1 00:00:01,000 --> 00:00:03,880 Speaker 1: Dear listeners of hollywood Land, does it feel like you're 2 00:00:03,880 --> 00:00:07,120 Speaker 1: stuck in limbo standing under a flickering street light at 3 00:00:07,160 --> 00:00:09,880 Speaker 1: the corner of Hollywood and True Crime, waiting for the 4 00:00:09,920 --> 00:00:13,119 Speaker 1: next episode of hollywood Land to drop. I got you. 5 00:00:13,960 --> 00:00:29,600 Speaker 1: Welcome to hollywood Land the Rap Party. Welcome everybody to 6 00:00:29,680 --> 00:00:32,520 Speaker 1: another bonus episode of hollywood Land. You know what time 7 00:00:32,520 --> 00:00:35,159 Speaker 1: it is, It's time for the Rap Party. This is 8 00:00:35,200 --> 00:00:37,080 Speaker 1: the show that gets you from one full episode of 9 00:00:37,120 --> 00:00:39,559 Speaker 1: hollywood Land to the next. The place where we dig 10 00:00:39,600 --> 00:00:42,600 Speaker 1: deeper into the stories. We tell, stories where movie history 11 00:00:42,800 --> 00:00:45,320 Speaker 1: finds itself in the shadow of true crime, Stories that 12 00:00:45,400 --> 00:00:48,559 Speaker 1: go deeper into the truth, hiding behind the myth, the 13 00:00:48,640 --> 00:00:51,440 Speaker 1: kinds of stories hiding in plain sight on the cunning 14 00:00:51,479 --> 00:00:55,200 Speaker 1: room floor. My name is Zeth Lundy, writer at Double Elvis, 15 00:00:55,280 --> 00:00:57,840 Speaker 1: showrunner for hollywood Land. And on this bonus episode, we 16 00:00:57,880 --> 00:01:01,520 Speaker 1: are talking about this week's full episodes subject Lindsay Lohan. 17 00:01:01,960 --> 00:01:05,280 Speaker 1: We are previewing next week's episode on Charlie Chaplin. We're 18 00:01:05,280 --> 00:01:08,320 Speaker 1: talking movie and music recommendations, and we're gonna check out 19 00:01:08,319 --> 00:01:11,960 Speaker 1: your voicemails, texts, dms and emails. So come on, everybody, 20 00:01:12,280 --> 00:01:31,679 Speaker 1: let's party. I've been watching music documentaries for just about 21 00:01:31,720 --> 00:01:35,240 Speaker 1: as long as I've been into watching feature films. In fact, 22 00:01:35,280 --> 00:01:38,440 Speaker 1: a pretty formative memory for me is buying a VHS 23 00:01:38,440 --> 00:01:42,120 Speaker 1: copy of YouTube's Rattle and Hum concert film. This is 24 00:01:42,120 --> 00:01:44,640 Speaker 1: the movie that followed them on their Joshua Tree tour 25 00:01:44,760 --> 00:01:47,600 Speaker 1: of the United States. It was released in theaters in 26 00:01:47,720 --> 00:01:49,800 Speaker 1: nineteen eighty eight, but I didn't see it in the theater, 27 00:01:50,320 --> 00:01:53,280 Speaker 1: probably because I think I really became obsessed with you 28 00:01:53,320 --> 00:01:56,800 Speaker 1: two when their single Desire, which was from this movie 29 00:01:56,800 --> 00:02:00,880 Speaker 1: and from this album, was released, So if the movie 30 00:02:00,960 --> 00:02:04,080 Speaker 1: did play in the theater here in the small town 31 00:02:04,120 --> 00:02:06,360 Speaker 1: and main where I grew up, I missed it because 32 00:02:06,400 --> 00:02:10,880 Speaker 1: at that point, once I figured out that I was 33 00:02:10,960 --> 00:02:14,320 Speaker 1: completely into this band, the movie had moved on by 34 00:02:14,320 --> 00:02:16,280 Speaker 1: that point. But I did buy a copy of it 35 00:02:16,320 --> 00:02:18,760 Speaker 1: on VHS when it was released the following year, in 36 00:02:18,760 --> 00:02:22,320 Speaker 1: February of nineteen eighty nine. I was let's see eleven 37 00:02:22,400 --> 00:02:24,720 Speaker 1: at the time, so the money to buy it must 38 00:02:24,760 --> 00:02:27,600 Speaker 1: have been money I saved up working my paper route 39 00:02:27,639 --> 00:02:29,280 Speaker 1: at the time, because this was a few years before 40 00:02:29,320 --> 00:02:31,480 Speaker 1: I started working at the used music gear shop that 41 00:02:31,560 --> 00:02:34,400 Speaker 1: was above our US record store in downtown. But I 42 00:02:34,440 --> 00:02:37,360 Speaker 1: had this vivid memory of going to a store called 43 00:02:37,639 --> 00:02:40,880 Speaker 1: Suncoast Motion Picture Company. It was a chain store that 44 00:02:41,000 --> 00:02:44,000 Speaker 1: was located in the mall and the quote unquote big city, 45 00:02:44,360 --> 00:02:46,679 Speaker 1: about ten minutes away from the small town that I 46 00:02:46,720 --> 00:02:49,359 Speaker 1: grew up in. This was back when malls like Hours 47 00:02:49,400 --> 00:02:52,360 Speaker 1: had at least two or three, if not more, music stores. 48 00:02:52,880 --> 00:02:58,000 Speaker 1: You know, Tape World, Music Land, Strawberries. Strawberries is a 49 00:02:58,000 --> 00:03:01,280 Speaker 1: strange name, Tape World Music Land. Of how all these 50 00:03:01,320 --> 00:03:05,120 Speaker 1: stores had They're like Disneyland names. But Suncoast was a 51 00:03:05,120 --> 00:03:07,919 Speaker 1: store that was devoted to movie culture, so they sold 52 00:03:07,960 --> 00:03:11,760 Speaker 1: video cassettes and clothing and other centiphile merch But I 53 00:03:11,800 --> 00:03:15,200 Speaker 1: remember distinctly going in on this day when Rattle and 54 00:03:15,280 --> 00:03:17,519 Speaker 1: Hunk came out, and I bought the Rattle and Hum 55 00:03:17,639 --> 00:03:19,880 Speaker 1: video cassette as well as a T shirt which had 56 00:03:19,919 --> 00:03:23,079 Speaker 1: the cover photo on it, the bono shining the spotlight 57 00:03:23,120 --> 00:03:25,040 Speaker 1: on the edge as he's ripping into a guitar solo. 58 00:03:25,240 --> 00:03:27,400 Speaker 1: I literally wore that shirt out until it fell apart, 59 00:03:27,440 --> 00:03:30,480 Speaker 1: my first and far from my last band T shirt. Now, 60 00:03:30,919 --> 00:03:32,960 Speaker 1: like I said, at the time, I was a newly 61 00:03:33,000 --> 00:03:36,600 Speaker 1: obsessed YouTube fan. I'd already purchased the cassette tape of 62 00:03:36,640 --> 00:03:38,320 Speaker 1: the album Rattle and Hum back on the Fall when 63 00:03:38,360 --> 00:03:40,040 Speaker 1: it was released, and for a while it's all I 64 00:03:40,080 --> 00:03:43,200 Speaker 1: listened to. I could pairret every affectation in Bono's voice 65 00:03:43,240 --> 00:03:45,840 Speaker 1: and every note that rang out from the edges black stratocaster. 66 00:03:46,200 --> 00:03:47,960 Speaker 1: And remember this was back in the late eighties when 67 00:03:48,000 --> 00:03:50,680 Speaker 1: you couldn't just pull up images and videos of whatever online. 68 00:03:50,680 --> 00:03:53,120 Speaker 1: You had to catch a video when it played on MTV, 69 00:03:53,520 --> 00:03:56,080 Speaker 1: or you had to scan through pictures in the Unforgettable 70 00:03:56,120 --> 00:03:59,720 Speaker 1: Fire biography by Amon Dumpy, as I did at the time. 71 00:04:00,040 --> 00:04:01,480 Speaker 1: So when I got the movie home and I watched 72 00:04:01,520 --> 00:04:04,760 Speaker 1: it for the first time, this incredible black and white photography, 73 00:04:05,200 --> 00:04:08,400 Speaker 1: seeing Bono move like he did on the stage, or 74 00:04:08,440 --> 00:04:11,120 Speaker 1: the way that Adam Clayton just stood there, stone still, 75 00:04:11,840 --> 00:04:14,880 Speaker 1: it honestly completely changed my perception of who and what 76 00:04:15,040 --> 00:04:18,479 Speaker 1: you two were all about. It made them simultaneously more 77 00:04:18,560 --> 00:04:21,440 Speaker 1: human and more godlike in my eyes, if that makes sense. 78 00:04:22,120 --> 00:04:25,800 Speaker 1: This is the transformative power of the visual image, of course, 79 00:04:25,960 --> 00:04:29,039 Speaker 1: which has always been a big reason about why I 80 00:04:29,080 --> 00:04:31,880 Speaker 1: love movies, but it's also a testament to the power 81 00:04:31,920 --> 00:04:34,120 Speaker 1: of a great documentary. And yeah, like technically right, al 82 00:04:34,080 --> 00:04:36,240 Speaker 1: On Home is a concert film and not a doc 83 00:04:36,279 --> 00:04:37,720 Speaker 1: but it is kind of doc like, and all the 84 00:04:37,760 --> 00:04:40,680 Speaker 1: b roll stuff that's happening between the performances, and even 85 00:04:40,680 --> 00:04:44,000 Speaker 1: many of the performances themselves feel more doc like, like when 86 00:04:44,440 --> 00:04:46,600 Speaker 1: Bono was giving that incredible speech about the bombing back 87 00:04:46,600 --> 00:04:49,600 Speaker 1: home in Ireland. I was thinking about this again recently 88 00:04:49,640 --> 00:04:53,040 Speaker 1: this past weekend when I watched the new Devo documentary, 89 00:04:53,080 --> 00:04:56,320 Speaker 1: which just came out on Netflix last week. This film 90 00:04:56,320 --> 00:04:59,599 Speaker 1: premiered at Sundance last year. It was one of five 91 00:04:59,640 --> 00:05:03,120 Speaker 1: other Claimed Festival films that Netflix bought as part of 92 00:05:03,120 --> 00:05:06,640 Speaker 1: this new Netflix Originals documentary series. This is the first 93 00:05:06,640 --> 00:05:08,480 Speaker 1: one in the series they're going to roll out over 94 00:05:08,520 --> 00:05:10,520 Speaker 1: the course of the next year or so, I believe 95 00:05:11,200 --> 00:05:14,560 Speaker 1: this documentary. The Devo Documentary was directed by Chris Smith, who, 96 00:05:14,600 --> 00:05:17,479 Speaker 1: first of all, in my estimation, has built this formidable 97 00:05:17,480 --> 00:05:20,760 Speaker 1: catalog of documentary films kind of under the radar, and 98 00:05:20,839 --> 00:05:23,000 Speaker 1: I'm not sure why I don't hear more about him 99 00:05:23,080 --> 00:05:25,320 Speaker 1: or read more about him. I mean, just real quick, 100 00:05:25,360 --> 00:05:27,640 Speaker 1: in the last twenty five years or so he made 101 00:05:27,800 --> 00:05:30,120 Speaker 1: Back in nineteen ninety nine, he made America Movie, which 102 00:05:30,520 --> 00:05:34,400 Speaker 1: won the Grand Jury Prize for documentary at Sundance. He's 103 00:05:34,400 --> 00:05:36,960 Speaker 1: the guy who did Tiger King, he did Fire about 104 00:05:36,960 --> 00:05:40,719 Speaker 1: the Fire Music Festival. He did Senior about Robert Downey Sor, 105 00:05:41,120 --> 00:05:43,840 Speaker 1: he did the documentary on Wham, the one on Jim 106 00:05:43,839 --> 00:05:47,360 Speaker 1: and Andy, the Great Beyond about Jim Carrey playing Andy Kaufman, 107 00:05:47,720 --> 00:05:50,560 Speaker 1: and then most recently, I Believe Mister McMahon, which was 108 00:05:50,560 --> 00:05:55,279 Speaker 1: a Netflix documentary series on Vince McMahon and professional wrestling. 109 00:05:56,520 --> 00:06:00,240 Speaker 1: So he's got this new doc on Devo and me 110 00:06:00,320 --> 00:06:04,039 Speaker 1: most about this is how it completely changed my perception 111 00:06:04,160 --> 00:06:06,000 Speaker 1: of the band. And I don't mean that in an 112 00:06:06,040 --> 00:06:10,520 Speaker 1: audible gasp n night Shyamalan twist ending kind of a revelation. 113 00:06:11,520 --> 00:06:14,320 Speaker 1: I loved Devo. Their first four records especially are incredible. 114 00:06:14,320 --> 00:06:16,479 Speaker 1: I think Freedom of Choice was one of the first 115 00:06:16,520 --> 00:06:18,960 Speaker 1: records that was ever in my collection. Somehow I forget 116 00:06:19,000 --> 00:06:20,800 Speaker 1: where it came from, but it's just always been there. 117 00:06:21,240 --> 00:06:23,159 Speaker 1: And I grew up in a house that always had 118 00:06:23,360 --> 00:06:26,840 Speaker 1: music playing. My parents were both into all kinds of music, 119 00:06:27,040 --> 00:06:29,799 Speaker 1: lots of cutting edge art pop and art punk, believe 120 00:06:29,800 --> 00:06:32,200 Speaker 1: it or not, and one of them played me Devo's 121 00:06:32,200 --> 00:06:34,320 Speaker 1: cover of I Can't Get No Satisfaction when I was 122 00:06:34,320 --> 00:06:37,040 Speaker 1: a kid, and knowing the original, well, it just completely 123 00:06:37,080 --> 00:06:39,640 Speaker 1: rewired my brain. And I knew at the time in 124 00:06:39,720 --> 00:06:42,599 Speaker 1: my gut that these were subversive songs. The Rolling Stones 125 00:06:42,680 --> 00:06:46,000 Speaker 1: cover was subversive, whip. It was subversive, but I didn't 126 00:06:46,040 --> 00:06:48,719 Speaker 1: know how deep it went. Watching this doc got me 127 00:06:48,760 --> 00:06:53,000 Speaker 1: thinking a lot about the subversion of punk rock in particular, 128 00:06:53,040 --> 00:06:56,680 Speaker 1: and about the punk rock ethos. If you will, Okay Zeth, 129 00:06:56,680 --> 00:06:59,560 Speaker 1: you're saying the punk rock ethos, according to Joe Ramone, 130 00:06:59,560 --> 00:07:01,200 Speaker 1: was an a scar from boredom. I just want to 131 00:07:01,240 --> 00:07:03,880 Speaker 1: have something to do, right. But of course it's more 132 00:07:03,920 --> 00:07:06,479 Speaker 1: than that. If you Google the definition of punk rock, 133 00:07:06,960 --> 00:07:09,960 Speaker 1: which of course Google is the pre eminent authority on 134 00:07:10,040 --> 00:07:12,880 Speaker 1: punk di do you not know this Google says about 135 00:07:12,920 --> 00:07:16,320 Speaker 1: punk rock. I'm sorry, I don't have my copy of 136 00:07:16,400 --> 00:07:19,120 Speaker 1: Please Kill Me close enough to me to reference that 137 00:07:19,360 --> 00:07:22,280 Speaker 1: for the definition there, But Google says punk rock is 138 00:07:22,280 --> 00:07:25,320 Speaker 1: a musical genre in counterculture movement, characterized by loud, fast 139 00:07:25,360 --> 00:07:28,120 Speaker 1: and aggressive rock music with simple, stripped down instrumentation and 140 00:07:28,160 --> 00:07:33,559 Speaker 1: rebellious lyrics, often expressing anti establishment views. Now Devo wasn't 141 00:07:33,600 --> 00:07:36,400 Speaker 1: just anti establishment. Divo was all about how the rot 142 00:07:36,480 --> 00:07:40,280 Speaker 1: went deeper than the establishment. It was us, it was humans. 143 00:07:40,640 --> 00:07:43,880 Speaker 1: This whole idea of de evolution, that the promises of 144 00:07:43,920 --> 00:07:46,880 Speaker 1: the post World War II era in which humanity was 145 00:07:46,920 --> 00:07:49,440 Speaker 1: going to make these great strides and not just technology 146 00:07:49,480 --> 00:07:52,400 Speaker 1: and culture, but in love and understanding, that we were 147 00:07:52,440 --> 00:07:55,920 Speaker 1: going to evolve as a species. Well, the exact opposite 148 00:07:56,240 --> 00:07:59,200 Speaker 1: was true in the eyes of the guys who formed 149 00:07:59,200 --> 00:08:03,320 Speaker 1: the band, that we had in fact been devolving, And 150 00:08:03,360 --> 00:08:06,800 Speaker 1: now here comes Devo in these silly yellow jumpsuits, or 151 00:08:06,800 --> 00:08:09,440 Speaker 1: they are silly energy domes, those red hats, or the 152 00:08:09,840 --> 00:08:13,680 Speaker 1: JFK hair molds that everybody mistakenly thought were Reagan hair molds, 153 00:08:13,680 --> 00:08:16,040 Speaker 1: which I think is a riot. But this is the 154 00:08:16,080 --> 00:08:19,240 Speaker 1: depth of the subversion. Okay, Divo performed as the very 155 00:08:19,280 --> 00:08:22,600 Speaker 1: avatars of their message of de evolution. It's kind of 156 00:08:22,640 --> 00:08:25,120 Speaker 1: like the Born in the USA trick where you get 157 00:08:25,160 --> 00:08:27,280 Speaker 1: people to dance along to whip it at the club 158 00:08:27,480 --> 00:08:29,679 Speaker 1: while the greater meaning just kind of goes over their heads. 159 00:08:29,720 --> 00:08:32,160 Speaker 1: Right now, I'm not suggesting that no one should dance 160 00:08:32,160 --> 00:08:34,960 Speaker 1: to whip it, because you absolutely should given every opportunity, 161 00:08:35,120 --> 00:08:37,200 Speaker 1: and the same goes for their cover of I can't 162 00:08:37,200 --> 00:08:39,280 Speaker 1: get no satisfaction. It's got to be in the mount 163 00:08:39,320 --> 00:08:42,400 Speaker 1: rushmore of cover songs. But I digress. My larger point 164 00:08:42,400 --> 00:08:44,000 Speaker 1: here is that if punk rock is meant to up 165 00:08:44,080 --> 00:08:47,640 Speaker 1: end the system, to bristle against the layer of conformity 166 00:08:47,679 --> 00:08:50,040 Speaker 1: in groupthink that is applied to life as we know 167 00:08:50,120 --> 00:08:52,120 Speaker 1: it like a coat of paint on a wall, then 168 00:08:52,120 --> 00:08:56,000 Speaker 1: that would explain why I found myself asking this question 169 00:08:56,080 --> 00:08:59,400 Speaker 1: while watching this doc. Is Devo the greatest punk band 170 00:08:59,440 --> 00:09:03,920 Speaker 1: of all time? Now, before you come at me with Zeth, dude, 171 00:09:04,040 --> 00:09:07,439 Speaker 1: it's obviously the Clash, It's the Ramones, or even God Forbid. 172 00:09:07,480 --> 00:09:09,160 Speaker 1: As my twelve year old son told me last night 173 00:09:09,520 --> 00:09:12,920 Speaker 1: when I was rewatching this doc with him, that Black 174 00:09:12,960 --> 00:09:16,520 Speaker 1: Flag is even greater and more important than Ramones, which 175 00:09:16,640 --> 00:09:21,079 Speaker 1: look obviously the kid inherited my very opinionated and admittedly 176 00:09:21,120 --> 00:09:26,200 Speaker 1: provocative musical taste. But sorry, kid, you run before you 177 00:09:26,200 --> 00:09:28,520 Speaker 1: come at me with all that. Watch this doc and 178 00:09:28,520 --> 00:09:32,319 Speaker 1: then tell me what you think. And tell me when 179 00:09:32,360 --> 00:09:35,280 Speaker 1: the last time a documentary changed your perception of an artist, 180 00:09:35,679 --> 00:09:37,839 Speaker 1: a musician, or an actor or a director or a 181 00:09:37,880 --> 00:09:40,200 Speaker 1: public figure. You know how to do this, Send me 182 00:09:40,240 --> 00:09:42,720 Speaker 1: a text or call me six one seven nine oh 183 00:09:42,800 --> 00:09:45,440 Speaker 1: six sixty six three eight. If you call, you're gonna 184 00:09:45,440 --> 00:09:47,640 Speaker 1: hear Jake Brennan's voice in the message. Don't worry about it, 185 00:09:47,679 --> 00:09:49,959 Speaker 1: I'll get it, okay. You can also send your emails 186 00:09:50,000 --> 00:09:52,960 Speaker 1: to Disgrace lampod at gmail dot com or swing over 187 00:09:53,000 --> 00:09:56,079 Speaker 1: to Instagram, Facebook or x and hit us up there, 188 00:09:56,559 --> 00:09:59,960 Speaker 1: and who knows, man you might hear your thoughts, your calm, 189 00:10:00,320 --> 00:10:05,840 Speaker 1: your suggestions, your recommendations here on the Rap Party. All Right, 190 00:10:05,880 --> 00:10:07,520 Speaker 1: I've talked so much about Devo here at the top 191 00:10:07,520 --> 00:10:09,560 Speaker 1: that I haven't even mentioned this week's full episode of 192 00:10:09,559 --> 00:10:12,280 Speaker 1: Hollywood Land on Lindsay Low Hand, which if you don't 193 00:10:12,320 --> 00:10:15,000 Speaker 1: know about Lindsay working the City Morgue as part of 194 00:10:15,000 --> 00:10:18,360 Speaker 1: community service and the story she told about Whitney Houston 195 00:10:18,520 --> 00:10:21,320 Speaker 1: there inside that Morgue, well check out the episode and 196 00:10:21,559 --> 00:10:24,120 Speaker 1: you'll get into that. And then coming up next week 197 00:10:24,120 --> 00:10:26,360 Speaker 1: on your feed on Monday, we've got our episode on 198 00:10:26,440 --> 00:10:28,920 Speaker 1: Charlie Chaplin, one of the greatest actor directors from the 199 00:10:28,920 --> 00:10:32,640 Speaker 1: Silent era, The Little Tramp, including, however, a story you 200 00:10:32,720 --> 00:10:36,960 Speaker 1: probably haven't heard about, this pack of Japanese assassins who 201 00:10:37,000 --> 00:10:40,880 Speaker 1: targeted him, and then perhaps an even crazier story. More 202 00:10:40,920 --> 00:10:43,600 Speaker 1: morg stories here about how his corpse was dug up 203 00:10:43,720 --> 00:10:47,880 Speaker 1: and held for ransom. Are you serious? Yes, I'm serious, baby. 204 00:10:48,440 --> 00:10:50,600 Speaker 1: You get this kind of wild storytelling and this digging 205 00:10:50,679 --> 00:10:54,200 Speaker 1: deep uncovering the hidden stuff only here in Hollywood Land. Okay, 206 00:10:54,240 --> 00:10:58,480 Speaker 1: so do not miss those episodes and coming right up 207 00:10:58,520 --> 00:11:01,920 Speaker 1: after this, The Man, the Myth, the Legend. Jake Brennan 208 00:11:02,000 --> 00:11:03,400 Speaker 1: is going to join me here and we're going to 209 00:11:03,480 --> 00:11:16,760 Speaker 1: go through some of those messages from y'all. So hang tight, 210 00:11:19,160 --> 00:11:21,920 Speaker 1: all right, all right, all right, welcome back to the 211 00:11:22,000 --> 00:11:25,080 Speaker 1: Rap Party, your weekly bonus episode of the Hollywood Lamb Podcast. 212 00:11:25,160 --> 00:11:27,920 Speaker 1: And without further ado, let's get Jake in here. 213 00:11:28,160 --> 00:11:32,120 Speaker 2: Jake Zeth Lundy. I am fresh off my stint of 214 00:11:32,200 --> 00:11:34,839 Speaker 2: watching Lindsay Lohan and the Canyons. 215 00:11:35,679 --> 00:11:38,080 Speaker 1: Ooh, and what was your thing? Isn't that based on 216 00:11:38,200 --> 00:11:40,199 Speaker 1: Brett Easton Ellis book. 217 00:11:40,280 --> 00:11:45,080 Speaker 2: Written by Bretty Soon Ellis, the screenplay directed by Paul Schrader. Right, 218 00:11:45,880 --> 00:11:47,760 Speaker 2: it was a force function for a shower that I 219 00:11:47,800 --> 00:11:49,920 Speaker 2: needed to take immediately and here I am. 220 00:11:50,880 --> 00:11:52,600 Speaker 1: Okay, everything else going well in your world? 221 00:11:52,800 --> 00:11:54,440 Speaker 2: Yeah? Man, everything's great. How about you? 222 00:11:54,840 --> 00:11:58,200 Speaker 1: I'm good, I'm good. I found three u Zzy Top 223 00:11:58,240 --> 00:12:01,439 Speaker 1: records in my local use record store the other day, 224 00:12:01,440 --> 00:12:04,119 Speaker 1: and so I bought those like you read about. 225 00:12:03,840 --> 00:12:06,320 Speaker 2: Man love that, Which ones? Which ones? 226 00:12:06,600 --> 00:12:12,880 Speaker 1: I got? Fandango, great one, El Loco and also what 227 00:12:13,040 --> 00:12:16,600 Speaker 1: might be my new favorite Zzy Top record, Tahas is okay, 228 00:12:16,640 --> 00:12:17,440 Speaker 1: so fucking good. 229 00:12:17,800 --> 00:12:21,679 Speaker 2: Okay, love Love Tejas Love Fandango. Don't know the other 230 00:12:21,720 --> 00:12:24,400 Speaker 2: one you mentioned, Fandego? No, I know the other one 231 00:12:24,480 --> 00:12:26,080 Speaker 2: is a big one. What's the second one you mentioned? 232 00:12:26,440 --> 00:12:29,439 Speaker 1: El Loco? L Loco's got tuobesnak boogie on it. Okay, 233 00:12:29,559 --> 00:12:32,200 Speaker 1: it's right before they go into like all the eliminator shit, 234 00:12:32,280 --> 00:12:33,200 Speaker 1: I think yeah. 235 00:12:33,240 --> 00:12:35,760 Speaker 2: And Fandango has that great live version of jail Break. 236 00:12:36,000 --> 00:12:38,680 Speaker 1: Yeah, the whole first side is them live and it's 237 00:12:38,800 --> 00:12:41,520 Speaker 1: so good, and then it's got touched on the second side. 238 00:12:41,800 --> 00:12:45,559 Speaker 2: Have you heard, uh the nineties Zzy Top album where 239 00:12:45,640 --> 00:12:53,920 Speaker 2: the mean no low key incredible record, great heavy, heavy, great, 240 00:12:54,640 --> 00:12:59,680 Speaker 2: like like just pictures eazy Top with nineties rock production 241 00:13:00,040 --> 00:13:02,560 Speaker 2: and not giving a fuck about hits. I love that 242 00:13:02,600 --> 00:13:04,280 Speaker 2: and just killing it. It's so great. 243 00:13:04,280 --> 00:13:06,800 Speaker 1: All right, that's gonna be on my list here soon. 244 00:13:07,440 --> 00:13:09,559 Speaker 1: Well out further Ado, Let's let's get to all the 245 00:13:10,240 --> 00:13:12,880 Speaker 1: good people out there in Hollywood. Lands. I want to 246 00:13:12,960 --> 00:13:15,959 Speaker 1: check out this voicemail from the eight one to two 247 00:13:16,400 --> 00:13:17,640 Speaker 1: up top here Matt play that. 248 00:13:19,040 --> 00:13:23,480 Speaker 3: Hey, Jake ands f This is in regards to your 249 00:13:23,679 --> 00:13:28,400 Speaker 3: question of what sequels are better than the originals. So 250 00:13:28,440 --> 00:13:32,840 Speaker 3: I have a couple examples. I personally this might be 251 00:13:32,880 --> 00:13:36,160 Speaker 3: an unpopular opinion, but think that Indiana Jones in the 252 00:13:36,280 --> 00:13:43,400 Speaker 3: Last Crusade is the best Indiana Jones movie You've got. Obviously, Harrison, 253 00:13:43,760 --> 00:13:50,000 Speaker 3: you have Sean Connery, their interactions are just classic, hilarious 254 00:13:50,160 --> 00:13:53,920 Speaker 3: and also sweet at times. And then the scenery, the 255 00:13:53,960 --> 00:13:59,040 Speaker 3: places you've got Venice, you've got Petra and Jordan, just 256 00:13:59,280 --> 00:14:03,600 Speaker 3: really beauty, full cinematography going on in that movie as well. 257 00:14:04,160 --> 00:14:10,360 Speaker 3: My second example would be Aliens in Comparis and to Alien. 258 00:14:11,240 --> 00:14:16,400 Speaker 3: Not that the first isn't amazing, it is incredible, the Aliens, 259 00:14:16,920 --> 00:14:24,400 Speaker 3: the suspense, the action, Bill Paxton, God Rest his Soul, 260 00:14:26,040 --> 00:14:29,480 Speaker 3: and then Sigourney and just all of her bad assery, 261 00:14:30,000 --> 00:14:34,600 Speaker 3: uh you know, as her mother role in that movie. 262 00:14:35,400 --> 00:14:39,360 Speaker 3: I think eclipses the first one. So just my opinion. 263 00:14:40,120 --> 00:14:45,600 Speaker 3: As always, thank you for all your amazing content and yeah, 264 00:14:45,800 --> 00:14:46,960 Speaker 3: rock and rolla bye. 265 00:14:47,360 --> 00:14:49,800 Speaker 2: Thanks eight one two. I love that she used the 266 00:14:50,880 --> 00:14:51,840 Speaker 2: term bad assy. 267 00:14:52,480 --> 00:14:53,680 Speaker 1: I latched onto that as well. 268 00:14:54,440 --> 00:14:59,000 Speaker 2: I've I can't do the Indiana Jones films. I loved 269 00:14:59,080 --> 00:15:01,080 Speaker 2: them when I saw them. They all kind of just 270 00:15:01,200 --> 00:15:04,320 Speaker 2: meld together for me, So I can't really comment on that. 271 00:15:04,360 --> 00:15:07,240 Speaker 2: And I've never seen Alien. I still haven't seen Aliens, 272 00:15:07,320 --> 00:15:10,600 Speaker 2: if you can believe that. Really. Yeah, I know I 273 00:15:10,680 --> 00:15:12,520 Speaker 2: was late to Alien, but I loved it. So I 274 00:15:12,520 --> 00:15:14,440 Speaker 2: can't comment on this. I'll let you comment on it. 275 00:15:15,120 --> 00:15:17,200 Speaker 1: Yeah, I mean, I think these are great takes. I 276 00:15:17,200 --> 00:15:19,920 Speaker 1: remember I still remember buying We bought our tickets for 277 00:15:20,000 --> 00:15:23,080 Speaker 1: The Last Crusade in the middle of the day for 278 00:15:23,120 --> 00:15:25,560 Speaker 1: that night's the opening night, because you had to buy 279 00:15:25,560 --> 00:15:26,720 Speaker 1: your tickets the middle of the day because it was 280 00:15:26,800 --> 00:15:28,720 Speaker 1: going to be sold out, And I still remember going 281 00:15:28,760 --> 00:15:31,640 Speaker 1: to the theater and I love that movie. I think 282 00:15:31,720 --> 00:15:35,080 Speaker 1: Raiders the first one to the eight one twos point 283 00:15:35,400 --> 00:15:38,760 Speaker 1: is still my favorite. But I can see an argument 284 00:15:38,800 --> 00:15:41,360 Speaker 1: being made for Last Crusade and then Alien Aliens. It's 285 00:15:41,440 --> 00:15:45,840 Speaker 1: like two completely different movies, completely different movies. One's a 286 00:15:45,840 --> 00:15:49,800 Speaker 1: horror movie and the other movie is a blockbuster action movie. 287 00:15:50,160 --> 00:15:52,600 Speaker 1: So I think it's it's fair if you come down 288 00:15:52,640 --> 00:15:54,880 Speaker 1: on one side or the other. I think it's fair there. 289 00:15:55,280 --> 00:15:56,760 Speaker 2: You know, if we really want to geek out on 290 00:15:56,800 --> 00:15:59,240 Speaker 2: this question a little bit, you can go a little 291 00:15:59,240 --> 00:16:02,160 Speaker 2: bit deeper. Interesting. It's it's a harder question to answer, 292 00:16:02,280 --> 00:16:05,080 Speaker 2: it's a longer question to answer. Be interesting to look at. 293 00:16:05,400 --> 00:16:11,640 Speaker 2: What second seasons of iconic television series are better than 294 00:16:11,680 --> 00:16:14,280 Speaker 2: the first? Oh? Great question, because it's not a given 295 00:16:14,320 --> 00:16:16,520 Speaker 2: that the first season is always better the best one. 296 00:16:16,560 --> 00:16:18,440 Speaker 2: But in some cases it's like the first season of 297 00:16:18,480 --> 00:16:21,440 Speaker 2: the Wire is just bananas good, and then the rest 298 00:16:21,480 --> 00:16:26,040 Speaker 2: of it's bananas good too. But how do you you know? Sopranos, Yeah, 299 00:16:26,160 --> 00:16:29,080 Speaker 2: season two is probably better than season one. Mad you 300 00:16:29,120 --> 00:16:30,760 Speaker 2: know what I mean? It just like it. It gets 301 00:16:30,800 --> 00:16:34,200 Speaker 2: really kind of nuanced real quick. We could spend hours 302 00:16:34,240 --> 00:16:36,120 Speaker 2: going through it right now. I'm not suggesting we do that, 303 00:16:36,160 --> 00:16:38,160 Speaker 2: but I'm just planning that set with you and the listeners, 304 00:16:38,160 --> 00:16:40,600 Speaker 2: and maybe it's something we do in another format or 305 00:16:40,640 --> 00:16:42,840 Speaker 2: another medium somewhere down the line. Thanks. 306 00:16:42,920 --> 00:16:45,800 Speaker 1: Eight one two. Okay, this is an email from from Alan. 307 00:16:46,400 --> 00:16:48,160 Speaker 1: This is pretty long email. I'm gonna I'm gonna only 308 00:16:48,240 --> 00:16:48,720 Speaker 1: read parts of it. 309 00:16:48,720 --> 00:16:48,920 Speaker 2: Alan. 310 00:16:48,920 --> 00:16:51,120 Speaker 1: I'm sorry, it's just it's very long and very thoughtful. 311 00:16:51,160 --> 00:16:54,600 Speaker 1: Thank you so much, Allan writes and gentlemen, another fine 312 00:16:54,640 --> 00:16:58,560 Speaker 1: episode on Alex Rocko. Last night, I revisited Get Shorty, 313 00:16:58,840 --> 00:17:01,920 Speaker 1: which opens with a scene between former real life gangster 314 00:17:02,200 --> 00:17:06,880 Speaker 1: Alex Rocco and former real life cop Dennis Farina. I'd 315 00:17:06,920 --> 00:17:09,480 Speaker 1: love to know what that day on set was like. 316 00:17:10,160 --> 00:17:13,680 Speaker 2: Damn dude, I didn't know Dennis Farina was a real 317 00:17:13,720 --> 00:17:14,280 Speaker 2: life cop. 318 00:17:14,560 --> 00:17:17,440 Speaker 1: I didn't know that. I think he was obviously Chicago cop. 319 00:17:17,640 --> 00:17:21,000 Speaker 2: Oh my god, NYPD Blue, that makes so much sense. 320 00:17:21,119 --> 00:17:23,879 Speaker 1: I think he's on our list of potential Hollywood Land 321 00:17:23,920 --> 00:17:26,120 Speaker 1: subjects because there's got to be something there there. 322 00:17:26,359 --> 00:17:28,720 Speaker 2: You know what I love about NYPD Blue. It's New 323 00:17:28,800 --> 00:17:33,119 Speaker 2: York Police Department and the pilot, and like the first 324 00:17:33,160 --> 00:17:39,320 Speaker 2: few episodes, Dennis Farina's Chicago accent is at least it's 325 00:17:39,359 --> 00:17:42,320 Speaker 2: at least not like Mike Dicka level. But after like 326 00:17:42,359 --> 00:17:45,080 Speaker 2: three or four episodes, all bets are off, right. I'm like, 327 00:17:45,119 --> 00:17:47,320 Speaker 2: they're going to do a thing where he's from Chicago, right, 328 00:17:47,359 --> 00:17:49,639 Speaker 2: they got to do something. And then you just forget 329 00:17:49,680 --> 00:17:51,480 Speaker 2: about it and you just roll and you just you know, 330 00:17:51,560 --> 00:17:54,000 Speaker 2: and all of a sudden, you know you're into season 331 00:17:54,000 --> 00:17:56,000 Speaker 2: three and you're not even thinking about it. 332 00:17:56,119 --> 00:17:59,480 Speaker 1: Seriously, seriously, NYPD Blue, that was that was never really 333 00:17:59,520 --> 00:18:02,640 Speaker 1: on my radar. I never got into that at all. 334 00:18:04,560 --> 00:18:06,639 Speaker 1: When was that out? That was? Was that like the 335 00:18:06,680 --> 00:18:08,240 Speaker 1: early nineties? So was that? 336 00:18:08,240 --> 00:18:13,159 Speaker 2: That is like if if Elvis Presley didn't happen without 337 00:18:13,840 --> 00:18:18,879 Speaker 2: Ike Turner, NYPD Blue is the Ike Turner to the 338 00:18:18,920 --> 00:18:25,040 Speaker 2: Sopranos Elvis Presley. Well, it's like that pre peak TV 339 00:18:25,880 --> 00:18:29,480 Speaker 2: thing that happened, And if it didn't happen, then we 340 00:18:29,520 --> 00:18:31,760 Speaker 2: wouldn't have we wouldn't have had all that great television 341 00:18:31,800 --> 00:18:32,840 Speaker 2: from the early odds. 342 00:18:32,880 --> 00:18:35,000 Speaker 1: Incredible. Now I'm gonna have to go back and check 343 00:18:35,040 --> 00:18:35,359 Speaker 1: that out. 344 00:18:35,359 --> 00:18:39,160 Speaker 2: Something you certainly are it's that season one is incredible. 345 00:18:39,600 --> 00:18:41,800 Speaker 1: I'm gonna cut now to the end of Allen's email. 346 00:18:42,080 --> 00:18:44,280 Speaker 1: Alan goes into a lot of we had this question 347 00:18:44,359 --> 00:18:47,119 Speaker 1: last week about what movie sequels were better than the originals, 348 00:18:47,160 --> 00:18:49,199 Speaker 1: and and and Alan gives a lot of feedback here, 349 00:18:49,240 --> 00:18:51,080 Speaker 1: Thank you, Allen. But at the very end he said, 350 00:18:51,119 --> 00:18:54,200 Speaker 1: let's not forget the original legacy sequel the color of Money. 351 00:18:54,640 --> 00:18:56,840 Speaker 1: Scorsese proves when he needs money, he's still got a 352 00:18:56,880 --> 00:18:58,320 Speaker 1: Scorsese Yeah, yeah. 353 00:18:58,240 --> 00:18:59,840 Speaker 2: Yeah, I know what that means. I know exactly what 354 00:18:59,880 --> 00:19:02,120 Speaker 2: that means, because he he needed money when he made 355 00:19:02,160 --> 00:19:02,560 Speaker 2: that film. 356 00:19:02,600 --> 00:19:05,199 Speaker 1: Yeah, yeah, yeah, So I got to go back for 357 00:19:05,200 --> 00:19:07,760 Speaker 1: a minute. We talked about Color Money and After Hours 358 00:19:07,800 --> 00:19:10,000 Speaker 1: a couple of weeks ago, and I didn't I kind 359 00:19:10,000 --> 00:19:11,640 Speaker 1: of like, let you roll over me on that one. 360 00:19:11,720 --> 00:19:13,200 Speaker 1: You were kind of like, well, these are like minor 361 00:19:13,280 --> 00:19:15,720 Speaker 1: Scorsese movies. Whatever, But I gotta I gotta plant my 362 00:19:15,760 --> 00:19:18,119 Speaker 1: flag on the ground here and be like, Color of 363 00:19:18,160 --> 00:19:20,760 Speaker 1: Money is in my top five scarse Ase movies, Color 364 00:19:20,760 --> 00:19:23,800 Speaker 1: of Money and After Hours, because they're both they're both 365 00:19:23,960 --> 00:19:26,960 Speaker 1: they're both so good and I'm sorry, they're perfect. 366 00:19:28,480 --> 00:19:30,960 Speaker 2: Top five and you get those two. One are the 367 00:19:31,000 --> 00:19:31,639 Speaker 2: other three? 368 00:19:32,800 --> 00:19:37,600 Speaker 1: Taxi Driver, Yes, good Fellas. Uh huh, Color Money, After Hours? 369 00:19:38,440 --> 00:19:41,360 Speaker 1: The fifth slot. Uh, you know. I watched Raging Bowl 370 00:19:41,400 --> 00:19:44,040 Speaker 1: again for the for the first time in a long time, 371 00:19:44,080 --> 00:19:45,600 Speaker 1: and it used to be one of my favorite movies, 372 00:19:45,680 --> 00:19:47,040 Speaker 1: and I watched it and I was like, it's so 373 00:19:47,280 --> 00:19:50,760 Speaker 1: fucking depressing. It was so depressing, and so I don't 374 00:19:50,800 --> 00:19:52,760 Speaker 1: know that I can. I don't know that I want 375 00:19:52,760 --> 00:19:54,960 Speaker 1: to watch that one a ton anymore. The fifth movie, Dude, 376 00:19:55,000 --> 00:19:57,160 Speaker 1: I don't know. That's a revolving slot. I'm not sure. 377 00:19:57,400 --> 00:19:59,159 Speaker 2: I'm gonna let you off the hook here, and you 378 00:19:59,280 --> 00:20:02,320 Speaker 2: got to come back next week with your five Scorsese movies, 379 00:20:02,320 --> 00:20:04,680 Speaker 2: because I want to hear what Scorsese movies you think 380 00:20:04,720 --> 00:20:08,800 Speaker 2: After Hours is better than Raging Bowl, Like if you're 381 00:20:08,800 --> 00:20:14,520 Speaker 2: gonna say that that's Departed after Hours is better than Departed. 382 00:20:14,160 --> 00:20:17,919 Speaker 1: After Hours is better than Yes, of course it is. Oh, 383 00:20:18,000 --> 00:20:20,240 Speaker 1: of course it's better than The Departed is amazing. 384 00:20:20,760 --> 00:20:21,879 Speaker 2: Wolf of Wall Street. 385 00:20:22,320 --> 00:20:25,280 Speaker 1: Okay, there's my number five. Maybe Wolf of Wall Street Casino. 386 00:20:25,640 --> 00:20:28,080 Speaker 1: The casino was great, Casino is amazing. 387 00:20:29,080 --> 00:20:30,720 Speaker 2: I can't with this. I can't. 388 00:20:31,160 --> 00:20:33,119 Speaker 1: Okay, I'll bring my thesis to you next week and 389 00:20:33,160 --> 00:20:38,280 Speaker 1: I'll prove to you briefly and sufficiently why I'm correct. 390 00:20:38,600 --> 00:20:40,400 Speaker 2: I look forward to this top five. 391 00:20:40,920 --> 00:20:43,399 Speaker 1: Okay, great, all right, Alan, thanks again for the email. 392 00:20:43,440 --> 00:20:45,760 Speaker 1: And everybody else out there, if you enjoy making lists 393 00:20:45,800 --> 00:20:48,720 Speaker 1: like this, you enjoy sharing them with other people, reading 394 00:20:48,760 --> 00:20:52,159 Speaker 1: other people's lists, or just having conversations with other people 395 00:20:52,680 --> 00:20:55,200 Speaker 1: like us and other Hollywoodland listeners who are all interested 396 00:20:55,200 --> 00:20:56,719 Speaker 1: in the same thing here at Double Elvis. You might 397 00:20:56,760 --> 00:20:59,040 Speaker 1: want to look into disgrace that in all access if 398 00:20:59,040 --> 00:21:01,640 Speaker 1: you haven't already if you want to join the conversation 399 00:21:01,840 --> 00:21:03,960 Speaker 1: that's over there on Patreon. Maybe you just want the 400 00:21:04,000 --> 00:21:07,320 Speaker 1: ad free listening the bonus Disgraceland episode every month, so 401 00:21:07,359 --> 00:21:09,240 Speaker 1: you can do that on Apple Podcasts. But whatever you 402 00:21:09,240 --> 00:21:13,120 Speaker 1: want to do, check out disgracelandpod dot com slash membership 403 00:21:13,200 --> 00:21:15,760 Speaker 1: for more there, or you can just keep on reaching 404 00:21:15,760 --> 00:21:18,440 Speaker 1: out to us via text or phone six one seven 405 00:21:18,760 --> 00:21:22,920 Speaker 1: nine oh six six six three eight. It's just about 406 00:21:22,920 --> 00:21:25,000 Speaker 1: time for my favorite part of the show, the recommendation's 407 00:21:25,000 --> 00:21:26,480 Speaker 1: part where Jake and I give you some stuff to 408 00:21:26,520 --> 00:21:28,680 Speaker 1: listen to and some stuff to watch, and we'll get 409 00:21:28,680 --> 00:21:33,959 Speaker 1: into all that right after this. Why Nay Condon I 410 00:21:34,160 --> 00:21:54,760 Speaker 1: liked it? Oh righty, everybody, welcome back to the wrap parties. 411 00:21:54,800 --> 00:21:57,000 Speaker 1: Zeth Lundy here with Jake Brennan coming at you with 412 00:21:57,040 --> 00:21:59,879 Speaker 1: a part of the show we call for your consideration. 413 00:22:00,160 --> 00:22:01,800 Speaker 1: This is where Jake and I give you music and 414 00:22:01,840 --> 00:22:04,560 Speaker 1: movie recommendations. But the twist is that they are all 415 00:22:04,600 --> 00:22:08,600 Speaker 1: recommendations inspired by the subject from this week's full episode 416 00:22:08,600 --> 00:22:11,480 Speaker 1: of Hollywood Land. So that said, Jake, what music res 417 00:22:11,600 --> 00:22:14,480 Speaker 1: inspired by Lindsay Lohan do you have for us today? 418 00:22:15,520 --> 00:22:18,840 Speaker 2: This was this is a weird way into music recommendations 419 00:22:18,840 --> 00:22:19,920 Speaker 2: and not gonna lie. 420 00:22:20,680 --> 00:22:23,840 Speaker 1: You're not going to start with her albums that she made. 421 00:22:24,480 --> 00:22:26,480 Speaker 2: I didn't even look. I'm sure there are some, right, 422 00:22:26,560 --> 00:22:27,119 Speaker 2: there has to be. 423 00:22:27,160 --> 00:22:28,240 Speaker 1: I think she has one or two. 424 00:22:28,320 --> 00:22:32,840 Speaker 2: Yeah, okay, so again I mentioned The Canyons earlier. Now, 425 00:22:32,880 --> 00:22:36,120 Speaker 2: The Canyons was a I think two thousand and fifteen, 426 00:22:36,160 --> 00:22:39,119 Speaker 2: twenty ten, I don't know. Somewhere in there. Brett Easton 427 00:22:39,160 --> 00:22:45,240 Speaker 2: ellis written screenplay, not a book. Screenplay. The Paul Schrader, 428 00:22:45,480 --> 00:22:48,840 Speaker 2: who wrote Taxi Driver directed Have you watched that movie? 429 00:22:49,080 --> 00:22:49,359 Speaker 1: Yes? 430 00:22:49,680 --> 00:22:53,080 Speaker 2: Yeah, okay. It's a weird movie. It's like softcore porn, yes, 431 00:22:53,640 --> 00:22:56,000 Speaker 2: but it's also a pretty good thriller. It really is. 432 00:22:56,840 --> 00:22:59,160 Speaker 2: And I think it came out in a weird time, 433 00:22:59,280 --> 00:23:03,120 Speaker 2: like sort of just right before America got really uptight, 434 00:23:04,520 --> 00:23:07,200 Speaker 2: and I think it was released at a different time 435 00:23:07,640 --> 00:23:09,600 Speaker 2: it would be thought of differently than it is now. 436 00:23:09,600 --> 00:23:11,280 Speaker 2: But I'll go on record, it's a pretty good movie. 437 00:23:11,640 --> 00:23:14,879 Speaker 2: It's you know, it's not really softcore porn. There's a 438 00:23:14,880 --> 00:23:17,400 Speaker 2: lot of nudity, and it's about the porn industry sort 439 00:23:17,440 --> 00:23:20,119 Speaker 2: of more than sort of. And it is a pretty 440 00:23:20,119 --> 00:23:22,479 Speaker 2: good soundtrack. And on that soundtrack, This is how I'm 441 00:23:22,480 --> 00:23:25,439 Speaker 2: getting the music recommendations, by the way, Lindsay Lohan to 442 00:23:25,520 --> 00:23:28,159 Speaker 2: the Canyons. To the Canyon soundtrack. Not a lot of 443 00:23:28,160 --> 00:23:29,920 Speaker 2: great stuff on there, but a great band, The Dumb 444 00:23:29,960 --> 00:23:33,040 Speaker 2: Dumb Girls from the late aughts. Yeah, you're nodding along, 445 00:23:33,040 --> 00:23:35,800 Speaker 2: you remember the Dumb Dumb Girls, Dumb Dumb Girls. I 446 00:23:35,800 --> 00:23:38,199 Speaker 2: could just recommend them and that will be fine. However, 447 00:23:38,240 --> 00:23:41,880 Speaker 2: I'm gonna recommend an entryway song for you, guys. Smith's 448 00:23:41,880 --> 00:23:46,160 Speaker 2: cover the Dumb Dumb Girls cover of There's a Light 449 00:23:46,240 --> 00:23:49,600 Speaker 2: that Never Goes Out by the Smith's incredible Smith song 450 00:23:49,760 --> 00:23:52,520 Speaker 2: and their version is amazing, and it's cool to hear 451 00:23:52,560 --> 00:23:56,920 Speaker 2: this song from a female perspective. It's from EP they 452 00:23:56,960 --> 00:23:59,320 Speaker 2: put out in twenty eleven called He Gets Me High, 453 00:23:59,560 --> 00:24:02,680 Speaker 2: Dumb Dum Girls, There's a Light That Never Goes Out 454 00:24:02,840 --> 00:24:06,240 Speaker 2: Lindsay Lohan. I thought Lindsay. I could go Lindsay Buckingham. 455 00:24:07,040 --> 00:24:09,600 Speaker 2: I could go Buckingham Nicks, because they're all in the 456 00:24:09,640 --> 00:24:12,840 Speaker 2: news lately, but that no, I'm not doing that. I 457 00:24:12,880 --> 00:24:20,680 Speaker 2: thought low hand Han Hancock, Herbie Hancock. Okay, a lot 458 00:24:20,720 --> 00:24:23,040 Speaker 2: of people if they're gonna, if they're gonna recommend Herbie 459 00:24:23,080 --> 00:24:26,160 Speaker 2: Hancock album. They're gonna recommend Headhunters, and they should because 460 00:24:26,200 --> 00:24:27,680 Speaker 2: it's a fantastic album. 461 00:24:27,680 --> 00:24:28,080 Speaker 1: Amazing. 462 00:24:28,440 --> 00:24:32,760 Speaker 2: However, I'm gonna recommend the album that my father once 463 00:24:32,800 --> 00:24:34,800 Speaker 2: pulled out of a stack of records in my living 464 00:24:34,880 --> 00:24:37,320 Speaker 2: room about fifteen years ago and gave me a look 465 00:24:37,400 --> 00:24:39,480 Speaker 2: like what the fuck is wrong with you? And that 466 00:24:39,600 --> 00:24:44,399 Speaker 2: is the Herbie Hancock album nineteen sixty nine, fat Albert Rotunda. 467 00:24:44,800 --> 00:24:48,479 Speaker 1: Okay, I love that album. Yes, and your dad, your 468 00:24:48,560 --> 00:24:50,040 Speaker 1: dad hates it because I brought it up to your 469 00:24:50,080 --> 00:24:52,240 Speaker 1: dad once because I was it, your dad. 470 00:24:52,280 --> 00:24:55,080 Speaker 2: It's gotta be he has a special loathing for it. 471 00:24:55,080 --> 00:24:58,840 Speaker 1: Yes, because I mentioned I was thinking of them doing 472 00:24:59,119 --> 00:25:01,280 Speaker 1: the sound design for an episode along the lines of that, 473 00:25:01,320 --> 00:25:02,400 Speaker 1: and I mentioned to him and he. 474 00:25:02,359 --> 00:25:04,960 Speaker 2: Was like, oh, you know, it just goes to show 475 00:25:05,000 --> 00:25:07,399 Speaker 2: like like my dad. For those who don't know, my 476 00:25:07,480 --> 00:25:09,720 Speaker 2: dad works with us, he researches for us. But he's 477 00:25:09,720 --> 00:25:12,440 Speaker 2: a musician, and you know, he's in the seventies and 478 00:25:12,480 --> 00:25:17,480 Speaker 2: he's he's always had impeccable musical tastes and his opinion 479 00:25:17,600 --> 00:25:20,680 Speaker 2: on artists. They all kind of go back to his 480 00:25:21,400 --> 00:25:25,760 Speaker 2: I believe his like first perception of the artists. You know, 481 00:25:25,880 --> 00:25:28,879 Speaker 2: he probably I don't know this is actually true. I 482 00:25:28,920 --> 00:25:30,520 Speaker 2: might have gotten this from him now, but he probably 483 00:25:30,560 --> 00:25:33,439 Speaker 2: thinks of Creden's clear Water Revival along the same lines 484 00:25:33,440 --> 00:25:36,480 Speaker 2: that like music critics from the late sixties sid of them, 485 00:25:36,520 --> 00:25:39,200 Speaker 2: which was they were like a Stone Temple Pilot's inauthentic 486 00:25:39,320 --> 00:25:42,440 Speaker 2: version of like of like a Tommy Joe White or whatever, 487 00:25:42,440 --> 00:25:44,080 Speaker 2: you know what I mean, Like, yeah, yeah, totally. So 488 00:25:44,119 --> 00:25:47,240 Speaker 2: my dad's kind of still has these like real stuck opinions. 489 00:25:47,240 --> 00:25:50,199 Speaker 2: So something happened with Herbie Hancock and my dad in 490 00:25:50,320 --> 00:25:56,119 Speaker 2: nineteen sixty nine. He fucking hates this record, and it's great. 491 00:25:56,240 --> 00:25:58,640 Speaker 2: It's so good, it's great. I don't know, I don't 492 00:25:58,720 --> 00:26:01,879 Speaker 2: understand the connection to fat Albert. They must have. I mean, 493 00:26:01,880 --> 00:26:04,200 Speaker 2: there's a Quincy Jones connection to fat Albert. There must 494 00:26:04,240 --> 00:26:07,720 Speaker 2: be some. And I don't mean musically, I mean just conceptually, 495 00:26:07,800 --> 00:26:10,720 Speaker 2: that's what I mean. Like what came first, you know, 496 00:26:10,840 --> 00:26:13,719 Speaker 2: like the idea of fat Albert the Show or nineteen 497 00:26:13,760 --> 00:26:15,560 Speaker 2: sixty nine fat Albert Rotunda. 498 00:26:15,640 --> 00:26:19,360 Speaker 1: I think the music was originally done for a fat 499 00:26:19,400 --> 00:26:22,080 Speaker 1: Albert TV special that became the show later on. I 500 00:26:22,080 --> 00:26:23,880 Speaker 1: believe that's the connection timeline. 501 00:26:23,920 --> 00:26:26,160 Speaker 2: That makes total sense because sixty nine is a way 502 00:26:26,359 --> 00:26:30,520 Speaker 2: earlier inception point. Fat Albert Rotunda just you know, I 503 00:26:30,520 --> 00:26:33,159 Speaker 2: don't know. It's still got the like kind of Quincy 504 00:26:33,240 --> 00:26:39,240 Speaker 2: Jones influenced sixties spy soundtracky vibe going on, but it's 505 00:26:39,280 --> 00:26:43,080 Speaker 2: also kind of forward looking into that seventies funk stuff. 506 00:26:43,200 --> 00:26:45,360 Speaker 1: Yeah, it's like that got that like junk yard vibe 507 00:26:45,400 --> 00:26:45,600 Speaker 1: to it. 508 00:26:45,720 --> 00:26:48,040 Speaker 2: Yeah, it really does. It really does. And I you 509 00:26:48,080 --> 00:26:49,880 Speaker 2: know me, man, I love music that makes me feel 510 00:26:49,880 --> 00:26:52,000 Speaker 2: like I'm in a seventy sitcom and that's kind of 511 00:26:52,359 --> 00:26:55,920 Speaker 2: kind of what this album does. Okay, So second Wreck 512 00:26:56,000 --> 00:27:02,360 Speaker 2: is from Lindsay Lohan Hand Hancock Kirbie Hancock's fat albut Rotunda. 513 00:27:02,720 --> 00:27:08,800 Speaker 2: Third recommendation Lindsay low Hand Low Hand Low the nineties 514 00:27:08,840 --> 00:27:12,480 Speaker 2: indie group Low. This shit will break your heart. That's 515 00:27:12,520 --> 00:27:15,040 Speaker 2: not the name of the song. It's the warning I'm 516 00:27:15,080 --> 00:27:17,240 Speaker 2: giving you it's not too early to talk about Christmas. 517 00:27:17,320 --> 00:27:20,040 Speaker 2: I don't care. It's Low has a Christmas album from 518 00:27:20,080 --> 00:27:22,639 Speaker 2: nineteen ninety nine. I think it's just called Christmas. And 519 00:27:22,680 --> 00:27:25,159 Speaker 2: there's a song on that album called just Like Christmas, 520 00:27:25,240 --> 00:27:27,680 Speaker 2: and it's the saddest shit you'll ever hear. I don't 521 00:27:27,680 --> 00:27:29,320 Speaker 2: care what time of year it is. It'll make you 522 00:27:29,359 --> 00:27:33,000 Speaker 2: want to stab yourself. It's so beautiful at the same time, 523 00:27:33,520 --> 00:27:37,280 Speaker 2: it's just wonderful. I put it on. I can't stop 524 00:27:37,320 --> 00:27:40,520 Speaker 2: listening to it during the holiday season. Now it's like 525 00:27:40,520 --> 00:27:42,480 Speaker 2: a trigger for my wife. She can't stand it. She 526 00:27:42,560 --> 00:27:45,280 Speaker 2: hates it. She tells me to shut it off. But 527 00:27:45,680 --> 00:27:49,520 Speaker 2: I'm letting you guys know, Lindsay low hand low Low's 528 00:27:49,840 --> 00:27:52,600 Speaker 2: just like Christmas. Get in on your Christmas action early 529 00:27:52,880 --> 00:27:53,800 Speaker 2: here in the rap party. 530 00:27:54,440 --> 00:27:57,000 Speaker 1: Wow. As a connoisseur of I like to believe a 531 00:27:57,040 --> 00:28:00,879 Speaker 1: connoisseur of Christmas music, I'm a shamed to say I 532 00:28:00,880 --> 00:28:03,199 Speaker 1: don't know that one. So I'll have to. I'll have 533 00:28:03,240 --> 00:28:04,560 Speaker 1: to put that in the rotation this year. 534 00:28:04,640 --> 00:28:05,919 Speaker 2: You're gonna love, You are gonna love. 535 00:28:05,960 --> 00:28:08,400 Speaker 1: It is right up your alley, perfect, perfect, all right, 536 00:28:08,440 --> 00:28:12,800 Speaker 1: awesome recommendations, unexpected as always. I think Lindsay Lohan to 537 00:28:12,840 --> 00:28:16,320 Speaker 1: Herbie Hancock is probably your most masterful stroke to date. 538 00:28:17,880 --> 00:28:18,280 Speaker 2: All Right. 539 00:28:18,320 --> 00:28:20,439 Speaker 1: So for me, I'm not going to talk about Lindsay 540 00:28:20,440 --> 00:28:24,080 Speaker 1: Lohan movies because because I just don't want to. So 541 00:28:24,720 --> 00:28:29,240 Speaker 1: what I want to talk about instead is child actors, 542 00:28:29,240 --> 00:28:30,960 Speaker 1: and I want to talk about three movies that have 543 00:28:31,040 --> 00:28:33,080 Speaker 1: great and I'm going to stretch it a little bit here. 544 00:28:33,080 --> 00:28:36,600 Speaker 1: I'm gonna teenagers are child actors, Okay, Yeah. And there's 545 00:28:36,600 --> 00:28:40,000 Speaker 1: some obviously some obvious choices here. There's you know, Tatum 546 00:28:40,040 --> 00:28:43,400 Speaker 1: O'Neil and Paper Moon. There's Haley Joe Osmon in The 547 00:28:43,440 --> 00:28:46,720 Speaker 1: Sixth Sense, there's Danny Lloyd in The Shining. But I'm 548 00:28:46,720 --> 00:28:48,000 Speaker 1: going to try to go off the beaten path here 549 00:28:48,000 --> 00:28:50,200 Speaker 1: a little bit and maybe recommend some that maybe everyone 550 00:28:50,240 --> 00:28:52,840 Speaker 1: hasn't seen or just be a little bit different here. 551 00:28:52,880 --> 00:28:56,720 Speaker 1: So my first choice is this movie called Hunt for 552 00:28:56,760 --> 00:29:00,640 Speaker 1: the Wilder People, which is from twenty sixteen, directed, written, 553 00:29:00,680 --> 00:29:03,600 Speaker 1: directed by Taikowa Titi, just right before he was hired 554 00:29:03,600 --> 00:29:07,320 Speaker 1: by Marvel to make thora Ragnarok, right before he became 555 00:29:07,400 --> 00:29:10,720 Speaker 1: like a big big name in Hollywood. I guess it 556 00:29:10,760 --> 00:29:14,440 Speaker 1: has this actor Julian Dennison, who I think he was 557 00:29:14,480 --> 00:29:16,160 Speaker 1: about fourteen or so at the time they made this. 558 00:29:16,200 --> 00:29:20,400 Speaker 1: He plays a foster kid in New Zealand who's taken 559 00:29:20,440 --> 00:29:22,320 Speaker 1: in by an older couple. And I won't get into 560 00:29:22,320 --> 00:29:23,720 Speaker 1: the plot too much here and spoil it for you, 561 00:29:23,760 --> 00:29:25,600 Speaker 1: but he ends up out in the bush, so to speak, 562 00:29:25,600 --> 00:29:27,720 Speaker 1: in the wilderness with his foster uncle who's played by 563 00:29:28,120 --> 00:29:30,440 Speaker 1: Sam Neil, and they're the subject of a man hunt. 564 00:29:30,600 --> 00:29:33,320 Speaker 1: And this was one of those movies that surprised the 565 00:29:33,320 --> 00:29:34,920 Speaker 1: hell out of me when I saw it. I saw 566 00:29:34,920 --> 00:29:39,120 Speaker 1: it after Taikowa Titi became a known quantity with Jojo 567 00:29:39,200 --> 00:29:42,280 Speaker 1: Rabbit and you know, in thora Ragnarok and everything else 568 00:29:42,280 --> 00:29:45,440 Speaker 1: he's done, and so I went back to watch this 569 00:29:45,520 --> 00:29:48,480 Speaker 1: after that. It has his particular brand of offbeat humor, 570 00:29:48,880 --> 00:29:51,880 Speaker 1: and it also is super heartfelt and it's just I 571 00:29:51,880 --> 00:29:53,720 Speaker 1: hadn't really heard of this movie. So I went back 572 00:29:53,760 --> 00:29:55,120 Speaker 1: and it's fucking great. I don't know if you've seen 573 00:29:55,160 --> 00:29:57,560 Speaker 1: this before, but it's great. It's great, and your kids 574 00:29:57,560 --> 00:29:59,520 Speaker 1: are a little young for it. But once they get 575 00:29:59,520 --> 00:30:02,200 Speaker 1: a little bit old, like they hit the teen years 576 00:30:02,280 --> 00:30:04,280 Speaker 1: or whatever, it's a it's it's a good, a good 577 00:30:04,360 --> 00:30:06,000 Speaker 1: humorous movie to kind of give them a little bit, 578 00:30:06,160 --> 00:30:07,720 Speaker 1: a little bit more of an older sense of humor. 579 00:30:07,760 --> 00:30:09,280 Speaker 1: You know what I'm saying, Like, Yeah, I get you, Yeah, 580 00:30:09,280 --> 00:30:11,560 Speaker 1: I am into that, all right. So Hunt for the 581 00:30:11,560 --> 00:30:14,960 Speaker 1: Wilder People number one, number two. There's this British TV 582 00:30:15,040 --> 00:30:17,720 Speaker 1: series called Adolescence that came out this year on Netflix, 583 00:30:17,880 --> 00:30:21,680 Speaker 1: which stars and was co created by Stephen Graham, who 584 00:30:21,720 --> 00:30:23,080 Speaker 1: he may know from from a. 585 00:30:23,000 --> 00:30:25,640 Speaker 2: Great Scorsese movie one that's better than After Hours called 586 00:30:25,680 --> 00:30:28,200 Speaker 2: The Irishman. Stephen Graham is in The Irishman and that's 587 00:30:28,240 --> 00:30:30,160 Speaker 2: a movie that's better than Alfter Hours, and director by 588 00:30:30,160 --> 00:30:31,360 Speaker 2: Martin scorsesic keep going. 589 00:30:31,400 --> 00:30:33,240 Speaker 1: Okay, all right, I don't believe you. You are wrong, 590 00:30:33,240 --> 00:30:36,120 Speaker 1: but I will continue going. It has this uh anyways, 591 00:30:36,120 --> 00:30:40,240 Speaker 1: Adolescence has this incredible central performance by Owen Cooper, who 592 00:30:40,280 --> 00:30:42,560 Speaker 1: plays a thirteen year old boy. I think he might 593 00:30:42,600 --> 00:30:44,240 Speaker 1: have been a year or two older than that when 594 00:30:44,240 --> 00:30:46,440 Speaker 1: they shot this, but he's arrested at the very top 595 00:30:46,440 --> 00:30:48,840 Speaker 1: of the show on Suspicion and Murder. The whole show 596 00:30:48,920 --> 00:30:52,680 Speaker 1: is great. It's a very fresh and surprising structure in 597 00:30:52,720 --> 00:30:55,280 Speaker 1: which the story is told. That there's four episodes and 598 00:30:55,400 --> 00:30:58,760 Speaker 1: each episode strings the narrative alawn. But it's always it's 599 00:30:58,800 --> 00:31:02,960 Speaker 1: different characters, it's different places, it's different part it's different 600 00:31:03,000 --> 00:31:05,840 Speaker 1: points in the story. Like you miss entire sections of 601 00:31:05,840 --> 00:31:07,680 Speaker 1: the story and you pick up again with somebody else 602 00:31:07,680 --> 00:31:10,360 Speaker 1: somewhere else. So it's very it keeps you on your 603 00:31:10,400 --> 00:31:13,320 Speaker 1: toes narratively like that. But the third episode in particular 604 00:31:13,640 --> 00:31:17,600 Speaker 1: is basically this long extended interaction between Owen Cooper's character 605 00:31:17,640 --> 00:31:20,440 Speaker 1: and a psychologist, just the two of them at this table, 606 00:31:20,840 --> 00:31:22,400 Speaker 1: and it's just some of the best acting I've seen 607 00:31:22,440 --> 00:31:25,800 Speaker 1: all year, especially from the kid. Just flat out incredible. Wow. 608 00:31:26,120 --> 00:31:28,840 Speaker 2: Wow. Yeah, people rave about the show. I've yet to 609 00:31:28,880 --> 00:31:30,920 Speaker 2: watch it. My wife loved it. She watched it without me. 610 00:31:31,040 --> 00:31:32,920 Speaker 2: She watched it like, you know, sat down, watched the 611 00:31:32,960 --> 00:31:35,800 Speaker 2: whole series. It's that type of thing. Yeah, yeah, So 612 00:31:36,000 --> 00:31:37,240 Speaker 2: I'll never forgive her for. 613 00:31:37,240 --> 00:31:43,280 Speaker 1: Them transgression, It's okay. And then number three, I'm gonna 614 00:31:43,320 --> 00:31:45,640 Speaker 1: recommend a film from a couple of years ago that 615 00:31:46,080 --> 00:31:49,240 Speaker 1: I believe was an Oscar contender for Best Picture, Anatomy 616 00:31:49,280 --> 00:31:53,840 Speaker 1: of a Fall, which features Milo Machado Grainer, who was 617 00:31:53,880 --> 00:31:55,920 Speaker 1: about thirteen I think when they shot this. He plays 618 00:31:55,960 --> 00:31:59,040 Speaker 1: an eleven year old he finds early on, he finds 619 00:31:59,080 --> 00:32:01,240 Speaker 1: his father dead from a parent fall at their chalet 620 00:32:01,240 --> 00:32:03,880 Speaker 1: and the French Alps, and the film is ultimately about 621 00:32:03,960 --> 00:32:06,000 Speaker 1: the boy's mother, the wife trying to prove her innocence 622 00:32:06,000 --> 00:32:10,840 Speaker 1: in her husband's death. But incredible performance by this child 623 00:32:10,840 --> 00:32:12,960 Speaker 1: actor One of the scenes that stuck with me the 624 00:32:13,000 --> 00:32:17,040 Speaker 1: most is this steel drum instrumental cover of fifty Cents Pimp. 625 00:32:17,720 --> 00:32:22,120 Speaker 1: It's played at top volume and in this incredible way 626 00:32:22,160 --> 00:32:25,280 Speaker 1: that completely At first you're like, why is this song? 627 00:32:25,320 --> 00:32:27,480 Speaker 1: Why is this happening? And then it keeps on going on, 628 00:32:27,560 --> 00:32:30,160 Speaker 1: It keeps on going on. It's so loud, and other 629 00:32:30,200 --> 00:32:32,040 Speaker 1: things are happening. You've got to see. It's just this 630 00:32:32,120 --> 00:32:33,880 Speaker 1: great experience where it's very cool. 631 00:32:34,000 --> 00:32:34,880 Speaker 2: That sounds awesome. 632 00:32:34,960 --> 00:32:36,920 Speaker 1: If you haven't seen this movie, it's a great movie, 633 00:32:37,000 --> 00:32:39,760 Speaker 1: a great narrative, anatomy of a fall. So there are 634 00:32:39,760 --> 00:32:42,400 Speaker 1: my three Anatomy of a Fall, adolescence, and Hunt for 635 00:32:42,560 --> 00:32:43,440 Speaker 1: the Wilder People. 636 00:32:43,800 --> 00:32:45,400 Speaker 2: All right, love it great Rex. 637 00:32:45,840 --> 00:32:48,000 Speaker 1: All good things come to an end. So I guess 638 00:32:48,080 --> 00:32:49,800 Speaker 1: it's time for me to cut you loose. 639 00:32:50,320 --> 00:32:53,000 Speaker 2: Cut me loose. I'm gonna try for lunch today's eth 640 00:32:53,160 --> 00:32:55,920 Speaker 2: I've never done this before. I'm gonna try chicken in 641 00:32:56,000 --> 00:32:57,720 Speaker 2: a can instead of tune in a can, said to 642 00:32:57,720 --> 00:32:59,280 Speaker 2: the chicken of the sea, I'm gonna go straight chicken. 643 00:32:59,320 --> 00:33:01,040 Speaker 2: I've ever done it before. Is it as disgusting as 644 00:33:01,080 --> 00:33:01,680 Speaker 2: I think it might be? 645 00:33:01,760 --> 00:33:03,840 Speaker 1: I don't know. I see already. I'm like, I don't 646 00:33:03,840 --> 00:33:04,360 Speaker 1: know if I do that. 647 00:33:04,800 --> 00:33:07,080 Speaker 2: Yeah, well, why not you do a fish? 648 00:33:07,280 --> 00:33:09,160 Speaker 1: That's a that's a good point. I don't know why not. 649 00:33:09,280 --> 00:33:10,400 Speaker 1: So what are you gonna do with it? What are 650 00:33:10,400 --> 00:33:11,040 Speaker 1: you going to make? 651 00:33:11,120 --> 00:33:13,920 Speaker 2: Like chicken salad? I'm gonna do like I will with tuna, 652 00:33:13,960 --> 00:33:16,120 Speaker 2: which is without the mercury poisoning. That's what I'm trying 653 00:33:16,160 --> 00:33:16,760 Speaker 2: to avoid. 654 00:33:16,840 --> 00:33:17,000 Speaker 3: Hair. 655 00:33:17,800 --> 00:33:20,360 Speaker 1: Okay, it puts hair on your chest, don't worry about it, 656 00:33:20,360 --> 00:33:22,760 Speaker 1: all right, all right, all good stuff, All right, man, 657 00:33:22,760 --> 00:33:24,440 Speaker 1: I'll talk to you next week. Everybody else, stay there 658 00:33:24,440 --> 00:33:26,640 Speaker 1: where you are. I'll be right back with some final thoughts. 659 00:33:38,120 --> 00:33:41,160 Speaker 1: What is happening everybody? Once again, we are here at 660 00:33:41,200 --> 00:33:44,440 Speaker 1: the end of the line, as the traveling Willburys once sang. 661 00:33:45,440 --> 00:33:48,400 Speaker 1: I appreciate all of you here, everyone who's listening, everyone 662 00:33:48,400 --> 00:33:53,400 Speaker 1: who's reached out via email, text, phone, socials, just to 663 00:33:53,440 --> 00:33:57,240 Speaker 1: say what's up, to send lists, to to send words 664 00:33:57,240 --> 00:34:01,720 Speaker 1: of encouragement, to send words of wisdom. I appreciate it all. 665 00:34:02,040 --> 00:34:05,160 Speaker 1: And to those in Apple Podcasts who get ad free 666 00:34:05,200 --> 00:34:08,279 Speaker 1: listening and a bonus episode of Disgraceland every month, which 667 00:34:08,360 --> 00:34:11,279 Speaker 1: is our sister podcast, of course, and also to all 668 00:34:11,320 --> 00:34:13,879 Speaker 1: of you hanging with us in Patreon, where we get 669 00:34:13,880 --> 00:34:16,920 Speaker 1: to continue these conversations and interactions on a daily basis. 670 00:34:17,400 --> 00:34:19,400 Speaker 1: And once again, if you're not in on that and 671 00:34:19,440 --> 00:34:22,480 Speaker 1: you want to be, head over to disgracelanmdpod dot com 672 00:34:22,520 --> 00:34:26,000 Speaker 1: slash membership and we will point you in the right direction. 673 00:34:26,400 --> 00:34:30,120 Speaker 1: I appreciate everybody here and love having you on this 674 00:34:30,239 --> 00:34:33,319 Speaker 1: journey through the space that we call Hollywood Land. And 675 00:34:33,400 --> 00:34:36,600 Speaker 1: until we meet again next week, I've got four important 676 00:34:36,640 --> 00:34:40,239 Speaker 1: things to tell you. Number one, available right now in 677 00:34:40,280 --> 00:34:43,760 Speaker 1: your Hollywood Land feed our episode on Lindsay Lohan. Number 678 00:34:43,760 --> 00:34:47,840 Speaker 1: two coming next week on Monday, our episode on Charlie Chaplin. 679 00:34:48,520 --> 00:34:51,680 Speaker 1: Number three. Do you listen to Disgraceland Jake's other award 680 00:34:51,719 --> 00:34:54,200 Speaker 1: winning show made four and about rock and roll animals, 681 00:34:54,480 --> 00:34:57,480 Speaker 1: The og Music and True Crime Pod with episodes on 682 00:34:57,719 --> 00:35:01,719 Speaker 1: The Ramones, The Clash, The New York Graham Parsons, this 683 00:35:01,760 --> 00:35:05,319 Speaker 1: week's brand new episode on Kendrick Lamar, and hundreds more. 684 00:35:05,560 --> 00:35:07,680 Speaker 1: If not you're missing out, just go search up to 685 00:35:07,760 --> 00:35:12,640 Speaker 1: Graceland wherever you get podcasts. Number four and now, in 686 00:35:12,719 --> 00:35:15,680 Speaker 1: honor of this week's episode, me reading you the list 687 00:35:15,960 --> 00:35:18,520 Speaker 1: of the top movies from the month of May two 688 00:35:18,560 --> 00:35:22,000 Speaker 1: thousand and seven, the first time that Lindsay Lohan was arrested. 689 00:35:23,840 --> 00:35:29,560 Speaker 1: Number one Spider Man three directed by Sam Raimi. Number 690 00:35:29,560 --> 00:35:35,080 Speaker 1: two Shrek the Third directed by Chris Miller. Number three 691 00:35:35,719 --> 00:35:39,120 Speaker 1: Pirates of the Caribbean at World's End directed by to 692 00:35:39,280 --> 00:35:42,919 Speaker 1: Or Verbinski, Gary Marshall. Number four seven twenty eight weeks later, 693 00:35:43,680 --> 00:35:48,120 Speaker 1: directed by directed Long Carlos or Fresadillo. Number five direct 694 00:35:48,120 --> 00:35:52,480 Speaker 1: to Sturbia directed by DJ Caruso. Nine, Number six Georgia Ruler, 695 00:35:52,840 --> 00:36:00,760 Speaker 1: directed by Gary Marshall. Number seven Fracture directed it Talking 696 00:36:01,000 --> 00:36:02,400 Speaker 1: and start Mixing