1 00:00:15,356 --> 00:00:15,836 Speaker 1: Pushkin. 2 00:00:20,236 --> 00:00:22,916 Speaker 2: If you're landing here for the first time, best to 3 00:00:22,996 --> 00:00:25,636 Speaker 2: go back and start this story at episode one. 4 00:00:27,076 --> 00:00:30,036 Speaker 3: It's the morning after I found my brother's ex wife, 5 00:00:30,196 --> 00:00:35,396 Speaker 3: Leslie in a Californian car park. How'd you sleep, Simon? 6 00:00:35,436 --> 00:00:37,076 Speaker 3: And I wake up in a cheap motel. 7 00:00:39,116 --> 00:00:40,756 Speaker 4: No crazy dreams last night. 8 00:00:41,116 --> 00:00:43,956 Speaker 3: The bed sheets are thin and crumple like crepe paper. 9 00:00:44,956 --> 00:00:46,236 Speaker 3: We're still buzzing out. 10 00:00:46,556 --> 00:00:50,436 Speaker 4: It's more of a crazy dream all day, really, eh. 11 00:00:50,596 --> 00:00:53,076 Speaker 3: We lie there debriefing my chat with Leslie? 12 00:00:53,916 --> 00:00:54,316 Speaker 1: How are you. 13 00:00:54,316 --> 00:00:55,636 Speaker 2: Feeling about what you said now? 14 00:00:55,756 --> 00:00:59,956 Speaker 4: As in like I was kind of convinced, and well, 15 00:00:59,996 --> 00:01:04,796 Speaker 4: I wasn't convinced, but I definitely yeah, yeah, I'm not conned. 16 00:01:04,796 --> 00:01:09,116 Speaker 4: I'm not convinced, but I do. I did feel sorry 17 00:01:09,276 --> 00:01:16,116 Speaker 4: for Leslie, and I felt that there was genuine sadness 18 00:01:16,116 --> 00:01:18,956 Speaker 4: and maybe even a touch of remorse from her side 19 00:01:18,956 --> 00:01:22,356 Speaker 4: of things. But having slept on it, even just for 20 00:01:22,396 --> 00:01:29,476 Speaker 4: a few hours, I think that her sadness and her 21 00:01:29,516 --> 00:01:34,276 Speaker 4: remorse is like I think she recognized that her life 22 00:01:34,596 --> 00:01:38,516 Speaker 4: is not what she wanted it to be, or even 23 00:01:38,556 --> 00:01:44,916 Speaker 4: perhaps what it could be, and she kind of like 24 00:01:44,996 --> 00:01:49,836 Speaker 4: looked up at me like almost like you know, she 25 00:01:50,036 --> 00:01:53,516 Speaker 4: was going, please, don't make me face all of this stuff. 26 00:01:55,076 --> 00:02:00,836 Speaker 4: And I think what I was feeling is I felt 27 00:02:00,876 --> 00:02:02,836 Speaker 4: bad for doing that. 28 00:02:05,436 --> 00:02:08,756 Speaker 3: Am I just being charmed like everyone else in this story? 29 00:02:09,596 --> 00:02:12,516 Speaker 3: From the brief chat I had with Leslie, it's hard 30 00:02:12,516 --> 00:02:15,116 Speaker 3: to tell I'd left her with the plan to meet 31 00:02:15,196 --> 00:02:17,796 Speaker 3: up and go through everything in detail. If we can 32 00:02:17,836 --> 00:02:20,516 Speaker 3: sit down and talk, I won't have to rush through 33 00:02:20,516 --> 00:02:23,476 Speaker 3: my questions. Maybe I can get her to talk about 34 00:02:23,516 --> 00:02:27,956 Speaker 3: what she really meant when she said things weren't totally kosher, 35 00:02:28,956 --> 00:02:32,036 Speaker 3: and instead of going slowly, I can just straight up 36 00:02:32,116 --> 00:02:35,196 Speaker 3: ask her if she did stuff like inventor fake lawyer 37 00:02:35,436 --> 00:02:38,916 Speaker 3: Eric t Weiss to fool people. If she can really 38 00:02:38,956 --> 00:02:46,556 Speaker 3: answer it all of this stuff, she'll turn up. So 39 00:02:46,676 --> 00:02:49,316 Speaker 3: I sent Leslie a text suggesting that we meet up 40 00:02:49,316 --> 00:02:52,196 Speaker 3: at the Starbucks near the supermarket she works at, and 41 00:02:52,236 --> 00:02:59,036 Speaker 3: she's just sent me a text back. So here it is, Hi, Ollie, 42 00:02:59,036 --> 00:03:01,996 Speaker 3: and good morning. It was really good to see you too. 43 00:03:02,156 --> 00:03:04,476 Speaker 3: I hope you understand. All the things you asked about 44 00:03:04,596 --> 00:03:07,196 Speaker 3: is all ten plus years ago, and I have moved 45 00:03:07,236 --> 00:03:10,516 Speaker 3: on from all of it, and so has my parents. Okay, 46 00:03:11,036 --> 00:03:15,316 Speaker 3: Cameron's story is actually from about six years ago. But anyway, 47 00:03:16,116 --> 00:03:19,356 Speaker 3: I appreciate you want both sides, but in all fairness, 48 00:03:19,676 --> 00:03:22,156 Speaker 3: you should have reached out way before. Twelve years later. 49 00:03:22,356 --> 00:03:26,156 Speaker 3: I am past all the pain, lies, deceit, and loneliness 50 00:03:26,196 --> 00:03:28,756 Speaker 3: my decisions have created for me, and I've laid it 51 00:03:28,796 --> 00:03:31,556 Speaker 3: all to rest. I really have thought long and hard 52 00:03:31,636 --> 00:03:33,876 Speaker 3: through the night and decided that I do not wish 53 00:03:33,916 --> 00:03:36,556 Speaker 3: to bring it all back. I wish you all the best, Ollie, 54 00:03:36,756 --> 00:03:43,036 Speaker 3: and good luck with all your ventures. Hmmm, so I 55 00:03:43,076 --> 00:03:50,916 Speaker 3: guess that's it. We won't be seeing Leslie again. For 56 00:03:50,996 --> 00:03:53,876 Speaker 3: the final episode of the season of Unravel, I'm Ollie 57 00:03:53,916 --> 00:04:10,716 Speaker 3: Ward's and this is Snowball. I wasn't really in the 58 00:04:10,716 --> 00:04:13,796 Speaker 3: mood for asking any more questions, but we had already 59 00:04:13,836 --> 00:04:16,516 Speaker 3: planned one more stop on our road trip, a beautiful 60 00:04:16,556 --> 00:04:19,356 Speaker 3: beachside town just down the road where Leslie had worked. 61 00:04:21,396 --> 00:04:23,676 Speaker 3: When we got there, Simon had a beer in the 62 00:04:23,716 --> 00:04:25,956 Speaker 3: bar and told some people why we were in town. 63 00:04:26,956 --> 00:04:29,756 Speaker 3: Word went round, and then a lady approached me. She 64 00:04:29,796 --> 00:04:31,036 Speaker 3: said she had known Leslie. 65 00:04:31,636 --> 00:04:34,316 Speaker 5: Oh, yeah, we were very close. Actually you can be 66 00:04:34,396 --> 00:04:34,756 Speaker 5: to her. 67 00:04:35,476 --> 00:04:39,716 Speaker 3: Yeah, okay. She had all the familiar stories about Leslie, 68 00:04:39,716 --> 00:04:44,076 Speaker 3: having tall tales of successful international restaurants and a trust fund. 69 00:04:44,836 --> 00:04:47,956 Speaker 3: But to be honest, I was over it. More of 70 00:04:47,996 --> 00:04:51,316 Speaker 3: the same wasn't going to help me understand everything. Then, 71 00:04:51,636 --> 00:04:54,116 Speaker 3: just as we were wrapping up, she said something that 72 00:04:54,236 --> 00:04:59,836 Speaker 3: really hit me. I might just grab it. 73 00:05:00,156 --> 00:05:01,476 Speaker 4: So can you just say that again? 74 00:05:01,796 --> 00:05:03,596 Speaker 5: She was homeless for a time for most of the 75 00:05:03,636 --> 00:05:06,556 Speaker 5: time she was working here this last time because she 76 00:05:06,596 --> 00:05:10,556 Speaker 5: slept at the campgrounds. And she's because I helped her 77 00:05:10,556 --> 00:05:13,676 Speaker 5: remove a camper to the campground and she slept in 78 00:05:13,716 --> 00:05:15,436 Speaker 5: the back of her car. And then she slept over 79 00:05:15,556 --> 00:05:17,316 Speaker 5: at a hotel because I remember going over there and 80 00:05:17,356 --> 00:05:21,236 Speaker 5: having pizza with her, and so I know she didn't 81 00:05:21,276 --> 00:05:22,156 Speaker 5: have a place to live here. 82 00:05:22,756 --> 00:05:23,556 Speaker 3: It's really sad. 83 00:05:23,716 --> 00:05:28,236 Speaker 4: Yeah, And why was she sort of homeless if she 84 00:05:28,316 --> 00:05:29,956 Speaker 4: had a job here and was working. 85 00:05:30,196 --> 00:05:30,596 Speaker 6: I don't know. 86 00:05:30,676 --> 00:05:32,876 Speaker 5: She was always looking for a place. 87 00:05:33,196 --> 00:05:35,236 Speaker 3: As I walked back to the hotel room, I turned 88 00:05:35,236 --> 00:05:41,716 Speaker 3: my recorder on. That doesn't make me feel good, like 89 00:05:42,156 --> 00:05:45,756 Speaker 3: nobody should be homeless. I feel sad that Leslie's going 90 00:05:45,796 --> 00:05:52,076 Speaker 3: through her life, going from opportunities and circumstances like living 91 00:05:52,116 --> 00:05:57,916 Speaker 3: in Medicana in New Zealand, right down to sleeping in 92 00:05:57,956 --> 00:06:01,956 Speaker 3: her car, maybe in a beautiful place, but nobody deserves 93 00:06:01,996 --> 00:06:06,676 Speaker 3: to be homeless. And I just really hope that, I 94 00:06:06,716 --> 00:06:10,436 Speaker 3: don't know, something can jolt out of this, because she's 95 00:06:10,436 --> 00:06:15,156 Speaker 3: not winning out of any of us. When Simon came back, 96 00:06:15,236 --> 00:06:17,516 Speaker 3: I told him what I had found out. The saddest 97 00:06:17,516 --> 00:06:21,316 Speaker 3: thing was she said that when Leslie was here, she 98 00:06:21,396 --> 00:06:21,956 Speaker 3: was homeless. 99 00:06:23,036 --> 00:06:29,436 Speaker 2: Shit that sucks. Just ed like I just, you know, 100 00:06:29,796 --> 00:06:31,956 Speaker 2: we were saying kind of like this kind of existence 101 00:06:32,076 --> 00:06:36,916 Speaker 2: must be traumatic and fucking sad and just torrible and 102 00:06:37,116 --> 00:06:39,316 Speaker 2: just kind of like, yep, I'm not surprised when you 103 00:06:39,356 --> 00:06:42,196 Speaker 2: say that, Like my heart sinks a little bit. I'm like, fuck, 104 00:06:42,556 --> 00:06:44,476 Speaker 2: you don't really wish that kind of shit on anyone, 105 00:06:44,516 --> 00:06:47,476 Speaker 2: even if they've kind of done you wrong and stuff like, 106 00:06:47,996 --> 00:06:51,116 Speaker 2: I don't know, like that's sad, that's sad, you know 107 00:06:51,116 --> 00:06:51,436 Speaker 2: what I mean. 108 00:06:55,316 --> 00:06:56,956 Speaker 3: I guess I thought this whole thing was going to 109 00:06:56,996 --> 00:07:02,396 Speaker 3: wrap up neatly like a movie. Being in America, running 110 00:07:02,396 --> 00:07:05,236 Speaker 3: around doing this investigation, it often feels like I'm in 111 00:07:05,236 --> 00:07:09,436 Speaker 3: a movie, the car, the accents, So I was kind 112 00:07:09,436 --> 00:07:12,076 Speaker 3: of expecting all my questions answered and tied up in 113 00:07:12,076 --> 00:07:18,396 Speaker 3: a pretty bow. Instead, things feel complicated. I didn't expect 114 00:07:18,476 --> 00:07:21,916 Speaker 3: to end up feeling sorry for Leslie, but I kind 115 00:07:21,916 --> 00:07:27,076 Speaker 3: of do. She has brought a lot of this on herself. 116 00:07:27,636 --> 00:07:30,756 Speaker 3: It's just her situation. I kind of feel sorry for 117 00:07:32,716 --> 00:07:35,756 Speaker 3: some of the people that she hurt took years to recover, 118 00:07:36,756 --> 00:07:40,516 Speaker 3: but they're all mostly back on their feet. It's Leslie 119 00:07:40,516 --> 00:07:43,116 Speaker 3: that seems to be in this cycle of starting over 120 00:07:43,196 --> 00:07:50,236 Speaker 3: again with nothing. If it turns out Leslie's biggest victim 121 00:07:50,476 --> 00:07:54,156 Speaker 3: is herself, then why would she keep the cycle going. 122 00:07:55,076 --> 00:07:57,996 Speaker 3: That's what still doesn't make sense to me. But then 123 00:07:58,236 --> 00:08:00,276 Speaker 3: I remember something that came up when I spoke to 124 00:08:00,276 --> 00:08:05,716 Speaker 3: the psychologist Maria Konnikova. What motivates the con Because in 125 00:08:05,756 --> 00:08:08,516 Speaker 3: our case, Leslie didn't get away with a whole lot 126 00:08:08,556 --> 00:08:09,356 Speaker 3: of money. 127 00:08:10,076 --> 00:08:13,516 Speaker 7: And that is not at all uncommon. I think it's 128 00:08:13,516 --> 00:08:16,836 Speaker 7: a huge misperception among the public that con artists are 129 00:08:16,876 --> 00:08:20,156 Speaker 7: motivated by money. I really think that's not it at all, 130 00:08:20,436 --> 00:08:23,036 Speaker 7: because for the most part, con artists don't make a 131 00:08:23,036 --> 00:08:25,756 Speaker 7: lot of money and are incredibly intelligent and could have 132 00:08:25,796 --> 00:08:29,636 Speaker 7: made much more money in more legitimate professions, and so 133 00:08:29,796 --> 00:08:32,236 Speaker 7: I don't actually think it's about financial gain at all. 134 00:08:32,756 --> 00:08:35,996 Speaker 7: I think that why they do it is power. They're 135 00:08:36,076 --> 00:08:40,756 Speaker 7: motivated in the sense of power over other people, control 136 00:08:40,876 --> 00:08:44,516 Speaker 7: over other people's lives, the idea that they're shaping other 137 00:08:44,596 --> 00:08:48,276 Speaker 7: people's reality in a way that they want to shape it. 138 00:08:48,836 --> 00:08:51,836 Speaker 7: This is something that can be incredibly intoxicating. And I 139 00:08:51,836 --> 00:08:55,156 Speaker 7: think that that feeling of power is actually one of 140 00:08:55,196 --> 00:08:59,036 Speaker 7: the reasons that con artists are more often than not, 141 00:08:59,276 --> 00:09:00,916 Speaker 7: and by more often than not, I mean, like you, 142 00:09:00,956 --> 00:09:04,716 Speaker 7: over ninety percent of cases, true con artists are repeat defenders, 143 00:09:04,756 --> 00:09:07,316 Speaker 7: and given the opportunity to go straight, so to speak, 144 00:09:07,356 --> 00:09:09,276 Speaker 7: they don't take it. They can't take it, even though 145 00:09:09,276 --> 00:09:11,756 Speaker 7: they say they will, and the will and they want to, 146 00:09:12,236 --> 00:09:16,836 Speaker 7: because they're always driven back to that and they are 147 00:09:16,916 --> 00:09:19,436 Speaker 7: unable to let go of that rush of power over 148 00:09:19,476 --> 00:09:21,516 Speaker 7: other people. I mean, it is intoxicating if you think 149 00:09:21,556 --> 00:09:25,036 Speaker 7: about it. You're playing god, You're controlling other people's lives, 150 00:09:25,036 --> 00:09:29,516 Speaker 7: You're crafting their realities. You're creating entire worlds, and people believe. 151 00:09:29,276 --> 00:09:37,516 Speaker 3: You creating entire worlds like the world of Eric t Weiss. 152 00:09:38,236 --> 00:09:42,036 Speaker 3: Leslie could control all of that. Maybe that's what this 153 00:09:42,236 --> 00:09:46,436 Speaker 3: was about, not money, but a feeling of control, a 154 00:09:46,476 --> 00:09:49,996 Speaker 3: feeling of power. Oh and remember what Leslie said about 155 00:09:50,036 --> 00:09:51,116 Speaker 3: putting me in touch with Eric. 156 00:09:51,316 --> 00:09:52,556 Speaker 5: Like I said, I haven't talked to him in a 157 00:09:52,596 --> 00:09:53,916 Speaker 5: couple of years, but I can give you the last 158 00:09:53,916 --> 00:09:54,596 Speaker 5: known number for him. 159 00:09:54,636 --> 00:09:58,196 Speaker 7: I'd be happy to no problem. 160 00:09:58,396 --> 00:10:01,316 Speaker 3: I followed up over text and asked Leslie for Eric's number. 161 00:10:01,636 --> 00:10:04,396 Speaker 3: She never gave me one, So I guess that means 162 00:10:04,396 --> 00:10:08,476 Speaker 3: that her old mate, Eric t weiss Esquire will be 163 00:10:08,516 --> 00:10:15,156 Speaker 3: lost to her story fictional history. That leaves one more 164 00:10:15,236 --> 00:10:19,556 Speaker 3: question that's been on my mind all along. It might 165 00:10:19,596 --> 00:10:24,036 Speaker 3: be the most troubling question of my investigation. Where to 166 00:10:24,116 --> 00:10:25,396 Speaker 3: Leslie's parents fit in. 167 00:10:27,156 --> 00:10:28,076 Speaker 7: We'll be right back. 168 00:10:30,796 --> 00:10:34,436 Speaker 3: Doctor Kannakova doesn't know Leslie or her parents, but she 169 00:10:34,516 --> 00:10:37,116 Speaker 3: said something that gave me a new perspective on what 170 00:10:37,156 --> 00:10:38,836 Speaker 3: it might be like to be in their position. 171 00:10:40,076 --> 00:10:44,076 Speaker 7: Oftentimes, you know, people like the parents aren't in on 172 00:10:44,076 --> 00:10:46,836 Speaker 7: the con as such, but they've been deceived. You have 173 00:10:46,876 --> 00:10:49,476 Speaker 7: to remember, they've been living with a con artist for 174 00:10:49,556 --> 00:10:53,236 Speaker 7: their for the entire life of that con artist, and 175 00:10:53,316 --> 00:10:56,476 Speaker 7: it's their daughter, So you have an emotional involvement. And 176 00:10:56,516 --> 00:11:01,156 Speaker 7: if you who are you know? Who didn't know Leslie 177 00:11:01,276 --> 00:11:04,876 Speaker 7: when she was younger and had no kind of family 178 00:11:04,956 --> 00:11:07,876 Speaker 7: or blood ties initially, If you were able to be 179 00:11:07,916 --> 00:11:10,636 Speaker 7: pulled into her web. Just imagine how difficult it is 180 00:11:11,076 --> 00:11:13,236 Speaker 7: if you're related to her, if you have kind of 181 00:11:13,236 --> 00:11:16,716 Speaker 7: the closest relationship of all, I think it could be 182 00:11:16,716 --> 00:11:20,436 Speaker 7: incredibly difficult. And I think that those are families are 183 00:11:20,436 --> 00:11:23,036 Speaker 7: often the biggest victims of con artists, and we'll defend 184 00:11:23,156 --> 00:11:25,476 Speaker 7: their children, will defend their loved ones to the end. 185 00:11:26,836 --> 00:11:29,996 Speaker 3: I did try to speak with Leslie's parents, Betty and Andrew. 186 00:11:31,516 --> 00:11:32,076 Speaker 1: At the towne. 187 00:11:32,316 --> 00:11:33,556 Speaker 8: Please leave a message for. 188 00:11:35,476 --> 00:11:36,116 Speaker 4: This is Betty. 189 00:11:36,316 --> 00:11:38,036 Speaker 8: We're not available right at the moment. 190 00:11:38,276 --> 00:11:39,516 Speaker 7: Please leave a message. 191 00:11:40,316 --> 00:11:41,676 Speaker 8: Record your message at the towne. 192 00:11:43,076 --> 00:11:45,996 Speaker 4: Hi, Betty, it's Ollie Ward's here. You might remember me, 193 00:11:46,796 --> 00:11:50,476 Speaker 4: Gregg's little brother. I'm sure Leslie has told you that 194 00:11:50,756 --> 00:11:57,756 Speaker 4: I am reporting a story just regarding. 195 00:11:55,516 --> 00:11:59,676 Speaker 3: I also emailed them and sent them a letter. No response. 196 00:12:02,076 --> 00:12:03,876 Speaker 3: Leslie might have told them not to talk to me. 197 00:12:04,516 --> 00:12:07,556 Speaker 3: After some friendly texts back and forth with Leslie, things 198 00:12:07,556 --> 00:12:10,716 Speaker 3: had turned sour. Started to find out how many people 199 00:12:10,716 --> 00:12:14,196 Speaker 3: we had spoken to for this podcast, and in particular 200 00:12:14,316 --> 00:12:17,156 Speaker 3: in that last town we went to. Leslie heard that 201 00:12:17,196 --> 00:12:19,716 Speaker 3: we had mentioned some of the allegations about her to 202 00:12:19,796 --> 00:12:23,196 Speaker 3: some people at her old work, and she was not happy. 203 00:12:23,236 --> 00:12:23,636 Speaker 3: About it. 204 00:12:25,156 --> 00:12:28,236 Speaker 4: Okay, A text message has just come in from Leslie 205 00:12:28,276 --> 00:12:31,036 Speaker 4: after not hearing from her for a little while. Um, 206 00:12:31,956 --> 00:12:34,996 Speaker 4: she says, lose my number. A journalist doesn't slander a 207 00:12:35,036 --> 00:12:37,916 Speaker 4: person's character at their old workplace. This is not a 208 00:12:37,916 --> 00:12:41,956 Speaker 4: story for your podcast. This is revenge trip. So fucked Ollie. 209 00:12:42,036 --> 00:12:44,556 Speaker 4: After all these years, you reach out to me or 210 00:12:44,596 --> 00:12:47,876 Speaker 4: my parents, ever, and I will file a restraining order 211 00:12:47,956 --> 00:12:50,716 Speaker 4: against you, Simon and whoever else. I need to. 212 00:12:51,076 --> 00:12:52,876 Speaker 2: Restraining orders on us and everything. Now. 213 00:12:52,876 --> 00:12:57,476 Speaker 3: Of course, you know heavy, oh Man, cheaper is What 214 00:12:57,636 --> 00:13:01,636 Speaker 3: Leslie didn't know was that revenge couldn't have been further 215 00:13:01,716 --> 00:13:04,596 Speaker 3: from our minds. When I set out on this trip, 216 00:13:04,716 --> 00:13:08,276 Speaker 3: I wanted to understand what happened and to get Leslie's 217 00:13:08,276 --> 00:13:11,476 Speaker 3: side of the story. It was important to get her 218 00:13:11,516 --> 00:13:14,356 Speaker 3: response to people all over the world saying she had 219 00:13:14,356 --> 00:13:17,556 Speaker 3: conned them. But at the end of our trip, I've 220 00:13:17,636 --> 00:13:21,836 Speaker 3: realized Leslie isn't some sort of two dimensional movie villain. 221 00:13:22,436 --> 00:13:25,676 Speaker 3: She's a complex person with motives. Maybe she doesn't even 222 00:13:25,676 --> 00:13:30,396 Speaker 3: fully understand, and maybe the person who has suffered the 223 00:13:30,436 --> 00:13:38,716 Speaker 3: most from what Leslie has done is Leslie herself. So 224 00:13:39,716 --> 00:13:47,276 Speaker 3: I don't feel vengeful. I just feel sad, sad for Leslie, 225 00:13:47,676 --> 00:13:51,196 Speaker 3: sad for everyone who felt deceived and devastated by her, 226 00:13:52,076 --> 00:13:59,116 Speaker 3: and sad for my brother Greg. I didn't know if 227 00:13:59,116 --> 00:14:01,556 Speaker 3: Greg would react like I did, so I told him 228 00:14:01,556 --> 00:14:02,796 Speaker 3: that Leslie might have been homeless. 229 00:14:03,556 --> 00:14:07,516 Speaker 8: It's hard to feel sorry for someone when they clearly 230 00:14:07,556 --> 00:14:12,716 Speaker 8: have choices. And the thing with Leslie is she's had 231 00:14:12,796 --> 00:14:16,596 Speaker 8: lots and lots and lots of choices. So her being 232 00:14:16,716 --> 00:14:22,796 Speaker 8: homeless supposedly that's bad, but that will be a consequence 233 00:14:23,276 --> 00:14:28,076 Speaker 8: of her actions, which will have affected lots of other 234 00:14:28,116 --> 00:14:32,476 Speaker 8: people around her, who let's call them the victims, So 235 00:14:32,596 --> 00:14:37,076 Speaker 8: that drops my sympathy down quite a few notches. 236 00:14:38,996 --> 00:14:42,076 Speaker 3: Around that time when Leslie might have been homeless, Greg 237 00:14:42,156 --> 00:14:43,596 Speaker 3: had got himself back on his feet. 238 00:14:44,716 --> 00:14:49,156 Speaker 8: So where I did get to was a lucky place. 239 00:14:50,196 --> 00:14:56,156 Speaker 8: I have a beautiful, highly supportive, intelligent wife, and we 240 00:14:56,236 --> 00:15:01,636 Speaker 8: have a pretty magical young daughter, and then we live 241 00:15:01,676 --> 00:15:05,476 Speaker 8: in a beautiful suburb. I've got a good job that 242 00:15:05,956 --> 00:15:11,836 Speaker 8: provides for us, and all of the good things are 243 00:15:11,836 --> 00:15:13,956 Speaker 8: ahead of us in life. 244 00:15:14,076 --> 00:15:16,916 Speaker 3: As for my mum and dad, they were mostly able 245 00:15:16,956 --> 00:15:19,836 Speaker 3: to move on too, and in case that happened after 246 00:15:19,956 --> 00:15:22,996 Speaker 3: Leslie left New Zealand. Mum and dad sued the lawyer 247 00:15:23,076 --> 00:15:26,116 Speaker 3: who worked on the Dragonfly deal. The matter was settled 248 00:15:26,116 --> 00:15:28,796 Speaker 3: before it went to court. I can't say much about 249 00:15:28,796 --> 00:15:31,516 Speaker 3: it for legal reasons, but it worked out that Mum 250 00:15:31,516 --> 00:15:33,676 Speaker 3: and Dad were able to get enough money to buy 251 00:15:33,756 --> 00:15:36,436 Speaker 3: a home of their own again. Dad had to go 252 00:15:36,516 --> 00:15:39,756 Speaker 3: back to work. But after a few years of tough times, 253 00:15:40,276 --> 00:15:42,556 Speaker 3: my parents got back to being happy where they are. 254 00:15:43,636 --> 00:15:46,556 Speaker 3: They even reflect on some good that came out of everything. 255 00:15:48,236 --> 00:15:53,316 Speaker 9: And now we honestly have moved on and don't really 256 00:15:53,356 --> 00:15:57,556 Speaker 9: think about that time much at all. It was a 257 00:15:57,716 --> 00:16:04,276 Speaker 9: very proops almost you could say, another defining moment for 258 00:16:04,356 --> 00:16:08,036 Speaker 9: our family. I think in many ways it brought us 259 00:16:08,036 --> 00:16:12,796 Speaker 9: all together, not that we were apart, but it spu 260 00:16:13,396 --> 00:16:15,116 Speaker 9: sputted us in pretty well. 261 00:16:15,436 --> 00:16:22,476 Speaker 1: Actually, for me, it's a gratitude. It's nothing to do 262 00:16:22,636 --> 00:16:29,516 Speaker 1: with her. It's how loved and cared for that we are, 263 00:16:29,716 --> 00:16:36,956 Speaker 1: that so many people cared for us, for the immediate family. 264 00:16:38,076 --> 00:16:47,276 Speaker 1: They were so amazingly brilliant, and you three for sticking 265 00:16:47,316 --> 00:16:52,396 Speaker 1: with it and holding us up. And at least we've 266 00:16:52,436 --> 00:16:56,076 Speaker 1: got something to talk about at dinner parties, so they're 267 00:16:56,076 --> 00:16:59,356 Speaker 1: not entirely free of us, not. 268 00:16:59,356 --> 00:17:01,956 Speaker 9: That we talk about it now at dinner parties. 269 00:17:02,596 --> 00:17:04,076 Speaker 1: We don't have dinner parties. 270 00:17:04,116 --> 00:17:04,836 Speaker 6: We're too old. 271 00:17:06,436 --> 00:17:09,596 Speaker 3: And like he always does, my brother Simon and sums 272 00:17:09,596 --> 00:17:10,476 Speaker 3: it up for us. 273 00:17:11,236 --> 00:17:13,596 Speaker 2: I'm actually really proud of us through it as well. 274 00:17:13,676 --> 00:17:16,436 Speaker 2: I don't know, like a big thing of this was 275 00:17:16,516 --> 00:17:18,796 Speaker 2: just how you know, and I always I always repeat it, 276 00:17:18,796 --> 00:17:20,876 Speaker 2: but kind of I don't. The reason that I don't 277 00:17:20,876 --> 00:17:23,556 Speaker 2: feel angry with her or kind of forgiven her is 278 00:17:23,636 --> 00:17:27,516 Speaker 2: just because of how close it made us, you know, 279 00:17:27,556 --> 00:17:30,756 Speaker 2: we changed as a family through this, and so yeah, 280 00:17:30,836 --> 00:17:33,516 Speaker 2: so I just yeah, I'm just I love look of 281 00:17:33,516 --> 00:17:34,956 Speaker 2: you guys came out of it. 282 00:17:35,036 --> 00:17:35,236 Speaker 5: Yeah. 283 00:17:35,396 --> 00:17:35,596 Speaker 4: Yeah. 284 00:17:38,076 --> 00:17:40,236 Speaker 3: For almost a year now, I haven't been able to 285 00:17:40,236 --> 00:17:42,756 Speaker 3: talk to my family without it being about this podcast. 286 00:17:43,116 --> 00:17:45,116 Speaker 3: I'm looking forward to going back to talking about the 287 00:17:45,236 --> 00:17:47,476 Speaker 3: usual stuff like how to turn the video on. 288 00:17:49,796 --> 00:17:52,636 Speaker 6: Here we go. Ollie wants to connect with you on Skype, 289 00:17:52,836 --> 00:17:58,676 Speaker 6: except well, well we've got contact. Yeah, so hear me, 290 00:17:59,236 --> 00:18:01,316 Speaker 6: can't see me. I can see you. 291 00:18:01,156 --> 00:18:03,436 Speaker 3: And hear you, and I need to call Greg Moore. 292 00:18:03,956 --> 00:18:07,196 Speaker 3: I don't catch up with my brother nearly enough. This 293 00:18:07,356 --> 00:18:09,556 Speaker 3: whole thing has been a good reason and for us 294 00:18:09,596 --> 00:18:13,156 Speaker 3: to talk for me to understand something so profound in 295 00:18:13,196 --> 00:18:17,796 Speaker 3: his life. But it's been hard sometimes to draw a 296 00:18:17,836 --> 00:18:21,036 Speaker 3: line between my brother and the story I'm trying to tell. 297 00:18:22,396 --> 00:18:26,316 Speaker 3: One time Greg called me and he started to cry. 298 00:18:26,436 --> 00:18:28,756 Speaker 3: He was telling me about how he still feels pain 299 00:18:28,836 --> 00:18:32,476 Speaker 3: from what happened. Part of my brain was thinking, I 300 00:18:32,556 --> 00:18:35,196 Speaker 3: need to record this, call him back with the recorder on. 301 00:18:36,236 --> 00:18:38,876 Speaker 3: But the rest of me was thinking, my brother is 302 00:18:38,956 --> 00:18:41,716 Speaker 3: upset right now, and I need to be there for him. 303 00:18:42,876 --> 00:18:44,996 Speaker 3: You didn't hear that call because I stayed on the 304 00:18:45,036 --> 00:18:48,916 Speaker 3: line with him. To Greg, I'm not a journalist reporting 305 00:18:48,916 --> 00:18:56,476 Speaker 3: his story. I'm his brother. The story started with him, 306 00:18:56,516 --> 00:19:00,436 Speaker 3: and it needs to end with him. I asked Greg 307 00:19:00,476 --> 00:19:03,116 Speaker 3: to think about what he's taken away from this whole experience. 308 00:19:04,996 --> 00:19:07,796 Speaker 8: The important things are the things that are pretty close 309 00:19:07,836 --> 00:19:13,276 Speaker 8: to you, like family and friends and what can fulfill 310 00:19:13,316 --> 00:19:17,956 Speaker 8: you and make you happy. A lot of those things 311 00:19:17,996 --> 00:19:22,236 Speaker 8: are actually right in front of most people right now. 312 00:19:23,756 --> 00:19:27,796 Speaker 8: Things like being able to wake up on our weekend 313 00:19:29,116 --> 00:19:33,316 Speaker 8: and walk your daughter down to the local school so 314 00:19:33,356 --> 00:19:36,796 Speaker 8: she can play on the playground. You don't need to 315 00:19:37,796 --> 00:19:41,516 Speaker 8: have a Ferrari to drive her there. It didn't need 316 00:19:41,556 --> 00:19:49,756 Speaker 8: to be a life in the fast lane. The good 317 00:19:49,796 --> 00:19:57,636 Speaker 8: life is hopefully what most people can get, and that 318 00:19:57,756 --> 00:20:05,796 Speaker 8: is living on a regular street, doing regular things and 319 00:20:07,556 --> 00:20:12,236 Speaker 8: working hard for them. I think that's what it comes 320 00:20:12,236 --> 00:20:19,316 Speaker 8: down to, and there's a beauty simplicity that's hard to 321 00:20:19,356 --> 00:20:29,476 Speaker 8: replace with money and possessions they ultimately don't really satisfy. 322 00:20:29,636 --> 00:20:38,436 Speaker 8: I don't think what really matters was always here and 323 00:20:38,676 --> 00:20:40,836 Speaker 8: it was actually right in front of me. 324 00:20:56,396 --> 00:20:59,516 Speaker 3: I really hope you've enjoyed coming along for this ride. 325 00:21:00,516 --> 00:21:03,356 Speaker 3: You can find a bunch of extras, including a feature 326 00:21:03,436 --> 00:21:06,716 Speaker 3: article and the video of my confrontation with Leslie, at 327 00:21:06,716 --> 00:21:10,636 Speaker 3: the ABC's Unraveled True Crime website. You can hit me 328 00:21:10,716 --> 00:21:14,196 Speaker 3: up on Instagram at Ollie Ward's and if you share 329 00:21:14,196 --> 00:21:19,036 Speaker 3: this story, please use the hashtag Unravel true Crime roll. 330 00:21:19,036 --> 00:21:24,036 Speaker 3: The credits music Snowball is hosted and produced by me 331 00:21:24,356 --> 00:21:28,036 Speaker 3: Ollie Wards. Big love to my brother Greg and my 332 00:21:28,316 --> 00:21:31,636 Speaker 3: entire family for letting me tell this story, and thank 333 00:21:31,676 --> 00:21:34,076 Speaker 3: you so much to the awesome team I got to 334 00:21:34,116 --> 00:21:40,276 Speaker 3: work with, including Unravel's supervising producer Tim Roxborough, audio producer 335 00:21:40,396 --> 00:21:45,596 Speaker 3: Emma Lancaster, fact checking and additional audio production from Shane Anderson, 336 00:21:46,436 --> 00:21:51,716 Speaker 3: sound designers John Jacobs and Tim Jenkins, the biggest of 337 00:21:51,836 --> 00:21:56,596 Speaker 3: US to flight facilities for our themes on additional music 338 00:21:56,716 --> 00:22:01,236 Speaker 3: Bryce Halliday. Unravel is a product of ABC Audio Studios, 339 00:22:01,516 --> 00:22:06,476 Speaker 3: led by Kelly Reardon and Unravel's executive producer is Ian Walker. 340 00:23:01,476 --> 00:23:37,076 Speaker 5: Why wait wait wait wait wait wait, You'll never really 341 00:23:37,196 --> 00:23:38,316 Speaker 5: know what was real or not