1 00:00:00,480 --> 00:00:04,720 Speaker 1: Don't answer the phone. Elvis Duran, the Elvis Duran phone tap. 2 00:00:04,880 --> 00:00:09,479 Speaker 2: Into the phone tap today, mister Michael Oppenheimer is going 3 00:00:09,560 --> 00:00:11,480 Speaker 2: to go after a lot of people are big fans 4 00:00:11,520 --> 00:00:15,880 Speaker 2: of mister Michael Oppenheimer. Scary, You've created quite the character anyway. 5 00:00:15,920 --> 00:00:19,600 Speaker 2: The email, Oh yeah, yeah, please. The email from Jessica says, 6 00:00:19,920 --> 00:00:22,279 Speaker 2: we work with a guy named Tyrone. He's really into 7 00:00:22,360 --> 00:00:25,560 Speaker 2: his hip hop music. He's not a fan of telemarketers 8 00:00:26,120 --> 00:00:28,160 Speaker 2: who always seemed to be calling his cell phone number. 9 00:00:28,280 --> 00:00:31,160 Speaker 2: Would it be great if you phone tapped Tyrone? All right, 10 00:00:31,600 --> 00:00:34,760 Speaker 2: so Jessica Ventura and co workers are now going to 11 00:00:34,760 --> 00:00:41,000 Speaker 2: phone tap Tyrone with the help of telemarketing ego, not 12 00:00:41,120 --> 00:00:43,240 Speaker 2: alter ego, Scary Jones. But this guy has an ego 13 00:00:43,360 --> 00:00:45,720 Speaker 2: because he thinks he's the best phone tapper out there. 14 00:00:46,159 --> 00:00:47,960 Speaker 2: Michael Oppenheimer doing the phone tap. 15 00:00:48,000 --> 00:00:53,120 Speaker 1: Here we go listen. Well, oh yes, good afternoon. This 16 00:00:53,200 --> 00:00:55,680 Speaker 1: is mister Michael Oppenheimer with if he's nine you. How 17 00:00:55,680 --> 00:00:58,480 Speaker 1: are you doing today, Sarah? Really, I have an offer 18 00:00:58,560 --> 00:01:03,360 Speaker 1: you can't refuse from Tom Life Classics introducing soft rock 19 00:01:03,400 --> 00:01:04,319 Speaker 1: of the seventies. 20 00:01:05,640 --> 00:01:06,440 Speaker 3: I like hip hop? 21 00:01:06,959 --> 00:01:10,480 Speaker 1: You like hip hop? Are you familiar with the Doobie Brothers. 22 00:01:11,240 --> 00:01:12,759 Speaker 3: No, I don't like any of that music. 23 00:01:13,319 --> 00:01:14,400 Speaker 1: How about the Beachees? 24 00:01:15,040 --> 00:01:15,120 Speaker 3: No? 25 00:01:15,600 --> 00:01:17,160 Speaker 1: Are you familiar with Staying Alive? 26 00:01:17,520 --> 00:01:18,040 Speaker 3: Oh? Thank you? 27 00:01:18,240 --> 00:01:19,919 Speaker 1: Or groups like Kansas Dustin? 28 00:01:20,000 --> 00:01:20,959 Speaker 3: Really? 29 00:01:21,120 --> 00:01:23,360 Speaker 1: Okay? For just one hundred and twenty nine dollars and 30 00:01:23,440 --> 00:01:26,679 Speaker 1: ninety five cents, we'll give you this entire collection plus 31 00:01:27,000 --> 00:01:28,320 Speaker 1: two CDs. 32 00:01:27,800 --> 00:01:30,480 Speaker 3: Free all don't quite you again? 33 00:01:30,480 --> 00:01:38,840 Speaker 1: Okay? Hello, ah, yesternon, This is mister Michael Oppenheimer with 34 00:01:39,240 --> 00:01:41,800 Speaker 1: Time Life classic soft rock of the seventies. How are 35 00:01:41,840 --> 00:01:42,720 Speaker 1: you doing Today's there? 36 00:01:43,080 --> 00:01:44,800 Speaker 3: There's the reason you're calling me back to back and 37 00:01:44,880 --> 00:01:47,200 Speaker 3: four cool calls at a time. What has been important? 38 00:01:47,240 --> 00:01:50,080 Speaker 1: So it's called the importance is that you'll get eleven 39 00:01:50,200 --> 00:01:51,840 Speaker 1: CDs including. 40 00:01:51,480 --> 00:01:53,920 Speaker 3: Don't call this number again, all the hits. 41 00:01:53,800 --> 00:01:57,440 Speaker 1: And all the fun from the garuvious era in history. 42 00:01:57,720 --> 00:01:59,440 Speaker 3: Please don't call this number again. 43 00:01:59,240 --> 00:02:06,480 Speaker 1: For just three easy installments of thirty nine ninety nine. Hello, heh, yes, sir, 44 00:02:06,840 --> 00:02:08,280 Speaker 1: this is mister Michael Oppenheimer. 45 00:02:08,320 --> 00:02:09,880 Speaker 3: Did you a few minutes ago? 46 00:02:10,240 --> 00:02:10,440 Speaker 1: Yes? 47 00:02:10,520 --> 00:02:11,919 Speaker 3: In the earth did I tell you not to call 48 00:02:12,000 --> 00:02:12,400 Speaker 3: me again? 49 00:02:13,240 --> 00:02:13,480 Speaker 1: Yes? 50 00:02:13,560 --> 00:02:15,200 Speaker 3: But why are you calling me again? 51 00:02:15,320 --> 00:02:17,040 Speaker 1: Because what I wanted to let you know was that 52 00:02:17,080 --> 00:02:20,959 Speaker 1: in the early seventies, singers and songwriters and sun soak 53 00:02:21,080 --> 00:02:23,880 Speaker 1: melodies took over the airwaves and the sound of soft 54 00:02:24,000 --> 00:02:24,840 Speaker 1: rock was born. 55 00:02:25,680 --> 00:02:27,720 Speaker 3: I don't give a damn about the early seventies. I 56 00:02:27,840 --> 00:02:28,919 Speaker 3: told you, don't call me again. 57 00:02:30,760 --> 00:02:35,160 Speaker 1: Oh right now, I'd like to give you one hundred 58 00:02:35,200 --> 00:02:38,919 Speaker 1: and sixty eight original soft rock hits across eleven c days. 59 00:02:39,600 --> 00:02:41,280 Speaker 1: Wouldn't you like one hundred and sixty eight? 60 00:02:41,320 --> 00:02:42,240 Speaker 3: What is your name? 61 00:02:42,440 --> 00:02:45,680 Speaker 1: My name is Michael, mich when's your last name Oppenheimer? 62 00:02:46,080 --> 00:02:49,239 Speaker 3: Oppenheimer? Will you try to be funny? That's not funny 63 00:02:49,280 --> 00:02:50,480 Speaker 3: the name of Oppenheimer. 64 00:02:50,800 --> 00:02:53,160 Speaker 1: My name is Michael Oppenheimer, Michael. 65 00:02:53,160 --> 00:02:55,320 Speaker 3: Because you meant to stop for all Google, So let 66 00:02:55,360 --> 00:02:57,240 Speaker 3: me speak to somebody higher thing you. I don't want 67 00:02:57,240 --> 00:02:58,000 Speaker 3: to talk to you anymore. 68 00:02:58,040 --> 00:02:58,840 Speaker 1: What if I give you alone? 69 00:02:58,840 --> 00:03:01,320 Speaker 3: Want to speak over? You? Hurt? For now? 70 00:03:01,639 --> 00:03:02,799 Speaker 1: Why? Why is that? Sir? 71 00:03:03,080 --> 00:03:03,520 Speaker 3: Wow? 72 00:03:03,840 --> 00:03:04,919 Speaker 1: Why are you angry? Sir? 73 00:03:05,040 --> 00:03:07,600 Speaker 3: I want you to have someone get on his phone 74 00:03:07,800 --> 00:03:11,040 Speaker 3: that is your manager, and I want to speak to them. Now. 75 00:03:11,120 --> 00:03:14,200 Speaker 1: Just imagine yourself back in time when Bill Bottom Jeans 76 00:03:14,240 --> 00:03:15,600 Speaker 1: and shag Ruggs were keen. 77 00:03:15,840 --> 00:03:19,720 Speaker 3: I don't want I want to speak to your manager now. 78 00:03:20,080 --> 00:03:22,120 Speaker 1: Have you ever heard the song dream Weaver. 79 00:03:22,520 --> 00:03:24,880 Speaker 3: I'm going to say it again. You've called me back 80 00:03:24,960 --> 00:03:27,040 Speaker 3: to Beth. You have no reason to be calling me. 81 00:03:27,160 --> 00:03:29,160 Speaker 3: What's the purpose that it's called? You don't have a purpose. 82 00:03:29,360 --> 00:03:33,160 Speaker 1: Do you like Pina Cola getting caught in the ring? 83 00:03:33,280 --> 00:03:35,000 Speaker 3: What's a manager talking? 84 00:03:35,240 --> 00:03:35,800 Speaker 1: Excuse me? 85 00:03:36,120 --> 00:03:37,760 Speaker 3: What are you calling me? 86 00:03:38,400 --> 00:03:40,880 Speaker 1: This is Scary Jones with Elvis Duran in the Morning Show. 87 00:03:43,160 --> 00:03:46,240 Speaker 2: Thank you, thank you, and you've been phone tapped by 88 00:03:46,360 --> 00:03:47,720 Speaker 2: everyone in front of you. 89 00:03:49,000 --> 00:03:53,640 Speaker 3: Okay, you sound like I had time. I won't email 90 00:03:53,680 --> 00:03:59,480 Speaker 3: you email in about five minutes. 91 00:04:00,000 --> 00:04:02,960 Speaker 1: He was pre recorded with permission granted by all participants. 92 00:04:03,360 --> 00:04:06,760 Speaker 1: The Elvis Duran phone tap only on Elvis Duran in 93 00:04:06,800 --> 00:04:07,560 Speaker 1: the Morning Show