1 00:00:02,200 --> 00:00:04,360 Speaker 1: I guess what, mango? What's up? Well, so I've been 2 00:00:04,360 --> 00:00:06,400 Speaker 1: waiting for days to ask you this question, But have 3 00:00:06,480 --> 00:00:10,280 Speaker 1: you ever heard of the Tony danzas syndrome? Is that 4 00:00:10,360 --> 00:00:13,520 Speaker 1: where you just walk around a house yelling Angelo. I 5 00:00:13,560 --> 00:00:16,320 Speaker 1: think it's one variation of it, but not the one 6 00:00:16,360 --> 00:00:18,440 Speaker 1: I'm talking about here. So this is something that our 7 00:00:18,480 --> 00:00:21,119 Speaker 1: friend Ken Jennings came up with. He coined this term, 8 00:00:21,160 --> 00:00:23,400 Speaker 1: and it's when an actor plays a character with their 9 00:00:23,440 --> 00:00:25,680 Speaker 1: same name, or at least their same first name in 10 00:00:25,760 --> 00:00:28,880 Speaker 1: movies or TV shows. And so Ken gave it that 11 00:00:28,960 --> 00:00:31,319 Speaker 1: name because Tony Danza is, you know, kind of the 12 00:00:31,440 --> 00:00:33,640 Speaker 1: king of this and I know you could probably think 13 00:00:33,640 --> 00:00:35,720 Speaker 1: of a couple examples, but he actually start as a 14 00:00:35,800 --> 00:00:39,320 Speaker 1: fictional Tony in no less than ten movies and five 15 00:00:39,440 --> 00:00:43,479 Speaker 1: separate TV shows. Yeah, I mean I guess who's the boss? 16 00:00:43,560 --> 00:00:46,360 Speaker 1: Good cough Like It's true. I didn't even think about that. 17 00:00:46,600 --> 00:00:48,720 Speaker 1: Lots of other shows too, But it actually started when 18 00:00:48,720 --> 00:00:51,360 Speaker 1: he was playing the role of Tony Banta on Taxi 19 00:00:51,840 --> 00:00:54,320 Speaker 1: and so the character was supposed to be named Phil Banta, 20 00:00:54,440 --> 00:00:57,080 Speaker 1: but because Danza had actually been working as a professional 21 00:00:57,120 --> 00:00:59,560 Speaker 1: boxer at the time of his casting, and this was 22 00:00:59,640 --> 00:01:02,840 Speaker 1: kind of his first big acting gig. The producers changed 23 00:01:02,880 --> 00:01:04,959 Speaker 1: his character's name because they were worried that he wouldn't 24 00:01:04,959 --> 00:01:08,400 Speaker 1: remember to respond to any name but his own, so 25 00:01:08,760 --> 00:01:12,000 Speaker 1: Tony Danza syndrome. But anyway, it's a pretty fitting way 26 00:01:12,040 --> 00:01:14,559 Speaker 1: to kick off the episode because today's show is all 27 00:01:14,680 --> 00:01:39,640 Speaker 1: about Tony's. Let's dive in today their podcast listeners, Welcome 28 00:01:39,640 --> 00:01:42,000 Speaker 1: to Part Time Genius. I'm Will Pearson, and as always 29 00:01:42,000 --> 00:01:43,959 Speaker 1: I'm joined by my good friend man guess Hot Ticketer 30 00:01:44,319 --> 00:01:47,080 Speaker 1: and sitting behind the soundproof glass holding up a boombox 31 00:01:47,160 --> 00:01:50,800 Speaker 1: as he blasts Tony Tony, Tony, and it's actually on 32 00:01:50,840 --> 00:01:52,880 Speaker 1: a cassette tape. I don't know if you've noticed this 33 00:01:53,040 --> 00:01:56,880 Speaker 1: right outside the window. That's our PALIN producer, Tristan McNeil, 34 00:01:57,200 --> 00:01:59,720 Speaker 1: and he's always so prepared for these shows, but I 35 00:01:59,800 --> 00:02:01,320 Speaker 1: have in it. I was a little surprised when I 36 00:02:01,320 --> 00:02:03,760 Speaker 1: saw him show up with the boom box, but anyway, 37 00:02:03,800 --> 00:02:05,440 Speaker 1: I go. I kicked this off with a fact about 38 00:02:05,480 --> 00:02:09,600 Speaker 1: Tony danzim and today's episode is of course filled with Tony's. 39 00:02:09,680 --> 00:02:12,240 Speaker 1: But where do you want to go with it? Here? Well, 40 00:02:12,520 --> 00:02:16,120 Speaker 1: how about a fact about Anthony Hopkins? Who isn't generally 41 00:02:16,160 --> 00:02:18,880 Speaker 1: my go to Tony, but I I stumbled into some 42 00:02:19,480 --> 00:02:21,960 Speaker 1: really fun research about Sounds of the Lambs this week, 43 00:02:22,000 --> 00:02:24,880 Speaker 1: and there's some strange things about how he got into 44 00:02:24,919 --> 00:02:27,160 Speaker 1: that movie. So apparently Hopkins got the script, but he 45 00:02:27,200 --> 00:02:29,080 Speaker 1: almost didn't read it because he thought it was a 46 00:02:29,160 --> 00:02:31,680 Speaker 1: kids movie. He assumed Sounds of the Lambs just had 47 00:02:31,720 --> 00:02:34,160 Speaker 1: to do something with like puppets or animals or something, 48 00:02:34,280 --> 00:02:36,840 Speaker 1: which is kind of funny. But I guess his agent 49 00:02:36,919 --> 00:02:38,800 Speaker 1: or whoever for some pressure on him to read it, 50 00:02:38,919 --> 00:02:41,639 Speaker 1: and he fell in love with the Hannibal Electric character. 51 00:02:41,840 --> 00:02:44,400 Speaker 1: So this is actually what he told Empire Magazine quote. 52 00:02:44,840 --> 00:02:47,880 Speaker 1: I read the script and boom, I knew intuitively how 53 00:02:47,919 --> 00:02:50,320 Speaker 1: to play him. I thought of him as a combination 54 00:02:50,360 --> 00:02:54,640 Speaker 1: of Katherine Hepburn crewman Capodi and How from two thousand 55 00:02:54,720 --> 00:02:59,440 Speaker 1: one Katherine and How trying to figure that one out, 56 00:02:59,440 --> 00:03:01,400 Speaker 1: I don't, I don't quite understand that mash up. But 57 00:03:01,639 --> 00:03:04,080 Speaker 1: but okay, yeah, I mean it is super weird, but 58 00:03:04,160 --> 00:03:07,120 Speaker 1: it obviously worked. And the most interesting thing to me 59 00:03:07,240 --> 00:03:10,120 Speaker 1: that I actually never picked up on is that the 60 00:03:10,160 --> 00:03:13,400 Speaker 1: whole movie, he's only on screen for about sixteen minutes. 61 00:03:13,800 --> 00:03:16,600 Speaker 1: I mean, the character is super memorable, but apparently it's 62 00:03:16,600 --> 00:03:19,760 Speaker 1: only fourteen percent of the movie's run time, and apparently 63 00:03:19,880 --> 00:03:22,519 Speaker 1: it's it's one of the shortest lead performances to ever 64 00:03:22,639 --> 00:03:25,720 Speaker 1: win an Oscar. It's probably something that bugs Sean Connery 65 00:03:25,840 --> 00:03:27,560 Speaker 1: because he was actually the top pick for the role 66 00:03:27,639 --> 00:03:29,360 Speaker 1: until he turned it down because he said it was 67 00:03:29,440 --> 00:03:32,320 Speaker 1: too revolting. Really, he was given he wanted, they offered 68 00:03:32,360 --> 00:03:34,679 Speaker 1: him that role. That's pretty interesting alright. Well, speaking of 69 00:03:34,720 --> 00:03:37,680 Speaker 1: actors who've turned down roles, one of Tony Shaloub's most 70 00:03:37,720 --> 00:03:40,880 Speaker 1: beloved roles is that of Adrian Monk. And if you've 71 00:03:40,880 --> 00:03:43,000 Speaker 1: watched the show Monk, you know that this character is 72 00:03:43,040 --> 00:03:46,080 Speaker 1: this kind of quirky private detective. He's got O c. D. 73 00:03:46,680 --> 00:03:50,000 Speaker 1: But Schaloub wasn't the first choice for the role. ABC 74 00:03:50,120 --> 00:03:52,880 Speaker 1: actually wanted to hire Michael Richards, which is it's kind 75 00:03:52,880 --> 00:03:54,840 Speaker 1: of weird when like when you hear who turns down 76 00:03:54,880 --> 00:03:56,960 Speaker 1: these roles, it's hard to picture them. But you know, 77 00:03:56,960 --> 00:03:59,800 Speaker 1: Seinfeld had just ended and they thought pulling Cramer for 78 00:03:59,800 --> 00:04:03,040 Speaker 1: the role would be huge. But after this long song 79 00:04:03,120 --> 00:04:06,320 Speaker 1: and dance, Richard passed on the project because he felt 80 00:04:06,360 --> 00:04:09,800 Speaker 1: that the character wouldn't allow for enough comedic possibilities. But 81 00:04:09,880 --> 00:04:13,040 Speaker 1: here's the funny part. So once Michael Richards wasn't attached 82 00:04:13,080 --> 00:04:16,240 Speaker 1: to it, ABC lost interest. They decided to pass, and 83 00:04:16,279 --> 00:04:18,839 Speaker 1: thankfully the USA Network swooped in to take a chance 84 00:04:18,880 --> 00:04:21,520 Speaker 1: on the show with saloub and the starring role. But 85 00:04:21,640 --> 00:04:25,040 Speaker 1: here's what makes the story extra satisfying. So Tony schlub 86 00:04:25,160 --> 00:04:29,520 Speaker 1: had actually auditioned to play Kramer on Seinfeld years the 87 00:04:29,560 --> 00:04:32,200 Speaker 1: part went to Richards. So in a weird way, the 88 00:04:32,200 --> 00:04:34,800 Speaker 1: actors have been passing roles back and forth for decades. 89 00:04:34,880 --> 00:04:37,800 Speaker 1: That's so weird. And there's such different actors. You know, 90 00:04:37,880 --> 00:04:40,600 Speaker 1: you don't really imagine them replacing one, not imagine either 91 00:04:40,640 --> 00:04:42,479 Speaker 1: in the other's role. But you know what else's funny 92 00:04:42,520 --> 00:04:45,800 Speaker 1: is that I feel like Kramer or Michael Richards after 93 00:04:46,000 --> 00:04:50,440 Speaker 1: Seinfeld his first show was a detective show. I don't 94 00:04:50,440 --> 00:04:53,800 Speaker 1: know why why Monk in particular wasn't funny enough for him. 95 00:04:53,800 --> 00:04:57,200 Speaker 1: But there's this great story I read this week about 96 00:04:57,240 --> 00:05:01,000 Speaker 1: Tony Braxton, and it's really about how Tony Braxton was discovered. 97 00:05:01,040 --> 00:05:04,000 Speaker 1: So this is years before she recorded on Break My Heart. 98 00:05:04,120 --> 00:05:06,920 Speaker 1: She was attending Bowie State University for a teaching degree 99 00:05:07,240 --> 00:05:09,040 Speaker 1: and then one day on her way to school, she 100 00:05:09,120 --> 00:05:11,279 Speaker 1: stopped to gas up her car and and she started 101 00:05:11,279 --> 00:05:14,800 Speaker 1: singing to herself, and the gas station attendant hurt her 102 00:05:14,920 --> 00:05:18,599 Speaker 1: and he broached her, and apparently he was this aspiring songwriter. 103 00:05:18,720 --> 00:05:22,120 Speaker 1: This guy's name was William Petaway Jr. And he asked 104 00:05:22,120 --> 00:05:24,960 Speaker 1: if he could work with her on some demos, and 105 00:05:25,400 --> 00:05:27,760 Speaker 1: I guess she agreed, and within a few months, Braxton 106 00:05:27,800 --> 00:05:30,039 Speaker 1: had actually decided to set aside teaching and became a 107 00:05:30,040 --> 00:05:33,640 Speaker 1: professional singer instead. And it's just such an unbelievable story, 108 00:05:33,680 --> 00:05:36,279 Speaker 1: but this is how she explained it to NPR quote. 109 00:05:36,640 --> 00:05:38,520 Speaker 1: I got five dollars I borrowed from my dad, and 110 00:05:38,520 --> 00:05:40,800 Speaker 1: I went to the gas station in Annapolis, Maryland, and 111 00:05:40,839 --> 00:05:42,640 Speaker 1: I had a plan. I was going to put three 112 00:05:42,680 --> 00:05:45,159 Speaker 1: dollars in my gas tank and keep two dollars for lunch. 113 00:05:45,440 --> 00:05:47,320 Speaker 1: And this gas attendant comes up to me and he's 114 00:05:47,360 --> 00:05:50,159 Speaker 1: staring at me, and I'm thinking, okay, a little weird. 115 00:05:50,440 --> 00:05:52,039 Speaker 1: But then he says, all of a sudden, are you 116 00:05:52,080 --> 00:05:54,200 Speaker 1: a singer? And he says, no, really, I've seen you 117 00:05:54,240 --> 00:05:56,279 Speaker 1: sing around the city. I'm a producer and I would 118 00:05:56,320 --> 00:05:58,400 Speaker 1: love to do some demos for you. And of course 119 00:05:58,440 --> 00:06:00,400 Speaker 1: I'm thinking this is a line. He might be crazy. 120 00:06:00,440 --> 00:06:03,160 Speaker 1: He works at a gas station, but sometimes in life, 121 00:06:03,200 --> 00:06:05,080 Speaker 1: you're at the right place at the right time, you 122 00:06:05,160 --> 00:06:07,880 Speaker 1: have to take risks. And it turned out to be legitimate. 123 00:06:08,120 --> 00:06:09,960 Speaker 1: He was the guy who co wrote the songs that 124 00:06:10,000 --> 00:06:12,640 Speaker 1: Millie Vanilli were just starting to get some attention for 125 00:06:12,800 --> 00:06:15,920 Speaker 1: in Europe. Is that crazy? Like like it goes from 126 00:06:15,960 --> 00:06:19,360 Speaker 1: this gas station story somehow, like he gets this song 127 00:06:19,440 --> 00:06:21,480 Speaker 1: picked up by Millie Vanilli And I don't know, it's 128 00:06:21,520 --> 00:06:24,360 Speaker 1: just all amazing to be enough said. I mean, at 129 00:06:24,360 --> 00:06:26,520 Speaker 1: that point in my life, I was a huge Millie 130 00:06:26,560 --> 00:06:29,760 Speaker 1: Vanilli fan. I have bought the singles, you know all that. 131 00:06:29,760 --> 00:06:32,719 Speaker 1: That's a that's pretty amazing. All well, here's a story 132 00:06:32,760 --> 00:06:35,560 Speaker 1: that's equally unbelievable to me. And it's about Tony Collette, 133 00:06:35,560 --> 00:06:38,160 Speaker 1: who's been in everything from The sixth Sempts to Little 134 00:06:38,200 --> 00:06:41,120 Speaker 1: Miss Sunshine Too, you know, several other hits. And you 135 00:06:41,200 --> 00:06:44,240 Speaker 1: might wonder how good an actress she is, but she's 136 00:06:44,240 --> 00:06:46,279 Speaker 1: actually such a good actress that when she was a kid, 137 00:06:46,480 --> 00:06:49,560 Speaker 1: she faked appendicitist to get out of going to school 138 00:06:49,680 --> 00:06:53,600 Speaker 1: or something like that, and the doctor actually operated on herselves. 139 00:06:53,720 --> 00:06:55,520 Speaker 1: I mean she might be a good actress, but you 140 00:06:55,560 --> 00:06:57,320 Speaker 1: do have to question that a little bit. And and 141 00:06:57,360 --> 00:07:00,000 Speaker 1: of course nowadays she thinks of this as this total embarrassment. 142 00:07:00,040 --> 00:07:02,840 Speaker 1: But still that's impressive. I mean, that is a big 143 00:07:02,960 --> 00:07:06,840 Speaker 1: commitment to the role, right And apparently after the surgery, 144 00:07:06,880 --> 00:07:09,000 Speaker 1: the doctor came out sort of you know, sheepish lee 145 00:07:09,080 --> 00:07:10,600 Speaker 1: and said that they had removed it but that it 146 00:07:10,640 --> 00:07:15,400 Speaker 1: was only slightly infected. That's ridiculous and actually pretty hard 147 00:07:15,440 --> 00:07:16,720 Speaker 1: to top. I don't know if I have a fact 148 00:07:16,720 --> 00:07:19,160 Speaker 1: that's better than that one. But here's a super, super 149 00:07:19,160 --> 00:07:22,000 Speaker 1: weird one that I only found out about through Gabe, 150 00:07:22,160 --> 00:07:25,720 Speaker 1: But it's about Tony the Tiger, who was apparently plagued 151 00:07:25,800 --> 00:07:30,000 Speaker 1: by lew demands from the furree community. And there's lots 152 00:07:30,000 --> 00:07:32,560 Speaker 1: of evidence of this on Twitter. So basically, if you 153 00:07:32,600 --> 00:07:34,760 Speaker 1: look at just about any tweet from the official Tony 154 00:07:34,840 --> 00:07:37,559 Speaker 1: the Tiger Twitter account in the last three or four years, 155 00:07:37,600 --> 00:07:40,880 Speaker 1: you'll find like dozens of replies from this fan base. 156 00:07:41,440 --> 00:07:43,080 Speaker 1: And you know, some of them are pretty benign. They 157 00:07:43,080 --> 00:07:47,080 Speaker 1: say things like Tony, I want to smooch you. But 158 00:07:47,160 --> 00:07:49,680 Speaker 1: then there are a whole lot more that are less 159 00:07:49,720 --> 00:07:52,520 Speaker 1: family friendly and we can't hear in this episode. But 160 00:07:52,960 --> 00:07:55,520 Speaker 1: in two thousand sixteen, Tony started blocking the counts from 161 00:07:55,520 --> 00:07:58,400 Speaker 1: anyone who was hitting on him. But this only enraged 162 00:07:58,480 --> 00:08:01,760 Speaker 1: the free community and and suddenly they started flooding the account. 163 00:08:02,120 --> 00:08:07,080 Speaker 1: And then on January sixteen, Tony tweeted, I'm all for 164 00:08:07,160 --> 00:08:10,280 Speaker 1: showing your stripes, feathers, et cetera, but let's keep things 165 00:08:10,320 --> 00:08:15,840 Speaker 1: great and family friendly. Cubs could be watching. So unfortunately, 166 00:08:15,920 --> 00:08:18,680 Speaker 1: many commentators didn't really honor this request, and eventually the 167 00:08:18,760 --> 00:08:21,880 Speaker 1: real Tony Tiger Twitter account was taken down. It was 168 00:08:21,920 --> 00:08:25,680 Speaker 1: relaunched as a more generic Frosted Flakes account and when 169 00:08:25,680 --> 00:08:28,280 Speaker 1: where the tweet aren't actually written from the mascot's perspective, 170 00:08:28,360 --> 00:08:30,360 Speaker 1: so it gave actually sent me the story. He had 171 00:08:30,400 --> 00:08:32,960 Speaker 1: this great line about it. He wrote, Apparently we're just 172 00:08:33,000 --> 00:08:35,560 Speaker 1: not mature enough as a species to handle a Twitter 173 00:08:35,559 --> 00:08:38,080 Speaker 1: page that's hosted by a buff cartoon. Tiger's just not 174 00:08:38,160 --> 00:08:42,920 Speaker 1: ready for that. Maybe one day we're not there. Yeah, alright, 175 00:08:42,920 --> 00:08:44,640 Speaker 1: Well here's something I'd never realized. But did you know 176 00:08:44,720 --> 00:08:47,480 Speaker 1: that the Tony Awards were actually named for a woman. 177 00:08:48,120 --> 00:08:50,680 Speaker 1: So it's this actress, Antoinette Perry. She was born in 178 00:08:50,720 --> 00:08:54,040 Speaker 1: Colorado in and actually I learned this from our pala, 179 00:08:54,080 --> 00:08:56,960 Speaker 1: Aaron over at Mental Flaws. But Tony, who spelled her 180 00:08:57,000 --> 00:08:58,719 Speaker 1: name with an eye, which is of course not how 181 00:08:58,760 --> 00:09:01,640 Speaker 1: the award is spelled. She always knew that she wanted 182 00:09:01,679 --> 00:09:04,120 Speaker 1: to be an actress, and she wrote about this. So 183 00:09:04,160 --> 00:09:06,199 Speaker 1: here's what she says. She says, when I was six, 184 00:09:06,280 --> 00:09:09,000 Speaker 1: I didn't say I'd become an actress. I felt like one. 185 00:09:09,160 --> 00:09:11,920 Speaker 1: No one could convince me I wasn't. So she joined 186 00:09:11,920 --> 00:09:14,080 Speaker 1: her uncle's troupe and over the years worked as a 187 00:09:14,120 --> 00:09:17,480 Speaker 1: director and a producer. You know, roles really only men 188 00:09:17,520 --> 00:09:21,040 Speaker 1: were getting at the time. She founded the American Theater Wing, 189 00:09:21,360 --> 00:09:23,679 Speaker 1: so when she passed away, the award was created in 190 00:09:23,760 --> 00:09:26,440 Speaker 1: her honor so that she would always be remembered. And 191 00:09:26,440 --> 00:09:29,120 Speaker 1: while the original Tony Awards were these giant scrolls that 192 00:09:29,160 --> 00:09:31,959 Speaker 1: they'd hand out to winners, they later got you swapped 193 00:09:31,960 --> 00:09:33,880 Speaker 1: out for the medals that were used to Now I'd 194 00:09:33,960 --> 00:09:36,679 Speaker 1: love to see those scrolls. That's crazy. Well, we've got 195 00:09:36,679 --> 00:09:38,640 Speaker 1: two more Tony facts to go, but before that, let's 196 00:09:38,640 --> 00:09:56,760 Speaker 1: take a quick break. Welcome back to Part Time Genius. 197 00:09:56,760 --> 00:09:59,880 Speaker 1: We we're talking facts about Tony's So we only realized 198 00:09:59,880 --> 00:10:02,000 Speaker 1: that during our break, but I guess you and I 199 00:10:02,040 --> 00:10:04,640 Speaker 1: both chose to do our final fact on Anthony Bourdaine. 200 00:10:05,000 --> 00:10:06,800 Speaker 1: Did you actually read that oral history that g Q 201 00:10:06,960 --> 00:10:09,520 Speaker 1: put together did? That was pretty incredible. It was amazing, 202 00:10:09,559 --> 00:10:13,040 Speaker 1: you know, the whole thing, like like how shy he was, 203 00:10:13,200 --> 00:10:16,640 Speaker 1: that he was clumsy, Like I love the fact that 204 00:10:16,679 --> 00:10:18,640 Speaker 1: like they got this detail that he shows up to 205 00:10:18,720 --> 00:10:21,480 Speaker 1: meetings twenty to twenty five minutes early, you know, and 206 00:10:21,480 --> 00:10:24,160 Speaker 1: and uh, his friends always would try to show up 207 00:10:24,160 --> 00:10:25,920 Speaker 1: earlier to beat him, but he'd just be there in 208 00:10:25,960 --> 00:10:28,079 Speaker 1: the lounge with like a cup of coffee in the newspaper. 209 00:10:29,480 --> 00:10:32,000 Speaker 1: It's pretty great. But you know, I was curious how 210 00:10:32,000 --> 00:10:33,880 Speaker 1: he got into food, and apparently it came from this 211 00:10:34,040 --> 00:10:36,960 Speaker 1: encounter with a French oyster fisherman when he was a kid. 212 00:10:37,360 --> 00:10:39,520 Speaker 1: And I guess his family had gone to France and 213 00:10:39,559 --> 00:10:41,760 Speaker 1: they wound up staying at a house right next door 214 00:10:41,800 --> 00:10:44,440 Speaker 1: to the fisherman. So one day during their stay, the 215 00:10:44,440 --> 00:10:46,760 Speaker 1: gentleman takes the Bourdain's out on his boat and after 216 00:10:46,760 --> 00:10:49,199 Speaker 1: sailing for a while, he offers them some fresh caught 217 00:10:49,240 --> 00:10:53,040 Speaker 1: oysters for lunch, and something I guess just clicked with Bourdaine. 218 00:10:53,080 --> 00:10:56,520 Speaker 1: So this is how he describes in his book Kitching Confidential. I, 219 00:10:56,840 --> 00:10:59,440 Speaker 1: in the proudest moment of my young life, stood up smartly, 220 00:10:59,480 --> 00:11:02,440 Speaker 1: grinning with defiance, and volunteered to be the first. I 221 00:11:02,480 --> 00:11:04,880 Speaker 1: took it in my hand, tilted the shell back into 222 00:11:04,920 --> 00:11:08,520 Speaker 1: my mouth, as instructed by the now beaming Miss Saint 223 00:11:08,600 --> 00:11:12,440 Speaker 1: Your and with one bite and a slurp, wolfed it down. 224 00:11:12,800 --> 00:11:15,800 Speaker 1: It tasted of sea water, of Brian and flesh and 225 00:11:15,920 --> 00:11:19,400 Speaker 1: somehow of the future. I just love that. I was 226 00:11:19,440 --> 00:11:22,679 Speaker 1: also reading about the other meal he loved besides oysters, 227 00:11:22,720 --> 00:11:24,800 Speaker 1: and that was the breakfast he ate whenever he was 228 00:11:24,840 --> 00:11:27,000 Speaker 1: home in New York City. Apparently he loved going to 229 00:11:27,040 --> 00:11:29,280 Speaker 1: Barney Green Grass and and he ordered what he called 230 00:11:29,320 --> 00:11:32,040 Speaker 1: the best breakfast in the universe, which was eggs grambled 231 00:11:32,080 --> 00:11:34,760 Speaker 1: with nova Scotia locks and a bagel with cream cheese. 232 00:11:35,080 --> 00:11:36,720 Speaker 1: And on the day he passed away, at the staff 233 00:11:36,720 --> 00:11:39,160 Speaker 1: of the deli set out his usual breakfast at the table, 234 00:11:39,320 --> 00:11:41,920 Speaker 1: and it was as a tribute, and the deli's owner, 235 00:11:41,960 --> 00:11:44,480 Speaker 1: toul ci n then it's a sad day. He touched 236 00:11:44,480 --> 00:11:46,800 Speaker 1: a lot of lives. TV makes you famous, but he 237 00:11:46,840 --> 00:11:50,000 Speaker 1: never acted that way. Wow, that's heartbreaking. That's really sweet 238 00:11:50,000 --> 00:11:52,160 Speaker 1: that they did that. But al right, well, after talking 239 00:11:52,160 --> 00:11:55,280 Speaker 1: about two things Tony Bourdaine loved, maybe we should end 240 00:11:55,360 --> 00:11:57,839 Speaker 1: on a food that he really hated. So, I mean, 241 00:11:57,840 --> 00:12:00,360 Speaker 1: this guy had tried all kinds of things, and you know, 242 00:12:00,440 --> 00:12:03,120 Speaker 1: some things that he acknowledged not loving, including the lightly 243 00:12:03,240 --> 00:12:07,200 Speaker 1: grilled wart hog rectum in the media, but he claimed 244 00:12:07,200 --> 00:12:09,280 Speaker 1: that one of the most stomach churning foods he had 245 00:12:09,320 --> 00:12:12,720 Speaker 1: ever eaten was the chicken McNugget. What I feel like, 246 00:12:12,760 --> 00:12:18,520 Speaker 1: that's outrageous. Maybe you didn't have it with changes everything. Well, 247 00:12:18,520 --> 00:12:20,720 Speaker 1: here's what he told the A V Club about his experience. 248 00:12:20,720 --> 00:12:23,720 Speaker 1: He said, given the choice between reliving the ward hog 249 00:12:23,760 --> 00:12:27,840 Speaker 1: experience and eating a McNugget, I'm surely eating the McNugget. 250 00:12:28,080 --> 00:12:30,440 Speaker 1: But at least I knew what the word hog was, 251 00:12:30,559 --> 00:12:33,520 Speaker 1: whereas with the McNugget, I think it's still an open question. 252 00:12:33,640 --> 00:12:37,760 Speaker 1: Scientists are still one. Well, I guess you can't fault 253 00:12:37,800 --> 00:12:40,240 Speaker 1: him for that, but you know, I'm still blown away 254 00:12:40,280 --> 00:12:43,360 Speaker 1: by your story of Tony Collette taking her appendicitis, you know, 255 00:12:43,440 --> 00:12:45,640 Speaker 1: and feeling the doctors. I I do think you get 256 00:12:45,640 --> 00:12:48,120 Speaker 1: the trophy for that today really was impressive. Well, thank 257 00:12:48,160 --> 00:12:50,480 Speaker 1: you and from Gabe, Tristan, Mango and me. Thanks so 258 00:12:50,520 --> 00:13:03,560 Speaker 1: much for listening the two Lake