1 00:00:00,320 --> 00:00:04,440 Speaker 1: Hey, listeners, Please note that today's episode contains topics surrounding 2 00:00:04,480 --> 00:00:08,480 Speaker 1: suicide that some people may find disturbing. If you are 3 00:00:08,480 --> 00:00:11,520 Speaker 1: someone you know are struggling, call or text nine to 4 00:00:11,520 --> 00:00:16,959 Speaker 1: eight eight for the National Suicide Prevention Hotline. And that's 5 00:00:17,000 --> 00:00:19,200 Speaker 1: what you really missed with Jenna. 6 00:00:19,200 --> 00:00:21,840 Speaker 2: And Kevin an iHeartRadio podcast. 7 00:00:23,840 --> 00:00:28,560 Speaker 1: Welcome to and That's why you really miss podcast? The 8 00:00:28,680 --> 00:00:35,120 Speaker 1: recap of On My Way? Oh man, I. 9 00:00:35,080 --> 00:00:40,920 Speaker 2: Mean, so it's a competition episode. Therefore it's already going 10 00:00:40,920 --> 00:00:44,920 Speaker 2: to be a fully loaded jam pack episode, but this 11 00:00:44,960 --> 00:00:50,640 Speaker 2: one feels super inflated. There's so many things that happen Kevin, 12 00:00:50,960 --> 00:00:54,920 Speaker 2: like huge, huge things all in one episode. 13 00:00:55,640 --> 00:00:58,600 Speaker 1: Yeah, like could have been their own episodes, So yes, 14 00:00:58,680 --> 00:01:04,800 Speaker 1: fully talk about it. This is season three, episode fourteen. 15 00:01:04,840 --> 00:01:10,960 Speaker 1: Can you believe that On My Way and OMW was Well, 16 00:01:11,160 --> 00:01:16,520 Speaker 1: that's fitting. This was aired on February twenty first, twenty twelve. 17 00:01:17,840 --> 00:01:20,679 Speaker 1: The number one song was Stronger Who Doesn't Kill You? 18 00:01:20,880 --> 00:01:26,039 Speaker 1: By Kelly Clarkson Convenient, which was also featured in this episode. 19 00:01:26,959 --> 00:01:29,080 Speaker 2: The number one movie in the country was Safe House, 20 00:01:29,480 --> 00:01:32,679 Speaker 2: Dens Out Washington and Ryan Reynolds and Vera Farmiga and 21 00:01:33,000 --> 00:01:36,760 Speaker 2: another movie I Don't think this is real jampacked and 22 00:01:36,760 --> 00:01:38,119 Speaker 2: in Glee used this week Kevin. 23 00:01:38,160 --> 00:01:41,480 Speaker 1: On February twenty first, Costume Designer Ah the one and 24 00:01:41,520 --> 00:01:45,680 Speaker 1: Only lou Iirick and Jennifer Eve one Outstanding Contemporary Television 25 00:01:45,720 --> 00:01:48,200 Speaker 1: Series for their work on Glee at the fourteenth Annual 26 00:01:48,280 --> 00:01:52,280 Speaker 1: Costume Designer's Guild A Words as they should, Yes they 27 00:01:52,280 --> 00:01:58,720 Speaker 1: are beasts. And on February twenty first, twenty fifteen, same 28 00:01:58,800 --> 00:02:02,000 Speaker 1: day that Lou and Jen won their award, Glee wrapped 29 00:02:02,080 --> 00:02:05,360 Speaker 1: the production of the show on the last episode ever. 30 00:02:05,600 --> 00:02:08,440 Speaker 1: We wrapped in February, Yes we did, because I moved 31 00:02:08,600 --> 00:02:11,120 Speaker 1: very shortly after, and you left very shortly. 32 00:02:11,280 --> 00:02:12,920 Speaker 2: I went to London on the sixteenth. 33 00:02:13,600 --> 00:02:17,120 Speaker 1: I think I was very shortly after. Okay, So this 34 00:02:17,200 --> 00:02:21,800 Speaker 1: episode was directed by the sweet, Sweet and recurring director 35 00:02:21,840 --> 00:02:28,079 Speaker 1: now Brad Baker. And there's some really great, huge songs 36 00:02:28,280 --> 00:02:30,640 Speaker 1: in this number in this episode as well. Tell Me 37 00:02:30,720 --> 00:02:31,680 Speaker 1: the song Kenna. 38 00:02:31,600 --> 00:02:35,560 Speaker 2: Coughs Europe Young the Giant Stand by Lenny Kravitz, Glad 39 00:02:35,560 --> 00:02:38,160 Speaker 2: you came by the Wanted Fly, I Believe I Can Fly, 40 00:02:38,320 --> 00:02:43,320 Speaker 2: Nicki minaj Rihanna R. Kelly, What is Kelly? Make You Stronger? 41 00:02:43,320 --> 00:02:49,200 Speaker 2: By Kelly Clarkson and Here's to Us by a Hailstorm, 42 00:02:49,240 --> 00:02:52,800 Speaker 2: and there was an unreleased song, she Walks in Beauty 43 00:02:52,960 --> 00:02:58,440 Speaker 2: by Eric Barnett. I mean, that was a lot of music, 44 00:02:58,480 --> 00:03:01,440 Speaker 2: but it is a competition episode, so there's always going 45 00:03:01,480 --> 00:03:02,000 Speaker 2: to be a lot. 46 00:03:02,320 --> 00:03:03,760 Speaker 1: Can Belie were already to competition? 47 00:03:04,440 --> 00:03:08,320 Speaker 2: I know I was. I skipped ahead last week to 48 00:03:08,360 --> 00:03:10,480 Speaker 2: watch the competition, as I usually do because I get 49 00:03:10,560 --> 00:03:13,640 Speaker 2: very excited about the numbers. I wanted to be reminded about. 50 00:03:13,600 --> 00:03:19,960 Speaker 1: What was coming coming. I feel that, well, they're definitely bangers. 51 00:03:20,280 --> 00:03:22,880 Speaker 1: So there's some fun facts about this episode. This was 52 00:03:22,880 --> 00:03:26,040 Speaker 1: the winter finale, so this was aired in February and 53 00:03:26,080 --> 00:03:29,880 Speaker 1: the next episode of Glee airs on April tenth, which. 54 00:03:29,680 --> 00:03:32,720 Speaker 2: Makes sense of why there was so much happening. It 55 00:03:32,720 --> 00:03:35,320 Speaker 2: felt like a finale for sure, right cliffhanger. 56 00:03:35,640 --> 00:03:39,000 Speaker 1: And there were quite a few scenes that were cut 57 00:03:39,080 --> 00:03:39,880 Speaker 1: from this episode. 58 00:03:39,960 --> 00:03:42,520 Speaker 2: We'll talk about them that were actually in the promo, 59 00:03:43,840 --> 00:03:47,760 Speaker 2: and we were talking with our producer Sam and like, 60 00:03:48,440 --> 00:03:54,120 Speaker 2: some of those scenes were needed for context. They weren't necessary, 61 00:03:54,200 --> 00:03:56,920 Speaker 2: but they were important because there were a couple of 62 00:03:56,960 --> 00:03:58,920 Speaker 2: things that happened in this episode and we'll get to 63 00:04:00,040 --> 00:04:02,520 Speaker 2: but I was like, well, this is just sort of 64 00:04:02,600 --> 00:04:05,920 Speaker 2: thrown in here, like why is this happening? Like I 65 00:04:06,000 --> 00:04:09,960 Speaker 2: know what it's serving in the end, but with the 66 00:04:10,000 --> 00:04:11,920 Speaker 2: deleted scenes, it makes so much more sense. 67 00:04:12,000 --> 00:04:14,720 Speaker 1: There's a cut scene from the original script also in 68 00:04:14,760 --> 00:04:18,920 Speaker 1: which Kurt and Blaine talk about Krowski and Blaine sees 69 00:04:18,920 --> 00:04:21,640 Speaker 1: that Kurt's upset about Krovsky and suggests that he visits 70 00:04:21,640 --> 00:04:24,840 Speaker 1: them in him in the hospital, but Blaine offers to 71 00:04:24,920 --> 00:04:27,760 Speaker 1: drive him to the hospital and we in the car 72 00:04:29,040 --> 00:04:33,000 Speaker 1: to make sure Kurt's okay afterwards. But that would have 73 00:04:33,000 --> 00:04:33,760 Speaker 1: been nice to see. 74 00:04:34,040 --> 00:04:35,960 Speaker 2: That would have been sweet. I get why you don't 75 00:04:36,040 --> 00:04:39,440 Speaker 2: necessarily need it, yeah, but like it speaks to their 76 00:04:39,640 --> 00:04:43,040 Speaker 2: characters well, especially with what's going on with Kurowski's character 77 00:04:43,200 --> 00:04:47,359 Speaker 2: and all the things surrounding it, Like all the support 78 00:04:47,440 --> 00:04:50,200 Speaker 2: that everybody can give each other and come together with 79 00:04:50,279 --> 00:04:52,839 Speaker 2: in this episode I think was really nice, you know, 80 00:04:53,080 --> 00:04:54,920 Speaker 2: even if it didn't make it in like they were 81 00:04:54,960 --> 00:04:57,520 Speaker 2: thinking about that well and like to see the gay 82 00:04:57,600 --> 00:05:01,200 Speaker 2: character specifically talking about that. Yes, yes, it would have 83 00:05:01,279 --> 00:05:07,880 Speaker 2: been Oh yeah, it's sort of like similar to the 84 00:05:07,880 --> 00:05:10,360 Speaker 2: Santana coming out story, Like there were some things there 85 00:05:10,400 --> 00:05:12,279 Speaker 2: that would have been nice to have been able to 86 00:05:12,320 --> 00:05:14,719 Speaker 2: see by the gay characters. Right. 87 00:05:15,440 --> 00:05:17,080 Speaker 1: This is the first time out of all three seasons 88 00:05:17,080 --> 00:05:26,560 Speaker 1: at Kurt performed a regionals and one so victory victory, 89 00:05:27,040 --> 00:05:28,600 Speaker 1: I'm not even sure that we were thinking about that. 90 00:05:28,720 --> 00:05:31,919 Speaker 2: But there was also Needy Leeks was announced to be 91 00:05:32,040 --> 00:05:36,600 Speaker 2: in this episode, and she and Chris both tweeted a 92 00:05:36,640 --> 00:05:38,800 Speaker 2: picture of the two of them together on set during regionals, 93 00:05:39,200 --> 00:05:43,240 Speaker 2: but she didn't make it and was not credited. It 94 00:05:43,520 --> 00:05:45,520 Speaker 2: must have been this script must have been huge. 95 00:05:46,400 --> 00:05:49,479 Speaker 1: It must have felt like a big chapter book. 96 00:05:50,800 --> 00:05:54,120 Speaker 2: Say that again, Jenna, a chapter book. I haven't heard 97 00:05:54,160 --> 00:05:55,680 Speaker 2: that accent years out of you. 98 00:05:58,720 --> 00:06:00,479 Speaker 1: I don't know. I don't know where it came to, 99 00:06:00,480 --> 00:06:05,320 Speaker 1: be honest, but chat the book, okay. And all songs 100 00:06:05,760 --> 00:06:10,520 Speaker 1: in this episode were performed in the auditorium. No locations 101 00:06:11,000 --> 00:06:14,360 Speaker 1: once again. They're like, hey, we're not going to go 102 00:06:14,400 --> 00:06:16,680 Speaker 1: on location, which was fine. I just preferred to be 103 00:06:16,880 --> 00:06:20,400 Speaker 1: like at home on our on our turb and also 104 00:06:20,440 --> 00:06:22,679 Speaker 1: behind the scenes like in our own trailers and everything. 105 00:06:22,839 --> 00:06:25,880 Speaker 2: So there's obviously a very serious storyline that happens this episode, 106 00:06:26,240 --> 00:06:28,120 Speaker 2: but as a different time so there was no trigger 107 00:06:28,120 --> 00:06:30,400 Speaker 2: warning at the start of this episode. But in the 108 00:06:30,400 --> 00:06:33,240 Speaker 2: middle of the episode, a PSA aired for the Trevor Project, 109 00:06:33,520 --> 00:06:37,960 Speaker 2: which is an organization that works to prevent LGBT suicide 110 00:06:37,960 --> 00:06:41,919 Speaker 2: of the Suicide Hotline or an incredible organization. During and 111 00:06:41,920 --> 00:06:44,240 Speaker 2: after the original airing of the episode, calls and chat 112 00:06:44,279 --> 00:06:49,120 Speaker 2: messages to the Trevor Project the Suicide Prevention Hotline grew 113 00:06:49,200 --> 00:06:53,800 Speaker 2: by three hundred percent jeez, which I guess means that 114 00:06:53,880 --> 00:06:58,320 Speaker 2: the right needed audience is watching this series. But the 115 00:06:58,360 --> 00:07:01,640 Speaker 2: same time, thank god Shrevor Project exists. 116 00:07:01,800 --> 00:07:04,560 Speaker 1: Yes, and they were equipped for it because I think 117 00:07:04,600 --> 00:07:07,440 Speaker 1: they worked with the show and they knew it was coming, 118 00:07:07,480 --> 00:07:11,160 Speaker 1: so they were prepared. And then also Diana said it 119 00:07:11,240 --> 00:07:13,520 Speaker 1: in an interview with TV Guy that she knew about 120 00:07:13,520 --> 00:07:17,680 Speaker 1: the crash in November and even helped Ryan come up 121 00:07:17,720 --> 00:07:18,960 Speaker 1: with some of that story. 122 00:07:20,360 --> 00:07:21,040 Speaker 2: Interesting. 123 00:07:21,280 --> 00:07:24,120 Speaker 1: M hmmmm, I don't think we knew about it. No. 124 00:07:25,600 --> 00:07:28,640 Speaker 2: The idea for the character to get into a texting 125 00:07:28,640 --> 00:07:32,120 Speaker 2: wele driving accident has been under consideration since April twenty ten, 126 00:07:32,600 --> 00:07:35,720 Speaker 2: and was inspired by the appearance of the cast on 127 00:07:35,840 --> 00:07:38,000 Speaker 2: The Oprah Winfrey Show. At the time, the cast members 128 00:07:38,040 --> 00:07:41,360 Speaker 2: signed contracts pudging not to text while they were driving. 129 00:07:41,400 --> 00:07:43,520 Speaker 2: An Oprah initiative. Do you remember that? 130 00:07:43,920 --> 00:07:47,520 Speaker 1: Oh yeah, very vividly. I actually think about that often, really, 131 00:07:47,760 --> 00:07:53,520 Speaker 1: every time you go to text and drive, yes, even 132 00:07:53,760 --> 00:07:57,200 Speaker 1: thinking about where's my phone. It's like Oprah said, not too. 133 00:07:57,400 --> 00:08:01,960 Speaker 1: I'm not kidding. I always think about Oprah. It's it 134 00:08:02,120 --> 00:08:05,160 Speaker 1: just puts a point on the thing that you're not 135 00:08:05,200 --> 00:08:09,520 Speaker 1: supposed to be doing. So true. It worked at least 136 00:08:09,520 --> 00:08:11,960 Speaker 1: for me. And then the scene where Quinn is hit 137 00:08:12,000 --> 00:08:14,880 Speaker 1: by the truck was used in a PSA about texting 138 00:08:14,920 --> 00:08:15,720 Speaker 1: and driving as well. 139 00:08:17,200 --> 00:08:18,920 Speaker 2: There was a lot of outreach for this episode. We 140 00:08:19,000 --> 00:08:22,080 Speaker 2: got Trevor Project, we got Hope Yes, and we got 141 00:08:22,160 --> 00:08:23,200 Speaker 2: another via. 142 00:08:22,920 --> 00:08:23,800 Speaker 1: Good This is good. 143 00:08:24,200 --> 00:08:24,400 Speaker 2: Yeah. 144 00:08:24,880 --> 00:08:27,240 Speaker 1: When Rachel reads the text message from Quinn saying ran 145 00:08:27,240 --> 00:08:29,480 Speaker 1: home to get my bridesmaids dressed. Be there soon, her 146 00:08:29,520 --> 00:08:32,000 Speaker 1: phone shows it it's February ninth to twenty twelve at 147 00:08:32,000 --> 00:08:36,000 Speaker 1: eleven oh one pm. Just before that, the clock on 148 00:08:36,040 --> 00:08:38,800 Speaker 1: the walls is four fifty five pm, and the Regional's 149 00:08:39,120 --> 00:08:43,360 Speaker 1: Finchal wedding takes place after Valentine's Day. In addition, when 150 00:08:43,480 --> 00:08:47,080 Speaker 1: Rachel texts Quinn later, Quinn's phone shows the time is 151 00:08:47,400 --> 00:08:51,520 Speaker 1: four forty one pm. I love that love that shit. 152 00:08:52,320 --> 00:08:56,120 Speaker 2: I love that there was a saying when those little 153 00:08:56,160 --> 00:08:58,160 Speaker 2: details would happen, or we'd be I don't know, working 154 00:08:58,200 --> 00:09:01,040 Speaker 2: on an outfit, or they're a people are paying attention 155 00:09:01,080 --> 00:09:05,000 Speaker 2: to that. Yes, we're doing something wrong. And then I 156 00:09:05,040 --> 00:09:07,760 Speaker 2: did a movie and I was talking to wardrobe and 157 00:09:07,800 --> 00:09:10,400 Speaker 2: they were fixing something, and then I said that and 158 00:09:10,480 --> 00:09:15,160 Speaker 2: everyone stopped and looked at me, and the head wardrobe 159 00:09:15,160 --> 00:09:19,439 Speaker 2: person goes, the costume center goes, oh, that's a TV saying. 160 00:09:19,840 --> 00:09:22,480 Speaker 2: You spent too much time working on TV, because we 161 00:09:22,520 --> 00:09:23,200 Speaker 2: don't think that way. 162 00:09:23,240 --> 00:09:23,400 Speaker 1: Here. 163 00:09:23,559 --> 00:09:28,959 Speaker 2: I was like, ooh, ooh oh, let me shut my mouth, 164 00:09:29,440 --> 00:09:35,800 Speaker 2: let me mind my business, because I really I felt 165 00:09:35,800 --> 00:09:37,240 Speaker 2: like I stepped in it. And then I went back 166 00:09:37,280 --> 00:09:39,440 Speaker 2: to Glee and I was like, may should we be 167 00:09:39,520 --> 00:09:41,359 Speaker 2: concerned about these details? 168 00:09:41,760 --> 00:09:44,600 Speaker 1: Because because I. 169 00:09:44,520 --> 00:09:47,320 Speaker 2: Got let out and experienced the real world and they do. 170 00:09:47,320 --> 00:09:51,120 Speaker 1: Get told, you got told. I was going to say, like, 171 00:09:51,360 --> 00:09:53,040 Speaker 1: this doesn't sound right to me, but I guess it 172 00:09:53,120 --> 00:09:55,280 Speaker 1: is TV. And we were doing twenty two episodes. 173 00:09:55,600 --> 00:09:56,280 Speaker 2: Yes exactly. 174 00:10:05,960 --> 00:10:08,679 Speaker 1: Mitch Grossi from Pandatonics was one of the golden goblets 175 00:10:08,800 --> 00:10:10,439 Speaker 1: in the competition. 176 00:10:10,640 --> 00:10:15,160 Speaker 2: Yes, wow, Yes. The reactions to this were strong and 177 00:10:15,280 --> 00:10:19,319 Speaker 2: varied by reviewers Rolling Stone described it as an emotional 178 00:10:19,400 --> 00:10:22,840 Speaker 2: rollercoaster that at times may have been jarring or heavy handed, 179 00:10:23,160 --> 00:10:25,679 Speaker 2: but overall did what a winter for NIALI should, gave 180 00:10:25,760 --> 00:10:28,640 Speaker 2: us plenty of surprises while setting things up for the future. 181 00:10:28,920 --> 00:10:33,079 Speaker 2: Hmm okay, all right, I mean, speaking of the deleted scenes, 182 00:10:33,080 --> 00:10:37,880 Speaker 2: there is a bridesmaid deleted scene with the adds an 183 00:10:37,880 --> 00:10:40,360 Speaker 2: incredible amount of context to the. 184 00:10:40,400 --> 00:10:45,280 Speaker 1: Rachel and Rachel. Yeah, it really just gives the scene 185 00:10:45,320 --> 00:10:47,199 Speaker 1: where Quinn tells to Rachel she is going to come 186 00:10:47,200 --> 00:10:50,320 Speaker 1: to the wedding and there they hug just a little 187 00:10:50,360 --> 00:10:51,840 Speaker 1: bit more justification. 188 00:10:52,280 --> 00:10:54,440 Speaker 2: Because it's weird, and it's also like, why is she 189 00:10:54,480 --> 00:10:57,360 Speaker 2: so adam about waiting for her? Why is Quinn late? 190 00:10:58,559 --> 00:11:01,800 Speaker 1: I yeah, I don't know, but I will say that scene, 191 00:11:01,920 --> 00:11:06,160 Speaker 1: I am. It's a long scene, Like we could have 192 00:11:06,200 --> 00:11:08,040 Speaker 1: gotten to the point faster and maybe they just couldn't 193 00:11:08,080 --> 00:11:10,720 Speaker 1: cut into the scene. So maybe that's why. I don't know. Yeah, 194 00:11:10,760 --> 00:11:13,120 Speaker 1: but we did shoot that scene. It was a Friday night, 195 00:11:13,240 --> 00:11:16,520 Speaker 1: it was a Friturday and it was really late, I 196 00:11:16,559 --> 00:11:19,520 Speaker 1: mean midnight, one o'clock, two o'clock. I think we got 197 00:11:19,520 --> 00:11:24,120 Speaker 1: out of two that night, and we had a good time. 198 00:11:24,160 --> 00:11:26,640 Speaker 1: We played dream Wedding the whole time the girls while 199 00:11:26,640 --> 00:11:29,280 Speaker 1: we were waiting for setups, and we all like kind 200 00:11:29,280 --> 00:11:32,160 Speaker 1: of named our dream weddings. We had a really fun 201 00:11:32,160 --> 00:11:34,680 Speaker 1: time shooting it, but it was really late, and the 202 00:11:34,720 --> 00:11:36,520 Speaker 1: fact that it was really late on a Friday night 203 00:11:36,559 --> 00:11:39,640 Speaker 1: and then it got cut, You're like, oh, cool, cool, awesome, 204 00:11:39,800 --> 00:11:40,480 Speaker 1: that's great. 205 00:11:40,840 --> 00:11:43,959 Speaker 2: You guys had all the bridesmaid dresses, you know. Okay, 206 00:11:44,360 --> 00:11:49,040 Speaker 2: here's the official Fox publicity summary. Things heat up as 207 00:11:49,080 --> 00:11:51,280 Speaker 2: the new directions go head to head with Dalton Academy 208 00:11:51,280 --> 00:11:52,439 Speaker 2: Warblers at regionals. 209 00:11:52,880 --> 00:11:53,280 Speaker 1: Wow. 210 00:11:53,440 --> 00:11:55,120 Speaker 2: What an understatement of a summary. 211 00:11:56,040 --> 00:11:56,320 Speaker 1: I know. 212 00:11:56,840 --> 00:12:01,840 Speaker 2: So, I mean we have Kurowski, right, we have a wedding, 213 00:12:02,880 --> 00:12:08,720 Speaker 2: we have quins, and we have Regionals, which involves Sebastian. 214 00:12:09,640 --> 00:12:12,840 Speaker 1: Right, There's a lot going. 215 00:12:12,640 --> 00:12:15,480 Speaker 2: On happening, and I don't even know where to start. 216 00:12:16,040 --> 00:12:20,000 Speaker 1: Let's start with Sue being pregnant. This is kind of 217 00:12:20,000 --> 00:12:24,160 Speaker 1: like an off side thing we'll see later, so let's 218 00:12:24,160 --> 00:12:27,000 Speaker 1: just talk about it. So Sue is pregnant. She's actually pregnant, 219 00:12:27,400 --> 00:12:32,160 Speaker 1: and she we kind of see this like softer side 220 00:12:32,200 --> 00:12:33,840 Speaker 1: of her, if you will. I don't know if it's 221 00:12:33,960 --> 00:12:34,760 Speaker 1: that soft, but. 222 00:12:36,400 --> 00:12:38,199 Speaker 2: And I see genuine. 223 00:12:38,800 --> 00:12:43,199 Speaker 1: I guess. So she wants to help the new directions 224 00:12:43,440 --> 00:12:47,880 Speaker 1: with nationals because she's feeling the hormones. I guess. 225 00:12:48,679 --> 00:12:52,640 Speaker 2: So we're in for something with Sue coming up. But 226 00:12:52,760 --> 00:12:56,560 Speaker 2: I loved her at scenes with Quinn. I thought those 227 00:12:56,600 --> 00:13:05,320 Speaker 2: were really great. And post Generals, she's like, oh, I'm surprising. 228 00:13:05,520 --> 00:13:07,480 Speaker 2: I didn't think you'd show. I thought you'd be exhausted 229 00:13:07,520 --> 00:13:14,880 Speaker 2: after eyeing and owing in the back ground. I laughed 230 00:13:14,880 --> 00:13:16,840 Speaker 2: for a couple of minutes after that. 231 00:13:17,559 --> 00:13:22,760 Speaker 1: Very funny. And she gets Quinn her cheerios position back 232 00:13:23,120 --> 00:13:24,880 Speaker 1: in her uniform and she's wearing. 233 00:13:24,600 --> 00:13:27,920 Speaker 2: Her UNI wants to go out with a bang. You know, 234 00:13:28,440 --> 00:13:30,079 Speaker 2: did we talk about Koski? 235 00:13:30,679 --> 00:13:32,960 Speaker 1: Yeah? I think we have to because it affects everything else, 236 00:13:33,120 --> 00:13:34,520 Speaker 1: right does Okay, so. 237 00:13:34,520 --> 00:13:39,320 Speaker 2: Let's start at the top. So after being seen at 238 00:13:39,320 --> 00:13:45,520 Speaker 2: Breadsticks with Kurt Krofski, now at a new school, gets 239 00:13:45,559 --> 00:13:49,000 Speaker 2: bullied in the locker room, very powerful scene. And as 240 00:13:50,240 --> 00:13:53,200 Speaker 2: Curt and Blaine meet up on the auditorium stage and 241 00:13:53,240 --> 00:13:56,680 Speaker 2: Blaine starts to sing in Costs Europe, we go through 242 00:13:56,679 --> 00:14:02,800 Speaker 2: the process of seeing Korofski attempt suicide mm hm, and 243 00:14:05,160 --> 00:14:09,360 Speaker 2: talking to Max about this was like very very illuminating. 244 00:14:10,120 --> 00:14:13,040 Speaker 2: Oh yeah, we had to have him back, yeah, to 245 00:14:13,120 --> 00:14:17,520 Speaker 2: talk about this and having Brad Beeker be the one 246 00:14:17,520 --> 00:14:19,240 Speaker 2: to direct this, and you can tell in the way 247 00:14:19,280 --> 00:14:24,800 Speaker 2: it's edited, with the with the music and there was 248 00:14:24,960 --> 00:14:28,560 Speaker 2: no that is such a heavy, heavy thing to show, 249 00:14:29,440 --> 00:14:33,600 Speaker 2: especially on primetime network television, a teen. 250 00:14:33,520 --> 00:14:36,800 Speaker 1: Show and a team comedy as well. 251 00:14:37,000 --> 00:14:45,080 Speaker 2: Yeah, and I think they nailed it as best they could, 252 00:14:45,600 --> 00:14:51,239 Speaker 2: hands down, hands down. Max acted his ass off, Darren's cover. 253 00:14:51,680 --> 00:14:54,600 Speaker 1: Of those serious seasons and serious. 254 00:14:54,640 --> 00:14:58,440 Speaker 2: I think it's like Brad's direction of this and the 255 00:14:58,480 --> 00:15:01,880 Speaker 2: scene after words with you know, the teachers being told 256 00:15:01,920 --> 00:15:07,840 Speaker 2: in Jama saying this, yeah, like if if we're if 257 00:15:07,840 --> 00:15:11,560 Speaker 2: it's not our responsibility, like who's this is it? And 258 00:15:11,680 --> 00:15:15,240 Speaker 2: the dad find There's also several shots which never normally 259 00:15:15,280 --> 00:15:22,720 Speaker 2: happened in the show. You see flashbacks, right, which we 260 00:15:22,800 --> 00:15:24,840 Speaker 2: haven't seen for a while, and you see like different 261 00:15:24,960 --> 00:15:31,200 Speaker 2: characters have flashbacks, and I think all that is probably 262 00:15:31,480 --> 00:15:34,120 Speaker 2: made the story so much richer and I feel like 263 00:15:34,120 --> 00:15:37,600 Speaker 2: are probably beaker calls totally and are probably add up 264 00:15:37,600 --> 00:15:40,320 Speaker 2: to why some of those other scenes were cut, But 265 00:15:41,040 --> 00:15:44,640 Speaker 2: they serve the things that are in there so well 266 00:15:44,680 --> 00:15:45,640 Speaker 2: that you need them. 267 00:15:45,600 --> 00:15:49,760 Speaker 1: Well, you can't just like gloss over Krovsky's storyline, Like, 268 00:15:49,800 --> 00:15:52,280 Speaker 1: of all the storylines that are happening in this episode, 269 00:15:52,280 --> 00:15:54,480 Speaker 1: that is not the one you gloss over. It just 270 00:15:54,520 --> 00:15:58,600 Speaker 1: doesn't do it anything justice any of these real stories 271 00:15:58,600 --> 00:16:00,800 Speaker 1: that you hear, you know, any of these real people 272 00:16:00,840 --> 00:16:05,000 Speaker 1: who were suffering or struggling with their mental health like that, 273 00:16:05,240 --> 00:16:08,040 Speaker 1: this is this is the storyline of the episode. 274 00:16:08,600 --> 00:16:12,120 Speaker 2: So what's interesting to me is that, like we said, 275 00:16:12,160 --> 00:16:14,600 Speaker 2: there was not a trigger warning before the episode, right, 276 00:16:16,520 --> 00:16:20,360 Speaker 2: but I feel like trigger warnings were not really a 277 00:16:20,400 --> 00:16:21,840 Speaker 2: thing until Thirteen Reasons. Why. 278 00:16:22,600 --> 00:16:24,160 Speaker 1: Hmmmm is that that one? 279 00:16:24,280 --> 00:16:26,920 Speaker 2: And I'm it may not it may not be correct 280 00:16:26,920 --> 00:16:29,320 Speaker 2: in this, but I feel like there was a really 281 00:16:29,320 --> 00:16:33,520 Speaker 2: big campaign as soon as that show came out, Yeah, 282 00:16:33,600 --> 00:16:35,440 Speaker 2: to add trigger warnings to things. 283 00:16:35,560 --> 00:16:39,960 Speaker 1: Oh interesting, that's a that's a good observation, Kevin, And 284 00:16:40,000 --> 00:16:44,040 Speaker 1: that feels like the right timing around it. 285 00:16:44,160 --> 00:16:46,920 Speaker 2: Yeah, so we were a couple of years too early. 286 00:16:47,440 --> 00:16:48,000 Speaker 1: Yeah. Yeah. 287 00:16:48,040 --> 00:16:52,680 Speaker 2: And also that show was everything was leading to that act. 288 00:16:53,240 --> 00:16:55,840 Speaker 1: Yeah, it's that it is that story that is the 289 00:16:55,840 --> 00:16:59,160 Speaker 1: storyline of the or the log line right of the show. 290 00:16:59,600 --> 00:17:05,639 Speaker 2: But so obviously KS doing this then has ramifications to 291 00:17:05,760 --> 00:17:09,480 Speaker 2: every other plot and character right on the show because 292 00:17:09,480 --> 00:17:14,520 Speaker 2: it obviously since shock waves around to everyone. 293 00:17:14,960 --> 00:17:19,960 Speaker 1: I mean it affects Rachel and Finn's decision to get married. Yep, 294 00:17:21,720 --> 00:17:27,159 Speaker 1: it it is a huge well, the storyline is a 295 00:17:27,520 --> 00:17:30,120 Speaker 1: just care is a huge carry for Kurt and Blaine 296 00:17:30,160 --> 00:17:32,800 Speaker 1: throughout the rest of this episode. And then that beautiful 297 00:17:32,800 --> 00:17:37,280 Speaker 1: scene between Krovski and Kurt at the end of the episode, 298 00:17:38,520 --> 00:17:42,840 Speaker 1: Man that one of us really got me. Yeah, they 299 00:17:42,880 --> 00:17:46,600 Speaker 1: did a beautiful job and they really did like everything, 300 00:17:47,720 --> 00:17:50,840 Speaker 1: the whole village of a team that you know, Glee 301 00:17:50,960 --> 00:17:54,000 Speaker 1: is really put the timing Karen to that storyline. So 302 00:17:54,240 --> 00:17:58,199 Speaker 1: I'm happy and I hope people feel that way when 303 00:17:58,240 --> 00:18:05,960 Speaker 1: they watch it because I did. But yeah, it has 304 00:18:06,560 --> 00:18:12,199 Speaker 1: it sends shock waves through the school, and it changed Sebastian. 305 00:18:12,240 --> 00:18:17,000 Speaker 1: Sebastian was blackmailing the team, saying horrible things per usual. 306 00:18:17,960 --> 00:18:21,920 Speaker 1: He's really that he was really the villain, like vile, 307 00:18:22,400 --> 00:18:25,600 Speaker 1: like he really said like the most horrible things. I 308 00:18:25,600 --> 00:18:28,639 Speaker 1: don't think I like that clicked for me and in 309 00:18:28,680 --> 00:18:30,520 Speaker 1: the time we were when we were like doing it. 310 00:18:30,720 --> 00:18:35,080 Speaker 2: No, because there's a difference. There's a difference between Sue 311 00:18:35,119 --> 00:18:40,400 Speaker 2: can say horrible things. Santana has said horrible things, right, 312 00:18:40,800 --> 00:18:45,440 Speaker 2: but it's always with like a tinge of comedy. Some 313 00:18:45,520 --> 00:18:47,880 Speaker 2: things are more harsh than others, but you know their 314 00:18:47,880 --> 00:18:52,480 Speaker 2: heart and special characters. Yeah, and we don't know enough 315 00:18:52,480 --> 00:18:55,199 Speaker 2: about him. Grant like talked thoughtfully about it, where like 316 00:18:55,280 --> 00:18:57,480 Speaker 2: he assumed he had some sort of you. 317 00:18:57,440 --> 00:19:00,720 Speaker 1: Know, terrible home life and yeah, yeah. 318 00:19:00,720 --> 00:19:03,800 Speaker 2: That would cause that, which makes sense, but as an audience, 319 00:19:03,920 --> 00:19:07,960 Speaker 2: we don't know that. And then he comes around because 320 00:19:08,280 --> 00:19:14,000 Speaker 2: lo and behold, Sebastian was horrible to Krosski. Kiarowski was 321 00:19:14,600 --> 00:19:19,480 Speaker 2: trying to meet guys and like do things the healthy way, right, right, 322 00:19:19,520 --> 00:19:22,000 Speaker 2: and then he insulted him. 323 00:19:22,280 --> 00:19:25,520 Speaker 1: It's the first time we see the human side of Sawashian. Yeah, 324 00:19:25,640 --> 00:19:29,680 Speaker 1: this is the first time we see any humanity in him, 325 00:19:30,359 --> 00:19:35,040 Speaker 1: and dedicating the you know, regionals to Krofski and really 326 00:19:35,160 --> 00:19:37,480 Speaker 1: just saying like, let's call this the truth. And that's 327 00:19:38,720 --> 00:19:41,320 Speaker 1: I think he was really affected by it. Everybody like 328 00:19:41,400 --> 00:19:44,880 Speaker 1: saw their actions and how they were could have potentially 329 00:19:45,000 --> 00:19:48,520 Speaker 1: affected Korowski's mental health in some way, because. 330 00:19:48,280 --> 00:19:50,120 Speaker 2: You don't think about that when you're around people every 331 00:19:50,200 --> 00:19:53,600 Speaker 2: day and you may say flippant comments to someone that 332 00:19:53,720 --> 00:19:56,840 Speaker 2: you may do nothing and you don't know how that's 333 00:19:56,880 --> 00:19:59,359 Speaker 2: compounding with other things that are going on in that 334 00:19:59,359 --> 00:20:04,280 Speaker 2: person's life, right, And how they sprinkled those moments in 335 00:20:04,280 --> 00:20:09,399 Speaker 2: in this episode with all the other storylines was just 336 00:20:09,480 --> 00:20:13,320 Speaker 2: very well balanced. Yes, well, I still was like I 337 00:20:13,359 --> 00:20:18,200 Speaker 2: don't believe Sebastian, Like I'm just like I was scared 338 00:20:18,240 --> 00:20:21,160 Speaker 2: to trust Sue. Hmmm, was like I want to help 339 00:20:21,160 --> 00:20:22,840 Speaker 2: the Glee cub win because I think you're going to 340 00:20:22,920 --> 00:20:25,200 Speaker 2: do this thing, like I want to believe you, and 341 00:20:25,240 --> 00:20:29,520 Speaker 2: Sebastian's like, I want to believe you, right, but your 342 00:20:29,640 --> 00:20:31,159 Speaker 2: history says. 343 00:20:30,920 --> 00:20:36,720 Speaker 1: Like I shouldn't. Right. Well, and to be fair, it's 344 00:20:36,760 --> 00:20:40,359 Speaker 1: a TV show. You can't have somebody like being showing 345 00:20:40,440 --> 00:20:44,600 Speaker 1: no remorse whatsoever over such a sensitive storyline or else 346 00:20:44,880 --> 00:20:49,440 Speaker 1: they may as well not be on the show, correct, Right. 347 00:20:50,440 --> 00:20:58,320 Speaker 2: The Finn and Rachel storyline, that blackmail situation, that choir 348 00:20:58,400 --> 00:21:02,240 Speaker 2: room scene was obvious one of those storylines that was 349 00:21:02,280 --> 00:21:05,160 Speaker 2: like pulled from stuff that was going on in real 350 00:21:05,160 --> 00:21:11,399 Speaker 2: life in terms of people want to people want to 351 00:21:11,400 --> 00:21:13,040 Speaker 2: talk about you, people want to bring you down now 352 00:21:13,040 --> 00:21:18,119 Speaker 2: that you're like in the public, which I thought was 353 00:21:18,119 --> 00:21:20,080 Speaker 2: pretty funny. It was one of those things like, yep, 354 00:21:20,160 --> 00:21:24,200 Speaker 2: this is note to us be careful. Yeah, it was 355 00:21:24,240 --> 00:21:28,000 Speaker 2: a nice little shout out from the writers to us too. Yeah, 356 00:21:28,480 --> 00:21:31,720 Speaker 2: lock it up, just call space space Yeah, like write 357 00:21:31,720 --> 00:21:32,200 Speaker 2: note taken. 358 00:21:32,560 --> 00:21:36,520 Speaker 1: Cool. But they just thought they're gonna get married and 359 00:21:37,040 --> 00:21:41,320 Speaker 1: her parents are you know, Jeff Jeff Goldbloom and Brian 360 00:21:41,440 --> 00:21:46,680 Speaker 1: Stokes are like, we did something wrong. Shit, we've messed up. 361 00:21:48,960 --> 00:21:53,000 Speaker 1: But they're gonna they're gonna get married. And I didn't 362 00:21:53,000 --> 00:21:56,080 Speaker 1: know it was this episode. I was like, oh, we're here. 363 00:21:57,440 --> 00:22:01,480 Speaker 1: We're here because everything is here. It happens feel like 364 00:22:01,480 --> 00:22:04,440 Speaker 1: a winter finale. It feels like a finale finale, season finale. 365 00:22:04,680 --> 00:22:06,920 Speaker 1: But that leads to the Quinn of it. All Right, 366 00:22:07,000 --> 00:22:12,440 Speaker 1: So there's a scene, there's the bride's maid scene that 367 00:22:13,720 --> 00:22:17,199 Speaker 1: explains a little bit more about the Quinn journey that 368 00:22:17,240 --> 00:22:22,480 Speaker 1: we're seeing here. So Quinn in a past episode, they're 369 00:22:22,520 --> 00:22:25,360 Speaker 1: talking about, you know, getting engaged, and Quinn's like, I'm 370 00:22:25,359 --> 00:22:27,360 Speaker 1: going to Yale, Like don't you want to start over? 371 00:22:27,440 --> 00:22:30,120 Speaker 1: Don't you want to like see your potential? Like we're 372 00:22:30,160 --> 00:22:34,600 Speaker 1: just getting started. And then in this episode, Quinn in 373 00:22:34,640 --> 00:22:39,000 Speaker 1: the in the the bridal shop is saying to Rachel, 374 00:22:39,119 --> 00:22:42,479 Speaker 1: I'm the only one who doesn't agree with this, this marriage. 375 00:22:42,480 --> 00:22:46,800 Speaker 1: You're hiding in Finn shadow, You're you're scared, like I 376 00:22:46,840 --> 00:22:50,280 Speaker 1: can't wait to go to Yale and like start anew 377 00:22:51,119 --> 00:22:56,720 Speaker 1: And I've never seen this Rachel Barry before, essentially, and 378 00:22:56,880 --> 00:23:00,720 Speaker 1: to some extent, she's right, like these kids are so young. 379 00:23:02,160 --> 00:23:05,040 Speaker 1: But I don't think it really matters the opinion of 380 00:23:05,080 --> 00:23:07,280 Speaker 1: like if they should or shouldn't get married. I think 381 00:23:07,400 --> 00:23:09,919 Speaker 1: it's more about like why she's choosing to do it 382 00:23:10,000 --> 00:23:11,760 Speaker 1: or why these kids are choosing to do it. 383 00:23:12,400 --> 00:23:14,360 Speaker 2: And it's interesting that it's Quinn saying it. 384 00:23:15,440 --> 00:23:20,280 Speaker 1: Yeah, totally, But I think because Rachel has always kind 385 00:23:20,320 --> 00:23:23,280 Speaker 1: of like idolized Quinn but been jealous, and they've always 386 00:23:23,320 --> 00:23:25,840 Speaker 1: been kind of pitted against each other, like it's a 387 00:23:25,880 --> 00:23:33,280 Speaker 1: good person to go up against her. And and I 388 00:23:33,400 --> 00:23:35,960 Speaker 1: like that scene, the Bridesmaid scene. It's online, you can 389 00:23:36,040 --> 00:23:40,200 Speaker 1: you can you can google it because it really does 390 00:23:41,359 --> 00:23:45,399 Speaker 1: justify when Quinn's like when they're in the hallway and 391 00:23:45,440 --> 00:23:47,120 Speaker 1: she says, I AM going to come to the wedding 392 00:23:47,200 --> 00:23:49,719 Speaker 1: and they have this big hug and Rachel's so happy 393 00:23:51,480 --> 00:23:54,960 Speaker 1: that I was. It felt like it was a little 394 00:23:54,960 --> 00:24:00,320 Speaker 1: bit out of nowhere. It's not completely necessary. I think 395 00:24:00,359 --> 00:24:02,480 Speaker 1: we got the idea, but like, Quinn's going to go 396 00:24:02,560 --> 00:24:05,080 Speaker 1: to the wedding, right, she didn't agree with it, and 397 00:24:05,119 --> 00:24:08,160 Speaker 1: she's going to go. But that leads to this texting 398 00:24:08,200 --> 00:24:13,040 Speaker 1: and driving accident that will we'll see in April. Where 399 00:24:13,119 --> 00:24:18,280 Speaker 1: is Quinn? What happens in the middle of bo a cornfield? 400 00:24:18,359 --> 00:24:21,439 Speaker 1: She's literally driving in a cornfield. She's like, they're supposed 401 00:24:21,440 --> 00:24:24,440 Speaker 1: to get married. They have a slot like alloted time 402 00:24:24,480 --> 00:24:27,280 Speaker 1: to get married at the courthouse, and he said, we 403 00:24:27,320 --> 00:24:29,840 Speaker 1: have like four minutes or something. She's not going to 404 00:24:29,920 --> 00:24:32,400 Speaker 1: be there in four minutes. She was on her way 405 00:24:32,440 --> 00:24:35,919 Speaker 1: to get her dress, like so far. I guess they 406 00:24:35,920 --> 00:24:38,560 Speaker 1: could say. If I'm listening to Ian. In my mind, 407 00:24:38,600 --> 00:24:40,000 Speaker 1: he's saying her. 408 00:24:39,880 --> 00:24:44,760 Speaker 2: House is really close. The logistics didn't add up. But 409 00:24:44,840 --> 00:24:45,359 Speaker 2: it's okay. 410 00:24:46,080 --> 00:24:50,560 Speaker 1: It's good because the most important thing is that Quinn 411 00:24:51,160 --> 00:24:56,399 Speaker 1: is looking at her phone and shouldn't be. Now. 412 00:24:57,960 --> 00:25:00,520 Speaker 2: Did you ever when you read that do you ever 413 00:25:00,600 --> 00:25:02,359 Speaker 2: think like, oh my god, they're killing her off? 414 00:25:02,840 --> 00:25:07,040 Speaker 1: I did? I did. I was like, what is going 415 00:25:07,080 --> 00:25:09,960 Speaker 1: to happen? And in my mind, like most TV shows 416 00:25:10,040 --> 00:25:13,399 Speaker 1: that you don't aren't so ruthless with their characters. Like 417 00:25:13,800 --> 00:25:16,000 Speaker 1: I'm like, she's not going to die, right, like we're 418 00:25:16,000 --> 00:25:18,119 Speaker 1: going to see her, Like they're not. They can't kill 419 00:25:18,160 --> 00:25:21,280 Speaker 1: her off. But we are close to the end of 420 00:25:21,320 --> 00:25:24,399 Speaker 1: season three, Like I don't know, there's something about it 421 00:25:24,440 --> 00:25:25,919 Speaker 1: that I was like, did she has to get off 422 00:25:25,960 --> 00:25:28,040 Speaker 1: the show? And like this is how they're doing it? 423 00:25:28,800 --> 00:25:30,240 Speaker 1: Did you? Yeah? 424 00:25:30,400 --> 00:25:33,359 Speaker 2: I thought it felt like that, but like we obviously 425 00:25:33,400 --> 00:25:35,760 Speaker 2: would have known. It wasn't like Game of Thrones where 426 00:25:35,760 --> 00:25:37,359 Speaker 2: people were getting killed off every week and they'd give 427 00:25:37,359 --> 00:25:37,840 Speaker 2: you a call. 428 00:25:37,800 --> 00:25:42,080 Speaker 1: Like hey, like we would have we would have known, yes, 429 00:25:42,520 --> 00:25:44,400 Speaker 1: like Dana would have told us, or like somebody would 430 00:25:44,400 --> 00:25:44,840 Speaker 1: have told us. 431 00:25:45,040 --> 00:25:47,679 Speaker 2: It just makes me a little like hmm, knowing that 432 00:25:47,760 --> 00:25:50,720 Speaker 2: Dana had like a part. 433 00:25:50,720 --> 00:25:54,280 Speaker 1: In writing the story. Yeah, yeah, yeah, for sure, Like. 434 00:25:54,280 --> 00:25:56,840 Speaker 2: Hmmm, because she's just in movies, like she was getting 435 00:25:56,840 --> 00:25:57,880 Speaker 2: asked to all kinds of things. 436 00:25:57,920 --> 00:26:00,480 Speaker 1: So yeah, she was the catin Heigel of our show. 437 00:26:01,080 --> 00:26:04,400 Speaker 2: Yeah, I get it, because you don't really have time 438 00:26:04,440 --> 00:26:05,320 Speaker 2: to do anything else so. 439 00:26:05,280 --> 00:26:07,600 Speaker 1: Hard, like they let you. You're under our contract. It's 440 00:26:07,600 --> 00:26:12,440 Speaker 1: a very specific contract. So okay, so Finn's gonna get 441 00:26:12,720 --> 00:26:16,000 Speaker 1: in a really big accident, and there will be a 442 00:26:16,040 --> 00:26:19,560 Speaker 1: big storyline that we'll see at the end of season. 443 00:26:19,640 --> 00:26:23,240 Speaker 2: I'm still standing everyone, Oh my god, get ready skip 444 00:26:23,280 --> 00:26:23,639 Speaker 2: over that. 445 00:26:33,960 --> 00:26:38,399 Speaker 1: And then we're at regionals all while these fifteen storylines 446 00:26:38,400 --> 00:26:42,240 Speaker 1: are happening, happening before and after we're performing at regionals. 447 00:26:42,240 --> 00:26:44,520 Speaker 1: There's a trouble Tones number because if you remember a 448 00:26:44,560 --> 00:26:47,400 Speaker 1: few episodes ago, they asked us, you know, they asked 449 00:26:47,440 --> 00:26:50,159 Speaker 1: Troublements to come back to Glee to the new directions 450 00:26:50,160 --> 00:26:52,679 Speaker 1: and they will get a number. I did forget about that, 451 00:26:52,680 --> 00:26:54,199 Speaker 1: and I was like, what is happening right now? I 452 00:26:54,240 --> 00:26:55,880 Speaker 1: did too, but I was like, I don't care. Oh 453 00:26:55,960 --> 00:26:58,320 Speaker 1: it is a banger, that number. I still know all 454 00:26:58,359 --> 00:27:00,919 Speaker 1: the dance moves. I remember it all. I was like, 455 00:27:01,160 --> 00:27:06,840 Speaker 1: put me in, coach, put me in. But we win. 456 00:27:09,600 --> 00:27:10,879 Speaker 2: Did you like this performance? 457 00:27:13,240 --> 00:27:20,840 Speaker 1: I loved the trouble Tones. I remember not loving this. 458 00:27:20,800 --> 00:27:25,040 Speaker 2: Song, like as a weird mashup right. 459 00:27:24,840 --> 00:27:28,359 Speaker 1: Being like, Okay, I don't know that I would have 460 00:27:28,560 --> 00:27:29,480 Speaker 1: said we won from that. 461 00:27:31,280 --> 00:27:35,119 Speaker 2: I mean, objectively, I feel like this is one of 462 00:27:35,119 --> 00:27:37,639 Speaker 2: the first times where I feel like we sort of 463 00:27:37,760 --> 00:27:38,280 Speaker 2: feel like. 464 00:27:40,320 --> 00:27:40,840 Speaker 1: The winner. 465 00:27:41,600 --> 00:27:46,399 Speaker 2: Yeah, really, yeah, I do. I think we sort of 466 00:27:46,480 --> 00:27:49,320 Speaker 2: nailed it. Okay, it's a weird mashup, but I still 467 00:27:49,320 --> 00:27:50,520 Speaker 2: think like we performed. 468 00:27:51,000 --> 00:27:53,359 Speaker 1: I just say the glad you came there. Like was 469 00:27:53,600 --> 00:27:58,200 Speaker 1: I loved very I don't know. For me, it was 470 00:27:58,240 --> 00:27:58,960 Speaker 1: like the opposite. 471 00:27:59,640 --> 00:28:02,800 Speaker 2: The whole time the Trouble Tones were performing, I was 472 00:28:03,480 --> 00:28:10,679 Speaker 2: filled with rage because from a music standpoint or a 473 00:28:10,720 --> 00:28:13,080 Speaker 2: music executive standpoint, I really felt like there was an 474 00:28:13,119 --> 00:28:18,240 Speaker 2: opportunity missed here. As the bare minimum the Warblers had 475 00:28:18,760 --> 00:28:22,359 Speaker 2: a Warbler album. Glee should have done that for the 476 00:28:22,359 --> 00:28:24,439 Speaker 2: trouble Tones, and if there weren't enough songs to like, 477 00:28:24,560 --> 00:28:28,080 Speaker 2: have them record more like we did for the Christmas albums, right, 478 00:28:28,200 --> 00:28:31,040 Speaker 2: and then actually make an album for them. 479 00:28:31,119 --> 00:28:34,160 Speaker 1: Yeah, how good would that have been? Oh? 480 00:28:34,560 --> 00:28:37,320 Speaker 2: I do imagine that music videos with Amber and Naya, 481 00:28:38,560 --> 00:28:40,000 Speaker 2: Vanessa and all of. 482 00:28:39,920 --> 00:28:43,080 Speaker 1: Our friends in that one, Like I would have listened 483 00:28:43,080 --> 00:28:45,480 Speaker 1: to all of us like that would have been the 484 00:28:45,560 --> 00:28:47,840 Speaker 1: best girl group in the world. Stronger is one of 485 00:28:47,920 --> 00:28:51,960 Speaker 1: my favorite trouble Tones numbers. I would have loved that. 486 00:28:52,240 --> 00:28:54,000 Speaker 1: Let's bring the Troubletones back. Let's just do a spin 487 00:28:54,040 --> 00:28:56,680 Speaker 1: off of the trouble Tones. Can we pitch that? Yes? 488 00:28:56,800 --> 00:28:58,840 Speaker 1: I would listen to that all day long. I'm actually 489 00:28:58,880 --> 00:29:02,800 Speaker 1: gonna listen to it after this. But we win. We 490 00:29:02,880 --> 00:29:04,640 Speaker 1: win because we have to win, because we have to 491 00:29:04,680 --> 00:29:06,200 Speaker 1: go to Nationals this year. 492 00:29:06,280 --> 00:29:09,360 Speaker 2: And Ian does an incredible Ian Brennan, the co creator, 493 00:29:10,080 --> 00:29:13,960 Speaker 2: sender he could have played anything he wanted to on 494 00:29:14,000 --> 00:29:16,120 Speaker 2: this show, and this is when he chose to buyer. 495 00:29:16,640 --> 00:29:22,080 Speaker 1: I don't know that I've laughed harder watching going for 496 00:29:22,400 --> 00:29:25,160 Speaker 1: when he's like any audience, Yes, that's because it's I. 497 00:29:25,600 --> 00:29:29,320 Speaker 1: It's Ian, and then Vanessa or sugar Mata running up 498 00:29:29,320 --> 00:29:33,360 Speaker 1: to hug him. I was like, I kind of wish 499 00:29:33,560 --> 00:29:35,760 Speaker 1: I was sugar Mata and Glee, could I like go 500 00:29:35,840 --> 00:29:38,800 Speaker 1: back and play sugar Matta, because like anything goes becauld 501 00:29:38,800 --> 00:29:42,360 Speaker 1: have got anything like it works. It's so funny. 502 00:29:42,720 --> 00:29:44,880 Speaker 2: It's really crazy to think that this is the same 503 00:29:44,920 --> 00:29:46,520 Speaker 2: episode with Krowski. 504 00:29:47,880 --> 00:29:50,760 Speaker 1: And Googles and Rosy. That's why it's. 505 00:29:50,600 --> 00:29:53,640 Speaker 2: Glee, Kevin, That's why it's Glee. There was so much 506 00:29:53,640 --> 00:29:54,640 Speaker 2: good work by everyone. 507 00:29:54,880 --> 00:29:56,960 Speaker 1: There was a lot of really good work by everybody, 508 00:29:57,160 --> 00:29:58,120 Speaker 1: like really good work. 509 00:29:59,000 --> 00:30:03,360 Speaker 2: And I'm a little pissed. I know you said before 510 00:30:03,760 --> 00:30:06,960 Speaker 2: controversially that some of those deleted scenes didn't need to 511 00:30:06,960 --> 00:30:11,080 Speaker 2: be in the episodes However, I feel like I would 512 00:30:11,200 --> 00:30:14,240 Speaker 2: like to have had that bride'smaid scene a lot, and 513 00:30:14,280 --> 00:30:15,520 Speaker 2: I would have liked to have had the Curt and 514 00:30:15,560 --> 00:30:19,160 Speaker 2: Blaine scene a lot, because I don't like that by 515 00:30:19,280 --> 00:30:22,080 Speaker 2: choice they cut it. I don't know, like, oh, this 516 00:30:22,120 --> 00:30:24,520 Speaker 2: is ay, though I like knowing that they exist. I 517 00:30:24,640 --> 00:30:28,360 Speaker 2: like knowing that the backstory to those scenes because I 518 00:30:28,360 --> 00:30:34,040 Speaker 2: do feel like those relationships really changed in this episode 519 00:30:34,040 --> 00:30:38,960 Speaker 2: for both sets of people. And yes, everybody got through 520 00:30:39,000 --> 00:30:43,120 Speaker 2: tragedy that has to happen, and Kurt and Blaine's reaction 521 00:30:44,080 --> 00:30:48,040 Speaker 2: and then Kurt's scene with Kroofski and then Korowski with Kurt, 522 00:30:48,360 --> 00:30:52,960 Speaker 2: those scenes are just really meaningful and to be able 523 00:30:53,000 --> 00:30:56,560 Speaker 2: to see them pull each other up and out and 524 00:30:56,600 --> 00:30:59,800 Speaker 2: strengthen their bonds with one another. Same with Rachel. And 525 00:31:00,040 --> 00:31:08,600 Speaker 2: when I will say on the flip side, Shuster saying 526 00:31:08,640 --> 00:31:12,160 Speaker 2: that cheating on a test. 527 00:31:13,000 --> 00:31:19,760 Speaker 1: Was a kin do this, I'm ignoring it. I was 528 00:31:19,880 --> 00:31:24,600 Speaker 1: just I feel it. I brought it up to you 529 00:31:24,960 --> 00:31:30,800 Speaker 1: when I watched it. I feel everybody's journey is valid, 530 00:31:33,240 --> 00:31:37,959 Speaker 1: but it wasn't necessary. But I like that scene. 531 00:31:38,800 --> 00:31:40,320 Speaker 2: That scene started with Peanut Butter. 532 00:31:40,800 --> 00:31:42,920 Speaker 1: Oh, I don't know. I don't know. I was going 533 00:31:42,960 --> 00:31:45,960 Speaker 1: to say though, while you were before you brought that 534 00:31:46,120 --> 00:31:49,920 Speaker 1: all up. Props to the writers of this episode, because 535 00:31:50,040 --> 00:31:53,680 Speaker 1: I think they handled it really well and thoughtfully, and 536 00:31:54,680 --> 00:31:57,120 Speaker 1: please write in and tell us what you thought. But 537 00:31:57,240 --> 00:32:00,600 Speaker 1: I do think that, like you said, all the characters 538 00:32:00,760 --> 00:32:04,800 Speaker 1: really pulled up in a way that this would in 539 00:32:04,840 --> 00:32:08,080 Speaker 1: a way that you would actually see in real life hopefully, 540 00:32:08,280 --> 00:32:11,080 Speaker 1: so everybody had a little bit of growing up that 541 00:32:11,120 --> 00:32:14,600 Speaker 1: they had to do that in this episode. I want 542 00:32:14,640 --> 00:32:18,440 Speaker 1: to say that I'm jealous of being a viewer of 543 00:32:18,480 --> 00:32:22,240 Speaker 1: this episode because I would. 544 00:32:22,000 --> 00:32:28,320 Speaker 2: Have been floored. You see Karosski attempt suicide. He survives, 545 00:32:28,760 --> 00:32:30,520 Speaker 2: so it's like, oh, we just had a brush with death. 546 00:32:31,440 --> 00:32:35,840 Speaker 2: And then Quinn gets t boned and then it goes 547 00:32:35,880 --> 00:32:39,240 Speaker 2: to black and you don't get any she must be 548 00:32:39,320 --> 00:32:43,200 Speaker 2: dead because we got past one. 549 00:32:44,840 --> 00:32:46,520 Speaker 1: Right. I didn't even think about that. 550 00:32:47,560 --> 00:32:52,000 Speaker 2: Hmmm, Like, how did you feel? Because there was no 551 00:32:52,080 --> 00:32:55,160 Speaker 2: way we could have like we knew she wasn't dying, right. 552 00:32:55,440 --> 00:32:57,960 Speaker 2: I mean, I do vaguely remember reading the Karossi storyline 553 00:32:57,960 --> 00:33:01,680 Speaker 2: like we didn't really know, but it wraps up pretty 554 00:33:01,720 --> 00:33:04,840 Speaker 2: quickly like you know, he survives. 555 00:33:04,360 --> 00:33:07,320 Speaker 1: Right, That is the bare bones of the season. 556 00:33:07,760 --> 00:33:09,680 Speaker 2: Yes, there was just so much to cover. 557 00:33:09,720 --> 00:33:12,040 Speaker 1: So so much to cover, Kevin, I'm gonna ask you 558 00:33:12,080 --> 00:33:14,760 Speaker 1: to greade these musical performances because I think these musical 559 00:33:14,920 --> 00:33:16,920 Speaker 1: there was a lot of really good stuff in here. 560 00:33:17,080 --> 00:33:17,880 Speaker 2: Okay, there was. 561 00:33:18,560 --> 00:33:21,760 Speaker 1: Okay, cough syrup is the first one. 562 00:33:21,800 --> 00:33:25,000 Speaker 2: I mean A A A plus plus. Yeah, it's just 563 00:33:25,200 --> 00:33:26,040 Speaker 2: it's phenomenon. 564 00:33:26,240 --> 00:33:29,640 Speaker 1: Stand b. 565 00:33:30,160 --> 00:33:31,280 Speaker 2: Yeah, give it a B. 566 00:33:31,760 --> 00:33:34,040 Speaker 1: Glad you came. Glad you came, Glad you came. I 567 00:33:34,080 --> 00:33:39,320 Speaker 1: gave a A minus. Okay, I agree with that, so 568 00:33:39,480 --> 00:33:42,840 Speaker 1: I believe I can fly A minus A minus. Agreed, 569 00:33:43,320 --> 00:33:46,200 Speaker 1: what doesn't kill you? A plus plus, A plus plus 570 00:33:46,280 --> 00:33:52,160 Speaker 1: plus plus plus plus, and here's to us. I give 571 00:33:52,240 --> 00:33:57,920 Speaker 1: it B B B. I'm with you on that too. 572 00:33:59,320 --> 00:34:03,040 Speaker 2: There was oh wait, I have to talk about Finn 573 00:34:03,080 --> 00:34:07,280 Speaker 2: says like, how do you know we're gonna win? Like, 574 00:34:07,400 --> 00:34:10,120 Speaker 2: we'll go get married after we win. She's like, because 575 00:34:10,160 --> 00:34:13,160 Speaker 2: I'm performing, and I thought that was very good. 576 00:34:14,320 --> 00:34:15,480 Speaker 1: Let's do tarty jakes. 577 00:34:15,680 --> 00:34:24,600 Speaker 2: Okay, great, AUC's I mean their Sebastian's life. Every Sebastian 578 00:34:24,800 --> 00:34:30,359 Speaker 2: references like the Asian bird flu like no, no, no. 579 00:34:30,080 --> 00:34:34,640 Speaker 1: Yeah, anything he says actually is the way he treated 580 00:34:34,719 --> 00:34:40,160 Speaker 1: Krafsky this episode, right, No, it's bad, Yeah, it's all bad. 581 00:34:40,600 --> 00:34:45,399 Speaker 1: The best dance with Kevin the trouble Zones obviously. 582 00:34:45,160 --> 00:34:50,480 Speaker 2: I mean, if we have to get specific, yes, it's 583 00:34:50,560 --> 00:34:53,600 Speaker 2: it's always an arm thing. Props to Amber because her 584 00:34:53,640 --> 00:34:57,319 Speaker 2: ablems at the end are at the exact opposite time 585 00:34:57,640 --> 00:34:59,440 Speaker 2: or like in the middle, not opposite. That would have 586 00:34:59,480 --> 00:35:03,760 Speaker 2: been easier in the middle of the dance the dance, 587 00:35:04,160 --> 00:35:06,800 Speaker 2: and the dance is going with the lyric of the melody. 588 00:35:07,200 --> 00:35:10,640 Speaker 2: Then her ad libs are overlapping and she is still 589 00:35:10,760 --> 00:35:13,879 Speaker 2: nailing her lips sync while doing these moves that seem 590 00:35:13,960 --> 00:35:16,000 Speaker 2: counterintuitive to what she is singing. 591 00:35:16,280 --> 00:35:18,560 Speaker 1: That's like ABC For me, it was I had to 592 00:35:18,600 --> 00:35:21,200 Speaker 1: do the echoes, or I was doing the leads and 593 00:35:21,239 --> 00:35:22,759 Speaker 1: they were doing the echoes and they was written to 594 00:35:22,800 --> 00:35:25,760 Speaker 1: the echoes. I don't know anyway, but yes, I totally. 595 00:35:26,239 --> 00:35:26,719 Speaker 1: There was a. 596 00:35:26,680 --> 00:35:29,719 Speaker 2: Background that Heather had and I think I don't think 597 00:35:29,800 --> 00:35:33,640 Speaker 2: she was singing it, but I had never heard it 598 00:35:33,680 --> 00:35:35,759 Speaker 2: before and it was also one of those things that 599 00:35:35,800 --> 00:35:38,120 Speaker 2: was happening at such an odd time, and it was 600 00:35:38,160 --> 00:35:42,239 Speaker 2: a really great background I found her. Is she singing like? 601 00:35:42,280 --> 00:35:45,160 Speaker 2: I don't think she is because it was really insane. 602 00:35:45,280 --> 00:35:48,320 Speaker 1: Okay. Best song, I'm going with cough Syrup. 603 00:35:48,400 --> 00:35:52,440 Speaker 2: Yeah, cough Syrup for a number of reasons. Troubletones honorable. Second, 604 00:35:53,440 --> 00:35:58,000 Speaker 2: we'll mention performance by her prop the peanut Butter. 605 00:36:03,320 --> 00:36:08,160 Speaker 1: I think rule book, Yeah, rule that's funny. 606 00:36:08,320 --> 00:36:09,799 Speaker 2: I'm pretty sure I taped my line. 607 00:36:10,080 --> 00:36:12,640 Speaker 1: I am sure you did because I remember that. I 608 00:36:12,680 --> 00:36:14,279 Speaker 1: remember being like, how the hell is he going to 609 00:36:14,360 --> 00:36:16,920 Speaker 1: remember that? And I'm pretty sure that you tape. 610 00:36:16,680 --> 00:36:19,440 Speaker 2: This and I felt really guilty about it, Oh my god, 611 00:36:19,560 --> 00:36:21,280 Speaker 2: really guilty. 612 00:36:21,640 --> 00:36:25,200 Speaker 1: It was like, I'm not memorizing this way. There's no 613 00:36:25,960 --> 00:36:28,560 Speaker 1: that doesn't show skill, Like do you know what I mean? Like, 614 00:36:28,600 --> 00:36:30,520 Speaker 1: that's not like just put it in there and make 615 00:36:30,560 --> 00:36:31,400 Speaker 1: your life easier. 616 00:36:31,920 --> 00:36:35,400 Speaker 2: That's okay, I'm sorry. I haven't said that. That's what 617 00:36:35,440 --> 00:36:36,960 Speaker 2: she said joke in like a decade. 618 00:36:37,160 --> 00:36:38,800 Speaker 1: I know. Wow. 619 00:36:38,880 --> 00:36:42,680 Speaker 2: I felt straight just then making that's what she said joke, 620 00:36:44,440 --> 00:36:45,799 Speaker 2: Like that's out of touch, you know. 621 00:36:46,800 --> 00:36:49,120 Speaker 1: Oh could be this week's how she. 622 00:36:50,120 --> 00:36:53,440 Speaker 2: Yeah, put me on there, put me in coach. I 623 00:36:53,520 --> 00:36:55,319 Speaker 2: can't take a shower. I feel gross now. 624 00:36:56,880 --> 00:36:58,520 Speaker 1: Best line, oh. 625 00:36:58,440 --> 00:37:02,640 Speaker 2: I knew immediately when it was said. Rachel said, I 626 00:37:02,640 --> 00:37:05,360 Speaker 2: want to get married now, and Finny goes, I have Jim. 627 00:37:05,880 --> 00:37:07,320 Speaker 1: Oh so good. 628 00:37:07,640 --> 00:37:09,600 Speaker 2: Austin was in the room not watching and he burst 629 00:37:09,640 --> 00:37:15,240 Speaker 2: out laughing. But that Corey is just I mean props. 630 00:37:15,280 --> 00:37:17,439 Speaker 2: I had to say props to Leah in this episode too, 631 00:37:17,480 --> 00:37:20,440 Speaker 2: because her chemistry with Quinn and her chemistry with Corey 632 00:37:21,560 --> 00:37:24,080 Speaker 2: for different reasons, very very good. 633 00:37:24,320 --> 00:37:29,600 Speaker 1: Yes, she's like comedy Relly like holding it all up, okay. 634 00:37:30,640 --> 00:37:33,920 Speaker 1: Hiram also says like he's gonna I'm gonna fake an 635 00:37:33,920 --> 00:37:38,360 Speaker 1: epileptic seizure and Leroy says, You're not an epileptic epileptic, 636 00:37:38,480 --> 00:37:40,239 Speaker 1: and Hiram says, that's why I'm going to fake it. 637 00:37:41,080 --> 00:37:43,760 Speaker 2: I we haven't even talked about Jeff Goldbloom in this episode, 638 00:37:44,400 --> 00:37:47,840 Speaker 2: because he has two scenes where he has Gabbin completely 639 00:37:47,880 --> 00:37:51,480 Speaker 2: off rails, off the rails, and he's phenomenal. And also 640 00:37:51,640 --> 00:37:56,160 Speaker 2: him directing Burton Kurt around was hilarious because he couldn't 641 00:37:56,120 --> 00:37:58,560 Speaker 2: have been more different from both of them. Oh my god, 642 00:37:58,760 --> 00:38:00,560 Speaker 2: And I just want to spin off with the four 643 00:38:00,600 --> 00:38:00,919 Speaker 2: of them. 644 00:38:01,360 --> 00:38:04,719 Speaker 1: Yeah, I really enjoy them. Very funny. 645 00:38:05,920 --> 00:38:08,640 Speaker 2: Was so good in this episode. 646 00:38:09,560 --> 00:38:14,399 Speaker 1: So good. Yeah, the four of them really just give 647 00:38:14,480 --> 00:38:18,560 Speaker 1: us more. I don't even know where this wedding thing goes. 648 00:38:18,640 --> 00:38:21,680 Speaker 1: I don't even remember, if I'm being completely honest. Okay, 649 00:38:21,760 --> 00:38:22,560 Speaker 1: well we'll see. 650 00:38:22,320 --> 00:38:27,800 Speaker 2: But I imagine there will be some fallout from Quinn, yeah 651 00:38:27,880 --> 00:38:29,880 Speaker 2: for sure, And so that will probably make people question 652 00:38:29,960 --> 00:38:35,520 Speaker 2: their life choices, right, nothing like our little brush on 653 00:38:35,640 --> 00:38:37,959 Speaker 2: death to insert some perspective into your life. 654 00:38:37,960 --> 00:38:41,680 Speaker 1: Well that is on my way. And then Performance MVP 655 00:38:42,120 --> 00:38:43,600 Speaker 1: is Max Max Adler. 656 00:38:43,840 --> 00:38:46,560 Speaker 2: I mean, are you kidding me? Get out of here. 657 00:38:47,520 --> 00:38:54,080 Speaker 1: It's it's actually I like, why didn't he get nominated 658 00:38:54,080 --> 00:38:57,560 Speaker 1: for an Emmy? I guess there wasn't enough, but he 659 00:38:57,640 --> 00:38:58,840 Speaker 1: was really wonderful. 660 00:39:00,080 --> 00:39:03,560 Speaker 2: Yeah, I guess it's like cumulatively yes, yes, yes, yes, 661 00:39:04,320 --> 00:39:08,759 Speaker 2: Ross just really yeah? Okay, okay, should we found a 662 00:39:08,800 --> 00:39:12,840 Speaker 2: TikTok Justin kuhn kuhnn. I don't know how to pronounce 663 00:39:12,840 --> 00:39:18,160 Speaker 2: his last name. On TikTok posted this great video of 664 00:39:18,239 --> 00:39:23,040 Speaker 2: him saying when he was fourteen, it's this insane story. 665 00:39:23,280 --> 00:39:25,040 Speaker 2: So it's one of those stitches where someone says, have 666 00:39:25,040 --> 00:39:26,680 Speaker 2: you ever met or spoken to a celebrity and didn't 667 00:39:26,680 --> 00:39:29,600 Speaker 2: realize that they were famous? So he's sitting next to 668 00:39:29,680 --> 00:39:33,120 Speaker 2: Orlando Bloom on a cross country flight and he wasn't 669 00:39:33,160 --> 00:39:35,719 Speaker 2: sure who it was, and he told his dad that 670 00:39:35,800 --> 00:39:39,480 Speaker 2: he was sitting next to Will Shuster, and so the 671 00:39:39,520 --> 00:39:43,879 Speaker 2: whole time he thought it was Will Shuster. And it's 672 00:39:43,880 --> 00:39:45,879 Speaker 2: this three minute long video. You should watch it because 673 00:39:45,880 --> 00:39:50,280 Speaker 2: it's so good. That's happened to me before playing with people. 674 00:39:51,360 --> 00:39:57,440 Speaker 2: And I just love that Orlando Bloom got mixed up 675 00:39:57,520 --> 00:40:05,440 Speaker 2: as Matt or confused as Matt Moore. 676 00:40:02,760 --> 00:40:05,680 Speaker 1: Like what like, mister shoe, I love you? He's like 677 00:40:05,719 --> 00:40:12,240 Speaker 1: oo legless is like who yep. That's really funny because. 678 00:40:12,000 --> 00:40:14,600 Speaker 2: They don't look alike, is the thing. 679 00:40:14,880 --> 00:40:18,359 Speaker 1: No, but I say it's a similar They are both 680 00:40:18,400 --> 00:40:21,279 Speaker 1: white and it's a similar facial structure I would say 681 00:40:21,320 --> 00:40:26,000 Speaker 1: with curly hair. No, no, okay, I don't know. I 682 00:40:26,000 --> 00:40:26,839 Speaker 1: don't know, I don't know. 683 00:40:27,080 --> 00:40:32,840 Speaker 2: Tell us you tell us, yes. But it's absolutely hilarious. 684 00:40:33,680 --> 00:40:36,520 Speaker 2: Shout out to Matt Morrison getting confuses Orlando Bloom hot. 685 00:40:37,120 --> 00:40:40,160 Speaker 1: Hot, that's on my way. 686 00:40:40,840 --> 00:40:43,240 Speaker 2: That's what you really missed. And if you missed this episode, 687 00:40:43,280 --> 00:40:43,919 Speaker 2: you missed a lot. 688 00:40:44,200 --> 00:40:46,040 Speaker 1: Yeah, so go back and watch it because there's a 689 00:40:46,120 --> 00:40:53,080 Speaker 1: spring break after this. Thanks for joining us for another episode, 690 00:40:53,680 --> 00:40:55,160 Speaker 1: come back soon, see ya. 691 00:40:56,040 --> 00:40:59,200 Speaker 2: Thanks for listening and follow us on Instagram at and 692 00:40:59,239 --> 00:41:01,480 Speaker 2: that's what you really miss POD. Make sure to write 693 00:41:01,560 --> 00:41:03,840 Speaker 2: us a review and leave us five stars. See you 694 00:41:03,840 --> 00:41:04,239 Speaker 2: next time.