1 00:00:01,280 --> 00:00:04,320 Speaker 1: Welcome to Stuff you missed in History Class A production 2 00:00:04,400 --> 00:00:14,000 Speaker 1: of I Heart Radio, Hello and Happy Friday, Holly Fry 3 00:00:14,280 --> 00:00:17,119 Speaker 1: and I'm Tracy V. Wilson. So we talked about the 4 00:00:17,160 --> 00:00:21,120 Speaker 1: Red Path murders for Halloween. Uh. This is an interesting 5 00:00:21,720 --> 00:00:25,840 Speaker 1: one because it really becomes so much more about like 6 00:00:26,200 --> 00:00:29,120 Speaker 1: the psychology of a family and what was going on there, 7 00:00:29,800 --> 00:00:33,680 Speaker 1: and also is a good example of how when information 8 00:00:33,760 --> 00:00:40,720 Speaker 1: is withheld, people just make up their own versions. Sure, yeah, 9 00:00:40,800 --> 00:00:43,960 Speaker 1: it really feels like a bunch of wealthy people kind 10 00:00:44,000 --> 00:00:50,839 Speaker 1: of closed ranks, um, so that we'll never really know. 11 00:00:51,240 --> 00:00:53,519 Speaker 1: I mean, I presume if they did that, it was 12 00:00:53,560 --> 00:00:58,480 Speaker 1: out of some embarrassment or desire to, you know, yeah, 13 00:00:58,680 --> 00:01:02,680 Speaker 1: hide what was really going on. It's interesting because, um, 14 00:01:02,720 --> 00:01:05,560 Speaker 1: of course, Amy is kind of the lynchpin in the 15 00:01:05,600 --> 00:01:09,120 Speaker 1: whole thing and how it got presented publicly, and her 16 00:01:09,200 --> 00:01:11,840 Speaker 1: diaries have a lot of information about her day to 17 00:01:11,920 --> 00:01:16,560 Speaker 1: day doings, but she really doesn't include personal reflections in them, 18 00:01:16,600 --> 00:01:19,560 Speaker 1: so we don't have a great sense of like her 19 00:01:19,640 --> 00:01:22,280 Speaker 1: personal thoughts on any of it. If she did write 20 00:01:22,280 --> 00:01:25,920 Speaker 1: any such things, they are gone. She does seem to 21 00:01:25,959 --> 00:01:29,920 Speaker 1: have been very invested in making sure that Cliff's name 22 00:01:30,920 --> 00:01:34,280 Speaker 1: was in good standing going forward. Like part of what 23 00:01:34,360 --> 00:01:37,080 Speaker 1: she did with the family money was established a library 24 00:01:37,160 --> 00:01:41,520 Speaker 1: fund at McGill and her brother's Peter's and Cliff's name 25 00:01:42,160 --> 00:01:45,039 Speaker 1: that was quite substantial. She did not do the same 26 00:01:45,040 --> 00:01:48,880 Speaker 1: for her mother. She also had the gates that you 27 00:01:48,880 --> 00:01:52,280 Speaker 1: would go through when you enter McGill University she had built. 28 00:01:52,320 --> 00:01:56,360 Speaker 1: Those are dedicated to her husband, um Dr Roddick after 29 00:01:56,400 --> 00:01:59,640 Speaker 1: he had passed. But there is also this whole thing 30 00:01:59,760 --> 00:02:06,919 Speaker 1: that some historians have read into Amy story or interpreted 31 00:02:06,960 --> 00:02:10,320 Speaker 1: Amy story to speculate about the possibility that she may 32 00:02:10,400 --> 00:02:13,640 Speaker 1: have actually been whether or not in a Roman, in 33 00:02:13,639 --> 00:02:19,840 Speaker 1: a relationship or not, but romantically fixated on Rose Swallow, 34 00:02:19,880 --> 00:02:24,080 Speaker 1: who worked in the home. She did make some very 35 00:02:24,200 --> 00:02:27,760 Speaker 1: unique and special arrangements for Rose in her will. It 36 00:02:27,800 --> 00:02:30,480 Speaker 1: was one of those things where it was like a 37 00:02:30,560 --> 00:02:34,080 Speaker 1: woman like Rose, it seemed weird for her to stay 38 00:02:34,080 --> 00:02:36,079 Speaker 1: in the position she stayed in as long as she did. 39 00:02:36,120 --> 00:02:39,440 Speaker 1: It wasn't really like growth. There was. The two of 40 00:02:39,440 --> 00:02:42,000 Speaker 1: them traveled together a lot, so there's been speculation that 41 00:02:42,040 --> 00:02:44,200 Speaker 1: they may have been a couple, or they may have 42 00:02:44,240 --> 00:02:47,000 Speaker 1: just been best friends. We don't know, but again it's 43 00:02:47,000 --> 00:02:50,400 Speaker 1: one of those things that like, because all real information 44 00:02:50,440 --> 00:02:52,320 Speaker 1: has been shut down. And granted, that's the kind of 45 00:02:52,320 --> 00:02:55,240 Speaker 1: thing that would have been the case anyway, right right 46 00:02:55,520 --> 00:02:57,680 Speaker 1: for the early d It's not like she would go 47 00:02:57,760 --> 00:03:00,480 Speaker 1: and I'm in love with our maid. Um, nobody was 48 00:03:00,520 --> 00:03:03,480 Speaker 1: going to say that, right, But it's it's yet another 49 00:03:03,520 --> 00:03:06,239 Speaker 1: piece of this puzzle where people are like, what was 50 00:03:06,280 --> 00:03:08,400 Speaker 1: going on in that house? They surely didn't want anybody 51 00:03:08,440 --> 00:03:11,440 Speaker 1: to know. And the other thing that makes this tricky, 52 00:03:11,520 --> 00:03:13,520 Speaker 1: and it came up in some of the research I 53 00:03:13,560 --> 00:03:17,880 Speaker 1: was reading, was that because of the families reticence to speak, 54 00:03:18,600 --> 00:03:21,959 Speaker 1: what we really have are those fast and furious news 55 00:03:22,000 --> 00:03:25,240 Speaker 1: reports that were coming out and that's it. And so 56 00:03:25,320 --> 00:03:27,400 Speaker 1: you kind of have to sift through them and do 57 00:03:28,040 --> 00:03:32,119 Speaker 1: like a pattern recognition practice and be like, Okay, well 58 00:03:32,160 --> 00:03:35,480 Speaker 1: they all do say this in the immediate aftermath. So 59 00:03:35,520 --> 00:03:38,680 Speaker 1: she was like, that might be accurate. They don't all 60 00:03:38,680 --> 00:03:41,040 Speaker 1: agree on this, so we have to discount that across 61 00:03:41,040 --> 00:03:43,600 Speaker 1: the board. Like there, it becomes very very hard to 62 00:03:43,640 --> 00:03:48,400 Speaker 1: actually make any sort of coagent picture out of what's 63 00:03:48,400 --> 00:03:53,640 Speaker 1: going on. I'm forever, forever fascinated. Uh. We said we 64 00:03:53,640 --> 00:03:56,120 Speaker 1: were going to talk about the house, and here's why 65 00:03:56,800 --> 00:04:03,400 Speaker 1: there is another house almost always called the Red Path Mansion, 66 00:04:03,440 --> 00:04:06,320 Speaker 1: and it comes up in articles about this, even in 67 00:04:06,680 --> 00:04:11,000 Speaker 1: like news stories. That is not the same house as 68 00:04:11,040 --> 00:04:13,800 Speaker 1: far as I can tell. As we said, the red 69 00:04:13,880 --> 00:04:17,760 Speaker 1: Paths very wealthy. They established a lot of that area 70 00:04:18,040 --> 00:04:20,279 Speaker 1: and they continued to live in that area for a while, 71 00:04:20,760 --> 00:04:23,440 Speaker 1: so many of them had houses built, so there's more 72 00:04:23,480 --> 00:04:28,000 Speaker 1: than one Red Path mitch Um. The house that they 73 00:04:28,120 --> 00:04:32,919 Speaker 1: lived in when this happened was designed by an architect 74 00:04:33,040 --> 00:04:36,719 Speaker 1: named John James Brown in eighteen seventy, the year they 75 00:04:36,760 --> 00:04:40,560 Speaker 1: bought it. It was a new house. And you mentioned 76 00:04:40,560 --> 00:04:42,599 Speaker 1: that when you're looking for show art, you saw a 77 00:04:42,600 --> 00:04:45,000 Speaker 1: lot of pictures of houses that look very much the same, 78 00:04:45,720 --> 00:04:48,159 Speaker 1: and that's because he designed a lot of houses for 79 00:04:48,160 --> 00:04:51,159 Speaker 1: the square mile that we're all very similar in appearance. 80 00:04:51,839 --> 00:04:55,080 Speaker 1: So that's one thing that goes on. But there is 81 00:04:55,120 --> 00:04:58,480 Speaker 1: a whole other thing that actually got a good bit 82 00:04:58,520 --> 00:05:04,159 Speaker 1: of media coverage, which is a Red Path mansion that 83 00:05:04,279 --> 00:05:09,400 Speaker 1: was designed by Sir Andrew Taylor in six and that 84 00:05:09,480 --> 00:05:13,600 Speaker 1: house was demolished in after a very long struggle over 85 00:05:13,600 --> 00:05:17,040 Speaker 1: whether or not it should be considered a historic property 86 00:05:17,040 --> 00:05:19,560 Speaker 1: and restored. Part of it was demolished I think in 87 00:05:19,600 --> 00:05:23,800 Speaker 1: the eighties, and then the demolition was stopped through like 88 00:05:23,880 --> 00:05:27,920 Speaker 1: some sort of municipal action, and then it kind of 89 00:05:27,960 --> 00:05:33,560 Speaker 1: stood there in disrepair. I mean, I understand how they 90 00:05:33,560 --> 00:05:36,479 Speaker 1: get confused, because one, the neighborhood is obviously changed and 91 00:05:36,560 --> 00:05:41,400 Speaker 1: layout a great deal over time, and the way one 92 00:05:41,440 --> 00:05:44,320 Speaker 1: particular picture I kept seeing of it looks it looks 93 00:05:44,360 --> 00:05:47,159 Speaker 1: almost similar to like if you were looking at the 94 00:05:47,200 --> 00:05:50,880 Speaker 1: mansion where this murder suicide happened from the back angle, 95 00:05:51,279 --> 00:05:52,840 Speaker 1: Like I'm like, oh, I could see where that might 96 00:05:52,880 --> 00:05:56,159 Speaker 1: be the same house. But then the architects are listed 97 00:05:56,279 --> 00:05:59,960 Speaker 1: as different and they are sixteen years apart in their construction, 98 00:06:00,400 --> 00:06:03,520 Speaker 1: which just makes it very confusing. But even people who 99 00:06:04,240 --> 00:06:06,719 Speaker 1: this is part of the problem that we're still feeling 100 00:06:06,960 --> 00:06:13,120 Speaker 1: from the family's closedness regarding information, even people who were 101 00:06:13,160 --> 00:06:16,599 Speaker 1: studying that newer house get it confused with the Red 102 00:06:16,640 --> 00:06:22,040 Speaker 1: Path murders because there is that weird, kind of just 103 00:06:22,360 --> 00:06:27,160 Speaker 1: quiet black hole of whats going on. And what's really 104 00:06:27,200 --> 00:06:30,560 Speaker 1: really interesting is that there are a lot of discussions 105 00:06:31,400 --> 00:06:34,919 Speaker 1: of that house, that historical home that was destroyed in 106 00:06:36,760 --> 00:06:39,160 Speaker 1: that don't mention the murders at all. So people are 107 00:06:39,200 --> 00:06:41,479 Speaker 1: just kind of connecting the dots because it's a well 108 00:06:41,520 --> 00:06:44,599 Speaker 1: known name, and that is a mansion, and these happened 109 00:06:44,600 --> 00:06:47,080 Speaker 1: in a mansion, and they're often called the Red Path 110 00:06:47,160 --> 00:06:50,039 Speaker 1: mansion murders. And so I think there's some some things 111 00:06:50,040 --> 00:06:56,039 Speaker 1: are getting conflated, and it makes it that much more 112 00:06:56,120 --> 00:06:59,520 Speaker 1: tricky to sort the whole thing out. Hopefully, I sent 113 00:06:59,600 --> 00:07:01,919 Speaker 1: you a pick or of the right How you did, 114 00:07:02,000 --> 00:07:06,080 Speaker 1: I looked great that it took me a really long 115 00:07:06,160 --> 00:07:11,000 Speaker 1: time to find that particular one that does not surprised 116 00:07:11,000 --> 00:07:14,040 Speaker 1: me even a small amount. I found a lot of 117 00:07:14,040 --> 00:07:16,040 Speaker 1: other pictures that I'm pretty sure are the same house 118 00:07:16,080 --> 00:07:18,480 Speaker 1: as I sent you from a slightly different angle, but 119 00:07:18,680 --> 00:07:21,280 Speaker 1: I also found a bunch of houses that were not. 120 00:07:21,560 --> 00:07:26,640 Speaker 1: It's a totally different house. So yeah, we already talked 121 00:07:26,640 --> 00:07:28,800 Speaker 1: about how a lot of the language that was used 122 00:07:28,840 --> 00:07:36,880 Speaker 1: in the articles um is not great language about chronic illness. Also, 123 00:07:37,000 --> 00:07:41,960 Speaker 1: just generally seizures can be really scary to witness and experience, 124 00:07:42,440 --> 00:07:46,720 Speaker 1: but they don't generally make people violent. So the idea 125 00:07:46,840 --> 00:07:52,000 Speaker 1: that like, he had a seizure and and murdered his mother, 126 00:07:52,120 --> 00:07:56,160 Speaker 1: like that's just well, there's also this secondary thing right 127 00:07:56,720 --> 00:07:59,080 Speaker 1: where and I am obviously not a doctor, but I 128 00:07:59,120 --> 00:08:02,360 Speaker 1: did do some research on epilepsy and thinking about this 129 00:08:03,080 --> 00:08:05,320 Speaker 1: um and watched a couple of lectures from doctors, like 130 00:08:05,680 --> 00:08:09,760 Speaker 1: there are instances where epilepsy can present not as a 131 00:08:09,800 --> 00:08:15,160 Speaker 1: seizure but as like seeming big changes in personality or mood. 132 00:08:15,720 --> 00:08:18,560 Speaker 1: And so the thing that gets me though, is that 133 00:08:18,640 --> 00:08:21,600 Speaker 1: if that was what they're trying to push this idea 134 00:08:21,680 --> 00:08:24,680 Speaker 1: toward the doctors that testified, and I kind of have 135 00:08:24,760 --> 00:08:27,120 Speaker 1: to use air quotes because they did testify, but I'm 136 00:08:27,160 --> 00:08:29,480 Speaker 1: not convinced that wasn't all a story they agreed on 137 00:08:29,560 --> 00:08:32,760 Speaker 1: before they got in front of the corner store. Um, 138 00:08:32,800 --> 00:08:34,800 Speaker 1: if that was the idea they were trying to push, 139 00:08:34,840 --> 00:08:38,560 Speaker 1: then the introduction of and he appeared to have been 140 00:08:38,600 --> 00:08:40,960 Speaker 1: foaming at the mouth, that is more in line with 141 00:08:41,000 --> 00:08:43,760 Speaker 1: a seizure, which would not really be the like you 142 00:08:43,840 --> 00:08:48,160 Speaker 1: cannot really make those two things mesh in my opinion. 143 00:08:48,720 --> 00:08:52,520 Speaker 1: The other thing is that the idea that one of 144 00:08:52,559 --> 00:08:57,040 Speaker 1: the house staff had held the two revolvers and then 145 00:08:57,080 --> 00:08:59,960 Speaker 1: had shown them that they had been discharged. The way 146 00:09:00,160 --> 00:09:03,120 Speaker 1: he showed them they were discharged was by going, look, 147 00:09:03,200 --> 00:09:06,120 Speaker 1: see this one has five bullets left in it. And 148 00:09:06,160 --> 00:09:09,400 Speaker 1: this one has four. Well, that's not really conclusive evidence 149 00:09:10,400 --> 00:09:12,600 Speaker 1: because we don't know if those were tempered or it 150 00:09:12,679 --> 00:09:16,000 Speaker 1: wasn't like they did ballistics testing. Yeah, we didn't say 151 00:09:16,040 --> 00:09:18,720 Speaker 1: that specifically in the episode, but that was what I 152 00:09:18,760 --> 00:09:21,480 Speaker 1: had concluded they had done, was like being like, this 153 00:09:21,559 --> 00:09:25,440 Speaker 1: is how many bullets are left. Yeah, that was exactly it. 154 00:09:25,520 --> 00:09:27,800 Speaker 1: And I just there's so many things like that that 155 00:09:27,880 --> 00:09:31,520 Speaker 1: really feel like they conferred and put together their story 156 00:09:31,600 --> 00:09:36,240 Speaker 1: and then that's what went forward. The fact that those 157 00:09:36,280 --> 00:09:40,280 Speaker 1: two people had been through the funeral and burial process 158 00:09:40,320 --> 00:09:44,400 Speaker 1: in less than forty eight hours after the shooting happened 159 00:09:44,760 --> 00:09:50,400 Speaker 1: is the reddest flag. Um, it's so strange. It's so strange, 160 00:09:50,440 --> 00:09:53,040 Speaker 1: and we'll never really know what weird family secret they 161 00:09:53,080 --> 00:09:55,360 Speaker 1: may have been protecting, or maybe they weren't and they 162 00:09:55,400 --> 00:09:57,280 Speaker 1: just were weird and they didn't want anybody to know 163 00:09:57,360 --> 00:10:00,720 Speaker 1: their family had any kind of normal problems. We don't know. 164 00:10:00,840 --> 00:10:03,360 Speaker 1: We don't know where those weapons came from. The fact 165 00:10:03,400 --> 00:10:08,480 Speaker 1: that there were two seems really weird to me. Mysteries abound. Yeah, 166 00:10:09,040 --> 00:10:11,320 Speaker 1: I feel like the whole thing has to be allegedly 167 00:10:11,440 --> 00:10:13,600 Speaker 1: because we don't we don't know what the real story right. 168 00:10:15,720 --> 00:10:18,360 Speaker 1: So we may not have given you any sort of 169 00:10:18,360 --> 00:10:20,840 Speaker 1: goblins or ghosts for Halloween, but we gave you things 170 00:10:20,880 --> 00:10:23,600 Speaker 1: to think about and speculate on. It's a fascinating one. 171 00:10:23,640 --> 00:10:27,240 Speaker 1: There are still descendants of the Red Path family um, 172 00:10:27,320 --> 00:10:29,520 Speaker 1: who I'm sure have their own very strong feelings on 173 00:10:29,559 --> 00:10:46,240 Speaker 1: the matter. The mystery will live on history mystery. This 174 00:10:46,320 --> 00:10:49,160 Speaker 1: week we had one of the parts of our two 175 00:10:49,200 --> 00:10:53,640 Speaker 1: parts of Unearthed for the autumn season of the year, 176 00:10:54,200 --> 00:10:59,440 Speaker 1: and we don't normally break two parters across the weekend, 177 00:11:00,400 --> 00:11:04,280 Speaker 1: especially once we started doing Saturday Classics. It's my fault. 178 00:11:04,679 --> 00:11:06,320 Speaker 1: Makes seem like there was a bunch of stuff in 179 00:11:06,400 --> 00:11:09,000 Speaker 1: between Part one and Part two, but it just doesn't 180 00:11:09,040 --> 00:11:13,760 Speaker 1: feel as necessary with Unearthed episode since there's not a 181 00:11:13,800 --> 00:11:17,559 Speaker 1: continual narrative running across the entire course of the episode, 182 00:11:17,600 --> 00:11:21,320 Speaker 1: and also we just had some weird scheduling stuff happen. 183 00:11:21,840 --> 00:11:24,880 Speaker 1: It's my fault, listen, We just went along. That's that's 184 00:11:24,920 --> 00:11:29,959 Speaker 1: what's happens. We've had a number of surprise two partners, 185 00:11:30,200 --> 00:11:32,959 Speaker 1: which is also part of why we are recording this 186 00:11:33,000 --> 00:11:36,120 Speaker 1: episode on October the fourth, that it's not coming out 187 00:11:36,160 --> 00:11:38,960 Speaker 1: so a way later than that, which is uh, not 188 00:11:39,080 --> 00:11:44,599 Speaker 1: a buffer. We usually managed to accupulate unless we're specifically 189 00:11:44,600 --> 00:11:48,920 Speaker 1: trying to get ahead of somebody going on vacation or 190 00:11:48,960 --> 00:11:52,120 Speaker 1: having other time off that's planned, right, I'm just about 191 00:11:52,120 --> 00:11:56,520 Speaker 1: to happen. I have a question for you going into this, okay, 192 00:11:56,559 --> 00:12:00,320 Speaker 1: because one of the things that happened to on Earth 193 00:12:00,400 --> 00:12:02,280 Speaker 1: in the last couple of years, since you're the person 194 00:12:02,360 --> 00:12:07,000 Speaker 1: that collects and collates and assembles these, is that for 195 00:12:07,040 --> 00:12:10,079 Speaker 1: a while we had a little bit of like a 196 00:12:10,320 --> 00:12:13,640 Speaker 1: drop off because the pandemic was causing a lot of 197 00:12:13,720 --> 00:12:18,120 Speaker 1: archaeological projects and other research things to be put on pause. 198 00:12:18,480 --> 00:12:21,200 Speaker 1: Are you noticing that things have ramped back up to 199 00:12:21,640 --> 00:12:26,920 Speaker 1: almost normal or yeah, I would put things into the 200 00:12:26,960 --> 00:12:33,080 Speaker 1: almost normal rate of publishing category at this point. I 201 00:12:33,200 --> 00:12:37,960 Speaker 1: also think there was a period where I was finding 202 00:12:38,000 --> 00:12:43,119 Speaker 1: a lot of stuff that specifically referenced like a museum 203 00:12:43,360 --> 00:12:47,079 Speaker 1: inventory ing its entire collection while it was closed because 204 00:12:47,080 --> 00:12:51,120 Speaker 1: of the pandemic, or restoration work that was going on 205 00:12:51,440 --> 00:12:55,240 Speaker 1: that was that continued during the pandemic with like three 206 00:12:55,280 --> 00:12:58,240 Speaker 1: people there like that kind of stuff, And there were 207 00:12:58,400 --> 00:13:01,240 Speaker 1: some references to the pandemmic and work that was either 208 00:13:01,400 --> 00:13:04,880 Speaker 1: paused because of the pandemic or was carried out specifically 209 00:13:04,920 --> 00:13:08,199 Speaker 1: because people had the opportunity during the pandemic. Uh, there 210 00:13:08,320 --> 00:13:10,920 Speaker 1: was some of that this time, but I feel like 211 00:13:11,160 --> 00:13:15,360 Speaker 1: less than last time. Yeah. I'm just fascinated by that 212 00:13:15,440 --> 00:13:18,920 Speaker 1: EBB and flow. Yeah, yeah, and it's I was actually 213 00:13:19,000 --> 00:13:21,760 Speaker 1: kind of surprised that I don't think we've wind up 214 00:13:21,800 --> 00:13:25,800 Speaker 1: having a one part of this in a while. Um, 215 00:13:25,800 --> 00:13:29,920 Speaker 1: which back when we started doing them quarterly instead of 216 00:13:30,120 --> 00:13:33,000 Speaker 1: twice a year, and that was up from once a year, 217 00:13:33,120 --> 00:13:35,200 Speaker 1: I was like, surely at some point there will only 218 00:13:35,240 --> 00:13:38,360 Speaker 1: be one episode's worth of stuff to talk about. But 219 00:13:38,480 --> 00:13:42,319 Speaker 1: this time, as is always the case, I had two episodes, 220 00:13:42,440 --> 00:13:45,000 Speaker 1: not always but usually the case lately, I had two 221 00:13:45,000 --> 00:13:48,680 Speaker 1: episodes of steps to talk about, and then also stuff 222 00:13:48,760 --> 00:13:51,959 Speaker 1: that I had bookmarked that we did not talk about 223 00:13:51,960 --> 00:13:54,840 Speaker 1: for various reasons, some of it just because it was 224 00:13:54,880 --> 00:13:58,520 Speaker 1: more coin hordes that I feel like they added more 225 00:13:58,559 --> 00:14:03,239 Speaker 1: to the discussion I thought about your coin hordes recently. 226 00:14:04,160 --> 00:14:05,679 Speaker 1: I'm trying to think of a way I can talk 227 00:14:05,720 --> 00:14:09,880 Speaker 1: about this without spoiling anything because it's about Uh, it 228 00:14:09,920 --> 00:14:11,800 Speaker 1: will not be a spoiler when this comes out, but 229 00:14:11,960 --> 00:14:15,680 Speaker 1: you have not seen this yet, which is an episode 230 00:14:15,679 --> 00:14:18,080 Speaker 1: of and or where they are in an antiquity shop 231 00:14:18,080 --> 00:14:21,400 Speaker 1: and someone mentions, We've just gotten in quite an interesting 232 00:14:21,440 --> 00:14:23,560 Speaker 1: bunch of coins, and I was like, oh my gosh, 233 00:14:23,560 --> 00:14:29,120 Speaker 1: coin hards who followed me to space, I can't escape 234 00:14:29,160 --> 00:14:33,560 Speaker 1: there everywhere. That's pretty great. This also got worked on 235 00:14:33,640 --> 00:14:38,040 Speaker 1: in a particularly chaotic way because there was like I 236 00:14:38,080 --> 00:14:41,840 Speaker 1: had time off that has happened now, um, and then 237 00:14:41,880 --> 00:14:46,440 Speaker 1: came back and we had Folks have probably heard that 238 00:14:46,640 --> 00:14:50,920 Speaker 1: the the I Heart radio podcasters formed a union that 239 00:14:51,080 --> 00:14:55,280 Speaker 1: is recognized were union bargaining, and so this was pulled 240 00:14:55,280 --> 00:14:58,480 Speaker 1: together in the midst of having a lot of time 241 00:14:59,200 --> 00:15:03,840 Speaker 1: devoted to union bargaining because I've been working on that 242 00:15:03,920 --> 00:15:07,560 Speaker 1: with the union. So that is proceeding a pace, is 243 00:15:07,600 --> 00:15:11,320 Speaker 1: how I can describe that. Um. So, as I was 244 00:15:11,880 --> 00:15:14,840 Speaker 1: yesterday going through all of this, I kept finding stuff 245 00:15:14,840 --> 00:15:17,280 Speaker 1: where it was clear that I had been working on something, 246 00:15:17,360 --> 00:15:19,120 Speaker 1: and then I had gotten the message that was like 247 00:15:19,160 --> 00:15:22,000 Speaker 1: we're back to the table. Okay, I gotta go back 248 00:15:22,000 --> 00:15:25,920 Speaker 1: to the table. Now done, done done. I mean, I 249 00:15:25,960 --> 00:15:29,120 Speaker 1: feel like I always work in fits and starts, So 250 00:15:29,200 --> 00:15:31,560 Speaker 1: for me, there's always like a half left sentence where 251 00:15:31,600 --> 00:15:34,120 Speaker 1: my brain just goes, you know what, you gotta go 252 00:15:34,160 --> 00:15:39,120 Speaker 1: cut out that dress right this Yeah, like a zombie. Yeah. 253 00:15:39,240 --> 00:15:42,840 Speaker 1: I think you and I have like different mental temperament 254 00:15:42,920 --> 00:15:47,200 Speaker 1: in that way, um, because I know you always, for 255 00:15:47,240 --> 00:15:48,880 Speaker 1: as long as I have known you have had like 256 00:15:49,240 --> 00:15:51,440 Speaker 1: twenty seven things you're juggling at the same time. And 257 00:15:51,480 --> 00:15:54,080 Speaker 1: I'm more like, I need eight hours to focus on 258 00:15:54,120 --> 00:15:58,680 Speaker 1: this thing, whereas I would if I did that ninety 259 00:15:58,680 --> 00:16:02,440 Speaker 1: minutes in, I would stop be productive. It would literally 260 00:16:02,480 --> 00:16:05,080 Speaker 1: become a thing where I I typed two words a 261 00:16:05,120 --> 00:16:07,040 Speaker 1: half an hour. I don't, I don't. My brain just 262 00:16:07,160 --> 00:16:14,200 Speaker 1: is like, no gear change please, it's another passing anything. Yeah. Yeah, 263 00:16:14,760 --> 00:16:16,880 Speaker 1: I think probably lots of listeners right now are going 264 00:16:16,880 --> 00:16:18,320 Speaker 1: it's Holly a d h D. And I'm like, I 265 00:16:18,320 --> 00:16:21,920 Speaker 1: don't know, maybe maybe, but I'm in my fifties and 266 00:16:21,960 --> 00:16:27,240 Speaker 1: it works fine. So yeah, I have similar questions about myself, 267 00:16:27,320 --> 00:16:30,480 Speaker 1: sometimes not about specifically a d h D, but about 268 00:16:30,520 --> 00:16:35,480 Speaker 1: like some under the like uh non neurotypical umbrella. And 269 00:16:35,520 --> 00:16:38,360 Speaker 1: I similarly, I'm like, I'm forty seven years old, and 270 00:16:38,520 --> 00:16:42,720 Speaker 1: I have adapted to the challenges that my brain's thrown 271 00:16:42,760 --> 00:16:45,280 Speaker 1: at me, and it sure would answer some questions about 272 00:16:45,320 --> 00:16:49,440 Speaker 1: my child. Yeah, I mean I remember I actually talked 273 00:16:49,480 --> 00:16:51,360 Speaker 1: to my therapist about it a while back, and she 274 00:16:51,520 --> 00:16:55,720 Speaker 1: was like, okay, but like, would having an official diagnosis 275 00:16:55,800 --> 00:16:57,800 Speaker 1: really change your life? Like I just want to make 276 00:16:57,800 --> 00:17:00,560 Speaker 1: sure yeah, And I was like, oh, I guess it 277 00:17:00,560 --> 00:17:03,400 Speaker 1: probably wouldn't. I just be like, oh, I understand why 278 00:17:03,440 --> 00:17:05,560 Speaker 1: that happens now, and then I'd be like, okay, I 279 00:17:05,560 --> 00:17:07,359 Speaker 1: still want to shuffle things, because that's how I like 280 00:17:07,440 --> 00:17:10,679 Speaker 1: it at this point. You know what else tickled me 281 00:17:10,720 --> 00:17:14,160 Speaker 1: in this episode and the Tommins should case the idea 282 00:17:14,240 --> 00:17:16,400 Speaker 1: that what we have long suspected to be a spy 283 00:17:16,440 --> 00:17:20,959 Speaker 1: code might just be like a horse bedding horsepedding um. 284 00:17:21,000 --> 00:17:23,320 Speaker 1: And it made me laugh because I have often wondered, 285 00:17:23,880 --> 00:17:25,680 Speaker 1: I know, I certainly do this. I think most people 286 00:17:25,720 --> 00:17:27,959 Speaker 1: do this, right. You scribble down notes to yourself at 287 00:17:28,000 --> 00:17:30,000 Speaker 1: various times, and sometimes you even go back to your 288 00:17:30,000 --> 00:17:32,120 Speaker 1: own notes and go, I don't know what this is anymore. 289 00:17:32,640 --> 00:17:37,200 Speaker 1: And I'm like, how many completely innocuous Like you're on 290 00:17:37,240 --> 00:17:39,440 Speaker 1: the phone with someone and you think of another thing, 291 00:17:39,520 --> 00:17:41,560 Speaker 1: so you write it down really fast so you don't forget, 292 00:17:41,840 --> 00:17:43,679 Speaker 1: and then you go back How many of those have 293 00:17:43,760 --> 00:17:50,440 Speaker 1: people been like ascribing meaning to that yeah. Um, Patrick 294 00:17:50,600 --> 00:17:53,760 Speaker 1: runs various D and D games as the you know, 295 00:17:53,800 --> 00:17:56,159 Speaker 1: the d M of the game, and I don't think 296 00:17:56,200 --> 00:17:59,040 Speaker 1: I've ever found notes that were related to a game 297 00:17:59,080 --> 00:18:00,720 Speaker 1: that I have played in with him. But I have 298 00:18:00,840 --> 00:18:04,439 Speaker 1: for sure stumbled onto like pieces of paper where he 299 00:18:04,560 --> 00:18:07,479 Speaker 1: jotted something down for one of the other campaigns, just 300 00:18:07,520 --> 00:18:10,560 Speaker 1: like on the dining table or something, and it looks 301 00:18:10,640 --> 00:18:13,040 Speaker 1: baffling for a moment, and then it's like, oh, these 302 00:18:13,080 --> 00:18:17,200 Speaker 1: are these are somede rolls. Yeah. It's actually more exciting 303 00:18:17,200 --> 00:18:20,159 Speaker 1: to me when my brain refinds the thing that I 304 00:18:20,200 --> 00:18:22,160 Speaker 1: didn't know what it was, but I kept it in case, 305 00:18:22,200 --> 00:18:25,320 Speaker 1: and then like two years later, it'll be like, those 306 00:18:25,320 --> 00:18:27,920 Speaker 1: were the measurements of that garment, and I'm like, R. 307 00:18:30,760 --> 00:18:33,280 Speaker 1: There was one time. I think I've mentioned this on 308 00:18:33,320 --> 00:18:36,200 Speaker 1: a show before. Um. I a lot of times will 309 00:18:36,240 --> 00:18:39,080 Speaker 1: just plunk things into my notes app on my phone 310 00:18:39,160 --> 00:18:40,959 Speaker 1: if I'm out and about in the world and something 311 00:18:41,119 --> 00:18:46,680 Speaker 1: strikes my interest is potentially for the show. And occasionally 312 00:18:46,720 --> 00:18:48,560 Speaker 1: I will go through my notes app to be like, 313 00:18:48,720 --> 00:18:50,680 Speaker 1: is there anything interesting in here that I haven't really 314 00:18:50,720 --> 00:18:54,399 Speaker 1: talked about? Uh, And one time I was like, WHOA, 315 00:18:54,520 --> 00:18:57,920 Speaker 1: this sounds fascinating and I put it into my search 316 00:18:58,040 --> 00:19:01,879 Speaker 1: bar and it was low Cations from Skyrim that I 317 00:19:01,920 --> 00:19:05,359 Speaker 1: needed to get to. I love it. I love it 318 00:19:05,440 --> 00:19:11,000 Speaker 1: so much. So Yeah, anyway, folks will get two behind 319 00:19:11,040 --> 00:19:15,320 Speaker 1: the scenes installments about this time Unearthed because second parts 320 00:19:15,359 --> 00:19:18,440 Speaker 1: coming out next week. Uh And until then, I hope 321 00:19:18,480 --> 00:19:22,320 Speaker 1: everybody has a great weekend whatever is going on. If 322 00:19:22,359 --> 00:19:24,720 Speaker 1: nothing's going on, I hope you have a great time 323 00:19:24,760 --> 00:19:30,440 Speaker 1: doing nothing. Sometimes I love to do nothing a little hutter. 324 00:19:30,600 --> 00:19:34,640 Speaker 1: It's the best, the best. Uh So we'll be back 325 00:19:34,680 --> 00:19:37,680 Speaker 1: with a Saturday Classic tomorrow and the rest of Unearthed 326 00:19:37,680 --> 00:19:45,440 Speaker 1: on Monday. Stuff you Missed in History Class is a 327 00:19:45,480 --> 00:19:48,679 Speaker 1: production of I Heart Radio. For more podcasts from I 328 00:19:48,760 --> 00:19:51,960 Speaker 1: Heart Radio, visit the I heart Radio app, Apple Podcasts, 329 00:19:52,080 --> 00:19:54,119 Speaker 1: or wherever you listen to your favorite shows.