1 00:00:00,080 --> 00:00:02,800 Speaker 1: Hey, it's Amy and thanks for listening and being subscribed 2 00:00:02,800 --> 00:00:05,560 Speaker 1: to the Bobbybone Show podcast. Now this episode I'm about 3 00:00:05,559 --> 00:00:07,200 Speaker 1: to share with you as an interview that I did 4 00:00:07,200 --> 00:00:09,680 Speaker 1: on my show Women of I Heart Country. And in 5 00:00:09,680 --> 00:00:11,440 Speaker 1: case you're not familiar with it, it's a show that 6 00:00:11,480 --> 00:00:13,760 Speaker 1: I host every weekend where we showcase of women in 7 00:00:13,800 --> 00:00:16,680 Speaker 1: country music, and this week my guest is Cam. We 8 00:00:16,800 --> 00:00:19,159 Speaker 1: talked about her new song Till There's Nothing Left and 9 00:00:19,320 --> 00:00:22,800 Speaker 1: the funny story behind how her grandmother inspired it. Cam 10 00:00:22,840 --> 00:00:25,480 Speaker 1: also performed her song Burning House, and we got into 11 00:00:25,520 --> 00:00:28,000 Speaker 1: the story behind writing that song and the first time 12 00:00:28,080 --> 00:00:30,920 Speaker 1: she remembers hearing it on the radio. We also talk motherhood, 13 00:00:31,120 --> 00:00:33,400 Speaker 1: her getting to open up for Eric Church recently, and 14 00:00:33,560 --> 00:00:35,840 Speaker 1: all that she has coming up. So we got all 15 00:00:35,880 --> 00:00:38,400 Speaker 1: that inside this episode with Cam, and you can listen 16 00:00:38,440 --> 00:00:41,400 Speaker 1: to Women of iHeart Country hosted by me every weekend. 17 00:00:41,640 --> 00:00:44,840 Speaker 1: Just check out your local iHeartRadio station or search Women 18 00:00:44,840 --> 00:00:47,640 Speaker 1: of iHeart Country on your iHeartRadio app. But here it 19 00:00:47,720 --> 00:00:50,920 Speaker 1: is a special edition of Women of iHeart Country with Cam. 20 00:00:51,760 --> 00:00:58,480 Speaker 1: Let's Goo Goo go give it up for women. Come 21 00:00:58,480 --> 00:01:03,720 Speaker 1: on iHeart Country with Amy Brown in studio now with Cam. Cam. 22 00:01:03,720 --> 00:01:06,200 Speaker 1: Thanks so much for being here, Thanks for having me. 23 00:01:06,360 --> 00:01:08,520 Speaker 1: It's so fun to see your face. Hard to just 24 00:01:08,600 --> 00:01:09,880 Speaker 1: drive down the road, I know, it's so nice to 25 00:01:09,920 --> 00:01:12,800 Speaker 1: see you in person. Yes, Okay, So your album The 26 00:01:12,840 --> 00:01:15,720 Speaker 1: Other Side, it came out back in October twenty twenty, 27 00:01:15,840 --> 00:01:19,080 Speaker 1: and I'm about to debut a single from it called 28 00:01:19,120 --> 00:01:22,200 Speaker 1: until There's Nothing Left? And how did you decide to 29 00:01:22,240 --> 00:01:25,600 Speaker 1: make that one your next single? I mean, it just 30 00:01:25,680 --> 00:01:28,320 Speaker 1: has like a good vibe I feel like, and it's 31 00:01:28,400 --> 00:01:30,759 Speaker 1: really fun, Like we've been playing it live and it 32 00:01:30,840 --> 00:01:33,240 Speaker 1: was for Halloween. We did it at a show and 33 00:01:33,280 --> 00:01:36,800 Speaker 1: you'd see like a Squid Game character and a Where's 34 00:01:36,800 --> 00:01:39,360 Speaker 1: Waldo and like a teletub and they're all like dance 35 00:01:39,440 --> 00:01:42,440 Speaker 1: and like to There's Nothing Left, And I feel like 36 00:01:42,480 --> 00:01:45,520 Speaker 1: that's what this whole song kind of like makes you move, 37 00:01:45,720 --> 00:01:48,600 Speaker 1: you know. It's just I don't know, it's like a 38 00:01:48,680 --> 00:01:50,200 Speaker 1: the end of the night when you're making out with 39 00:01:50,200 --> 00:01:51,600 Speaker 1: your boyfriend in the car and you don't want to 40 00:01:51,640 --> 00:01:53,280 Speaker 1: go inside, you know, like I just wanted to stay 41 00:01:53,320 --> 00:01:56,160 Speaker 1: in this moment. So has a good feel and that's 42 00:01:56,800 --> 00:01:58,720 Speaker 1: the best I can do is just go on gut. 43 00:01:58,760 --> 00:02:01,080 Speaker 1: I guess yeah. I saw it started with maybe a 44 00:02:01,160 --> 00:02:03,920 Speaker 1: voice memo and a bottle of wine. Yeah the um 45 00:02:04,200 --> 00:02:06,400 Speaker 1: I know, Well, we had a really bad writing day, 46 00:02:06,400 --> 00:02:08,640 Speaker 1: which I people don't normally talk about, but like a 47 00:02:08,639 --> 00:02:10,880 Speaker 1: lot of times, you walk away with nothing. I was like, okay, 48 00:02:10,960 --> 00:02:13,840 Speaker 1: so I'm just going home, going to bed, and Hillary, 49 00:02:13,880 --> 00:02:16,360 Speaker 1: Lindsay and Tyler had kind of stayed up drinking wine 50 00:02:16,400 --> 00:02:19,760 Speaker 1: and Hillary recorded this voice note, like playing on the 51 00:02:19,880 --> 00:02:24,280 Speaker 1: drums herself and singing the la la la la la no, 52 00:02:24,520 --> 00:02:28,120 Speaker 1: like so hip, you know, and she sent that over. 53 00:02:28,160 --> 00:02:29,680 Speaker 1: I was like, okay, this is the vibe, like we 54 00:02:29,760 --> 00:02:32,480 Speaker 1: gotta that's like the nugget you want. You want like 55 00:02:32,919 --> 00:02:35,280 Speaker 1: a little thesis statement that you can build the rest 56 00:02:35,320 --> 00:02:37,000 Speaker 1: of the song around. And that sort of said it 57 00:02:37,080 --> 00:02:40,480 Speaker 1: like that, in that groove and in that la la la, 58 00:02:40,680 --> 00:02:44,040 Speaker 1: there's like this this sexiness and this love to it. 59 00:02:44,080 --> 00:02:46,360 Speaker 1: And so we just kind of built the whole, you know, 60 00:02:46,440 --> 00:02:48,079 Speaker 1: I want to give you all of me till there's 61 00:02:48,080 --> 00:02:51,640 Speaker 1: nothing left, like around that whole idea. And then what 62 00:02:51,680 --> 00:02:53,320 Speaker 1: about the wine? Where did that come in? And what's 63 00:02:53,360 --> 00:02:56,280 Speaker 1: your favorite kind of wine? Yeah? Right, the wine? I 64 00:02:56,280 --> 00:02:58,919 Speaker 1: mean that was actually that was Hilary and Tie drinking 65 00:02:58,960 --> 00:03:02,399 Speaker 1: the wine that night. I tell you what. Like I 66 00:03:02,440 --> 00:03:06,040 Speaker 1: first started drinking wine in college. We were in Davis, 67 00:03:06,040 --> 00:03:08,880 Speaker 1: like near Napa, and so I like had this boyfriend 68 00:03:08,919 --> 00:03:12,440 Speaker 1: that was like supplying the really nice wine basically at 69 00:03:12,440 --> 00:03:14,400 Speaker 1: that time, and I feel like I got so snotty 70 00:03:14,440 --> 00:03:16,640 Speaker 1: about it, and I was really into Peenut Noir. And 71 00:03:16,680 --> 00:03:18,240 Speaker 1: then when I had to pay for my own wine, 72 00:03:18,280 --> 00:03:20,400 Speaker 1: I was like, I need to just go back to Francia, 73 00:03:20,600 --> 00:03:24,079 Speaker 1: you know, work my way background and now it kind 74 00:03:24,080 --> 00:03:26,040 Speaker 1: of just rotates with the seasons, but I'm really into 75 00:03:26,040 --> 00:03:29,000 Speaker 1: peenut noir right now. So I saw also with the 76 00:03:29,000 --> 00:03:32,639 Speaker 1: song tell There's Nothing left that part of your grandmother's 77 00:03:32,720 --> 00:03:35,040 Speaker 1: conversation with you when you were twelve years old about 78 00:03:35,040 --> 00:03:39,520 Speaker 1: the birds and the bees. I would tell us about that. Yeah, 79 00:03:39,600 --> 00:03:42,760 Speaker 1: if it's okay to tell you about that, go for okay, Okay. 80 00:03:43,400 --> 00:03:46,120 Speaker 1: So I kind of was like blushing a little bit. 81 00:03:46,160 --> 00:03:48,080 Speaker 1: I mean, obviously I have a kid, so the cats 82 00:03:48,120 --> 00:03:50,600 Speaker 1: like out of the bag. But like I was blushing 83 00:03:50,600 --> 00:03:52,560 Speaker 1: a little bit because there's like, so you know, the 84 00:03:52,560 --> 00:03:57,200 Speaker 1: song's about giving someone all of your heart, mind, body, soul, 85 00:03:57,320 --> 00:04:00,280 Speaker 1: you know all that entails, and there's a back seat line. 86 00:04:00,360 --> 00:04:02,760 Speaker 1: You know, it's not super overt, but there's you know, 87 00:04:02,760 --> 00:04:04,400 Speaker 1: I was like kind of blushing singing about, you know, 88 00:04:04,400 --> 00:04:08,000 Speaker 1: getting it on the back seat. And I had to 89 00:04:08,000 --> 00:04:10,440 Speaker 1: have this like moment with my guardian angel, which is 90 00:04:10,480 --> 00:04:14,640 Speaker 1: my grandma Marvel. And just like she was raised on 91 00:04:14,720 --> 00:04:18,960 Speaker 1: a farm, Saskatchewan Baptist, like salt of the earth, nothing 92 00:04:19,200 --> 00:04:22,880 Speaker 1: phased her, Like she owned her experience so fully, you know, 93 00:04:23,480 --> 00:04:25,560 Speaker 1: and like she was the one who gave me the 94 00:04:25,560 --> 00:04:28,040 Speaker 1: birds and the bees talk when I was twelve, unbeknownst 95 00:04:28,120 --> 00:04:30,479 Speaker 1: to my parents. And she said it like that, she 96 00:04:30,480 --> 00:04:32,960 Speaker 1: said camera Marvel because her name was Marvel. My middle 97 00:04:33,040 --> 00:04:36,280 Speaker 1: name is Marvel. Camera Marvel. Sexy is like a milkshake. 98 00:04:36,640 --> 00:04:40,640 Speaker 1: Once you have it, you're always gonna want it. And 99 00:04:40,680 --> 00:04:44,920 Speaker 1: I was like, you know, if my grandma can own it, 100 00:04:45,000 --> 00:04:46,920 Speaker 1: you know what I mean. As storytellers, you have to 101 00:04:46,920 --> 00:04:49,719 Speaker 1: own all pieces of this story. Like if you're gonna 102 00:04:49,800 --> 00:04:52,160 Speaker 1: leave something out, you're not sitting in it, you know, 103 00:04:52,200 --> 00:04:54,640 Speaker 1: you're not being real. So then I can own it. 104 00:04:54,680 --> 00:04:56,320 Speaker 1: So now when I play it live, I'm always like, 105 00:04:56,360 --> 00:04:59,800 Speaker 1: this is for you, Grandma. Well let's play it now. 106 00:05:00,200 --> 00:05:03,200 Speaker 1: Here's till there's nothing left. Buy cam on Women of 107 00:05:03,279 --> 00:05:08,240 Speaker 1: I Heart Country give you ever sing one to this, 108 00:05:08,520 --> 00:05:15,440 Speaker 1: Open to this oppen me and you in the back seat, 109 00:05:15,560 --> 00:05:21,600 Speaker 1: having me crazy, killing me baby, to this is nothing, 110 00:05:23,440 --> 00:05:30,159 Speaker 1: to this, open the windows, spending all my brain. God, 111 00:05:30,279 --> 00:05:33,920 Speaker 1: don't say so. We are in studio now with Cam 112 00:05:34,000 --> 00:05:38,400 Speaker 1: and you've got your guitar player with you. What's your name, Simon? Simon? 113 00:05:38,680 --> 00:05:43,960 Speaker 1: Welcome to Women of I Heart Country. You So you're 114 00:05:43,960 --> 00:05:46,440 Speaker 1: about to perform Burning House And I want to go 115 00:05:46,520 --> 00:05:49,000 Speaker 1: back to when you first wrote the song. What was 116 00:05:49,040 --> 00:05:52,480 Speaker 1: the idea in the writing room that day? Well, I 117 00:05:52,520 --> 00:05:55,640 Speaker 1: think it first started. I literally just had the dream 118 00:05:55,640 --> 00:05:58,800 Speaker 1: like I had a boyfriend that was actually the one 119 00:05:58,800 --> 00:06:00,880 Speaker 1: who was supplying the wine. We were just talking about 120 00:06:00,920 --> 00:06:03,680 Speaker 1: when we were on again off again in college and 121 00:06:03,720 --> 00:06:05,120 Speaker 1: he was a big part of my life. So when 122 00:06:05,120 --> 00:06:08,040 Speaker 1: it ended and I didn't handle it well, like I 123 00:06:08,040 --> 00:06:09,800 Speaker 1: broke up with him in a not very nice way, 124 00:06:10,800 --> 00:06:13,240 Speaker 1: I felt really bad about it. And like a couple 125 00:06:13,240 --> 00:06:14,640 Speaker 1: of years later I was going to see him at 126 00:06:14,640 --> 00:06:17,760 Speaker 1: this mutual friend's party and I thought, Okay, this is 127 00:06:17,760 --> 00:06:19,880 Speaker 1: my chance to sort of set it right, not to 128 00:06:19,920 --> 00:06:22,520 Speaker 1: get back together, but just so that he knows that 129 00:06:22,600 --> 00:06:24,600 Speaker 1: I know you don't treat people like that. Even if 130 00:06:24,600 --> 00:06:27,359 Speaker 1: you're not gonna be together forever, you can still be 131 00:06:27,520 --> 00:06:29,680 Speaker 1: sweet to them, you know. So I was planning this 132 00:06:29,720 --> 00:06:32,160 Speaker 1: apology and went to bed with all this on my mind, 133 00:06:32,200 --> 00:06:34,440 Speaker 1: and you know how like whatever you're thinking about kind 134 00:06:34,480 --> 00:06:38,200 Speaker 1: of seeps into your dreams. Yeah, So I dreamt that 135 00:06:38,240 --> 00:06:40,279 Speaker 1: there was this house on fire, and I'm like running 136 00:06:40,320 --> 00:06:42,839 Speaker 1: towards it, and the emergency cruise are like, you can't 137 00:06:42,839 --> 00:06:45,359 Speaker 1: go in there. He's in there, like meaning my ex 138 00:06:45,720 --> 00:06:48,240 Speaker 1: but the house is about to come down, and I'm 139 00:06:48,279 --> 00:06:51,200 Speaker 1: like a hero, right, So I run straight in find him, 140 00:06:51,839 --> 00:06:54,720 Speaker 1: can't get him out, so instead of leaving and saving myself, 141 00:06:54,920 --> 00:06:57,440 Speaker 1: I lay down next him and hold him so he 142 00:06:57,480 --> 00:07:00,440 Speaker 1: doesn't have to die alone. And I called my buddy 143 00:07:00,480 --> 00:07:02,719 Speaker 1: Tyler like the next morning, being like, you don't believe 144 00:07:02,800 --> 00:07:05,360 Speaker 1: this dream. Then I had like all the guilt and stuff. 145 00:07:05,600 --> 00:07:08,760 Speaker 1: He was like started singing back the exact words that 146 00:07:08,800 --> 00:07:10,480 Speaker 1: I had set, like I had a dream about a 147 00:07:10,520 --> 00:07:14,200 Speaker 1: burning house. I was like whoosh, like trying to just swear, 148 00:07:14,520 --> 00:07:18,840 Speaker 1: but like that is amazing, Like immediately you know what 149 00:07:18,960 --> 00:07:21,520 Speaker 1: someone's talking about. There's like such a visceral reaction for 150 00:07:21,520 --> 00:07:23,600 Speaker 1: people when I sing this song, like I see it 151 00:07:23,880 --> 00:07:27,040 Speaker 1: in their eyes. Like I met this girl who had 152 00:07:27,080 --> 00:07:29,880 Speaker 1: the same dream apparently like reoccurring and was going to 153 00:07:30,000 --> 00:07:31,840 Speaker 1: therapy for it. Like she came up to me after 154 00:07:31,840 --> 00:07:34,320 Speaker 1: a show and told me about it, and I was like, okay, 155 00:07:34,360 --> 00:07:36,120 Speaker 1: so like fill me in on what the therapist said, 156 00:07:36,120 --> 00:07:39,320 Speaker 1: so I don't have to pay for therapy. Yeah, she goes. 157 00:07:39,800 --> 00:07:42,920 Speaker 1: It means that there's something in your life that you 158 00:07:43,040 --> 00:07:47,080 Speaker 1: cannot fix, and either it's in someone else or it's 159 00:07:47,080 --> 00:07:49,520 Speaker 1: in the past, and it's not yours to control anymore, 160 00:07:49,560 --> 00:07:52,320 Speaker 1: and you have to accept it. And I always love that. 161 00:07:52,360 --> 00:07:54,840 Speaker 1: I feel like people have different reasons for loving this song, 162 00:07:54,880 --> 00:07:57,640 Speaker 1: but like I think that's like the connector I think 163 00:07:57,640 --> 00:07:59,560 Speaker 1: for a lot of the different stories that people tell me. 164 00:08:00,040 --> 00:08:01,840 Speaker 1: Do you remember the first time you heard this or 165 00:08:01,920 --> 00:08:05,320 Speaker 1: Burning House played on the radio? I mean I remember 166 00:08:05,440 --> 00:08:08,480 Speaker 1: us being here and coming in and doing the show, 167 00:08:08,600 --> 00:08:11,120 Speaker 1: like we had just done the just on the Opry 168 00:08:11,360 --> 00:08:14,080 Speaker 1: and I came in and Bobby was like, I think 169 00:08:14,120 --> 00:08:16,400 Speaker 1: I was doing another I think I was doing My 170 00:08:16,520 --> 00:08:18,560 Speaker 1: Mistake is a single, And he was like, but there's 171 00:08:18,600 --> 00:08:20,320 Speaker 1: this other song you sang at the Opry, Like when 172 00:08:20,320 --> 00:08:23,160 Speaker 1: you play another song, we play that Burning House song 173 00:08:23,600 --> 00:08:26,560 Speaker 1: and we played it and it like shot up the 174 00:08:26,600 --> 00:08:29,760 Speaker 1: iTunes charts, Like all the listeners were just like so 175 00:08:29,880 --> 00:08:32,720 Speaker 1: stoked on it. And it was that day because Sony 176 00:08:32,800 --> 00:08:35,520 Speaker 1: was going through like a transition my label and the 177 00:08:35,600 --> 00:08:38,600 Speaker 1: label called and they were like, we are making this 178 00:08:38,640 --> 00:08:41,960 Speaker 1: the single like today, like come in right now. I've 179 00:08:42,000 --> 00:08:45,280 Speaker 1: never seen a corporation move that fast. It doesn't happen 180 00:08:45,320 --> 00:08:49,000 Speaker 1: with bureaucracy normally, and it was like incredible. So that 181 00:08:49,080 --> 00:08:52,040 Speaker 1: was like the most memorable time, Like driving home and 182 00:08:52,080 --> 00:08:53,400 Speaker 1: you know how you can kind of like hear stuff 183 00:08:53,760 --> 00:08:55,560 Speaker 1: like when they're doing like recaps and stuff on the 184 00:08:55,559 --> 00:08:57,160 Speaker 1: show and you guys are like, oh, we just had 185 00:08:57,200 --> 00:08:59,280 Speaker 1: cam in and this I was like, and watching the 186 00:08:59,320 --> 00:09:01,840 Speaker 1: iTunes charts, it was amazing. Oh yeah, when you performed it, 187 00:09:01,880 --> 00:09:04,520 Speaker 1: we all had goose bumps. What about the day that 188 00:09:04,559 --> 00:09:06,679 Speaker 1: it went number one? What do you remember from that day? 189 00:09:07,840 --> 00:09:10,880 Speaker 1: I feel like that was in I want to say 190 00:09:10,880 --> 00:09:13,920 Speaker 1: it was in December. I think at that point it 191 00:09:14,000 --> 00:09:17,160 Speaker 1: was just like it's such a you've been you know, 192 00:09:17,240 --> 00:09:19,319 Speaker 1: kind of like working so hard, but also at the 193 00:09:19,360 --> 00:09:22,120 Speaker 1: same time, it doesn't feel real, and I think it's 194 00:09:22,200 --> 00:09:25,439 Speaker 1: like that's when the album was dropping at the same time, 195 00:09:25,520 --> 00:09:27,240 Speaker 1: and I just found out I had been nominated for 196 00:09:27,280 --> 00:09:32,160 Speaker 1: a Grammy too, and I think I was like, it's 197 00:09:32,160 --> 00:09:34,400 Speaker 1: hard to take it in, you know what I mean, 198 00:09:34,440 --> 00:09:39,120 Speaker 1: where you're like, because anything, it feels like amazing to 199 00:09:39,160 --> 00:09:42,440 Speaker 1: hear about it, but it doesn't like go inside your body, 200 00:09:42,800 --> 00:09:45,640 Speaker 1: if that makes sense. You're like, I know this is amazing, 201 00:09:45,800 --> 00:09:49,840 Speaker 1: but it doesn't. I can't fully absorb how amazing it is, 202 00:09:49,960 --> 00:09:52,880 Speaker 1: you know what I mean? Yeah, like is this really happen? Yeah, 203 00:09:53,440 --> 00:09:57,040 Speaker 1: I feel like I'm yes, exactly, and it's it is amazing, 204 00:09:57,080 --> 00:09:59,320 Speaker 1: But it's kind of funny, how like in the moment, 205 00:09:59,440 --> 00:10:02,000 Speaker 1: like looking back, it's almost easier to appreciate it than 206 00:10:02,040 --> 00:10:03,640 Speaker 1: it was in the actual moment because you're like it 207 00:10:03,679 --> 00:10:06,520 Speaker 1: such cars and you're tired and doing all the stuff. Well, 208 00:10:06,520 --> 00:10:09,079 Speaker 1: how about we play Burning House now? Right? Yes? I 209 00:10:09,160 --> 00:10:11,560 Speaker 1: would love that. All right, here's Camp performing Burning House 210 00:10:11,600 --> 00:10:40,880 Speaker 1: on Women of I Heart Country. I had a dream 211 00:10:40,920 --> 00:10:47,880 Speaker 1: about a burning house. You're stuck inside a contit you 212 00:10:51,559 --> 00:10:59,080 Speaker 1: laid beside you and pulled you close into the swin 213 00:10:59,200 --> 00:11:07,199 Speaker 1: up and small love isn't all that it seems at it. 214 00:11:07,720 --> 00:11:15,720 Speaker 1: You stay here, in here until this dream is gone. 215 00:11:16,720 --> 00:11:24,240 Speaker 1: I've been sleep walking, been watering all night, trying to 216 00:11:24,280 --> 00:11:30,200 Speaker 1: take was lost and broke and make it right. And 217 00:11:30,360 --> 00:11:37,280 Speaker 1: I've been sleeping walking too close to the five. But 218 00:11:37,520 --> 00:11:42,000 Speaker 1: it's the only place that I can hold it time 219 00:11:45,640 --> 00:11:57,839 Speaker 1: in this spooning house. O God, Women of my Heart Country. Okay, 220 00:11:57,840 --> 00:12:00,880 Speaker 1: So I know earlier Camm, you mentioned about being a mom, mom, 221 00:12:01,120 --> 00:12:05,000 Speaker 1: and so your daughter's gonna be too. Yes, what if 222 00:12:05,040 --> 00:12:08,400 Speaker 1: one day she grows up little Lucy? I hope she does, 223 00:12:08,679 --> 00:12:12,080 Speaker 1: Yeah she will. But and she says, hey, Mom, I 224 00:12:12,120 --> 00:12:14,559 Speaker 1: think I want to be a country singer, or any 225 00:12:14,640 --> 00:12:16,600 Speaker 1: kind of singer for that matter, What advice would you 226 00:12:16,640 --> 00:12:20,200 Speaker 1: have for her? I mean, she already is really musical, 227 00:12:20,400 --> 00:12:23,640 Speaker 1: which I probably most kids are, but she acts out 228 00:12:23,679 --> 00:12:27,200 Speaker 1: like singing to you know, do you want to be 229 00:12:27,320 --> 00:12:29,640 Speaker 1: a snow or can we build a snow man? That thing? 230 00:12:29,720 --> 00:12:33,080 Speaker 1: Like she does the movements like gets down on the floor, 231 00:12:33,400 --> 00:12:36,960 Speaker 1: leans against the door. She's like very theatrical. I think 232 00:12:37,280 --> 00:12:40,440 Speaker 1: she's kind of a born entertainer, it seems like, so 233 00:12:40,480 --> 00:12:43,439 Speaker 1: if she wants to go into something with entertainment, like, 234 00:12:43,960 --> 00:12:46,800 Speaker 1: I mean, I I'm all for the creative pursuit, and 235 00:12:46,840 --> 00:12:49,120 Speaker 1: I think I probably would just try and if she 236 00:12:49,200 --> 00:12:52,160 Speaker 1: listens to me, give her something like along the lines 237 00:12:52,160 --> 00:12:55,640 Speaker 1: of like thick skin about it being like not just 238 00:12:55,679 --> 00:12:58,480 Speaker 1: the creative pursuit but also a business you know, trying 239 00:12:58,480 --> 00:13:02,280 Speaker 1: to like get her skin kind of ready for the 240 00:13:02,360 --> 00:13:05,480 Speaker 1: blows that come along with the business pursuit. But yeah, 241 00:13:05,559 --> 00:13:07,800 Speaker 1: i'd been down. No, So I saw I think you 242 00:13:07,880 --> 00:13:12,280 Speaker 1: posted something from ninety seven about you know, you were 243 00:13:12,280 --> 00:13:16,840 Speaker 1: like fake auditioning for Scream. Were you ever on track 244 00:13:16,880 --> 00:13:18,880 Speaker 1: to be an actress in any way, shape or form. 245 00:13:19,080 --> 00:13:22,320 Speaker 1: I mean you would think so from my home video skills, 246 00:13:23,559 --> 00:13:25,160 Speaker 1: Like I was twelve of them. We used to make 247 00:13:25,200 --> 00:13:27,040 Speaker 1: all that, like anyone that I think if you got 248 00:13:27,080 --> 00:13:29,040 Speaker 1: your hands on a camcorder, you were like, let's make 249 00:13:29,040 --> 00:13:30,640 Speaker 1: a movie, you know, like that was like the thing 250 00:13:30,640 --> 00:13:34,200 Speaker 1: to do. But I know, I my parents were like 251 00:13:34,400 --> 00:13:36,560 Speaker 1: very practical that, like you should do something that can 252 00:13:36,600 --> 00:13:39,839 Speaker 1: make you money, and like creative things are too slim 253 00:13:39,880 --> 00:13:42,160 Speaker 1: of a chance, you know. So I always thought I 254 00:13:42,160 --> 00:13:45,400 Speaker 1: was gonna be like a psychologist or like a psychology researcher. 255 00:13:45,800 --> 00:13:48,240 Speaker 1: At one point, I wanted to be a Supreme Court justice, 256 00:13:48,640 --> 00:13:50,920 Speaker 1: like a like I had all other kinds of ideas 257 00:13:50,960 --> 00:13:54,040 Speaker 1: and I did music on the side. And then one 258 00:13:54,120 --> 00:13:57,280 Speaker 1: I think, like when I was twenty four, I finally 259 00:13:57,360 --> 00:13:59,640 Speaker 1: was like, I love music so much and I'm not 260 00:13:59,679 --> 00:14:02,520 Speaker 1: sure about doing psych research. And I went to the 261 00:14:02,600 --> 00:14:04,480 Speaker 1: head of the lab at Stanford I was working there, 262 00:14:04,480 --> 00:14:06,280 Speaker 1: and I was like, what do you think I should do? 263 00:14:06,320 --> 00:14:09,520 Speaker 1: Should I pick music or should I pick psychology? Because 264 00:14:09,520 --> 00:14:11,640 Speaker 1: I feel really torn? And she was like, picture yourself 265 00:14:11,640 --> 00:14:14,520 Speaker 1: eighty years old and looking back on your life, what 266 00:14:14,600 --> 00:14:18,079 Speaker 1: would you regret missing out on missing out on music 267 00:14:18,200 --> 00:14:21,640 Speaker 1: or missing out on psychology? And it made it so clear. 268 00:14:21,680 --> 00:14:23,680 Speaker 1: I was like, I gotta give it a shot, Like 269 00:14:23,720 --> 00:14:25,640 Speaker 1: who knows if it's gonna work, but I gotta do 270 00:14:25,680 --> 00:14:28,280 Speaker 1: it at least to say I did it and I'm 271 00:14:28,280 --> 00:14:30,960 Speaker 1: glad I did it. I also want to go back 272 00:14:30,960 --> 00:14:33,960 Speaker 1: to that low key flex you through in there of 273 00:14:34,160 --> 00:14:36,160 Speaker 1: you were just you know, went to your professor at 274 00:14:36,160 --> 00:14:41,080 Speaker 1: the lab at Stanford. I mean like, oops, well I 275 00:14:41,160 --> 00:14:43,840 Speaker 1: did that. Yeah, yeah, no, I mean that's yes, you 276 00:14:43,920 --> 00:14:47,480 Speaker 1: were on the trajectory of going like a completely different direction. 277 00:14:47,560 --> 00:14:50,280 Speaker 1: But in a way, I know, psych research is different 278 00:14:50,280 --> 00:14:55,760 Speaker 1: than like actually being a psychologist, but music is therapy, 279 00:14:56,200 --> 00:15:00,320 Speaker 1: it is, and I think it's the same pursuit think 280 00:15:00,600 --> 00:15:03,240 Speaker 1: like me doing psych research, and I think anybody who 281 00:15:03,280 --> 00:15:06,880 Speaker 1: like loves reading psychology like understood like the attachment theory 282 00:15:06,920 --> 00:15:09,040 Speaker 1: set that people are into, Like that's something we studied. 283 00:15:09,080 --> 00:15:11,720 Speaker 1: Like everyone just trying to figure themselves out in their 284 00:15:11,760 --> 00:15:13,880 Speaker 1: relationships and the people around them. You know, we're just 285 00:15:13,880 --> 00:15:16,640 Speaker 1: trying to understand. And I think that's what music is 286 00:15:16,640 --> 00:15:18,800 Speaker 1: for me too, Like my songwriting is me just trying 287 00:15:18,840 --> 00:15:21,520 Speaker 1: to understand myself and the people around me and like 288 00:15:21,600 --> 00:15:24,880 Speaker 1: how it works and why it does or doesn't work, 289 00:15:24,920 --> 00:15:29,480 Speaker 1: and you know, just feeling around in the dark. Basically, Well, 290 00:15:29,520 --> 00:15:32,800 Speaker 1: I'm forever attached to Burning House because I got ghost 291 00:15:32,840 --> 00:15:36,960 Speaker 1: bumps hearing you perform it again you several years later. 292 00:15:37,080 --> 00:15:38,800 Speaker 1: So I know you've always been such a big supporter 293 00:15:38,840 --> 00:15:41,640 Speaker 1: of a Yeah, well know a lot of your music, 294 00:15:41,720 --> 00:15:43,720 Speaker 1: Like we we love a lot of what you put out. 295 00:15:43,760 --> 00:15:47,240 Speaker 1: So I too, am glad that you chose to pursue 296 00:15:47,320 --> 00:15:49,080 Speaker 1: music you never know, And I feel like that's an 297 00:15:49,160 --> 00:15:51,720 Speaker 1: encouraging story for people to hear of, like, hey, yeah, 298 00:15:51,760 --> 00:15:53,760 Speaker 1: if you don't try it, you'll never know. Yeah, And 299 00:15:53,800 --> 00:15:56,640 Speaker 1: it's easier said than done, yes and not you know, 300 00:15:56,840 --> 00:15:59,479 Speaker 1: not everybody. It's not going to work out. And sometimes 301 00:15:59,720 --> 00:16:01,560 Speaker 1: it's nothing to do with you're good or not good, 302 00:16:01,600 --> 00:16:04,240 Speaker 1: and sometimes you want to do it and you're not good, 303 00:16:04,560 --> 00:16:06,560 Speaker 1: and there's all kinds of reasons that it's going to 304 00:16:06,640 --> 00:16:08,440 Speaker 1: work out. But I think if it's in your heart 305 00:16:08,480 --> 00:16:11,960 Speaker 1: to do something for me, I'd rather do it and 306 00:16:12,200 --> 00:16:15,320 Speaker 1: have it work or not work, rather than later on 307 00:16:15,480 --> 00:16:18,800 Speaker 1: like what the professor said, like, I'd rather I'd hate 308 00:16:18,880 --> 00:16:20,840 Speaker 1: to regret something at the end of my life. I'd 309 00:16:20,960 --> 00:16:24,640 Speaker 1: rather just have done it and know one way or another. Personally, 310 00:16:24,920 --> 00:16:27,840 Speaker 1: who are some musical heroes for you? So? I grew 311 00:16:27,880 --> 00:16:30,240 Speaker 1: up in the San Francisco Bay area and I felt 312 00:16:30,280 --> 00:16:32,920 Speaker 1: like the coolest people to me were like kind of 313 00:16:32,960 --> 00:16:35,440 Speaker 1: like indie bands that were like on stage and sort 314 00:16:35,440 --> 00:16:39,320 Speaker 1: of like, you know, if the system wouldever So I 315 00:16:39,400 --> 00:16:43,400 Speaker 1: like loved Saint Vincent and I get she's not fully that, 316 00:16:43,520 --> 00:16:46,080 Speaker 1: but like and just like all these like bands I 317 00:16:46,080 --> 00:16:48,440 Speaker 1: would go see that I don't. I honestly don't even 318 00:16:48,480 --> 00:16:51,560 Speaker 1: know if they're all around anywhere. I love Indigo Girls. 319 00:16:51,600 --> 00:16:54,080 Speaker 1: I actually got to go play with them. They played 320 00:16:54,080 --> 00:16:55,920 Speaker 1: the Rhyman and they brought me on stage and I 321 00:16:55,920 --> 00:16:58,040 Speaker 1: got to like sing. They had me sing one of 322 00:16:58,080 --> 00:17:00,480 Speaker 1: my songs and then sing with them and I just 323 00:17:00,560 --> 00:17:03,840 Speaker 1: was like, oh it was amazing, And no, that's how 324 00:17:03,920 --> 00:17:05,800 Speaker 1: it's like making me Winna right now seeing in the 325 00:17:05,920 --> 00:17:09,120 Speaker 1: Girls with Indigo right with you right seeing like, um, 326 00:17:09,720 --> 00:17:11,560 Speaker 1: what what's one where you could do just like like 327 00:17:11,640 --> 00:17:15,800 Speaker 1: a little something. You probably sound so good. I mean 328 00:17:16,000 --> 00:17:19,000 Speaker 1: I've definitely like forced like Jennifer Nettles to sing Ghosts 329 00:17:19,000 --> 00:17:21,639 Speaker 1: with me one time at a show and like that 330 00:17:21,680 --> 00:17:23,520 Speaker 1: one we got to sing closer to Fine at the end, 331 00:17:23,760 --> 00:17:28,399 Speaker 1: Oh well closer to Fine. Yeah. Yeah, I obviously cannot 332 00:17:28,400 --> 00:17:33,000 Speaker 1: sing that a professor ever told me to go pursue 333 00:17:33,000 --> 00:17:35,440 Speaker 1: it because I might not ever know. Well, Eric Church, 334 00:17:35,640 --> 00:17:38,399 Speaker 1: so he called you and said, hey, you know my 335 00:17:38,400 --> 00:17:41,359 Speaker 1: whole band they've got COVID. Can you come and like 336 00:17:41,640 --> 00:17:44,400 Speaker 1: help help me out and do some songs? Open up? Yes? 337 00:17:44,560 --> 00:17:46,720 Speaker 1: What is that? Like? Does he call you, text you 338 00:17:47,080 --> 00:17:50,080 Speaker 1: his people? What happened? Yeah? No, he's not really a 339 00:17:50,280 --> 00:17:53,720 Speaker 1: my people kind of person. He definitely is like if 340 00:17:53,720 --> 00:17:57,879 Speaker 1: he if he likes you, he'll like he doesn't suffer fool. 341 00:17:57,960 --> 00:18:00,280 Speaker 1: Somebody said that recently, and I like that about that's 342 00:18:00,280 --> 00:18:01,840 Speaker 1: a good way to put it. Like he definitely is 343 00:18:01,880 --> 00:18:03,639 Speaker 1: just very straight. You know, he's not blowing smoke up 344 00:18:03,640 --> 00:18:06,959 Speaker 1: anybody's but he's like I like you or whatever. And 345 00:18:07,040 --> 00:18:10,919 Speaker 1: he has always been really supportive, Like he's come like 346 00:18:11,000 --> 00:18:14,199 Speaker 1: he came to my Rhyman show. He checks in, you know, 347 00:18:14,240 --> 00:18:15,919 Speaker 1: he's like, oh I love the album, you know that 348 00:18:15,960 --> 00:18:19,400 Speaker 1: type of thing. And he hit me up. He's like, hey, 349 00:18:19,480 --> 00:18:22,359 Speaker 1: I need a favor, and I'm like, one hundred percent 350 00:18:22,440 --> 00:18:26,159 Speaker 1: because speaking of musical heroes, like I'm obsessed with his 351 00:18:26,320 --> 00:18:29,840 Speaker 1: entire catalog, and he was like, can you come out? 352 00:18:29,880 --> 00:18:33,120 Speaker 1: I have fifteen seventeen thousand people at these two shows 353 00:18:33,520 --> 00:18:35,960 Speaker 1: in Pennsylvania. I don't want to let them down. I'm 354 00:18:35,960 --> 00:18:40,119 Speaker 1: gonna do it alone, which is so badass. Eric Church, Right, 355 00:18:40,119 --> 00:18:41,760 Speaker 1: he's just gonna go out like with a guitar. He's like, 356 00:18:41,760 --> 00:18:43,320 Speaker 1: but will you come and like back me up and 357 00:18:43,359 --> 00:18:45,800 Speaker 1: sing on a couple of songs. I was like, Uh, yes, 358 00:18:46,600 --> 00:18:49,200 Speaker 1: one hundred percent, I'll be there. What's the set list? 359 00:18:49,240 --> 00:18:51,680 Speaker 1: He's like, Oh, I'll figure it out later. And I 360 00:18:51,800 --> 00:18:54,600 Speaker 1: get out there and same thing. We're doing mic check 361 00:18:54,640 --> 00:18:56,280 Speaker 1: and stuff like that. Hey, what's the set is? Oh? 362 00:18:56,320 --> 00:19:00,000 Speaker 1: What I'm gonna get you soon? Just be prepared for anything. 363 00:19:00,119 --> 00:19:04,040 Speaker 1: I'm like, oh yeah, I terrified. Yeah. So then finally 364 00:19:04,080 --> 00:19:07,119 Speaker 1: like literally going out, like almost going out on stage, 365 00:19:07,240 --> 00:19:09,480 Speaker 1: there's the set list and I'm like, okay, And it 366 00:19:09,520 --> 00:19:13,159 Speaker 1: was so cute because we like I kneeled like of 367 00:19:13,200 --> 00:19:15,840 Speaker 1: it and like the one time I didn't sing this 368 00:19:15,880 --> 00:19:18,200 Speaker 1: like one trill that kind of like Randon does, he 369 00:19:18,280 --> 00:19:21,199 Speaker 1: like stopped the show and he's like, Cam, that was 370 00:19:21,200 --> 00:19:24,800 Speaker 1: your moment. Let's do it one more time. Play the 371 00:19:24,880 --> 00:19:26,800 Speaker 1: whole thing back. It was so sweet. It felt like 372 00:19:27,560 --> 00:19:29,640 Speaker 1: you know when like somebody you're like in a living 373 00:19:29,680 --> 00:19:31,479 Speaker 1: room and someone just grabs their guitar and you're all 374 00:19:31,520 --> 00:19:33,159 Speaker 1: kind of like huddled around them or like around a 375 00:19:33,160 --> 00:19:36,040 Speaker 1: bond fire or something, and like he made an entire 376 00:19:36,080 --> 00:19:38,959 Speaker 1: arena because he had the center stage thing going on. 377 00:19:39,720 --> 00:19:42,360 Speaker 1: He made the entire arena. Felt like we were all 378 00:19:42,400 --> 00:19:44,960 Speaker 1: just like huddled next to him and getting to hear 379 00:19:45,000 --> 00:19:48,240 Speaker 1: like Eric Church like just sing for us. It was 380 00:19:48,359 --> 00:19:52,200 Speaker 1: so so cool. Oh yeah, what a priceless memory for you. Yes, 381 00:19:52,400 --> 00:19:53,600 Speaker 1: And I love how he's like, can you do me 382 00:19:53,680 --> 00:19:56,399 Speaker 1: a favor? I'm like, yeah, I'm the one doing it, 383 00:19:56,600 --> 00:19:59,720 Speaker 1: but whatever, Well, so I know you haven't announced it yet, 384 00:20:00,080 --> 00:20:02,600 Speaker 1: But is there anything you can tell us about you 385 00:20:03,240 --> 00:20:07,199 Speaker 1: being on tour in twenty twenty two. It's coming, I 386 00:20:07,240 --> 00:20:08,439 Speaker 1: know I did. I don't want to do the like 387 00:20:08,480 --> 00:20:10,280 Speaker 1: official announcement because you know, you want to get all 388 00:20:10,320 --> 00:20:12,679 Speaker 1: the ducks in a row because everybody's having to cancel them. 389 00:20:13,240 --> 00:20:15,840 Speaker 1: Line say what Eric Church said, It's coming, It's coming, 390 00:20:16,480 --> 00:20:19,399 Speaker 1: It's coming. Yeah, I'm so excited. We're planning. Simon's a 391 00:20:19,400 --> 00:20:21,639 Speaker 1: big part of it too, Our planning to figure out 392 00:20:21,680 --> 00:20:23,840 Speaker 1: a way to get us all together and put on 393 00:20:23,840 --> 00:20:27,399 Speaker 1: a show that literally is something I've never done before 394 00:20:27,400 --> 00:20:29,280 Speaker 1: but always wanted to do, And it's going to be 395 00:20:29,320 --> 00:20:33,240 Speaker 1: a very specific kind of show and I'm so motivated 396 00:20:33,280 --> 00:20:35,480 Speaker 1: and excited to make it come to life. It's gonna 397 00:20:35,480 --> 00:20:38,600 Speaker 1: be really fun. Well that's awesome. Definitely something for CAM 398 00:20:38,600 --> 00:20:41,720 Speaker 1: fans to look forward to next year. And we just 399 00:20:41,760 --> 00:20:44,240 Speaker 1: appreciate you so much taking the time to come by you. 400 00:20:44,680 --> 00:20:46,160 Speaker 1: It's so nice to come by and see you guys 401 00:20:46,200 --> 00:20:49,520 Speaker 1: and play for us, and yeah, hearing you live and 402 00:20:49,560 --> 00:20:52,960 Speaker 1: seeing your face is so fun. Yeah, and for everyone listening. 403 00:20:53,000 --> 00:20:56,320 Speaker 1: You can follow Cam on her Instagram at Cam Country 404 00:20:56,440 --> 00:20:59,959 Speaker 1: and definitely check out her latest album, The Other side, 405 00:21:00,040 --> 00:21:04,280 Speaker 1: wherever you listen to music, This is women of iHeart 406 00:21:04,359 --> 00:21:04,800 Speaker 1: country