WEBVTT - The Fat Rat

0:00:08.600 --> 0:00:12.440
<v Speaker 1>Welcome, Welcome, Welcome back to the Bob left That's Podcast.

0:00:13.320 --> 0:00:16.560
<v Speaker 1>My guess today is the Fat Rat. There's number one

0:00:16.920 --> 0:00:21.840
<v Speaker 1>gaming music. He's got five and a half million YouTube

0:00:21.880 --> 0:00:28.440
<v Speaker 1>prescribers and billions of streams and twenty one thousand Discord members.

0:00:28.840 --> 0:00:32.080
<v Speaker 1>Mr Fat Rat, glad to have you here. Thanks for

0:00:32.120 --> 0:00:35.160
<v Speaker 1>having me Bob Okay, you know a lot of people

0:00:35.159 --> 0:00:37.640
<v Speaker 1>listening this are gonna be unfamiliar with you and your music.

0:00:37.680 --> 0:00:40.720
<v Speaker 1>So let's start from the beginning. Why the Fat Rat.

0:00:40.800 --> 0:00:43.599
<v Speaker 1>What's that name about? It's a typical like online name

0:00:43.600 --> 0:00:45.839
<v Speaker 1>that I used for gaming. Um, it's from my nickname

0:00:45.840 --> 0:00:49.279
<v Speaker 1>in school. So I was really small at school and

0:00:49.360 --> 0:00:52.680
<v Speaker 1>I was doing kung food to defend myself, and then

0:00:52.760 --> 0:00:56.680
<v Speaker 1>first people called me after the after Splinter, which is

0:00:56.760 --> 0:01:00.520
<v Speaker 1>the master of the teenage mutant Ninja chattles. Then day,

0:01:00.560 --> 0:01:03.120
<v Speaker 1>after a week or two, they found this was way

0:01:03.160 --> 0:01:05.760
<v Speaker 1>too friendly as a nickname, so they simply called me

0:01:05.920 --> 0:01:09.440
<v Speaker 1>Rat and German Ratta. Yeah, that name sticked with me

0:01:09.520 --> 0:01:12.360
<v Speaker 1>for years, and so when I started playing online games,

0:01:12.400 --> 0:01:14.520
<v Speaker 1>I simply picked that up and called myself the Fat

0:01:14.520 --> 0:01:18.240
<v Speaker 1>Red and online games for about ten years and then

0:01:18.280 --> 0:01:20.560
<v Speaker 1>when I started putting out my own music. I was

0:01:20.640 --> 0:01:22.960
<v Speaker 1>a music producer a long time before, but when I

0:01:22.959 --> 0:01:25.440
<v Speaker 1>started putting up my own music, just put it on SoundCloud.

0:01:25.720 --> 0:01:27.560
<v Speaker 1>I used my online name, which I used in like

0:01:27.640 --> 0:01:31.160
<v Speaker 1>online games, and now I'm still stuck with it. Okay,

0:01:31.440 --> 0:01:35.440
<v Speaker 1>it's a good name, but the rat in terms of fat,

0:01:35.600 --> 0:01:38.240
<v Speaker 1>You're not fat in the least. Why the fat rat?

0:01:39.240 --> 0:01:42.160
<v Speaker 1>Just because it sounded good when I chose the online name,

0:01:42.520 --> 0:01:45.920
<v Speaker 1>like you know, like you choose an online gaming name,

0:01:46.000 --> 0:01:48.440
<v Speaker 1>it's not you don't think about it that later on

0:01:48.480 --> 0:01:51.480
<v Speaker 1>you might have like ten million followers who might like

0:01:51.560 --> 0:01:53.160
<v Speaker 1>ask you about why did you pick the names? Just

0:01:53.280 --> 0:01:56.720
<v Speaker 1>you know, it just sounds good and you just pick it. Okay,

0:01:56.720 --> 0:01:59.840
<v Speaker 1>getting some other basics down, I'm not sure. I'm sure

0:02:00.080 --> 0:02:02.760
<v Speaker 1>to get the pronunciation wrong. You're in good again. Where

0:02:02.800 --> 0:02:06.480
<v Speaker 1>are you in Germany right now? Oh? Yeah, in gutting In. Yeah,

0:02:06.560 --> 0:02:10.040
<v Speaker 1>it's in the very middle of Germany, which is pretty

0:02:10.080 --> 0:02:11.840
<v Speaker 1>much in the middle of nowhere because all the big

0:02:11.880 --> 0:02:15.240
<v Speaker 1>cities like Hamburg's in the north, Berlin is the northeast,

0:02:15.280 --> 0:02:18.280
<v Speaker 1>and Munix in the south. And yeah, it's a little

0:02:18.280 --> 0:02:20.959
<v Speaker 1>bit like in the s where everything most stuff happens

0:02:20.960 --> 0:02:23.760
<v Speaker 1>on the coats you know, and the very middle there's

0:02:23.840 --> 0:02:27.240
<v Speaker 1>not that much going on. I mean, at least in Germany,

0:02:27.280 --> 0:02:30.119
<v Speaker 1>maybe still way more in the U s um. Yeah,

0:02:30.200 --> 0:02:31.560
<v Speaker 1>and so you have very much in the middle of

0:02:31.600 --> 0:02:34.400
<v Speaker 1>no there, like all the big cities are few hours

0:02:34.480 --> 0:02:40.560
<v Speaker 1>drives away. How many people living good? Again? Okay, and

0:02:40.600 --> 0:02:43.560
<v Speaker 1>you grew up there, Yes, I grew up there, and

0:02:43.880 --> 0:02:46.799
<v Speaker 1>my wife also grew up here. And that's the reason

0:02:46.880 --> 0:02:49.720
<v Speaker 1>why we're here because we have all our parents are here.

0:02:49.760 --> 0:02:52.000
<v Speaker 1>So we have a daughter and her grandparents just has

0:02:52.040 --> 0:02:55.720
<v Speaker 1>all the grandparents very close here. That's pretty cool. Okay.

0:02:55.760 --> 0:02:59.760
<v Speaker 1>How old are you today? Forty two? Okay, So what

0:02:59.840 --> 0:03:03.480
<v Speaker 1>was the environment in music and life with for you

0:03:03.560 --> 0:03:11.760
<v Speaker 1>growing up? It wasn't It wasn't really challenging because my

0:03:11.880 --> 0:03:14.960
<v Speaker 1>mom had a music school and I had some talent

0:03:15.040 --> 0:03:18.360
<v Speaker 1>in music. But I was really quickly the best in

0:03:18.400 --> 0:03:22.320
<v Speaker 1>the music school. Um, because you know, when I was

0:03:22.320 --> 0:03:25.160
<v Speaker 1>like fourteen fifteen years old, whenever there was a concert,

0:03:25.200 --> 0:03:29.600
<v Speaker 1>I was the last act to perform because I was

0:03:29.680 --> 0:03:32.720
<v Speaker 1>the person there who was the longest there, and I

0:03:32.800 --> 0:03:35.080
<v Speaker 1>was like the best player. But then when I moved

0:03:35.080 --> 0:03:37.520
<v Speaker 1>to Munich later on, when I was starting to study,

0:03:37.680 --> 0:03:40.040
<v Speaker 1>I learned that I wasn't half as good as I

0:03:40.080 --> 0:03:44.240
<v Speaker 1>thought I was, because then I had some actual competition. Okay,

0:03:45.000 --> 0:03:48.400
<v Speaker 1>you know, the average person in America has not been anywhere.

0:03:49.040 --> 0:03:51.920
<v Speaker 1>So tell us a little bit more about Germany because

0:03:51.920 --> 0:03:55.200
<v Speaker 1>you spend time in the stage. What's the difference between

0:03:55.280 --> 0:04:02.640
<v Speaker 1>Germany and the States from your viewpoint? It's a really

0:04:02.640 --> 0:04:05.280
<v Speaker 1>good question. It's a really good question. That the funny

0:04:05.320 --> 0:04:08.160
<v Speaker 1>thing is whenever, like the grass always greener on the

0:04:08.160 --> 0:04:13.280
<v Speaker 1>other side. Right. Um So, when I moved to Los Angeles,

0:04:13.320 --> 0:04:16.200
<v Speaker 1>where I lived for three years, I've realized what was

0:04:16.240 --> 0:04:18.400
<v Speaker 1>it good about Germany? Now when you ask me the question,

0:04:18.760 --> 0:04:20.560
<v Speaker 1>everything that comes to mind is how awesome the U.

0:04:20.640 --> 0:04:23.760
<v Speaker 1>S A Is and what are the problems here? Um

0:04:23.800 --> 0:04:25.920
<v Speaker 1>So Germany, please forgive me when I'm like a little

0:04:25.960 --> 0:04:29.280
<v Speaker 1>bit negative. But um what I love about the US

0:04:29.400 --> 0:04:32.320
<v Speaker 1>is that people are way more into doing things and

0:04:32.440 --> 0:04:36.720
<v Speaker 1>acting and lesson to planning everything to death, which, at

0:04:36.760 --> 0:04:39.560
<v Speaker 1>least in the which is probably great when you're in engineering,

0:04:39.640 --> 0:04:42.839
<v Speaker 1>like when you're building planes or you're building big structures

0:04:42.960 --> 0:04:46.600
<v Speaker 1>or whatever. It's great when you have zero tolerance to failure.

0:04:47.080 --> 0:04:49.599
<v Speaker 1>But in the entertainment industry you have to do stuff

0:04:49.600 --> 0:04:53.839
<v Speaker 1>and simply try and failure is an option, and that's

0:04:54.040 --> 0:04:57.120
<v Speaker 1>something let's say, failure is an option. I think that's

0:04:57.240 --> 0:04:59.720
<v Speaker 1>a big part of the US. People just do things,

0:04:59.800 --> 0:05:03.400
<v Speaker 1>they try stuff, they move forward. And in Germany everybody

0:05:03.440 --> 0:05:06.159
<v Speaker 1>is always afraid to make a mistake, and people do

0:05:06.360 --> 0:05:08.680
<v Speaker 1>rather nothing than making a mistakes. So I think that's

0:05:08.680 --> 0:05:13.640
<v Speaker 1>a huge difference in the mentality. Okay, from our viewpoint,

0:05:13.800 --> 0:05:19.440
<v Speaker 1>it appears that Germany, maybe with France, certainly runs the

0:05:19.520 --> 0:05:26.120
<v Speaker 1>European Union. What is the mindset of Germans today? You know,

0:05:26.279 --> 0:05:28.960
<v Speaker 1>we can talk about I don't want to start labeling

0:05:29.080 --> 0:05:33.120
<v Speaker 1>different countries whatever, but somehow are seen as more lazy,

0:05:33.360 --> 0:05:38.640
<v Speaker 1>some is more economic, lee forward, and we think the

0:05:38.720 --> 0:05:42.000
<v Speaker 1>perception in the US is that Germans are very precise

0:05:42.720 --> 0:05:48.200
<v Speaker 1>and at the bleeding edge of technology and engineering. That's

0:05:48.200 --> 0:05:52.920
<v Speaker 1>where the BMW's come from, the Mercedes, the Porsche's. You know,

0:05:54.200 --> 0:05:57.720
<v Speaker 1>the average person, if you're a slacker in Germany, can

0:05:57.760 --> 0:06:00.080
<v Speaker 1>you get away with it because you know, or what

0:06:00.240 --> 0:06:03.960
<v Speaker 1>is the general person in Germany? Like yeah, yeah, um,

0:06:04.000 --> 0:06:06.760
<v Speaker 1>so first of all, uh don't be afraid to hit

0:06:06.800 --> 0:06:13.880
<v Speaker 1>me with like uh stereotypes, So it's totally no problem.

0:06:13.920 --> 0:06:17.839
<v Speaker 1>So speak freely. Um. Uh, I think you can get

0:06:18.040 --> 0:06:21.239
<v Speaker 1>very pretty good as so Germany. Germans are not about

0:06:21.279 --> 0:06:25.360
<v Speaker 1>hard work. I wouldn't say that, it's more about precision.

0:06:25.400 --> 0:06:31.600
<v Speaker 1>I think that's that's a good point, um, because uh yeah,

0:06:31.640 --> 0:06:33.760
<v Speaker 1>like I said before, I think it's this being afraid

0:06:33.800 --> 0:06:38.040
<v Speaker 1>of making failure being very very accurate. That's the good

0:06:38.360 --> 0:06:41.599
<v Speaker 1>side of it. The bad side is that it often

0:06:41.640 --> 0:06:45.280
<v Speaker 1>slows down things a lot. Right, So when you want

0:06:45.320 --> 0:06:47.839
<v Speaker 1>to do something in the years, you say, hey, let's

0:06:47.839 --> 0:06:50.039
<v Speaker 1>do this, and everybody's cool, let's try it. And in

0:06:50.080 --> 0:06:52.440
<v Speaker 1>Germany everybody's oh yeah, but what could go wrong. Let's

0:06:52.520 --> 0:06:54.680
<v Speaker 1>let's figure out everything that could go wrong and make

0:06:54.720 --> 0:06:58.560
<v Speaker 1>sure nothing goes wrong. And um, if we're afraid. There's

0:06:58.560 --> 0:07:01.000
<v Speaker 1>actually a very good specific example I can give you

0:07:01.839 --> 0:07:04.039
<v Speaker 1>in the music industry because I'm like, most of my

0:07:04.120 --> 0:07:06.880
<v Speaker 1>business contacts are still in the US. So when I

0:07:06.920 --> 0:07:09.559
<v Speaker 1>for example, when I worked with the management in the US,

0:07:10.200 --> 0:07:12.640
<v Speaker 1>we had a call, how we want to do the

0:07:13.080 --> 0:07:15.480
<v Speaker 1>deal right? And he said, Okay, this is how we're

0:07:15.480 --> 0:07:18.680
<v Speaker 1>gonna work, and then we started right. We didn't even

0:07:18.760 --> 0:07:22.320
<v Speaker 1>signed agreement. And this was about like thousands, thousands of

0:07:22.360 --> 0:07:27.119
<v Speaker 1>dollars from the start but when I signed a small

0:07:27.200 --> 0:07:31.160
<v Speaker 1>a capella group in Germany and we wanted to release something,

0:07:31.600 --> 0:07:35.920
<v Speaker 1>they insisted on written agreements that we would send back

0:07:37.760 --> 0:07:42.400
<v Speaker 1>via mail, like not email, but physical mail. So otherwise

0:07:42.480 --> 0:07:47.440
<v Speaker 1>it's not because otherwise it's not safe, um legally right,

0:07:47.520 --> 0:07:50.880
<v Speaker 1>So you have to send like the letter agreements all

0:07:50.920 --> 0:07:52.840
<v Speaker 1>of the world. And my business partner in the US

0:07:52.960 --> 0:07:54.840
<v Speaker 1>was still involved, so we had to send it from

0:07:54.880 --> 0:07:56.640
<v Speaker 1>Germany to the US and then back to Germany and

0:07:56.680 --> 0:07:59.400
<v Speaker 1>then to everybody to sign it. It was like no

0:08:00.080 --> 0:08:02.880
<v Speaker 1>almost no money in all, but they were so scared

0:08:02.960 --> 0:08:05.120
<v Speaker 1>that something could go wrong. And this is I think

0:08:05.160 --> 0:08:08.679
<v Speaker 1>that's a pretty good example how the mentality is different Germans.

0:08:08.800 --> 0:08:11.080
<v Speaker 1>Very everything has to be done right. It's like the

0:08:11.120 --> 0:08:13.800
<v Speaker 1>typical image that people are standing at night at the

0:08:13.840 --> 0:08:16.760
<v Speaker 1>green at the red traffic light right the where the

0:08:16.800 --> 0:08:19.560
<v Speaker 1>pedestrians crossed, and its red lights. So they stand for

0:08:19.600 --> 0:08:21.560
<v Speaker 1>a minute and wait till the light turns green and

0:08:21.680 --> 0:08:25.280
<v Speaker 1>there's no car around, nobody's around whatsoever, but they're still

0:08:25.320 --> 0:08:27.280
<v Speaker 1>going to stand at the red light. That's I think

0:08:27.280 --> 0:08:31.040
<v Speaker 1>that that's German. It is okay, not everybody does it,

0:08:31.080 --> 0:08:34.000
<v Speaker 1>but that's how people are here. I'm older than you are.

0:08:34.040 --> 0:08:36.559
<v Speaker 1>And I remember when Europe most of the radio stations

0:08:36.960 --> 0:08:41.880
<v Speaker 1>were state controlled, so at this point, and certainly electronic music,

0:08:41.960 --> 0:08:45.760
<v Speaker 1>many people believe, started in the Midwest of the United States,

0:08:46.000 --> 0:08:50.040
<v Speaker 1>but really took hold in Europe. So the average person

0:08:50.120 --> 0:08:52.560
<v Speaker 1>and it's hard in today's digital era, and you're old

0:08:52.679 --> 0:08:57.320
<v Speaker 1>enough to know have seen the transition in Germany? Is

0:08:57.400 --> 0:09:02.079
<v Speaker 1>music consumption driven by the radio or other ways or

0:09:02.120 --> 0:09:04.480
<v Speaker 1>has there been a transition in your lifetime? And what

0:09:04.559 --> 0:09:09.920
<v Speaker 1>kind of music do people listen to? Honestly, I don't

0:09:09.960 --> 0:09:12.560
<v Speaker 1>even know that much about it because I have my

0:09:12.679 --> 0:09:16.800
<v Speaker 1>very own space. Um I think it's very like big influence.

0:09:16.840 --> 0:09:19.960
<v Speaker 1>I think it's still TV. But then there are those

0:09:20.000 --> 0:09:23.840
<v Speaker 1>subcultures like German rap became a big thing in the

0:09:23.960 --> 0:09:26.360
<v Speaker 1>last couple of years, just like you know in the

0:09:26.440 --> 0:09:28.720
<v Speaker 1>U S as well, like the rappers there was like

0:09:28.920 --> 0:09:31.199
<v Speaker 1>huge come back sort of thing after all the E

0:09:31.320 --> 0:09:35.079
<v Speaker 1>d M stuff, and that the same thing happened in Germany.

0:09:35.880 --> 0:09:38.080
<v Speaker 1>But I don't even know exactly where that came from

0:09:38.160 --> 0:09:39.600
<v Speaker 1>because I have, like like I said, I have my

0:09:39.720 --> 0:09:42.240
<v Speaker 1>very own almost the bubble where I live in where

0:09:42.240 --> 0:09:45.120
<v Speaker 1>I have like my music world. Um, I listened to

0:09:45.160 --> 0:09:49.160
<v Speaker 1>the radio. HEO sometimes, Um, but I'm not so familiar

0:09:49.280 --> 0:09:52.680
<v Speaker 1>with the audience in Germany. What's important is my audience

0:09:52.760 --> 0:09:57.400
<v Speaker 1>is two percent German, It's nine percent is the rest

0:09:57.400 --> 0:10:00.400
<v Speaker 1>of the world. So it's artists wise. I'm not German.

0:10:00.559 --> 0:10:02.320
<v Speaker 1>I mean I live here and I'm from here. But

0:10:02.679 --> 0:10:05.880
<v Speaker 1>like my as an artist, I have as much to

0:10:05.920 --> 0:10:08.400
<v Speaker 1>do with Germany as as I have to do, even

0:10:08.400 --> 0:10:10.720
<v Speaker 1>more a way less to do with Germany than I

0:10:10.720 --> 0:10:15.640
<v Speaker 1>have to do with Vietnam, China, USA, in Mexico. Okay,

0:10:15.679 --> 0:10:18.160
<v Speaker 1>when you were growing up, rave culture started to be

0:10:18.240 --> 0:10:22.080
<v Speaker 1>something in the US and the nineties. Was that something

0:10:22.320 --> 0:10:25.079
<v Speaker 1>that was happening in Germany when you were growing up,

0:10:25.160 --> 0:10:28.679
<v Speaker 1>and were you a participant? Yes? Absolutely so. We had

0:10:28.760 --> 0:10:32.320
<v Speaker 1>Love Parade in Berlin where they were like over million

0:10:32.440 --> 0:10:35.360
<v Speaker 1>people coming to Berlin to join. The Love Parade, for

0:10:35.400 --> 0:10:38.280
<v Speaker 1>those who don't know, was like trucks with sound systems

0:10:38.320 --> 0:10:41.520
<v Speaker 1>on it and making a huge parade, and the trucks

0:10:41.559 --> 0:10:43.840
<v Speaker 1>were so loud that whenever you was you were like

0:10:43.920 --> 0:10:45.960
<v Speaker 1>somewhat close to one truck, you could only hear that

0:10:46.040 --> 0:10:50.400
<v Speaker 1>one truck. Uh yeah, so yeah, And I went to

0:10:50.440 --> 0:10:53.200
<v Speaker 1>a couple of those parades that was. Those were the

0:10:53.320 --> 0:10:55.480
<v Speaker 1>raves back then. It's not not so much of the festival,

0:10:55.559 --> 0:10:56.880
<v Speaker 1>but it was a lot of those parades and was

0:10:56.960 --> 0:10:58.679
<v Speaker 1>a ton of fun. I was like eighteen years old

0:10:58.679 --> 0:11:02.000
<v Speaker 1>at the time, really drunk, and yeah, it was a

0:11:02.040 --> 0:11:06.720
<v Speaker 1>lot of Okay, you call yourself the number one gaming

0:11:06.800 --> 0:11:11.600
<v Speaker 1>music artists, what exactly does that mean? Well, the gaming

0:11:11.720 --> 0:11:17.360
<v Speaker 1>music is simply the term that helps people to find

0:11:17.480 --> 0:11:19.800
<v Speaker 1>music that's similar to mine. In the very beginning, I

0:11:19.880 --> 0:11:22.760
<v Speaker 1>have people asking me, Hey, what's the like the music,

0:11:22.760 --> 0:11:24.400
<v Speaker 1>what you're making? What is it? I was like, I

0:11:24.480 --> 0:11:27.920
<v Speaker 1>don't know, it's it's not really E d M. You

0:11:27.960 --> 0:11:29.760
<v Speaker 1>cannot call it d M. E d M is like

0:11:29.800 --> 0:11:34.240
<v Speaker 1>a certain you know, sound, a certain culture and everything.

0:11:34.320 --> 0:11:37.160
<v Speaker 1>It's kind of close to that, it's not really that.

0:11:37.679 --> 0:11:42.480
<v Speaker 1>But then I stumbled upon gaming music mix tapes on

0:11:42.520 --> 0:11:45.040
<v Speaker 1>YouTube and I found, okay, this is like the kind

0:11:45.040 --> 0:11:48.360
<v Speaker 1>of music that I'm making. And also my music is

0:11:48.400 --> 0:11:52.600
<v Speaker 1>all over those mix tapes, right, They often started with

0:11:52.640 --> 0:11:56.040
<v Speaker 1>my song. They still do. If you bring up gaming

0:11:56.120 --> 0:11:58.480
<v Speaker 1>music mix on YouTube, it's often the first song. It's

0:11:58.559 --> 0:12:02.120
<v Speaker 1>the Fat Rah. Yeah, so that's where I'm okay, cool.

0:12:02.200 --> 0:12:06.680
<v Speaker 1>Then that's kind of the niche or the genre that

0:12:06.720 --> 0:12:10.160
<v Speaker 1>describes my music, that simply describes it best in which

0:12:10.200 --> 0:12:13.679
<v Speaker 1>the most functioning note for people to understand kind of

0:12:13.679 --> 0:12:16.720
<v Speaker 1>what it is because it's music. It's not music from

0:12:16.800 --> 0:12:19.160
<v Speaker 1>video games. It's simply music that grew out of the

0:12:19.280 --> 0:12:22.839
<v Speaker 1>video game video game culture. And it's also yeah, it's

0:12:22.840 --> 0:12:25.599
<v Speaker 1>also the term where you can find music that is

0:12:25.640 --> 0:12:29.200
<v Speaker 1>somewhat similar to what I'm doing. Okay, So what is

0:12:29.440 --> 0:12:33.719
<v Speaker 1>different in terms of sound between gaming music and id

0:12:33.880 --> 0:12:38.600
<v Speaker 1>um um gaming music? It's kind of more like electronic huts,

0:12:38.640 --> 0:12:41.800
<v Speaker 1>not so much made for dancing, right. The gaming music

0:12:41.840 --> 0:12:44.720
<v Speaker 1>always has I mean e d M always has to

0:12:44.760 --> 0:12:47.840
<v Speaker 1>be danceable, right, because you played on festivals, you played

0:12:47.880 --> 0:12:51.400
<v Speaker 1>in clubs. That's what it's made for. And gaming music

0:12:51.440 --> 0:12:54.200
<v Speaker 1>it's more for listening because what people do with it,

0:12:54.240 --> 0:12:56.920
<v Speaker 1>they played in the background, especially when they're playing like

0:12:57.000 --> 0:13:00.400
<v Speaker 1>competitive games like Dota two or League of Lets or

0:13:00.520 --> 0:13:04.640
<v Speaker 1>stuff like that. Okay, As I say, a lot of

0:13:04.640 --> 0:13:09.080
<v Speaker 1>people are not that experienced in this world. So let's

0:13:09.160 --> 0:13:14.599
<v Speaker 1>talk about music in actual games that people play multiplayer

0:13:14.760 --> 0:13:19.080
<v Speaker 1>online or they buy discs or whatever. Do you license

0:13:19.520 --> 0:13:23.480
<v Speaker 1>your music to those commercial games? Yeah? I do that

0:13:23.559 --> 0:13:27.800
<v Speaker 1>as well, but that's not my primary primary thing that

0:13:27.880 --> 0:13:30.520
<v Speaker 1>I'm doing. That happened because my music became so big

0:13:30.520 --> 0:13:33.520
<v Speaker 1>in the space. So a couple of those big, big

0:13:33.559 --> 0:13:35.960
<v Speaker 1>games reached out to me and said, hey, I want

0:13:35.960 --> 0:13:37.800
<v Speaker 1>to we want to have your music in our games.

0:13:37.880 --> 0:13:40.800
<v Speaker 1>Like it's a title song for the actual season. So

0:13:41.520 --> 0:13:43.120
<v Speaker 1>for people who are not in the gaming space, like

0:13:43.160 --> 0:13:46.520
<v Speaker 1>games today, it's not like it's not like a DVD

0:13:46.679 --> 0:13:48.840
<v Speaker 1>that you buy, so you buy the thing one time,

0:13:48.880 --> 0:13:51.720
<v Speaker 1>then you played through and then it's over. It's more

0:13:51.880 --> 0:13:54.800
<v Speaker 1>the term games for games as a service, So a

0:13:54.880 --> 0:13:59.880
<v Speaker 1>game is a continuously developing product or space. So it's

0:14:00.080 --> 0:14:02.440
<v Speaker 1>is for example, so those games today they have seasons.

0:14:02.480 --> 0:14:06.040
<v Speaker 1>It's like okay, every uh three months or every six

0:14:06.080 --> 0:14:09.960
<v Speaker 1>months there's like new levels, new characters, and they also

0:14:10.040 --> 0:14:12.240
<v Speaker 1>then have a new title song. So for example, the

0:14:12.960 --> 0:14:16.280
<v Speaker 1>Rocketly for example, licensed my song as a title song

0:14:16.320 --> 0:14:18.160
<v Speaker 1>for the new season, and then I think recently did

0:14:18.200 --> 0:14:21.560
<v Speaker 1>it again, and then Doda too. I made a music

0:14:21.560 --> 0:14:24.440
<v Speaker 1>pack that that was the only time where I made

0:14:24.720 --> 0:14:28.840
<v Speaker 1>music specifically only for a game, which is then not

0:14:29.240 --> 0:14:31.600
<v Speaker 1>I got didn't get paid for it directly, but it's

0:14:31.600 --> 0:14:33.760
<v Speaker 1>an in game item that you can buy. So the

0:14:33.800 --> 0:14:36.680
<v Speaker 1>game itself is for free, and the business model is

0:14:36.720 --> 0:14:38.880
<v Speaker 1>that you can buy stuff in the game. And one

0:14:38.880 --> 0:14:40.560
<v Speaker 1>of the items that you can buy in the game

0:14:40.640 --> 0:14:43.320
<v Speaker 1>is my music pack. So the standard music that you

0:14:43.960 --> 0:14:47.200
<v Speaker 1>that plays when you play the game gets exchanged by

0:14:47.280 --> 0:14:50.160
<v Speaker 1>music that I made, and you pay I don't know,

0:14:50.320 --> 0:14:52.600
<v Speaker 1>four dollars to get that, and then I get a

0:14:52.600 --> 0:14:56.040
<v Speaker 1>share of those four dollars. Is that a real business

0:14:56.120 --> 0:15:01.320
<v Speaker 1>or is that really small? I ain't my I can't

0:15:01.320 --> 0:15:04.120
<v Speaker 1>talk numbers. So the first month I think was no,

0:15:04.240 --> 0:15:07.960
<v Speaker 1>I'm not I'm sure if I'm numbers, but it's a

0:15:09.160 --> 0:15:12.800
<v Speaker 1>numbers no, no, no, no, I'm not sure if I'm

0:15:12.840 --> 0:15:15.920
<v Speaker 1>allowed from the from valve side, from the g I

0:15:16.000 --> 0:15:19.160
<v Speaker 1>just remembered, uh, nobody. It's a real business. That's a

0:15:19.240 --> 0:15:21.520
<v Speaker 1>real business. I could I could, I could live in

0:15:21.840 --> 0:15:23.480
<v Speaker 1>I could live a year from what I made in

0:15:23.520 --> 0:15:29.240
<v Speaker 1>the first month. This is just from selling packs within

0:15:29.400 --> 0:15:34.960
<v Speaker 1>the video game exactly. There's no license, okay, And like,

0:15:35.200 --> 0:15:37.920
<v Speaker 1>what kind of deal if since they're not paying you

0:15:38.040 --> 0:15:40.760
<v Speaker 1>up front and you were talking like four dollars for

0:15:40.840 --> 0:15:44.680
<v Speaker 1>a pack, how many different songs would they get? Would

0:15:44.720 --> 0:15:47.880
<v Speaker 1>they all be yours? And how would the four dollars

0:15:48.040 --> 0:15:51.960
<v Speaker 1>be split. Uh once again, I'm not Harpers, and sure

0:15:51.960 --> 0:15:55.400
<v Speaker 1>if I'm allowed to talk about that about the split.

0:15:57.200 --> 0:16:01.600
<v Speaker 1>Um so they actually it's a standard standard deal. Um,

0:16:01.960 --> 0:16:06.000
<v Speaker 1>it's just they have a lot of different creators. Um

0:16:06.160 --> 0:16:08.880
<v Speaker 1>so not everybody can place his or her item in

0:16:08.920 --> 0:16:11.000
<v Speaker 1>the game, but they do this quite a bit. So

0:16:11.120 --> 0:16:13.880
<v Speaker 1>there there's a community or a lot of people who say, hey,

0:16:13.880 --> 0:16:16.880
<v Speaker 1>I want to play stuff in the game or sell

0:16:17.000 --> 0:16:21.920
<v Speaker 1>stuff in within the game, and um, yeah, it's just

0:16:21.960 --> 0:16:26.120
<v Speaker 1>a standard agreement, which and it's it's processed through their

0:16:26.440 --> 0:16:30.840
<v Speaker 1>through Steam. So Steam is like iTunes for video games

0:16:30.840 --> 0:16:34.000
<v Speaker 1>sort of thing. So it's a platform within that you

0:16:34.040 --> 0:16:36.800
<v Speaker 1>can like you can buy games, you can download the games,

0:16:36.840 --> 0:16:39.240
<v Speaker 1>and then you have a community aspect to it and

0:16:39.280 --> 0:16:41.720
<v Speaker 1>all those things and it's done within that platform. So

0:16:42.440 --> 0:16:45.200
<v Speaker 1>one of one of you the statements I opened Steam,

0:16:45.280 --> 0:16:47.800
<v Speaker 1>which is actually the platform that I also used when

0:16:47.800 --> 0:16:49.960
<v Speaker 1>I want to buy games. So it's all done within

0:16:50.040 --> 0:16:54.680
<v Speaker 1>that platform. Okay, is Steam because you know, maybe I

0:16:54.720 --> 0:16:58.000
<v Speaker 1>don't have it straight. Is Steam a platform or also

0:16:58.120 --> 0:17:03.280
<v Speaker 1>technology or the game games written a specific language that

0:17:03.520 --> 0:17:10.320
<v Speaker 1>Steam provides or Steam is just a hosting place. Um no,

0:17:10.560 --> 0:17:17.600
<v Speaker 1>So tons of different games are um are are used

0:17:17.640 --> 0:17:21.760
<v Speaker 1>in Steam and like um distributed through Steam, so I

0:17:21.760 --> 0:17:25.320
<v Speaker 1>would I would call it like the distribution platform. Yeah,

0:17:25.359 --> 0:17:27.640
<v Speaker 1>it's a software that you install, So you say, okay,

0:17:27.640 --> 0:17:30.200
<v Speaker 1>I want to download Steam. Then you install the software

0:17:30.200 --> 0:17:33.520
<v Speaker 1>on your PC, PC or your Mac, and then you

0:17:33.600 --> 0:17:35.560
<v Speaker 1>create a user account and then you have like no

0:17:35.720 --> 0:17:38.720
<v Speaker 1>games in your library, and then you buy some games

0:17:38.800 --> 0:17:40.560
<v Speaker 1>or you download some free games. You're like, okay, I

0:17:40.560 --> 0:17:42.720
<v Speaker 1>want to have this game in that game you downloaded,

0:17:42.800 --> 0:17:45.360
<v Speaker 1>and then it keeps the game. So originally I think

0:17:45.359 --> 0:17:49.000
<v Speaker 1>it was developed from Valve. They developed games themselves, so

0:17:49.160 --> 0:17:53.080
<v Speaker 1>Valve owned Steam, but they also developed games, and they

0:17:53.119 --> 0:17:57.040
<v Speaker 1>developed it originally just as an update client, so just

0:17:57.119 --> 0:17:58.800
<v Speaker 1>so you do it within the platform and then it

0:17:58.880 --> 0:18:02.960
<v Speaker 1>updates automatically whenever a game update happens. But then they

0:18:03.000 --> 0:18:06.120
<v Speaker 1>started plugging in other games, so other people said, hey,

0:18:06.160 --> 0:18:10.439
<v Speaker 1>can we maybe distribute our games through your platform for

0:18:10.640 --> 0:18:12.520
<v Speaker 1>updates and stuff, and then they did this and I

0:18:12.520 --> 0:18:15.760
<v Speaker 1>think by now what's funny is I think Valve is

0:18:15.760 --> 0:18:19.240
<v Speaker 1>the company in the US that has the biggest profit

0:18:19.400 --> 0:18:24.240
<v Speaker 1>per UH employee in the in the entire US. I

0:18:24.240 --> 0:18:27.240
<v Speaker 1>think they have liked employees and they have like billions

0:18:27.240 --> 0:18:33.119
<v Speaker 1>of profits. Okay. So your music pack which is sold

0:18:33.160 --> 0:18:36.399
<v Speaker 1>on Steam, is it sold directly by Steam or does

0:18:36.440 --> 0:18:39.560
<v Speaker 1>it go through the person who constructed the game that

0:18:39.600 --> 0:18:43.760
<v Speaker 1>you gave the music to for free? Uh no, because

0:18:45.720 --> 0:18:50.119
<v Speaker 1>Valve the owners of Steam, they also developed they are

0:18:50.119 --> 0:18:53.520
<v Speaker 1>also the owners of Doda too, So it's one thing.

0:18:55.160 --> 0:18:57.520
<v Speaker 1>It's one company in this case. Let me let me

0:18:57.560 --> 0:19:00.800
<v Speaker 1>just put it in in a different way theoretic, Lie, could

0:19:00.840 --> 0:19:07.159
<v Speaker 1>you independently put a music pack on Steam? Uh No?

0:19:07.600 --> 0:19:12.600
<v Speaker 1>Not in Dota two. That wasn't That wouldn't be possible. Okay,

0:19:12.640 --> 0:19:18.159
<v Speaker 1>And you know, uh in many walks of the music

0:19:18.240 --> 0:19:22.640
<v Speaker 1>business other than the major label, certainly indie labels, it's

0:19:22.640 --> 0:19:26.920
<v Speaker 1>a fifty fifty deal. Is that similar here? Is it better?

0:19:27.000 --> 0:19:33.040
<v Speaker 1>Is it worse? That's a little worse, but it's close, okay,

0:19:33.560 --> 0:19:36.159
<v Speaker 1>just because for this deep in how often do they

0:19:36.200 --> 0:19:43.240
<v Speaker 1>account uh monthly? Monthly? Okay? So for okay, so that

0:19:43.400 --> 0:19:50.560
<v Speaker 1>you know that and you feel you're getting an honest accounting, Yeah, yeah, absolutely, okay. Okay,

0:19:50.720 --> 0:19:55.040
<v Speaker 1>let's go back to this licensing thing. You give the

0:19:55.119 --> 0:19:59.399
<v Speaker 1>music to the game like those two. Do you ever

0:19:59.760 --> 0:20:05.080
<v Speaker 1>charge large to license? Yeah? Not? Uh not? Data too,

0:20:05.800 --> 0:20:09.800
<v Speaker 1>because it's this model. Um, but I do a lot

0:20:09.800 --> 0:20:13.040
<v Speaker 1>of are my company, and it's not me directly, but

0:20:13.160 --> 0:20:15.600
<v Speaker 1>my wife who who manages me and runs all my

0:20:15.640 --> 0:20:19.520
<v Speaker 1>business stuff, and my cousin. Actually it's very very family.

0:20:20.280 --> 0:20:22.720
<v Speaker 1>They do a lot of licensing into mobile games, for example,

0:20:23.840 --> 0:20:26.120
<v Speaker 1>that they use it for a year and they pay

0:20:26.200 --> 0:20:30.199
<v Speaker 1>me a yearly fee to use the song. Okay, but

0:20:30.400 --> 0:20:35.480
<v Speaker 1>from the beginning of your public life you talk about

0:20:35.520 --> 0:20:38.600
<v Speaker 1>the ability to license. Now, let's use YouTube as a

0:20:38.680 --> 0:20:44.080
<v Speaker 1>specific situation. Yes, if you want to use a major tune,

0:20:44.920 --> 0:20:47.639
<v Speaker 1>legally you might jump through hoops. But what do we know?

0:20:47.720 --> 0:20:52.480
<v Speaker 1>There's content idea on YouTube such that the creator ultimately

0:20:52.520 --> 0:20:56.280
<v Speaker 1>gets paid. So what exactly is your model? It's just

0:20:56.440 --> 0:20:58.919
<v Speaker 1>you don't have to ask me to record it. But

0:20:59.040 --> 0:21:02.400
<v Speaker 1>I get paid by YouTube, right, don't get paid by YouTube?

0:21:02.400 --> 0:21:05.240
<v Speaker 1>What's going on there on on YouTube? I have a

0:21:05.240 --> 0:21:08.520
<v Speaker 1>different model which is kind of unique, which is that

0:21:08.640 --> 0:21:11.479
<v Speaker 1>I it's free to use on YouTube for everybody. So

0:21:11.640 --> 0:21:13.520
<v Speaker 1>you if you have YouTube channel, you can use my

0:21:13.600 --> 0:21:17.159
<v Speaker 1>music there and monetize the video and keep percent of

0:21:17.160 --> 0:21:20.439
<v Speaker 1>the revenue. I I'm not going to touch any of

0:21:20.440 --> 0:21:24.760
<v Speaker 1>the revenue on YouTube. Wow, So your main avenues of

0:21:24.880 --> 0:21:29.840
<v Speaker 1>revenue or what. Uh, it's my own YouTube channel which

0:21:29.840 --> 0:21:35.000
<v Speaker 1>has around a million plays per day. Um, I mean

0:21:35.200 --> 0:21:41.320
<v Speaker 1>I'm much the what's the net on a million players? Um?

0:21:41.359 --> 0:21:49.160
<v Speaker 1>I have to think I think they think. I think, well,

0:21:49.160 --> 0:21:52.240
<v Speaker 1>it's it's my much. You can't make a month from YouTube?

0:21:52.240 --> 0:21:55.040
<v Speaker 1>From you, that's I think it's that's twenty five k

0:21:55.280 --> 0:22:04.840
<v Speaker 1>around that a month. Yeah, so you have your own

0:22:04.880 --> 0:22:10.840
<v Speaker 1>monetized YouTube channel. That's one stream of revenue. Anything else Yeah,

0:22:10.920 --> 0:22:17.119
<v Speaker 1>then of course are the d piece right Spotify, Apple Music, iTunes,

0:22:17.160 --> 0:22:20.680
<v Speaker 1>still sales and those things. That's the that's by far

0:22:20.840 --> 0:22:25.440
<v Speaker 1>the biggest chunk because so so on youtu, I think

0:22:25.440 --> 0:22:28.080
<v Speaker 1>it's roughly it's roughly one k for a million place

0:22:28.160 --> 0:22:32.159
<v Speaker 1>around that. And on Spotify, my revenue is not that

0:22:32.160 --> 0:22:34.400
<v Speaker 1>good because it's very international. So when your only base,

0:22:34.480 --> 0:22:36.359
<v Speaker 1>when your place all comes from the U S, you

0:22:36.400 --> 0:22:39.240
<v Speaker 1>make more per play than me, for example, makes a

0:22:39.240 --> 0:22:41.000
<v Speaker 1>lot of place in Vietnam. You just don't make that

0:22:41.080 --> 0:22:44.880
<v Speaker 1>much money in being non per play. Um. But there

0:22:44.920 --> 0:22:47.639
<v Speaker 1>I roughly say, like over all these piece for me,

0:22:47.760 --> 0:22:51.200
<v Speaker 1>it's a million places. On Spotify is around like five

0:22:51.320 --> 0:22:55.520
<v Speaker 1>k per month. I know it's not per mount like

0:22:55.560 --> 0:22:59.440
<v Speaker 1>million plays is around five k over all these pe Okay,

0:22:59.720 --> 0:23:06.359
<v Speaker 1>so have YouTube and you have the das traditional music streamers,

0:23:07.119 --> 0:23:13.680
<v Speaker 1>you have packs on Steam any other your avenues of revenue?

0:23:14.640 --> 0:23:19.040
<v Speaker 1>Uh yeah, licensing of course, like licensing into different games.

0:23:19.040 --> 0:23:21.600
<v Speaker 1>So not only not only the packs, but a lot

0:23:21.600 --> 0:23:24.879
<v Speaker 1>of mobile games are licensed into a lot of um

0:23:25.400 --> 0:23:28.920
<v Speaker 1>mobile like tires hop, like jumping games and stuff like that.

0:23:29.920 --> 0:23:34.680
<v Speaker 1>Publishing on all the stuff. Um, then what's that? It's

0:23:34.920 --> 0:23:41.120
<v Speaker 1>um uh, neighboring rights. Those are the big, the big ones. Okay,

0:23:42.040 --> 0:23:48.760
<v Speaker 1>So most of your revenue is from traditional music streaming. Yeah, okay,

0:23:49.840 --> 0:23:54.560
<v Speaker 1>so is it? How did you let people know that

0:23:54.720 --> 0:23:57.320
<v Speaker 1>not only could they use their music on YouTube without

0:23:57.400 --> 0:24:03.240
<v Speaker 1>asking that they could keep the red the new I

0:24:03.359 --> 0:24:06.920
<v Speaker 1>simply told them when I started, And also when I started,

0:24:07.119 --> 0:24:10.320
<v Speaker 1>was way more common that people would simply use stuff

0:24:10.359 --> 0:24:12.439
<v Speaker 1>because it was just in the start of content idea

0:24:12.720 --> 0:24:15.879
<v Speaker 1>when those things came up on YouTube, and up to

0:24:15.920 --> 0:24:19.800
<v Speaker 1>that point, people would simply start using stuff, and then

0:24:19.960 --> 0:24:22.520
<v Speaker 1>later on content idea kicked in. But it didn't kick

0:24:22.560 --> 0:24:24.560
<v Speaker 1>in for my stuff. So a lot of people already

0:24:24.600 --> 0:24:26.000
<v Speaker 1>used it and they realized they got a lot of

0:24:26.040 --> 0:24:29.480
<v Speaker 1>copyright claims. But not on my music. So they were like, Okay, cool,

0:24:29.520 --> 0:24:33.199
<v Speaker 1>maybe I should keep using this guy's music. Do you

0:24:33.240 --> 0:24:38.119
<v Speaker 1>have any idea the volume of clips and and plays

0:24:38.160 --> 0:24:42.760
<v Speaker 1>on YouTube that are using your music? Ah, So we

0:24:42.800 --> 0:24:47.160
<v Speaker 1>made an estimate recently based on some other people's numbers

0:24:47.280 --> 0:24:51.119
<v Speaker 1>that we know, Um, so are approximate as at the

0:24:51.160 --> 0:24:53.800
<v Speaker 1>moment at the moment that it's like twenty five million

0:24:54.000 --> 0:24:57.399
<v Speaker 1>videos using my music at the moment on YouTube. So

0:24:57.400 --> 0:24:59.400
<v Speaker 1>it's not that's not played as a number of videos.

0:25:01.160 --> 0:25:06.320
<v Speaker 1>So anybody else doing what you're doing in terms of

0:25:06.480 --> 0:25:08.880
<v Speaker 1>giving their music away for free and how big are

0:25:08.880 --> 0:25:12.240
<v Speaker 1>they on YouTube? Um? Yeah, there are a couple of

0:25:12.320 --> 0:25:16.360
<v Speaker 1>artists especially like especially in the gaming music scene. It's

0:25:16.480 --> 0:25:19.639
<v Speaker 1>sort of a common thing. Um simply because it helps

0:25:19.680 --> 0:25:23.280
<v Speaker 1>you grow so much. People realize that because when you're

0:25:23.320 --> 0:25:27.080
<v Speaker 1>coming from the video game culture, a huge and free

0:25:27.080 --> 0:25:29.960
<v Speaker 1>promotion tool is that people using your music in the background,

0:25:30.040 --> 0:25:32.240
<v Speaker 1>and then other people hear the music and they're like, oh,

0:25:32.240 --> 0:25:35.439
<v Speaker 1>that's amazing, what's that And then they search wood and

0:25:35.480 --> 0:25:37.840
<v Speaker 1>they find the music and then they played. So yeah,

0:25:37.880 --> 0:25:40.359
<v Speaker 1>there are other people doing the same thing. Okay, let's

0:25:40.440 --> 0:25:44.600
<v Speaker 1>go back to the beginning. So your mother random music school.

0:25:44.640 --> 0:25:48.760
<v Speaker 1>What did your father do? He was originally a farmer,

0:25:49.119 --> 0:25:52.040
<v Speaker 1>but not anymore. When I was born. He was an

0:25:52.040 --> 0:25:58.280
<v Speaker 1>independent inventor, like inventing uh machines stuff, but he was

0:25:58.400 --> 0:26:03.359
<v Speaker 1>never successful. Okay, and are your parents still alive? Yeah? Yeah,

0:26:03.560 --> 0:26:07.720
<v Speaker 1>my father's eighties six now and my mom is almost

0:26:07.800 --> 0:26:11.560
<v Speaker 1>She is going to get seventeen in a week. I think, yeah,

0:26:12.200 --> 0:26:15.000
<v Speaker 1>uh yeah, but they're fine. They're also together and they're

0:26:15.280 --> 0:26:17.720
<v Speaker 1>have an amazing family. I have to say. Okay, and

0:26:17.760 --> 0:26:20.840
<v Speaker 1>how many kids in the family? Uh? So I have

0:26:20.880 --> 0:26:23.320
<v Speaker 1>a daughter together with my wife and no, no, no, no,

0:26:23.840 --> 0:26:27.119
<v Speaker 1>your parents kid they Yeah. I have one brother. He

0:26:27.119 --> 0:26:31.360
<v Speaker 1>also lives in gutting In. He works for a US company.

0:26:31.840 --> 0:26:33.920
<v Speaker 1>He's an animator also in the gaming space, so he

0:26:33.920 --> 0:26:38.520
<v Speaker 1>he animates uh dinosaurs for a game Arc Survival Evolved,

0:26:38.520 --> 0:26:41.199
<v Speaker 1>which is also really huge game. But he's doing it

0:26:41.200 --> 0:26:43.800
<v Speaker 1>here from from gutting In. And yeah, he has also

0:26:43.880 --> 0:26:47.440
<v Speaker 1>a daughter together with his wife. Okay, so you're growing

0:26:47.520 --> 0:26:52.359
<v Speaker 1>up and when do you start playing music? I grew

0:26:52.480 --> 0:26:55.400
<v Speaker 1>up making music. So the first thing that I actually

0:26:55.440 --> 0:26:58.760
<v Speaker 1>remember is me sitting on my mom's lap while she

0:26:58.960 --> 0:27:01.560
<v Speaker 1>was playing piano. So she did this she was playing

0:27:01.560 --> 0:27:03.399
<v Speaker 1>the piano. And I was two years old sitting on

0:27:03.400 --> 0:27:05.800
<v Speaker 1>her lap, and I would start hitting random keys, and

0:27:05.880 --> 0:27:08.520
<v Speaker 1>at first she wanted to keep me from doing it.

0:27:08.600 --> 0:27:10.480
<v Speaker 1>She was like, hey, no, I'm going I'm playing piano.

0:27:10.560 --> 0:27:14.840
<v Speaker 1>You you don't hit the keys. But I kept, you know,

0:27:15.000 --> 0:27:17.240
<v Speaker 1>kidding keys, and at some point she thought, hey, I'm

0:27:17.240 --> 0:27:19.399
<v Speaker 1>actually doing it for my son, so why not let

0:27:19.480 --> 0:27:22.600
<v Speaker 1>him play stuff? But then after like a week or two,

0:27:22.720 --> 0:27:25.240
<v Speaker 1>she realized that the keys I was pressing would fit

0:27:25.280 --> 0:27:28.320
<v Speaker 1>to what she was playing. And I can still remember

0:27:28.359 --> 0:27:30.439
<v Speaker 1>how like she was blown away that I was like

0:27:30.520 --> 0:27:33.000
<v Speaker 1>pressing keys that would fit to what she was playing.

0:27:33.720 --> 0:27:35.720
<v Speaker 1>And that's how I learned music. So I really learned

0:27:35.760 --> 0:27:39.080
<v Speaker 1>it like a language growing up. And I like, I

0:27:39.119 --> 0:27:41.159
<v Speaker 1>literally cannot think of a time where I was not

0:27:41.200 --> 0:27:46.040
<v Speaker 1>making music. Okay, So what instruments did you play? Um, So,

0:27:46.160 --> 0:27:49.240
<v Speaker 1>piano was my my main instrument. I've played a lot

0:27:49.280 --> 0:27:51.119
<v Speaker 1>of other instruments, so I started a little bit with

0:27:51.119 --> 0:27:53.280
<v Speaker 1>the flute and trumpet. I really liked a little bit

0:27:53.320 --> 0:27:56.840
<v Speaker 1>of violent double bass guitar and a little bit of

0:27:56.920 --> 0:28:02.359
<v Speaker 1>like vocal lessons and stuff, but piano was always main. Okay,

0:28:02.400 --> 0:28:05.440
<v Speaker 1>And you can read music, I assume. Yeah, to a

0:28:05.480 --> 0:28:08.359
<v Speaker 1>certain degree. I'm a little bit out of practice, but yeah,

0:28:08.440 --> 0:28:11.680
<v Speaker 1>I can read music. Okay. Now you talk about going

0:28:11.720 --> 0:28:14.040
<v Speaker 1>to Munich. How old again are you when you go

0:28:14.119 --> 0:28:16.919
<v Speaker 1>to Munich? And what school are you going to attend

0:28:16.920 --> 0:28:22.080
<v Speaker 1>in Munich? I was twenty one, I think, Yeah, I

0:28:22.160 --> 0:28:24.639
<v Speaker 1>was twenty one, and I go. I went to the

0:28:24.840 --> 0:28:27.159
<v Speaker 1>s a E. Which is School of Audio Engineering, like

0:28:27.200 --> 0:28:32.639
<v Speaker 1>an international school for audio engineering. Okay, but you said, okay,

0:28:32.680 --> 0:28:34.920
<v Speaker 1>you you know, some of the terms may not be identical.

0:28:35.160 --> 0:28:38.600
<v Speaker 1>You graduate from high school, which in America's traditionally eighteen,

0:28:39.080 --> 0:28:42.080
<v Speaker 1>then do you go you go to university or when

0:28:42.120 --> 0:28:45.600
<v Speaker 1>I do after eighteen? Yeah, exactly, it's it's School of

0:28:45.640 --> 0:28:48.160
<v Speaker 1>aud Engineering. So I got a bachelor's degree there and

0:28:48.520 --> 0:28:52.640
<v Speaker 1>so I'm a Bachelor of Recording Arts Honors Recording Arts. Okay,

0:28:52.680 --> 0:28:56.520
<v Speaker 1>but you said once you got to Munich, you thought

0:28:56.560 --> 0:29:00.400
<v Speaker 1>that people were much better musicians than you. Oh yeah, yeah, yeah.

0:29:00.480 --> 0:29:06.080
<v Speaker 1>So I after six months, I went into a fraternity

0:29:06.320 --> 0:29:09.120
<v Speaker 1>and it was a music or it is a music fraternity,

0:29:09.200 --> 0:29:13.040
<v Speaker 1>which was amazing. Uh. They had a huge house in

0:29:13.080 --> 0:29:19.040
<v Speaker 1>the middle of Munich, Munich, incredibly expensive and it's it's

0:29:19.080 --> 0:29:22.880
<v Speaker 1>like it's like, I don't know, it's uh utopia kind

0:29:22.880 --> 0:29:24.480
<v Speaker 1>of for a musician because it was in the middle

0:29:24.480 --> 0:29:27.160
<v Speaker 1>of Munich and they had a big, big rooms with

0:29:27.280 --> 0:29:32.760
<v Speaker 1>pianos and I could play like grand pianos to use

0:29:32.840 --> 0:29:35.200
<v Speaker 1>for free all the time. Whenever I wanted, I could ill.

0:29:35.920 --> 0:29:38.959
<v Speaker 1>I moved into the fraternity there, so that was absolutely amazing.

0:29:39.120 --> 0:29:41.480
<v Speaker 1>But there were a lot of other musicians as well,

0:29:41.520 --> 0:29:43.880
<v Speaker 1>and that's what I talked talked about. It was like,

0:29:43.880 --> 0:29:46.960
<v Speaker 1>oh wow, um, I'm not half as good as I thought.

0:29:46.960 --> 0:29:50.200
<v Speaker 1>I was, Okay, you graduate, you get your degree, what's

0:29:50.240 --> 0:29:54.800
<v Speaker 1>the next step? Um. Even before I finished the degree,

0:29:54.960 --> 0:30:00.520
<v Speaker 1>I had the part was a U internship internship and

0:30:00.600 --> 0:30:04.760
<v Speaker 1>so I took an intern at a company called Uniquate

0:30:04.880 --> 0:30:08.360
<v Speaker 1>Music and that was a publishing company and a music

0:30:08.360 --> 0:30:12.160
<v Speaker 1>production company. And they had this artist called lu Biga

0:30:12.240 --> 0:30:16.680
<v Speaker 1>who didn't know five yeah, and so that was two

0:30:16.720 --> 0:30:18.720
<v Speaker 1>thousand one, so that was just like one and a

0:30:18.760 --> 0:30:21.920
<v Speaker 1>half years ago. So they were like the biggest thing.

0:30:22.480 --> 0:30:24.480
<v Speaker 1>And I was like, Okay, this is my chance because

0:30:24.600 --> 0:30:26.800
<v Speaker 1>I knew I wanted to become a music producer. That

0:30:26.920 --> 0:30:30.560
<v Speaker 1>was my goal. UM, So I simply worked my ass

0:30:30.600 --> 0:30:32.920
<v Speaker 1>off there like I worked like crazy and was like

0:30:34.560 --> 0:30:37.640
<v Speaker 1>I wasn't intern first then, and like a year after

0:30:37.920 --> 0:30:39.920
<v Speaker 1>they hired me as an intern, I was like head

0:30:39.960 --> 0:30:46.320
<v Speaker 1>of the interim music production there and I run the production. Ah. Yeah,

0:30:46.640 --> 0:30:48.240
<v Speaker 1>that was the next step. And I can tell you

0:30:48.280 --> 0:30:50.640
<v Speaker 1>a lot about that that company and what I learned there.

0:30:50.680 --> 0:30:57.960
<v Speaker 1>If you want, um, how to like how not to

0:30:58.480 --> 0:31:02.480
<v Speaker 1>what not to do when you have to says the company.

0:31:02.880 --> 0:31:06.840
<v Speaker 1>So the the owner of the company, he was not

0:31:07.000 --> 0:31:11.440
<v Speaker 1>creatively involved in Mambo number five, but after the big success,

0:31:11.480 --> 0:31:14.400
<v Speaker 1>he thought like, oh, I want to be like the mastermind.

0:31:14.440 --> 0:31:18.880
<v Speaker 1>I want to be the creative chief. So he took

0:31:18.920 --> 0:31:23.000
<v Speaker 1>things in his own hands creatively, and that's simply ruined

0:31:23.040 --> 0:31:27.440
<v Speaker 1>the entire the entire process. That killed the creativity. UM

0:31:28.000 --> 0:31:31.480
<v Speaker 1>and yeah, I mean there's like no value or very

0:31:31.560 --> 0:31:35.080
<v Speaker 1>little value to the the brand today. And there there

0:31:35.120 --> 0:31:39.480
<v Speaker 1>wasn't like a long time career that developed out of

0:31:39.560 --> 0:31:44.000
<v Speaker 1>Mambo Number five because that idiot simply ruined everything. Okay,

0:31:44.000 --> 0:31:47.320
<v Speaker 1>so where do you go from that production company? UM?

0:31:47.360 --> 0:31:50.720
<v Speaker 1>I was there for like four years and then I

0:31:51.200 --> 0:31:56.200
<v Speaker 1>um worked like crazy, fourteen hours a day and made

0:31:56.280 --> 0:31:58.720
<v Speaker 1>like five bucks per month that's what they paid me.

0:31:59.640 --> 0:32:02.880
<v Speaker 1>And then I decided I want to go independent, so

0:32:02.920 --> 0:32:05.280
<v Speaker 1>I started. I was like, okay, I'm ready. I'm not

0:32:05.360 --> 0:32:07.880
<v Speaker 1>going to do like or it's independent, like I would

0:32:07.880 --> 0:32:10.360
<v Speaker 1>want to build start my own business, become an entrepreneur,

0:32:11.320 --> 0:32:13.840
<v Speaker 1>which didn't go so well at first, because the one

0:32:13.920 --> 0:32:16.440
<v Speaker 1>thing that made me money was and was making ring

0:32:16.520 --> 0:32:21.600
<v Speaker 1>tones for um Zeemens. So those mobile phones when you

0:32:21.600 --> 0:32:23.920
<v Speaker 1>would buy a mobile Zemens mobile phone back in two

0:32:23.960 --> 0:32:26.880
<v Speaker 1>thousand and six, the ring tones that were on the

0:32:26.880 --> 0:32:29.640
<v Speaker 1>phone were I wrote those ring tones and produced those

0:32:29.720 --> 0:32:35.160
<v Speaker 1>ring tones, and that was the one source of income

0:32:35.200 --> 0:32:38.520
<v Speaker 1>that I had. And then ben Q had bought Zeemens

0:32:38.560 --> 0:32:41.520
<v Speaker 1>I think in two thousand six maybe or so, and

0:32:41.560 --> 0:32:44.240
<v Speaker 1>then two thousand no, I think two thousand four maybe,

0:32:44.520 --> 0:32:49.360
<v Speaker 1>but they they let the mobile part of it, they

0:32:49.440 --> 0:32:53.080
<v Speaker 1>let it go bankrupt purpose because they only wanted their

0:32:53.080 --> 0:32:56.280
<v Speaker 1>technology and they wanted to lay off all the employees

0:32:56.320 --> 0:32:59.760
<v Speaker 1>and everything. So that's that happened exactly at that time.

0:32:59.840 --> 0:33:02.120
<v Speaker 1>So they still owed me a lot, a lot of money.

0:33:02.160 --> 0:33:05.560
<v Speaker 1>So one month after I decided I wanna start my

0:33:05.600 --> 0:33:07.959
<v Speaker 1>own business, that happened. So I had like I started

0:33:08.000 --> 0:33:10.840
<v Speaker 1>with seven thousand euros in depth and I had like

0:33:10.920 --> 0:33:13.560
<v Speaker 1>no income so that was my my start at that time,

0:33:14.240 --> 0:33:18.240
<v Speaker 1>keep going down the narrative yea, well um, And then

0:33:18.280 --> 0:33:24.400
<v Speaker 1>it was just you know, it's aistential crisis and thinking

0:33:24.400 --> 0:33:26.960
<v Speaker 1>about if music production was the right thing, because everybody

0:33:26.960 --> 0:33:29.280
<v Speaker 1>wronged me. You know, people finished, like all the people

0:33:29.280 --> 0:33:32.680
<v Speaker 1>that I knew, they were like finishing their their university

0:33:32.720 --> 0:33:34.920
<v Speaker 1>and everybody was like starting families. And I was just

0:33:35.000 --> 0:33:38.600
<v Speaker 1>bankrupt basically almost like my parents had me had to

0:33:38.640 --> 0:33:42.640
<v Speaker 1>help me out. And then I just I there was

0:33:42.720 --> 0:33:45.160
<v Speaker 1>one guy that I knew from the company, and he said, hey,

0:33:45.200 --> 0:33:46.800
<v Speaker 1>I also want to go away, and do you have

0:33:46.840 --> 0:33:50.239
<v Speaker 1>some music like I wanna UM could help you. And

0:33:50.280 --> 0:33:52.400
<v Speaker 1>I just played him a couple of songs and he

0:33:52.640 --> 0:33:54.720
<v Speaker 1>for one song that I had produced, he found me

0:33:54.760 --> 0:33:59.560
<v Speaker 1>a deal at Content Records, which is a German dance label. Uh,

0:33:59.600 --> 0:34:01.680
<v Speaker 1>it flowed out, but he got me another deal for

0:34:01.720 --> 0:34:05.160
<v Speaker 1>another record, and that's how we started. And then we

0:34:06.440 --> 0:34:10.279
<v Speaker 1>founded a company together. And that was a good thing

0:34:10.320 --> 0:34:12.800
<v Speaker 1>because so I was producing a lot of dance music

0:34:12.840 --> 0:34:15.040
<v Speaker 1>and I was doing like everything that I could simply

0:34:15.040 --> 0:34:18.120
<v Speaker 1>get my hands, like every job, anything that I could do,

0:34:18.400 --> 0:34:22.200
<v Speaker 1>any production, we're the stuff, so still ring Tones, and

0:34:22.200 --> 0:34:25.959
<v Speaker 1>then we had those big ring tones, like people would

0:34:25.960 --> 0:34:28.880
<v Speaker 1>sell ring tones on television. That was a thing. So

0:34:28.960 --> 0:34:34.000
<v Speaker 1>I did that um and for example, publishing company of

0:34:34.400 --> 0:34:37.480
<v Speaker 1>that owned h take Me Home Tonight by Share for

0:34:37.520 --> 0:34:40.000
<v Speaker 1>example for Germany. They hit me up and said, hey,

0:34:40.320 --> 0:34:43.000
<v Speaker 1>you know, cascadas like a big thing at the moment,

0:34:43.000 --> 0:34:46.279
<v Speaker 1>this euro dance is blowing up. Can you make a

0:34:46.320 --> 0:34:48.920
<v Speaker 1>cascada is a version of take Me Home Tonight? And

0:34:49.000 --> 0:34:50.319
<v Speaker 1>that's what I did for ext some and then they

0:34:50.320 --> 0:34:52.560
<v Speaker 1>paid me like eight hundred bucks or stuff like that.

0:34:52.760 --> 0:34:56.000
<v Speaker 1>So I would do all those things and slowly, you know,

0:34:56.160 --> 0:34:58.880
<v Speaker 1>make my way into the business. And then I signed

0:34:58.880 --> 0:35:02.200
<v Speaker 1>a publishing deal with Chrysalis back then, I think that

0:35:02.280 --> 0:35:06.440
<v Speaker 1>was two thousand nine already, and we decided that we

0:35:06.480 --> 0:35:08.920
<v Speaker 1>want to reach out to the Yes because the dance

0:35:09.320 --> 0:35:12.759
<v Speaker 1>music thing was blowing up, and we had like at

0:35:12.800 --> 0:35:16.440
<v Speaker 1>that time it was possible from Munich to get in

0:35:16.480 --> 0:35:20.279
<v Speaker 1>touch with Island in New York and you know Atlantic

0:35:20.320 --> 0:35:23.360
<v Speaker 1>recket and all, because everybody was like searching for European producers.

0:35:23.360 --> 0:35:25.640
<v Speaker 1>They were like, oh, like dance music is blowing up,

0:35:25.680 --> 0:35:27.960
<v Speaker 1>and like you know, the hip hop producers they were

0:35:28.000 --> 0:35:31.640
<v Speaker 1>not there quite yet. They learned so quickly the U

0:35:31.680 --> 0:35:33.759
<v Speaker 1>S producers, but there was like the small window of

0:35:33.800 --> 0:35:35.879
<v Speaker 1>time where they were not there and we already had

0:35:35.880 --> 0:35:41.160
<v Speaker 1>the sound. Um. Yeah. And then we in two thousand nine,

0:35:41.239 --> 0:35:44.360
<v Speaker 1>what we did is we booked K and A Studios

0:35:44.360 --> 0:35:47.680
<v Speaker 1>in Brill Building in New York for a week for

0:35:47.880 --> 0:35:50.000
<v Speaker 1>I don't know, ten thousand dollars or something like that,

0:35:50.640 --> 0:35:54.200
<v Speaker 1>without having any session, and then we we reached out

0:35:54.200 --> 0:35:55.759
<v Speaker 1>to I don't know which one it was like one

0:35:55.760 --> 0:35:58.919
<v Speaker 1>of the maybe Atlantic or so, and said, hey, we're

0:35:58.960 --> 0:36:00.880
<v Speaker 1>in like we're in New York, we're in cam A

0:36:01.000 --> 0:36:03.719
<v Speaker 1>studios like you know, doing sessions, and we still have

0:36:03.920 --> 0:36:06.719
<v Speaker 1>like one spot open. Do you have any artists that

0:36:06.760 --> 0:36:08.640
<v Speaker 1>you want to send around and they will do? Okay?

0:36:08.640 --> 0:36:11.120
<v Speaker 1>Cool you have like I know Winter Gordon for example,

0:36:11.440 --> 0:36:13.319
<v Speaker 1>maybe you could do a session with her. And then

0:36:13.320 --> 0:36:15.279
<v Speaker 1>we would go to the next like to Island saying hey,

0:36:15.320 --> 0:36:16.920
<v Speaker 1>by the way, we're in came A students and we're

0:36:16.920 --> 0:36:18.640
<v Speaker 1>working with at Landing on their artists, you know, but

0:36:18.680 --> 0:36:20.640
<v Speaker 1>we have still one spot open and maybe do you

0:36:20.640 --> 0:36:23.040
<v Speaker 1>have an artist? Yeah. That's that's how we did it,

0:36:23.120 --> 0:36:26.440
<v Speaker 1>and then we had like the entire scheduled booked and

0:36:26.640 --> 0:36:28.839
<v Speaker 1>came a studios, and then we went to New York

0:36:28.880 --> 0:36:30.920
<v Speaker 1>and wrote a lot of songs. I think none of

0:36:30.960 --> 0:36:34.919
<v Speaker 1>that ever got released, but we that was the first

0:36:34.960 --> 0:36:37.560
<v Speaker 1>time it came to the U. S almost thirty years old,

0:36:38.760 --> 0:36:41.480
<v Speaker 1>but it was amazing and it's like the Yeah, we

0:36:41.600 --> 0:36:45.200
<v Speaker 1>realized how different the US mentality is, especially in the

0:36:45.360 --> 0:36:48.919
<v Speaker 1>entertainment industry, and how how quickly things can happen. They're

0:36:49.000 --> 0:36:52.440
<v Speaker 1>compared to Germany, where every it's so slow. Here. I'm

0:36:52.480 --> 0:36:54.880
<v Speaker 1>not I have like almost nothing to do with the

0:36:54.920 --> 0:36:59.640
<v Speaker 1>German entertainment industry, but I remember how baffled I was

0:37:00.040 --> 0:37:01.879
<v Speaker 1>and how amazed that was when it came the first

0:37:01.880 --> 0:37:05.000
<v Speaker 1>time to the US and things happened, especially in New York,

0:37:05.000 --> 0:37:08.319
<v Speaker 1>had happened so quick it was just crazy. Yeah. And

0:37:08.360 --> 0:37:12.120
<v Speaker 1>then I was in New York four I don't know,

0:37:12.160 --> 0:37:14.640
<v Speaker 1>eight weeks or so. So we did other sessions and

0:37:14.760 --> 0:37:19.200
<v Speaker 1>you know, socializing and everything, and we was, yeah, we

0:37:19.280 --> 0:37:21.960
<v Speaker 1>originally we had planned to fly back, but then we

0:37:22.040 --> 0:37:24.439
<v Speaker 1>had a we had a in Art Island. He said

0:37:24.440 --> 0:37:26.400
<v Speaker 1>he wanted us to work with his artist, and we flew.

0:37:26.520 --> 0:37:30.120
<v Speaker 1>He flew us to Los Angeles and then I was

0:37:30.160 --> 0:37:33.440
<v Speaker 1>away there for three weeks and then I decided in

0:37:33.520 --> 0:37:37.280
<v Speaker 1>the end of two thousand nine, almost missed the flight

0:37:37.320 --> 0:37:41.600
<v Speaker 1>back on Christmas but made it. And then we just okay,

0:37:41.600 --> 0:37:43.480
<v Speaker 1>we're gonna move to l A and see how far

0:37:43.640 --> 0:37:46.120
<v Speaker 1>we can get there. And that's the next thing that

0:37:46.160 --> 0:37:48.600
<v Speaker 1>we did. So what happened in l A? And how

0:37:48.600 --> 0:37:53.360
<v Speaker 1>long were you in l A? Three years? And yeah, learning,

0:37:53.440 --> 0:37:58.120
<v Speaker 1>learning as I had amazing Like I mean, it's creatively,

0:37:58.480 --> 0:38:03.480
<v Speaker 1>it's incredibly professional. I was in the studio with people

0:38:03.560 --> 0:38:09.279
<v Speaker 1>like Tovlo, b b Rexa, Um, even Bogart who wrote

0:38:09.320 --> 0:38:12.759
<v Speaker 1>like Halo, Fifore Beyonce, with um the underdogs who are

0:38:12.840 --> 0:38:17.000
<v Speaker 1>like also like Justin Bieber Beyonce and amazing. Yeah, a

0:38:17.040 --> 0:38:20.080
<v Speaker 1>lot of amazing people. I learned so much from it.

0:38:21.320 --> 0:38:24.640
<v Speaker 1>But I also get like Piste or Piste by annoyed

0:38:24.719 --> 0:38:27.359
<v Speaker 1>by the music industry, like how how political it is

0:38:27.800 --> 0:38:31.399
<v Speaker 1>and how especially what bothered me is like how many

0:38:31.480 --> 0:38:35.200
<v Speaker 1>people started talking into my music, Like you know, I

0:38:35.280 --> 0:38:38.360
<v Speaker 1>put so much like work and thought into it, and

0:38:38.360 --> 0:38:40.200
<v Speaker 1>then you have like the artist has an opinion, which

0:38:40.239 --> 0:38:44.000
<v Speaker 1>is legit, and then the manager artist manager has an opinion,

0:38:44.000 --> 0:38:46.120
<v Speaker 1>and then there in our has an opinion, and then

0:38:46.160 --> 0:38:48.759
<v Speaker 1>the label head and this person and that person and

0:38:48.800 --> 0:38:51.040
<v Speaker 1>the publisher, and everybody's like, hey, let's change this, let's

0:38:51.080 --> 0:38:52.560
<v Speaker 1>change that. Can you do this? Can you do that?

0:38:52.640 --> 0:38:54.480
<v Speaker 1>And then at the end of you like everything's kind

0:38:54.480 --> 0:38:59.600
<v Speaker 1>of ruined. And that really was annoying. And also that

0:38:59.760 --> 0:39:02.200
<v Speaker 1>some of the best songs I thought I had were

0:39:02.280 --> 0:39:06.000
<v Speaker 1>never released just because they didn't fit anywhere. But I

0:39:06.000 --> 0:39:08.440
<v Speaker 1>still thought they were amazing songs. And some songs where

0:39:08.480 --> 0:39:10.840
<v Speaker 1>I thought like, oh, that's not that good, We're actually

0:39:10.880 --> 0:39:13.200
<v Speaker 1>raised because we were done with the right people at

0:39:13.200 --> 0:39:16.000
<v Speaker 1>the right time, the right studio you know. Um, yeah,

0:39:16.040 --> 0:39:20.200
<v Speaker 1>that was the time two thou eleven. Oh, actually it's

0:39:21.080 --> 0:39:24.720
<v Speaker 1>it's now exactly ten years ago, because thousand eleven, summer

0:39:24.800 --> 0:39:27.839
<v Speaker 1>two thousand eleven. There's okay, I'm just gonna put out

0:39:27.880 --> 0:39:29.879
<v Speaker 1>some ideas that I have by myself, just gonna put

0:39:29.880 --> 0:39:33.759
<v Speaker 1>it before you go there. You moved to l A.

0:39:34.440 --> 0:39:37.560
<v Speaker 1>How do you end up working with these artists? Sheer

0:39:37.680 --> 0:39:40.480
<v Speaker 1>hustle or does somebody else make the arrangement? You come

0:39:40.520 --> 0:39:44.960
<v Speaker 1>to l A? You don't really know many people even Yeah,

0:39:45.000 --> 0:39:46.920
<v Speaker 1>like I said, so we did this this move that

0:39:46.960 --> 0:39:50.320
<v Speaker 1>has had in New York with came A studios, um

0:39:50.680 --> 0:39:55.400
<v Speaker 1>and that was our like you know, there was our

0:39:55.480 --> 0:39:57.920
<v Speaker 1>step into the industry. So we started knowing people then,

0:39:57.960 --> 0:40:00.480
<v Speaker 1>and like I said, we had this a are from

0:40:00.520 --> 0:40:03.600
<v Speaker 1>Ireland who flew us UH to l A. He also

0:40:03.719 --> 0:40:05.400
<v Speaker 1>the second time he said like, hey, I want you

0:40:05.400 --> 0:40:08.400
<v Speaker 1>guys in l A. Actually, now that I remember, the

0:40:08.560 --> 0:40:10.400
<v Speaker 1>second time I wanted to come to the years we

0:40:10.440 --> 0:40:12.560
<v Speaker 1>wanted to come to New York. We also already had

0:40:12.600 --> 0:40:15.640
<v Speaker 1>the flights booked and I think three days people, no,

0:40:15.760 --> 0:40:18.400
<v Speaker 1>there was this volcano thing, if I remember correctly, we

0:40:18.440 --> 0:40:21.560
<v Speaker 1>couldn't fly, and then the flights were delayed and in

0:40:21.640 --> 0:40:24.399
<v Speaker 1>that time we had the call from Ireland and they said, hey,

0:40:24.400 --> 0:40:26.480
<v Speaker 1>we want to work you to work with our artists

0:40:26.800 --> 0:40:30.920
<v Speaker 1>in Los Angeles. So then we canceled those flights into Okay,

0:40:30.920 --> 0:40:34.200
<v Speaker 1>two questions when you say we who are you talking

0:40:34.239 --> 0:40:36.600
<v Speaker 1>about and who was in l A? And b how

0:40:36.600 --> 0:40:41.800
<v Speaker 1>are you making money in this period in Los Angeles? Yeah,

0:40:41.880 --> 0:40:45.160
<v Speaker 1>so we that that was the the guy that I

0:40:45.360 --> 0:40:49.400
<v Speaker 1>talked about who like brought me those first UH dance

0:40:49.840 --> 0:40:52.920
<v Speaker 1>deals like with Contour Records when I started starting my

0:40:52.920 --> 0:40:55.040
<v Speaker 1>own business. So I had this guy. He was working

0:40:55.080 --> 0:40:58.880
<v Speaker 1>at the company were Lubka was also signed the publishing company.

0:40:59.080 --> 0:41:02.200
<v Speaker 1>He moved away from that company as well, and we

0:41:02.239 --> 0:41:04.600
<v Speaker 1>started our own business and he was he was the

0:41:04.680 --> 0:41:09.000
<v Speaker 1>person uh that kind of did all the like management stuff.

0:41:09.040 --> 0:41:11.040
<v Speaker 1>So it was one company, but basically I was doing

0:41:11.040 --> 0:41:12.839
<v Speaker 1>the music production. He was doing like all the rest.

0:41:13.680 --> 0:41:16.840
<v Speaker 1>Um yeah, and we just did it together. How did

0:41:16.880 --> 0:41:20.800
<v Speaker 1>you make money in that life? Yeah? Um, well, actually

0:41:20.800 --> 0:41:24.480
<v Speaker 1>we had a huge, pretty huge hit in Europe exactly

0:41:24.520 --> 0:41:28.919
<v Speaker 1>at that time. One of those ring tones that we did,

0:41:29.280 --> 0:41:32.840
<v Speaker 1>um it was it was released as a full so

0:41:32.960 --> 0:41:37.360
<v Speaker 1>it went really well in France and it then was

0:41:37.400 --> 0:41:40.479
<v Speaker 1>released as a full song and it became it got

0:41:40.480 --> 0:41:44.680
<v Speaker 1>the number one spot in France for thirteen weeks um

0:41:44.960 --> 0:41:47.920
<v Speaker 1>and it was best selling single of the year in France,

0:41:48.000 --> 0:41:49.920
<v Speaker 1>and that was one of the things. And then we

0:41:50.000 --> 0:41:52.160
<v Speaker 1>still had the publishing deal with the advance and stuff

0:41:52.200 --> 0:41:56.040
<v Speaker 1>like that, and then we had like cuts, a couple

0:41:56.080 --> 0:42:00.600
<v Speaker 1>of cuts, like some K pop songs and then some

0:42:00.880 --> 0:42:04.040
<v Speaker 1>I think it was also Atlantic Records, so so some

0:42:04.040 --> 0:42:08.000
<v Speaker 1>some smaller placements and stuff. Okay, so you wake up

0:42:08.040 --> 0:42:10.320
<v Speaker 1>one day and you say you're gonna do your own music.

0:42:10.360 --> 0:42:14.840
<v Speaker 1>Continue from there, yes, So it was started kind of

0:42:14.880 --> 0:42:17.279
<v Speaker 1>a side project. So it was just it was more

0:42:17.320 --> 0:42:20.960
<v Speaker 1>a creative thing, and for me it's aweso important. I was.

0:42:22.080 --> 0:42:28.120
<v Speaker 1>I was annoyed by how complicated everything was, including well

0:42:28.200 --> 0:42:29.719
<v Speaker 1>now that came a little bit a litt bit later,

0:42:30.120 --> 0:42:33.160
<v Speaker 1>but that that started then that it was annoyed by

0:42:33.239 --> 0:42:36.400
<v Speaker 1>how complicated was for people to listen to my music.

0:42:37.120 --> 0:42:39.719
<v Speaker 1>But yeah, it started that. I simply put out an

0:42:39.760 --> 0:42:42.560
<v Speaker 1>EP on SoundCloud, and I sent it to a couple

0:42:42.600 --> 0:42:44.640
<v Speaker 1>of blocks, and then I went into holidays, and then

0:42:44.680 --> 0:42:47.879
<v Speaker 1>I came back and was curious to see how many

0:42:47.880 --> 0:42:50.720
<v Speaker 1>plays I have And I had seventy three plays into

0:42:51.080 --> 0:42:54.920
<v Speaker 1>on the entire EP over two weeks, so that wasn't

0:42:55.000 --> 0:43:01.080
<v Speaker 1>too crazy. But so what I did then I hit

0:43:01.160 --> 0:43:08.719
<v Speaker 1>up people on SoundCloud directly personally. Uh, you could wait,

0:43:08.800 --> 0:43:11.080
<v Speaker 1>how did it work? On sound ticks? You could see

0:43:11.320 --> 0:43:13.960
<v Speaker 1>like you could open up an artist like let's say Scritics,

0:43:13.960 --> 0:43:15.719
<v Speaker 1>who was like blowing up at the time. You could

0:43:15.800 --> 0:43:17.720
<v Speaker 1>open up Scritics and then it would show you people

0:43:17.760 --> 0:43:21.040
<v Speaker 1>who would listen to Scrilics. I would show those profiles.

0:43:21.040 --> 0:43:23.759
<v Speaker 1>So I would search for some artists, for example, Potter

0:43:23.880 --> 0:43:26.080
<v Speaker 1>Robinson here like a little bit similar sized that at

0:43:26.120 --> 0:43:28.799
<v Speaker 1>that time as well, similar to the stuff that I

0:43:28.880 --> 0:43:33.000
<v Speaker 1>was doing complex shrow. So I would look up those

0:43:33.040 --> 0:43:37.080
<v Speaker 1>people and see who was following them and then send

0:43:37.120 --> 0:43:40.080
<v Speaker 1>them a personal message. So a lot of those were

0:43:40.120 --> 0:43:42.600
<v Speaker 1>produced as well. So I would listen to their songs

0:43:42.640 --> 0:43:44.640
<v Speaker 1>and say like, hey, I listen to your song like

0:43:44.680 --> 0:43:46.600
<v Speaker 1>this and or maybe you could do this different. I

0:43:46.600 --> 0:43:48.319
<v Speaker 1>have those ideas and maybe you want to check out

0:43:48.360 --> 0:43:51.239
<v Speaker 1>my songs. So it was it like really doing this.

0:43:51.360 --> 0:43:54.560
<v Speaker 1>I would like hit up ten people per day, and

0:43:54.600 --> 0:43:55.960
<v Speaker 1>a lot of people got back to me like, Hey,

0:43:56.040 --> 0:43:58.200
<v Speaker 1>your music is amazing, thanks so much for reaching out.

0:43:58.239 --> 0:43:59.840
<v Speaker 1>And that was where I felt like, hey, I'm not

0:44:00.680 --> 0:44:04.000
<v Speaker 1>doing annoying advertisement. What I'm doing is like actually people

0:44:04.080 --> 0:44:06.239
<v Speaker 1>enjoyed when I reached out to them. And one of

0:44:06.280 --> 0:44:09.359
<v Speaker 1>those artists he sent my music to his manager and

0:44:09.440 --> 0:44:12.759
<v Speaker 1>to another band. The other band was The Knox. I

0:44:12.760 --> 0:44:14.120
<v Speaker 1>don't know if you know them. It's like an indie

0:44:14.160 --> 0:44:18.240
<v Speaker 1>band from New York and his manager. So The Knox

0:44:18.280 --> 0:44:20.160
<v Speaker 1>reached out to me saying, hey, your music is amazing,

0:44:20.200 --> 0:44:23.040
<v Speaker 1>can you do remis for us? And then this manager

0:44:23.120 --> 0:44:25.080
<v Speaker 1>who was tour manager for the Knox, but he was

0:44:25.120 --> 0:44:28.160
<v Speaker 1>also manager for another artist, he also reached out to

0:44:28.160 --> 0:44:29.680
<v Speaker 1>me see he said like, hey, I want to manage

0:44:29.680 --> 0:44:31.680
<v Speaker 1>your music. Amazing, I think I could do something for you.

0:44:31.920 --> 0:44:33.839
<v Speaker 1>So did. There's readings for the knocks, and back then

0:44:33.920 --> 0:44:37.160
<v Speaker 1>high Machine was a big thing. I don't know, like

0:44:37.600 --> 0:44:41.399
<v Speaker 1>probably remember, like was the music block charts sort of thing.

0:44:42.440 --> 0:44:45.880
<v Speaker 1>And that remix became immediately went top ten in the

0:44:45.920 --> 0:44:50.280
<v Speaker 1>High Machine charts. Okay, how did it go top ten? Um?

0:44:50.360 --> 0:44:54.319
<v Speaker 1>So the manager that that that wanted to work for me.

0:44:55.080 --> 0:44:59.799
<v Speaker 1>I think he brought up one block article um, and

0:45:00.200 --> 0:45:02.000
<v Speaker 1>so a blog wrote about it, and then it simply

0:45:02.040 --> 0:45:04.640
<v Speaker 1>clicked with the people. People like that. They click like

0:45:04.840 --> 0:45:09.000
<v Speaker 1>you know, and then the algorithm pushes it up. And

0:45:09.040 --> 0:45:11.280
<v Speaker 1>it took a while. I think there there's a small

0:45:11.360 --> 0:45:13.759
<v Speaker 1>time window where you can get into the high Machine shuts.

0:45:13.760 --> 0:45:15.600
<v Speaker 1>I think it's only three days, and after three days

0:45:15.640 --> 0:45:18.279
<v Speaker 1>you drop out automatically. So every song you see saw

0:45:18.320 --> 0:45:22.120
<v Speaker 1>on the High Machine charts still see it's not older

0:45:22.120 --> 0:45:25.960
<v Speaker 1>than three days. So yeah, that happened. And then this

0:45:26.000 --> 0:45:29.160
<v Speaker 1>manager say, hey, you can do a remix for Foster,

0:45:29.280 --> 0:45:34.280
<v Speaker 1>the people who just blew up with pumped up kicks um.

0:45:34.360 --> 0:45:36.799
<v Speaker 1>And so I did the remix and I wanted to

0:45:37.560 --> 0:45:40.080
<v Speaker 1>give it to like sell it too, foster the people.

0:45:40.480 --> 0:45:43.360
<v Speaker 1>But I still had my business partner, and my business

0:45:43.360 --> 0:45:46.920
<v Speaker 1>partner said, okay, we we are ruining ruining our prices

0:45:47.000 --> 0:45:50.839
<v Speaker 1>if you give away the remix cheap. So he asked

0:45:50.880 --> 0:45:54.440
<v Speaker 1>for four K, four thousand dollars and the label said, no,

0:45:54.520 --> 0:45:59.560
<v Speaker 1>we are only going to pay five and so that

0:45:59.600 --> 0:46:02.359
<v Speaker 1>didn't so we agreed that I could simply put out

0:46:02.360 --> 0:46:05.759
<v Speaker 1>the remix for free. That's what I did, and it

0:46:05.800 --> 0:46:09.360
<v Speaker 1>immediately hit number one on the high Machine charts. Um

0:46:09.400 --> 0:46:11.560
<v Speaker 1>it simply some blocks wrote about it, and simply it

0:46:11.600 --> 0:46:14.680
<v Speaker 1>clicked with the people. It's just kind of went viral

0:46:14.719 --> 0:46:18.800
<v Speaker 1>on its own. And funny story is um that back

0:46:18.840 --> 0:46:21.960
<v Speaker 1>then a I got a message on SoundCloud from a

0:46:21.960 --> 0:46:24.680
<v Speaker 1>guy called Billy and he said, Hey, I'm having this

0:46:24.800 --> 0:46:29.520
<v Speaker 1>new channel on YouTube. It's called No Copyright Sounds, and UM,

0:46:29.760 --> 0:46:32.600
<v Speaker 1>can I upload your remix there? Is that okay for you?

0:46:32.680 --> 0:46:34.600
<v Speaker 1>And I was like, yeah, cool, no problem. I looked

0:46:34.600 --> 0:46:37.160
<v Speaker 1>at the channel and had like three hundred subscribers or something,

0:46:38.080 --> 0:46:41.520
<v Speaker 1>and it was one of the driving forces behind the

0:46:41.640 --> 0:46:44.120
<v Speaker 1>channel in the beginning to grow that channel, and the

0:46:44.200 --> 0:46:47.719
<v Speaker 1>channel I think now has over thirty million subscribers and

0:46:47.800 --> 0:46:51.160
<v Speaker 1>that's the channel where Alan Walker and a lot of

0:46:51.200 --> 0:46:55.560
<v Speaker 1>like huge also huge gaming artists came from and as

0:46:55.960 --> 0:46:58.560
<v Speaker 1>uh yeah, one of the biggest YouTube channels. Now they

0:46:59.200 --> 0:47:01.920
<v Speaker 1>really started of my music. Yeah. Then I made another

0:47:02.200 --> 0:47:05.040
<v Speaker 1>bootleg remis for Levels for VT which also on when

0:47:05.080 --> 0:47:07.360
<v Speaker 1>number one Hype Machine, and made another remix for Gautier,

0:47:08.200 --> 0:47:12.279
<v Speaker 1>the somebody that I used to know, also bootleg remix um. Yeah.

0:47:12.400 --> 0:47:18.440
<v Speaker 1>Then then I got remix requests from Static Revenger and

0:47:18.480 --> 0:47:20.720
<v Speaker 1>from Chris Brown for example, So I made an official

0:47:20.760 --> 0:47:23.000
<v Speaker 1>remix for Chris Brown. And that was the point. By

0:47:23.040 --> 0:47:29.480
<v Speaker 1>the way, we're really got annoyed with copyright protection systems

0:47:29.520 --> 0:47:33.120
<v Speaker 1>and how major labels work, because what happened is I

0:47:33.200 --> 0:47:36.640
<v Speaker 1>made this official remix for Chris Brown, and for some reason,

0:47:37.200 --> 0:47:41.320
<v Speaker 1>the labels were releasing it in the UK first on iTunes,

0:47:41.800 --> 0:47:44.120
<v Speaker 1>so people in the UK could buy it on iTunes,

0:47:44.160 --> 0:47:45.880
<v Speaker 1>but in the rest of the world. So what happened

0:47:46.320 --> 0:47:48.160
<v Speaker 1>was some people in the UK who are friends of

0:47:48.160 --> 0:47:50.319
<v Speaker 1>mine bought it and they blocked about the right. Oh

0:47:50.360 --> 0:47:53.200
<v Speaker 1>there's the fat Red remix for Chris Brown. Brown. It's amazing,

0:47:53.239 --> 0:47:55.520
<v Speaker 1>you should listen to it. But it wasn't available in

0:47:55.560 --> 0:47:56.799
<v Speaker 1>the rest of the world. So I had a lot

0:47:56.800 --> 0:47:58.319
<v Speaker 1>of people coming in, Yeah, I want to buy your

0:47:58.320 --> 0:48:01.560
<v Speaker 1>remics but it's not available, and like, yeah, there's nothing

0:48:01.600 --> 0:48:05.319
<v Speaker 1>I can do about it. But I found this incredibly

0:48:05.360 --> 0:48:07.520
<v Speaker 1>annoying because I thought, eight people want to listen to

0:48:07.560 --> 0:48:11.120
<v Speaker 1>my music, but the labels they won't let them listen

0:48:11.120 --> 0:48:15.040
<v Speaker 1>to it. Yeah, and so that was also and then

0:48:15.080 --> 0:48:18.560
<v Speaker 1>this this is interesting thing happened. So the small channel

0:48:18.600 --> 0:48:22.240
<v Speaker 1>called no Copyright sound uploaded this Faster the People remas

0:48:22.239 --> 0:48:26.440
<v Speaker 1>for free, and then I got uh comments on my

0:48:26.520 --> 0:48:29.279
<v Speaker 1>SoundCloud the Great Space Butterfly. I was like what, and

0:48:29.280 --> 0:48:31.560
<v Speaker 1>then another comment, yeah, great Space Blatterfly. Yeah, I kind

0:48:31.600 --> 0:48:33.680
<v Speaker 1>of from the Great Space buttering It's I googled it

0:48:33.800 --> 0:48:36.279
<v Speaker 1>and I found out that it was a YouTube I think,

0:48:36.360 --> 0:48:39.880
<v Speaker 1>let's play uh serious or where they would use the

0:48:39.920 --> 0:48:43.040
<v Speaker 1>Fast of the People bootleg remins as background music. And

0:48:43.080 --> 0:48:47.160
<v Speaker 1>I realized that this video serious YouTube series was driving

0:48:47.200 --> 0:48:50.600
<v Speaker 1>a lot of traffic um to my to my SoundCloud.

0:48:50.680 --> 0:48:53.360
<v Speaker 1>So that's a point where I realized that, yeah, background

0:48:53.400 --> 0:48:58.319
<v Speaker 1>music on YouTube can be like a good promotional tool. Okay,

0:48:58.440 --> 0:49:03.840
<v Speaker 1>so you're interfacing with other people, other companies, how do

0:49:03.880 --> 0:49:06.880
<v Speaker 1>you decide ultimately to go totally independent. How do you

0:49:06.920 --> 0:49:10.319
<v Speaker 1>build even bigger on sound and when do you get

0:49:10.360 --> 0:49:16.200
<v Speaker 1>YouTube involved? Uh? Well there was. First of all, I

0:49:16.239 --> 0:49:19.840
<v Speaker 1>got into trouble with my business partner obviously because I

0:49:19.880 --> 0:49:22.239
<v Speaker 1>had a conflantly of interest because it was like pursuing

0:49:22.239 --> 0:49:24.480
<v Speaker 1>my own artis story. I started playing shows and stuff

0:49:24.640 --> 0:49:26.240
<v Speaker 1>and I I want to do more of my own music.

0:49:26.360 --> 0:49:28.440
<v Speaker 1>But then it's the same time had like other producers,

0:49:28.480 --> 0:49:31.080
<v Speaker 1>and I was actually my career and I was really

0:49:31.120 --> 0:49:34.200
<v Speaker 1>starting I would like get bigger sessions, you know, like

0:49:34.239 --> 0:49:36.520
<v Speaker 1>I totally like bb Rex back then way still with

0:49:36.600 --> 0:49:39.359
<v Speaker 1>Pete Wentz. They had to do black cards I think

0:49:39.520 --> 0:49:41.160
<v Speaker 1>was called, so we would get like bigger artists in

0:49:41.160 --> 0:49:43.800
<v Speaker 1>the student I would My missus partent was really annoyed,

0:49:43.840 --> 0:49:46.360
<v Speaker 1>so I had to go through this like phase of

0:49:46.480 --> 0:49:51.640
<v Speaker 1>like saying goodbye to him. And then I was there

0:49:51.719 --> 0:49:55.880
<v Speaker 1>was two thousand thirteen. Then already I was like thirty

0:49:55.920 --> 0:49:59.800
<v Speaker 1>two years old, our thirty three, and I want to

0:49:59.880 --> 0:50:02.799
<v Speaker 1>have family and we were in LA but for us,

0:50:02.840 --> 0:50:04.319
<v Speaker 1>it was never an option to have a family in

0:50:04.360 --> 0:50:06.680
<v Speaker 1>Los Angeles also because we wanted to have our family around,

0:50:06.760 --> 0:50:08.680
<v Speaker 1>so we moved back to Germany. That was the next

0:50:08.680 --> 0:50:18.359
<v Speaker 1>thing that happened. Okay, your wife manager, she was with

0:50:18.400 --> 0:50:21.680
<v Speaker 1>you in l A, Yes, exactly. So she's from getting

0:50:21.719 --> 0:50:27.200
<v Speaker 1>in um. That's a very different story. We know each

0:50:27.200 --> 0:50:30.120
<v Speaker 1>other since she was fifteen and I was seventeen, but

0:50:30.160 --> 0:50:33.479
<v Speaker 1>we were just best friends and at the time when

0:50:33.520 --> 0:50:37.120
<v Speaker 1>I moved to l A. Uh, so we were not together,

0:50:37.680 --> 0:50:39.359
<v Speaker 1>just with friends. But at the time when I moved

0:50:39.360 --> 0:50:44.560
<v Speaker 1>to l A, um I offered her to visit me,

0:50:44.600 --> 0:50:46.680
<v Speaker 1>so I would pay her a visit and then we

0:50:46.680 --> 0:50:49.200
<v Speaker 1>got together. So she kind of moved to l A

0:50:49.320 --> 0:50:52.359
<v Speaker 1>when I started moving to so she was there with me.

0:50:52.880 --> 0:50:55.640
<v Speaker 1>We married while I wasn't a while I was living

0:50:55.640 --> 0:50:58.200
<v Speaker 1>in l A. Yeah, but after we were married, we

0:50:58.200 --> 0:50:59.800
<v Speaker 1>were like, okay, count and we want to have kids

0:50:59.800 --> 0:51:01.120
<v Speaker 1>and we're not going to have them in l A.

0:51:01.360 --> 0:51:04.839
<v Speaker 1>So yeah, and she was not managing me at that time.

0:51:04.880 --> 0:51:08.200
<v Speaker 1>She only started managing in two thousand nineteen. What was

0:51:08.239 --> 0:51:11.960
<v Speaker 1>she doing in the interim and you asked, yeah, yeah,

0:51:12.000 --> 0:51:16.240
<v Speaker 1>she was. She wanted to become an author, like writing novels,

0:51:16.400 --> 0:51:19.120
<v Speaker 1>so she was working on a novel. Okay, So you

0:51:19.239 --> 0:51:23.239
<v Speaker 1>moved back to Germany to have kids yea. So then

0:51:23.320 --> 0:51:26.920
<v Speaker 1>what goes on with your career yeah, yeah, that that

0:51:27.040 --> 0:51:32.000
<v Speaker 1>was what I was wondering about, like what's happening now? Um?

0:51:32.080 --> 0:51:35.600
<v Speaker 1>And what I did? Once again, I split up from everybody,

0:51:35.640 --> 0:51:39.080
<v Speaker 1>So I so my management got a little slower. They hired,

0:51:39.239 --> 0:51:43.760
<v Speaker 1>they had a they wanted some big artists as clients,

0:51:43.880 --> 0:51:46.640
<v Speaker 1>which I realized, Okay, they're now really priority for them,

0:51:46.640 --> 0:51:49.279
<v Speaker 1>which was okay. So I split up and saying, hey,

0:51:49.360 --> 0:51:52.000
<v Speaker 1>you know, everybody, let's go separate ways. And I split

0:51:52.080 --> 0:51:56.360
<v Speaker 1>up from the publishing, split up from everybody, just sitting

0:51:56.360 --> 0:51:58.680
<v Speaker 1>in Germany. I still had like some passive income from

0:51:58.719 --> 0:52:01.120
<v Speaker 1>the stuff that I had released. Then was really wondering, Okay,

0:52:01.160 --> 0:52:03.359
<v Speaker 1>what am I gonna do now? And then I said,

0:52:03.480 --> 0:52:06.839
<v Speaker 1>you know what, I'm just gonna try for a year

0:52:08.160 --> 0:52:12.400
<v Speaker 1>just putting up my own music originals this time and

0:52:12.520 --> 0:52:16.719
<v Speaker 1>see what happens. And that's what I did. And then

0:52:16.760 --> 0:52:25.680
<v Speaker 1>what happened what ensued? Well, um, I focused on uh

0:52:25.760 --> 0:52:29.279
<v Speaker 1>on YouTube because at some point in the internet had

0:52:29.320 --> 0:52:31.880
<v Speaker 1>I've seen like where do people find I think was

0:52:31.920 --> 0:52:33.879
<v Speaker 1>in the US, like where do people find me? In music?

0:52:33.960 --> 0:52:36.040
<v Speaker 1>That was like I think number one of those radio

0:52:36.680 --> 0:52:40.960
<v Speaker 1>and like thirty thirty six percent there was YouTube. I

0:52:41.000 --> 0:52:43.040
<v Speaker 1>was like, wow, a lot of people are finding their

0:52:43.080 --> 0:52:48.719
<v Speaker 1>music on YouTube now, and I already had this experience that, um,

0:52:48.760 --> 0:52:51.160
<v Speaker 1>I would get so much sound out traffic from YouTube,

0:52:51.320 --> 0:52:52.960
<v Speaker 1>so I thought, okay, cool, I'm gonna focus on that

0:52:53.200 --> 0:52:56.040
<v Speaker 1>and I made some music for for example, my songs

0:52:56.120 --> 0:52:59.560
<v Speaker 1>Windfall and Unity, and I had this thing that I

0:52:59.560 --> 0:53:02.000
<v Speaker 1>would make music that I liked. But it was like

0:53:02.080 --> 0:53:04.080
<v Speaker 1>this is but this is not really, like this is

0:53:04.080 --> 0:53:06.520
<v Speaker 1>not e d M. I'm not sure, like who's actually

0:53:06.520 --> 0:53:11.960
<v Speaker 1>gonna listen to that because it's too playful for DJs

0:53:12.000 --> 0:53:14.920
<v Speaker 1>to play it on a festival, right, two thousand thirteen

0:53:15.000 --> 0:53:18.279
<v Speaker 1>was like hotwell and you know David Gheta and everybody, uh,

0:53:18.320 --> 0:53:21.160
<v Speaker 1>and then they're not going to play this, but yeah,

0:53:21.239 --> 0:53:23.640
<v Speaker 1>let me just put it out and yeah, I put

0:53:23.680 --> 0:53:27.040
<v Speaker 1>it out and it didn't explode, but I got really

0:53:27.040 --> 0:53:29.920
<v Speaker 1>good responses. And what happened is I back then you

0:53:29.960 --> 0:53:32.640
<v Speaker 1>could see the place on a YouTube channel. You could

0:53:32.680 --> 0:53:34.640
<v Speaker 1>see like on a video, you could see over time

0:53:34.680 --> 0:53:38.080
<v Speaker 1>how the place would develop. That features not around anymore,

0:53:38.080 --> 0:53:40.919
<v Speaker 1>but it was back then, and what really I could see.

0:53:41.000 --> 0:53:44.160
<v Speaker 1>So there were those taste maker channels, like the first

0:53:44.160 --> 0:53:47.080
<v Speaker 1>one was Tasty Records and for example Mr suicide Cheeps.

0:53:47.200 --> 0:53:49.520
<v Speaker 1>So Tasty Records I had like I think four hundred

0:53:49.520 --> 0:53:53.080
<v Speaker 1>thousand subscribers, and they would simply every two days or

0:53:53.239 --> 0:53:56.320
<v Speaker 1>like three times a week, they would upload some music

0:53:56.360 --> 0:53:58.960
<v Speaker 1>and say, here's like new music that you can discover.

0:54:00.080 --> 0:54:03.240
<v Speaker 1>So I hit up Tasty Tasty Network, this YouTube channel

0:54:03.239 --> 0:54:05.560
<v Speaker 1>and say, hey, here I have some songs. Maybe you

0:54:05.640 --> 0:54:07.359
<v Speaker 1>like them. They're like, yeah, cool, this is amazing. They

0:54:07.440 --> 0:54:10.960
<v Speaker 1>uploaded on their channel, and like I said, it didn't explode.

0:54:11.000 --> 0:54:13.239
<v Speaker 1>But what I saw, like you could see every video

0:54:13.280 --> 0:54:15.720
<v Speaker 1>how it started really high and then the place would

0:54:15.800 --> 0:54:18.880
<v Speaker 1>go towards zero. And my songs they started went a

0:54:18.920 --> 0:54:21.920
<v Speaker 1>little bit lower, but then remained on a really high

0:54:22.000 --> 0:54:25.799
<v Speaker 1>level and slightly started moving up. And they put out

0:54:25.840 --> 0:54:27.680
<v Speaker 1>the next song, and that happened again, and they put

0:54:27.680 --> 0:54:30.200
<v Speaker 1>out the next song. That happened again. And what else

0:54:30.239 --> 0:54:34.200
<v Speaker 1>that happened is I did not put my at that time.

0:54:34.239 --> 0:54:38.000
<v Speaker 1>I did not put my songs on iTunes and on Spotify.

0:54:38.080 --> 0:54:42.680
<v Speaker 1>Everybody had told me, you're not gonna make any money there, right,

0:54:42.960 --> 0:54:45.560
<v Speaker 1>it's so small, like it's just especially on the street

0:54:45.600 --> 0:54:49.320
<v Speaker 1>that's Spotify. You make like no money. It's not worth

0:54:49.360 --> 0:54:51.000
<v Speaker 1>the effort. So I didn't put it there, and I

0:54:51.000 --> 0:54:54.840
<v Speaker 1>didn't put it on iTunes. But then Tasty, this YouTube channel,

0:54:55.520 --> 0:54:57.840
<v Speaker 1>said hey, we're making a label, now can we like

0:54:58.000 --> 0:55:00.520
<v Speaker 1>release your music? Say okay, say cool, let's do it.

0:55:00.560 --> 0:55:04.160
<v Speaker 1>And I let them release Windfall on a fifty split,

0:55:04.560 --> 0:55:06.600
<v Speaker 1>and then I put out the next songs, you know, Genesis,

0:55:06.719 --> 0:55:10.000
<v Speaker 1>same thing split, and then next one Never Belong, and

0:55:10.040 --> 0:55:14.120
<v Speaker 1>then monthly I think was January two thousand fourteen. Then,

0:55:14.160 --> 0:55:16.879
<v Speaker 1>so I had been releasing my own music for three

0:55:16.960 --> 0:55:19.600
<v Speaker 1>or four months. Now, hey, we have the first numbers

0:55:19.680 --> 0:55:22.279
<v Speaker 1>coming in. I thought, okay, this is gonna be like

0:55:22.840 --> 0:55:25.560
<v Speaker 1>putting me down to probably be like twenty sales, right,

0:55:25.920 --> 0:55:28.920
<v Speaker 1>it's gonna be but never mind, Okay, what are the numbers?

0:55:28.920 --> 0:55:32.680
<v Speaker 1>And he's like, yeah, it's six thousand sales. Like oh,

0:55:33.120 --> 0:55:36.359
<v Speaker 1>that was the moment where I wait, everybody said there's

0:55:36.400 --> 0:55:39.000
<v Speaker 1>no money. It's like just one song. And the first

0:55:39.040 --> 0:55:41.400
<v Speaker 1>month it was like six thousands. So it's like still,

0:55:41.719 --> 0:55:44.120
<v Speaker 1>I don't know how much did I make like thirty

0:55:44.320 --> 0:55:52.840
<v Speaker 1>cents per sale? So what's that? Uh yeah, exactly some wait,

0:55:54.480 --> 0:55:57.879
<v Speaker 1>that's not that bad. And then I turned on monetization

0:55:57.880 --> 0:55:59.720
<v Speaker 1>on my own channel. I remember, I think the first

0:56:00.239 --> 0:56:05.560
<v Speaker 1>day was like fourteen bucks. By wait, if you over

0:56:05.719 --> 0:56:08.719
<v Speaker 1>entire month, this actually makes sense. Yeah, there was a

0:56:08.760 --> 0:56:11.600
<v Speaker 1>really fascinating time because I started putting out more music

0:56:11.640 --> 0:56:14.040
<v Speaker 1>and all the numbers started growing and growing and growing

0:56:14.040 --> 0:56:17.080
<v Speaker 1>bigger on its own, even when I didn't put out music,

0:56:17.120 --> 0:56:20.400
<v Speaker 1>and that was funny. There was the time where my

0:56:20.480 --> 0:56:27.799
<v Speaker 1>daughter was born February two thousand fifteen now, and uh,

0:56:28.120 --> 0:56:31.600
<v Speaker 1>she had a serious sleeping disorder, like serious. She would

0:56:31.719 --> 0:56:34.600
<v Speaker 1>rarely sleep longer than an hour, usually like thirty minutes.

0:56:34.840 --> 0:56:37.640
<v Speaker 1>Now we know she's like the reflux that her like,

0:56:38.239 --> 0:56:43.040
<v Speaker 1>she's like the from yeah, acid reflux, but we didn't

0:56:43.040 --> 0:56:46.799
<v Speaker 1>know back then. Yeah. So so there was sleepless time,

0:56:46.840 --> 0:56:49.480
<v Speaker 1>but not for a career reasons, and was really kind

0:56:49.480 --> 0:56:52.920
<v Speaker 1>of observed because I was like completely sleep deprived. I

0:56:52.960 --> 0:56:57.239
<v Speaker 1>would start crying like for no reason, like carrying out

0:56:57.239 --> 0:57:01.000
<v Speaker 1>the garbage and then just really start crying because it

0:57:01.120 --> 0:57:03.880
<v Speaker 1>was so sleep deprived. But sometimes they looked at their

0:57:03.920 --> 0:57:06.440
<v Speaker 1>numbers and like, yeah, everything kept growing and the and

0:57:06.520 --> 0:57:09.560
<v Speaker 1>the income kept growing. And I remember the time, I

0:57:09.600 --> 0:57:14.080
<v Speaker 1>think March March April, around the time me and my

0:57:14.160 --> 0:57:16.200
<v Speaker 1>wife said, hey, wait if it goes on like that

0:57:16.520 --> 0:57:17.960
<v Speaker 1>by the end of the year, we might be have

0:57:18.120 --> 0:57:21.440
<v Speaker 1>like ten thousand a month income and it ended up

0:57:21.480 --> 0:57:24.640
<v Speaker 1>being twenty grand per month. It's simply because it kept

0:57:24.640 --> 0:57:28.000
<v Speaker 1>growing and growing and yeah, that's yeah. And then I

0:57:28.080 --> 0:57:31.760
<v Speaker 1>kept putting out songs and then made some experiences with

0:57:32.000 --> 0:57:36.720
<v Speaker 1>major record companies and with management. That would be the

0:57:36.800 --> 0:57:41.040
<v Speaker 1>name the next chapter. Then, okay, how do you ultimately

0:57:41.080 --> 0:57:45.880
<v Speaker 1>get five and a half million subscribers on YouTube? Slowly?

0:57:46.520 --> 0:57:54.200
<v Speaker 1>Simply simply two thousand subscribers a day, very very constant growth, simply. Okay,

0:57:54.280 --> 0:57:58.040
<v Speaker 1>So the labels start calling, and then what happened, Well,

0:57:58.080 --> 0:58:01.200
<v Speaker 1>let me say, you go with Tasty label when you

0:58:01.200 --> 0:58:03.640
<v Speaker 1>see how much when you see how much money is involved,

0:58:03.680 --> 0:58:05.560
<v Speaker 1>do you then go to direct or do you stay

0:58:05.600 --> 0:58:11.360
<v Speaker 1>with Tasty? Well? I went direct, uh, simply because they

0:58:11.360 --> 0:58:16.080
<v Speaker 1>were like small things with Tasty that so it's it's

0:58:16.160 --> 0:58:20.320
<v Speaker 1>one person basically back then, right, or maybe two, very

0:58:20.400 --> 0:58:23.919
<v Speaker 1>very small and he's he's a nice guy and he's fair,

0:58:24.200 --> 0:58:26.959
<v Speaker 1>but it was just those small things that he wouldn't pay.

0:58:27.040 --> 0:58:30.880
<v Speaker 1>He with value added tax in German, you have, it's

0:58:31.000 --> 0:58:33.640
<v Speaker 1>very taxes in Germany is incredibly complicated. So I needed

0:58:33.680 --> 0:58:36.160
<v Speaker 1>like a certification from his side, but he didn't have

0:58:36.240 --> 0:58:39.760
<v Speaker 1>his company registered, so he couldn't give me that certificate,

0:58:39.800 --> 0:58:42.760
<v Speaker 1>which made me I would have to pay additional twenty

0:58:42.840 --> 0:58:45.960
<v Speaker 1>percent text because he didn't have that. Like those small details,

0:58:46.000 --> 0:58:48.960
<v Speaker 1>those were the reasons why I didn't keep signing with him,

0:58:49.000 --> 0:58:52.960
<v Speaker 1>not that I not the money, just because that's sort

0:58:53.000 --> 0:58:55.680
<v Speaker 1>of those sort of things like and he wouldn't pay

0:58:55.720 --> 0:58:59.120
<v Speaker 1>for the paper fees and stuff like that. Um, even

0:58:59.120 --> 0:59:00.760
<v Speaker 1>though he was a nice guy, but that was where

0:59:00.760 --> 0:59:02.280
<v Speaker 1>I was like, you know what, I'm just going to

0:59:02.360 --> 0:59:05.200
<v Speaker 1>do myself. Just was a little annoying. And yeah, and

0:59:05.200 --> 0:59:08.240
<v Speaker 1>then I simply tried putting out a song by myself

0:59:08.320 --> 0:59:11.800
<v Speaker 1>and discovered tune Core. Simply uploaded it on tune Core,

0:59:11.880 --> 0:59:13.880
<v Speaker 1>and I have had a very good reputation now at

0:59:13.880 --> 0:59:16.240
<v Speaker 1>a different taste maker channels as well, Like different YouTube

0:59:16.280 --> 0:59:19.400
<v Speaker 1>channels were asked asking me, hey, do you have new songs?

0:59:19.400 --> 0:59:23.440
<v Speaker 1>We would like to upload them. Yeah, that's what it is. Okay.

0:59:23.440 --> 0:59:26.080
<v Speaker 1>So then at what point the managers and label start

0:59:26.160 --> 0:59:31.040
<v Speaker 1>calling you? What's the experience there? I think they started

0:59:31.080 --> 0:59:35.760
<v Speaker 1>calling after like four Like after I started, I had

0:59:35.760 --> 0:59:38.200
<v Speaker 1>put out my origins for about half a year, so

0:59:38.280 --> 0:59:41.320
<v Speaker 1>I'll to a record called and Cloud nine and like,

0:59:42.080 --> 0:59:45.320
<v Speaker 1>and I put them on like I said no all

0:59:45.320 --> 0:59:48.040
<v Speaker 1>the time, I think like fifteen times. So so I

0:59:48.080 --> 0:59:49.480
<v Speaker 1>was always like, no, I'm not gonna sign. I'm just

0:59:49.480 --> 0:59:53.120
<v Speaker 1>gonna do it independently. That's it. And then at some

0:59:53.280 --> 0:59:55.880
<v Speaker 1>point I thought, hey, I might get myself a manager

0:59:56.000 --> 0:59:58.960
<v Speaker 1>because it's so much work with the like administrative stuff,

0:59:59.000 --> 1:00:01.240
<v Speaker 1>and I come at the things that I wanted to do.

1:00:02.280 --> 1:00:04.960
<v Speaker 1>So I meant went with the management again from New York,

1:00:05.480 --> 1:00:10.200
<v Speaker 1>l A. They have both cities. Yeah, and they they

1:00:10.240 --> 1:00:14.160
<v Speaker 1>talked me into a record deal. Again. I mean, it's

1:00:14.160 --> 1:00:17.920
<v Speaker 1>not their fault, but because it was always my decision

1:00:17.960 --> 1:00:20.320
<v Speaker 1>of course. Um, but they were like, yeah, we have

1:00:20.440 --> 1:00:23.480
<v Speaker 1>this Universal Music reached out they had reached out to

1:00:23.480 --> 1:00:26.240
<v Speaker 1>me before, right, and I was just straight up no,

1:00:26.520 --> 1:00:28.760
<v Speaker 1>not interested, thank you very much. And then they reached

1:00:28.800 --> 1:00:32.240
<v Speaker 1>out again from Sweden and it's very very great. You

1:00:32.240 --> 1:00:34.760
<v Speaker 1>should at least meet them and so on and so forth. Yeah,

1:00:34.840 --> 1:00:36.880
<v Speaker 1>then I discovered how record it was work. You know.

1:00:37.040 --> 1:00:42.160
<v Speaker 1>There they invited me, which was the biggest like the

1:00:43.320 --> 1:00:45.920
<v Speaker 1>biggest upside of the deal was that they invited me

1:00:45.960 --> 1:00:50.800
<v Speaker 1>to Ibtha to each his last show where he will

1:00:50.840 --> 1:00:53.480
<v Speaker 1>he quit touring and then nobody would know. Of course

1:00:53.600 --> 1:00:55.360
<v Speaker 1>knew that he would die, but I was like, hey,

1:00:55.880 --> 1:00:57.440
<v Speaker 1>he's going to play his last life show and then

1:00:57.640 --> 1:00:59.520
<v Speaker 1>he because he's gonna stop touring, so we want to

1:00:59.560 --> 1:01:02.000
<v Speaker 1>invite you. So that was amazing. Was in the VP

1:01:02.120 --> 1:01:06.800
<v Speaker 1>lounge drinking the record labor champagne, and I was meeting

1:01:07.000 --> 1:01:10.480
<v Speaker 1>in New York with Republic, which was amazing because the

1:01:10.520 --> 1:01:13.240
<v Speaker 1>first time when I went to New York was finally

1:01:13.520 --> 1:01:15.720
<v Speaker 1>or we were always trying to get a record deal

1:01:16.080 --> 1:01:18.240
<v Speaker 1>right or place artists play songs, and now they were

1:01:18.280 --> 1:01:20.760
<v Speaker 1>inviting me to New York. And when they want to

1:01:20.760 --> 1:01:23.680
<v Speaker 1>sign you at Republic, we're really good at that. Like

1:01:23.760 --> 1:01:26.240
<v Speaker 1>you they bring you up in the elevator and they

1:01:26.280 --> 1:01:28.920
<v Speaker 1>have screens all of the place that they're like, welcome

1:01:29.000 --> 1:01:31.560
<v Speaker 1>the fat Rat, and they would play my song in

1:01:31.680 --> 1:01:36.800
<v Speaker 1>the entire building and you're the star. Yeah and yeah.

1:01:36.840 --> 1:01:41.240
<v Speaker 1>So I signed for only licensing deal for ten songs,

1:01:42.680 --> 1:01:46.400
<v Speaker 1>and then realized, yeah, it's a little different once you signed.

1:01:47.200 --> 1:01:49.040
<v Speaker 1>Next time you come there, they don't play your songs.

1:01:49.040 --> 1:01:51.040
<v Speaker 1>They also don't put your face on the screens anymore.

1:01:51.720 --> 1:01:55.080
<v Speaker 1>Um uh yeah. So that was quite an experience and

1:01:55.120 --> 1:01:58.760
<v Speaker 1>now we almost sued them, but I think it's still open.

1:01:58.920 --> 1:02:02.720
<v Speaker 1>Maybe I will maybe not, we will see. Um yeah,

1:02:02.720 --> 1:02:06.640
<v Speaker 1>but now independent again, fully independent and two thousand nineteen,

1:02:06.960 --> 1:02:09.720
<v Speaker 1>two thou eighteen, I think I fired my management and

1:02:09.800 --> 1:02:11.720
<v Speaker 1>thought I'm going to do everything by myself. And then

1:02:11.760 --> 1:02:13.680
<v Speaker 1>I had had the idea which turned out to be

1:02:13.760 --> 1:02:17.880
<v Speaker 1>really pretty good. Do you have my wife managing me? Uh,

1:02:17.920 --> 1:02:22.560
<v Speaker 1>which was I think the best decision from you talk

1:02:22.640 --> 1:02:27.320
<v Speaker 1>about you might too Universal on what grounds? On the

1:02:27.360 --> 1:02:31.880
<v Speaker 1>grounds that they have no uh, they're not allowed to to.

1:02:32.720 --> 1:02:35.160
<v Speaker 1>They had don't have the rights for SoundCloud right there,

1:02:35.200 --> 1:02:39.320
<v Speaker 1>excluded soundclouds excluded in the agreement. What they did is

1:02:40.520 --> 1:02:45.520
<v Speaker 1>they well, you know Sweden, I have the agreement with Sweden.

1:02:45.960 --> 1:02:49.120
<v Speaker 1>They they made sure they wouldn't claim it on SoundCloud,

1:02:49.120 --> 1:02:51.080
<v Speaker 1>but then you know, in the university system gets like

1:02:51.120 --> 1:02:53.440
<v Speaker 1>sub licensed, and I think some of them still put

1:02:53.480 --> 1:02:56.520
<v Speaker 1>it in the SoundCloud copyright protection system. So I would

1:02:56.600 --> 1:02:59.600
<v Speaker 1>upload the song immediately get to claim on my own song,

1:03:00.280 --> 1:03:05.600
<v Speaker 1>which then we removed. But recently I found out that

1:03:05.680 --> 1:03:08.880
<v Speaker 1>the claim was kind of removed, but still the song

1:03:09.000 --> 1:03:14.120
<v Speaker 1>was administrated by Universal, was also monetized by Universal and

1:03:14.200 --> 1:03:17.040
<v Speaker 1>not by me without me knowing it, and it was

1:03:17.480 --> 1:03:22.000
<v Speaker 1>GEO blocked in almost the entire world. So I was

1:03:22.080 --> 1:03:25.000
<v Speaker 1>really surprised because one of my most successful songs, fly

1:03:25.080 --> 1:03:29.880
<v Speaker 1>Away Uh, did incredibly well on YouTube, did incredibly well

1:03:29.920 --> 1:03:33.120
<v Speaker 1>on Spotify, and did almost nothing on sound plot. It

1:03:33.200 --> 1:03:35.680
<v Speaker 1>was like, what's going on with sounds like the platform

1:03:35.720 --> 1:03:38.240
<v Speaker 1>falling apart of what I thought that would be the case,

1:03:38.600 --> 1:03:41.080
<v Speaker 1>I recently found out, No, it's the songs GEO blocked

1:03:41.080 --> 1:03:44.439
<v Speaker 1>in almost the entire world. So I was like, hey,

1:03:44.480 --> 1:03:46.960
<v Speaker 1>remove it police, and they didn't even answer, you know,

1:03:47.120 --> 1:03:50.280
<v Speaker 1>like I said, wants the deals through, it's yeah, they're

1:03:50.320 --> 1:03:53.840
<v Speaker 1>not gonna they're going to treat you differently. Yeah. They

1:03:53.880 --> 1:03:56.480
<v Speaker 1>didn't respond, and then I was like, okay, cool, this

1:03:56.560 --> 1:03:59.640
<v Speaker 1>is like, uh, you're violating the riem and I'm not

1:03:59.680 --> 1:04:02.160
<v Speaker 1>going to our terminate the agreement, which was what I did.

1:04:02.600 --> 1:04:04.840
<v Speaker 1>So I terminated the agreement, which then they of course

1:04:04.840 --> 1:04:08.959
<v Speaker 1>said no. Then suddenly they responded yeah, and now we're

1:04:09.080 --> 1:04:14.000
<v Speaker 1>trying to figure it out. Okay, So did they do

1:04:14.040 --> 1:04:18.680
<v Speaker 1>anything good for you? They tried. I have to say

1:04:18.720 --> 1:04:21.640
<v Speaker 1>they tried. So there were some people that were really

1:04:22.160 --> 1:04:25.480
<v Speaker 1>uh motivated at University Sweden. They said like Hey, we

1:04:25.600 --> 1:04:28.560
<v Speaker 1>really want to get into the gaming space. And they

1:04:28.600 --> 1:04:32.720
<v Speaker 1>did this collaboration with the Electronic Sports League, so they

1:04:32.720 --> 1:04:35.840
<v Speaker 1>put me on those shows, like right before the finale

1:04:36.200 --> 1:04:39.720
<v Speaker 1>of a Big counter Strike for example event or a

1:04:39.840 --> 1:04:43.560
<v Speaker 1>Dota to UM they would put me onto the stage

1:04:43.600 --> 1:04:47.360
<v Speaker 1>playing a set, and the set got really great reactions.

1:04:47.400 --> 1:04:49.520
<v Speaker 1>They tried that, like s I'll tried that before with

1:04:49.600 --> 1:04:52.720
<v Speaker 1>other DJs and they had like a really pretty bad

1:04:52.720 --> 1:04:55.200
<v Speaker 1>feedback on that. But since I'm from the gaming space,

1:04:55.280 --> 1:04:57.280
<v Speaker 1>I kind of knew a little bit what I could do,

1:04:57.360 --> 1:04:59.720
<v Speaker 1>what what reason resonated with the audience, and that went

1:04:59.760 --> 1:05:02.360
<v Speaker 1>really well, and that that definitely helped me grow and

1:05:03.080 --> 1:05:06.360
<v Speaker 1>help me gain an audience. Yes, but when you look

1:05:06.360 --> 1:05:10.160
<v Speaker 1>at the percentages that they get and then how much

1:05:10.160 --> 1:05:12.200
<v Speaker 1>they help you grow, which you can like kind of

1:05:12.240 --> 1:05:15.200
<v Speaker 1>measure a little bit, it's it's not a good deal.

1:05:15.680 --> 1:05:22.240
<v Speaker 1>How much did they help your uh screams grow? Well,

1:05:22.520 --> 1:05:24.880
<v Speaker 1>it's hard to tell on the streams, but well, I

1:05:24.920 --> 1:05:28.880
<v Speaker 1>mean I think I had an increase when I played

1:05:28.880 --> 1:05:32.680
<v Speaker 1>those shows. So I had like this plateau before on

1:05:32.720 --> 1:05:34.800
<v Speaker 1>a certain song, and then I played the shows ahead

1:05:34.800 --> 1:05:39.400
<v Speaker 1>and like ten increase on streams on the YouTube and

1:05:39.400 --> 1:05:43.320
<v Speaker 1>Spotify and those things. Okay, did you get any money

1:05:43.360 --> 1:05:47.160
<v Speaker 1>from them? Yeah? They paid in advance of course. Okay,

1:05:47.640 --> 1:05:50.360
<v Speaker 1>So if you look at it at the end of it, now,

1:05:51.160 --> 1:05:54.040
<v Speaker 1>would you've made more money or less money if you

1:05:54.160 --> 1:05:59.520
<v Speaker 1>stayed independent the whole time? Of course, it's always difficult

1:05:59.680 --> 1:06:06.600
<v Speaker 1>to make those scenarios. But from my from my calculation

1:06:06.680 --> 1:06:08.600
<v Speaker 1>at the moment, I think I would have like at

1:06:08.680 --> 1:06:11.120
<v Speaker 1>least a million more when I in case I wouldn't

1:06:11.120 --> 1:06:17.520
<v Speaker 1>have signed. Okay, So presently, how much money are you

1:06:17.600 --> 1:06:22.200
<v Speaker 1>making in a year? Uh so revenue? It's about I

1:06:22.240 --> 1:06:26.800
<v Speaker 1>think about a million. Okay. So you have a new

1:06:26.880 --> 1:06:33.040
<v Speaker 1>project that's totally independent, which one do you mean you're

1:06:33.040 --> 1:06:36.080
<v Speaker 1>putting out like these? You have this story album that

1:06:36.080 --> 1:06:41.840
<v Speaker 1>you're putting out. Is that totally independent? Yes, it's totally independent.

1:06:41.920 --> 1:06:46.920
<v Speaker 1>And it's even more than that, it's completely controlled by me,

1:06:47.640 --> 1:06:50.160
<v Speaker 1>which means which is a really interesting thing because like

1:06:50.240 --> 1:06:52.360
<v Speaker 1>I said, I'm doing this thing where a lot of

1:06:52.600 --> 1:06:55.000
<v Speaker 1>a lot of my music is free to use for creators,

1:06:55.040 --> 1:06:56.520
<v Speaker 1>Like it's free to use on social media, is free

1:06:56.520 --> 1:06:58.560
<v Speaker 1>to use on YouTube, it's free to use. Most of

1:06:58.600 --> 1:07:00.560
<v Speaker 1>the stuff is free to use on Twitter and stuff.

1:07:00.840 --> 1:07:06.680
<v Speaker 1>So my approaches that creatives. Creators are free to use

1:07:06.720 --> 1:07:10.120
<v Speaker 1>my music. Um, I think it's also kind of fair

1:07:11.320 --> 1:07:15.120
<v Speaker 1>to do like that. So to do that, what I

1:07:15.200 --> 1:07:17.520
<v Speaker 1>realize it's it's not that easy. It's not that you

1:07:17.600 --> 1:07:21.680
<v Speaker 1>simply do not claim. You have to actively not claim

1:07:21.720 --> 1:07:24.880
<v Speaker 1>because the entire system now is built in a way

1:07:24.960 --> 1:07:27.919
<v Speaker 1>that it's claiming automatically, and if you don't watch out,

1:07:28.000 --> 1:07:30.880
<v Speaker 1>it's like it's like a mine field if you do

1:07:31.040 --> 1:07:36.000
<v Speaker 1>one wrong step, every like everything gets claimed everywhere. So yeah,

1:07:36.040 --> 1:07:38.480
<v Speaker 1>that's a thing that I learned now. So I'm very

1:07:38.600 --> 1:07:42.320
<v Speaker 1>very careful and I'm very uh so what we're doing

1:07:42.360 --> 1:07:45.560
<v Speaker 1>is like I have the entire publishing control, so I

1:07:45.560 --> 1:07:48.640
<v Speaker 1>have a publishing company. Now I only work with people

1:07:48.640 --> 1:07:52.080
<v Speaker 1>who can give the songs into my publishing, which has

1:07:52.120 --> 1:07:54.280
<v Speaker 1>nothing to do with the money we're paying out hundred

1:07:54.320 --> 1:07:58.240
<v Speaker 1>percent on most things like accept licensing, which because we

1:07:58.280 --> 1:08:00.240
<v Speaker 1>do that actively, but the rest of you simply them

1:08:00.240 --> 1:08:02.640
<v Speaker 1>out percent. It's not that we want to make any

1:08:02.640 --> 1:08:05.160
<v Speaker 1>money from that, but we have to have control over

1:08:05.200 --> 1:08:07.600
<v Speaker 1>it because once you have another public that you have,

1:08:07.720 --> 1:08:11.360
<v Speaker 1>like I don't know, Sony and Warner involved, and you say, yeah,

1:08:11.400 --> 1:08:13.080
<v Speaker 1>I don't claim on YouTube but they'll be like, yeah,

1:08:13.120 --> 1:08:15.720
<v Speaker 1>but we're gonna claim on YouTube and yeah, there there

1:08:15.760 --> 1:08:20.639
<v Speaker 1>goes your strategy and your Okay, So going going forward,

1:08:21.200 --> 1:08:27.840
<v Speaker 1>what's the business model, what's the strategy, what's the dream? Yes? Um,

1:08:27.920 --> 1:08:31.599
<v Speaker 1>so so what I did this album is, well, what

1:08:31.640 --> 1:08:36.800
<v Speaker 1>I what I generally did started is I used sci

1:08:36.880 --> 1:08:42.120
<v Speaker 1>fi fantasy art art as artworks, and together with the

1:08:42.240 --> 1:08:44.439
<v Speaker 1>artists that I had first, Jordan Grimmer was his name,

1:08:45.120 --> 1:08:48.120
<v Speaker 1>we started putting like the same characters and some like

1:08:48.360 --> 1:08:51.240
<v Speaker 1>objects and stuff into it where we start telling little

1:08:51.280 --> 1:08:55.559
<v Speaker 1>stories with the artworks together with the songs, and defense

1:08:56.040 --> 1:08:59.040
<v Speaker 1>reacted really great to that thing. Hey there's a story,

1:08:59.080 --> 1:09:02.640
<v Speaker 1>that's amazing. They started like discussing the story and discussing

1:09:02.680 --> 1:09:05.120
<v Speaker 1>the lore and everything. So what I did with this

1:09:05.280 --> 1:09:07.759
<v Speaker 1>album now is that I took this to the next

1:09:07.840 --> 1:09:12.040
<v Speaker 1>level and be more conscious about the story that we're telling.

1:09:12.120 --> 1:09:16.840
<v Speaker 1>So it's a ten song album and every songs it's

1:09:16.880 --> 1:09:19.840
<v Speaker 1>coming out over ten weeks, So every Friday, one song

1:09:19.960 --> 1:09:22.200
<v Speaker 1>is coming out together with the new artwork, and the

1:09:22.320 --> 1:09:26.759
<v Speaker 1>artworks together tell a story, um, and a more obvious

1:09:26.760 --> 1:09:29.920
<v Speaker 1>story than we told before. Um. The next the big

1:09:30.040 --> 1:09:34.400
<v Speaker 1>dream is too, U take this to the next level.

1:09:34.560 --> 1:09:37.200
<v Speaker 1>So I'm working on the next album already and this

1:09:37.280 --> 1:09:40.040
<v Speaker 1>is supposed to come with a the same thing again,

1:09:40.120 --> 1:09:43.320
<v Speaker 1>so artworks telling a story, but also with the comic

1:09:43.680 --> 1:09:48.160
<v Speaker 1>where you have way more detailed story. So it's kind

1:09:48.160 --> 1:09:53.519
<v Speaker 1>of a entertainment storytelling process that starts with the music. Right,

1:09:53.600 --> 1:09:56.640
<v Speaker 1>Usually have like movies, you have the the story and

1:09:56.760 --> 1:09:58.560
<v Speaker 1>what you have the pictures first, and yet then you

1:09:58.600 --> 1:10:00.640
<v Speaker 1>add the music. So it's a little bit the other

1:10:00.680 --> 1:10:02.200
<v Speaker 1>way around. So you have a story, but then you

1:10:02.280 --> 1:10:04.519
<v Speaker 1>read the music and then you add the pictures on top.

1:10:05.360 --> 1:10:10.080
<v Speaker 1>And the comics with those beyondline or physical or boat,

1:10:10.880 --> 1:10:13.160
<v Speaker 1>I think they're going to be both. We have a

1:10:13.240 --> 1:10:15.800
<v Speaker 1>partner that we're working starting to work with now and

1:10:15.880 --> 1:10:18.599
<v Speaker 1>that's the plan to have both. Who's doing the images?

1:10:19.880 --> 1:10:23.920
<v Speaker 1>We have some like artists, uh like candidates at the moment,

1:10:23.960 --> 1:10:28.240
<v Speaker 1>it's not higher persential yet what's gonna do them? Okay,

1:10:28.960 --> 1:10:32.160
<v Speaker 1>So obviously your publicists reached out to me about doing this,

1:10:32.240 --> 1:10:36.400
<v Speaker 1>although we've had contact previously. Let's just assume you made

1:10:36.400 --> 1:10:40.519
<v Speaker 1>this music and you posted it on YouTube. Is that

1:10:40.680 --> 1:10:43.680
<v Speaker 1>enough marketing to make it so people aware of it

1:10:43.680 --> 1:10:46.200
<v Speaker 1>will be streamed or you have to do other things.

1:10:46.800 --> 1:10:50.040
<v Speaker 1>You hired a PR firm, which is spreading the word.

1:10:50.920 --> 1:10:54.760
<v Speaker 1>So how did you decide to hire a PR firm?

1:10:54.840 --> 1:10:58.559
<v Speaker 1>What is the marketing plan and do you need that

1:10:58.640 --> 1:11:02.040
<v Speaker 1>to make the thing go it all? Or is the

1:11:02.120 --> 1:11:07.960
<v Speaker 1>marketing just a cherry on top? Well, the marketing, I

1:11:07.960 --> 1:11:11.719
<v Speaker 1>would say is the it's sort of a cherry on top. Uh.

1:11:11.800 --> 1:11:18.880
<v Speaker 1>It's also getting into new like like getting more audience. Um.

1:11:19.160 --> 1:11:23.000
<v Speaker 1>Most so so far, my career took off just on

1:11:23.040 --> 1:11:26.800
<v Speaker 1>its own. Um. The best example for that is China.

1:11:28.640 --> 1:11:31.040
<v Speaker 1>At I played shows in New York and people came

1:11:31.080 --> 1:11:32.559
<v Speaker 1>to me after the show and we're like, hey, do

1:11:32.600 --> 1:11:34.000
<v Speaker 1>you know your music is really big in China. I

1:11:34.040 --> 1:11:36.160
<v Speaker 1>was like, no, I have no idea. And then at

1:11:36.240 --> 1:11:38.840
<v Speaker 1>some research and I thought out that there's this big

1:11:38.840 --> 1:11:44.559
<v Speaker 1>platform which is called net ease and over it's like

1:11:44.640 --> 1:11:49.360
<v Speaker 1>Spotify in in China and on the entire platform, two

1:11:49.360 --> 1:11:51.920
<v Speaker 1>of my songs were in the top fifty and I

1:11:51.960 --> 1:11:53.800
<v Speaker 1>didn't even know. And the funny things, I didn't even

1:11:53.840 --> 1:11:57.200
<v Speaker 1>release it. There was like just pirated. So people just

1:11:57.240 --> 1:11:59.720
<v Speaker 1>grabbed my music then put it on the platform. But

1:12:00.200 --> 1:12:01.880
<v Speaker 1>this is the best best example because I didn't even

1:12:01.880 --> 1:12:05.000
<v Speaker 1>so there was the absolutely zero effort from my side,

1:12:05.400 --> 1:12:09.439
<v Speaker 1>but the music just did its thing. And yeah, now

1:12:09.760 --> 1:12:11.559
<v Speaker 1>I mean now the situation change. They have like a

1:12:11.600 --> 1:12:14.840
<v Speaker 1>team there and everything. Um. But of course I can

1:12:14.880 --> 1:12:17.360
<v Speaker 1>never know that for every song because they are It's

1:12:17.400 --> 1:12:22.280
<v Speaker 1>like maybe of my songs they do that where they're

1:12:22.320 --> 1:12:26.200
<v Speaker 1>just they. I always say they grew grow legs they

1:12:26.400 --> 1:12:28.519
<v Speaker 1>like they which which for me means so you have

1:12:28.560 --> 1:12:31.400
<v Speaker 1>a certain point whether the song starts right on release date,

1:12:31.640 --> 1:12:34.960
<v Speaker 1>then it goes down and if it ever gets over

1:12:35.000 --> 1:12:37.200
<v Speaker 1>that starting point, that's where I say, Okay, that song

1:12:37.240 --> 1:12:41.080
<v Speaker 1>really grew legs, so it really it becomes bigger than

1:12:41.080 --> 1:12:43.760
<v Speaker 1>at the start. And I think I would say, of

1:12:43.800 --> 1:12:46.920
<v Speaker 1>my songs do that, Okay, So give me some numbers

1:12:46.920 --> 1:12:49.000
<v Speaker 1>so that people can relate to the twenty or thirty

1:12:49.040 --> 1:12:54.920
<v Speaker 1>percent that go big. How big are they? Um? They are?

1:12:55.080 --> 1:12:57.240
<v Speaker 1>So the biggest song I think it's fly Away. It has,

1:12:57.320 --> 1:13:02.720
<v Speaker 1>like Honey, around hundred thousand plays on Spotify per day, um,

1:13:02.720 --> 1:13:05.840
<v Speaker 1>which maybe it's not that much for a couple of artists,

1:13:05.880 --> 1:13:09.679
<v Speaker 1>but the key is that it's it's now four years

1:13:09.680 --> 1:13:12.840
<v Speaker 1>old and it has now a hundred thousand place on

1:13:12.960 --> 1:13:15.599
<v Speaker 1>Spotify per day, and that's the highest that ever got,

1:13:15.960 --> 1:13:18.719
<v Speaker 1>so it still keeps growing. That so the daily place

1:13:18.920 --> 1:13:21.280
<v Speaker 1>still keep growing. And that's the same for by some

1:13:21.520 --> 1:13:25.080
<v Speaker 1>monity for example, or the calling and yeah, so so

1:13:25.120 --> 1:13:26.840
<v Speaker 1>there's a hundred thousand places. The next my I think

1:13:26.880 --> 1:13:29.320
<v Speaker 1>is probably eighty thousand place, and next rounds probably you know,

1:13:29.479 --> 1:13:32.600
<v Speaker 1>forty thou place a lot of around. The stronger is

1:13:32.600 --> 1:13:37.400
<v Speaker 1>also Stronger started at I think thirty thousand place per

1:13:37.479 --> 1:13:39.200
<v Speaker 1>day when I put it out in two thousand nine.

1:13:39.720 --> 1:13:42.920
<v Speaker 1>Now it has eighty thou nine place per day. And

1:13:43.320 --> 1:13:48.160
<v Speaker 1>what are the cum numbers cumulative on Spotify? It's at

1:13:48.160 --> 1:13:50.519
<v Speaker 1>the moment I think a rundred thousand and fifty thousand

1:13:50.560 --> 1:13:54.040
<v Speaker 1>around that. Okay, So what are your biggest tracks on

1:13:54.080 --> 1:13:58.680
<v Speaker 1>Spotify and how many times have they been streamed? The

1:13:58.760 --> 1:14:01.960
<v Speaker 1>biggest is Flyaway. It has around hundred million place at

1:14:02.000 --> 1:14:05.120
<v Speaker 1>the moment. Okay. So you're saying you're getting a eight

1:14:05.160 --> 1:14:11.639
<v Speaker 1>hundred thousand streams a day. Yeah, okay. You you talk

1:14:11.720 --> 1:14:15.160
<v Speaker 1>about your music being big in Vietnam, etcetera. This is

1:14:15.240 --> 1:14:20.320
<v Speaker 1>purely organic or you're working it, um, I mean I'm

1:14:20.320 --> 1:14:23.200
<v Speaker 1>working it's more now. So the reason for example, why

1:14:23.280 --> 1:14:25.840
<v Speaker 1>have we have this PR company now and more stuff

1:14:25.920 --> 1:14:28.479
<v Speaker 1>going on is my management now, which is my wife.

1:14:29.040 --> 1:14:33.160
<v Speaker 1>And it's also the the attempt to you know, reach

1:14:33.240 --> 1:14:37.360
<v Speaker 1>new audiences as well. Um, because it's spreading in a

1:14:37.360 --> 1:14:40.400
<v Speaker 1>certain community and it's going a lot of music is

1:14:40.400 --> 1:14:45.080
<v Speaker 1>going viral viral, not a lot, but like I said, roughly, um,

1:14:45.080 --> 1:14:48.360
<v Speaker 1>it's doing its own thing. Uh. You have, But I mean,

1:14:48.400 --> 1:14:51.240
<v Speaker 1>you want to keep growing and keep getting bigger. But

1:14:51.320 --> 1:14:54.120
<v Speaker 1>I could I could completely stop any marketing simply put

1:14:54.120 --> 1:14:55.960
<v Speaker 1>out songs and if it's the right song and would

1:14:56.000 --> 1:15:01.639
<v Speaker 1>still do very well. What kind of marketing are you doing? Uh? Yeah,

1:15:01.680 --> 1:15:04.360
<v Speaker 1>So we have this amazing PR company now I think

1:15:04.360 --> 1:15:08.040
<v Speaker 1>they're We're really really happy with them. Uh. Then we

1:15:08.120 --> 1:15:13.280
<v Speaker 1>have a like making like ads now on on Reddit

1:15:13.360 --> 1:15:16.320
<v Speaker 1>ads and YouTube ads and Facebook ads and stuff like that.

1:15:16.680 --> 1:15:18.960
<v Speaker 1>But all that that's all my wife. So I'm not

1:15:19.160 --> 1:15:21.559
<v Speaker 1>that much into it. She's like trying to figure out

1:15:21.600 --> 1:15:25.040
<v Speaker 1>stuff and I think doing a really good job. But

1:15:25.160 --> 1:15:29.519
<v Speaker 1>I have to say after I I after my wife

1:15:29.520 --> 1:15:32.920
<v Speaker 1>became a manager, I think within one year my streaming

1:15:33.000 --> 1:15:36.400
<v Speaker 1>numbers doubled, which they never did well in the very

1:15:36.439 --> 1:15:39.800
<v Speaker 1>beginning of the first year that happened. But but I

1:15:39.840 --> 1:15:41.800
<v Speaker 1>think in the in the Union when I was signed

1:15:41.800 --> 1:15:45.360
<v Speaker 1>with Universal. Over the two years roughly had a growth

1:15:45.400 --> 1:15:49.759
<v Speaker 1>of maybe thirty percent. And then I kicked out the Universe.

1:15:49.800 --> 1:15:52.080
<v Speaker 1>I kicked on my manager. My wife started managing me,

1:15:52.080 --> 1:15:54.000
<v Speaker 1>and we had a growth of d percent within a year.

1:15:54.720 --> 1:15:59.479
<v Speaker 1>And what about live gigs? I played some, uh, not

1:15:59.560 --> 1:16:02.840
<v Speaker 1>a lot. Also for family reasons. I'm very like a

1:16:02.920 --> 1:16:07.160
<v Speaker 1>very you know, a family guy. Uh and you know,

1:16:07.280 --> 1:16:09.080
<v Speaker 1>to a life it's not it doesn't go so well

1:16:09.479 --> 1:16:11.519
<v Speaker 1>with with family. So yeah, I played some. I played

1:16:11.720 --> 1:16:14.559
<v Speaker 1>Electric Forest for example, I played the like the small

1:16:15.439 --> 1:16:20.160
<v Speaker 1>venue on Webster Hall for example, Avalon in Los Angeles

1:16:20.160 --> 1:16:21.680
<v Speaker 1>and stuff like that. I prayed to the Roxy in

1:16:21.760 --> 1:16:25.320
<v Speaker 1>Los Angeles for example. Um, but that's sure, it has

1:16:25.320 --> 1:16:26.599
<v Speaker 1>been a while. I don't even know how long it's

1:16:26.640 --> 1:16:29.719
<v Speaker 1>ago because of COVID and everything. And what's the creative

1:16:29.760 --> 1:16:35.960
<v Speaker 1>process for me making songs? Oh, it's making a lot

1:16:36.040 --> 1:16:38.479
<v Speaker 1>of a lot of songs and throwing away most of it.

1:16:39.280 --> 1:16:42.360
<v Speaker 1>I tried to make one new song every day at

1:16:42.400 --> 1:16:46.519
<v Speaker 1>least like what I kinda lay out, uh, putting out,

1:16:46.840 --> 1:16:50.320
<v Speaker 1>putting together some beats, some melodies and stuff, and then

1:16:50.400 --> 1:16:52.559
<v Speaker 1>do it all over again the next day until something

1:16:52.600 --> 1:16:54.439
<v Speaker 1>sticks with me when I'm like totally fall in love

1:16:54.479 --> 1:16:56.080
<v Speaker 1>with it, because I have to be in love with

1:16:56.120 --> 1:16:58.559
<v Speaker 1>it to go through the finishing process, which can be

1:16:59.040 --> 1:17:00.960
<v Speaker 1>slow and tedious. For I don't put out a lot

1:17:00.960 --> 1:17:02.960
<v Speaker 1>of songs that we I mean, now I'm putting out

1:17:02.960 --> 1:17:05.439
<v Speaker 1>ten songs in a row, but usually often has been

1:17:05.520 --> 1:17:08.599
<v Speaker 1>for me, it's been like three or four songs a year.

1:17:08.760 --> 1:17:10.720
<v Speaker 1>And that wasn't like three singles a year, and that

1:17:10.840 --> 1:17:13.240
<v Speaker 1>was my year. So you're working ten hours a day,

1:17:13.439 --> 1:17:16.519
<v Speaker 1>you only work like you know sometimes no, no, no,

1:17:16.880 --> 1:17:19.639
<v Speaker 1>I'm pretty structured. So usually I stand up and I

1:17:19.720 --> 1:17:22.720
<v Speaker 1>hit the STUDI immediately, So the first thing during the

1:17:22.720 --> 1:17:27.080
<v Speaker 1>morning is like ten ten two hours of music production.

1:17:27.400 --> 1:17:31.920
<v Speaker 1>Then I do work out, then I do like, uh,

1:17:32.080 --> 1:17:34.280
<v Speaker 1>having breakfast and everything, and then I go back to studios.

1:17:34.280 --> 1:17:36.920
<v Speaker 1>So it's more and more a morning person now, which

1:17:36.920 --> 1:17:39.880
<v Speaker 1>another thought. When I started, I was always working late night.

1:17:39.960 --> 1:17:42.599
<v Speaker 1>But I realized that I'm you know, there's this thing

1:17:42.680 --> 1:17:46.360
<v Speaker 1>that you'd really productive at late night, and a lot

1:17:46.400 --> 1:17:48.800
<v Speaker 1>of people discover at some point that you're actually even

1:17:48.840 --> 1:17:52.320
<v Speaker 1>more productive it really early morning, when it's kind of

1:17:52.360 --> 1:17:55.920
<v Speaker 1>similar that being close to sleep thing where you're very

1:17:55.960 --> 1:17:58.800
<v Speaker 1>creative where you're not distracted and everything. So, yeah, I

1:17:58.800 --> 1:18:01.240
<v Speaker 1>try to be as productive that can be four twelve,

1:18:01.680 --> 1:18:07.240
<v Speaker 1>uh before noon, and then uh there's business stuff, you know,

1:18:07.360 --> 1:18:09.599
<v Speaker 1>and then uh, spending time with my daughter, and then

1:18:09.640 --> 1:18:12.240
<v Speaker 1>I usually get back into the studio around evening doing

1:18:12.240 --> 1:18:13.880
<v Speaker 1>a little bit of office stuff and then also being

1:18:13.880 --> 1:18:16.920
<v Speaker 1>creative and listening to a lot of music. Yeah, and

1:18:16.960 --> 1:18:20.160
<v Speaker 1>it's very yeah, very structured and very home based and

1:18:20.200 --> 1:18:25.040
<v Speaker 1>also not that crazy star. You say it takes a

1:18:25.080 --> 1:18:27.160
<v Speaker 1>long time to finish the song. How long does it

1:18:27.160 --> 1:18:31.240
<v Speaker 1>take to finish That depends. So when it's fast, it's

1:18:31.240 --> 1:18:34.719
<v Speaker 1>around a month. When it's slow. For example, my song Monitory,

1:18:34.720 --> 1:18:37.040
<v Speaker 1>you took me five months or every day. I was

1:18:37.080 --> 1:18:39.160
<v Speaker 1>working on it every day for five months. What are

1:18:39.200 --> 1:18:44.680
<v Speaker 1>you doing for five months? Um? So in the end,

1:18:44.800 --> 1:18:47.719
<v Speaker 1>you know, a song can have like hundred fifty tracks,

1:18:47.800 --> 1:18:49.880
<v Speaker 1>and for every of those hundred fifty tracks, I have

1:18:49.960 --> 1:18:53.040
<v Speaker 1>like ten other tracks that I made, and I was like, Okay,

1:18:53.600 --> 1:18:56.320
<v Speaker 1>it could be done better, whatever it might be, you know,

1:18:56.479 --> 1:18:59.639
<v Speaker 1>just going through all the options that you have, like, Okay,

1:18:59.800 --> 1:19:02.559
<v Speaker 1>this step could be like the step sound could be

1:19:02.600 --> 1:19:04.800
<v Speaker 1>a guitar, and I'm trying with the guitar sound. Maybe

1:19:04.840 --> 1:19:07.639
<v Speaker 1>it should be more brass, and putting in brass. Now

1:19:07.720 --> 1:19:09.920
<v Speaker 1>maybe it should be more orchestra, and then I'm putting orchestra.

1:19:09.960 --> 1:19:12.040
<v Speaker 1>And so yeah, just going through a lot of ideas

1:19:12.080 --> 1:19:14.320
<v Speaker 1>that I have until I have the one where I'm like, Okay,

1:19:14.400 --> 1:19:16.800
<v Speaker 1>this is the right one. But you're doing it all

1:19:16.840 --> 1:19:21.840
<v Speaker 1>yourself on electronic equipment. Yeah. Sometimes I used this platform

1:19:22.120 --> 1:19:25.439
<v Speaker 1>that is owned by Spotify, and I think it's called

1:19:25.479 --> 1:19:29.639
<v Speaker 1>sound Better. Why you can hire pretty good musicians online.

1:19:30.400 --> 1:19:35.120
<v Speaker 1>Uh So I'm for example, four strings or guitars, and

1:19:35.240 --> 1:19:38.200
<v Speaker 1>or I produce it and the computer and then I

1:19:38.240 --> 1:19:40.599
<v Speaker 1>send it out and then they recorded and send it back.

1:19:41.600 --> 1:19:45.320
<v Speaker 1>And if you how do you know when it's finished?

1:19:45.800 --> 1:19:49.200
<v Speaker 1>And can you tell when it's done what tracks are

1:19:49.200 --> 1:19:53.120
<v Speaker 1>going to resonate most? If I can tell what tracks

1:19:53.120 --> 1:20:01.080
<v Speaker 1>are going to resonate most h yes and no. Um.

1:20:01.240 --> 1:20:04.080
<v Speaker 1>Usually I have a pretty good feeling a lot of times,

1:20:04.600 --> 1:20:08.479
<v Speaker 1>but sometimes sometimes I'm very wrong. Simply Sometimes sometimes I

1:20:08.520 --> 1:20:10.519
<v Speaker 1>have a track while like they're like, okay, I'm gonna

1:20:10.560 --> 1:20:13.160
<v Speaker 1>put it out, Well, it's like barely good enough for

1:20:13.200 --> 1:20:15.280
<v Speaker 1>me to put it out. For example, my track Flyaway,

1:20:15.320 --> 1:20:19.559
<v Speaker 1>which then totally blew up. That sometimes happens. What really

1:20:19.600 --> 1:20:21.559
<v Speaker 1>happens is that I love a song and then it

1:20:21.600 --> 1:20:23.559
<v Speaker 1>doesn't do well. I kind of had this one time

1:20:23.600 --> 1:20:25.920
<v Speaker 1>a song Maydeay. I thought it would be really outstanding.

1:20:25.920 --> 1:20:28.880
<v Speaker 1>It did well, but not as good as I expected it.

1:20:29.240 --> 1:20:31.800
<v Speaker 1>But that rarely happens. And then most of the time

1:20:31.840 --> 1:20:34.320
<v Speaker 1>I'm kind of know where it's where it's going to be.

1:20:35.360 --> 1:20:37.160
<v Speaker 1>So how do you know what a song is finished?

1:20:38.600 --> 1:20:42.240
<v Speaker 1>Simply when there's nothing left to change? At some point

1:20:42.280 --> 1:20:44.599
<v Speaker 1>I'm like, okay, no, I have like all ideas that

1:20:44.640 --> 1:20:48.320
<v Speaker 1>I have, there's nothing bothering me, there are no ideas slip.

1:20:48.400 --> 1:20:50.479
<v Speaker 1>We're like, okay, I should try this. Like I said,

1:20:50.479 --> 1:20:53.679
<v Speaker 1>it's not that I I you know, with today's way

1:20:53.680 --> 1:20:56.040
<v Speaker 1>of working, you change something and you can always change

1:20:56.080 --> 1:20:58.000
<v Speaker 1>it back. So every idea I have, it would try

1:20:58.040 --> 1:21:00.559
<v Speaker 1>it until at some point I have like, okay, now

1:21:00.560 --> 1:21:02.679
<v Speaker 1>I have absolutely no idea what could be done better?

1:21:02.760 --> 1:21:06.559
<v Speaker 1>And nothing's bothering me anymore. Okay. The other thing I

1:21:06.600 --> 1:21:09.880
<v Speaker 1>noticed in your music, unlike traditional E d M, is

1:21:09.880 --> 1:21:14.960
<v Speaker 1>there's more melody. You conscious of that, yes, very much.

1:21:16.000 --> 1:21:20.679
<v Speaker 1>Just I had a time I was making like beats,

1:21:20.920 --> 1:21:23.880
<v Speaker 1>you know, I d M. It was when I moved

1:21:23.880 --> 1:21:25.640
<v Speaker 1>to l A. I was like, Okay, I'm gonna do

1:21:25.680 --> 1:21:27.960
<v Speaker 1>the beats, and we're gonna have the top liners. And

1:21:28.439 --> 1:21:33.240
<v Speaker 1>what read was interesting for me. In Europe, it's this

1:21:33.520 --> 1:21:35.519
<v Speaker 1>this thing I was I was working with sweets. They

1:21:35.520 --> 1:21:39.080
<v Speaker 1>would spend so much time on the melodies and then

1:21:39.080 --> 1:21:42.360
<v Speaker 1>they would write some random lyrics within ten minutes. And

1:21:42.400 --> 1:21:44.639
<v Speaker 1>then I moved to the US and they would write

1:21:44.640 --> 1:21:47.760
<v Speaker 1>the melodies in ten minutes and then spend Yeah, they

1:21:47.760 --> 1:21:50.720
<v Speaker 1>would spend hours on the lyrics, which was really fascinating,

1:21:51.920 --> 1:21:57.160
<v Speaker 1>which I realized, Okay, lyrics are important because I'm from Germany, right,

1:21:57.240 --> 1:21:59.799
<v Speaker 1>and we when you grow up you don't even understand

1:21:59.800 --> 1:22:01.719
<v Speaker 1>that English lyrics and it's just you need some punch

1:22:01.760 --> 1:22:03.920
<v Speaker 1>lines in it. But I realized in the U s

1:22:04.000 --> 1:22:06.280
<v Speaker 1>that there can be a lot of deep meaning and

1:22:06.520 --> 1:22:09.679
<v Speaker 1>lyrics can be really meaningful and they're really important and everything.

1:22:10.439 --> 1:22:12.439
<v Speaker 1>But what bothered me was that they spend a little

1:22:12.439 --> 1:22:14.599
<v Speaker 1>time on the melodies. The top lineers were more like

1:22:14.640 --> 1:22:18.599
<v Speaker 1>the lyricist. And then I said, okay, now I'm simply

1:22:18.600 --> 1:22:20.400
<v Speaker 1>going to do the melodies and when the top line

1:22:20.479 --> 1:22:22.799
<v Speaker 1>is come to the student, I'm gonna have some melodies prepared,

1:22:23.080 --> 1:22:24.920
<v Speaker 1>and my business partner back then, he was like, no,

1:22:25.120 --> 1:22:28.439
<v Speaker 1>don't do it, Like can you even do that? And

1:22:28.479 --> 1:22:31.040
<v Speaker 1>I started studying melodies. I started a lot of Max Martin,

1:22:31.120 --> 1:22:33.719
<v Speaker 1>for example. I listened to a lot of music, his songs,

1:22:33.760 --> 1:22:37.080
<v Speaker 1>and I analyzed everything and I transcribed a lot of stuff.

1:22:38.080 --> 1:22:41.320
<v Speaker 1>And then I started doing it. And first my business

1:22:41.360 --> 1:22:43.519
<v Speaker 1>partner I said that it's not good, but then I

1:22:43.560 --> 1:22:47.479
<v Speaker 1>think after two weeks. No, it was actually the first

1:22:47.479 --> 1:22:51.639
<v Speaker 1>session where insisted that we use my melody and we

1:22:51.720 --> 1:22:53.880
<v Speaker 1>finished the song, we sent it around and we immediate

1:22:53.920 --> 1:22:57.439
<v Speaker 1>immediately got Jason Rulu to the record it and was like, okay,

1:22:57.520 --> 1:23:01.000
<v Speaker 1>maybe I should keep making the melodies. Yeah, and ever since,

1:23:01.040 --> 1:23:04.960
<v Speaker 1>I just uh worked on it very consciously. And one

1:23:05.000 --> 1:23:07.639
<v Speaker 1>big inspiration for me has been Vici as well as well.

1:23:07.920 --> 1:23:12.479
<v Speaker 1>That was the incredible thing how he incorporated melodies into

1:23:12.520 --> 1:23:16.680
<v Speaker 1>idiom music. And you have this ten song album, And

1:23:16.720 --> 1:23:18.599
<v Speaker 1>if it takes you so long to finish your track,

1:23:18.960 --> 1:23:20.559
<v Speaker 1>how long did it take you to do the ten

1:23:20.640 --> 1:23:23.839
<v Speaker 1>song album. Yeah, that was a little bit faster because

1:23:24.439 --> 1:23:27.120
<v Speaker 1>I consciously decided I'm going to do some album songs.

1:23:27.800 --> 1:23:31.880
<v Speaker 1>So before I had a really high bar that a

1:23:32.000 --> 1:23:36.479
<v Speaker 1>song had to get over to actually get released, which

1:23:36.680 --> 1:23:39.160
<v Speaker 1>also my wife said, hey, you have so many great

1:23:39.240 --> 1:23:41.479
<v Speaker 1>songs that are really good. Maybe they are not a single,

1:23:41.479 --> 1:23:43.640
<v Speaker 1>but you still should still release them. So that was

1:23:43.640 --> 1:23:45.559
<v Speaker 1>simply I said, Okay, I'm gonna do an album. I'm

1:23:45.560 --> 1:23:47.760
<v Speaker 1>also going to release some songs that are more experimental,

1:23:47.800 --> 1:23:50.920
<v Speaker 1>which are not a single, which probably will not stand

1:23:50.920 --> 1:23:52.439
<v Speaker 1>on their own way. I think like, Okay, they're gonna

1:23:52.439 --> 1:23:55.599
<v Speaker 1>grow legs and they're gonna do big things on their own,

1:23:56.280 --> 1:23:58.840
<v Speaker 1>but still people might a lot of people might simply

1:23:58.840 --> 1:24:01.040
<v Speaker 1>still enjoy listening to them, to them, and yes, some

1:24:01.160 --> 1:24:04.559
<v Speaker 1>songs just took like two weeks, so yeah, it wasn't

1:24:04.560 --> 1:24:07.839
<v Speaker 1>that long. Okay, do you consciously shit in your studio

1:24:08.000 --> 1:24:12.960
<v Speaker 1>and say I want to make a hit single? Sometimes

1:24:14.000 --> 1:24:17.360
<v Speaker 1>not all the times. Yeah. I sit there and then

1:24:17.400 --> 1:24:21.240
<v Speaker 1>I think that, and then I realized it's completely blocking

1:24:21.240 --> 1:24:24.759
<v Speaker 1>me creatively, and then I tried to figure it out,

1:24:24.960 --> 1:24:27.479
<v Speaker 1>and then I do weird stuff, and then I think, oh,

1:24:27.520 --> 1:24:30.200
<v Speaker 1>I'm doing completely weird stuff. I should focus more on

1:24:30.320 --> 1:24:32.479
<v Speaker 1>making a hit single. And that's kind of a cycle

1:24:32.880 --> 1:24:35.880
<v Speaker 1>where it always moves and once in a while, randomly

1:24:35.920 --> 1:24:38.760
<v Speaker 1>a good song comes out of that process. Okay, if

1:24:38.760 --> 1:24:41.400
<v Speaker 1>I snap my fingers and we're in a perfect world,

1:24:42.000 --> 1:24:46.480
<v Speaker 1>what is your career look like? What's the ultimate dream?

1:24:46.520 --> 1:24:50.760
<v Speaker 1>I have this question recently, which record like which? Uh yeah?

1:24:50.800 --> 1:24:53.280
<v Speaker 1>Which which like Guinness World Record? Would you like to

1:24:54.520 --> 1:24:57.479
<v Speaker 1>uh break? Have? And I simply said, I would like

1:24:57.520 --> 1:25:00.960
<v Speaker 1>to have the most stream song and the and I

1:25:01.000 --> 1:25:04.240
<v Speaker 1>think that would still be a goal for me, simply

1:25:06.000 --> 1:25:10.240
<v Speaker 1>number one on on every single chart. Okay, well, I

1:25:10.240 --> 1:25:13.439
<v Speaker 1>hope you reached that. This has been fascinating. I mean,

1:25:13.800 --> 1:25:17.000
<v Speaker 1>you're very articulate and you know where you're going, and

1:25:17.160 --> 1:25:20.360
<v Speaker 1>you experimented a lot in the American way to get

1:25:20.360 --> 1:25:24.160
<v Speaker 1>where you are today. Yeah, it was very beneficial for

1:25:24.200 --> 1:25:26.200
<v Speaker 1>me to be in the US, I have to say, right,

1:25:26.520 --> 1:25:29.679
<v Speaker 1>it learned so much there. Okay, it's been great talking

1:25:29.720 --> 1:25:32.479
<v Speaker 1>to you. Until next time. This is Bob left Sex