1
00:00:00,240 --> 00:00:21,880
Speaker 1: H so writer, I am. I think it's time you

2
00:00:22,880 --> 00:00:26,880
Speaker 1: tell our dear pod Meets World listeners the truth about

3
00:00:27,040 --> 00:00:29,200
Speaker 1: what just recently happened with the leather jacket.

4
00:00:29,400 --> 00:00:30,920
Speaker 2: What happened, bro? What happened?

5
00:00:30,960 --> 00:00:31,120
Speaker 3: Bro?

6
00:00:31,480 --> 00:00:36,480
Speaker 2: Yeah, here's the thing about the Sean leather jacket. It's

7
00:00:36,479 --> 00:00:39,920
Speaker 2: a it's a spirit. It's a wild it's a wild

8
00:00:40,040 --> 00:00:41,519
Speaker 2: horse that can't be tamed.

9
00:00:43,000 --> 00:00:43,760
Speaker 1: It's like Susie.

10
00:00:43,880 --> 00:00:49,600
Speaker 4: It's it comes into your life. The Shaw leather jacket

11
00:00:49,920 --> 00:00:52,199
Speaker 4: flitters in and out of your life like a like

12
00:00:52,240 --> 00:00:53,200
Speaker 4: a trickster. Spirit.

13
00:00:53,640 --> 00:00:56,280
Speaker 1: Sometimes can be very short period a.

14
00:00:56,240 --> 00:00:59,360
Speaker 4: Very short period of time. I had the glory of

15
00:00:59,360 --> 00:01:02,360
Speaker 4: seven years on boy Mets. Well, actually, now we've discovered

16
00:01:02,640 --> 00:01:05,360
Speaker 4: I only really had it for probably four seasons, so

17
00:01:05,520 --> 00:01:08,200
Speaker 4: I had one and even then I'd still ended up

18
00:01:08,240 --> 00:01:12,800
Speaker 4: on other actors. But ultimately, as many of our listeners know,

19
00:01:12,959 --> 00:01:15,240
Speaker 4: I had the leather jacket. I took it with me

20
00:01:15,319 --> 00:01:17,240
Speaker 4: to New York where it was stolen out of my

21
00:01:17,280 --> 00:01:18,360
Speaker 4: car in Brooklyn.

22
00:01:18,840 --> 00:01:20,320
Speaker 2: Somebody broke into my car and took it.

23
00:01:21,240 --> 00:01:26,440
Speaker 4: And then, uh, several months ago, Danielle sent me an

24
00:01:26,480 --> 00:01:30,560
Speaker 4: email that she had gotten from one of our listeners.

25
00:01:31,240 --> 00:01:35,080
Speaker 1: Dear, dear listener, Megan, and her last name is h

26
00:01:35,319 --> 00:01:37,360
Speaker 1: I R E S. I don't know exactly how say it.

27
00:01:37,360 --> 00:01:44,640
Speaker 4: Megan who had isolated the brand, and she thought the

28
00:01:44,680 --> 00:01:48,200
Speaker 4: specific model of jacket, and she sent a photo and

29
00:01:48,320 --> 00:01:51,280
Speaker 4: indeed it looked exactly like the leather jacket. And we

30
00:01:51,360 --> 00:01:54,040
Speaker 4: now know that the Shawan leather jacket was definitely a

31
00:01:54,160 --> 00:01:56,200
Speaker 4: Hind garricket.

32
00:01:57,120 --> 00:02:01,320
Speaker 1: And they're spelled h E I N word G E

33
00:02:01,480 --> 00:02:04,600
Speaker 1: R I c k E. That is the brand for

34
00:02:04,680 --> 00:02:07,480
Speaker 1: sure for made the Shawn leather jacket.

35
00:02:07,720 --> 00:02:11,239
Speaker 4: But the tricky part is, like so many motorcycle jackets,

36
00:02:11,280 --> 00:02:13,120
Speaker 4: like most of the motorcycle jackets out there have like

37
00:02:13,160 --> 00:02:15,400
Speaker 4: the extra flaps in the front, like so.

38
00:02:15,400 --> 00:02:16,080
Speaker 2: It doubles over.

39
00:02:16,120 --> 00:02:18,640
Speaker 4: It's a double breasted or whatever that term single breast,

40
00:02:18,639 --> 00:02:21,160
Speaker 4: I don't know whereas what I had was just sort

41
00:02:21,160 --> 00:02:25,000
Speaker 4: of a regular more like a racing zip.

42
00:02:25,160 --> 00:02:27,080
Speaker 2: Yeah, just a regular zip up in the front. And

43
00:02:27,120 --> 00:02:28,359
Speaker 2: so those are much harder to find.

44
00:02:28,400 --> 00:02:30,200
Speaker 4: She had found one that was a Hind garrick looked

45
00:02:30,240 --> 00:02:34,400
Speaker 4: exactly like it. Danielle took the liberty of ordering it

46
00:02:34,440 --> 00:02:37,120
Speaker 4: for me because this was an e for sale.

47
00:02:37,160 --> 00:02:40,800
Speaker 1: It was a true vintage nineties jacket for sale.

48
00:02:40,560 --> 00:02:43,080
Speaker 4: And there was part of us that was secretly hoping

49
00:02:43,160 --> 00:02:45,760
Speaker 4: it was the actual jacket that some extra had stolen

50
00:02:45,800 --> 00:02:49,160
Speaker 4: in Brooklyn and resold years later. So we did a

51
00:02:49,160 --> 00:02:51,320
Speaker 4: whole unboxing one of our live shows.

52
00:02:51,560 --> 00:02:55,560
Speaker 2: We did. It was a special treat. We we mailed

53
00:02:55,560 --> 00:02:58,119
Speaker 2: it there. Let's get I mean, it wasn't We went

54
00:02:58,200 --> 00:02:59,400
Speaker 2: through a whole thing.

55
00:03:00,200 --> 00:03:05,160
Speaker 1: That's exactly right. So I received the leather jacket. I

56
00:03:05,280 --> 00:03:07,440
Speaker 1: then got so I took a picture of the box.

57
00:03:07,600 --> 00:03:09,760
Speaker 1: I sent it to the guys in our Podmets World

58
00:03:09,800 --> 00:03:13,400
Speaker 1: group chat and I said, the jacket has arrived. And

59
00:03:13,440 --> 00:03:15,760
Speaker 1: then I said, do you want me to open it?

60
00:03:15,840 --> 00:03:17,959
Speaker 1: Because there was a lot of discussion about this jacket,

61
00:03:17,960 --> 00:03:19,960
Speaker 1: what if it's the real one? Writer was looking at

62
00:03:20,000 --> 00:03:21,680
Speaker 1: the measurements and he was like, oh man, it's going

63
00:03:21,760 --> 00:03:23,480
Speaker 1: to be huge on me, Like, I don't think it

64
00:03:23,520 --> 00:03:25,280
Speaker 1: can be the right one, because the measurements make it

65
00:03:25,280 --> 00:03:27,040
Speaker 1: seem like it's going to be big. And I said,

66
00:03:27,080 --> 00:03:29,880
Speaker 1: I don't know, leather jacket red measurements are kind of weird.

67
00:03:29,919 --> 00:03:31,680
Speaker 1: They look like they're bigger, but when you actually put

68
00:03:31,680 --> 00:03:32,280
Speaker 1: them on, it's.

69
00:03:32,160 --> 00:03:32,600
Speaker 2: Not like that.

70
00:03:33,440 --> 00:03:35,240
Speaker 1: And he's like, I don't know, I don't know, and

71
00:03:35,360 --> 00:03:38,320
Speaker 1: in realize where I purchased it. The minute they send

72
00:03:38,360 --> 00:03:40,000
Speaker 1: it to you, within a couple of days, they want

73
00:03:40,040 --> 00:03:42,360
Speaker 1: you to leave a review. They want you to say, yes,

74
00:03:42,400 --> 00:03:45,360
Speaker 1: I have received it and the item is as described.

75
00:03:45,560 --> 00:03:47,080
Speaker 1: And I said, do you guys want me to open it?

76
00:03:47,080 --> 00:03:51,240
Speaker 1: And writer said no, let's wait. Let's actually open it

77
00:03:51,400 --> 00:03:56,040
Speaker 1: on stage in Philadelphia for our thirtieth reunion at our

78
00:03:56,080 --> 00:03:56,600
Speaker 1: live show.

79
00:03:56,800 --> 00:03:59,760
Speaker 3: And I might take credit for that. I might have said,

80
00:04:00,160 --> 00:04:01,840
Speaker 3: we should send it to the live show.

81
00:04:02,120 --> 00:04:02,360
Speaker 2: Okay.

82
00:04:02,440 --> 00:04:04,480
Speaker 3: I don't normally take credits for credit for things, but

83
00:04:04,560 --> 00:04:06,120
Speaker 3: I will think that was my idea.

84
00:04:06,240 --> 00:04:09,200
Speaker 1: Okay, So Will said that thank you credit to Will.

85
00:04:09,800 --> 00:04:13,040
Speaker 1: God forbid. Will does not get credit, even though credit.

86
00:04:12,800 --> 00:04:15,480
Speaker 2: I never got. Oh, but that's because writer doesn't step

87
00:04:15,560 --> 00:04:16,480
Speaker 2: up to take the credit.

88
00:04:17,640 --> 00:04:20,880
Speaker 1: Writer is passive. You are not okay, thank you. So

89
00:04:22,440 --> 00:04:25,760
Speaker 1: I fill out a false thing for that for where

90
00:04:26,640 --> 00:04:29,760
Speaker 1: I was like, we love it. I just I take

91
00:04:29,800 --> 00:04:32,240
Speaker 1: responsibility if we don't end up loving it. They could

92
00:04:32,240 --> 00:04:34,080
Speaker 1: have sent me a comforter and I wouldn't have known.

93
00:04:34,120 --> 00:04:38,159
Speaker 1: I was like, it's great. And then I pay like

94
00:04:38,320 --> 00:04:42,239
Speaker 1: thirty some dollars to ship it to Philly. It arrives

95
00:04:42,279 --> 00:04:45,240
Speaker 1: in Philly. We get to the live show and realize

96
00:04:45,279 --> 00:04:48,000
Speaker 1: we've forgotten it at the hotel. We have never even

97
00:04:48,080 --> 00:04:49,760
Speaker 1: picked it up. We don't even have it with us.

98
00:04:50,200 --> 00:04:53,960
Speaker 1: We scramble. We panic Susan not to be confused with

99
00:04:54,000 --> 00:04:54,960
Speaker 1: Susie Rider's pony.

100
00:04:55,000 --> 00:04:55,560
Speaker 2: We never get from that.

101
00:04:56,040 --> 00:05:00,160
Speaker 1: Susan Will's wife, we definitely know of. Hops in a car,

102
00:05:00,600 --> 00:05:04,600
Speaker 1: goes back to the hotel for us like an unpaid assistant,

103
00:05:04,839 --> 00:05:07,320
Speaker 1: and picks up Rider's leather jacket.

104
00:05:08,200 --> 00:05:08,679
Speaker 2: The show.

105
00:05:10,080 --> 00:05:14,600
Speaker 1: Five minutes before Jensen pre scores the box for us.

106
00:05:14,640 --> 00:05:16,560
Speaker 1: So the box is already just needs you just need

107
00:05:16,600 --> 00:05:18,920
Speaker 1: to lift open the top when we're on stage, and

108
00:05:19,279 --> 00:05:21,640
Speaker 1: at the end of the live show, we bring out

109
00:05:21,760 --> 00:05:24,440
Speaker 1: the leather jacket and we pull it out, and the

110
00:05:24,560 --> 00:05:28,799
Speaker 1: audience audibly gasped at the look of this leather jacket

111
00:05:28,839 --> 00:05:30,240
Speaker 1: and Rider please continue the story.

112
00:05:30,360 --> 00:05:33,760
Speaker 4: It looks exactly like Sean's leather jacket. It is not

113
00:05:33,880 --> 00:05:35,800
Speaker 4: the actual one, I can tell because it is less

114
00:05:35,839 --> 00:05:40,400
Speaker 4: worn in. It also still has hind garrick like on zippers,

115
00:05:40,440 --> 00:05:42,680
Speaker 4: which we couldn't have had, and it has an embossed

116
00:05:42,760 --> 00:05:45,320
Speaker 4: hind garritt on the sleeve like on the shoulder, which

117
00:05:45,520 --> 00:05:48,960
Speaker 4: wouldn't have worked on our show. But the cut is

118
00:05:49,040 --> 00:05:52,039
Speaker 4: exactly the same. Yep, I put in the back from

119
00:05:52,040 --> 00:05:53,760
Speaker 4: the back, it's the exact same jacket.

120
00:05:54,000 --> 00:05:57,680
Speaker 2: I put this thing on and it fits like a glove.

121
00:05:57,640 --> 00:06:03,479
Speaker 4: Perfectly, glove perfectly, and the crowd goes wild. I wear

122
00:06:03,520 --> 00:06:06,040
Speaker 4: it for the rest of the show. We do our bows.

123
00:06:06,240 --> 00:06:08,880
Speaker 4: I feel at home in this jacket. I feel like

124
00:06:09,200 --> 00:06:12,479
Speaker 4: this is the Shawn jacket substitute. I now have it

125
00:06:12,480 --> 00:06:14,920
Speaker 4: in my life. I band this down to Indy when

126
00:06:14,920 --> 00:06:17,200
Speaker 4: he is grown up and say this is close enough.

127
00:06:17,880 --> 00:06:21,320
Speaker 4: You shall take this now. My son inherit from me.

128
00:06:22,880 --> 00:06:25,080
Speaker 4: The next morning, I couldn't fit the leather jacket in

129
00:06:25,120 --> 00:06:28,159
Speaker 4: my bag because we had pluggage, and you know, I

130
00:06:28,160 --> 00:06:29,960
Speaker 4: don't ever check bags, because no, we.

131
00:06:29,920 --> 00:06:32,160
Speaker 1: Want to take carry on. That's how they get jacks,

132
00:06:32,320 --> 00:06:33,320
Speaker 1: they get check bags.

133
00:06:33,360 --> 00:06:37,360
Speaker 4: So so I'm now carrying my normal carry on backpack,

134
00:06:37,520 --> 00:06:40,520
Speaker 4: my ROLLI bag that you don't check and fit in

135
00:06:40,520 --> 00:06:44,080
Speaker 4: the overhead compartment, and then a shopping bag with just

136
00:06:44,160 --> 00:06:46,960
Speaker 4: the leather jacket and maybe a couple other you know,

137
00:06:47,440 --> 00:06:49,960
Speaker 4: free items that I couldn't also fit, like things people.

138
00:06:49,800 --> 00:06:50,719
Speaker 2: Had given me or whatever.

139
00:06:51,720 --> 00:06:54,279
Speaker 4: And we get onto the bus from the rental car

140
00:06:54,480 --> 00:06:57,000
Speaker 4: to the or the shuttle from the rental car to

141
00:06:57,080 --> 00:07:00,800
Speaker 4: the airport terminal, and we have one of the very

142
00:07:00,839 --> 00:07:05,040
Speaker 4: odd experiences that doesn't happen to me very often, happens

143
00:07:05,440 --> 00:07:08,480
Speaker 4: to Danielle all the time. But some guy walks right

144
00:07:08,560 --> 00:07:11,160
Speaker 4: up to me and is like in the shuttle, are

145
00:07:11,200 --> 00:07:14,480
Speaker 4: you right or strong? And I'm like, yeah, yeah, here

146
00:07:14,480 --> 00:07:17,160
Speaker 4: we go, because of course, if he looks two inches

147
00:07:17,200 --> 00:07:20,160
Speaker 4: to my left, there's Wilfred Nell and across this on

148
00:07:20,200 --> 00:07:22,600
Speaker 4: the other bench across from us in the shuttle is

149
00:07:22,640 --> 00:07:23,520
Speaker 4: to Panga.

150
00:07:23,600 --> 00:07:25,440
Speaker 2: But no, he proceeds to.

151
00:07:25,440 --> 00:07:27,520
Speaker 1: Get a lotally recognized I'm a.

152
00:07:27,440 --> 00:07:30,720
Speaker 4: Conversation with me and did not notice the rest of

153
00:07:30,760 --> 00:07:31,160
Speaker 4: the cast.

154
00:07:31,160 --> 00:07:33,400
Speaker 2: A boy meets world right there now.

155
00:07:34,040 --> 00:07:39,560
Speaker 1: It also happened that this moment happened twenty five seconds

156
00:07:39,600 --> 00:07:42,120
Speaker 1: before we arrived at where we were getting off the shuttle,

157
00:07:42,520 --> 00:07:45,360
Speaker 1: So you have about a twenty twenty five second interaction

158
00:07:45,440 --> 00:07:48,720
Speaker 1: with the story. And then shuttle doors open and Will

159
00:07:48,720 --> 00:07:50,920
Speaker 1: and I grab our bags and hop off, and writer

160
00:07:51,480 --> 00:07:52,640
Speaker 1: jumps out as well.

161
00:07:52,440 --> 00:07:56,480
Speaker 4: And then you are in line TSA security and it's

162
00:07:56,520 --> 00:07:59,360
Speaker 4: a long one and we're even though we're TSCA pree check,

163
00:07:59,400 --> 00:08:03,440
Speaker 4: we're stuck in the very long line, and we're Philly. Yes,

164
00:08:04,080 --> 00:08:06,840
Speaker 4: we're in Philly. We are in the TSA pre check line.

165
00:08:07,040 --> 00:08:09,640
Speaker 4: And I look up at who was I with?

166
00:08:09,680 --> 00:08:09,880
Speaker 2: Will?

167
00:08:10,400 --> 00:08:13,560
Speaker 4: Yeah, well, and I because yeah, and I my heart

168
00:08:13,760 --> 00:08:17,600
Speaker 4: just thinks and I realized I've left the shopping bag

169
00:08:17,680 --> 00:08:21,720
Speaker 4: with the infamous leather jacket on the shuttle bus and.

170
00:08:22,360 --> 00:08:24,560
Speaker 2: Trying to find a lost and found.

171
00:08:24,960 --> 00:08:27,800
Speaker 1: Well wait, sorry to interrupt you, writer, Will. I want

172
00:08:27,840 --> 00:08:30,760
Speaker 1: you to do the impression of what happened when Writer

173
00:08:30,920 --> 00:08:31,720
Speaker 1: realized it.

174
00:08:31,760 --> 00:08:34,960
Speaker 3: So he it was a total visual thing because we're

175
00:08:35,000 --> 00:08:37,160
Speaker 3: sitting there and we're like, wow, this is it's it

176
00:08:37,240 --> 00:08:37,680
Speaker 3: was a lot.

177
00:08:37,800 --> 00:08:38,520
Speaker 2: The line for.

178
00:08:38,520 --> 00:08:42,520
Speaker 3: TSA was long enough to demand comment where we were like,

179
00:08:42,600 --> 00:08:44,960
Speaker 3: this is the longest, this is amazing. And then we're

180
00:08:44,960 --> 00:08:46,559
Speaker 3: just kind of sitting like I wonder how long it's

181
00:08:46,559 --> 00:08:50,840
Speaker 3: going to be, and Writer's just like and he's you

182
00:08:50,920 --> 00:08:54,240
Speaker 3: watched you could see something happened, like the color drain anyway,

183
00:08:54,360 --> 00:08:56,000
Speaker 3: and I went what like I thought something was like

184
00:08:56,040 --> 00:08:58,280
Speaker 3: what He's like, I don't have the jacket, And I

185
00:08:58,320 --> 00:08:59,719
Speaker 3: was like, what is the bag I don't have? I

186
00:08:59,720 --> 00:09:02,400
Speaker 3: don't have the jacket, And you could see the panic

187
00:09:02,440 --> 00:09:05,160
Speaker 3: set in because it was instantly do I get out

188
00:09:05,160 --> 00:09:09,360
Speaker 3: of this ridiculously long line to try to run down

189
00:09:09,520 --> 00:09:10,599
Speaker 3: the shuttle.

190
00:09:10,520 --> 00:09:14,120
Speaker 4: Which shuttle is long gone. It's a shuttle that's shared

191
00:09:14,160 --> 00:09:16,400
Speaker 4: by all the rental car correct. So that was my

192
00:09:16,440 --> 00:09:18,520
Speaker 4: problem is that I can no longer. I can't call

193
00:09:18,600 --> 00:09:21,160
Speaker 4: the rental car company. I can't call the airport. I

194
00:09:21,200 --> 00:09:23,800
Speaker 4: have to fit find the specific shuttle for it that

195
00:09:24,000 --> 00:09:26,199
Speaker 4: shared by all the rental Oh my god.

196
00:09:26,760 --> 00:09:29,080
Speaker 3: And it was just him going. And then the greatest

197
00:09:29,160 --> 00:09:33,000
Speaker 3: thing was for going. And Danielle had was behind us

198
00:09:33,040 --> 00:09:35,040
Speaker 3: with Jensen to I think return the other car or

199
00:09:35,040 --> 00:09:37,960
Speaker 3: something was there we were, and Yer just slicks at

200
00:09:37,960 --> 00:09:41,920
Speaker 3: me and goes, you tell her, and I go what

201
00:09:42,080 --> 00:09:44,880
Speaker 3: he goes? You tell Danielle go, I'm not telling Danielle

202
00:09:44,880 --> 00:09:46,880
Speaker 3: that you lost the Jacket's like, you should tell her.

203
00:09:47,760 --> 00:09:51,040
Speaker 2: Tell Daniel's like she mailed it all the way from Philly.

204
00:09:51,200 --> 00:09:53,280
Speaker 2: She's I was like, I know, you gotta tell her.

205
00:09:53,320 --> 00:09:53,880
Speaker 2: He's like, all right.

206
00:09:54,400 --> 00:09:58,439
Speaker 4: And then I said it on the phone before the fly,

207
00:09:58,960 --> 00:10:02,680
Speaker 4: leaving messages in my phone number, multi answer machines and

208
00:10:02,720 --> 00:10:03,600
Speaker 4: lost and founds.

209
00:10:05,600 --> 00:10:11,559
Speaker 2: Here's the You don't choose the jacket. The jacket chooses yes, yes,

210
00:10:11,800 --> 00:10:13,160
Speaker 2: It's sort of like a sword in the stone.

211
00:10:14,080 --> 00:10:16,240
Speaker 4: I think maybe in some ways the curses that I

212
00:10:16,480 --> 00:10:19,520
Speaker 4: let the first one go and now you didn't.

213
00:10:19,559 --> 00:10:21,199
Speaker 2: It was taken from you. You didn't let it go.

214
00:10:21,840 --> 00:10:25,280
Speaker 4: I wasn't worthy will something I think. I think, I

215
00:10:25,320 --> 00:10:27,400
Speaker 4: think it will come the will.

216
00:10:28,200 --> 00:10:31,640
Speaker 1: I think I'll take responsibility for this and say I

217
00:10:31,679 --> 00:10:34,680
Speaker 1: didn't place an air tag in it. I should have

218
00:10:34,960 --> 00:10:39,520
Speaker 1: only given it to writer an air tag in it.

219
00:10:39,760 --> 00:10:42,480
Speaker 2: And when you did wrong is we didn't do the

220
00:10:42,559 --> 00:10:43,080
Speaker 2: ritual right.

221
00:10:43,160 --> 00:10:45,120
Speaker 4: It had to go to Will first, he had to

222
00:10:45,160 --> 00:10:49,600
Speaker 4: wear your Danny, get it, give it back.

223
00:10:49,480 --> 00:10:50,840
Speaker 2: To Danny, then I get it again.

224
00:10:51,440 --> 00:10:55,640
Speaker 3: Yes, I have a random question for you because I've

225
00:10:55,640 --> 00:10:58,960
Speaker 3: been doing a little bit of goggling, which is how

226
00:10:59,000 --> 00:10:59,960
Speaker 3: it's actually pronounced.

227
00:11:00,280 --> 00:11:00,679
Speaker 2: Interesting.

228
00:11:00,679 --> 00:11:01,640
Speaker 1: It's like Jeff and giff.

229
00:11:01,720 --> 00:11:03,160
Speaker 2: Huh exactly is.

230
00:11:03,679 --> 00:11:06,600
Speaker 3: The Hind I'm reading some things that are saying the

231
00:11:06,679 --> 00:11:08,800
Speaker 3: actual stores for Hind gerrikey?

232
00:11:08,840 --> 00:11:09,319
Speaker 2: Am I saying that?

233
00:11:09,400 --> 00:11:09,559
Speaker 5: Right?

234
00:11:09,840 --> 00:11:10,080
Speaker 2: Something?

235
00:11:10,280 --> 00:11:15,319
Speaker 3: Are closed in twenty thirteen, but there's still an Instagram page.

236
00:11:15,640 --> 00:11:18,760
Speaker 3: Have any of us thought to call the company and say, hey,

237
00:11:18,800 --> 00:11:21,760
Speaker 3: can anyone tell us what this jacket model was?

238
00:11:22,120 --> 00:11:22,880
Speaker 1: Oh?

239
00:11:22,960 --> 00:11:25,280
Speaker 3: Because wouldn't somebody at the company be able to be like, oh,

240
00:11:25,320 --> 00:11:27,160
Speaker 3: that's our right or strong edition.

241
00:11:27,080 --> 00:11:30,000
Speaker 4: Like you know whatever jacket from the nineties, you know

242
00:11:30,400 --> 00:11:32,119
Speaker 4: it was even vintage then maybe.

243
00:11:31,880 --> 00:11:33,240
Speaker 2: Oh was it you think? I don't know.

244
00:11:33,360 --> 00:11:35,400
Speaker 3: I think it seems like it's a UK company. I mean,

245
00:11:35,400 --> 00:11:37,680
Speaker 3: I'm wondering if somebody there would be able to look

246
00:11:37,679 --> 00:11:39,240
Speaker 3: at the jacket and know what it was.

247
00:11:39,200 --> 00:11:42,560
Speaker 1: We could probably look into that. But I I'm thank

248
00:11:42,600 --> 00:11:45,120
Speaker 1: you writer for sharing the tragedy.

249
00:11:45,280 --> 00:11:46,880
Speaker 2: And you never gotten by that, and you tried and

250
00:11:47,200 --> 00:11:48,680
Speaker 2: did you even get a call back from any of

251
00:11:48,720 --> 00:11:51,679
Speaker 2: this a single callback? And you were on the phone.

252
00:11:51,679 --> 00:11:53,480
Speaker 2: We were sitting there in the air, beautiful jacket.

253
00:11:53,520 --> 00:11:56,280
Speaker 4: On second second, somebody opened up that bag, they were like,

254
00:11:56,320 --> 00:11:59,319
Speaker 4: I am keeping score school jacket. Maybe chose them or

255
00:11:59,360 --> 00:12:02,000
Speaker 4: maybe if it away into the night on a different shuttle.

256
00:12:02,360 --> 00:12:04,719
Speaker 6: But if it was the same person who stole your

257
00:12:04,760 --> 00:12:10,120
Speaker 6: original one, Guys like random, this is the greatest, Like

258
00:12:10,160 --> 00:12:12,160
Speaker 6: the ninth jacket that's coming to me in my life,

259
00:12:12,240 --> 00:12:13,520
Speaker 6: what the hell would be great?

260
00:12:14,160 --> 00:12:16,559
Speaker 1: I think the first one that was really stolen out

261
00:12:16,559 --> 00:12:17,760
Speaker 1: of his car. I don't know if you would call

262
00:12:17,800 --> 00:12:18,719
Speaker 1: that come to me.

263
00:12:20,800 --> 00:12:24,319
Speaker 2: Over well, that person was more of a bad boy

264
00:12:24,880 --> 00:12:29,200
Speaker 2: than I or you never faster, but just a person.

265
00:12:30,200 --> 00:12:30,840
Speaker 2: I was gonna say.

266
00:12:34,320 --> 00:12:36,720
Speaker 1: World Olympic Away leather jackets.

267
00:12:37,360 --> 00:12:39,199
Speaker 3: Maybe that was you needed to get rid of the

268
00:12:39,280 --> 00:12:41,920
Speaker 3: jacket so you could give yourself fully to another human being.

269
00:12:42,600 --> 00:12:45,079
Speaker 2: You're no longer the bad boy, You're now dating material.

270
00:12:47,960 --> 00:12:49,120
Speaker 1: Welcome to Pod Meets World.

271
00:12:49,200 --> 00:13:00,280
Speaker 7: I'm Daniel Fischel, I'm right or Strong, and I'm Wilfredoe.

272
00:13:03,720 --> 00:13:07,240
Speaker 1: Welcome to this episode. We are doing a recap of

273
00:13:07,280 --> 00:13:11,440
Speaker 1: season three, episode seventeen, The Pink Flamingo Kid. It originally

274
00:13:11,520 --> 00:13:15,040
Speaker 1: aired February sixteenth, nineteen ninety six. The synopsis is that

275
00:13:15,120 --> 00:13:18,760
Speaker 1: Corey accidentally catches a thief on tape at Shawn's trailer park.

276
00:13:18,960 --> 00:13:21,360
Speaker 1: He plans to enter the footage in a news contest,

277
00:13:21,400 --> 00:13:24,760
Speaker 1: but hesitates after Sean admits the thief is one of

278
00:13:24,760 --> 00:13:28,040
Speaker 1: his relatives. It was directed by Jeff McCracken. It was

279
00:13:28,080 --> 00:13:31,160
Speaker 1: written by Mark Blutman and Howard Buskang, and it guest

280
00:13:31,160 --> 00:13:34,920
Speaker 1: stars Herschel Sparber as Uncle Mike Hunter. This is his

281
00:13:35,120 --> 00:13:38,080
Speaker 1: third appearance on the show. We saw him the first

282
00:13:38,080 --> 00:13:40,800
Speaker 1: time as the delivery guy in the episode with TK,

283
00:13:41,320 --> 00:13:45,200
Speaker 1: and then he exactly Steake delivery guy and then he

284
00:13:45,280 --> 00:13:48,280
Speaker 1: made his second appearance as Uncle Mike Hunter.

285
00:13:48,960 --> 00:13:50,560
Speaker 2: And motorcycle Shop. Right, we at the.

286
00:13:50,559 --> 00:13:53,560
Speaker 1: Motorcycle shop exactly. This is his third appearance. And then

287
00:13:53,720 --> 00:13:57,679
Speaker 1: we have Maury Sterling as Eddie Hunter. Then we have

288
00:13:57,960 --> 00:14:02,040
Speaker 1: Blake Foster as Danny. So what did you guys think?

289
00:14:05,480 --> 00:14:09,199
Speaker 2: I I this is a weird episode. I have thoughts.

290
00:14:09,240 --> 00:14:09,720
Speaker 2: I have thoughts.

291
00:14:09,720 --> 00:14:12,480
Speaker 4: I don't think it's bad, but I think it has

292
00:14:12,800 --> 00:14:16,360
Speaker 4: I don't think it's bad, I think it's forgettable.

293
00:14:17,440 --> 00:14:20,520
Speaker 2: And so funny because I disagree entirely. You loved it.

294
00:14:20,920 --> 00:14:23,200
Speaker 2: I didn't love it, but I think I thought it

295
00:14:23,240 --> 00:14:25,120
Speaker 2: was I thought it was good. I enjoyed it. But

296
00:14:25,240 --> 00:14:28,320
Speaker 2: this has so many quotable.

297
00:14:27,840 --> 00:14:30,920
Speaker 3: Moments from this episode for sure, I mean, we're still

298
00:14:31,280 --> 00:14:32,280
Speaker 3: after another.

299
00:14:32,120 --> 00:14:34,520
Speaker 4: Well, let's say there were there were two things I

300
00:14:34,560 --> 00:14:38,520
Speaker 4: remembered about this episode. One Kyle of course, one of

301
00:14:38,520 --> 00:14:42,400
Speaker 4: the greatest pointments world shokes ever. I definitely remember the

302
00:14:42,960 --> 00:14:46,640
Speaker 4: Blood family people who I didn't and I didn't realize

303
00:14:46,640 --> 00:14:47,600
Speaker 4: that came from this episode.

304
00:14:47,600 --> 00:14:49,880
Speaker 2: So that's that's great. But I also.

305
00:14:49,640 --> 00:14:53,600
Speaker 4: Remembered this This was my first Counting Crow's concert was

306
00:14:53,640 --> 00:14:56,600
Speaker 4: the night we taped this episode. Really ran I was

307
00:14:56,760 --> 00:14:58,600
Speaker 4: like all our remembers thinking how do I get out

308
00:14:58,600 --> 00:15:00,080
Speaker 4: of here to make it in time to the an

309
00:15:00,360 --> 00:15:02,400
Speaker 4: That's all I cared about, and I remember that because

310
00:15:02,400 --> 00:15:03,960
Speaker 4: I remember being on that set with a trailer, but

311
00:15:04,000 --> 00:15:06,600
Speaker 4: I didn't remember much of the story, and I do

312
00:15:06,680 --> 00:15:09,760
Speaker 4: have problems with it. I think I say forgettable intentionally

313
00:15:09,800 --> 00:15:14,120
Speaker 4: because I think that the fact that Eddie disappears from

314
00:15:14,440 --> 00:15:16,520
Speaker 4: our storyline world cannon.

315
00:15:17,000 --> 00:15:18,800
Speaker 2: But I also think that's indicative.

316
00:15:18,360 --> 00:15:21,600
Speaker 4: Of of of a problem with this episode, which I've

317
00:15:21,640 --> 00:15:23,680
Speaker 4: been thinking about trying to nail down, like why I

318
00:15:23,680 --> 00:15:26,440
Speaker 4: didn't like it or why it was forgettable in my mind,

319
00:15:26,800 --> 00:15:29,800
Speaker 4: And we can get into it later, but ultimately I

320
00:15:29,840 --> 00:15:31,800
Speaker 4: just think it's a it's a weird episode that doesn't

321
00:15:31,920 --> 00:15:34,160
Speaker 4: really fit with the rest of boy Bee. Your storyline

322
00:15:34,200 --> 00:15:36,760
Speaker 4: is very funny, you were very funny, and the Feenie

323
00:15:37,280 --> 00:15:38,000
Speaker 4: like message is.

324
00:15:38,040 --> 00:15:41,160
Speaker 2: Nice, but I remember a lot of this episode. What

325
00:15:41,160 --> 00:15:43,600
Speaker 2: did you, Danielle? Yeah, I'm good, what Danielle thought.

326
00:15:43,840 --> 00:15:48,640
Speaker 1: I really enjoyed it, And yet I see kind of

327
00:15:48,640 --> 00:15:51,240
Speaker 1: what writer's saying about it being a little bit forgettable

328
00:15:51,240 --> 00:15:53,760
Speaker 1: because I didn't remember anything about the episode. I also

329
00:15:54,360 --> 00:15:58,160
Speaker 1: wasn't there obviously, so that would help explain why I

330
00:15:58,200 --> 00:16:01,440
Speaker 1: didn't remember any of it. But I also I think

331
00:16:01,480 --> 00:16:04,520
Speaker 1: maybe this episode fell a little prey to the idea

332
00:16:04,560 --> 00:16:06,600
Speaker 1: again that they bring in characters we're never going to

333
00:16:06,640 --> 00:16:10,800
Speaker 1: see again to teach a really great lesson, and instead

334
00:16:10,840 --> 00:16:15,480
Speaker 1: of attributing that importance to characters that mean a lot

335
00:16:15,600 --> 00:16:19,120
Speaker 1: to the universe. Yes, we give these very important things

336
00:16:19,120 --> 00:16:21,000
Speaker 1: to people that were who are flitting in and out,

337
00:16:21,040 --> 00:16:23,320
Speaker 1: and then we lose some of the importance because the

338
00:16:23,440 --> 00:16:26,480
Speaker 1: character themselves is kind of forgettable. So I agree with

339
00:16:26,520 --> 00:16:31,200
Speaker 1: what you mean, but I love so many things about it.

340
00:16:31,120 --> 00:16:33,880
Speaker 3: Me too, so many quota che I mean, it should

341
00:16:33,880 --> 00:16:36,360
Speaker 3: have been Chet and Turner, should have been what Blood

342
00:16:36,400 --> 00:16:37,280
Speaker 3: and Family was about.

343
00:16:37,320 --> 00:16:43,840
Speaker 1: Obviously, yes, exactly exactly, I really, yes, absolutely, even Uncle Mike,

344
00:16:44,000 --> 00:16:46,480
Speaker 1: even him reporting Uncle Mike. But you know what I

345
00:16:46,560 --> 00:16:49,200
Speaker 1: But then again, I also understand why if Corey had

346
00:16:49,200 --> 00:16:52,280
Speaker 1: seen Uncle Mike do something, Corey would have known he

347
00:16:52,480 --> 00:16:55,120
Speaker 1: was going to report on Sean's family, and then you

348
00:16:55,160 --> 00:16:57,160
Speaker 1: have the problem of, well, what kind of friend would

349
00:16:57,160 --> 00:16:59,800
Speaker 1: report on their like you would have that. I actually

350
00:16:59,800 --> 00:17:02,880
Speaker 1: loved the reveal that it wasn't the twist. Yeah, so

351
00:17:02,960 --> 00:17:04,760
Speaker 1: let's get into it. Let's jump into our recap because

352
00:17:04,760 --> 00:17:06,920
Speaker 1: we're getting we're getting in the weeds and we've just started.

353
00:17:07,359 --> 00:17:09,720
Speaker 1: So to start, we are in Turner's apartment. We have

354
00:17:09,760 --> 00:17:11,880
Speaker 1: a POV shot from a handheld camera, which is now

355
00:17:11,880 --> 00:17:13,840
Speaker 1: at this point just a boy meets World trope.

356
00:17:14,000 --> 00:17:16,760
Speaker 2: It is, it's so weird.

357
00:17:17,320 --> 00:17:19,520
Speaker 1: We loved it. So we see a hand knocking on

358
00:17:19,560 --> 00:17:21,879
Speaker 1: the door and Turner opens it, asking Matthews what's with

359
00:17:21,920 --> 00:17:24,240
Speaker 1: the camera, and Corey responds, well, mister William says, a

360
00:17:24,240 --> 00:17:26,359
Speaker 1: newsman always has his camera ready. You don't mind if

361
00:17:26,359 --> 00:17:28,480
Speaker 1: I keep shooting, do you? Turner says no, go ahead,

362
00:17:28,480 --> 00:17:30,040
Speaker 1: and he slams the door in his face, and then

363
00:17:30,040 --> 00:17:31,919
Speaker 1: Corey knocks on the door again, with Turner telling him

364
00:17:31,920 --> 00:17:33,760
Speaker 1: if he turns the camera off, he'll let him back in,

365
00:17:33,920 --> 00:17:37,880
Speaker 1: and Corey asks what he's hiding. Turner says, my disdain

366
00:17:38,320 --> 00:17:39,560
Speaker 1: for you, mis Dane.

367
00:17:39,840 --> 00:17:42,800
Speaker 3: I just remember him saying that this whole week too,

368
00:17:42,840 --> 00:17:46,480
Speaker 3: where it was just like, are you saying Disdane is Dane?

369
00:17:48,560 --> 00:17:53,680
Speaker 2: I don't think my disdain for you?

370
00:17:54,280 --> 00:17:55,000
Speaker 1: My disdain?

371
00:17:55,480 --> 00:17:57,240
Speaker 2: Yeah. It was a weird and fastest.

372
00:17:57,960 --> 00:18:00,400
Speaker 1: Corey sees Sean and calls out to him, but says

373
00:18:00,400 --> 00:18:02,560
Speaker 1: he's on the phone, Sean asks his dad, I was

374
00:18:02,560 --> 00:18:04,800
Speaker 1: going to celebrate his birthday, and Sean laughs and tells

375
00:18:04,840 --> 00:18:06,520
Speaker 1: the guys, Oh, he's going to the dog track with

376
00:18:06,560 --> 00:18:07,359
Speaker 1: President Clinton.

377
00:18:07,920 --> 00:18:10,840
Speaker 2: Can we talk about I'm coming from upstairs?

378
00:18:11,160 --> 00:18:13,879
Speaker 1: Yeah, like you've got your own room now part of

379
00:18:13,920 --> 00:18:14,680
Speaker 1: the set.

380
00:18:14,920 --> 00:18:18,000
Speaker 2: But like this always existing room, We've never used those

381
00:18:18,000 --> 00:18:18,680
Speaker 2: stairs before?

382
00:18:18,800 --> 00:18:19,080
Speaker 1: Wait?

383
00:18:19,440 --> 00:18:21,840
Speaker 4: Has there been stairs there? That's what I'm wondering. Have

384
00:18:22,080 --> 00:18:25,320
Speaker 4: I watched my we walk down? I was like, what

385
00:18:25,440 --> 00:18:27,280
Speaker 4: was that? Did that always exist and we just never

386
00:18:27,640 --> 00:18:29,560
Speaker 4: used it? Or did they literally add.

387
00:18:29,359 --> 00:18:32,800
Speaker 1: A Turner comes from that area? Because Turner has come

388
00:18:32,840 --> 00:18:35,160
Speaker 1: from the left side, not not the right side where

389
00:18:35,200 --> 00:18:37,520
Speaker 1: you came from. But when Turner's come from the left side,

390
00:18:37,720 --> 00:18:39,920
Speaker 1: has he had to go downstairs to come from there?

391
00:18:40,200 --> 00:18:42,280
Speaker 2: No? Are you sorry either?

392
00:18:42,359 --> 00:18:45,520
Speaker 4: But I'm coming from the right side, like from upstairs

393
00:18:45,520 --> 00:18:48,080
Speaker 4: on the right. Which I don't know if that those

394
00:18:48,080 --> 00:18:51,080
Speaker 4: stairs just appeared this episode or if they've always been

395
00:18:51,080 --> 00:18:54,280
Speaker 4: there and we've literally just never used them, which might

396
00:18:54,320 --> 00:18:56,120
Speaker 4: make me well.

397
00:18:56,280 --> 00:18:57,159
Speaker 2: This goes in with that.

398
00:18:57,320 --> 00:19:01,680
Speaker 3: Has the fake fish tank that then came in our apartment,

399
00:19:01,720 --> 00:19:03,520
Speaker 3: which is exactly the same fish tank that then was

400
00:19:03,520 --> 00:19:06,440
Speaker 3: there was now in Turner's has that always been there.

401
00:19:06,600 --> 00:19:10,040
Speaker 2: Yes, it has in that same spot. Yes, as far

402
00:19:10,080 --> 00:19:13,280
Speaker 2: as I know, fish tank.

403
00:19:13,359 --> 00:19:17,400
Speaker 3: Built upstairs right near there that we've never noticed before

404
00:19:17,400 --> 00:19:18,200
Speaker 3: because I think.

405
00:19:18,080 --> 00:19:22,480
Speaker 1: There have been stairs there. Well, you we've definitely never

406
00:19:22,640 --> 00:19:25,439
Speaker 1: used the right side, we've never used that. But I

407
00:19:25,480 --> 00:19:28,160
Speaker 1: seem to remember when Turner was in his tight tank

408
00:19:28,200 --> 00:19:30,720
Speaker 1: top and he came out, he was like coming out

409
00:19:30,720 --> 00:19:32,760
Speaker 1: from his room getting ready for something. I'm pretty sure

410
00:19:32,800 --> 00:19:35,160
Speaker 1: he came out from that left side and came down

411
00:19:35,200 --> 00:19:38,040
Speaker 1: a couple stairs. So I think the part we've never

412
00:19:38,080 --> 00:19:41,200
Speaker 1: seen before is you around like around the corner over

413
00:19:41,240 --> 00:19:42,360
Speaker 1: to the right right.

414
00:19:42,680 --> 00:19:44,120
Speaker 3: I thought that I came out and the tight tank

415
00:19:44,200 --> 00:19:46,680
Speaker 3: top from the left he did from the left side.

416
00:19:46,680 --> 00:19:49,000
Speaker 2: I think the stairs a sense of upstairs there.

417
00:19:49,400 --> 00:19:51,200
Speaker 1: There was a sense of upstairs there, but I think

418
00:19:51,200 --> 00:19:51,439
Speaker 1: it was.

419
00:19:51,480 --> 00:19:55,320
Speaker 4: Just you know, behind the couch goes up a step, definitely,

420
00:19:55,400 --> 00:19:58,080
Speaker 4: like that's slightly elevated. But I think the it's I

421
00:19:58,119 --> 00:20:00,040
Speaker 4: always thought that the implication was that the rest the

422
00:20:00,080 --> 00:20:02,560
Speaker 4: apartment was to the left and that those there were

423
00:20:02,600 --> 00:20:05,679
Speaker 4: two bedrooms down there where Shawn's bedroom and Turner's bedroom

424
00:20:05,720 --> 00:20:08,840
Speaker 4: were down there. But now we're in you know, I'm

425
00:20:08,840 --> 00:20:11,840
Speaker 4: wondering if up to the right is where Sewn actually sleeps,

426
00:20:11,880 --> 00:20:15,040
Speaker 4: like in something offt area.

427
00:20:14,280 --> 00:20:17,840
Speaker 3: That Sean sleeps on the couch because he's get a pillow,

428
00:20:18,400 --> 00:20:19,720
Speaker 3: you know, can I get a pillows?

429
00:20:19,760 --> 00:20:20,359
Speaker 2: So there wouldn't.

430
00:20:21,640 --> 00:20:23,840
Speaker 3: Turners like, I have two bedrooms, but the other one

431
00:20:23,880 --> 00:20:25,399
Speaker 3: I like to keep my clothing, so you're just going

432
00:20:25,440 --> 00:20:30,040
Speaker 3: to be on a couch. I like my helmets are

433
00:20:30,040 --> 00:20:31,160
Speaker 3: in there, so that's my helmet room.

434
00:20:31,359 --> 00:20:32,680
Speaker 2: I can't. I can't.

435
00:20:32,840 --> 00:20:32,879
Speaker 5: You.

436
00:20:33,400 --> 00:20:35,480
Speaker 1: You're welcome to stay, but not for too long. If

437
00:20:35,480 --> 00:20:36,200
Speaker 1: you catch my dad.

438
00:20:36,240 --> 00:20:38,320
Speaker 2: That's where I keep the paint that becomes my genes.

439
00:20:39,280 --> 00:20:42,600
Speaker 3: So my disdaane lives there, my disdain and x man,

440
00:20:42,920 --> 00:20:44,159
Speaker 3: I don't know disdain.

441
00:20:46,640 --> 00:20:47,120
Speaker 2: Okay.

442
00:20:47,960 --> 00:20:50,040
Speaker 1: Sean asks his dad if he's coming home soon and

443
00:20:50,080 --> 00:20:52,800
Speaker 1: tells him he really misses him. Korey asks Turner where

444
00:20:52,800 --> 00:20:55,200
Speaker 1: Sean's dad is calling from, and Turner replies he says,

445
00:20:55,280 --> 00:20:57,200
Speaker 1: Air Force one. But I have my doubts. I heard

446
00:20:57,200 --> 00:21:00,399
Speaker 1: people yelling in Spanish. Sean tells his daddy, glad to

447
00:21:00,440 --> 00:21:02,320
Speaker 1: hear he's doing so well. Chet says he has to

448
00:21:02,320 --> 00:21:04,720
Speaker 1: go because the president needs the phone, and Sean tells

449
00:21:04,760 --> 00:21:08,280
Speaker 1: Corey and Turner Yeltsin's on call waiting, Sean tries his

450
00:21:08,359 --> 00:21:11,560
Speaker 1: daddy can't wait too, and then he realizes his dad

451
00:21:11,600 --> 00:21:12,720
Speaker 1: has already hung up.

452
00:21:12,840 --> 00:21:14,040
Speaker 2: Now, can we just.

453
00:21:13,960 --> 00:21:17,600
Speaker 4: About how great of a character Chet is that he

454
00:21:17,640 --> 00:21:21,639
Speaker 4: can get this much many jokes and pathos and an

455
00:21:21,680 --> 00:21:24,520
Speaker 4: emotional moment, Yeah, without ever being on camera, and everybody

456
00:21:24,560 --> 00:21:26,600
Speaker 4: knows who he is and we are all laughing and

457
00:21:26,640 --> 00:21:29,680
Speaker 4: the whole, Like the story is propelled by a character

458
00:21:29,720 --> 00:21:31,680
Speaker 4: who doesn't even have to be on screen because it's

459
00:21:31,760 --> 00:21:34,639
Speaker 4: so well established. And that's not just because of the writing,

460
00:21:34,640 --> 00:21:37,880
Speaker 4: which was also great creating the character, but obviously Blake's performance.

461
00:21:37,960 --> 00:21:40,760
Speaker 4: It's just lodging everybody's I'm able to do an impression.

462
00:21:41,359 --> 00:21:43,320
Speaker 4: You have an impression and that's it and it gets

463
00:21:43,320 --> 00:21:46,560
Speaker 4: a laugh because everyone knows that it's it's just one

464
00:21:46,560 --> 00:21:49,080
Speaker 4: of the greatest television Like, you know, I mean, he's

465
00:21:49,080 --> 00:21:50,359
Speaker 4: only been two episodes, right.

466
00:21:50,240 --> 00:21:52,600
Speaker 3: Two episodes the whole I think he does what THEO

467
00:21:53,359 --> 00:21:54,520
Speaker 3: giving you away, right.

468
00:21:54,440 --> 00:21:55,240
Speaker 2: Mendela effect.

469
00:21:55,240 --> 00:21:57,000
Speaker 4: If you ask most people about Boy before, they would

470
00:21:57,040 --> 00:21:59,159
Speaker 4: have thought by this episode he's been on you know,

471
00:21:59,280 --> 00:22:01,000
Speaker 4: six times, does exactly well.

472
00:22:01,040 --> 00:22:03,280
Speaker 2: Same with I mean every time Danielle is not on

473
00:22:03,320 --> 00:22:05,200
Speaker 2: an episode, I'm like, are you when is this girl

474
00:22:05,280 --> 00:22:07,640
Speaker 2: part of the show. It's like, my god.

475
00:22:09,160 --> 00:22:11,280
Speaker 1: So Sean sits down and says he didn't even get

476
00:22:11,320 --> 00:22:13,760
Speaker 1: a chance to sing him happy birthday. Sean says family

477
00:22:13,840 --> 00:22:16,240
Speaker 1: is really important to the Hunters. Ched always says, where

478
00:22:16,240 --> 00:22:19,480
Speaker 1: it's family, there's a place to hide. Shawn's dad didn't

479
00:22:19,520 --> 00:22:21,040
Speaker 1: say when he'd be coming back, but he did say

480
00:22:21,040 --> 00:22:23,320
Speaker 1: he's excited to see him. Sean adds, I bet it'd

481
00:22:23,320 --> 00:22:25,240
Speaker 1: make him really happy to see how well I'm doing.

482
00:22:25,520 --> 00:22:28,520
Speaker 1: I thought that is just what a what a touching

483
00:22:28,680 --> 00:22:31,720
Speaker 1: and sweet moment where your heart goes out to Sean

484
00:22:31,760 --> 00:22:35,320
Speaker 1: that like he's doing well and he just wants his dad.

485
00:22:35,400 --> 00:22:38,399
Speaker 1: I mean, it's exactly what approval. They just want your parents'

486
00:22:38,400 --> 00:22:39,560
Speaker 1: approval all the time.

487
00:22:39,760 --> 00:22:42,480
Speaker 3: And I've said this before and I'm saying it again.

488
00:22:42,840 --> 00:22:45,880
Speaker 3: By this point, Sean is the star of the show.

489
00:22:46,640 --> 00:22:50,359
Speaker 3: This is another episode that Sean is the star of

490
00:22:50,400 --> 00:22:50,720
Speaker 3: the show.

491
00:22:50,760 --> 00:22:51,040
Speaker 2: I mean, the.

492
00:22:53,040 --> 00:22:56,520
Speaker 4: Balance it boggles my mind because I'm watching this going,

493
00:22:56,720 --> 00:22:58,159
Speaker 4: how did I not realize?

494
00:22:58,240 --> 00:23:00,720
Speaker 2: What was it like to me? Because and then.

495
00:23:00,800 --> 00:23:03,600
Speaker 4: It affects the whole show because of course, like Amy

496
00:23:03,640 --> 00:23:08,280
Speaker 4: and Alan and Feenie are basically offshoots of Eric. Now,

497
00:23:08,320 --> 00:23:10,960
Speaker 4: like the only reason we see those characters is in

498
00:23:11,000 --> 00:23:14,719
Speaker 4: the b storyline with Eric, And like, what's so funny

499
00:23:14,760 --> 00:23:17,200
Speaker 4: is that I remember feeling like I was just like

500
00:23:17,440 --> 00:23:20,160
Speaker 4: I don't know the sixth tier character on the show

501
00:23:20,280 --> 00:23:22,919
Speaker 4: still at this point, but there was no like if

502
00:23:22,960 --> 00:23:25,440
Speaker 4: I if I could go back, I would like maybe

503
00:23:25,480 --> 00:23:28,879
Speaker 4: tell my parents, like, hey, like writers, like one of

504
00:23:28,920 --> 00:23:31,520
Speaker 4: the stars of this show, maybe he should be aware

505
00:23:31,560 --> 00:23:33,679
Speaker 4: of that fact, or like because I had no clue,

506
00:23:33,760 --> 00:23:35,199
Speaker 4: I would just show up for work and I'd be like, oh,

507
00:23:35,240 --> 00:23:38,119
Speaker 4: there's a lot of lines this week, but like no awareness.

508
00:23:38,600 --> 00:23:40,159
Speaker 4: You seriously would be like how many scenes do I

509
00:23:40,200 --> 00:23:41,760
Speaker 4: have to be here for? And then when am I

510
00:23:41,840 --> 00:23:45,359
Speaker 4: going home? Instead of like having some sort of consciousness

511
00:23:45,400 --> 00:23:47,720
Speaker 4: of like what is happening, they are writing this incredibly

512
00:23:47,800 --> 00:23:49,000
Speaker 4: well developed storyline.

513
00:23:49,200 --> 00:23:52,119
Speaker 3: Yeah, have fun, kid, or like take but you're the

514
00:23:52,119 --> 00:23:53,200
Speaker 3: star of the show at this point.

515
00:23:53,480 --> 00:23:56,040
Speaker 1: It's so indicative too, of what we talk about with

516
00:23:56,200 --> 00:23:58,840
Speaker 1: week after week of doing the show, where they were

517
00:23:58,880 --> 00:24:01,680
Speaker 1: writing each episode as if it was its own little

518
00:24:01,680 --> 00:24:04,080
Speaker 1: time capsule instead of thinking about it on a whole,

519
00:24:04,320 --> 00:24:07,240
Speaker 1: and we as actors were coming into every episode thinking

520
00:24:07,280 --> 00:24:10,119
Speaker 1: about them as their own little entity. Had you looked

521
00:24:10,119 --> 00:24:13,879
Speaker 1: back and been like the character arc for Sean this

522
00:24:14,000 --> 00:24:17,399
Speaker 1: season has been this, you'd be like, this whole season

523
00:24:17,640 --> 00:24:20,680
Speaker 1: is about me and you, but you never thought about

524
00:24:20,680 --> 00:24:23,800
Speaker 1: it in terms of season or scope of show. Every

525
00:24:23,840 --> 00:24:26,040
Speaker 1: week was just what are we doing this week? What

526
00:24:26,119 --> 00:24:28,880
Speaker 1: do I say this week? So it's just so funny order.

527
00:24:28,920 --> 00:24:31,399
Speaker 4: It feels sort of like they all felt like one offs.

528
00:24:31,720 --> 00:24:33,840
Speaker 4: Every week for the most part, felt like one off.

529
00:24:34,040 --> 00:24:36,520
Speaker 4: I'm sure that that isn't true later because they definitely

530
00:24:36,520 --> 00:24:40,560
Speaker 4: had an awareness. Oh yeah, yes, But besides the Quary topanga,

531
00:24:41,040 --> 00:24:44,600
Speaker 4: which does already feel serialized, none of it, none of the.

532
00:24:45,160 --> 00:24:48,000
Speaker 1: Eric Weatherman stuff we had. Those two episodes were back

533
00:24:48,040 --> 00:24:48,439
Speaker 1: to back.

534
00:24:48,359 --> 00:24:52,119
Speaker 4: Those follows, right, I remember that felt like me and

535
00:24:52,240 --> 00:24:55,960
Speaker 4: Larissa our relationship felt serialized. But like at this point, yeah,

536
00:24:56,119 --> 00:24:58,919
Speaker 4: like recognizing that you could just pop into an episode

537
00:24:58,920 --> 00:25:01,199
Speaker 4: in the entire emotional way the episode is Sean and

538
00:25:01,240 --> 00:25:04,199
Speaker 4: his family, like that's yeah, yeah, I just had no

539
00:25:04,240 --> 00:25:06,560
Speaker 4: awareness of how big a part of the show I was.

540
00:25:06,960 --> 00:25:07,160
Speaker 2: Well.

541
00:25:07,160 --> 00:25:09,760
Speaker 1: Turner says, his dad can see how well he's doing.

542
00:25:09,840 --> 00:25:12,240
Speaker 1: Corey has his video camera. He can put Sean on tape.

543
00:25:12,359 --> 00:25:14,080
Speaker 1: Corey tells Sean, we can go down to your old

544
00:25:14,080 --> 00:25:16,280
Speaker 1: trailer park and get all your relatives on tape. I'll

545
00:25:16,280 --> 00:25:18,840
Speaker 1: shoot it. Sean loves the idea of putting the Hunter

546
00:25:18,880 --> 00:25:20,960
Speaker 1: family on tape. He says it'd be like Court TV

547
00:25:21,160 --> 00:25:23,760
Speaker 1: without the court. And then we're in the school hallway.

548
00:25:23,800 --> 00:25:26,119
Speaker 1: Corey runs through the hall telling Sean, I got a

549
00:25:26,200 --> 00:25:28,800
Speaker 1: light camera video everything we need to film your family.

550
00:25:29,040 --> 00:25:31,320
Speaker 1: Sean reminds him, when you're near my aunt Loraina, keep

551
00:25:31,320 --> 00:25:32,639
Speaker 1: your hands where she can see him, and don't reach

552
00:25:32,680 --> 00:25:35,640
Speaker 1: for anything quickly in your pocket. And then mister Williams

553
00:25:35,640 --> 00:25:38,440
Speaker 1: walks up and says, hey, Matthews. Corey responds, Hey Williams.

554
00:25:38,520 --> 00:25:40,680
Speaker 1: He gives him a weird look, and Corey ads, come

555
00:25:40,760 --> 00:25:46,159
Speaker 1: a mister A, mister Alex is so great in this scene,

556
00:25:46,400 --> 00:25:52,399
Speaker 1: so as per huge effortlessly cool, I know. Mister Williams

557
00:25:52,400 --> 00:25:54,520
Speaker 1: tells him, well, glad to see you signed out video equipment.

558
00:25:54,560 --> 00:25:57,119
Speaker 1: Guess you're entering that news contest and Sean interrupts, no,

559
00:25:57,200 --> 00:25:59,560
Speaker 1: he's actually just shooting a video for me. Corey asks

560
00:25:59,600 --> 00:26:01,960
Speaker 1: what content mister Williams is referring to, and Eli tells

561
00:26:02,000 --> 00:26:04,000
Speaker 1: him it's for high school kids all across Philly. They're

562
00:26:04,040 --> 00:26:06,240
Speaker 1: running the best story on the air. I think you

563
00:26:06,359 --> 00:26:11,280
Speaker 1: got a shot, and I buy it easily because we

564
00:26:11,320 --> 00:26:13,000
Speaker 1: have seen Corey with a camera. But this is the

565
00:26:13,000 --> 00:26:15,480
Speaker 1: first time we've really ever sort of established that Corey

566
00:26:15,520 --> 00:26:19,280
Speaker 1: loves this and that Corey's like pursuing this rightly.

567
00:26:19,480 --> 00:26:22,520
Speaker 2: No, I think I think that this is riffing on

568
00:26:22,560 --> 00:26:24,080
Speaker 2: the Janitor Butt episode.

569
00:26:23,720 --> 00:26:26,119
Speaker 1: Where her okay, that's true, which.

570
00:26:25,880 --> 00:26:28,639
Speaker 4: Was again a project for mister Williams or a news

571
00:26:28,920 --> 00:26:31,359
Speaker 4: like wanta be journalist documentary moment.

572
00:26:31,520 --> 00:26:33,600
Speaker 2: Yes, so No, I think it's pretty.

573
00:26:33,280 --> 00:26:37,320
Speaker 4: And and I I think part of why I have

574
00:26:37,359 --> 00:26:39,600
Speaker 4: mixed feelings about this episode is because that Janitor Butt

575
00:26:39,600 --> 00:26:42,199
Speaker 4: episode was so good as far as the complexity, Like,

576
00:26:42,400 --> 00:26:45,720
Speaker 4: so inserting one of those situations here with like he's

577
00:26:45,760 --> 00:26:48,240
Speaker 4: going to catch something on tape that he shouldn't have

578
00:26:48,440 --> 00:26:50,840
Speaker 4: or that has a moral question of whether he should expose,

579
00:26:51,480 --> 00:26:53,800
Speaker 4: like it just felt like rehashing and in in a

580
00:26:53,880 --> 00:26:57,320
Speaker 4: less interesting way for me, less a less complicated way

581
00:26:57,320 --> 00:26:57,560
Speaker 4: it was.

582
00:26:57,680 --> 00:27:00,159
Speaker 2: It's more sort of clear cut, like you don't you know,

583
00:27:00,320 --> 00:27:00,719
Speaker 2: I don't know.

584
00:27:00,800 --> 00:27:05,680
Speaker 4: I yeah, okay, But but no, I think it's established

585
00:27:05,680 --> 00:27:08,159
Speaker 4: that Corey is like, clearly one of wants to be

586
00:27:08,200 --> 00:27:09,960
Speaker 4: a videographer or you.

587
00:27:09,840 --> 00:27:11,879
Speaker 1: Know, is into this at least maybe an into news,

588
00:27:12,119 --> 00:27:15,600
Speaker 1: like likes the idea of news important important subjects. Well,

589
00:27:15,600 --> 00:27:17,720
Speaker 1: mister Williams tells Corey, he's pretty good with that camera.

590
00:27:17,720 --> 00:27:19,719
Speaker 1: You better get on it. It's due in two days, Seanna.

591
00:27:19,880 --> 00:27:22,320
Speaker 2: Just the worry not he is terrible with that camera.

592
00:27:22,560 --> 00:27:23,160
Speaker 2: That's awful.

593
00:27:23,520 --> 00:27:26,280
Speaker 3: Everything it's always hands help because you got to make

594
00:27:26,320 --> 00:27:28,760
Speaker 3: it look like he's doing it. Gotta make it look

595
00:27:28,840 --> 00:27:30,440
Speaker 3: like a kid's a kid's holding the camera and that

596
00:27:30,880 --> 00:27:33,440
Speaker 3: shaky kind of out of focus and it's it's like.

597
00:27:33,440 --> 00:27:35,480
Speaker 4: It's like reality bites that movie when you when you

598
00:27:35,480 --> 00:27:36,840
Speaker 4: go back and watch it, and the whole movie is

599
00:27:36,840 --> 00:27:39,120
Speaker 4: built around the fact that she's like this great documentary.

600
00:27:39,160 --> 00:27:41,119
Speaker 4: You're like, no, no, no, she's she's terrible. She's a

601
00:27:41,119 --> 00:27:44,320
Speaker 4: horrible camera person. She's getting really bad boring subjects of

602
00:27:44,320 --> 00:27:47,119
Speaker 4: spoiled rich people. This is not interesting, like go be

603
00:27:47,160 --> 00:27:49,879
Speaker 4: a good filmmaker would have maybe the story makes sense.

604
00:27:50,000 --> 00:27:52,040
Speaker 1: It could have just been great if they had said,

605
00:27:52,160 --> 00:27:54,360
Speaker 1: you've got a good you can sniff out a story

606
00:27:54,600 --> 00:27:56,280
Speaker 1: like because he because they.

607
00:27:56,320 --> 00:27:58,840
Speaker 4: Can't hide behind a garbage can and get the actual crime.

608
00:27:58,880 --> 00:28:00,919
Speaker 4: He literally walks up in the next or you know.

609
00:28:01,000 --> 00:28:03,880
Speaker 1: He also out loud, gotta get.

610
00:28:03,680 --> 00:28:08,520
Speaker 2: Closer, I gotta get closer. He's he's genuinely.

611
00:28:08,040 --> 00:28:11,920
Speaker 1: Horrible, genuine he could never be a ninja, let's put

612
00:28:11,920 --> 00:28:16,880
Speaker 1: it that way. Mister Williams tells him it's his call,

613
00:28:16,880 --> 00:28:18,760
Speaker 1: but if he gets inspired and wins a contest like this,

614
00:28:18,920 --> 00:28:21,199
Speaker 1: he's on his way. Corey smiles and says, well, I

615
00:28:21,240 --> 00:28:23,760
Speaker 1: hear yes, slap me some and Eli holds out and

616
00:28:23,840 --> 00:28:25,600
Speaker 1: he holds out his hand for Eli to high five.

617
00:28:25,840 --> 00:28:28,720
Speaker 1: Mister Williams laughs and walks away. Corey takes his unslapped

618
00:28:28,720 --> 00:28:31,520
Speaker 1: hand and he runs it through his hair. He's Alex

619
00:28:31,600 --> 00:28:35,639
Speaker 1: Day's are ladies and gentlemen. Just such a great scene.

620
00:28:36,040 --> 00:28:40,360
Speaker 1: He just amazing presence. I love every single time we'll

621
00:28:40,400 --> 00:28:43,400
Speaker 1: see him do something. It's amazing. Phoene's walking down the

622
00:28:43,400 --> 00:28:46,200
Speaker 1: stairs yelling behind. Come on, mister Matthews, don't dondle Eric

623
00:28:46,240 --> 00:28:48,680
Speaker 1: who's holding a box of things. Correct, Phoene, He's not dawdling.

624
00:28:48,720 --> 00:28:50,120
Speaker 1: He's just not wearing any underwear.

625
00:28:50,840 --> 00:28:51,560
Speaker 2: Not sure, why?

626
00:28:51,960 --> 00:28:52,320
Speaker 1: What?

627
00:28:52,320 --> 00:28:53,200
Speaker 2: What? What is that joke?

628
00:28:53,280 --> 00:28:57,280
Speaker 3: Why? Just yeah, just walking strangely because I'm going commando.

629
00:28:57,400 --> 00:28:58,440
Speaker 2: I think it's what it's supposed to be.

630
00:28:58,480 --> 00:29:00,600
Speaker 3: I think it's just more of a give me the

631
00:29:00,640 --> 00:29:03,920
Speaker 3: opportunity to do something physical more than anything.

632
00:29:03,920 --> 00:29:06,560
Speaker 2: Also, did you notice my hair's long again?

633
00:29:07,440 --> 00:29:07,680
Speaker 1: I know?

634
00:29:07,960 --> 00:29:10,520
Speaker 2: So, yeah, completely out of order.

635
00:29:10,360 --> 00:29:12,360
Speaker 1: Because like, oh, do they give you extensions?

636
00:29:12,760 --> 00:29:14,920
Speaker 2: No? I didn't get extensions until ever.

637
00:29:15,360 --> 00:29:18,120
Speaker 1: Oh okay, got it? So yeah, well, Phoene says that's

638
00:29:18,160 --> 00:29:20,000
Speaker 1: a little more than he needed to know. Eric pulls

639
00:29:20,000 --> 00:29:21,520
Speaker 1: the lamp out of the box and asks, what are

640
00:29:21,520 --> 00:29:23,800
Speaker 1: you gonna do with this junkie old lamp. Phene responds

641
00:29:23,840 --> 00:29:26,120
Speaker 1: that junkie old lamp is worth over eight hundred dollars.

642
00:29:26,520 --> 00:29:31,160
Speaker 1: Eric laughs and asks without a light bulb, pushaw. Do

643
00:29:31,200 --> 00:29:34,000
Speaker 1: you think pushaw was written in there like pushaw or

644
00:29:34,000 --> 00:29:37,520
Speaker 1: do you think it said something else and you made

645
00:29:37,560 --> 00:29:38,160
Speaker 1: it pushaw?

646
00:29:38,440 --> 00:29:38,520
Speaker 3: No?

647
00:29:38,680 --> 00:29:41,520
Speaker 2: I think it was probably written as pshaw you think so, right? Yeah?

648
00:29:41,520 --> 00:29:43,000
Speaker 3: I think that it doesn't seem like that's something I

649
00:29:43,000 --> 00:29:45,360
Speaker 3: would add. I think that was probably put in there

650
00:29:45,400 --> 00:29:46,440
Speaker 3: just like that Mike, Okay.

651
00:29:46,720 --> 00:29:47,280
Speaker 2: Yeah.

652
00:29:47,360 --> 00:29:49,200
Speaker 1: So Eric's toying around with the lamp and he tells

653
00:29:49,200 --> 00:29:51,520
Speaker 1: Phoene to bottom line him. Phoenie admits he was cleaning

654
00:29:51,560 --> 00:29:53,400
Speaker 1: out his attic when he stumbled upon a trunk that

655
00:29:53,440 --> 00:29:57,880
Speaker 1: belonged to his great aunt Fanny, and Eric asks Fanny, phoene.

656
00:29:58,320 --> 00:30:01,720
Speaker 2: They're so good all this, I remember all this.

657
00:30:03,200 --> 00:30:06,280
Speaker 4: So cute, like you know, the writers just like throughout

658
00:30:06,320 --> 00:30:08,080
Speaker 4: the name Fanny, and then they're like wait, wait what

659
00:30:08,280 --> 00:30:09,640
Speaker 4: they're like that's going in.

660
00:30:12,440 --> 00:30:15,000
Speaker 1: Phoene shakes his head and tells him don't go there.

661
00:30:15,280 --> 00:30:17,640
Speaker 1: Phoeney continues, anyway, out of curiosity, I took it to

662
00:30:17,720 --> 00:30:21,360
Speaker 1: Lankersham and sloans and Eric nods a the roofers. Phoenix says, no,

663
00:30:21,520 --> 00:30:24,480
Speaker 1: the appraisal house may invite the public to bring in

664
00:30:24,520 --> 00:30:26,480
Speaker 1: they're so called junk. Every once in a while you

665
00:30:26,560 --> 00:30:27,360
Speaker 1: find a treasure.

666
00:30:27,600 --> 00:30:28,240
Speaker 2: Little known fact.

667
00:30:28,320 --> 00:30:31,280
Speaker 4: Lankersham is a street in Los Angeles, so in the

668
00:30:31,280 --> 00:30:32,920
Speaker 4: great tradition names.

669
00:30:33,080 --> 00:30:36,360
Speaker 1: Yeah, I wonder if we'll ever get a kwanga.

670
00:30:36,880 --> 00:30:37,320
Speaker 2: I'm sure.

671
00:30:39,200 --> 00:30:41,440
Speaker 4: Don't you remember what your oh my god, that's like

672
00:30:41,480 --> 00:30:45,800
Speaker 4: the bizarro topanga would just don't you remember what your

673
00:30:45,920 --> 00:30:47,280
Speaker 4: daughter's name was supposed to be?

674
00:30:47,280 --> 00:30:49,520
Speaker 2: In the in the Future episode.

675
00:30:50,400 --> 00:30:55,240
Speaker 3: No, Beverly Glenn, Beverly Glenn, that little Beverly Glenn.

676
00:30:55,160 --> 00:30:59,200
Speaker 2: Yeah, rhymes. And also everyone would actually try and pronounce

677
00:30:59,200 --> 00:30:59,960
Speaker 2: it again.

678
00:31:02,720 --> 00:31:04,480
Speaker 1: No, they'd have to see it written out. That's the

679
00:31:04,480 --> 00:31:07,600
Speaker 1: great thing about kouangas you have no idea how it's spelled.

680
00:31:08,160 --> 00:31:10,280
Speaker 1: When you see it, you you want to spell it.

681
00:31:10,280 --> 00:31:12,080
Speaker 1: You want to phonetically spell it out, because it's c

682
00:31:12,400 --> 00:31:15,640
Speaker 1: A h U E n g A is how you

683
00:31:15,680 --> 00:31:21,000
Speaker 1: spell ka? All right? Eric asks everyday junk worth something.

684
00:31:21,040 --> 00:31:23,120
Speaker 1: Then he runs after Phoene, saying, it's a great idea.

685
00:31:23,200 --> 00:31:25,560
Speaker 1: Your junk, my junk. We'll go into business together, can't

686
00:31:25,560 --> 00:31:29,400
Speaker 1: you see it? Ericson's Phoene takes the box room him

687
00:31:29,400 --> 00:31:33,560
Speaker 1: and says, I can see why you get first billing now,

688
00:31:33,640 --> 00:31:37,240
Speaker 1: will I noticed here you're doing some really great lamping,

689
00:31:37,360 --> 00:31:38,400
Speaker 1: which is lamp acting.

690
00:31:38,480 --> 00:31:41,160
Speaker 2: Thank you. They held on me while I was lamping

691
00:31:41,200 --> 00:31:41,960
Speaker 2: at the end.

692
00:31:41,680 --> 00:31:44,120
Speaker 1: I know it was so good they couldn't break away

693
00:31:44,120 --> 00:31:45,040
Speaker 1: from you exactly.

694
00:31:45,160 --> 00:31:47,520
Speaker 3: Well, there's a whole nother scene of just me staring

695
00:31:47,520 --> 00:31:48,320
Speaker 3: at it, but they ended.

696
00:31:48,200 --> 00:31:48,720
Speaker 2: Up cutting it.

697
00:31:49,000 --> 00:31:51,800
Speaker 1: Yeah, oh, okay, scene it's to.

698
00:31:51,760 --> 00:31:53,640
Speaker 2: See in six minutes. I'm just looking at.

699
00:31:53,520 --> 00:31:59,320
Speaker 1: The six minutes seven pages. I also really like in

700
00:31:59,360 --> 00:32:02,440
Speaker 1: the scope of the Eric character. I like that this

701
00:32:02,560 --> 00:32:06,600
Speaker 1: is yet another sign that he isn't a lazy kid

702
00:32:07,080 --> 00:32:08,840
Speaker 1: like Yeah, he.

703
00:32:08,800 --> 00:32:10,520
Speaker 2: Wants to work and chase opportunities.

704
00:32:10,560 --> 00:32:13,680
Speaker 1: He's an entrepreneur like he has. He just isn't a

705
00:32:13,720 --> 00:32:19,160
Speaker 1: traditional school kid. But he loves the idea of flipping something,

706
00:32:19,600 --> 00:32:23,760
Speaker 1: digging for treasure finding, you know, today's junkin tomorrow character.

707
00:32:23,760 --> 00:32:24,840
Speaker 1: It's so great.

708
00:32:25,040 --> 00:32:26,960
Speaker 3: I also all new people like that growing up. One

709
00:32:27,000 --> 00:32:29,120
Speaker 3: of my closest friends growing up. He was the guy

710
00:32:29,120 --> 00:32:31,760
Speaker 3: who always had three businesses, even from the time or fifteen.

711
00:32:32,040 --> 00:32:33,200
Speaker 2: Yeah, he mode lawns.

712
00:32:33,240 --> 00:32:35,320
Speaker 3: He did, you know, he put out the newspaper he did,

713
00:32:35,320 --> 00:32:37,240
Speaker 3: and it was like, are you doing nine jobs and

714
00:32:37,280 --> 00:32:38,360
Speaker 3: you're fourteen years old?

715
00:32:38,560 --> 00:32:39,640
Speaker 2: We always knew people like that.

716
00:32:39,760 --> 00:32:42,480
Speaker 1: Yeah, yeah, pretty awesome. Corey and John are in the

717
00:32:42,480 --> 00:32:44,000
Speaker 1: trailer park and Shawn says they can start with his

718
00:32:44,080 --> 00:32:46,920
Speaker 1: uncle Mike. Corey will love him. Out of all his relatives,

719
00:32:46,960 --> 00:32:50,040
Speaker 1: he's easily the warmest and friendliest. Sean knocks on the

720
00:32:50,040 --> 00:32:52,160
Speaker 1: door and Mike yell's from the inside get lost. Come.

721
00:32:52,440 --> 00:32:54,680
Speaker 1: Corey tells him maybe we shouldn't bother your uncle, but

722
00:32:54,680 --> 00:32:57,080
Speaker 1: Sean responds, I think that's my aunt. He knocks again

723
00:32:57,120 --> 00:32:59,520
Speaker 1: and yells uncle Mike open up. The voice from inside

724
00:32:59,560 --> 00:33:01,160
Speaker 1: yells again and there is no Uncle Mike. I'm an

725
00:33:01,160 --> 00:33:03,920
Speaker 1: old shut in living on my pension. Go away, and

726
00:33:03,960 --> 00:33:06,400
Speaker 1: Sean responds, it's me, your nephew. Uncle Mike opens the

727
00:33:06,440 --> 00:33:08,680
Speaker 1: door and he gives Sean a big hug, calling him Shawnee.

728
00:33:09,200 --> 00:33:12,160
Speaker 1: Corey's recording the whole thing, and Mike notices, covering himself

729
00:33:12,160 --> 00:33:14,160
Speaker 1: with his hands and asks, what's with the camera? Sean,

730
00:33:14,200 --> 00:33:16,320
Speaker 1: you set me up. Sean reminds him of the video

731
00:33:16,400 --> 00:33:19,080
Speaker 1: letter he told him about, and he introduces Corey. And

732
00:33:19,160 --> 00:33:20,560
Speaker 1: I thought at first it was weird. I was like,

733
00:33:20,640 --> 00:33:22,960
Speaker 1: wait a minute, We've already met Uncle Mike. Why is

734
00:33:23,000 --> 00:33:26,200
Speaker 1: he introducing him to Corey? But then I remembered that

735
00:33:26,400 --> 00:33:28,840
Speaker 1: was from by Hook or by Crook, and not only

736
00:33:28,880 --> 00:33:32,719
Speaker 1: was Corey not in that scene. Then had Finals, he

737
00:33:32,800 --> 00:33:36,560
Speaker 1: was like barely even in the episode Motorcycle right exactly.

738
00:33:37,000 --> 00:33:38,480
Speaker 3: And then the first time he met him, he was

739
00:33:38,520 --> 00:33:40,640
Speaker 3: a different character, because I think he does meet him

740
00:33:40,640 --> 00:33:41,640
Speaker 3: in a different episode, but.

741
00:33:41,640 --> 00:33:44,800
Speaker 1: He meets him the steak delivery for TK, so this

742
00:33:44,880 --> 00:33:48,120
Speaker 1: say is yeah, so it's the first time. So Finals

743
00:33:48,200 --> 00:33:50,920
Speaker 1: kept them away from each other. Sean tells Uncle Mike

744
00:33:50,960 --> 00:33:53,120
Speaker 1: he appreciates him doing this, and Mike says, I know

745
00:33:53,160 --> 00:33:56,080
Speaker 1: how much family means to you, Shawnee. Besides, everybody here

746
00:33:56,120 --> 00:33:58,240
Speaker 1: at the Pink Flamingo Trailer Park is really excited about

747
00:33:58,240 --> 00:34:00,320
Speaker 1: being a part of it. He pauses and says, well

748
00:34:00,360 --> 00:34:03,480
Speaker 1: except for Grandpa Lewis. He got picked up. And Sean says,

749
00:34:03,600 --> 00:34:09,280
Speaker 1: police might clarifies tornado and the laughs here are super loud.

750
00:34:09,880 --> 00:34:11,919
Speaker 1: Was this was any part of this filmed in front

751
00:34:11,920 --> 00:34:13,680
Speaker 1: of the studio audience or was this a choice by

752
00:34:13,680 --> 00:34:15,640
Speaker 1: the laugh guy to make the laughs choice for the

753
00:34:15,719 --> 00:34:16,120
Speaker 1: laugh guy.

754
00:34:16,600 --> 00:34:18,680
Speaker 2: I also, I mean this is where I think the

755
00:34:18,719 --> 00:34:21,440
Speaker 2: whole episode falls apart. It's a little bit of this

756
00:34:21,480 --> 00:34:22,120
Speaker 2: is the weakest.

757
00:34:22,239 --> 00:34:25,320
Speaker 4: This is this whole section of like touring the trailer

758
00:34:25,360 --> 00:34:28,719
Speaker 4: park leading up to the joke of them all doing it, yeah,

759
00:34:28,760 --> 00:34:31,720
Speaker 4: you know, with their faces hidden and their is altered.

760
00:34:32,080 --> 00:34:35,239
Speaker 4: That's where I'm just like okay, because I think you're right, Will,

761
00:34:35,360 --> 00:34:38,920
Speaker 4: like Sean is the center of the episode, right, like

762
00:34:39,000 --> 00:34:42,239
Speaker 4: Seawan's faund and yet here it's still being played for

763
00:34:42,280 --> 00:34:45,359
Speaker 4: a joke, yes, right, and joke after joke after joke,

764
00:34:45,560 --> 00:34:48,719
Speaker 4: and it's like, okay, you can't take you can't take

765
00:34:48,840 --> 00:34:50,920
Speaker 4: Verna from Cheers and put her on screen like that

766
00:34:51,000 --> 00:34:53,680
Speaker 4: loses all the humor. Right, So, like, if you're gonna

767
00:34:53,719 --> 00:34:57,120
Speaker 4: make Sean actually like an emotional like we're supposed to

768
00:34:57,160 --> 00:34:59,279
Speaker 4: feel something about this, it should just get right to

769
00:35:00,040 --> 00:35:02,319
Speaker 4: what it's actually like in the trailer park. Or maybe

770
00:35:02,360 --> 00:35:04,080
Speaker 4: we should get to know some of these characters. Maybe

771
00:35:04,120 --> 00:35:06,439
Speaker 4: Uncle Mike shouldn't just be this one note joke over

772
00:35:06,520 --> 00:35:08,640
Speaker 4: and over again. But it keeps being this one note

773
00:35:08,719 --> 00:35:12,240
Speaker 4: joke of like they're they're criminals, they're all trailer trash

774
00:35:12,320 --> 00:35:17,600
Speaker 4: criminal too funny, it's and then it reduces Sean's emotional.

775
00:35:17,080 --> 00:35:19,120
Speaker 2: Connection to these Yeah, it should.

776
00:35:19,360 --> 00:35:21,279
Speaker 4: This is an opportunity if Sean is going to be

777
00:35:21,840 --> 00:35:24,000
Speaker 4: if this is going to be about family choosing, then

778
00:35:24,400 --> 00:35:25,680
Speaker 4: why make them dismissive?

779
00:35:25,840 --> 00:35:28,839
Speaker 1: But well, especially because how does Sean not even real

780
00:35:28,880 --> 00:35:31,759
Speaker 1: I wrote this later. How does Sean not hear himself

781
00:35:32,080 --> 00:35:36,480
Speaker 1: talking about family always being there for you when Grandma

782
00:35:36,719 --> 00:35:40,319
Speaker 1: won't even go on allegedly, or my son uncle Mike

783
00:35:40,440 --> 00:35:43,120
Speaker 1: won't do anything for him on camera, His dad and

784
00:35:43,200 --> 00:35:45,719
Speaker 1: mom are both not even there. So it is like

785
00:35:46,719 --> 00:35:48,960
Speaker 1: even for Sean, I'm going, how are you buying anything?

786
00:35:49,000 --> 00:35:50,080
Speaker 1: You're saying, yeah, you just.

787
00:35:50,080 --> 00:35:51,000
Speaker 2: Can't have it both ways.

788
00:35:51,000 --> 00:35:53,480
Speaker 4: You can either have Sean and the family be a

789
00:35:53,520 --> 00:35:56,080
Speaker 4: complete joke, which is fine, and it's mostly off camera

790
00:35:56,120 --> 00:35:58,839
Speaker 4: and therefore it's Corey's storyline. We're supposed to care about him,

791
00:35:59,040 --> 00:36:01,600
Speaker 4: but if we're supposed to have the level of like

792
00:36:02,000 --> 00:36:04,200
Speaker 4: pathos that it reaches with me and Corey at the

793
00:36:04,280 --> 00:36:06,920
Speaker 4: end where I'm making this big choice for handle, but

794
00:36:07,040 --> 00:36:09,279
Speaker 4: I never believe any of these family. I never believe

795
00:36:09,320 --> 00:36:11,759
Speaker 4: that Sean is really not the way I do with

796
00:36:11,800 --> 00:36:14,040
Speaker 4: like Chet, right, Like, yeah, exactly what you were saying,

797
00:36:14,040 --> 00:36:17,279
Speaker 4: will it should be a Chet Turner episode about you know,

798
00:36:17,400 --> 00:36:19,839
Speaker 4: recognizing that my dad may love me, but that I

799
00:36:19,880 --> 00:36:22,160
Speaker 4: also need to choose other people that are maybe better

800
00:36:22,160 --> 00:36:22,440
Speaker 4: for me.

801
00:36:22,680 --> 00:36:23,920
Speaker 2: Well, there's a perfect example.

802
00:36:23,960 --> 00:36:26,319
Speaker 3: I mean, what kind of shows exactly where they're going

803
00:36:26,320 --> 00:36:29,040
Speaker 3: to me is the tornado joke, right, because it's like

804
00:36:29,680 --> 00:36:32,400
Speaker 3: trailer park means tornado. It doesn't matter that you're in

805
00:36:32,440 --> 00:36:35,719
Speaker 3: Philadelphia where there aren't tornadoes. It's like that joke to

806
00:36:35,800 --> 00:36:37,480
Speaker 3: me is the perfect example of the way they decided

807
00:36:37,520 --> 00:36:40,480
Speaker 3: to go trailer park criminal like you can't and it's

808
00:36:40,520 --> 00:36:43,200
Speaker 3: like okay, wait, okay, all right, and so it was

809
00:36:43,239 --> 00:36:46,800
Speaker 3: more just cartoony and weird, and it was then building

810
00:36:46,840 --> 00:36:49,360
Speaker 3: one cartoony on top of another cartoony on top.

811
00:36:49,239 --> 00:36:51,560
Speaker 2: Of another cartoony and putting it on screen too.

812
00:36:51,560 --> 00:36:53,279
Speaker 4: Right, I mean, I do think that there's something too

813
00:36:53,440 --> 00:36:56,160
Speaker 4: like you have these like more over the top jokes

814
00:36:56,200 --> 00:36:58,640
Speaker 4: in dialogue or like oh my cousin Mary does this,

815
00:36:58,800 --> 00:37:01,319
Speaker 4: or my you know my aunt, and you can, but

816
00:37:01,360 --> 00:37:03,920
Speaker 4: when you actually see them as people and their extra

817
00:37:04,000 --> 00:37:06,239
Speaker 4: is not speaking, or somebody with only one line, you're

818
00:37:06,239 --> 00:37:08,879
Speaker 4: suddenly like, well, I don't know, it loses the humor

819
00:37:08,880 --> 00:37:12,319
Speaker 4: for me if it comes to go more funny and

820
00:37:12,400 --> 00:37:15,800
Speaker 4: more ridiculous. We were actually have these give these people

821
00:37:15,840 --> 00:37:18,279
Speaker 4: some some heart and have some some sun. This goes

822
00:37:18,320 --> 00:37:19,880
Speaker 4: to what Michael that what I heard Michael say that

823
00:37:19,920 --> 00:37:21,440
Speaker 4: one time. I think we talked about this on one

824
00:37:21,480 --> 00:37:24,200
Speaker 4: episode where you were talking about I was standing behind

825
00:37:24,280 --> 00:37:26,680
Speaker 4: him at the monitor and you were on screen talking

826
00:37:26,680 --> 00:37:29,440
Speaker 4: about the people at the trailer park, and Michael turned

827
00:37:29,480 --> 00:37:31,239
Speaker 4: to the other producers and went, I'm going to want

828
00:37:31,280 --> 00:37:33,560
Speaker 4: to meet these people. And so it was like they

829
00:37:33,560 --> 00:37:35,759
Speaker 4: could tell right then that they were already planning on

830
00:37:36,040 --> 00:37:37,400
Speaker 4: we got to bring some of these people on. But

831
00:37:37,440 --> 00:37:39,040
Speaker 4: I think Chad is the perfect way to meet these

832
00:37:39,320 --> 00:37:43,080
Speaker 4: ex Having this many characters, is this kind of like

833
00:37:43,200 --> 00:37:44,480
Speaker 4: Breezy tossed aside.

834
00:37:44,800 --> 00:37:48,200
Speaker 1: I think my one critique would be that we should

835
00:37:48,200 --> 00:37:50,120
Speaker 1: have just gotten to know one of them a little more,

836
00:37:50,160 --> 00:37:51,759
Speaker 1: And maybe it should have been Uncle Mike. If they

837
00:37:51,760 --> 00:37:54,319
Speaker 1: weren't going to have it be Chet, maybe Uncle Mike

838
00:37:54,480 --> 00:37:56,399
Speaker 1: should have had a little bit of a bond where

839
00:37:56,440 --> 00:37:58,120
Speaker 1: we get we get a little deeper with him and

840
00:37:58,160 --> 00:38:00,480
Speaker 1: we see him actually connect and bond with Sean. That

841
00:38:00,520 --> 00:38:03,680
Speaker 1: would be my worst start with Eddie start exactly.

842
00:38:03,800 --> 00:38:06,640
Speaker 4: And the thing about Eddie is what you mentioned earlier

843
00:38:06,640 --> 00:38:08,279
Speaker 4: is that you have to save a twist, right, so

844
00:38:08,320 --> 00:38:11,040
Speaker 4: they can't introduce Eddie as part of my family because

845
00:38:11,040 --> 00:38:13,000
Speaker 4: early ones then it ruins.

846
00:38:12,719 --> 00:38:13,680
Speaker 2: The story, the plot.

847
00:38:14,200 --> 00:38:18,880
Speaker 4: But unfortunately, introducing Eddie and my relationship with him more connected,

848
00:38:18,920 --> 00:38:21,040
Speaker 4: that we actually have a relationship, that he is a

849
00:38:21,040 --> 00:38:23,280
Speaker 4: fully dimensional character would have been great.

850
00:38:23,520 --> 00:38:26,319
Speaker 1: Yeah, I still think you could have had You could

851
00:38:26,360 --> 00:38:29,480
Speaker 1: have had a touching bonding moment with Uncle Mike that

852
00:38:29,600 --> 00:38:33,040
Speaker 1: is interrupted by Eddie, and Eddie brings in this tension

853
00:38:33,120 --> 00:38:36,799
Speaker 1: and we go, what's going on there? And Eddie could

854
00:38:36,920 --> 00:38:38,439
Speaker 1: I mean you know, Mike could have to get.

855
00:38:38,520 --> 00:38:39,319
Speaker 2: Between you and Eddie.

856
00:38:39,640 --> 00:38:41,680
Speaker 4: You can apply that like maybe Eddie always beat me

857
00:38:41,760 --> 00:38:44,480
Speaker 4: up as a kid, and therefore that's why I'm scared of.

858
00:38:44,440 --> 00:38:46,560
Speaker 2: Him, or that he's a bully.

859
00:38:46,680 --> 00:38:49,200
Speaker 3: Right, Yeah, Yeah, you didn't need the Once they got

860
00:38:49,200 --> 00:38:52,440
Speaker 3: to the grandmother and you got to the whole family

861
00:38:52,560 --> 00:38:54,000
Speaker 3: doing the thing, it was like you didn't need any

862
00:38:54,040 --> 00:38:54,160
Speaker 3: of that.

863
00:38:54,480 --> 00:38:56,240
Speaker 2: It just took it to such a weird level.

864
00:39:07,719 --> 00:39:09,839
Speaker 1: So we're still in the trailer park, Sean stands next

865
00:39:09,880 --> 00:39:11,200
Speaker 1: to an old woman and a man who's wearing a

866
00:39:11,239 --> 00:39:13,960
Speaker 1: suit and holding a briefcase. He talks to the camera, Hey, dad,

867
00:39:13,960 --> 00:39:16,280
Speaker 1: it's me standing here with Grandma Hunter and her attorney.

868
00:39:16,400 --> 00:39:19,240
Speaker 1: Since grandma's under a gag order and medication, her attorney

869
00:39:19,280 --> 00:39:22,319
Speaker 1: prepared the following statement. And then, as we've talked about

870
00:39:22,520 --> 00:39:25,080
Speaker 1: just too much it goes on, Sean holds up a

871
00:39:25,080 --> 00:39:28,160
Speaker 1: piece of paper reads to my alleged sun Chet, Happy birthday.

872
00:39:28,680 --> 00:39:32,319
Speaker 1: Corey turns off the camera and Mike tells him any

873
00:39:32,320 --> 00:39:34,640
Speaker 1: woman that can give birth to me is one tough broad.

874
00:39:34,880 --> 00:39:37,080
Speaker 1: Do you guys remember anything about this background actor they

875
00:39:37,080 --> 00:39:38,040
Speaker 1: cast as your grandmother?

876
00:39:38,840 --> 00:39:39,040
Speaker 2: No?

877
00:39:39,560 --> 00:39:41,160
Speaker 1: They there, No, I wasn't there.

878
00:39:41,160 --> 00:39:42,200
Speaker 2: That's right, you weren't there.

879
00:39:42,360 --> 00:39:43,640
Speaker 1: I'm not a part of this show.

880
00:39:43,680 --> 00:39:45,160
Speaker 2: No, you're not on boy me thrilled at all.

881
00:39:45,800 --> 00:39:47,880
Speaker 4: But now, Sean, yet somebody like this is why we

882
00:39:47,960 --> 00:39:49,680
Speaker 4: have stand ins all WEEKO because she wouldn't have shown

883
00:39:49,719 --> 00:39:51,680
Speaker 4: up until actual tape days. Yeah, and she would have

884
00:39:51,680 --> 00:39:53,880
Speaker 4: been there for a couple of hours. Yeah, that's all

885
00:39:53,920 --> 00:39:55,680
Speaker 4: week we would have been, you know, working with one

886
00:39:55,680 --> 00:39:57,799
Speaker 4: of our stand in actors pretending to be her. So yeah,

887
00:39:57,800 --> 00:40:01,359
Speaker 4: I don't cameberr because I probably only met her. Yep.

888
00:40:01,920 --> 00:40:04,080
Speaker 1: Sean thanks Corey again for doing this, and he tells him,

889
00:40:04,080 --> 00:40:06,480
Speaker 1: I've never seen my family open up like this, and

890
00:40:06,560 --> 00:40:10,160
Speaker 1: Corey clarifies, no one said anything. And again it's the

891
00:40:10,160 --> 00:40:13,680
Speaker 1: perfect thing. Sean's saying that had someone opened up, had

892
00:40:13,719 --> 00:40:16,480
Speaker 1: there been just a situation like with Mike where then

893
00:40:16,520 --> 00:40:18,719
Speaker 1: he says to Corey, I've never seen my uncle Mike

894
00:40:18,880 --> 00:40:21,200
Speaker 1: like this, it would have been really beautiful. That's my

895
00:40:21,320 --> 00:40:25,560
Speaker 1: one critique with this. Sean thanks Corey for doing this,

896
00:40:25,600 --> 00:40:27,120
Speaker 1: and he tells him, I've never seen my family open

897
00:40:27,200 --> 00:40:29,160
Speaker 1: up like this. Corey clarifies, no one said anything. Mike

898
00:40:29,200 --> 00:40:32,560
Speaker 1: tells Corey, maybe the problem lies within you. Outsider Corey

899
00:40:32,560 --> 00:40:35,439
Speaker 1: fake laughs and says it's food for thought. Sir Mike

900
00:40:35,480 --> 00:40:37,319
Speaker 1: stares at Corey and tells him I could take you.

901
00:40:37,480 --> 00:40:39,759
Speaker 1: Corey grabs Sean and walks away, telling him Uncle Mike

902
00:40:39,840 --> 00:40:43,160
Speaker 1: is insane and I in a line I absolutely love.

903
00:40:43,239 --> 00:40:45,560
Speaker 1: Sean says it was an option, but he never pleaded

904
00:40:45,600 --> 00:40:45,879
Speaker 1: that way.

905
00:40:45,960 --> 00:40:48,680
Speaker 2: He pleaded that way. I love that.

906
00:40:49,480 --> 00:40:51,359
Speaker 1: Corey admits he thinks the tape would be better if

907
00:40:51,360 --> 00:40:53,759
Speaker 1: the family talked a little more, and then Mike yells

908
00:40:53,800 --> 00:40:55,440
Speaker 1: at Corey, you want a hunter to talk, put him

909
00:40:55,440 --> 00:40:57,359
Speaker 1: in a situation where they're not afraid to talk. They

910
00:40:57,360 --> 00:40:59,560
Speaker 1: smile at each other, the boys they've got an idea

911
00:41:00,000 --> 00:41:02,360
Speaker 1: Oriel's action, and a group of Hunters appears in complete

912
00:41:02,400 --> 00:41:04,800
Speaker 1: darkness so you can't see their faces. They start to speak.

913
00:41:04,800 --> 00:41:07,799
Speaker 1: There's a voice disguiser sounds very demon like by the way.

914
00:41:08,520 --> 00:41:10,960
Speaker 1: They all say happy birthday. Chat from all the Hunters

915
00:41:11,000 --> 00:41:14,640
Speaker 1: here at this undisclosed location. Corey announceays, Okay, I'm going

916
00:41:14,680 --> 00:41:16,319
Speaker 1: to turn the camera off, all right, I'm not going

917
00:41:16,360 --> 00:41:19,680
Speaker 1: from my pockets and uh, Sean appears and tells Uncle Mike,

918
00:41:19,760 --> 00:41:21,759
Speaker 1: dad's going to get a kick out of this. Mike responds, yeah,

919
00:41:21,760 --> 00:41:24,080
Speaker 1: it was nice having the family together. Corey ads, I'll

920
00:41:24,080 --> 00:41:26,320
Speaker 1: be sure to send you a copy, and Mike questions,

921
00:41:26,320 --> 00:41:29,000
Speaker 1: why would you make copies? Corey says, you're a tall

922
00:41:29,040 --> 00:41:31,040
Speaker 1: tall man. Mike brings him in for a hug and

923
00:41:31,040 --> 00:41:33,880
Speaker 1: says thanks. He turns to Sean and tells him you're good.

924
00:41:33,920 --> 00:41:36,520
Speaker 1: You've got a good friend here. Sean looks disappointed and

925
00:41:36,520 --> 00:41:39,440
Speaker 1: says uncle Mike. He responds, hey, it fell out, and

926
00:41:39,520 --> 00:41:43,319
Speaker 1: he hands Corey back his wallet. Ah, we've seen that

927
00:41:43,400 --> 00:41:47,040
Speaker 1: joke before. It's just all of this feels like the same.

928
00:41:47,080 --> 00:41:48,759
Speaker 1: If I could do one thing to the script, I

929
00:41:48,800 --> 00:41:50,920
Speaker 1: would just cross out this entire page.

930
00:41:51,120 --> 00:41:52,959
Speaker 2: Me too, Oh, I would have rewritten the trailer partner.

931
00:41:53,840 --> 00:41:57,000
Speaker 4: Yeah, maybe it's just one want the same joke over

932
00:41:57,040 --> 00:41:59,480
Speaker 4: and over and over again, with no development.

933
00:41:59,600 --> 00:41:59,759
Speaker 2: You know.

934
00:42:00,320 --> 00:42:02,760
Speaker 3: Well, the unfortunate part about it, in the longer scheme

935
00:42:02,800 --> 00:42:06,360
Speaker 3: of things is actually this was really the first opportunity

936
00:42:06,440 --> 00:42:10,239
Speaker 3: to see where Sean came from, and you could have

937
00:42:10,280 --> 00:42:14,319
Speaker 3: done some truly amazing things with actually seeing where you've

938
00:42:14,320 --> 00:42:16,880
Speaker 3: now made them the star of the show. Why not

939
00:42:17,040 --> 00:42:19,120
Speaker 3: show what it was like for Sean to grow up?

940
00:42:19,160 --> 00:42:20,719
Speaker 3: And instead they just went cartoony.

941
00:42:20,960 --> 00:42:23,400
Speaker 4: Well mayor just start with a criminal joke and then

942
00:42:23,440 --> 00:42:25,879
Speaker 4: develop it, change it, make it, make it more.

943
00:42:26,239 --> 00:42:26,920
Speaker 2: You know, I don't know.

944
00:42:27,080 --> 00:42:28,640
Speaker 4: There's just a million ways you could have gone, but

945
00:42:28,640 --> 00:42:31,799
Speaker 4: instead it's like they just keep going back to reverting

946
00:42:31,880 --> 00:42:35,520
Speaker 4: to like stole his wallet, need to change their voices.

947
00:42:35,880 --> 00:42:36,759
Speaker 2: We don't make a copy.

948
00:42:36,960 --> 00:42:39,440
Speaker 3: It's like, there are criminal families, there are criminal families.

949
00:42:39,440 --> 00:42:42,480
Speaker 3: There are families that are you know, families of Grifter's family.

950
00:42:42,560 --> 00:42:44,080
Speaker 3: So if they wanted to go that way, they could

951
00:42:44,080 --> 00:42:45,920
Speaker 3: have done an interesting thing where Seawan is trying to

952
00:42:45,960 --> 00:42:50,040
Speaker 3: break out of an actual family that was dangerous and criminal.

953
00:42:50,080 --> 00:42:52,120
Speaker 2: They could have done that. But it's interesting though because

954
00:42:52,120 --> 00:42:53,799
Speaker 2: it is also a kids show. I get it, but

955
00:42:53,880 --> 00:42:54,600
Speaker 2: well no totally.

956
00:42:54,600 --> 00:42:56,920
Speaker 4: I mean, we're wearing the weeds of craziness now, but

957
00:42:57,400 --> 00:43:01,279
Speaker 4: of analysis over analysis yet that's a given. But I

958
00:43:01,320 --> 00:43:04,600
Speaker 4: do think it's interesting because they they you are sort

959
00:43:04,600 --> 00:43:08,240
Speaker 4: of backed in a corner because you can't make poor

960
00:43:08,400 --> 00:43:12,279
Speaker 4: person jokes, right, Like, you wouldn't want to humiliate or

961
00:43:12,320 --> 00:43:15,600
Speaker 4: make jokes about Shawn's family being poor, which is kind

962
00:43:15,600 --> 00:43:18,920
Speaker 4: of the obvious given which is the class difference between them,

963
00:43:19,080 --> 00:43:21,640
Speaker 4: and so to make them criminals is a clever way

964
00:43:22,000 --> 00:43:24,560
Speaker 4: to be able to try and get laughs show these people,

965
00:43:24,760 --> 00:43:27,239
Speaker 4: you know, because because it's not at their expense, right,

966
00:43:27,280 --> 00:43:28,920
Speaker 4: because you don't want to be laughing at their expense,

967
00:43:29,040 --> 00:43:32,759
Speaker 4: so you have to sort of make them criminals, yeah,

968
00:43:32,800 --> 00:43:35,880
Speaker 4: lovable criminals. And then it's like okay that they that

969
00:43:35,920 --> 00:43:38,040
Speaker 4: were laughing at them and their their life situation, because

970
00:43:38,040 --> 00:43:41,480
Speaker 4: otherwise their life situation way worse than the Matthews and

971
00:43:41,600 --> 00:43:44,440
Speaker 4: like for them to have like, you know, the for

972
00:43:44,480 --> 00:43:46,920
Speaker 4: the their second class citizens compared to the Matthews.

973
00:43:46,920 --> 00:43:49,080
Speaker 3: Well, they do that later with our with Ariana with

974
00:43:49,120 --> 00:43:51,319
Speaker 3: Ariana Richards when she comes on where they really show

975
00:43:51,360 --> 00:43:53,239
Speaker 3: the trailer park and she's being abused by her dad

976
00:43:53,280 --> 00:43:55,799
Speaker 3: that episode, I mean, they show all that, so it's

977
00:43:55,880 --> 00:43:57,640
Speaker 3: like it's yeah, right, Well.

978
00:43:57,480 --> 00:43:59,480
Speaker 1: Here's the whole point of this is that we've got

979
00:43:59,520 --> 00:44:03,719
Speaker 1: to get to the introduction of Eddie. So finally, Funny

980
00:44:03,760 --> 00:44:06,480
Speaker 1: Pages in a group of boys walks up to them

981
00:44:06,480 --> 00:44:09,799
Speaker 1: and says, well, look who's slumming. It's Sean. Sean acknowledges them,

982
00:44:09,840 --> 00:44:11,640
Speaker 1: and Eddie continues, I guess this is the part where

983
00:44:11,640 --> 00:44:13,879
Speaker 1: you wise up and return to the trailer park. Sean

984
00:44:13,920 --> 00:44:15,920
Speaker 1: tells him no, he's actually really happy where he is.

985
00:44:16,200 --> 00:44:18,920
Speaker 1: Eddie says, oh, yeah, suburbs where the fancy homes are

986
00:44:18,920 --> 00:44:21,120
Speaker 1: built into the ground. He looks at Corey and says,

987
00:44:21,120 --> 00:44:24,400
Speaker 1: hey built in. Cory asks me, and Eddie asks if

988
00:44:24,440 --> 00:44:27,279
Speaker 1: he's got a name. Corey responds, it's Corey, but my

989
00:44:27,400 --> 00:44:30,800
Speaker 1: karate students refer to me as doctor Payne. That's a funny,

990
00:44:31,280 --> 00:44:32,120
Speaker 1: life funny.

991
00:44:32,160 --> 00:44:34,880
Speaker 2: It's such a hole, this whole bully situa.

992
00:44:34,920 --> 00:44:37,200
Speaker 4: I mean, doesn't this could be Danny right, Like this

993
00:44:37,280 --> 00:44:40,120
Speaker 4: could just literally it's like, oh, season two starting over

994
00:44:40,200 --> 00:44:42,160
Speaker 4: again and it's babboon and it's.

995
00:44:41,960 --> 00:44:46,239
Speaker 2: Like the dialogues almost identical. It's so yep, they just

996
00:44:46,320 --> 00:44:48,000
Speaker 2: so stock. I don't know.

997
00:44:48,040 --> 00:44:50,239
Speaker 4: I kind of wanted it to have any evolution, and

998
00:44:50,239 --> 00:44:51,799
Speaker 4: I guess the little kid is pretty is a nice

999
00:44:51,840 --> 00:44:52,400
Speaker 4: little evolution.

1000
00:44:52,480 --> 00:44:53,880
Speaker 2: But otherwise I was, like, I've seen that.

1001
00:44:54,000 --> 00:44:55,880
Speaker 1: I would have loved for the little kid to be

1002
00:44:56,080 --> 00:44:59,160
Speaker 1: Eddie though, and to have the whole time just lean

1003
00:44:59,200 --> 00:45:03,719
Speaker 1: into the idea that this little kid terrifying.

1004
00:45:03,160 --> 00:45:03,800
Speaker 2: That's funny.

1005
00:45:04,000 --> 00:45:06,080
Speaker 3: That would have been the thing that amazed me was

1006
00:45:06,080 --> 00:45:07,880
Speaker 3: when he says he's eleven and he probably is eleven,

1007
00:45:08,000 --> 00:45:10,799
Speaker 3: that's how old you guys were when you started and

1008
00:45:10,880 --> 00:45:13,600
Speaker 3: watching that, look at the difference between where you are now,

1009
00:45:13,680 --> 00:45:15,160
Speaker 3: and that was amazing.

1010
00:45:15,640 --> 00:45:17,480
Speaker 2: Amazing. Yeah. Uh.

1011
00:45:17,719 --> 00:45:19,680
Speaker 1: The youngest boy from the group walks up to Corey,

1012
00:45:19,760 --> 00:45:21,720
Speaker 1: yelling at him I could take you, and Corey asks

1013
00:45:21,719 --> 00:45:24,239
Speaker 1: what are you twelve? The boy clarifies eleven and I

1014
00:45:24,239 --> 00:45:27,839
Speaker 1: can make you bark, which is a funny line. Eddie

1015
00:45:27,840 --> 00:45:29,240
Speaker 1: and the rest of the group walk over to Corey's

1016
00:45:29,239 --> 00:45:31,279
Speaker 1: camera and comment on how nice it is. Corey runs

1017
00:45:31,320 --> 00:45:33,400
Speaker 1: over and pulls it away. Eddie asks what he's doing

1018
00:45:33,440 --> 00:45:35,440
Speaker 1: at the trailer park and Sewan explains they're filming a

1019
00:45:35,520 --> 00:45:38,120
Speaker 1: video with friends and family, and Eddie says, and you

1020
00:45:38,120 --> 00:45:40,320
Speaker 1: didn't ask me to be in it? Should I be insulted?

1021
00:45:40,680 --> 00:45:43,080
Speaker 1: Corey whispers to Sean, telling him he has plenty of tape.

1022
00:45:43,200 --> 00:45:45,799
Speaker 1: Sean stops him and says no. Sean tells Eddie he's

1023
00:45:45,800 --> 00:45:47,520
Speaker 1: not bothering anybody, so why don't you and your friends

1024
00:45:47,560 --> 00:45:49,759
Speaker 1: just get lost? And Eddie tells him, no, we live here,

1025
00:45:49,840 --> 00:45:51,440
Speaker 1: you don't, so the way I see it, you and

1026
00:45:51,480 --> 00:45:56,879
Speaker 1: your friend Corky Dorky should get lost. Gorky Dorky good nickname. Yeah,

1027
00:45:57,520 --> 00:46:00,800
Speaker 1: I like that. That is a fantastic insult name. Corky

1028
00:46:00,840 --> 00:46:04,040
Speaker 1: dorky nickname. I like it, corky dorky. How have I

1029
00:46:04,080 --> 00:46:07,760
Speaker 1: never thought of that? And then Corey yells hey, actually

1030
00:46:07,880 --> 00:46:10,520
Speaker 1: a really good delivery of it. He was like, Hey,

1031
00:46:10,600 --> 00:46:14,000
Speaker 1: I'm going to stand up for myself and uh, Eddie goes, hey,

1032
00:46:14,080 --> 00:46:16,359
Speaker 1: what and Corey says, what's the fastest way out of here?

1033
00:46:16,520 --> 00:46:18,600
Speaker 1: And Sean shakes his head at Eddie and he follows

1034
00:46:18,640 --> 00:46:21,319
Speaker 1: Corey out, and then we're in the Matthew's kitchen. Eric

1035
00:46:21,360 --> 00:46:23,480
Speaker 1: walks downstairs with a box full of junk and Amy

1036
00:46:23,480 --> 00:46:26,360
Speaker 1: tells him you look filthy and he responds, yeah, filthy

1037
00:46:26,480 --> 00:46:28,560
Speaker 1: rich Alan asks why he has a box full of

1038
00:46:28,600 --> 00:46:31,279
Speaker 1: junk and Eric lets out a terrifying laugh.

1039
00:46:31,920 --> 00:46:33,880
Speaker 2: So this cackle became.

1040
00:46:34,160 --> 00:46:36,799
Speaker 3: It was originally in the script like two or three

1041
00:46:36,800 --> 00:46:39,319
Speaker 3: more times, and then they were going to cut it down,

1042
00:46:39,400 --> 00:46:42,160
Speaker 3: and then it was in the next episode real and

1043
00:46:42,200 --> 00:46:44,040
Speaker 3: I remember Michael and I having a talk where I

1044
00:46:44,040 --> 00:46:45,880
Speaker 3: was like, this shouldn't be a thing and he's like, no,

1045
00:46:45,920 --> 00:46:47,040
Speaker 3: I agree, there shouldn't be a thing.

1046
00:46:47,080 --> 00:46:48,400
Speaker 2: And so so this.

1047
00:46:48,320 --> 00:46:49,799
Speaker 3: Cackle was going to it was going to be a

1048
00:46:49,840 --> 00:46:54,080
Speaker 3: mark of yah it's going. Was like, not do that,

1049
00:46:54,400 --> 00:46:56,200
Speaker 3: and and Michael's like, no, I couldn't agree with you more.

1050
00:46:56,239 --> 00:46:57,919
Speaker 2: So, oh wow, he pulled it out.

1051
00:46:58,160 --> 00:46:59,919
Speaker 1: Oh it is. It is funny, but I could see

1052
00:46:59,920 --> 00:47:02,840
Speaker 1: how the repetition would get old very quickly.

1053
00:47:03,239 --> 00:47:05,400
Speaker 4: That's the classic sitcom thing. You try it out on

1054
00:47:05,400 --> 00:47:08,480
Speaker 4: his feet. Yeah, by the second run through, it's been

1055
00:47:08,520 --> 00:47:11,560
Speaker 4: written in ten times, and then you pull them back again.

1056
00:47:11,680 --> 00:47:13,759
Speaker 2: It's exactly what happened. You've got an experiment.

1057
00:47:13,880 --> 00:47:16,800
Speaker 1: Yeah, well, Eric tells him junk. You call these gambling

1058
00:47:16,840 --> 00:47:19,520
Speaker 1: dogs junk because he holds up a painting of dogs gambling.

1059
00:47:19,719 --> 00:47:22,359
Speaker 1: Amy wordly tells Alan to take the sharp things out

1060
00:47:22,400 --> 00:47:26,080
Speaker 1: of the box, and Rusty is drinking a dog's a

1061
00:47:26,160 --> 00:47:31,120
Speaker 1: doctor pabsay. He is the can that will still has today.

1062
00:47:31,800 --> 00:47:34,239
Speaker 1: It's so great. Eric tells him, Obviously, you guys aren't

1063
00:47:34,239 --> 00:47:37,120
Speaker 1: going to figure this out one by yourselves. And Alan questions, obviously,

1064
00:47:37,480 --> 00:47:41,960
Speaker 1: Eric says, mister Feene has googles. What is the word googles?

1065
00:47:42,000 --> 00:47:43,840
Speaker 2: Googles? Look at up googles.

1066
00:47:43,920 --> 00:47:45,440
Speaker 1: Okay, you've got googles.

1067
00:47:45,600 --> 00:47:48,040
Speaker 4: I thought you said for a second googles, and I

1068
00:47:48,120 --> 00:47:49,600
Speaker 4: was like, did google exist?

1069
00:47:50,239 --> 00:47:52,000
Speaker 2: Is that a thing?

1070
00:47:52,040 --> 00:47:54,120
Speaker 1: He said, googles of junk around his house.

1071
00:47:54,320 --> 00:47:56,840
Speaker 2: It's oodles and gobbles together.

1072
00:47:56,960 --> 00:48:00,120
Speaker 1: Maybe maybe I don't know. Well, he found out that

1073
00:48:00,160 --> 00:48:01,880
Speaker 1: some of it could be worth a ton of money,

1074
00:48:01,920 --> 00:48:07,320
Speaker 1: and then famous line alert, So I said to myself.

1075
00:48:07,520 --> 00:48:10,719
Speaker 1: Kyle Allan interrupts Kyle and Eric clarifies, that's what I

1076
00:48:10,719 --> 00:48:14,720
Speaker 1: call myself. Yeah, gosh, it's so funny.

1077
00:48:14,920 --> 00:48:16,799
Speaker 3: I have so many people say this line to me

1078
00:48:16,880 --> 00:48:18,360
Speaker 3: still to this day everywhere.

1079
00:48:18,400 --> 00:48:20,799
Speaker 1: Do you think, and this maybe is a dumb question

1080
00:48:20,800 --> 00:48:24,400
Speaker 1: because answer is maybe obviously yes. Is this the first

1081
00:48:24,440 --> 00:48:26,479
Speaker 1: time a joke like that has ever?

1082
00:48:26,960 --> 00:48:27,080
Speaker 5: Like?

1083
00:48:27,160 --> 00:48:29,319
Speaker 1: Is that the first time that's was there any sort

1084
00:48:29,360 --> 00:48:32,640
Speaker 1: of precedence for a joke like that? I love that

1085
00:48:32,760 --> 00:48:37,440
Speaker 1: idea that a character random mentions that they refer to

1086
00:48:37,480 --> 00:48:42,160
Speaker 1: themselves as something so good, so good. Oh that's what

1087
00:48:42,200 --> 00:48:44,200
Speaker 1: I call myself. Like, I love that idea.

1088
00:48:44,239 --> 00:48:45,280
Speaker 2: I must have just been lightning.

1089
00:48:45,480 --> 00:48:46,840
Speaker 4: It must have been one of those moments in the

1090
00:48:47,040 --> 00:48:49,720
Speaker 4: either the writers, we were on the page, or somebody

1091
00:48:49,840 --> 00:48:53,920
Speaker 4: was just like, it's a most predictable line, Like I

1092
00:48:53,920 --> 00:48:56,759
Speaker 4: said to myself, Eric, he calls himself something up.

1093
00:48:56,800 --> 00:48:59,400
Speaker 1: Oh my gosh, it's so funny. I love it. I

1094
00:48:59,440 --> 00:49:02,120
Speaker 1: literally can't get over it. I love those moments of

1095
00:49:02,200 --> 00:49:04,560
Speaker 1: something that seems so simple and you're like, well, how

1096
00:49:04,560 --> 00:49:07,640
Speaker 1: did every every person not come up with that? Some

1097
00:49:07,760 --> 00:49:10,160
Speaker 1: genius who came up with that one moment? It's enough?

1098
00:49:10,880 --> 00:49:12,560
Speaker 2: Who's a credited writer on this episode?

1099
00:49:12,680 --> 00:49:14,840
Speaker 1: Blutman and Busket, Yeah.

1100
00:49:14,680 --> 00:49:15,840
Speaker 2: I have no idea. I wonder if that was a

1101
00:49:15,880 --> 00:49:16,800
Speaker 2: Michael could.

1102
00:49:16,600 --> 00:49:20,800
Speaker 1: We could probably talk to Blutman? He might, so, he continues,

1103
00:49:20,840 --> 00:49:23,120
Speaker 1: So I said, Kyle, you should get under this bandwagon

1104
00:49:23,160 --> 00:49:25,440
Speaker 1: and make some money by cleaning out that room of yours.

1105
00:49:25,560 --> 00:49:27,919
Speaker 1: Amy tells them mister Feene's collectibles are from all over

1106
00:49:27,960 --> 00:49:30,920
Speaker 1: the world. Alan stops her and says, no, Eric might

1107
00:49:30,960 --> 00:49:33,440
Speaker 1: be onto something here. He tells them the garage and

1108
00:49:33,480 --> 00:49:36,359
Speaker 1: the attic, they're chock full of undiscovered treasures. Why don't

1109
00:49:36,360 --> 00:49:38,200
Speaker 1: you go clean them out and see what you can find.

1110
00:49:39,040 --> 00:49:40,800
Speaker 1: Eric asks if they'd really let him clean out the

1111
00:49:40,840 --> 00:49:42,880
Speaker 1: garage and the attic. Amy and Allen look at each other.

1112
00:49:42,920 --> 00:49:45,680
Speaker 1: They do an exaggerated shrug, and Amy says, whatever makes

1113
00:49:45,719 --> 00:49:48,120
Speaker 1: you and Kyle happy?

1114
00:49:48,200 --> 00:49:50,680
Speaker 2: Right there? Big boom alert? Did you guys see the

1115
00:49:50,680 --> 00:49:53,799
Speaker 2: boom dropped down? Just drops.

1116
00:49:55,920 --> 00:49:59,080
Speaker 1: At all Man, So for our dear listeners. You may

1117
00:49:59,080 --> 00:50:01,239
Speaker 1: have seen it on other show or even on our show.

1118
00:50:01,360 --> 00:50:05,279
Speaker 1: The audio is picked up by booms overhead. They're big

1119
00:50:05,280 --> 00:50:07,960
Speaker 1: microphones that hang overhead, and they are supposed to just

1120
00:50:08,000 --> 00:50:10,800
Speaker 1: like the sharpie is right now. They're supposed to be

1121
00:50:11,280 --> 00:50:14,560
Speaker 1: out of the camera frame. But still every now and

1122
00:50:14,600 --> 00:50:17,839
Speaker 1: then you get a boom in the shot and you can.

1123
00:50:17,960 --> 00:50:20,560
Speaker 1: The great thing is that during editing you can just

1124
00:50:20,719 --> 00:50:23,800
Speaker 1: zoom in a little bit on the picture. You can

1125
00:50:23,840 --> 00:50:28,439
Speaker 1: now you couldn't then Oh wow, what okay? So now

1126
00:50:28,440 --> 00:50:29,880
Speaker 1: you can kind of get it out of there. But

1127
00:50:30,200 --> 00:50:31,759
Speaker 1: back then it was a it was a big deal.

1128
00:50:32,880 --> 00:50:35,160
Speaker 3: I loved Rusty in this episode. Rusty and Betsy too.

1129
00:50:35,360 --> 00:50:37,560
Speaker 3: Oh yeah, the kind of it's.

1130
00:50:38,040 --> 00:50:41,919
Speaker 2: One off and it's ball and they're awesome. So they're great. Yeah,

1131
00:50:41,920 --> 00:50:42,919
Speaker 2: I loved it.

1132
00:50:42,960 --> 00:50:45,000
Speaker 1: So Corey and Sean walk in. Corey tells his parents

1133
00:50:45,000 --> 00:50:47,000
Speaker 1: they're going to Sean's to watch a tape. Sean is

1134
00:50:47,040 --> 00:50:48,400
Speaker 1: carrying a box with a few items in it and

1135
00:50:48,480 --> 00:50:50,600
Speaker 1: Eric stops him. Eric asks Sean what's in the box,

1136
00:50:50,680 --> 00:50:52,400
Speaker 1: and Sean tells him just some junk I picked up

1137
00:50:52,400 --> 00:50:54,279
Speaker 1: at the trailer park. Eric looks at the box and

1138
00:50:54,280 --> 00:50:55,799
Speaker 1: tells him I'll give you a thirty bucks for that

1139
00:50:55,800 --> 00:50:59,080
Speaker 1: pink flamingo. Sean says sure. Eric takes the flamingo and

1140
00:50:59,080 --> 00:51:01,080
Speaker 1: hand Sean's the money as he laughs and calls him

1141
00:51:01,080 --> 00:51:01,600
Speaker 1: a sucker.

1142
00:51:01,960 --> 00:51:03,440
Speaker 2: Why is Sean stuff?

1143
00:51:04,200 --> 00:51:06,040
Speaker 1: I guess why you want? It?

1144
00:51:06,080 --> 00:51:07,040
Speaker 2: Doesn't make any sense.

1145
00:51:07,160 --> 00:51:09,040
Speaker 4: Why is it upstairs and I'm coming out or I'm

1146
00:51:09,120 --> 00:51:10,839
Speaker 4: leaving with I don't know why.

1147
00:51:10,480 --> 00:51:14,319
Speaker 3: It doesn't I didn't understand decided to for this flamingo joke,

1148
00:51:15,080 --> 00:51:16,480
Speaker 3: which also is not that great a joke.

1149
00:51:17,400 --> 00:51:18,279
Speaker 1: Not that great of a joke.

1150
00:51:18,560 --> 00:51:21,760
Speaker 2: Is flamingo? Does that mean you swing?

1151
00:51:23,280 --> 00:51:25,960
Speaker 3: What isn't that one of the things you're supposed to,

1152
00:51:26,000 --> 00:51:28,359
Speaker 3: like put in front of your house or in front

1153
00:51:28,360 --> 00:51:30,080
Speaker 3: of your trailer to show that you swing.

1154
00:51:30,600 --> 00:51:34,040
Speaker 1: We don't know the answer to this question.

1155
00:51:33,920 --> 00:51:36,480
Speaker 2: But I don't either, which is why I'm it.

1156
00:51:36,560 --> 00:51:38,879
Speaker 1: But where have you even heard of something like that?

1157
00:51:39,320 --> 00:51:40,880
Speaker 2: Like a thing? Isn't it? Isn't it? Okay?

1158
00:51:40,880 --> 00:51:44,160
Speaker 3: First of all, swing, that's just me disappointing a number

1159
00:51:44,160 --> 00:51:47,000
Speaker 3: of women at the same time, So let's.

1160
00:51:46,800 --> 00:51:48,960
Speaker 2: Get that right out into the swinging doesn't apply that

1161
00:51:49,000 --> 00:51:51,120
Speaker 2: you're doing it at the same time. Swinging could just be.

1162
00:51:51,719 --> 00:51:54,240
Speaker 1: Disappointing disappointing more women.

1163
00:51:54,800 --> 00:52:02,120
Speaker 2: Exactly. Yeah, yeah, so wait, flamingo, I'm googling. The Flamingo's

1164
00:52:02,200 --> 00:52:03,959
Speaker 2: just an association with different.

1165
00:52:03,600 --> 00:52:05,960
Speaker 1: The trailer park is called the flink, the pink flamingo

1166
00:52:06,000 --> 00:52:08,480
Speaker 1: trailer park. So it's a representation of where you live,

1167
00:52:08,520 --> 00:52:10,080
Speaker 1: which is why you took it home with you. I

1168
00:52:10,080 --> 00:52:11,120
Speaker 1: guess I don't know.

1169
00:52:11,440 --> 00:52:13,759
Speaker 3: They think, Yeah, okay, it's used. It used to be

1170
00:52:13,760 --> 00:52:16,160
Speaker 3: a symbol to show your hospitality and morphed from there.

1171
00:52:16,239 --> 00:52:19,440
Speaker 3: Today the pink flamingo meaning is used as an indicator

1172
00:52:19,480 --> 00:52:20,640
Speaker 3: of a swinging lifestyle.

1173
00:52:21,600 --> 00:52:26,040
Speaker 1: Wow. Well listen, I mean I've.

1174
00:52:25,880 --> 00:52:26,239
Speaker 4: Heard of it.

1175
00:52:26,400 --> 00:52:27,720
Speaker 2: This was just in something.

1176
00:52:27,719 --> 00:52:30,040
Speaker 3: This was just in a big movie or in something

1177
00:52:30,080 --> 00:52:33,520
Speaker 3: like that where they show up at a place where

1178
00:52:33,560 --> 00:52:35,640
Speaker 3: she's like, oh no, they're the nicest people in the world,

1179
00:52:35,680 --> 00:52:38,520
Speaker 3: and they have these flamingos and pineapples out front. It's like,

1180
00:52:38,560 --> 00:52:41,200
Speaker 3: I think that that's another one. And the guy's like, wait,

1181
00:52:41,280 --> 00:52:42,520
Speaker 3: what that means?

1182
00:52:42,520 --> 00:52:43,919
Speaker 2: They swing? And so apparently that's.

1183
00:52:43,920 --> 00:52:46,719
Speaker 3: The door and exactly, So that was like the big

1184
00:52:46,800 --> 00:52:48,680
Speaker 3: joke is that? So I knew I was right about that.

1185
00:52:48,719 --> 00:52:53,080
Speaker 3: So you're a giant swinging lifestyle trailer Okay, okay.

1186
00:52:53,800 --> 00:52:56,200
Speaker 1: So then we're back in Turner's apartment. Cory and Seawn

1187
00:52:56,200 --> 00:52:57,920
Speaker 1: are watching the film, and we hear Sean say so

1188
00:52:57,960 --> 00:53:00,200
Speaker 1: happy birthday, Dad, and as they say, here at the

1189
00:53:00,200 --> 00:53:03,160
Speaker 1: Pink Flamingo trailer park, hey, your house is on my lawn.

1190
00:53:03,560 --> 00:53:06,600
Speaker 1: Corey pauses and apologizes, saying that guy Eddie walked through

1191
00:53:06,600 --> 00:53:09,200
Speaker 1: the shot. Corey explains, I didn't say anything seeing has

1192
00:53:09,239 --> 00:53:11,960
Speaker 1: how that scary eleven year old was with him, which

1193
00:53:12,320 --> 00:53:16,560
Speaker 1: makes no sense because we left after meeting Eddie, so

1194
00:53:16,600 --> 00:53:17,719
Speaker 1: this footage couldn't have.

1195
00:53:17,640 --> 00:53:20,279
Speaker 2: Been from and it's also Eddie.

1196
00:53:21,400 --> 00:53:24,320
Speaker 3: Eddie walks perfectly in the background while holding a computer

1197
00:53:24,560 --> 00:53:26,960
Speaker 3: while you guys are shooting something that he didn't know

1198
00:53:27,080 --> 00:53:27,880
Speaker 3: he was invited.

1199
00:53:28,200 --> 00:53:30,880
Speaker 2: The whole thing made knows. It was like, okay, yeah, that's.

1200
00:53:30,680 --> 00:53:33,160
Speaker 1: Just kind of like, couldn't this have because I didn't

1201
00:53:33,160 --> 00:53:34,920
Speaker 1: think about that, right, or couldn't this have been shot

1202
00:53:34,920 --> 00:53:36,960
Speaker 1: though before Eddie walked up and introduced himself?

1203
00:53:36,960 --> 00:53:38,719
Speaker 2: But then why is he scared of the eleven year old?

1204
00:53:39,760 --> 00:53:40,520
Speaker 1: Right right?

1205
00:53:40,560 --> 00:53:41,960
Speaker 2: I didn't say he would have just said, hey, can

1206
00:53:41,960 --> 00:53:43,200
Speaker 2: we get these guys with their computers?

1207
00:53:43,360 --> 00:53:45,360
Speaker 4: But he was already he knew who Eddie was and

1208
00:53:45,480 --> 00:53:48,080
Speaker 4: was scared of the eleven year old but hadn't met

1209
00:53:48,120 --> 00:53:48,840
Speaker 4: him yet.

1210
00:53:48,960 --> 00:53:50,080
Speaker 2: And then we left.

1211
00:53:50,239 --> 00:53:53,919
Speaker 1: Well, well, and I do think I'm realizing they did

1212
00:53:54,000 --> 00:53:55,880
Speaker 1: add that line, which didn't really make a whole lot

1213
00:53:55,920 --> 00:53:57,879
Speaker 1: of sense in the other scene. Come on, Sean, We've

1214
00:53:57,880 --> 00:54:01,480
Speaker 1: already got plenty of tape, so they they wanted it.

1215
00:54:01,640 --> 00:54:03,520
Speaker 1: They tried to fill in the holes, like you guys

1216
00:54:03,560 --> 00:54:04,840
Speaker 1: had been recording.

1217
00:54:04,560 --> 00:54:05,520
Speaker 2: Shooting a bunch of stuff.

1218
00:54:05,560 --> 00:54:06,640
Speaker 1: Shooting a bunch of stuff.

1219
00:54:06,760 --> 00:54:09,000
Speaker 2: It's not rigorous storytelling.

1220
00:54:10,080 --> 00:54:14,960
Speaker 1: Although do we I'm not sure we need rigorous storytelling

1221
00:54:15,200 --> 00:54:17,240
Speaker 1: in every Boy Meets World episode.

1222
00:54:17,280 --> 00:54:20,720
Speaker 2: Sure, but it's also not a romp like there's nobody.

1223
00:54:23,560 --> 00:54:25,879
Speaker 1: Sometimes. I think what Boy Meets World struggles with is

1224
00:54:27,239 --> 00:54:32,600
Speaker 1: the ability to we have at times tackled very big

1225
00:54:32,680 --> 00:54:36,719
Speaker 1: subject matter in a very simple way, and then sometimes

1226
00:54:37,080 --> 00:54:41,319
Speaker 1: we over complicate what should be a very simple thing.

1227
00:54:41,520 --> 00:54:45,279
Speaker 1: And in this case, it sounds like we're over complicating it.

1228
00:54:45,360 --> 00:54:47,600
Speaker 1: But really it feels like they were like, well, how

1229
00:54:47,640 --> 00:54:49,400
Speaker 1: do we do this. Let's throwin another character, Well, how

1230
00:54:49,400 --> 00:54:50,960
Speaker 1: do we do this, Let's have this joke machine of

1231
00:54:50,960 --> 00:54:53,359
Speaker 1: all these different characters, and really, had they just said

1232
00:54:53,800 --> 00:54:56,719
Speaker 1: we need we need Sean to have a connection to

1233
00:54:56,760 --> 00:55:01,120
Speaker 1: his family. Let's not bring in too many extra people

1234
00:55:01,200 --> 00:55:03,200
Speaker 1: like I think this, this could have, this could have

1235
00:55:03,280 --> 00:55:05,160
Speaker 1: This episode could have been helped a little by pairing

1236
00:55:05,200 --> 00:55:05,920
Speaker 1: it back.

1237
00:55:06,120 --> 00:55:10,480
Speaker 4: Yes, yeah, I agree, And the conflict ultimately is between

1238
00:55:10,520 --> 00:55:13,239
Speaker 4: Corey Sean, right correct. Yeah, So to spend all this

1239
00:55:13,360 --> 00:55:16,440
Speaker 4: time developing a new character to be Sean's family, to

1240
00:55:16,480 --> 00:55:18,719
Speaker 4: have that twist, to have that, I just I think

1241
00:55:18,719 --> 00:55:20,759
Speaker 4: it would. Yeah. It could have been a leaner, meaner,

1242
00:55:21,200 --> 00:55:23,800
Speaker 4: and and probably more rigorous episode.

1243
00:55:23,920 --> 00:55:26,520
Speaker 1: Yeah, we could have trimmed the fat a little, because what.

1244
00:55:26,440 --> 00:55:27,920
Speaker 3: You remember from this at the end of the day

1245
00:55:28,000 --> 00:55:31,239
Speaker 3: is Phoene's line and the advice that he gives, which

1246
00:55:31,280 --> 00:55:34,240
Speaker 3: is so profound and amazing, and there's just this.

1247
00:55:34,080 --> 00:55:36,000
Speaker 2: Better way to do it. Well, that's the fifth That's

1248
00:55:36,040 --> 00:55:38,080
Speaker 2: what I.

1249
00:55:37,200 --> 00:55:38,160
Speaker 1: Can't wait to get there.

1250
00:55:38,320 --> 00:55:39,880
Speaker 2: I can't remember most about this week.

1251
00:55:51,600 --> 00:55:54,160
Speaker 1: So Corey notices Eddie is carrying a computer in the background.

1252
00:55:54,160 --> 00:55:56,120
Speaker 1: Corey says, what do you know the guy's a closet nerd.

1253
00:55:56,320 --> 00:55:58,600
Speaker 1: Sean says, or maybe it's not his. Corey puts two

1254
00:55:58,600 --> 00:56:00,960
Speaker 1: and two together and realizes it must be stolen. He says,

1255
00:56:01,000 --> 00:56:02,960
Speaker 1: I have it on tape. This is great Sean wants

1256
00:56:03,000 --> 00:56:05,360
Speaker 1: to know why that's great, and Corey mentions the news contest.

1257
00:56:05,680 --> 00:56:07,520
Speaker 1: Sean stops him and says, wait, we went there to

1258
00:56:07,520 --> 00:56:09,680
Speaker 1: film my family, not win you some news award, and

1259
00:56:09,719 --> 00:56:11,920
Speaker 1: Corey responds, you got your video, I got my hot story.

1260
00:56:12,080 --> 00:56:14,320
Speaker 1: Sean tells him do me a favor forget about the tape.

1261
00:56:14,400 --> 00:56:16,320
Speaker 1: Corey laughs and says, come on, give me a reason.

1262
00:56:16,560 --> 00:56:18,400
Speaker 1: Sean says he doesn't have to just drop it and

1263
00:56:18,440 --> 00:56:21,040
Speaker 1: go home. Corey says he's not going anywhere without his tape,

1264
00:56:21,040 --> 00:56:22,719
Speaker 1: and Sean asks, you want it, and he starts to

1265
00:56:22,800 --> 00:56:25,600
Speaker 1: rip the film out of the tape, ruining all the footage.

1266
00:56:25,880 --> 00:56:27,680
Speaker 1: Corey yells at him, saying he has no right to

1267
00:56:27,719 --> 00:56:29,640
Speaker 1: do that. Sean says it's his family, he can do

1268
00:56:29,680 --> 00:56:31,879
Speaker 1: whatever he wants, and Corey says, that's the last time

1269
00:56:31,880 --> 00:56:34,040
Speaker 1: I do you a favor, hunter and he storms out

1270
00:56:34,040 --> 00:56:37,640
Speaker 1: of the apartment. And because I didn't great scene, but

1271
00:56:37,680 --> 00:56:40,560
Speaker 1: because I didn't know the twist, I was like, why

1272
00:56:40,640 --> 00:56:43,480
Speaker 1: is everybody overreacting? How did we go to like a

1273
00:56:43,520 --> 00:56:47,120
Speaker 1: two hundred? Here? First of all, Corey is grabbing you

1274
00:56:47,200 --> 00:56:52,200
Speaker 1: by the arm, settled down a man. But then also

1275
00:56:52,480 --> 00:56:54,560
Speaker 1: I was like why Like it bums me out that

1276
00:56:54,640 --> 00:56:59,479
Speaker 1: Sean ripped up the tape because I could tell Sean

1277
00:56:59,520 --> 00:57:04,200
Speaker 1: wanted that tape. I knew Sean, Yeah, I want he

1278
00:57:04,280 --> 00:57:08,319
Speaker 1: wanted that. Why not just explain himself a little bit more.

1279
00:57:08,400 --> 00:57:10,520
Speaker 1: Even if he doesn't come right out and say that's

1280
00:57:10,600 --> 00:57:14,920
Speaker 1: my brother and I'm protecting my family, he could have said, listen,

1281
00:57:15,640 --> 00:57:19,120
Speaker 1: quirky dorky, you are gonna get your butt handed to

1282
00:57:19,280 --> 00:57:23,000
Speaker 1: you by these guys and you cannot do this. You

1283
00:57:23,040 --> 00:57:24,720
Speaker 1: think do you think you're gonna win a news award?

1284
00:57:24,720 --> 00:57:26,440
Speaker 1: You're gonna win a news award and you're gonna be

1285
00:57:26,440 --> 00:57:29,640
Speaker 1: buried six feet underground when when that happened, thought so,

1286
00:57:29,680 --> 00:57:30,480
Speaker 1: I just thought there.

1287
00:57:30,320 --> 00:57:32,080
Speaker 4: Would have been a better argument on corus eye, which

1288
00:57:32,120 --> 00:57:34,160
Speaker 4: is it's the right thing to do, like these people

1289
00:57:34,160 --> 00:57:37,640
Speaker 4: are breaking the stealing something. But the fact that he's

1290
00:57:37,680 --> 00:57:39,680
Speaker 4: fighting for awards so aggressively, and it could have just

1291
00:57:39,680 --> 00:57:41,600
Speaker 4: been a simple line of like, Sean, no.

1292
00:57:41,680 --> 00:57:44,080
Speaker 2: We have to do this, like we have diffidence of

1293
00:57:44,120 --> 00:57:45,240
Speaker 2: a crime and that.

1294
00:57:45,320 --> 00:57:48,720
Speaker 4: Guy Eddie is obviously a bully, like he treated us horribly,

1295
00:57:48,760 --> 00:57:49,480
Speaker 4: like why.

1296
00:57:49,280 --> 00:57:51,320
Speaker 2: Are you protecting and you know, but the problem is we.

1297
00:57:51,280 --> 00:57:53,600
Speaker 4: Have to save the twist again, like exactly, and I'm

1298
00:57:53,640 --> 00:57:55,040
Speaker 4: not sure that the twist is worth it, like it

1299
00:57:55,040 --> 00:57:56,160
Speaker 4: could have just the conflict.

1300
00:57:56,360 --> 00:57:58,640
Speaker 1: I disagree with you, I disagree with you.

1301
00:57:58,680 --> 00:58:00,600
Speaker 3: It's also but it's also the kid thing to do

1302
00:58:00,680 --> 00:58:03,960
Speaker 3: when you're fourteen years old. You're thinking about the accolades,

1303
00:58:04,000 --> 00:58:05,080
Speaker 3: What am I going to get from this? How am

1304
00:58:05,080 --> 00:58:07,040
Speaker 3: I get You're not thinking about doing the right moral thing.

1305
00:58:07,080 --> 00:58:09,320
Speaker 3: It's like, ooh, I could win that contest, right, yeah,

1306
00:58:09,360 --> 00:58:10,920
Speaker 3: I mean that's kind of a very real thing when

1307
00:58:10,920 --> 00:58:12,840
Speaker 3: you're a kid, where it's it's you know, it's just

1308
00:58:12,920 --> 00:58:15,560
Speaker 3: the intensity, right, It's just like you win a contest.

1309
00:58:15,600 --> 00:58:17,640
Speaker 2: No, you can't, don't do that. That's Eddie. He lives

1310
00:58:17,640 --> 00:58:20,320
Speaker 2: in my trailer park. It kind of diffuses attention. But

1311
00:58:20,600 --> 00:58:22,600
Speaker 2: we instead we have everybody kind of overreacting.

1312
00:58:22,720 --> 00:58:25,240
Speaker 3: Corey and Sean can go from zero to ten like that,

1313
00:58:25,480 --> 00:58:27,920
Speaker 3: like the emotional emotional hair triggers.

1314
00:58:28,200 --> 00:58:30,320
Speaker 2: And he just asked the panga as he breaks into

1315
00:58:30,320 --> 00:58:30,960
Speaker 2: our room at night.

1316
00:58:31,800 --> 00:58:33,720
Speaker 1: Then we're in the school hallway. Sean walks up to

1317
00:58:33,720 --> 00:58:35,400
Speaker 1: Corey saying his dad called from the White House. He

1318
00:58:35,440 --> 00:58:37,680
Speaker 1: got to use the oval toilet. Corey says he wants

1319
00:58:37,680 --> 00:58:40,160
Speaker 1: an explanation. Sean asks if it's about the tape. He

1320
00:58:40,200 --> 00:58:42,800
Speaker 1: says he's sorry, but Corey tells him that's not an explanation.

1321
00:58:43,120 --> 00:58:44,919
Speaker 1: He wants to know, why did you rip up my tape?

1322
00:58:44,960 --> 00:58:47,240
Speaker 1: And Sean says it just happened, okay. Corey tells him

1323
00:58:47,240 --> 00:58:48,200
Speaker 1: I caught those guys.

1324
00:58:48,560 --> 00:58:50,680
Speaker 2: It's his tape. Sewan apologize.

1325
00:58:50,720 --> 00:58:53,720
Speaker 4: This is like, I know, Coory is really tough, like no,

1326
00:58:54,280 --> 00:58:57,160
Speaker 4: like you have to explain it, and.

1327
00:58:57,120 --> 00:59:01,920
Speaker 1: It's like really yeah, like he knows. Being very he's apology.

1328
00:59:01,960 --> 00:59:04,160
Speaker 4: He's like, I'm sorry I ripped I'm sorry. Yeah, like

1329
00:59:04,200 --> 00:59:06,240
Speaker 4: it was for his family. It's like, thanks for doing that,

1330
00:59:06,320 --> 00:59:08,160
Speaker 4: core butt anymore.

1331
00:59:08,320 --> 00:59:10,760
Speaker 3: Yeah, with all this going on, the only thing I

1332
00:59:10,800 --> 00:59:12,800
Speaker 3: was thinking about the entire time was.

1333
00:59:13,840 --> 00:59:15,200
Speaker 2: Is there an oval toilet?

1334
00:59:16,680 --> 00:59:19,280
Speaker 3: Seriously, like, is there a private bathroom for just the

1335
00:59:19,320 --> 00:59:20,360
Speaker 3: president when you're there?

1336
00:59:20,400 --> 00:59:22,440
Speaker 2: There's got to be right, and I'm sure is it

1337
00:59:22,480 --> 00:59:24,080
Speaker 2: off the wall? What does it look like?

1338
00:59:24,120 --> 00:59:24,240
Speaker 5: Now?

1339
00:59:24,280 --> 00:59:25,160
Speaker 2: That's all it was in my.

1340
00:59:25,080 --> 00:59:28,800
Speaker 1: Home, It's written, Can you imagine?

1341
00:59:32,240 --> 00:59:32,439
Speaker 2: Yes?

1342
00:59:32,480 --> 00:59:37,200
Speaker 1: Exactly, Yes, Corey says, I caught those guys on tape

1343
00:59:37,200 --> 00:59:39,600
Speaker 1: stealing computers. I could have won an award or something.

1344
00:59:39,640 --> 00:59:41,600
Speaker 1: And here is another opportunity for him to have said

1345
00:59:41,600 --> 00:59:44,160
Speaker 1: it was our duty or our responsibility to turn them in.

1346
00:59:44,480 --> 00:59:46,440
Speaker 1: Sean responds, I was doing you a favor and he

1347
00:59:46,480 --> 00:59:49,200
Speaker 1: walks away. Corey grabs Sean's arm and says, I think

1348
00:59:49,240 --> 00:59:52,800
Speaker 1: it bothers you that I've finally found something I'm good at.

1349
00:59:52,960 --> 00:59:55,760
Speaker 1: And I was like, what weird? Oh, leap, is this

1350
00:59:55,920 --> 00:59:59,080
Speaker 1: that you're jealous of me? That that has never that's

1351
00:59:59,120 --> 01:00:01,200
Speaker 1: never been a thing in their friendship? Really, so I

1352
01:00:01,240 --> 01:00:04,880
Speaker 1: thought I thought that was just weird. And now we're

1353
01:00:04,920 --> 01:00:08,360
Speaker 1: back to being it from zero to one hundred. And

1354
01:00:08,400 --> 01:00:10,680
Speaker 1: he's grabbing a Sean's arm and he's in his face,

1355
01:00:10,720 --> 01:00:13,120
Speaker 1: and Seawan glare is at Corey and tells him, I

1356
01:00:13,120 --> 01:00:15,120
Speaker 1: think you should shut up and let go of me

1357
01:00:15,280 --> 01:00:17,560
Speaker 1: right now. Corey jils, why are you acting like I

1358
01:00:17,560 --> 01:00:18,640
Speaker 1: did something to you.

1359
01:00:19,960 --> 01:00:22,520
Speaker 4: Because you're grabbing my arm and yelling at me. And

1360
01:00:23,000 --> 01:00:25,880
Speaker 4: I apologize, like for ripping up the tape. That was

1361
01:00:26,000 --> 01:00:28,160
Speaker 4: for me, It was al ready for him.

1362
01:00:28,560 --> 01:00:30,360
Speaker 2: I just wanted to fight. They wanted to.

1363
01:00:31,880 --> 01:00:34,520
Speaker 1: That was Sean Yell's back. I said, let go of me.

1364
01:00:34,960 --> 01:00:37,640
Speaker 1: Corey pushes Shawn's arm away and Sean hits him in

1365
01:00:37,680 --> 01:00:40,200
Speaker 1: the chest. Corey says, fine, let's see what you got Hunter,

1366
01:00:40,600 --> 01:00:45,800
Speaker 1: h corky, dorky, what are you thinking it up there?

1367
01:00:46,320 --> 01:00:46,880
Speaker 2: Amazing?

1368
01:00:46,920 --> 01:00:49,000
Speaker 4: I tried to search for this and I couldn't find it.

1369
01:00:49,040 --> 01:00:52,760
Speaker 4: There is an amazing comedian who does blow by blow

1370
01:00:52,880 --> 01:00:57,640
Speaker 4: like sports castor commentary on like fight scenes and sitcoms. Yeah,

1371
01:00:57,680 --> 01:01:00,640
Speaker 4: and he did one for this that is Hiss Dekle,

1372
01:01:00,880 --> 01:01:03,440
Speaker 4: And he posted it on Twitter and I responded and

1373
01:01:03,480 --> 01:01:05,320
Speaker 4: we like had some back and forth about it because

1374
01:01:05,320 --> 01:01:06,880
Speaker 4: it is one of the funniest things I've.

1375
01:01:06,760 --> 01:01:08,919
Speaker 2: Bet and I can't find it. Oh, if our.

1376
01:01:08,840 --> 01:01:11,320
Speaker 4: Listeners can track this down. I did a bunch of googling.

1377
01:01:11,520 --> 01:01:13,720
Speaker 4: I was searching, I went through all Twitter. I could

1378
01:01:13,760 --> 01:01:15,480
Speaker 4: not find it. So I don't know, but he's done this.

1379
01:01:15,520 --> 01:01:17,440
Speaker 2: He did this for like Save by the Bell episodes.

1380
01:01:17,480 --> 01:01:19,840
Speaker 4: He did this Fresh Prince of bel Air whenever there's

1381
01:01:19,880 --> 01:01:21,920
Speaker 4: like a very special episode where people get in a

1382
01:01:21,960 --> 01:01:24,600
Speaker 4: fight or like drugs get involved. And he did this

1383
01:01:24,640 --> 01:01:27,000
Speaker 4: one and he just does he does the blow by

1384
01:01:27,000 --> 01:01:29,520
Speaker 4: blow commentary. It is like, you know, he's showing Corey

1385
01:01:29,600 --> 01:01:33,080
Speaker 4: hands Corey, Sean does this, Sean's not going to have

1386
01:01:33,120 --> 01:01:33,480
Speaker 4: any of.

1387
01:01:33,440 --> 01:01:37,000
Speaker 2: That, and he like replays it and it's so so funny.

1388
01:01:37,480 --> 01:01:39,080
Speaker 2: I want to find it. I really want to post it.

1389
01:01:39,120 --> 01:01:40,000
Speaker 1: We'll try to find it.

1390
01:01:40,160 --> 01:01:42,080
Speaker 3: I remember you guys going all out for the fight.

1391
01:01:42,200 --> 01:01:45,080
Speaker 3: I remember during rehearsal all that stuff, you guys are like,

1392
01:01:45,160 --> 01:01:46,240
Speaker 3: let's do let's do it do.

1393
01:01:46,400 --> 01:01:47,800
Speaker 4: I think that's part of the problem is that we

1394
01:01:47,920 --> 01:01:51,640
Speaker 4: clearly loved guy, like you can see that we're excited

1395
01:01:51,680 --> 01:01:53,560
Speaker 4: to do like stunts and to be up in each

1396
01:01:53,600 --> 01:01:54,960
Speaker 4: other's faces.

1397
01:01:54,720 --> 01:01:57,520
Speaker 2: To a point that it doesn't really make sense.

1398
01:01:57,560 --> 01:01:59,680
Speaker 4: It's like it's out of the character and and not

1399
01:01:59,720 --> 01:02:01,480
Speaker 4: out of character in a I don't know. It's just

1400
01:02:01,880 --> 01:02:04,320
Speaker 4: it's so dramatic and it's so serious, like you can

1401
01:02:04,360 --> 01:02:06,520
Speaker 4: just tell in our faces that we're like really looking

1402
01:02:06,560 --> 01:02:08,800
Speaker 4: forward to like doing rolling around on the ground and yeah,

1403
01:02:09,160 --> 01:02:09,760
Speaker 4: doing this fight.

1404
01:02:10,320 --> 01:02:12,200
Speaker 2: It did lead to one of my favorite lines of

1405
01:02:12,240 --> 01:02:14,320
Speaker 2: the entire series, though, did you have to fight each other?

1406
01:02:14,360 --> 01:02:14,560
Speaker 3: Yep?

1407
01:02:14,720 --> 01:02:15,920
Speaker 2: Yeah, I know. I love it too.

1408
01:02:16,440 --> 01:02:18,680
Speaker 1: The boys start fighting. Corey pushes Sean into the lockers

1409
01:02:18,720 --> 01:02:21,520
Speaker 1: and then onto the floor. Everyone around them starts screaming fight, fight, Fight.

1410
01:02:21,600 --> 01:02:23,680
Speaker 1: Mister Williams and mister Turner run up, pulling them off

1411
01:02:23,680 --> 01:02:25,320
Speaker 1: of each other and yelling at the other students to

1412
01:02:25,320 --> 01:02:28,240
Speaker 1: get back to class, and then Turner looks confused, saying

1413
01:02:28,320 --> 01:02:30,760
Speaker 1: Hunter Matthews, mister Williams asks, did you guys know you

1414
01:02:30,800 --> 01:02:33,520
Speaker 1: were fighting each other? Very funny, great delivery.

1415
01:02:33,640 --> 01:02:36,400
Speaker 2: Actually the first fight we've ever had.

1416
01:02:36,240 --> 01:02:41,200
Speaker 5: On Yes, can we get close with Danny with Harley

1417
01:02:42,080 --> 01:02:45,280
Speaker 5: almost right, all this threatening, all these like you know,

1418
01:02:45,280 --> 01:02:46,800
Speaker 5: but we've never actually said.

1419
01:02:46,840 --> 01:02:49,400
Speaker 4: So this is interesting that the two central characters have

1420
01:02:49,440 --> 01:02:50,840
Speaker 4: the first on camera fight.

1421
01:02:50,960 --> 01:02:54,840
Speaker 3: Yeah, And in all fairness, when you're thirteen or fourteen

1422
01:02:54,840 --> 01:02:58,440
Speaker 3: and your boys, sometimes you just fight them with friends.

1423
01:02:58,480 --> 01:03:00,360
Speaker 1: You know what if you two and four year old boys,

1424
01:03:00,360 --> 01:03:01,720
Speaker 1: you do it too, say there you go.

1425
01:03:01,800 --> 01:03:04,760
Speaker 3: So sometimes boys just fight. That's when and again there

1426
01:03:04,840 --> 01:03:07,920
Speaker 3: is something too. And again if you're getting into this,

1427
01:03:07,960 --> 01:03:10,000
Speaker 3: if we're getting into the psychological side of the boy

1428
01:03:10,040 --> 01:03:13,640
Speaker 3: Mets World episode, there is something to Boys especially have

1429
01:03:13,680 --> 01:03:17,800
Speaker 3: trouble articulating their feelings, especially with other friends, so sometimes

1430
01:03:17,840 --> 01:03:21,320
Speaker 3: it just leads to fighting. Yeah, you know they say

1431
01:03:21,360 --> 01:03:23,480
Speaker 3: that that boys fight and get their aggression out and

1432
01:03:23,520 --> 01:03:25,720
Speaker 3: girls backstab each other to get their aggression out. So

1433
01:03:25,760 --> 01:03:29,520
Speaker 3: it's it's perfectly in keeping with two fourteen year old boys.

1434
01:03:29,600 --> 01:03:32,040
Speaker 3: Sometimes too not say what they mean, not actually have

1435
01:03:32,080 --> 01:03:33,919
Speaker 3: the conversation they're supposed to, and then just fight.

1436
01:03:34,920 --> 01:03:37,560
Speaker 1: Turner's also got a great multicolored tie on.

1437
01:03:37,600 --> 01:03:39,240
Speaker 2: I don't know if one of the best ties he's

1438
01:03:39,280 --> 01:03:39,920
Speaker 2: had there.

1439
01:03:40,360 --> 01:03:42,440
Speaker 3: And they're reminding me of hold the camera weirdly, did

1440
01:03:42,480 --> 01:03:45,000
Speaker 3: you notice that, like like Tony is staring at you

1441
01:03:45,080 --> 01:03:46,680
Speaker 3: but full square the whole time.

1442
01:03:46,720 --> 01:03:47,400
Speaker 2: It was very odd.

1443
01:03:47,720 --> 01:03:49,920
Speaker 1: Corey tells Turner, I'm good with a camera, and this

1444
01:03:49,960 --> 01:03:52,360
Speaker 1: guy's jealous, pointing to Sean. Sean yell's back. I'll be

1445
01:03:52,400 --> 01:03:54,080
Speaker 1: jealous of you when you can do this, and he

1446
01:03:54,160 --> 01:03:57,120
Speaker 1: brushes his hair back, and Eli steps in with a

1447
01:03:57,160 --> 01:04:01,320
Speaker 1: great line and says, hey, hey watch it's a.

1448
01:04:01,360 --> 01:04:03,880
Speaker 2: Laugh that the end of the line.

1449
01:04:05,640 --> 01:04:09,000
Speaker 3: People knew should have been it because it was so

1450
01:04:09,200 --> 01:04:11,480
Speaker 3: his response so great.

1451
01:04:11,200 --> 01:04:14,600
Speaker 1: Hey hey, so funny, so great, awesome. Corey turns to

1452
01:04:14,640 --> 01:04:16,720
Speaker 1: mister Williams, telling him he's been inspired. He says he

1453
01:04:16,720 --> 01:04:19,040
Speaker 1: wants to be entered into that news contest phoene.

1454
01:04:19,200 --> 01:04:20,360
Speaker 2: Do we just the hair thing?

1455
01:04:21,080 --> 01:04:23,120
Speaker 4: Like I know that's the go to insult of all

1456
01:04:23,200 --> 01:04:24,880
Speaker 4: of the things I can make fun of Corey for.

1457
01:04:25,560 --> 01:04:28,400
Speaker 4: It's like it's so boy meets World that Sean goes

1458
01:04:28,480 --> 01:04:31,040
Speaker 4: to the hair because he knows that that's Corey's weakness.

1459
01:04:31,120 --> 01:04:34,120
Speaker 2: Just it's so clearly like Michael Jacob's thing.

1460
01:04:34,120 --> 01:04:41,960
Speaker 1: Right, people street people with hair they can touch. So uh.

1461
01:04:42,000 --> 01:04:43,720
Speaker 1: Phoene walks up as he's saying this, telling him, I

1462
01:04:43,720 --> 01:04:45,760
Speaker 1: don't think you're gonna have the time, mister Matthews. Corey

1463
01:04:45,800 --> 01:04:48,960
Speaker 1: sighs and asks detention. Phoene responds, let's not call it detention.

1464
01:04:49,160 --> 01:04:51,240
Speaker 1: I prefer hooked on. Phoeney hooke.

1465
01:04:51,360 --> 01:04:56,240
Speaker 2: Don love that line. Great, God Bill bopped around. Bill

1466
01:04:56,280 --> 01:04:58,720
Speaker 2: was in every storyline here. It wasn't just with Eric,

1467
01:04:58,720 --> 01:04:59,760
Speaker 2: he wasn't. He was everywhere.

1468
01:05:00,520 --> 01:05:05,040
Speaker 1: He's important everywhere. He's the formidable dude, So you want

1469
01:05:05,120 --> 01:05:07,440
Speaker 1: him everywhere. Corey and Sewn are sitting rows apart from

1470
01:05:07,440 --> 01:05:09,640
Speaker 1: each other. When the bell rings. Corey says, excellent attention.

1471
01:05:09,760 --> 01:05:11,840
Speaker 1: We'll have to do this again sometime. Phoeney tells him,

1472
01:05:11,840 --> 01:05:14,840
Speaker 1: your reservations are confirmed for tomorrow. The boys walk out

1473
01:05:14,880 --> 01:05:16,800
Speaker 1: and Sean asks Corey, you're really going down to the

1474
01:05:16,800 --> 01:05:19,760
Speaker 1: trailer park, not that I care, and Corey says, yeah,

1475
01:05:19,800 --> 01:05:22,160
Speaker 1: that's exactly where I'm going and walks away. Sean stops

1476
01:05:22,240 --> 01:05:24,920
Speaker 1: him don't go those guys down there. They're hardcore. You

1477
01:05:24,920 --> 01:05:27,160
Speaker 1: could get hurt. Corey tells him, I can take care

1478
01:05:27,200 --> 01:05:30,600
Speaker 1: of myself, all right, And I thought, canny, though, where

1479
01:05:30,640 --> 01:05:32,680
Speaker 1: is this confidence coming from? He was scared of the

1480
01:05:32,720 --> 01:05:37,040
Speaker 1: eleven year old earlier, and he was corky, dorky and

1481
01:05:37,160 --> 01:05:38,680
Speaker 1: all of those things, and now all of a sudden,

1482
01:05:38,680 --> 01:05:41,640
Speaker 1: he's like totally confident.

1483
01:05:41,240 --> 01:05:43,680
Speaker 2: Which again, I wish it was about duty. We should

1484
01:05:43,680 --> 01:05:45,920
Speaker 2: this is the right thing, not just a winn a war.

1485
01:05:46,120 --> 01:05:47,400
Speaker 2: But this is like right, I.

1486
01:05:47,400 --> 01:05:49,840
Speaker 1: Have to even if it means, even if it means

1487
01:05:49,960 --> 01:05:52,040
Speaker 1: I end up hurt, I'm doing the right thing for

1488
01:05:52,120 --> 01:05:55,080
Speaker 1: my community or something. Yes, that would make sense. So

1489
01:05:55,960 --> 01:05:58,600
Speaker 1: Corey walks away and Sean punches the lockers in frustration.

1490
01:05:58,760 --> 01:06:02,440
Speaker 1: Pheene watches this whole thing to mister Hunter, and.

1491
01:06:02,400 --> 01:06:04,160
Speaker 2: I hit that locker. I was like, writer, why did

1492
01:06:04,200 --> 01:06:04,800
Speaker 2: you choose to do that?

1493
01:06:04,840 --> 01:06:13,080
Speaker 4: And I'm like, lovely, it was just cho Please don't

1494
01:06:13,120 --> 01:06:14,360
Speaker 4: tell me I chose to do this.

1495
01:06:15,240 --> 01:06:19,800
Speaker 1: It's funny. So you hit the locker and mister mister

1496
01:06:19,800 --> 01:06:22,040
Speaker 1: Phoene says, mister Hunter, this hitting thing, it's not nice.

1497
01:06:22,120 --> 01:06:25,400
Speaker 1: Sean apologizes, I know, it's the way you talk to

1498
01:06:25,440 --> 01:06:30,360
Speaker 1: a kid, nice hands, kind hands. Sean apologizes and says

1499
01:06:30,400 --> 01:06:33,320
Speaker 1: he's just really frustrated. Miss Phoenie questions does that help,

1500
01:06:33,360 --> 01:06:35,920
Speaker 1: and Sean says yeah. So Phoene hits the lockers in response,

1501
01:06:35,960 --> 01:06:38,800
Speaker 1: and Bill gives the greatest reaction of his hand hurting.

1502
01:06:39,000 --> 01:06:40,880
Speaker 1: And I love that he did it. He had to

1503
01:06:40,880 --> 01:06:43,120
Speaker 1: do it toward camera, obviously so the audience can see it.

1504
01:06:43,160 --> 01:06:49,040
Speaker 1: But I also love the idea that he doesn't want himself. Yes, exactly,

1505
01:06:49,800 --> 01:06:52,520
Speaker 1: It's so funny. So Sean asks what'd you do that for?

1506
01:06:52,600 --> 01:06:55,440
Speaker 1: And Phoene explains he's frustrated too. He's frustrated seeing two

1507
01:06:55,520 --> 01:06:57,720
Speaker 1: young men throw away their friendship. And Sean says, the

1508
01:06:57,760 --> 01:07:00,360
Speaker 1: way I see it, you don't need friends, especially friends

1509
01:07:00,440 --> 01:07:05,400
Speaker 1: like him, which really really all these seasons of best

1510
01:07:05,440 --> 01:07:07,440
Speaker 1: friendship and all the stuff he's done.

1511
01:07:07,240 --> 01:07:09,240
Speaker 3: For you just got into a fight and you're like,

1512
01:07:10,200 --> 01:07:13,200
Speaker 3: you're hissed and frustrated.

1513
01:07:13,240 --> 01:07:14,600
Speaker 2: I don't know, I know.

1514
01:07:15,480 --> 01:07:17,200
Speaker 1: So Phoene asks, well, then, who do you count on?

1515
01:07:17,240 --> 01:07:20,360
Speaker 1: And Sean says, family. Your family's always there for you,

1516
01:07:20,480 --> 01:07:21,960
Speaker 1: and then he says, come on with a guy like

1517
01:07:22,000 --> 01:07:23,800
Speaker 1: a guy like you with no friends, you gotta know

1518
01:07:23,880 --> 01:07:26,320
Speaker 1: I'm right, you know, I was.

1519
01:07:26,280 --> 01:07:27,520
Speaker 2: Just thinking about what you're like.

1520
01:07:27,720 --> 01:07:29,800
Speaker 4: I think part of the problem here is that I'm

1521
01:07:29,840 --> 01:07:33,920
Speaker 4: too reasonable, like like all of these things, like your family,

1522
01:07:34,000 --> 01:07:36,920
Speaker 4: Like it should be more like Sean's grasping for reasons

1523
01:07:36,960 --> 01:07:40,160
Speaker 4: to like explain why he's upset, not because I'm too

1524
01:07:40,720 --> 01:07:43,640
Speaker 4: confident and reasonable. I'm too like, No, I care about

1525
01:07:43,680 --> 01:07:45,400
Speaker 4: my family, and that is a bad friend.

1526
01:07:45,680 --> 01:07:47,560
Speaker 2: It should have been. It's that's on me.

1527
01:07:47,760 --> 01:07:49,680
Speaker 4: That performance should have been a little more erratic and

1528
01:07:49,720 --> 01:07:52,600
Speaker 4: a little more emotional, like not emotional, and a more

1529
01:07:52,760 --> 01:07:56,160
Speaker 4: like intensity level, but like a little more like Seawn

1530
01:07:56,240 --> 01:07:58,120
Speaker 4: doesn't know what he's saying, like, yeah, he's sort of

1531
01:07:58,120 --> 01:07:58,720
Speaker 4: talking about.

1532
01:07:58,600 --> 01:08:00,240
Speaker 1: Well, And the truth is that you don't don't know

1533
01:08:00,240 --> 01:08:02,120
Speaker 1: what you're saying, and because you're also trying to hide

1534
01:08:02,120 --> 01:08:05,400
Speaker 1: something and so you're covering, you're covering for the secret,

1535
01:08:05,800 --> 01:08:08,640
Speaker 1: which would help explain why you also don't realize how

1536
01:08:08,720 --> 01:08:11,040
Speaker 1: crazy it is to hear yourself say out loud that

1537
01:08:11,160 --> 01:08:13,760
Speaker 1: family is always there for you when both your mother

1538
01:08:13,920 --> 01:08:16,880
Speaker 1: and your father have abandoned you and the only reason

1539
01:08:16,920 --> 01:08:18,479
Speaker 1: you have a roof over your head or food on

1540
01:08:18,520 --> 01:08:20,719
Speaker 1: your table is because of the Matthews and mister Turner,

1541
01:08:21,439 --> 01:08:24,320
Speaker 1: like Sean has realized that like in other you know,

1542
01:08:24,360 --> 01:08:27,040
Speaker 1: we've seen that land on Sean before, so you're right.

1543
01:08:27,320 --> 01:08:30,320
Speaker 1: Had it been written or more clear.

1544
01:08:30,520 --> 01:08:32,360
Speaker 4: That you about the right, it's about my performance. I

1545
01:08:32,360 --> 01:08:34,040
Speaker 4: think I could have performed it a little more heated

1546
01:08:34,080 --> 01:08:34,959
Speaker 4: and a little more.

1547
01:08:34,800 --> 01:08:36,320
Speaker 2: Like classic cough.

1548
01:08:36,360 --> 01:08:38,920
Speaker 4: It's just too I'm too reasonable. I seem too together.

1549
01:08:39,120 --> 01:08:43,000
Speaker 4: You know, I'm coming across two organized in my thinking.

1550
01:08:43,400 --> 01:08:45,760
Speaker 3: Well, the funniest thing to me about this entire thing is,

1551
01:08:45,960 --> 01:08:49,960
Speaker 3: had this exact scene taken place a season prior, you

1552
01:08:50,000 --> 01:08:51,840
Speaker 3: would have stormed off and the scene would have been

1553
01:08:51,840 --> 01:08:54,640
Speaker 3: Phoene telling Corey about being your friend and having to

1554
01:08:54,680 --> 01:08:57,759
Speaker 3: be there. But now it's completely shifted and they're getting

1555
01:08:57,760 --> 01:08:58,680
Speaker 3: Corey away.

1556
01:08:58,479 --> 01:09:01,240
Speaker 2: And it's all about it. It's just it's the whole

1557
01:09:01,520 --> 01:09:02,400
Speaker 2: balance is shifted.

1558
01:09:14,080 --> 01:09:16,679
Speaker 1: So Phoenie tells Sean he actually has very little family

1559
01:09:16,720 --> 01:09:18,479
Speaker 1: in Philadelphia, and Sean asks, well, what do you do

1560
01:09:18,520 --> 01:09:20,840
Speaker 1: on holidays and birthdays? Phoene says, I get together with

1561
01:09:20,880 --> 01:09:23,320
Speaker 1: a small circle of close friends. We laugh, we reminisce,

1562
01:09:23,320 --> 01:09:25,439
Speaker 1: we take pride in each other, pretty much what you've

1563
01:09:25,439 --> 01:09:27,840
Speaker 1: always done with the Matthews and Sean says, yeah, but

1564
01:09:27,880 --> 01:09:29,839
Speaker 1: it can't be the same as being with real family,

1565
01:09:30,080 --> 01:09:33,040
Speaker 1: and Phoenie responds, you don't need to be blood to

1566
01:09:33,080 --> 01:09:37,759
Speaker 1: be family. And I remember we talked about this recently

1567
01:09:37,800 --> 01:09:40,600
Speaker 1: about whether or not that was actually a Feenie delivered

1568
01:09:41,160 --> 01:09:43,160
Speaker 1: lesson of the show. We talked about it in our

1569
01:09:43,200 --> 01:09:45,719
Speaker 1: live show. Somebody asked us what what our favorite Phoenie

1570
01:09:45,800 --> 01:09:47,479
Speaker 1: lesson was, and that was the one I said, and

1571
01:09:47,479 --> 01:09:49,240
Speaker 1: I said, I don't know that it came directly from Phoenie,

1572
01:09:49,280 --> 01:09:52,320
Speaker 1: but it does. It does, it does correctly out of

1573
01:09:52,320 --> 01:09:54,960
Speaker 1: his mouth, And I feel like the thing I love

1574
01:09:55,080 --> 01:09:57,320
Speaker 1: the most about this lesson is if that I had

1575
01:09:57,320 --> 01:09:59,599
Speaker 1: to take a giant step back and say, what would

1576
01:09:59,600 --> 01:10:03,599
Speaker 1: I say? The overall theme of Boy Meets World is,

1577
01:10:04,080 --> 01:10:06,840
Speaker 1: I think it is this, And on a micro level,

1578
01:10:07,200 --> 01:10:11,840
Speaker 1: it's specifically this, Individuals choose their family, whether they are

1579
01:10:11,840 --> 01:10:14,120
Speaker 1: related by blood or not, and then you take care

1580
01:10:14,200 --> 01:10:16,920
Speaker 1: of each other no matter what. But on a macro level,

1581
01:10:17,000 --> 01:10:19,160
Speaker 1: I feel like Boy Meets World was also speaking to

1582
01:10:19,200 --> 01:10:21,680
Speaker 1: the idea that that's what we should do with humanity

1583
01:10:22,080 --> 01:10:24,840
Speaker 1: in general. It shouldn't just be that we take care

1584
01:10:24,880 --> 01:10:27,040
Speaker 1: of the people we choose. We all need to look

1585
01:10:27,080 --> 01:10:29,880
Speaker 1: out for each other, and people in power need to

1586
01:10:29,920 --> 01:10:31,880
Speaker 1: look out for the people who have less power and

1587
01:10:31,920 --> 01:10:36,040
Speaker 1: make choices and decisions based on protecting and representing those people.

1588
01:10:37,080 --> 01:10:39,160
Speaker 1: And that like that to me is just like it

1589
01:10:39,200 --> 01:10:41,559
Speaker 1: gives me the he begbis that we can pinpoint it

1590
01:10:41,600 --> 01:10:44,120
Speaker 1: to this one episode as being like, this is where it.

1591
01:10:44,280 --> 01:10:47,559
Speaker 3: Really was the girl you've been with since you were six.

1592
01:10:47,600 --> 01:10:49,200
Speaker 3: Even if that decipher.

1593
01:10:51,800 --> 01:10:56,960
Speaker 4: If she doesn't quite realize it, you got to you convince.

1594
01:10:55,960 --> 01:10:59,559
Speaker 1: You convince her, You give her a gene jacket. Unless

1595
01:10:59,560 --> 01:11:01,000
Speaker 1: she doesn't want to be what you then you take

1596
01:11:01,040 --> 01:11:03,519
Speaker 1: it back and then you throw it out her through window.

1597
01:11:03,760 --> 01:11:05,880
Speaker 1: Gilter make up with other people.

1598
01:11:05,960 --> 01:11:09,360
Speaker 2: Feel as bad as possible about it. That's what this

1599
01:11:09,400 --> 01:11:10,000
Speaker 2: show's about.

1600
01:11:10,400 --> 01:11:13,280
Speaker 1: That's what it's really about. And then we're in the

1601
01:11:13,280 --> 01:11:15,559
Speaker 1: Matthew's house. Alan asks if the attic is done, and

1602
01:11:15,640 --> 01:11:18,240
Speaker 1: Eric is shoving the last of his treasures into a box.

1603
01:11:18,479 --> 01:11:20,080
Speaker 1: He says, the attic in the garage. You're done. He

1604
01:11:20,200 --> 01:11:23,240
Speaker 1: robbed them blind Amy tells him you didn't rob anyone.

1605
01:11:23,280 --> 01:11:26,920
Speaker 1: It's just junk. Eric snaps, junk. It's not junk. Eric says,

1606
01:11:26,920 --> 01:11:30,200
Speaker 1: it's treasures. Treasures, I say, Alan says Lancersham and Sloan

1607
01:11:30,320 --> 01:11:31,960
Speaker 1: is running a scam. How much are they going to

1608
01:11:32,040 --> 01:11:34,880
Speaker 1: charge you to appraise this stuff? And Eric says sixty bucks,

1609
01:11:34,920 --> 01:11:36,760
Speaker 1: But I already had seventy in my wallet, so it

1610
01:11:36,760 --> 01:11:39,120
Speaker 1: looks like I've already made ten bucks. And I have

1611
01:11:39,160 --> 01:11:44,759
Speaker 1: a question for you. Guys. This sounds like girl math.

1612
01:11:48,640 --> 01:11:51,160
Speaker 1: So excited that will knows it? Okay, So writer, I'm

1613
01:11:51,160 --> 01:11:53,160
Speaker 1: so excited to tell you about that. So there is

1614
01:11:53,360 --> 01:11:56,559
Speaker 1: a popular trend going on right now, specifically on TikTok,

1615
01:11:56,600 --> 01:12:00,600
Speaker 1: but also on Instagram, where in very overgeneralized ters it

1616
01:12:00,640 --> 01:12:04,240
Speaker 1: talks about how girls think when it comes to money

1617
01:12:04,280 --> 01:12:08,320
Speaker 1: and math. So, for example, if you have Yes, if

1618
01:12:08,360 --> 01:12:11,640
Speaker 1: you have money preloaded on an app and then you

1619
01:12:11,800 --> 01:12:14,200
Speaker 1: order something and you pay for it with that money

1620
01:12:14,200 --> 01:12:16,360
Speaker 1: that's already in the app, it was free. It was

1621
01:12:16,360 --> 01:12:18,160
Speaker 1: like you didn't even pay for it. If you buy

1622
01:12:18,200 --> 01:12:20,880
Speaker 1: something and then in the future you return it, you

1623
01:12:21,240 --> 01:12:23,920
Speaker 1: just made money. Or if you spend one hundred dollars

1624
01:12:23,920 --> 01:12:25,400
Speaker 1: at a store and they give you a ten dollars

1625
01:12:25,400 --> 01:12:28,240
Speaker 1: gift card for that store, you just made ten dollars. Now,

1626
01:12:28,600 --> 01:12:31,679
Speaker 1: I know that this is not how all women think,

1627
01:12:32,040 --> 01:12:34,200
Speaker 1: but it is very much how I think, and I

1628
01:12:34,280 --> 01:12:35,479
Speaker 1: felt very seen.

1629
01:12:35,320 --> 01:12:38,960
Speaker 4: And it sounds like consumer that's how they get you.

1630
01:12:39,640 --> 01:12:44,120
Speaker 4: It sounds like the manipulation of consumer. Yeah, and like

1631
01:12:44,400 --> 01:12:46,640
Speaker 4: casinos can make you convert to chips, so then you

1632
01:12:46,800 --> 01:12:48,120
Speaker 4: don't think of it as a real thing.

1633
01:12:48,600 --> 01:12:49,320
Speaker 2: But it's not just that.

1634
01:12:49,800 --> 01:12:52,320
Speaker 3: Also, isn't one of the other ones if you pay cash,

1635
01:12:53,160 --> 01:12:54,120
Speaker 3: Oh yeah, it's great.

1636
01:12:54,120 --> 01:12:55,160
Speaker 2: It doesn't it's free?

1637
01:12:55,439 --> 01:12:57,880
Speaker 1: Yeah, what, I don't know why that one works as much.

1638
01:12:57,880 --> 01:12:59,479
Speaker 1: If I have cash in my wallet and I spend it,

1639
01:12:59,479 --> 01:13:01,360
Speaker 1: I don't feel like I'm I don't feel like that

1640
01:13:01,360 --> 01:13:02,559
Speaker 1: one doesn't teak to me as much.

1641
01:13:02,640 --> 01:13:05,360
Speaker 2: Not in the bank. It's you paid cash because you

1642
01:13:05,400 --> 01:13:06,960
Speaker 2: don't have to see it changed on your credit.

1643
01:13:07,120 --> 01:13:11,280
Speaker 1: Yeah, we're getting messages from our producers that totally understand

1644
01:13:11,280 --> 01:13:14,760
Speaker 1: girl Math. I felt very very seen when I saw this,

1645
01:13:14,960 --> 01:13:16,599
Speaker 1: and then when he said that, I was like, oh

1646
01:13:16,640 --> 01:13:19,000
Speaker 1: my gosh, Boy Meets World was talking about girl Math

1647
01:13:19,040 --> 01:13:20,479
Speaker 1: before it ever even existed.

1648
01:13:20,560 --> 01:13:21,960
Speaker 2: So well, it's the thing with going to Target.

1649
01:13:22,000 --> 01:13:24,479
Speaker 3: If you have a five dollars gift card to Target

1650
01:13:24,600 --> 01:13:27,240
Speaker 3: and you go and you spend one hundred dollars there,

1651
01:13:27,560 --> 01:13:30,080
Speaker 3: you made five bucks because you had a five dollars

1652
01:13:30,080 --> 01:13:30,479
Speaker 3: gift card.

1653
01:13:30,640 --> 01:13:32,519
Speaker 1: So you feel that way too, well, it's not just

1654
01:13:32,600 --> 01:13:33,120
Speaker 1: no I'm.

1655
01:13:33,000 --> 01:13:34,800
Speaker 2: Saying it, no, no, no, I don't feel that way

1656
01:13:34,800 --> 01:13:37,280
Speaker 2: at all. I happened to live with somebody.

1657
01:13:37,560 --> 01:13:39,920
Speaker 1: If you guys feel that way about anything, Like do

1658
01:13:39,960 --> 01:13:43,800
Speaker 1: you okay writer, what about credit card points? Do you

1659
01:13:43,800 --> 01:13:45,719
Speaker 1: have any sort of credit card that gives you points

1660
01:13:45,720 --> 01:13:46,160
Speaker 1: on anything?

1661
01:13:46,280 --> 01:13:46,439
Speaker 2: Yes?

1662
01:13:46,439 --> 01:13:48,559
Speaker 4: And I never spend them and just racking out either

1663
01:13:48,680 --> 01:13:51,160
Speaker 4: oh my god, I to use the like my wife

1664
01:13:51,200 --> 01:13:53,400
Speaker 4: will be like, you have so many points, and.

1665
01:13:53,439 --> 01:13:54,360
Speaker 1: That's free money.

1666
01:13:54,479 --> 01:13:57,120
Speaker 2: You can go. That's free money. Money.

1667
01:13:56,760 --> 01:13:59,920
Speaker 1: You got it for free. Whatever you get with that,

1668
01:14:00,320 --> 01:14:01,599
Speaker 1: you got it for free.

1669
01:14:01,800 --> 01:14:03,679
Speaker 2: It's free.

1670
01:14:03,720 --> 01:14:06,160
Speaker 1: Thousands of you tell me the free vacation. It's a

1671
01:14:06,200 --> 01:14:08,000
Speaker 1: free laptop. Get the free laptop.

1672
01:14:08,040 --> 01:14:11,599
Speaker 4: Go on the free vacation with credit with credit card points,

1673
01:14:11,600 --> 01:14:14,160
Speaker 4: I will say it is it is a way to

1674
01:14:14,280 --> 01:14:18,880
Speaker 4: benefit from your relationship with a specific corporation or specific Yes,

1675
01:14:18,920 --> 01:14:22,599
Speaker 4: but it's a free.

1676
01:14:23,120 --> 01:14:25,799
Speaker 2: You are getting these points. You are getting a benefit.

1677
01:14:25,880 --> 01:14:28,400
Speaker 4: But of course, if you calculate that benefit over time

1678
01:14:28,800 --> 01:14:33,000
Speaker 4: versus having other options, you probably would have saved more

1679
01:14:33,000 --> 01:14:33,880
Speaker 4: money in the long run.

1680
01:14:34,080 --> 01:14:36,639
Speaker 1: So it's if something is on sale for fifty percent off.

1681
01:14:36,640 --> 01:14:39,439
Speaker 1: I'm actually losing money if I don't buy it. See

1682
01:14:39,720 --> 01:14:45,360
Speaker 1: I'm losing I'm losing money if I don't buy it.

1683
01:14:45,479 --> 01:14:48,160
Speaker 1: So anyway, I just I'm glad you all agree. I'm

1684
01:14:48,160 --> 01:14:49,920
Speaker 1: glad we all agree, and we all see this the

1685
01:14:50,000 --> 01:14:53,760
Speaker 1: exact same way. So insists, let me help you haul

1686
01:14:53,840 --> 01:14:55,840
Speaker 1: this junk out to the trash. Eric stops him and

1687
01:14:55,840 --> 01:14:58,720
Speaker 1: stops his hand away, saying this is his future they're

1688
01:14:58,760 --> 01:15:01,400
Speaker 1: talking about, and Alan says, oh, look, Amy, his future

1689
01:15:01,520 --> 01:15:07,040
Speaker 1: is macarony art, which I love macaroni art. Yeah, so

1690
01:15:07,040 --> 01:15:09,559
Speaker 1: so cute you like macaroni art.

1691
01:15:09,680 --> 01:15:10,040
Speaker 2: I do.

1692
01:15:10,280 --> 01:15:12,680
Speaker 1: I make you My kids will make you stuff I

1693
01:15:12,680 --> 01:15:14,679
Speaker 1: would wait to because wait to give you treasures.

1694
01:15:14,840 --> 01:15:16,840
Speaker 3: The glue makes it taste different when you boil it,

1695
01:15:16,920 --> 01:15:19,600
Speaker 3: and it's just it's good.

1696
01:15:20,240 --> 01:15:22,000
Speaker 1: So then we're back at the trailer park. Corey is

1697
01:15:22,080 --> 01:15:24,200
Speaker 1: hiding behind the bushes with his camera as a car

1698
01:15:24,240 --> 01:15:25,680
Speaker 1: pulls up to one of the trailers. The group of

1699
01:15:25,760 --> 01:15:28,320
Speaker 1: boys walk out and open the trunk. Corey sneaks closer

1700
01:15:28,320 --> 01:15:30,240
Speaker 1: to them to get a better view, and Eddie says,

1701
01:15:30,280 --> 01:15:33,120
Speaker 1: all right, now for a little magic. I know this

1702
01:15:33,280 --> 01:15:36,160
Speaker 1: is a terrible journalist. What are you doing again?

1703
01:15:36,200 --> 01:15:38,800
Speaker 3: This is the same guy who took the who took

1704
01:15:38,840 --> 01:15:41,639
Speaker 3: the janitor got janitor bud from three feet away.

1705
01:15:41,760 --> 01:15:43,200
Speaker 2: I mean, it's what do you think he's gonna do.

1706
01:15:43,640 --> 01:15:46,200
Speaker 4: I know, he could have just done a little bit

1707
01:15:46,200 --> 01:15:48,920
Speaker 4: of work here and gotten the same result, which is

1708
01:15:49,000 --> 01:15:51,599
Speaker 4: Corey getting caught, without it being that Corey is also

1709
01:15:51,720 --> 01:15:52,559
Speaker 4: just an idiot.

1710
01:15:52,720 --> 01:15:54,919
Speaker 1: He could sneeze exactly.

1711
01:15:55,439 --> 01:15:57,680
Speaker 2: We could have established something that Corey, Yeah, Corey has

1712
01:15:57,720 --> 01:15:59,760
Speaker 2: allergies with the trailer park to make that a joke.

1713
01:16:00,040 --> 01:16:04,000
Speaker 1: You're sacking at the dusk, So Dusty here, whatever, whatever, Okay.

1714
01:16:04,040 --> 01:16:05,679
Speaker 1: So then Cory says, I gotta get a little closer.

1715
01:16:05,720 --> 01:16:07,400
Speaker 1: I gotta get a little closer. No idea why you

1716
01:16:07,439 --> 01:16:09,400
Speaker 1: would talk to himself out loud In this situation, we

1717
01:16:09,439 --> 01:16:11,720
Speaker 1: are looking through the camera's POV as he walks over

1718
01:16:11,760 --> 01:16:13,720
Speaker 1: to the next bush. He falls over. When we look up,

1719
01:16:13,960 --> 01:16:16,719
Speaker 1: one of the boys is standing there smiling. Eddie grabs

1720
01:16:16,720 --> 01:16:19,200
Speaker 1: Corey's shoulder and pulls him toward the group. He asks

1721
01:16:19,200 --> 01:16:21,400
Speaker 1: what the heck is going on here? Corey panics and

1722
01:16:21,439 --> 01:16:25,040
Speaker 1: says in an accent no speak. Eddie says, I remember you,

1723
01:16:25,040 --> 01:16:27,679
Speaker 1: your Shan's friend. The eleven year old butts in, yeah,

1724
01:16:27,720 --> 01:16:30,160
Speaker 1: and he was filming us. Eddie tells Corey, you have

1725
01:16:30,240 --> 01:16:32,800
Speaker 1: no idea how much trouble you're in. Eddie yanks the

1726
01:16:32,800 --> 01:16:34,800
Speaker 1: camera out of Corey's arms. He throws it to the ground.

1727
01:16:34,840 --> 01:16:37,400
Speaker 1: He stomps on it, breaking it. Cory scolds him that

1728
01:16:37,560 --> 01:16:39,920
Speaker 1: is the property of John Adams. Hi my friend, and

1729
01:16:39,960 --> 01:16:42,759
Speaker 1: I'm going to need some names and addresses. Eddie laughs

1730
01:16:42,760 --> 01:16:44,479
Speaker 1: and says, my name is your dead and I live

1731
01:16:44,520 --> 01:16:46,760
Speaker 1: at the corner of fist and face. And you're right, writer,

1732
01:16:46,960 --> 01:16:50,639
Speaker 1: this is just Danny dialogue. This was just Harley and

1733
01:16:50,680 --> 01:16:55,799
Speaker 1: Stanky for Keno and Joey. They're at just copy paste.

1734
01:16:56,200 --> 01:16:58,320
Speaker 1: Eddie punches Corey in the stomach and shoves him into

1735
01:16:58,360 --> 01:17:01,200
Speaker 1: the ground. Eddie towers over him. In coming him. Coming

1736
01:17:01,240 --> 01:17:03,639
Speaker 1: here was a big, big mistake, he repeats himself. There.

1737
01:17:03,880 --> 01:17:05,680
Speaker 1: Corey tells him he's made his point. He should just

1738
01:17:05,720 --> 01:17:08,479
Speaker 1: let let him go. Eddie pulls his arm back to

1739
01:17:08,560 --> 01:17:10,599
Speaker 1: punch Corey again, but the eleven year old stops him,

1740
01:17:10,600 --> 01:17:11,800
Speaker 1: saying maybe he's had enough.

1741
01:17:12,640 --> 01:17:14,920
Speaker 3: He gets he kind of gets punched in the stomach,

1742
01:17:14,960 --> 01:17:17,120
Speaker 3: it's not even a full punch, thrown down to the ground,

1743
01:17:17,160 --> 01:17:19,559
Speaker 3: and then They're like, maybe he's had that's enough, that's enough.

1744
01:17:20,080 --> 01:17:22,920
Speaker 3: That's such a ninety sitcom, Like, you can't guy, he's.

1745
01:17:22,800 --> 01:17:25,559
Speaker 1: Never really corky. Dorky's never really been in a fight

1746
01:17:25,640 --> 01:17:28,639
Speaker 1: other than with Sean just the seen before, so it's true.

1747
01:17:29,600 --> 01:17:32,040
Speaker 1: And then Corey stands up saying, yeah, the little guy's right,

1748
01:17:32,200 --> 01:17:34,080
Speaker 1: and the little guy yells, who you call him little

1749
01:17:34,080 --> 01:17:36,519
Speaker 1: and kicks Corey in the shin. Corey hunches over in pain, saying,

1750
01:17:36,520 --> 01:17:37,839
Speaker 1: which kind of stop thinking.

1751
01:17:38,320 --> 01:17:41,959
Speaker 4: I knowuard or something with a shin guard.

1752
01:17:42,000 --> 01:17:45,040
Speaker 2: It hurts, Yeah, kind of hurt. Yeah, it's like and

1753
01:17:45,040 --> 01:17:46,559
Speaker 2: still getting hit, you can still feel it.

1754
01:17:46,680 --> 01:17:49,080
Speaker 1: Yeah, Corey says, I got to stop thinking out loud,

1755
01:17:49,240 --> 01:17:52,040
Speaker 1: And at least I appreciate it that they put in

1756
01:17:52,080 --> 01:17:54,880
Speaker 1: that joke so that it kind of does a little

1757
01:17:54,880 --> 01:17:57,280
Speaker 1: bit of a callback to him thinking out loud, which

1758
01:17:57,320 --> 01:18:00,360
Speaker 1: is why he got caught. Yeah, it's I I I

1759
01:18:00,360 --> 01:18:03,160
Speaker 1: at least appreciate that they didn't just pretend it didn't happen.

1760
01:18:04,240 --> 01:18:06,240
Speaker 1: So Eddie says, I can't let you leave because I

1761
01:18:06,240 --> 01:18:08,360
Speaker 1: can't trust you. Maybe I keep pounding your face into

1762
01:18:08,400 --> 01:18:12,120
Speaker 1: the ground. Sean jumps down then from the top of

1763
01:18:12,240 --> 01:18:13,440
Speaker 1: one of the trailers.

1764
01:18:13,439 --> 01:18:15,160
Speaker 2: Oh, it's so dramatic.

1765
01:18:16,280 --> 01:18:19,559
Speaker 1: A you know what, I love writer. I love that

1766
01:18:19,600 --> 01:18:23,799
Speaker 1: there's some symmetry between jumping down from the tree house

1767
01:18:24,000 --> 01:18:28,639
Speaker 1: in the Matthew's backyard and how it has the same

1768
01:18:28,720 --> 01:18:33,360
Speaker 1: feeling but also totally different, the safety of jumping down

1769
01:18:33,400 --> 01:18:37,280
Speaker 1: from the treehouse in your family's backyard to the danger

1770
01:18:37,520 --> 01:18:40,479
Speaker 1: of jumping down off a trailer in the trailer park

1771
01:18:40,520 --> 01:18:42,080
Speaker 1: to stop your friend from getting beat up.

1772
01:18:42,280 --> 01:18:42,840
Speaker 2: I liked it.

1773
01:18:44,280 --> 01:18:47,120
Speaker 1: Because you were watching. You were going to make sure

1774
01:18:47,200 --> 01:18:49,479
Speaker 1: Corey was safe. You weren't going to ruin Corey's story,

1775
01:18:49,520 --> 01:18:51,320
Speaker 1: but if he did get caught, you were going to

1776
01:18:51,360 --> 01:18:51,679
Speaker 1: be there.

1777
01:18:51,720 --> 01:18:54,320
Speaker 4: But you jumped down to like jump on somebody or

1778
01:18:54,360 --> 01:18:57,040
Speaker 4: to surprise somebody, but instead I just kind of up.

1779
01:18:59,479 --> 01:19:01,040
Speaker 3: It's how we it in our show when you're going

1780
01:19:01,080 --> 01:19:04,160
Speaker 3: to defend somebody, because I had to jump in between

1781
01:19:04,520 --> 01:19:07,880
Speaker 3: Danny and Ben. So that's how you got to jump

1782
01:19:07,920 --> 01:19:09,040
Speaker 3: into action on our show.

1783
01:19:09,320 --> 01:19:11,120
Speaker 2: That's what it is. You can walk up.

1784
01:19:11,479 --> 01:19:13,200
Speaker 1: That would be silly. Yeah, you have to be a

1785
01:19:13,200 --> 01:19:17,400
Speaker 1: superhero exactly. Sean tells Eddie, you touch this guy again,

1786
01:19:17,439 --> 01:19:19,120
Speaker 1: You've got me to deal with, and Eddie asks, so

1787
01:19:19,160 --> 01:19:20,880
Speaker 1: you're going to take a swing at me. Sean says no,

1788
01:19:21,160 --> 01:19:23,040
Speaker 1: he's gonna call the cops and let them figure it out.

1789
01:19:23,120 --> 01:19:25,679
Speaker 1: Eddie nods and says police, you would do that to family,

1790
01:19:25,960 --> 01:19:28,960
Speaker 1: and Sean says yeah. Corey asks what Eddie's talking about,

1791
01:19:29,160 --> 01:19:30,880
Speaker 1: and Sean tells Corey just to stay out of it.

1792
01:19:30,960 --> 01:19:33,280
Speaker 1: He confronts Eddie says he's serious, he'll turn him in.

1793
01:19:33,439 --> 01:19:36,880
Speaker 1: Eddie says, come on, man, I'm your brother. Sean tells

1794
01:19:36,920 --> 01:19:40,639
Speaker 1: him do it if I have to big reveal.

1795
01:19:42,400 --> 01:19:44,040
Speaker 2: I don't think this was worth it. Why is that

1796
01:19:45,760 --> 01:19:48,160
Speaker 2: introducing a character we're never going to see again, which.

1797
01:19:48,120 --> 01:19:50,360
Speaker 4: By the way, Eddie should have stuck around like we

1798
01:19:50,439 --> 01:19:53,000
Speaker 4: are Danny anymore, so we could use a bully character.

1799
01:19:53,840 --> 01:19:56,879
Speaker 4: Sean has this complicated relationship with his family. Could have continued.

1800
01:19:57,000 --> 01:19:58,320
Speaker 4: This guy is a good actor.

1801
01:19:59,080 --> 01:20:02,320
Speaker 2: I under why we didn't continue this because we have

1802
01:20:02,439 --> 01:20:05,080
Speaker 2: forty two characters on the show. Now that's why. Yeah,

1803
01:20:05,120 --> 01:20:09,639
Speaker 2: I guess. But you know Matt Lawrence comes in bringing

1804
01:20:09,680 --> 01:20:12,040
Speaker 2: back your brother bring or bringing back a brother.

1805
01:20:12,120 --> 01:20:14,120
Speaker 3: Yeah, whenever they need to bring a new character on

1806
01:20:14,160 --> 01:20:16,599
Speaker 3: after this, they just made him somehow related to Sean.

1807
01:20:17,120 --> 01:20:18,680
Speaker 2: Yeah, it was very strange.

1808
01:20:18,920 --> 01:20:22,080
Speaker 1: Well, and Eddie shakes his head like, you're so much

1809
01:20:22,080 --> 01:20:23,960
Speaker 1: better than me. Sean responds, I'm on my way to

1810
01:20:24,000 --> 01:20:26,680
Speaker 1: be and Eddie says, okay, go pretend play hero, but

1811
01:20:26,720 --> 01:20:29,040
Speaker 1: you'll be back. This is who you are, and Sean pleads,

1812
01:20:29,120 --> 01:20:30,840
Speaker 1: just get out of here. Eddie and his group leave.

1813
01:20:31,200 --> 01:20:33,879
Speaker 1: Cory asks a brother. You have a brother. Sean clarifies

1814
01:20:33,920 --> 01:20:35,880
Speaker 1: it's a half brother, and Corey says, well, what else

1815
01:20:35,920 --> 01:20:38,080
Speaker 1: have you been hiding? A wife? You got kids? Sean's

1816
01:20:38,080 --> 01:20:39,840
Speaker 1: palli tells them you have a pony. We don't know,

1817
01:20:40,240 --> 01:20:47,920
Speaker 1: we know who's who about Susie Writersie. Susie was great.

1818
01:20:49,000 --> 01:20:51,360
Speaker 1: She was You didn't like her because we never heard

1819
01:20:51,360 --> 01:20:54,200
Speaker 1: about her. Yeah, so she couldn't stand back off. She

1820
01:20:54,200 --> 01:20:56,639
Speaker 1: she bucked me off when I was like four. Now

1821
01:20:56,640 --> 01:20:58,200
Speaker 1: we get to it hurt and.

1822
01:20:58,080 --> 01:20:59,840
Speaker 2: I remember being I mean, you know, I had a fear.

1823
01:21:00,040 --> 01:21:01,720
Speaker 1: You've blocked Susie and you got to get back up

1824
01:21:01,720 --> 01:21:01,920
Speaker 1: on the.

1825
01:21:03,439 --> 01:21:05,280
Speaker 2: Every night I was in charge of you know.

1826
01:21:07,880 --> 01:21:10,320
Speaker 1: Sean says, I'm sorry they broke your camera. Corey smiles

1827
01:21:10,320 --> 01:21:12,360
Speaker 1: and says they didn't get the tape. How did he

1828
01:21:12,400 --> 01:21:13,320
Speaker 1: pull this magic trick?

1829
01:21:13,400 --> 01:21:14,839
Speaker 2: This is so annoying.

1830
01:21:15,439 --> 01:21:19,600
Speaker 4: Come on, watched him take the camera and then smash it.

1831
01:21:20,560 --> 01:21:22,760
Speaker 4: No way, you can't eatject.

1832
01:21:22,479 --> 01:21:24,240
Speaker 2: The tape the way you can steal a wallet. You

1833
01:21:24,280 --> 01:21:26,920
Speaker 2: have to actually hit a button. Wait for the worrying sound.

1834
01:21:27,000 --> 01:21:27,760
Speaker 2: And the thing.

1835
01:21:27,840 --> 01:21:29,639
Speaker 3: Could it be that when you picked it up and

1836
01:21:29,720 --> 01:21:31,880
Speaker 3: it broke in half, that the tape was still in there?

1837
01:21:31,960 --> 01:21:35,439
Speaker 1: Was that after before this he's here to saved it.

1838
01:21:35,439 --> 01:21:38,000
Speaker 1: It was like it is, It's just not it doesn't

1839
01:21:38,000 --> 01:21:40,639
Speaker 1: make any sense. I don't like it, but we needed

1840
01:21:41,080 --> 01:21:44,519
Speaker 1: he has to make the choice to not turn him in.

1841
01:21:45,400 --> 01:21:47,920
Speaker 1: It can't be that I don't have the option. So

1842
01:21:47,960 --> 01:21:54,320
Speaker 1: we needed it for storyline. But but Sean tells Corey,

1843
01:21:54,400 --> 01:21:56,920
Speaker 1: mister Williams, you're right, was right, you're a pretty good reporter.

1844
01:21:57,120 --> 01:21:59,280
Speaker 1: Corey hands the tape to Sean, saying take it. It's

1845
01:21:59,320 --> 01:22:02,080
Speaker 1: your family. Sean pushes it away. No, you take it,

1846
01:22:02,160 --> 01:22:05,240
Speaker 1: go win that contest, and Corey asks what about protecting

1847
01:22:05,240 --> 01:22:07,680
Speaker 1: your family? And Sean looks at him and says, I

1848
01:22:07,920 --> 01:22:12,000
Speaker 1: just did Eddie's only blood. You're my family, and this

1849
01:22:12,200 --> 01:22:15,360
Speaker 1: is where writer, I'm the only one I take it.

1850
01:22:15,760 --> 01:22:19,320
Speaker 1: But this moment had the same effect on me as

1851
01:22:19,360 --> 01:22:24,280
Speaker 1: a Garfunkel montage for Corey and Topanga you cry. I

1852
01:22:24,439 --> 01:22:27,200
Speaker 1: was teary and I was in I was willing to

1853
01:22:27,200 --> 01:22:28,880
Speaker 1: buy it all. I was like, you know what, I'll

1854
01:22:28,920 --> 01:22:31,360
Speaker 1: take the tape somehow magically being out of the thing.

1855
01:22:31,640 --> 01:22:34,520
Speaker 1: I'll take all of this to get to this point

1856
01:22:34,600 --> 01:22:39,280
Speaker 1: that Sean had to make a choice over who's really

1857
01:22:39,320 --> 01:22:43,360
Speaker 1: worth protecting in this situation, And it's not just about

1858
01:22:43,360 --> 01:22:48,519
Speaker 1: physical protection. It's actually about my brother who is a

1859
01:22:48,560 --> 01:22:52,960
Speaker 1: criminal but is my blood versus my friend, my friend

1860
01:22:53,000 --> 01:22:56,479
Speaker 1: who's a good person who's always been there for me.

1861
01:22:55,560 --> 01:22:58,679
Speaker 4: Want by the fact that Corey was making an ethical

1862
01:22:58,800 --> 01:23:01,720
Speaker 4: choice based on what a crime is as opposed to

1863
01:23:01,880 --> 01:23:03,879
Speaker 4: just wanting to get an award, it would.

1864
01:23:03,640 --> 01:23:04,160
Speaker 2: Have been helped.

1865
01:23:04,160 --> 01:23:04,840
Speaker 1: It would have helped.

1866
01:23:05,040 --> 01:23:07,720
Speaker 2: And then I also just can't stand how sentimental my

1867
01:23:07,760 --> 01:23:09,640
Speaker 2: performance is in this moment. Like what would have been

1868
01:23:09,680 --> 01:23:12,240
Speaker 2: great is if Sean just sort of said I just

1869
01:23:12,280 --> 01:23:15,160
Speaker 2: did and walked away, or like, you know, somehow you

1870
01:23:15,200 --> 01:23:17,559
Speaker 2: don't have to like look Cory in the eyes and

1871
01:23:17,600 --> 01:23:20,040
Speaker 2: say you blood. I mean it's just for me. It

1872
01:23:20,120 --> 01:23:21,479
Speaker 2: was like, oh, come on.

1873
01:23:21,560 --> 01:23:23,519
Speaker 1: Like that I think could have been just a small

1874
01:23:23,600 --> 01:23:26,160
Speaker 1: change in writing. I think I don't think it's about performance.

1875
01:23:26,200 --> 01:23:29,280
Speaker 1: I think they could have edited ended it on I

1876
01:23:29,439 --> 01:23:33,519
Speaker 1: just did, and we would have all understood without having

1877
01:23:33,560 --> 01:23:36,479
Speaker 1: to reiterate the point that he got directly from Foeni,

1878
01:23:36,600 --> 01:23:39,160
Speaker 1: which is there's blood and that's family, Like we got that.

1879
01:23:39,920 --> 01:23:41,920
Speaker 4: I blame my performance because I think you could delivered

1880
01:23:41,920 --> 01:23:44,160
Speaker 4: the line like I just did. Yeah he's blood in

1881
01:23:44,200 --> 01:23:46,360
Speaker 4: New York, you know, but your family and walked away

1882
01:23:46,680 --> 01:23:49,439
Speaker 4: and would and then leaving Corey with like, yeah, oh

1883
01:23:49,439 --> 01:23:51,800
Speaker 4: my god, what Sean just did. But instead like it's

1884
01:23:51,880 --> 01:23:54,360
Speaker 4: me looking at him directly in the eyes, saying it,

1885
01:23:54,400 --> 01:23:56,960
Speaker 4: almost crying him looking at me, Freeze frame.

1886
01:23:57,200 --> 01:23:59,519
Speaker 2: That's why I oh, never to let you walk away,

1887
01:23:59,520 --> 01:24:02,519
Speaker 2: But just I agree there was where it just mumbled

1888
01:24:02,560 --> 01:24:05,640
Speaker 2: it and picked up the camera never allowed.

1889
01:24:05,280 --> 01:24:07,960
Speaker 3: You too much better, But he never would allowed that

1890
01:24:09,360 --> 01:24:10,160
Speaker 3: you got to look at him.

1891
01:24:10,160 --> 01:24:11,120
Speaker 2: You gotta tell you, I.

1892
01:24:11,200 --> 01:24:14,160
Speaker 1: Think walking away would have felt dismissive or like maybe

1893
01:24:14,200 --> 01:24:15,479
Speaker 1: you were still mad at Corey.

1894
01:24:15,640 --> 01:24:18,200
Speaker 4: I actually think the free or could have been watching

1895
01:24:18,240 --> 01:24:20,600
Speaker 4: my back receive and still had a sentimental smile to

1896
01:24:20,680 --> 01:24:23,639
Speaker 4: himself and underseen it would have been so much better.

1897
01:24:23,920 --> 01:24:25,000
Speaker 2: There's maybe you had.

1898
01:24:25,080 --> 01:24:27,320
Speaker 1: Said that, and maybe if you had said that, I

1899
01:24:27,520 --> 01:24:29,920
Speaker 1: just did, and then walked past him and patted him

1900
01:24:29,920 --> 01:24:33,040
Speaker 1: on the arm so that there was a warmth exchange.

1901
01:24:33,200 --> 01:24:35,439
Speaker 1: A I just did in a physical touch that could

1902
01:24:35,439 --> 01:24:38,680
Speaker 1: have worked, But I'm telling you you can. You can

1903
01:24:38,720 --> 01:24:42,000
Speaker 1: super critique because it's you I was in. I was like,

1904
01:24:42,160 --> 01:24:46,040
Speaker 1: this to me, feels like although I had written all

1905
01:24:46,040 --> 01:24:50,400
Speaker 1: my little criticisms throughout it, this payoff for me when

1906
01:24:50,400 --> 01:24:52,920
Speaker 1: we revealed you had a brother and that was the

1907
01:24:53,040 --> 01:24:55,640
Speaker 1: underlying angst you had been feeling and the thing you

1908
01:24:55,640 --> 01:24:58,320
Speaker 1: weren't sure how to handle. All of that felt like

1909
01:24:59,320 --> 01:25:03,439
Speaker 1: worthy and like a worthwhile roller coaster ride. I loved it.

1910
01:25:03,560 --> 01:25:05,200
Speaker 1: So this to me was kind of where I had

1911
01:25:05,240 --> 01:25:07,679
Speaker 1: my Corey's Bangagarfunkel montage moment for Corey.

1912
01:25:08,320 --> 01:25:11,160
Speaker 2: I was in the middle, in the middle by this point, Yeah.

1913
01:25:11,000 --> 01:25:12,679
Speaker 1: All right, we're fine.

1914
01:25:13,720 --> 01:25:14,479
Speaker 2: It's very sitcom.

1915
01:25:14,640 --> 01:25:17,439
Speaker 3: It's just very ninety sitcom. And that if if that's

1916
01:25:17,479 --> 01:25:20,680
Speaker 3: your thing, then it's great if you know we are

1917
01:25:21,479 --> 01:25:23,280
Speaker 3: yeah right, that's what I mean. It's a ninety sitcom.

1918
01:25:23,400 --> 01:25:25,559
Speaker 3: So it's you're gonna have that moment of you have

1919
01:25:25,600 --> 01:25:27,599
Speaker 3: to take that moment of staring at each other at

1920
01:25:27,600 --> 01:25:28,880
Speaker 3: the end in the freeze frame and all.

1921
01:25:28,880 --> 01:25:31,439
Speaker 2: I mean, that's what that's what it is. So but yeah,

1922
01:25:31,479 --> 01:25:32,920
Speaker 2: a lot of it did, like the tape and all

1923
01:25:32,920 --> 01:25:33,280
Speaker 2: that stuff.

1924
01:25:33,320 --> 01:25:35,120
Speaker 3: It doesn't make a whole lot of sense, but you can't,

1925
01:25:35,160 --> 01:25:39,160
Speaker 3: you know, Well then it was on an episode.

1926
01:25:38,840 --> 01:25:40,200
Speaker 1: You know exactly we had what it is.

1927
01:25:41,160 --> 01:25:43,479
Speaker 2: I'm not worried for me. It's just a performance thing.

1928
01:25:43,520 --> 01:25:47,080
Speaker 4: Like I just I definitely feel my tendency to like

1929
01:25:47,479 --> 01:25:50,160
Speaker 4: be so earnest to a fault, you know, to like,

1930
01:25:50,200 --> 01:25:53,639
Speaker 4: if I have something to express to somebody as an actor,

1931
01:25:53,680 --> 01:25:56,000
Speaker 4: to like deliver it. And I just think it's so

1932
01:25:56,120 --> 01:25:58,320
Speaker 4: much more effective when the audience has to lean in

1933
01:25:58,400 --> 01:25:59,960
Speaker 4: just a little bit, you know. And we could have

1934
01:26:00,080 --> 01:26:02,320
Speaker 4: had it both ways where I you know, I just

1935
01:26:02,880 --> 01:26:04,240
Speaker 4: I just don't I don't know if I would have

1936
01:26:04,280 --> 01:26:06,680
Speaker 4: made the choice as an actor to play it a

1937
01:26:06,680 --> 01:26:11,280
Speaker 4: little more, you know, off the side or off the cuff.

1938
01:26:11,320 --> 01:26:14,080
Speaker 4: And I think I probably loved the drama of like

1939
01:26:14,200 --> 01:26:16,120
Speaker 4: look at and I just think it's more interesting as

1940
01:26:16,120 --> 01:26:18,640
Speaker 4: an actor to throw it away and would you know

1941
01:26:18,960 --> 01:26:19,679
Speaker 4: it wouldn't be better.

1942
01:26:20,080 --> 01:26:23,680
Speaker 1: Well, yeah, I still loved it really truthfully, it did.

1943
01:26:23,880 --> 01:26:25,360
Speaker 1: It did wrap it all up nicely for me, and

1944
01:26:25,400 --> 01:26:38,960
Speaker 1: I liked it. But we're in the Matthew's kitchen. Eric

1945
01:26:38,960 --> 01:26:40,920
Speaker 1: walks in, saying hi to his parents. Alan stands up

1946
01:26:40,960 --> 01:26:42,640
Speaker 1: and says, so about the work you did in the

1947
01:26:42,640 --> 01:26:44,840
Speaker 1: garage and the attic your mother being sensitive and the

1948
01:26:44,880 --> 01:26:47,639
Speaker 1: guilty soul that she is, and Amy lightly pushes Alan,

1949
01:26:47,720 --> 01:26:50,200
Speaker 1: telling him to stop. Amy tells Eric, we're going to

1950
01:26:50,240 --> 01:26:52,960
Speaker 1: pay you for your work sixty bucks. Alan digs through

1951
01:26:53,040 --> 01:26:54,840
Speaker 1: it through his wallet and asks Amy if she has

1952
01:26:54,880 --> 01:26:57,840
Speaker 1: any change. He needs some twenties. Eric reaches into his

1953
01:26:57,880 --> 01:26:59,519
Speaker 1: pocket and says, wait, let me see if I can

1954
01:26:59,520 --> 01:27:01,840
Speaker 1: help you out. He's high so oh no, no, can

1955
01:27:01,920 --> 01:27:04,920
Speaker 1: do only got hundreds, he laughs as he flips through

1956
01:27:04,960 --> 01:27:08,320
Speaker 1: a wad of cash. Amy gasps, where did you get that?

1957
01:27:08,800 --> 01:27:11,519
Speaker 1: Eric tells her from the scam house lankershem and sloans

1958
01:27:11,760 --> 01:27:13,840
Speaker 1: one of those boxes had an old wooden mask. They

1959
01:27:13,840 --> 01:27:15,680
Speaker 1: were so impressed. They gave me a few reasons why

1960
01:27:15,720 --> 01:27:17,439
Speaker 1: I should sell it to him right on the spot,

1961
01:27:17,880 --> 01:27:20,920
Speaker 1: and Alan asks how many reasons. Eric fans his money

1962
01:27:20,920 --> 01:27:25,360
Speaker 1: and says four thousand reasons, and then Phoenie knocks on

1963
01:27:25,400 --> 01:27:27,400
Speaker 1: the door and Eric shows off his four thousand dollars.

1964
01:27:27,400 --> 01:27:31,559
Speaker 1: He exclaims, I'm a millionaire. I'm a millionaire millionaire. Peenie

1965
01:27:31,560 --> 01:27:33,599
Speaker 1: nods and pat's Eric on the shoulder saying I'm sure

1966
01:27:33,640 --> 01:27:35,800
Speaker 1: you are. Phoene walks over to Amy asking if she

1967
01:27:35,840 --> 01:27:38,479
Speaker 1: remembers that box she was storing for him. Amy says, sure,

1968
01:27:38,520 --> 01:27:40,800
Speaker 1: it was in the garage.

1969
01:27:41,080 --> 01:27:43,640
Speaker 4: Now can we talk about like this beet story is

1970
01:27:43,680 --> 01:27:48,920
Speaker 4: perfect plotting, so great fact plotting. It's you introduced the

1971
01:27:48,960 --> 01:27:51,839
Speaker 4: idea of garbage hunting that can take money with Feenie

1972
01:27:51,920 --> 01:27:54,280
Speaker 4: and Eric, right, two characters that don't really have a

1973
01:27:54,320 --> 01:27:57,000
Speaker 4: reason to have this, but you establish it great. Then

1974
01:27:57,200 --> 01:27:59,680
Speaker 4: Eric has a scheme, right, which is are you.

1975
01:27:59,640 --> 01:28:01,080
Speaker 2: Going to make money off of the junk?

1976
01:28:01,200 --> 01:28:04,040
Speaker 4: And then he gets played by his parents by saying

1977
01:28:04,080 --> 01:28:06,880
Speaker 4: you got to clean out the garage. Then he plays

1978
01:28:06,960 --> 01:28:08,599
Speaker 4: them by actually making money.

1979
01:28:08,439 --> 01:28:13,160
Speaker 8: Making money, and then Phoenie comes. We think about the levels.

1980
01:28:13,160 --> 01:28:16,960
Speaker 8: That is like reversal reversal, reversal, reversal. It's four reversals

1981
01:28:17,160 --> 01:28:19,479
Speaker 8: and every single one of them makes just enough sense

1982
01:28:19,520 --> 01:28:22,800
Speaker 8: that you're like, yes, and it's funny and oh, just

1983
01:28:23,400 --> 01:28:24,839
Speaker 8: perfect sitcom riding perfect.

1984
01:28:24,960 --> 01:28:27,720
Speaker 2: Ye, it's a great piece story. It's a great piece story. Yeah,

1985
01:28:27,720 --> 01:28:28,240
Speaker 2: it really is.

1986
01:28:28,720 --> 01:28:31,160
Speaker 1: Phoene responds, terrific. I'm on my way to the appraiser.

1987
01:28:31,160 --> 01:28:33,160
Speaker 1: There's an old Kabooki mask in it. I'm curious to

1988
01:28:33,160 --> 01:28:34,960
Speaker 1: see if I can make a few dollars off of it.

1989
01:28:35,120 --> 01:28:37,559
Speaker 1: And then Eric very quickly holds out money, saying, how

1990
01:28:37,560 --> 01:28:41,439
Speaker 1: about five hundred dollars. Alan looks at him and says Eric.

1991
01:28:41,720 --> 01:28:43,640
Speaker 1: He gives Feenie all the money and says, just take it,

1992
01:28:43,680 --> 01:28:46,599
Speaker 1: take it. Phoene smiles and says, I'm a millionaire. I'm

1993
01:28:46,640 --> 01:28:47,400
Speaker 1: a millionaire.

1994
01:28:47,880 --> 01:28:52,120
Speaker 3: By the way, had rusty sweater too, the green one

1995
01:28:52,160 --> 01:28:53,840
Speaker 3: he's wearing for years.

1996
01:28:54,200 --> 01:28:56,360
Speaker 1: You know what, I know that sweater from yours? I

1997
01:28:56,400 --> 01:28:58,439
Speaker 1: remember that. Did you punch a hole in it and

1998
01:28:58,479 --> 01:29:02,080
Speaker 1: wear it? Yeah? And wear my thumb than coach wardrobe left.

1999
01:29:02,360 --> 01:29:02,720
Speaker 1: I knew it.

2000
01:29:02,800 --> 01:29:04,720
Speaker 2: Yeah, I had that one to say, I knew it.

2001
01:29:04,960 --> 01:29:08,120
Speaker 1: That is so funny. Well, thank you all for joining

2002
01:29:08,200 --> 01:29:10,799
Speaker 1: us for this episode of Podmeets World. Our next episode

2003
01:29:10,840 --> 01:29:14,200
Speaker 1: is season three, episode eighteen, Life Lessons, which originally aired

2004
01:29:14,240 --> 01:29:17,599
Speaker 1: February twenty third, nineteen ninety six. You can follow us

2005
01:29:17,600 --> 01:29:19,960
Speaker 1: on Instagram pod Meets World Show. You can send us

2006
01:29:19,960 --> 01:29:23,479
Speaker 1: your emails podmeets Worldshow at gmail dot com, and we have.

2007
01:29:23,600 --> 01:29:27,519
Speaker 2: Merch Susay I mean March.

2008
01:29:28,880 --> 01:29:32,679
Speaker 1: Podmeets Worldshow dot com will send us out.

2009
01:29:33,120 --> 01:29:34,840
Speaker 2: We love you all, pod dismissed.

2010
01:29:36,080 --> 01:29:39,639
Speaker 3: Podmeets World is nheart podcast producer and hosted by Danielle Fischel,

2011
01:29:39,720 --> 01:29:43,960
Speaker 3: Wilfordell and Ryder Strong executive producers, Jensen Karp and Amy Sugarman,

2012
01:29:44,240 --> 01:29:47,759
Speaker 3: Executive in charge of production, Danielle Romo, producer and editor,

2013
01:29:47,840 --> 01:29:51,599
Speaker 3: Tara sudbachsch producer, Maddy Moore, engineer and Boy Meets World

2014
01:29:51,680 --> 01:29:54,240
Speaker 3: super fan Easton Allen. Our theme song is by Kyle

2015
01:29:54,280 --> 01:29:56,599
Speaker 3: Morton of Typhoon and you can follow us on Instagram

2016
01:29:56,600 --> 01:29:59,320
Speaker 3: at Podmeets World Show or email us at Podmeats World

2017
01:29:59,360 --> 01:30:02,600
Speaker 3: Show at g mail dot com