1
00:00:00,240 --> 00:00:05,600
Speaker 1: Now here's a highlight from Coast to Coast AM on iHeartRadio.

2
00:00:04,960 --> 00:00:07,320
Speaker 2: And welcome back to George and Ore along with Joe Diamond.

3
00:00:07,320 --> 00:00:09,559
Speaker 2: We're going to take calls next hour with Joe as

4
00:00:09,600 --> 00:00:12,520
Speaker 2: we talk about the Haunted paranormal. Joe, tell us about

5
00:00:12,520 --> 00:00:14,920
Speaker 2: your mind reading abilities. How did you master that?

6
00:00:16,640 --> 00:00:22,720
Speaker 3: Well? I grew up watching many different kinds of you know,

7
00:00:22,800 --> 00:00:27,200
Speaker 3: Tales of the Unexplained shows and many of your listeners.

8
00:00:27,480 --> 00:00:33,920
Speaker 3: Nothing nothing super ironically out of the ordinary there. But

9
00:00:35,040 --> 00:00:40,040
Speaker 3: the people that really kind of stuck out to me

10
00:00:40,159 --> 00:00:43,879
Speaker 3: were the people like, you know, the amazing Creskin and

11
00:00:44,120 --> 00:00:47,760
Speaker 3: Uri Geller, and people like Darren Brown in the UK

12
00:00:49,200 --> 00:00:54,320
Speaker 3: was just becom popular when I was a teenager, and

13
00:00:54,840 --> 00:00:57,920
Speaker 3: lots of other people. I found books on people such

14
00:00:57,920 --> 00:01:02,400
Speaker 3: as David Hole, who there's a great book on him

15
00:01:02,440 --> 00:01:05,800
Speaker 3: called super Psychic where he had his own radio show

16
00:01:05,840 --> 00:01:10,640
Speaker 3: in Chicago or in He started in Chicago performing on stage,

17
00:01:10,680 --> 00:01:14,680
Speaker 3: but then had his own radio show out of I believe, Pennsylvania.

18
00:01:14,840 --> 00:01:17,840
Speaker 3: But he would just people would call in and just

19
00:01:18,360 --> 00:01:20,759
Speaker 3: make these, you know, ask him questions like where did

20
00:01:20,760 --> 00:01:23,080
Speaker 3: I lose this object? And he would just tell them

21
00:01:23,480 --> 00:01:28,200
Speaker 3: just plainly say, oh, it's in the drawer in the

22
00:01:28,280 --> 00:01:30,960
Speaker 3: table across the room for you second draw down, and

23
00:01:31,360 --> 00:01:35,399
Speaker 3: they that would be where the necklace was. And I

24
00:01:35,560 --> 00:01:38,120
Speaker 3: was always fascinated with the you know, the power of

25
00:01:38,160 --> 00:01:40,160
Speaker 3: the mind and everything from.

26
00:01:41,840 --> 00:01:44,880
Speaker 1: Hope there Joe to being.

27
00:01:44,600 --> 00:01:48,120
Speaker 3: Able to you know, look at someone's palm and read

28
00:01:48,160 --> 00:01:52,720
Speaker 3: the lines and tell their fortunes. So I give as

29
00:01:52,960 --> 00:01:56,320
Speaker 3: much of that as I could. Unfortunately, I went to

30
00:01:56,480 --> 00:02:00,480
Speaker 3: a very very strict religious school that kind of looked

31
00:02:00,520 --> 00:02:04,160
Speaker 3: down on all of that, which didn't allow me to

32
00:02:04,200 --> 00:02:05,840
Speaker 3: do it as much as I wanted. But at the

33
00:02:05,840 --> 00:02:08,760
Speaker 3: same time, every time they said, you know, oh, don't

34
00:02:08,760 --> 00:02:11,880
Speaker 3: get into that stuff, they could lead to you know,

35
00:02:12,000 --> 00:02:14,520
Speaker 3: other things that just made me want to do it more.

36
00:02:15,240 --> 00:02:20,840
Speaker 3: And so I got books on you know, books on

37
00:02:20,919 --> 00:02:26,320
Speaker 3: everything again from contact, mind reading to there's a lot

38
00:02:26,320 --> 00:02:28,360
Speaker 3: of techniques such as again like PAULM.

39
00:02:28,520 --> 00:02:33,320
Speaker 2: Street and Taro, did yourself teach yourself.

40
00:02:34,600 --> 00:02:37,160
Speaker 3: To a large extent, Yes, I did manage to have

41
00:02:37,200 --> 00:02:41,840
Speaker 3: some great mentors. Uh. In the Chicagoland area. There was

42
00:02:42,040 --> 00:02:47,000
Speaker 3: a gentleman by the name of Marshall Brodein who in

43
00:02:47,040 --> 00:02:50,160
Speaker 3: the Chicagoland area people would remember him as a whizzo

44
00:02:50,280 --> 00:02:53,520
Speaker 3: the Wacky Wizard, and he was famous for selling something

45
00:02:53,560 --> 00:02:57,120
Speaker 3: called a TV magic cards. But a lot of people

46
00:02:57,120 --> 00:02:59,799
Speaker 3: don't know as he spent most of his career as

47
00:02:59,840 --> 00:03:04,320
Speaker 3: they legitimate uh stage hypnotist. And while I don't do

48
00:03:04,520 --> 00:03:09,720
Speaker 3: any like trance work or anything like that, he worked

49
00:03:09,720 --> 00:03:13,920
Speaker 3: with me a lot about how to stand on stage

50
00:03:14,040 --> 00:03:18,040
Speaker 3: and how to talk to an audience. And he turned

51
00:03:18,040 --> 00:03:20,440
Speaker 3: me on to a lot of like these very highly

52
00:03:21,480 --> 00:03:24,040
Speaker 3: specialized books that you had to like kind of you

53
00:03:24,040 --> 00:03:26,160
Speaker 3: can just go to the library and get You had

54
00:03:26,200 --> 00:03:29,400
Speaker 3: to know someone who could you know, set you up

55
00:03:29,440 --> 00:03:35,360
Speaker 3: with the right set of tools or materials and such.

56
00:03:35,400 --> 00:03:39,840
Speaker 3: And he really encouraged me to look into the works

57
00:03:39,960 --> 00:03:45,240
Speaker 3: of previous psychic entertainers and mind readers and uh, to

58
00:03:45,400 --> 00:03:50,480
Speaker 3: really go down down that path. And uh yeah, and

59
00:03:50,480 --> 00:03:53,840
Speaker 3: that was that was a big, big aspect of it.

60
00:03:53,920 --> 00:03:56,720
Speaker 3: I still I still sink to a lot of myself

61
00:03:57,400 --> 00:04:01,080
Speaker 3: the techniques. The big area where other people insights come

62
00:04:01,080 --> 00:04:05,760
Speaker 3: in is from the show aspect how to stage something,

63
00:04:05,840 --> 00:04:09,200
Speaker 3: whether to keep the person I'm reading in the audience

64
00:04:09,240 --> 00:04:13,000
Speaker 3: around stage, for example, or if I bring four people

65
00:04:13,040 --> 00:04:15,200
Speaker 3: on stage, do I stand them all in a row

66
00:04:15,240 --> 00:04:18,360
Speaker 3: to my left, all in a road of my right too,

67
00:04:18,480 --> 00:04:20,960
Speaker 3: to the left to to the middle. If if you

68
00:04:21,040 --> 00:04:24,400
Speaker 3: watch the old you know, just for example, like crestin

69
00:04:24,480 --> 00:04:27,400
Speaker 3: shows or just clips of Uri Gellar from his early

70
00:04:27,480 --> 00:04:32,279
Speaker 3: TV appearances. Uri was a huge, huge influence on me,

71
00:04:32,360 --> 00:04:35,360
Speaker 3: and I was enjoyed a when I had my own

72
00:04:35,440 --> 00:04:38,719
Speaker 3: radio show a few years back, I had the pleasure

73
00:04:38,839 --> 00:04:42,560
Speaker 3: of talking with him and he's he's incredible. I mean,

74
00:04:42,640 --> 00:04:45,320
Speaker 3: it was, it was it was just a dream come

75
00:04:45,360 --> 00:04:45,720
Speaker 3: true to.

76
00:04:45,680 --> 00:04:46,080
Speaker 1: Talk with.

77
00:04:48,000 --> 00:04:53,520
Speaker 3: Girl. Oh, absolutely absolutely, and and he she has the

78
00:04:53,560 --> 00:04:56,120
Speaker 3: ability to just talk to you as if you are

79
00:04:56,160 --> 00:04:59,400
Speaker 3: the only person in the world, and it's not that

80
00:04:59,640 --> 00:05:02,840
Speaker 3: the the most important person in the world at that moment.

81
00:05:03,400 --> 00:05:10,280
Speaker 3: And he he's got so many you know, clips of

82
00:05:10,360 --> 00:05:14,039
Speaker 3: him online of he just knows how to position people

83
00:05:14,080 --> 00:05:16,799
Speaker 3: on stage or how to just kind of take over

84
00:05:16,839 --> 00:05:19,400
Speaker 3: a show and just see people in the you know,

85
00:05:19,440 --> 00:05:23,440
Speaker 3: whether whether he is you know, legitimate or not. And

86
00:05:23,480 --> 00:05:27,040
Speaker 3: I agree with you, but just his showmanship of knowing

87
00:05:27,800 --> 00:05:33,000
Speaker 3: how to stand and how to handle people in a situation.

88
00:05:33,080 --> 00:05:37,040
Speaker 3: There's a great shot of him just from the early seventies,

89
00:05:37,040 --> 00:05:40,160
Speaker 3: in his early early career when he's super young and

90
00:05:40,279 --> 00:05:44,120
Speaker 3: he's just standing with a bunch of people holding their

91
00:05:44,200 --> 00:05:46,120
Speaker 3: keys out and spoons out for him to bend, and

92
00:05:46,160 --> 00:05:50,880
Speaker 3: he's just spending you know one thing. Yeah, yeah, exactly.

93
00:05:50,920 --> 00:05:53,880
Speaker 3: But I mean just that image of you know, all

94
00:05:54,120 --> 00:05:56,720
Speaker 3: all those things around him, like just being in I

95
00:05:56,800 --> 00:05:59,240
Speaker 3: still don't know of anyone. There's been lots of people

96
00:05:59,279 --> 00:06:03,479
Speaker 3: who have copied his you know abilities, whether you know,

97
00:06:03,600 --> 00:06:06,880
Speaker 3: legitimately or fraudulently, but I don't think anyone has been

98
00:06:07,480 --> 00:06:11,080
Speaker 3: as compelling as him while doing it. And you know

99
00:06:11,200 --> 00:06:16,559
Speaker 3: that's and that to me is the big A big

100
00:06:16,600 --> 00:06:20,080
Speaker 3: aspect too, is you know, you know, whether or not

101
00:06:20,320 --> 00:06:22,880
Speaker 3: it's kind of like juggling. You know, we all have

102
00:06:23,000 --> 00:06:27,279
Speaker 3: the ability to sit down and practice juggling three balls,

103
00:06:27,320 --> 00:06:30,360
Speaker 3: but when someone can do four than five, and then

104
00:06:30,400 --> 00:06:33,359
Speaker 3: it's nive and it's shame thoughts, and they're taking the

105
00:06:33,520 --> 00:06:36,640
Speaker 3: human capability to a place that we never could have

106
00:06:36,720 --> 00:06:41,120
Speaker 3: imagined for entertainment. I mean, that is very very much.

107
00:06:42,080 --> 00:06:45,000
Speaker 3: And someone can just sit there and just you know,

108
00:06:45,920 --> 00:06:47,920
Speaker 3: do a stunt and be like, you know, balance a

109
00:06:47,960 --> 00:06:49,680
Speaker 3: share on their chain and go, oh, you can tell

110
00:06:49,680 --> 00:06:52,400
Speaker 3: I don't have a life, or they can say, hey,

111
00:06:53,120 --> 00:06:54,640
Speaker 3: I'm want of a few people in the world that

112
00:06:54,720 --> 00:06:58,000
Speaker 3: can do this thing with this kind of chair. Do

113
00:06:58,040 --> 00:07:00,440
Speaker 3: you all want to see it and really get people

114
00:07:00,680 --> 00:07:04,360
Speaker 3: excited for it? And that's that's very much what I

115
00:07:05,240 --> 00:07:08,440
Speaker 3: try to bring to, you know, all of my shows

116
00:07:08,680 --> 00:07:14,240
Speaker 3: and really try to, you know, try to learn when

117
00:07:14,280 --> 00:07:16,560
Speaker 3: I when I read these old books or watchall equips,

118
00:07:16,560 --> 00:07:20,440
Speaker 3: I'm not looking to you know, copy them, but I'm

119
00:07:20,440 --> 00:07:22,840
Speaker 3: looking to see, like, you know, again, how they handle

120
00:07:22,880 --> 00:07:28,600
Speaker 3: a microphone and how to uh project their humanity to

121
00:07:28,680 --> 00:07:32,760
Speaker 3: an audience and so forth, and the so a lot

122
00:07:32,800 --> 00:07:35,240
Speaker 3: of that I'm very much self self taught on when

123
00:07:35,280 --> 00:07:38,120
Speaker 3: it comes to, uh that aspect.

124
00:07:38,600 --> 00:07:41,120
Speaker 2: In the places that are haunted that you've been to, Joe,

125
00:07:41,240 --> 00:07:42,560
Speaker 2: have you ever been scared?

126
00:07:46,680 --> 00:07:49,000
Speaker 3: I've definitely been freaked out. I don't think I've ever

127
00:07:49,040 --> 00:07:52,160
Speaker 3: been scared as in like scared to my life or

128
00:07:52,200 --> 00:07:56,680
Speaker 3: scared that I was going to be possessed or anything

129
00:07:56,800 --> 00:08:04,440
Speaker 3: like that. I've definitely had moments of uh wow or

130
00:08:04,560 --> 00:08:07,600
Speaker 3: oh oh God, Okay, Nope, I'm done, you know, I'm done.

131
00:08:07,600 --> 00:08:10,480
Speaker 3: I'm i gotta step away for a moment. Uh. There

132
00:08:10,640 --> 00:08:14,440
Speaker 3: was a there was a point of one of my

133
00:08:14,760 --> 00:08:18,360
Speaker 3: recent trips to the UH which Stock Operas is actually

134
00:08:18,360 --> 00:08:22,200
Speaker 3: down on the on the ground floor, and uh, there

135
00:08:22,280 --> 00:08:26,360
Speaker 3: is there is an object called a ghost light, which

136
00:08:26,720 --> 00:08:29,160
Speaker 3: many theaters will have to just put out when they

137
00:08:29,560 --> 00:08:31,960
Speaker 3: close up the theater for the night. There's lots of

138
00:08:32,000 --> 00:08:37,720
Speaker 3: different tales and folklore about it. And uh, the superstition

139
00:08:37,840 --> 00:08:39,719
Speaker 3: is is that you're leaving the ghost out for the

140
00:08:40,040 --> 00:08:43,959
Speaker 3: ghosts and the theater. It's also a stay supercaution. It

141
00:08:43,960 --> 00:08:47,600
Speaker 3: allows whoever comes in, uh to the little next they

142
00:08:47,600 --> 00:08:49,960
Speaker 3: don't have to be in this massive, giant dark room

143
00:08:50,000 --> 00:08:52,680
Speaker 3: by themselves and try and tumble around for a light switch.

144
00:08:54,760 --> 00:08:57,400
Speaker 3: And uh, I was they had set it out and

145
00:08:57,480 --> 00:08:59,840
Speaker 3: I had forgotten something. So I went back in, grabbed

146
00:08:59,840 --> 00:09:05,280
Speaker 3: my shoulder bag, just looked at the ghost light and

147
00:09:05,360 --> 00:09:09,160
Speaker 3: I just said, are you excited for Halloween as I am?

148
00:09:09,360 --> 00:09:11,440
Speaker 3: And the light just kind of right at that moment

149
00:09:11,480 --> 00:09:15,280
Speaker 3: almost on c just kind of a few times, and

150
00:09:15,320 --> 00:09:18,240
Speaker 3: then grew a little brighter and then went back with

151
00:09:18,600 --> 00:09:23,880
Speaker 3: the usual you know, hue or intensity, and I just said,

152
00:09:23,960 --> 00:09:27,840
Speaker 3: I will take that at yes, thank you, and I

153
00:09:28,040 --> 00:09:31,680
Speaker 3: always say thank you. And I left it at that,

154
00:09:32,080 --> 00:09:36,560
Speaker 3: and I've definitely felt, you know, I felt I wouldn't

155
00:09:36,559 --> 00:09:38,560
Speaker 3: say I was scared at that moment but I definitely

156
00:09:38,559 --> 00:09:41,280
Speaker 3: had a little bit of the goosebumps, and it's definitely

157
00:09:41,320 --> 00:09:43,360
Speaker 3: the kind of feeling I want to try to give

158
00:09:43,600 --> 00:09:47,160
Speaker 3: people in the show. And I've definitely noticed other people

159
00:09:47,240 --> 00:09:54,360
Speaker 3: when they've a place like that, definitely heightened these feelings

160
00:09:54,440 --> 00:09:59,200
Speaker 3: for and other people. In fact, i'll spoil this much too.

161
00:09:59,800 --> 00:10:03,960
Speaker 3: The second the second act of the show, the opening

162
00:10:04,080 --> 00:10:06,600
Speaker 3: line of it is, We're going to wait for everything

163
00:10:06,640 --> 00:10:10,840
Speaker 3: to get super quiet, step out as long as possible,

164
00:10:11,679 --> 00:10:16,640
Speaker 3: and just say you feel that, don't you. You don't

165
00:10:16,679 --> 00:10:21,000
Speaker 3: have to be psychic to know that there's something about

166
00:10:21,040 --> 00:10:24,920
Speaker 3: this place, and you genuinely don't. Just being in that

167
00:10:25,080 --> 00:10:31,160
Speaker 3: space genuinely it genuinely affects you. And yeah, I mean

168
00:10:31,240 --> 00:10:35,160
Speaker 3: you'd have to. I can't imagine it not affecting you

169
00:10:35,440 --> 00:10:39,760
Speaker 3: on that level, especially this week, especially coming up on

170
00:10:39,840 --> 00:10:43,760
Speaker 3: how Night, and I have noticed there's certain places where

171
00:10:45,080 --> 00:10:53,400
Speaker 3: it definitely increases or it impacts the abilities of that

172
00:10:53,520 --> 00:10:55,439
Speaker 3: most people do tend to actually have.

173
00:10:56,440 --> 00:10:59,120
Speaker 2: There's no question about that. Then what is it about

174
00:10:59,160 --> 00:11:03,760
Speaker 2: the Midwest that's so many places?

175
00:11:03,880 --> 00:11:08,880
Speaker 3: Yeah, yeah, it's yeah, we've got well, well for starters,

176
00:11:08,920 --> 00:11:11,720
Speaker 3: we've got two major cities, Like I'm I'm right in between.

177
00:11:11,840 --> 00:11:15,800
Speaker 3: I'm equal distance from Chicago and Milwaukee, so a lot

178
00:11:15,840 --> 00:11:22,400
Speaker 3: of a lot of stuff there. I mean, I think

179
00:11:22,400 --> 00:11:28,200
Speaker 3: a big thing at least with this specific town. Uh,

180
00:11:28,280 --> 00:11:30,719
Speaker 3: it's got a lot going for it because again it's

181
00:11:30,760 --> 00:11:34,199
Speaker 3: a it's where Orson Wells grew up and he brought

182
00:11:34,320 --> 00:11:37,559
Speaker 3: so much and he even said in many energews he

183
00:11:37,800 --> 00:11:41,600
Speaker 3: considered woodstock Holm and I don't know, and Ray Bradberry's

184
00:11:41,600 --> 00:11:45,200
Speaker 3: from this area as well. I think it's just you know,

185
00:11:45,360 --> 00:11:48,880
Speaker 3: at night, all the all the cornfields just look like,

186
00:11:49,120 --> 00:11:52,280
Speaker 3: you know, empty black voids who kind of like the sky.

187
00:11:52,679 --> 00:11:57,560
Speaker 3: So it's like, again that's your mind runs with lots

188
00:11:57,559 --> 00:12:01,080
Speaker 3: of uh, lots of imaginations there. But also you know,

189
00:12:01,200 --> 00:12:04,640
Speaker 3: there's there's more people out here than I think people

190
00:12:05,679 --> 00:12:09,760
Speaker 3: realize outside of the cities, and there's lots of history

191
00:12:09,840 --> 00:12:12,480
Speaker 3: here as well. I'm also not far from where the

192
00:12:12,480 --> 00:12:16,000
Speaker 3: Beasts of Gray Road has been spotted many times as well,

193
00:12:16,120 --> 00:12:18,920
Speaker 3: although I have not gone. I have not gone looking

194
00:12:18,960 --> 00:12:21,559
Speaker 3: for that. I tend to human beings freak me out

195
00:12:21,679 --> 00:12:24,040
Speaker 3: enough in their minds. I haven't gone looking for any

196
00:12:24,080 --> 00:12:25,880
Speaker 3: cryptis actively. Yet.

197
00:12:27,360 --> 00:12:30,680
Speaker 2: Do the places that you've been in increase people's abilities

198
00:12:30,760 --> 00:12:33,360
Speaker 2: psychic abilities, for example, Does it enhance it?

199
00:12:34,400 --> 00:12:40,160
Speaker 3: Definitely? And I've seen that happen major definitely with the

200
00:12:40,200 --> 00:12:44,079
Speaker 3: opera house. Now part of that could have been I

201
00:12:44,679 --> 00:12:48,760
Speaker 3: will play a little bit of skepticism on this because

202
00:12:48,800 --> 00:12:51,520
Speaker 3: I do think, you know, skepticism can can be healthy,

203
00:12:51,640 --> 00:12:54,120
Speaker 3: especially when it comes to celepathy, because I think so

204
00:12:54,200 --> 00:13:03,680
Speaker 3: many people have kind of blinded themselves to and bed testing,

205
00:13:04,040 --> 00:13:10,360
Speaker 3: specifically with telepathy for some reason. I haven't fully decided

206
00:13:10,400 --> 00:13:16,520
Speaker 3: for myself why that is. However, when I did a

207
00:13:16,600 --> 00:13:18,600
Speaker 3: prinsimage what we did last time I was on the

208
00:13:18,600 --> 00:13:20,920
Speaker 3: show where I thought of a memory and I projected

209
00:13:20,960 --> 00:13:23,360
Speaker 3: it out to listeners. I do that on a version

210
00:13:23,400 --> 00:13:28,360
Speaker 3: of that on stage as well. And normally, like in

211
00:13:28,400 --> 00:13:31,120
Speaker 3: a banquet hall, like a corporate events or in other

212
00:13:31,200 --> 00:13:37,040
Speaker 3: smaller theaters, I don't get about seventy percent coverage with

213
00:13:37,120 --> 00:13:40,920
Speaker 3: everyone in that room, and in this theater we had

214
00:13:41,080 --> 00:13:46,320
Speaker 3: about ninety five percent coverage with four hundred and eleven people.

215
00:13:46,520 --> 00:13:51,360
Speaker 3: We had just about there was only a handful of

216
00:13:51,400 --> 00:13:56,160
Speaker 3: people who did not receive any correct thoughts when we

217
00:13:56,160 --> 00:13:59,600
Speaker 3: were doing that experiment of four hundred and eleven people.

218
00:14:00,440 --> 00:14:02,959
Speaker 2: Statistics is that, oh.

219
00:14:02,840 --> 00:14:06,920
Speaker 3: Yeah, absolutely, and it's like, I mean, these were people

220
00:14:07,520 --> 00:14:11,880
Speaker 3: who had you know, now, granted it was a larger

221
00:14:11,920 --> 00:14:15,320
Speaker 3: sample time, was it so? Could have there been more

222
00:14:16,280 --> 00:14:22,239
Speaker 3: group social pressure to say they had gotten it right? Maybe?

223
00:14:23,240 --> 00:14:26,960
Speaker 3: I don't know, there's gonna be We're going to kind

224
00:14:26,960 --> 00:14:29,000
Speaker 3: of take that a step further in the second half

225
00:14:29,040 --> 00:14:32,520
Speaker 3: as well and see what other people can sense about

226
00:14:32,680 --> 00:14:37,040
Speaker 3: the building without We're going to do it under a

227
00:14:37,200 --> 00:14:39,600
Speaker 3: slightly more stringent conditions. And I don't want to say

228
00:14:39,640 --> 00:14:42,320
Speaker 3: too much more about it because I told you what

229
00:14:42,360 --> 00:14:44,560
Speaker 3: we were going to be testing with. If someone were

230
00:14:44,600 --> 00:14:47,600
Speaker 3: to listen to you know, go to America's Sperience Manager

231
00:14:47,720 --> 00:14:50,560
Speaker 3: dot com, get tickets, make their way to see the show,

232
00:14:50,560 --> 00:14:52,160
Speaker 3: and that they knew what was going to happen, that

233
00:14:52,160 --> 00:14:55,800
Speaker 3: would of course influence it. So I don't want to

234
00:14:55,840 --> 00:14:59,720
Speaker 3: go too much in depth with that. But we will

235
00:14:59,760 --> 00:15:04,320
Speaker 3: have much more, much more concise proof as to whether

236
00:15:04,440 --> 00:15:08,280
Speaker 3: or not people can sense things about that building and

237
00:15:08,320 --> 00:15:11,320
Speaker 3: its history, and see if we can get even more

238
00:15:11,360 --> 00:15:14,240
Speaker 3: specific with even even more people.

239
00:15:14,680 --> 00:15:17,960
Speaker 1: Listen to more Coast to Coast AM every weeknight at

240
00:15:17,960 --> 00:15:20,920
Speaker 1: one a m. Eastern and go to Coast to coastam

241
00:15:20,960 --> 00:15:22,040
Speaker 1: dot com for more