05,080 --> 00:26:07,080 Speaker 1: we gotta we gotta really spruce it up for the 449 00:26:07,160 --> 00:26:10,560 Speaker 1: live show? Why don't we sample the theme song? And 450 00:26:10,640 --> 00:26:13,159 Speaker 1: then boom made ourselves a nice little beat out of 451 00:26:13,200 --> 00:26:16,399 Speaker 1: the theme song. Donald wrote an incredible rap once again, 452 00:26:16,920 --> 00:26:20,080 Speaker 1: and we had you know, podcast magic as they say, 453 00:26:20,560 --> 00:26:22,920 Speaker 1: all right, well, since we're going on this last song, 454 00:26:23,640 --> 00:26:25,440 Speaker 1: thank you so much for listening. Thank you for taking 455 00:26:25,520 --> 00:26:27,720 Speaker 1: time out of your day to hear me wax poetic 456 00:26:27,840 --> 00:26:29,479 Speaker 1: on the music that was made for the show. It's 457 00:26:29,520 --> 00:26:31,800 Speaker 1: been an absolute pleasure. I love making music for the 458 00:26:31,840 --> 00:26:34,640 Speaker 1: show and it's been awesome to see Donald just right 459 00:26:34,840 --> 00:26:37,600 Speaker 1: incredible rhymes for the show. Just you know, man is 460 00:26:37,640 --> 00:26:40,480 Speaker 1: super talented. I mean a Zach said earlier in another life, 461 00:26:40,520 --> 00:26:42,040 Speaker 1: you need to be a rapper. Well, I think in 462 00:26:42,160 --> 00:26:46,520 Speaker 1: this life, Donald is achieving those achieving those goals. Anyway, 463 00:26:46,840 --> 00:26:50,200 Speaker 1: catch us next Tuesday at the regular time for an 464 00:26:50,280 --> 00:26:53,200 Speaker 1: episode with the directors of C Spiracy. Should be a 465 00:26:53,359 --> 00:26:56,120 Speaker 1: interesting listen. I can't wait to talk to you all. Then, 466 00:26:56,760 --> 00:26:59,560 Speaker 1: uh and without further ado, enjoy the speech from the 467 00:26:59,600 --> 00:27:01,920 Speaker 1: live show talk to you, sim how do you want to? 468 00:27:01,960 --> 00:27:03,840 Speaker 1: Five six seven eighth? This time? Donald? Why? How do 469 00:27:03,920 --> 00:27:05,680 Speaker 1: you want to? How do you it's your your thing? 470 00:27:05,800 --> 00:27:07,879 Speaker 1: How do you want to? Launch into the very special 471 00:27:08,000 --> 00:27:10,000 Speaker 1: version of the theme song? What are you talking about? 472 00:27:10,400 --> 00:27:17,960 Speaker 1: Just let's go five six seven? Hey, here's some story. 473 00:27:18,200 --> 00:27:23,240 Speaker 1: Here's some story. Here's some here's some sire. You're doing live. 474 00:27:24,200 --> 00:27:27,280 Speaker 1: Welcome to the show, guys and girls, or however you 475 00:27:27,400 --> 00:27:31,440 Speaker 1: identify the world. It's up with us tonight. This ship 476 00:27:31,480 --> 00:27:34,760 Speaker 1: about to be lift. Get lighters in the sky. Here's 477 00:27:34,760 --> 00:27:37,440 Speaker 1: a story about the show we made back in the 478 00:27:37,600 --> 00:27:39,520 Speaker 1: day when I was young. I wish I was still 479 00:27:39,560 --> 00:27:41,720 Speaker 1: that age with some days I think it's crazy what 480 00:27:41,840 --> 00:27:45,240 Speaker 1: we did. Like in this episode, they carberteen the hospital. 481 00:27:45,440 --> 00:27:47,320 Speaker 1: Dandy got it right. She said, start sucks if I 482 00:27:47,440 --> 00:27:49,560 Speaker 1: agree with her. Jade got a new girl man. He 483 00:27:49,640 --> 00:27:52,359 Speaker 1: also got Uncle Pep Turk finds out call it went 484 00:27:52,480 --> 00:27:55,120 Speaker 1: on a dab of Cox, so in his mind car 485 00:27:55,240 --> 00:27:58,359 Speaker 1: the probably Cox, dug and Ted fight for the right 486 00:27:58,440 --> 00:28:01,240 Speaker 1: to simple Dandy. There's Roberts has a pisk. Gatis wanted 487 00:28:01,240 --> 00:28:03,800 Speaker 1: to buy so Mandy, but she's so freaking sandy. She said. 488 00:28:03,800 --> 00:28:06,720 Speaker 1: Nobody can't have handy and Mick has reversed cow girl. 489 00:28:06,880 --> 00:28:09,240 Speaker 1: You're welcome, vince me. This so much to discuss, this 490 00:28:09,359 --> 00:28:12,480 Speaker 1: so much to discuss. There's only one room that's have fun, 491 00:28:12,560 --> 00:28:14,800 Speaker 1: and it's a musk. If you can't do that, then 492 00:28:14,880 --> 00:28:17,960 Speaker 1: you can't funk with us. Fake Doctor's real friends is 493 00:28:18,119 --> 00:28:22,840 Speaker 1: about to bust all upon your like a oh my god. 494 00:28:25,160 --> 00:28:28,520 Speaker 1: I went to par I digress on this. YO started 495 00:28:28,640 --> 00:28:32,600 Speaker 1: up boxy seven. They did hear some stories about show 496 00:28:32,840 --> 00:28:37,919 Speaker 1: we made about a bunch of docs and nurses and Janitor, 497 00:28:37,960 --> 00:28:45,520 Speaker 1: who I said, he's a stories should so gata around you. 498 00:28:45,720 --> 00:28:50,000 Speaker 1: Here are YadA around you, Here are discuss round show. 499 00:28:55,760 --> 00:29:00,640 Speaker 1: Oh wow, radio watch out