1 00:00:00,320 --> 00:00:04,120 Speaker 1: Hey, everybody, Scott Patterson, I am all In podcast. This 2 00:00:04,200 --> 00:00:07,080 Speaker 1: is going to be part two of season five, Episode 3 00:00:07,080 --> 00:00:09,760 Speaker 1: twenty two. House is not a Home. We just got 4 00:00:09,760 --> 00:00:12,119 Speaker 1: to talk and so much about it. We had so 5 00:00:12,200 --> 00:00:14,120 Speaker 1: much to say, we need to split it up into 6 00:00:14,240 --> 00:00:16,279 Speaker 1: two episodes, so this is going to be part two. 7 00:00:16,680 --> 00:00:22,400 Speaker 1: Enjoy it everyone. Have we ever seen Rory so distressed? No, 8 00:00:23,160 --> 00:00:29,120 Speaker 1: she broke down, Yes, she broke Okay, yeah she's actually 9 00:00:29,240 --> 00:00:35,720 Speaker 1: you're right, she was upset with Logan and yes, but 10 00:00:35,880 --> 00:00:38,239 Speaker 1: this is a life crisis. This is the beginning of 11 00:00:38,280 --> 00:00:41,479 Speaker 1: her life crisis. And she went to she went, she 12 00:00:41,600 --> 00:00:44,920 Speaker 1: went to the Gilmore House. She went to her grandparents 13 00:00:44,920 --> 00:00:48,880 Speaker 1: to unload. She had nowhere else to go. Mommy doesn't 14 00:00:48,920 --> 00:00:50,880 Speaker 1: understand me. She's not hearing me, she doesn't want to 15 00:00:50,920 --> 00:00:53,639 Speaker 1: hear me out. She just wants to dictate policy to. 16 00:00:53,640 --> 00:00:57,680 Speaker 2: Me, because twenty year olds are stupid and they shouldn't quit. 17 00:00:57,800 --> 00:01:01,960 Speaker 1: Then that goes against everything that Laura I told her 18 00:01:02,040 --> 00:01:07,280 Speaker 1: about herself, How smart she was, how true great, how 19 00:01:07,319 --> 00:01:10,080 Speaker 1: what great instincts she has. You'll figure it out. Now, 20 00:01:10,080 --> 00:01:12,920 Speaker 1: all of a sudden, she's pulling the dictator card. So 21 00:01:15,040 --> 00:01:18,920 Speaker 1: she drove them into her grandparents' arms. I listen, however 22 00:01:18,959 --> 00:01:23,880 Speaker 1: you feel about Rory out there. It's a young kid 23 00:01:23,920 --> 00:01:29,199 Speaker 1: who comes from, you know, a somewhat oddly privileged background 24 00:01:29,240 --> 00:01:34,840 Speaker 1: without any of the accoutrement, right, and and now she's 25 00:01:34,880 --> 00:01:38,679 Speaker 1: getting real support from her grandparents in terms of Chiltern 26 00:01:38,800 --> 00:01:41,360 Speaker 1: and now paying for Yale and all of this guidance 27 00:01:42,080 --> 00:01:44,800 Speaker 1: and this, you know, it's a seminal moment in her 28 00:01:44,840 --> 00:01:47,480 Speaker 1: life where it's like, maybe this is not what I want. 29 00:01:47,680 --> 00:01:51,120 Speaker 1: And how does how does she not know from the 30 00:01:51,200 --> 00:01:53,480 Speaker 1: time she's a sophomore in high school or junior in 31 00:01:53,520 --> 00:01:56,040 Speaker 1: high school going to Chiltern that oh gosh, I don't 32 00:01:56,040 --> 00:01:58,000 Speaker 1: want this. It happens, It happens. 33 00:01:59,360 --> 00:02:02,800 Speaker 2: Correct, LAURAAI said, you don't have to be a journalist, 34 00:02:02,800 --> 00:02:05,960 Speaker 2: then I don't care. Go back to Yale. They have 35 00:02:06,080 --> 00:02:08,680 Speaker 2: every option for you there and figure out what you 36 00:02:08,760 --> 00:02:12,000 Speaker 2: do want to do. Lourl like, look, I'm team Laurai. 37 00:02:12,080 --> 00:02:15,880 Speaker 2: I'm team Lorli. How mad are you if you're Laura 38 00:02:15,880 --> 00:02:18,079 Speaker 2: LII and you go to Richard and Emily and you say, 39 00:02:18,120 --> 00:02:20,480 Speaker 2: we all need to link arms and really work together 40 00:02:20,600 --> 00:02:23,160 Speaker 2: to get her to go back to school, and then 41 00:02:24,000 --> 00:02:25,600 Speaker 2: they switch a roo on you. 42 00:02:25,919 --> 00:02:29,480 Speaker 3: And don't do it so mad. I'd be so mad 43 00:02:29,480 --> 00:02:29,799 Speaker 3: if I. 44 00:02:31,400 --> 00:02:31,840 Speaker 4: So mad. 45 00:02:32,000 --> 00:02:35,960 Speaker 1: But her anger at her daughter isn't helping anything. It's 46 00:02:36,000 --> 00:02:36,880 Speaker 1: just driving her daughter. 47 00:02:36,960 --> 00:02:39,600 Speaker 2: I don't think she's angry, don't. I don't see it 48 00:02:39,639 --> 00:02:39,960 Speaker 2: that well. 49 00:02:40,480 --> 00:02:42,480 Speaker 5: Sorry, I don't know. I was going to say the same. 50 00:02:42,520 --> 00:02:44,160 Speaker 5: I was going to say, I don't see her being 51 00:02:44,200 --> 00:02:46,040 Speaker 5: angry either. I think she just wants to help. 52 00:02:46,120 --> 00:02:49,480 Speaker 1: Well, she's barking. I get it, and it's tough love. 53 00:02:49,480 --> 00:02:52,280 Speaker 1: But she's barking at her own daughter. She's not listening 54 00:02:52,280 --> 00:02:54,840 Speaker 1: to her daughter. She didn't give her daughter a chance 55 00:02:54,880 --> 00:02:56,359 Speaker 1: to express how. 56 00:02:56,320 --> 00:02:56,840 Speaker 2: She did it. 57 00:02:57,040 --> 00:03:02,680 Speaker 1: I know she didn't. I just started dictating policy. This 58 00:03:02,720 --> 00:03:03,520 Speaker 1: is how it's going to be. 59 00:03:03,639 --> 00:03:05,880 Speaker 2: I don't think I didn't see it. Well, yes, she 60 00:03:05,960 --> 00:03:08,799 Speaker 2: said you can't live at home and just do nothing right, 61 00:03:09,160 --> 00:03:12,640 Speaker 2: but I think she didn't. She's saying, go back to Yale. Like, 62 00:03:12,760 --> 00:03:15,480 Speaker 2: first of all, Logan's there, her friends are there, her 63 00:03:15,480 --> 00:03:19,520 Speaker 2: boyfriend's there, So don't be a journalist. Quit the paper. 64 00:03:19,639 --> 00:03:24,280 Speaker 2: I don't care. Quit those classes. Go learn ceramics. I 65 00:03:24,280 --> 00:03:27,480 Speaker 2: don't know art like whatever. I can't think of anything. 66 00:03:27,480 --> 00:03:29,640 Speaker 2: I'm so fired up. But it's like, go back to 67 00:03:29,840 --> 00:03:32,000 Speaker 2: Yale and then she brings. 68 00:03:31,800 --> 00:03:34,800 Speaker 1: Up is it surprising she's got you know, she's got 69 00:03:34,880 --> 00:03:38,760 Speaker 1: Christopher DNA in her He's the biggest screw up in 70 00:03:38,760 --> 00:03:39,000 Speaker 1: the world. 71 00:03:39,160 --> 00:03:41,800 Speaker 2: Very good point. Good point. This is a good point. 72 00:03:41,840 --> 00:03:44,560 Speaker 2: I think the most important point is we didn't know Rory, 73 00:03:44,680 --> 00:03:45,360 Speaker 2: like we thought. 74 00:03:45,240 --> 00:03:46,560 Speaker 1: Was DNA's destiny. 75 00:03:46,680 --> 00:03:49,560 Speaker 2: Yeh, and I thought it was a low blow. And 76 00:03:49,640 --> 00:03:51,480 Speaker 2: she's like, you've been dreaming of this, Well, actually I 77 00:03:51,520 --> 00:03:54,280 Speaker 2: was dreaming of Harvard. Well you should have gone to 78 00:03:54,360 --> 00:03:58,760 Speaker 2: Harvard then, because you got in, you picked Yale, you started. 79 00:03:59,000 --> 00:04:01,120 Speaker 2: That's my other thing too, is like she picked Yale, 80 00:04:01,280 --> 00:04:03,760 Speaker 2: she started this. She's got to be a grown up 81 00:04:04,040 --> 00:04:05,360 Speaker 2: and finish college. 82 00:04:07,120 --> 00:04:08,880 Speaker 3: Do you think it has anything to do with. 83 00:04:10,000 --> 00:04:14,440 Speaker 1: Pre programming, programming, He's already pre programmed to do this. 84 00:04:15,920 --> 00:04:19,680 Speaker 5: No, No, I was gonna say at the dinner, I 85 00:04:19,680 --> 00:04:20,320 Speaker 5: don't know. 86 00:04:21,160 --> 00:04:23,560 Speaker 3: I was gonna say about the dinner. 87 00:04:25,320 --> 00:04:29,000 Speaker 5: When they were like, she has a job, Like basically 88 00:04:29,080 --> 00:04:30,920 Speaker 5: they wanted Rory to be someone who's just there. 89 00:04:32,080 --> 00:04:33,720 Speaker 3: I'm talking about the Huntsburger dinner. 90 00:04:35,240 --> 00:04:38,640 Speaker 5: And so do you think Rory's like, well, maybe like 91 00:04:38,720 --> 00:04:42,719 Speaker 5: if I just sit back and you know, sit back 92 00:04:42,839 --> 00:04:45,240 Speaker 5: and figure out my life and then I'll be with 93 00:04:45,320 --> 00:04:46,440 Speaker 5: Logan and then they'll love me. 94 00:04:46,760 --> 00:04:51,080 Speaker 2: Tara, I never thought of this until this very moment 95 00:04:51,120 --> 00:04:55,360 Speaker 2: when you're saying this, Oh my god, there is a 96 00:04:55,400 --> 00:05:00,560 Speaker 2: total chance you're the dinner with the Hunts where they 97 00:05:00,560 --> 00:05:03,159 Speaker 2: were like telling her all the things they don't want 98 00:05:03,200 --> 00:05:03,880 Speaker 2: about her. 99 00:05:03,880 --> 00:05:06,360 Speaker 3: Like she wants to be a journalist, she wants a career, right. 100 00:05:06,320 --> 00:05:09,599 Speaker 2: Create herself to just be the perfect wife in the 101 00:05:09,680 --> 00:05:14,400 Speaker 2: dar for Logan. Mm hm, Because here's what I was 102 00:05:14,440 --> 00:05:17,560 Speaker 2: gonna say. A good boyfriend is enough to make you 103 00:05:17,600 --> 00:05:18,880 Speaker 2: want to go back to Yale? Do you know what 104 00:05:18,880 --> 00:05:20,960 Speaker 2: I'm saying? Like if I was in college, say I 105 00:05:21,080 --> 00:05:25,719 Speaker 2: was just my classes were lame, you know whatever, having 106 00:05:25,760 --> 00:05:28,280 Speaker 2: a fun boyfriend would have been enough reason to go back, 107 00:05:28,320 --> 00:05:31,120 Speaker 2: go back, you totally would go back. You'd be like, Yeah, 108 00:05:31,160 --> 00:05:34,320 Speaker 2: but I wonder if you're right, Scott. You have to 109 00:05:34,320 --> 00:05:37,000 Speaker 2: admit Tar's got a theory here where maybe she's just 110 00:05:37,040 --> 00:05:41,320 Speaker 2: trying to become the perfect potential wife for Logan. There 111 00:05:41,400 --> 00:05:42,479 Speaker 2: is and Mary there. 112 00:05:42,640 --> 00:05:45,400 Speaker 5: Maybe it's not like that's not her mindset, but maybe 113 00:05:45,440 --> 00:05:48,279 Speaker 5: like it's like in the back of her head, like 114 00:05:48,360 --> 00:05:50,120 Speaker 5: oh maybe, like you know, I don't think that's her 115 00:05:50,200 --> 00:05:54,680 Speaker 5: like game plan, but maybe psychologically, maybe she is. 116 00:05:54,640 --> 00:05:57,599 Speaker 2: Pretty obsessed with Logan more than any of the guys 117 00:05:57,600 --> 00:06:00,679 Speaker 2: she's ever been with. But why would she jump to Yale? 118 00:06:01,000 --> 00:06:04,240 Speaker 2: Like because they don't want her to be this career woman, 119 00:06:04,360 --> 00:06:06,080 Speaker 2: but they don't want her to not be an ivy 120 00:06:06,279 --> 00:06:10,640 Speaker 2: like that that breed wants IVY league people like I 121 00:06:10,680 --> 00:06:14,760 Speaker 2: don't think like, I don't think that's Do we know 122 00:06:14,839 --> 00:06:18,080 Speaker 2: where went That's a good question. I don't thank you. 123 00:06:18,480 --> 00:06:22,120 Speaker 2: I don't think she went to you. Where did mitcham go? 124 00:06:22,520 --> 00:06:22,760 Speaker 1: Yeah? 125 00:06:23,000 --> 00:06:25,159 Speaker 2: Yeah, he went to Yale. That's how we knew about 126 00:06:25,160 --> 00:06:26,120 Speaker 2: the secret Society. 127 00:06:26,640 --> 00:06:28,680 Speaker 3: Yeah, it's a theory. 128 00:06:29,279 --> 00:06:32,320 Speaker 2: I don't know. Okay, to we talk about Lane for 129 00:06:32,360 --> 00:06:34,560 Speaker 2: a minute because we still have to go back and 130 00:06:34,600 --> 00:06:38,159 Speaker 2: I want to talk about the ending. So what do 131 00:06:38,200 --> 00:06:40,680 Speaker 2: you all think about Lane and sort of where the 132 00:06:40,760 --> 00:06:45,840 Speaker 2: band situation was going and that missus Kim just fully became. 133 00:06:46,120 --> 00:06:49,040 Speaker 1: I feel two ways. I have to feel two ways 134 00:06:49,120 --> 00:06:55,080 Speaker 1: about the direction of this. The first way is, uh, 135 00:06:55,200 --> 00:07:00,760 Speaker 1: it's preposterous, It's beyond preposterous. And then there's a part 136 00:07:00,760 --> 00:07:02,480 Speaker 1: of me that is really enjoying it. 137 00:07:02,520 --> 00:07:12,080 Speaker 6: Actually totally it's almost predictable that the Palladinos were going 138 00:07:12,200 --> 00:07:16,400 Speaker 6: to have uh, missus Kim be the one that says, 139 00:07:16,440 --> 00:07:19,240 Speaker 6: you're not quitting and I'm gonna I'm going to put 140 00:07:19,280 --> 00:07:19,720 Speaker 6: together it. 141 00:07:19,720 --> 00:07:24,200 Speaker 1: I'm going to be your tour manager basically, right. I 142 00:07:24,240 --> 00:07:32,560 Speaker 1: saw that government Uh but uh yeah, I didn't hate it. 143 00:07:32,600 --> 00:07:36,480 Speaker 1: I I liked I liked all. I thought Sebastian was funny. 144 00:07:36,520 --> 00:07:38,080 Speaker 1: I thought Zach was funny. 145 00:07:39,600 --> 00:07:42,160 Speaker 2: Yeah, I thought Zach was really funny, and he had 146 00:07:42,200 --> 00:07:45,400 Speaker 2: some witty lines. Again, I agree Sebastian box steals the 147 00:07:45,440 --> 00:07:48,760 Speaker 2: whole thing, just from his outfit to his responses to 148 00:07:48,840 --> 00:07:49,480 Speaker 2: I'm coming there. 149 00:07:49,760 --> 00:07:52,360 Speaker 1: I thought it was strong. I thought it was I 150 00:07:52,400 --> 00:07:54,800 Speaker 1: thought it was strong for Zach too. When he got 151 00:07:54,840 --> 00:07:58,520 Speaker 1: out of bed. Yeah, he's playing video game, Yeah, shouting 152 00:07:58,560 --> 00:08:01,520 Speaker 1: a Lane. 153 00:08:00,360 --> 00:08:02,080 Speaker 2: And you kind of have that moment too where you 154 00:08:02,120 --> 00:08:06,320 Speaker 2: realize the cloths are all over the drums that you're like, oh, wow, 155 00:08:06,840 --> 00:08:09,960 Speaker 2: they've really fallen into sort of a bad marriage, meaning 156 00:08:10,000 --> 00:08:11,600 Speaker 2: I know they're not married, but you know, I'm saying 157 00:08:11,600 --> 00:08:12,239 Speaker 2: all the four. 158 00:08:12,040 --> 00:08:14,600 Speaker 1: We know what you mean, Gott just we didn't think 159 00:08:14,640 --> 00:08:15,960 Speaker 1: it was literal, thank you. 160 00:08:20,040 --> 00:08:23,200 Speaker 2: So yeah, I'm sort of happy where that's going. And 161 00:08:23,280 --> 00:08:27,200 Speaker 2: Lane looks stoked, and I was missus Kim for all 162 00:08:27,240 --> 00:08:30,400 Speaker 2: her everything. Was really proud of her. I know that 163 00:08:30,440 --> 00:08:33,360 Speaker 2: sounds kind of dumb to say, but I was. She 164 00:08:33,440 --> 00:08:36,520 Speaker 2: really pulled through and became an awesome mom. 165 00:08:37,840 --> 00:08:41,559 Speaker 7: And literally planned out a whole tour for the churches. 166 00:08:42,360 --> 00:08:43,559 Speaker 3: What the w is that the van? 167 00:08:43,880 --> 00:08:48,319 Speaker 1: Which is exactly which is exactly what Laurel I should 168 00:08:48,320 --> 00:08:51,960 Speaker 1: have done when Rory said she wanted to quit school. 169 00:08:53,240 --> 00:08:54,840 Speaker 2: I don't disagree with you have come up with a 170 00:08:54,880 --> 00:08:58,199 Speaker 2: plan as to why, and sort of I don't disagree 171 00:08:58,240 --> 00:08:58,559 Speaker 2: with that. 172 00:08:58,679 --> 00:09:04,359 Speaker 1: Be a better psychologist, right, more psychology, less dictator. 173 00:09:05,559 --> 00:09:07,320 Speaker 2: Okay, I'll give you. I'll give you that. I like that. 174 00:09:07,400 --> 00:09:10,520 Speaker 2: I like that it might not be her way, So okay, 175 00:09:10,640 --> 00:09:12,960 Speaker 2: there's a few standout scenes that I think we must 176 00:09:13,000 --> 00:09:15,360 Speaker 2: talk about. First of all, the scene in the kitchen 177 00:09:16,120 --> 00:09:20,000 Speaker 2: when Laureli makes it like its prison, gives her the 178 00:09:20,040 --> 00:09:22,520 Speaker 2: piece of bread and water for her breakfast, and then 179 00:09:22,760 --> 00:09:24,960 Speaker 2: says await and puts the phones out. 180 00:09:25,320 --> 00:09:27,120 Speaker 3: I mean that's pretty funny. 181 00:09:27,320 --> 00:09:31,040 Speaker 2: I was and has her mugshot and her mugshot on 182 00:09:31,080 --> 00:09:35,240 Speaker 2: the fridge like the fridge. That was hysterical. And then 183 00:09:35,280 --> 00:09:37,400 Speaker 2: also they say like, don't call Graham and Grandpa about this, 184 00:09:37,520 --> 00:09:41,640 Speaker 2: like we'll find a lawyer blah blah blah. So then 185 00:09:42,000 --> 00:09:45,680 Speaker 2: I also like Logan calling Lorelei and being all kind 186 00:09:45,720 --> 00:09:49,199 Speaker 2: of squirrely and she's all not happy about it, and 187 00:09:49,240 --> 00:09:51,640 Speaker 2: he's like, my father's lawyers will take care of this. 188 00:09:52,040 --> 00:09:56,200 Speaker 1: Listen, let's let's let's talk about the eight hundred pound 189 00:09:56,240 --> 00:10:00,240 Speaker 1: elephant in the room here at the end end of 190 00:10:00,240 --> 00:10:09,080 Speaker 1: the day. How mentally tough or psychologically mature, uh or 191 00:10:09,120 --> 00:10:14,120 Speaker 1: how confused is a child going to be raised by 192 00:10:14,200 --> 00:10:18,800 Speaker 1: a mother who is basically a stand up comic and 193 00:10:18,960 --> 00:10:28,600 Speaker 1: riffing on every possible situation in your day when it's 194 00:10:28,760 --> 00:10:32,160 Speaker 1: hard to have a normous you're not having normal conversations. 195 00:10:32,960 --> 00:10:36,839 Speaker 1: So it's like, is I don't want to use the 196 00:10:36,920 --> 00:10:40,920 Speaker 1: you know, the s the in insane word, but is 197 00:10:41,000 --> 00:10:44,600 Speaker 1: Laula a bit insane? And Laurel and Rory has to 198 00:10:44,679 --> 00:10:48,720 Speaker 1: sort of like survive that and learn how to coexist 199 00:10:48,760 --> 00:10:52,920 Speaker 1: within that insanity even though it's this wonderful madness of 200 00:10:53,040 --> 00:10:56,640 Speaker 1: jokey jokes and quips and quick lines and all of 201 00:10:56,640 --> 00:10:58,800 Speaker 1: this stuff. I mean, if we if we ground it 202 00:10:58,840 --> 00:11:01,120 Speaker 1: in reality, and I'm probably ruined it for a lot 203 00:11:01,200 --> 00:11:03,640 Speaker 1: of people that and I enjoyed watching the show too, 204 00:11:03,679 --> 00:11:07,520 Speaker 1: But that's that's your daughter, I know. 205 00:11:07,800 --> 00:11:10,520 Speaker 2: But here's the thing. I wouldn't like it if we 206 00:11:10,640 --> 00:11:13,319 Speaker 2: hadn't have had the heartfelt moment in the jeep the 207 00:11:13,440 --> 00:11:14,040 Speaker 2: night before. 208 00:11:14,120 --> 00:11:17,160 Speaker 1: It's like, what are we surprised that the straight man 209 00:11:17,240 --> 00:11:20,400 Speaker 1: in the in the in the Vaudeville act broke down? 210 00:11:22,320 --> 00:11:23,880 Speaker 1: Does something bad happen to him? 211 00:11:24,440 --> 00:11:27,160 Speaker 2: I'm processing she's the star. 212 00:11:27,720 --> 00:11:29,920 Speaker 1: She's the star of the vaudeville act. She's doing all 213 00:11:29,960 --> 00:11:33,520 Speaker 1: the jokes, and she's teaching her protege how to be funny. Like, 214 00:11:33,600 --> 00:11:35,040 Speaker 1: just just let me do my jokes. 215 00:11:35,360 --> 00:11:37,840 Speaker 2: You know, I understand what you're saying. But I also 216 00:11:37,920 --> 00:11:39,920 Speaker 2: think there's a lot more to LAURAAI, Like, I think 217 00:11:39,960 --> 00:11:43,200 Speaker 2: we do get to see the you know, we see 218 00:11:43,240 --> 00:11:45,200 Speaker 2: the side of her in the jeep. We see the 219 00:11:45,240 --> 00:11:47,240 Speaker 2: side of her when she went to her parents and 220 00:11:47,280 --> 00:11:50,120 Speaker 2: has that real hard to heart with them of I 221 00:11:50,160 --> 00:11:53,400 Speaker 2: need your help, Please help me get her to stay 222 00:11:53,400 --> 00:11:57,240 Speaker 2: at Yale. This is what we've all dreamed of, So 223 00:11:57,280 --> 00:12:02,200 Speaker 2: I can deal with her funny bits like the prison thing, 224 00:12:02,559 --> 00:12:05,080 Speaker 2: because she also can be serious. It's just like Emily says, 225 00:12:05,080 --> 00:12:07,760 Speaker 2: is this one of your bits, so I get it. 226 00:12:07,840 --> 00:12:13,560 Speaker 2: They sometimes right, but she also can be very serious 227 00:12:13,600 --> 00:12:15,760 Speaker 2: and she was very serious at the end, which I 228 00:12:15,760 --> 00:12:18,400 Speaker 2: don't think we're there yet, but we can be. I 229 00:12:18,440 --> 00:12:20,440 Speaker 2: don't think we're there. Let's let's not talk quite about 230 00:12:20,440 --> 00:12:21,079 Speaker 2: the final seies. 231 00:12:21,120 --> 00:12:24,920 Speaker 1: I as job, what's a parent's job. Would you say 232 00:12:24,960 --> 00:12:30,400 Speaker 1: that Laurela is stable? Yes, there's stability there for r Yes. 233 00:12:30,760 --> 00:12:32,960 Speaker 3: Yes, especially at this point in her life. 234 00:12:33,040 --> 00:12:33,240 Speaker 5: Yes. 235 00:12:34,360 --> 00:12:38,200 Speaker 2: And I think she truly loves her kid, and I 236 00:12:38,240 --> 00:12:40,640 Speaker 2: think it's okay to be funny. I think what she's 237 00:12:40,679 --> 00:12:43,360 Speaker 2: doing is sort of like, this situation is so bad 238 00:12:43,679 --> 00:12:46,640 Speaker 2: that you got arrested, that we've had the heart to 239 00:12:46,679 --> 00:12:49,360 Speaker 2: heart you feel like dog do about it, because she 240 00:12:49,640 --> 00:12:52,920 Speaker 2: said she breaks down crying and says I was so stupid, 241 00:12:53,559 --> 00:12:55,760 Speaker 2: and now Laura's like, okay, I'm going to make a 242 00:12:55,800 --> 00:12:59,680 Speaker 2: funny bit to let her know it's okay. 243 00:13:00,080 --> 00:13:02,720 Speaker 1: I think I think they're letting us No, they're just 244 00:13:02,800 --> 00:13:04,719 Speaker 1: they're letting us know. It's a TV show and you're 245 00:13:04,720 --> 00:13:12,400 Speaker 1: gonna laugh. Now we can properties, you know what. I'm 246 00:13:12,440 --> 00:13:14,360 Speaker 1: glad I brought it up. I just wanted to debate 247 00:13:14,400 --> 00:13:17,280 Speaker 1: the issue. You're one hundred percent right, I just think 248 00:13:17,280 --> 00:13:20,840 Speaker 1: it's it's if we're trying to don't draw logic out 249 00:13:20,840 --> 00:13:23,559 Speaker 1: of this saniness. I think we're maybe we're going down 250 00:13:23,600 --> 00:13:27,839 Speaker 1: the wrong road. But I think DNA's destiny. I'll say 251 00:13:27,840 --> 00:13:29,240 Speaker 1: it again. That's the last time I'll say it. I 252 00:13:29,280 --> 00:13:32,480 Speaker 1: think I think she's she's part Christopher And there you go, 253 00:13:32,800 --> 00:13:35,600 Speaker 1: that's what you get. Well, that's who your daddy is, 254 00:13:35,640 --> 00:13:37,880 Speaker 1: and that's what he is, and that's what there's part 255 00:13:37,920 --> 00:13:39,240 Speaker 1: of you that's going to do that too. 256 00:13:44,320 --> 00:13:46,880 Speaker 2: One of the things I think about Gilmore Girls in 257 00:13:46,920 --> 00:13:53,040 Speaker 2: the big picture is exactly what you're saying, that we 258 00:13:53,040 --> 00:13:56,960 Speaker 2: we you know, we become how we were raised and 259 00:13:57,040 --> 00:13:59,480 Speaker 2: history repeats itself and all those many things. 260 00:13:59,520 --> 00:14:02,640 Speaker 5: But you go, I was just gonna say it made 261 00:14:02,679 --> 00:14:05,319 Speaker 5: me think of that. Laurel is kind of always one 262 00:14:05,360 --> 00:14:08,199 Speaker 5: step ahead of Rory. Like how she broke down to 263 00:14:08,280 --> 00:14:10,680 Speaker 5: Luke and she's like, what about her record? I need 264 00:14:10,800 --> 00:14:14,400 Speaker 5: soap to clean off the fingerprint, And then she figured 265 00:14:14,400 --> 00:14:16,280 Speaker 5: this out already and then she goes, this is the 266 00:14:16,320 --> 00:14:18,040 Speaker 5: car and Rory's like, well. 267 00:14:17,920 --> 00:14:19,640 Speaker 3: What about my record? What we don't have soap? But 268 00:14:19,680 --> 00:14:20,560 Speaker 3: do we have soap at home? 269 00:14:20,600 --> 00:14:24,480 Speaker 5: Like I think Laurelies, even though I think that's why 270 00:14:24,520 --> 00:14:27,440 Speaker 5: it's okay for her to crack a joke, because I 271 00:14:27,480 --> 00:14:28,920 Speaker 5: think she's thinking way more. 272 00:14:28,840 --> 00:14:29,560 Speaker 3: Ahead of Rory. 273 00:14:30,320 --> 00:14:32,920 Speaker 1: Do you know that everybody in this show is in 274 00:14:32,960 --> 00:14:37,160 Speaker 1: a scene with somebody else who thinks they're crazy at 275 00:14:37,200 --> 00:14:40,160 Speaker 1: all times? There isn't one single scene that goes by 276 00:14:41,120 --> 00:14:48,640 Speaker 1: where somebody wacky isn't opining on the other one's wackiness directly. 277 00:14:49,680 --> 00:14:52,480 Speaker 2: I literally have every phone call I'm on every day, 278 00:14:52,640 --> 00:14:58,760 Speaker 2: I'm like someone on this concert, especially in Hollywood. As 279 00:14:58,840 --> 00:15:03,680 Speaker 2: they say, I'm like, I'm just talking people off the 280 00:15:03,760 --> 00:15:08,560 Speaker 2: ledge of crazy. So what do we think of the 281 00:15:08,600 --> 00:15:12,960 Speaker 2: bike race? And I do have one flag on this episode? 282 00:15:13,880 --> 00:15:16,720 Speaker 2: Let's let's talk about the bike Okay. 283 00:15:16,880 --> 00:15:22,200 Speaker 1: So I'm gonna challenge you, guys. I do I do 284 00:15:22,280 --> 00:15:27,920 Speaker 1: a Nicholas Cage homage in the scene with Taylor? Can 285 00:15:27,960 --> 00:15:31,280 Speaker 1: you can you name which line it. 286 00:15:31,200 --> 00:15:33,600 Speaker 2: Is which when you're signing the papers for the house? 287 00:15:33,680 --> 00:15:40,840 Speaker 2: Which scene was? Okay? Yes, so you're signing the papers, 288 00:15:43,640 --> 00:15:45,120 Speaker 2: I don't know, You're gonna have to tell us. 289 00:15:45,200 --> 00:15:47,120 Speaker 1: I don't know what line it was, but I sang 290 00:15:47,160 --> 00:15:51,760 Speaker 1: the line no. When I sang the line, I. 291 00:15:51,800 --> 00:15:55,400 Speaker 2: Don't have to rewatch this. Wait, can we pull? 292 00:15:55,680 --> 00:15:55,800 Speaker 1: So? 293 00:15:55,840 --> 00:15:57,160 Speaker 2: Can we talk about the bike race? 294 00:15:57,200 --> 00:15:57,360 Speaker 8: Well? 295 00:15:57,760 --> 00:16:00,000 Speaker 2: Maybe somebody on this I don't know his Hannah is 296 00:16:00,000 --> 00:16:02,400 Speaker 2: Hannah in here, Danielle Hannah. Do you think you could 297 00:16:02,440 --> 00:16:06,080 Speaker 2: find a scene where Scott signing the paper so we 298 00:16:06,120 --> 00:16:08,640 Speaker 2: can rewatch it. But in the meantime, Scott, do you 299 00:16:08,680 --> 00:16:11,520 Speaker 2: remember having to navigate through the bikers? 300 00:16:11,600 --> 00:16:13,240 Speaker 1: Yeah? I was supposed to get stunt pay and I 301 00:16:13,280 --> 00:16:15,920 Speaker 1: didn't get stunt packed. And you know, is that true? 302 00:16:16,200 --> 00:16:18,520 Speaker 1: Because I risked my butt doing that. I could they 303 00:16:18,560 --> 00:16:20,320 Speaker 1: could have slammed and they were going fast, they were 304 00:16:20,320 --> 00:16:20,920 Speaker 1: whipping around. 305 00:16:21,000 --> 00:16:22,880 Speaker 2: Yeah, so what did they have it choreographed? 306 00:16:22,880 --> 00:16:22,960 Speaker 6: That? 307 00:16:23,000 --> 00:16:25,360 Speaker 2: Those those must have been stunt bikers because they had 308 00:16:25,400 --> 00:16:29,040 Speaker 2: to full correct. And did you have like they were 309 00:16:29,080 --> 00:16:31,120 Speaker 2: like you have to hit these moments or is it 310 00:16:31,200 --> 00:16:31,840 Speaker 2: up to the bike. 311 00:16:31,960 --> 00:16:35,520 Speaker 1: It was very precisely choreographed. 312 00:16:36,560 --> 00:16:37,680 Speaker 2: It was like frogger. 313 00:16:38,080 --> 00:16:40,560 Speaker 1: And you know it didn't now that I watch it 314 00:16:40,640 --> 00:16:44,520 Speaker 1: all these years later, because I did see it. I 315 00:16:44,600 --> 00:16:47,240 Speaker 1: did see that scene. I saw that in ad R 316 00:16:47,560 --> 00:16:50,640 Speaker 1: when I was looping U huh, because he said, oh 317 00:16:50,720 --> 00:16:52,200 Speaker 1: you want to see the bike scene? You know, because 318 00:16:52,200 --> 00:16:55,040 Speaker 1: I looped some of those lunch before and I said, yeah, 319 00:16:55,040 --> 00:16:58,400 Speaker 1: help me say it, and it looked horrifyingly dangerous. But 320 00:16:58,480 --> 00:17:01,000 Speaker 1: this time it did. Time it didn't look so dangerous 321 00:17:01,000 --> 00:17:01,200 Speaker 1: to me. 322 00:17:01,560 --> 00:17:03,600 Speaker 2: Oh, I think that's because you've seen it like or 323 00:17:03,600 --> 00:17:06,000 Speaker 2: you're used to because it looks great. 324 00:17:06,000 --> 00:17:07,480 Speaker 1: It looked great, though. I thought it looked great. 325 00:17:07,920 --> 00:17:10,440 Speaker 3: You know, well, so you got stunt pay for that. 326 00:17:11,080 --> 00:17:13,440 Speaker 1: I wasn't supposed to do that. A stunt man is 327 00:17:13,480 --> 00:17:15,720 Speaker 1: supposed to do that kind of work. Walk through there, 328 00:17:15,960 --> 00:17:16,399 Speaker 1: But how. 329 00:17:16,240 --> 00:17:18,040 Speaker 2: Could that they show your face? There's no way of 330 00:17:18,000 --> 00:17:19,200 Speaker 2: stunts from behind. 331 00:17:19,760 --> 00:17:23,919 Speaker 1: It was that right time around. I agree, Yes, I 332 00:17:24,000 --> 00:17:25,919 Speaker 1: had to do it. Yes, all right, here we go. 333 00:17:26,000 --> 00:17:28,679 Speaker 2: Let's all right, so let's watch this. You can have 334 00:17:28,680 --> 00:17:32,760 Speaker 2: the audio, Just have the audio. What the hell is. 335 00:17:32,720 --> 00:17:34,479 Speaker 1: Wrong with them? Why can't they just let the bozo 336 00:17:34,520 --> 00:17:35,960 Speaker 1: and back them figure out for himself. 337 00:17:36,119 --> 00:17:38,200 Speaker 2: There's a big hole there. You're awfully crabby for a 338 00:17:38,240 --> 00:17:40,040 Speaker 2: man whose business is boomy because. 339 00:17:39,800 --> 00:17:41,640 Speaker 1: Of this race. I want this kind of business. It's 340 00:17:41,680 --> 00:17:42,320 Speaker 1: so shiny. 341 00:17:42,640 --> 00:17:44,639 Speaker 2: I lobbied the race coordinators for weeks. 342 00:17:44,720 --> 00:17:47,720 Speaker 6: It was a lot of uzzo and karaoke, but I 343 00:17:47,880 --> 00:17:50,000 Speaker 6: bagged our town the coveted first stop. 344 00:17:49,920 --> 00:17:53,320 Speaker 1: Last Stop slide wait, first stop, last stop, meaning they. 345 00:17:53,240 --> 00:17:56,119 Speaker 2: Start here today, circle the state, then in here later 346 00:17:56,160 --> 00:17:56,639 Speaker 2: this week. 347 00:17:56,760 --> 00:17:59,520 Speaker 1: Every one of them will be coming back big, oh big, 348 00:17:59,520 --> 00:18:01,200 Speaker 1: oh unbelievable. 349 00:18:09,320 --> 00:18:10,480 Speaker 2: Oh my god, that's so good. 350 00:18:11,720 --> 00:18:16,760 Speaker 1: The unbelievable line. What is it from Honeymoon in Vegas 351 00:18:19,040 --> 00:18:23,680 Speaker 1: when he's when he takes Sarah Jessica Parker to Vegas 352 00:18:23,680 --> 00:18:27,040 Speaker 1: to marry her finally and he can't wait to get 353 00:18:27,040 --> 00:18:29,199 Speaker 1: her up in the suite and they're all hot and 354 00:18:29,440 --> 00:18:32,120 Speaker 1: bothered and all that, and nobody's at the front desk 355 00:18:32,160 --> 00:18:34,119 Speaker 1: and he's ringing the bell and he says, can I 356 00:18:34,240 --> 00:18:38,480 Speaker 1: get a room? And he starts singing stuff. I was 357 00:18:38,480 --> 00:18:41,320 Speaker 1: on location to a Little Big League and we watched 358 00:18:41,800 --> 00:18:44,600 Speaker 1: Honeymoon in Vegas every single day, multiple times a day, 359 00:18:44,760 --> 00:18:48,480 Speaker 1: for three months in Timothy Busfield's trailer, and we were 360 00:18:48,520 --> 00:18:53,240 Speaker 1: obsessed with Cage's performance. And it just shows you how 361 00:18:54,359 --> 00:18:55,480 Speaker 1: things can influence you. 362 00:18:55,560 --> 00:19:00,560 Speaker 2: So, speaking of the bike race, there is a scene 363 00:19:00,840 --> 00:19:04,200 Speaker 2: I think it's the scene maybe where the lane gets 364 00:19:04,240 --> 00:19:06,880 Speaker 2: the guys the fries and they're all in the din 365 00:19:07,000 --> 00:19:11,679 Speaker 2: in the in Luke's diner and the people from the 366 00:19:11,720 --> 00:19:14,080 Speaker 2: Bike Grace are in there, and can I just throw 367 00:19:14,119 --> 00:19:16,560 Speaker 2: a flag that like one of the people from the 368 00:19:16,560 --> 00:19:18,720 Speaker 2: bike race is still wearing their helmet while they're sitting 369 00:19:18,760 --> 00:19:21,680 Speaker 2: in the diner eating, Like, wouldn't you take your helmet off? 370 00:19:25,560 --> 00:19:29,040 Speaker 1: No, some people don't do that. No, some people do 371 00:19:29,160 --> 00:19:31,679 Speaker 1: not do that, and it annoys me. Like when I'm skiing, 372 00:19:31,720 --> 00:19:34,600 Speaker 1: they come into the lodge and they get their lunch 373 00:19:35,080 --> 00:19:38,199 Speaker 1: and they sit down and keep their are freaking helmets on. 374 00:19:39,760 --> 00:19:42,719 Speaker 2: Bizarre that scene for me, it was really hard for 375 00:19:42,720 --> 00:19:45,960 Speaker 2: me to watch Lane and Gil and Brian and Zach 376 00:19:46,040 --> 00:19:48,520 Speaker 2: because I was so distracted by all the extras. I 377 00:19:48,600 --> 00:19:50,440 Speaker 2: was just couldn't take my eyes off. 378 00:19:50,480 --> 00:19:53,560 Speaker 5: Even that scene with Taylor and Luke even just now, 379 00:19:53,600 --> 00:19:55,240 Speaker 5: I was like, there's a lot of people on the back. 380 00:19:55,560 --> 00:19:58,000 Speaker 2: The other thing is, I think Michelle was pretty funny 381 00:19:58,040 --> 00:20:01,040 Speaker 2: in this episode. You know, like it's the big gift 382 00:20:01,080 --> 00:20:05,240 Speaker 2: basket and obviously, uh, you know, that's the sort of 383 00:20:05,240 --> 00:20:07,840 Speaker 2: a funny banter with the two of them, and then 384 00:20:08,160 --> 00:20:12,159 Speaker 2: you know, Luke comes over to fix the banister and 385 00:20:12,200 --> 00:20:15,040 Speaker 2: that's where he realizes, like, wait a minute, what's going 386 00:20:15,080 --> 00:20:20,440 Speaker 2: on with Mike Armstrong in this job? And he gets 387 00:20:20,440 --> 00:20:23,199 Speaker 2: all pissy and which is what leads us to the 388 00:20:23,240 --> 00:20:26,240 Speaker 2: moment where he froggers through the bikers because he's like, 389 00:20:26,840 --> 00:20:29,560 Speaker 2: draw up my three days to mull it over, Like I'm. 390 00:20:29,320 --> 00:20:33,800 Speaker 1: Out, wait, you're missing the Luke's funniest moment ever. 391 00:20:34,640 --> 00:20:36,400 Speaker 2: Oh I thought it was his most important moment. 392 00:20:36,480 --> 00:20:39,840 Speaker 1: No, it's not the funniest, funniest right, yeah, and then 393 00:20:40,160 --> 00:20:42,360 Speaker 1: at the kid and then he but like he let 394 00:20:42,400 --> 00:20:44,359 Speaker 1: it out and then he had to recover. That was 395 00:20:44,600 --> 00:20:45,960 Speaker 1: Luke's funniest moment ever. 396 00:20:47,000 --> 00:20:51,280 Speaker 2: I agree, funniest, but also wow, it was also his 397 00:20:51,359 --> 00:20:53,160 Speaker 2: most real were like. 398 00:20:53,280 --> 00:20:58,920 Speaker 1: Right, God, so much on the line, right, yes. 399 00:20:58,720 --> 00:21:00,920 Speaker 2: So I love that whole scene. I think that whole 400 00:21:00,960 --> 00:21:02,000 Speaker 2: scene is so important. 401 00:21:02,040 --> 00:21:05,879 Speaker 1: That gave up. She gives up college. Everybody's quitting. 402 00:21:05,920 --> 00:21:09,320 Speaker 2: It's the ind But oh you mean, oh well, we'll 403 00:21:09,320 --> 00:21:12,679 Speaker 2: get into the scene at the diner too. But do 404 00:21:12,680 --> 00:21:14,880 Speaker 2: you think Luke was a little over the top worrying 405 00:21:14,960 --> 00:21:15,440 Speaker 2: so much. 406 00:21:15,960 --> 00:21:18,879 Speaker 1: I had to set up a joke. That's why it 407 00:21:18,960 --> 00:21:20,399 Speaker 1: was so funny. 408 00:21:20,200 --> 00:21:22,240 Speaker 2: Right, what about the kids? Right? 409 00:21:23,160 --> 00:21:25,160 Speaker 1: You had to you had to go over the top 410 00:21:25,200 --> 00:21:26,400 Speaker 1: with it to set up the joke. 411 00:21:27,280 --> 00:21:30,000 Speaker 2: Lauren Graham had to do some solid face acting, and 412 00:21:30,080 --> 00:21:33,960 Speaker 2: so did you in this some solid face acting. 413 00:21:33,800 --> 00:21:35,879 Speaker 1: It's it's different from regular acting. 414 00:21:36,640 --> 00:21:36,879 Speaker 2: It is. 415 00:21:37,000 --> 00:21:39,120 Speaker 1: No, it's not. It's all connected. 416 00:21:39,680 --> 00:21:43,119 Speaker 2: Let's face acting. Wait, let's watch you frauderant. 417 00:21:42,680 --> 00:21:48,679 Speaker 1: And it's not a separate technique. Obviously we love your acting, Scott, 418 00:21:48,720 --> 00:21:51,119 Speaker 1: but your face acting you should work on. You know. 419 00:21:52,560 --> 00:21:55,640 Speaker 2: I do see how that could have been a stunt person. 420 00:21:55,720 --> 00:21:57,359 Speaker 1: On the on when it was on my back. 421 00:21:57,480 --> 00:22:00,239 Speaker 2: Yeah, but it's way better that it's you. 422 00:22:01,840 --> 00:22:04,359 Speaker 1: I think they tried it, but nobody could nail my walk. 423 00:22:04,920 --> 00:22:09,000 Speaker 2: It's distinct. So can I comment quickly as we're going 424 00:22:09,040 --> 00:22:12,600 Speaker 2: to talk about this scene. I am obsessed with Laura Lai. 425 00:22:12,680 --> 00:22:15,600 Speaker 2: She had that beautiful black floral dress with the pink sweater. 426 00:22:15,680 --> 00:22:21,760 Speaker 2: I mean, the fashion is amazing. But so she goes 427 00:22:21,800 --> 00:22:23,760 Speaker 2: to the Friday night dinner thinking they're going to have 428 00:22:23,800 --> 00:22:28,200 Speaker 2: the plan is going to be in action and Richard 429 00:22:28,280 --> 00:22:31,040 Speaker 2: and Emily. Emily's in her chair and Richard's standing, and 430 00:22:31,080 --> 00:22:35,639 Speaker 2: they drop this bomb on her like she's going to 431 00:22:35,720 --> 00:22:41,120 Speaker 2: live here in the pool house, and it's just kind 432 00:22:41,160 --> 00:22:47,600 Speaker 2: of tragic in a way. It's like, oh my gosh. 433 00:22:46,200 --> 00:22:49,840 Speaker 5: I don't think they delivered it right. Like I think 434 00:22:49,920 --> 00:22:52,840 Speaker 5: if you're going to turn your back on a promise 435 00:22:52,960 --> 00:22:56,080 Speaker 5: and a plan you made with your daughter. There should 436 00:22:56,119 --> 00:22:58,680 Speaker 5: have been a better way to deliver this news, not 437 00:22:58,760 --> 00:23:02,000 Speaker 5: like well, yeah, Rory came to us, she sided with us, 438 00:23:02,000 --> 00:23:03,560 Speaker 5: so we're gonna go, you know what I mean, Like 439 00:23:03,920 --> 00:23:06,320 Speaker 5: I think there was just first of all, maybe call 440 00:23:06,359 --> 00:23:09,879 Speaker 5: her and give her heads up before she comes to dinner, right, 441 00:23:10,000 --> 00:23:14,000 Speaker 5: But also just like you can't just say we completely 442 00:23:14,040 --> 00:23:17,399 Speaker 5: scrapped your idea and Rory's right and she were doing 443 00:23:17,480 --> 00:23:18,040 Speaker 5: what's right for her. 444 00:23:18,800 --> 00:23:22,359 Speaker 1: I know he said to Laura l I that that 445 00:23:23,600 --> 00:23:26,600 Speaker 1: your mother and I have had a very thorough discussion 446 00:23:26,640 --> 00:23:27,160 Speaker 1: about this. 447 00:23:28,920 --> 00:23:31,880 Speaker 7: And that's the prob because Lorala needs to be there, 448 00:23:32,119 --> 00:23:34,120 Speaker 7: he needs to They couldn't have. 449 00:23:33,960 --> 00:23:37,720 Speaker 1: That discussion with Laura I because the discussion wasn't about Rory. 450 00:23:37,960 --> 00:23:42,719 Speaker 1: It was about Laurel I. That's why that she couldn't 451 00:23:42,720 --> 00:23:45,040 Speaker 1: be involved in it. And I think they took the 452 00:23:45,119 --> 00:23:50,399 Speaker 1: decision like Laura, I screwed this girl up. We're going 453 00:23:50,480 --> 00:23:55,600 Speaker 1: to fix her. Simple as that, simple as that. Yeah, 454 00:23:55,640 --> 00:23:58,400 Speaker 1: I mean that's how they feel. I think that's how 455 00:23:58,400 --> 00:24:01,760 Speaker 1: they feel. And you know they talked about Christopher too, 456 00:24:02,000 --> 00:24:04,560 Speaker 1: being I think they just her father and what a 457 00:24:04,600 --> 00:24:06,280 Speaker 1: horrible example she's had. 458 00:24:07,119 --> 00:24:09,240 Speaker 2: I don't think so trauma of. 459 00:24:09,160 --> 00:24:12,480 Speaker 1: Dealing with this, this loser father of hers who's not 460 00:24:12,600 --> 00:24:16,560 Speaker 1: even around that insult to injury, you know. I mean, 461 00:24:16,600 --> 00:24:19,920 Speaker 1: if if he was off being successful, it would still 462 00:24:19,960 --> 00:24:22,200 Speaker 1: be painful, but at will least he would be setting example. 463 00:24:22,240 --> 00:24:26,880 Speaker 1: He's super successful. Not that that would reinforce anything terribly 464 00:24:26,920 --> 00:24:30,119 Speaker 1: positive on a consistent basis, but at least, but he's 465 00:24:30,240 --> 00:24:33,240 Speaker 1: like not only is an absent father, he's a loser. 466 00:24:33,480 --> 00:24:35,840 Speaker 1: He doesn't succeed in anything. 467 00:24:36,840 --> 00:24:39,240 Speaker 2: I just think they couldn't say no to their crime granddaughter. 468 00:24:39,880 --> 00:24:44,960 Speaker 2: I think grandparents cannot, and aunts and uncles have When 469 00:24:44,960 --> 00:24:49,080 Speaker 2: you love these people so much, right, parents know they 470 00:24:49,119 --> 00:24:54,600 Speaker 2: have to say no, whereas the grandparents, especially grandparents, they 471 00:24:54,680 --> 00:24:55,320 Speaker 2: just couldn't say no. 472 00:24:56,240 --> 00:24:59,440 Speaker 1: Or what would you do if you're if you're Emily, 473 00:25:00,320 --> 00:25:03,119 Speaker 1: what would I do if I was Richard? And I 474 00:25:03,200 --> 00:25:05,400 Speaker 1: know it, and I don't know my daughter the way 475 00:25:05,400 --> 00:25:09,520 Speaker 1: the audience knows that my daughter. The audience loves my daughter. 476 00:25:09,920 --> 00:25:12,359 Speaker 1: They see all these colors, and they see all this grit, 477 00:25:12,440 --> 00:25:14,880 Speaker 1: and they see all this strength, and they see all 478 00:25:14,920 --> 00:25:19,359 Speaker 1: this motivation and wisdom and all this being great mother. 479 00:25:19,720 --> 00:25:23,840 Speaker 1: They don't see that that's not their opinion of their daughter. 480 00:25:24,400 --> 00:25:27,720 Speaker 1: They think she's disturbed, that she's always doing bits, that 481 00:25:27,840 --> 00:25:31,320 Speaker 1: she's a rebel, that she's a maverick, that she's an outsider. 482 00:25:31,440 --> 00:25:36,000 Speaker 1: Now her daughter is failing after we you know, but 483 00:25:36,080 --> 00:25:38,600 Speaker 1: the daughter the money where our mouth is, and we're 484 00:25:38,640 --> 00:25:41,240 Speaker 1: gonna we're gonna get her out of this death spiral 485 00:25:41,320 --> 00:25:42,639 Speaker 1: and get her back on track. 486 00:25:43,200 --> 00:25:45,679 Speaker 2: Laura I wasn't failing, That's what Laura I wanted. 487 00:25:46,080 --> 00:25:46,960 Speaker 1: No, they wanted help. 488 00:25:47,320 --> 00:25:50,280 Speaker 7: It's just interesting because I think if it were anybody 489 00:25:50,280 --> 00:25:51,880 Speaker 7: else would be like, you need to stay in Yale, 490 00:25:52,040 --> 00:25:54,960 Speaker 7: like this is for your future, this is for your livelihood, 491 00:25:55,000 --> 00:25:57,880 Speaker 7: like all those things. But we saw when Rory went 492 00:25:57,920 --> 00:25:59,560 Speaker 7: to Richard at first, like. 493 00:25:59,560 --> 00:26:01,080 Speaker 2: He pawning it off. 494 00:26:01,160 --> 00:26:04,439 Speaker 7: He's like, I need to have this conversation with you know, 495 00:26:04,520 --> 00:26:05,680 Speaker 7: your Emily should here or. 496 00:26:05,600 --> 00:26:06,320 Speaker 2: Whatever he said. 497 00:26:06,359 --> 00:26:11,480 Speaker 7: He like literally tried not having the conversation and then 498 00:26:11,600 --> 00:26:16,280 Speaker 7: she just melted. Yeah, and then and he couldn't take it. 499 00:26:16,600 --> 00:26:17,320 Speaker 2: So I think. 500 00:26:19,200 --> 00:26:22,520 Speaker 7: Boundaries right, well, I think to him it was he 501 00:26:22,680 --> 00:26:26,239 Speaker 7: was so on board with lorealized plans because that is 502 00:26:26,280 --> 00:26:30,320 Speaker 7: the right thing to do in a guiding factor. But 503 00:26:30,359 --> 00:26:35,280 Speaker 7: then when he realized like my granddaughter is crying to 504 00:26:35,400 --> 00:26:40,320 Speaker 7: me right now. It changed his entire world. 505 00:26:41,119 --> 00:26:43,199 Speaker 5: Well, and she didn't have, like she doesn't have a 506 00:26:43,240 --> 00:26:46,080 Speaker 5: father figure to go to, like Richard, is that mother? 507 00:26:47,080 --> 00:26:47,399 Speaker 4: Oh? 508 00:26:47,560 --> 00:26:51,760 Speaker 1: Dare you say that Luke is her father? 509 00:26:55,359 --> 00:26:58,399 Speaker 2: I am your fell I think that. I think Tara, 510 00:26:58,600 --> 00:27:01,920 Speaker 2: you're you're putting a button on what Scott has been 511 00:27:01,960 --> 00:27:06,000 Speaker 2: saying that she doesn't even though I don't know that 512 00:27:06,040 --> 00:27:08,920 Speaker 2: it's so much about Christopher, she doesn't have a father figure. 513 00:27:10,440 --> 00:27:12,800 Speaker 2: It would have been interesting to see what Christopher would 514 00:27:12,800 --> 00:27:17,400 Speaker 2: have done in this situation. Richard just caved, like we 515 00:27:17,440 --> 00:27:20,280 Speaker 2: all do. We hate saying no to our kids or 516 00:27:20,280 --> 00:27:23,640 Speaker 2: our grandkids, our nieces and nephews. We want to make 517 00:27:23,680 --> 00:27:26,359 Speaker 2: them feel better. What Laura I was doing was the 518 00:27:26,480 --> 00:27:30,439 Speaker 2: hard thing to say. I'm not just gonna cave and 519 00:27:30,520 --> 00:27:32,439 Speaker 2: give you what you want. I'm going to say no. 520 00:27:32,600 --> 00:27:33,800 Speaker 2: This is a bad idea. 521 00:27:35,920 --> 00:27:38,439 Speaker 5: And I guess it's also just going off of what 522 00:27:38,480 --> 00:27:41,240 Speaker 5: I said about the father figure, Like if you have, 523 00:27:41,359 --> 00:27:43,400 Speaker 5: let's say, an argument with your mom, you're just gonna 524 00:27:43,400 --> 00:27:44,280 Speaker 5: go to your dad. 525 00:27:44,119 --> 00:27:46,199 Speaker 3: Right and then and then your mom's gonna get up. 526 00:27:46,440 --> 00:27:48,720 Speaker 5: It is hypothetical, but like your mom's gonna get upset 527 00:27:48,760 --> 00:27:50,720 Speaker 5: because then you're getting your dad on your side. 528 00:27:51,200 --> 00:27:55,640 Speaker 3: I think it's worse for Laura I to go that it's. 529 00:27:55,440 --> 00:27:58,680 Speaker 5: Going to her parents, like then she really feels defeated. 530 00:27:59,119 --> 00:28:07,960 Speaker 2: I agree with that. Uh huh, So okay, there's so 531 00:28:08,040 --> 00:28:09,600 Speaker 2: much more to even still break down. 532 00:28:09,600 --> 00:28:11,600 Speaker 1: But you know, Laura Lai and her parents don't have 533 00:28:11,640 --> 00:28:15,000 Speaker 1: a real relationship, so there's no that's right. And that's 534 00:28:15,040 --> 00:28:16,640 Speaker 1: why it was right. 535 00:28:17,160 --> 00:28:19,479 Speaker 2: That's why it was so painful when she comes to 536 00:28:19,520 --> 00:28:22,120 Speaker 2: them and says, I need your help, and they tell 537 00:28:22,160 --> 00:28:24,760 Speaker 2: her they were on her side. They agreed with her. 538 00:28:25,040 --> 00:28:26,439 Speaker 2: They were all linked arms. 539 00:28:26,920 --> 00:28:29,440 Speaker 1: And then Rory, well they I think they still are 540 00:28:29,600 --> 00:28:34,720 Speaker 1: on the same page. They just diverged on the methodology, right, 541 00:28:34,840 --> 00:28:36,960 Speaker 1: what they wage methodology to apply. 542 00:28:36,880 --> 00:28:38,880 Speaker 2: But they should have said it, you'll move in here, 543 00:28:38,960 --> 00:28:41,880 Speaker 2: the same goal, right. But what they well that's what 544 00:28:41,920 --> 00:28:43,960 Speaker 2: they claim. But what they should have said, what do 545 00:28:44,000 --> 00:28:47,000 Speaker 2: you think they want to do with her? They're What 546 00:28:47,080 --> 00:28:49,000 Speaker 2: they should have done is say you'll move in here 547 00:28:49,040 --> 00:28:50,640 Speaker 2: for the summer. We're going to take care of you. 548 00:28:50,640 --> 00:28:53,680 Speaker 2: We're going to get through this. But with the plan 549 00:28:53,800 --> 00:28:58,040 Speaker 2: being in August, they really start to say you're going 550 00:28:58,120 --> 00:29:01,840 Speaker 2: back like it's it's just bananas that she's quitting Yale. 551 00:29:02,520 --> 00:29:06,160 Speaker 2: That being said, my favorite scene is the final scene 552 00:29:06,600 --> 00:29:09,239 Speaker 2: where Laura l II goes into the diner and she 553 00:29:09,360 --> 00:29:12,720 Speaker 2: tells Luke Roy dropped out. She's moved in with my parents. 554 00:29:13,080 --> 00:29:16,480 Speaker 2: They've stabbed me in the back. She was supposed to 555 00:29:16,520 --> 00:29:19,600 Speaker 2: have more than me, right, So you get this powerful like, 556 00:29:19,880 --> 00:29:22,440 Speaker 2: oh my god, you really understand where she's coming from. 557 00:29:22,720 --> 00:29:26,600 Speaker 2: And then Luke really does what Laura Lai needed and 558 00:29:26,640 --> 00:29:29,920 Speaker 2: you see it in her face, this smile, this she's 559 00:29:29,960 --> 00:29:32,840 Speaker 2: not in pain. She's so in love with him because 560 00:29:32,840 --> 00:29:36,920 Speaker 2: he's like, Okay, we'll call Yale. We'll do this. Well, uh, 561 00:29:37,280 --> 00:29:39,720 Speaker 2: you know, we'll we'll take shifts and follow her to 562 00:29:39,760 --> 00:29:42,480 Speaker 2: class and you know, I'll work around your schedule. And 563 00:29:42,520 --> 00:29:45,880 Speaker 2: he's just being so amazing and that's where the face 564 00:29:45,920 --> 00:29:50,720 Speaker 2: acting comes in. She's so in love and says, will 565 00:29:50,760 --> 00:29:51,520 Speaker 2: you marry me? 566 00:29:53,880 --> 00:29:56,240 Speaker 1: What? Well? 567 00:29:56,480 --> 00:30:01,320 Speaker 2: It was amazing? What did everybody think? 568 00:30:03,880 --> 00:30:06,920 Speaker 3: I have some thoughts ahead? 569 00:30:07,040 --> 00:30:11,040 Speaker 7: So this is my This is my take, I think 570 00:30:11,440 --> 00:30:15,760 Speaker 7: Lorlai because one thing that I don't think we really 571 00:30:15,800 --> 00:30:19,640 Speaker 7: addressed fully is Luke earlier in the episode said for 572 00:30:19,760 --> 00:30:23,400 Speaker 7: the kids, so like this is his time. He's addressing 573 00:30:23,480 --> 00:30:24,440 Speaker 7: that he wants kids. 574 00:30:24,560 --> 00:30:26,040 Speaker 2: Right. What we talked about. 575 00:30:25,880 --> 00:30:29,520 Speaker 7: In the last episode is now actually a factual thing. 576 00:30:30,320 --> 00:30:34,720 Speaker 7: So and we saw how Laura forgot about that. So 577 00:30:35,080 --> 00:30:37,280 Speaker 7: that's that's the first thing that stuck in my head. 578 00:30:38,600 --> 00:30:46,080 Speaker 7: The second thing is she has single handedly lost all of. 579 00:30:46,000 --> 00:30:47,760 Speaker 2: Her people in this episode. 580 00:30:48,240 --> 00:30:52,800 Speaker 7: Rory has quote unquote turned on her and is now 581 00:30:52,880 --> 00:30:55,960 Speaker 7: living with Richard and Emily. Richard and Emily. 582 00:30:56,000 --> 00:30:58,000 Speaker 2: Are with their granddaughter. 583 00:30:58,520 --> 00:31:02,360 Speaker 7: So Lourla is on this little island, and I think 584 00:31:02,720 --> 00:31:08,720 Speaker 7: she is feeling very alone and the last thing she 585 00:31:08,840 --> 00:31:13,440 Speaker 7: can lose is Luke, and you're securing him at all costs, 586 00:31:14,040 --> 00:31:17,680 Speaker 7: even though maybe she doesn't want to have children, or 587 00:31:17,720 --> 00:31:21,080 Speaker 7: even though maybe she doesn't want to, you know whatever. 588 00:31:21,280 --> 00:31:26,480 Speaker 2: Like I don't. I didn't see it. I had a 589 00:31:26,480 --> 00:31:29,560 Speaker 2: different genuine to be honest. 590 00:31:29,520 --> 00:31:29,600 Speaker 8: I. 591 00:31:32,040 --> 00:31:32,520 Speaker 1: Agree with that. 592 00:31:34,480 --> 00:31:36,320 Speaker 2: I didn't. I didn't have that take. 593 00:31:37,840 --> 00:31:43,080 Speaker 7: That was a hail Mary, that was a please don't 594 00:31:43,120 --> 00:31:46,120 Speaker 7: ever leave me. I'm so alone, you cannot leave me. 595 00:31:46,240 --> 00:31:49,000 Speaker 2: I did not have that take. I look at her 596 00:31:49,000 --> 00:31:54,320 Speaker 2: face and I see her hearing Luke being so on 597 00:31:54,400 --> 00:31:59,600 Speaker 2: her side, being so the partner that she's longed for. 598 00:32:00,120 --> 00:32:02,320 Speaker 2: That She thought she could go to her parents and 599 00:32:02,360 --> 00:32:04,960 Speaker 2: get them to, like I said, link arms with her, 600 00:32:05,040 --> 00:32:08,600 Speaker 2: all hands in the middle, be her teammate. So she 601 00:32:08,680 --> 00:32:12,160 Speaker 2: goes to the diner just devastated. I say it again, 602 00:32:12,520 --> 00:32:14,800 Speaker 2: Rory dropped out. She's moved into my parents. They stabbed 603 00:32:14,840 --> 00:32:16,640 Speaker 2: me in the back. She was supposed to have more 604 00:32:16,680 --> 00:32:20,480 Speaker 2: than me, So not not. He doesn't just say it'll 605 00:32:20,480 --> 00:32:24,040 Speaker 2: be okay, I love you. He is like her teammate 606 00:32:24,120 --> 00:32:25,920 Speaker 2: on it. Here's what we're gonna do. We're gonna do this. 607 00:32:25,960 --> 00:32:27,600 Speaker 2: We're gonna do this. We're gonna do this. And you 608 00:32:27,640 --> 00:32:30,480 Speaker 2: see in her face. You see her face change right 609 00:32:30,800 --> 00:32:34,840 Speaker 2: from being so upset to smiling to me. She knows 610 00:32:34,920 --> 00:32:39,440 Speaker 2: she's found the partner she's always been looking for. And 611 00:32:39,520 --> 00:32:42,760 Speaker 2: so she has this calm and happiness and says, will 612 00:32:42,760 --> 00:32:47,680 Speaker 2: you marry me? Because she's saying, I don't need any 613 00:32:47,720 --> 00:32:50,800 Speaker 2: more information other than what I've just received that you 614 00:32:50,880 --> 00:32:53,920 Speaker 2: are the guy, you are the one. We're in this together. 615 00:32:56,280 --> 00:32:58,520 Speaker 7: Yeah. I took it as you are the only one 616 00:32:58,560 --> 00:33:02,840 Speaker 7: on my team. You're you're getting, you are getting. 617 00:33:04,680 --> 00:33:10,760 Speaker 1: I've got sign you to a contract. God, I just 618 00:33:10,800 --> 00:33:15,680 Speaker 1: I gotta go out there and Okay, I couldn't sign 619 00:33:15,760 --> 00:33:18,840 Speaker 1: my own daughter. I couldn't sign my grandpa. I am 620 00:33:18,880 --> 00:33:21,160 Speaker 1: offering you a lifetime deal right now. 621 00:33:22,440 --> 00:33:27,160 Speaker 2: Respectfully disagree, does a house? Please watch her face, you 622 00:33:27,160 --> 00:33:29,560 Speaker 2: dous Just do me the solid and watch her face. 623 00:33:29,720 --> 00:33:30,880 Speaker 7: I know what you're talking about. 624 00:33:31,000 --> 00:33:33,640 Speaker 2: No, I know. 625 00:33:34,280 --> 00:33:35,440 Speaker 3: It's also her timing. 626 00:33:35,560 --> 00:33:37,600 Speaker 5: Like I'm always like, oh, Laura, I like if you 627 00:33:37,800 --> 00:33:40,560 Speaker 5: just like I think she just doesn't think things through, 628 00:33:40,880 --> 00:33:44,480 Speaker 5: Like if I because I I agree with Danielle. But 629 00:33:45,080 --> 00:33:47,600 Speaker 5: if with what you're talking about, Amy, If that's the case, 630 00:33:48,080 --> 00:33:51,760 Speaker 5: why tonight Why the second that she's having a bad night, 631 00:33:52,480 --> 00:33:54,320 Speaker 5: suddenly getting married to Luke is going. 632 00:33:54,280 --> 00:33:58,600 Speaker 1: To fix that's he's constantly showing his loyalty and his 633 00:33:58,640 --> 00:33:59,160 Speaker 1: love to her. 634 00:34:00,320 --> 00:34:03,240 Speaker 2: And like, okay, so when you even aha moment, you 635 00:34:03,280 --> 00:34:05,240 Speaker 2: have the moment of you go, this is the moment. 636 00:34:05,920 --> 00:34:09,040 Speaker 2: This is the moment. So you're right, why tonight? Why 637 00:34:09,040 --> 00:34:11,799 Speaker 2: not tonight? This is the moment. 638 00:34:12,120 --> 00:34:14,560 Speaker 3: Because her head's in a different her heads in a 639 00:34:14,560 --> 00:34:15,200 Speaker 3: different places. 640 00:34:15,280 --> 00:34:17,400 Speaker 2: That's not what I saw from her face. If you 641 00:34:17,440 --> 00:34:21,040 Speaker 2: watch her face, I see it change, and I see 642 00:34:21,080 --> 00:34:25,560 Speaker 2: her have that moment of going even when the poop 643 00:34:25,680 --> 00:34:28,600 Speaker 2: is hitting the fan, this guy's in it with me, 644 00:34:28,880 --> 00:34:31,319 Speaker 2: and that's what I want. I want, I. 645 00:34:31,239 --> 00:34:33,080 Speaker 1: Want to be But he's always been like that. 646 00:34:34,239 --> 00:34:38,280 Speaker 2: But the moment everyone has. 647 00:34:38,000 --> 00:34:40,520 Speaker 1: Every episode, every time we see him, he's like that 648 00:34:40,719 --> 00:34:41,200 Speaker 1: went to the. 649 00:34:41,160 --> 00:34:42,800 Speaker 7: Hospital when Richard was sick. 650 00:34:43,000 --> 00:34:45,280 Speaker 2: Like all the things, He's younger. 651 00:34:45,360 --> 00:34:50,160 Speaker 1: I mean, he was younger back then. He looked the people, 652 00:34:50,680 --> 00:34:52,680 Speaker 1: why not have a moment and propose to him in 653 00:34:52,719 --> 00:34:54,400 Speaker 1: the because people don't. 654 00:34:54,200 --> 00:34:57,440 Speaker 2: Have that moment till they have that moment. In his prime, 655 00:35:00,120 --> 00:35:02,160 Speaker 2: didn't have the moment until they have the moment. So 656 00:35:02,239 --> 00:35:04,480 Speaker 2: she had it at that very moment. 657 00:35:04,600 --> 00:35:06,040 Speaker 1: I mean, they could have had a bunch of kids 658 00:35:06,040 --> 00:35:09,160 Speaker 1: by now, she'd have just but it's just. 659 00:35:09,239 --> 00:35:13,799 Speaker 2: I don't know. It just didn't feel right to me. 660 00:35:14,440 --> 00:35:15,920 Speaker 2: Right watch her face. 661 00:35:17,760 --> 00:35:21,239 Speaker 7: Watch I get I know what you're talking about because 662 00:35:21,280 --> 00:35:24,200 Speaker 7: I saw that and I was like, But the more 663 00:35:24,239 --> 00:35:24,960 Speaker 7: I think about it. 664 00:35:26,120 --> 00:35:28,279 Speaker 1: This is what I'm tired. I'm going to tell you 665 00:35:28,360 --> 00:35:32,120 Speaker 1: what I'm tired of. I'm tired of everything that Laura 666 00:35:32,200 --> 00:35:36,319 Speaker 1: l I does is right, it's what is going on. 667 00:35:36,880 --> 00:35:39,520 Speaker 1: Why can't she be criticized, right? 668 00:35:40,520 --> 00:35:45,640 Speaker 2: She can just not by me. Everybody can criticize her. 669 00:35:45,640 --> 00:35:47,719 Speaker 2: But I'm just through and through team Laura. 670 00:35:47,880 --> 00:35:55,360 Speaker 1: You're questioning her motives here, we're questioning why. 671 00:35:55,560 --> 00:35:59,319 Speaker 2: Now that's right, you three are all on the same ten. 672 00:36:00,080 --> 00:36:02,400 Speaker 1: I mean, she's hell bent for leather. She's gonna screw 673 00:36:02,440 --> 00:36:05,720 Speaker 1: this up too by proposing to him. Let's talk about 674 00:36:05,760 --> 00:36:11,640 Speaker 1: the appropriateness or inappropriateness of that. What what I said? 675 00:36:11,719 --> 00:36:17,239 Speaker 2: Obviously wait for season six Team Laura Lai. I'm like, 676 00:36:17,840 --> 00:36:21,960 Speaker 2: hell yeah, And I love the last line? What what 677 00:36:21,960 --> 00:36:25,760 Speaker 2: that was? That was good acting? Scott, How you responded 678 00:36:25,800 --> 00:36:28,279 Speaker 2: to that last line? I was like, that was a 679 00:36:28,440 --> 00:36:33,640 Speaker 2: good on that? So not only is he good that 680 00:36:33,760 --> 00:36:35,920 Speaker 2: what you're good at voice acting? 681 00:36:37,600 --> 00:36:37,960 Speaker 4: Stop? 682 00:36:41,800 --> 00:36:45,439 Speaker 1: How good at finger acting? Yeah, you're like talking about 683 00:36:45,440 --> 00:36:48,160 Speaker 1: this really good face acting. 684 00:36:48,880 --> 00:36:53,720 Speaker 2: But just let me let me world, let me live 685 00:36:53,800 --> 00:36:57,319 Speaker 2: in my laurel Li. I mean I think, Look, I 686 00:36:57,360 --> 00:37:00,760 Speaker 2: want to be Lorelei. I love Laura I everything about Loralai. 687 00:37:01,480 --> 00:37:05,240 Speaker 2: I felt it since I watched this twenty years ago. 688 00:37:05,800 --> 00:37:09,040 Speaker 2: So I'm glad you all have a different perspective. I 689 00:37:09,080 --> 00:37:12,520 Speaker 2: don't hate you for it. I just don't think you're right. 690 00:37:14,960 --> 00:37:18,000 Speaker 1: I think it's a way, it's almost a way to 691 00:37:18,080 --> 00:37:24,239 Speaker 1: sabotage her relationship with Luke in a weird unconscious way. 692 00:37:25,280 --> 00:37:29,120 Speaker 1: You know, I'm really gonna screw everything up now. I'm 693 00:37:29,160 --> 00:37:31,440 Speaker 1: going to put the cherry on top of this cake, 694 00:37:32,320 --> 00:37:34,279 Speaker 1: and I think I'm going to propose to this guy 695 00:37:34,520 --> 00:37:35,120 Speaker 1: right now. 696 00:37:35,719 --> 00:37:39,480 Speaker 2: It's like what I also think she didn't think it through. 697 00:37:39,640 --> 00:37:45,160 Speaker 2: She just saw how awful she drove. It was amazing. 698 00:37:45,400 --> 00:37:46,040 Speaker 2: I loved it. 699 00:37:47,760 --> 00:37:52,040 Speaker 1: Literally, it was definitely a show stopper for sure. It 700 00:37:52,080 --> 00:37:53,440 Speaker 1: was entertaining, it was. 701 00:37:53,400 --> 00:37:55,440 Speaker 2: Shocking, great cliffhanger. 702 00:37:55,680 --> 00:37:58,680 Speaker 1: It was worth the price of admission. I'll tell you this. 703 00:37:59,000 --> 00:38:01,680 Speaker 7: Actually, this was a really good episode because it's like, 704 00:38:03,120 --> 00:38:05,600 Speaker 7: is Rory going back to Yale, or luc and Laura 705 00:38:05,880 --> 00:38:09,080 Speaker 7: getting married or they engage, like she's staying in the 706 00:38:09,320 --> 00:38:12,080 Speaker 7: is Rory staying in the in the poolhouse? With what's 707 00:38:12,080 --> 00:38:14,560 Speaker 7: going on with Mitchell, Like there's so many things to 708 00:38:14,640 --> 00:38:15,800 Speaker 7: set up season six. 709 00:38:16,200 --> 00:38:20,439 Speaker 2: Danielle, before we go, give us like your I don't 710 00:38:20,480 --> 00:38:23,560 Speaker 2: know one minute predictions of what you think will happen 711 00:38:23,560 --> 00:38:24,400 Speaker 2: in season six. 712 00:38:26,200 --> 00:38:29,319 Speaker 7: I think Rory goes to Yale, Like, I don't think 713 00:38:29,360 --> 00:38:35,520 Speaker 7: she drops out. I think she's still in love with Logan. 714 00:38:36,040 --> 00:38:36,840 Speaker 2: Maybe she goes. 715 00:38:40,719 --> 00:38:43,040 Speaker 7: I think she stays in the poolhouse and maybe she 716 00:38:43,120 --> 00:38:48,440 Speaker 7: starts to be like a little bit more adventurous and 717 00:38:48,480 --> 00:38:52,000 Speaker 7: then look and Lorla, I think are going to being 718 00:38:52,120 --> 00:38:53,520 Speaker 7: quote unquote engaged. 719 00:38:54,040 --> 00:38:55,920 Speaker 2: But it doesn't. 720 00:38:55,960 --> 00:39:01,200 Speaker 7: It's not a solid foundation in my opinion. And that's 721 00:39:01,560 --> 00:39:02,440 Speaker 7: that's my prediction. 722 00:39:03,040 --> 00:39:03,800 Speaker 2: We'll see. 723 00:39:04,880 --> 00:39:05,719 Speaker 3: Are you going to watch when? 724 00:39:06,360 --> 00:39:12,759 Speaker 2: Absolutely, Billy, I'm so sorry I forgot to announce that 725 00:39:13,480 --> 00:39:16,839 Speaker 2: people are worried about that Danielle will keep up while 726 00:39:16,840 --> 00:39:20,120 Speaker 2: she's on maternity leave. I might send you voice memos. 727 00:39:20,600 --> 00:39:23,000 Speaker 3: Please do please do one voice. 728 00:39:23,000 --> 00:39:25,080 Speaker 7: An episode that you can just play at the end. 729 00:39:25,480 --> 00:39:28,480 Speaker 8: And we have a Danielle's say, we will have a 730 00:39:28,600 --> 00:39:33,840 Speaker 8: surprise uh what do we call it, Scott, a surprise 731 00:39:34,000 --> 00:39:39,480 Speaker 8: special guest for during maternity leave, A surprise host guest 732 00:39:39,840 --> 00:39:40,799 Speaker 8: co host. 733 00:39:41,080 --> 00:39:46,640 Speaker 2: During the maternity leave that we will reveal in when 734 00:39:46,640 --> 00:39:50,240 Speaker 2: we do episode one of season six. Danielle worked hard 735 00:39:50,320 --> 00:39:53,239 Speaker 2: to plan her maternity leave, tied right to the end 736 00:39:53,360 --> 00:39:56,440 Speaker 2: of season five of the I Am All In Podcast. 737 00:39:56,560 --> 00:40:00,920 Speaker 1: Now that's what I call good timing. I think, Glora, 738 00:40:01,120 --> 00:40:07,080 Speaker 1: I can use a little lesson or two, a thing 739 00:40:07,160 --> 00:40:09,080 Speaker 1: or two from the book of Danielle. 740 00:40:09,480 --> 00:40:12,279 Speaker 2: I do think we have one. Unless Danielle goes into 741 00:40:12,320 --> 00:40:16,279 Speaker 2: labor early, we'll have one episode with the four of 742 00:40:16,360 --> 00:40:20,640 Speaker 2: us one, two, three, four and the new person, and 743 00:40:21,560 --> 00:40:26,320 Speaker 2: then Danielle can pass on the I Am All in baton. 744 00:40:27,800 --> 00:40:30,960 Speaker 2: It makes me so depressed. I'm like literally like I'm 745 00:40:30,960 --> 00:40:31,200 Speaker 2: going to. 746 00:40:31,200 --> 00:40:33,040 Speaker 7: Watch these episodes and want to talk about them. 747 00:40:33,120 --> 00:40:34,840 Speaker 2: So it's weird because you're going to miss all of 748 00:40:34,880 --> 00:40:37,200 Speaker 2: season five basically, I mean, sorry, you're going to miss 749 00:40:37,239 --> 00:40:38,279 Speaker 2: all of these six. 750 00:40:40,360 --> 00:40:44,279 Speaker 1: Just newborn. Your newborn is going to be inductrinated into 751 00:40:44,320 --> 00:40:48,719 Speaker 1: the I Am all in vibe right away anyway. So 752 00:40:48,960 --> 00:40:50,840 Speaker 1: I think at this point, I think, at this point, 753 00:40:51,040 --> 00:40:53,680 Speaker 1: you know what, I think you want to ask me 754 00:40:53,760 --> 00:40:56,399 Speaker 1: what I think about season six and what's going to happen. 755 00:40:56,440 --> 00:40:58,600 Speaker 2: I think it, Yeah, I want to ask you, but 756 00:40:58,640 --> 00:41:00,000 Speaker 2: I don't know what you know and what you don't. 757 00:41:00,520 --> 00:41:03,120 Speaker 1: Well can I speculate? 758 00:41:03,680 --> 00:41:04,040 Speaker 2: Sure? 759 00:41:04,560 --> 00:41:09,160 Speaker 1: Thank you? Uh. I just think at this point, Luke's 760 00:41:09,239 --> 00:41:17,000 Speaker 1: frustration is biblical, to use a word. I mean, how 761 00:41:17,040 --> 00:41:21,960 Speaker 1: frustrated does this guy have to be with a single 762 00:41:22,760 --> 00:41:28,080 Speaker 1: the single focus of his his his heart before he 763 00:41:28,239 --> 00:41:32,920 Speaker 1: just decides to, you know, like close up shop, go 764 00:41:33,000 --> 00:41:37,160 Speaker 1: to Israel, you start the twelve tribes again. You don't 765 00:41:37,200 --> 00:41:40,200 Speaker 1: have as many babies as he can with multiple women 766 00:41:40,320 --> 00:41:42,960 Speaker 1: and you know, like Joseph, right, did Joseph do that? 767 00:41:43,400 --> 00:41:49,279 Speaker 1: So it's like the guy wants to have some kids. Yeah, 768 00:41:49,400 --> 00:41:52,200 Speaker 1: he wants he wants to start a Dane's clan so 769 00:41:52,239 --> 00:41:54,239 Speaker 1: that maybe they can return to the United States and 770 00:41:54,280 --> 00:41:58,239 Speaker 1: defeat the Huntsburgers and the Gilmours. I don't know. I 771 00:41:58,239 --> 00:42:03,920 Speaker 1: think that'd be a pretty good storyline actually, And no, seriously, 772 00:42:03,920 --> 00:42:06,600 Speaker 1: who the heck knows? Who knows well we are? 773 00:42:06,680 --> 00:42:11,920 Speaker 9: And I do well, I don't he knows just the 774 00:42:12,280 --> 00:42:17,319 Speaker 9: entire twenty years ago. 775 00:42:18,520 --> 00:42:20,920 Speaker 2: It is kind of awesome that you guys don't totally know. 776 00:42:21,000 --> 00:42:22,759 Speaker 2: I mean, Scott, you probably remember it things I know. 777 00:42:22,880 --> 00:42:25,600 Speaker 1: I don't remember a thing about season six. I have 778 00:42:25,680 --> 00:42:27,480 Speaker 1: the what's going to happen? 779 00:42:28,120 --> 00:42:28,360 Speaker 7: You know? 780 00:42:29,040 --> 00:42:31,879 Speaker 1: I don't know that much about the movies. I don't 781 00:42:32,200 --> 00:42:35,319 Speaker 1: to know. And whatever I did know, I forgot because 782 00:42:35,320 --> 00:42:37,120 Speaker 1: I wanted to forget the movies. 783 00:42:37,120 --> 00:42:40,240 Speaker 2: Are the movies are bad? Wait? Am I hot or cold? 784 00:42:40,480 --> 00:42:41,480 Speaker 2: Can you just tell me that? 785 00:42:41,640 --> 00:42:42,480 Speaker 1: No, don't don't. 786 00:42:42,960 --> 00:42:46,640 Speaker 2: I'm not going to answer that now. Also because people 787 00:42:46,680 --> 00:42:51,120 Speaker 2: will will go crazy on me. They get so mad. 788 00:42:51,160 --> 00:42:56,240 Speaker 2: But I guess I can't protect our girl on Instagram. 789 00:42:55,719 --> 00:42:57,440 Speaker 1: All right, what are we all right, let's wrap this up? 790 00:42:57,480 --> 00:42:58,319 Speaker 1: What are we giving this. 791 00:43:00,160 --> 00:43:06,839 Speaker 2: To? Ten? Ten? Bread and waters? 792 00:43:05,600 --> 00:43:12,960 Speaker 1: Tara? What are you rating this? Puppy m I'll. 793 00:43:12,719 --> 00:43:16,960 Speaker 5: Give it a nine point eight Rory mudg Why. 794 00:43:16,920 --> 00:43:22,200 Speaker 1: Why the deduction? Why the two tenths deduction? Tell me to. 795 00:43:22,280 --> 00:43:28,000 Speaker 5: Me, it's like, I'm just frustrated by them, and it's 796 00:43:28,000 --> 00:43:30,080 Speaker 5: not my favorite final. I mean it's like pretty big, 797 00:43:30,080 --> 00:43:31,440 Speaker 5: which not my favorite finale. 798 00:43:31,560 --> 00:43:41,520 Speaker 7: Danielle nine point nine five stunt bikers. 799 00:43:48,000 --> 00:43:55,839 Speaker 1: Oh man, uh yeah, I'm gonna get up. I'm going 800 00:43:55,880 --> 00:43:59,680 Speaker 1: to deduct for the ending, even though it was really strong. 801 00:44:01,440 --> 00:44:04,280 Speaker 1: Now you can't, you can't deduct. I think it's it's 802 00:44:04,280 --> 00:44:07,120 Speaker 1: consistent with her character to do something like that, so 803 00:44:07,160 --> 00:44:11,160 Speaker 1: I don't want to deduct. I'll deduct for maybe the 804 00:44:11,280 --> 00:44:13,879 Speaker 1: Missus Kim stuff, but only a little. I think it's 805 00:44:13,880 --> 00:44:19,799 Speaker 1: a nine point nine six three. No, nine point nine 806 00:44:19,880 --> 00:44:26,600 Speaker 1: six two. Smudged contracts. 807 00:44:28,760 --> 00:44:30,239 Speaker 2: No, wait, we have to figure out what's going to 808 00:44:30,280 --> 00:44:32,080 Speaker 2: happen with the Twickham House. But we'll have to worry 809 00:44:32,080 --> 00:44:33,760 Speaker 2: about that in season six. 810 00:44:33,920 --> 00:44:36,400 Speaker 1: Yeah, you want to do favorite lines, Amy, what's your 811 00:44:36,440 --> 00:44:37,000 Speaker 1: favorite line? 812 00:44:37,360 --> 00:44:39,920 Speaker 2: Oh? So many? 813 00:44:41,680 --> 00:44:46,160 Speaker 1: Everything about There was some hesitation. 814 00:44:47,040 --> 00:44:51,560 Speaker 2: What what's but it's also what about the kids? What 815 00:44:51,680 --> 00:44:53,399 Speaker 2: about the kids? Right about the kid? 816 00:44:53,440 --> 00:44:55,440 Speaker 1: There you go, I think, yeah, yeah. 817 00:44:55,320 --> 00:44:59,920 Speaker 2: And also honorable mention too. My god, those are good genes. 818 00:45:00,200 --> 00:45:03,080 Speaker 1: Mm hm. 819 00:45:03,120 --> 00:45:07,560 Speaker 2: Anyway, I mean Rory Stole yacht, I have so many 820 00:45:08,400 --> 00:45:09,560 Speaker 2: wash you with that logan, kid. 821 00:45:11,320 --> 00:45:16,200 Speaker 3: What My favorite was what it's just because I said it. 822 00:45:16,160 --> 00:45:22,280 Speaker 1: Aloud to My favorite was was what about the kids? Yeah. 823 00:45:22,719 --> 00:45:25,480 Speaker 1: Also I gotta put the tailor's line about the Mark 824 00:45:25,560 --> 00:45:29,320 Speaker 1: Jacobs right right up there. It was my first chuckle, 825 00:45:30,239 --> 00:45:34,000 Speaker 1: first chuckle. Anyway, all right, thanks kids, best fans on 826 00:45:34,040 --> 00:45:38,920 Speaker 1: the planet. Next episode season six, oh my episode one, 827 00:45:39,120 --> 00:45:44,000 Speaker 1: know and improved, Laurele, I, we will see ya on 828 00:45:44,040 --> 00:45:46,920 Speaker 1: the backside if you're gon't if you're now on the 829 00:45:46,960 --> 00:45:52,759 Speaker 1: front side, uh whatever that means. Thank you, Tara, thank you, Danielle, 830 00:45:54,080 --> 00:45:59,440 Speaker 1: thank you Amy. Best fans on the planet. And here's 831 00:45:59,480 --> 00:46:04,359 Speaker 1: a fun little tidbit. We're gonna launch season six with 832 00:46:04,400 --> 00:46:09,320 Speaker 1: the girl, the woman, the actress who played my sister 833 00:46:09,520 --> 00:46:15,360 Speaker 1: Kathleen Wilhoyt Liz is coming on a pod. We're real excited. 834 00:46:15,400 --> 00:46:17,359 Speaker 1: We had a really great talk with her. 835 00:46:18,640 --> 00:46:19,080 Speaker 4: So good. 836 00:46:19,080 --> 00:46:21,799 Speaker 1: Anyway, that's gonna do it. Thanks for you downloads. Keep 837 00:46:21,800 --> 00:46:23,799 Speaker 1: the cards and letters coming. We read everything on the 838 00:46:23,840 --> 00:46:29,640 Speaker 1: body uh and we always will. We love you, We 839 00:46:29,719 --> 00:46:33,600 Speaker 1: need you, You need us. You hate to admit it. 840 00:46:35,480 --> 00:46:46,520 Speaker 4: Stay safe, game. 841 00:47:06,200 --> 00:47:09,560 Speaker 1: Hey, everybody to forget. Follow us on Instagram at I 842 00:47:09,840 --> 00:47:13,959 Speaker 1: Am all In podcast and email us at Gilmore at 843 00:47:14,080 --> 00:47:25,760 Speaker 1: iHeartRadio dot com.