WEBVTT - The Argyll Scandal

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<v Speaker 1>Welcome to Noble Blood, a production of iHeartRadio and Grimm

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<v Speaker 1>and Mild from Aaron Manky listener discretion advised. In nineteen

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<v Speaker 1>thirty one, a socialite named Ethel Margaret Wigham held her

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<v Speaker 1>nineteenth birthday party at the Embassy Club, one of London's

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<v Speaker 1>most exclusive supper clubs at the time. It was the

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<v Speaker 1>kind of place where film stars and royalty commingled, and

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<v Speaker 1>Margaret was the center of it all. She was the beautiful,

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<v Speaker 1>wealthy daughter of a Scottish businessman, and after her coming

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<v Speaker 1>out as Debutante of the Year in nineteen thirty she

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<v Speaker 1>soon became a darling of London society thanks to her

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<v Speaker 1>glamorous fashion and her aura of confidence. According to legend,

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<v Speaker 1>the night of the birthday party, Margaret had an astrologer

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<v Speaker 1>predict her future. I see happiness, laughter, much love, but

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<v Speaker 1>beware there is danger. Danger from what Margaret asked, treachery.

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<v Speaker 1>The astrologer replied, you will be betrayed by the people

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<v Speaker 1>you trust. Flash forward thirty years and Margaret, then fifty

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<v Speaker 1>years old and the Duchess of Argyle, arrived at court

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<v Speaker 1>wearing a tailored peacoat, mink wrap and pearl earrings. She

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<v Speaker 1>was there to begin the divorce proceedings from her second husband,

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<v Speaker 1>the Duke of Argyle, which would end up being the

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<v Speaker 1>longest and costliest divorce proceedings British history had ever seen.

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<v Speaker 1>The couple had met after Margaret's divorce from her first husband,

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<v Speaker 1>American businessman Charles Sweeney, but it soon became clear that

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<v Speaker 1>Margaret had found another doomed match. The Duke was filing

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<v Speaker 1>for divorce from his wife on the grounds of adultery,

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<v Speaker 1>alleging that Margaret had taken eighty eight lovers in their

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<v Speaker 1>time together, a list of lovers that included cabinet ministers,

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<v Speaker 1>Hollywood actors, and royals. It was a tabloid frenzy, not

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<v Speaker 1>only thanks to the couple's titles and the breadth of

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<v Speaker 1>the accusation, but because of the voyeuristic intimate details that

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<v Speaker 1>were being made public. Margaret later described her second husband

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<v Speaker 1>as quote in every essence a Gemini Gemini. People are

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<v Speaker 1>usually two faced, aren't they? You should never trust them?

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<v Speaker 1>Charming and treacherous. The story of the Argyle divorce and

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<v Speaker 1>the story of Margaret's life are both complicated ones to tell.

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<v Speaker 1>It's hard to separate the truth from the tabloid narrative,

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<v Speaker 1>and it's hard to discern what the truth even is

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<v Speaker 1>at all. Margaret's recountenances are filled with contradictions, misrememberings, and,

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<v Speaker 1>according to some outright lies. In more recent years, there

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<v Speaker 1>have been attempts to reframe Britain's view of Margaret with

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<v Speaker 1>our modern understanding of issues at play, like slutshaming and

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<v Speaker 1>ideas about revenge porn. Last year, the BBC aired the

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<v Speaker 1>drama A Very British Scandal, which sought to paint a

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<v Speaker 1>more nuanced, insightful portrait of the inner lives of the

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<v Speaker 1>subjects at the heart of the scandal. But as you

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<v Speaker 1>might imagine, television is meant to entertain, and the show

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<v Speaker 1>still provides all of the sensationalized scandal that you might

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<v Speaker 1>hope for from its title. Perhaps in the end, that's

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<v Speaker 1>the only way you can really do justice to the

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<v Speaker 1>story of the woman who thought of herself as a sensation.

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<v Speaker 1>Later in life, Margaret would reflect quote, I had wealth,

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<v Speaker 1>I had good looks as a young woman, I had

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<v Speaker 1>been constantly photographed, written about, flattered, admired. Included in the

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<v Speaker 1>ten Best Dressed Women in the World list and mentioned

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<v Speaker 1>by Cole Porter in the words of his hit song

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<v Speaker 1>You're the Top. The top was what I was supposed

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<v Speaker 1>to be. That last claim is actually only a half truth.

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<v Speaker 1>In the original version of his song for the musical

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<v Speaker 1>Anything Goes, Coleporter never wrote a line about Margaret. The

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<v Speaker 1>original lyric of the song and the one that is

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<v Speaker 1>used today goes You're an O'Neill drama, your Whistler's Mama,

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<v Speaker 1>great charming. But in nineteen thirty five there was a

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<v Speaker 1>British production of Anything Goes with some of the lyrics

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<v Speaker 1>anglicized by P. G. Woodhouse. Today, that one production is

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<v Speaker 1>a curio of history with lyrics that sound not only

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<v Speaker 1>less relevant but downright confusing to some listeners today. Whatever

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<v Speaker 1>you're expecting the angler size lyric to be, it's probably

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<v Speaker 1>not this, But the P. G. Woodhouse couplet goes your Mussolini,

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<v Speaker 1>your missus Sweeney, missus Sweeney, of course, referencing Margaret. Any

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<v Speaker 1>person who could share a lyric with Mussolini, where audiences

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<v Speaker 1>would think, yes, those two people are of the same

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<v Speaker 1>cultural cachet certainly deserves our historical examination. Unfortunately, for all

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<v Speaker 1>of the glamour of Margaret Wigham Sweeney Campbell's life, there

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<v Speaker 1>was also a twisted undercurrent of pain and a now

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<v Speaker 1>all too modern story about how tabloid media builds women

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<v Speaker 1>up just to tear them down. I'm Danish Sports and

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<v Speaker 1>this is noble blood. Margaret was the only child of

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<v Speaker 1>George Wigham, the millionaire chairman of the selling Nanse Corporation,

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<v Speaker 1>and his wife Helen. Though Margaret was born on her

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<v Speaker 1>maternal grandparents estate in a sleepy Scottish town a few

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<v Speaker 1>miles outside of Glasgow, Margaret's first memory of a home

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<v Speaker 1>was the Park Avenue apartment in New York City, where

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<v Speaker 1>she spent much of her childhood. Margaret recalled having no

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<v Speaker 1>friends as a girl, preferring to keep the company of

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<v Speaker 1>teddy bears. When she wasn't with the teddies, she preferred

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<v Speaker 1>the company of her parents. As the only child of

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<v Speaker 1>a wealthy family, she became spoiled and close with her

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<v Speaker 1>doting father. Her relationship with her mother was more difficult.

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<v Speaker 1>Margaret would later recall that she would enter her mother's

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<v Speaker 1>bedroom each morning, not knowing if she was going to

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<v Speaker 1>be quote bright and loving or complaining and bad tempered.

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<v Speaker 1>As Margaret grew up, her mother became obsessive over her

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<v Speaker 1>daughter's appearance. The fixation with looks likely came from Helen's

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<v Speaker 1>own childhood insecurities from never feeling like she was attractive

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<v Speaker 1>enough compared to her siblings. The constant attention given to

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<v Speaker 1>Margaret's looks, even though it was negative, made the young

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<v Speaker 1>Margaret a self described vain little girl. Her mother also

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<v Speaker 1>took issue with Margaret's developing stammer, which began after she

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<v Speaker 1>was forced to start writing with her right hand, even

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<v Speaker 1>though she was naturally left handed. Margaret was taken to

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<v Speaker 1>London to be treated by Lionel Lowe, the same speech

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<v Speaker 1>therapist who helped King George the sixth manage his stammer,

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<v Speaker 1>who you might have seen portrayed by Jeffrey Rush in

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<v Speaker 1>the movie The King's Speech. The real Lionel's methods proved

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<v Speaker 1>ineffective on Margaret, much to her mother's disappointment. Margaret would

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<v Speaker 1>later recount her mother telling her, no matter how pretty

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<v Speaker 1>you are, Margaret, you will get nowhere in life if

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<v Speaker 1>you stammer. As Margaret grew older, the effect of a

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<v Speaker 1>childhood without hearing the word no from her father began

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<v Speaker 1>to cement in Margaret's personality. She believed that anything could

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<v Speaker 1>be bought, and she had little respect for authority or

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<v Speaker 1>for any adults who weren't her parents. Though Margaret was

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<v Speaker 1>beginning to physically appear older and present herself as more sophisticated,

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<v Speaker 1>she still doated on the teddy bears from her childhood,

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<v Speaker 1>much to her mother's chagrin. One day, Margaret forgot to

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<v Speaker 1>bring her teddy bears inside from the lawn and found

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<v Speaker 1>them the next morning soaked and destroyed. She would consider

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<v Speaker 1>this the spiritual end of her childhood. Margaret's mother soon

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<v Speaker 1>gave her the talk, which Margaret recalled as going something

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<v Speaker 1>like quote, it's this awful thing we women have to

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<v Speaker 1>put up with, we close our eyes and bear it.

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<v Speaker 1>Margaret had no desire to hear about this, and the

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<v Speaker 1>discomfort with the topic of sex stuck with her for

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<v Speaker 1>some time. Margaret's parents thought she was growing up too fast,

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<v Speaker 1>and so she was transferred to the Heathfield School, where

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<v Speaker 1>girls learned academics, played lacrosse, and attended twice daily prayer.

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<v Speaker 1>None of that interested Margaret, who detested the school's expectations

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<v Speaker 1>of conformity. She once retreated from her peers and noted

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<v Speaker 1>that she had no friends at the school. Proclaiming quote,

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<v Speaker 1>I don't like women in a mass I think they

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<v Speaker 1>should be individuals. Margaret was brought to and from school

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<v Speaker 1>every day in a chauffeur driven Rolls Royce, which probably

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<v Speaker 1>provides some indication as to how her fellow students saw her.

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<v Speaker 1>Margaret felt that the disdain with which the other girls

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<v Speaker 1>treated her was earned simply because she was much more

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<v Speaker 1>sophisticated than them. As the car drove away, she shouted

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<v Speaker 1>bye bye, girls. Enjoy your hockey and your lacrosse. I'm

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<v Speaker 1>off to a matinee in London. She was at the

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<v Speaker 1>school for only two months before her family was forced

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<v Speaker 1>to make a decision. Margaret could live at the school

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<v Speaker 1>as a boarder or she'd be forced to leave, so

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<v Speaker 1>she left and began learning from a governess. During that time,

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<v Speaker 1>Margaret found her passion for boys. She was surprised to

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<v Speaker 1>find they liked her speech impediment, seeing it as of

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<v Speaker 1>vulnerability they could care for, something she described as a

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<v Speaker 1>cold comfort. When Margaret was fifteen, her family spent the

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<v Speaker 1>Easter holiday at Bembridge on the Isle of Wight. It

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<v Speaker 1>was there she met David Niven, a seventeen year old

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<v Speaker 1>public schoolboy and future Oscar winning actor. Margaret became infatuated

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<v Speaker 1>and soon lost her virginity to him. Even when she

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<v Speaker 1>returned home from the vacation, she couldn't stop thinking about David,

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<v Speaker 1>and she roped a friend into sneaking off to London

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<v Speaker 1>with her to visit him, an incredibly bold move for

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<v Speaker 1>a woman, let alone a fifteen year old girl of

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<v Speaker 1>the time. Her rebellious streak came to a sudden halt

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<v Speaker 1>when she learned she was pregnant. Her father was furious

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<v Speaker 1>and all hell broke loose in the house. This was

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<v Speaker 1>the nineteen twenties and teen pregnancy is still taboo today.

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<v Speaker 1>Margaret underwent a secret abortion and no one was to

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<v Speaker 1>speak of the quote incident again. In nineteen twenty nine,

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<v Speaker 1>Margaret and her mother began preparing for Margaret's debut as

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<v Speaker 1>a debutante, despite being a year younger than the typical

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<v Speaker 1>deb Margaret reflected that quote, my mother must have realized

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<v Speaker 1>that there was no holding me back. On May first,

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<v Speaker 1>nineteen thirty, the first day of the London Social season,

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<v Speaker 1>Margaret's coming out party was held. Their bold choice to

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<v Speaker 1>kick off the season was backed up by an unlimited

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<v Speaker 1>dress budget. They were determined to make a splash. Margaret's

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<v Speaker 1>popularity with boys, while recently traumatizing to her family, led

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<v Speaker 1>her mother to see Margaret in a new light. Margaret

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<v Speaker 1>was no longer simply the stuttering, plain looking creature who

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<v Speaker 1>seemed so foreign to her. The nineteen thirty's wave of

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<v Speaker 1>debutantes favored women like Margaret, bright and bold, fashionable and modern. Quote.

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<v Speaker 1>The girls of the nineteen thirties not only had good looks,

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<v Speaker 1>they knew how to dress, and they had far more

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<v Speaker 1>self confidence than their predecessors. Margaret would later reflect. Margaret's

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<v Speaker 1>party cost forty thousand pounds and entertained four hundred guests.

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<v Speaker 1>She made her entrance to the sound of a big

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<v Speaker 1>band orchestra, and she was dressed in a Norman Hartnell

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<v Speaker 1>turquoise dress embroidered with diamonds and pearls. Her mother had

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<v Speaker 1>insisted that she wear white, the traditional color for debutantes,

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<v Speaker 1>but Margaret wanted to stand out from the others. She

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<v Speaker 1>purposely stained the white dress that her mom had bought

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<v Speaker 1>for her, which of course forced her to change into

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<v Speaker 1>the turquoise one. The dress is designer Norman Hartnell would

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<v Speaker 1>eventually become dressmaker to Queen Elizabeth the scond and Margaret

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<v Speaker 1>would credit herself with Hartnell's rise to fame, and we

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<v Speaker 1>can't say she's entirely wrong. She was a bonafied sensation.

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<v Speaker 1>One society column summed it up by saying, quote, she

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<v Speaker 1>shone out above everyone else, as is fitting for the

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<v Speaker 1>heroine of such an evening. Throughout the season, at just

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<v Speaker 1>seventeen years old, she became one of the most photographed

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<v Speaker 1>women in London, and magazines called her the prettiest debutante

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<v Speaker 1>of the set. Margaret's celebrity was on the rise, and

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<v Speaker 1>her mother, Helen, began to grow exhausted by the number

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<v Speaker 1>of different invitations her daughter received. Eventually, Helen stopped going

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<v Speaker 1>with her altogether, leaving Margaret to attend events unchaperoned. It

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<v Speaker 1>was during this time that Margaret developed what she called

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<v Speaker 1>the Wigham system. She danced with any boy who asked

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<v Speaker 1>her for the first half of the night, decide her favorites,

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<v Speaker 1>and then dance only with them for the second. The

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<v Speaker 1>men didn't mind, but other debs began to refer to

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<v Speaker 1>her as quote that Maggie Wiggham. That year, she also

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<v Speaker 1>began to frequent clubs like the Embassy with a different

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<v Speaker 1>number of men, including the Prince Ali Khan, who tried

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<v Speaker 1>to marry her side note he would later marry Rita Hayworth.

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<v Speaker 1>And Margaret also developed a sizeable friend group of other

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<v Speaker 1>society women. One of the men she would eventually charm

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<v Speaker 1>was American businessman Charles Sweeney, who claimed to initially dislike her.

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<v Speaker 1>I could not stand her, he wrote to me. She

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<v Speaker 1>was a conceited, garrulous show off whose company I avoided

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<v Speaker 1>as much as I could. Their mutual friend groups made

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<v Speaker 1>encounters unavoidable, and one night, due to them both ending

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<v Speaker 1>up without a partner, they agreed to be each other's

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<v Speaker 1>dates to the Embassy Club. Sweeney would write that that

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<v Speaker 1>night changed everything. He quote fell under the spell of

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<v Speaker 1>Margaret Wigham's charm. After a few more dates, Charles Sweeney

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<v Speaker 1>unofficially proposed, and she accepted. This meant the world to him,

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<v Speaker 1>but little to Margaret, who didn't see proposals as real commitments.

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<v Speaker 1>The proof is in the fact that she soon also

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<v Speaker 1>became unofficially engaged to their friend Max Aiken. Neither of

0:15:41.600 --> 0:15:46.480
<v Speaker 1>the men knowing about the engagement she had to the other. Eventually,

0:15:46.680 --> 0:15:50.520
<v Speaker 1>despite a third, more formal engagement being thrown into the mix.

0:15:50.880 --> 0:15:54.000
<v Speaker 1>Margaret had begun to see more of Sweeney, who was

0:15:54.240 --> 0:15:58.760
<v Speaker 1>hurt by her betrayal of multiple engagements but still harbored feelings.

0:15:59.520 --> 0:16:03.120
<v Speaker 1>Once more, Margaret had officially broken off the other engagements.

0:16:03.160 --> 0:16:09.760
<v Speaker 1>She and Charles Sweeney became officially engaged. The wedding date

0:16:09.880 --> 0:16:13.760
<v Speaker 1>was set, and her time as quote the Wigham as

0:16:13.800 --> 0:16:17.160
<v Speaker 1>the press called her, was coming to an end. The

0:16:17.240 --> 0:16:22.120
<v Speaker 1>wedding was a glamorous affair, so many onlookers and members

0:16:22.160 --> 0:16:25.080
<v Speaker 1>of the press wanted to see her heartnel dress, which

0:16:25.160 --> 0:16:29.960
<v Speaker 1>featured an eighteen foot train embroidered with orange blossoms that

0:16:30.160 --> 0:16:35.440
<v Speaker 1>surrounding traffic was blocked for three hours. The literal traffic

0:16:35.480 --> 0:16:40.400
<v Speaker 1>stopping dress was recently displayed at the Victoria and Albert Museum.

0:16:40.760 --> 0:16:44.040
<v Speaker 1>After the wedding, Margaret would become pregnant, but it would

0:16:44.040 --> 0:16:47.040
<v Speaker 1>be the first in a series of miscarriages, of which

0:16:47.080 --> 0:16:51.520
<v Speaker 1>there would be eight total. During a later pregnancy, Margaret

0:16:51.560 --> 0:16:54.480
<v Speaker 1>became so ill that the baby had to be delivered

0:16:54.600 --> 0:16:58.880
<v Speaker 1>stillborn in order to save her life. Margaret fell into

0:16:59.000 --> 0:17:02.480
<v Speaker 1>a deep depression, both from the loss of the child

0:17:02.880 --> 0:17:07.200
<v Speaker 1>but also from Charlie's absence. Despite staying at her side

0:17:07.320 --> 0:17:10.520
<v Speaker 1>droughout her illness. As she recovered, he would visit her

0:17:10.560 --> 0:17:13.840
<v Speaker 1>briefly in the hospital each night before heading out to

0:17:13.960 --> 0:17:17.480
<v Speaker 1>a club. While it would still be a while before

0:17:17.520 --> 0:17:22.200
<v Speaker 1>their divorce, that dynamic, no doubt, reaffirmed Margaret's feeling that

0:17:22.720 --> 0:17:25.720
<v Speaker 1>Charlie Sweeney did not see her for the person she was.

0:17:25.880 --> 0:17:29.119
<v Speaker 1>That quote, all he wanted for a wife was a

0:17:29.200 --> 0:17:33.080
<v Speaker 1>pretty brainless doll. She tried to be that for the

0:17:33.119 --> 0:17:36.800
<v Speaker 1>next several years, but as World War II began, their

0:17:36.800 --> 0:17:40.800
<v Speaker 1>focus was torn away from their personal conflicts, and each

0:17:40.880 --> 0:17:44.320
<v Speaker 1>contributed in their own way to the war effort. While

0:17:44.359 --> 0:17:48.200
<v Speaker 1>the couple did eventually have two children together, the tears

0:17:48.320 --> 0:17:52.800
<v Speaker 1>in their marriage were forever evident. Both of them committed adultery,

0:17:53.119 --> 0:17:56.000
<v Speaker 1>but neither would accept the blame for the dissolution of

0:17:56.040 --> 0:18:01.320
<v Speaker 1>the relationship. In nineteen forty seven, the pair officially divorced.

0:18:01.960 --> 0:18:06.960
<v Speaker 1>Margaret was thirty four years old. In the wake of

0:18:07.040 --> 0:18:10.760
<v Speaker 1>the Second World War, the London social scene was just

0:18:10.880 --> 0:18:15.360
<v Speaker 1>beginning to return, and Margaret was now ready to return

0:18:15.640 --> 0:18:19.159
<v Speaker 1>with it. She would find the next major phase of

0:18:19.160 --> 0:18:22.399
<v Speaker 1>her life beginning not in London, though, but on a

0:18:22.480 --> 0:18:25.560
<v Speaker 1>train to Paris, where she would be seated across from

0:18:25.600 --> 0:18:29.159
<v Speaker 1>a tall man with a pointed nose. She'd come to

0:18:29.240 --> 0:18:32.320
<v Speaker 1>learn that his name was Ian Campbell and that he

0:18:32.359 --> 0:18:36.120
<v Speaker 1>would soon be the Duke of Argyle. He already knew

0:18:36.160 --> 0:18:40.720
<v Speaker 1>who she was. Apparently over a decade earlier, he had

0:18:40.760 --> 0:18:44.720
<v Speaker 1>seen Margaret on the staircase of a London nightclub, and

0:18:44.800 --> 0:18:48.040
<v Speaker 1>he turned to his wife at the time and said

0:18:48.520 --> 0:18:53.119
<v Speaker 1>quote that captivating creature is the woman I'm going to

0:18:53.200 --> 0:19:02.399
<v Speaker 1>marry someday. Ian Douglas Campbell was penniless but titled. His

0:19:02.520 --> 0:19:06.440
<v Speaker 1>great grandfather was the eighth Duke of Argyle, and thanks

0:19:06.480 --> 0:19:10.720
<v Speaker 1>to the ninth and tenth not having sons, Ian inherited

0:19:10.760 --> 0:19:14.520
<v Speaker 1>his family's title and home in Verrey Castle from his

0:19:14.560 --> 0:19:18.360
<v Speaker 1>second cousin, the eleventh Duke of Argyle, was a bit

0:19:18.400 --> 0:19:22.200
<v Speaker 1>of a mad academic, and his neglect of the castle

0:19:22.320 --> 0:19:25.679
<v Speaker 1>in favor of other pursuits saw it fall into ruin.

0:19:26.320 --> 0:19:30.400
<v Speaker 1>That meant that Ian also inherited the responsibility of restoring

0:19:30.480 --> 0:19:34.560
<v Speaker 1>the estate. For this he depended on his wife Janet

0:19:34.720 --> 0:19:39.600
<v Speaker 1>and then his second wife Louise, both heiresses. Ian himself

0:19:39.720 --> 0:19:44.399
<v Speaker 1>never worked and was addicted to alcohol, drugs and gambling

0:19:45.040 --> 0:19:49.160
<v Speaker 1>even before his dukedom, he was in deep debt. Both

0:19:49.200 --> 0:19:52.359
<v Speaker 1>of his wives would later accuse him of abuse and

0:19:52.520 --> 0:19:56.840
<v Speaker 1>squandering their money. Years later, his future son in law

0:19:56.880 --> 0:20:00.359
<v Speaker 1>would describe him as quote one of the cold list

0:20:00.800 --> 0:20:05.680
<v Speaker 1>nastiest men I've ever known in a wild cameo. That

0:20:05.800 --> 0:20:08.879
<v Speaker 1>future son in law also just happened to be the

0:20:08.920 --> 0:20:13.119
<v Speaker 1>writer Norman Mahler, who if you know anything about Norman Mayler,

0:20:13.480 --> 0:20:15.440
<v Speaker 1>you know that he might have given Ian a run

0:20:15.480 --> 0:20:19.200
<v Speaker 1>for his money in the bad husband department. But back

0:20:19.240 --> 0:20:22.600
<v Speaker 1>to Ian and Margaret. When the pair met, they were

0:20:22.600 --> 0:20:27.600
<v Speaker 1>both recently single, Ian and his wife having separated after

0:20:27.640 --> 0:20:31.320
<v Speaker 1>the war on the grounds of mutual adultery. I can

0:20:31.440 --> 0:20:34.600
<v Speaker 1>imagine that pointing out other women he wanted to marry

0:20:34.640 --> 0:20:38.040
<v Speaker 1>while the two were together didn't help. On that train

0:20:38.160 --> 0:20:41.480
<v Speaker 1>ride to Paris where they met, Margaret was a sympathetic

0:20:41.560 --> 0:20:45.720
<v Speaker 1>listener to ian struggles, and he to hers. Ian had

0:20:45.760 --> 0:20:48.600
<v Speaker 1>been a prisoner of war and he was readjusting to

0:20:48.640 --> 0:20:53.600
<v Speaker 1>a life of freedom. Both were starved for connection. Margaret

0:20:53.680 --> 0:20:56.040
<v Speaker 1>invited Ian back to her home as soon as they

0:20:56.160 --> 0:20:59.080
<v Speaker 1>arrived in London, and there they slept together for the

0:20:59.119 --> 0:21:03.639
<v Speaker 1>first time. Margaret soon began to pursue Ian with the

0:21:03.680 --> 0:21:08.120
<v Speaker 1>intention of marriage. Her first husband, Charlie would later write

0:21:08.200 --> 0:21:12.119
<v Speaker 1>in his memoir she had always been intrigued by the

0:21:12.200 --> 0:21:16.760
<v Speaker 1>idea of becoming a duchess Ian. By this point, officially,

0:21:16.840 --> 0:21:20.480
<v Speaker 1>the Duke was still in the process of persuading Louise

0:21:20.560 --> 0:21:24.320
<v Speaker 1>to agree to an official divorce. He was thrilled by

0:21:24.359 --> 0:21:27.199
<v Speaker 1>Margaret's pursuit of him. This time, he didn't have to

0:21:27.200 --> 0:21:30.800
<v Speaker 1>do the work of finding an heiress himself. Their courtship

0:21:31.119 --> 0:21:35.000
<v Speaker 1>was largely secretive due to his status as technically a

0:21:35.080 --> 0:21:39.239
<v Speaker 1>married man and hers as a divorcee. One night, they

0:21:39.280 --> 0:21:43.080
<v Speaker 1>attended a West End play together, Ring Round the Moon,

0:21:43.520 --> 0:21:46.760
<v Speaker 1>about a twins attempt to rescue his brother from what

0:21:46.880 --> 0:21:50.800
<v Speaker 1>he believes will be a disastrous marriage. In hindsight, it

0:21:50.880 --> 0:21:55.840
<v Speaker 1>seems like an omen that evening Ian proposed to Margaret

0:21:56.080 --> 0:21:58.679
<v Speaker 1>with the promise that as soon as the divorce with

0:21:58.800 --> 0:22:03.440
<v Speaker 1>Louise was finalized, she would be his duchess. Of course,

0:22:03.640 --> 0:22:10.080
<v Speaker 1>Margaret accepted. Ian's charm worked on Margaret's parents just as

0:22:10.080 --> 0:22:12.959
<v Speaker 1>it had on her. They were impressed with his title,

0:22:13.080 --> 0:22:15.760
<v Speaker 1>and they were excited at the prospect of their daughter

0:22:15.880 --> 0:22:20.640
<v Speaker 1>becoming a duchess Ian. Even immediately charmed George into becoming

0:22:20.680 --> 0:22:24.840
<v Speaker 1>a patron of the Campbell clan, and he pledged twenty

0:22:24.880 --> 0:22:30.119
<v Speaker 1>five thousand pounds towards Verrey's restoration, with no return expected.

0:22:30.920 --> 0:22:34.520
<v Speaker 1>Margaret herself was determined to bring the castle back to

0:22:34.600 --> 0:22:38.119
<v Speaker 1>its former glory, and she blamed much of its current

0:22:38.160 --> 0:22:42.320
<v Speaker 1>disarray on Louise, his ex wife, and not Ian himself.

0:22:43.200 --> 0:22:47.320
<v Speaker 1>For Margaret and her father's donations, they received a deed

0:22:47.400 --> 0:22:50.840
<v Speaker 1>of gift which will come back to bite her later.

0:22:51.800 --> 0:22:56.640
<v Speaker 1>But in nineteen fifty one, Louise finally agreed to the divorce,

0:22:57.280 --> 0:23:01.280
<v Speaker 1>but with Ian about to be officially Margaret, he began

0:23:01.359 --> 0:23:06.359
<v Speaker 1>to reveal his true colors for the first time. Unprompted,

0:23:06.400 --> 0:23:10.840
<v Speaker 1>one night, he launched into a verbal attack on Margaret's children,

0:23:11.240 --> 0:23:16.359
<v Speaker 1>her father, even Margaret herself. The next morning, she asked

0:23:16.440 --> 0:23:19.640
<v Speaker 1>him what had provoked his rage, which only sent him

0:23:19.640 --> 0:23:23.879
<v Speaker 1>into another tirade. This was just days before their wedding.

0:23:24.480 --> 0:23:26.680
<v Speaker 1>She felt that it was too late to back out,

0:23:26.800 --> 0:23:30.040
<v Speaker 1>and she was too ashamed to tell her father, who

0:23:30.160 --> 0:23:32.560
<v Speaker 1>she knew would tell her to call off the marriage

0:23:32.560 --> 0:23:36.120
<v Speaker 1>and prioritize her happiness, the advice that he had given

0:23:36.160 --> 0:23:39.720
<v Speaker 1>her during one of her earlier engagements. Plus there was

0:23:39.720 --> 0:23:42.520
<v Speaker 1>the guilt that Margaret felt about the money they had

0:23:42.640 --> 0:23:47.480
<v Speaker 1>already sunk into Ian's castle, so Margaret wrote it off

0:23:47.520 --> 0:23:50.800
<v Speaker 1>and went through with the marriage. On the eve of

0:23:50.880 --> 0:23:54.160
<v Speaker 1>Margaret and Ian's wedding, she received a letter from her

0:23:54.200 --> 0:23:59.040
<v Speaker 1>ex husband, Charlie, warning her not to marry Ian. Charlie

0:23:59.119 --> 0:24:02.159
<v Speaker 1>had spoken with with Louise, who had told him of

0:24:02.200 --> 0:24:07.040
<v Speaker 1>Ian's opportunistic scheming and his mistreatment of her and their sons.

0:24:07.760 --> 0:24:11.960
<v Speaker 1>Charlie Sweeney wrote quote, I only hope you're not deluding

0:24:12.000 --> 0:24:16.119
<v Speaker 1>yourself that Campbell is inspired by any great love, because

0:24:16.160 --> 0:24:21.639
<v Speaker 1>he's not. Margaret ignored this letter, thinking that both Charlie

0:24:21.680 --> 0:24:28.520
<v Speaker 1>and Louise were jealous bitter exes. Margaret and Ian were

0:24:28.560 --> 0:24:33.400
<v Speaker 1>married on March twenty second, nineteen fifty one, six hours

0:24:33.600 --> 0:24:37.199
<v Speaker 1>after the divorce with Louise was official. It was a

0:24:37.240 --> 0:24:42.280
<v Speaker 1>smaller ceremony, a far cry from Margaret's first wedding. This time,

0:24:42.400 --> 0:24:45.120
<v Speaker 1>she wore a gray chiffon dress with a pussy bow,

0:24:45.440 --> 0:24:49.719
<v Speaker 1>a feathered hat, and her signature set of pearls. The

0:24:49.720 --> 0:24:52.960
<v Speaker 1>two honeymooned at Inveray, and she spent the time in

0:24:53.119 --> 0:24:57.680
<v Speaker 1>workman's overalls immediately following through on her promise to help

0:24:57.720 --> 0:25:03.720
<v Speaker 1>restore the castle. Host of Margaret's work was unfruitful. Inverrat

0:25:04.119 --> 0:25:08.040
<v Speaker 1>was beginning to seem like a lost cause. The money

0:25:08.080 --> 0:25:10.920
<v Speaker 1>she was putting into the castle was also being put

0:25:11.119 --> 0:25:15.360
<v Speaker 1>towards Ian's debts, which she learned about upon their return

0:25:15.440 --> 0:25:19.280
<v Speaker 1>to the home. As much as Margaret cared about restoring

0:25:19.320 --> 0:25:23.240
<v Speaker 1>the castle, she was not suited to life in the countryside,

0:25:23.720 --> 0:25:26.400
<v Speaker 1>and it was agreed that Margaret would keep her home

0:25:26.440 --> 0:25:31.040
<v Speaker 1>in London for social visits. As you might have predicted,

0:25:31.400 --> 0:25:36.320
<v Speaker 1>Ian's character didn't improve after the wedding. He would often

0:25:36.359 --> 0:25:40.439
<v Speaker 1>get into public altercations, and Margaret spent much of their

0:25:40.520 --> 0:25:44.960
<v Speaker 1>time together in public apologizing for him. His verbal abuse

0:25:45.080 --> 0:25:49.720
<v Speaker 1>eventually escalated into physical violence, and during a trip to Jamaica,

0:25:50.080 --> 0:25:54.160
<v Speaker 1>Margaret remembers an acquaintance having to rush into their room

0:25:54.440 --> 0:25:58.959
<v Speaker 1>to stop Ian from physically attacking her. Margaret attempted to

0:25:59.000 --> 0:26:02.840
<v Speaker 1>prevent her husband from drinking so often, hoping to return

0:26:02.920 --> 0:26:06.159
<v Speaker 1>him to the man she originally knew. She offered to

0:26:06.320 --> 0:26:10.639
<v Speaker 1>recreate his favorite club Whites, in their home so that

0:26:10.680 --> 0:26:15.040
<v Speaker 1>he could avoid the party atmosphere, but he bitterly explained

0:26:15.440 --> 0:26:19.680
<v Speaker 1>that he went to the club to escape her. Ian

0:26:20.119 --> 0:26:23.320
<v Speaker 1>began to belittle her in front of her friends, and

0:26:23.440 --> 0:26:27.400
<v Speaker 1>as a result, her stammer started to worsen, which made

0:26:27.400 --> 0:26:31.400
<v Speaker 1>it difficult for her to speak up for herself. Margaret

0:26:31.480 --> 0:26:36.160
<v Speaker 1>later wrote that quote Ian had a markedly sadistic streak

0:26:36.240 --> 0:26:39.800
<v Speaker 1>in his character. Things like that were done deliberately to

0:26:39.920 --> 0:26:43.960
<v Speaker 1>hurt me, and hurt me they always did. I realize

0:26:44.000 --> 0:26:46.680
<v Speaker 1>now that if I had not given him the satisfaction

0:26:46.800 --> 0:26:50.600
<v Speaker 1>of knowing this, Ian would have been deprived of much pleasure.

0:26:52.080 --> 0:26:57.240
<v Speaker 1>Their relationship was complicated by Ian's manipulative nature and Margaret's

0:26:57.280 --> 0:27:01.359
<v Speaker 1>willingness to make excuses for it. Quote he toyed with

0:27:01.520 --> 0:27:04.680
<v Speaker 1>me as a cat plays with a mouse. Every time

0:27:04.720 --> 0:27:06.520
<v Speaker 1>he sent that I had come to the end of

0:27:06.560 --> 0:27:09.359
<v Speaker 1>my teather. He would then choose to become his most

0:27:09.400 --> 0:27:14.320
<v Speaker 1>agreeable self, ready to do anything to please me. Eventually,

0:27:14.480 --> 0:27:18.280
<v Speaker 1>after three years of marriage, Inveray was ready to open

0:27:18.320 --> 0:27:21.880
<v Speaker 1>to the public for tours. Ian took his role as

0:27:21.960 --> 0:27:26.600
<v Speaker 1>duke seriously and spent his days greeting visitors and leading tours.

0:27:27.480 --> 0:27:30.160
<v Speaker 1>Margaret was hopeful that he had turned a new leaf,

0:27:30.600 --> 0:27:34.399
<v Speaker 1>but when the tourist season ended, he reverted right back

0:27:34.440 --> 0:27:39.159
<v Speaker 1>to his old cruel ways. Margaret decided to take a

0:27:39.200 --> 0:27:44.800
<v Speaker 1>trip abroad, and their lives and eventually homes became separate.

0:27:45.640 --> 0:27:50.239
<v Speaker 1>They remained married, but Margaret considered nineteen fifty six to

0:27:50.280 --> 0:27:54.080
<v Speaker 1>be the real turning point for the rest of her life.

0:27:54.920 --> 0:27:58.560
<v Speaker 1>This is where things take a turn for the soap operatic.

0:27:59.400 --> 0:28:03.320
<v Speaker 1>The divorce wasn't actually the first legal proceeding that would

0:28:03.320 --> 0:28:07.800
<v Speaker 1>make the Argyles headlines. That was actually a libel suit

0:28:07.880 --> 0:28:12.840
<v Speaker 1>against Margaret from Ian's secretary. Vn McPherson was the widow

0:28:12.920 --> 0:28:14.840
<v Speaker 1>of a man who had been a prisoner of war

0:28:14.920 --> 0:28:18.280
<v Speaker 1>with Ian, and so their connection between Von and Ian

0:28:18.680 --> 0:28:24.199
<v Speaker 1>went beyond the typical employer employee relationship. Vaughn's loyalty to

0:28:24.280 --> 0:28:28.840
<v Speaker 1>Ian was so apparent that Margaret began to believe that

0:28:28.920 --> 0:28:34.080
<v Speaker 1>the two were conspiring against her. Margaret's assessment that Ian

0:28:34.200 --> 0:28:39.120
<v Speaker 1>could do something drastic wasn't entirely out of nowhere. Ian

0:28:39.200 --> 0:28:44.080
<v Speaker 1>had recently recovered from influenza, but had become addicted to drinimil,

0:28:44.400 --> 0:28:47.160
<v Speaker 1>a drug that was so widely abused in the UK

0:28:47.280 --> 0:28:50.880
<v Speaker 1>at the time that it's no longer prescribed. The drugs

0:28:51.000 --> 0:28:54.960
<v Speaker 1>led to bouts of erratic behavior and mania. We don't

0:28:55.000 --> 0:28:59.040
<v Speaker 1>know if Margaret's suspicions about yvon were accurate, but Ian

0:28:59.520 --> 0:29:03.040
<v Speaker 1>was in act plotting against her with his doctor to

0:29:03.120 --> 0:29:08.400
<v Speaker 1>have her certified as insane. Years earlier, Margaret had fallen

0:29:08.440 --> 0:29:12.080
<v Speaker 1>down an elevator shaft, and the pair Ian and his

0:29:12.200 --> 0:29:16.000
<v Speaker 1>doctor wanted to claim that it had caused brain damage.

0:29:16.360 --> 0:29:19.280
<v Speaker 1>To do so, they needed a note from Margaret's doctor,

0:29:19.480 --> 0:29:23.680
<v Speaker 1>who had refused and informed her of their plan. Margaret,

0:29:23.840 --> 0:29:28.040
<v Speaker 1>even having her paranoia validated, continued just to blame her

0:29:28.080 --> 0:29:32.200
<v Speaker 1>husband's actions on the drenamine and so loyal as ever

0:29:32.320 --> 0:29:36.600
<v Speaker 1>to her husband, Margaret focused on the belief that Yvonne

0:29:36.920 --> 0:29:40.040
<v Speaker 1>was the one speaking to the press. She later claimed

0:29:40.080 --> 0:29:43.120
<v Speaker 1>that the proprietor of the Daily Mail told her that

0:29:43.200 --> 0:29:45.920
<v Speaker 1>Yvonne was on the books for years, but there's no

0:29:46.080 --> 0:29:50.200
<v Speaker 1>actual evidence. Margaret was so convinced in fact, and so

0:29:50.400 --> 0:29:53.760
<v Speaker 1>determined to prove her case, that she sent Ian a

0:29:53.880 --> 0:29:58.640
<v Speaker 1>fake telegram pretending it was from Yvonne. It read quote

0:29:59.120 --> 0:30:01.880
<v Speaker 1>rushing off for ten but all is ready as we

0:30:02.000 --> 0:30:06.360
<v Speaker 1>planned to tear strips off Margaret financially and otherwise a

0:30:06.440 --> 0:30:10.760
<v Speaker 1>million Thanks for your love, support and invaluable information without

0:30:10.800 --> 0:30:14.000
<v Speaker 1>which I would be helpless. Happy Easter and then into

0:30:14.040 --> 0:30:20.040
<v Speaker 1>battle side by side Yvon. Ian asked Margaret to apologize.

0:30:20.080 --> 0:30:23.960
<v Speaker 1>She refused, and soon she received a letter notifying her

0:30:24.320 --> 0:30:29.040
<v Speaker 1>that von was suing her for damages. In nineteen fifty nine,

0:30:29.160 --> 0:30:34.240
<v Speaker 1>Ian and Margaret took a trip to Australia on ducal duty. There,

0:30:34.680 --> 0:30:38.360
<v Speaker 1>Ian discovered the diary that Margaret had kept for the

0:30:38.400 --> 0:30:42.920
<v Speaker 1>past three years. Inside were the names of half a

0:30:43.000 --> 0:30:47.680
<v Speaker 1>dozen men and a meticulously recorded schedule that showed each

0:30:47.760 --> 0:30:51.880
<v Speaker 1>time she had met with them. When Margaret discovered him

0:30:51.920 --> 0:30:55.320
<v Speaker 1>with the diary, he accused her of cheating, and she

0:30:55.360 --> 0:30:59.720
<v Speaker 1>didn't deny it. How could she really Ian flew home

0:30:59.760 --> 0:31:03.880
<v Speaker 1>alone the next day and their marriage was effectively over.

0:31:05.080 --> 0:31:08.880
<v Speaker 1>Instead of following her husband back to England, Margaret extended

0:31:08.880 --> 0:31:12.520
<v Speaker 1>the trip to New York. Ian took the opportunity to

0:31:12.600 --> 0:31:16.280
<v Speaker 1>go through Margaret's belongings in their home. He hired a

0:31:16.360 --> 0:31:21.600
<v Speaker 1>locksmith to break into her cupboards and stole her letters, diaries,

0:31:22.040 --> 0:31:26.440
<v Speaker 1>and a Manila folder addressed to her. Inside were some

0:31:26.640 --> 0:31:31.280
<v Speaker 1>notes of no consequence and two polaroid photos, which would

0:31:31.280 --> 0:31:34.520
<v Speaker 1>go on to become the central scandal that would mar

0:31:34.760 --> 0:31:38.880
<v Speaker 1>Margaret's legacy for the rest of her life. The photos

0:31:39.280 --> 0:31:43.920
<v Speaker 1>showed Margaret performing oral sex on an unidentified man who

0:31:43.960 --> 0:31:48.280
<v Speaker 1>would become something of a folk legend as quote the

0:31:48.360 --> 0:31:52.640
<v Speaker 1>Headless Man. Although Margaret's back is to the camera, she

0:31:52.680 --> 0:31:56.840
<v Speaker 1>could easily be identified by her signature, pearls and hair style.

0:31:57.440 --> 0:32:01.640
<v Speaker 1>Wrapped around the photographs were sheets of paper reading before

0:32:02.320 --> 0:32:09.520
<v Speaker 1>during oh And finished. The polaroids, inflammatory as they were,

0:32:10.080 --> 0:32:13.520
<v Speaker 1>didn't anger Ian as much as another piece of paper

0:32:13.600 --> 0:32:18.440
<v Speaker 1>he found. On a sheet of hotel parchment, Margaret had

0:32:18.520 --> 0:32:23.080
<v Speaker 1>pasted fragments of words cut out from innocuous letters written

0:32:23.160 --> 0:32:27.000
<v Speaker 1>by Louise, Ian's ex wife and the mother of his children.

0:32:27.480 --> 0:32:32.280
<v Speaker 1>The excerpts, which included Louise's signature, were arranged into a

0:32:32.320 --> 0:32:37.280
<v Speaker 1>fake letter in which she is questioning the paternity of

0:32:37.320 --> 0:32:41.959
<v Speaker 1>her and Ian's sons. It seems that Margaret, in an

0:32:42.000 --> 0:32:45.840
<v Speaker 1>attempt to save her status as Duchess, was seeking to

0:32:45.960 --> 0:32:50.240
<v Speaker 1>discredit the legitimacy of Ian's sons from his first marriage

0:32:50.600 --> 0:32:53.920
<v Speaker 1>and then have her own child with him. Or rather,

0:32:54.280 --> 0:32:57.920
<v Speaker 1>Margaret was trying to fake a pregnancy by patting her

0:32:57.960 --> 0:33:02.160
<v Speaker 1>stomach and later pass off a child as Ian's. She

0:33:02.360 --> 0:33:06.400
<v Speaker 1>asked a Polish friend to bring her a baby to England.

0:33:07.320 --> 0:33:11.960
<v Speaker 1>Don't be stupid, dear, was the friend's response, and Margaret

0:33:12.000 --> 0:33:17.000
<v Speaker 1>abandoned the plan, although she kept all of the incriminating evidence.

0:33:18.000 --> 0:33:21.840
<v Speaker 1>This was the final straw for Ian. He wasn't a

0:33:21.920 --> 0:33:27.800
<v Speaker 1>particularly involved father, but his wife had crossed a clear line.

0:33:27.840 --> 0:33:31.000
<v Speaker 1>Margaret was furious when she returned home to see that

0:33:31.080 --> 0:33:34.200
<v Speaker 1>Ian had stolen her possessions, but she had yet to

0:33:34.280 --> 0:33:37.600
<v Speaker 1>realize that he had also discovered her drafts of the

0:33:37.720 --> 0:33:41.960
<v Speaker 1>forged letters from Louise. So when Margaret went through with

0:33:42.040 --> 0:33:46.040
<v Speaker 1>the plan to quote find these letters and show them

0:33:46.080 --> 0:33:50.640
<v Speaker 1>to Ian, it resulted in her second libel suit, this

0:33:50.760 --> 0:33:56.120
<v Speaker 1>time from Louise. Ian knew that he had sufficient grounds

0:33:56.160 --> 0:34:00.200
<v Speaker 1>for divorce, but he still needed the smoking gun, the

0:34:00.320 --> 0:34:04.320
<v Speaker 1>diary that he had found in Australia. He devised a

0:34:04.360 --> 0:34:08.440
<v Speaker 1>plan with his daughter Jean to raid Margaret's house for it.

0:34:09.040 --> 0:34:12.120
<v Speaker 1>At six in the morning, they entered her home using

0:34:12.120 --> 0:34:15.279
<v Speaker 1>a key that Ian had kept. Not having found what

0:34:15.320 --> 0:34:18.560
<v Speaker 1>they were looking for in the study, they entered her bedroom,

0:34:18.680 --> 0:34:22.680
<v Speaker 1>where Margaret was still sleeping. The noise woke her, and

0:34:22.800 --> 0:34:26.480
<v Speaker 1>when she asked what they wanted, Jean held her down

0:34:26.520 --> 0:34:29.440
<v Speaker 1>to the bed while Ian stole the diary from her

0:34:29.440 --> 0:34:35.400
<v Speaker 1>bedside table. The two fled the scene immediately. Ian swiftly

0:34:35.480 --> 0:34:39.080
<v Speaker 1>notified Margaret that his divorce petition was sent to the

0:34:39.160 --> 0:34:42.600
<v Speaker 1>Court of Session in Edinburgh, and he informed her that

0:34:42.680 --> 0:34:46.480
<v Speaker 1>she was now banned from Inveray Castle, which was only

0:34:46.520 --> 0:34:50.200
<v Speaker 1>functioning because of her father's money. She would make sure

0:34:50.280 --> 0:34:54.080
<v Speaker 1>that Ian remembered that, and soon she visited with her

0:34:54.080 --> 0:34:57.040
<v Speaker 1>father and his new wife, Jane, who he married after

0:34:57.200 --> 0:35:02.560
<v Speaker 1>Helend passing several years earlier. In perhaps the most bizarre

0:35:02.600 --> 0:35:08.040
<v Speaker 1>accusation yet. During that trip, Margaret noticed Jane and Ian

0:35:08.280 --> 0:35:12.440
<v Speaker 1>spending time alone together and concluded that they were having

0:35:12.480 --> 0:35:17.080
<v Speaker 1>an affair. Margaret's paranoia was no doubt fueled by her

0:35:17.160 --> 0:35:20.520
<v Speaker 1>view of Jane as an interloper in her and her

0:35:20.560 --> 0:35:26.719
<v Speaker 1>father's relationship. After that trip, Margaret remained persistent in her

0:35:26.719 --> 0:35:30.080
<v Speaker 1>assertion that she had a right to live in Inveraray,

0:35:30.520 --> 0:35:35.040
<v Speaker 1>despite her clear distaste for country life, and so Ian

0:35:35.280 --> 0:35:39.960
<v Speaker 1>formally acquired an interdict banning her from the castle. Margaret

0:35:40.000 --> 0:35:43.440
<v Speaker 1>was given one day to retrieve her belongings and identify

0:35:43.560 --> 0:35:46.440
<v Speaker 1>what was hers, as decreed by the deed of gift

0:35:46.600 --> 0:35:49.080
<v Speaker 1>she and her father had received at the time of

0:35:49.120 --> 0:35:53.760
<v Speaker 1>her engagement to Ian. Margaret would soon learn that the deed,

0:35:54.400 --> 0:35:57.680
<v Speaker 1>like much of her early impression of her husband, was

0:35:57.719 --> 0:36:02.400
<v Speaker 1>a facade. Ian had more mortgaged everything on Margaret's deed

0:36:02.560 --> 0:36:06.000
<v Speaker 1>in nineteen forty nine, before they had even been married.

0:36:06.520 --> 0:36:11.919
<v Speaker 1>Margaret's deed was worthless. In February of nineteen sixty two,

0:36:12.400 --> 0:36:16.000
<v Speaker 1>Margaret and Ian arrived at the Edinburgh Court of Session.

0:36:16.680 --> 0:36:21.120
<v Speaker 1>The courtroom was packed to capacity, with both British and

0:36:21.320 --> 0:36:25.040
<v Speaker 1>foreign press, all eager to see what would become of

0:36:25.160 --> 0:36:30.239
<v Speaker 1>the Duke and the quote dirty Duchess. Presiding over the

0:36:30.280 --> 0:36:34.160
<v Speaker 1>case was Lord Wheatley, a judge known for his harsh

0:36:34.200 --> 0:36:38.160
<v Speaker 1>sentences for crimes involving sex. He also happened to be

0:36:38.200 --> 0:36:41.360
<v Speaker 1>a member of the Campbell clan on his mother's side.

0:36:42.360 --> 0:36:46.760
<v Speaker 1>The trial began with Ian presenting his evidence. Margaret's lawyer

0:36:46.880 --> 0:36:50.799
<v Speaker 1>rejected the use of her diary on the grounds of confidentiality,

0:36:51.239 --> 0:36:54.800
<v Speaker 1>but Wheatley approved it and it remained the key piece

0:36:54.840 --> 0:36:59.760
<v Speaker 1>of evidence. Ian was cross examined for five hours. Margaret

0:36:59.840 --> 0:37:05.040
<v Speaker 1>was cross examined for thirteen while Ian ultimately accused her

0:37:05.080 --> 0:37:08.600
<v Speaker 1>of sleeping with eighty eight men. There were three who

0:37:08.640 --> 0:37:12.640
<v Speaker 1>were brought into the trial, Baron Sigmund von Braun, a

0:37:12.680 --> 0:37:16.440
<v Speaker 1>former Nazi and then West German ambassador to the UN,

0:37:17.040 --> 0:37:22.520
<v Speaker 1>John Khan, an American businessman, and Peter Combe, the former

0:37:22.920 --> 0:37:27.880
<v Speaker 1>chief press officer at the London Savoy Hotel. Worth noting

0:37:28.040 --> 0:37:30.480
<v Speaker 1>is that of the eighty eight men that the Duke

0:37:30.560 --> 0:37:34.880
<v Speaker 1>claimed he could list, a number were actually gay. Margaret

0:37:34.880 --> 0:37:37.399
<v Speaker 1>didn't want to out her friends at a time when

0:37:37.440 --> 0:37:41.600
<v Speaker 1>homosexuality was still a criminal offense, and so she didn't

0:37:41.640 --> 0:37:45.759
<v Speaker 1>defend herself against the accusation. Of the three men who

0:37:45.840 --> 0:37:50.560
<v Speaker 1>were brought into question, only Combe denied an affair. Margaret

0:37:50.600 --> 0:37:53.640
<v Speaker 1>confessed she had an affair with von Braun, who was married,

0:37:53.920 --> 0:37:56.759
<v Speaker 1>but it had happened before her own marriage to Ian.

0:37:57.520 --> 0:38:01.600
<v Speaker 1>As their letters were not dated, the court couldn't conclude

0:38:01.719 --> 0:38:05.319
<v Speaker 1>that she was lying. The evidence against Kohane was also

0:38:05.480 --> 0:38:09.800
<v Speaker 1>too weak to utilize. That left Combe the sole defender

0:38:09.880 --> 0:38:13.800
<v Speaker 1>present in court. He was twelve years younger than Margaret,

0:38:14.000 --> 0:38:17.719
<v Speaker 1>and she knew his mother, so Margaret claimed the relationship

0:38:17.880 --> 0:38:21.880
<v Speaker 1>was strictly platonic. What she didn't know was that Ian

0:38:21.960 --> 0:38:25.480
<v Speaker 1>had hired a private investigator to watch her and the

0:38:25.520 --> 0:38:29.400
<v Speaker 1>investigator had taken photographs of Combe leaving her house in

0:38:29.480 --> 0:38:33.240
<v Speaker 1>the early hours of the morning. Margaret argued that Combe

0:38:33.239 --> 0:38:36.400
<v Speaker 1>was helping her to take care of her beloved French poodles,

0:38:36.800 --> 0:38:39.960
<v Speaker 1>but the judge dismissed that claim with the belief that

0:38:40.000 --> 0:38:44.600
<v Speaker 1>Margaret would have entrusted that task to servants. Having gone

0:38:44.640 --> 0:38:48.719
<v Speaker 1>through the diaries and the letters, only the polaroids, those

0:38:48.800 --> 0:38:51.600
<v Speaker 1>pieces of evidence that would follow Margaret for the rest

0:38:51.640 --> 0:38:55.840
<v Speaker 1>of her life remained. Initially, Margaret denied she was the

0:38:55.880 --> 0:38:59.640
<v Speaker 1>one in the photographs, insisting they were from Ian's pornography.

0:38:59.640 --> 0:39:03.839
<v Speaker 1>Collect once the court was able to identify that it

0:39:04.040 --> 0:39:07.239
<v Speaker 1>was in fact her due to the specificity of the

0:39:07.320 --> 0:39:10.839
<v Speaker 1>necklace and hair, she admitted that, yes, it was her,

0:39:11.280 --> 0:39:15.920
<v Speaker 1>but she claimed the headless man was Ian. This story

0:39:16.440 --> 0:39:19.720
<v Speaker 1>wasn't bought, but to prove that it wasn't him, Ian

0:39:19.920 --> 0:39:24.800
<v Speaker 1>underwent a medical examination. It provided a win in court,

0:39:25.200 --> 0:39:29.200
<v Speaker 1>but a loss in self esteem. As Margaret's biographer put it,

0:39:30.160 --> 0:39:33.719
<v Speaker 1>Ian had to live with the humiliation of publicly declaring

0:39:34.000 --> 0:39:39.759
<v Speaker 1>his lesser dimensions. Margaret never revealed the identity of the

0:39:39.800 --> 0:39:42.919
<v Speaker 1>headless man, but it has been the topic of speculation

0:39:43.160 --> 0:39:47.600
<v Speaker 1>for years. Was he a Hollywood actor politician? The British

0:39:47.640 --> 0:39:52.080
<v Speaker 1>press debated for years. It even prompted a personal investigation

0:39:52.280 --> 0:39:55.040
<v Speaker 1>from the Master of Roles at the time, who came

0:39:55.160 --> 0:39:58.480
<v Speaker 1>up with a scheme to compare the handwriting of government

0:39:58.600 --> 0:40:02.200
<v Speaker 1>men he suspected as potential culprits to the handwriting on

0:40:02.280 --> 0:40:07.719
<v Speaker 1>the captions of the polaroid. It was a fruitless attempt. Ultimately,

0:40:07.840 --> 0:40:10.640
<v Speaker 1>Ian was granted a divorce from Margaret on ground of

0:40:10.680 --> 0:40:14.680
<v Speaker 1>adultery with Peter Combe in May, three months after the

0:40:14.719 --> 0:40:19.480
<v Speaker 1>proceedings began. Margaret was not present when Lord Wheatley read

0:40:19.560 --> 0:40:24.479
<v Speaker 1>his fifty thousand word judgment, a reading that lasted three

0:40:24.680 --> 0:40:28.799
<v Speaker 1>hours and ten minutes. Ian was there, though, and he

0:40:28.800 --> 0:40:33.040
<v Speaker 1>heard the judge his distant cousin describe his now ex

0:40:33.080 --> 0:40:37.160
<v Speaker 1>wife as quote a highly sexed woman who had ceased

0:40:37.200 --> 0:40:40.960
<v Speaker 1>to be satisfied with normal relations and had started to

0:40:41.040 --> 0:40:45.759
<v Speaker 1>indulge in what I can only describe as disgusting sexual

0:40:45.800 --> 0:40:52.000
<v Speaker 1>activities to gratify a basic sexual appetite. Years later, in

0:40:52.040 --> 0:40:56.680
<v Speaker 1>a rare interview, Margaret would reflect on Wheatley's judgment quote,

0:40:57.160 --> 0:41:00.359
<v Speaker 1>I thought he was such a bastard. You don't tack

0:41:00.440 --> 0:41:05.080
<v Speaker 1>if you're a judge, you judge, she said, mimicking balancing scales.

0:41:05.880 --> 0:41:10.680
<v Speaker 1>It was the longest and costliest divorce Britain had ever

0:41:10.960 --> 0:41:15.040
<v Speaker 1>seen up until that point. Margaret was ordered to pay

0:41:15.320 --> 0:41:19.560
<v Speaker 1>seven eighths of the cost. Ian paid just one eighth,

0:41:20.000 --> 0:41:24.000
<v Speaker 1>seeing as that was all he could afford. Ian's own

0:41:24.080 --> 0:41:27.800
<v Speaker 1>adultery was of little concern to Wheatley or the public

0:41:27.840 --> 0:41:31.840
<v Speaker 1>at large. Margaret was given all sorts of nicknames in

0:41:31.880 --> 0:41:38.560
<v Speaker 1>the press, all crude and none particularly clever. Quote dirty duchess,

0:41:38.840 --> 0:41:43.920
<v Speaker 1>blow job duchess, filatio duchess. Some of the headlines at

0:41:43.960 --> 0:41:48.399
<v Speaker 1>the time read such dirty linen in high places or

0:41:48.840 --> 0:41:52.960
<v Speaker 1>She's a poisonous liar. Margaret was one of the earliest

0:41:53.120 --> 0:41:58.279
<v Speaker 1>targets of the British presses relentless vitriolic fixation on a

0:41:58.320 --> 0:42:01.680
<v Speaker 1>noble woman, a relationship from the British press that we've

0:42:01.680 --> 0:42:05.160
<v Speaker 1>seen in more recent years with women like Diana, Princess

0:42:05.160 --> 0:42:12.680
<v Speaker 1>of Wales and Megan Markle. Calling Margaret a liar wasn't untrue.

0:42:13.040 --> 0:42:15.800
<v Speaker 1>She had lied to Ian, and she had lied in court,

0:42:16.360 --> 0:42:21.200
<v Speaker 1>but the press went steps beyond steps too far. Later

0:42:21.280 --> 0:42:24.840
<v Speaker 1>in life, Margaret, who had been a tabloid star since seventeen,

0:42:25.400 --> 0:42:29.040
<v Speaker 1>reflected that she had seen a drastic shift in the

0:42:29.080 --> 0:42:33.800
<v Speaker 1>tabloid press's level of professionalism and their treatment of celebrities.

0:42:34.480 --> 0:42:41.040
<v Speaker 1>In a very British statement, she remarked, they've become very unkind.

0:42:41.280 --> 0:42:45.600
<v Speaker 1>To put it quite mildly. Just three weeks after the

0:42:45.640 --> 0:42:50.200
<v Speaker 1>divorce was finalized, Ian married an American heiress with whom

0:42:50.280 --> 0:42:53.480
<v Speaker 1>he had been having an affair for the past two years.

0:42:54.040 --> 0:42:56.920
<v Speaker 1>He and the heiress remained together until his death in

0:42:57.040 --> 0:43:01.280
<v Speaker 1>nineteen seventy three. Over the course of the years following

0:43:01.280 --> 0:43:04.719
<v Speaker 1>the divorce, Ian sold the right to publish his and

0:43:04.920 --> 0:43:09.360
<v Speaker 1>Margaret's private letters. His thirst for revenge, even after he

0:43:09.440 --> 0:43:12.200
<v Speaker 1>had won in court, would come back to bite him.

0:43:12.719 --> 0:43:16.200
<v Speaker 1>His beloved Club Whites, where he had once went to

0:43:16.480 --> 0:43:22.080
<v Speaker 1>quote escape Margaret, voted him out on grounds of poor conduct.

0:43:23.360 --> 0:43:26.680
<v Speaker 1>As for Margaret, she never remarried, but she continued to

0:43:26.719 --> 0:43:30.879
<v Speaker 1>live her life as she always had. This included more men,

0:43:31.160 --> 0:43:36.840
<v Speaker 1>more scandals, more legal conflicts, and more poodles. It's possible

0:43:36.880 --> 0:43:40.080
<v Speaker 1>the poodles were maybe the truest loves of her life.

0:43:40.840 --> 0:43:44.200
<v Speaker 1>When she eventually began to run out of money, she

0:43:44.400 --> 0:43:48.080
<v Speaker 1>opened her London home up for tours. She was later

0:43:48.200 --> 0:43:51.359
<v Speaker 1>forced to move into a suite in a hotel, and

0:43:51.440 --> 0:43:54.360
<v Speaker 1>when she couldn't pay that rent, she moved into a

0:43:54.440 --> 0:43:58.439
<v Speaker 1>nursing home, where she ultimately passed in nineteen ninety three.

0:43:58.960 --> 0:44:02.880
<v Speaker 1>She was eighty one years old. Two years later, an

0:44:02.920 --> 0:44:08.200
<v Speaker 1>opera based on her life and divorce, titled Powder Her Face, premiered.

0:44:08.800 --> 0:44:11.960
<v Speaker 1>To sum up his work, the composer Thomas A. Day

0:44:12.440 --> 0:44:22.560
<v Speaker 1>quoted the phrase, even horrible people are tragic. That's the

0:44:22.640 --> 0:44:26.000
<v Speaker 1>story of the Duchess of Argyle. But stick around to

0:44:26.080 --> 0:44:51.320
<v Speaker 1>hear Margaret in her own words. So much of Noble

0:44:51.320 --> 0:44:55.400
<v Speaker 1>Blood is me attempting to create portrayals of historical figures

0:44:55.440 --> 0:44:59.840
<v Speaker 1>that are nuanced and empathetic, but not fawning. I always

0:44:59.840 --> 0:45:02.680
<v Speaker 1>try to frame a story to be true to the

0:45:02.800 --> 0:45:07.319
<v Speaker 1>fundamental humanity of the people involved. No one is all

0:45:07.360 --> 0:45:11.440
<v Speaker 1>good or all bad. Everyone is products of their environment

0:45:11.600 --> 0:45:16.840
<v Speaker 1>and experiences. But because this is a history podcast, often

0:45:16.880 --> 0:45:22.560
<v Speaker 1>we're constructing our versions of figures from history from multiple sources. Sometimes,

0:45:22.560 --> 0:45:25.640
<v Speaker 1>if we're lucky, we get their own writing, but usually

0:45:25.680 --> 0:45:29.279
<v Speaker 1>it's from the writing of other people around them. My

0:45:29.400 --> 0:45:32.319
<v Speaker 1>goal with this podcast is always to give voice to

0:45:32.560 --> 0:45:35.680
<v Speaker 1>people from the past. Who maybe we never thought about

0:45:35.760 --> 0:45:39.520
<v Speaker 1>in nuanced terms. In the case of the Duchess of Argyle,

0:45:40.000 --> 0:45:44.880
<v Speaker 1>we are afforded a rare gift her actual voice. Thanks

0:45:44.920 --> 0:45:48.760
<v Speaker 1>to the BBC Archives, you can hear the Duchess actually

0:45:48.840 --> 0:45:53.600
<v Speaker 1>speaking about her own life and for scandalous divorce. I'm

0:45:53.640 --> 0:45:56.799
<v Speaker 1>linking a video in the episode description and I think

0:45:56.840 --> 0:46:00.160
<v Speaker 1>it's well worth a listen to try to understand one

0:46:00.200 --> 0:46:04.239
<v Speaker 1>of the most impossibly complicated women in history in her

0:46:04.320 --> 0:46:21.000
<v Speaker 1>own words. Noble Blood is a production of iHeart Radio

0:46:21.200 --> 0:46:24.480
<v Speaker 1>and Grimm and Mild from Aaron Mankey. Noble Blood is

0:46:24.560 --> 0:46:28.920
<v Speaker 1>hosted by me Danashworts. Additional writing and researching done by

0:46:28.960 --> 0:46:33.960
<v Speaker 1>Hannah Johnston, hannah's Wick, Mira Hayward, Courtney Sender, and Lori Goodman.

0:46:34.600 --> 0:46:38.359
<v Speaker 1>The show is produced by rima Il Kali, with supervising

0:46:38.400 --> 0:46:43.520
<v Speaker 1>producer Josh Thain and executive producers Aaron Manke, Alex Williams,

0:46:43.560 --> 0:46:47.799
<v Speaker 1>and Matt Frederick. For more podcasts from iHeartRadio, visit the

0:46:47.840 --> 0:46:51.640
<v Speaker 1>iHeartRadio app, Apple Podcasts, or wherever you listen to your

0:46:51.680 --> 0:46:52.400
<v Speaker 1>favorite shows.