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Speaker 1: Welcome back to another episode of Alchemy. There time your

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Speaker 1: host Kevin Paul. I guess that Kevin Paul. Hey listen

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Speaker 1: if you think you can do better? Fine, No, no, no,

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Speaker 1: you're right. There are a lot of podcasts she was from.

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Speaker 1: Well listen. If you ever need life of filling laughter again,

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Speaker 1: please consider giving us another try and enjoy your yet

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Speaker 1: another disturbing true crime podcast. Any but I digress. Let's

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Speaker 1: meet our acumisten no particular order, shall we what? I'll

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Speaker 1: be a monkey? Hey, you got away from that window?

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Speaker 1: Can't you show you? There's a lady man out there

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Speaker 1: named Joey Greer. Hello, Justice of girl Land. When you're

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Speaker 1: gonna pay me back the six bucks you borrowed? Uh,

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Speaker 1: it's James Heeney. I don't know anybody any great gosh Almadia.

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Speaker 1: It's Mark Gagliardi MG. Not mcg um. That's true. We

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Speaker 1: get confused a lot, right. What was your favorite childhood

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Speaker 1: Christmas gift? Uh? When I was a child, I got

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Speaker 1: a Minuto album and a keyboard. No, and I could learn,

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Speaker 1: And I taught myself some keyboard via the Menudo album.

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Speaker 1: That's the greatest gift ever. Right, God, where's video when

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Speaker 1: you need next up, It's not really that heavy. The

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Speaker 1: one who wears the crown when I'm out of town,

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Speaker 1: Cold Stratt, Coleman, Comma Dapney. As a founder of SF

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Speaker 1: Sketch Best, maybe you can explain this. What is the

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Speaker 1: fucking deal with Joey Greer? You know he submits every

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Speaker 1: year tape after tape after tape, and it's mostly him

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Speaker 1: just watching TV and you won't program I won't program

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Speaker 1: it weird. Right, hold the damn door. There's a lady

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Speaker 1: in the who's say hello to returning champ Jen Murray,

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Speaker 1: Jen Gary, Jen Ross. How many times do I have

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Speaker 1: to tell you? Yep? That's three and last. But may

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Speaker 1: all your Tomorrow's arrived way too damn early if you

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Speaker 1: think him least, it's James Heney Jimmy jingle all the way.

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Speaker 1: M hmm, No, not all the way. It's no longer appropriate.

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Speaker 1: It's gone over. The line has not served it well,

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Speaker 1: that is also Craig. All right, let's get to our

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Speaker 1: first scene. All of today's scene suggestions were gathered from

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Speaker 1: our listeners email. If you'd like to submit yours, please

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Speaker 1: write to the podcast at your name here at Alchemy

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Speaker 1: thist dot com. That's your name here at alchemy this

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Speaker 1: dot com. Our first sname comes from Audrey, who wrote,

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Speaker 1: Hey alchemists. I was so excited to hear y'all use

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Speaker 1: my first suggestion the unaired antiques road show of appraisals.

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Speaker 1: That was damn fun. I was so sure it wasn't

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Speaker 1: going to be used, but when Cole said my name,

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Speaker 1: I thought, oh, fun, another Audrey, before realizing he was

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Speaker 1: reading my words. Thank you for the giddiness. And last,

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Speaker 1: my new suggestion is this a group of prisoners in

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Speaker 1: a medieval castle dungeon, chain to the wall, dangling in

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Speaker 1: a cade, strapped to the rack. What have you communicate

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Speaker 1: by carrier pige into some anonymous source that claims to

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Speaker 1: have a plan to free them. Thank you all, and

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Speaker 1: congrats to Vanessa on your precious baby. Stay funny are

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Speaker 1: we've got a new one. We've got a new one.

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Speaker 1: Get off of me, unhand me scallion, chain me up

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Speaker 1: with me as you will. I will speak on all

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Speaker 1: man's behalf. Oh it's a political prisoner. We got here

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Speaker 1: now bread then people need a bread? And what would

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Speaker 1: they do with the bread? Mate? They will eat the

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Speaker 1: bread and become strong right, so he vanquish you, so

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Speaker 1: you'll cry was being self involved in? Is I too much?

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Speaker 1: And other people's business? Right? So you'll be there while

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Speaker 1: let's get a quite a shelly fine right over your

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Speaker 1: left here is slippy right. I was like, and how

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Speaker 1: do you do? What's all they stay? I'm in prison?

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Speaker 1: What's all? This? A political prison? They're real blow Jesus right?

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Speaker 1: People need bread? Yeah, you keep saying that people need bread.

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Speaker 1: You know what these people in ear need. These people

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Speaker 1: in Ear need another missive from that carrier pigeon that

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Speaker 1: keeps telling us how we're going to get the hell

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Speaker 1: out of here. Submissive? What they need? A submissive? Just

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Speaker 1: shut up politics, man, Look the pigeons back food, back

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Speaker 1: that food. Who can reach his foot? We're go get

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Speaker 1: a message from his food? Yeah, I think I'll be

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Speaker 1: able to reach with my toes. Nickeled on. Let me

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Speaker 1: slide down to it. God, you killed the fucking messenger

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Speaker 1: squeeze its organs out of its mouth and the anus.

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Speaker 1: That is a mistake. I mean, and you know the

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Speaker 1: phrase don't kill the messenger. He literally a messenger pigeon. Well,

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Speaker 1: I made a mistake here. Let's fumble through its corpse,

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Speaker 1: and there's a letter of interesting tiny words. What he says, yes, yes,

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Speaker 1: shall the individuals trapped inside car hots castles. She's talking

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Speaker 1: to us queen carts. She locked us old down in here,

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Speaker 1: yes she did, because she doesn't want us to have bread.

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Speaker 1: We need bread, people, can you can you ask me

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Speaker 1: this new guy? What have you got? Celiac? That's good question,

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Speaker 1: that one is right? Yes, well, um, bread bread. You're

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Speaker 1: running on the bread platform. What if you can't bread?

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Speaker 1: What you're doing? In a smart guy? You the university

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Speaker 1: for that. I did write, if you can't have bread,

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Speaker 1: then did you dingle some bulls? It can be Come on,

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Speaker 1: all right, come on, that's just a rumor. Alright, alright,

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Speaker 1: well look I got a question for you. Yes, what

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Speaker 1: the fuck does the letter from the pigeons? Oh yeah,

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Speaker 1: he begged it litter? I offer you an escape, an

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Speaker 1: opportunity for freedom, right, And then we reply this is

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Speaker 1: back and forth, right, such tiny lettering, let's seed, let's

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Speaker 1: because we need to write. And then he writes me writing,

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Speaker 1: although I'm assuming it's a he, that could be could

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Speaker 1: be a woman, could be an animal. Why would it

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Speaker 1: be an animal? I don't know, just assuming right, haven't

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Speaker 1: an animal that can write no. But it doesn't mean

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Speaker 1: that that's out of the question. It could be fucking

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Speaker 1: bread too, We don't. Yeah, maybe bread wrote the note.

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Speaker 1: Maybe to go with that assumption, written by bread, keep going,

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Speaker 1: written by Bread to each of you. I ask of

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Speaker 1: the a question that will answer. We right to know

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Speaker 1: the way outside of the castle. He's doing riddles. We

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Speaker 1: must be able to handle the battle, the battle. Who

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Speaker 1: could be battle with him? We could be battling ourselves,

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Speaker 1: could be setting up a war right with the queen.

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Speaker 1: Possibly right, Maybe this is an opportunity for the bread

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Speaker 1: to rise up. Maybe the battle is just kicking this

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Speaker 1: guy's ass now hold on, hold on all right? Maybe not?

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Speaker 1: Maybe not? Wait, I hear some nose out there, right

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Speaker 1: for your queen. I rise for no queen or kings

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Speaker 1: of the people. Just get up. Hello, prisoners, my prisoners,

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Speaker 1: I am the queen. Yes, Mom, I'm sorry, I'm so

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Speaker 1: four from all the bread. Anyway? Did you get bread?

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Speaker 1: Did you get Okay, I've had bread. You'll carry your

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Speaker 1: pigeons upon the ground. Oh, I squshed out the organs

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Speaker 1: of your carrier right way, hundreds of carrier. Your carrier pigeon.

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Speaker 1: You're the ones been telling us how to escape from

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Speaker 1: your castle. Who did you think it was an animal? Bread?

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Speaker 1: Did you get it? What did you think of my riddle?

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Speaker 1: Clever mom? So so we figure out to riddle and

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Speaker 1: then we get to leave. That's it? Oh that sounds fine, Yes,

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Speaker 1: let's do that. I'll never take your help ever. For

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Speaker 1: God's sake, someone shut this lefty stuff arn to bend,

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Speaker 1: you know what I mean. It's a little bit more fleasible.

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Speaker 1: I'm never work good tyrants. Ever. We won't we help us? One? Ben? Right?

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Speaker 1: Why don't we here? Oh my god, Oh my god?

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Speaker 1: Not bred more breds are sticking out the skin. So,

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Speaker 1: your majesty, is this the battle that you said we

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Speaker 1: would have to do in order to leave? Yes, yes, yes,

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Speaker 1: I need an army, and so I figured maybe you

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Speaker 1: guys blokes go to fight for me and we'd take

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Speaker 1: the castle down the road. Be proud of it. Right? Sure? Then?

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Speaker 1: Sure this went so smoothly. I'm sorry, I'm good, I'm

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Speaker 1: alreally a warrior. We love these prisoners. This one cries

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Speaker 1: over A bird's a warrior to warriors. Somebody killed? Maybe

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Speaker 1: this one should take our places? Then? No, suspicious like

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Speaker 1: you don't. Please, don't broke me up. I don't want

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Speaker 1: me walked up. Put. I'm on the wreck. Put, I'm

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Speaker 1: under put. That's a good idea. We do that. You don't, well, no,

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Speaker 1: I don't want to do the rock company. Good boys,

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Speaker 1: lie down here, I don't don't hear stretch him nice

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Speaker 1: way with my wrists. Don't give up, good soldier. We

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Speaker 1: can armor. This is great, very exciting. Yeah, I have

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Speaker 1: some upstairs yet, we can got a bunch of all

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Speaker 1: bread baskets, bad bread. Who are you fighting this time? Man?

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Speaker 1: The guys down the way? My lord, my lord, I'm here,

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Speaker 1: my lord. You're screaming at my face. My lord, can

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Speaker 1: you hear me? I hear you. You're shouting and spitting apart,

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Speaker 1: my lord, my lord, can you hear me? I can

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Speaker 1: hear your message has come from the other castle of

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Speaker 1: Queen Cart. Queen Car? What does she want? She brings

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Speaker 1: death upon your doorstep. You don't think she could do it?

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Speaker 1: Could she? I think, with a thousand percent of my

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Speaker 1: bread mind that she could. That she could? Yes, oh

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Speaker 1: oh no, yes, oh good god. I thought that there

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Speaker 1: was you, my chief war strategy. Oh yeah, this is

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Speaker 1: bad yes, of course we were laughing. We were laughing.

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Speaker 1: I thought it was a good thing. What what options

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Speaker 1: do we have? Well, huh, well we could like you're

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Speaker 1: making this up. Your only primary job is to protect

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Speaker 1: our castle. Course of course, in fact protection you made

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Speaker 1: I have made. I need to check something outside. So

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Speaker 1: far it's about the youth. We've set up the balcony. Yes,

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Speaker 1: of course, I've got how many will be darning with you?

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Speaker 1: Were just myself, one for the queen, and don't forget

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Speaker 1: the o'maleys. Them will definitely coming. The old mallies are

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Speaker 1: coming further if they duncan Trevor Stafford? Is everyone all right? Yeah? Yeah, yeah, okay,

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Speaker 1: oh yeah, we're ready for dinner with the king. How

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Speaker 1: many of mellews are there? That's just us four the

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Speaker 1: forum mellows, the King, the Queen right right after the kitchen,

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Speaker 1: then luncheon one half wind half of an hour. But perfect,

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Speaker 1: I get it. You want to attack the kingdom down

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Speaker 1: the road. That's the one with the O'Malley's. It's not

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Speaker 1: nine children in the kingdom. Oh that one's got the O'Malley's.

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Speaker 1: I forgot about that. Yeah, right, who are the allies?

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Speaker 1: The bread, give us you get up there. They are

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Speaker 1: a baking family. That it's a family of bakers, but

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Speaker 1: they deserve to die, though I'm with the mom. I

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Speaker 1: hang on a second, No, how are they not deserving

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Speaker 1: since what a children like going? They only deserve to

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Speaker 1: die because you know that it will get us out

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Speaker 1: of here. I'm sorry, your majesty. We don't mean to

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Speaker 1: speak openly in front of you and not address you,

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Speaker 1: but I enjoy listening bread speak openly against the tyrant.

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Speaker 1: Put the dead picture in. That fucker's said right in

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Speaker 1: my eye. You're putting his eye on his mouth. Why

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Speaker 1: you're not stuffing it in his mouth? That's the part

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Speaker 1: that's well. I don't like the way look, so I'm

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Speaker 1: not looking. It's spread of ground right now. Give me that.

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Speaker 1: I'll do it. I'll do it. I can't really look

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Speaker 1: on it. I'll just I'll just shove it somewhere first

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Speaker 1: the rack. Then this that's no fun. Sorry, sorry spoking

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Speaker 1: our aim before we go to wall with the people

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Speaker 1: down the right for bread, I have had that put

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Speaker 1: in his mouth. Absolutely not to give the people bread

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Speaker 1: can't possibly satisfying, even if it's to shut him up.

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Speaker 1: I mean that makes sense. A little bit of bread,

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Speaker 1: A little bit of bread like the bread's ass. They

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Speaker 1: all right, right, Yeah, let's put the heel. It's poetic,

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Speaker 1: it would be poetic. Yeah, put the queen's foot in

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Speaker 1: his mouth in Oh, I can't say no to you

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Speaker 1: boys and chains. Okay, here, you enjoy your heel. Fuck

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Speaker 1: your bread off, mashicade. That don't make you young? Noises,

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Speaker 1: stop it. Terrible mistake. I knew it. I should follow

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Speaker 1: my instincts. Can you pass the grave he please? I

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Speaker 1: should have my gravy man. Come, gravy man. Oh, that

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Speaker 1: seems that doesn't seem necessary. We can just well, I'm

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Speaker 1: mucking and the lord. And if I don't have someone

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Speaker 1: bring gravy to me, then, oh my god, oh my goodness.

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Speaker 1: And I will tell you when my guy more gravy.

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Speaker 1: You get a greedy guy, start with me more? How

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Speaker 1: how many of the things on his face or eyes?

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Speaker 1: I don't know, I don't know, I don't know. Can

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Speaker 1: you believe it? A whole man dedicated, just a gree

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Speaker 1: I love it? Married, I say again, mom, can we

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Speaker 1: get a gravy man? Uh? In time? Okay? Christmas is

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Speaker 1: I don't want to say, but I don't think the

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Speaker 1: O'Malley's will ever be able to afford a grave man.

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Speaker 1: That's kind of a royal maybe, why do you hear

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Speaker 1: the bat? Okay, let's see. How will you think you'd

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Speaker 1: get a gravy your highness? And I just if I

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Speaker 1: can speak for the family, I think, uh, you know,

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Speaker 1: with all the respect, thank you for having us and

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Speaker 1: being inspidable. But to assume that we wouldn't be able

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Speaker 1: to achieve a gravy man, that's uh, that's where I'm

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Speaker 1: gonna have to stop you. What do you get your

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Speaker 1: Malley's have heart? Right? They got sold? Yeah, they got love,

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Speaker 1: that's right, dad. Sure the man needs to be paid

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Speaker 1: something that you know can't be paid with love and heart.

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Speaker 1: That's true. You need money to take me away from

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Speaker 1: the kingdom. Cost a lot, It would cost a lot.

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Speaker 1: There's not enough money in this kingdom for many people

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Speaker 1: to have gravy man? How many? Leading on? How much

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Speaker 1: does a bread baking family make? Well, we make quarterly

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Speaker 1: about fifty yes? Really? And then and then that's all

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Speaker 1: I expected? How you could be bad stuff? What do

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Speaker 1: you think I mean? Um, let's just do the math

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Speaker 1: out loud. It's easier for youth out. Okay, you're pressuring me. Okay,

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Speaker 1: it's in front of them, dad um, your majesty grave man,

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Speaker 1: who is who is that lady outside with those three

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Speaker 1: guys following or marching on the castle? That's from the

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Speaker 1: kingdom down the way, the kingdom down the way. I

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Speaker 1: I we've got a whole armory of soldiers that should

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Speaker 1: be dealing with them. I wouldn't gates. The queen demand's entrance.

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Speaker 1: Open your gates or for the suld Yeah, don't done.

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Speaker 1: They'll take your bread. Why the hell did these backpack

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Speaker 1: straps hurting my shoulders? Right, he's a mule, right then

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Speaker 1: let that queen in. Right, we're having dinner. I'm having

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Speaker 1: the Omalley's for dinner. May we come back maybe tomorrow? Today?

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Speaker 1: Still good for me. We have to do it today.

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Speaker 1: We got to do it today. You want to be

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Speaker 1: here for dinner, let's say one hour. I'm going to

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Speaker 1: just finish one dinner and have a second dinner in

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Speaker 1: an hour. That's laughable. Look, send out your gravy man,

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Speaker 1: we're gonna attack. Okay, okay, graveyman, I have deepest regrets.

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Speaker 1: Keep talking. I'm gonna have to send you out to

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Speaker 1: the queen. It seems that my chief Warton m he

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Speaker 1: did not prepare for a battle. So we're going to

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Speaker 1: either lose or I'll have to lose my gravy man.

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Speaker 1: I'm ready deserves that. All right, Well we'll open the

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Speaker 1: gates and good luck. Which one is the queen or

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Speaker 1: she'll be the tall woman with all of the people

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Speaker 1: that are probably in, you know, varying levels of enslavement

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Speaker 1: to her. You'll know who she is, trust me, queens

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Speaker 1: and women. Oh yeah, she's a woman. Keep talking. Well,

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Speaker 1: I would be careful. She's a powerful woman, and one

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Speaker 1: wrong move could lend you and change quite easy. I'm

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Speaker 1: not all powerful. It's here amazing. Can you understand everything

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Speaker 1: he says? Most of it is just using mental telepathy

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Speaker 1: to sneak That sounds help, but it's kind of like shade.

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Speaker 1: Where would I live? Achilles heal? I would assume thought

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Speaker 1: I thought he said hercules shield. I'm sorry? Is he

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Speaker 1: and some sort of curse? It's duncan you wait to talk? Sorry, Sorry,

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Speaker 1: that's okay, duncan And so it is a curse. He

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Speaker 1: was cursed by the witches. Would you like to say

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Speaker 1: what the questions three only you can solve and I

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Speaker 1: can't solve the puzzles, so the curse down. So it sucks.

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Speaker 1: It's a bomb bomb? Is it that puzzle that's on

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Speaker 1: the table here? You could never solve the just picture

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Speaker 1: of a tiger. There you go, don't help. We can

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Speaker 1: do this. Yeah, this is easy. We're gonna slide puzzles. Okay,

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Speaker 1: and uh there we go. I'll done till I'm free. Hey,

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Speaker 1: did we just free your gravy man? Oh? Damn? Time

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Speaker 1: was using that? Well? I was going to give him

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Speaker 1: to the queen anyways, but now he's gonna go on

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Speaker 1: his own free will. Well, well, the gravy man marry

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Speaker 1: the Queen tune next week to find out seem too.

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Speaker 1: Today is from Marcus, who wrote, Hello alchemist, You guys

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Speaker 1: just make my day when I clean windows here in

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Speaker 1: the cold north of Denmark. And yes, podcasts exists over

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Speaker 1: here too, They're just not as good as yours. I

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Speaker 1: have a scene suggestion. A curious inventor goes down the

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Speaker 1: street listens to people complain about their everyday problems, only

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Speaker 1: to readily interrupt them to show them his new invention

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Speaker 1: that will help them. Every time he stops new people.

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Speaker 1: He will pull new inventions from his backpack like a cartoon. Ps.

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Speaker 1: I like the cocos the most, both of them. Wow,

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Speaker 1: seems weird. And the rest of us will be over

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Speaker 1: here at the ship plate. Your dear listener from Denmark,

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Speaker 1: Marcus Knudson. By the way, would it be okay if

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Speaker 1: we made films of your scenes? Me and a friend

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Speaker 1: who has a film company. We think it would be

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Speaker 1: very funny to see your scenes acted out on film.

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Speaker 1: Sorry for my bad English, I'm gonna say yes, yes, yes, Marcus,

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Speaker 1: you go ahead and make some films. But yeah, and

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Speaker 1: let us know how the Kokowskis feel about your films

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Speaker 1: and send send it to our Instagram account. Well, I'm

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Speaker 1: happy to do sound on it, you know. And Joey Gerstein.

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Speaker 1: All right, onto the streets we go with a curious inventor.

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Speaker 1: I can't seem to get both of my shoes off.

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Speaker 1: If only there was some ways. Just holds still and

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Speaker 1: I'll pull right. We've been doing this for an hour,

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Speaker 1: I know, but you know, you get one off every

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Speaker 1: time and then we can't get the other shoes. I

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Speaker 1: hate to our front porch. I just happened to be

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Speaker 1: walking by and I, uh, I heard about your little

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Speaker 1: dilemma here. What is your My? My name is Marcel,

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Speaker 1: and I do happen to be an inventor. And I

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Speaker 1: think I may have something in my backpack that might

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Speaker 1: help you out. What do you got that? Something that's

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Speaker 1: gonna make your shoes come right off your body? I

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Speaker 1: have a hard time believing that you have something like that.

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Speaker 1: We've struggled for this with this for years. Well, window,

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Speaker 1: instead of continuing to struggle, we give the stranger from

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Speaker 1: a far off lane a chance to help. You haven't

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Speaker 1: heard my invention yet. What do you call it? I

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Speaker 1: call it a bellows. Here's what I do. I'm going

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Speaker 1: to shove it in your mouth, inflate you. Your feet

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Speaker 1: are gonna become great big, and your shoes are gonna

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Speaker 1: pop right off your body. So you're gonna inflate me

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Speaker 1: through the mouth, open wide science. That's amazing. How do

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Speaker 1: you feel now? I feel strange, but my shoes came off.

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Speaker 1: It's incredible. Well, I'll see you later. Wow, that was

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00:22:58,960 --> 00:23:02,280
Speaker 1: really nice of him. Really want. I'm sorry to say this,

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00:23:02,400 --> 00:23:06,040
Speaker 1: but looking at your your medical report looks like your

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Speaker 1: entire internal organs are distended. Yeah, well, I put a

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Speaker 1: thing in my mouth and blew me up. He put

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Speaker 1: a thing in your mouth, inventor. He put a device

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Speaker 1: in my mouth and expanded my entire body. Well, I

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Speaker 1: like a balloon that my shoes popped off. So you're

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Speaker 1: saying there's trouble from that. Yes, you're saying that turns

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Speaker 1: out that wasn't the best thing for the inside of

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Speaker 1: my body. Is the best bedside banner you could have? Well,

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Speaker 1: are you a doctor? I am a doctor? Okay, thank

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Speaker 1: you very much. I am a doctor. Because it says

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Speaker 1: Costco on your name, that's my name. I feel like

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Speaker 1: we should go to a real doctor, a real doctor.

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Speaker 1: You don't want to go to Don Costco anymore. You

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Speaker 1: want to go see a real doctor, doctor don Costco. Yes,

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Speaker 1: I got one from TV. Yes, how do you do nice?

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Speaker 1: I've never seen the show. I just hear about it.

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Speaker 1: We'll talk to me when you see the show. Okay,

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Speaker 1: Right in the meantime, what can you tell me about

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Speaker 1: my my problem with doctor? It's almost time now break? Okay. Well,

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Speaker 1: what I can tell you right now before I have

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00:24:02,840 --> 00:24:05,359
Speaker 1: to take my snack break is that all your organs

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Speaker 1: they're all jumbled up, all right, jumbled, yes, and how

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Speaker 1: long he might live. But you're gonna need some Kirkland batteries. Okay,

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Speaker 1: that's something I can tell you, right. I mean, I

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00:24:14,480 --> 00:24:18,119
Speaker 1: feel great for now, but I do the Kirkland batteries.

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Speaker 1: You're gonna you want to rub them on your feet.

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Speaker 1: I have to go on my snack break. Okay, so

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Speaker 1: just Shannon, I just I'm getting schooled on the court.

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Speaker 1: I can't dunk. Everybody else is dunking. I can't dunk.

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Speaker 1: Oh well, did you try jumping higher? Yeah, I've tried.

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Speaker 1: I can't get any higher. I don't got the lift.

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Speaker 1: Oh well, excuse me. I can't help but over here,

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Speaker 1: but my name is Marcel, and uh I might have

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Speaker 1: an invention that could help you with your dunking. Okay,

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00:24:45,600 --> 00:24:50,320
Speaker 1: this is weird kitchen, but well, you know, the window

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Speaker 1: was open. I figured i'd come by and uh, and

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Speaker 1: it's lovely in here. Told you to stop leaving. K're right,

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Speaker 1: I'm sorry, but I think I can help you dunk

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Speaker 1: young man. Okay, I'm all ears for this. I got

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00:25:01,240 --> 00:25:03,040
Speaker 1: a game in forty five. We're just finishing up den

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00:25:03,840 --> 00:25:06,280
Speaker 1: expecting company. Do you want something to drink? Oh? Sure, sure,

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00:25:06,359 --> 00:25:09,479
Speaker 1: I would love something to drink, anything at all. Anything

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00:25:09,560 --> 00:25:12,240
Speaker 1: that you put in a cup, I will drink. Okay.

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00:25:13,000 --> 00:25:15,520
Speaker 1: And as for you, young man, I even invention here

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Speaker 1: in my backpack. They just might help you out. All right,

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00:25:19,080 --> 00:25:21,480
Speaker 1: let's see it. It's called him bellows helping the mouth.

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00:25:22,560 --> 00:25:26,920
Speaker 1: And I'm just gonna inflate your behalf. And now, whenever

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00:25:27,000 --> 00:25:28,640
Speaker 1: you want to dunk, just poke a couple of holes

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Speaker 1: in your feet. You'll shoot right up to the sky. Okay,

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00:25:31,119 --> 00:25:34,280
Speaker 1: all right, thanks for the cup of whatever they catch up. Okay.

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Speaker 1: By Yeah, we're gonna have to get the fire department

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Speaker 1: in here or something. That guy stuck in the rafters. Honey, man,

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Speaker 1: please we gotta make a perimeter. Okay, man, please do

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Speaker 1: you see me dunk? Yeah? So this guy has been

395
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Speaker 1: up for about six hours or something. I don't know.

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Speaker 1: I mean, tell whether we get him down or call

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Speaker 1: the New York next I could use it forward. You

398
00:25:54,720 --> 00:25:57,359
Speaker 1: were the things the time. This guy. I think we

399
00:25:57,520 --> 00:25:59,400
Speaker 1: just opened up to the rafters and let him out,

400
00:25:59,760 --> 00:26:02,120
Speaker 1: like float up to the Sorry, he's gonna explode up there.

401
00:26:02,240 --> 00:26:04,680
Speaker 1: How about poking some more holes in the kid We

402
00:26:04,800 --> 00:26:07,080
Speaker 1: didn't hear that's dangerous. Shoot all over the place. We

403
00:26:07,200 --> 00:26:09,880
Speaker 1: just gotta get him down, all right, that's it, all right, brainiac?

404
00:26:09,920 --> 00:26:11,560
Speaker 1: How we're getting him down? Wait, wait for the fire

405
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Speaker 1: department to come down. They go, how they're gonna bring

406
00:26:13,480 --> 00:26:14,960
Speaker 1: up here? They're to bring him down? What are we

407
00:26:15,040 --> 00:26:17,120
Speaker 1: doing here? We're just making sure if he folds, there's

408
00:26:17,119 --> 00:26:20,320
Speaker 1: a witness or something, right, Okay, all right, it's his

409
00:26:20,440 --> 00:26:22,399
Speaker 1: wife over there or something. I don't know, maybe his

410
00:26:22,480 --> 00:26:27,040
Speaker 1: girlfriends usually out. But I gotta bb gun, and I think,

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Speaker 1: whoa whoa man, just a bb gun? What are they're

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00:26:30,359 --> 00:26:34,240
Speaker 1: talking about? Shooting you down? What he always shot? I

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Speaker 1: want to make is a dunk. Let's keep a perimeter. Okay,

414
00:26:37,680 --> 00:26:39,880
Speaker 1: let's keep a perimeter, so I little dunk her up there.

415
00:26:39,920 --> 00:26:42,560
Speaker 1: How this happened in the first place, those kids cooled

416
00:26:42,600 --> 00:26:44,920
Speaker 1: on the court and an inventor came by with something

417
00:26:45,000 --> 00:26:48,040
Speaker 1: called up bellows. Right, that's it, that's it. That's what

418
00:26:48,160 --> 00:26:50,280
Speaker 1: I fill you up with. A yeah, And that's how

419
00:26:50,320 --> 00:26:52,320
Speaker 1: I got up here. But not after my game where

420
00:26:52,320 --> 00:26:56,760
Speaker 1: I scored two points? Duncan What happened to this Invnafela? Well,

421
00:26:56,840 --> 00:26:58,800
Speaker 1: it's weird. He just kind of appeared in our kitchen

422
00:26:58,840 --> 00:27:01,600
Speaker 1: and then he disappeared. We gotta find this inventor guy,

423
00:27:01,600 --> 00:27:02,840
Speaker 1: because if he can get him up, he's got to

424
00:27:02,880 --> 00:27:04,440
Speaker 1: be able to get him down. Hey, we're parks and

425
00:27:04,480 --> 00:27:07,720
Speaker 1: wreck man. Okay, we're parks and so we don't have

426
00:27:07,920 --> 00:27:11,760
Speaker 1: to help. Right at that gate, that's where my job ends. Like,

427
00:27:11,960 --> 00:27:14,080
Speaker 1: that's where at the end of the park. Yeah, all right,

428
00:27:14,440 --> 00:27:16,440
Speaker 1: do you want to do actually curricular, then you do it.

429
00:27:16,760 --> 00:27:18,680
Speaker 1: I'm just gonna open up the window up there, and

430
00:27:19,400 --> 00:27:26,880
Speaker 1: up the window. It's gonna be fine. All right, Well

431
00:27:27,440 --> 00:27:29,440
Speaker 1: that I say, we try to find this in benefill.

432
00:27:30,600 --> 00:27:33,200
Speaker 1: Our boat is filling up with water. I don't know

433
00:27:33,240 --> 00:27:35,080
Speaker 1: how we're gonna get to shore. I don't know how.

434
00:27:35,400 --> 00:27:37,639
Speaker 1: Use your hands, bail bails. I'm trying to bail as

435
00:27:37,720 --> 00:27:40,480
Speaker 1: much as I can. It's just I feel like this

436
00:27:40,680 --> 00:27:43,480
Speaker 1: is it for us. This is this is it. I've

437
00:27:43,480 --> 00:27:47,400
Speaker 1: always loved you. I loved you too. Hey, there fellas

438
00:27:50,200 --> 00:27:52,560
Speaker 1: we in your boat. I couldn't help, but notice your

439
00:27:52,560 --> 00:27:56,000
Speaker 1: little dilemma you have here. It looks like your boat sinking.

440
00:27:58,200 --> 00:28:01,000
Speaker 1: I happen to have something here that might be able

441
00:28:01,080 --> 00:28:03,120
Speaker 1: to help you. Yeah, boat, can we get on? Get

442
00:28:03,160 --> 00:28:06,120
Speaker 1: on your boat? It's called a bellows open your mouth

443
00:28:08,520 --> 00:28:14,080
Speaker 1: and in faces, and that should Now that you're nice

444
00:28:14,119 --> 00:28:16,359
Speaker 1: and tight, that should stop all the leaking in your boat.

445
00:28:17,040 --> 00:28:21,200
Speaker 1: I thought it was gonna make me float, my butt

446
00:28:21,240 --> 00:28:24,960
Speaker 1: stuck in the hole in the boat. See no more leaking? Okay?

447
00:28:25,040 --> 00:28:31,520
Speaker 1: By who sucks? Okay, Um, I don't work so far

448
00:28:31,640 --> 00:28:36,760
Speaker 1: out still? No, we ran out of that hours ago.

449
00:28:38,040 --> 00:28:43,200
Speaker 1: At least the water stuffed. I almost forgot something. This

450
00:28:43,440 --> 00:28:46,200
Speaker 1: sun out here is pretty harsh. You guys are gonna

451
00:28:46,240 --> 00:28:56,600
Speaker 1: need this bellows for your sun burns. Okay, I'm sorry,

452
00:28:57,120 --> 00:29:00,760
Speaker 1: Mrs Weathermore, but the passing number husband doesn't mean that

453
00:29:00,840 --> 00:29:03,080
Speaker 1: you don't have to pay for the boat's rental. So

454
00:29:03,760 --> 00:29:08,320
Speaker 1: we're gonna we're gonna need Do you need something from

455
00:29:08,320 --> 00:29:11,120
Speaker 1: the bail? Do you get the paperwork film? Yes? All right,

456
00:29:13,360 --> 00:29:17,120
Speaker 1: I don't know what I'm good at. Just write a

457
00:29:17,200 --> 00:29:20,000
Speaker 1: check on I don't have any I don't have any money.

458
00:29:20,680 --> 00:29:22,239
Speaker 1: That's going to be a problem. My husband took care

459
00:29:22,240 --> 00:29:28,480
Speaker 1: of the us left a boat. Another family arrested one

460
00:29:28,520 --> 00:29:33,880
Speaker 1: of our Rhode Island dolphins. So it's an oh, my beautiful,

461
00:29:34,160 --> 00:29:37,880
Speaker 1: utiful craft and he's dead. This is the first time

462
00:29:37,880 --> 00:29:39,640
Speaker 1: hearing of this. This is just a lot of information

463
00:29:39,680 --> 00:29:45,760
Speaker 1: on um. Do you wanna just get that checker? Okay,

464
00:29:45,800 --> 00:29:48,240
Speaker 1: here's do you have some kind of We have his shoes,

465
00:29:49,280 --> 00:29:52,200
Speaker 1: but we got the guy shoes still, right, I think

466
00:29:52,240 --> 00:29:54,280
Speaker 1: so to The shoes cost as much as the boat.

467
00:29:55,000 --> 00:29:57,840
Speaker 1: I'm wearing shoes I'm wearing this year, so I can't

468
00:29:58,360 --> 00:30:01,880
Speaker 1: we don't know where the shoes. What is there anything

469
00:30:01,960 --> 00:30:04,720
Speaker 1: left of it? Is that I just can't keep this

470
00:30:04,960 --> 00:30:08,560
Speaker 1: fire going. It keeps getting down. I can't keep the

471
00:30:08,680 --> 00:30:12,520
Speaker 1: fire going. Well, how about adding some more woods papers?

472
00:30:13,880 --> 00:30:16,440
Speaker 1: I'm trying it rained recently. The wood's too wet. It

473
00:30:16,960 --> 00:30:19,160
Speaker 1: was doing his best alight. It's just cold, right, But

474
00:30:19,200 --> 00:30:22,320
Speaker 1: if you complain more, it doesn't help. Sorry, I'm trying

475
00:30:22,360 --> 00:30:23,920
Speaker 1: to make it hot in here. Don't you understand that

476
00:30:24,320 --> 00:30:26,760
Speaker 1: you're saying the wood, Yeah, it's wet, it rained recently.

477
00:30:26,760 --> 00:30:29,400
Speaker 1: I don't think it will take. Yeah, well it's got

478
00:30:29,520 --> 00:30:31,880
Speaker 1: to be somewhere when you get this fire. Excuse me

479
00:30:32,640 --> 00:30:35,640
Speaker 1: or you hi up? My name is Marcel. You come

480
00:30:35,720 --> 00:30:38,440
Speaker 1: from I came from just outside, right, But we're a

481
00:30:38,520 --> 00:30:42,320
Speaker 1: cabin in the wood. Yeah, just outside it just woods? Yeah,

482
00:30:42,520 --> 00:30:46,480
Speaker 1: you can I happen to overhear you. How's that I

483
00:30:46,600 --> 00:30:50,400
Speaker 1: happened to overhear you from from the woods. Where are

484
00:30:50,440 --> 00:30:54,360
Speaker 1: we outside? All right? Yeah? And why are you here? Well,

485
00:30:54,440 --> 00:30:57,120
Speaker 1: I heard you had a little dilemma. We can't get

486
00:30:57,160 --> 00:31:00,760
Speaker 1: this fire going. Oh gosh, I might have something in

487
00:31:00,920 --> 00:31:04,400
Speaker 1: my bag that will help that. He's reaching for a gun.

488
00:31:04,440 --> 00:31:08,360
Speaker 1: He's reaching for a gun. Oh god, God, oh god,

489
00:31:08,960 --> 00:31:15,160
Speaker 1: I will choke the life out of you. You're trying

490
00:31:15,200 --> 00:31:18,720
Speaker 1: to say something with him. I have something for you

491
00:31:19,000 --> 00:31:27,640
Speaker 1: in my backpack that wells out of here. What is it?

492
00:31:29,760 --> 00:31:34,000
Speaker 1: It's it's a shoehorn. Yeah. Oh wait, No, maybe that

493
00:31:34,040 --> 00:31:36,320
Speaker 1: won't help. I got it. Hold on, let me see

494
00:31:36,320 --> 00:31:37,720
Speaker 1: what else I got in here? Trying to get a fire?

495
00:31:37,880 --> 00:31:40,560
Speaker 1: Got a book on how to be a better basketball player,

496
00:31:41,320 --> 00:31:45,800
Speaker 1: got a boat patch huh? And he's got a gun

497
00:31:49,920 --> 00:31:51,720
Speaker 1: throwing on the fire. So I'm throwing on the fire.

498
00:31:52,080 --> 00:31:56,360
Speaker 1: I can't okay, but he's all wet too. I don't

499
00:31:56,360 --> 00:31:57,880
Speaker 1: think we're gonna be able to light him on fire.

500
00:31:59,040 --> 00:32:04,080
Speaker 1: It's true, all right, mr. If you go for that

501
00:32:04,160 --> 00:32:06,920
Speaker 1: gun one more time, I swear, I promise I don't

502
00:32:07,000 --> 00:32:08,640
Speaker 1: have a gun in there. Do you understand what we're

503
00:32:08,640 --> 00:32:10,400
Speaker 1: trying to do here, trying to get a fire. You're

504
00:32:10,400 --> 00:32:12,280
Speaker 1: trying to get a fire, and you said you could help.

505
00:32:12,640 --> 00:32:14,720
Speaker 1: You came out of the woods to help. Yeah, so

506
00:32:14,840 --> 00:32:17,440
Speaker 1: what do you got? I got a shoehorn, a book

507
00:32:17,480 --> 00:32:21,760
Speaker 1: on basketball skills, and a boat patch. Maybe with those

508
00:32:21,840 --> 00:32:24,280
Speaker 1: things you can figure out how to get your fire going.

509
00:32:24,400 --> 00:32:27,320
Speaker 1: What if we ripped up the book on basketball? Who use?

510
00:32:27,440 --> 00:32:31,560
Speaker 1: That's the tinder? But how will we learn to play basketball?

511
00:32:32,600 --> 00:32:36,120
Speaker 1: I don't know, but i'm cold. All right, we'll tear

512
00:32:36,200 --> 00:32:42,080
Speaker 1: that up. Good, Okay, that that'll work. Sure, And I

513
00:32:42,120 --> 00:32:44,880
Speaker 1: don't know where to go from here. Sure you got Oh, yeah,

514
00:32:45,120 --> 00:32:48,280
Speaker 1: that's nice. That's it. It's working a little bit sparking.

515
00:32:49,080 --> 00:32:53,120
Speaker 1: Oh that's real nice. It's a lot warmer. Thanks guy

516
00:32:53,160 --> 00:32:55,920
Speaker 1: from the woods. Hey, no problem. Thanks for letting me

517
00:32:56,160 --> 00:32:57,800
Speaker 1: come in and hang out in your cabin for a while,

518
00:32:57,960 --> 00:33:01,160
Speaker 1: enjoy your fire. So he had no bellows for us,

519
00:33:02,560 --> 00:33:06,200
Speaker 1: the one place that we could have finally used his

520
00:33:06,360 --> 00:33:15,640
Speaker 1: ridiculous contraption. Our last scene for today, Norway. We've gone

521
00:33:15,640 --> 00:33:19,840
Speaker 1: from Denmark to Norway. Right, it's uh, have Vard h

522
00:33:19,960 --> 00:33:22,440
Speaker 1: A V A R D. But there's a thing over

523
00:33:22,480 --> 00:33:27,360
Speaker 1: the a that I don't recognize. Harvard yep who wrote

524
00:33:27,480 --> 00:33:30,680
Speaker 1: it's an R next to that's what over the a

525
00:33:31,120 --> 00:33:34,280
Speaker 1: R greeting from Norway. I don't really have a touching

526
00:33:34,360 --> 00:33:37,360
Speaker 1: story about how your podcast changed my life, cured my depression,

527
00:33:37,440 --> 00:33:39,840
Speaker 1: or got me a girlfriend like other people who send

528
00:33:39,920 --> 00:33:43,560
Speaker 1: in suggestions, So this episode better be good because I'm

529
00:33:43,600 --> 00:33:53,000
Speaker 1: hoping for all three. Anyway, my idea is Hitler didn't

530
00:33:53,080 --> 00:33:57,800
Speaker 1: die in that bunker Jesus, thank you Norway. Insteady hit

531
00:33:57,880 --> 00:34:00,760
Speaker 1: in a secret room connected to it. He's been surviving

532
00:34:00,800 --> 00:34:03,400
Speaker 1: on a combination of cockroach, just bats, and the occasional

533
00:34:03,520 --> 00:34:06,360
Speaker 1: toad that jumps yb After all these years, he finally

534
00:34:06,400 --> 00:34:10,240
Speaker 1: decides to head out of his cave, where he stumbles

535
00:34:10,320 --> 00:34:13,120
Speaker 1: upon a group of people that decide to show this

536
00:34:13,239 --> 00:34:17,120
Speaker 1: old man around his new the New Society. We follow

537
00:34:17,239 --> 00:34:27,840
Speaker 1: Hitler on his journey to become hips Havard Tonning from Norway.

538
00:34:29,840 --> 00:34:34,080
Speaker 1: So anyways, we're we're are just about through our journey here,

539
00:34:34,800 --> 00:34:37,239
Speaker 1: and um, we have two more stops to make. Can

540
00:34:37,280 --> 00:34:39,279
Speaker 1: we use the restroom at any point? Yeah? Sure? Who

541
00:34:39,360 --> 00:34:43,080
Speaker 1: needs to go? Everyone needs to go? Oh, I'm sorry,

542
00:34:43,120 --> 00:34:44,719
Speaker 1: I didn't realize it was such a problem. So we

543
00:34:44,840 --> 00:34:48,319
Speaker 1: have one restroom, so just figure out who's gonna go first.

544
00:34:48,320 --> 00:34:51,239
Speaker 1: I'm gonna go first. It's an emergency, an emergency as well,

545
00:34:51,440 --> 00:34:54,400
Speaker 1: emergency for the lady. I think maybe I haven't plugging

546
00:34:54,440 --> 00:34:56,919
Speaker 1: myself with something with a free bread you've been giving us, okay,

547
00:34:57,000 --> 00:35:00,359
Speaker 1: and it's getting pretty soggy. I understand lugging yoursel. Yes,

548
00:35:01,719 --> 00:35:04,600
Speaker 1: are you saying you would push bread into Yes? I

549
00:35:04,680 --> 00:35:07,279
Speaker 1: have a loose sphincter. All right, Oh, it was a

550
00:35:07,360 --> 00:35:13,120
Speaker 1: basketball injury. I was picturing you pushing bad That's impossible,

551
00:35:15,400 --> 00:35:18,839
Speaker 1: like you guys, storytell I'm going to go to the bathroom. Okay, listen.

552
00:35:18,880 --> 00:35:21,279
Speaker 1: While she's gone, I have something to ask you guys. Yeah,

553
00:35:21,360 --> 00:35:25,680
Speaker 1: what is your money? Yes? Okay? Do you have like

554
00:35:25,760 --> 00:35:33,320
Speaker 1: a dollar each? Yeah? Yeah? Really? Yeah? Alright, that was

555
00:35:33,400 --> 00:35:35,279
Speaker 1: the whole thing. Yeah, I'm gonna have lunch today. This

556
00:35:35,440 --> 00:35:37,880
Speaker 1: is great. You can get more than that's only three dollars.

557
00:35:37,960 --> 00:35:42,239
Speaker 1: That enough for a lot. Do not go in there?

558
00:35:43,200 --> 00:35:45,680
Speaker 1: That was fast. Yeah, it was an emergence. The hell

559
00:35:45,719 --> 00:35:48,680
Speaker 1: should we go in there? Oh? Why the hell should

560
00:35:48,760 --> 00:35:51,120
Speaker 1: the only bathroom? And now we can't go in there?

561
00:35:51,200 --> 00:35:56,080
Speaker 1: It's a figure warning exactly what the hell can we

562
00:35:56,120 --> 00:35:58,959
Speaker 1: God that I can't go in there? Now I can't

563
00:35:59,000 --> 00:36:01,239
Speaker 1: go maybe ink a little bit. Why do you gotta

564
00:36:01,239 --> 00:36:02,799
Speaker 1: make a thing? It's stunk a little bit. I can

565
00:36:02,840 --> 00:36:04,799
Speaker 1: go in there, but now I can't go in there.

566
00:36:05,440 --> 00:36:07,440
Speaker 1: I can't go in there. Fu it. I'm doing it here.

567
00:36:08,120 --> 00:36:10,719
Speaker 1: I'm doing it here, alright. Let us know how that

568
00:36:10,800 --> 00:36:12,799
Speaker 1: works out. All right, we're gonna see it. He's doing

569
00:36:12,840 --> 00:36:21,440
Speaker 1: it right here, Broculpied. What the fuck occupie? Oh my god,

570
00:36:21,440 --> 00:36:23,960
Speaker 1: I've been shifting on this old guy. Oh my god,

571
00:36:23,960 --> 00:36:26,840
Speaker 1: I'm shitting on the Oh I kiss that. Shifting on

572
00:36:26,920 --> 00:36:30,759
Speaker 1: this guy shing on me. It gives the ship on

573
00:36:30,920 --> 00:36:38,359
Speaker 1: this sing on me, kiss them shitkis a minute, it's

574
00:36:38,560 --> 00:36:42,600
Speaker 1: in my mouth. Oh my god, over my you've got

575
00:36:42,719 --> 00:36:45,120
Speaker 1: to stop. There's no way this person deserves what you're

576
00:36:45,160 --> 00:36:48,239
Speaker 1: giving him right now, being coming right now, hold my arms.

577
00:36:53,400 --> 00:37:00,160
Speaker 1: That's probably it's the person that's the first loof my

578
00:37:00,440 --> 00:37:07,399
Speaker 1: God in him, and I am coming. Okay, Jeff, You're okay, Jeff,

579
00:37:07,440 --> 00:37:09,960
Speaker 1: You're gonna be okay. They're not going to be ok

580
00:37:10,360 --> 00:37:14,200
Speaker 1: comment in human ship. Sorry, old man. Let you really

581
00:37:14,280 --> 00:37:21,080
Speaker 1: are old? How I'm a hundred and ninety what hundreds

582
00:37:21,120 --> 00:37:24,040
Speaker 1: on ninety? Yeares old? Just on a hundred ninety year

583
00:37:24,040 --> 00:37:25,840
Speaker 1: old guy. It's going to be some kind of record.

584
00:37:27,400 --> 00:37:30,200
Speaker 1: It's not one did anybody wants to have? Is that record? Okay?

585
00:37:30,239 --> 00:37:33,719
Speaker 1: But what are you doing down there hiding? Oh? This

586
00:37:33,800 --> 00:37:36,680
Speaker 1: looks like a whole bunker system with that. Gotta be

587
00:37:36,760 --> 00:37:39,839
Speaker 1: the craziest game of hide and seek effort. Yes, it's

588
00:37:39,840 --> 00:37:41,919
Speaker 1: a very long game of hide and seek. I must

589
00:37:41,960 --> 00:37:44,600
Speaker 1: have won. You must have won. Did I win? I

590
00:37:44,719 --> 00:37:48,600
Speaker 1: think so? Did I been? I mean I've not walked

591
00:37:48,640 --> 00:37:52,880
Speaker 1: out to this room since nineteen forty five? What happened?

592
00:37:54,120 --> 00:37:57,000
Speaker 1: Let's not rehash nineteen forty five? Remember if that happened

593
00:37:57,000 --> 00:38:00,120
Speaker 1: in nine? Remember it? Sorry, has anybody using the us

594
00:38:00,160 --> 00:38:16,279
Speaker 1: here ship? Hold? I gotta go real bad? Every bunch

595
00:38:16,320 --> 00:38:31,080
Speaker 1: shipping on that poor old daddy so good? It's a

596
00:38:31,160 --> 00:38:35,400
Speaker 1: single strand. Let me throw down a rope to you, sir.

597
00:38:35,640 --> 00:38:37,520
Speaker 1: Here's a here's a rope. I think they just did

598
00:38:41,200 --> 00:38:42,960
Speaker 1: a big lunch. I'm ready to do a gravy man.

599
00:38:43,239 --> 00:38:46,279
Speaker 1: He gave me a bunch. Yeah. Do you also have

600
00:38:46,640 --> 00:38:50,520
Speaker 1: happened to have like a wet towel or something? You

601
00:38:50,640 --> 00:38:52,719
Speaker 1: just gave it a hundred ninety year old man a

602
00:38:52,840 --> 00:38:55,839
Speaker 1: rope to climb up on. I'm not going down there.

603
00:38:55,880 --> 00:38:58,040
Speaker 1: He's covered in ship. Okay, Well, first of all, he's

604
00:38:58,080 --> 00:39:02,440
Speaker 1: not really hundred ninety because it's how possible. Also, what

605
00:39:02,600 --> 00:39:07,280
Speaker 1: happened that the stock market crashed? Oh my god, probably

606
00:39:07,360 --> 00:39:09,000
Speaker 1: went in there. A lot of old people did a

607
00:39:09,040 --> 00:39:11,600
Speaker 1: lot of weird things when the stock market cras. So

608
00:39:11,719 --> 00:39:16,760
Speaker 1: he maybe it was twenty Maybe he wrote time Plane

609
00:39:16,840 --> 00:39:19,560
Speaker 1: or something. I don't know. Maybe he wrote time Plane road.

610
00:39:21,360 --> 00:39:23,920
Speaker 1: The Stephen King thing. Why don't you ask him a

611
00:39:23,960 --> 00:39:30,400
Speaker 1: couple of questions? Why are you speaking so quiet? It

612
00:39:30,480 --> 00:39:31,919
Speaker 1: took me a minute. I may have been a little

613
00:39:31,960 --> 00:39:35,759
Speaker 1: off on my numbers. I believe I'm a hunt twenty one.

614
00:39:35,800 --> 00:39:43,000
Speaker 1: Here's a girl I like you. So what are you

615
00:39:43,080 --> 00:39:45,400
Speaker 1: doing down there? But I was hiding? Yeah, you said that,

616
00:39:45,920 --> 00:39:49,160
Speaker 1: it's a long time to hide. Yeah, from ghosts, from well,

617
00:39:49,360 --> 00:39:53,120
Speaker 1: the ghosts of my past. What's your name? Isn't my

618
00:39:53,280 --> 00:40:02,799
Speaker 1: name is uh A Braham? Are you Abraham Lincoln? Yes?

619
00:40:03,080 --> 00:40:06,600
Speaker 1: Come on talk it was from the Great Depression. He's

620
00:40:06,640 --> 00:40:09,680
Speaker 1: not for the Great Depression. I told you I'm definitely

621
00:40:09,840 --> 00:40:13,840
Speaker 1: Abraham Lincoln. Because he doesn't have his hat on. I

622
00:40:13,960 --> 00:40:15,360
Speaker 1: bet you if he had a really tall hat. You

623
00:40:15,400 --> 00:40:17,839
Speaker 1: can tell you've been down there. I've been down here

624
00:40:17,960 --> 00:40:25,040
Speaker 1: since nine You have relax. This guy's got a temper

625
00:40:25,960 --> 00:40:29,839
Speaker 1: like seventy four years ago. That's seventy years. He's got

626
00:40:29,920 --> 00:40:33,879
Speaker 1: some paintings down here, right, can't really tell it. They're

627
00:40:34,040 --> 00:40:37,200
Speaker 1: Wait what you don't like my paintings? One other shift

628
00:40:37,239 --> 00:40:40,120
Speaker 1: on them. I don't know if that's us or painted shit.

629
00:40:40,719 --> 00:40:44,000
Speaker 1: Oh my god. All right, let's go ahead. And your

630
00:40:44,040 --> 00:40:46,160
Speaker 1: last night you checked into your room, sir? You really

631
00:40:46,200 --> 00:40:50,640
Speaker 1: smell terrible. I have been shipped on for seventy five years. Okay, great,

632
00:40:50,719 --> 00:40:53,960
Speaker 1: this is a red roof, and we don't ask any questions. Um, alright,

633
00:40:54,120 --> 00:40:59,120
Speaker 1: Link Lincoln you said yes, great, Abraham Lincoln, alright, third floor.

634
00:40:59,200 --> 00:41:03,720
Speaker 1: Your buddy is paid for the room here to meet. Sorry,

635
00:41:04,480 --> 00:41:06,279
Speaker 1: I'm sorry to interrupt, and do you matter if I

636
00:41:06,360 --> 00:41:10,320
Speaker 1: cut I? Oh wow, look at this. Huh? You know

637
00:41:10,360 --> 00:41:13,319
Speaker 1: a piece of ship, aren't you. Huh, here's a piece

638
00:41:13,320 --> 00:41:14,800
Speaker 1: of shit, aren't you? I got a problem and you

639
00:41:14,840 --> 00:41:17,600
Speaker 1: won't even let me fight. Huh, here's a piece of ship.

640
00:41:18,239 --> 00:41:20,960
Speaker 1: You are American? Of course I'm American. Are you hitting

641
00:41:21,000 --> 00:41:23,319
Speaker 1: on my wife? He's trying to hit on me I'm

642
00:41:23,320 --> 00:41:26,160
Speaker 1: not hitting on your wife. I'm gonna pull every goddamn

643
00:41:26,239 --> 00:41:34,000
Speaker 1: two thout of your head. Why would you? I'll teach

644
00:41:34,000 --> 00:41:35,920
Speaker 1: you to look at my wife like that. It's only

645
00:41:35,960 --> 00:41:37,960
Speaker 1: got one too, That's all he needed to do. Do

646
00:41:38,080 --> 00:41:40,160
Speaker 1: you two need a room? Oh yeah, we had a

647
00:41:40,200 --> 00:41:44,200
Speaker 1: complete with the ice machine isn't working? Floor three? Let's

648
00:41:44,200 --> 00:41:48,880
Speaker 1: say somebody plugged it up with what shit? Somebody plugged

649
00:41:48,960 --> 00:41:51,920
Speaker 1: up the ice machine was caked up in there, and

650
00:41:52,000 --> 00:41:54,480
Speaker 1: it seems like I know the culprit I did it.

651
00:41:56,640 --> 00:41:58,960
Speaker 1: Don't sign that great, I'll make a note of it.

652
00:41:59,120 --> 00:42:01,279
Speaker 1: We'll send somebody up tomorrow. Probably because this is a

653
00:42:01,320 --> 00:42:03,480
Speaker 1: red roof. And is this what people act like in

654
00:42:03,560 --> 00:42:07,279
Speaker 1: twenty nine? Is this what happens? Where you been all

655
00:42:07,360 --> 00:42:10,240
Speaker 1: this time? I've been in a bunk of getting shipped

656
00:42:10,280 --> 00:42:16,040
Speaker 1: on what I've been told? Why does everyone keep asking?

657
00:42:16,320 --> 00:42:20,560
Speaker 1: Seventy four years I was underground hiding. But why would

658
00:42:20,560 --> 00:42:23,160
Speaker 1: you say if people kept shipping? Because I could not

659
00:42:23,360 --> 00:42:26,359
Speaker 1: I could not get out. You know it's the ship,

660
00:42:26,480 --> 00:42:28,800
Speaker 1: sir as the makeover a district on third and fifth.

661
00:42:29,280 --> 00:42:32,200
Speaker 1: Just head down there. They make overt make of a district. Yeah, yeah,

662
00:42:32,200 --> 00:42:35,200
Speaker 1: it's every it's one stop shopping for making over. I'll

663
00:42:35,239 --> 00:42:39,319
Speaker 1: go right now, maybe shower first, but it's not. If

664
00:42:39,320 --> 00:42:41,440
Speaker 1: I'm getting a makeover, I need to look as terrible

665
00:42:41,480 --> 00:42:44,359
Speaker 1: as possible. That's fair. Here's a little map found draw

666
00:42:44,719 --> 00:42:47,160
Speaker 1: than you head down there? And why did you draw

667
00:42:47,160 --> 00:42:48,800
Speaker 1: a circ over the highlight of Why didn't you just highlight?

668
00:42:50,640 --> 00:42:52,480
Speaker 1: You know? Don't ask how I do you think? Okay,

669
00:42:52,800 --> 00:42:55,520
Speaker 1: all right, welcome to Thame's House of mike over. So

670
00:42:55,520 --> 00:42:59,680
Speaker 1: how can we Hey, hello, my name is Adolphe. For

671
00:42:59,800 --> 00:43:02,399
Speaker 1: the measure to meet you. Please let us know where

672
00:43:02,480 --> 00:43:04,680
Speaker 1: we can start. We'd love to begin right away with

673
00:43:04,800 --> 00:43:07,120
Speaker 1: no folks. Well, from the top of my head to

674
00:43:07,400 --> 00:43:09,920
Speaker 1: the bottom of my jack boots. Soup to nuts? Is

675
00:43:10,040 --> 00:43:15,719
Speaker 1: that size? Nuts? Who are you a pistol? Pistol? Yes?

676
00:43:15,880 --> 00:43:18,960
Speaker 1: I would like a luga? Please a luga? Yes? Oh

677
00:43:19,040 --> 00:43:21,680
Speaker 1: I don't know what that is. But what can you

678
00:43:21,800 --> 00:43:24,000
Speaker 1: do for me? Is it will make me not stand out?

679
00:43:24,120 --> 00:43:26,719
Speaker 1: You're not from around here? No I am not. You

680
00:43:26,840 --> 00:43:29,480
Speaker 1: get a funny excellence? Thank you? Where are you from?

681
00:43:29,760 --> 00:43:31,440
Speaker 1: I was born in Austria but lived most of my

682
00:43:31,520 --> 00:43:35,480
Speaker 1: life in Germany. Oh, Germany, I've never been. It's beautiful,

683
00:43:35,560 --> 00:43:42,120
Speaker 1: It's just a dream of home, fatherland, the father land.

684
00:43:42,239 --> 00:43:44,520
Speaker 1: I haven't heard it called that in sometime. What did

685
00:43:44,600 --> 00:43:47,320
Speaker 1: you do there in Germany? I was a big deal.

686
00:43:47,840 --> 00:43:52,160
Speaker 1: You are working? Are you famous? I was famous in Germany?

687
00:43:52,280 --> 00:43:54,640
Speaker 1: But now I am not saying. I'm not even allowed

688
00:43:54,640 --> 00:43:56,959
Speaker 1: to let people know him alive. It's just the first

689
00:43:57,080 --> 00:44:01,000
Speaker 1: part of the makeover. You make of my heart first.

690
00:44:01,200 --> 00:44:05,000
Speaker 1: That's exactly right. It hurts to happen. Let me only

691
00:44:05,080 --> 00:44:07,160
Speaker 1: just get him in this chair right over here, and

692
00:44:07,239 --> 00:44:10,239
Speaker 1: we'll starting his skin. Roger here is gonna work on

693
00:44:10,320 --> 00:44:12,200
Speaker 1: You'm just gonna work on your skin. I'm gonna put

694
00:44:12,280 --> 00:44:14,200
Speaker 1: this my burn a little bit, but it's it's gonna

695
00:44:14,239 --> 00:44:18,560
Speaker 1: be nice for fresh afterwards. Careful, not that close with

696
00:44:18,680 --> 00:44:21,759
Speaker 1: that lighter. This is slimmable. Oh wait, put that out,

697
00:44:21,880 --> 00:44:29,719
Speaker 1: he say something might Oh, bloke, stop with the flamethrower.

698
00:44:31,880 --> 00:44:37,040
Speaker 1: So sorry, your face is really burned. That's not that

699
00:44:37,200 --> 00:44:40,520
Speaker 1: doesn't usually happen. I am so silent. Man looks fucked up.

700
00:44:40,920 --> 00:44:43,800
Speaker 1: It's it's normal. It'll hell and it's just sometimes you

701
00:44:43,840 --> 00:44:45,279
Speaker 1: get to burn off the outside to get to the

702
00:44:45,320 --> 00:44:47,520
Speaker 1: good in. You said you've been hiding, so we don't

703
00:44:47,520 --> 00:44:49,680
Speaker 1: want it. We agree, we don't want anyone to find you,

704
00:44:49,800 --> 00:44:52,719
Speaker 1: so we're just trying to help. You're not gonna look

705
00:44:52,760 --> 00:44:56,080
Speaker 1: anything like yourself. I'm gonna bring my sister in and

706
00:44:56,200 --> 00:44:59,719
Speaker 1: she's gonna help you with the next phase. See us.

707
00:45:00,400 --> 00:45:06,840
Speaker 1: Adolf from Germany, O Germany. I have always wanted to go.

708
00:45:07,000 --> 00:45:10,600
Speaker 1: My cousin's best friend Study brought in Germany and I

709
00:45:10,680 --> 00:45:12,359
Speaker 1: saw pictures and I was like, I gotta go there.

710
00:45:12,560 --> 00:45:18,000
Speaker 1: You sound sover traveled. Thank you. Yes, what are you

711
00:45:18,120 --> 00:45:20,520
Speaker 1: going to do to me? Now? Well? I have to

712
00:45:20,560 --> 00:45:22,680
Speaker 1: get you a new outfit that's probably the fat your

713
00:45:22,760 --> 00:45:29,080
Speaker 1: birth face. What kind of outfit matches the bund face? Something? Right?

714
00:45:30,080 --> 00:45:32,480
Speaker 1: You know? I'm sorry. I got the ship in my head.

715
00:45:32,480 --> 00:45:43,560
Speaker 1: I gotta put somewhere looks real good ship. I don't know,

716
00:45:43,680 --> 00:45:46,000
Speaker 1: but you know, sometimes the outfit finds the person, you

717
00:45:46,080 --> 00:45:49,279
Speaker 1: know what I mean? Just a second six partner? Sir?

718
00:45:49,360 --> 00:45:52,680
Speaker 1: What's your name? How do my name is lawson? Lawson?

719
00:45:52,760 --> 00:45:54,719
Speaker 1: Why didn't you come into our store with your hands?

720
00:45:55,520 --> 00:45:57,000
Speaker 1: I said, sh on my hands. I don't know where

721
00:45:57,000 --> 00:45:59,239
Speaker 1: to go, so you just thought you'd come by? Yeah,

722
00:45:59,320 --> 00:46:02,360
Speaker 1: well look your shitty Hey, sorry about that. I'm sorry

723
00:46:02,400 --> 00:46:05,279
Speaker 1: and put it on our client. Yeah, I'm used to

724
00:46:05,400 --> 00:46:08,880
Speaker 1: it by now. Okay, is there anything else you needed

725
00:46:08,920 --> 00:46:13,080
Speaker 1: to do? Just just drop some ship. Well, thanks for coming.

726
00:46:15,400 --> 00:46:18,640
Speaker 1: All right, sir, here's your avocado toast and you're beyond burger.

727
00:46:19,080 --> 00:46:22,520
Speaker 1: Thank you very much. I will be upstairs on my AirPods. Okay,

728
00:46:22,760 --> 00:46:24,359
Speaker 1: if you need anything else, you just ring that bell there.

729
00:46:24,840 --> 00:46:30,960
Speaker 1: Thank you. M M. I think I'm assimilating fight bell. Hi.

730
00:46:31,080 --> 00:46:33,160
Speaker 1: I'm sorry to interrupt, but what is it? Oh no,

731
00:46:33,320 --> 00:46:36,120
Speaker 1: come on over. I just heard you had an accent,

732
00:46:36,400 --> 00:46:39,080
Speaker 1: and I love a guy with an accent. I don't

733
00:46:39,080 --> 00:46:43,840
Speaker 1: introduce myself. It's my years solution to meet new people. Sorry, nervous,

734
00:46:43,960 --> 00:46:48,080
Speaker 1: I just nervous. Were very relaxed. Take a little piece

735
00:46:48,120 --> 00:46:49,919
Speaker 1: of my scarff. Take a little piece of my scarf

736
00:46:50,320 --> 00:46:51,919
Speaker 1: and touch it on your skin, and then you won't

737
00:46:51,920 --> 00:46:54,959
Speaker 1: be nervous no more. Oh my gosh, I just feel

738
00:46:55,000 --> 00:46:58,680
Speaker 1: so connected. It's all about connections. It's like vin vain

739
00:46:58,760 --> 00:47:01,080
Speaker 1: Daire makes you listen to a thing, and he has

740
00:47:01,120 --> 00:47:03,560
Speaker 1: your mantra for you know how mantra's work, right? I think, gosh,

741
00:47:03,560 --> 00:47:08,080
Speaker 1: you're so smart. I think, um, so, my name is Dicky,

742
00:47:08,440 --> 00:47:14,080
Speaker 1: Think my name is Adolf. Hitler. I think it it's

743
00:47:14,120 --> 00:47:15,960
Speaker 1: time to just be myself. So I'm just going to

744
00:47:16,080 --> 00:47:19,560
Speaker 1: be myself. Sure, I am the Adolf Hitler, but I'm

745
00:47:19,640 --> 00:47:24,880
Speaker 1: better now what they're gonna say, Hitler? Yes, I finally

746
00:47:24,880 --> 00:47:27,680
Speaker 1: assimilated in your society, and I'm comfortable enough to say

747
00:47:27,760 --> 00:47:30,640
Speaker 1: my actual name. I am Adolf Hitler. I lived in

748
00:47:30,680 --> 00:47:33,560
Speaker 1: a bunker adjacent to you know what. My Norwegian friend

749
00:47:33,600 --> 00:47:36,000
Speaker 1: will explain the whole thing to you what happened, But

750
00:47:36,200 --> 00:47:39,520
Speaker 1: just suffice to say, fuck you, wo wow? Why the

751
00:47:39,600 --> 00:47:44,160
Speaker 1: hostility in a pizza coffee? Your piece of ship? Well,

752
00:47:44,440 --> 00:47:46,520
Speaker 1: I was covered in pieces of ship for a mile.

753
00:47:46,760 --> 00:47:49,319
Speaker 1: But now I am totally assimilated and I enjoy your

754
00:47:49,400 --> 00:47:51,960
Speaker 1: music and I have a record player. But should we

755
00:47:52,040 --> 00:47:56,320
Speaker 1: believe it? You know, give us some proof, proofs that

756
00:47:56,400 --> 00:47:59,560
Speaker 1: I'm Atolf Hitler. Yeah, you gave me, you know. Yeah,

757
00:47:59,560 --> 00:48:01,719
Speaker 1: it's what kind of proof do you want to look

758
00:48:01,760 --> 00:48:05,160
Speaker 1: at me? I'm a hundred and twenty someboty years old, exactly,

759
00:48:05,280 --> 00:48:07,759
Speaker 1: your wrinkled bag of shit? So what how are we

760
00:48:07,840 --> 00:48:10,879
Speaker 1: supposed to believe? We got some kind of papers? Yeah,

761
00:48:11,040 --> 00:48:14,520
Speaker 1: I have papers right here. Take a look at let's see.

762
00:48:15,840 --> 00:48:20,160
Speaker 1: These are all the shitty drawn my art. This is

763
00:48:20,280 --> 00:48:23,239
Speaker 1: my art. I am an artist. Do not make me

764
00:48:23,360 --> 00:48:25,560
Speaker 1: do what I did last time people did not like

765
00:48:25,719 --> 00:48:28,239
Speaker 1: my art. You have crap art, man, that's just what

766
00:48:28,239 --> 00:48:32,600
Speaker 1: I'm gonna go burn the fucking right stuck down. I

767
00:48:32,680 --> 00:48:36,680
Speaker 1: didn't get my coffee. Don't you have a dream puff

768
00:48:36,719 --> 00:48:39,680
Speaker 1: Hitler coffee? No? I think that's for that guy. Oh shit,

769
00:48:40,360 --> 00:48:45,320
Speaker 1: what do you have? I got moa Moka Mediataka Mediata,

770
00:48:46,440 --> 00:48:49,200
Speaker 1: Greg Moka Mediata. Sorry, I didn't feel that. I didn't

771
00:48:49,200 --> 00:48:51,279
Speaker 1: see it. I'll you mean and see it. You're the

772
00:48:51,280 --> 00:48:53,160
Speaker 1: one who wrung me up. Yeah, I'm sorry this guy.

773
00:48:53,200 --> 00:48:55,480
Speaker 1: It was really busy. You know, we have celebrity was

774
00:48:55,520 --> 00:48:57,560
Speaker 1: in the building today. They see my ass? All right, man,

775
00:48:57,640 --> 00:49:00,520
Speaker 1: you saw me, dude, you know that it was my order. Sorry,

776
00:49:00,600 --> 00:49:03,239
Speaker 1: I was just I kind of starstrack. Hitler was in

777
00:49:03,280 --> 00:49:05,000
Speaker 1: the man. I give a shit about that. Man, I

778
00:49:05,040 --> 00:49:08,600
Speaker 1: got I'm I'm all right, man. Like on the order

779
00:49:08,880 --> 00:49:15,680
Speaker 1: the name was Burger Burger. Yeah, keep spell that burger

780
00:49:16,680 --> 00:49:21,959
Speaker 1: b o g r. Oh it's right here. I'm so sorry.

781
00:49:22,000 --> 00:49:23,960
Speaker 1: I'll get that ready for you right now. You found

782
00:49:23,960 --> 00:49:26,840
Speaker 1: it now, Yeah, you know what. I don't want it,

783
00:49:28,239 --> 00:49:31,360
Speaker 1: But what really don't know if it's gonna be like this,

784
00:49:31,400 --> 00:49:33,320
Speaker 1: I don't want it. Okay, man, I just want to refund.

785
00:49:34,000 --> 00:49:36,719
Speaker 1: Give me pete points. Did you call the uber? Yeah?

786
00:49:36,760 --> 00:49:39,680
Speaker 1: I called Hitler. Yeah, okay, yeah, yeah, I just had

787
00:49:39,719 --> 00:49:42,279
Speaker 1: to good doubt of that they did not like my art. Buck.

788
00:49:42,840 --> 00:49:44,480
Speaker 1: Don't you look at this? Look you look at this?

789
00:49:44,600 --> 00:49:47,879
Speaker 1: What's your name? Larry? Larry? I give sure, I'm driving Larry,

790
00:49:48,040 --> 00:49:51,160
Speaker 1: but pull over? Look at it. I can't pull over?

791
00:49:51,440 --> 00:49:53,279
Speaker 1: You know you do you on five stars? Is your

792
00:49:53,320 --> 00:49:57,040
Speaker 1: name really Hitler? My name is Adolf Hitler. Yes, come on, yes,

793
00:49:57,200 --> 00:49:59,680
Speaker 1: but if I come on, come on, if I come on,

794
00:50:00,280 --> 00:50:03,880
Speaker 1: that's that's not even funny, sir, my name is Adolf Hitler, right,

795
00:50:03,960 --> 00:50:05,759
Speaker 1: you want to know it. It's not funny. You're not

796
00:50:05,840 --> 00:50:07,880
Speaker 1: wanting to look at my art focus while I'm driving

797
00:50:07,920 --> 00:50:10,000
Speaker 1: the car. Well, I'm wanting to show you my art.

798
00:50:10,040 --> 00:50:11,920
Speaker 1: And if you don't, how is it you have two stars?

799
00:50:12,000 --> 00:50:13,640
Speaker 1: By the way, I didn't I want to pick you up,

800
00:50:14,200 --> 00:50:16,440
Speaker 1: but I was so fascinated by only having two stars

801
00:50:17,120 --> 00:50:20,800
Speaker 1: because I'm Adolf Hitler. Yeah, and again, not terribly funny.

802
00:50:21,200 --> 00:50:23,640
Speaker 1: It's I don't know why you think that would be funny.

803
00:50:23,840 --> 00:50:25,560
Speaker 1: I don't. I don't think it's funny. What I do

804
00:50:25,640 --> 00:50:27,960
Speaker 1: think it's funny? So happy two stars? What is your

805
00:50:28,040 --> 00:50:29,839
Speaker 1: what is your full name? My phon name? I told

806
00:50:29,840 --> 00:50:31,640
Speaker 1: you my full name out of Hitler. What's your full name?

807
00:50:31,960 --> 00:50:36,120
Speaker 1: Larry Greer? Larry Greer? Oh, I don't believe you, Larry Greer.

808
00:50:36,440 --> 00:50:39,000
Speaker 1: How's that feel? All right? Well, here's my license? Okay?

809
00:50:39,360 --> 00:50:43,400
Speaker 1: What is it saying there's a there's a car parked

810
00:50:43,440 --> 00:50:45,200
Speaker 1: on the train tracks. I don't think we have enough

811
00:50:45,239 --> 00:50:48,560
Speaker 1: time to stop. We just gotta plow through it. I

812
00:50:48,600 --> 00:50:51,240
Speaker 1: feel really bad. What if there's a family of children

813
00:50:51,320 --> 00:50:53,239
Speaker 1: inside of that car? All the ship in the back

814
00:50:53,280 --> 00:50:56,320
Speaker 1: of the train is heating up. We can't keep going faster.

815
00:50:56,480 --> 00:51:00,279
Speaker 1: It's getting hard. We're gonna hit that car. You know what, great,

816
00:51:00,280 --> 00:51:01,879
Speaker 1: Why don't you get out of this car? I will

817
00:51:01,960 --> 00:51:05,759
Speaker 1: sit here in this cor by myself tracks. Yes, Iven,

818
00:51:05,880 --> 00:51:07,480
Speaker 1: if you don't want to pull over, I will just

819
00:51:07,560 --> 00:51:09,239
Speaker 1: pull over for both of us. Gets out of your car.

820
00:51:09,320 --> 00:51:12,080
Speaker 1: I'll sit right here. Fine until you enjoy my art.

821
00:51:12,120 --> 00:51:14,560
Speaker 1: You cannot get back in your own car. Fine, fine,

822
00:51:14,719 --> 00:51:17,960
Speaker 1: enjoy the rest of your life, Aidolf Hitler. Fine, I

823
00:51:18,120 --> 00:51:22,520
Speaker 1: will right here on these trade tracks. Oh good, look

824
00:51:22,880 --> 00:51:31,040
Speaker 1: trades because it's such a tragic end. Yeah, until the

825
00:51:31,120 --> 00:51:35,479
Speaker 1: billows of life get about it. You know. I saw

826
00:51:35,640 --> 00:51:38,040
Speaker 1: that email and I thought, do we want to go

827
00:51:38,200 --> 00:51:41,200
Speaker 1: down that? And I'm glad we did. Oh man, thank

828
00:51:41,280 --> 00:51:44,799
Speaker 1: you from Norway, so that we can figure out how

829
00:51:44,920 --> 00:51:55,880
Speaker 1: to kill that wonderful uh German. But yeah, not everything

830
00:51:56,000 --> 00:52:00,560
Speaker 1: could be true. I can't believe everything you read. As

831
00:52:00,600 --> 00:52:02,480
Speaker 1: the only jew in the rue, I were trought to

832
00:52:02,520 --> 00:52:05,839
Speaker 1: ask why true? So I'm wondering, why did you want

833
00:52:05,880 --> 00:52:08,080
Speaker 1: to shoot all over such a It was just I

834
00:52:08,120 --> 00:52:10,480
Speaker 1: couldn't hold that that was mainzing. Mainsting was just to

835
00:52:10,520 --> 00:52:14,000
Speaker 1: poop on them. Just open your innerds if I could

836
00:52:14,040 --> 00:52:16,239
Speaker 1: do that and let it happy more than to do that.

837
00:52:16,520 --> 00:52:18,120
Speaker 1: So when people say they want to go back in

838
00:52:18,280 --> 00:52:21,239
Speaker 1: time to kill him, your your fantasy is to go

839
00:52:21,320 --> 00:52:23,040
Speaker 1: back in time and poop on him. Yeah, but like

840
00:52:23,239 --> 00:52:26,640
Speaker 1: enough word like a sickness will occur, you know. Yeah,

841
00:52:26,680 --> 00:52:28,920
Speaker 1: it's not like it's on my shoulder. You want him

842
00:52:28,920 --> 00:52:31,760
Speaker 1: to suffer? Yeah, I mean he's caked in and weirdly

843
00:52:31,960 --> 00:52:34,960
Speaker 1: that's our show for it today, Let's thank all of

844
00:52:35,000 --> 00:52:38,840
Speaker 1: our alchemists, call Stratton. Thank you so much. Hey, thanks

845
00:52:38,880 --> 00:52:42,200
Speaker 1: for having me. Where can folks find Jim at Stratton

846
00:52:42,280 --> 00:52:44,880
Speaker 1: Coole or at col Stratton depending on the social media thing,

847
00:52:44,920 --> 00:52:46,600
Speaker 1: And at the west Side Comedy Theater doing a lot

848
00:52:46,640 --> 00:52:50,040
Speaker 1: of stuff outside Comedy dot com the calendar. Look for shows,

849
00:52:50,400 --> 00:52:52,279
Speaker 1: Jen Murry, you've got some shows at west Side. I

850
00:52:52,360 --> 00:52:54,560
Speaker 1: sure do second one the month, That's what she said,

851
00:52:54,640 --> 00:52:57,880
Speaker 1: eight p m. And go fourthnes the month eight pm

852
00:52:59,120 --> 00:53:02,080
Speaker 1: the house team and then uh, what she said is

853
00:53:02,120 --> 00:53:06,400
Speaker 1: that an all gal stand up comedy ladies, no boys

854
00:53:06,400 --> 00:53:11,920
Speaker 1: allowed except in the audience. Please come Ohn excellent Mark Gagleyard, yes, sir.

855
00:53:12,680 --> 00:53:15,440
Speaker 1: Uh find me on Twitter at Mark gags Uh the

856
00:53:15,719 --> 00:53:19,160
Speaker 1: last Wednesday of the month, The Dynasty Typewriter and Blood

857
00:53:19,200 --> 00:53:21,759
Speaker 1: and Treasure now streaming on Amazon Prime, season two coming

858
00:53:21,800 --> 00:53:26,200
Speaker 1: like summer. Dynasty Typewriter dot Com. Dynasty Typewriter dot com

859
00:53:26,480 --> 00:53:29,640
Speaker 1: right on, James Heeny bear supply at the west Side

860
00:53:29,680 --> 00:53:32,040
Speaker 1: Comedy Theater from time to time. I'm in pretty pretty

861
00:53:32,040 --> 00:53:35,960
Speaker 1: pony mission in profitable Fridays and Saturdays. But the real

862
00:53:36,080 --> 00:53:37,719
Speaker 1: James dot Com is the best way to find out

863
00:53:37,760 --> 00:53:39,360
Speaker 1: what's going on. Thank you so much for joining us.

864
00:53:39,360 --> 00:53:41,359
Speaker 1: As always, Joey Greer. I want to give a shout

865
00:53:41,360 --> 00:53:45,080
Speaker 1: out to Andrew Richards at the drew Print on Instagram

866
00:53:45,200 --> 00:53:50,200
Speaker 1: midtle video of Marcus with the episode that was the

867
00:53:50,280 --> 00:53:55,399
Speaker 1: greatest Ships Alive. But yeah, this brand new. I think

868
00:53:55,440 --> 00:53:59,440
Speaker 1: it's like the second animated from our how comy this

869
00:53:59,560 --> 00:54:02,000
Speaker 1: podcast us. This guy's great. Say his name again. His

870
00:54:02,120 --> 00:54:05,120
Speaker 1: name is Andrew Richards at the drew Print. At the

871
00:54:05,160 --> 00:54:07,960
Speaker 1: drew Print had Instagram shout out to you. Thank you

872
00:54:08,000 --> 00:54:10,839
Speaker 1: for doing that. That was awesome. Um, and let's thank

873
00:54:10,880 --> 00:54:14,800
Speaker 1: our engineer at the Stars, Doug Bank, our post sound

874
00:54:14,880 --> 00:54:20,680
Speaker 1: design artist Rafaelbrito, our producer Sophie Lichterman, and of course

875
00:54:20,719 --> 00:54:23,520
Speaker 1: I heard media. I encourage all of you to write

876
00:54:23,760 --> 00:54:26,080
Speaker 1: a review, tell everyone you've ever met about us, and

877
00:54:26,239 --> 00:54:28,800
Speaker 1: right to us. Yeah at your name here at Alchemy

878
00:54:28,880 --> 00:54:30,880
Speaker 1: this dot com. That's your name here at Alchemy this

879
00:54:31,000 --> 00:54:33,920
Speaker 1: dot com. I'm Kevin Pollock. Thank you was always until

880
00:54:33,960 --> 00:55:02,839
Speaker 1: next time and a bo