WEBVTT - Hula-Hoops: The Toy That's A Shape

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<v Speaker 1>Welcome to you Stuff you Should Know from House Stuff

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<v Speaker 1>Works dot com. Hang, and welcome to the podcast. I'm

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<v Speaker 1>Josh Clark, and there's Charles W. Chuck Bryant, there's Jerry

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<v Speaker 1>over there. Uh, and this is Stuff you Should Know

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<v Speaker 1>the podcast. How's going It's fine, great. How's it going

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<v Speaker 1>with you? Good? Jerry's distracting me a little bit because

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<v Speaker 1>all I see in my peripheral vision is her practicing

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<v Speaker 1>her new hula fire dance routine. It's pretty dangerous. It's dangerous,

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<v Speaker 1>but it's um it's interesting to see out of the

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<v Speaker 1>corner of one's eye. Performance art, performance hula art. Can

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<v Speaker 1>you hula hoop? I cannot, sir, I'm too self conscious

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<v Speaker 1>too to even try it. Yeah, it's it's a grown man,

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<v Speaker 1>forty four year old man hula hooping. Plus when I

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<v Speaker 1>do it, like as I rotate my hips and make

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<v Speaker 1>the same ro tap my hips, Yeah, it makes the

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<v Speaker 1>sound of like almost congealed jello just slopping around in

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<v Speaker 1>the ball. You know what I mean. I don't want

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<v Speaker 1>to make that sound. Yeah, but um, I did see

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<v Speaker 1>at a the East Atlanta Strut Festivals, one of Atlanta's

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<v Speaker 1>many great neighborhood festivals. I believe the Strut to Me

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<v Speaker 1>is known for having the better music of most of

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<v Speaker 1>the festivals. And our buddy Craig Johnson's band played Space Knife,

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<v Speaker 1>not space Knife O. This one was I can't remember

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<v Speaker 1>the name of this band, but that band is no

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<v Speaker 1>longer now he's got a new band. Even that guy

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<v Speaker 1>is always coming up with new stuff. You could never

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<v Speaker 1>pay him down too good. You should check out Space

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<v Speaker 1>Knife though. People on the web you can find it.

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<v Speaker 1>It's good. It was in our TV show too. Yeah,

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<v Speaker 1>that's his alter ego. But anyway, Freg's band was playing

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<v Speaker 1>and this I was pretty hula naive hoop naive at

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<v Speaker 1>this point. And a few years ago, and um, there

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<v Speaker 1>was this lady doing uh hula routine to his band

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<v Speaker 1>playing and I videoed it. It was so awesome. So

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<v Speaker 1>she was hoop dancing hoop dancing. Yeah, like the neck,

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<v Speaker 1>the arms, the legs, moving around with it like supremely

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<v Speaker 1>talented hooper. Yeah. If you go onto the web and

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<v Speaker 1>and type in hoop dancing, it's gonna bring up some

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<v Speaker 1>pretty impressive videos. Yeah, and it's quite a workout. I

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<v Speaker 1>could tell. We'll get to that. But just watching her

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<v Speaker 1>I got tired, and so I drank another beer and

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<v Speaker 1>just listen to music. Yeah, and pretended you were hula

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<v Speaker 1>hooping in your head. Yeah, you're like, I'm so good

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<v Speaker 1>at this in my head. But I was like, man,

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<v Speaker 1>that's a thing. Again. I had no idea, but it's

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<v Speaker 1>a big thing, ya, hula hooping. Yeah, but it's been

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<v Speaker 1>around for a while, Yes, it has. For example, Chuck,

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<v Speaker 1>did you know, As Robert points out, Robert Lamb wrote

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<v Speaker 1>this article from Stuff to Blow your Mind. Yeah, and

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<v Speaker 1>he says that the hula hoop has been around in

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<v Speaker 1>some form or fashion since before most of the world's religions. Wow,

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<v Speaker 1>that's really saying something. That is saying something. So let's

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<v Speaker 1>get in the way back machine. Oh we're play back time. Yeah,

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<v Speaker 1>let's go back to one thousand b C. My friend,

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<v Speaker 1>we're in Egypt and their little children, Egyptian children with

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<v Speaker 1>dried up grape vines they've made into hoops playing with them,

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<v Speaker 1>and there's some Egyptian news like get off of my

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<v Speaker 1>patch of sand kids, Yeah, you know, instead of a lawn. Sure,

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<v Speaker 1>I get it. That was good. That was all right. Um,

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<v Speaker 1>so they there, they no doubt used them in similar

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<v Speaker 1>ways that we did today, But they what one thing

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<v Speaker 1>they did, which was a big sporting thing to do

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<v Speaker 1>for a long time, which I don't get personally. The

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<v Speaker 1>fun value that is is using a stick to push

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<v Speaker 1>a hula hoop to the road. I think the fun

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<v Speaker 1>and it is that the hula hoop as it's traveling

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<v Speaker 1>down the road, which does seem to be the oldest

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<v Speaker 1>use of the hoop as playtime activity, Right, it wants

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<v Speaker 1>to fall, it wants to follow over, right, So if

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<v Speaker 1>you can keep it um going, then there's probably a

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<v Speaker 1>tremendous amount of personal satisfaction that you can carry all

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<v Speaker 1>the way to bedtime with and maybe have good dreams

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<v Speaker 1>because of Yeah, I don't even see if you had

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<v Speaker 1>a plastic polyethylene hula hoop, a modern hoop, I don't

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<v Speaker 1>see how a stick like how you would even push it. Uh,

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<v Speaker 1>you would want a stick with maybe um like a fork, No,

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<v Speaker 1>probably something like a stick with a big wad of

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<v Speaker 1>chewed bubble gum on it to like just have some

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<v Speaker 1>sort of point of contact. Because, as we'll see when

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<v Speaker 1>we talk about hula hoop physics, friction plays a big

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<v Speaker 1>part in making hula hoops. Hula hoop, Yes, around the

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<v Speaker 1>waist that is well in any in this case as well,

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<v Speaker 1>and the stick makes contact with the hoop, you're using

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<v Speaker 1>friction to push it along. Good point. So I see

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<v Speaker 1>your point. Like, if you're going to use a stick

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<v Speaker 1>on a like a plastic hula, who it's gonna slide

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<v Speaker 1>off or it's gonna want to Maybe it scares me.

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<v Speaker 1>That's why I think it's dumb. Maybe I would be

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<v Speaker 1>made a love by the hoop maybe at first, but chuck,

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<v Speaker 1>you would have to hang in there and stick with it,

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<v Speaker 1>and um, pretty soon you'd be rolling hoops like an

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<v Speaker 1>Egyptian kid. Yeah, like an ancient Egyptian child. Hoop rolling

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<v Speaker 1>was a big deal throughout ancient Greece as well and Rome. Um,

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<v Speaker 1>they decorated them with bells and things and toys. Uh,

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<v Speaker 1>fifth century BC. There's you ever heard of ganny Mede? Ganymede.

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<v Speaker 1>He was a handsome hero, Oh he was. He supposedly

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<v Speaker 1>there's an old fifth century BC urn of him, um

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<v Speaker 1>where he's holding a rooster that was apparently a gift

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<v Speaker 1>from Zeus and a whop hula whop, clearly hula hoop

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<v Speaker 1>and apparently this discovery Um, I'm not sure why it's

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<v Speaker 1>called the Berlin Painter urn, but it is again no idea.

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<v Speaker 1>But um apparently they said, well, I wonder if hoops

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<v Speaker 1>played a role in the earliest Olympics. And I guess

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<v Speaker 1>they've discredited that idea now, but for a while because

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<v Speaker 1>of this urn, this picture of ganey Mead with a

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<v Speaker 1>hoop um, they wondered, was it a sport? Yeah, an

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<v Speaker 1>Olympic sport. But the Greeks supposedly did use hoops for

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<v Speaker 1>physical fitness as like a physical activity, in very much

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<v Speaker 1>the same way it's become popular today. I would imagine

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<v Speaker 1>a hulah an Olympic hula hooper would be sort of

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<v Speaker 1>like the you know, the what was the sport the

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<v Speaker 1>curler of today? Are you kind of like an ancient Greece, Like, hey,

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<v Speaker 1>what do you throw the hammer? What do you do?

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<v Speaker 1>I'm a hula hooper, although I would guess would probably

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<v Speaker 1>be more akin to the hula hoopers of today. Yeah,

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<v Speaker 1>the hooper roller is what the sport would have been.

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<v Speaker 1>That would be more like curling, right, hula hooping. That's tough, man,

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<v Speaker 1>it is tough. Uh. What else? The ancient Briton's um

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<v Speaker 1>they had a game called a battle game called kill

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<v Speaker 1>the Hoop. Yeah, I like this one when they would

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<v Speaker 1>roll the hoop and throw try to throw a spear

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<v Speaker 1>through it. Pretty neat and dangerous. Uh. And apparently they

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<v Speaker 1>also used it and the hula method and it would

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<v Speaker 1>people get injured. Yeah, it's there was a fifteen or

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<v Speaker 1>fifteenth century those are the four hundreds of the fourteenth

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<v Speaker 1>century century hula hoop craze in Britain in that bizarre

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<v Speaker 1>that is weird, and yeah, people were getting injured. There

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<v Speaker 1>was a proclamation by the early physicians. They would pull

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<v Speaker 1>up there like crows, mask their plague mass just long

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<v Speaker 1>enough to be like stay away from hula hoops, steer

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<v Speaker 1>clear of those things. Yeah, the warning was hoops kill

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<v Speaker 1>was I guess what was posted on the church door.

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<v Speaker 1>And this is like in addition to being in the

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<v Speaker 1>way of a spear that was being thrown at a

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<v Speaker 1>rolling hoop, like this is just from hula hooping. I

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<v Speaker 1>would stay away from the hoops altogether if I was

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<v Speaker 1>an ancient Briton. Yeah, because really, if you're like an

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<v Speaker 1>ancient Briton, you're going from like zero to sixty as

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<v Speaker 1>far as like physical fitness goes. Once you're hula hooping.

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<v Speaker 1>Oh yeah, you know, just because you're not just sitting

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<v Speaker 1>around eating uh like lamb's brains, Yeah, drinking meat? Uh

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<v Speaker 1>what else? The Native Americans UM have a long culture

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<v Speaker 1>of using the hoop um in New Mexico, the taos

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<v Speaker 1>Uh Pueblo people, UM, they used them in ritual dances,

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<v Speaker 1>private healing ceremonies. And did you look up this chunky thing? No,

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<v Speaker 1>did you find the chunky reference? I did. The kaho

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<v Speaker 1>Kean Native Americans. That was an unusual way to pronounced that.

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<v Speaker 1>How would you say it kaho Kean? I think in

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<v Speaker 1>Native American would be kaho Kean. That's fine. Uh. Near St.

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<v Speaker 1>Louis apparently is where they played this game Chunky, which

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<v Speaker 1>I just had to look it up because a game

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<v Speaker 1>called Chunky with an E y and um. From what

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<v Speaker 1>I saw, it was more of a small stone disc

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<v Speaker 1>than like a hula hoop looking thing, and you would

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<v Speaker 1>it was like kill the hoop though in Britain, right, Yeah,

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<v Speaker 1>they would throw a stick apparently it looked like a

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<v Speaker 1>combination of like um bocci and and kill the hoop.

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<v Speaker 1>Weird because I think they would try and throw the

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<v Speaker 1>spear where the disc would eventually land and the closest

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<v Speaker 1>to the disc one. That's like they're predicting where the

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<v Speaker 1>where the hoop would fall. I guess this makes sense,

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<v Speaker 1>although that's not really like Bocci at all. I mean,

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<v Speaker 1>I get there's a proximity element that's boc s y Um,

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<v Speaker 1>but I don't know. I don't know. Like once I

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<v Speaker 1>saw that and saw pictures, I was like, I don't

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<v Speaker 1>even know if they should be in this article because

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<v Speaker 1>it's like a small doughnut that's a hoop of sorts.

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<v Speaker 1>I guess. So it's a stretch if he asked me.

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<v Speaker 1>But it was a big spectator sport, like fifty acre

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<v Speaker 1>stadiums of people would watch this would go to the

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<v Speaker 1>chunky games and so so there was chunky matches in

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<v Speaker 1>Koho kia Uh, and the pueblo used there. I think,

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<v Speaker 1>as you said, they used hoops, and they weren't the

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<v Speaker 1>only ones. UM. There are other tribes from all over

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<v Speaker 1>North America and meso America. I believe UM that used

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<v Speaker 1>hoops for dancing. And apparently it was in nine thirty

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<v Speaker 1>a guy named Tony white Cloud, who was a Yemez

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<v Speaker 1>pueblo down in New Mexico. UM did like a hoop

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<v Speaker 1>dance in public and basically brought it back like it

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<v Speaker 1>had been virtually lost to the ages, at least as

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<v Speaker 1>far as uh the average American was concerned. Most people

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<v Speaker 1>didn't know this was the thing. Luckily, Tony white Clouds

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<v Speaker 1>like check this out did an awesome hoop dance, and

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<v Speaker 1>then by there were national hoop dancing competitions in New Mexico. Um,

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<v Speaker 1>and they're a big deal still to this day. Yeah,

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<v Speaker 1>of course, I think did he kick off the America crazy? No,

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<v Speaker 1>he didn't. He was strictly native American hoop dancing, not

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<v Speaker 1>hula hooping. Okay, so let's go to well, let's take

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<v Speaker 1>a break actually, because this is this is the big

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<v Speaker 1>revelation here. That's right, all right, Josh, We're at that

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<v Speaker 1>point where mainstream America goes hoop crazy. But to get

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<v Speaker 1>to that point, we actually have to go backward again

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<v Speaker 1>in time for a second, back in the way back machine.

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<v Speaker 1>So let's go it running. Let's go to I don't know, Feediar, Tahiti,

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<v Speaker 1>year Poesia. Yeah, and it's the eighteenth century. See all

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<v Speaker 1>these British sailors drink some rum, oh man, Okay, yeah,

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<v Speaker 1>in addition to the realm we've already drank today. Uh.

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<v Speaker 1>So the British sailors that you see here, um, are

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<v Speaker 1>noticing a hula dance, right, and they're filing it away

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<v Speaker 1>in their mental catalog. And uh now when they reach

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<v Speaker 1>Britton again, why have we been saying it like that?

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<v Speaker 1>I don't know. Uh, they notice that it bears a

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<v Speaker 1>striking resemblance to what people do with the hula hoop.

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<v Speaker 1>You gyrate every time you'd say that, by the way,

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<v Speaker 1>you can't can't not do it. So the term hula

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<v Speaker 1>became applied to the hoop, especially when you used your

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<v Speaker 1>hips to gyrate to rotate them. When you rotate your

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<v Speaker 1>hips with the hoop. Uh, these British sailors ended up

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<v Speaker 1>applying the word hula to it, and it's stuck. That's

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<v Speaker 1>where it came from, was Polynesia, even though they was

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<v Speaker 1>no hoop involved in Polynesia. Correct, Yes, they just kind

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<v Speaker 1>of ganked that word. You think their own purposes is

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<v Speaker 1>all over again? That was a big nineties sternm wouldn't it.

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<v Speaker 1>Let's go watch some X files. Um, what's actually yeah,

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<v Speaker 1>the movies coming out soon night. Oh yeah, they're doing

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<v Speaker 1>another one, aren't they that thing will never die. I

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<v Speaker 1>don't think it should keep doing movies, That's what I say. Um.

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<v Speaker 1>So we mentioned that the Greeks I believe used it

0:13:34.240 --> 0:13:38.760
<v Speaker 1>for physical fitness, right. Uh. I don't think we said that.

0:13:38.960 --> 0:13:42.360
<v Speaker 1>I think I said it, okay, Um the uh, the

0:13:42.600 --> 0:13:45.720
<v Speaker 1>Swiss actually came to adopt it for the same reasons

0:13:45.760 --> 0:13:49.320
<v Speaker 1>too in the nineteenth century. In early twentieth century, Yeah,

0:13:49.480 --> 0:13:55.320
<v Speaker 1>someone named Emil Jacques uh dal Crose and that was great.

0:13:55.440 --> 0:14:01.200
<v Speaker 1>That's tough. UM had a program called Rhythmics, which, of

0:14:01.240 --> 0:14:05.240
<v Speaker 1>course I started singing Sweet Dreams this morning because of that,

0:14:05.360 --> 0:14:07.319
<v Speaker 1>and I've been singing it all day as a result.

0:14:07.920 --> 0:14:11.200
<v Speaker 1>So that was a special training program. It was apparently

0:14:11.240 --> 0:14:13.439
<v Speaker 1>a big deal. It was a big deal. So Rhythmics

0:14:13.720 --> 0:14:18.880
<v Speaker 1>used hoops for UM basically physical fitness, but also interpretive dance,

0:14:18.960 --> 0:14:21.360
<v Speaker 1>that kind of stuff. It was a combination of It

0:14:21.440 --> 0:14:24.560
<v Speaker 1>was like dance training is is what I can gather,

0:14:25.120 --> 0:14:28.800
<v Speaker 1>and it used hoops. The reason that we're mentioning this

0:14:28.840 --> 0:14:31.640
<v Speaker 1>when we're talking about the American crazes, that it directly

0:14:31.840 --> 0:14:37.240
<v Speaker 1>led to the American craze potentially because yourhythmics spread from

0:14:37.320 --> 0:14:42.160
<v Speaker 1>Switzerland to UM. Great Britain and it was brought in

0:14:42.200 --> 0:14:45.360
<v Speaker 1>as part of like pe class in Australia. And it

0:14:45.440 --> 0:14:50.040
<v Speaker 1>was in Australia that the founders of Whammo were inspired

0:14:50.200 --> 0:14:52.840
<v Speaker 1>to create the modern hula hoop that we think of

0:14:52.880 --> 0:14:56.280
<v Speaker 1>today boom. So it's possible they watched the rhythmics class

0:14:56.360 --> 0:14:59.680
<v Speaker 1>or heard about the rhythmics class and with Australian kids

0:14:59.760 --> 0:15:02.880
<v Speaker 1>and then said, well, this is a clearly something of

0:15:02.920 --> 0:15:06.000
<v Speaker 1>Australian design and let's bring it to the US and

0:15:06.040 --> 0:15:10.480
<v Speaker 1>started crazy. They said, sweet dreams were made of these. Yeah. Uh.

0:15:10.520 --> 0:15:15.920
<v Speaker 1>And this was Richard Ner and Arthur spud melon mel

0:15:16.280 --> 0:15:22.840
<v Speaker 1>malin melon sounds like m l o n like Thornton melon. Uh.

0:15:22.880 --> 0:15:27.880
<v Speaker 1>Don't tease me with that movie The Great Back to School.

0:15:28.240 --> 0:15:30.640
<v Speaker 1>I saw a bit of that recently and and the

0:15:30.680 --> 0:15:32.680
<v Speaker 1>only thought through my head was like, man, why couldn't

0:15:32.680 --> 0:15:34.960
<v Speaker 1>I have caught this from the beginning? Yeah, because I

0:15:34.960 --> 0:15:37.360
<v Speaker 1>want to see it all that And man, his son

0:15:37.560 --> 0:15:42.120
<v Speaker 1>is pasty. Oh yeah, yeah, yeah, I thought you were

0:15:42.120 --> 0:15:44.240
<v Speaker 1>saying that was a line for the movie. It should

0:15:44.240 --> 0:15:46.680
<v Speaker 1>have been. Yeah, his son Keith Gordon, who became a

0:15:46.720 --> 0:15:50.440
<v Speaker 1>great movie director. H really Yeah, the guy from Christine

0:15:50.520 --> 0:15:53.320
<v Speaker 1>and Back to school. Yeah, yeah, yeah, he'd he gave

0:15:53.400 --> 0:15:57.000
<v Speaker 1>up acting and started directing movies and directed uh a

0:15:57.000 --> 0:15:58.640
<v Speaker 1>bunch of good movies. One called Waking the Dead. You

0:15:58.640 --> 0:16:02.560
<v Speaker 1>should see, I thought, Keith Gordon co starred, and they live.

0:16:04.000 --> 0:16:09.960
<v Speaker 1>I don't know, maybe I'll have to check that. Uh

0:16:10.080 --> 0:16:13.680
<v Speaker 1>So where were we? Oh? Yes, the two founders um

0:16:13.720 --> 0:16:16.800
<v Speaker 1>of WAMMO. They said, you know what, let's take these

0:16:16.840 --> 0:16:20.480
<v Speaker 1>wooden hoops, let's make them out of polyethylene. Let's make

0:16:20.520 --> 0:16:24.640
<v Speaker 1>them and let's charge a dollar ninety eight for them

0:16:24.760 --> 0:16:28.400
<v Speaker 1>and make them all kinds of fun colors. Yeah, and boom,

0:16:28.800 --> 0:16:33.160
<v Speaker 1>the hulahoop craze in night was born. Like it was

0:16:33.520 --> 0:16:37.360
<v Speaker 1>the definition of a flash in the pancrase, a lot

0:16:37.400 --> 0:16:39.200
<v Speaker 1>of money in a very short span of time, like

0:16:39.240 --> 0:16:43.400
<v Speaker 1>a summer. Basically pretty much in Ninemo released it and

0:16:43.440 --> 0:16:46.120
<v Speaker 1>by the end of nineteen fifty eight these things were

0:16:46.200 --> 0:16:51.320
<v Speaker 1>rotting in the warehouse. But in the meantime they sold globally,

0:16:51.920 --> 0:16:55.760
<v Speaker 1>globally from the summer to the end of ninety eight

0:16:56.160 --> 0:17:01.720
<v Speaker 1>a hundred million. Who who Yeah, more than that, I think,

0:17:02.440 --> 0:17:05.280
<v Speaker 1>dam my brain, Yeah, you forgot what we were talking about.

0:17:05.359 --> 0:17:08.800
<v Speaker 1>I almost said, Frisbee, did we do one on the frisbee. No,

0:17:09.720 --> 0:17:11.720
<v Speaker 1>I thought we had, but we haven't have we No,

0:17:11.840 --> 0:17:15.320
<v Speaker 1>we did one on the boomerang, right, just like a frisbee,

0:17:15.359 --> 0:17:19.320
<v Speaker 1>but it's like a dangerous frisbee. Uh. So they sell

0:17:19.400 --> 0:17:22.679
<v Speaker 1>all these hula hoops. They make a ton of money, um, like,

0:17:23.040 --> 0:17:26.560
<v Speaker 1>you know, over fifty million dollars in a short span

0:17:26.600 --> 0:17:28.760
<v Speaker 1>of time, which I'm sure they weren't happy with that

0:17:28.920 --> 0:17:31.399
<v Speaker 1>that it didn't last, but they were also probably like

0:17:31.720 --> 0:17:34.520
<v Speaker 1>an injection of cash like that is great for any business. Yeah,

0:17:34.520 --> 0:17:36.120
<v Speaker 1>and then they moved on to the frisbee and made

0:17:36.160 --> 0:17:38.760
<v Speaker 1>even more money. Yeah. And they did not secure a

0:17:38.760 --> 0:17:40.359
<v Speaker 1>patent for it. I guess it didn't matter in the

0:17:40.400 --> 0:17:42.840
<v Speaker 1>long run. Well, they couldn't because it was so yeah,

0:17:43.040 --> 0:17:47.280
<v Speaker 1>demonstrably an ancient invention that nobody could patent it. Nope,

0:17:47.359 --> 0:17:49.440
<v Speaker 1>but they trademarked it. They did. They trade marked the

0:17:49.520 --> 0:17:53.080
<v Speaker 1>name hula hoop in the United States, which is why,

0:17:53.200 --> 0:17:55.440
<v Speaker 1>uh we still call it hula hoop today. I guess

0:17:55.760 --> 0:17:58.640
<v Speaker 1>it just became we should probably put the title with

0:17:58.720 --> 0:18:01.480
<v Speaker 1>a are in a certain goal for this. Oh, yeah,

0:18:01.520 --> 0:18:04.560
<v Speaker 1>we should do that, like Barbie. Uh. It was named

0:18:04.560 --> 0:18:07.880
<v Speaker 1>the number thirty five toy of all time UM by

0:18:07.880 --> 0:18:12.240
<v Speaker 1>Time magazine and they know toys toys, And then from

0:18:12.320 --> 0:18:14.679
<v Speaker 1>nineteen sixty eight to nineteen eighty one there were national

0:18:15.040 --> 0:18:20.440
<v Speaker 1>hula hoop contests held and the guess in the early

0:18:20.480 --> 0:18:23.040
<v Speaker 1>eighties people were finished with it. There were also like

0:18:23.160 --> 0:18:28.200
<v Speaker 1>a tremendous amount of um music, like musical singles released

0:18:28.440 --> 0:18:31.720
<v Speaker 1>called the hula hoop song. Different people recorded different songs

0:18:31.760 --> 0:18:34.679
<v Speaker 1>about hula hooping. Doesn't surprise me. Yeah, it was a

0:18:34.760 --> 0:18:37.920
<v Speaker 1>crazy big time And you say that they were done

0:18:37.960 --> 0:18:41.800
<v Speaker 1>with it by the eighties, not true. The national competitions

0:18:42.119 --> 0:18:44.840
<v Speaker 1>there was so if you look at hula hooping records,

0:18:44.880 --> 0:18:48.800
<v Speaker 1>the most recent hula hoop records from two thousand nine, Well,

0:18:48.840 --> 0:18:52.240
<v Speaker 1>but was that part of a national competition probably, or

0:18:52.280 --> 0:18:56.520
<v Speaker 1>just a guy named Aaron Hibbs he hula hooped, just

0:18:56.640 --> 0:19:01.200
<v Speaker 1>hula hooped for seventy four hours and fifty four minutes. Wow.

0:19:01.240 --> 0:19:03.760
<v Speaker 1>He broke the record of I didn't even stand up

0:19:03.760 --> 0:19:05.920
<v Speaker 1>for that long. He broke the record of a girl

0:19:06.000 --> 0:19:09.720
<v Speaker 1>named Kim kob rely um. She held the record twice,

0:19:09.760 --> 0:19:13.280
<v Speaker 1>in nineteen with fifty four hours and in nineteen eighty

0:19:13.320 --> 0:19:18.120
<v Speaker 1>four for seventy two hours, which is pretty impressive. People

0:19:18.280 --> 0:19:20.800
<v Speaker 1>do like hundreds of them at once. Yeah, there's a

0:19:20.800 --> 0:19:24.320
<v Speaker 1>guy named Paul Dizzy Hips Blair who set the record

0:19:24.320 --> 0:19:26.119
<v Speaker 1>in two thousand nine with a hundred and thirty two

0:19:26.160 --> 0:19:30.040
<v Speaker 1>hoops at the same time. That's impressive. He's basically probably

0:19:30.080 --> 0:19:32.639
<v Speaker 1>just like like the Michelin man made of hula hoops.

0:19:34.200 --> 0:19:37.639
<v Speaker 1>Ever tell you about the Surface Area Man constant him

0:19:37.640 --> 0:19:42.680
<v Speaker 1>in Athens that was out on Halloween, um in Athens

0:19:42.800 --> 0:19:45.800
<v Speaker 1>in college and those the dude I know. The guy's

0:19:45.880 --> 0:19:47.800
<v Speaker 1>name is Blake. He has You may have seen him.

0:19:47.800 --> 0:19:50.960
<v Speaker 1>He had big red dreadlocks, kind of a short guy,

0:19:51.160 --> 0:19:54.359
<v Speaker 1>just a ubiquitous Athens dude. He lives kind of in

0:19:54.359 --> 0:19:56.160
<v Speaker 1>my neighborhood now. I still see him every once a while.

0:19:56.160 --> 0:19:59.479
<v Speaker 1>We called him Sideshow Blake because of Sideshow Bob. And

0:19:59.480 --> 0:20:01.640
<v Speaker 1>he came in bar and the Georgia Bar, and he

0:20:02.240 --> 0:20:08.600
<v Speaker 1>had these foam disks around his arms, around his legs,

0:20:08.640 --> 0:20:12.760
<v Speaker 1>around his waist and neck that were huge, like probably

0:20:12.880 --> 0:20:16.320
<v Speaker 1>four ft across, and he was Surface Area Man and

0:20:16.440 --> 0:20:19.320
<v Speaker 1>that was just his costume because when he moved around,

0:20:19.359 --> 0:20:22.240
<v Speaker 1>he took up like, you know, probably seventy five square

0:20:22.280 --> 0:20:24.800
<v Speaker 1>feet in space and he would just move through the

0:20:24.840 --> 0:20:28.040
<v Speaker 1>bar and say, I'm surface area man, and I'll always

0:20:28.080 --> 0:20:29.719
<v Speaker 1>remember every time I see Blake. I saw him at

0:20:29.720 --> 0:20:32.320
<v Speaker 1>the grocery store the other day. Was he dressed like that? No,

0:20:32.400 --> 0:20:34.320
<v Speaker 1>but that was like surface He wouldn't fit down the

0:20:34.320 --> 0:20:38.159
<v Speaker 1>grocery aisle. Does he have dread still? Yeah? Does he

0:20:38.200 --> 0:20:41.480
<v Speaker 1>really still rocking the red dreads? He's dedicating? He looks

0:20:41.520 --> 0:20:44.320
<v Speaker 1>exactly the same. Actually, but we weren't friends. I could

0:20:45.080 --> 0:20:48.159
<v Speaker 1>actually like him. Actually, I'm gonna just walk by him

0:20:48.160 --> 0:20:53.159
<v Speaker 1>and go surface area man. I'm gonna do it. All right,

0:20:53.240 --> 0:20:55.560
<v Speaker 1>Let's talk about the Hudsucker Proxy for a quick moment,

0:20:55.880 --> 0:20:58.120
<v Speaker 1>and then we'll take another break. Did you ever see

0:20:58.119 --> 0:21:00.840
<v Speaker 1>that one? I don't think I made it through that one.

0:21:00.920 --> 0:21:03.920
<v Speaker 1>The Coen Brothers, Yeah, uh not. All of their movies

0:21:03.920 --> 0:21:06.879
<v Speaker 1>are great. I disagree. I love the Cohen Brothers, but

0:21:07.119 --> 0:21:11.040
<v Speaker 1>some of their movies stink. Oh boy that they're part

0:21:11.040 --> 0:21:13.960
<v Speaker 1>of my pcent club where every movie they've made it

0:21:13.960 --> 0:21:16.880
<v Speaker 1>has been great. That is wrong? Which other ones? Don't

0:21:16.880 --> 0:21:19.680
<v Speaker 1>you like? The Man who Wasn't There? Love it? Uh?

0:21:20.000 --> 0:21:26.080
<v Speaker 1>Bob Robertson, They didn't. That wasn't there? Well it was terrible? Okay? Uh? Well,

0:21:26.119 --> 0:21:29.280
<v Speaker 1>the Hudsucker Proxy too. I liked it. I would put

0:21:29.280 --> 0:21:31.960
<v Speaker 1>it at lesser Cohen's for sure, you would have to,

0:21:32.200 --> 0:21:36.040
<v Speaker 1>but I enjoyed it quite a bit. Tim Robbins and

0:21:36.119 --> 0:21:39.600
<v Speaker 1>Jennifer Jason Lee and Paul Newman u in a fictitious

0:21:39.640 --> 0:21:43.080
<v Speaker 1>tale of the invention of the hula hoop. Um. It

0:21:43.200 --> 0:21:46.159
<v Speaker 1>is not the true biopic of the invention of the

0:21:46.200 --> 0:21:48.240
<v Speaker 1>hula hoop, but they co opted it for one of

0:21:48.280 --> 0:21:51.320
<v Speaker 1>their movies and it was nothing pretty great. But that's

0:21:51.359 --> 0:21:54.560
<v Speaker 1>just me, okay, all right, go ahead, Well no, that

0:21:54.600 --> 0:21:57.520
<v Speaker 1>was it that I just want to shout it out. Fine,

0:21:58.359 --> 0:22:00.320
<v Speaker 1>Uh well, then let's take a break because are about

0:22:00.359 --> 0:22:05.080
<v Speaker 1>to get into physics in hoop games. Yep. After this,

0:22:27.760 --> 0:22:31.919
<v Speaker 1>no Country for Old Man terrible. I'm kidding, I'm kidding.

0:22:32.600 --> 0:22:36.399
<v Speaker 1>I love that's maybe the best. Raising Arizon is probably

0:22:36.400 --> 0:22:40.800
<v Speaker 1>the best that It'd be tough for me to pick

0:22:40.800 --> 0:22:42.479
<v Speaker 1>on any given day, but far Ago is the one

0:22:42.480 --> 0:22:46.440
<v Speaker 1>I can watch over and over. Yeah, I would say

0:22:46.440 --> 0:22:48.160
<v Speaker 1>this three year time for first. Did we just come

0:22:48.160 --> 0:22:50.040
<v Speaker 1>back from the break? Just sick? Going right back into

0:22:50.040 --> 0:22:51.639
<v Speaker 1>the car? I don't know. All right, let's do it.

0:22:51.840 --> 0:22:55.040
<v Speaker 1>We'll see how Jerry edits this. Um, so let's it

0:22:55.080 --> 0:22:57.000
<v Speaker 1>wouldn't be a Stuff You Should Know podcast if we

0:22:57.040 --> 0:23:02.240
<v Speaker 1>didn't talk about the science behind something seemingly unscientific. Well,

0:23:02.320 --> 0:23:04.960
<v Speaker 1>hula hoops are super complex as far as physics goes,

0:23:05.000 --> 0:23:08.800
<v Speaker 1>you know, super complex, super complex. There's just a few things.

0:23:08.840 --> 0:23:10.920
<v Speaker 1>We are not in agreement on stuff today, are we?

0:23:10.960 --> 0:23:12.800
<v Speaker 1>I don't know what's going on. So let's say you

0:23:12.840 --> 0:23:15.040
<v Speaker 1>have a hula hoop, right, and it's around your waist,

0:23:15.920 --> 0:23:19.240
<v Speaker 1>and you take it and you wrote you have it

0:23:19.320 --> 0:23:22.400
<v Speaker 1>up against maybe one hips making contact with your body.

0:23:22.480 --> 0:23:24.879
<v Speaker 1>That you're starting in the traditional way, then sure, and

0:23:25.040 --> 0:23:28.560
<v Speaker 1>you whip it around to one side, and as you

0:23:28.600 --> 0:23:32.919
<v Speaker 1>do you start rotating your hips. Right, I'm rotating my

0:23:33.000 --> 0:23:35.800
<v Speaker 1>hips chests. Uh. And as you do that, when you

0:23:35.920 --> 0:23:38.800
<v Speaker 1>rotate your hips, what you're doing is, first of all,

0:23:38.840 --> 0:23:41.960
<v Speaker 1>you're conserving the angular momentum you gave the hula hoop

0:23:42.000 --> 0:23:44.480
<v Speaker 1>when you pushed it in a certain direction, twisted it

0:23:44.520 --> 0:23:48.240
<v Speaker 1>around yourself. Right, that's right. You are the axis you, Yes,

0:23:48.280 --> 0:23:50.600
<v Speaker 1>you are the excess to and when you move your

0:23:50.640 --> 0:23:53.200
<v Speaker 1>hips around you, when you when you rotate your hips,

0:23:53.600 --> 0:23:57.160
<v Speaker 1>you're applying what's called torque. Yeah, because all this hoop

0:23:57.160 --> 0:23:59.639
<v Speaker 1>wants to do is fall down around on the ground

0:23:59.760 --> 0:24:02.639
<v Speaker 1>and you look foolish. It wants to stop. Well, no,

0:24:02.760 --> 0:24:05.200
<v Speaker 1>it doesn't want to stop because of inertia. It wants

0:24:05.240 --> 0:24:08.240
<v Speaker 1>to keep going, but it can't because of friction. But

0:24:08.359 --> 0:24:10.320
<v Speaker 1>it wants to fall down to the ground like you said,

0:24:10.359 --> 0:24:14.440
<v Speaker 1>and make you look foolish. But ironically, that same friction

0:24:14.640 --> 0:24:17.240
<v Speaker 1>is keeping it from doing that. Who was the fool? Now?

0:24:17.359 --> 0:24:21.640
<v Speaker 1>Whoop the hula hoop? Fool? All right? Did you talk

0:24:21.680 --> 0:24:24.160
<v Speaker 1>about the torque? I did talk about torque, and torque

0:24:24.200 --> 0:24:28.680
<v Speaker 1>is a twisting force where you're twisting your hips. You're

0:24:28.880 --> 0:24:32.399
<v Speaker 1>thrusting the hula hoop around in the circle, and what

0:24:32.440 --> 0:24:36.480
<v Speaker 1>you're doing there is contributing to the centripetal force and

0:24:36.520 --> 0:24:40.439
<v Speaker 1>its centrifical no send trip at all, two different things.

0:24:40.560 --> 0:24:43.480
<v Speaker 1>Move is a force that moves at a right angle

0:24:43.800 --> 0:24:46.720
<v Speaker 1>to the motion of your body, so it keeps that

0:24:46.800 --> 0:24:50.480
<v Speaker 1>thing whatever it is, say, hula hoop or tractor tire, which,

0:24:50.480 --> 0:24:52.800
<v Speaker 1>by the way, someone said a record hula hooping with

0:24:52.840 --> 0:24:56.080
<v Speaker 1>a tractor tire. Yeah, for like seventy seconds of fifty

0:24:56.080 --> 0:24:58.960
<v Speaker 1>four pound tire. How big was a person? I'm sure

0:24:59.000 --> 0:25:02.159
<v Speaker 1>he's ginorm all right, Um, I think he's from like

0:25:02.200 --> 0:25:04.560
<v Speaker 1>bailor roost or something, you know. Yeah, they do that

0:25:04.640 --> 0:25:10.280
<v Speaker 1>on a daily basis. So, uh, with the centripetal forces

0:25:10.240 --> 0:25:12.280
<v Speaker 1>is going at a right angle to the direction that

0:25:12.320 --> 0:25:15.919
<v Speaker 1>you're thrusting your hips, it's constantly going to move around

0:25:15.920 --> 0:25:20.600
<v Speaker 1>the circle on the axis. That is centripetal force, boom,

0:25:21.600 --> 0:25:23.879
<v Speaker 1>tripetal motion. I should say yes. And when this hoop

0:25:23.880 --> 0:25:27.000
<v Speaker 1>wants to fall, of course, we're talking about gravity. Gravity

0:25:27.040 --> 0:25:29.760
<v Speaker 1>wants to win that fight. But um, if you keep

0:25:29.840 --> 0:25:34.080
<v Speaker 1>that pulsing gyration going, then you're gonna keep that hoop

0:25:34.680 --> 0:25:37.520
<v Speaker 1>just a little ahead of the curve. Yeah, that's apparently

0:25:37.560 --> 0:25:39.399
<v Speaker 1>the key, and Robert puts this in here is a

0:25:39.480 --> 0:25:42.080
<v Speaker 1>kind of like a throwaway thing that I think that's

0:25:42.160 --> 0:25:44.960
<v Speaker 1>the key of hula hooping is you want your hip

0:25:45.560 --> 0:25:50.840
<v Speaker 1>to move just before that that I guess wave that

0:25:50.880 --> 0:25:55.040
<v Speaker 1>comes in contact with your body again, comes in contact

0:25:55.119 --> 0:25:58.960
<v Speaker 1>like comes catch and release in a way. Okay, you

0:25:59.000 --> 0:26:01.040
<v Speaker 1>can catching it on your up and then slinging it

0:26:01.080 --> 0:26:05.520
<v Speaker 1>back around. I'm gyrating. There's a lot of gyrating going

0:26:05.520 --> 0:26:09.360
<v Speaker 1>on in this room right now. It's crazy. Um, So

0:26:09.400 --> 0:26:12.560
<v Speaker 1>there's a few different parts of the body at work. Um.

0:26:12.600 --> 0:26:15.639
<v Speaker 1>I don't know why in two thousand four they needed

0:26:15.720 --> 0:26:18.840
<v Speaker 1>a fifteen page study in the Journal of Biological Cybernetics

0:26:19.600 --> 0:26:22.400
<v Speaker 1>to figure this out, because if you just look at somebody,

0:26:22.760 --> 0:26:25.600
<v Speaker 1>you can tell that the hips, knees and ankles are

0:26:25.600 --> 0:26:28.040
<v Speaker 1>really what's at play keeping that thing going. And that's

0:26:28.080 --> 0:26:33.040
<v Speaker 1>if you're just doing the the hip hula hoop, notack

0:26:33.080 --> 0:26:34.600
<v Speaker 1>and legs and all that. Of course, it's just the

0:26:34.680 --> 0:26:38.320
<v Speaker 1>standard hooping, right. Yeah. And so another study I think

0:26:38.600 --> 0:26:41.719
<v Speaker 1>four years later, in the Journal of Human Movements. I

0:26:41.760 --> 0:26:44.399
<v Speaker 1>don't know why they needed that. They built upon this

0:26:44.440 --> 0:26:47.520
<v Speaker 1>two thousand four study and said, okay, you use your hips,

0:26:47.560 --> 0:26:52.359
<v Speaker 1>knees and ankles. Everybody uses it, but depending on the individual,

0:26:52.600 --> 0:26:55.679
<v Speaker 1>there'll be different contributions from the hips, knees or ankle

0:26:56.440 --> 0:26:59.520
<v Speaker 1>depends on the motion of your ocean exactly. So it's

0:26:59.560 --> 0:27:04.000
<v Speaker 1>like the individual. Everybody uses the same the same parts,

0:27:04.080 --> 0:27:07.040
<v Speaker 1>but they use them in different percentages to come up

0:27:07.080 --> 0:27:10.359
<v Speaker 1>with the hula hooping motion. Yeah. I've got certain body

0:27:10.359 --> 0:27:14.960
<v Speaker 1>types are better at this than others too. Yeah. Slim, yeah, yeah,

0:27:15.359 --> 0:27:18.480
<v Speaker 1>probably so that the one in front of A Craig's band,

0:27:18.560 --> 0:27:21.240
<v Speaker 1>she was pretty slam. I guess she's working that thing. Man.

0:27:21.280 --> 0:27:24.560
<v Speaker 1>It was like, it was pretty amazing hula hoop. So

0:27:24.600 --> 0:27:27.439
<v Speaker 1>that's hoop dancing. When we'll finish up here with some

0:27:27.520 --> 0:27:30.399
<v Speaker 1>other games. Well, we didn't talk about hoop dancing. We

0:27:30.400 --> 0:27:32.800
<v Speaker 1>were just talking about hula hooping. No, we talked about

0:27:32.840 --> 0:27:35.359
<v Speaker 1>hoop dancing at the beginning with that lady. Oh yeah, okay,

0:27:35.600 --> 0:27:38.880
<v Speaker 1>so that's hoop dancing. Okay, that's when you know it's

0:27:38.920 --> 0:27:40.920
<v Speaker 1>around the neck and then you work it down around

0:27:40.960 --> 0:27:42.959
<v Speaker 1>your hips and then up one arm and then up

0:27:43.000 --> 0:27:47.840
<v Speaker 1>the other arm. It's pretty impressive. Um, your standard hula hooping,

0:27:47.840 --> 0:27:51.720
<v Speaker 1>of course, which we've covered. Uh, speed and endurance depends

0:27:51.720 --> 0:27:54.000
<v Speaker 1>on what you're after, sure, like I want to do

0:27:54.000 --> 0:27:56.520
<v Speaker 1>this for twenty minutes, or I want to do it

0:27:56.640 --> 0:28:01.240
<v Speaker 1>really fast for five minutes. Okay, hooper, that's one of

0:28:01.280 --> 0:28:05.640
<v Speaker 1>my favorite trendling Like you're a little ancient Egyptian kid.

0:28:07.040 --> 0:28:10.320
<v Speaker 1>I'd like to see you do that hoop rolling. Let's

0:28:10.320 --> 0:28:12.600
<v Speaker 1>do it. Let's do a video for that. Okay, we

0:28:12.640 --> 0:28:15.560
<v Speaker 1>could do a periscope of it. Oh yeah, let's do that.

0:28:15.560 --> 0:28:18.040
<v Speaker 1>We're gonna start doing that. We could do at least

0:28:18.040 --> 0:28:20.959
<v Speaker 1>one of me hoop rolling. I think people, Well, we're

0:28:21.000 --> 0:28:23.600
<v Speaker 1>gonna get emails, they'll turn out and droves to see that.

0:28:24.440 --> 0:28:26.840
<v Speaker 1>Hundreds of people show up for that. There's one not

0:28:27.040 --> 0:28:28.480
<v Speaker 1>on this list that I want to give a shout

0:28:28.520 --> 0:28:30.960
<v Speaker 1>out to. All Right, what it was invented? Apparently in

0:28:31.040 --> 0:28:35.560
<v Speaker 1>Belgium they call it Belgium skipping. It's called ankle skipping.

0:28:36.160 --> 0:28:38.320
<v Speaker 1>It's where you put the hula hoop on one foot

0:28:38.360 --> 0:28:41.240
<v Speaker 1>around one ankle and you use it to hula hoop.

0:28:41.240 --> 0:28:43.280
<v Speaker 1>You make the hula hoop motion with that one and

0:28:43.320 --> 0:28:45.880
<v Speaker 1>if it comes around, you jump through the hoop with

0:28:45.920 --> 0:28:48.320
<v Speaker 1>the other one. Yeah, I can't believe it wasn't on

0:28:48.360 --> 0:28:51.440
<v Speaker 1>this list. Yeah, that's a solid hooped endeavor. But apparently

0:28:51.440 --> 0:28:55.560
<v Speaker 1>it's a pretty recent invention from like the sixties. All Right,

0:28:55.600 --> 0:28:58.760
<v Speaker 1>that makes sense. Um, that's sort of like hoop jumping,

0:28:59.040 --> 0:29:01.280
<v Speaker 1>but not quite know hoop jumping is more like jump

0:29:01.400 --> 0:29:03.120
<v Speaker 1>roping with a hula hoop. Yeah, but that kind of

0:29:03.120 --> 0:29:08.120
<v Speaker 1>reminds me of that too. Okay. Hoop jumping is when

0:29:08.160 --> 0:29:11.080
<v Speaker 1>you hold the hula hoop the top of it and

0:29:11.080 --> 0:29:13.280
<v Speaker 1>then you swing it around your body and jump up

0:29:13.280 --> 0:29:16.480
<v Speaker 1>and down. Um, like you have nothing better to do

0:29:16.560 --> 0:29:19.160
<v Speaker 1>in life, right, Like you can't find a jump rope

0:29:19.160 --> 0:29:21.960
<v Speaker 1>you haven't heard of those before. Return the hoop. This

0:29:22.040 --> 0:29:24.040
<v Speaker 1>is the only one I was ever good at. That's

0:29:24.040 --> 0:29:28.160
<v Speaker 1>when you you hold it vertically and you fling it

0:29:28.200 --> 0:29:29.920
<v Speaker 1>out as hard as you can backwards, and it sort

0:29:29.960 --> 0:29:32.200
<v Speaker 1>of spins in place and comes back to you, and

0:29:32.240 --> 0:29:34.520
<v Speaker 1>if you're not expecting it, you're gonna turn and run

0:29:34.560 --> 0:29:39.200
<v Speaker 1>because it's startling. He talked about kill the hoop. We

0:29:39.240 --> 0:29:42.320
<v Speaker 1>don't recommend you use spears to do that, or just

0:29:42.360 --> 0:29:46.280
<v Speaker 1>make sure nobody's in the vicinity of where the hoop is. Yeah,

0:29:47.000 --> 0:29:50.000
<v Speaker 1>you don't want to combine hoop chundling and kill the

0:29:50.000 --> 0:29:53.959
<v Speaker 1>hoop because you'll kill the hoop chund to lure. And

0:29:54.000 --> 0:29:55.640
<v Speaker 1>I'm not even to cover this last one. I dare

0:29:55.680 --> 0:29:58.760
<v Speaker 1>YouTube though. I like this one. Whop your environment, Yeah,

0:29:58.880 --> 0:30:01.920
<v Speaker 1>go ahead. So it's like can put hula hoops around

0:30:02.360 --> 0:30:05.280
<v Speaker 1>and you jump from them like their their islands and

0:30:05.320 --> 0:30:08.160
<v Speaker 1>there's a lot of in between. Okay, what's wrong with that?

0:30:08.480 --> 0:30:12.480
<v Speaker 1>I don't know, too childish, No, I'm very childish, but

0:30:12.600 --> 0:30:15.360
<v Speaker 1>I don't know. I just didn't there's a dear childlike

0:30:15.480 --> 0:30:21.920
<v Speaker 1>not childish. Big difference. Man. Uh, Well, we talked about exercise.

0:30:22.000 --> 0:30:26.680
<v Speaker 1>It is um legitimate exercise are hula hoop classes now. Um,

0:30:26.720 --> 0:30:32.640
<v Speaker 1>apparently Marissa Tomay, the actor, um, took hoop fitness classes

0:30:32.680 --> 0:30:35.200
<v Speaker 1>to lose weight for or to get in shape for

0:30:35.200 --> 0:30:38.520
<v Speaker 1>her movie The Wrestler in two thousand eight. Uh. First

0:30:38.600 --> 0:30:42.160
<v Speaker 1>Lady in Michelle Obama is very famously hoop worked out. Yeah,

0:30:42.160 --> 0:30:45.400
<v Speaker 1>whop hooped the lawn of the White House to say, hey, kids,

0:30:45.440 --> 0:30:47.760
<v Speaker 1>get active and at the US Open, yeah, you can

0:30:47.800 --> 0:30:51.600
<v Speaker 1>still have fun by doing this. Um. And they even

0:30:51.640 --> 0:30:54.360
<v Speaker 1>did another study to see what kind of calories you

0:30:54.400 --> 0:30:58.320
<v Speaker 1>could burn. Lots of hoop studies, um, too many. Um.

0:30:58.360 --> 0:31:02.360
<v Speaker 1>They took women between sixteen at the nine and said

0:31:03.240 --> 0:31:07.680
<v Speaker 1>go crazy and hoop and they yeah. And they were

0:31:07.720 --> 0:31:11.200
<v Speaker 1>weighted hoops too, by the way, Um, which is not

0:31:11.280 --> 0:31:13.480
<v Speaker 1>to say they were super heavy. They're generally still pretty

0:31:13.520 --> 0:31:17.400
<v Speaker 1>light weight. Yeah. But strangely a weighted hoop is easier

0:31:17.480 --> 0:31:22.400
<v Speaker 1>to keep going, yes, which makes sense, I think. Uh.

0:31:22.400 --> 0:31:27.800
<v Speaker 1>And they average a hundred fifty one beats per minute.

0:31:29.200 --> 0:31:32.320
<v Speaker 1>Yeah heart beats oh their heart Yeah yeah yeah yeah.

0:31:32.440 --> 0:31:36.440
<v Speaker 1>Tripical Quest would be proud. Uh. And that is burning

0:31:36.480 --> 0:31:40.120
<v Speaker 1>seven calories a minute or two ten calories during a

0:31:40.120 --> 0:31:44.160
<v Speaker 1>half hour of hooping. So that's good. Exercise people. That's like, um,

0:31:44.160 --> 0:31:50.000
<v Speaker 1>weightlifting type calorie burn yeah plus also um, like if

0:31:50.000 --> 0:31:52.480
<v Speaker 1>you just break it down to calorie first of all, chalk.

0:31:52.600 --> 0:31:55.280
<v Speaker 1>I want to do an episode and I'm not quite

0:31:55.360 --> 0:31:57.520
<v Speaker 1>sure how to frame it yet. It doesn't have a thesis.

0:31:57.880 --> 0:32:01.920
<v Speaker 1>But there are so many like medical myths out there

0:32:02.000 --> 0:32:05.920
<v Speaker 1>that are just taken as fact, even by the medical establishment,

0:32:05.960 --> 0:32:07.800
<v Speaker 1>even though like if you asked a doctor like is

0:32:07.840 --> 0:32:10.360
<v Speaker 1>this fact, they would be like, no, no, actually it's

0:32:10.360 --> 0:32:13.400
<v Speaker 1>not like drinking eight glasses of water a day totally

0:32:13.400 --> 0:32:16.000
<v Speaker 1>made up and that Like, I think we should do

0:32:16.040 --> 0:32:19.280
<v Speaker 1>one on medical myths sometime. What do you think we

0:32:19.320 --> 0:32:22.520
<v Speaker 1>should have? We not No, Like part of me wants

0:32:22.560 --> 0:32:25.040
<v Speaker 1>to say we have, but I think things to have

0:32:25.240 --> 0:32:29.240
<v Speaker 1>just come up like here there over over the years. Anyway. Um,

0:32:30.840 --> 0:32:33.160
<v Speaker 1>if even if you take the calories out of the equation,

0:32:33.560 --> 0:32:38.440
<v Speaker 1>just hula hooping, the standard hip gyration hula hoop will

0:32:38.920 --> 0:32:43.520
<v Speaker 1>really really work out your core. Yeah, like hoop. No,

0:32:43.640 --> 0:32:44.880
<v Speaker 1>you can just sit in your chair and do what

0:32:44.920 --> 0:32:48.440
<v Speaker 1>I'm doing now, Like I'm getting I'm sweating. Yeah right now,

0:32:49.680 --> 0:32:54.120
<v Speaker 1>my lip, my upper lip is broken out in perspiration. Uh.

0:32:54.400 --> 0:32:57.640
<v Speaker 1>Modern hooping Um burlesque uses hoops. If you go to

0:32:58.360 --> 0:33:01.240
<v Speaker 1>any music uti, well, these days you're gonna see the

0:33:01.320 --> 0:33:03.560
<v Speaker 1>ladies like I was talking about, or they might have

0:33:03.640 --> 0:33:05.800
<v Speaker 1>them decked out with L E D s or even fire.

0:33:05.960 --> 0:33:08.960
<v Speaker 1>Well what's neat is um L E D hula hoops

0:33:09.000 --> 0:33:12.080
<v Speaker 1>in particular are really displaying like the physics of hula

0:33:12.120 --> 0:33:15.280
<v Speaker 1>hoops pretty net through Like, Um, what's that type of

0:33:15.280 --> 0:33:22.600
<v Speaker 1>photography LSD? No? No, uh, what's the what's that photography

0:33:22.680 --> 0:33:24.360
<v Speaker 1>where you like you just keep the shutter open, so

0:33:24.840 --> 0:33:28.680
<v Speaker 1>like high exposure, long exposure. Yeah, you just said it,

0:33:28.760 --> 0:33:31.160
<v Speaker 1>keeping that shutter open. It's like when you see the

0:33:31.200 --> 0:33:33.440
<v Speaker 1>pictures of the cars on the freeway right and it's

0:33:33.480 --> 0:33:35.640
<v Speaker 1>just like a long trail of headlights. Yeah, but there

0:33:35.640 --> 0:33:38.000
<v Speaker 1>are photos out there of L E ed um hula

0:33:38.040 --> 0:33:40.640
<v Speaker 1>hoops there. It's just like you can see they don't

0:33:40.680 --> 0:33:43.120
<v Speaker 1>just keep like a flat path. They go all over

0:33:43.160 --> 0:33:47.080
<v Speaker 1>the place in some way. It's really neat. It's pretty cool. Um.

0:33:47.160 --> 0:33:50.280
<v Speaker 1>What about this lady, the Israeli sculptor Did you watch that?

0:33:51.440 --> 0:33:53.600
<v Speaker 1>I saw a couple of pictures of it. Yes. Her

0:33:53.680 --> 0:33:57.240
<v Speaker 1>name is Cigolette Lendau, and in two thousand three she

0:33:57.320 --> 0:34:01.200
<v Speaker 1>did a performance art um slash clitical statement of peace

0:34:01.760 --> 0:34:05.520
<v Speaker 1>where she did what's called barbed hula and she was

0:34:05.720 --> 0:34:10.440
<v Speaker 1>naked and uh hula hooped with a barbed wire hula

0:34:10.480 --> 0:34:15.040
<v Speaker 1>hoop that just tore her abdomen up. It's really rough. Yeah,

0:34:15.040 --> 0:34:18.400
<v Speaker 1>it was pretty disturbing, but she said, um she uh.

0:34:19.400 --> 0:34:21.640
<v Speaker 1>It was on then Israeli beach that she defined as

0:34:21.680 --> 0:34:25.400
<v Speaker 1>the only common natural border Israel has. So she was

0:34:25.440 --> 0:34:28.080
<v Speaker 1>making a statement to my friend, Well, she's an artist,

0:34:28.360 --> 0:34:30.759
<v Speaker 1>that's what they do. Um. I got a couple of

0:34:30.840 --> 0:34:36.759
<v Speaker 1>last things in the hula hoop craze of the Yeah, yes, yeah,

0:34:36.840 --> 0:34:42.160
<v Speaker 1>not the not the fourteenth century Briton one. Um. It

0:34:42.320 --> 0:34:45.440
<v Speaker 1>was in Japan, it was banned. The hula whoop was

0:34:45.480 --> 0:34:47.160
<v Speaker 1>banned because they were worried was going to lead to

0:34:47.800 --> 0:34:52.640
<v Speaker 1>actual stuff things happening gyrating hips. Yeah. Um. And apparently

0:34:52.640 --> 0:34:56.200
<v Speaker 1>the Soviets said that it was a it was evidence

0:34:56.400 --> 0:35:01.879
<v Speaker 1>of the emptiness of American culture. Hula who crazy, really, yeah,

0:35:02.080 --> 0:35:04.759
<v Speaker 1>leading to the Soviets to be like Americans, come on,

0:35:06.360 --> 0:35:11.160
<v Speaker 1>they hated America. Do you remember when the Iron Curtain

0:35:11.239 --> 0:35:13.080
<v Speaker 1>fell and you were like, oh wait a minute, Like

0:35:13.239 --> 0:35:15.720
<v Speaker 1>everything we were taught about the Soviet Union was basically

0:35:15.800 --> 0:35:19.720
<v Speaker 1>made up and they were like, you know, the average

0:35:19.760 --> 0:35:21.840
<v Speaker 1>Russian was like a good person. Yeah, and the average

0:35:21.920 --> 0:35:24.359
<v Speaker 1>Russian was a lot like the average American, and yeah,

0:35:24.440 --> 0:35:30.400
<v Speaker 1>drunk on vodka. I'm gonna live for it, all right,

0:35:30.480 --> 0:35:33.360
<v Speaker 1>that's it. If you want to know more about hula hoops,

0:35:33.760 --> 0:35:35.960
<v Speaker 1>you can type that word into the search bar at

0:35:35.960 --> 0:35:38.920
<v Speaker 1>how stuff works dot com. And since I said search parts,

0:35:39.000 --> 0:35:44.799
<v Speaker 1>time for listener mate, I'm gonna call this uh anorexia?

0:35:45.440 --> 0:35:48.319
<v Speaker 1>Did you read this one? Why don't you know how

0:35:48.360 --> 0:35:50.160
<v Speaker 1>I missed that? Hey, guys, I'm a huge fan. I

0:35:50.200 --> 0:35:52.200
<v Speaker 1>want to let you know how you have how Stuff

0:35:52.200 --> 0:35:53.520
<v Speaker 1>you Should Know has helped me over the years. And

0:35:53.600 --> 0:35:56.600
<v Speaker 1>again listening if I love these again listening at the

0:35:56.640 --> 0:35:59.799
<v Speaker 1>age of twelve and I'm now turning eighteen, it's pretty cool,

0:36:00.000 --> 0:36:02.040
<v Speaker 1>Agust Night. Stuff you shou Know has played a part

0:36:02.120 --> 0:36:04.880
<v Speaker 1>in the young adult I've become. At twelve, I was

0:36:04.960 --> 0:36:08.520
<v Speaker 1>diagnosed with restrictive and rexia. It was hospitalized for about

0:36:08.560 --> 0:36:11.040
<v Speaker 1>a month and did day treatment for almost a year.

0:36:11.560 --> 0:36:13.440
<v Speaker 1>After leaving treatment for the day I had religiously put

0:36:13.480 --> 0:36:15.080
<v Speaker 1>on my headphones and turn on Stuff you Should Know.

0:36:15.760 --> 0:36:18.319
<v Speaker 1>The podcast was really helpful on bad days, especially if

0:36:18.360 --> 0:36:21.000
<v Speaker 1>I had just had an argument with my parents, are

0:36:21.000 --> 0:36:24.920
<v Speaker 1>a difficult meal or your humor was especially helpful. I

0:36:25.000 --> 0:36:27.200
<v Speaker 1>remember laughing out loud many times in the car, which

0:36:27.280 --> 0:36:30.960
<v Speaker 1>was quite a rare occurrence. I'm pretty solid and recovery now.

0:36:31.000 --> 0:36:33.960
<v Speaker 1>But your podcast also helped me gain a better relationship

0:36:34.080 --> 0:36:36.600
<v Speaker 1>with my sibling. My eating disorder costs a lot of

0:36:36.640 --> 0:36:38.680
<v Speaker 1>tension between my sibling and I for quite a few years.

0:36:38.719 --> 0:36:42.680
<v Speaker 1>But one day I invited her to listen to your podcast.

0:36:43.040 --> 0:36:46.800
<v Speaker 1>Stuff You Snow quickly became a part of her commute

0:36:46.840 --> 0:36:50.640
<v Speaker 1>to university class. We occasionally would discuss the podcast topics.

0:36:51.560 --> 0:36:53.680
<v Speaker 1>We now have a tradition, and I love this part too.

0:36:54.040 --> 0:36:56.000
<v Speaker 1>We now have a tradition of listening to the Christmas

0:36:56.080 --> 0:36:59.360
<v Speaker 1>Extravaganza together while in winter break, which is what we

0:36:59.480 --> 0:37:02.719
<v Speaker 1>want people to do, to gather the family and make

0:37:02.800 --> 0:37:05.879
<v Speaker 1>this a thing. Some plum pudding. Even though I don't

0:37:05.880 --> 0:37:08.600
<v Speaker 1>know what we're we're gonna get pretty slim on Christmas.

0:37:08.880 --> 0:37:12.319
<v Speaker 1>I've got at least one great topic. Yeah, we need

0:37:12.400 --> 0:37:15.960
<v Speaker 1>to start looking now though, You're right, yeah, um, we've

0:37:16.040 --> 0:37:18.520
<v Speaker 1>even gifted each other matching stuff you should know shirts

0:37:18.520 --> 0:37:21.359
<v Speaker 1>one here. More recently, I received a very urgent text

0:37:21.520 --> 0:37:23.759
<v Speaker 1>letting me know in all caps that you guys were

0:37:23.800 --> 0:37:27.520
<v Speaker 1>coming to Minneapolis this fall, and another text, so let

0:37:27.560 --> 0:37:29.840
<v Speaker 1>me know that Chuck's daughter Ruby shares the same birthday

0:37:30.320 --> 0:37:32.439
<v Speaker 1>is our father. And I want to point out again

0:37:32.719 --> 0:37:37.839
<v Speaker 1>and Josh the Triumvirate. That's right. Your podcast gives us

0:37:37.880 --> 0:37:39.759
<v Speaker 1>endless topics and inside jokes. And I can't thank you

0:37:39.880 --> 0:37:42.359
<v Speaker 1>enough for bringing us closer together. Thanks again for being

0:37:42.400 --> 0:37:45.160
<v Speaker 1>such a big part of my formative years. Uh, my

0:37:45.239 --> 0:37:46.640
<v Speaker 1>sister and I can't wait to see you guys in

0:37:46.680 --> 0:37:50.759
<v Speaker 1>Minneapolis this fall. That is from Emily, and she said

0:37:50.800 --> 0:37:54.279
<v Speaker 1>please shut out her sister Megan. Awesome, and we thank

0:37:54.320 --> 0:37:56.640
<v Speaker 1>you for telling us all day like that really means

0:37:56.719 --> 0:37:58.759
<v Speaker 1>the world to us. Yes, and best of luck in

0:37:58.840 --> 0:38:03.279
<v Speaker 1>your continued recovery. That is tough stuff. Yeah, and congratulations too. Yeah. Well,

0:38:03.320 --> 0:38:05.600
<v Speaker 1>well we should do it Eating Disorder podcast at some

0:38:05.680 --> 0:38:08.640
<v Speaker 1>point that one's been hanging out there. Yeah yeah, because

0:38:08.640 --> 0:38:10.400
<v Speaker 1>you know, there's like a whole It was like this

0:38:10.520 --> 0:38:13.800
<v Speaker 1>new idea that like almost everybody has an eating disorder

0:38:13.800 --> 0:38:16.840
<v Speaker 1>in America these days of some kind. Yeah, like typically

0:38:16.920 --> 0:38:20.120
<v Speaker 1>binge eating is like a huge thing. Um, yeah, we

0:38:20.200 --> 0:38:22.839
<v Speaker 1>should definitely do that. Yeah. Um, but thank you very

0:38:22.960 --> 0:38:27.320
<v Speaker 1>much Emily and hello sister Megan. You appreciate you guys listening,

0:38:27.719 --> 0:38:29.960
<v Speaker 1>and hopefully we'll see you guys in Minneapolis when we

0:38:30.040 --> 0:38:32.839
<v Speaker 1>come in October. And you know what, actually write me back.

0:38:32.960 --> 0:38:35.000
<v Speaker 1>We'll put you on the guest list. Oh man, how

0:38:35.040 --> 0:38:39.839
<v Speaker 1>about that nice for you too, That's something just for you, Tobe,

0:38:39.920 --> 0:38:43.239
<v Speaker 1>no guests. I'm just kidding. Well, you need to lay

0:38:43.280 --> 0:38:45.919
<v Speaker 1>it down. We should probably have illegal disclaimer added after

0:38:46.000 --> 0:38:47.960
<v Speaker 1>this too. Yeah, we might hear from a lot of

0:38:48.040 --> 0:38:52.320
<v Speaker 1>Emily and Megan's in Minnesoa. Uh. If you want to

0:38:52.360 --> 0:38:54.759
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<v Speaker 1>can send us an email at Stuff Podcast at house

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<v Speaker 1>to works dot com and it's always joining us at

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