WEBVTT - Old Decrepit Man and Baby Girl

0:00:03.240 --> 0:00:06.200
<v Speaker 1>This all comes back to show. No, it doesn't know,

0:00:06.320 --> 0:00:10.840
<v Speaker 1>it really does because Charlie and the Hugle Lot enough

0:00:11.000 --> 0:00:20.840
<v Speaker 1>starring Jennifer Lopez. You are not doing this. This is Halloween.

0:00:20.960 --> 0:00:27.400
<v Speaker 1>This is Halloween. I'm good screaming at night. It's only Halloween.

0:00:27.400 --> 0:00:30.960
<v Speaker 1>Because you've insisted that it is Halloween. It is Halloween.

0:00:30.960 --> 0:00:33.239
<v Speaker 1>You're recording this at the end of September. It's not

0:00:33.280 --> 0:00:37.920
<v Speaker 1>Halloween yet. Yeah, but it is officially spooky season. Sure,

0:00:37.960 --> 0:00:42.080
<v Speaker 1>it's pumpkin spice season. It's spooky season. It's here, babe.

0:00:42.159 --> 0:00:44.159
<v Speaker 1>Last night we watched two of the movies that I

0:00:44.200 --> 0:00:50.400
<v Speaker 1>watched every Halloween. The vibe has begun. It I better

0:00:50.440 --> 0:00:53.320
<v Speaker 1>catch it, um. And for the virgins who don't know,

0:00:53.880 --> 0:00:59.920
<v Speaker 1>we are continuing our oooky spooky series with the kind

0:01:00.120 --> 0:01:04.520
<v Speaker 1>the King of Ook and Spook. Yes, well, the King

0:01:04.600 --> 0:01:09.520
<v Speaker 1>and the King of sort of like contemporary like consumerist

0:01:10.200 --> 0:01:14.720
<v Speaker 1>scarity vibes. Yeah, yeah, yeah, exactly for kids. A creator

0:01:15.000 --> 0:01:18.080
<v Speaker 1>who has had quite a journey, um in a range

0:01:18.319 --> 0:01:20.840
<v Speaker 1>of films that people love and then films that people

0:01:20.959 --> 0:01:25.720
<v Speaker 1>don't love so much. Tim Burton is Today's discussion. As

0:01:25.800 --> 0:01:30.039
<v Speaker 1>Lydia Diets aka Winona writer once said I myself am

0:01:30.520 --> 0:01:33.680
<v Speaker 1>strange and unusual, That's correct. She also said that her

0:01:33.680 --> 0:01:36.440
<v Speaker 1>whole life was a dark room and she had really

0:01:36.520 --> 0:01:41.040
<v Speaker 1>spiky bangs, which I at one point wanted. You should

0:01:41.040 --> 0:01:43.400
<v Speaker 1>be her for Halloween. Honestly, I have thought about it.

0:01:43.640 --> 0:01:45.360
<v Speaker 1>You've never done that before. No, I've never done it.

0:01:45.360 --> 0:01:47.640
<v Speaker 1>You should never done it, never done Lydia diets and

0:01:47.680 --> 0:01:50.720
<v Speaker 1>I'll be beetlejuice and I'll marry you. Okay, just kidding.

0:01:50.720 --> 0:01:53.120
<v Speaker 1>I would hate that, would never be juice, but I

0:01:53.120 --> 0:01:54.960
<v Speaker 1>bet you could be sexy beetle juice. Let's look up

0:01:54.960 --> 0:02:00.680
<v Speaker 1>sexy beetle Justice for it anyway. We need it like

0:02:00.680 --> 0:02:02.760
<v Speaker 1>a virgin. This is like a virgin. The show we

0:02:02.800 --> 0:02:08.679
<v Speaker 1>give yesterday's pop culture, today's takes and Toronto, and I

0:02:08.760 --> 0:02:18.600
<v Speaker 1>found some beetlejuice. Hello virgins, Hello virgins. We are coming

0:02:18.639 --> 0:02:23.000
<v Speaker 1>to you from um a different coast or different time zone,

0:02:23.000 --> 0:02:27.120
<v Speaker 1>a different state of mind, a New York state of mind,

0:02:27.280 --> 0:02:30.560
<v Speaker 1>one might say. Definitely, I will say something that is

0:02:30.600 --> 0:02:33.000
<v Speaker 1>really amazing about you right now, being in New York

0:02:33.040 --> 0:02:36.120
<v Speaker 1>as you are. You're booked and busy, you are out,

0:02:36.200 --> 0:02:40.280
<v Speaker 1>you have plans, you are seeing people, you are doing things. Yes,

0:02:40.440 --> 0:02:44.560
<v Speaker 1>I I do have to say I did enjoy getting

0:02:44.600 --> 0:02:49.040
<v Speaker 1>to say to you twice this weekend. Oh sorry, Well

0:02:49.080 --> 0:02:52.200
<v Speaker 1>I didn't apologize because I would never do that. Um,

0:02:52.880 --> 0:02:55.520
<v Speaker 1>I did say I have plans, and you know what,

0:02:55.639 --> 0:02:57.960
<v Speaker 1>I think it was ugly of you to assume that

0:02:58.040 --> 0:03:03.760
<v Speaker 1>I didn't. Sure. I'm just kidding. I was definitely isn't

0:03:03.800 --> 0:03:07.000
<v Speaker 1>in accordance with the years that I've known you. Well, no,

0:03:07.280 --> 0:03:10.120
<v Speaker 1>but hey, you're only speaking from the experience of me

0:03:10.240 --> 0:03:14.120
<v Speaker 1>being a friendless loser in Los Angeles and in New York.

0:03:14.680 --> 0:03:18.560
<v Speaker 1>I am a loser with friends. Look, it takes one

0:03:18.600 --> 0:03:20.840
<v Speaker 1>to know, one says. And the reason I'm here in

0:03:20.840 --> 0:03:23.520
<v Speaker 1>New York a week early is because I realized all

0:03:23.520 --> 0:03:26.000
<v Speaker 1>my friends left l A and I was like, oh, no, no,

0:03:26.760 --> 0:03:29.480
<v Speaker 1>I need to get myself to New York's. Yeah, but

0:03:29.639 --> 0:03:33.200
<v Speaker 1>one thing you need to understand was that on Friday

0:03:33.240 --> 0:03:35.160
<v Speaker 1>when you texted me and asked if I wanted to

0:03:35.160 --> 0:03:37.000
<v Speaker 1>go out that night, and I said, oh, I have plans,

0:03:37.000 --> 0:03:39.160
<v Speaker 1>and he said, oh, well, the party doesn't start till eleven.

0:03:39.760 --> 0:03:44.120
<v Speaker 1>That's not going Just because baby, baby, listen, just because

0:03:44.120 --> 0:03:46.520
<v Speaker 1>you're on a different coast does not mean I'm a

0:03:46.560 --> 0:03:50.920
<v Speaker 1>different woman. And at eleven. At eleven o'clock, the only

0:03:50.960 --> 0:03:54.800
<v Speaker 1>place I want to be is leaving a movie, leaving dinner,

0:03:55.400 --> 0:03:59.720
<v Speaker 1>or already in bed, just because i might be a

0:03:59.720 --> 0:04:02.400
<v Speaker 1>New York City, but I'm not going out to like

0:04:02.560 --> 0:04:06.560
<v Speaker 1>a party that starts at eleven. Those days are behind me.

0:04:07.560 --> 0:04:10.280
<v Speaker 1>You just got here and I was thinking, look, the

0:04:10.320 --> 0:04:13.360
<v Speaker 1>time zones are in your favor. Maybe you know jet

0:04:13.400 --> 0:04:15.520
<v Speaker 1>lags keeping you up a little bit later. It's a

0:04:15.520 --> 0:04:18.039
<v Speaker 1>good time to go out. Um, I'm glad you didn't go.

0:04:18.080 --> 0:04:20.160
<v Speaker 1>You would have hated the show. Now the only thing

0:04:20.320 --> 0:04:23.880
<v Speaker 1>that's happened on the L train is me listening to

0:04:24.000 --> 0:04:27.280
<v Speaker 1>Thoroughfare by e fl Cane on a loop and attempting

0:04:27.400 --> 0:04:30.960
<v Speaker 1>not to have a public breakdown. Can we talk about

0:04:31.000 --> 0:04:36.240
<v Speaker 1>how that song is so like the new autumnal anthem,

0:04:36.279 --> 0:04:39.799
<v Speaker 1>like it is so like ethel Cane is so fall music,

0:04:40.400 --> 0:04:44.240
<v Speaker 1>and it also is summer music because it's like hot, sticky, sweaty,

0:04:44.640 --> 0:04:47.720
<v Speaker 1>But yes it is. It is very much helping me

0:04:47.839 --> 0:04:52.560
<v Speaker 1>feel the sad girl fall vibes. I've been doing the thing,

0:04:52.640 --> 0:04:56.159
<v Speaker 1>but just walking around the Upper east Side seeing places

0:04:56.200 --> 0:04:59.440
<v Speaker 1>where parts of You've Got Mail were shot and listening

0:04:59.560 --> 0:05:03.400
<v Speaker 1>to listen into ethel Caine seeing places where You've Got

0:05:03.440 --> 0:05:06.920
<v Speaker 1>Mail shot because you're on a personalized You've Got Mail

0:05:06.960 --> 0:05:10.200
<v Speaker 1>walking tour. It that that you pulled up, but like

0:05:10.440 --> 0:05:13.200
<v Speaker 1>there's like five different shooting locations from You've Got Mail

0:05:13.279 --> 0:05:15.640
<v Speaker 1>within like a five bluck radius. At my brother's apartment,

0:05:16.440 --> 0:05:20.479
<v Speaker 1>there's also there's also my brother when when you walk

0:05:20.520 --> 0:05:25.160
<v Speaker 1>out of his building, the Lincoln Center AMC is within eyesight.

0:05:25.279 --> 0:05:30.000
<v Speaker 1>It's right across the street. Whoas that's so convenient. I

0:05:30.040 --> 0:05:33.280
<v Speaker 1>do have to admit something though, which is that this

0:05:33.320 --> 0:05:38.960
<v Speaker 1>weekend this is really hard to say, I went to

0:05:39.160 --> 0:05:43.680
<v Speaker 1>a non AMC theater for the first time since I

0:05:43.760 --> 0:05:47.640
<v Speaker 1>became a Stubb Any stuff? No, which one? Did you

0:05:47.680 --> 0:05:52.560
<v Speaker 1>go to? Regal Union Square, which has now even to

0:05:52.640 --> 0:05:55.000
<v Speaker 1>go to like one of like the Art House Cinema

0:05:55.240 --> 0:05:57.680
<v Speaker 1>was even go to like fucking Nighthawk or something, and

0:05:57.839 --> 0:06:01.479
<v Speaker 1>the Metro Regal well Metric. You know, the last movie

0:06:01.480 --> 0:06:05.719
<v Speaker 1>I saw before COVID was a screening of Melancholia at Metrograph.

0:06:05.800 --> 0:06:09.919
<v Speaker 1>What did they know? What did they know? Um? They

0:06:10.520 --> 0:06:12.760
<v Speaker 1>a lot? No, but the Regal Union Square has been

0:06:12.800 --> 0:06:15.560
<v Speaker 1>totally redone inside it's very like dark and clubby and

0:06:15.600 --> 0:06:22.680
<v Speaker 1>that is where I saw Smile on Friday. Yeah, there's

0:06:22.680 --> 0:06:24.839
<v Speaker 1>like smoke machines. My friend Ryan and I were gonna

0:06:24.880 --> 0:06:28.479
<v Speaker 1>go see a Triangle of Sadness. Yeah, we were gonna

0:06:28.520 --> 0:06:30.680
<v Speaker 1>look bad. No, I'm really excited to see it, but

0:06:30.720 --> 0:06:32.560
<v Speaker 1>it was it was sold out, so we ended up

0:06:32.600 --> 0:06:35.920
<v Speaker 1>seeing Smile instead. And let me tell you, after seeing

0:06:36.120 --> 0:06:39.039
<v Speaker 1>a trailer for that movie, every time I saw a

0:06:39.080 --> 0:06:43.400
<v Speaker 1>movie for the past six months, I was not expecting

0:06:43.400 --> 0:06:46.520
<v Speaker 1>it to be very good. But it was surprisingly good

0:06:46.640 --> 0:06:50.599
<v Speaker 1>and scary. I would have expected all the good scenes

0:06:50.680 --> 0:06:53.360
<v Speaker 1>to be spoiled by the trailer. Was that we were

0:06:53.400 --> 0:06:55.320
<v Speaker 1>there a lot of other scenes as well. Were there

0:06:55.360 --> 0:06:58.240
<v Speaker 1>other scenes? There were other scenes. I will say, if

0:06:58.279 --> 0:07:01.719
<v Speaker 1>you've seen the trailer, like the full trailer, one of

0:07:01.760 --> 0:07:04.920
<v Speaker 1>the biggest jump scares in the movie is in the trailer.

0:07:04.920 --> 0:07:06.360
<v Speaker 1>It's the scene where she's sitting in the car and

0:07:06.400 --> 0:07:08.800
<v Speaker 1>the woman walks up to her and swings down. But

0:07:08.880 --> 0:07:12.640
<v Speaker 1>there's plenty of other good jump scares and I screamed

0:07:12.640 --> 0:07:18.120
<v Speaker 1>a lot. The main actress, Soci Bacon, who's Kevin Bacon's daughter, Um,

0:07:18.360 --> 0:07:20.960
<v Speaker 1>was very good. She was also kind of giving Flkane

0:07:20.960 --> 0:07:24.440
<v Speaker 1>a little bit. And yeah, it was a good movie

0:07:25.720 --> 0:07:27.880
<v Speaker 1>the theater as much as I love seeing a horror

0:07:27.920 --> 0:07:30.400
<v Speaker 1>movie with an audience full of people, and it becomes

0:07:30.560 --> 0:07:34.320
<v Speaker 1>very like communal and you know, everyone's screaming. It was

0:07:34.640 --> 0:07:39.640
<v Speaker 1>very noisy, and people were talking during the entire film.

0:07:39.720 --> 0:07:43.720
<v Speaker 1>But God, people talking during movies. That's so and yeah,

0:07:43.760 --> 0:07:46.560
<v Speaker 1>but but not but not like but not like you know,

0:07:47.000 --> 0:07:50.239
<v Speaker 1>little snippets of conversation every once in a while, which

0:07:50.560 --> 0:07:52.360
<v Speaker 1>my friend Ron and I were doing. At one point

0:07:52.400 --> 0:07:54.720
<v Speaker 1>we stopped, like like paying attention to the movie to

0:07:54.760 --> 0:08:00.360
<v Speaker 1>talk about partner track the Netflix show. Um, yeah, no,

0:08:00.440 --> 0:08:02.200
<v Speaker 1>but there were but everyone else was talking. No, but

0:08:02.280 --> 0:08:06.560
<v Speaker 1>everyone everyone else was talking throughout the entire year movie

0:08:07.000 --> 0:08:10.880
<v Speaker 1>and not really trying to keep it at a low volume.

0:08:11.640 --> 0:08:14.840
<v Speaker 1>You know, I will say, if it's like a scary movie,

0:08:15.320 --> 0:08:17.840
<v Speaker 1>I endorse that, like I you know, if we've all,

0:08:17.880 --> 0:08:19.520
<v Speaker 1>if well, if we've all come to the theater and

0:08:19.560 --> 0:08:21.560
<v Speaker 1>we're a green, that this is like a kind of

0:08:21.880 --> 0:08:24.000
<v Speaker 1>fine scary movie that we've seen the trailer for a

0:08:24.040 --> 0:08:25.840
<v Speaker 1>seven hundred times and so like we don't so we

0:08:25.880 --> 0:08:27.400
<v Speaker 1>can like act like we're gonna watch it at home.

0:08:27.680 --> 0:08:29.800
<v Speaker 1>I'm gonna be trash and say that, Um, you know,

0:08:30.080 --> 0:08:32.959
<v Speaker 1>I'll participate in that, but like I try to catch

0:08:33.000 --> 0:08:34.679
<v Speaker 1>the vibe of like what the theater is on, right,

0:08:34.679 --> 0:08:36.360
<v Speaker 1>I mean not all the time. Like sometimes you and

0:08:36.400 --> 0:08:39.800
<v Speaker 1>I are just fully talking, but we're still like we're

0:08:39.840 --> 0:08:44.160
<v Speaker 1>still like whispering and respectful. This was like running commentary.

0:08:44.280 --> 0:08:47.880
<v Speaker 1>This was like more talking than our Hocus Pocus DVD

0:08:48.000 --> 0:08:55.080
<v Speaker 1>commentary track. So we now have tried multiple times to

0:08:55.080 --> 0:08:57.840
<v Speaker 1>talk about the new Interview with the Vampire show, and

0:08:57.840 --> 0:08:59.800
<v Speaker 1>it has I worked out for one reason or not.

0:09:00.679 --> 0:09:05.440
<v Speaker 1>So I think now it's a good time to discuss. So, um,

0:09:05.480 --> 0:09:07.920
<v Speaker 1>I think we should have that conversation. Yes, and I

0:09:07.960 --> 0:09:11.800
<v Speaker 1>will preface it for you virgins by saying we are

0:09:12.200 --> 0:09:16.000
<v Speaker 1>going to dive a little deeper into interview with the

0:09:16.080 --> 0:09:20.560
<v Speaker 1>Vampire in our vampire centric episode. But when we recorded that,

0:09:20.640 --> 0:09:24.720
<v Speaker 1>we had not yet seen the new show. So I

0:09:24.760 --> 0:09:27.160
<v Speaker 1>think it's it's fine for us to just talk about

0:09:27.160 --> 0:09:29.679
<v Speaker 1>it now. And I've seen all three episodes that are

0:09:29.679 --> 0:09:32.640
<v Speaker 1>out for and you've seen the first two. I've seen

0:09:32.679 --> 0:09:36.600
<v Speaker 1>the first, so I have to say, you know, it

0:09:36.679 --> 0:09:41.120
<v Speaker 1>is now part of my must watch Sunday night TV

0:09:41.320 --> 0:09:45.560
<v Speaker 1>alongside House of the Dragon. Um. So some interesting things

0:09:45.559 --> 0:09:49.200
<v Speaker 1>about this this new adaptation of Anne Rice's you know,

0:09:49.440 --> 0:09:53.920
<v Speaker 1>I think most famous work is this new show, which

0:09:53.960 --> 0:09:57.800
<v Speaker 1>is on AMC Plus, has updated the source material, which

0:09:57.840 --> 0:10:00.800
<v Speaker 1>you know, is about a vampire giving an interview, and

0:10:00.920 --> 0:10:04.080
<v Speaker 1>the sort of framing device of this is that that

0:10:04.280 --> 0:10:08.160
<v Speaker 1>interview happened, but it wasn't like really true to life.

0:10:08.320 --> 0:10:12.440
<v Speaker 1>And so now the vampire and the journalists aart revisiting

0:10:12.480 --> 0:10:17.800
<v Speaker 1>their interview fifty years later, and Louis the titular vampires,

0:10:17.880 --> 0:10:22.240
<v Speaker 1>giving a more honest version of his story. And in

0:10:22.240 --> 0:10:25.920
<v Speaker 1>this updated version, Louis, rather than being you know, a

0:10:25.960 --> 0:10:30.080
<v Speaker 1>seventeenth century plantation owner, is now a black queer man

0:10:30.360 --> 0:10:34.880
<v Speaker 1>in the early nineteen hundreds in New Orleans who runs

0:10:34.920 --> 0:10:38.800
<v Speaker 1>a string of brothels after his family fortune, you know,

0:10:38.920 --> 0:10:41.360
<v Speaker 1>kind of like crumbles to dust when his father dies.

0:10:41.920 --> 0:10:48.040
<v Speaker 1>And he meets listat Lion Court, who Listed Delenne, who

0:10:48.240 --> 0:10:53.319
<v Speaker 1>is so hot in this new version, so French, and

0:10:53.440 --> 0:10:55.679
<v Speaker 1>they fall in love. And the thing about interview with

0:10:55.720 --> 0:10:57.640
<v Speaker 1>the vampire, and you know, we talk a little bit

0:10:57.640 --> 0:10:59.760
<v Speaker 1>about this in our Vampire episode, but like to give

0:10:59.800 --> 0:11:06.880
<v Speaker 1>you a preview. You know, Ann Rice's novel was very gay.

0:11:06.960 --> 0:11:12.400
<v Speaker 1>It was explicitly gay. It was, and the film, as

0:11:12.480 --> 0:11:16.120
<v Speaker 1>much as I love it, it made all of that

0:11:16.440 --> 0:11:20.280
<v Speaker 1>explicit queerness into subtexts and it's very homo erotic, but

0:11:20.360 --> 0:11:24.319
<v Speaker 1>it's not out not gay, so subtextual that when I

0:11:24.360 --> 0:11:26.640
<v Speaker 1>watched it, and again you'll hear this an episode, but

0:11:26.679 --> 0:11:29.719
<v Speaker 1>when I watched it and Rose told me that there

0:11:29.760 --> 0:11:31.600
<v Speaker 1>were that it was gay in the book, I was shook.

0:11:31.800 --> 0:11:33.920
<v Speaker 1>I was like, well, what it's like actually gay because

0:11:33.920 --> 0:11:36.880
<v Speaker 1>it's really just harmerotic subtexts. In the movie, it's like

0:11:36.960 --> 0:11:40.080
<v Speaker 1>really neutered. I'm not gonna But in Anne Rice's novel

0:11:40.240 --> 0:11:42.480
<v Speaker 1>and in all of her novels, it's very clear that

0:11:43.360 --> 0:11:46.839
<v Speaker 1>Listat and Louis are lovers, and in this new show

0:11:47.559 --> 0:11:52.559
<v Speaker 1>they are also lovers. It is gay. It is It

0:11:52.720 --> 0:11:56.840
<v Speaker 1>is so gay, and you know, the whole first episode

0:11:56.920 --> 0:12:01.760
<v Speaker 1>is Listat, you know, seducing Louis, who is already because

0:12:01.760 --> 0:12:03.600
<v Speaker 1>of the changes that have been made to his character,

0:12:04.360 --> 0:12:07.320
<v Speaker 1>is already an other um, you know, because he's a

0:12:07.360 --> 0:12:10.120
<v Speaker 1>black queer man in the early nine hundreds, and then

0:12:10.320 --> 0:12:14.280
<v Speaker 1>like that gets further exacerbated when he has turned into

0:12:14.320 --> 0:12:17.240
<v Speaker 1>a vampire. He's like the ultimate other. But in that

0:12:17.280 --> 0:12:21.559
<v Speaker 1>first episode, you know, they have this incredible love scene

0:12:22.040 --> 0:12:24.400
<v Speaker 1>before Lestat turns him into a vampire, he tells him

0:12:24.440 --> 0:12:30.880
<v Speaker 1>he loves him. It's just so good and sexy. And

0:12:31.679 --> 0:12:33.520
<v Speaker 1>in this new episode when you watch it, there's like

0:12:33.600 --> 0:12:39.640
<v Speaker 1>a discussion of open relationships and like polyamory, oh sexuality,

0:12:39.720 --> 0:12:44.160
<v Speaker 1>And you know, I just love that it's so explicit

0:12:44.600 --> 0:12:48.240
<v Speaker 1>but still like really sexy and romantic and all the

0:12:48.280 --> 0:12:52.160
<v Speaker 1>things that an and Rice adaptation should be. I love

0:12:52.360 --> 0:12:56.240
<v Speaker 1>the adaptation. It's I'm gonna keep watching. I am, you know,

0:12:56.400 --> 0:12:59.679
<v Speaker 1>definitely gonna finish out my AMCs free trial for that

0:12:59.760 --> 0:13:01.520
<v Speaker 1>can to you to give a m C plus my

0:13:01.559 --> 0:13:05.320
<v Speaker 1>money or whatever. And uh, just as you said, like,

0:13:05.400 --> 0:13:09.720
<v Speaker 1>I am just really enthralled by the raw sexuality of

0:13:09.800 --> 0:13:14.120
<v Speaker 1>the show, like sex shuality like with capital s or

0:13:14.280 --> 0:13:18.280
<v Speaker 1>non sensuality sexuality. Yeah, yeah, yeah, And I I really

0:13:18.320 --> 0:13:21.480
<v Speaker 1>appreciate that. I love how like horny it is. It's

0:13:21.640 --> 0:13:25.679
<v Speaker 1>very pulpy, right, like it leans into the kind of

0:13:26.160 --> 0:13:30.080
<v Speaker 1>graphic novel e also you know, Southern gothic kind of

0:13:30.320 --> 0:13:33.440
<v Speaker 1>edge of it. Um. I love that there's this kind

0:13:33.480 --> 0:13:36.760
<v Speaker 1>of new spin on this trope that you have pointed

0:13:36.760 --> 0:13:38.720
<v Speaker 1>out to me over and over again that like a

0:13:38.720 --> 0:13:43.520
<v Speaker 1>lot of like vampires fight in the Confederate War or something. Yeah,

0:13:43.720 --> 0:13:49.160
<v Speaker 1>well that's not an interview with the Hire, but that

0:13:49.440 --> 0:13:57.160
<v Speaker 1>is in UM True Blood, in Twilight, UM, in the

0:13:57.240 --> 0:14:00.840
<v Speaker 1>Vampire Diaries, those are all things. Were there vampires who

0:14:01.080 --> 0:14:04.640
<v Speaker 1>at one that we're Confederate soldiers? Literally all of them

0:14:04.640 --> 0:14:07.760
<v Speaker 1>were Confederate soldiers. So why so, Like what I'm saying

0:14:07.880 --> 0:14:10.520
<v Speaker 1>is like I feel because I'm the interview with Vampire

0:14:10.559 --> 0:14:13.839
<v Speaker 1>Reboot is a period drama. I'm like I feel this, Like,

0:14:14.160 --> 0:14:17.120
<v Speaker 1>I mean, it's already very racialized. They have conversations about

0:14:17.200 --> 0:14:19.480
<v Speaker 1>race that I think are really interesting, and I think

0:14:19.520 --> 0:14:21.560
<v Speaker 1>my one company is I do think Louis is like

0:14:21.640 --> 0:14:25.040
<v Speaker 1>can be occasionally like a little fart facey, Like sometimes

0:14:25.040 --> 0:14:28.680
<v Speaker 1>I wish that he was just a little less soap

0:14:28.960 --> 0:14:32.840
<v Speaker 1>and a little more like acting. I just like don't

0:14:32.880 --> 0:14:35.760
<v Speaker 1>really see that. I think he's really good. I just

0:14:35.800 --> 0:14:38.720
<v Speaker 1>think I'm sometimes I'm watching and I get a little

0:14:38.760 --> 0:14:40.880
<v Speaker 1>bit of like gladrill and rings of power, like I'm

0:14:40.920 --> 0:14:42.560
<v Speaker 1>not really getting the emotion that I want. But he

0:14:42.680 --> 0:14:44.760
<v Speaker 1>is also really he's not as bad as glad you.

0:14:44.920 --> 0:14:47.800
<v Speaker 1>Glad you literally cannot make an emotion to save her life,

0:14:47.840 --> 0:14:51.360
<v Speaker 1>Like still literally okay, sorry, can I spoiler alert something

0:14:51.360 --> 0:14:55.840
<v Speaker 1>really quick? Sure? Sure? I for for all the virgins listening. Um,

0:14:56.000 --> 0:14:58.560
<v Speaker 1>I have kind of stopped watching Rings of Power. I'm

0:14:58.560 --> 0:15:01.320
<v Speaker 1>gonna wait till all the episodes are out and just

0:15:01.360 --> 0:15:04.520
<v Speaker 1>binge it because I just got really bored. I actually

0:15:04.560 --> 0:15:06.640
<v Speaker 1>won't even spoil it that hard. All I'm gonna say

0:15:06.720 --> 0:15:09.640
<v Speaker 1>is that something happens. We're in a huge part of

0:15:09.680 --> 0:15:14.720
<v Speaker 1>the world literally explodes, and and glad Reel still cannot

0:15:15.080 --> 0:15:18.680
<v Speaker 1>make a facial expression, like the world is collapsing on

0:15:18.840 --> 0:15:22.400
<v Speaker 1>top of her and around her, smoke, fire, brimstone, and

0:15:22.480 --> 0:15:26.520
<v Speaker 1>she cannot raise an eyebrow. I was like, girl, like,

0:15:26.600 --> 0:15:30.000
<v Speaker 1>your botox is not like that restrictive, Like, I know

0:15:30.760 --> 0:15:34.440
<v Speaker 1>you can do this. It's actually comical at this point.

0:15:34.560 --> 0:15:36.720
<v Speaker 1>But when all the episodes are out and you do watch,

0:15:36.760 --> 0:15:39.240
<v Speaker 1>I'm very excited to debrief. Well, I'm not excited to

0:15:39.320 --> 0:15:42.200
<v Speaker 1>debrief because it's not an exciting show, but I still

0:15:42.200 --> 0:15:44.800
<v Speaker 1>want to talk to you about anyways. Interview with the

0:15:44.880 --> 0:15:48.160
<v Speaker 1>Vampire great much better than Rings of Power. Please watch it.

0:15:48.160 --> 0:15:51.600
<v Speaker 1>It's so good. You haven't you you've watched some of

0:15:51.840 --> 0:15:55.760
<v Speaker 1>last night's House of the Dragon. Yes, oh, yes, we

0:15:55.800 --> 0:15:57.520
<v Speaker 1>need to catch up on Okay, but you haven't watched

0:15:57.520 --> 0:16:00.920
<v Speaker 1>the whole thing, so we can't really catch up. No,

0:16:01.080 --> 0:16:03.960
<v Speaker 1>so we can't get Maybe for the for the Virsion's benefit,

0:16:04.000 --> 0:16:06.600
<v Speaker 1>we won't get into spoilers for last week's episode. But

0:16:06.800 --> 0:16:10.160
<v Speaker 1>as we are coming up on the end of the season,

0:16:10.320 --> 0:16:13.920
<v Speaker 1>because I believe there's only two episodes left, what are

0:16:13.960 --> 0:16:18.080
<v Speaker 1>you most excited about? What are you most excited to see?

0:16:18.120 --> 0:16:20.000
<v Speaker 1>Where do you think this how do you think the

0:16:20.000 --> 0:16:23.080
<v Speaker 1>season is going to wrap up? Obviously? Okay, So Rania

0:16:23.200 --> 0:16:25.440
<v Speaker 1>Damon are going to have like a wild fox sesh.

0:16:25.440 --> 0:16:27.560
<v Speaker 1>They're gonna kill everyone. Rania is gonna walk up to

0:16:27.600 --> 0:16:29.800
<v Speaker 1>the bar. She's gonna say, can I have a groaning?

0:16:30.960 --> 0:16:35.280
<v Speaker 1>Smuggliante not really just came out of nowhere this weekend.

0:16:36.000 --> 0:16:40.880
<v Speaker 1>Payton Dicks really put in the word should be paying

0:16:41.000 --> 0:16:43.960
<v Speaker 1>her honestly, But like I have to say, just to

0:16:44.080 --> 0:16:47.480
<v Speaker 1>be annoying as an online area, I have been ordering

0:16:47.520 --> 0:16:51.680
<v Speaker 1>the gronies at dive bars for like years, okay years.

0:16:51.920 --> 0:16:54.840
<v Speaker 1>I love ordering a groaning at like literally any bar

0:16:54.920 --> 0:16:56.800
<v Speaker 1>because it's really hard to funk up, you know what

0:16:56.840 --> 0:16:59.880
<v Speaker 1>I mean? Um, So I don't know like what all this,

0:17:00.160 --> 0:17:04.040
<v Speaker 1>like you know why everyone's going crazy over Emma because

0:17:04.040 --> 0:17:11.440
<v Speaker 1>of the way so hot. God, they are so hot

0:17:11.520 --> 0:17:17.840
<v Speaker 1>and they're so good like the acting and last night's episode.

0:17:17.880 --> 0:17:20.840
<v Speaker 1>I mean, I will say last night's episode was not

0:17:20.960 --> 0:17:22.800
<v Speaker 1>one of my favorites of the season. I thought it

0:17:22.840 --> 0:17:28.359
<v Speaker 1>was a bit clunky. Um, but the performances across the

0:17:28.400 --> 0:17:32.800
<v Speaker 1>board are just so good. Yeah. This so I'm a

0:17:32.840 --> 0:17:35.480
<v Speaker 1>part way through this most recent episode. It's really choppy

0:17:35.720 --> 0:17:39.919
<v Speaker 1>right there there, trying because they do another time jump,

0:17:40.240 --> 0:17:43.399
<v Speaker 1>but this is the last six years? Oh is it really? Okay?

0:17:43.440 --> 0:17:46.480
<v Speaker 1>That's great. So it's a six year time jump, allegedly

0:17:46.640 --> 0:17:50.199
<v Speaker 1>the last one. And um, it's like they are just

0:17:50.359 --> 0:17:53.680
<v Speaker 1>planting plot points in teeny tiny scenes scattered through the

0:17:53.720 --> 0:17:56.520
<v Speaker 1>whole episode to propel you forward and to kind of

0:17:56.680 --> 0:17:59.440
<v Speaker 1>get you up to speed, so to speak. And again,

0:17:59.480 --> 0:18:01.760
<v Speaker 1>like like we said last time, it doesn't feel like,

0:18:02.280 --> 0:18:05.119
<v Speaker 1>you know, poorly done or like I'm not getting what

0:18:05.160 --> 0:18:07.880
<v Speaker 1>I want, but I just I want more. So many eggs,

0:18:08.600 --> 0:18:12.439
<v Speaker 1>so many eggs. People really in medieval times or whatever

0:18:13.119 --> 0:18:15.840
<v Speaker 1>just kind of reuse the same five names over and

0:18:15.880 --> 0:18:17.679
<v Speaker 1>over again. But do you have do you have a

0:18:17.720 --> 0:18:22.000
<v Speaker 1>favorite character? Yeah, I mean Rania. I love also Rain

0:18:22.560 --> 0:18:26.880
<v Speaker 1>Rain rainis the who never was um. She she got

0:18:26.920 --> 0:18:29.000
<v Speaker 1>a lot to do in this episode, which was great.

0:18:29.359 --> 0:18:31.920
<v Speaker 1>She did, and she's becoming more of like a player,

0:18:32.000 --> 0:18:33.679
<v Speaker 1>like a real or she always has been, but it

0:18:33.720 --> 0:18:36.880
<v Speaker 1>is even more so like a player. I also like Helena,

0:18:36.960 --> 0:18:40.280
<v Speaker 1>who is the daughter of Allison, who seems to have

0:18:40.520 --> 0:18:46.040
<v Speaker 1>some kind of prophetic vision thing happening. She might have

0:18:46.080 --> 0:18:49.240
<v Speaker 1>the dragon dreams that some targe Arians have because she's

0:18:49.280 --> 0:18:52.679
<v Speaker 1>now predicted a couple of things over the course of

0:18:52.720 --> 0:18:55.920
<v Speaker 1>these episodes. And she has a sweet little moment in

0:18:55.960 --> 0:18:59.520
<v Speaker 1>this episode as well that you'll see. But you know,

0:18:59.600 --> 0:19:02.000
<v Speaker 1>the thing about the show is, as we've said, it's

0:19:02.040 --> 0:19:05.159
<v Speaker 1>everyone's bad, even the people that I'm rooting for, Like

0:19:05.240 --> 0:19:09.359
<v Speaker 1>obviously I'm Team Black, I'm on r near a side

0:19:09.760 --> 0:19:11.960
<v Speaker 1>at Team Inside, And I think the show is being

0:19:12.000 --> 0:19:15.080
<v Speaker 1>a little a little heavy handed with wanting you to

0:19:15.240 --> 0:19:20.160
<v Speaker 1>root for Rani a side by making Allison and the

0:19:20.200 --> 0:19:26.040
<v Speaker 1>Greens kind of like more obviously and almost cartoonishly villainous,

0:19:26.080 --> 0:19:28.520
<v Speaker 1>because I think, as we've said, when it comes down

0:19:28.560 --> 0:19:32.439
<v Speaker 1>to it, like these are all bad people doing bad

0:19:32.560 --> 0:19:36.600
<v Speaker 1>things for like the goal of what power. Like that's

0:19:36.680 --> 0:19:40.760
<v Speaker 1>kind of it, and so I'm not rooting for anyone

0:19:40.840 --> 0:19:44.320
<v Speaker 1>so much as I'm just enjoying the ride, because at

0:19:44.320 --> 0:19:45.800
<v Speaker 1>the end of the day, these are all bad people,

0:19:45.800 --> 0:19:48.800
<v Speaker 1>and I like I already we all we all already

0:19:48.840 --> 0:19:51.640
<v Speaker 1>know how it ends because we've all watched Game of Thrones,

0:19:52.040 --> 0:19:54.040
<v Speaker 1>so we know it's going to end badly. But it's

0:19:54.080 --> 0:19:56.800
<v Speaker 1>just so much fun to see how badly it's gonna end.

0:19:57.240 --> 0:20:00.520
<v Speaker 1>It is and I think, just like in the container

0:20:00.560 --> 0:20:04.640
<v Speaker 1>of the story is still so compelling. So yeah, I'm

0:20:04.720 --> 0:20:07.200
<v Speaker 1>I'm I hate how much I've grown to like the show,

0:20:07.240 --> 0:20:08.800
<v Speaker 1>but I think it's kind of my favorite thing on

0:20:08.920 --> 0:20:11.160
<v Speaker 1>right now. I'm going to be devastated with the vampire,

0:20:11.200 --> 0:20:15.120
<v Speaker 1>devastated when it ends. Maybe I should be something from

0:20:15.160 --> 0:20:17.639
<v Speaker 1>House of the Dragon for Halloween. Um, if you have

0:20:17.720 --> 0:20:20.960
<v Speaker 1>suggestions for what I should be for Halloween, please slide

0:20:20.960 --> 0:20:22.720
<v Speaker 1>into our d M s at like a Virgin four

0:20:22.760 --> 0:20:26.760
<v Speaker 1>twenty sixty nine to let me know, because I still

0:20:26.880 --> 0:20:48.719
<v Speaker 1>have no clue as someone who hasn't seen quite as

0:20:48.800 --> 0:20:54.040
<v Speaker 1>much of the Tim Burton cannon as I have. What

0:20:54.119 --> 0:20:59.520
<v Speaker 1>do you think defines a Tim Burton film? Well, he

0:20:59.640 --> 0:21:01.600
<v Speaker 1>is a bit than ookie spooky girl. I think like

0:21:01.640 --> 0:21:04.960
<v Speaker 1>an oogie spooky aesthetic. I think everyone in the movie

0:21:05.000 --> 0:21:08.520
<v Speaker 1>needs to look blue in the face, just like like

0:21:09.960 --> 0:21:13.520
<v Speaker 1>so white that they are blue. Like that actually is

0:21:14.040 --> 0:21:16.720
<v Speaker 1>the palette that he's working with. And I actually think

0:21:16.720 --> 0:21:20.320
<v Speaker 1>that palette and like escape of color is is really

0:21:20.359 --> 0:21:23.840
<v Speaker 1>big in his films, Like there is an aesthetic that

0:21:23.920 --> 0:21:27.000
<v Speaker 1>draws everything together. And then would you say, would you

0:21:27.040 --> 0:21:31.959
<v Speaker 1>say that above all Tim Burton movies are defined by

0:21:31.960 --> 0:21:37.440
<v Speaker 1>their aesthetic Unfortunately, yeah, um, and I you know it's

0:21:37.480 --> 0:21:40.520
<v Speaker 1>so funny is as someone who has on the pod said,

0:21:41.480 --> 0:21:45.040
<v Speaker 1>I'm like much more style over substance sometimes when we

0:21:45.040 --> 0:21:47.480
<v Speaker 1>were talking about like bas Learman, I do think that

0:21:47.560 --> 0:21:50.680
<v Speaker 1>Tim Burton is kind of that girl too. Yes, I

0:21:51.320 --> 0:21:56.960
<v Speaker 1>I will say that I think he has some themes

0:21:57.040 --> 0:21:59.680
<v Speaker 1>that he does return to that are not just stylistic.

0:22:00.160 --> 0:22:08.679
<v Speaker 1>Among them what death, death, the afterlife, um, you know, magic, darkness.

0:22:09.240 --> 0:22:16.240
<v Speaker 1>He also really likes um murder ghosts. Yes. Also, um,

0:22:16.359 --> 0:22:20.760
<v Speaker 1>he is very into revisiting sort of older pieces of

0:22:20.800 --> 0:22:25.080
<v Speaker 1>pop culture. I think he's very much stuck in his

0:22:25.720 --> 0:22:32.080
<v Speaker 1>childhood and looking back at those things through his lens.

0:22:32.160 --> 0:22:37.159
<v Speaker 1>So things like Batman, Alice in Wonderland, dark Shadows, Charlie

0:22:37.160 --> 0:22:42.200
<v Speaker 1>and the Chocolate Factory, and he is obsessed with youth

0:22:42.320 --> 0:22:47.399
<v Speaker 1>and innocence for a big chunk of his career. And

0:22:47.600 --> 0:22:51.720
<v Speaker 1>I would say like from the nineties to now, he

0:22:51.800 --> 0:22:58.399
<v Speaker 1>has primarily made ookie, spooky, family friendly films and entertainment.

0:22:58.640 --> 0:23:00.800
<v Speaker 1>And these are a lot of these are reboots, right,

0:23:00.960 --> 0:23:06.280
<v Speaker 1>A lot of these are adaptations of particularly dark stories

0:23:06.440 --> 0:23:09.880
<v Speaker 1>from the yore of children's storytelling. You know, I think

0:23:09.880 --> 0:23:13.360
<v Speaker 1>that darkness is something that you can say ends up

0:23:13.400 --> 0:23:16.960
<v Speaker 1>in every single one of his films, is some capacity

0:23:17.040 --> 0:23:20.439
<v Speaker 1>both literal and metaphorical darkness. But I also he is

0:23:20.800 --> 0:23:23.399
<v Speaker 1>thought of as an auteur, and I think there is

0:23:23.440 --> 0:23:29.639
<v Speaker 1>a cultural perception that with his films he is writing, directing,

0:23:30.600 --> 0:23:33.120
<v Speaker 1>doing all of the stylistic work, and in a lot

0:23:33.160 --> 0:23:37.440
<v Speaker 1>of cases that's not always true. You know, something like Beetlejuice,

0:23:37.440 --> 0:23:39.520
<v Speaker 1>which I think is a really good place for us

0:23:39.560 --> 0:23:42.600
<v Speaker 1>to start, because I do believe it his his best work,

0:23:43.119 --> 0:23:45.280
<v Speaker 1>and we watched it last night. Fran saw it for

0:23:45.280 --> 0:23:48.320
<v Speaker 1>the first time. Um, he didn't write the script to Beetlejuice.

0:23:48.320 --> 0:23:51.360
<v Speaker 1>Beetlejuice was a script that was kind of shuffling around

0:23:51.600 --> 0:23:55.399
<v Speaker 1>the studio system trying to find the right director and

0:23:55.440 --> 0:23:58.400
<v Speaker 1>went through a bunch of rewrites until it eventually made

0:23:58.400 --> 0:24:00.520
<v Speaker 1>its way to Tim Burton. It was a newly much

0:24:00.600 --> 0:24:05.080
<v Speaker 1>darker and was you know, through his work on it

0:24:05.119 --> 0:24:08.880
<v Speaker 1>became sort of a lighter. I mean obviously still very

0:24:08.920 --> 0:24:12.000
<v Speaker 1>you know, tongue in cheek and there are things now

0:24:12.040 --> 0:24:14.159
<v Speaker 1>that I don't think you'd get away with, and a

0:24:14.200 --> 0:24:18.640
<v Speaker 1>sort of like family comedy today. But yeah, I mean

0:24:18.680 --> 0:24:24.040
<v Speaker 1>it's still like palatable for a PG thirteen audience, even

0:24:24.080 --> 0:24:29.359
<v Speaker 1>though Beetlejuice does say fuck at least once. Oh, I

0:24:29.359 --> 0:24:32.120
<v Speaker 1>think in PG thirteen movies you actually can only say

0:24:32.240 --> 0:24:34.880
<v Speaker 1>fuck once and then if you say at a second time,

0:24:35.000 --> 0:24:38.040
<v Speaker 1>if you say a second time, it's radar ar. Yeah. Um,

0:24:38.080 --> 0:24:40.639
<v Speaker 1>I know that because my family, because of how I

0:24:40.680 --> 0:24:44.360
<v Speaker 1>grew up. Um, but how so you grew up not

0:24:44.440 --> 0:24:46.800
<v Speaker 1>really watching a lot of Tim Burton. No, Well, what

0:24:46.920 --> 0:24:51.640
<v Speaker 1>happened was, um, you know Tim Burton is the Devil. Yes,

0:24:51.720 --> 0:24:55.159
<v Speaker 1>the encapsulation of the devil and the Devil's presence in

0:24:55.520 --> 0:24:58.560
<v Speaker 1>mainstream media and was huge at the time of our

0:24:58.640 --> 0:25:00.679
<v Speaker 1>like growing up. And so I don't know if my

0:25:00.760 --> 0:25:04.359
<v Speaker 1>parents really knew explicitly like who Tim Burton was, and

0:25:04.359 --> 0:25:06.120
<v Speaker 1>then I couldn't watch his movies. But if they were

0:25:06.160 --> 0:25:08.359
<v Speaker 1>to see a trailer of literally any of his movies,

0:25:08.400 --> 0:25:10.480
<v Speaker 1>they'd be like, you're you're not watching that, that's like

0:25:10.520 --> 0:25:13.520
<v Speaker 1>the Devil, And like I didn't see, you know, things

0:25:13.600 --> 0:25:17.879
<v Speaker 1>like Nightmare before Christmas until I was like a late teen.

0:25:18.160 --> 0:25:20.480
<v Speaker 1>I didn't see a lot of those movies until I

0:25:20.520 --> 0:25:24.159
<v Speaker 1>was older, but I did. By the time I was

0:25:24.720 --> 0:25:29.239
<v Speaker 1>a teen and entering my hot topic era, I was

0:25:29.440 --> 0:25:32.640
<v Speaker 1>becoming obsessed quote unquote with Tim Burton, which really just

0:25:32.760 --> 0:25:35.280
<v Speaker 1>meant that, like I bought Tim Burton T shirts and

0:25:35.280 --> 0:25:39.200
<v Speaker 1>paraphernalia but actually didn't know that much about his Well, yeah,

0:25:39.240 --> 0:25:42.879
<v Speaker 1>I do think that the transformation of Tim Burton is

0:25:42.960 --> 0:25:48.919
<v Speaker 1>from someone who made very strange cult films to someone

0:25:48.960 --> 0:25:52.880
<v Speaker 1>who is kind of synonymous with the type of genre

0:25:53.080 --> 0:26:00.359
<v Speaker 1>fandom consumerism that exists at hot topic like Tim Burton

0:26:00.680 --> 0:26:05.400
<v Speaker 1>in is hot topic. Yeah, he is, literally, I mean

0:26:05.480 --> 0:26:08.520
<v Speaker 1>he was paying Hot Topics light bill, Like that's really

0:26:08.520 --> 0:26:10.760
<v Speaker 1>what was happening. If you walk into a hot topic,

0:26:10.840 --> 0:26:14.720
<v Speaker 1>you can get your Jack Skellington costume. You can get

0:26:14.760 --> 0:26:20.040
<v Speaker 1>your like dress that's like a shitty polyester that is like, um,

0:26:20.080 --> 0:26:22.600
<v Speaker 1>you know, going to spread my grol plastics in this

0:26:22.680 --> 0:26:25.840
<v Speaker 1>earth for then two years and it's printed with Sally's

0:26:25.880 --> 0:26:27.920
<v Speaker 1>dress on it. Yeah, and for some reason you can

0:26:27.960 --> 0:26:30.840
<v Speaker 1>still buy you know, a Charlie and the Chocolate Factory

0:26:30.840 --> 0:26:32.960
<v Speaker 1>t shirt or and Alison Wonderland t shirt. God knows

0:26:32.960 --> 0:26:35.560
<v Speaker 1>why because those are like among his worst films. So, like,

0:26:36.080 --> 0:26:38.800
<v Speaker 1>so you didn't spend a lot of time with his

0:26:38.880 --> 0:26:43.480
<v Speaker 1>work when you were a kid. Unsurprisingly, I did. I

0:26:43.720 --> 0:26:46.399
<v Speaker 1>actually did. I mean I did spend a lot of

0:26:46.440 --> 0:26:48.679
<v Speaker 1>time like not as a kid kid, but by the

0:26:48.680 --> 0:26:50.520
<v Speaker 1>time I was a teen, It's just like I did

0:26:50.560 --> 0:26:52.919
<v Speaker 1>become obsessed and I would tell people that Corpse Bride

0:26:52.960 --> 0:26:55.879
<v Speaker 1>was my favorite movie. Okay, yeah, Like that's like I

0:26:55.920 --> 0:26:59.680
<v Speaker 1>think pretending to like Tim Burton was a part of

0:27:00.280 --> 0:27:02.160
<v Speaker 1>how I was as a kid. But I do think

0:27:02.200 --> 0:27:05.240
<v Speaker 1>teenager is still different from kid because if we're talking

0:27:05.280 --> 0:27:11.080
<v Speaker 1>about the formative power of media, you know, Nightmare Before Christmas,

0:27:11.680 --> 0:27:14.840
<v Speaker 1>that was that was me as a child, because I

0:27:14.840 --> 0:27:18.240
<v Speaker 1>remember Before Christmas came out when I was five years old,

0:27:18.720 --> 0:27:21.920
<v Speaker 1>and I vividly remember the day that my parents got

0:27:21.960 --> 0:27:24.400
<v Speaker 1>it on VHS and brought it home. My dad also

0:27:24.440 --> 0:27:30.680
<v Speaker 1>bought me all the action figures. It was my entire world. Um.

0:27:30.800 --> 0:27:34.840
<v Speaker 1>And I think because I got it so early and

0:27:34.920 --> 0:27:40.280
<v Speaker 1>along with that also was into really into beetlejuice. Um,

0:27:40.400 --> 0:27:47.600
<v Speaker 1>it absolutely informed and formed my tastes and aesthetic and

0:27:48.160 --> 0:27:52.440
<v Speaker 1>me me being a spooky bitch. And I think if

0:27:52.480 --> 0:27:55.560
<v Speaker 1>I had gotten it even a little later in life

0:27:55.600 --> 0:27:57.720
<v Speaker 1>the way that you did, that might not have been true.

0:27:57.800 --> 0:28:00.320
<v Speaker 1>Or maybe I always would have been drawn to those

0:28:00.400 --> 0:28:04.280
<v Speaker 1>kinds of things. But I think tim Burton was really

0:28:04.359 --> 0:28:10.080
<v Speaker 1>the only person who was putting that kind of spook

0:28:10.760 --> 0:28:14.879
<v Speaker 1>into things specifically that kids could watch. Yeah, but I

0:28:14.960 --> 0:28:17.000
<v Speaker 1>mean to go back to the initial question, like what

0:28:17.080 --> 0:28:21.160
<v Speaker 1>are the other things that make a Tim Burton film

0:28:21.280 --> 0:28:23.960
<v Speaker 1>that you were like maybe attracted to as a kid,

0:28:24.040 --> 0:28:28.280
<v Speaker 1>Because I think for me, it's like there's the oooky

0:28:28.320 --> 0:28:33.000
<v Speaker 1>spooky factor. There's the Danny Elfman's score, there's like his

0:28:33.280 --> 0:28:37.760
<v Speaker 1>use usually a musical number, yes, usually several, if not several,

0:28:37.960 --> 0:28:43.000
<v Speaker 1>that's right. You have this kind of emo sensibility, I think,

0:28:43.040 --> 0:28:46.240
<v Speaker 1>and everything like in all of his films, there's always

0:28:46.280 --> 0:28:49.640
<v Speaker 1>some sad boy protagonists, yes, And and at the crux

0:28:49.680 --> 0:28:54.120
<v Speaker 1>of like pretty much every protagonist is an existential question

0:28:54.600 --> 0:28:58.640
<v Speaker 1>about like love and death honestly like and and how

0:28:58.720 --> 0:29:02.800
<v Speaker 1>those things are usually at odds, but also kind of

0:29:02.960 --> 0:29:08.360
<v Speaker 1>um self fulfillment because he does get pretty existential because

0:29:08.400 --> 0:29:12.040
<v Speaker 1>you look at like Jack Skellington in The Nightmare Before Christmas?

0:29:12.320 --> 0:29:14.760
<v Speaker 1>His whole thing is what what am I doing? What

0:29:15.360 --> 0:29:18.680
<v Speaker 1>is my purpose? What am I here? For? Edwards scissor Hands,

0:29:18.720 --> 0:29:21.160
<v Speaker 1>It's it's about why do I am? I? Why do

0:29:21.200 --> 0:29:24.920
<v Speaker 1>I exist? Even Beetlejuice, it's like, what do I do

0:29:25.000 --> 0:29:27.120
<v Speaker 1>with my life now that I'm dead? Yeah, now that

0:29:27.160 --> 0:29:29.480
<v Speaker 1>I'm dead? I think you have a version of that

0:29:29.760 --> 0:29:33.120
<v Speaker 1>even in Corpse Bride, which a movie that gets a

0:29:33.160 --> 0:29:36.280
<v Speaker 1>lot of flak, but like, I actually think perfectly distills

0:29:36.320 --> 0:29:39.800
<v Speaker 1>a lot like of his, of Tim Burton's like philosophical ideas.

0:29:39.880 --> 0:29:43.360
<v Speaker 1>It is not very good, No, it's not. I definitely

0:29:43.400 --> 0:29:46.520
<v Speaker 1>bought it in like the Blockbuster dollar bin. Like you know,

0:29:46.560 --> 0:29:48.960
<v Speaker 1>remember how Blockbuster used to have those like bins of

0:29:49.040 --> 0:29:52.520
<v Speaker 1>movies where it was like, when the movie comes out,

0:29:52.600 --> 0:29:55.080
<v Speaker 1>they buy like ten copies to rent, and then by

0:29:55.080 --> 0:29:57.440
<v Speaker 1>the time it's like no longer relevant, they don't need

0:29:57.480 --> 0:29:59.880
<v Speaker 1>ten copies of it, so they sell like nine of

0:30:00.240 --> 0:30:03.880
<v Speaker 1>for like two dollars I bought Corporate Bride probably for

0:30:03.920 --> 0:30:06.120
<v Speaker 1>two dollars, like that is like the vibe. But I

0:30:06.280 --> 0:30:10.480
<v Speaker 1>but I loved that movie because it was so melodramatic

0:30:10.520 --> 0:30:14.720
<v Speaker 1>and because as a child, I was attached to a

0:30:14.840 --> 0:30:18.400
<v Speaker 1>very adult idea of what it means to live the

0:30:18.440 --> 0:30:20.600
<v Speaker 1>same as like Jack Skellington. Right. And I think that

0:30:21.360 --> 0:30:26.600
<v Speaker 1>it makes sense that Tim Burton's movies primarily appeal to

0:30:26.720 --> 0:30:31.760
<v Speaker 1>children because his ideas about human existence are actually pretty shallow,

0:30:32.280 --> 0:30:35.160
<v Speaker 1>you know what I mean, Like they are childlike, they're

0:30:35.280 --> 0:30:39.360
<v Speaker 1>they're very there's something that a child can understand. Yeah,

0:30:39.400 --> 0:30:42.440
<v Speaker 1>there's not a lot of depth there. And I wonder

0:30:42.680 --> 0:30:46.200
<v Speaker 1>if it's a regression in a way, because his early

0:30:46.400 --> 0:30:50.600
<v Speaker 1>work is much more adult. You know, you have Edwood,

0:30:50.640 --> 0:30:52.880
<v Speaker 1>which neither of us have seen, but it's a biopic

0:30:52.920 --> 0:30:58.160
<v Speaker 1>about some flop director. And then he does things like

0:30:58.880 --> 0:31:02.280
<v Speaker 1>Peewee's Big Adventure or which you know ostensibly is still

0:31:02.320 --> 0:31:05.960
<v Speaker 1>a kids movie but is very adult and used to

0:31:06.120 --> 0:31:09.560
<v Speaker 1>terrify me as a child, Batman and Batman Returns, which

0:31:09.600 --> 0:31:14.120
<v Speaker 1>are very adult and sexy. Um, thank god for Tim

0:31:14.160 --> 0:31:17.760
<v Speaker 1>Burton giving us some shellfie first Catwoman. I think out

0:31:17.760 --> 0:31:19.880
<v Speaker 1>of all of these films that that is my favorite

0:31:19.920 --> 0:31:23.040
<v Speaker 1>Timburton film. I'm pretty gosh darn sure. Do you think

0:31:23.080 --> 0:31:28.840
<v Speaker 1>you have a favorite Timburton film. Yeah, it's this is tough,

0:31:29.080 --> 0:31:32.640
<v Speaker 1>It's tough. It's definitely between the night Remember Before Christmas

0:31:32.680 --> 0:31:39.840
<v Speaker 1>and Beetlejuice. I do think, as I have grown up,

0:31:40.600 --> 0:31:45.440
<v Speaker 1>it's Beetlejuice that just I will always have a place

0:31:45.440 --> 0:31:47.120
<v Speaker 1>in my heart for the night Remember Before Christmas. And

0:31:47.160 --> 0:31:50.280
<v Speaker 1>I think part of why I pulled away from it

0:31:50.360 --> 0:31:53.880
<v Speaker 1>is sort of the disnification of the Nightmare Before Christmas

0:31:54.240 --> 0:32:00.560
<v Speaker 1>and just how it's like every emo scene. Girl in

0:32:00.640 --> 0:32:04.160
<v Speaker 1>high school had a you know, a Jack Skellington patch

0:32:04.240 --> 0:32:08.440
<v Speaker 1>on her backpack from Hot Topic. Um, I still love it.

0:32:08.440 --> 0:32:11.000
<v Speaker 1>It's still amazing. It's not a Halloween movie. It's not

0:32:11.040 --> 0:32:14.280
<v Speaker 1>a Christmas movie. It's a Thanksgiving movie. It's it's not

0:32:14.400 --> 0:32:17.400
<v Speaker 1>it's not that's just fun. That's just fun. Mentally not true.

0:32:17.400 --> 0:32:19.600
<v Speaker 1>I Phoebe's in here in the studio laughing at you

0:32:19.680 --> 0:32:23.640
<v Speaker 1>because that is such an inaccurate take. But the older

0:32:23.680 --> 0:32:27.960
<v Speaker 1>I have grown, I do think of everything he's made,

0:32:28.320 --> 0:32:34.920
<v Speaker 1>Beetlejuice is the most perfectly aligned to my taste. Um,

0:32:34.960 --> 0:32:39.000
<v Speaker 1>it's funny, it's spooky, it's a little gross, it's adult,

0:32:39.200 --> 0:32:45.000
<v Speaker 1>it's adult. It's horny, it's very horny, inappropriately horny, inappropriately horny. Um.

0:32:45.400 --> 0:32:47.920
<v Speaker 1>I actually, so are you aware of all of the

0:32:47.920 --> 0:32:52.040
<v Speaker 1>Beetlejuice musical? Um? I actually am, yeah, but I've never

0:32:52.160 --> 0:32:54.920
<v Speaker 1>I I know that it was a hit, right, it

0:32:55.000 --> 0:32:58.280
<v Speaker 1>wasn't really a hit. And actually, so this is the

0:32:58.320 --> 0:33:01.040
<v Speaker 1>story of the Beetlejuice Musical is that it wasn't really

0:33:01.040 --> 0:33:03.360
<v Speaker 1>a hit, but it gained a huge cult following in

0:33:03.360 --> 0:33:06.600
<v Speaker 1>the way that a lot of contemporary musicals that appeal

0:33:06.760 --> 0:33:12.040
<v Speaker 1>to like people on Tumblr do. Um. But another show,

0:33:12.160 --> 0:33:15.160
<v Speaker 1>I think it was The Music Man, was moving in

0:33:15.200 --> 0:33:17.080
<v Speaker 1>to the theater where it was supposed to be. So

0:33:17.160 --> 0:33:21.320
<v Speaker 1>it closed two huge fan outcry and there was a

0:33:21.920 --> 0:33:24.880
<v Speaker 1>campaign to bring it back, and it is now back

0:33:24.920 --> 0:33:28.560
<v Speaker 1>on Broadway once again. Wait really and actually shook by

0:33:28.600 --> 0:33:33.360
<v Speaker 1>that because one thing you do not see in this

0:33:33.440 --> 0:33:36.640
<v Speaker 1>day and age is Tim Burton coming back to relevance

0:33:36.680 --> 0:33:40.440
<v Speaker 1>in any capacity. Like it's just doesn't He's not really there.

0:33:40.640 --> 0:33:43.360
<v Speaker 1>The musical is very different from the movie in a

0:33:43.400 --> 0:33:46.360
<v Speaker 1>lot of ways, and the music was I saw it

0:33:46.400 --> 0:33:49.600
<v Speaker 1>when it was still in previews, Um, and was not

0:33:49.760 --> 0:33:53.880
<v Speaker 1>expecting what it was. Um, but it's really good and

0:33:53.920 --> 0:33:58.160
<v Speaker 1>the song dead Mom slaps so hard. But anyway, you

0:33:58.200 --> 0:34:01.360
<v Speaker 1>watched Beetle Juice for the first time last now that

0:34:01.440 --> 0:34:03.880
<v Speaker 1>you know that it's my favorite Tim Burton movie and

0:34:03.960 --> 0:34:09.320
<v Speaker 1>it did come out the year I was born, So, um,

0:34:09.400 --> 0:34:14.839
<v Speaker 1>what did you think? I have such a This really

0:34:14.840 --> 0:34:17.640
<v Speaker 1>should be a very simple question. Um, but I have

0:34:17.680 --> 0:34:20.399
<v Speaker 1>a hard time answering it because I think I think

0:34:20.440 --> 0:34:22.840
<v Speaker 1>the more I think about it, I don't think I

0:34:23.320 --> 0:34:26.919
<v Speaker 1>necessarily personally enjoyed it as a movie. And I think

0:34:26.960 --> 0:34:31.920
<v Speaker 1>that as a kid, I would have really disliked it

0:34:32.160 --> 0:34:39.359
<v Speaker 1>because I just hadn't grown an affinity for the grotesque yet. Um,

0:34:39.400 --> 0:34:41.759
<v Speaker 1>it was something that I was still scared of. But

0:34:41.800 --> 0:34:44.160
<v Speaker 1>watching it now where I can see a movie like

0:34:44.200 --> 0:34:48.000
<v Speaker 1>Getle Juice and know that it is like objectively beautiful,

0:34:48.560 --> 0:34:52.800
<v Speaker 1>that it is objectively like cinematic invention in something that

0:34:53.040 --> 0:34:55.799
<v Speaker 1>other directors and creators were just not doing at the time,

0:34:55.920 --> 0:34:58.959
<v Speaker 1>right like for the Virgins, Like by this point tim

0:34:58.960 --> 0:35:01.640
<v Speaker 1>Burton had quit being being a Disney animator, right Like

0:35:01.719 --> 0:35:03.680
<v Speaker 1>when he quit being an animator, he was like, no

0:35:03.719 --> 0:35:05.600
<v Speaker 1>one's letting me do the kooky, spooky ship that I

0:35:05.640 --> 0:35:07.840
<v Speaker 1>want to do. Then he did frankn Weenie, and I

0:35:07.840 --> 0:35:11.560
<v Speaker 1>think another thing that caught the you know, attention of

0:35:11.960 --> 0:35:17.600
<v Speaker 1>Hollywood people. And then in came Beetlejuice, Peewee and Batman,

0:35:17.880 --> 0:35:20.919
<v Speaker 1>which I think are an amazing triad to show off

0:35:20.960 --> 0:35:23.480
<v Speaker 1>like what he does as a director, because there are

0:35:23.520 --> 0:35:26.920
<v Speaker 1>three very different kind of takes on Tim Burton Suoki

0:35:26.920 --> 0:35:30.680
<v Speaker 1>Spookies that Day. But it's also like very much um

0:35:30.800 --> 0:35:35.200
<v Speaker 1>the standard trajectory for directors that still exist today, which

0:35:35.239 --> 0:35:40.080
<v Speaker 1>is you make the small passion project that gets people's attention. Um,

0:35:40.200 --> 0:35:44.960
<v Speaker 1>then you make the somewhat larger movie the studio gives

0:35:44.960 --> 0:35:46.879
<v Speaker 1>you some money it turns out to be a big

0:35:46.960 --> 0:35:50.480
<v Speaker 1>hit than you do a superhero movie. Yeah, exam. And

0:35:50.800 --> 0:35:53.160
<v Speaker 1>after that you get to make whatever you want. And

0:35:53.200 --> 0:35:56.239
<v Speaker 1>what's interesting about Beetle Juice specifically is like, of these

0:35:56.280 --> 0:36:02.000
<v Speaker 1>three movies, Beetlejuice is the closest to Imburton's current and

0:36:02.560 --> 0:36:06.480
<v Speaker 1>ever president aesthetic, right Like it is this like the

0:36:06.719 --> 0:36:09.640
<v Speaker 1>most spooky, has the most claimation, has the most like

0:36:09.719 --> 0:36:14.279
<v Speaker 1>kind of like haunted house, dead diva goth superpower kind

0:36:14.280 --> 0:36:17.239
<v Speaker 1>of stuff. Um. On the on the service level. I mean,

0:36:17.280 --> 0:36:20.000
<v Speaker 1>you and I were having a great time, like an

0:36:20.000 --> 0:36:24.520
<v Speaker 1>O'Hara of it all. Watching you watch the dinner party

0:36:24.880 --> 0:36:28.000
<v Speaker 1>d O scene for the first time was very satisfying

0:36:28.120 --> 0:36:31.360
<v Speaker 1>for me. I didn't you were gagged. You were gagged.

0:36:31.600 --> 0:36:34.719
<v Speaker 1>I was gagged. But I didn't like. I didn't like

0:36:34.920 --> 0:36:37.560
<v Speaker 1>that scene. I didn't like. I think that's a lie.

0:36:38.120 --> 0:36:41.120
<v Speaker 1>I think you're revising history. You liked it? Well, can

0:36:41.160 --> 0:36:43.560
<v Speaker 1>you do what? What were my mannerisms that would describe

0:36:43.560 --> 0:36:46.440
<v Speaker 1>that you were my job? You were wrapped with attention.

0:36:46.520 --> 0:36:48.399
<v Speaker 1>Your job was on the floor, My job was open.

0:36:48.440 --> 0:36:51.680
<v Speaker 1>But did I say anything? No, because you were so transfixed,

0:36:51.680 --> 0:36:54.600
<v Speaker 1>because I was so transfixed. Okay, so if I'm being

0:36:54.760 --> 0:36:56.319
<v Speaker 1>really real with you, I don't really want to go

0:36:56.360 --> 0:37:00.160
<v Speaker 1>there right away. But I actually was really distract and

0:37:00.200 --> 0:37:03.200
<v Speaker 1>by the fact that they're singing like a Jamaican song

0:37:03.400 --> 0:37:05.960
<v Speaker 1>and it's like an all white cast, and I'm like

0:37:06.719 --> 0:37:10.560
<v Speaker 1>thinking about how Tim Burton thinks about these songs and

0:37:10.600 --> 0:37:14.000
<v Speaker 1>how his movies through this whole era were like all

0:37:14.400 --> 0:37:17.879
<v Speaker 1>white casts, and in his you know, defense of that,

0:37:18.120 --> 0:37:20.359
<v Speaker 1>he talks about how like people of color just don't

0:37:20.360 --> 0:37:23.040
<v Speaker 1>fit into a asthetic or whatever his words were, and

0:37:23.080 --> 0:37:25.840
<v Speaker 1>I'm like, but actually they do like their sensibilities and

0:37:25.880 --> 0:37:28.920
<v Speaker 1>their culture and like where and like well yeah, and

0:37:30.520 --> 0:37:34.480
<v Speaker 1>he's happy to steal from that, but not to at that,

0:37:34.520 --> 0:37:36.640
<v Speaker 1>and he's happy to have a bunch of white people

0:37:36.719 --> 0:37:40.320
<v Speaker 1>like lip sync songs that are like sung by white people,

0:37:40.400 --> 0:37:43.919
<v Speaker 1>but like are like literally historically like black songs are

0:37:43.920 --> 0:37:47.800
<v Speaker 1>like songs that like say shake shake, Senora or whatever.

0:37:47.880 --> 0:37:51.920
<v Speaker 1>And it's like, I don't know this, this is I'm like, honestly,

0:37:52.000 --> 0:37:53.719
<v Speaker 1>like I I the reason I don't want to I

0:37:53.719 --> 0:37:56.520
<v Speaker 1>didn't want to go into it is because it's such

0:37:56.560 --> 0:37:59.800
<v Speaker 1>a not fun reaction to a movie that is ultimately

0:37:59.840 --> 0:38:03.880
<v Speaker 1>actually very entertaining and inventive and good. And there are

0:38:03.880 --> 0:38:06.000
<v Speaker 1>a lot of things that I like about Tim Burton.

0:38:06.160 --> 0:38:09.640
<v Speaker 1>And yet because I guess this is what I'm taking

0:38:09.680 --> 0:38:12.359
<v Speaker 1>responsibility for for the Virgins, I think I went into

0:38:12.440 --> 0:38:16.399
<v Speaker 1>the viewing experience of Beetlejuice already feeling like I didn't

0:38:16.400 --> 0:38:19.680
<v Speaker 1>like Tim Burton. Well, because when we started watching the movie,

0:38:20.080 --> 0:38:23.880
<v Speaker 1>you were literally reading an article about Tim Burton being racist.

0:38:24.440 --> 0:38:27.400
<v Speaker 1>I would not look up from it to watch the movie.

0:38:27.600 --> 0:38:29.240
<v Speaker 1>No, no no, no, that was just in the first five minutes.

0:38:29.239 --> 0:38:30.879
<v Speaker 1>I was just the first five minutes I did watch

0:38:31.520 --> 0:38:34.480
<v Speaker 1>you did you did kind of set yourself up there. No,

0:38:34.600 --> 0:38:36.520
<v Speaker 1>But the thing is that would have been the case

0:38:37.320 --> 0:38:39.799
<v Speaker 1>even even if I hadn't read that article. I know

0:38:39.920 --> 0:38:42.120
<v Speaker 1>that I was coming into that experience with a net

0:38:42.160 --> 0:38:44.640
<v Speaker 1>distaste for Timber and as someone who used to be

0:38:44.680 --> 0:38:48.400
<v Speaker 1>obsessed with him. And I think that, you know, and

0:38:48.480 --> 0:38:51.240
<v Speaker 1>I understand the distaste. I think all of the things

0:38:51.280 --> 0:38:55.200
<v Speaker 1>that you're saying are true, and that I am biased

0:38:55.400 --> 0:38:58.120
<v Speaker 1>because I mean am white, So I'm like, I'm always

0:38:58.120 --> 0:39:03.440
<v Speaker 1>biased by that and be his movies were extremely important

0:39:03.520 --> 0:39:08.759
<v Speaker 1>to my understanding of my own, you know, sensibilities as

0:39:08.800 --> 0:39:11.839
<v Speaker 1>a child. Yeah, And I don't necessarily feel like me

0:39:11.920 --> 0:39:14.279
<v Speaker 1>bringing up my reaction to that scene is like, is

0:39:14.320 --> 0:39:17.240
<v Speaker 1>what makes this movie like problematic or cancelable or whatever?

0:39:17.239 --> 0:39:18.880
<v Speaker 1>That's like not really what I'm trying to say. It

0:39:18.960 --> 0:39:22.239
<v Speaker 1>was just like my pure naked reaction. And I kind

0:39:22.239 --> 0:39:25.200
<v Speaker 1>of just tried. I tried to like go back and think, like,

0:39:25.560 --> 0:39:27.399
<v Speaker 1>what would you be thinking about this if you had

0:39:27.440 --> 0:39:30.919
<v Speaker 1>watched it in the early nineties instead, Like what would

0:39:31.040 --> 0:39:33.400
<v Speaker 1>your reaction? I think they would have just been scared.

0:39:33.480 --> 0:39:35.319
<v Speaker 1>I think I would have been scared. Yeah, I don't.

0:39:35.520 --> 0:39:39.080
<v Speaker 1>I think I would have latched onto maybe Gina Davis's

0:39:39.160 --> 0:39:43.120
<v Speaker 1>character went on a writer's character. But Catherine O'Hara, No, yeah,

0:39:43.120 --> 0:39:44.600
<v Speaker 1>I would have No, that's true, that's true. I would

0:39:44.640 --> 0:39:48.320
<v Speaker 1>have loved Katherine Slay of the Millennium. Yeah, she really

0:39:48.400 --> 0:39:50.520
<v Speaker 1>did that. She really did that. But um, this was

0:39:50.560 --> 0:39:53.960
<v Speaker 1>not the only Tim Burton film that Katherine O'Hara did. Also,

0:39:54.480 --> 0:39:57.760
<v Speaker 1>she is the voice of Sally in The Nightmare Before Christmas.

0:39:58.440 --> 0:40:02.879
<v Speaker 1>Oh my god, I forgot that she did that, that

0:40:03.040 --> 0:40:07.879
<v Speaker 1>was her moment. But yeah, um, but I don't think

0:40:07.960 --> 0:40:12.080
<v Speaker 1>she's been in any of his other films. And yeah,

0:40:12.080 --> 0:40:16.520
<v Speaker 1>there's a couple of people obviously that Tim Burton has

0:40:16.560 --> 0:40:19.960
<v Speaker 1>worked with again and again there's some people who are

0:40:20.040 --> 0:40:22.680
<v Speaker 1>only in a few films. And then well there's kind

0:40:22.680 --> 0:40:24.879
<v Speaker 1>of really only one person, which is Helena Bottom Carter,

0:40:24.920 --> 0:40:28.960
<v Speaker 1>who's been in everything he's ever made because because they know,

0:40:29.080 --> 0:40:33.839
<v Speaker 1>because Johnny Depp has done Sleepy Hollow, Corpse Bride, Edward

0:40:33.880 --> 0:40:39.560
<v Speaker 1>Scissor Hands, Sweeney Todd, Alice in Wonderland, Okay Dark, Yeah,

0:40:39.920 --> 0:40:46.600
<v Speaker 1>so I think yeah, and Helena was married to him. Also,

0:40:46.880 --> 0:40:51.080
<v Speaker 1>have you ever heard the story that they um lived

0:40:51.080 --> 0:40:52.880
<v Speaker 1>in houses next story to each other and there was

0:40:52.920 --> 0:40:56.640
<v Speaker 1>a tunnel that went underneath the ground that connected them.

0:40:56.640 --> 0:40:58.440
<v Speaker 1>I've heard that we should probably fact check that, but

0:40:58.480 --> 0:41:02.719
<v Speaker 1>it is my ideal relation. It is also my ideal relationship.

0:41:03.120 --> 0:41:06.440
<v Speaker 1>But then, yeah, there are some people like Winona only

0:41:06.520 --> 0:41:10.640
<v Speaker 1>did two movies. She did Beetle Juice and Edwards is

0:41:10.680 --> 0:41:13.839
<v Speaker 1>her hands. And I feel like maybe unless you are

0:41:14.160 --> 0:41:17.600
<v Speaker 1>Tim Burton's partner, if you're a woman, you age out

0:41:17.600 --> 0:41:21.720
<v Speaker 1>of being his muse rather quickly, because as we've seen,

0:41:22.160 --> 0:41:27.360
<v Speaker 1>Tim Burton is obsessed with this ingenue figure. There's always

0:41:27.440 --> 0:41:32.080
<v Speaker 1>some bitch in his movie with big gass eyes, anywaist,

0:41:32.520 --> 0:41:37.480
<v Speaker 1>she's usually blonde or very dark hair. No, she's definitely

0:41:37.680 --> 0:41:41.760
<v Speaker 1>always They're actually like archetypes where it is the same

0:41:41.880 --> 0:41:45.000
<v Speaker 1>length long blonde like wavy curly hair. But then you

0:41:45.040 --> 0:41:46.960
<v Speaker 1>have Winona and Beetle Juice and she has dark hair.

0:41:47.080 --> 0:41:49.399
<v Speaker 1>But then she does have the blonde hair and Edwards

0:41:49.520 --> 0:41:51.359
<v Speaker 1>is her hand. That's what I'm Yeah, I don't think

0:41:51.400 --> 0:41:54.279
<v Speaker 1>that Winona and Beetle Juice fits the moment, but she does.

0:41:54.680 --> 0:41:56.960
<v Speaker 1>I think that throughout all of his films, we have

0:41:57.160 --> 0:42:04.359
<v Speaker 1>this supple virgin, all innocent, just on the cusp of adolescence. Girl.

0:42:04.480 --> 0:42:06.719
<v Speaker 1>And you noticed you noticed this when we were watching

0:42:06.800 --> 0:42:09.800
<v Speaker 1>last night, because we were watching Sleepy Hollow, which Christina

0:42:09.880 --> 0:42:13.719
<v Speaker 1>Ricci plays this character, but miawasa Kasa Kazakowski or whatever.

0:42:13.760 --> 0:42:16.640
<v Speaker 1>And Alison Wonderland is that girl, the girl from Sweeney This,

0:42:16.800 --> 0:42:20.200
<v Speaker 1>you know the Songbird Greenvench showeber Joanna is that in

0:42:20.320 --> 0:42:25.359
<v Speaker 1>Sweeney Todd Um And then there is um Spella heath

0:42:25.400 --> 0:42:28.479
<v Speaker 1>Coat and Dark Shadows. Yeah, and it's just like it's

0:42:28.520 --> 0:42:32.120
<v Speaker 1>amazing that Timberton's like I mean, it's just I don't know,

0:42:32.160 --> 0:42:36.800
<v Speaker 1>it's just like kind of um creepy. It's kind of creepy,

0:42:36.360 --> 0:42:39.720
<v Speaker 1>isn't ye the same? It's like it's t it's creepy,

0:42:39.760 --> 0:42:42.720
<v Speaker 1>but it's not surprising. It's almost boring. It's like creepy

0:42:42.719 --> 0:42:44.960
<v Speaker 1>on the level that like Quentin Tarantino always has these

0:42:44.960 --> 0:42:47.799
<v Speaker 1>scenes about like feet, you know what I mean, Like

0:42:47.920 --> 0:42:51.200
<v Speaker 1>that is like what it makes me think of um.

0:42:51.239 --> 0:42:55.719
<v Speaker 1>But but you know what, I am grateful that it

0:42:55.840 --> 0:43:02.320
<v Speaker 1>launched Winona's career because then because of because we have Wona.

0:43:02.480 --> 0:43:05.200
<v Speaker 1>It was so funny. We were watching um as we

0:43:05.200 --> 0:43:07.880
<v Speaker 1>were watching Beetle Juice from some angles. I was like,

0:43:07.920 --> 0:43:09.960
<v Speaker 1>I was like, oh my god, who looks exactly like

0:43:10.040 --> 0:43:12.080
<v Speaker 1>Millie Bobby Brown? And you were like, no, no, no,

0:43:12.640 --> 0:43:16.279
<v Speaker 1>Millie Bobby Brown looks like Winona. Like she was the

0:43:16.280 --> 0:43:19.840
<v Speaker 1>blueprint for the ooky spooky girl, which I think is

0:43:20.000 --> 0:43:24.799
<v Speaker 1>so smart. Um, she is all I wanted to be.

0:43:24.840 --> 0:43:26.759
<v Speaker 1>I also thought it was very funny last night when

0:43:26.800 --> 0:43:30.120
<v Speaker 1>you were trying to figure out why Lydia Diets is

0:43:30.160 --> 0:43:31.800
<v Speaker 1>the only one in Beetle Juice who can see the

0:43:31.840 --> 0:43:36.120
<v Speaker 1>ghosts and you decided it's just because she's I mean,

0:43:36.200 --> 0:43:39.680
<v Speaker 1>she literally says she is looking in the handbook and says,

0:43:40.000 --> 0:43:42.800
<v Speaker 1>don't see the strange and unusual. And she famously says,

0:43:43.160 --> 0:43:46.239
<v Speaker 1>I myself am strange and unusual. So yeah, she's just

0:43:46.320 --> 0:43:49.440
<v Speaker 1>a golf Also, I love our producer Phoebe pointed out

0:43:49.440 --> 0:43:54.240
<v Speaker 1>that Beetlejuice is at its core film about gentrification and displaced.

0:43:54.239 --> 0:43:57.760
<v Speaker 1>The displacement. Yeah, honestly, I wish that we as ghosts

0:43:57.800 --> 0:44:01.000
<v Speaker 1>could go back and haunt the gent frying populations of

0:44:01.080 --> 0:44:04.280
<v Speaker 1>like you know, four Green or whatever. But like I

0:44:04.360 --> 0:44:07.000
<v Speaker 1>was the gentrifier. Yeah, I know, I know, Yeah I was,

0:44:07.080 --> 0:44:22.279
<v Speaker 1>I was as well, when we're talking about like other

0:44:22.440 --> 0:44:28.960
<v Speaker 1>things that are recurring themes in like Timberton movies, I

0:44:29.000 --> 0:44:30.759
<v Speaker 1>feel like we saw a lot of those between the

0:44:30.800 --> 0:44:33.200
<v Speaker 1>double feature that we had last night in Sleepy Hollow

0:44:33.200 --> 0:44:37.120
<v Speaker 1>and Beetlejuice. Sleepy Hollow is one of my favorites. It

0:44:37.480 --> 0:44:41.960
<v Speaker 1>came out so I was eleven years old. I was like,

0:44:43.360 --> 0:44:46.880
<v Speaker 1>it was exactly the right time for me for that movie.

0:44:46.960 --> 0:44:48.680
<v Speaker 1>You know, it's a little bit more adult than the

0:44:48.719 --> 0:44:52.560
<v Speaker 1>other stuff he was making at the time. Um spooky vibes.

0:44:52.880 --> 0:44:55.960
<v Speaker 1>There's witches in it. As I told you last night,

0:44:56.000 --> 0:44:59.440
<v Speaker 1>I used to have an action figure of the Witch character,

0:44:59.680 --> 0:45:03.919
<v Speaker 1>which so stupid. When you squeezed her, the snakes would

0:45:03.920 --> 0:45:06.920
<v Speaker 1>pop out of her eyes and her mouth, and I

0:45:07.239 --> 0:45:09.799
<v Speaker 1>just she was my most prized possession. She was your

0:45:09.840 --> 0:45:12.719
<v Speaker 1>most prized Like. I also got an action figure of

0:45:12.960 --> 0:45:15.880
<v Speaker 1>Ichabod Crane and I was like, what am I Johnny

0:45:15.960 --> 0:45:18.479
<v Speaker 1>Depp version or a disnal version or the Johnny version.

0:45:18.600 --> 0:45:19.680
<v Speaker 1>I was like, what the fund am I going to

0:45:19.760 --> 0:45:22.239
<v Speaker 1>do with him? Yeah? His his eyes don't pop out.

0:45:22.239 --> 0:45:23.960
<v Speaker 1>And I also got the headless horseman who came with

0:45:24.000 --> 0:45:25.839
<v Speaker 1>a horse, and I was like, I want the horse.

0:45:25.920 --> 0:45:28.640
<v Speaker 1>I don't really care. Well, here's just want the witch

0:45:28.680 --> 0:45:30.960
<v Speaker 1>and the horse. That's it. Wait, let's get into it.

0:45:31.000 --> 0:45:34.200
<v Speaker 1>The headless Horseman, unbeknownst to me, was played by Christopher

0:45:34.200 --> 0:45:37.640
<v Speaker 1>walking And I said, and I have to say, Christopher

0:45:37.640 --> 0:45:43.759
<v Speaker 1>Watkins character selection across time and space is untouchable, is

0:45:43.880 --> 0:45:47.000
<v Speaker 1>so perfect, And it is so Christopher walk In and

0:45:47.200 --> 0:45:51.200
<v Speaker 1>like there what he what? The characters he chooses to

0:45:51.239 --> 0:45:55.680
<v Speaker 1>play are simultaneously predictable and yet perfectly in his ether. Also,

0:45:55.719 --> 0:45:57.400
<v Speaker 1>I revealed to you last night that he may or

0:45:57.440 --> 0:45:59.959
<v Speaker 1>may not have killed Natalie Wood, which I had no idea.

0:46:00.120 --> 0:46:02.919
<v Speaker 1>Did you know this, Phoebe, that Christopher Walkin has maybe

0:46:02.960 --> 0:46:06.040
<v Speaker 1>killed Natalie Wood? Okay, will you explain this? Yes, Natalie

0:46:06.040 --> 0:46:08.920
<v Speaker 1>Wood drowned on a boat and no one knows how

0:46:08.960 --> 0:46:11.279
<v Speaker 1>she died. And Christopher Walkin was on the boat, one

0:46:11.320 --> 0:46:13.319
<v Speaker 1>of three people on this boat. I don't know how

0:46:13.320 --> 0:46:15.080
<v Speaker 1>many people, not that many people on the boat. But

0:46:15.120 --> 0:46:18.239
<v Speaker 1>Christopher Walkin was another thing that you didn't know, was you?

0:46:18.400 --> 0:46:21.759
<v Speaker 1>It took you an hour until I mentioned it for

0:46:21.840 --> 0:46:24.400
<v Speaker 1>you to realize that that was a young Alec Baldwin

0:46:24.480 --> 0:46:27.360
<v Speaker 1>in Beetlejuice. I had no idea and let me say

0:46:27.480 --> 0:46:29.759
<v Speaker 1>he has a fat ass. He does. He has a

0:46:29.880 --> 0:46:33.840
<v Speaker 1>juicy as a juicy juicy ass. Listen, we don't support

0:46:33.840 --> 0:46:38.160
<v Speaker 1>Alec Baldwin or his wife or his wife and they're

0:46:38.200 --> 0:46:42.800
<v Speaker 1>like twenty five children about the woman that he killed

0:46:42.840 --> 0:46:49.160
<v Speaker 1>on the set of that movie. Um, but that is

0:46:49.239 --> 0:46:53.719
<v Speaker 1>really really hot in Beetle Juice. But honestly, actually, now

0:46:53.760 --> 0:46:56.440
<v Speaker 1>that we're like panning out a little bit, like the

0:46:56.520 --> 0:46:59.319
<v Speaker 1>fact that Timber is so comfortable working with like an

0:46:59.360 --> 0:47:01.480
<v Speaker 1>Alec bald Went or a Johnny Depp, I think it's

0:47:01.600 --> 0:47:05.000
<v Speaker 1>very telling of the people he might find in his circle.

0:47:06.000 --> 0:47:07.799
<v Speaker 1>And the fact that these a lot of I think

0:47:07.800 --> 0:47:11.080
<v Speaker 1>a lot of his films are produced by Scott Rudan.

0:47:12.120 --> 0:47:15.640
<v Speaker 1>I think there are some there are some connections here

0:47:16.120 --> 0:47:20.560
<v Speaker 1>Tim Burton in Hollywood suck. Yeah. Wow, I really cracked

0:47:20.560 --> 0:47:24.680
<v Speaker 1>the case on that one. This is what the people got,

0:47:24.680 --> 0:47:30.920
<v Speaker 1>the people. Someone please clip this out and the peabodies please. Okay,

0:47:30.960 --> 0:47:38.799
<v Speaker 1>so it must be okay, shut up, Okay, I need

0:47:38.880 --> 0:47:43.480
<v Speaker 1>to want Okay, Yes I did. I did fall asleep

0:47:43.520 --> 0:47:45.480
<v Speaker 1>halfway through the movie. And when I woke you up

0:47:45.520 --> 0:47:47.200
<v Speaker 1>to tell you I was leaving, you went that was

0:47:47.280 --> 0:47:51.920
<v Speaker 1>so good? Did I really would you always would you

0:47:52.120 --> 0:47:55.600
<v Speaker 1>always do. And when we watch something and you fall asleep,

0:47:55.640 --> 0:47:59.160
<v Speaker 1>you go, that was so good, and then you and

0:47:59.200 --> 0:48:01.799
<v Speaker 1>then you're and then yeah, and then you try to

0:48:01.840 --> 0:48:04.239
<v Speaker 1>get me to stay and hang out and I'm like,

0:48:04.360 --> 0:48:08.000
<v Speaker 1>you're sleeping. I was like saying, hang please, let's hang out,

0:48:08.120 --> 0:48:12.680
<v Speaker 1>let's sing out. Um okay. But here's what I do

0:48:12.760 --> 0:48:15.960
<v Speaker 1>remember actually that I do remember thinking that it was

0:48:16.120 --> 0:48:19.879
<v Speaker 1>pretty flawlessly gorgeous, like I remember beautiful. I remember thinking

0:48:19.880 --> 0:48:24.000
<v Speaker 1>it was beautiful. I thought it costumes, my god, Christina's

0:48:24.080 --> 0:48:28.160
<v Speaker 1>waste and her wigs and for Nanda Richardson. Yeah, so

0:48:28.239 --> 0:48:31.200
<v Speaker 1>many Harry Potter actors for one movie and for nine

0:48:31.280 --> 0:48:34.760
<v Speaker 1>did not feel dated at all, Like felt like fully

0:48:34.800 --> 0:48:38.040
<v Speaker 1>it's a very classic story, very classic story, like I

0:48:39.080 --> 0:48:43.239
<v Speaker 1>one of the oldest American myths. Yeah, and we were attracted.

0:48:43.440 --> 0:48:47.160
<v Speaker 1>We were attracted to Christopher Lee, who plays one of

0:48:47.200 --> 0:48:52.640
<v Speaker 1>the judges, because he is and when he came on screen,

0:48:52.640 --> 0:48:59.560
<v Speaker 1>I was like, look theself. He also plays an angry

0:48:59.560 --> 0:49:02.239
<v Speaker 1>priest in The Corpse Bride. I think and I love

0:49:02.360 --> 0:49:09.280
<v Speaker 1>actually that priests are like um uh villains in his

0:49:09.280 --> 0:49:14.640
<v Speaker 1>his films and stuff. That's dad in um Sleepy Hollow

0:49:14.800 --> 0:49:18.160
<v Speaker 1>is a priest who put it, finds out his wife

0:49:18.280 --> 0:49:20.920
<v Speaker 1>Johnny Depp's mother is a witch, and puts her in

0:49:21.000 --> 0:49:24.839
<v Speaker 1>an iron maiden and kills her. Yeah, I I thought

0:49:24.920 --> 0:49:28.160
<v Speaker 1>that was pretty pretty disgusting but beautiful. Like I guess

0:49:28.160 --> 0:49:30.799
<v Speaker 1>the first time I ever understood when an iron maiden was.

0:49:31.120 --> 0:49:33.600
<v Speaker 1>It was also the first time I understood what an

0:49:33.640 --> 0:49:37.239
<v Speaker 1>iron maiden was. Um, last night that is. But yeah,

0:49:37.280 --> 0:49:41.000
<v Speaker 1>watching Sleepy Hollow like I did, I was kind of like, Um,

0:49:41.040 --> 0:49:43.080
<v Speaker 1>I couldn't stop thinking about the thing that you noticed

0:49:43.080 --> 0:49:46.759
<v Speaker 1>about this, like long haired, blonde virgin archetype and the

0:49:46.800 --> 0:49:48.960
<v Speaker 1>fact that Johnny Depp is thirty six in this movie

0:49:49.080 --> 0:49:54.600
<v Speaker 1>and Christina Reggi is the actors actors, but the actress

0:49:54.600 --> 0:49:57.840
<v Speaker 1>thirty six and Christina Reriggi is eighteen. And I was

0:49:57.920 --> 0:50:02.080
<v Speaker 1>like Tim Burton when of his way to cast like this,

0:50:02.280 --> 0:50:05.960
<v Speaker 1>you know what also is And I'm not defending it again,

0:50:06.040 --> 0:50:09.560
<v Speaker 1>but also that's Hollywood. That's Hollywood. Sure, it's like old

0:50:09.920 --> 0:50:15.160
<v Speaker 1>decrepit man and baby girl. He didn't look decrepit. I

0:50:15.200 --> 0:50:17.680
<v Speaker 1>literally thought he was in his twenties. I literally thought

0:50:17.680 --> 0:50:19.520
<v Speaker 1>he was in his twenties. He looks really young. But

0:50:19.600 --> 0:50:22.239
<v Speaker 1>he um, you know, just just just to get it

0:50:22.239 --> 0:50:24.080
<v Speaker 1>out of the way, I must say that though he

0:50:24.200 --> 0:50:27.840
<v Speaker 1>is very Though Johnny Depp is very um cute in

0:50:27.840 --> 0:50:31.000
<v Speaker 1>in Sleepy Hollow, he is his hottest in the movie

0:50:31.040 --> 0:50:34.920
<v Speaker 1>Choke a Lot, which I did finally watch over the

0:50:35.719 --> 0:50:39.000
<v Speaker 1>talking no no, no no, no, we're we're not We're gonna

0:50:39.440 --> 0:50:41.680
<v Speaker 1>a lot is a Tim Burton felm shock a lot

0:50:44.680 --> 0:50:47.839
<v Speaker 1>must be this is not an episode about Johnny deppell

0:50:48.000 --> 0:50:50.640
<v Speaker 1>it's no. But I have to say no, no, no, no,

0:50:50.840 --> 0:50:53.520
<v Speaker 1>let me say let me say this yes and no no,

0:50:53.640 --> 0:51:00.480
<v Speaker 1>but I must say Johnny Depp was excruciatingly fine in

0:51:00.600 --> 0:51:03.920
<v Speaker 1>Chook a Lot. Like he was. I dare anyone, anyone

0:51:03.960 --> 0:51:06.400
<v Speaker 1>with a with a feminist perspective to watch Choko a

0:51:06.400 --> 0:51:13.920
<v Speaker 1>Lot and tell me that Johnny Depp is not fine. No,

0:51:14.000 --> 0:51:15.520
<v Speaker 1>I don't want to tell Amber heard that. But he

0:51:15.640 --> 0:51:18.480
<v Speaker 1>is so sexy and okay, great, are you one of

0:51:18.560 --> 0:51:23.879
<v Speaker 1>his bots? Now about you know about like Amber heard?

0:51:24.239 --> 0:51:26.680
<v Speaker 1>My body tells, wait wait wait wait wait wait, Actually

0:51:26.719 --> 0:51:29.000
<v Speaker 1>this is a really good this is a really good tangent,

0:51:29.040 --> 0:51:32.360
<v Speaker 1>because not if it's about Choke a Lot, Come on,

0:51:32.640 --> 0:51:36.719
<v Speaker 1>this is this is this is um I do think that, um,

0:51:36.880 --> 0:51:43.360
<v Speaker 1>there is something to be said about a cultural attachment

0:51:43.520 --> 0:51:46.840
<v Speaker 1>in the present day to Johnny Depp and Tim Burton's

0:51:46.920 --> 0:51:51.200
<v Speaker 1>part to play in that right, because he's he's looped

0:51:51.320 --> 0:51:54.279
<v Speaker 1>into our childhoods in this way that is very hard

0:51:54.320 --> 0:51:57.239
<v Speaker 1>to extricate ourselves from. Because he was both because of

0:51:57.280 --> 0:52:00.319
<v Speaker 1>this and because of Pirates of the Carabee, in which

0:52:00.360 --> 0:52:03.440
<v Speaker 1>we talked about a couple of episodes ago. Um, he

0:52:03.520 --> 0:52:06.680
<v Speaker 1>was everywhere and I was, um, you know, admittedly like

0:52:06.719 --> 0:52:10.760
<v Speaker 1>a bandwagon Timberton fan, because I didn't have access to culture,

0:52:10.880 --> 0:52:13.800
<v Speaker 1>you know, when he came out so to so to speak,

0:52:14.200 --> 0:52:16.640
<v Speaker 1>and so of the closet of the when I when

0:52:16.640 --> 0:52:19.880
<v Speaker 1>I can't, when I when he whatever, when I started

0:52:19.880 --> 0:52:23.920
<v Speaker 1>conducing timbers ever sucked and fucked. No, I think he's

0:52:23.960 --> 0:52:27.520
<v Speaker 1>really homophobic. Yeah, I think he's really I'm not joking.

0:52:27.560 --> 0:52:33.239
<v Speaker 1>I think that he is really retro retro homophobic, like

0:52:33.360 --> 0:52:37.160
<v Speaker 1>fire and Brimstone homophobics, not like not not not even

0:52:37.239 --> 0:52:39.279
<v Speaker 1>like I don't care what they do. I just don't

0:52:39.280 --> 0:52:41.640
<v Speaker 1>want to see it. It's like he's actively like I

0:52:41.719 --> 0:52:44.520
<v Speaker 1>don't want to see it, and you're going to hell. Yeah,

0:52:44.560 --> 0:52:47.440
<v Speaker 1>And I think he thinks I think his kind of

0:52:47.480 --> 0:52:50.680
<v Speaker 1>issue is really the poop poo in the butthole thing,

0:52:50.680 --> 0:52:54.080
<v Speaker 1>because like I've never been it's not he's all like,

0:52:56.320 --> 0:53:00.279
<v Speaker 1>there's never been any queerness and anything He's ever well,

0:53:00.320 --> 0:53:04.720
<v Speaker 1>let's be clear, there has been rampant queerness and gayness

0:53:04.800 --> 0:53:08.280
<v Speaker 1>in his films, but not of his design. Yes, and

0:53:08.280 --> 0:53:10.319
<v Speaker 1>and and that's the thing is, like we were watching

0:53:10.880 --> 0:53:15.200
<v Speaker 1>Beetle Juice and there's this faggot character who is almost

0:53:15.239 --> 0:53:18.759
<v Speaker 1>almost explicitly fag faget. Yeah, oh no, they like they

0:53:18.800 --> 0:53:22.000
<v Speaker 1>say it it coded like something about your kind or whatever.

0:53:22.440 --> 0:53:25.880
<v Speaker 1>But like again, it's like a homophobic remark. Like I

0:53:25.920 --> 0:53:29.480
<v Speaker 1>think that Timberton is like explicitly you know in the

0:53:29.560 --> 0:53:31.920
<v Speaker 1>musical Beetle Juice. So you know how in the movie

0:53:32.440 --> 0:53:36.880
<v Speaker 1>Beetle Juice keeps trying to hook up with Gina Davis.

0:53:37.280 --> 0:53:40.480
<v Speaker 1>In the musical they have it be the Alec Baldwin character.

0:53:42.239 --> 0:53:45.000
<v Speaker 1>Oh I love that. That's a nice little subversion. I

0:53:45.040 --> 0:53:47.279
<v Speaker 1>love that. Um. So, like on that note, as I

0:53:47.320 --> 0:53:50.799
<v Speaker 1>was saying, like I was a Bandwagon fan, so by

0:53:50.800 --> 0:53:54.160
<v Speaker 1>the time I started to love Timberton, he was starting

0:53:54.200 --> 0:53:57.800
<v Speaker 1>to sell out. So um, and what do you define

0:53:57.840 --> 0:54:00.960
<v Speaker 1>as him selling out. Well, it's funny because his career

0:54:01.040 --> 0:54:04.719
<v Speaker 1>started because he felt there was no place for him

0:54:04.800 --> 0:54:08.640
<v Speaker 1>in Hollywood. And when Hollywood started to give him vehicles

0:54:08.760 --> 0:54:12.799
<v Speaker 1>for his ookie spooky um aesthetic, and they understood how

0:54:12.840 --> 0:54:14.799
<v Speaker 1>that was like marketable and that there was like, you know,

0:54:14.840 --> 0:54:17.719
<v Speaker 1>an audience for this. He was making films that, like

0:54:17.760 --> 0:54:20.759
<v Speaker 1>I think a lot of timber and stance. He as

0:54:21.040 --> 0:54:26.239
<v Speaker 1>really amazing and untouchable, like Beetlejuice or Batman. And then

0:54:26.360 --> 0:54:30.160
<v Speaker 1>as he got more and more successful and created UM

0:54:30.239 --> 0:54:34.080
<v Speaker 1>things that were more truly just for commercial success and

0:54:34.120 --> 0:54:40.600
<v Speaker 1>not for the art that UM people saw the quality

0:54:40.600 --> 0:54:43.400
<v Speaker 1>of us work declins, like Alison wonder For me, that

0:54:43.560 --> 0:54:46.080
<v Speaker 1>was Charlie and the Chocolate Factory and Alice in Wonderland.

0:54:46.520 --> 0:54:49.200
<v Speaker 1>Charlie and the Chocolate Factory was two thousand five, Alison

0:54:49.200 --> 0:54:51.800
<v Speaker 1>Wonderland was two thousand and ten, so they weren't that close.

0:54:51.880 --> 0:54:55.120
<v Speaker 1>But um, I saw both of those movies in theaters.

0:54:55.440 --> 0:54:57.440
<v Speaker 1>I thought Charlie and the Chocolate Factor was actually pretty

0:54:57.440 --> 0:54:59.920
<v Speaker 1>good when I watched it, like I thought, I remember

0:55:00.040 --> 0:55:03.320
<v Speaker 1>really enjoying it. Unfortunately, I will always be a Willy

0:55:03.360 --> 0:55:06.120
<v Speaker 1>Wonka and the Chocolate Factory Truther. Yeah, I mean I

0:55:06.320 --> 0:55:09.919
<v Speaker 1>don't think they. I think Jean Wilder Forever. Obviously they're

0:55:09.920 --> 0:55:12.160
<v Speaker 1>going to be compared. But I do think Tim Burton

0:55:12.400 --> 0:55:16.320
<v Speaker 1>made something that was uniquely his own. I remember really

0:55:16.480 --> 0:55:19.040
<v Speaker 1>like by that time, I was a full blown stand

0:55:19.160 --> 0:55:21.080
<v Speaker 1>so I think my experience of the film was maybe

0:55:21.080 --> 0:55:24.480
<v Speaker 1>a little tainted. But I do think it um is

0:55:24.520 --> 0:55:27.280
<v Speaker 1>em nomatic of something that he does really well, which

0:55:27.680 --> 0:55:31.400
<v Speaker 1>is um show us how much he can push a

0:55:31.480 --> 0:55:35.000
<v Speaker 1>really dark edge UM into a children's film, like this

0:55:35.040 --> 0:55:38.600
<v Speaker 1>is a textual children's firm. But like Rolled Dahl, you know,

0:55:39.160 --> 0:55:44.359
<v Speaker 1>was um. His source material was always sanitized for movies, right,

0:55:44.440 --> 0:55:47.960
<v Speaker 1>Like his books were way darker than what the movies

0:55:48.160 --> 0:55:50.680
<v Speaker 1>made them out to me not always look at the Witches.

0:55:51.080 --> 0:55:54.000
<v Speaker 1>The Witches is one of the movies that scared me

0:55:54.080 --> 0:55:55.799
<v Speaker 1>the most when I was a kid. I but the

0:55:55.840 --> 0:55:58.080
<v Speaker 1>but the book is even I would say, yeah, that

0:55:58.120 --> 0:56:00.960
<v Speaker 1>the movie is a tried and true, very dark adaptation,

0:56:01.000 --> 0:56:02.759
<v Speaker 1>but I still think the book is darker. It is

0:56:02.840 --> 0:56:07.680
<v Speaker 1>darker in the way it ends because the in the

0:56:07.800 --> 0:56:11.160
<v Speaker 1>end of the book The Witches, Um, they talked about

0:56:11.239 --> 0:56:13.719
<v Speaker 1>how the boy is going to die in a couple

0:56:13.760 --> 0:56:16.200
<v Speaker 1>of years because he's a mouse, um, and the movie

0:56:16.320 --> 0:56:18.399
<v Speaker 1>ends with a happy ending with him getting turned back

0:56:18.440 --> 0:56:22.359
<v Speaker 1>into a human. Yeah. I honestly, Um, I don't know

0:56:22.440 --> 0:56:24.479
<v Speaker 1>why my brain is jumping to this, but I'm thinking

0:56:24.520 --> 0:56:30.080
<v Speaker 1>a lot just about like childhood and how like there

0:56:30.280 --> 0:56:35.080
<v Speaker 1>is this weird kind of childhood corruption and childhood trauma

0:56:35.200 --> 0:56:39.439
<v Speaker 1>narrative that flows through a lot of his movies, right,

0:56:39.600 --> 0:56:42.480
<v Speaker 1>like what happened to Tim Burton as a kid, Like

0:56:42.719 --> 0:56:47.440
<v Speaker 1>because when you think about his dog died with Alison

0:56:47.480 --> 0:56:50.800
<v Speaker 1>Wonderland Charlie and the Chocolate Factory. But I think Alison

0:56:50.880 --> 0:56:54.040
<v Speaker 1>Wonderland is like Frankie wanted to make it and they

0:56:54.120 --> 0:56:56.880
<v Speaker 1>hired him to do Sweeney Todd. Yeah, that's true. That's

0:56:56.920 --> 0:57:00.600
<v Speaker 1>true with Sweeney Todd, with that movie, Perelli's Helper and

0:57:00.760 --> 0:57:05.239
<v Speaker 1>also um, Joanna are these like archetypes that come in

0:57:05.320 --> 0:57:07.560
<v Speaker 1>and out of Tim Burton's movies where we have a

0:57:07.680 --> 0:57:13.000
<v Speaker 1>child that is being corrupted by people in their life

0:57:13.000 --> 0:57:16.280
<v Speaker 1>that are sometimes pedophilic, which I think is the case

0:57:16.280 --> 0:57:20.640
<v Speaker 1>of Joanna's dad. Well, Joanna's dad who is you know,

0:57:20.880 --> 0:57:25.720
<v Speaker 1>um the judge wants to marry her, right yeah, and

0:57:25.760 --> 0:57:29.760
<v Speaker 1>then we all and then also just like this child

0:57:29.800 --> 0:57:32.280
<v Speaker 1>who has been pushed over the edge and then murders someone.

0:57:32.920 --> 0:57:35.000
<v Speaker 1>I what do you think that is? Like? I think

0:57:35.000 --> 0:57:37.400
<v Speaker 1>it's kind of like what what like? I mean, I

0:57:37.440 --> 0:57:40.680
<v Speaker 1>don't know that that that that exactly? Well, I guess

0:57:40.720 --> 0:57:42.960
<v Speaker 1>there's a pervy kind of through line in some of

0:57:43.000 --> 0:57:47.919
<v Speaker 1>his films. Yeah, well, I think when you have a

0:57:47.960 --> 0:57:50.840
<v Speaker 1>male director, and this is something that I think about

0:57:50.840 --> 0:57:56.160
<v Speaker 1>a lot with people like Ryan Murphy, When you have

0:57:56.280 --> 0:58:00.760
<v Speaker 1>someone who only makes art about youth and young people,

0:58:01.480 --> 0:58:04.600
<v Speaker 1>what's that about? What trauma are you working through? When

0:58:04.680 --> 0:58:07.240
<v Speaker 1>is Ryan Murphy going to get over high school? When

0:58:07.360 --> 0:58:10.560
<v Speaker 1>is Tim Burton going to get over his childhood? Is

0:58:10.680 --> 0:58:13.520
<v Speaker 1>such a good way of putting it, because I do

0:58:13.880 --> 0:58:19.160
<v Speaker 1>think that in this era of Tim Burton, why didn't

0:58:19.240 --> 0:58:22.520
<v Speaker 1>he at some point go make an adult movie? Like

0:58:22.920 --> 0:58:25.920
<v Speaker 1>he had all of the blank checks that he like

0:58:26.040 --> 0:58:29.160
<v Speaker 1>available to cash, that he could have done that. But

0:58:29.360 --> 0:58:33.080
<v Speaker 1>clearly this is just what he's interested in doing, is

0:58:33.160 --> 0:58:38.920
<v Speaker 1>making movies about childhood and you know, adolescence and you

0:58:38.960 --> 0:58:42.720
<v Speaker 1>know these kming of age stories. Why is he so

0:58:42.720 --> 0:58:45.520
<v Speaker 1>stuck on it? And We're Sweet Todd is an adult movie?

0:58:45.680 --> 0:58:50.919
<v Speaker 1>I would say that his film's got progressively more child life.

0:58:50.920 --> 0:58:54.600
<v Speaker 1>He's only done a few things like Mars Attacks, you know,

0:58:54.920 --> 0:58:58.240
<v Speaker 1>is an adult movie. Yeah, but it also there are

0:58:58.280 --> 0:59:01.680
<v Speaker 1>several character point of view characters who were children, and

0:59:01.920 --> 0:59:04.760
<v Speaker 1>I think he's always in anything he does is going

0:59:04.880 --> 0:59:08.800
<v Speaker 1>to find that point of view to look from. Even

0:59:08.840 --> 0:59:12.840
<v Speaker 1>the next thing that he's doing is he's um executive

0:59:12.840 --> 0:59:17.920
<v Speaker 1>producing the New Wednesday Show for Netflix, which about Wednesday Adams,

0:59:18.080 --> 0:59:21.720
<v Speaker 1>which looks which looks really fun. I'm excited about it. Um,

0:59:21.760 --> 0:59:26.520
<v Speaker 1>But again he just I think this when he's dead

0:59:26.640 --> 0:59:28.800
<v Speaker 1>one day and we look back at the entirety of

0:59:28.880 --> 0:59:31.560
<v Speaker 1>his career, this will be one of the things we

0:59:31.680 --> 0:59:34.919
<v Speaker 1>pulled out is that this was a man who made

0:59:35.000 --> 0:59:40.560
<v Speaker 1>movies about youth and how scary being young could be.

0:59:41.120 --> 0:59:47.280
<v Speaker 1>And maybe the horror and the spookiness that he was

0:59:47.360 --> 0:59:52.000
<v Speaker 1>drawn to was a way of making literal how terrifying

0:59:52.040 --> 0:59:55.560
<v Speaker 1>it is to be a child. Yeah, which I appreciate, right,

0:59:55.720 --> 0:59:59.600
<v Speaker 1>Like we've discussed James and the Giant Peach before, which

0:59:59.760 --> 1:00:02.480
<v Speaker 1>I think he was only like a tangential producer on

1:00:02.600 --> 1:00:07.600
<v Speaker 1>or directed by Henry Selick who worked on the Nightmare

1:00:07.600 --> 1:00:10.880
<v Speaker 1>before Christmas. Okay, okay, so that all the connection the

1:00:10.920 --> 1:00:12.760
<v Speaker 1>connections are there, and I think James and the Giant

1:00:12.800 --> 1:00:15.840
<v Speaker 1>Peach is another film that really exemplifies the thing you

1:00:15.960 --> 1:00:21.400
<v Speaker 1>just kind of crystallized about childhood and what that may

1:00:21.400 --> 1:00:24.680
<v Speaker 1>be meant to Tim Burton. But I don't know. I

1:00:24.720 --> 1:00:26.920
<v Speaker 1>think that when we to your to your point, like

1:00:27.160 --> 1:00:29.400
<v Speaker 1>when he dies, I'll be curious to know what we

1:00:29.440 --> 1:00:32.560
<v Speaker 1>still think of him as a director and if he

1:00:32.680 --> 1:00:35.440
<v Speaker 1>still has a chance to contribute something to the culture

1:00:36.000 --> 1:00:39.480
<v Speaker 1>that is as impactful as what he released in the

1:00:40.520 --> 1:00:56.440
<v Speaker 1>you know, nineties. There are a lot of detractions to

1:00:56.520 --> 1:00:59.960
<v Speaker 1>be made about his work, Like, as we already touched

1:01:00.000 --> 1:01:02.840
<v Speaker 1>on briefly, he is a person who only makes movies

1:01:02.880 --> 1:01:06.439
<v Speaker 1>about white people. Yeah, which is UM kind of kind

1:01:06.440 --> 1:01:09.680
<v Speaker 1>of funny sometimes, Like I think that UM for the

1:01:09.760 --> 1:01:13.680
<v Speaker 1>Virgins if you don't know, Like a Bustle interview like

1:01:13.960 --> 1:01:17.440
<v Speaker 1>five six years ago, UM interviewed him and asked him

1:01:17.480 --> 1:01:21.760
<v Speaker 1>specifically about how his films only have white people in them,

1:01:21.840 --> 1:01:26.240
<v Speaker 1>and he said, um, nowadays, he's like, nowadays people are

1:01:26.240 --> 1:01:29.400
<v Speaker 1>talking more about it, but he said, um, things either

1:01:29.440 --> 1:01:31.520
<v Speaker 1>call for things or they don't. I remember back when

1:01:31.560 --> 1:01:33.680
<v Speaker 1>I was a child watching The Brady Bunch and they

1:01:33.720 --> 1:01:36.560
<v Speaker 1>started to get all politically correct, which is a term

1:01:36.640 --> 1:01:39.320
<v Speaker 1>politically correct is something that Tim Burton says frequently, which

1:01:39.360 --> 1:01:41.439
<v Speaker 1>I think is very telling about the type of person

1:01:41.480 --> 1:01:44.000
<v Speaker 1>he is. UM. And then he says, like, okay, they

1:01:44.040 --> 1:01:46.880
<v Speaker 1>have let's have an Asian child and a black a

1:01:47.000 --> 1:01:49.320
<v Speaker 1>black UM. I used to get more offended by that

1:01:49.360 --> 1:01:51.919
<v Speaker 1>than just I grew up watching black sploitation movies and

1:01:52.040 --> 1:01:54.240
<v Speaker 1>I didn't say there should be more white people in

1:01:54.280 --> 1:01:58.360
<v Speaker 1>these movies, which is and and it just ins He's

1:01:58.520 --> 1:02:03.280
<v Speaker 1>like the reverse racism, you know, literally yeah, and like

1:02:03.360 --> 1:02:05.520
<v Speaker 1>you know, it's it's a false equivalent. I mean, we

1:02:05.560 --> 1:02:07.720
<v Speaker 1>don't have to explain why it's wrong, but it is

1:02:07.760 --> 1:02:10.880
<v Speaker 1>like a false equivalency. Right. Like black exploitation films were

1:02:10.920 --> 1:02:14.320
<v Speaker 1>created as like a political statement to combat the eraser

1:02:14.400 --> 1:02:18.440
<v Speaker 1>of black people from films, Tim Burton's movies are not

1:02:18.600 --> 1:02:22.760
<v Speaker 1>a political statement to provide more whiteness into the culture,

1:02:22.880 --> 1:02:25.240
<v Speaker 1>right he What he's trying to say, I think is

1:02:25.280 --> 1:02:29.160
<v Speaker 1>that this is his aesthetic. Right. Aesthetic is a word

1:02:29.240 --> 1:02:31.760
<v Speaker 1>that comes up a lot and describing the whiteness of

1:02:31.800 --> 1:02:34.840
<v Speaker 1>his film. And because this is what he's comfortable in,

1:02:35.240 --> 1:02:37.280
<v Speaker 1>He's saying, this is the world that I live in,

1:02:37.800 --> 1:02:40.680
<v Speaker 1>which is honestly, Like if he wants to say this

1:02:40.760 --> 1:02:42.400
<v Speaker 1>is the world that I live in, which I don't think.

1:02:42.480 --> 1:02:43.560
<v Speaker 1>I don't know if he said that, but like, this

1:02:43.600 --> 1:02:44.560
<v Speaker 1>is the world that I want to live in. This

1:02:44.600 --> 1:02:46.800
<v Speaker 1>is the world that I do live in. It's clearly

1:02:46.840 --> 1:02:49.240
<v Speaker 1>the world that he sees, the world he's imagined. It

1:02:49.360 --> 1:02:52.720
<v Speaker 1>is clearly his perfect world. Yes, that's what you do

1:02:52.800 --> 1:02:55.640
<v Speaker 1>as a director is create this like idealized version of

1:02:55.680 --> 1:02:58.560
<v Speaker 1>the world to make your little stories in. Yes. And

1:02:58.600 --> 1:03:01.960
<v Speaker 1>it's like your films are not reclamation of white culture.

1:03:02.040 --> 1:03:06.480
<v Speaker 1>Your films are like retention of white comfort, right like

1:03:06.880 --> 1:03:09.240
<v Speaker 1>you are if you're saying this is the real world

1:03:09.280 --> 1:03:11.600
<v Speaker 1>you live in, what you are telling us is that

1:03:11.680 --> 1:03:14.840
<v Speaker 1>you don't have any friends of color or like queer friends.

1:03:14.880 --> 1:03:16.440
<v Speaker 1>You know what I mean. I mean, I was watching

1:03:17.160 --> 1:03:19.800
<v Speaker 1>the end of um Sleepy Hollow, which you were asleep

1:03:19.880 --> 1:03:25.520
<v Speaker 1>during last night, and Christina Ricci's character, who's supposed to be,

1:03:25.800 --> 1:03:30.760
<v Speaker 1>you know, so pure, but she is so white, she's

1:03:31.480 --> 1:03:35.920
<v Speaker 1>glowing and per lessons. You know, he loves she she is.

1:03:36.760 --> 1:03:41.560
<v Speaker 1>It's just so clear what he considers to be, you know,

1:03:42.120 --> 1:03:49.120
<v Speaker 1>the um, the archetype, the ideal version of woman of

1:03:49.160 --> 1:03:53.600
<v Speaker 1>womanhood of white womanhood, of whiteness, of just what it

1:03:53.680 --> 1:03:55.760
<v Speaker 1>is to be a person. Look at like the self

1:03:55.920 --> 1:03:58.080
<v Speaker 1>insert he puts in all of his movies, which is

1:03:58.120 --> 1:04:01.800
<v Speaker 1>Johnny Depp, who is like the whitest man possible. Yeah,

1:04:01.920 --> 1:04:06.240
<v Speaker 1>and and I and hit and almost like a a

1:04:06.360 --> 1:04:10.040
<v Speaker 1>perversion of whiteness, right, Like, because there are reports that

1:04:10.120 --> 1:04:13.880
<v Speaker 1>Johnny Depp's Willy Wonka was inspired by Michael Jackson. Have

1:04:14.000 --> 1:04:17.440
<v Speaker 1>you heard this? Um? No, but that makes sense. It

1:04:17.520 --> 1:04:23.360
<v Speaker 1>makes too much gross. It's really gross, but also feels

1:04:23.520 --> 1:04:25.280
<v Speaker 1>in the line of what we were saying earlier about

1:04:25.280 --> 1:04:29.080
<v Speaker 1>like childhood corruption, like things like that. It's like why

1:04:29.280 --> 1:04:32.280
<v Speaker 1>it's like something that timber and keeps like latching onto

1:04:32.640 --> 1:04:35.400
<v Speaker 1>I don't know. And then we um, there's the oggy

1:04:35.440 --> 1:04:38.240
<v Speaker 1>boggie of it all. You were reading about last night,

1:04:38.440 --> 1:04:40.520
<v Speaker 1>something I had you were describing to me. I had

1:04:40.560 --> 1:04:43.800
<v Speaker 1>never heard about that, like oggie boogie was essentially like

1:04:43.840 --> 1:04:47.960
<v Speaker 1>a slur used to describe jazz musician Cab Callaway, and

1:04:48.040 --> 1:04:51.640
<v Speaker 1>that the ugg boogie man is kind of a a

1:04:51.720 --> 1:04:56.680
<v Speaker 1>Cab Calloway reference. Right. He's a very he's a very racist. Um.

1:04:56.720 --> 1:04:59.919
<v Speaker 1>You know. Caricature, Yeah, caricature and I think that it's

1:05:00.240 --> 1:05:03.560
<v Speaker 1>I think that him and then Samuel L. Jackson in Um,

1:05:03.600 --> 1:05:07.160
<v Speaker 1>the Miss Peregrine's Like Orphanage whatever the funk movie that was,

1:05:07.600 --> 1:05:10.360
<v Speaker 1>are the only two black people to have ever had

1:05:11.200 --> 1:05:14.280
<v Speaker 1>roles in a Timberton film, which is not great, but

1:05:14.400 --> 1:05:16.880
<v Speaker 1>it does have a great Florence and the machine song

1:05:16.920 --> 1:05:20.120
<v Speaker 1>on the soundtrack. Oh does it really? Um? I okay,

1:05:20.240 --> 1:05:22.080
<v Speaker 1>so like I on it. But anyways, you know, I

1:05:22.240 --> 1:05:24.280
<v Speaker 1>don't want to harp on like the timber and main

1:05:24.320 --> 1:05:26.120
<v Speaker 1>problematic of it all because we've heard it all before.

1:05:26.160 --> 1:05:32.280
<v Speaker 1>But I do think that his failure to see, truly

1:05:32.360 --> 1:05:36.320
<v Speaker 1>see the world around him is part of the reason

1:05:36.400 --> 1:05:39.200
<v Speaker 1>he's no longer relevant as a creator, Like he truly

1:05:39.680 --> 1:05:42.800
<v Speaker 1>has not made anything relevant since Charlie and the Chalk Factory.

1:05:42.920 --> 1:05:45.080
<v Speaker 1>I think because I think Alice in the wonder Alice

1:05:45.120 --> 1:05:47.440
<v Speaker 1>in Wonderland, where I think it is his highest grossest

1:05:47.520 --> 1:05:51.800
<v Speaker 1>grossing film, was a critical flop, right or like, at

1:05:51.800 --> 1:05:54.840
<v Speaker 1>the very least all of his stands did not like it. Yeah.

1:05:55.000 --> 1:05:57.800
<v Speaker 1>I think kind of what the thing is is that

1:05:58.400 --> 1:06:01.600
<v Speaker 1>now we live in a world old, we live in

1:06:01.600 --> 1:06:04.760
<v Speaker 1>a post tim Burton world where there are a lot

1:06:04.840 --> 1:06:08.439
<v Speaker 1>of creators who were influenced by him and went on

1:06:08.680 --> 1:06:12.000
<v Speaker 1>to make things in the same kind of you know,

1:06:12.400 --> 1:06:18.560
<v Speaker 1>aesthetic vain or with the same tone, but they were

1:06:19.240 --> 1:06:24.920
<v Speaker 1>people of color, queer people who created their work with

1:06:25.440 --> 1:06:28.320
<v Speaker 1>diversity and inclusion in mind because that was their worldview.

1:06:28.640 --> 1:06:31.200
<v Speaker 1>So now we we don't need this one man in

1:06:31.240 --> 1:06:34.640
<v Speaker 1>his singular vision because the vision is kind of outdated,

1:06:35.080 --> 1:06:37.640
<v Speaker 1>and the next generation of people that who he inspired,

1:06:37.680 --> 1:06:41.120
<v Speaker 1>who like they definitely owe a debt to Um, are

1:06:41.280 --> 1:06:44.000
<v Speaker 1>making the work that he just never could make, and

1:06:44.000 --> 1:06:48.080
<v Speaker 1>they're doing it better, doing it better than he is currently. Yes,

1:06:48.200 --> 1:06:50.680
<v Speaker 1>exactly in that same vein of what you were just

1:06:50.720 --> 1:06:55.600
<v Speaker 1>talking about, Um, Jordan Peel's making this kind of Tim

1:06:55.600 --> 1:07:00.960
<v Speaker 1>Burton esque claimation called Wendel and wild Um that I

1:07:01.000 --> 1:07:04.480
<v Speaker 1>think is going to be a part of this legacy

1:07:04.520 --> 1:07:07.040
<v Speaker 1>of creators that you're talking about about. It there's there's

1:07:07.080 --> 1:07:09.360
<v Speaker 1>a trans character who's played by a transactor in it.

1:07:09.520 --> 1:07:12.600
<v Speaker 1>Oh cool, that's awesome. And I also know that like this,

1:07:12.720 --> 1:07:16.320
<v Speaker 1>I think this Wednesday series honestly, even though Tim Burton

1:07:16.760 --> 1:07:19.600
<v Speaker 1>is a part of it, um, he's not like the

1:07:19.960 --> 1:07:22.800
<v Speaker 1>person behind it, am I right about? Yeah, it's kind

1:07:22.800 --> 1:07:25.640
<v Speaker 1>of like a Tim Burton presents. Yeah, but it's an

1:07:25.680 --> 1:07:29.560
<v Speaker 1>all Latin story, so I'll be interested to see, you know,

1:07:29.600 --> 1:07:31.840
<v Speaker 1>how far that's get that gets pushed and if this

1:07:31.920 --> 1:07:35.240
<v Speaker 1>is something that is you know, inspired by timber and

1:07:35.320 --> 1:07:38.320
<v Speaker 1>but not like created by Tim Burton. Um, but I'm

1:07:38.360 --> 1:07:41.920
<v Speaker 1>probably He's probably the executive producer, so I'm sure his

1:07:42.000 --> 1:07:47.200
<v Speaker 1>handprints are all over it stylistically, especially because it seems

1:07:47.240 --> 1:07:51.600
<v Speaker 1>like it's more in the y A genre space. Um,

1:07:51.640 --> 1:07:56.080
<v Speaker 1>it'll be pretty you know, diverse YEA and inclusive. And

1:07:56.120 --> 1:07:58.360
<v Speaker 1>the trailer looks good. It looks like, Yeah, it looks fun.

1:07:58.440 --> 1:08:01.680
<v Speaker 1>I'm excited to watch it. Yeah. Um. I like Jenna Ortiga,

1:08:01.760 --> 1:08:05.400
<v Speaker 1>who is in literally everything, Wait, what else is she in?

1:08:05.880 --> 1:08:09.760
<v Speaker 1>She was in the Babysitter movie, she was in the

1:08:09.800 --> 1:08:14.640
<v Speaker 1>New Scream, she was in X, she was in the

1:08:14.680 --> 1:08:18.320
<v Speaker 1>second season of You. She's just popping up everywhere. But

1:08:18.400 --> 1:08:23.000
<v Speaker 1>this is her first big starring role. Should we talk

1:08:23.040 --> 1:08:25.479
<v Speaker 1>about like our Timber and Blind spots, like the movies

1:08:25.520 --> 1:08:28.920
<v Speaker 1>we haven't seen, like just to like acknowledge for the

1:08:29.040 --> 1:08:31.559
<v Speaker 1>versions that we like we haven't seen Edwood, which we

1:08:31.600 --> 1:08:34.559
<v Speaker 1>haven't seen Edward, one of us more critically acclaimed movies.

1:08:34.680 --> 1:08:38.320
<v Speaker 1>Question Mark. I think it's one of his more serious movies.

1:08:38.400 --> 1:08:42.439
<v Speaker 1>Sara Jessica Parker's in it, I believe what. And she's

1:08:42.479 --> 1:08:45.400
<v Speaker 1>also in Mars Attacks, which I love. She she's in

1:08:45.520 --> 1:08:48.479
<v Speaker 1>Mars Attacks. In Mars Attacks and she gets her head

1:08:48.520 --> 1:08:52.120
<v Speaker 1>put on a dog's body. Oh my god, I've seen

1:08:52.160 --> 1:08:55.760
<v Speaker 1>that on the cover of Mars Attacks. Her head is

1:08:55.760 --> 1:08:57.719
<v Speaker 1>like literally on the covers. I have like an imprinted

1:08:57.760 --> 1:09:00.679
<v Speaker 1>memory of being in Blackbuster. I think other than those

1:09:00.920 --> 1:09:07.560
<v Speaker 1>and big guys, I've seen everything you've we haven't seen that.

1:09:07.640 --> 1:09:10.519
<v Speaker 1>I haven't seen Frank and Weene or Dumbo. No, yeah,

1:09:10.520 --> 1:09:13.840
<v Speaker 1>I haven't seen Dumbo Dumbo, or you've seen Miss Peregrine's

1:09:13.880 --> 1:09:16.599
<v Speaker 1>Home for a Peculiar Children. Yeah, what was that like?

1:09:16.880 --> 1:09:21.160
<v Speaker 1>I don't really remember. I'm sure Eva Green was great

1:09:21.200 --> 1:09:24.439
<v Speaker 1>because Ava Green is great and everything. She's so fun.

1:09:24.520 --> 1:09:28.040
<v Speaker 1>In Dark Shadows, Um, Chloe Grace Morette is a werewolf

1:09:28.120 --> 1:09:31.360
<v Speaker 1>in it. That's all I need to know. Have you

1:09:31.400 --> 1:09:34.800
<v Speaker 1>seen her carry? I have with Julianne Moore. I think

1:09:34.800 --> 1:09:38.000
<v Speaker 1>it would maybe ruined carry for me. You wouldn't. You

1:09:38.000 --> 1:09:42.160
<v Speaker 1>wouldn't like it because maybe a traditionalist. But for our

1:09:42.200 --> 1:09:45.519
<v Speaker 1>Stephen King episode, it's good. I think you have you

1:09:45.520 --> 1:09:49.280
<v Speaker 1>seen the original carry Okay, so you can't talk to

1:09:49.320 --> 1:09:52.519
<v Speaker 1>me about that. We we've never have you ever seen

1:09:52.520 --> 1:09:55.479
<v Speaker 1>Planet of the Apes? No, I've never seen Planet of

1:09:55.520 --> 1:09:57.280
<v Speaker 1>the Apes. But you know what, I have seen a

1:09:57.439 --> 1:10:03.160
<v Speaker 1>lot of Jack Skellington Sally porn. Oh my god, why

1:10:03.400 --> 1:10:08.880
<v Speaker 1>I wonder if there's Jack Skellington gay porn. Let's see,

1:10:09.520 --> 1:10:12.320
<v Speaker 1>there has to be, Okay, Jack Skellington getting sucked by

1:10:12.400 --> 1:10:16.040
<v Speaker 1>Uggie Boogie. Oh no, Jack Skellington. Okay, there's he's Oh

1:10:16.280 --> 1:10:20.680
<v Speaker 1>look look at the hot Jack O lantern. Wow, his

1:10:21.320 --> 1:10:27.880
<v Speaker 1>dick is huge. That's very hot. There's Jack Skellington. I

1:10:27.920 --> 1:10:31.800
<v Speaker 1>think he's with the slender Man. He's fucking the slender Man.

1:10:31.840 --> 1:10:34.360
<v Speaker 1>Who's the slender Man? It's an urban legend. Oh, here's

1:10:34.400 --> 1:10:37.639
<v Speaker 1>one where he's got Santa tied up and is tickling

1:10:37.720 --> 1:10:41.599
<v Speaker 1>his feet. Oh my god, sort of non consensually, but

1:10:41.800 --> 1:10:44.680
<v Speaker 1>also Santa seems to be into Maybe the non consensual

1:10:44.680 --> 1:10:47.760
<v Speaker 1>part is part of the kank um. Oh yeah, there's

1:10:47.760 --> 1:10:49.479
<v Speaker 1>just a lot of Jack and Sally porn. Oh, and

1:10:49.520 --> 1:10:53.639
<v Speaker 1>then here's thick Jack Skellington. I like that. I'm into it.

1:10:54.200 --> 1:11:05.240
<v Speaker 1>What fuck. We'll be back next week with two episodes,

1:11:05.400 --> 1:11:13.040
<v Speaker 1>you know, continuing our October double Slam weekly um whatever,

1:11:13.240 --> 1:11:17.919
<v Speaker 1>Double penetration UM. On Tuesday we have a special episode

1:11:17.960 --> 1:11:21.160
<v Speaker 1>all about the Rocky Horror Picture Show, and then on

1:11:21.240 --> 1:11:27.560
<v Speaker 1>Thursday an episode devoted to the Master of Murder Mystery Mayhem,

1:11:27.600 --> 1:11:34.919
<v Speaker 1>Stephen King herself. So, um, tell us what your favorite

1:11:34.920 --> 1:11:37.120
<v Speaker 1>Tim Burton movie is or if you have any hot

1:11:37.160 --> 1:11:39.960
<v Speaker 1>takes about him. Tell us what you're being for Halloween.

1:11:40.400 --> 1:11:43.680
<v Speaker 1>Tag us and all your spooky content. You can leave

1:11:43.760 --> 1:11:46.800
<v Speaker 1>us a review on Apple Podcasts or rating on Spotify.

1:11:46.920 --> 1:11:49.400
<v Speaker 1>It really helps us a lot. I am your co

1:11:49.520 --> 1:11:51.960
<v Speaker 1>host Rose Damn You. You can find me anywhere on

1:11:52.040 --> 1:11:55.080
<v Speaker 1>social at Rose Damn You. And I'm Fran Toronto. You

1:11:55.080 --> 1:11:57.519
<v Speaker 1>can find me at Frands Squish Co anywhere you want.

1:11:58.040 --> 1:12:01.639
<v Speaker 1>Also d m us at Like a Virgin nine. You

1:12:01.680 --> 1:12:04.439
<v Speaker 1>can subscribe to Like a Virgin anywhere you listen. Like

1:12:04.520 --> 1:12:07.240
<v Speaker 1>a Virgin is an I Heeart radio production our producers

1:12:07.280 --> 1:12:11.360
<v Speaker 1>Phoebe Unter, with support from Lindsay Hoffman, Julian Weller, Jess

1:12:11.360 --> 1:12:16.400
<v Speaker 1>Crane Chitch and Nikki Eatur. Until next week. This is Halloween,

1:12:16.479 --> 1:12:27.360
<v Speaker 1>This Halloween, Oh my god, Okay, we have to go.

1:12:27.600 --> 1:12:30.760
<v Speaker 1>That is this is Halloween.