WEBVTT - Mini Crush #98

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<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio. Hello, everyone,

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<v Speaker 1>welcome to Manny Crush, the Pensive Edition. Are we pensive?

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<v Speaker 1>You seem a little pensive? I am pensive. I had

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<v Speaker 1>a ship morning. What. Yeah, I'm sorry, Chuck, that's all right,

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<v Speaker 1>I want to talk about it. I'm not on the air, Okay,

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<v Speaker 1>that's fine. I'm looking to see when this is gonna

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<v Speaker 1>come out and all. And I think are we in

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<v Speaker 1>the New year yet? In podcast time? Yeah, I'm looking

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<v Speaker 1>Hold on, everyone, I'm sorry, I'm looking at a little

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<v Speaker 1>behind the scenes thing. We all have a meta spreadsheet,

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<v Speaker 1>that's right, that we have to keep up with for

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<v Speaker 1>every single show, and it says what the date is,

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<v Speaker 1>what the show is, whether it's recorded or not, a

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<v Speaker 1>meta description, what else is in the title, but potentially

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<v Speaker 1>some keywords. Potentially there's a field for it. Uh nol. Yes,

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<v Speaker 1>this is not the New Year yet. This should be

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<v Speaker 1>coming out on December episode n Who very close? Who

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<v Speaker 1>engine towards one Hondy. Everyone get tickets for my Movie

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<v Speaker 1>Crush Live SF Sketch Fest January nineteenth, Sunday. Audience participation.

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<v Speaker 1>We need you out there. I'm gonna be walking around

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<v Speaker 1>with a microphone. You're gonna have to come with some

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<v Speaker 1>prepared materials, so stay tuned for that as well. But

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<v Speaker 1>we're gonna have a good time, so please come out

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<v Speaker 1>and help us fill whatever tiny little theater that we

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<v Speaker 1>can get our hands on. Chuck a buddy and I

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<v Speaker 1>had a really good hot take about the irishman. You

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<v Speaker 1>want to hear, Yeah, man, let's do it. Trying to

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<v Speaker 1>figure it out if Robert de Niro and Al Pacino

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<v Speaker 1>are doing a good representation of tough guys, or if

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<v Speaker 1>all tough guys are just doing what they've seen Robert

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<v Speaker 1>de Niro and Al Pacino do for literally eight thousand years.

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<v Speaker 1>It's funny. That's from Peter Peter Dew on Instagram. Chicken

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<v Speaker 1>or the Egg. Yes, it's okay, don't you go Chuck?

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<v Speaker 1>All right? So no, I'm looking around, as you see,

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<v Speaker 1>for a sharpie and a piece of paper. And you

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<v Speaker 1>know why, No, I mean you want a regular Wait,

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<v Speaker 1>here's sharpy. Sharpie's great if you just toss that bad boy.

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<v Speaker 1>Is there any paper over there? Um? No, there we go. No, No,

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<v Speaker 1>I can make a paper run real quick. You got here?

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<v Speaker 1>You go? Oka that al right? Everyone's even Nardi like

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<v Speaker 1>a column. You know what that means when the sharpie

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<v Speaker 1>comes out, that means the holes are going to be explored.

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<v Speaker 1>It's been a while, It has been a while, And

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<v Speaker 1>I asked the the movie crush page what category. We've

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<v Speaker 1>got a lot of good ideas, but we went with

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<v Speaker 1>Molly Thibodeaux because she said movies based on true stories. Oh,

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<v Speaker 1>this is gonna be a blood bath. Not necessarily it's

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<v Speaker 1>it's not necessarily biopics that can also be true stories.

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<v Speaker 1>Just you know, in general, some of them are biopics.

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<v Speaker 1>I bet you've seen more than you think. I love

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<v Speaker 1>that you say biopic instead of biopic. Yeah. I think

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<v Speaker 1>it's a conscious choice on your part. I think you're rebelling. No,

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<v Speaker 1>I think a lot of people say biopic. But it's

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<v Speaker 1>but it's definitely a choice. You're in either the biopic

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<v Speaker 1>camp or the biopic camp. That's true. You can't put

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<v Speaker 1>one ft in each game, No, you can't. Never works

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<v Speaker 1>all right, No, we're gonna get going with twenty holes.

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<v Speaker 1>I'm ready. I've got my columns ready. Number one little

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<v Speaker 1>movie from Steven Spielberg called Catch Me if you can.

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<v Speaker 1>I saw that one, alright, what was that guy's name

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<v Speaker 1>like the abeg nail, Frank abogname. Yeah, I'm not mistaken,

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<v Speaker 1>real rascal. That one. I quite enjoyed that. It was

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<v Speaker 1>very fun. He was a playboy and a conman and

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<v Speaker 1>a pilot was in the a pilot. He intended to

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<v Speaker 1>be a pilot, but he didn't actually pilot anything. He

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<v Speaker 1>didn't pilot anything. He was cutting checks, faking checks, fraud.

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<v Speaker 1>He uh, he defrauded. He became an attorney. What a guy,

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<v Speaker 1>and then went on to work for the FBI. That's

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<v Speaker 1>catch people like twist if he could. Number two NOL

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<v Speaker 1>the story of Chris McCandless Into the Wild no Emil Hirsch. Yeah,

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<v Speaker 1>and the true story of the boy who went Missing

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<v Speaker 1>in the Woods. I've heard it's good though it was.

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<v Speaker 1>Didn't any vetter do the soundtrack? I don't remember. I

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<v Speaker 1>think he did. It sounds about right. I think Number

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<v Speaker 1>three NOL a little movie about being caught between a

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<v Speaker 1>rock and a hard placed and seven hours. No. I

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<v Speaker 1>I purposefully didn't see that because he saws his arm

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<v Speaker 1>off with like a pocket knife for something. That is

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<v Speaker 1>one part of that movie. And I don't care for cutting.

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<v Speaker 1>I don't like cutting, so if I can avoid it. Well,

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<v Speaker 1>I will, and you probably shouldn't see that movie. It's

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<v Speaker 1>a it's on Delta. I've considered watching and but then

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<v Speaker 1>that moment pops into my head and like do I

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<v Speaker 1>need more anxiety? I mean it's really good. Uh what's

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<v Speaker 1>his face? Directed it? You know, Danny Boyle? So it

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<v Speaker 1>is you know, let's say the movies two hours long

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<v Speaker 1>and the cutting scene is forty seconds or so. Yeah,

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<v Speaker 1>maybe a minute, So just park that to the side.

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<v Speaker 1>Do you see him do it? Though? Does it show? Um?

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<v Speaker 1>There is some like you see some of it. I

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<v Speaker 1>can't remember exactly how graphic it cut away maybe to

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<v Speaker 1>his grimacing face and showed a little bit. Because it

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<v Speaker 1>really had to drive home with what this man did

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<v Speaker 1>with a little tiny pocket knife, right wild a dull,

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<v Speaker 1>very dull, because he used that knife to try and

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<v Speaker 1>cut himself out. He dulled it on the rocks for

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<v Speaker 1>days or not days, because it was only why did

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<v Speaker 1>he do that? Um? He was trying to carve away

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<v Speaker 1>enough rock to get out. He ended up dulling the

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<v Speaker 1>knife to the point where it was like cutting his

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<v Speaker 1>arm up with a spoon. Basically, why couldn't he just

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<v Speaker 1>sharpen it again? Against the rock. I don't think it

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<v Speaker 1>works that way. Yes, you gotta have a steel and

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<v Speaker 1>he gives a steel specific. Yes, kind of thing that

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<v Speaker 1>makes sense, alright. No. Number four a little movie from

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<v Speaker 1>our favorite boom. There are any big movies on this list? Big?

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<v Speaker 1>These are all big. Raging Bull. Yes, Okay, it's been

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<v Speaker 1>a long time, but I have seen it. Fantastic. That's

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<v Speaker 1>sort of prerequisite viewing, you know, like when you're like,

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<v Speaker 1>I'm gonna start watching challenging cinema at you know, you

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<v Speaker 1>watch Raging Bull and Taxi Driver. Uh. Number five a

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<v Speaker 1>little movie about everyone's favorite nice guy, Candy Candalf Candy Candy.

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<v Speaker 1>Oh yeah, with Ben Kingsley. You know. Wait no, no, no, no, no, no, no,

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<v Speaker 1>no no. We watched it and and I was watched

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<v Speaker 1>it in a class. But it's very long. It's very long,

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<v Speaker 1>and I have a memory that we did it in

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<v Speaker 1>two sittings and I feel like I was out one

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<v Speaker 1>of the days. Specific I feel like I've only seen

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<v Speaker 1>half of it. So I'm gonna I'm gonna put that

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<v Speaker 1>in the no camp. All right, I say no, I'm

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<v Speaker 1>fine with that. It doesn't quite count. You said no first,

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<v Speaker 1>I did say no, alright, No, a little movie about

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<v Speaker 1>a football player, definitely not called The blind Side? Okay?

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<v Speaker 1>Is that the one with the with Sandra Bullock where

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<v Speaker 1>there's like the underprivileged youth she takes under her wing.

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<v Speaker 1>You haven't seen him? Yeah, not a bad movie. It's

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<v Speaker 1>very hard warming. Uh No, A little movie from one

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<v Speaker 1>Mr Stephen Berk called Aaron Bruckovich. That's the one with

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<v Speaker 1>the toxic sludge. Julie Roberts, Albert Finney, I have not

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<v Speaker 1>seen it. All right, you're right, you're not doing great,

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<v Speaker 1>although it's not terrible. Number eight sometime movie. I just

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<v Speaker 1>called you movie. You could have played that off, was

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<v Speaker 1>just saying the number eight movies. Hey. Movie. It's like,

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<v Speaker 1>it's like, what does he say? Uh what? Trump called

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<v Speaker 1>them the CEO of Apple Apple or whatever? Yeah, oh no,

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<v Speaker 1>he played that off. I've been doing a fun thing

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<v Speaker 1>now where every night when my daughter goes to bed,

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<v Speaker 1>she wants a new story because I made the mistake

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<v Speaker 1>one time of creating a story out of whole cloth,

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<v Speaker 1>and now every night I want a new story. So

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<v Speaker 1>every night I have to come up with a story,

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<v Speaker 1>and they're all thank god. She doesn't realize this, but

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<v Speaker 1>there's the formula I've got going where it's a little

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<v Speaker 1>girl who does something magnificent, like um built her own

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<v Speaker 1>house made out of sand, like a life size house,

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<v Speaker 1>or starts her own veterinary service, or last night it

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<v Speaker 1>was made feather pillows for all the kids in the neighborhood.

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<v Speaker 1>Feather pillows, softest pillows, so they all have the same format,

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<v Speaker 1>and they're always four and a half years old. And

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<v Speaker 1>every single time I say she was four and a

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<v Speaker 1>half years old, she goes, that's how old I am.

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<v Speaker 1>Every night. And then I let her name the kid

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<v Speaker 1>the girl, and I say, and her name was, and

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<v Speaker 1>she looks, she does, uh, the Steve Carrell thing from Anchorman.

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<v Speaker 1>She looks around the room and says an object as

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<v Speaker 1>her name. So you know, a ceiling fan was one

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<v Speaker 1>girl's name. Blue Light was one girl's name. I like

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<v Speaker 1>blue Light. Eyeball Knows was one of them. That's so

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<v Speaker 1>then for the rest of the story I have to say.

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<v Speaker 1>And then eyeball Knows went around collecting feathers. Chuck, you

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<v Speaker 1>are you are a top notch dad, This is great,

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<v Speaker 1>great stuff. Try no, but I screwed Emily because she's

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<v Speaker 1>like now every time I go in there to sing

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<v Speaker 1>her songs because Emily usually had a song. She wants

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<v Speaker 1>a new song, and she's like, I can't think of

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<v Speaker 1>new songs. Like not, you don't have to write a song,

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<v Speaker 1>just a song she hasn't heard before. So you're in

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<v Speaker 1>there panicking because you can't think of a song. Yeah,

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<v Speaker 1>she doesn't know the entire back catalog of the Carpenters,

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<v Speaker 1>you know, I mean, pick a deep cut. Do you

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<v Speaker 1>guys still read together? Not so much, not, not at

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<v Speaker 1>that age. She's kind of got her own things. We do.

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<v Speaker 1>We do lots of stuff together, though, of course I'm

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<v Speaker 1>not knocking your kid. Try not. I never learned to read.

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<v Speaker 1>Once you get past like, I don't know. I guess

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<v Speaker 1>it varies, but I think once a kid is like

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<v Speaker 1>seven or eight, they're probably not don't want to be

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<v Speaker 1>read to every night. I don't think so. All right,

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<v Speaker 1>now we're gonna go with a little movie called All

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<v Speaker 1>the President's Men. That's older, right, Woodward and Bernstein Watergate. No,

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<v Speaker 1>I haven't seen him. Robert Redford Redford did he directed

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<v Speaker 1>President Robert Redford, Yes, he did not direct it. I

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<v Speaker 1>believe that was a Sydney I haven't seen it alright. No.

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<v Speaker 1>Number nine, a little movie from everyone's favorite boomer once again,

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<v Speaker 1>Martin Scorse's about Howard Hughes called The Aviator. Yeah, that

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<v Speaker 1>one's a long e two. Um, I feel like I've

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<v Speaker 1>seen it. I'm pretty sure i've seen it. I don't know, man,

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<v Speaker 1>I'm gonna have to give that up. I'm gonna be

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<v Speaker 1>I'm being super honest here. I feel like I've seen

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<v Speaker 1>bits of it, like in the wrong order, like maybe

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<v Speaker 1>from television viewing, but I don't think I've ever tried

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<v Speaker 1>to watch it on purpose. You know how I feel

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<v Speaker 1>about biopics, Chuck, it's not my bag. That's why I

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<v Speaker 1>knew I wasn't gonna do super well. I thought you

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<v Speaker 1>didn't like music specific still, like biopics in general period.

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<v Speaker 1>You don't like movies about real people. Not not most

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<v Speaker 1>of the time. It's all right, I've seen goode is, obviously,

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<v Speaker 1>but when they're really billed as based on the true

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<v Speaker 1>story of this famous person that did a thing, like

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<v Speaker 1>it doesn't really all right. I got it. Number ten, No,

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<v Speaker 1>The King's Speech. Yes, I enjoyed that one very much,

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<v Speaker 1>because that's also a story where you're like, that character

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<v Speaker 1>doesn't loom quite as large, you know, and their their consciousness.

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<v Speaker 1>It's more about the story. It's more about the story

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<v Speaker 1>than about like some guy's life and all the ship

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<v Speaker 1>that he did or degree number eleven, NOL The Great

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<v Speaker 1>Great al Pacino, Dirty Cops story, Serpico, I've never seen Serpico.

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<v Speaker 1>He's the good cop. Though he's the good cop. Yeah,

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<v Speaker 1>the other cops are dirty, dirty cops. Good cop, dirty

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<v Speaker 1>cop of the good cop. Alright. No Little Civil War

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<v Speaker 1>film starring Denzel Washington and Matthew Broderick, Glory, I'm not

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<v Speaker 1>seeing glory. Glory is about the story. Yeah, in fact

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<v Speaker 1>that I don't think I even knew that was I mean,

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<v Speaker 1>it was a true story about the division. But I

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<v Speaker 1>think the characters right actually, for it's like the African

0:13:05.720 --> 0:13:11.080
<v Speaker 1>American Division right in the Civil War, and boy and

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<v Speaker 1>they get like shred and used as cannon fodder or uh,

0:13:17.520 --> 0:13:19.840
<v Speaker 1>it's really really really great. I love Denzel and I

0:13:19.880 --> 0:13:22.960
<v Speaker 1>love Matthew Broderick in more serious roles. You tend to

0:13:22.960 --> 0:13:25.640
<v Speaker 1>think of him as kind of a goofball, like self deprecating,

0:13:25.800 --> 0:13:28.120
<v Speaker 1>right nerd, But I know he's got the chops. He's

0:13:28.240 --> 0:13:30.560
<v Speaker 1>he's a good actor. He's got He's got the chops

0:13:31.000 --> 0:13:35.520
<v Speaker 1>right now. Number thirteen Philip Symore Hoffman's Capodi Love It

0:13:35.880 --> 0:13:40.640
<v Speaker 1>all right, love it because again that's about a murder,

0:13:41.360 --> 0:13:43.800
<v Speaker 1>that's about a story. Yeah, I mean I saw both

0:13:43.800 --> 0:13:47.679
<v Speaker 1>of those Capodi films. Uh. I feel like one was

0:13:47.720 --> 0:13:50.840
<v Speaker 1>a little more bio picky than the other. I thought

0:13:50.880 --> 0:13:54.400
<v Speaker 1>Capodi with Hoffman was much more about the writing of

0:13:54.440 --> 0:13:57.400
<v Speaker 1>in Cold Blood. Yeah, yeah, I saw. Did you see

0:13:57.400 --> 0:14:00.160
<v Speaker 1>the other one with Toby what's his Filmy Jones out?

0:14:00.160 --> 0:14:02.920
<v Speaker 1>That's the guy to his names alright. Number fourteen, O

0:14:04.240 --> 0:14:08.400
<v Speaker 1>little movie about a bunch of astronauts struggling to get

0:14:08.400 --> 0:14:11.439
<v Speaker 1>back home, Apollo thirteen. I have seen that, Yes, I

0:14:11.480 --> 0:14:15.400
<v Speaker 1>saw that in the theaters coming back. It's any It's

0:14:16.160 --> 0:14:19.360
<v Speaker 1>it's Anyone's game. Speaking of which, plug real quick got

0:14:19.440 --> 0:14:22.240
<v Speaker 1>a show I've been working on with an outside production company,

0:14:22.400 --> 0:14:25.640
<v Speaker 1>really really talented group of folks called Nine Days in

0:14:25.720 --> 0:14:29.200
<v Speaker 1>July that should be out now by the time you're

0:14:29.240 --> 0:14:32.160
<v Speaker 1>listening to this. And it is about the Apollo eleven

0:14:32.640 --> 0:14:36.720
<v Speaker 1>moon landing mission. UM. But it uses never before heard

0:14:36.800 --> 0:14:40.960
<v Speaker 1>audio from the actual mission, from mission control and from

0:14:41.000 --> 0:14:43.640
<v Speaker 1>on the on the ship UM. And it uses it

0:14:43.680 --> 0:14:46.560
<v Speaker 1>to a great effect. And it's a really cool immersive,

0:14:46.920 --> 0:14:50.880
<v Speaker 1>like very cool tense. The stakes are very well established.

0:14:50.920 --> 0:14:52.960
<v Speaker 1>It's like you know the story, but you've never quite

0:14:52.960 --> 0:14:54.560
<v Speaker 1>heard it like this. So check out Nine Days in

0:14:54.640 --> 0:14:58.640
<v Speaker 1>July wherever you get podcasts. I love it, alright. No,

0:14:58.840 --> 0:15:01.560
<v Speaker 1>on that note movie that was just out in theaters

0:15:01.760 --> 0:15:04.880
<v Speaker 1>first man, I didn't see it now I haven't either.

0:15:05.360 --> 0:15:10.240
<v Speaker 1>That's about Neil right got Neil Armstrong played by a

0:15:10.440 --> 0:15:13.720
<v Speaker 1>dead eye, particularly dead eyed Ryan Gosling. It's more dead

0:15:13.760 --> 0:15:15.960
<v Speaker 1>eyed than usual. He in the trailer. He's real like

0:15:16.040 --> 0:15:19.840
<v Speaker 1>stoic in the trailer. Remember look I love Oh He's fantastic.

0:15:19.840 --> 0:15:24.840
<v Speaker 1>I say that with love. Number sixteen, Noel, Everyone's favorite comedy,

0:15:25.080 --> 0:15:30.680
<v Speaker 1>Schindler's List. It's a laugh riot first of all. Um, Yeah,

0:15:30.760 --> 0:15:33.480
<v Speaker 1>it's what's wonderful. It's a wonderful, wonderful movie. I mean one,

0:15:33.520 --> 0:15:37.680
<v Speaker 1>it's it's it's obviously harrowing, but I've never seen it

0:15:37.800 --> 0:15:41.440
<v Speaker 1>done quite like that before. It's very very special. I

0:15:41.440 --> 0:15:45.720
<v Speaker 1>thought it was interesting. And Watchman in the fantastic episode

0:15:45.760 --> 0:15:49.640
<v Speaker 1>six Yes, the black and white flashback to Hooded Justice

0:15:50.000 --> 0:15:53.160
<v Speaker 1>in that story, how they kept having the red in

0:15:53.160 --> 0:15:55.080
<v Speaker 1>the black and white. They talk about that a clear

0:15:55.160 --> 0:15:59.320
<v Speaker 1>NodD Schidlers. They talk about that in a different scene

0:15:59.480 --> 0:16:03.560
<v Speaker 1>where they someone mentions that very thing as though we're like,

0:16:04.640 --> 0:16:09.120
<v Speaker 1>you know, like U Shidler's List in this world, like

0:16:09.120 --> 0:16:13.360
<v Speaker 1>Schindler's List didn't exist. It was this other thing right right,

0:16:13.440 --> 0:16:16.480
<v Speaker 1>right right, But it was still the same technique that

0:16:16.480 --> 0:16:21.200
<v Speaker 1>it was so good. Uh number seventeen old movie that

0:16:21.240 --> 0:16:26.920
<v Speaker 1>I still have not seen yet hidden figures. I did

0:16:27.000 --> 0:16:29.720
<v Speaker 1>see it, and I liked it very very much. I

0:16:29.720 --> 0:16:32.400
<v Speaker 1>thought it was really well acted. It like split a

0:16:32.400 --> 0:16:35.520
<v Speaker 1>really good balance between comedy and like drama, and again

0:16:35.560 --> 0:16:38.280
<v Speaker 1>the stakes were pretty well defined and the casting is

0:16:38.320 --> 0:16:41.800
<v Speaker 1>just so good. I live Octavia Spencer. Is that her name?

0:16:42.240 --> 0:16:46.600
<v Speaker 1>She's fantastic and um Janelle Money who knew like she was,

0:16:46.680 --> 0:16:48.760
<v Speaker 1>she's a badass. Yeah, I want to see her in

0:16:48.840 --> 0:16:51.040
<v Speaker 1>more stuff. Yeah, I agreed. Alright, No, all of the

0:16:51.080 --> 0:16:53.960
<v Speaker 1>score right now with three to go is seven, yes,

0:16:54.120 --> 0:16:57.400
<v Speaker 1>is and ten knows. If you sweep the final three

0:16:57.800 --> 0:17:00.160
<v Speaker 1>you have hit your mark. Well we'll see what happ is.

0:17:02.680 --> 0:17:10.199
<v Speaker 1>Little movie called Lion Nicole Kidman. It's a little kid

0:17:10.320 --> 0:17:14.399
<v Speaker 1>right by a little kid adoptive. So I'm sunk now

0:17:14.440 --> 0:17:16.360
<v Speaker 1>but let's keep selling it's for fun. Yeah, we keep going.

0:17:16.920 --> 0:17:20.600
<v Speaker 1>You should see line it's devastating. Yeah, alright, No, you

0:17:20.720 --> 0:17:22.760
<v Speaker 1>use that word like it's some pleasant thing I want

0:17:22.800 --> 0:17:26.960
<v Speaker 1>you to experience. It's it's an emotional journey worth the taking.

0:17:27.200 --> 0:17:32.639
<v Speaker 1>Let's say that a movie about everyone's uh favorite prime Minister.

0:17:33.000 --> 0:17:36.960
<v Speaker 1>I keep saying that everyone's favorite iron lady. So I

0:17:37.040 --> 0:17:39.320
<v Speaker 1>thought you were gonna say Churchill. I was just kidding

0:17:39.600 --> 0:17:45.359
<v Speaker 1>Iron Lady. Meryl Streep's portrayal of uh, what's her Maggie Thatcher.

0:17:45.440 --> 0:17:48.320
<v Speaker 1>Maggie Thatcher, Yeah, she was not a lot of people

0:17:48.320 --> 0:17:50.320
<v Speaker 1>did not care for her. I did not see that film.

0:17:50.359 --> 0:17:52.199
<v Speaker 1>I didn't see it either. I just mean a lot

0:17:52.200 --> 0:17:53.879
<v Speaker 1>of you didn't care for Maggie Thatcher. Oh, I know.

0:17:53.920 --> 0:17:55.600
<v Speaker 1>I was just kidding, like, what's your what's his name?

0:17:56.520 --> 0:17:59.880
<v Speaker 1>Pink Floyd does a lot of digs at old Maggie.

0:18:00.560 --> 0:18:03.680
<v Speaker 1>Roger Waters does not care for Maggie Thatch. He didn't

0:18:03.680 --> 0:18:05.040
<v Speaker 1>care for a lot of things. That's all. He's a

0:18:05.040 --> 0:18:06.800
<v Speaker 1>cranky old man. But all right, now we're gonna finish

0:18:06.840 --> 0:18:10.600
<v Speaker 1>up finally with number twenty. Great great film about John

0:18:10.680 --> 0:18:13.840
<v Speaker 1>Lennon's youth called Nowhere, boy, I never even heard of

0:18:13.840 --> 0:18:17.040
<v Speaker 1>it already? Who directed that? What's that was to deal with? Nowhere? Boy?

0:18:18.040 --> 0:18:20.560
<v Speaker 1>Let me look who directed is that? I have never

0:18:20.560 --> 0:18:22.679
<v Speaker 1>heard of that in my life. It was out, um,

0:18:22.760 --> 0:18:27.120
<v Speaker 1>it was smaller. It was out in two thousand nine,

0:18:28.000 --> 0:18:32.680
<v Speaker 1>Coming of Age film about John Lennon, directed by Sam

0:18:32.720 --> 0:18:40.040
<v Speaker 1>Taylor Johnson. Hmm, it's really good. It's uh to show

0:18:40.040 --> 0:18:42.760
<v Speaker 1>the Hamburg days, like the early Beatles days, yeah, and

0:18:42.840 --> 0:18:46.800
<v Speaker 1>even earlier, like young teenagers in their skiffle band that

0:18:47.040 --> 0:18:50.240
<v Speaker 1>they would play on like a flatbed trailer. And it's

0:18:50.280 --> 0:18:53.359
<v Speaker 1>good stuff. But it's mainly about John Lennon and his

0:18:53.440 --> 0:18:57.960
<v Speaker 1>relationship with his grandmother and his mother and his aunt.

0:18:58.119 --> 0:18:59.960
<v Speaker 1>I didn't know that any of that. Yeah, it's really

0:19:00.080 --> 0:19:05.679
<v Speaker 1>really fine film. Alright, no final score seven. So I

0:19:06.000 --> 0:19:09.719
<v Speaker 1>kind of forgot that biopics were not your jam, So

0:19:09.800 --> 0:19:14.840
<v Speaker 1>that was heavily weighted against you. I typically do okay, no, no, no, no,

0:19:14.840 --> 0:19:17.520
<v Speaker 1>no reason for apologies. I did have a feeling up

0:19:17.560 --> 0:19:20.160
<v Speaker 1>front that I was gonna maybe my performance would would

0:19:20.200 --> 0:19:30.080
<v Speaker 1>would flag on this one. All right, now we're gonna

0:19:30.119 --> 0:19:37.240
<v Speaker 1>move on to the crushers page, because is that what

0:19:37.320 --> 0:19:42.320
<v Speaker 1>we've become? Yeah, the crushers are are crushing it. They're

0:19:42.400 --> 0:19:45.680
<v Speaker 1>charging into battle on the Crushers page to deliver the contents.

0:19:45.880 --> 0:19:49.720
<v Speaker 1>So on the Crushers page, Rick Swain said, and this

0:19:49.800 --> 0:19:53.240
<v Speaker 1>is a really good question. He said, what because based

0:19:53.280 --> 0:19:55.880
<v Speaker 1>on my recent review of The Irishman that I really

0:19:55.880 --> 0:19:58.240
<v Speaker 1>wanted to like it and didn't. He said, what movie

0:19:58.320 --> 0:20:00.520
<v Speaker 1>in your cinematic journey did you really want to like

0:20:01.119 --> 0:20:04.400
<v Speaker 1>but just didn't And what it kind of turned out

0:20:04.440 --> 0:20:07.840
<v Speaker 1>to be was, which I like is movies that are

0:20:08.920 --> 0:20:11.639
<v Speaker 1>generally very well regarded by people that you just couldn't

0:20:11.680 --> 0:20:14.840
<v Speaker 1>get into. Yeah, because it kind of stacks the deck sometimes,

0:20:14.840 --> 0:20:17.720
<v Speaker 1>like if you read all these accolades about a movie,

0:20:18.280 --> 0:20:21.240
<v Speaker 1>or you think you you like the director's other work,

0:20:21.600 --> 0:20:23.840
<v Speaker 1>or there's things like that that will just up your

0:20:23.840 --> 0:20:26.160
<v Speaker 1>expectations at the point where it's easier to feel let

0:20:26.200 --> 0:20:28.280
<v Speaker 1>down if it doesn't hit the mark. Can you think

0:20:28.320 --> 0:20:31.320
<v Speaker 1>of one that everyone loved that you just couldn't quite

0:20:31.320 --> 0:20:34.679
<v Speaker 1>get their movie wise, I'm having a harder time, but

0:20:34.800 --> 0:20:37.760
<v Speaker 1>I can think of one TV wise I really wanted

0:20:37.840 --> 0:20:39.760
<v Speaker 1>to like and just haven't so far. It's that his

0:20:39.840 --> 0:20:44.280
<v Speaker 1>dark Materials show on. They do love it. Okay, I

0:20:44.280 --> 0:20:47.840
<v Speaker 1>watched two episodes, really wanted to like it, found myself

0:20:47.920 --> 0:20:50.359
<v Speaker 1>just not caring. And now I'm in my mind, I'm like,

0:20:50.400 --> 0:20:53.480
<v Speaker 1>I have no real desire to want to continue watching it. Yeah,

0:20:53.480 --> 0:20:55.199
<v Speaker 1>you gotta do that with TV these days. It's like

0:20:55.280 --> 0:20:59.040
<v Speaker 1>reading the first twenty pages of a book, Like, if

0:20:59.080 --> 0:21:01.360
<v Speaker 1>it's not grabbing, you just put it down. Yeah, move

0:21:01.400 --> 0:21:04.040
<v Speaker 1>on to a different book, right. Um. But that's the clue.

0:21:04.119 --> 0:21:07.040
<v Speaker 1>I can't think of a movie like that because I

0:21:07.080 --> 0:21:10.119
<v Speaker 1>typically vet movies pretty well where I go, and that

0:21:10.160 --> 0:21:13.440
<v Speaker 1>sounds stupid, sounds like I'm just like, you know, not

0:21:13.680 --> 0:21:15.480
<v Speaker 1>trying to be adventurous or whatever. But I don't know.

0:21:15.600 --> 0:21:17.520
<v Speaker 1>I didn't I know what I like. I tend to

0:21:17.560 --> 0:21:19.919
<v Speaker 1>be excited about things that I think are going to

0:21:20.119 --> 0:21:23.760
<v Speaker 1>work for me. Um. And I'm not usually let down

0:21:24.359 --> 0:21:26.879
<v Speaker 1>dramatically anyway. So I'll try to think as you go on.

0:21:26.960 --> 0:21:28.679
<v Speaker 1>But yeah, Irishman was one for me. And you know

0:21:28.720 --> 0:21:31.919
<v Speaker 1>what movie I finally got around to you, uh was

0:21:32.000 --> 0:21:36.359
<v Speaker 1>Isle of Dogs that everything about it says, oh, Chuck,

0:21:36.400 --> 0:21:39.240
<v Speaker 1>you will love it. It's about dogs, stop motion animation,

0:21:39.280 --> 0:21:43.080
<v Speaker 1>it's Wes Anderson, it starts all your famous, your favorite people. Uh,

0:21:43.200 --> 0:21:45.240
<v Speaker 1>it just didn't do it for me interesting. I was,

0:21:45.320 --> 0:21:47.520
<v Speaker 1>did you like it? I did? I mean, I didn't

0:21:47.600 --> 0:21:50.120
<v Speaker 1>hate it, but I was just kind of like, al right,

0:21:50.200 --> 0:21:52.399
<v Speaker 1>it didn't really like draw me in. I did. It

0:21:52.440 --> 0:21:56.440
<v Speaker 1>was very um, very dry and very matter of fact.

0:21:57.080 --> 0:21:59.280
<v Speaker 1>But then again, so was Fantastic Mr. Fox. It wasn't.

0:21:59.400 --> 0:22:02.159
<v Speaker 1>It was just a little darker and more dystopian maybe,

0:22:02.600 --> 0:22:04.680
<v Speaker 1>and a little mean spirit at a time, just because

0:22:04.720 --> 0:22:07.520
<v Speaker 1>of how like bedraggled and sort of like you know,

0:22:08.320 --> 0:22:10.840
<v Speaker 1>jacked up the dog's look and garbage Island and all

0:22:10.880 --> 0:22:12.840
<v Speaker 1>that stuff. I liked a lot of it, trust me,

0:22:13.400 --> 0:22:15.320
<v Speaker 1>there were a lot of parts I liked and it

0:22:15.320 --> 0:22:18.760
<v Speaker 1>looked amazing. Yeah, I enjoyed it. I don't think of

0:22:18.760 --> 0:22:20.280
<v Speaker 1>it in my mind is like I wouldn't watch it

0:22:20.320 --> 0:22:23.680
<v Speaker 1>again necessarily, whereas Fantastic Mr Fox I would because it's

0:22:23.680 --> 0:22:26.280
<v Speaker 1>sort of a romp. It's a fun, feel good kind

0:22:26.320 --> 0:22:28.919
<v Speaker 1>of movie, whereas I love Dogs is less. So maybe

0:22:28.960 --> 0:22:31.640
<v Speaker 1>I agreed that's that that's the only Yeah, all right.

0:22:32.480 --> 0:22:36.199
<v Speaker 1>Rick Swaine himself says the Hobbit movies, uh, Lord of

0:22:36.200 --> 0:22:38.800
<v Speaker 1>the Rings are my all time favorite, and I really

0:22:38.840 --> 0:22:41.280
<v Speaker 1>really wanted to like the Hobbit. But outside of Martin

0:22:41.320 --> 0:22:43.200
<v Speaker 1>Freeman and a few scenes here and there. I was

0:22:43.480 --> 0:22:48.200
<v Speaker 1>severely disappointed. Beth Fielman says his Tree of Life. Ah,

0:22:48.480 --> 0:22:51.439
<v Speaker 1>that's one for me. Yeah, that's one for me. It

0:22:51.560 --> 0:22:54.200
<v Speaker 1>was okay, but I don't know. I think a lot

0:22:54.200 --> 0:22:57.399
<v Speaker 1>of people say it's a masterpiece, and I found it

0:22:57.440 --> 0:23:02.480
<v Speaker 1>incredibly pretentious and boring. Yeah, I didn't love it. His

0:23:02.560 --> 0:23:04.600
<v Speaker 1>new movie looks great. It looks great. It also looks

0:23:04.640 --> 0:23:09.200
<v Speaker 1>like it's got a fucking story. Yeah. Sing uh. David

0:23:09.200 --> 0:23:12.240
<v Speaker 1>Wilder says, I might get a lot of hate here,

0:23:12.320 --> 0:23:15.040
<v Speaker 1>but I did not love Spider Man into the Spider Verse.

0:23:15.160 --> 0:23:17.320
<v Speaker 1>I thought it was good, but everyone else thinks it

0:23:17.359 --> 0:23:19.280
<v Speaker 1>was the best thing ever. I've heard that from some folks.

0:23:19.720 --> 0:23:21.960
<v Speaker 1>That's all right. I loved it, Yeah, I did too.

0:23:23.040 --> 0:23:25.840
<v Speaker 1>Had such a good conversation with Annie about that. Oh well,

0:23:25.880 --> 0:23:28.920
<v Speaker 1>she's got all the inside scoop. Yeah, man, she's a

0:23:28.920 --> 0:23:32.240
<v Speaker 1>Delight's great. Jimmy Rutherford says, I know it's heresy, but

0:23:32.280 --> 0:23:35.240
<v Speaker 1>any of the Star Wars films, I just never watched

0:23:35.240 --> 0:23:39.800
<v Speaker 1>them under the right circumstances. Interesting. Yeah, I mean, you

0:23:39.840 --> 0:23:42.120
<v Speaker 1>know my position. I'm not I'm not a huge fan

0:23:42.240 --> 0:23:45.639
<v Speaker 1>your medium. I like, I like, I like them, and

0:23:45.680 --> 0:23:49.320
<v Speaker 1>I actually like the the newer stuff almost better, like

0:23:49.440 --> 0:23:51.560
<v Speaker 1>not better. That's that's that's the stretch. I just mean,

0:23:52.480 --> 0:23:54.520
<v Speaker 1>I've always found it to be a bit of a

0:23:54.560 --> 0:24:00.240
<v Speaker 1>schlocky kind of, you know, soap opera e kind of thing.

0:24:00.280 --> 0:24:02.440
<v Speaker 1>Like I don't think it's like a masterpiece of cinema.

0:24:02.720 --> 0:24:05.400
<v Speaker 1>I feel like it gets elevated to this like sacred

0:24:05.440 --> 0:24:08.600
<v Speaker 1>cow kind of place when it really never was that

0:24:08.720 --> 0:24:11.080
<v Speaker 1>to begin with. You know, I don't know, all right,

0:24:11.359 --> 0:24:15.720
<v Speaker 1>all right, Chuck, No, I mean, you know, I've said

0:24:15.760 --> 0:24:17.760
<v Speaker 1>it before. They're they're not the greatest movies ever made.

0:24:17.960 --> 0:24:21.880
<v Speaker 1>They got heart, they definitely have heart. Matt Underwood says

0:24:21.880 --> 0:24:26.240
<v Speaker 1>the talented Mr Ripley, I enjoyed that movie. Trevor Helper

0:24:26.320 --> 0:24:29.000
<v Speaker 1>and says everyone is raping about Parasite. I just didn't

0:24:29.000 --> 0:24:32.120
<v Speaker 1>think it was that good. Have you seen it yet, Chuck,

0:24:32.200 --> 0:24:37.560
<v Speaker 1>I'm not. I think it's awesome. Yeah. Uh. Anastasia Bowden

0:24:37.680 --> 0:24:41.440
<v Speaker 1>says Roma. Maybe I just need to watch it again.

0:24:41.600 --> 0:24:44.080
<v Speaker 1>She says, I haven't seen it. Yeah, you still haven't

0:24:44.080 --> 0:24:47.040
<v Speaker 1>seen that. You really loved it, that didn't you. Yeah.

0:24:47.080 --> 0:24:50.560
<v Speaker 1>Adam Shortway says every single Kubrick movie hated every one

0:24:50.600 --> 0:24:53.000
<v Speaker 1>of them. Not a single redeeming trait to any of

0:24:53.040 --> 0:24:56.720
<v Speaker 1>those waste of time. Don't know if I'm being told

0:24:56.800 --> 0:25:01.360
<v Speaker 1>or not, Lowser, Adam, if you're alling well done, but

0:25:01.640 --> 0:25:04.240
<v Speaker 1>you know, maybe that's just not your back. That's fine,

0:25:04.400 --> 0:25:08.600
<v Speaker 1>that's absolutely fine. Not a single that's that's to those

0:25:08.640 --> 0:25:11.639
<v Speaker 1>wastes of time. That's just sounds like someone who just

0:25:11.720 --> 0:25:18.600
<v Speaker 1>doesn't want to see the good in in anything. Old

0:25:18.600 --> 0:25:21.360
<v Speaker 1>friend champ Razato says Broke Back Mountain, big fan of

0:25:21.400 --> 0:25:24.600
<v Speaker 1>the cast. I just never believed in the love. Huh.

0:25:24.720 --> 0:25:26.719
<v Speaker 1>How did you feel about that film, Chuck? I loved it.

0:25:26.840 --> 0:25:29.240
<v Speaker 1>I haven't seen it. I totally believed it. I thought

0:25:29.280 --> 0:25:31.680
<v Speaker 1>it was a beautiful beauty. That's what people say. People say,

0:25:31.720 --> 0:25:33.600
<v Speaker 1>that's the whole that's the whole thing. Like it. It

0:25:33.600 --> 0:25:37.760
<v Speaker 1>wouldn't have worked if the relationship dynamics hadn't have felt right,

0:25:37.880 --> 0:25:41.920
<v Speaker 1>especially since these are two big Hollywood macho dudes kind

0:25:41.960 --> 0:25:43.720
<v Speaker 1>of and the fact that they like put him in

0:25:43.760 --> 0:25:46.280
<v Speaker 1>the situation and make it believable, that to me seems

0:25:46.320 --> 0:25:49.000
<v Speaker 1>to be what grab people about the movie. You know, Yeah,

0:25:49.080 --> 0:25:54.040
<v Speaker 1>it was just devastating film. Uh. Tim mcgabbick says, Godfather.

0:25:54.080 --> 0:25:57.119
<v Speaker 1>I don't think he's bad by any means. I actually

0:25:57.160 --> 0:26:00.920
<v Speaker 1>really like it, but I just don't love it. Okay,

0:26:01.400 --> 0:26:03.920
<v Speaker 1>Alex cavan on No Country for Old Men, not even

0:26:03.920 --> 0:26:08.280
<v Speaker 1>in the top ten. Cohen Brothers, that's crazy talk. Daniel

0:26:08.320 --> 0:26:11.239
<v Speaker 1>Quinn Beauley says mad Max fury Road. Had I went

0:26:11.280 --> 0:26:13.040
<v Speaker 1>to see it by myself, I would have walked out.

0:26:13.440 --> 0:26:18.480
<v Speaker 1>Waste of time. To me and everyone else loves it,

0:26:18.480 --> 0:26:20.720
<v Speaker 1>it sounds like this guy is not a fan of fun.

0:26:22.920 --> 0:26:24.600
<v Speaker 1>I like it all. You're just kicking back over there

0:26:24.600 --> 0:26:28.920
<v Speaker 1>and dissing on people. Sorry, I just you know, Look,

0:26:29.760 --> 0:26:32.159
<v Speaker 1>everyone's entitled to their opinion. But when you when you

0:26:32.320 --> 0:26:36.680
<v Speaker 1>unequivocally say something is trash, I reserve the right to

0:26:36.720 --> 0:26:41.560
<v Speaker 1>say you are trash. Okay, Old Pala Hanno the series says,

0:26:41.560 --> 0:26:44.119
<v Speaker 1>but he Me and Rhapsody, I love Queen. I was

0:26:44.160 --> 0:26:45.760
<v Speaker 1>hoping the movie would have been good, but it was

0:26:45.800 --> 0:26:50.280
<v Speaker 1>just me alright, fair enough. Adrian Crane says Gangs of

0:26:50.359 --> 0:26:53.280
<v Speaker 1>New York. I made it twenty minutes in and brought

0:26:53.280 --> 0:26:57.399
<v Speaker 1>it right back to Blockbuster here. I think it's back

0:26:57.480 --> 0:26:59.560
<v Speaker 1>as a dated ref right there. I love it. I

0:26:59.600 --> 0:27:03.679
<v Speaker 1>love it. Oh. James shot shoved it right through that

0:27:03.720 --> 0:27:05.919
<v Speaker 1>slot in the door because it was after hours at

0:27:05.960 --> 0:27:10.760
<v Speaker 1>this point. Right exactly, Gods in Generals from James shod

0:27:10.840 --> 0:27:14.480
<v Speaker 1>A or shady Gods in Generals. I don't know this one.

0:27:14.600 --> 0:27:19.040
<v Speaker 1>It was a it was a civil war movie. Let

0:27:19.080 --> 0:27:21.240
<v Speaker 1>me see here. Noah Hubbard says, top of the list

0:27:21.320 --> 0:27:25.560
<v Speaker 1>is anything from David Lynch. I know, no, he's pushing

0:27:25.560 --> 0:27:29.360
<v Speaker 1>your buttons, uh, he said, I've tried. I know he's brilliant,

0:27:29.359 --> 0:27:32.120
<v Speaker 1>and his movies do elicit a sense of unease in me,

0:27:32.720 --> 0:27:34.439
<v Speaker 1>which is clearly part of what he's going for. I

0:27:34.480 --> 0:27:37.520
<v Speaker 1>just can't seem to enjoy them. I can understand that

0:27:37.560 --> 0:27:40.360
<v Speaker 1>some of them are not quote unquote enjoyable. They are

0:27:40.480 --> 0:27:44.199
<v Speaker 1>not exactly pleasant pictures, you know. I'll tell you one

0:27:44.200 --> 0:27:45.640
<v Speaker 1>that I can't get through and never have been able

0:27:45.640 --> 0:27:47.800
<v Speaker 1>to get through, is Inland Empire. I feel like that's

0:27:47.840 --> 0:27:49.800
<v Speaker 1>just so over the top. It's a bit of ce,

0:27:50.080 --> 0:27:52.359
<v Speaker 1>it's a slog. It's very never finished. The new series

0:27:52.720 --> 0:27:55.400
<v Speaker 1>I did, uh, and it's and it's good, but um,

0:27:55.680 --> 0:27:57.760
<v Speaker 1>you know, for a guy like this, I would I

0:27:57.760 --> 0:28:01.520
<v Speaker 1>would recommend watching The Straight Story because that shows you,

0:28:01.520 --> 0:28:05.240
<v Speaker 1>you know, Oh, David Lynch is actually not just jerking off,

0:28:05.280 --> 0:28:07.960
<v Speaker 1>you know over here, like he's actually can make like

0:28:08.160 --> 0:28:13.200
<v Speaker 1>very linear, very thoughtfully paced, you know, traditional movies, straight

0:28:13.280 --> 0:28:15.840
<v Speaker 1>story if he's a straight story. But it also still

0:28:15.920 --> 0:28:17.720
<v Speaker 1>has a lot of his little weird hallmarks, and but

0:28:17.720 --> 0:28:19.720
<v Speaker 1>they're just kind of hidden. And that's why that movie

0:28:19.760 --> 0:28:24.960
<v Speaker 1>really is fascinating to Earl p Alex Glasnovich says, I

0:28:25.080 --> 0:28:28.600
<v Speaker 1>really wanted to like Midsummer but I'm pretty sure it's

0:28:28.640 --> 0:28:31.679
<v Speaker 1>the worst movie I saw in two thousand nineteen. I

0:28:31.720 --> 0:28:33.880
<v Speaker 1>feel very similarly. I think you do too. I really

0:28:33.880 --> 0:28:35.600
<v Speaker 1>we both really wanted to like I'm gonna watch it

0:28:35.640 --> 0:28:38.959
<v Speaker 1>again because I need to. I think I will too,

0:28:39.120 --> 0:28:41.880
<v Speaker 1>And I didn't. I didn't hate it or even dislike it.

0:28:42.280 --> 0:28:44.800
<v Speaker 1>But that's that's a great example now that that's one

0:28:44.840 --> 0:28:48.120
<v Speaker 1>where I walked in fully expecting to be blown away

0:28:48.400 --> 0:28:58.400
<v Speaker 1>and being far underwhelmed. Julia Lurch says Drive underwhelmed. Yeah,

0:28:58.520 --> 0:29:01.480
<v Speaker 1>I love Drive. I liked it too. Christopher Watt says

0:29:01.480 --> 0:29:04.440
<v Speaker 1>ad Astra have not seen it yet. He said, so

0:29:04.520 --> 0:29:07.400
<v Speaker 1>much squandered potential. I left the theater angry. What is this?

0:29:07.800 --> 0:29:09.920
<v Speaker 1>Ad Astra? The movie that was just out with Brad

0:29:09.920 --> 0:29:14.280
<v Speaker 1>Pitt and Tommy Lee Jones the space movie is it?

0:29:14.360 --> 0:29:17.200
<v Speaker 1>Is it fiction? Yeah? And I think it's what it

0:29:17.240 --> 0:29:20.480
<v Speaker 1>really is as a as a father son film. Got

0:29:20.480 --> 0:29:26.280
<v Speaker 1>it with spaces the background or backdrop. Scotty loved it.

0:29:26.440 --> 0:29:29.640
<v Speaker 1>He's got a good taste. Uh, let's finish up with

0:29:29.680 --> 0:29:32.360
<v Speaker 1>a few more here. Steve Kraid Dolfer says, abbots are

0:29:33.240 --> 0:29:38.600
<v Speaker 1>so does Jason Santomeyer. I'm with you, Culvert Matthews says

0:29:38.600 --> 0:29:42.640
<v Speaker 1>the Irishman. Susan Caspar says Bonfire the Vanities hands down

0:29:42.680 --> 0:29:46.120
<v Speaker 1>the worst big budget flick I've ever seen. And finally,

0:29:46.640 --> 0:29:50.560
<v Speaker 1>our old friend from Ohio, gayl Koont's the danger of

0:29:50.680 --> 0:29:53.520
<v Speaker 1>and says it follows. I thought it was dumb as hell.

0:29:54.800 --> 0:29:59.200
<v Speaker 1>I loved it follows, but that's okay. It's a little

0:29:59.200 --> 0:30:02.000
<v Speaker 1>bit of a thin conceit I will agree with, like

0:30:02.040 --> 0:30:04.880
<v Speaker 1>the whole premise, but that's sort of what makes it fun, right.

0:30:04.960 --> 0:30:08.960
<v Speaker 1>It's sort of a very simple device, right, yeah, the

0:30:09.240 --> 0:30:11.960
<v Speaker 1>the spooky device. You know. I I quite liked it.

0:30:12.000 --> 0:30:15.760
<v Speaker 1>I did too, But that's okays because we'll always be pals.

0:30:16.640 --> 0:30:19.960
<v Speaker 1>You got anything else, no, no think? So okay, Well

0:30:20.280 --> 0:30:22.600
<v Speaker 1>here we are January. It's the end of the year.

0:30:23.120 --> 0:30:26.720
<v Speaker 1>Thanks for another great year with me in here of course. Man,

0:30:26.760 --> 0:30:29.040
<v Speaker 1>thank you and thank you to all the movie crushers

0:30:29.200 --> 0:30:31.840
<v Speaker 1>who support us and all the other shows that you

0:30:31.840 --> 0:30:34.520
<v Speaker 1>support that we do. We are very fortunate to have

0:30:34.560 --> 0:30:39.000
<v Speaker 1>these great jobs. It's not lost on us. Uh and uh.

0:30:39.120 --> 0:30:41.640
<v Speaker 1>As we always say here at the end of the year, Um,

0:30:41.760 --> 0:30:44.960
<v Speaker 1>some people have tough times with these big holidays and things,

0:30:45.400 --> 0:30:48.400
<v Speaker 1>So reach out to a friend, family member, jump on

0:30:48.400 --> 0:30:52.840
<v Speaker 1>our Facebook page. Good people there. Yeah, everyone's going to

0:30:52.920 --> 0:30:54.360
<v Speaker 1>do well here at the end of the year. That's

0:30:54.360 --> 0:30:56.880
<v Speaker 1>the thing. I mean, not to put too fine a

0:30:56.920 --> 0:31:00.800
<v Speaker 1>point on it, but um, everyone has moments where they

0:31:01.120 --> 0:31:03.640
<v Speaker 1>think that, you know, they would be burdening somebody by

0:31:03.680 --> 0:31:06.800
<v Speaker 1>reaching out or asking a friend for help or for

0:31:07.040 --> 0:31:10.959
<v Speaker 1>you know, helping handling. But chances are that is everyone

0:31:11.040 --> 0:31:14.440
<v Speaker 1>feels that way. So just like you know, rekindle old

0:31:14.480 --> 0:31:17.719
<v Speaker 1>friendships this time of year. Even if you think someone

0:31:17.920 --> 0:31:20.080
<v Speaker 1>is too busy for you, what chances are they think

0:31:20.120 --> 0:31:22.560
<v Speaker 1>that you think that about them too. So it's a

0:31:22.560 --> 0:31:25.000
<v Speaker 1>great way to say it. All right, Thanks everyone, cheers.

0:31:39.400 --> 0:31:41.680
<v Speaker 1>For more podcasts for my Heart Radio, visit the I

0:31:41.760 --> 0:31:44.480
<v Speaker 1>Heart Radio app, Apple Podcasts or wherever you listen to

0:31:44.560 --> 0:31:45.360
<v Speaker 1>your favorite shows