1 00:00:00,080 --> 00:00:02,560 Speaker 1: A queen is ever late. Everyone else is simply early. 2 00:00:02,840 --> 00:00:05,680 Speaker 1: It's sex in the city out heavy is the head, 3 00:00:05,720 --> 00:00:08,160 Speaker 1: that is the ground. I know we thought that one 4 00:00:08,280 --> 00:00:10,800 Speaker 1: we should do merge any I don't know. I'm a dessert. 5 00:00:10,880 --> 00:00:12,800 Speaker 1: I would be like, I can't wait for the next 6 00:00:12,960 --> 00:00:15,720 Speaker 1: terrible thing to happen in my personal life. Since one 7 00:00:15,840 --> 00:00:18,520 Speaker 1: is being a slut a crime in this family means 8 00:00:18,600 --> 00:00:21,480 Speaker 1: my mom uh huh, look like my aunt Sandy Red 9 00:00:21,520 --> 00:00:25,079 Speaker 1: braw Top. I'm a devil. My art made sweeting about 10 00:00:25,120 --> 00:00:27,280 Speaker 1: being morney. Oh my god, I need a wine business. 11 00:00:27,640 --> 00:00:29,760 Speaker 1: Hitting the mic with the macha. If you can't see this, 12 00:00:29,920 --> 00:00:32,880 Speaker 1: it's on you, trickle Kyle, shooting is really difficult to 13 00:00:32,920 --> 00:00:34,480 Speaker 1: pick your head up, Queen, your crown's falling. 14 00:00:34,560 --> 00:00:42,520 Speaker 2: What do we even do? What are we even doing? 15 00:00:44,120 --> 00:00:49,520 Speaker 2: Welcome to the Haunted Show. I'm a huge Halloween fan. 16 00:00:50,000 --> 00:00:52,720 Speaker 2: We would do a Halloween hallway in New York and 17 00:00:52,800 --> 00:00:53,680 Speaker 2: my apartment in New York. 18 00:00:53,680 --> 00:00:54,639 Speaker 1: Oh my god, Well, all. 19 00:00:54,560 --> 00:00:55,920 Speaker 2: The kids would have to come in and hit We 20 00:00:55,960 --> 00:00:57,800 Speaker 2: had a long entrance hallway and they have to come 21 00:00:57,840 --> 00:00:59,600 Speaker 2: all the way to the end of the cauldron, the 22 00:00:59,600 --> 00:01:03,400 Speaker 2: bubbling cauldron to get their candy. So it's challenging and 23 00:01:03,440 --> 00:01:04,880 Speaker 2: it was full of full of crazy stuff. 24 00:01:05,040 --> 00:01:06,920 Speaker 1: But that's you want to be that house because then 25 00:01:06,920 --> 00:01:08,920 Speaker 1: everyone's like, we got to get there first. 26 00:01:08,959 --> 00:01:11,320 Speaker 3: That's we had great candy, full. 27 00:01:11,120 --> 00:01:15,240 Speaker 1: Size, none of this little bullshit bullshow. 28 00:01:15,800 --> 00:01:16,880 Speaker 3: Yeah, we're going deep. 29 00:01:16,959 --> 00:01:21,360 Speaker 2: We're we're going hey, hello everyone. I know I look 30 00:01:21,400 --> 00:01:24,880 Speaker 2: a little different. This is our Halloween episode. I can't 31 00:01:24,880 --> 00:01:26,480 Speaker 2: wait to introduce who's here with me? But I'm gonna 32 00:01:26,480 --> 00:01:28,960 Speaker 2: hold out for a minute because our host, I'm your host. 33 00:01:29,280 --> 00:01:32,600 Speaker 2: Not forget that, ah, the pressure of Halloween. This is 34 00:01:32,600 --> 00:01:34,920 Speaker 2: where we sit down on our podcast. What are we 35 00:01:35,040 --> 00:01:39,800 Speaker 2: even doing? They're gonna cut all this anyway. This is 36 00:01:39,800 --> 00:01:43,440 Speaker 2: where we sit down with actors, musicians, creatives. We talk process, 37 00:01:43,560 --> 00:01:46,120 Speaker 2: we talk creativity, we talk about how they're shaking up 38 00:01:46,120 --> 00:01:48,640 Speaker 2: the wonderful world of the Internet. It's wild and willy, 39 00:01:48,720 --> 00:01:50,920 Speaker 2: and we're gonna get crazy and we're gonna get weird, 40 00:01:50,960 --> 00:01:54,200 Speaker 2: but in a good way. And tonight, oh, I can 41 00:01:54,200 --> 00:01:57,160 Speaker 2: say tonight because it's a Halloween night. Tonight, we have 42 00:01:57,200 --> 00:02:04,400 Speaker 2: a brilliant and hysterical actress, this writer producer known for 43 00:02:04,640 --> 00:02:09,520 Speaker 2: the film's bottom Bodies, Bodies, Bodies, Shiva Baby, what's the 44 00:02:09,560 --> 00:02:12,160 Speaker 2: trailer of that. It's fantastic. I used to be funny 45 00:02:12,680 --> 00:02:15,040 Speaker 2: and more. This is the original, the one and only 46 00:02:15,480 --> 00:02:19,520 Speaker 2: Trickily Child aka Rachel Sennett. I am so happy to 47 00:02:19,560 --> 00:02:26,200 Speaker 2: see you. You are unbelievable. Cheers, thank you, thank you, 48 00:02:26,240 --> 00:02:28,679 Speaker 2: thank you for having me this little different too. 49 00:02:29,200 --> 00:02:31,640 Speaker 1: I know, I just thought i'd throw this on. I 50 00:02:31,680 --> 00:02:35,360 Speaker 1: was feeling spooky as well. Honestly, one of my favorite movies. 51 00:02:35,480 --> 00:02:36,320 Speaker 1: Do you love the movie? 52 00:02:36,600 --> 00:02:37,160 Speaker 2: A great movie. 53 00:02:37,200 --> 00:02:38,280 Speaker 1: It's such a great movie. 54 00:02:38,360 --> 00:02:39,280 Speaker 2: It's a great movie. 55 00:02:39,639 --> 00:02:40,920 Speaker 3: You look like. 56 00:02:41,120 --> 00:02:42,600 Speaker 1: The princess, like a prince. 57 00:02:42,840 --> 00:02:45,920 Speaker 2: Shut up, you look like a princess. The question is 58 00:02:45,960 --> 00:02:47,560 Speaker 2: do I look like a queen? 59 00:02:47,639 --> 00:02:48,040 Speaker 3: A queen? 60 00:02:48,200 --> 00:02:53,480 Speaker 1: Yes, you know you walk and honestly very Julie Andrews 61 00:02:53,520 --> 00:02:58,520 Speaker 1: when I walked in, very gracious, yes, welcoming, quiet. 62 00:02:58,480 --> 00:03:04,080 Speaker 2: Yes, yes, somewhat regal, somewhat. 63 00:03:01,680 --> 00:03:04,360 Speaker 3: At yes yeah yeah yeah but still. 64 00:03:04,160 --> 00:03:08,520 Speaker 1: Warm Yes, she has warm. She has some banger lines 65 00:03:08,560 --> 00:03:12,080 Speaker 1: and that I love. A queen is never late. Everyone 66 00:03:12,080 --> 00:03:15,640 Speaker 1: else is simply early. That I need to start saying 67 00:03:15,680 --> 00:03:18,120 Speaker 1: that ship. I need to start saying that ship when 68 00:03:18,120 --> 00:03:21,960 Speaker 1: I'm late. Queen is ever late. Everyone else is simply early. 69 00:03:22,120 --> 00:03:23,560 Speaker 2: Oh, this is princess. 70 00:03:23,240 --> 00:03:24,520 Speaker 1: Princess Diaris of course, and. 71 00:03:24,440 --> 00:03:26,959 Speaker 2: Of course this is an homage. 72 00:03:26,560 --> 00:03:28,600 Speaker 1: An homage, an homage reference. 73 00:03:28,760 --> 00:03:33,400 Speaker 2: Yes, yes, yes, we're crowned. We're ready to go, ready 74 00:03:33,400 --> 00:03:35,640 Speaker 2: to go. I'm going to Christal walking Land. That's not 75 00:03:35,680 --> 00:03:36,600 Speaker 2: I always end up there. 76 00:03:36,680 --> 00:03:37,640 Speaker 1: It's a great place to go. 77 00:03:37,840 --> 00:03:38,520 Speaker 2: I am happy. 78 00:03:38,760 --> 00:03:39,119 Speaker 4: I want. 79 00:03:39,200 --> 00:03:42,480 Speaker 2: I'm so just excited to meet you because you're so creative. 80 00:03:42,920 --> 00:03:45,160 Speaker 2: You have so many different things going on. I want 81 00:03:45,160 --> 00:03:49,080 Speaker 2: to know your beginning. So you started, It's like, this 82 00:03:49,120 --> 00:03:51,800 Speaker 2: is what I want to do. What moment I. 83 00:03:51,640 --> 00:03:54,600 Speaker 1: Think, well, first of all, same, I'm so excited to 84 00:03:54,600 --> 00:03:57,280 Speaker 1: hang because we talked about this, but like we our 85 00:03:57,320 --> 00:03:58,480 Speaker 1: friendship began. 86 00:03:58,600 --> 00:03:59,839 Speaker 2: On TikTok, Yes it did. 87 00:04:00,200 --> 00:04:02,360 Speaker 1: We were sort of engaging with each other on we 88 00:04:02,360 --> 00:04:05,520 Speaker 1: were sort of making tiktoks of each other, you know, commenting, 89 00:04:05,600 --> 00:04:08,640 Speaker 1: And then we got to meet and hang briefly at 90 00:04:08,680 --> 00:04:10,000 Speaker 1: the Blenciaga. 91 00:04:09,480 --> 00:04:11,320 Speaker 3: Show, which is a nice place to meet. 92 00:04:11,360 --> 00:04:13,560 Speaker 1: It's a fabulous place to meet. All the lights are off, 93 00:04:13,560 --> 00:04:16,920 Speaker 1: it's completely dark, the music. It's like, so I be 94 00:04:16,960 --> 00:04:17,800 Speaker 1: like hi. 95 00:04:19,960 --> 00:04:20,200 Speaker 4: Later. 96 00:04:21,120 --> 00:04:24,799 Speaker 1: We both have jet lag. It's yeah, constipated from flying 97 00:04:24,839 --> 00:04:26,840 Speaker 1: to Paris. It's just that was the vibe. It was 98 00:04:26,920 --> 00:04:29,880 Speaker 1: perfect perfect vibe, perfect vibe. But now we can get 99 00:04:30,200 --> 00:04:33,960 Speaker 1: Now we can get into it, you know, learn about 100 00:04:33,960 --> 00:04:38,480 Speaker 1: each other, go deep. I would say, like, I definitely 101 00:04:38,600 --> 00:04:41,279 Speaker 1: was like one of those kids that I always knew 102 00:04:41,279 --> 00:04:43,599 Speaker 1: I wanted to do this, even if I didn't really 103 00:04:43,640 --> 00:04:47,120 Speaker 1: get what it was at first, I always had the instinct. 104 00:04:47,120 --> 00:04:50,040 Speaker 1: I was always like making stuff. I was forcing my 105 00:04:50,080 --> 00:04:54,680 Speaker 1: siblings to be and like my music video that I made, 106 00:04:55,120 --> 00:05:00,520 Speaker 1: or like plays that I would write and direct, and like, really, 107 00:05:00,560 --> 00:05:03,600 Speaker 1: because I come from a big family, seven people. 108 00:05:04,440 --> 00:05:07,560 Speaker 2: Okay, that is a big family, big family, creative family 109 00:05:07,680 --> 00:05:08,560 Speaker 2: or were you kind of the. 110 00:05:08,920 --> 00:05:11,599 Speaker 1: I was kind of the creative one. Now my baby 111 00:05:11,680 --> 00:05:15,560 Speaker 1: sister is in fashion school, so shout out she's in 112 00:05:16,200 --> 00:05:20,200 Speaker 1: New York, New te and so shout out Lizzy. Lizzie's 113 00:05:20,240 --> 00:05:23,000 Speaker 1: I don't know, oh sorry, shout out Lizzie. She's joining 114 00:05:23,000 --> 00:05:25,359 Speaker 1: me on the creative side. I'm like, it's you and me. 115 00:05:26,320 --> 00:05:27,560 Speaker 1: We're going to events together. 116 00:05:27,720 --> 00:05:30,400 Speaker 2: Yes, yes, oh good good include. 117 00:05:30,279 --> 00:05:32,279 Speaker 1: She she came to one of the Blenciaga shows, not 118 00:05:32,320 --> 00:05:34,280 Speaker 1: the one I don't know if the one you were at, but. 119 00:05:35,200 --> 00:05:38,880 Speaker 3: One that was the show in Paris. Ye, that that 120 00:05:38,880 --> 00:05:39,400 Speaker 3: one we. 121 00:05:39,400 --> 00:05:41,400 Speaker 1: Sat that one, we said that one. We sat that one, 122 00:05:41,640 --> 00:05:46,640 Speaker 1: but the basically like mostly no, everyone everyone does really 123 00:05:46,640 --> 00:05:49,719 Speaker 1: different things, which is so interesting. Like my older sister 124 00:05:49,760 --> 00:05:50,359 Speaker 1: is a teacher. 125 00:05:50,920 --> 00:05:54,000 Speaker 2: I do this, I'm performing in it. I think that's true. 126 00:05:54,120 --> 00:05:57,279 Speaker 1: That's true. But still my brother, oh my god, we 127 00:05:57,400 --> 00:05:58,919 Speaker 1: scared because I don't know what his job is. But 128 00:05:58,960 --> 00:06:00,920 Speaker 1: I think it has to do with insurance. 129 00:06:01,480 --> 00:06:02,960 Speaker 2: Okay, I'm so sorry he's scared. 130 00:06:03,160 --> 00:06:06,640 Speaker 1: He is my brother and I love him. Yes, that's amazing. 131 00:06:06,880 --> 00:06:08,760 Speaker 1: And my sister works in politics. 132 00:06:09,480 --> 00:06:13,880 Speaker 2: Wow, and then Range, so range. 133 00:06:13,920 --> 00:06:16,960 Speaker 1: But they were forced to be creative when we were 134 00:06:16,960 --> 00:06:18,359 Speaker 1: growing up because I made that. 135 00:06:18,920 --> 00:06:22,920 Speaker 2: Good for you. So New York based kind of growing up. 136 00:06:23,080 --> 00:06:26,680 Speaker 1: Born in Massachusetts, grew up in Connecticut. My dad worked 137 00:06:26,680 --> 00:06:30,000 Speaker 1: in New York, very very tri state area. And then 138 00:06:30,040 --> 00:06:31,960 Speaker 1: I went to n y U and moved to New York. 139 00:06:32,160 --> 00:06:34,599 Speaker 2: Yeah, yeah, how was that n YU experience? 140 00:06:35,360 --> 00:06:40,240 Speaker 1: You know, you know this is the thing. 141 00:06:40,160 --> 00:06:42,120 Speaker 2: This is I'm assuming you were there in the drama 142 00:06:42,200 --> 00:06:43,600 Speaker 2: world and the creative. 143 00:06:43,360 --> 00:06:45,240 Speaker 1: Yes, I went. I went to TISH, I went to 144 00:06:45,279 --> 00:06:49,880 Speaker 1: the acting program. Like looking back, I have beautiful memories, 145 00:06:50,480 --> 00:06:54,320 Speaker 1: but life has only gotten better. Tell me if you agree, 146 00:06:54,440 --> 00:06:55,359 Speaker 1: as I've gotten older. 147 00:06:55,640 --> 00:06:57,200 Speaker 2: Yes, I agree. 148 00:06:57,240 --> 00:06:59,280 Speaker 1: Anytime I look back at when I was younger, I'm 149 00:06:59,320 --> 00:07:00,400 Speaker 1: sort of like I wasn't. 150 00:07:00,440 --> 00:07:03,839 Speaker 2: Okay, yeah, yeah, out a little bit a little. So 151 00:07:04,120 --> 00:07:06,480 Speaker 2: you went through a training program, acting training program. I 152 00:07:06,480 --> 00:07:08,880 Speaker 2: went through an acting training program on the other coast 153 00:07:09,279 --> 00:07:10,480 Speaker 2: US up in Seattle. 154 00:07:10,520 --> 00:07:11,560 Speaker 1: Oh seeh oh my god. 155 00:07:11,560 --> 00:07:13,880 Speaker 2: That yeah, that goes the way up in the middle 156 00:07:13,880 --> 00:07:16,040 Speaker 2: of nowhere at the University of Washington. And it was 157 00:07:16,080 --> 00:07:20,240 Speaker 2: three years and it was intense. I was terrible, and 158 00:07:20,480 --> 00:07:22,600 Speaker 2: but I but I did love it, and I had 159 00:07:22,640 --> 00:07:25,280 Speaker 2: but I didn't really know what I just knew that 160 00:07:25,320 --> 00:07:27,400 Speaker 2: this was something that I liked. Yeah, I didn't know 161 00:07:28,040 --> 00:07:29,080 Speaker 2: where do you go with this? 162 00:07:29,360 --> 00:07:29,600 Speaker 1: Yeah? 163 00:07:29,680 --> 00:07:30,239 Speaker 2: What happens? 164 00:07:30,320 --> 00:07:32,440 Speaker 1: And they don't tell you at school? No, you can 165 00:07:32,520 --> 00:07:34,560 Speaker 1: ask as many times as Yeah. I literally was like, 166 00:07:34,840 --> 00:07:36,920 Speaker 1: how do you get a job? They were like, we can't, 167 00:07:37,040 --> 00:07:38,280 Speaker 1: that's not what this is about. 168 00:07:38,440 --> 00:07:38,640 Speaker 3: Yeah. 169 00:07:38,960 --> 00:07:41,840 Speaker 1: I was like, but how do we pay for all 170 00:07:41,880 --> 00:07:44,320 Speaker 1: of the school And they were like, you don't have 171 00:07:44,400 --> 00:07:48,840 Speaker 1: to worry about that. It's just not what we're concerned about. 172 00:07:49,040 --> 00:07:52,080 Speaker 1: You need to learn the Shakespeare monologue and perform it 173 00:07:52,120 --> 00:07:52,920 Speaker 1: in a dark room. 174 00:07:53,040 --> 00:07:55,360 Speaker 2: Student loans yes, and that happens later. 175 00:07:55,520 --> 00:07:59,560 Speaker 1: It's yeah, right now, be present in the Shakespeare scene. 176 00:07:59,720 --> 00:08:02,960 Speaker 1: And so I felt a little lost, I think, and 177 00:08:03,040 --> 00:08:05,960 Speaker 1: I felt I was very anxious. I didn't feel very 178 00:08:06,080 --> 00:08:09,160 Speaker 1: like in myself. I think what is great about college 179 00:08:09,160 --> 00:08:10,800 Speaker 1: and I think for a lot of people, and also 180 00:08:10,840 --> 00:08:13,760 Speaker 1: living in New York, I felt like I really came 181 00:08:13,800 --> 00:08:17,640 Speaker 1: into myself piece by piece, you know, not all at once, 182 00:08:17,760 --> 00:08:21,520 Speaker 1: and you kind of experiment with different personalities sort of 183 00:08:22,040 --> 00:08:26,480 Speaker 1: like I went from being like super like repressed, very religious, 184 00:08:26,520 --> 00:08:29,840 Speaker 1: to being like it's sex in the city out here, 185 00:08:31,200 --> 00:08:34,880 Speaker 1: I'm hooking up and I'm doing stuff all the time, 186 00:08:34,920 --> 00:08:36,920 Speaker 1: you know what I mean. Like I took it there 187 00:08:37,520 --> 00:08:40,800 Speaker 1: and then I think I like found my rhythm, I 188 00:08:40,840 --> 00:08:43,680 Speaker 1: found my friends, Like I feel very my favorite part 189 00:08:43,679 --> 00:08:45,840 Speaker 1: of college, I think is the friends that I made 190 00:08:46,000 --> 00:08:48,400 Speaker 1: while I was there, because a lot of them are 191 00:08:48,480 --> 00:08:51,120 Speaker 1: still my best friends today and like I've got to 192 00:08:51,160 --> 00:08:53,040 Speaker 1: make stuff with them or watch them go off and 193 00:08:53,080 --> 00:08:55,200 Speaker 1: make stuff, and like, I feel like I have a 194 00:08:55,320 --> 00:08:58,960 Speaker 1: very strong community. And there's something about someone knowing you 195 00:08:59,040 --> 00:09:01,920 Speaker 1: when you're like eighteen years old falling down a flight 196 00:09:01,960 --> 00:09:04,360 Speaker 1: of stairs at a frat party or something. They're They're like, 197 00:09:04,760 --> 00:09:07,200 Speaker 1: You're like you you have my back for real. 198 00:09:07,440 --> 00:09:09,120 Speaker 2: So you did a ten frat party, so that that. 199 00:09:09,679 --> 00:09:13,680 Speaker 1: I did a couple, but I was more, honestly, probably worse. 200 00:09:13,840 --> 00:09:16,760 Speaker 1: I was like going to like open mics and falling 201 00:09:16,800 --> 00:09:19,520 Speaker 1: downstairs there. I was going to Chinese like you did 202 00:09:20,360 --> 00:09:20,840 Speaker 1: you do? 203 00:09:21,000 --> 00:09:23,680 Speaker 2: I don't know, maybe you shall know that is so, 204 00:09:24,440 --> 00:09:27,280 Speaker 2: that is so brave. I have really never tried that, 205 00:09:27,360 --> 00:09:30,560 Speaker 2: and I don't I mean, that's like another level. Are 206 00:09:30,600 --> 00:09:30,880 Speaker 2: you sure? 207 00:09:30,960 --> 00:09:33,359 Speaker 1: It seems like I think you would be fabulous. 208 00:09:33,440 --> 00:09:35,920 Speaker 2: I don't know. I really don't know. I freaky. 209 00:09:36,160 --> 00:09:38,360 Speaker 1: I think you would be fabulous because you have a 210 00:09:38,400 --> 00:09:40,839 Speaker 1: point of view, you have stage press, you know what 211 00:09:40,880 --> 00:09:42,800 Speaker 1: I mean. It's the same thing as acting. It's just 212 00:09:42,840 --> 00:09:46,720 Speaker 1: like talking, but it's acting. 213 00:09:47,080 --> 00:09:48,800 Speaker 2: Acting is because you can hide. 214 00:09:49,600 --> 00:09:50,160 Speaker 1: It's a drain. 215 00:09:50,280 --> 00:09:51,880 Speaker 2: That could be my thing. I could be. I could 216 00:09:51,880 --> 00:09:53,319 Speaker 2: be the sit down comic. That would be it, and 217 00:09:53,320 --> 00:09:54,560 Speaker 2: I would just never get I would just sit in 218 00:09:54,559 --> 00:09:54,800 Speaker 2: a chair. 219 00:09:54,840 --> 00:09:55,520 Speaker 1: That would be fabulous. 220 00:09:55,600 --> 00:10:09,280 Speaker 4: Yeah, my idea. 221 00:10:10,440 --> 00:10:12,400 Speaker 2: But I do feel like an acting you know, I'm 222 00:10:12,400 --> 00:10:13,800 Speaker 2: in the year behind the character, right. 223 00:10:13,840 --> 00:10:16,360 Speaker 3: Yeah, you're sort of a little bit protected. Yes, whereas 224 00:10:16,360 --> 00:10:17,160 Speaker 3: you as opposed to. 225 00:10:17,080 --> 00:10:21,960 Speaker 2: Doing stand up, you're like a robe or maybe or 226 00:10:22,040 --> 00:10:24,560 Speaker 2: maybe you create a character for the stand up. 227 00:10:24,600 --> 00:10:26,079 Speaker 3: Yeah, a little bit, maybe, I mean. 228 00:10:26,240 --> 00:10:28,079 Speaker 1: I think so, I think. I mean, I've been I've 229 00:10:28,120 --> 00:10:30,520 Speaker 1: been like thinking about this a lot recently because I 230 00:10:30,520 --> 00:10:33,200 Speaker 1: feel like I sort of like created a persona that 231 00:10:33,320 --> 00:10:35,840 Speaker 1: was based off of truth, you know what I mean. 232 00:10:35,920 --> 00:10:39,920 Speaker 1: But then you sort of heighten yourself and then you 233 00:10:39,960 --> 00:10:42,520 Speaker 1: almost are like, now am I doing stuff to write 234 00:10:42,520 --> 00:10:44,280 Speaker 1: about it? Or is that? You know what I mean? 235 00:10:44,320 --> 00:10:47,480 Speaker 1: It becomes this push and pull where sometimes it's like 236 00:10:47,520 --> 00:10:49,800 Speaker 1: I would be like, I can't wait for the next 237 00:10:49,920 --> 00:10:52,600 Speaker 1: terrible thing to happen in my personal life so I 238 00:10:52,600 --> 00:10:55,680 Speaker 1: can have a bit you know. It was so much 239 00:10:55,760 --> 00:10:58,400 Speaker 1: fun some of the time, like doing doing a monthly 240 00:10:58,480 --> 00:11:01,679 Speaker 1: show with they showed my friend Moss that was so 241 00:11:01,800 --> 00:11:08,080 Speaker 1: fun called puke Fest, and it was the term get it, 242 00:11:08,840 --> 00:11:09,680 Speaker 1: we should do mergers? 243 00:11:09,800 --> 00:11:11,480 Speaker 2: Yeah yeah, I would sell. 244 00:11:11,600 --> 00:11:13,559 Speaker 1: But it was like we did it in a basement 245 00:11:13,840 --> 00:11:17,720 Speaker 1: in his apartment in like Crown Heights and totally illegal. 246 00:11:18,040 --> 00:11:21,880 Speaker 1: It was like a hundred college students in the basement 247 00:11:22,120 --> 00:11:25,600 Speaker 1: in this like tiny apartment, and we would like buy 248 00:11:25,920 --> 00:11:29,360 Speaker 1: alcohol in bulk because we would like protect I think 249 00:11:29,360 --> 00:11:32,280 Speaker 1: we like pretended to be a liquor store so we 250 00:11:32,320 --> 00:11:33,640 Speaker 1: could buy hard. 251 00:11:33,440 --> 00:11:37,600 Speaker 3: Alcohol complicated, it's illegal. 252 00:11:37,960 --> 00:11:40,240 Speaker 1: But now time has gone by and it's fine. 253 00:11:40,320 --> 00:11:41,079 Speaker 3: It's no longer legal. 254 00:11:41,240 --> 00:11:45,320 Speaker 1: They're not going to get the statue of limitations and 255 00:11:45,360 --> 00:11:46,840 Speaker 1: you're fine, Yeah, it's okay. 256 00:11:46,760 --> 00:11:47,559 Speaker 3: You can talk about it. 257 00:11:47,600 --> 00:11:51,560 Speaker 1: So we would pour shots all over the table, like 258 00:11:51,600 --> 00:11:54,680 Speaker 1: we set up tables, and then for each comedian we 259 00:11:54,720 --> 00:11:58,679 Speaker 1: would do like a rule like this comedian talks about 260 00:11:58,720 --> 00:12:00,719 Speaker 1: like this a lot. Every time they bring up like 261 00:12:01,280 --> 00:12:03,839 Speaker 1: their mom or whatever, blah blah blah, you take a shot. 262 00:12:05,400 --> 00:12:08,400 Speaker 1: People would get blackout because it was like with the 263 00:12:08,480 --> 00:12:11,920 Speaker 1: rules would literally be like anytime somebody's wearing a flannel 264 00:12:12,679 --> 00:12:15,840 Speaker 1: like it's like so we would just be drinking these 265 00:12:15,880 --> 00:12:19,880 Speaker 1: like lukewarm shots and then everyone would be trashed and 266 00:12:20,679 --> 00:12:21,640 Speaker 1: then turn into a party. 267 00:12:22,280 --> 00:12:24,400 Speaker 2: It was really it's a good idea, Well, because you 268 00:12:24,400 --> 00:12:29,920 Speaker 2: should do it now. Well here, yeah, you got your 269 00:12:29,920 --> 00:12:32,000 Speaker 2: macha and I've got my I've got my coffee. 270 00:12:32,480 --> 00:12:34,040 Speaker 3: This is what it's come to to come. 271 00:12:34,160 --> 00:12:37,600 Speaker 1: You know, if we're mature, we're past that. 272 00:12:37,840 --> 00:12:42,080 Speaker 3: We are sort of past. Yeah here, what's in here? 273 00:12:42,120 --> 00:12:42,760 Speaker 3: What's in here? 274 00:12:44,800 --> 00:12:48,240 Speaker 2: I want to ask you this, did you the persona online? 275 00:12:48,520 --> 00:12:49,320 Speaker 2: He's not a persona? 276 00:12:49,400 --> 00:12:51,040 Speaker 3: Or because when you're hanging with your crew. 277 00:12:51,120 --> 00:12:57,640 Speaker 1: What like my persona online right now? Well, more like Twitter? Yeah, 278 00:12:57,800 --> 00:13:00,640 Speaker 1: I think when I was on Twitter, that's when I 279 00:13:00,679 --> 00:13:03,280 Speaker 1: feel like I had like a persona sort of but 280 00:13:03,320 --> 00:13:06,120 Speaker 1: it came out of a very real place. Like it's 281 00:13:06,200 --> 00:13:09,440 Speaker 1: like I was actively Like I think that's the most 282 00:13:09,559 --> 00:13:12,199 Speaker 1: I feel like my art was like my art me 283 00:13:12,320 --> 00:13:15,320 Speaker 1: tweeting about being horny, but like I it was like 284 00:13:15,840 --> 00:13:19,480 Speaker 1: it's art. It was like it was immediate, like it 285 00:13:19,600 --> 00:13:22,440 Speaker 1: was like I felt something, Bam, I was I was. 286 00:13:22,640 --> 00:13:25,720 Speaker 1: So I think it was also very like manic at 287 00:13:25,720 --> 00:13:30,439 Speaker 1: the time, which sometimes being manic is it's so much 288 00:13:30,480 --> 00:13:33,959 Speaker 1: better than being depressed. It's so much more like up. 289 00:13:34,200 --> 00:13:37,600 Speaker 1: You know, yeah yeah, and you have energy and you 290 00:13:37,600 --> 00:13:39,560 Speaker 1: know you're a little shaky, but it's good. 291 00:13:39,720 --> 00:13:40,040 Speaker 3: Yeah. 292 00:13:40,080 --> 00:13:43,240 Speaker 1: And so I was really like just actively like as 293 00:13:43,240 --> 00:13:45,120 Speaker 1: something would happen to me, I was like writing about 294 00:13:45,120 --> 00:13:46,200 Speaker 1: it and putting it out there. 295 00:13:46,880 --> 00:13:49,360 Speaker 2: It's very brave for you. Did you think there's, oh, 296 00:13:49,440 --> 00:13:51,400 Speaker 2: you have any hesitation at all? You were like, no, I'm. 297 00:13:51,240 --> 00:13:54,200 Speaker 1: Just going no, I had hesitation. Later when people like 298 00:13:54,760 --> 00:13:56,880 Speaker 1: I think it was it was interesting. I was in 299 00:13:57,080 --> 00:14:00,040 Speaker 1: sort of like an on and off relationship that I 300 00:14:00,200 --> 00:14:03,520 Speaker 1: was getting I was putting a lot of jokes into 301 00:14:03,640 --> 00:14:07,440 Speaker 1: whatever that are writing about or whatever. And now I'm like, 302 00:14:07,920 --> 00:14:09,960 Speaker 1: when you're in a healthy relationship, You're like, I would 303 00:14:10,000 --> 00:14:11,840 Speaker 1: never do you know what I mean? I would never 304 00:14:11,960 --> 00:14:15,199 Speaker 1: like put all of this in here. If I was 305 00:14:15,240 --> 00:14:18,920 Speaker 1: going to find a story from my relationship, I would 306 00:14:19,200 --> 00:14:21,360 Speaker 1: give it air to breathe. That would put it in 307 00:14:21,400 --> 00:14:23,720 Speaker 1: the script, that would put it with the character. Yes, 308 00:14:23,800 --> 00:14:27,760 Speaker 1: because I'm thirty now now mature, But at the time 309 00:14:27,840 --> 00:14:31,440 Speaker 1: it was so immediate, I felt like I almost kept 310 00:14:31,520 --> 00:14:35,960 Speaker 1: doing the character. After I was growing away from the character, 311 00:14:37,160 --> 00:14:40,360 Speaker 1: and then I took a little space away from Twitter 312 00:14:40,440 --> 00:14:45,360 Speaker 1: and the Internet, and like now I feel like I 313 00:14:45,400 --> 00:14:48,120 Speaker 1: what I hope this show can do is be a 314 00:14:48,160 --> 00:14:51,440 Speaker 1: way for me to like take experiences and things that 315 00:14:51,480 --> 00:14:53,600 Speaker 1: I want to share, because like a lot of times 316 00:14:53,600 --> 00:14:56,560 Speaker 1: I have like an experience where I'm like this is 317 00:14:56,680 --> 00:14:58,600 Speaker 1: interesting to this is something I want to talk about 318 00:14:58,680 --> 00:14:59,240 Speaker 1: or whatever are. 319 00:14:59,200 --> 00:14:59,640 Speaker 3: You talking about? 320 00:14:59,680 --> 00:15:00,000 Speaker 4: I love that? 321 00:15:00,560 --> 00:15:03,840 Speaker 2: Yes, yes, yeah, and you show yeah, yeah, yeah, yeah, 322 00:15:03,840 --> 00:15:06,760 Speaker 2: show exactly. I was going to say, what seems to 323 00:15:06,840 --> 00:15:09,640 Speaker 2: me is what's happening is you're taking all these creative impulses, 324 00:15:09,680 --> 00:15:11,160 Speaker 2: all these like Oh that's a real moment. Oh that's 325 00:15:11,160 --> 00:15:13,920 Speaker 2: a real moment. I really feel this and just putting 326 00:15:13,960 --> 00:15:16,440 Speaker 2: it out there on Twitter, right, which is what's interesting, 327 00:15:16,480 --> 00:15:17,960 Speaker 2: you know, to lay it out there. And now you 328 00:15:18,040 --> 00:15:20,280 Speaker 2: have the show which I watched the first episode. It's 329 00:15:20,320 --> 00:15:24,160 Speaker 2: really good. I'm so happy and it's quite I mean, 330 00:15:24,240 --> 00:15:27,920 Speaker 2: you you wrote it, you created it, you produced it. 331 00:15:28,760 --> 00:15:31,480 Speaker 2: Your character in that is I mean, I think it's 332 00:15:31,480 --> 00:15:34,240 Speaker 2: a fantastic character. But it's maybe it's maybe it's the 333 00:15:34,240 --> 00:15:37,080 Speaker 2: more serious character. Yeah, she's the she's the person who's 334 00:15:37,200 --> 00:15:40,600 Speaker 2: who is sort of taken on adulthood, stepping into adulthood, 335 00:15:40,600 --> 00:15:43,360 Speaker 2: and yet all her friends are like woo yeah, crazy 336 00:15:43,400 --> 00:15:46,480 Speaker 2: and I and it's not easy to have that. But 337 00:15:46,560 --> 00:15:50,800 Speaker 2: I think you capture that. You're on the cusp, you 338 00:15:50,800 --> 00:15:51,200 Speaker 2: know what I mean. 339 00:15:51,480 --> 00:15:54,480 Speaker 1: Yeah, the world I think it was, I mean just 340 00:15:54,920 --> 00:15:57,880 Speaker 1: off of like what I was just saying, Like Maya Tulula, 341 00:15:58,360 --> 00:16:03,200 Speaker 1: who's played byas I, is amazing. She's so good, and 342 00:16:03,360 --> 00:16:06,280 Speaker 1: like I felt like Maya and Telula was almost like 343 00:16:06,320 --> 00:16:09,560 Speaker 1: a split of me and te Lula is kind of 344 00:16:09,560 --> 00:16:11,880 Speaker 1: that like me when I lived in New York, mean, 345 00:16:11,920 --> 00:16:14,440 Speaker 1: when I was a little more messy and free and 346 00:16:14,480 --> 00:16:18,480 Speaker 1: then Maya, I think is the how I felt when 347 00:16:18,480 --> 00:16:21,720 Speaker 1: I was sort of like isolating and stressed and anxious 348 00:16:21,760 --> 00:16:23,680 Speaker 1: and being like I need to make it to the 349 00:16:23,720 --> 00:16:26,400 Speaker 1: next thing and whatever, and I feel like my antela 350 00:16:26,480 --> 00:16:29,320 Speaker 1: are their best together. I feel like now I think 351 00:16:29,360 --> 00:16:31,840 Speaker 1: I've hopefully matured where I have a balance of both 352 00:16:31,880 --> 00:16:35,400 Speaker 1: of those things of like freedom and being able to 353 00:16:35,640 --> 00:16:37,920 Speaker 1: be in touch with my emotions and be a little messy, 354 00:16:37,960 --> 00:16:40,920 Speaker 1: but also like a little more maturity, a little more 355 00:16:41,200 --> 00:16:43,280 Speaker 1: a little more frontal lobe that kind of stuff. 356 00:16:43,360 --> 00:16:43,960 Speaker 3: Now you can see it. 357 00:16:44,000 --> 00:16:48,240 Speaker 2: You can see it, you can see the we're both 358 00:16:48,280 --> 00:16:50,880 Speaker 2: I don't know, people know we're wearing crime. Of course 359 00:16:50,880 --> 00:16:51,080 Speaker 2: we are. 360 00:16:51,120 --> 00:16:52,600 Speaker 3: People probably knew that intuitively. 361 00:16:52,720 --> 00:16:55,280 Speaker 1: Yea, even if we weren't, we're wearing. 362 00:16:55,280 --> 00:16:56,960 Speaker 2: Were wearing you know what I mean. It's it's a 363 00:16:57,080 --> 00:16:59,160 Speaker 2: really I can't wait to see what happens in the 364 00:16:59,160 --> 00:17:02,200 Speaker 2: episodes because you've you set up the world really beautifully. 365 00:17:02,400 --> 00:17:06,400 Speaker 2: The characters are distinct at each have their own voice. Yeah, 366 00:17:06,440 --> 00:17:07,320 Speaker 2: I'm really impressed. 367 00:17:07,760 --> 00:17:11,760 Speaker 1: Well, thank you the whole cast. I was like, I 368 00:17:11,800 --> 00:17:13,760 Speaker 1: feel so lucky to have that cast. 369 00:17:15,560 --> 00:17:18,320 Speaker 3: My gold my wig here ha. 370 00:17:20,160 --> 00:17:21,639 Speaker 1: Your beautiful golden block. 371 00:17:21,840 --> 00:17:23,760 Speaker 2: Thank you thank you. You're really if you can't see that, 372 00:17:23,760 --> 00:17:24,399 Speaker 2: you're really missing it. 373 00:17:24,520 --> 00:17:28,440 Speaker 1: You're really missing you want this is a visual episode. 374 00:17:28,520 --> 00:17:31,000 Speaker 1: I don't know what to tell you. I was just saying, like, 375 00:17:31,200 --> 00:17:34,080 Speaker 1: I got so lucky with the cast because I feel 376 00:17:34,200 --> 00:17:38,679 Speaker 1: like everyone brings something so specific to their character. Like 377 00:17:39,119 --> 00:17:42,159 Speaker 1: true Whittaker is someone who we cast her as a 378 00:17:42,240 --> 00:17:45,119 Speaker 1: lawnie and then we already had that character, but I 379 00:17:45,320 --> 00:17:47,679 Speaker 1: didn't feel like it was it was as interesting of 380 00:17:47,720 --> 00:17:50,919 Speaker 1: a character until we like she read and she just 381 00:17:50,920 --> 00:17:54,600 Speaker 1: has like such a unique comedic timing. She's so funny, 382 00:17:54,680 --> 00:17:57,080 Speaker 1: and I was like, Okay, now we're we running the 383 00:17:57,160 --> 00:18:00,399 Speaker 1: character to her voice to match her with the Like 384 00:18:01,160 --> 00:18:03,880 Speaker 1: Jordan Firshman, He's a good friend of mine. He's someone 385 00:18:04,480 --> 00:18:09,239 Speaker 1: who like improvises and adds to every line. Josh like, 386 00:18:09,280 --> 00:18:11,399 Speaker 1: I feel like I've been a fan of his for 387 00:18:11,440 --> 00:18:14,880 Speaker 1: so long. Same with Leyton. But in these roles they 388 00:18:15,160 --> 00:18:18,800 Speaker 1: switch and you see them in like totally different lights. 389 00:18:18,880 --> 00:18:19,760 Speaker 1: Yeah you know what I. 390 00:18:19,640 --> 00:18:21,800 Speaker 2: Mean, And they must have been because I think as 391 00:18:21,840 --> 00:18:24,160 Speaker 2: an actor or as a person joining in the business, 392 00:18:24,760 --> 00:18:28,000 Speaker 2: you want opportunity to show other sides. I mean, I 393 00:18:28,040 --> 00:18:30,800 Speaker 2: think you would do other sides yeah, and to work 394 00:18:30,800 --> 00:18:34,280 Speaker 2: with people that are, you know, extremely they're all extremely talented, 395 00:18:34,320 --> 00:18:36,919 Speaker 2: they all get the joke, you know, they're all telling 396 00:18:36,920 --> 00:18:39,360 Speaker 2: the story. It's well directed to the. 397 00:18:39,359 --> 00:18:39,840 Speaker 3: Rhythm of it. 398 00:18:39,880 --> 00:18:42,240 Speaker 2: I mean, everything about it is. Guy, It's like it's 399 00:18:42,280 --> 00:18:43,480 Speaker 2: really I'm impressed. 400 00:18:43,640 --> 00:18:45,840 Speaker 1: I'm so glad you like it. Yeah, I feel like 401 00:18:46,200 --> 00:18:50,320 Speaker 1: I don't know when you're when you're making a first 402 00:18:50,359 --> 00:18:54,240 Speaker 1: season of a show, like like for over Compensating, for example, whatever, 403 00:18:54,320 --> 00:18:56,879 Speaker 1: like you have. Like Benny and I were talking about this, 404 00:18:56,960 --> 00:18:59,960 Speaker 1: it's like the first time you're doing it, like you're 405 00:19:00,119 --> 00:19:02,760 Speaker 1: you're you're finding the tone as you go, and then 406 00:19:02,800 --> 00:19:05,480 Speaker 1: you see the show and you're like, duh, that's the tone. 407 00:19:05,520 --> 00:19:08,320 Speaker 1: It's so funny whatever. It's like a balance. But like 408 00:19:09,160 --> 00:19:12,119 Speaker 1: you as you're making it, you're like creating the car 409 00:19:12,480 --> 00:19:15,199 Speaker 1: everything like it's for the first time, and it's like 410 00:19:15,440 --> 00:19:19,080 Speaker 1: it's kind of scary, and like when you're an actor 411 00:19:19,119 --> 00:19:21,760 Speaker 1: on the show, you're like, I think I feel this 412 00:19:21,800 --> 00:19:24,040 Speaker 1: all the time when I'm doing something, I'm like, am 413 00:19:24,119 --> 00:19:26,359 Speaker 1: I doing the same tone as everyone else? What tone 414 00:19:26,359 --> 00:19:29,000 Speaker 1: are we doing? Is this kind of can't be very serious? 415 00:19:29,119 --> 00:19:30,040 Speaker 2: And what's going on? 416 00:19:30,560 --> 00:19:30,760 Speaker 4: Yeah? 417 00:19:30,800 --> 00:19:33,280 Speaker 1: Yeah, yeah, I'm like, am I doing well? You know? 418 00:19:33,440 --> 00:19:36,080 Speaker 2: Yeah, yeah, that's intuitive, and it's also the director, I 419 00:19:36,119 --> 00:19:38,359 Speaker 2: mean somewhat of the director's sort of responsibility, sort of 420 00:19:38,600 --> 00:19:41,160 Speaker 2: we're hanging in this world. But at the same time, 421 00:19:41,200 --> 00:19:45,080 Speaker 2: you need stuff that like is crazy, yeah, and out 422 00:19:45,400 --> 00:19:46,680 Speaker 2: out of left field. 423 00:19:46,400 --> 00:19:48,760 Speaker 3: And just unusual because it's it's sparky. 424 00:19:49,080 --> 00:19:52,879 Speaker 2: Yeah, but finding that tone is really is really tricky. 425 00:19:52,880 --> 00:19:55,360 Speaker 2: But I think so much of that comes down to casting. 426 00:19:55,960 --> 00:19:59,520 Speaker 2: You have the right people like minded that are all 427 00:19:59,520 --> 00:20:01,520 Speaker 2: different in enough to bring something new. 428 00:20:01,600 --> 00:20:02,760 Speaker 3: Then if the. 429 00:20:02,640 --> 00:20:06,880 Speaker 2: Odds are better. There's never a guarantee, totally never never guarantee. 430 00:20:06,880 --> 00:20:08,159 Speaker 2: And I've been through a lot of stuff. It's like 431 00:20:08,200 --> 00:20:11,200 Speaker 2: you think, oh, this is gonna be great. Yeah, chemistry 432 00:20:11,280 --> 00:20:11,560 Speaker 2: is off. 433 00:20:11,640 --> 00:20:14,639 Speaker 1: You never know. You literally never know. It's so crazy 434 00:20:14,760 --> 00:20:16,760 Speaker 1: because you can have the best time ever doing something 435 00:20:16,800 --> 00:20:19,119 Speaker 1: and be like, h that was fabulous and everyone's like 436 00:20:19,200 --> 00:20:21,280 Speaker 1: we hate it. You could have a really bad time 437 00:20:21,320 --> 00:20:22,919 Speaker 1: doing something and everyone's like, this is the best thing 438 00:20:22,920 --> 00:20:26,520 Speaker 1: you've ever You don't know. It's so random. But then 439 00:20:26,560 --> 00:20:28,280 Speaker 1: you just have to be do you feel at this 440 00:20:28,280 --> 00:20:31,600 Speaker 1: point in your career you're kind of like, what is 441 00:20:31,600 --> 00:20:34,199 Speaker 1: that saying? Let go go go with go and go 442 00:20:34,320 --> 00:20:34,960 Speaker 1: with God. 443 00:20:35,640 --> 00:20:36,920 Speaker 2: Go go, go and go with God. 444 00:20:37,040 --> 00:20:39,320 Speaker 1: Let go and go What is it called? Let go 445 00:20:39,400 --> 00:20:39,920 Speaker 1: and let God? 446 00:20:40,119 --> 00:20:42,680 Speaker 2: Like going like God, let go and let God? 447 00:20:42,760 --> 00:20:44,560 Speaker 1: Yeah, Like do you just feel. 448 00:20:46,400 --> 00:20:50,560 Speaker 2: Yes? Yes, And that that does come with time and experience, 449 00:20:50,800 --> 00:20:52,880 Speaker 2: I think, because when I first started, I was much 450 00:20:52,960 --> 00:20:56,480 Speaker 2: more controlled and like got to you know, stay in 451 00:20:56,520 --> 00:20:58,040 Speaker 2: this and for God's sake. The first thing I did, 452 00:20:58,240 --> 00:21:00,200 Speaker 2: Dune was the first thing I did. And here is that. 453 00:21:00,240 --> 00:21:02,480 Speaker 2: You know, here's a guy that's under severe control. 454 00:21:02,640 --> 00:21:04,160 Speaker 3: Yeah, you know, very very strict. 455 00:21:04,200 --> 00:21:06,320 Speaker 2: And then I went off into Blue Velvet, which is 456 00:21:06,359 --> 00:21:08,440 Speaker 2: a completely different thing. The guy is kind of loose 457 00:21:08,520 --> 00:21:12,760 Speaker 2: and free and he's exploring sides of things and enjoying that. 458 00:21:13,080 --> 00:21:14,840 Speaker 2: So it was like the push and pull. But I 459 00:21:15,440 --> 00:21:18,000 Speaker 2: was blessed with working with David Lynch starting out, Vid Lynch, 460 00:21:18,000 --> 00:21:22,520 Speaker 2: who is I mean, was forgetting that one of the 461 00:21:22,560 --> 00:21:24,919 Speaker 2: greats of all time, you know, and not only as 462 00:21:24,920 --> 00:21:27,199 Speaker 2: a director but as a person as well. So, but 463 00:21:27,240 --> 00:21:30,440 Speaker 2: I think that the community you talked about earlier, the community, 464 00:21:30,440 --> 00:21:34,200 Speaker 2: and we I've now met and we've on the podcast. 465 00:21:34,280 --> 00:21:37,760 Speaker 1: Yes you're seeing my community your community. 466 00:21:37,800 --> 00:21:40,080 Speaker 2: Yeah, yeah, well with Harley too, I mean that's I 467 00:21:40,119 --> 00:21:42,800 Speaker 2: think I was. First, I was, you know, watching the videos. 468 00:21:42,800 --> 00:21:44,280 Speaker 2: We were doing stuff with it, and I was like, 469 00:21:44,440 --> 00:21:47,720 Speaker 2: wait a minute, who's that girl right there and that 470 00:21:47,800 --> 00:21:49,919 Speaker 2: one right there and and so that's Spark. 471 00:21:49,680 --> 00:21:51,240 Speaker 1: Series in the back of the visit. 472 00:21:51,359 --> 00:21:53,760 Speaker 2: No, no, no, no, it's like yeah. It was like and 473 00:21:53,800 --> 00:21:55,840 Speaker 2: I was saying, and when I'm talking about like a 474 00:21:55,840 --> 00:21:59,040 Speaker 2: persona you had, there's a certain kind of a vibe 475 00:21:59,240 --> 00:22:01,280 Speaker 2: projecting within that world. 476 00:22:01,400 --> 00:22:06,399 Speaker 1: Yeah, she holds the whole audience like a packed insane crowd. 477 00:22:06,640 --> 00:22:11,159 Speaker 1: The energy she creates is like insane. And then like 478 00:22:11,600 --> 00:22:14,040 Speaker 1: but then you talk to her and she's so down 479 00:22:14,040 --> 00:22:17,879 Speaker 1: to earth and grounded and sweet and funny, like you 480 00:22:17,920 --> 00:22:20,560 Speaker 1: know what I mean, And it's cool to have that balance. 481 00:22:20,680 --> 00:22:22,760 Speaker 2: How did y'all meet? 482 00:22:23,080 --> 00:22:25,439 Speaker 1: Okay, I was like I was like a fan. I 483 00:22:25,520 --> 00:22:27,919 Speaker 1: was just like tweeting at her, to be honest, like 484 00:22:27,960 --> 00:22:29,560 Speaker 1: back when I was on Twitter, I was like literally 485 00:22:29,600 --> 00:22:33,159 Speaker 1: like I'm crying to a Charlie song, like Charlie helped me. 486 00:22:33,320 --> 00:22:36,320 Speaker 1: My boyfriend doesn't want to date me. So it was 487 00:22:36,640 --> 00:22:41,119 Speaker 1: sort of like crazy behavior. But anyways, she watched Shiva 488 00:22:41,200 --> 00:22:44,600 Speaker 1: Baby and then like I think during COVID and like 489 00:22:44,640 --> 00:22:47,560 Speaker 1: reviewed it on her letter box and then like sort 490 00:22:47,600 --> 00:22:51,119 Speaker 1: of we like found each other online. I did her 491 00:22:51,240 --> 00:22:54,840 Speaker 1: podcast remotely, so we first met through that, okay, and 492 00:22:54,880 --> 00:22:58,840 Speaker 1: then she did a song for Bodies Buddies Bodies, which 493 00:22:58,920 --> 00:23:03,440 Speaker 1: was amazing, and then like I went to her show. 494 00:23:03,720 --> 00:23:05,119 Speaker 1: I went to I think I first went to her 495 00:23:05,119 --> 00:23:08,159 Speaker 1: show with the Greek that was incredible, and then it 496 00:23:08,200 --> 00:23:10,600 Speaker 1: was just I think it just sort of happened naturally, 497 00:23:10,800 --> 00:23:15,679 Speaker 1: and like, I think she genuinely wants to root for 498 00:23:15,960 --> 00:23:18,880 Speaker 1: and support other artists, and when she finds someone who's 499 00:23:18,880 --> 00:23:22,879 Speaker 1: stuff she likes, she's just like down, Like she she 500 00:23:23,000 --> 00:23:27,000 Speaker 1: did the score for Bottoms and like like she doesn't 501 00:23:27,040 --> 00:23:29,760 Speaker 1: need to do the score for a movie where we're 502 00:23:29,760 --> 00:23:32,720 Speaker 1: paying her five dollars, Like she doesn't need that. And 503 00:23:32,760 --> 00:23:35,159 Speaker 1: she was like I love to I'm down, like because 504 00:23:35,520 --> 00:23:38,359 Speaker 1: she like loves shit a baby and believed in me 505 00:23:38,400 --> 00:23:41,320 Speaker 1: and Emma and ioways like creator, you know what I mean. 506 00:23:41,800 --> 00:23:45,439 Speaker 1: And I just feel like she's always like looking for 507 00:23:45,520 --> 00:23:48,600 Speaker 1: ways to like bring different people together. 508 00:23:48,800 --> 00:23:50,679 Speaker 2: I agree, I agree, I think, and that was the 509 00:23:50,720 --> 00:23:51,840 Speaker 2: experience I think a. 510 00:23:51,800 --> 00:23:55,960 Speaker 1: Compensating Yeah, and he's like that too, you know, Yeah, 511 00:23:56,119 --> 00:24:00,399 Speaker 1: brings in his crew and like is really warm and 512 00:24:00,560 --> 00:24:04,400 Speaker 1: so funny yea, and like has the charisma where it's 513 00:24:04,440 --> 00:24:08,920 Speaker 1: like he's leading the show, but then also can make 514 00:24:09,040 --> 00:24:12,480 Speaker 1: everyone feel welcome on set and feel like they're at 515 00:24:12,520 --> 00:24:14,840 Speaker 1: like like almost like you're hosting a party. 516 00:24:14,920 --> 00:24:18,080 Speaker 2: Yeah. And I feel like it's such gratitude. Both Charlie 517 00:24:18,240 --> 00:24:20,720 Speaker 2: and Benny is like they've they've been through it and 518 00:24:20,720 --> 00:24:24,280 Speaker 2: they really appreciate. Charlie in particular, she understands the journey. Yeah, 519 00:24:24,440 --> 00:24:26,679 Speaker 2: and she's and she has gratitude for the fact that 520 00:24:26,720 --> 00:24:29,119 Speaker 2: she's able to have success. Yes, and I think Benny 521 00:24:29,160 --> 00:24:33,800 Speaker 2: as well, and they they share that. They share that 522 00:24:33,800 --> 00:24:34,280 Speaker 2: with the. 523 00:24:34,320 --> 00:24:35,600 Speaker 3: People that are around them. 524 00:24:35,720 --> 00:24:36,080 Speaker 1: Yeah. 525 00:24:36,119 --> 00:24:38,159 Speaker 2: And they're so welcoming, They're so happy that you're there. 526 00:24:38,200 --> 00:24:39,760 Speaker 2: They're so great soul that you're there. And that's just 527 00:24:40,200 --> 00:24:43,160 Speaker 2: that's a great world to be able to step into, 528 00:24:43,640 --> 00:24:45,520 Speaker 2: like a little film world, like our little crew, our 529 00:24:45,560 --> 00:24:46,560 Speaker 2: little posse that we have. 530 00:24:46,720 --> 00:24:48,399 Speaker 3: Yeah, it's like you want to have that. 531 00:24:48,440 --> 00:24:50,879 Speaker 2: Everyone is so happy that everyone is there, yea, everyone's 532 00:24:50,880 --> 00:24:51,720 Speaker 2: there to contribute. 533 00:24:52,240 --> 00:24:54,760 Speaker 1: Was it a dream filming? Was it so fun? 534 00:24:54,840 --> 00:24:55,480 Speaker 3: It was so fun? 535 00:24:55,640 --> 00:24:58,200 Speaker 2: Yeah, it was so fun. Yeah, it was just really 536 00:24:58,240 --> 00:24:58,640 Speaker 2: a joy. 537 00:24:58,800 --> 00:24:59,040 Speaker 1: Yeah. 538 00:24:59,080 --> 00:25:00,720 Speaker 2: And you know, I met but I didn't know, and 539 00:25:00,720 --> 00:25:03,119 Speaker 2: now you know friends and follow them and stuff just 540 00:25:03,119 --> 00:25:05,639 Speaker 2: because And it's part of why I'm doing this this podcast. 541 00:25:06,000 --> 00:25:08,800 Speaker 2: There's a creative community that exists. It's much younger than me, 542 00:25:09,040 --> 00:25:12,320 Speaker 2: much different generation that I'm interested in and I'm curious about. Yeah, 543 00:25:12,320 --> 00:25:15,200 Speaker 2: what's happening, you know what's important, And it's just it's 544 00:25:15,240 --> 00:25:17,399 Speaker 2: like a there's a real sense of family. There's a 545 00:25:17,400 --> 00:25:21,520 Speaker 2: real sense of community. Yeah, like sharing and trading back 546 00:25:21,520 --> 00:25:22,000 Speaker 2: and forth. 547 00:25:22,080 --> 00:25:24,320 Speaker 1: I think a thousand percent. And I think also like 548 00:25:24,880 --> 00:25:27,800 Speaker 1: it feels like supportive in a way that I feel 549 00:25:27,840 --> 00:25:32,000 Speaker 1: like when I was like younger growing up, or like 550 00:25:32,040 --> 00:25:34,280 Speaker 1: when I was in acting school, was like told almost 551 00:25:34,359 --> 00:25:38,640 Speaker 1: like you watch like chorus line or something or like whatever, 552 00:25:38,760 --> 00:25:40,720 Speaker 1: and it's like all the girls like cutting up each 553 00:25:40,720 --> 00:25:44,280 Speaker 1: other's shoes and whatever. Yeah, and I feel like we're 554 00:25:44,320 --> 00:25:47,639 Speaker 1: really lucky to have this group. Like Benny, like he 555 00:25:47,760 --> 00:25:50,080 Speaker 1: was shooting while I was in the writer's room. Then 556 00:25:50,119 --> 00:25:52,119 Speaker 1: we were shooting while they were editing, So he's always 557 00:25:52,160 --> 00:25:55,400 Speaker 1: like a couple like months ahead of me in the process, right, 558 00:25:55,560 --> 00:25:58,160 Speaker 1: And I would be like, the writer's room is really hard. 559 00:25:58,200 --> 00:26:00,920 Speaker 1: I I think I'm like wearing pants. I can't think 560 00:26:00,920 --> 00:26:03,120 Speaker 1: of an idea and he was like, donht my love. 561 00:26:03,560 --> 00:26:06,240 Speaker 1: Shooting is really difficult, like whatever, Like giving. 562 00:26:06,000 --> 00:26:09,920 Speaker 2: You make you feel better? Ye hard? 563 00:26:10,320 --> 00:26:14,199 Speaker 1: Yeah, like giving having being able to, like I don't know, 564 00:26:14,320 --> 00:26:18,360 Speaker 1: like share less things you've learned or things that are 565 00:26:18,400 --> 00:26:21,719 Speaker 1: fun and whatever. Like it's it's cool to have that 566 00:26:22,480 --> 00:26:23,560 Speaker 1: and have that community. 567 00:26:23,640 --> 00:26:25,320 Speaker 2: Yeah, I completely agree. And it's nice to hear that 568 00:26:25,320 --> 00:26:26,800 Speaker 2: they're sharing. And I I know what you mean. When 569 00:26:26,840 --> 00:26:29,639 Speaker 2: I was in school too, it's kind of everyone. You know, 570 00:26:29,680 --> 00:26:32,640 Speaker 2: you're all every person for themselves. Yeah, you know, you're 571 00:26:32,640 --> 00:26:34,880 Speaker 2: like okay, and you just do the best you can. 572 00:26:34,920 --> 00:26:38,440 Speaker 2: But yeah, they've been absolutely absolutely special. I want to 573 00:26:38,440 --> 00:26:42,240 Speaker 2: ask you about treaty Child and is it because I'm 574 00:26:42,280 --> 00:26:44,520 Speaker 2: so curious about the name and this name of your 575 00:26:44,520 --> 00:26:45,919 Speaker 2: production company too, isn't it? Is it not? 576 00:26:46,160 --> 00:26:46,400 Speaker 4: Yes? 577 00:26:46,480 --> 00:26:49,359 Speaker 1: Yeah, yeah, I couldn't think of any other words. I 578 00:26:49,480 --> 00:26:53,439 Speaker 1: was just like, it's already been Instagram, let's just use that. 579 00:26:53,520 --> 00:26:54,840 Speaker 3: And yeah, it was available. 580 00:26:54,880 --> 00:26:55,200 Speaker 2: That was good. 581 00:26:55,280 --> 00:26:56,119 Speaker 3: Yeah, it was no. 582 00:26:56,160 --> 00:26:57,320 Speaker 1: One knows that word. 583 00:26:57,760 --> 00:26:59,960 Speaker 2: No, And I was going to ask you so treakily, 584 00:27:00,320 --> 00:27:01,960 Speaker 2: I mean to you, I mean, I know it's a 585 00:27:02,000 --> 00:27:06,240 Speaker 2: sweet So it's okay. There's a couple of different version meanings. 586 00:27:06,240 --> 00:27:10,120 Speaker 1: So basically, when I was little, my family would call 587 00:27:10,160 --> 00:27:13,960 Speaker 1: me like a sticky child. It's like a little kid 588 00:27:14,000 --> 00:27:16,359 Speaker 1: that's like sucking on the top of their shirt and 589 00:27:16,400 --> 00:27:18,919 Speaker 1: there's like a little bit of spit here, or like 590 00:27:18,960 --> 00:27:24,200 Speaker 1: there's a little jelly here or something kind of messy. 591 00:27:24,200 --> 00:27:27,080 Speaker 2: So whenever touch you, like you're like, oh, yeah, was 592 00:27:27,240 --> 00:27:30,080 Speaker 2: in the chair and yeah. 593 00:27:30,119 --> 00:27:34,920 Speaker 1: And so I looked for sticky child on Instagram when 594 00:27:34,920 --> 00:27:38,840 Speaker 1: I first met my Instagram, and it was taken. It's 595 00:27:38,880 --> 00:27:42,399 Speaker 1: taken crazy. So then I looked up synonyms for sticky 596 00:27:42,600 --> 00:27:45,399 Speaker 1: and trickly came up. And I also saw that it 597 00:27:45,440 --> 00:27:50,080 Speaker 1: meant like emotional or messy or like mound of something 598 00:27:50,240 --> 00:27:52,640 Speaker 1: like you know what I mean. And I was like, oh, 599 00:27:52,680 --> 00:27:54,800 Speaker 1: like man, also, it's a dessert. 600 00:27:55,280 --> 00:27:56,800 Speaker 2: Yes, that's that's how I know. 601 00:27:56,880 --> 00:27:59,159 Speaker 1: An you better know I'm a dessert. So I was like, 602 00:27:59,800 --> 00:28:02,719 Speaker 1: I'm doing this and then I just did it like randomly, 603 00:28:03,000 --> 00:28:06,960 Speaker 1: like this is like when I'm in high school, I think, 604 00:28:07,080 --> 00:28:09,120 Speaker 1: like I mean, so it's like I just had it, 605 00:28:09,160 --> 00:28:10,879 Speaker 1: like maybe it was when I first got to No, 606 00:28:10,960 --> 00:28:13,560 Speaker 1: I think it was like in high school. And then 607 00:28:13,800 --> 00:28:16,879 Speaker 1: I just made it and it didn't like I didn't 608 00:28:16,920 --> 00:28:20,800 Speaker 1: think like then I'll have Instagram like ten years from now, 609 00:28:21,680 --> 00:28:22,720 Speaker 1: and you. 610 00:28:22,640 --> 00:28:23,240 Speaker 3: Were already thinking. 611 00:28:23,240 --> 00:28:25,000 Speaker 2: You already sort of had this idea in your head, 612 00:28:25,000 --> 00:28:26,040 Speaker 2: which I think is amazing. 613 00:28:26,200 --> 00:28:27,920 Speaker 1: Yeah, so that's that's how it began. 614 00:28:28,200 --> 00:28:28,640 Speaker 3: Yeah. 615 00:28:28,840 --> 00:28:31,240 Speaker 2: Yeah, it's a good story. 616 00:28:31,320 --> 00:28:31,960 Speaker 1: It's a good story. 617 00:28:32,080 --> 00:28:33,359 Speaker 3: I'm still looking for a name for me. 618 00:28:33,440 --> 00:28:34,760 Speaker 1: So what do you think? 619 00:28:34,800 --> 00:28:39,280 Speaker 2: So I have one that I like, but it's taken many, many, 620 00:28:39,280 --> 00:28:43,120 Speaker 2: many times. Yeah, just a number because and it's kind 621 00:28:43,120 --> 00:28:45,760 Speaker 2: of a I don't know, I mean, it's a nice 622 00:28:45,760 --> 00:28:48,360 Speaker 2: story to me. Anyway, the story isn't really nice, but 623 00:28:48,440 --> 00:28:50,040 Speaker 2: how what happened after the. 624 00:28:50,040 --> 00:28:50,680 Speaker 3: Story is good. 625 00:28:50,720 --> 00:28:55,440 Speaker 2: So my mom passed away January eleventh, eighty six, long 626 00:28:55,440 --> 00:28:55,880 Speaker 2: long time ago. 627 00:28:55,920 --> 00:28:58,400 Speaker 3: So it's one one one, and I didn't think much 628 00:28:58,400 --> 00:28:58,760 Speaker 3: about it. 629 00:28:58,840 --> 00:29:01,040 Speaker 2: I mean, obviously I thought a lot about her passing, 630 00:29:01,080 --> 00:29:03,360 Speaker 2: but the fact they didn't think much about the day, 631 00:29:03,480 --> 00:29:06,560 Speaker 2: it's like, you know, But and then I started seeing 632 00:29:06,680 --> 00:29:09,120 Speaker 2: everywhere one one one, yeah. 633 00:29:09,040 --> 00:29:12,200 Speaker 3: One one one one would come up wow, like a lot. 634 00:29:12,480 --> 00:29:15,120 Speaker 2: Yeah, and I was and I began to sort of go, 635 00:29:15,200 --> 00:29:19,000 Speaker 2: I think, wow, I think my mom's around. Yeah. Yeah, 636 00:29:19,240 --> 00:29:21,440 Speaker 2: it's not like I believe, you know, I'm like, they're people. 637 00:29:21,520 --> 00:29:24,400 Speaker 2: But I just said, oh, that's it's either I don't 638 00:29:24,440 --> 00:29:27,479 Speaker 2: know what's happening, obnestly you know, it's just happening. So 639 00:29:27,520 --> 00:29:28,920 Speaker 2: I whenever I see it, I just so I just 640 00:29:28,920 --> 00:29:30,760 Speaker 2: go hang mom, you know, and I think of her, 641 00:29:31,000 --> 00:29:33,200 Speaker 2: you know there, you know, for a minute, and then 642 00:29:33,240 --> 00:29:34,160 Speaker 2: I go onto my next thing. 643 00:29:34,160 --> 00:29:34,320 Speaker 4: You know. 644 00:29:34,320 --> 00:29:35,720 Speaker 2: It's not like I sit there and d it or 645 00:29:35,760 --> 00:29:38,320 Speaker 2: feel sad. Yeah, it's just oh exactly, I think of her, 646 00:29:38,920 --> 00:29:41,880 Speaker 2: you know, and I'm reminded. And but it's all that 647 00:29:41,920 --> 00:29:43,080 Speaker 2: I said. That was one idea. 648 00:29:43,160 --> 00:29:45,120 Speaker 1: So I love that idea. 649 00:29:45,120 --> 00:29:47,600 Speaker 2: It's a cool idea, and I liked you. 650 00:29:47,760 --> 00:29:50,760 Speaker 1: That it means something to you. But it's not like 651 00:29:51,640 --> 00:29:53,800 Speaker 1: same with Trickly Child in a very different way. But 652 00:29:53,840 --> 00:29:56,640 Speaker 1: it's like you have to sort of not everyone knows 653 00:29:56,680 --> 00:29:59,000 Speaker 1: what the meaning is at a glance, do you know 654 00:29:59,040 --> 00:30:02,800 Speaker 1: what I mean? But you know, but it's sort of like, 655 00:30:02,920 --> 00:30:03,760 Speaker 1: oh what is. 656 00:30:03,680 --> 00:30:05,760 Speaker 2: That a little bit of a mystery. Yeah, it has 657 00:30:05,840 --> 00:30:08,600 Speaker 2: power I think because because of that everything is. 658 00:30:08,680 --> 00:30:11,320 Speaker 3: Yeah, people don't necessarily know exactly what. 659 00:30:10,880 --> 00:30:13,480 Speaker 1: What it is, what it is totally totally. 660 00:30:13,080 --> 00:30:16,280 Speaker 3: But I don't know. But but you know, treakily Kyle. 661 00:30:17,560 --> 00:30:21,880 Speaker 1: Kyle, we vote you you I we asserted the Trickly Wars. 662 00:30:22,080 --> 00:30:24,720 Speaker 1: I'm like literally like, hey, back off, back off my hand. 663 00:30:24,800 --> 00:30:26,080 Speaker 2: Trickly no, no, no, no. 664 00:30:25,880 --> 00:30:28,680 Speaker 4: No. 665 00:30:34,520 --> 00:30:34,760 Speaker 1: Girl. 666 00:30:35,120 --> 00:30:37,400 Speaker 2: I feel like but I got a sense of this 667 00:30:37,440 --> 00:30:40,360 Speaker 2: is a very when we talked about claustrophobic, right. 668 00:30:40,600 --> 00:30:44,800 Speaker 1: I remember Emma Seligman, the writer director, being so like 669 00:30:44,920 --> 00:30:48,680 Speaker 1: being being so giving, so many like notes and thoughts 670 00:30:48,680 --> 00:30:50,800 Speaker 1: of being like, it's really got a hit because we 671 00:30:50,840 --> 00:30:54,040 Speaker 1: didn't have it was like a super indie movie. And 672 00:30:54,080 --> 00:30:57,120 Speaker 1: then we didn't have a film festival premiere because of COVID. 673 00:30:57,600 --> 00:31:01,080 Speaker 1: So I remember them being like this, we this is 674 00:31:01,120 --> 00:31:04,800 Speaker 1: all we have in Shiva. Baby. It's very much that 675 00:31:04,960 --> 00:31:08,000 Speaker 1: like end of college, sort of like when you're like, 676 00:31:08,120 --> 00:31:11,720 Speaker 1: oh shit, like I'm entering the real world, like what's 677 00:31:11,760 --> 00:31:15,680 Speaker 1: going to happen whatever? And then I feel like I 678 00:31:15,760 --> 00:31:18,840 Speaker 1: love la is a little bit more like end of 679 00:31:18,880 --> 00:31:22,000 Speaker 1: your twenties sat in Return, which I want to hear 680 00:31:22,280 --> 00:31:24,080 Speaker 1: about yours. 681 00:31:23,720 --> 00:31:24,720 Speaker 3: Remember in Return? 682 00:31:24,840 --> 00:31:25,200 Speaker 1: You do? 683 00:31:25,640 --> 00:31:25,920 Speaker 4: Yeah? 684 00:31:26,040 --> 00:31:30,360 Speaker 1: Yeah, wait what sign are you? Oh my god? Okay, 685 00:31:30,600 --> 00:31:34,080 Speaker 1: so here's the thing. I'm a virgo. So we're in 686 00:31:35,160 --> 00:31:35,920 Speaker 1: but that's together. 687 00:31:36,520 --> 00:31:37,480 Speaker 3: Yeah we're perfect. 688 00:31:37,600 --> 00:31:39,200 Speaker 2: Yeah, yeah, we're perfect together. 689 00:31:39,880 --> 00:31:40,400 Speaker 1: I love it. 690 00:31:40,600 --> 00:31:42,160 Speaker 3: We can make a whole person, We can. 691 00:31:42,040 --> 00:31:45,000 Speaker 1: Make all persons. Okay, we together, we could be normal, 692 00:31:46,760 --> 00:31:50,200 Speaker 1: and we strive, we can get really close. But it's 693 00:31:50,280 --> 00:31:52,719 Speaker 1: like you go through hard lessons in your early twenties 694 00:31:52,760 --> 00:31:54,640 Speaker 1: and then the middle of your twenties is sort of 695 00:31:54,720 --> 00:31:56,720 Speaker 1: evens out and you're like, oh, yeah, okay, or it's 696 00:31:56,720 --> 00:31:59,520 Speaker 1: COVID and you're just in your parents' basement. But then 697 00:32:00,240 --> 00:32:01,840 Speaker 1: in the end of your twenties you're sort of like, 698 00:32:01,880 --> 00:32:05,320 Speaker 1: wait a second, fuck, I'm about to be thirty, Like 699 00:32:05,480 --> 00:32:07,520 Speaker 1: is this my life? Or am I changing my whole life? 700 00:32:07,560 --> 00:32:11,479 Speaker 1: And then it like everything gets shaken up and you 701 00:32:11,600 --> 00:32:14,760 Speaker 1: land hopefully where you're supposed to land. Yeah, but that's 702 00:32:15,640 --> 00:32:18,920 Speaker 1: a little bit more the chaos, And I'll say it 703 00:32:19,040 --> 00:32:22,880 Speaker 1: hits different like being chaotic. When you're like twenty three, 704 00:32:23,800 --> 00:32:27,720 Speaker 1: you're like, I'm drinking in the daytime, I'm doing poppers outside. 705 00:32:27,880 --> 00:32:30,280 Speaker 1: I don't care because you know, you have time to 706 00:32:30,360 --> 00:32:33,600 Speaker 1: fuck up. When you're like twenty eight, you're having a 707 00:32:33,640 --> 00:32:36,040 Speaker 1: fuck up, but you're like, I have to go to 708 00:32:36,080 --> 00:32:37,840 Speaker 1: work tomorrow and I don't even know if I want 709 00:32:37,840 --> 00:32:40,400 Speaker 1: this job. And then am I keeping that my boyfriend? 710 00:32:40,520 --> 00:32:43,080 Speaker 1: Like it's so much more serious because it's not as 711 00:32:43,240 --> 00:32:46,120 Speaker 1: fun to be like messy and free, you know what I. 712 00:32:46,000 --> 00:32:47,880 Speaker 2: Mean, Yeah, completely one side or the other. And that's 713 00:32:48,160 --> 00:32:49,479 Speaker 2: I love A lay is like that. I mean, got 714 00:32:49,520 --> 00:32:51,360 Speaker 2: your character in there's like you're trying to like hold 715 00:32:51,360 --> 00:32:53,400 Speaker 2: things together, yes, and your friend comes a visiting and 716 00:32:53,440 --> 00:32:55,360 Speaker 2: you're like ripping. Yeah. 717 00:32:55,440 --> 00:32:57,880 Speaker 1: But do you remember did you have a moment at 718 00:32:57,880 --> 00:33:00,560 Speaker 1: the end of your twenties where you're like, everything's I 719 00:33:00,600 --> 00:33:02,680 Speaker 1: don't know what's happening, everything's getting shaken. 720 00:33:02,480 --> 00:33:09,320 Speaker 2: Up, still happening. Actually, no, I don't know what's happening. Yeah, 721 00:33:09,400 --> 00:33:12,600 Speaker 2: you know it was. It was definitely a move into 722 00:33:13,720 --> 00:33:17,840 Speaker 2: something else. So I had a long term relationship that 723 00:33:17,960 --> 00:33:20,280 Speaker 2: ended and then and then I kind of had a 724 00:33:20,320 --> 00:33:22,360 Speaker 2: little quick, short of relationship and then I got into 725 00:33:22,360 --> 00:33:25,280 Speaker 2: something else long again. I got him in my early thirties, 726 00:33:25,800 --> 00:33:29,440 Speaker 2: and it was I basically just sort of stepped away 727 00:33:30,360 --> 00:33:33,320 Speaker 2: from the business in a weird way, and I just 728 00:33:33,480 --> 00:33:36,320 Speaker 2: I got involved in the fashion world more in that 729 00:33:36,400 --> 00:33:38,640 Speaker 2: in that arena, and it was so interesting to me 730 00:33:38,680 --> 00:33:41,520 Speaker 2: because the film business was hard, yeah, and I was 731 00:33:41,640 --> 00:33:44,680 Speaker 2: and I was not. I was not progressing, So I 732 00:33:44,720 --> 00:33:46,760 Speaker 2: was kind of treading water and I said, well, this 733 00:33:46,800 --> 00:33:47,680 Speaker 2: isn't really working. 734 00:33:48,600 --> 00:33:49,640 Speaker 3: I don't know what else to do. 735 00:33:49,720 --> 00:33:53,440 Speaker 2: So I basically just took a holiday six year vacation. 736 00:33:53,360 --> 00:33:56,680 Speaker 1: Which is powerful. I think I don't be able, no, 737 00:33:56,800 --> 00:33:58,680 Speaker 1: but I think to be able to like. 738 00:33:59,160 --> 00:34:00,680 Speaker 2: Can I take my crownd just for a second? 739 00:34:00,720 --> 00:34:04,640 Speaker 1: Of course, heavy head the ground? 740 00:34:04,880 --> 00:34:07,520 Speaker 2: I know, heavy, it's so beautiful, but it's also a 741 00:34:07,600 --> 00:34:10,480 Speaker 2: little it's a little bit I'm gonna sitt here for 742 00:34:10,520 --> 00:34:11,200 Speaker 2: just one second. 743 00:34:11,360 --> 00:34:14,080 Speaker 1: But I think it's powerful to be like if this 744 00:34:14,360 --> 00:34:18,759 Speaker 1: is not if I'm not feeling like creatively fulfilled or 745 00:34:18,840 --> 00:34:22,279 Speaker 1: like inspire or whatever, or if I'm feeling frustrated, I 746 00:34:22,280 --> 00:34:24,680 Speaker 1: think there's something like in the same way that it's 747 00:34:24,719 --> 00:34:27,800 Speaker 1: like if you're dating someone and they're treating you like 748 00:34:27,840 --> 00:34:30,600 Speaker 1: shit and you're like, I'm good, love you walk away, 749 00:34:30,640 --> 00:34:31,600 Speaker 1: they go, where do you go? 750 00:34:31,840 --> 00:34:31,960 Speaker 3: Right? 751 00:34:32,160 --> 00:34:34,719 Speaker 1: I miss you? I need you? Sorry too late. Yeah, 752 00:34:34,719 --> 00:34:37,120 Speaker 1: But it's like I think, and finding other things that 753 00:34:37,160 --> 00:34:40,680 Speaker 1: fulfill you, because I do think it's a really brutal, 754 00:34:41,160 --> 00:34:45,000 Speaker 1: hard industry, and like I feel like since I graduated college, 755 00:34:45,040 --> 00:34:47,760 Speaker 1: there's been like there was COVID, there was a strike, 756 00:34:47,920 --> 00:34:51,200 Speaker 1: like all these things shifting and changing the industry, and 757 00:34:51,239 --> 00:34:55,080 Speaker 1: it's like so hard to ever feel like in control 758 00:34:55,360 --> 00:34:59,560 Speaker 1: or ground. You know, it never feels like enough. So 759 00:34:59,640 --> 00:35:02,120 Speaker 1: I think I think it's I think it's very powerful 760 00:35:02,120 --> 00:35:03,200 Speaker 1: to be creative. 761 00:35:03,280 --> 00:35:05,280 Speaker 3: Energy is very strong. 762 00:35:05,400 --> 00:35:08,920 Speaker 2: I mean between the acting, the producing, the writing, you know, 763 00:35:09,000 --> 00:35:11,400 Speaker 2: these are this is, this is, these are all powerful 764 00:35:11,400 --> 00:35:13,680 Speaker 2: forces at work. I think I felt with mine, I 765 00:35:13,719 --> 00:35:15,839 Speaker 2: was just like, you know what I'm I'm not really 766 00:35:15,880 --> 00:35:17,440 Speaker 2: going where I want to go. And I think, honestly, 767 00:35:17,440 --> 00:35:19,600 Speaker 2: I think I needed to grow up a little bit. Yeah, 768 00:35:19,640 --> 00:35:21,319 Speaker 2: I have a better understanding of what I was here 769 00:35:21,360 --> 00:35:23,480 Speaker 2: for and what I was doing. Even though I'd started 770 00:35:23,520 --> 00:35:26,279 Speaker 2: strong with David and then you know, it kind of 771 00:35:26,560 --> 00:35:30,120 Speaker 2: segued into and then Peaks was great, but there were 772 00:35:30,239 --> 00:35:32,000 Speaker 2: long periods of time where I was like, I just 773 00:35:32,040 --> 00:35:35,200 Speaker 2: I'm not Yeah, all cylinders are not working. 774 00:35:35,520 --> 00:35:39,760 Speaker 1: Also, sometimes when you have an amazing, like amazing experiences 775 00:35:39,880 --> 00:35:43,600 Speaker 1: early on, then it almost feels like how am I 776 00:35:43,640 --> 00:35:44,400 Speaker 1: ever going to match that? 777 00:35:44,560 --> 00:35:46,000 Speaker 2: Yeah, you know that's true. 778 00:35:46,320 --> 00:35:47,440 Speaker 3: That was part of the journey. 779 00:35:47,520 --> 00:35:50,839 Speaker 1: Yeah, where it's like or or sometimes I think it's 780 00:35:50,840 --> 00:35:53,400 Speaker 1: like you have an experience like the experience I had 781 00:35:53,440 --> 00:35:56,600 Speaker 1: on Ship a Baby was so like because no, there 782 00:35:56,680 --> 00:35:59,640 Speaker 1: was no expectation it was just us. It was like 783 00:35:59,719 --> 00:36:02,319 Speaker 1: our friends making a movie in one house. I was like, 784 00:36:02,560 --> 00:36:05,520 Speaker 1: this feels so intimate and fun and small. Then all 785 00:36:05,520 --> 00:36:08,200 Speaker 1: of a sudden, there's new pressure and there's all these 786 00:36:08,239 --> 00:36:10,440 Speaker 1: people to answer to and whatever, and it's like, how 787 00:36:10,440 --> 00:36:13,160 Speaker 1: do I get back the feeling of being with like 788 00:36:13,920 --> 00:36:17,439 Speaker 1: three of my friends in a little house. Yeah, and that, yes, 789 00:36:17,600 --> 00:36:19,319 Speaker 1: how do I get that? You know what I mean? 790 00:36:19,640 --> 00:36:24,680 Speaker 1: So it's like you're always chasing that initial high or experience. 791 00:36:24,760 --> 00:36:29,080 Speaker 2: Yeah, yeah, I agree. The other actors in She If 792 00:36:29,160 --> 00:36:33,960 Speaker 2: a Baby or so wonderful, the faces, the characters. 793 00:36:33,680 --> 00:36:36,600 Speaker 1: Molly Gordon is amazing. That's where I first met her 794 00:36:36,880 --> 00:36:40,399 Speaker 1: and now she's one of my best friends. Yeah, but like, yeah, 795 00:36:40,440 --> 00:36:44,640 Speaker 1: I was like, so I didn't realize how special it was, 796 00:36:44,680 --> 00:36:48,800 Speaker 1: I think until later where I was like that was crazy, 797 00:36:48,840 --> 00:36:49,720 Speaker 1: that was so special. 798 00:36:49,880 --> 00:36:52,319 Speaker 2: Yeah. That's something else too, when you start like that, 799 00:36:52,360 --> 00:36:55,719 Speaker 2: the way I started working with really extraordinary people, kind 800 00:36:55,719 --> 00:36:58,040 Speaker 2: of going oh, so this is how it's done, and 801 00:36:58,160 --> 00:37:00,359 Speaker 2: not really understanding or appreciating it, you know. 802 00:37:00,400 --> 00:37:04,080 Speaker 1: And later you're like, oh my god, yeah, not everyone's 803 00:37:04,120 --> 00:37:04,760 Speaker 1: on this level. 804 00:37:04,880 --> 00:37:05,120 Speaker 3: Yeah. 805 00:37:05,200 --> 00:37:07,680 Speaker 2: Yeah, that's an interesting thing to be able to understand, 806 00:37:07,840 --> 00:37:09,560 Speaker 2: you know, I don't know if it's if it's true, 807 00:37:09,600 --> 00:37:13,960 Speaker 2: because I'm so focused now on on overcompensating and so 808 00:37:14,200 --> 00:37:17,200 Speaker 2: kind of in the world of younger creatives. But it 809 00:37:17,239 --> 00:37:21,040 Speaker 2: feels like there's this movement, like a a young millennial 810 00:37:21,080 --> 00:37:26,239 Speaker 2: gen Z movement in the creative world that is compelling, 811 00:37:26,640 --> 00:37:29,800 Speaker 2: you know, And I'm working with with creatives like Benny 812 00:37:29,960 --> 00:37:32,960 Speaker 2: and some of the cast and watching your stuff, I'm going, 813 00:37:33,000 --> 00:37:35,160 Speaker 2: there's there's there are new voices that are coming up 814 00:37:35,160 --> 00:37:37,760 Speaker 2: that are very exciting. Do you feel like you're part 815 00:37:37,800 --> 00:37:40,799 Speaker 2: of a new wave or a new. 816 00:37:41,000 --> 00:37:44,080 Speaker 1: I would say, I feel like, yeah, there's like a 817 00:37:44,280 --> 00:37:46,680 Speaker 1: I call it my grade. I'm like, we're in the 818 00:37:46,680 --> 00:37:50,479 Speaker 1: same grade kind of okay, and I feel like our 819 00:37:50,520 --> 00:37:55,719 Speaker 1: grade is like coming or graduating or it's like we're 820 00:37:55,880 --> 00:37:58,759 Speaker 1: sort of like you look around and you're like, wait 821 00:37:58,800 --> 00:38:01,120 Speaker 1: a second. My friend as a show, like Benny is 822 00:38:01,160 --> 00:38:04,279 Speaker 1: a show, and then Owen's on an amazing show, and 823 00:38:04,320 --> 00:38:07,760 Speaker 1: he's also on Benny's show, Like you look around, Jordan's 824 00:38:07,760 --> 00:38:10,520 Speaker 1: on my show. He's directing his first movie, like Io 825 00:38:11,120 --> 00:38:15,759 Speaker 1: is like doing amazing movies, like huge dramatic movies, but 826 00:38:15,800 --> 00:38:19,759 Speaker 1: then still doing like funny comedy stuff. Molly's off making 827 00:38:19,800 --> 00:38:22,080 Speaker 1: a move like yeah, but I was writing something like 828 00:38:22,120 --> 00:38:25,759 Speaker 1: it's like I feel like my grade is like we 829 00:38:25,920 --> 00:38:29,760 Speaker 1: all came up together, and so it's cool to see 830 00:38:29,880 --> 00:38:33,480 Speaker 1: everyone like doing their thing and doing stuff together, but 831 00:38:33,640 --> 00:38:37,160 Speaker 1: doing you know, I think that's really special. 832 00:38:37,239 --> 00:38:40,600 Speaker 2: That's what I'm I'm I'm just just kind of. 833 00:38:40,520 --> 00:38:41,360 Speaker 3: Getting a sense of it. 834 00:38:41,440 --> 00:38:43,239 Speaker 2: I mean, as you can see, I'm kind of trying 835 00:38:43,239 --> 00:38:43,839 Speaker 2: to describe something. 836 00:38:43,880 --> 00:38:45,319 Speaker 3: I don't really know what I'm saying, but it's like. 837 00:38:45,520 --> 00:38:48,160 Speaker 2: I feel like there is a lot of creative. 838 00:38:47,920 --> 00:38:48,919 Speaker 3: Yeah right now. 839 00:38:49,000 --> 00:38:51,359 Speaker 2: Yeah, it's good in a certain group and all doing 840 00:38:51,360 --> 00:38:52,160 Speaker 2: interesting stuff. 841 00:38:53,000 --> 00:38:55,920 Speaker 1: So yeah, I think I think I was. I feel 842 00:38:55,920 --> 00:38:59,879 Speaker 1: like we're hopefully leaving the period of our careers where 843 00:38:59,880 --> 00:39:03,520 Speaker 1: it's like just try starting or whatever. Like I think 844 00:39:03,560 --> 00:39:06,000 Speaker 1: people are getting to do their things, you know what 845 00:39:06,000 --> 00:39:08,799 Speaker 1: I mean, instead of like trying to prove themselves to 846 00:39:08,840 --> 00:39:10,840 Speaker 1: get to do the thing. It's like we're getting to 847 00:39:10,880 --> 00:39:13,160 Speaker 1: do the thing and make the stuff we want. 848 00:39:13,239 --> 00:39:15,000 Speaker 2: Yeah, And I do feel like, and I've talked about 849 00:39:15,000 --> 00:39:17,640 Speaker 2: this a little bit, is that there's there you try 850 00:39:17,640 --> 00:39:20,319 Speaker 2: a lot of different things, Like there's no thinking back 851 00:39:20,360 --> 00:39:23,759 Speaker 2: to my let's say, my generation where you kind of 852 00:39:24,120 --> 00:39:25,360 Speaker 2: not staying your lane necessarily. 853 00:39:25,360 --> 00:39:26,000 Speaker 3: But you're an actor. 854 00:39:26,120 --> 00:39:28,560 Speaker 2: Yeah, maybe you do a little bit of something here there, 855 00:39:28,560 --> 00:39:31,600 Speaker 2: But in this generation, everything everything. 856 00:39:31,680 --> 00:39:36,800 Speaker 1: Yeah, I'm a video ho, I'm a writer, I'm show running, 857 00:39:37,200 --> 00:39:39,840 Speaker 1: I'm doing you know what I mean. You get to dabble. 858 00:39:39,920 --> 00:39:40,720 Speaker 1: It's really fun. 859 00:39:40,840 --> 00:39:41,080 Speaker 2: Yeah. 860 00:39:41,160 --> 00:39:43,239 Speaker 1: The only thing that's hard about dabbling is that I'm like, 861 00:39:43,960 --> 00:39:47,200 Speaker 1: the schedule gets overwhelming, and then you want to do everything, 862 00:39:47,280 --> 00:39:49,440 Speaker 1: you know what I mean? Yeah, that part is tricky, 863 00:39:49,480 --> 00:39:52,560 Speaker 1: but I think it's it's really freeing to be able 864 00:39:52,600 --> 00:39:54,960 Speaker 1: to do different stuff. And for me that came from 865 00:39:55,000 --> 00:39:57,080 Speaker 1: a place of being like, no one's ever going to 866 00:39:57,120 --> 00:39:59,200 Speaker 1: cast me in anything. I better write something, you know 867 00:39:59,239 --> 00:40:02,040 Speaker 1: what I mean. But then you're like, oh, I love writing, 868 00:40:02,239 --> 00:40:04,720 Speaker 1: you know. But like you get to do multiple things 869 00:40:04,760 --> 00:40:10,120 Speaker 1: and you're doing that too. I am now yeah, podcasting, acting, like. 870 00:40:10,120 --> 00:40:11,560 Speaker 2: Wine business and everything love. 871 00:40:11,800 --> 00:40:13,759 Speaker 3: Yeah, and that is oh my god, I need a 872 00:40:13,800 --> 00:40:14,520 Speaker 3: wine business. 873 00:40:15,440 --> 00:40:19,040 Speaker 1: You guys are drinking all the time. Yes, I gotta 874 00:40:19,120 --> 00:40:19,359 Speaker 1: do that. 875 00:40:20,560 --> 00:40:21,720 Speaker 2: Do you enjoy? Yeah? 876 00:40:22,480 --> 00:40:26,760 Speaker 1: Okay, not like crazy, but why I like wine? 877 00:40:26,880 --> 00:40:27,280 Speaker 3: Yeah? 878 00:40:27,360 --> 00:40:28,720 Speaker 2: Yeah, it's nice with food. 879 00:40:28,840 --> 00:40:30,000 Speaker 3: I like it with. 880 00:40:29,920 --> 00:40:32,680 Speaker 1: Food with cheese and I can't even eat cheese, but 881 00:40:32,719 --> 00:40:34,759 Speaker 1: I do with the right wine just because I get 882 00:40:34,840 --> 00:40:39,520 Speaker 1: really party. But it's like just like friends, Yeah, you 883 00:40:39,560 --> 00:40:41,560 Speaker 1: have to be around friends, or it's like you leave 884 00:40:41,680 --> 00:40:44,319 Speaker 1: in time and then you go be alone, you know, 885 00:40:45,560 --> 00:40:46,760 Speaker 1: or you go where it's summer. 886 00:40:47,880 --> 00:40:50,839 Speaker 2: Son and and you don't and you don't like. 887 00:40:50,800 --> 00:40:53,279 Speaker 1: Whatever, deal with it. Get it good for him. 888 00:40:53,640 --> 00:40:56,239 Speaker 2: This is so, this is our Halloween episode. But of course, 889 00:40:56,480 --> 00:40:58,120 Speaker 2: as you can tell, because looking at us, we are 890 00:40:58,160 --> 00:41:02,760 Speaker 2: crazy and drested, very strange. How did that happen? 891 00:41:02,960 --> 00:41:03,400 Speaker 1: I love it? 892 00:41:03,440 --> 00:41:05,560 Speaker 2: You started it? No, we went started. 893 00:41:06,400 --> 00:41:06,880 Speaker 3: I love it. 894 00:41:07,320 --> 00:41:10,200 Speaker 2: And the set is supporting our Halloween Yeah, totally sorry. 895 00:41:10,239 --> 00:41:11,560 Speaker 3: If you can't see this, it's really fun. 896 00:41:11,640 --> 00:41:13,680 Speaker 1: If you can't see this, it's on you like, turn 897 00:41:13,719 --> 00:41:15,719 Speaker 1: it on, turn it on the camera. 898 00:41:15,640 --> 00:41:18,120 Speaker 2: Come on, get busy. So I did come up with 899 00:41:18,160 --> 00:41:20,600 Speaker 2: an idea for a little segment just for some fuff. 900 00:41:20,680 --> 00:41:23,560 Speaker 2: It's called Spooky Season Showdown. But before we get to that, 901 00:41:23,920 --> 00:41:27,799 Speaker 2: let me ask you about like a favorite Halloween costume maybe, 902 00:41:27,920 --> 00:41:29,040 Speaker 2: or Halloween memories. 903 00:41:29,160 --> 00:41:30,640 Speaker 1: I have a traumatic Halloween memory. 904 00:41:30,760 --> 00:41:33,200 Speaker 2: That's because most Halloween, yeah memories are traumatic. 905 00:41:33,280 --> 00:41:35,480 Speaker 1: Got some way got my period? Got your period on 906 00:41:35,520 --> 00:41:39,560 Speaker 1: Halloween for the first time? Wow, mid trick or treat. 907 00:41:39,640 --> 00:41:44,080 Speaker 2: Mid trick or treating the worst time you missed out 908 00:41:44,120 --> 00:41:44,480 Speaker 2: on I. 909 00:41:44,440 --> 00:41:48,680 Speaker 1: Know, well, no, I kept going, kept going because Rachel 910 00:41:49,560 --> 00:41:53,920 Speaker 1: I was just like, what's happening? And I was also 911 00:41:53,960 --> 00:41:55,960 Speaker 1: sort of like, I don't my parents told me not 912 00:41:56,040 --> 00:41:58,759 Speaker 1: to go pee in someone else's house, but I know 913 00:41:58,840 --> 00:42:01,239 Speaker 1: something's going on, but I'm like too embarrassed it tell 914 00:42:01,320 --> 00:42:01,720 Speaker 1: the group. 915 00:42:03,239 --> 00:42:06,239 Speaker 2: It could have been like in Carry movie Carry and yeah, if. 916 00:42:06,200 --> 00:42:09,000 Speaker 1: I was carry, Oh, that would have been perfect. It 917 00:42:09,040 --> 00:42:12,360 Speaker 1: was just it was just trigger treating while perioding myself 918 00:42:12,400 --> 00:42:13,960 Speaker 1: for the first times. 919 00:42:14,600 --> 00:42:16,480 Speaker 2: My story is not nearly as interesting as that my 920 00:42:16,480 --> 00:42:18,919 Speaker 2: best costume. I had a couple that I thought were 921 00:42:19,080 --> 00:42:21,799 Speaker 2: pretty good. I like to make my make out up 922 00:42:21,840 --> 00:42:23,560 Speaker 2: and make my own thing. I don't like the sort 923 00:42:23,560 --> 00:42:25,920 Speaker 2: of store about stuff. So I had one year I 924 00:42:26,000 --> 00:42:29,520 Speaker 2: was the unfortunate somolier thinking in the wine world, so 925 00:42:29,560 --> 00:42:32,120 Speaker 2: I had a broken bottle on my head, lash of 926 00:42:32,160 --> 00:42:35,600 Speaker 2: glasses blood. And then another year I was the unfortunate golfer. 927 00:42:35,719 --> 00:42:38,200 Speaker 2: I grew up playing golf. I had I had a 928 00:42:38,239 --> 00:42:40,200 Speaker 2: golf ball sort of stuck to my forehead, and I 929 00:42:40,239 --> 00:42:42,920 Speaker 2: had modeling wax. You know, I do a little have 930 00:42:42,960 --> 00:42:45,120 Speaker 2: a little skill with with doing special effect stuff, and 931 00:42:45,160 --> 00:42:46,720 Speaker 2: I made it like it was embedded in my skull. 932 00:42:47,239 --> 00:42:50,080 Speaker 2: And those were good because they were very simple. But yeah, 933 00:42:50,120 --> 00:42:51,399 Speaker 2: you know, it's like you want to have something that's 934 00:42:51,400 --> 00:42:52,960 Speaker 2: like really when you see you're like you neque, I 935 00:42:52,960 --> 00:42:53,319 Speaker 2: get it. 936 00:42:53,280 --> 00:42:55,680 Speaker 1: I get it. Yeah, unique, but not so you're not 937 00:42:55,800 --> 00:42:58,560 Speaker 1: standing there explaining it for forty minutes and they're like. 938 00:42:58,520 --> 00:43:01,840 Speaker 2: Oh yeah, not so obscure that it's like the golf ball. 939 00:43:01,640 --> 00:43:07,439 Speaker 1: That rolled under the whatever in that golf movie. And see, 940 00:43:07,480 --> 00:43:10,239 Speaker 1: I don't even know what I'm saying. I was oat 941 00:43:10,280 --> 00:43:12,440 Speaker 1: milk one yere and that was I was like sexy 942 00:43:12,480 --> 00:43:15,960 Speaker 1: oat mill. That was simple. I don't ever really go 943 00:43:16,040 --> 00:43:17,040 Speaker 1: crazy like last year. 944 00:43:17,040 --> 00:43:21,320 Speaker 2: Was a nurse, right, but like a tag, I've. 945 00:43:21,160 --> 00:43:24,480 Speaker 1: Been like a lion. I'm just I'm just trying to 946 00:43:24,520 --> 00:43:28,160 Speaker 1: be Usually I find a piece of clothing that I 947 00:43:28,239 --> 00:43:32,399 Speaker 1: want to wear and then I build around that. I'm 948 00:43:32,400 --> 00:43:36,880 Speaker 1: like red bra top, I'm a devil. I take it 949 00:43:36,920 --> 00:43:37,319 Speaker 1: from there. 950 00:43:37,760 --> 00:43:37,840 Speaker 4: Now. 951 00:43:38,160 --> 00:43:40,160 Speaker 2: That's kind of how kind of way you build a character. 952 00:43:40,680 --> 00:43:43,360 Speaker 2: Is it similar? No where did that start? 953 00:43:43,800 --> 00:43:48,520 Speaker 1: That kind of starts from hopefully the script, but the oh, 954 00:43:48,640 --> 00:43:50,600 Speaker 1: like building an idea. 955 00:43:49,840 --> 00:43:52,960 Speaker 2: Yeah, either the idea, or you read something a character like, oh, 956 00:43:53,000 --> 00:43:55,040 Speaker 2: I'm beginning to feel this character, this thing. 957 00:43:56,040 --> 00:43:58,120 Speaker 1: That's like something that you want to I guess it's 958 00:43:58,160 --> 00:43:59,719 Speaker 1: kind of similar to something you want to wear, something 959 00:43:59,760 --> 00:44:02,279 Speaker 1: you want to do, Yeah, you want to walk? Yeah, 960 00:44:02,360 --> 00:44:04,680 Speaker 1: you just find something that's like exciting and then from. 961 00:44:04,520 --> 00:44:06,960 Speaker 2: There yeah yeah, does it come from the read just like, oh, 962 00:44:07,000 --> 00:44:08,359 Speaker 2: I start to feel a certain way. 963 00:44:08,400 --> 00:44:10,640 Speaker 1: I think you start to feel a certain way I do, Yeah, 964 00:44:10,880 --> 00:44:11,080 Speaker 1: you do? 965 00:44:11,360 --> 00:44:11,600 Speaker 4: I do? 966 00:44:11,760 --> 00:44:13,640 Speaker 2: Yeah, yeah, yeah. I sort of triggers something I don't 967 00:44:13,680 --> 00:44:15,759 Speaker 2: even know where it starts, and it just starts to 968 00:44:16,160 --> 00:44:18,080 Speaker 2: it starts to grow up, bubbles up. 969 00:44:18,640 --> 00:44:19,640 Speaker 3: It's fantastic. 970 00:44:20,080 --> 00:44:24,120 Speaker 2: The red bra bubble up. That's perfect. So anyway, we're 971 00:44:24,120 --> 00:44:25,799 Speaker 2: gonna we're gonna come. When we come back, we're gonna 972 00:44:25,840 --> 00:44:30,839 Speaker 2: have this cool segment. It's called Spooky Season Showdown. You 973 00:44:31,080 --> 00:44:34,440 Speaker 2: and are going to take turns reading lines from iconic 974 00:44:34,520 --> 00:44:37,640 Speaker 2: Halloween characters. Try and guess which film it comes from. 975 00:44:37,920 --> 00:44:38,520 Speaker 3: This is what I do. 976 00:44:38,640 --> 00:44:49,320 Speaker 2: So when we come back, we're going to get into it. Okay, 977 00:44:49,320 --> 00:44:51,400 Speaker 2: we're back, Rachel, so have you here here? 978 00:44:51,480 --> 00:44:52,200 Speaker 3: This is so good. 979 00:44:52,320 --> 00:44:55,319 Speaker 1: I'm having am so glad to hear it, and I 980 00:44:55,360 --> 00:44:58,040 Speaker 1: love how spooky we're getting. We're getting spooky. 981 00:44:58,719 --> 00:44:59,160 Speaker 4: My hat. 982 00:45:00,960 --> 00:45:03,319 Speaker 2: Keep changing here, I don't know what's happening. Okay, this 983 00:45:03,400 --> 00:45:05,640 Speaker 2: is the spooky season showdown I talked about. Now that 984 00:45:05,680 --> 00:45:08,000 Speaker 2: we're back from our break, tell the people what you're wearing. 985 00:45:08,280 --> 00:45:11,680 Speaker 2: So I'm wearing a fetching number. I'm wearing satin blue, 986 00:45:11,800 --> 00:45:16,240 Speaker 2: baby blue, and there is a wig involved. It's my aunt, Sandy. 987 00:45:17,560 --> 00:45:17,759 Speaker 1: Head. 988 00:45:17,960 --> 00:45:20,239 Speaker 2: Yeah. And now I have on my head a hat. 989 00:45:20,760 --> 00:45:23,160 Speaker 2: Oh yeah, appointed appointed hat. 990 00:45:23,440 --> 00:45:25,799 Speaker 3: I guess commonly referred to as a witch's hat. 991 00:45:25,840 --> 00:45:28,719 Speaker 1: They're just misunderstood, but it feels good. Yeah. I just 992 00:45:28,800 --> 00:45:30,879 Speaker 1: kept my costume from before because I love it. Yeah. 993 00:45:30,960 --> 00:45:35,360 Speaker 2: No, it's perfect and it suits you. Princess, Yeah, a princess. Okay, 994 00:45:35,400 --> 00:45:38,600 Speaker 2: So these are these are iconic lines from from scary movies, 995 00:45:38,600 --> 00:45:41,520 Speaker 2: horror movies, and we're gonna try and guess the movie 996 00:45:42,120 --> 00:45:44,240 Speaker 2: and possibly who may. 997 00:45:44,120 --> 00:45:45,080 Speaker 1: Have said it. 998 00:45:45,320 --> 00:45:47,799 Speaker 2: Yeah, I love it. So shall I go first? 999 00:45:47,920 --> 00:45:48,080 Speaker 1: Yeah? 1000 00:45:48,480 --> 00:45:49,160 Speaker 3: I want to go first. 1001 00:45:49,680 --> 00:45:54,400 Speaker 2: I smell a child. I smell a chi. I just 1002 00:45:54,440 --> 00:45:57,200 Speaker 2: want to keep saying the lights. I smell a child. 1003 00:45:57,280 --> 00:46:01,240 Speaker 2: Take two, Take three, Okay, this is a Michael Myers 1004 00:46:01,280 --> 00:46:13,440 Speaker 2: Halloween b beetlejuice see Mary Sanderson Pocus Pocus Mary. I know. 1005 00:46:13,560 --> 00:46:16,839 Speaker 1: I was like, that's that's a that's a girl, that's 1006 00:46:16,840 --> 00:46:17,880 Speaker 1: a diva exactly. 1007 00:46:18,840 --> 00:46:20,120 Speaker 3: Yes, yeah, the whole thing. 1008 00:46:20,160 --> 00:46:21,320 Speaker 1: That was a fabulous raading. 1009 00:46:21,480 --> 00:46:23,600 Speaker 2: Thank you, thank you, thank you. I feel like it's 1010 00:46:23,600 --> 00:46:25,759 Speaker 2: an audition maybe for your next book. Next thing. 1011 00:46:25,840 --> 00:46:28,279 Speaker 3: Yeah, boom book boom, very nice. 1012 00:46:28,320 --> 00:46:29,759 Speaker 1: Should I go? Do we go every other? 1013 00:46:30,000 --> 00:46:30,480 Speaker 2: Every other? Yea? 1014 00:46:31,640 --> 00:46:33,160 Speaker 1: Now I want to do the voice, but I'm not 1015 00:46:33,239 --> 00:46:37,760 Speaker 1: really good at A person should always choose a costume 1016 00:46:37,800 --> 00:46:42,520 Speaker 1: which is in direct contrast to her own personality. A. Okay, Lucy, 1017 00:46:43,080 --> 00:46:47,560 Speaker 1: it's The Great Pumpkin Charlie Brown, b Wednesday Adams, The 1018 00:46:47,640 --> 00:46:52,360 Speaker 1: Adams Family, or see Lydia Deets beetlejuice. 1019 00:46:52,640 --> 00:46:54,239 Speaker 2: This is so funny because I feel like it's like, 1020 00:46:54,760 --> 00:46:57,280 Speaker 2: and the winner is. I feel like we're reading an envelope. 1021 00:46:57,320 --> 00:46:58,680 Speaker 2: I know that's Lucy. 1022 00:46:58,840 --> 00:47:00,800 Speaker 1: That's Lucy definitely. 1023 00:47:00,960 --> 00:47:03,440 Speaker 2: Yeah you said it, and I was like, I know 1024 00:47:03,520 --> 00:47:06,919 Speaker 2: this because The Great Pumpkin Charlie Byn was one of 1025 00:47:06,960 --> 00:47:08,160 Speaker 2: my favorite, if not. 1026 00:47:08,160 --> 00:47:09,560 Speaker 3: My last, favorite movie. 1027 00:47:10,160 --> 00:47:12,360 Speaker 2: I wish I could remember how this voice sounded. But 1028 00:47:12,560 --> 00:47:16,160 Speaker 2: I will try something. I excel without even trying with 1029 00:47:16,280 --> 00:47:19,400 Speaker 2: the slightest little effort of my ghost like charms. A. 1030 00:47:19,640 --> 00:47:26,279 Speaker 2: Jack Skellington The Night maybefore Christmas, Casper from Casper, Coraline 1031 00:47:27,400 --> 00:47:28,399 Speaker 2: from Coraline. 1032 00:47:28,560 --> 00:47:30,120 Speaker 1: I want to say, Jack Skelling. 1033 00:47:29,920 --> 00:47:32,000 Speaker 2: You're correct, you are correct. 1034 00:47:32,760 --> 00:47:34,319 Speaker 1: I was giving Jack Skelling to me. 1035 00:47:34,400 --> 00:47:38,640 Speaker 2: I was trying to make myself and more skeletony. 1036 00:47:38,200 --> 00:47:41,000 Speaker 1: Yes, you nailed it. He has sort of like the coal. 1037 00:47:41,880 --> 00:47:42,400 Speaker 1: You nail that. 1038 00:47:42,560 --> 00:47:42,759 Speaker 4: Yay. 1039 00:47:43,239 --> 00:47:45,320 Speaker 3: I'm here to help, Okay, Okay. 1040 00:47:45,360 --> 00:47:47,799 Speaker 1: I'm just like any modern woman trying to have it all, 1041 00:47:48,400 --> 00:47:51,920 Speaker 1: loving husband, a family. It's just I wish I had 1042 00:47:51,920 --> 00:47:54,200 Speaker 1: more time to seek out the dark forces and join 1043 00:47:54,239 --> 00:47:59,759 Speaker 1: their hellish crusade. Sally the Nightmare before Christmas. Be more 1044 00:47:59,800 --> 00:48:04,800 Speaker 1: to Adams, the Adams Family see grand Hi Witches the Witches. 1045 00:48:05,040 --> 00:48:08,279 Speaker 2: Oh God, I want to say more tissue because I 1046 00:48:08,320 --> 00:48:09,360 Speaker 2: just happened to love that. 1047 00:48:09,440 --> 00:48:09,879 Speaker 3: Is that right? 1048 00:48:10,120 --> 00:48:10,600 Speaker 1: That's right? 1049 00:48:11,160 --> 00:48:16,399 Speaker 2: Yes, you're read. Was brilliant. I got Angelica Houston right 1050 00:48:16,440 --> 00:48:19,640 Speaker 2: out of the boom. Okay, here we go. Death has 1051 00:48:19,680 --> 00:48:22,600 Speaker 2: come to your little town, Sheriff. Now you can either 1052 00:48:22,680 --> 00:48:27,040 Speaker 2: ignore it you can help me stop it. A Sydney 1053 00:48:27,120 --> 00:48:36,080 Speaker 2: Prescott scream B Loomis Halloween see Nancy Thompson A nightmare 1054 00:48:36,120 --> 00:48:40,080 Speaker 2: on Elm Street. I want to say a, but if 1055 00:48:40,080 --> 00:48:43,200 Speaker 2: you had to choose another one. 1056 00:48:42,200 --> 00:48:45,040 Speaker 1: He leads the witness. 1057 00:48:45,280 --> 00:48:48,120 Speaker 2: Yes, you are right. 1058 00:48:52,360 --> 00:48:55,239 Speaker 1: I wanted to say a, but I didn't, and so why, 1059 00:48:55,719 --> 00:49:00,719 Speaker 1: which is why I said be me. This one is 1060 00:49:00,760 --> 00:49:03,400 Speaker 1: like fun, I don't I think I saw this a 1061 00:49:03,440 --> 00:49:06,000 Speaker 1: really long time ago. But since when is being a 1062 00:49:06,040 --> 00:49:10,719 Speaker 1: slut a crime in this family? Means my mom a 1063 00:49:11,760 --> 00:49:18,680 Speaker 1: Jillian Owens practical magic, b aunt Fran practical magic, or 1064 00:49:18,920 --> 00:49:21,840 Speaker 1: c Sally Owens practical magic? 1065 00:49:22,480 --> 00:49:26,239 Speaker 2: So we know the movies smoke, Holy freaking practical magic. 1066 00:49:26,120 --> 00:49:29,120 Speaker 1: Is practical magic. It's correct. So you got that part right. 1067 00:49:29,320 --> 00:49:31,759 Speaker 2: Okay, you said aunt Fran was one, right. I don't 1068 00:49:31,760 --> 00:49:32,600 Speaker 2: think it's ant Fan. 1069 00:49:32,560 --> 00:49:34,920 Speaker 1: It's Gillian Sally or aunt Fran. 1070 00:49:35,400 --> 00:49:36,920 Speaker 2: It's Sandra saying it. 1071 00:49:37,520 --> 00:49:41,920 Speaker 4: Yeah you're right, yeah, yeah, not a. 1072 00:49:41,840 --> 00:49:43,799 Speaker 2: Reflection of her. I just feel like that she's a 1073 00:49:44,960 --> 00:49:45,760 Speaker 2: tried to deliver. 1074 00:49:46,440 --> 00:49:50,760 Speaker 3: Yeah you did good, tough, exactly, well done. 1075 00:49:50,719 --> 00:49:52,120 Speaker 1: Thank you, thanks for having it out. 1076 00:49:52,560 --> 00:49:53,920 Speaker 2: Fun, I really did it. 1077 00:49:53,960 --> 00:49:54,439 Speaker 3: This is good. 1078 00:49:54,480 --> 00:49:56,439 Speaker 2: I mean, I don't know if we solved the question 1079 00:49:56,520 --> 00:49:57,759 Speaker 2: what are we even doing? But we had a good 1080 00:49:57,800 --> 00:49:58,279 Speaker 2: time doing it. 1081 00:49:58,400 --> 00:50:00,279 Speaker 1: We had a five of time doing it. 1082 00:50:00,280 --> 00:50:01,160 Speaker 3: You're so wonderful. 1083 00:50:01,280 --> 00:50:01,840 Speaker 1: You're wonderful. 1084 00:50:01,880 --> 00:50:04,680 Speaker 2: I'm excited for what's coming for you, the future. I 1085 00:50:04,800 --> 00:50:06,800 Speaker 2: want to see the stuff you're doing so far is 1086 00:50:06,840 --> 00:50:11,120 Speaker 2: so great. I'm really and hopefully it's going to continue. No, No, 1087 00:50:11,160 --> 00:50:12,960 Speaker 2: you're you have something to. 1088 00:50:13,040 --> 00:50:14,640 Speaker 3: Say, which I'm really excited about. 1089 00:50:14,719 --> 00:50:16,719 Speaker 2: So we. 1090 00:50:18,320 --> 00:50:18,960 Speaker 4: Do. 1091 00:50:22,200 --> 00:50:25,320 Speaker 2: What Are We Even Doing is a production of iHeartMedia 1092 00:50:25,440 --> 00:50:29,520 Speaker 2: and the Elvis Duran podcast Network, hosted by me Kyle 1093 00:50:29,600 --> 00:50:34,080 Speaker 2: McLachlin and created and produced by Full Picture Productions Yay, 1094 00:50:35,080 --> 00:50:39,040 Speaker 2: featuring music by Yata and artwork by Danica Robinson. For 1095 00:50:39,080 --> 00:50:42,200 Speaker 2: more information about the podcast, please visit our Instagram and 1096 00:50:42,280 --> 00:50:48,640 Speaker 2: TikTok at w a w ed with Kyle. Please rate, review, 1097 00:50:48,719 --> 00:50:54,239 Speaker 2: and subscribe to What Are We Even Doing on Apple, Spotify, YouTube, 1098 00:50:54,560 --> 00:50:56,520 Speaker 2: or anywhere you get your podcasts. 1099 00:50:57,080 --> 00:50:58,040 Speaker 3: Exclamation points