WEBVTT - Cliffhanger ("On My Way" S3 EP 14)

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<v Speaker 1>Hey, listeners, Please note that today's episode contains topics surrounding

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<v Speaker 1>suicide that some people may find disturbing. If you are

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<v Speaker 1>someone you know are struggling, call or text nine to

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<v Speaker 1>eight eight for the National Suicide Prevention Hotline. And that's

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<v Speaker 1>what you really missed with Jenna.

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<v Speaker 2>And Kevin an iHeartRadio podcast.

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<v Speaker 1>Welcome to and That's why you really miss podcast? The

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<v Speaker 1>recap of On My Way? Oh man, I.

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<v Speaker 2>Mean, so it's a competition episode. Therefore it's already going

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<v Speaker 2>to be a fully loaded jam pack episode, but this

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<v Speaker 2>one feels super inflated. There's so many things that happen Kevin,

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<v Speaker 2>like huge, huge things all in one episode.

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<v Speaker 1>Yeah, like could have been their own episodes, So yes,

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<v Speaker 1>fully talk about it. This is season three, episode fourteen.

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<v Speaker 1>Can you believe that On My Way and OMW was Well,

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<v Speaker 1>that's fitting. This was aired on February twenty first, twenty twelve.

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<v Speaker 1>The number one song was Stronger Who Doesn't Kill You?

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<v Speaker 1>By Kelly Clarkson Convenient, which was also featured in this episode.

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<v Speaker 2>The number one movie in the country was Safe House,

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<v Speaker 2>Dens Out Washington and Ryan Reynolds and Vera Farmiga and

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<v Speaker 2>another movie I Don't think this is real jampacked and

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<v Speaker 2>in Glee used this week Kevin.

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<v Speaker 1>On February twenty first, Costume Designer Ah the one and

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<v Speaker 1>Only lou Iirick and Jennifer Eve one Outstanding Contemporary Television

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<v Speaker 1>Series for their work on Glee at the fourteenth Annual

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<v Speaker 1>Costume Designer's Guild A Words as they should, Yes they

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<v Speaker 1>are beasts. And on February twenty first, twenty fifteen, same

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<v Speaker 1>day that Lou and Jen won their award, Glee wrapped

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<v Speaker 1>the production of the show on the last episode ever.

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<v Speaker 1>We wrapped in February, Yes we did, because I moved

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<v Speaker 1>very shortly after, and you left very shortly.

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<v Speaker 2>I went to London on the sixteenth.

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<v Speaker 1>I think I was very shortly after. Okay, So this

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<v Speaker 1>episode was directed by the sweet, Sweet and recurring director

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<v Speaker 1>now Brad Baker. And there's some really great, huge songs

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<v Speaker 1>in this number in this episode as well. Tell Me

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<v Speaker 1>the song Kenna.

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<v Speaker 2>Coughs Europe Young the Giant Stand by Lenny Kravitz, Glad

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<v Speaker 2>you came by the Wanted Fly, I Believe I Can Fly,

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<v Speaker 2>Nicki minaj Rihanna R. Kelly, What is Kelly? Make You Stronger?

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<v Speaker 2>By Kelly Clarkson and Here's to Us by a Hailstorm,

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<v Speaker 2>and there was an unreleased song, she Walks in Beauty

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<v Speaker 2>by Eric Barnett. I mean, that was a lot of music,

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<v Speaker 2>but it is a competition episode, so there's always going

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<v Speaker 2>to be a lot.

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<v Speaker 1>Can Belie were already to competition?

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<v Speaker 2>I know I was. I skipped ahead last week to

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<v Speaker 2>watch the competition, as I usually do because I get

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<v Speaker 2>very excited about the numbers. I wanted to be reminded about.

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<v Speaker 1>What was coming coming. I feel that, well, they're definitely bangers.

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<v Speaker 1>So there's some fun facts about this episode. This was

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<v Speaker 1>the winter finale, so this was aired in February and

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<v Speaker 1>the next episode of Glee airs on April tenth, which.

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<v Speaker 2>Makes sense of why there was so much happening. It

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<v Speaker 2>felt like a finale for sure, right cliffhanger.

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<v Speaker 1>And there were quite a few scenes that were cut

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<v Speaker 1>from this episode.

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<v Speaker 2>We'll talk about them that were actually in the promo,

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<v Speaker 2>and we were talking with our producer Sam and like,

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<v Speaker 2>some of those scenes were needed for context. They weren't necessary,

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<v Speaker 2>but they were important because there were a couple of

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<v Speaker 2>things that happened in this episode and we'll get to

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<v Speaker 2>but I was like, well, this is just sort of

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<v Speaker 2>thrown in here, like why is this happening? Like I

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<v Speaker 2>know what it's serving in the end, but with the

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<v Speaker 2>deleted scenes, it makes so much more sense.

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<v Speaker 1>There's a cut scene from the original script also in

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<v Speaker 1>which Kurt and Blaine talk about Krowski and Blaine sees

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<v Speaker 1>that Kurt's upset about Krovsky and suggests that he visits

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<v Speaker 1>them in him in the hospital, but Blaine offers to

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<v Speaker 1>drive him to the hospital and we in the car

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<v Speaker 1>to make sure Kurt's okay afterwards. But that would have

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<v Speaker 1>been nice to see.

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<v Speaker 2>That would have been sweet. I get why you don't

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<v Speaker 2>necessarily need it, yeah, but like it speaks to their

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<v Speaker 2>characters well, especially with what's going on with Kurowski's character

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<v Speaker 2>and all the things surrounding it, Like all the support

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<v Speaker 2>that everybody can give each other and come together with

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<v Speaker 2>in this episode I think was really nice, you know,

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<v Speaker 2>even if it didn't make it in like they were

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<v Speaker 2>thinking about that well and like to see the gay

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<v Speaker 2>character specifically talking about that. Yes, yes, it would have

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<v Speaker 2>been Oh yeah, it's sort of like similar to the

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<v Speaker 2>Santana coming out story, Like there were some things there

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<v Speaker 2>that would have been nice to have been able to

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<v Speaker 2>see by the gay characters. Right.

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<v Speaker 1>This is the first time out of all three seasons

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<v Speaker 1>at Kurt performed a regionals and one so victory victory,

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<v Speaker 1>I'm not even sure that we were thinking about that.

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<v Speaker 2>But there was also Needy Leeks was announced to be

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<v Speaker 2>in this episode, and she and Chris both tweeted a

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<v Speaker 2>picture of the two of them together on set during regionals,

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<v Speaker 2>but she didn't make it and was not credited. It

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<v Speaker 2>must have been this script must have been huge.

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<v Speaker 1>It must have felt like a big chapter book.

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<v Speaker 2>Say that again, Jenna, a chapter book. I haven't heard

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<v Speaker 2>that accent years out of you.

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<v Speaker 1>I don't know. I don't know where it came to,

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<v Speaker 1>be honest, but chat the book, okay. And all songs

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<v Speaker 1>in this episode were performed in the auditorium. No locations

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<v Speaker 1>once again. They're like, hey, we're not going to go

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<v Speaker 1>on location, which was fine. I just preferred to be

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<v Speaker 1>like at home on our on our turb and also

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<v Speaker 1>behind the scenes like in our own trailers and everything.

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<v Speaker 2>So there's obviously a very serious storyline that happens this episode,

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<v Speaker 2>but as a different time so there was no trigger

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<v Speaker 2>warning at the start of this episode. But in the

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<v Speaker 2>middle of the episode, a PSA aired for the Trevor Project,

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<v Speaker 2>which is an organization that works to prevent LGBT suicide

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<v Speaker 2>of the Suicide Hotline or an incredible organization. During and

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<v Speaker 2>after the original airing of the episode, calls and chat

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<v Speaker 2>messages to the Trevor Project the Suicide Prevention Hotline grew

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<v Speaker 2>by three hundred percent jeez, which I guess means that

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<v Speaker 2>the right needed audience is watching this series. But the

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<v Speaker 2>same time, thank god Shrevor Project exists.

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<v Speaker 1>Yes, and they were equipped for it because I think

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<v Speaker 1>they worked with the show and they knew it was coming,

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<v Speaker 1>so they were prepared. And then also Diana said it

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<v Speaker 1>in an interview with TV Guy that she knew about

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<v Speaker 1>the crash in November and even helped Ryan come up

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<v Speaker 1>with some of that story.

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<v Speaker 2>Interesting.

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<v Speaker 1>M hmmmm, I don't think we knew about it. No.

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<v Speaker 2>The idea for the character to get into a texting

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<v Speaker 2>wele driving accident has been under consideration since April twenty ten,

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<v Speaker 2>and was inspired by the appearance of the cast on

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<v Speaker 2>The Oprah Winfrey Show. At the time, the cast members

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<v Speaker 2>signed contracts pudging not to text while they were driving.

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<v Speaker 2>An Oprah initiative. Do you remember that?

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<v Speaker 1>Oh yeah, very vividly. I actually think about that often, really,

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<v Speaker 1>every time you go to text and drive, yes, even

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<v Speaker 1>thinking about where's my phone. It's like Oprah said, not too.

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<v Speaker 1>I'm not kidding. I always think about Oprah. It's it

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<v Speaker 1>just puts a point on the thing that you're not

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<v Speaker 1>supposed to be doing. So true. It worked at least

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<v Speaker 1>for me. And then the scene where Quinn is hit

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<v Speaker 1>by the truck was used in a PSA about texting

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<v Speaker 1>and driving as well.

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<v Speaker 2>There was a lot of outreach for this episode. We

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<v Speaker 2>got Trevor Project, we got Hope Yes, and we got

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<v Speaker 2>another via.

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<v Speaker 1>Good This is good.

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<v Speaker 2>Yeah.

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<v Speaker 1>When Rachel reads the text message from Quinn saying ran

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<v Speaker 1>home to get my bridesmaids dressed. Be there soon, her

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<v Speaker 1>phone shows it it's February ninth to twenty twelve at

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<v Speaker 1>eleven oh one pm. Just before that, the clock on

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<v Speaker 1>the walls is four fifty five pm, and the Regional's

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<v Speaker 1>Finchal wedding takes place after Valentine's Day. In addition, when

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<v Speaker 1>Rachel texts Quinn later, Quinn's phone shows the time is

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<v Speaker 1>four forty one pm. I love that love that shit.

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<v Speaker 2>I love that there was a saying when those little

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<v Speaker 2>details would happen, or we'd be I don't know, working

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<v Speaker 2>on an outfit, or they're a people are paying attention

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<v Speaker 2>to that. Yes, we're doing something wrong. And then I

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<v Speaker 2>did a movie and I was talking to wardrobe and

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<v Speaker 2>they were fixing something, and then I said that and

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<v Speaker 2>everyone stopped and looked at me, and the head wardrobe

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<v Speaker 2>person goes, the costume center goes, oh, that's a TV saying.

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<v Speaker 2>You spent too much time working on TV, because we

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<v Speaker 2>don't think that way.

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<v Speaker 1>Here.

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<v Speaker 2>I was like, ooh, ooh oh, let me shut my mouth,

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<v Speaker 2>let me mind my business, because I really I felt

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<v Speaker 2>like I stepped in it. And then I went back

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<v Speaker 2>to Glee and I was like, may should we be

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<v Speaker 2>concerned about these details?

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<v Speaker 1>Because because I.

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<v Speaker 2>Got let out and experienced the real world and they do.

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<v Speaker 1>Get told, you got told. I was going to say, like,

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<v Speaker 1>this doesn't sound right to me, but I guess it

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<v Speaker 1>is TV. And we were doing twenty two episodes.

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<v Speaker 2>Yes exactly.

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<v Speaker 1>Mitch Grossi from Pandatonics was one of the golden goblets

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<v Speaker 1>in the competition.

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<v Speaker 2>Yes, wow, Yes. The reactions to this were strong and

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<v Speaker 2>varied by reviewers Rolling Stone described it as an emotional

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<v Speaker 2>rollercoaster that at times may have been jarring or heavy handed,

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<v Speaker 2>but overall did what a winter for NIALI should, gave

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<v Speaker 2>us plenty of surprises while setting things up for the future.

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<v Speaker 2>Hmm okay, all right, I mean, speaking of the deleted scenes,

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<v Speaker 2>there is a bridesmaid deleted scene with the adds an

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<v Speaker 2>incredible amount of context to the.

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<v Speaker 1>Rachel and Rachel. Yeah, it really just gives the scene

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<v Speaker 1>where Quinn tells to Rachel she is going to come

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<v Speaker 1>to the wedding and there they hug just a little

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<v Speaker 1>bit more justification.

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<v Speaker 2>Because it's weird, and it's also like, why is she

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<v Speaker 2>so adam about waiting for her? Why is Quinn late?

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<v Speaker 1>I yeah, I don't know, but I will say that scene,

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<v Speaker 1>I am. It's a long scene, Like we could have

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<v Speaker 1>gotten to the point faster and maybe they just couldn't

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<v Speaker 1>cut into the scene. So maybe that's why. I don't know. Yeah,

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<v Speaker 1>but we did shoot that scene. It was a Friday night,

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<v Speaker 1>it was a Friturday and it was really late, I

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<v Speaker 1>mean midnight, one o'clock, two o'clock. I think we got

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<v Speaker 1>out of two that night, and we had a good time.

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<v Speaker 1>We played dream Wedding the whole time the girls while

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<v Speaker 1>we were waiting for setups, and we all like kind

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<v Speaker 1>of named our dream weddings. We had a really fun

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<v Speaker 1>time shooting it, but it was really late, and the

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<v Speaker 1>fact that it was really late on a Friday night

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<v Speaker 1>and then it got cut, You're like, oh, cool, cool, awesome,

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<v Speaker 1>that's great.

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<v Speaker 2>You guys had all the bridesmaid dresses, you know. Okay,

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<v Speaker 2>here's the official Fox publicity summary. Things heat up as

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<v Speaker 2>the new directions go head to head with Dalton Academy

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<v Speaker 2>Warblers at regionals.

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<v Speaker 1>Wow.

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<v Speaker 2>What an understatement of a summary.

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<v Speaker 1>I know.

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<v Speaker 2>So, I mean we have Kurowski, right, we have a wedding,

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<v Speaker 2>we have quins, and we have Regionals, which involves Sebastian.

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<v Speaker 1>Right, There's a lot going.

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<v Speaker 2>On happening, and I don't even know where to start.

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<v Speaker 1>Let's start with Sue being pregnant. This is kind of

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<v Speaker 1>like an off side thing we'll see later, so let's

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<v Speaker 1>just talk about it. So Sue is pregnant. She's actually pregnant,

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<v Speaker 1>and she we kind of see this like softer side

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<v Speaker 1>of her, if you will. I don't know if it's

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<v Speaker 1>that soft, but.

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<v Speaker 2>And I see genuine.

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<v Speaker 1>I guess. So she wants to help the new directions

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<v Speaker 1>with nationals because she's feeling the hormones. I guess.

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<v Speaker 2>So we're in for something with Sue coming up. But

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<v Speaker 2>I loved her at scenes with Quinn. I thought those

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<v Speaker 2>were really great. And post Generals, she's like, oh, I'm surprising.

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<v Speaker 2>I didn't think you'd show. I thought you'd be exhausted

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<v Speaker 2>after eyeing and owing in the back ground. I laughed

0:13:14.880 --> 0:13:16.840
<v Speaker 2>for a couple of minutes after that.

0:13:17.559 --> 0:13:22.760
<v Speaker 1>Very funny. And she gets Quinn her cheerios position back

0:13:23.120 --> 0:13:24.880
<v Speaker 1>in her uniform and she's wearing.

0:13:24.600 --> 0:13:27.920
<v Speaker 2>Her UNI wants to go out with a bang. You know,

0:13:28.440 --> 0:13:30.079
<v Speaker 2>did we talk about Koski?

0:13:30.679 --> 0:13:32.960
<v Speaker 1>Yeah? I think we have to because it affects everything else,

0:13:33.120 --> 0:13:34.520
<v Speaker 1>right does Okay, so.

0:13:34.520 --> 0:13:39.320
<v Speaker 2>Let's start at the top. So after being seen at

0:13:39.320 --> 0:13:45.520
<v Speaker 2>Breadsticks with Kurt Krofski, now at a new school, gets

0:13:45.559 --> 0:13:49.000
<v Speaker 2>bullied in the locker room, very powerful scene. And as

0:13:50.240 --> 0:13:53.200
<v Speaker 2>Curt and Blaine meet up on the auditorium stage and

0:13:53.240 --> 0:13:56.680
<v Speaker 2>Blaine starts to sing in Costs Europe, we go through

0:13:56.679 --> 0:14:02.800
<v Speaker 2>the process of seeing Korofski attempt suicide mm hm, and

0:14:05.160 --> 0:14:09.360
<v Speaker 2>talking to Max about this was like very very illuminating.

0:14:10.120 --> 0:14:13.040
<v Speaker 2>Oh yeah, we had to have him back, yeah, to

0:14:13.120 --> 0:14:17.520
<v Speaker 2>talk about this and having Brad Beeker be the one

0:14:17.520 --> 0:14:19.240
<v Speaker 2>to direct this, and you can tell in the way

0:14:19.280 --> 0:14:24.800
<v Speaker 2>it's edited, with the with the music and there was

0:14:24.960 --> 0:14:28.560
<v Speaker 2>no that is such a heavy, heavy thing to show,

0:14:29.440 --> 0:14:33.600
<v Speaker 2>especially on primetime network television, a teen.

0:14:33.520 --> 0:14:36.800
<v Speaker 1>Show and a team comedy as well.

0:14:37.000 --> 0:14:45.080
<v Speaker 2>Yeah, and I think they nailed it as best they could,

0:14:45.600 --> 0:14:51.239
<v Speaker 2>hands down, hands down. Max acted his ass off, Darren's cover.

0:14:51.680 --> 0:14:54.600
<v Speaker 1>Of those serious seasons and serious.

0:14:54.640 --> 0:14:58.440
<v Speaker 2>I think it's like Brad's direction of this and the

0:14:58.480 --> 0:15:01.880
<v Speaker 2>scene after words with you know, the teachers being told

0:15:01.920 --> 0:15:07.840
<v Speaker 2>in Jama saying this, yeah, like if if we're if

0:15:07.840 --> 0:15:11.560
<v Speaker 2>it's not our responsibility, like who's this is it? And

0:15:11.680 --> 0:15:15.240
<v Speaker 2>the dad find There's also several shots which never normally

0:15:15.280 --> 0:15:22.720
<v Speaker 2>happened in the show. You see flashbacks, right, which we

0:15:22.800 --> 0:15:24.840
<v Speaker 2>haven't seen for a while, and you see like different

0:15:24.960 --> 0:15:31.200
<v Speaker 2>characters have flashbacks, and I think all that is probably

0:15:31.480 --> 0:15:34.120
<v Speaker 2>made the story so much richer and I feel like

0:15:34.120 --> 0:15:37.600
<v Speaker 2>are probably beaker calls totally and are probably add up

0:15:37.600 --> 0:15:40.320
<v Speaker 2>to why some of those other scenes were cut, But

0:15:41.040 --> 0:15:44.640
<v Speaker 2>they serve the things that are in there so well

0:15:44.680 --> 0:15:45.640
<v Speaker 2>that you need them.

0:15:45.600 --> 0:15:49.760
<v Speaker 1>Well, you can't just like gloss over Krovsky's storyline, Like,

0:15:49.800 --> 0:15:52.280
<v Speaker 1>of all the storylines that are happening in this episode,

0:15:52.280 --> 0:15:54.480
<v Speaker 1>that is not the one you gloss over. It just

0:15:54.520 --> 0:15:58.600
<v Speaker 1>doesn't do it anything justice any of these real stories

0:15:58.600 --> 0:16:00.800
<v Speaker 1>that you hear, you know, any of these real people

0:16:00.840 --> 0:16:05.000
<v Speaker 1>who were suffering or struggling with their mental health like that,

0:16:05.240 --> 0:16:08.040
<v Speaker 1>this is this is the storyline of the episode.

0:16:08.600 --> 0:16:12.120
<v Speaker 2>So what's interesting to me is that, like we said,

0:16:12.160 --> 0:16:14.600
<v Speaker 2>there was not a trigger warning before the episode, right,

0:16:16.520 --> 0:16:20.360
<v Speaker 2>but I feel like trigger warnings were not really a

0:16:20.400 --> 0:16:21.840
<v Speaker 2>thing until Thirteen Reasons. Why.

0:16:22.600 --> 0:16:24.160
<v Speaker 1>Hmmmm is that that one?

0:16:24.280 --> 0:16:26.920
<v Speaker 2>And I'm it may not it may not be correct

0:16:26.920 --> 0:16:29.320
<v Speaker 2>in this, but I feel like there was a really

0:16:29.320 --> 0:16:33.520
<v Speaker 2>big campaign as soon as that show came out, Yeah,

0:16:33.600 --> 0:16:35.440
<v Speaker 2>to add trigger warnings to things.

0:16:35.560 --> 0:16:39.960
<v Speaker 1>Oh interesting, that's a that's a good observation, Kevin, And

0:16:40.000 --> 0:16:44.040
<v Speaker 1>that feels like the right timing around it.

0:16:44.160 --> 0:16:46.920
<v Speaker 2>Yeah, so we were a couple of years too early.

0:16:47.440 --> 0:16:48.000
<v Speaker 1>Yeah. Yeah.

0:16:48.040 --> 0:16:52.680
<v Speaker 2>And also that show was everything was leading to that act.

0:16:53.240 --> 0:16:55.840
<v Speaker 1>Yeah, it's that it is that story that is the

0:16:55.840 --> 0:16:59.160
<v Speaker 1>storyline of the or the log line right of the show.

0:16:59.600 --> 0:17:05.639
<v Speaker 2>But so obviously KS doing this then has ramifications to

0:17:05.760 --> 0:17:09.480
<v Speaker 2>every other plot and character right on the show because

0:17:09.480 --> 0:17:14.520
<v Speaker 2>it obviously since shock waves around to everyone.

0:17:14.960 --> 0:17:19.960
<v Speaker 1>I mean it affects Rachel and Finn's decision to get married. Yep,

0:17:21.720 --> 0:17:27.159
<v Speaker 1>it it is a huge well, the storyline is a

0:17:27.520 --> 0:17:30.120
<v Speaker 1>just care is a huge carry for Kurt and Blaine

0:17:30.160 --> 0:17:32.800
<v Speaker 1>throughout the rest of this episode. And then that beautiful

0:17:32.800 --> 0:17:37.280
<v Speaker 1>scene between Krovski and Kurt at the end of the episode,

0:17:38.520 --> 0:17:42.840
<v Speaker 1>Man that one of us really got me. Yeah, they

0:17:42.880 --> 0:17:46.600
<v Speaker 1>did a beautiful job and they really did like everything,

0:17:47.720 --> 0:17:50.840
<v Speaker 1>the whole village of a team that you know, Glee

0:17:50.960 --> 0:17:54.000
<v Speaker 1>is really put the timing Karen to that storyline. So

0:17:54.240 --> 0:17:58.199
<v Speaker 1>I'm happy and I hope people feel that way when

0:17:58.240 --> 0:18:05.960
<v Speaker 1>they watch it because I did. But yeah, it has

0:18:06.560 --> 0:18:12.199
<v Speaker 1>it sends shock waves through the school, and it changed Sebastian.

0:18:12.240 --> 0:18:17.000
<v Speaker 1>Sebastian was blackmailing the team, saying horrible things per usual.

0:18:17.960 --> 0:18:21.920
<v Speaker 1>He's really that he was really the villain, like vile,

0:18:22.400 --> 0:18:25.600
<v Speaker 1>like he really said like the most horrible things. I

0:18:25.600 --> 0:18:28.639
<v Speaker 1>don't think I like that clicked for me and in

0:18:28.680 --> 0:18:30.520
<v Speaker 1>the time we were when we were like doing it.

0:18:30.720 --> 0:18:35.080
<v Speaker 2>No, because there's a difference. There's a difference between Sue

0:18:35.119 --> 0:18:40.400
<v Speaker 2>can say horrible things. Santana has said horrible things, right,

0:18:40.800 --> 0:18:45.440
<v Speaker 2>but it's always with like a tinge of comedy. Some

0:18:45.520 --> 0:18:47.880
<v Speaker 2>things are more harsh than others, but you know their

0:18:47.880 --> 0:18:52.480
<v Speaker 2>heart and special characters. Yeah, and we don't know enough

0:18:52.480 --> 0:18:55.199
<v Speaker 2>about him. Grant like talked thoughtfully about it, where like

0:18:55.280 --> 0:18:57.480
<v Speaker 2>he assumed he had some sort of you.

0:18:57.440 --> 0:19:00.720
<v Speaker 1>Know, terrible home life and yeah, yeah.

0:19:00.720 --> 0:19:03.800
<v Speaker 2>That would cause that, which makes sense, but as an audience,

0:19:03.920 --> 0:19:07.960
<v Speaker 2>we don't know that. And then he comes around because

0:19:08.280 --> 0:19:14.000
<v Speaker 2>lo and behold, Sebastian was horrible to Krosski. Kiarowski was

0:19:14.600 --> 0:19:19.480
<v Speaker 2>trying to meet guys and like do things the healthy way, right, right,

0:19:19.520 --> 0:19:22.000
<v Speaker 2>and then he insulted him.

0:19:22.280 --> 0:19:25.520
<v Speaker 1>It's the first time we see the human side of Sawashian. Yeah,

0:19:25.640 --> 0:19:29.680
<v Speaker 1>this is the first time we see any humanity in him,

0:19:30.359 --> 0:19:35.040
<v Speaker 1>and dedicating the you know, regionals to Krofski and really

0:19:35.160 --> 0:19:37.480
<v Speaker 1>just saying like, let's call this the truth. And that's

0:19:38.720 --> 0:19:41.320
<v Speaker 1>I think he was really affected by it. Everybody like

0:19:41.400 --> 0:19:44.880
<v Speaker 1>saw their actions and how they were could have potentially

0:19:45.000 --> 0:19:48.520
<v Speaker 1>affected Korowski's mental health in some way, because.

0:19:48.280 --> 0:19:50.120
<v Speaker 2>You don't think about that when you're around people every

0:19:50.200 --> 0:19:53.600
<v Speaker 2>day and you may say flippant comments to someone that

0:19:53.720 --> 0:19:56.840
<v Speaker 2>you may do nothing and you don't know how that's

0:19:56.880 --> 0:19:59.359
<v Speaker 2>compounding with other things that are going on in that

0:19:59.359 --> 0:20:04.280
<v Speaker 2>person's life, right, And how they sprinkled those moments in

0:20:04.280 --> 0:20:09.399
<v Speaker 2>in this episode with all the other storylines was just

0:20:09.480 --> 0:20:13.320
<v Speaker 2>very well balanced. Yes, well, I still was like I

0:20:13.359 --> 0:20:18.200
<v Speaker 2>don't believe Sebastian, Like I'm just like I was scared

0:20:18.240 --> 0:20:21.160
<v Speaker 2>to trust Sue. Hmmm, was like I want to help

0:20:21.160 --> 0:20:22.840
<v Speaker 2>the Glee cub win because I think you're going to

0:20:22.920 --> 0:20:25.200
<v Speaker 2>do this thing, like I want to believe you, and

0:20:25.240 --> 0:20:29.520
<v Speaker 2>Sebastian's like, I want to believe you, right, but your

0:20:29.640 --> 0:20:31.159
<v Speaker 2>history says.

0:20:30.920 --> 0:20:36.720
<v Speaker 1>Like I shouldn't. Right. Well, and to be fair, it's

0:20:36.760 --> 0:20:40.359
<v Speaker 1>a TV show. You can't have somebody like being showing

0:20:40.440 --> 0:20:44.600
<v Speaker 1>no remorse whatsoever over such a sensitive storyline or else

0:20:44.880 --> 0:20:49.440
<v Speaker 1>they may as well not be on the show, correct, Right.

0:20:50.440 --> 0:20:58.320
<v Speaker 2>The Finn and Rachel storyline, that blackmail situation, that choir

0:20:58.400 --> 0:21:02.240
<v Speaker 2>room scene was obvious one of those storylines that was

0:21:02.280 --> 0:21:05.160
<v Speaker 2>like pulled from stuff that was going on in real

0:21:05.160 --> 0:21:11.399
<v Speaker 2>life in terms of people want to people want to

0:21:11.400 --> 0:21:13.040
<v Speaker 2>talk about you, people want to bring you down now

0:21:13.040 --> 0:21:18.119
<v Speaker 2>that you're like in the public, which I thought was

0:21:18.119 --> 0:21:20.080
<v Speaker 2>pretty funny. It was one of those things like, yep,

0:21:20.160 --> 0:21:24.200
<v Speaker 2>this is note to us be careful. Yeah, it was

0:21:24.240 --> 0:21:28.000
<v Speaker 2>a nice little shout out from the writers to us too. Yeah,

0:21:28.480 --> 0:21:31.720
<v Speaker 2>lock it up, just call space space Yeah, like write

0:21:31.720 --> 0:21:32.200
<v Speaker 2>note taken.

0:21:32.560 --> 0:21:36.520
<v Speaker 1>Cool. But they just thought they're gonna get married and

0:21:37.040 --> 0:21:41.320
<v Speaker 1>her parents are you know, Jeff Jeff Goldbloom and Brian

0:21:41.440 --> 0:21:46.680
<v Speaker 1>Stokes are like, we did something wrong. Shit, we've messed up.

0:21:48.960 --> 0:21:53.000
<v Speaker 1>But they're gonna they're gonna get married. And I didn't

0:21:53.000 --> 0:21:56.080
<v Speaker 1>know it was this episode. I was like, oh, we're here.

0:21:57.440 --> 0:22:01.480
<v Speaker 1>We're here because everything is here. It happens feel like

0:22:01.480 --> 0:22:04.440
<v Speaker 1>a winter finale. It feels like a finale finale, season finale.

0:22:04.680 --> 0:22:06.920
<v Speaker 1>But that leads to the Quinn of it. All Right,

0:22:07.000 --> 0:22:12.440
<v Speaker 1>So there's a scene, there's the bride's maid scene that

0:22:13.720 --> 0:22:17.199
<v Speaker 1>explains a little bit more about the Quinn journey that

0:22:17.240 --> 0:22:22.480
<v Speaker 1>we're seeing here. So Quinn in a past episode, they're

0:22:22.520 --> 0:22:25.360
<v Speaker 1>talking about, you know, getting engaged, and Quinn's like, I'm

0:22:25.359 --> 0:22:27.360
<v Speaker 1>going to Yale, Like don't you want to start over?

0:22:27.440 --> 0:22:30.120
<v Speaker 1>Don't you want to like see your potential? Like we're

0:22:30.160 --> 0:22:34.600
<v Speaker 1>just getting started. And then in this episode, Quinn in

0:22:34.640 --> 0:22:39.000
<v Speaker 1>the in the the bridal shop is saying to Rachel,

0:22:39.119 --> 0:22:42.479
<v Speaker 1>I'm the only one who doesn't agree with this, this marriage.

0:22:42.480 --> 0:22:46.800
<v Speaker 1>You're hiding in Finn shadow, You're you're scared, like I

0:22:46.840 --> 0:22:50.280
<v Speaker 1>can't wait to go to Yale and like start anew

0:22:51.119 --> 0:22:56.720
<v Speaker 1>And I've never seen this Rachel Barry before, essentially, and

0:22:56.880 --> 0:23:00.720
<v Speaker 1>to some extent, she's right, like these kids are so young.

0:23:02.160 --> 0:23:05.040
<v Speaker 1>But I don't think it really matters the opinion of

0:23:05.080 --> 0:23:07.280
<v Speaker 1>like if they should or shouldn't get married. I think

0:23:07.400 --> 0:23:09.919
<v Speaker 1>it's more about like why she's choosing to do it

0:23:10.000 --> 0:23:11.760
<v Speaker 1>or why these kids are choosing to do it.

0:23:12.400 --> 0:23:14.360
<v Speaker 2>And it's interesting that it's Quinn saying it.

0:23:15.440 --> 0:23:20.280
<v Speaker 1>Yeah, totally, But I think because Rachel has always kind

0:23:20.320 --> 0:23:23.280
<v Speaker 1>of like idolized Quinn but been jealous, and they've always

0:23:23.320 --> 0:23:25.840
<v Speaker 1>been kind of pitted against each other, like it's a

0:23:25.880 --> 0:23:33.280
<v Speaker 1>good person to go up against her. And and I

0:23:33.400 --> 0:23:35.960
<v Speaker 1>like that scene, the Bridesmaid scene. It's online, you can

0:23:36.040 --> 0:23:40.200
<v Speaker 1>you can you can google it because it really does

0:23:41.359 --> 0:23:45.399
<v Speaker 1>justify when Quinn's like when they're in the hallway and

0:23:45.440 --> 0:23:47.120
<v Speaker 1>she says, I AM going to come to the wedding

0:23:47.200 --> 0:23:49.719
<v Speaker 1>and they have this big hug and Rachel's so happy

0:23:51.480 --> 0:23:54.960
<v Speaker 1>that I was. It felt like it was a little

0:23:54.960 --> 0:24:00.320
<v Speaker 1>bit out of nowhere. It's not completely necessary. I think

0:24:00.359 --> 0:24:02.480
<v Speaker 1>we got the idea, but like, Quinn's going to go

0:24:02.560 --> 0:24:05.080
<v Speaker 1>to the wedding, right, she didn't agree with it, and

0:24:05.119 --> 0:24:08.160
<v Speaker 1>she's going to go. But that leads to this texting

0:24:08.200 --> 0:24:13.040
<v Speaker 1>and driving accident that will we'll see in April. Where

0:24:13.119 --> 0:24:18.280
<v Speaker 1>is Quinn? What happens in the middle of bo a cornfield?

0:24:18.359 --> 0:24:21.439
<v Speaker 1>She's literally driving in a cornfield. She's like, they're supposed

0:24:21.440 --> 0:24:24.440
<v Speaker 1>to get married. They have a slot like alloted time

0:24:24.480 --> 0:24:27.280
<v Speaker 1>to get married at the courthouse, and he said, we

0:24:27.320 --> 0:24:29.840
<v Speaker 1>have like four minutes or something. She's not going to

0:24:29.920 --> 0:24:32.400
<v Speaker 1>be there in four minutes. She was on her way

0:24:32.440 --> 0:24:35.919
<v Speaker 1>to get her dress, like so far. I guess they

0:24:35.920 --> 0:24:38.560
<v Speaker 1>could say. If I'm listening to Ian. In my mind,

0:24:38.600 --> 0:24:40.000
<v Speaker 1>he's saying her.

0:24:39.880 --> 0:24:44.760
<v Speaker 2>House is really close. The logistics didn't add up. But

0:24:44.840 --> 0:24:45.359
<v Speaker 2>it's okay.

0:24:46.080 --> 0:24:50.560
<v Speaker 1>It's good because the most important thing is that Quinn

0:24:51.160 --> 0:24:56.399
<v Speaker 1>is looking at her phone and shouldn't be. Now.

0:24:57.960 --> 0:25:00.520
<v Speaker 2>Did you ever when you read that do you ever

0:25:00.600 --> 0:25:02.359
<v Speaker 2>think like, oh my god, they're killing her off?

0:25:02.840 --> 0:25:07.040
<v Speaker 1>I did? I did. I was like, what is going

0:25:07.080 --> 0:25:09.960
<v Speaker 1>to happen? And in my mind, like most TV shows

0:25:10.040 --> 0:25:13.399
<v Speaker 1>that you don't aren't so ruthless with their characters. Like

0:25:13.800 --> 0:25:16.000
<v Speaker 1>I'm like, she's not going to die, right, like we're

0:25:16.000 --> 0:25:18.119
<v Speaker 1>going to see her, Like they're not. They can't kill

0:25:18.160 --> 0:25:21.280
<v Speaker 1>her off. But we are close to the end of

0:25:21.320 --> 0:25:24.399
<v Speaker 1>season three, Like I don't know, there's something about it

0:25:24.440 --> 0:25:25.919
<v Speaker 1>that I was like, did she has to get off

0:25:25.960 --> 0:25:28.040
<v Speaker 1>the show? And like this is how they're doing it?

0:25:28.800 --> 0:25:30.240
<v Speaker 1>Did you? Yeah?

0:25:30.400 --> 0:25:33.359
<v Speaker 2>I thought it felt like that, but like we obviously

0:25:33.400 --> 0:25:35.760
<v Speaker 2>would have known. It wasn't like Game of Thrones where

0:25:35.760 --> 0:25:37.359
<v Speaker 2>people were getting killed off every week and they'd give

0:25:37.359 --> 0:25:37.840
<v Speaker 2>you a call.

0:25:37.800 --> 0:25:42.080
<v Speaker 1>Like hey, like we would have we would have known, yes,

0:25:42.520 --> 0:25:44.400
<v Speaker 1>like Dana would have told us, or like somebody would

0:25:44.400 --> 0:25:44.840
<v Speaker 1>have told us.

0:25:45.040 --> 0:25:47.679
<v Speaker 2>It just makes me a little like hmm, knowing that

0:25:47.760 --> 0:25:50.720
<v Speaker 2>Dana had like a part.

0:25:50.720 --> 0:25:54.280
<v Speaker 1>In writing the story. Yeah, yeah, yeah, for sure, Like.

0:25:54.280 --> 0:25:56.840
<v Speaker 2>Hmmm, because she's just in movies, like she was getting

0:25:56.840 --> 0:25:57.880
<v Speaker 2>asked to all kinds of things.

0:25:57.920 --> 0:26:00.480
<v Speaker 1>So yeah, she was the catin Heigel of our show.

0:26:01.080 --> 0:26:04.400
<v Speaker 2>Yeah, I get it, because you don't really have time

0:26:04.440 --> 0:26:05.320
<v Speaker 2>to do anything else so.

0:26:05.280 --> 0:26:07.600
<v Speaker 1>Hard, like they let you. You're under our contract. It's

0:26:07.600 --> 0:26:12.440
<v Speaker 1>a very specific contract. So okay, so Finn's gonna get

0:26:12.720 --> 0:26:16.000
<v Speaker 1>in a really big accident, and there will be a

0:26:16.040 --> 0:26:19.560
<v Speaker 1>big storyline that we'll see at the end of season.

0:26:19.640 --> 0:26:23.240
<v Speaker 2>I'm still standing everyone, Oh my god, get ready skip

0:26:23.280 --> 0:26:23.639
<v Speaker 2>over that.

0:26:33.960 --> 0:26:38.399
<v Speaker 1>And then we're at regionals all while these fifteen storylines

0:26:38.400 --> 0:26:42.240
<v Speaker 1>are happening, happening before and after we're performing at regionals.

0:26:42.240 --> 0:26:44.520
<v Speaker 1>There's a trouble Tones number because if you remember a

0:26:44.560 --> 0:26:47.400
<v Speaker 1>few episodes ago, they asked us, you know, they asked

0:26:47.440 --> 0:26:50.159
<v Speaker 1>Troublements to come back to Glee to the new directions

0:26:50.160 --> 0:26:52.679
<v Speaker 1>and they will get a number. I did forget about that,

0:26:52.680 --> 0:26:54.199
<v Speaker 1>and I was like, what is happening right now? I

0:26:54.240 --> 0:26:55.880
<v Speaker 1>did too, but I was like, I don't care. Oh

0:26:55.960 --> 0:26:58.320
<v Speaker 1>it is a banger, that number. I still know all

0:26:58.359 --> 0:27:00.919
<v Speaker 1>the dance moves. I remember it all. I was like,

0:27:01.160 --> 0:27:06.840
<v Speaker 1>put me in, coach, put me in. But we win.

0:27:09.600 --> 0:27:10.879
<v Speaker 2>Did you like this performance?

0:27:13.240 --> 0:27:20.840
<v Speaker 1>I loved the trouble Tones. I remember not loving this.

0:27:20.800 --> 0:27:25.040
<v Speaker 2>Song, like as a weird mashup right.

0:27:24.840 --> 0:27:28.359
<v Speaker 1>Being like, Okay, I don't know that I would have

0:27:28.560 --> 0:27:29.480
<v Speaker 1>said we won from that.

0:27:31.280 --> 0:27:35.119
<v Speaker 2>I mean, objectively, I feel like this is one of

0:27:35.119 --> 0:27:37.639
<v Speaker 2>the first times where I feel like we sort of

0:27:37.760 --> 0:27:38.280
<v Speaker 2>feel like.

0:27:40.320 --> 0:27:40.840
<v Speaker 1>The winner.

0:27:41.600 --> 0:27:46.399
<v Speaker 2>Yeah, really, yeah, I do. I think we sort of

0:27:46.480 --> 0:27:49.320
<v Speaker 2>nailed it. Okay, it's a weird mashup, but I still

0:27:49.320 --> 0:27:50.520
<v Speaker 2>think like we performed.

0:27:51.000 --> 0:27:53.359
<v Speaker 1>I just say the glad you came there. Like was

0:27:53.600 --> 0:27:58.200
<v Speaker 1>I loved very I don't know. For me, it was

0:27:58.240 --> 0:27:58.960
<v Speaker 1>like the opposite.

0:27:59.640 --> 0:28:02.800
<v Speaker 2>The whole time the Trouble Tones were performing, I was

0:28:03.480 --> 0:28:10.679
<v Speaker 2>filled with rage because from a music standpoint or a

0:28:10.720 --> 0:28:13.080
<v Speaker 2>music executive standpoint, I really felt like there was an

0:28:13.119 --> 0:28:18.240
<v Speaker 2>opportunity missed here. As the bare minimum the Warblers had

0:28:18.760 --> 0:28:22.359
<v Speaker 2>a Warbler album. Glee should have done that for the

0:28:22.359 --> 0:28:24.439
<v Speaker 2>trouble Tones, and if there weren't enough songs to like,

0:28:24.560 --> 0:28:28.080
<v Speaker 2>have them record more like we did for the Christmas albums, right,

0:28:28.200 --> 0:28:31.040
<v Speaker 2>and then actually make an album for them.

0:28:31.119 --> 0:28:34.160
<v Speaker 1>Yeah, how good would that have been? Oh?

0:28:34.560 --> 0:28:37.320
<v Speaker 2>I do imagine that music videos with Amber and Naya,

0:28:38.560 --> 0:28:40.000
<v Speaker 2>Vanessa and all of.

0:28:39.920 --> 0:28:43.080
<v Speaker 1>Our friends in that one, Like I would have listened

0:28:43.080 --> 0:28:45.480
<v Speaker 1>to all of us like that would have been the

0:28:45.560 --> 0:28:47.840
<v Speaker 1>best girl group in the world. Stronger is one of

0:28:47.920 --> 0:28:51.960
<v Speaker 1>my favorite trouble Tones numbers. I would have loved that.

0:28:52.240 --> 0:28:54.000
<v Speaker 1>Let's bring the Troubletones back. Let's just do a spin

0:28:54.040 --> 0:28:56.680
<v Speaker 1>off of the trouble Tones. Can we pitch that? Yes?

0:28:56.800 --> 0:28:58.840
<v Speaker 1>I would listen to that all day long. I'm actually

0:28:58.880 --> 0:29:02.800
<v Speaker 1>gonna listen to it after this. But we win. We

0:29:02.880 --> 0:29:04.640
<v Speaker 1>win because we have to win, because we have to

0:29:04.680 --> 0:29:06.200
<v Speaker 1>go to Nationals this year.

0:29:06.280 --> 0:29:09.360
<v Speaker 2>And Ian does an incredible Ian Brennan, the co creator,

0:29:10.080 --> 0:29:13.960
<v Speaker 2>sender he could have played anything he wanted to on

0:29:14.000 --> 0:29:16.120
<v Speaker 2>this show, and this is when he chose to buyer.

0:29:16.640 --> 0:29:22.080
<v Speaker 1>I don't know that I've laughed harder watching going for

0:29:22.400 --> 0:29:25.160
<v Speaker 1>when he's like any audience, Yes, that's because it's I.

0:29:25.600 --> 0:29:29.320
<v Speaker 1>It's Ian, and then Vanessa or sugar Mata running up

0:29:29.320 --> 0:29:33.360
<v Speaker 1>to hug him. I was like, I kind of wish

0:29:33.560 --> 0:29:35.760
<v Speaker 1>I was sugar Mata and Glee, could I like go

0:29:35.840 --> 0:29:38.800
<v Speaker 1>back and play sugar Matta, because like anything goes becauld

0:29:38.800 --> 0:29:42.360
<v Speaker 1>have got anything like it works. It's so funny.

0:29:42.720 --> 0:29:44.880
<v Speaker 2>It's really crazy to think that this is the same

0:29:44.920 --> 0:29:46.520
<v Speaker 2>episode with Krowski.

0:29:47.880 --> 0:29:50.760
<v Speaker 1>And Googles and Rosy. That's why it's.

0:29:50.600 --> 0:29:53.640
<v Speaker 2>Glee, Kevin, That's why it's Glee. There was so much

0:29:53.640 --> 0:29:54.640
<v Speaker 2>good work by everyone.

0:29:54.880 --> 0:29:56.960
<v Speaker 1>There was a lot of really good work by everybody,

0:29:57.160 --> 0:29:58.120
<v Speaker 1>like really good work.

0:29:59.000 --> 0:30:03.360
<v Speaker 2>And I'm a little pissed. I know you said before

0:30:03.760 --> 0:30:06.960
<v Speaker 2>controversially that some of those deleted scenes didn't need to

0:30:06.960 --> 0:30:11.080
<v Speaker 2>be in the episodes However, I feel like I would

0:30:11.200 --> 0:30:14.240
<v Speaker 2>like to have had that bride'smaid scene a lot, and

0:30:14.280 --> 0:30:15.520
<v Speaker 2>I would have liked to have had the Curt and

0:30:15.560 --> 0:30:19.160
<v Speaker 2>Blaine scene a lot, because I don't like that by

0:30:19.280 --> 0:30:22.080
<v Speaker 2>choice they cut it. I don't know, like, oh, this

0:30:22.120 --> 0:30:24.520
<v Speaker 2>is ay, though I like knowing that they exist. I

0:30:24.640 --> 0:30:28.360
<v Speaker 2>like knowing that the backstory to those scenes because I

0:30:28.360 --> 0:30:34.040
<v Speaker 2>do feel like those relationships really changed in this episode

0:30:34.040 --> 0:30:38.960
<v Speaker 2>for both sets of people. And yes, everybody got through

0:30:39.000 --> 0:30:43.120
<v Speaker 2>tragedy that has to happen, and Kurt and Blaine's reaction

0:30:44.080 --> 0:30:48.040
<v Speaker 2>and then Kurt's scene with Kroofski and then Korowski with Kurt,

0:30:48.360 --> 0:30:52.960
<v Speaker 2>those scenes are just really meaningful and to be able

0:30:53.000 --> 0:30:56.560
<v Speaker 2>to see them pull each other up and out and

0:30:56.600 --> 0:30:59.800
<v Speaker 2>strengthen their bonds with one another. Same with Rachel. And

0:31:00.040 --> 0:31:08.600
<v Speaker 2>when I will say on the flip side, Shuster saying

0:31:08.640 --> 0:31:12.160
<v Speaker 2>that cheating on a test.

0:31:13.000 --> 0:31:19.760
<v Speaker 1>Was a kin do this, I'm ignoring it. I was

0:31:19.880 --> 0:31:24.600
<v Speaker 1>just I feel it. I brought it up to you

0:31:24.960 --> 0:31:30.800
<v Speaker 1>when I watched it. I feel everybody's journey is valid,

0:31:33.240 --> 0:31:37.959
<v Speaker 1>but it wasn't necessary. But I like that scene.

0:31:38.800 --> 0:31:40.320
<v Speaker 2>That scene started with Peanut Butter.

0:31:40.800 --> 0:31:42.920
<v Speaker 1>Oh, I don't know. I don't know. I was going

0:31:42.960 --> 0:31:45.960
<v Speaker 1>to say though, while you were before you brought that

0:31:46.120 --> 0:31:49.920
<v Speaker 1>all up. Props to the writers of this episode, because

0:31:50.040 --> 0:31:53.680
<v Speaker 1>I think they handled it really well and thoughtfully, and

0:31:54.680 --> 0:31:57.120
<v Speaker 1>please write in and tell us what you thought. But

0:31:57.240 --> 0:32:00.600
<v Speaker 1>I do think that, like you said, all the characters

0:32:00.760 --> 0:32:04.800
<v Speaker 1>really pulled up in a way that this would in

0:32:04.840 --> 0:32:08.080
<v Speaker 1>a way that you would actually see in real life hopefully,

0:32:08.280 --> 0:32:11.080
<v Speaker 1>so everybody had a little bit of growing up that

0:32:11.120 --> 0:32:14.600
<v Speaker 1>they had to do that in this episode. I want

0:32:14.640 --> 0:32:18.440
<v Speaker 1>to say that I'm jealous of being a viewer of

0:32:18.480 --> 0:32:22.240
<v Speaker 1>this episode because I would.

0:32:22.000 --> 0:32:28.320
<v Speaker 2>Have been floored. You see Karosski attempt suicide. He survives,

0:32:28.760 --> 0:32:30.520
<v Speaker 2>so it's like, oh, we just had a brush with death.

0:32:31.440 --> 0:32:35.840
<v Speaker 2>And then Quinn gets t boned and then it goes

0:32:35.880 --> 0:32:39.240
<v Speaker 2>to black and you don't get any she must be

0:32:39.320 --> 0:32:43.200
<v Speaker 2>dead because we got past one.

0:32:44.840 --> 0:32:46.520
<v Speaker 1>Right. I didn't even think about that.

0:32:47.560 --> 0:32:52.000
<v Speaker 2>Hmmm, Like, how did you feel? Because there was no

0:32:52.080 --> 0:32:55.160
<v Speaker 2>way we could have like we knew she wasn't dying, right.

0:32:55.440 --> 0:32:57.960
<v Speaker 2>I mean, I do vaguely remember reading the Karossi storyline

0:32:57.960 --> 0:33:01.680
<v Speaker 2>like we didn't really know, but it wraps up pretty

0:33:01.720 --> 0:33:04.840
<v Speaker 2>quickly like you know, he survives.

0:33:04.360 --> 0:33:07.320
<v Speaker 1>Right, That is the bare bones of the season.

0:33:07.760 --> 0:33:09.680
<v Speaker 2>Yes, there was just so much to cover.

0:33:09.720 --> 0:33:12.040
<v Speaker 1>So so much to cover, Kevin, I'm gonna ask you

0:33:12.080 --> 0:33:14.760
<v Speaker 1>to greade these musical performances because I think these musical

0:33:14.920 --> 0:33:16.920
<v Speaker 1>there was a lot of really good stuff in here.

0:33:17.080 --> 0:33:17.880
<v Speaker 2>Okay, there was.

0:33:18.560 --> 0:33:21.760
<v Speaker 1>Okay, cough syrup is the first one.

0:33:21.800 --> 0:33:25.000
<v Speaker 2>I mean A A A plus plus. Yeah, it's just

0:33:25.200 --> 0:33:26.040
<v Speaker 2>it's phenomenon.

0:33:26.240 --> 0:33:29.640
<v Speaker 1>Stand b.

0:33:30.160 --> 0:33:31.280
<v Speaker 2>Yeah, give it a B.

0:33:31.760 --> 0:33:34.040
<v Speaker 1>Glad you came. Glad you came, Glad you came. I

0:33:34.080 --> 0:33:39.320
<v Speaker 1>gave a A minus. Okay, I agree with that, so

0:33:39.480 --> 0:33:42.840
<v Speaker 1>I believe I can fly A minus A minus. Agreed,

0:33:43.320 --> 0:33:46.200
<v Speaker 1>what doesn't kill you? A plus plus, A plus plus

0:33:46.280 --> 0:33:52.160
<v Speaker 1>plus plus plus plus, and here's to us. I give

0:33:52.240 --> 0:33:57.920
<v Speaker 1>it B B B. I'm with you on that too.

0:33:59.320 --> 0:34:03.040
<v Speaker 2>There was oh wait, I have to talk about Finn

0:34:03.080 --> 0:34:07.280
<v Speaker 2>says like, how do you know we're gonna win? Like,

0:34:07.400 --> 0:34:10.120
<v Speaker 2>we'll go get married after we win. She's like, because

0:34:10.160 --> 0:34:13.160
<v Speaker 2>I'm performing, and I thought that was very good.

0:34:14.320 --> 0:34:15.480
<v Speaker 1>Let's do tarty jakes.

0:34:15.680 --> 0:34:24.600
<v Speaker 2>Okay, great, AUC's I mean their Sebastian's life. Every Sebastian

0:34:24.800 --> 0:34:30.359
<v Speaker 2>references like the Asian bird flu like no, no, no.

0:34:30.080 --> 0:34:34.640
<v Speaker 1>Yeah, anything he says actually is the way he treated

0:34:34.719 --> 0:34:40.160
<v Speaker 1>Krafsky this episode, right, No, it's bad, Yeah, it's all bad.

0:34:40.600 --> 0:34:45.399
<v Speaker 1>The best dance with Kevin the trouble Zones obviously.

0:34:45.160 --> 0:34:50.480
<v Speaker 2>I mean, if we have to get specific, yes, it's

0:34:50.560 --> 0:34:53.600
<v Speaker 2>it's always an arm thing. Props to Amber because her

0:34:53.640 --> 0:34:57.319
<v Speaker 2>ablems at the end are at the exact opposite time

0:34:57.640 --> 0:34:59.440
<v Speaker 2>or like in the middle, not opposite. That would have

0:34:59.480 --> 0:35:03.760
<v Speaker 2>been easier in the middle of the dance the dance,

0:35:04.160 --> 0:35:06.800
<v Speaker 2>and the dance is going with the lyric of the melody.

0:35:07.200 --> 0:35:10.640
<v Speaker 2>Then her ad libs are overlapping and she is still

0:35:10.760 --> 0:35:13.879
<v Speaker 2>nailing her lips sync while doing these moves that seem

0:35:13.960 --> 0:35:16.000
<v Speaker 2>counterintuitive to what she is singing.

0:35:16.280 --> 0:35:18.560
<v Speaker 1>That's like ABC For me, it was I had to

0:35:18.600 --> 0:35:21.200
<v Speaker 1>do the echoes, or I was doing the leads and

0:35:21.239 --> 0:35:22.759
<v Speaker 1>they were doing the echoes and they was written to

0:35:22.800 --> 0:35:25.760
<v Speaker 1>the echoes. I don't know anyway, but yes, I totally.

0:35:26.239 --> 0:35:26.719
<v Speaker 1>There was a.

0:35:26.680 --> 0:35:29.719
<v Speaker 2>Background that Heather had and I think I don't think

0:35:29.800 --> 0:35:33.640
<v Speaker 2>she was singing it, but I had never heard it

0:35:33.680 --> 0:35:35.759
<v Speaker 2>before and it was also one of those things that

0:35:35.800 --> 0:35:38.120
<v Speaker 2>was happening at such an odd time, and it was

0:35:38.160 --> 0:35:42.239
<v Speaker 2>a really great background I found her. Is she singing like?

0:35:42.280 --> 0:35:45.160
<v Speaker 2>I don't think she is because it was really insane.

0:35:45.280 --> 0:35:48.320
<v Speaker 1>Okay. Best song, I'm going with cough Syrup.

0:35:48.400 --> 0:35:52.440
<v Speaker 2>Yeah, cough Syrup for a number of reasons. Troubletones honorable. Second,

0:35:53.440 --> 0:35:58.000
<v Speaker 2>we'll mention performance by her prop the peanut Butter.

0:36:03.320 --> 0:36:08.160
<v Speaker 1>I think rule book, Yeah, rule that's funny.

0:36:08.320 --> 0:36:09.799
<v Speaker 2>I'm pretty sure I taped my line.

0:36:10.080 --> 0:36:12.640
<v Speaker 1>I am sure you did because I remember that. I

0:36:12.680 --> 0:36:14.279
<v Speaker 1>remember being like, how the hell is he going to

0:36:14.360 --> 0:36:16.920
<v Speaker 1>remember that? And I'm pretty sure that you tape.

0:36:16.680 --> 0:36:19.440
<v Speaker 2>This and I felt really guilty about it, Oh my god,

0:36:19.560 --> 0:36:21.280
<v Speaker 2>really guilty.

0:36:21.640 --> 0:36:25.200
<v Speaker 1>It was like, I'm not memorizing this way. There's no

0:36:25.960 --> 0:36:28.560
<v Speaker 1>that doesn't show skill, Like do you know what I mean? Like,

0:36:28.600 --> 0:36:30.520
<v Speaker 1>that's not like just put it in there and make

0:36:30.560 --> 0:36:31.400
<v Speaker 1>your life easier.

0:36:31.920 --> 0:36:35.400
<v Speaker 2>That's okay, I'm sorry. I haven't said that. That's what

0:36:35.440 --> 0:36:36.960
<v Speaker 2>she said joke in like a decade.

0:36:37.160 --> 0:36:38.800
<v Speaker 1>I know. Wow.

0:36:38.880 --> 0:36:42.680
<v Speaker 2>I felt straight just then making that's what she said joke,

0:36:44.440 --> 0:36:45.799
<v Speaker 2>Like that's out of touch, you know.

0:36:46.800 --> 0:36:49.120
<v Speaker 1>Oh could be this week's how she.

0:36:50.120 --> 0:36:53.440
<v Speaker 2>Yeah, put me on there, put me in coach. I

0:36:53.520 --> 0:36:55.319
<v Speaker 2>can't take a shower. I feel gross now.

0:36:56.880 --> 0:36:58.520
<v Speaker 1>Best line, oh.

0:36:58.440 --> 0:37:02.640
<v Speaker 2>I knew immediately when it was said. Rachel said, I

0:37:02.640 --> 0:37:05.360
<v Speaker 2>want to get married now, and Finny goes, I have Jim.

0:37:05.880 --> 0:37:07.320
<v Speaker 1>Oh so good.

0:37:07.640 --> 0:37:09.600
<v Speaker 2>Austin was in the room not watching and he burst

0:37:09.640 --> 0:37:15.240
<v Speaker 2>out laughing. But that Corey is just I mean props.

0:37:15.280 --> 0:37:17.439
<v Speaker 2>I had to say props to Leah in this episode too,

0:37:17.480 --> 0:37:20.440
<v Speaker 2>because her chemistry with Quinn and her chemistry with Corey

0:37:21.560 --> 0:37:24.080
<v Speaker 2>for different reasons, very very good.

0:37:24.320 --> 0:37:29.600
<v Speaker 1>Yes, she's like comedy Relly like holding it all up, okay.

0:37:30.640 --> 0:37:33.920
<v Speaker 1>Hiram also says like he's gonna I'm gonna fake an

0:37:33.920 --> 0:37:38.360
<v Speaker 1>epileptic seizure and Leroy says, You're not an epileptic epileptic,

0:37:38.480 --> 0:37:40.239
<v Speaker 1>and Hiram says, that's why I'm going to fake it.

0:37:41.080 --> 0:37:43.760
<v Speaker 2>I we haven't even talked about Jeff Goldbloom in this episode,

0:37:44.400 --> 0:37:47.840
<v Speaker 2>because he has two scenes where he has Gabbin completely

0:37:47.880 --> 0:37:51.480
<v Speaker 2>off rails, off the rails, and he's phenomenal. And also

0:37:51.640 --> 0:37:56.160
<v Speaker 2>him directing Burton Kurt around was hilarious because he couldn't

0:37:56.120 --> 0:37:58.560
<v Speaker 2>have been more different from both of them. Oh my god,

0:37:58.760 --> 0:38:00.560
<v Speaker 2>And I just want to spin off with the four

0:38:00.600 --> 0:38:00.919
<v Speaker 2>of them.

0:38:01.360 --> 0:38:04.719
<v Speaker 1>Yeah, I really enjoy them. Very funny.

0:38:05.920 --> 0:38:08.640
<v Speaker 2>Was so good in this episode.

0:38:09.560 --> 0:38:14.399
<v Speaker 1>So good. Yeah, the four of them really just give

0:38:14.480 --> 0:38:18.560
<v Speaker 1>us more. I don't even know where this wedding thing goes.

0:38:18.640 --> 0:38:21.680
<v Speaker 1>I don't even remember, if I'm being completely honest. Okay,

0:38:21.760 --> 0:38:22.560
<v Speaker 1>well we'll see.

0:38:22.320 --> 0:38:27.800
<v Speaker 2>But I imagine there will be some fallout from Quinn, yeah

0:38:27.880 --> 0:38:29.880
<v Speaker 2>for sure, And so that will probably make people question

0:38:29.960 --> 0:38:35.520
<v Speaker 2>their life choices, right, nothing like our little brush on

0:38:35.640 --> 0:38:37.959
<v Speaker 2>death to insert some perspective into your life.

0:38:37.960 --> 0:38:41.680
<v Speaker 1>Well that is on my way. And then Performance MVP

0:38:42.120 --> 0:38:43.600
<v Speaker 1>is Max Max Adler.

0:38:43.840 --> 0:38:46.560
<v Speaker 2>I mean, are you kidding me? Get out of here.

0:38:47.520 --> 0:38:54.080
<v Speaker 1>It's it's actually I like, why didn't he get nominated

0:38:54.080 --> 0:38:57.560
<v Speaker 1>for an Emmy? I guess there wasn't enough, but he

0:38:57.640 --> 0:38:58.840
<v Speaker 1>was really wonderful.

0:39:00.080 --> 0:39:03.560
<v Speaker 2>Yeah, I guess it's like cumulatively yes, yes, yes, yes,

0:39:04.320 --> 0:39:08.759
<v Speaker 2>Ross just really yeah? Okay, okay, should we found a

0:39:08.800 --> 0:39:12.840
<v Speaker 2>TikTok Justin kuhn kuhnn. I don't know how to pronounce

0:39:12.840 --> 0:39:18.160
<v Speaker 2>his last name. On TikTok posted this great video of

0:39:18.239 --> 0:39:23.040
<v Speaker 2>him saying when he was fourteen, it's this insane story.

0:39:23.280 --> 0:39:25.040
<v Speaker 2>So it's one of those stitches where someone says, have

0:39:25.040 --> 0:39:26.680
<v Speaker 2>you ever met or spoken to a celebrity and didn't

0:39:26.680 --> 0:39:29.600
<v Speaker 2>realize that they were famous? So he's sitting next to

0:39:29.680 --> 0:39:33.120
<v Speaker 2>Orlando Bloom on a cross country flight and he wasn't

0:39:33.160 --> 0:39:35.719
<v Speaker 2>sure who it was, and he told his dad that

0:39:35.800 --> 0:39:39.480
<v Speaker 2>he was sitting next to Will Shuster, and so the

0:39:39.520 --> 0:39:43.879
<v Speaker 2>whole time he thought it was Will Shuster. And it's

0:39:43.880 --> 0:39:45.879
<v Speaker 2>this three minute long video. You should watch it because

0:39:45.880 --> 0:39:50.280
<v Speaker 2>it's so good. That's happened to me before playing with people.

0:39:51.360 --> 0:39:57.440
<v Speaker 2>And I just love that Orlando Bloom got mixed up

0:39:57.520 --> 0:40:05.440
<v Speaker 2>as Matt or confused as Matt Moore.

0:40:02.760 --> 0:40:05.680
<v Speaker 1>Like what like, mister shoe, I love you? He's like

0:40:05.719 --> 0:40:12.240
<v Speaker 1>oo legless is like who yep. That's really funny because.

0:40:12.000 --> 0:40:14.600
<v Speaker 2>They don't look alike, is the thing.

0:40:14.880 --> 0:40:18.359
<v Speaker 1>No, but I say it's a similar They are both

0:40:18.400 --> 0:40:21.279
<v Speaker 1>white and it's a similar facial structure I would say

0:40:21.320 --> 0:40:26.000
<v Speaker 1>with curly hair. No, no, okay, I don't know. I

0:40:26.000 --> 0:40:26.839
<v Speaker 1>don't know, I don't know.

0:40:27.080 --> 0:40:32.840
<v Speaker 2>Tell us you tell us, yes. But it's absolutely hilarious.

0:40:33.680 --> 0:40:36.520
<v Speaker 2>Shout out to Matt Morrison getting confuses Orlando Bloom hot.

0:40:37.120 --> 0:40:40.160
<v Speaker 1>Hot, that's on my way.

0:40:40.840 --> 0:40:43.240
<v Speaker 2>That's what you really missed. And if you missed this episode,

0:40:43.280 --> 0:40:43.919
<v Speaker 2>you missed a lot.

0:40:44.200 --> 0:40:46.040
<v Speaker 1>Yeah, so go back and watch it because there's a

0:40:46.120 --> 0:40:53.080
<v Speaker 1>spring break after this. Thanks for joining us for another episode,

0:40:53.680 --> 0:40:55.160
<v Speaker 1>come back soon, see ya.

0:40:56.040 --> 0:40:59.200
<v Speaker 2>Thanks for listening and follow us on Instagram at and

0:40:59.239 --> 0:41:01.480
<v Speaker 2>that's what you really miss POD. Make sure to write

0:41:01.560 --> 0:41:03.840
<v Speaker 2>us a review and leave us five stars. See you

0:41:03.840 --> 0:41:04.239
<v Speaker 2>next time.