1 00:00:02,880 --> 00:00:06,920 Speaker 1: Previously on the Princess of South Beach, Maria del Carmin 2 00:00:07,040 --> 00:00:10,200 Speaker 1: decided to visit her Manna Claudia and confess that she's 3 00:00:10,200 --> 00:00:14,560 Speaker 1: been pretending to be me Gloria, her dead twin. Meanwhile, 4 00:00:14,760 --> 00:00:18,239 Speaker 1: my possibly fake mom, Luisa went to therapy where she 5 00:00:18,280 --> 00:00:21,560 Speaker 1: revealed she thinks I Staban is cheating on her. Now, 6 00:00:21,960 --> 00:00:24,480 Speaker 1: let's get back to the convent wherein Manna Claudia just 7 00:00:24,600 --> 00:00:33,360 Speaker 1: heard the whole juicy story. And then he told me 8 00:00:33,400 --> 00:00:38,000 Speaker 1: that Gloria had had an abortion. Sons, I know, and 9 00:00:38,120 --> 00:00:40,640 Speaker 1: that's when I came here, and Mana, I don't know 10 00:00:40,640 --> 00:00:44,360 Speaker 1: what to do. Well, I always looked a scripture for 11 00:00:44,400 --> 00:00:48,320 Speaker 1: guidance when I'm feeling lost. Okay, is there a passage 12 00:00:48,320 --> 00:00:50,760 Speaker 1: about meeting her long lost twin moments before seeing her 13 00:00:50,800 --> 00:00:52,840 Speaker 1: drown and then finding out her family might have murdered 14 00:00:52,840 --> 00:00:58,120 Speaker 1: your biological mother. Not off the top of my head. No, Well, 15 00:00:58,160 --> 00:01:00,440 Speaker 1: I need to know what to do right now. I 16 00:01:00,480 --> 00:01:02,160 Speaker 1: don't know how much time I have before they start 17 00:01:02,200 --> 00:01:06,080 Speaker 1: looking for me. Well, they won't be looking for me, 18 00:01:06,240 --> 00:01:10,080 Speaker 1: They'll be looking for Gloria. Gloria who had a perfect life, 19 00:01:10,200 --> 00:01:12,800 Speaker 1: Gloria who had everything she ever wanted. A family, a 20 00:01:12,840 --> 00:01:16,560 Speaker 1: big house, ponies. Did I mention the ponies? Gloria? Who's dead? 21 00:01:17,200 --> 00:01:20,840 Speaker 1: Gloria's dead? Are you jealous of a dead girl? When 22 00:01:20,840 --> 00:01:26,400 Speaker 1: you put it like that? Maria de Gardman, I've known 23 00:01:26,440 --> 00:01:31,319 Speaker 1: you your whole life. I know your heart. You didn't 24 00:01:31,360 --> 00:01:34,360 Speaker 1: come here to ask me what to do. You already 25 00:01:34,480 --> 00:01:38,480 Speaker 1: know what the right thing to do is. It doesn't 26 00:01:38,520 --> 00:01:41,720 Speaker 1: matter what these people have done. They deserve to know 27 00:01:41,800 --> 00:01:46,240 Speaker 1: the truth. Gloria is dead, she's never coming back home. 28 00:01:47,000 --> 00:01:50,160 Speaker 1: You need to tell them what happened. But what about 29 00:01:50,200 --> 00:01:52,840 Speaker 1: all the evil they've done. I think they killed my 30 00:01:52,880 --> 00:01:55,800 Speaker 1: biological mother, they had my father deported. They'd like to 31 00:01:55,840 --> 00:02:05,120 Speaker 1: Gloria her whole life. And what gay Uh, that's not 32 00:02:05,240 --> 00:02:12,400 Speaker 1: your dab miha, That's God's job. You know what you 33 00:02:12,440 --> 00:02:18,280 Speaker 1: have to do. God, You're right. I don't know what 34 00:02:18,320 --> 00:02:20,760 Speaker 1: I was thinking. I got caught up in all of this. 35 00:02:21,320 --> 00:02:23,760 Speaker 1: I guess it was nice while it lasted. I'll just 36 00:02:24,240 --> 00:02:28,520 Speaker 1: go back and I'll tell everybody the truth. No, don't 37 00:02:28,560 --> 00:02:37,440 Speaker 1: do excuse me, excuse my language. Lord? Yes, three, what 38 00:02:37,480 --> 00:02:39,840 Speaker 1: are you doing here? Oh? This is the maid I 39 00:02:39,840 --> 00:02:43,040 Speaker 1: told you about it? Mana, forgive me, Senorita Gloria or 40 00:02:43,400 --> 00:02:47,880 Speaker 1: um Maria del garmin. I followed you here, I followed 41 00:02:47,919 --> 00:02:49,760 Speaker 1: you after you left the clinic, and I've been listening 42 00:02:49,800 --> 00:02:59,120 Speaker 1: this whole time. Okay, well, I'm an atheist, but I'm 43 00:02:59,120 --> 00:03:01,000 Speaker 1: pretty sure you're not so supposed to be in there either. 44 00:03:01,400 --> 00:03:04,000 Speaker 1: Aren't priests the only ones who are allowed to take confession? 45 00:03:04,040 --> 00:03:07,600 Speaker 1: That's not the point. Okay, whatever, I'm sorry, but Maria 46 00:03:07,680 --> 00:03:09,840 Speaker 1: the common you can't tell the guy that owns the truth. 47 00:03:10,200 --> 00:03:15,920 Speaker 1: Why because you're my only hope to find Gabby? Yea wait, wait, wait, 48 00:03:15,960 --> 00:03:22,480 Speaker 1: wait wait who's Gabby? Yeah? Who is Gabby? I'm supposed 49 00:03:22,520 --> 00:03:25,320 Speaker 1: to be an omniscient narrator. How do I not know 50 00:03:25,360 --> 00:03:31,080 Speaker 1: who Gabby is? Okay, well, well, Maria del Claudia process 51 00:03:31,160 --> 00:03:33,720 Speaker 1: all of that, Steve on a Nacho are hard at 52 00:03:33,720 --> 00:03:43,040 Speaker 1: work in an office, downtown office. Yes, she's recuperating in 53 00:03:43,080 --> 00:03:46,360 Speaker 1: the car. They don't thank you for your concern, Steven. 54 00:03:46,440 --> 00:03:49,680 Speaker 1: The person will stop calling about Gloria's accident. We'll get ready, Karen, 55 00:03:49,760 --> 00:03:52,120 Speaker 1: because soon we're going to give them something else to 56 00:03:52,160 --> 00:03:55,880 Speaker 1: talk about. Oh god, not another boat crash? What No, 57 00:03:56,600 --> 00:04:03,280 Speaker 1: I'm running for mayor? Oh right, hold, I hope I'm 58 00:04:03,320 --> 00:04:07,120 Speaker 1: not interrupting. No, no, no, natural holda please please please 59 00:04:07,200 --> 00:04:12,000 Speaker 1: come in, Karen, please cancel my afternoon meetings. Natu and 60 00:04:12,040 --> 00:04:16,560 Speaker 1: I have some catching up to do. Yes, sir, uh oh, 61 00:04:16,720 --> 00:04:20,480 Speaker 1: you and Karen are getting close. I see she's very friendly. 62 00:04:20,760 --> 00:04:25,840 Speaker 1: Oh indeed, indeed very uh friendly. But um like you're 63 00:04:25,960 --> 00:04:32,479 Speaker 1: canceling your entire afternoon for me. Wow. Do you think 64 00:04:32,480 --> 00:04:35,640 Speaker 1: this will take all afternoon? If it was up to me, 65 00:04:36,640 --> 00:04:41,160 Speaker 1: it would take all night to get over here and 66 00:04:41,520 --> 00:04:50,880 Speaker 1: kiss me? H? What is that one? Is that one here? 67 00:04:50,880 --> 00:04:55,560 Speaker 1: Are you worried about it? But Karen, Karen's right, She's right, 68 00:04:56,080 --> 00:05:01,280 Speaker 1: She's right on the other side of that. Okay, and look, 69 00:05:01,360 --> 00:05:05,520 Speaker 1: stop stopping. Stop your hands are cold. Look to be 70 00:05:05,560 --> 00:05:09,600 Speaker 1: prepared for today's announcement, exactly. I want to have a 71 00:05:09,680 --> 00:05:13,800 Speaker 1: clear head, and I can't do that if I'm constantly 72 00:05:13,880 --> 00:05:30,560 Speaker 1: thinking about how much I want you. M oh, I 73 00:05:30,600 --> 00:05:34,280 Speaker 1: did not see that coming. Looks like Luisa was right 74 00:05:34,320 --> 00:05:37,880 Speaker 1: after all. Well, let's give them some privacy and head 75 00:05:37,920 --> 00:05:40,839 Speaker 1: back to the convent. Whereas today is about to reveal, 76 00:05:52,960 --> 00:05:59,200 Speaker 1: thank you, thank you, it's time for tea with Tatiana, 77 00:05:59,400 --> 00:06:04,960 Speaker 1: and I'm your host, Tatiana. Obviously, this week, we're going 78 00:06:05,040 --> 00:06:13,000 Speaker 1: to talk about something new. The Calderon's just kidding. What 79 00:06:13,080 --> 00:06:17,080 Speaker 1: could be more interesting than the Calderone family, And of 80 00:06:17,120 --> 00:06:23,520 Speaker 1: course our favorite topic, the Princess herself, Gloria. Now we 81 00:06:23,600 --> 00:06:27,080 Speaker 1: all know that Gloria has an army of fans. In fact, 82 00:06:27,200 --> 00:06:31,039 Speaker 1: they call themselves her Glory Army. But one of her 83 00:06:31,080 --> 00:06:35,840 Speaker 1: fans took her love of Gloria to the next level. 84 00:06:36,640 --> 00:06:43,800 Speaker 1: Please welcome to the stage, Gloria. Oh oh, thank you, 85 00:06:44,279 --> 00:06:49,479 Speaker 1: thank you. So Gloriana, I can't help but notice that 86 00:06:49,600 --> 00:06:54,480 Speaker 1: you look a lot like Gloria Calderone. Well, Tatiana, that's 87 00:06:54,480 --> 00:06:57,400 Speaker 1: because I go to the same plastic surgeon she goes to. 88 00:06:57,800 --> 00:07:00,400 Speaker 1: I also buy her exact same clothes and make lunch 89 00:07:00,440 --> 00:07:02,880 Speaker 1: at the same hotspots in town. And I even learned 90 00:07:02,880 --> 00:07:08,360 Speaker 1: her signature hair flip. See Okay, so let's see if 91 00:07:08,400 --> 00:07:13,280 Speaker 1: I get this straight. You're basically trying to be Gloria. 92 00:07:13,680 --> 00:07:18,040 Speaker 1: Well I was, the thing, is, Tatiana. Everything changed when 93 00:07:18,080 --> 00:07:22,240 Speaker 1: I bought the suv. Gloria drives a Lincoln Aviator. Uh. 94 00:07:23,200 --> 00:07:25,880 Speaker 1: At first, I was just trying to be more like Gloria, 95 00:07:25,960 --> 00:07:27,880 Speaker 1: But then I drove it for the first time. And 96 00:07:28,200 --> 00:07:33,000 Speaker 1: please do tell I just I felt so relaxed and 97 00:07:33,080 --> 00:07:36,960 Speaker 1: at home, I realized that I just wanted to be myself. 98 00:07:37,200 --> 00:07:40,720 Speaker 1: So what does that mean? Are you going to stop 99 00:07:40,760 --> 00:07:43,720 Speaker 1: trying to look like Gloria? Actually I think Gloria's trying 100 00:07:43,720 --> 00:07:50,760 Speaker 1: to look like me. Oh okay, well, thank you so much, Gloriana. 101 00:07:50,920 --> 00:07:54,680 Speaker 1: But that's all the time we have for today. Tune 102 00:07:54,680 --> 00:07:58,160 Speaker 1: in next time for more juicy secrets about the Calderones, 103 00:07:58,360 --> 00:08:03,760 Speaker 1: and remember, don't talk about it post about it. See 104 00:08:03,800 --> 00:08:28,680 Speaker 1: you on the next team with Tatianna. Oh, I did 105 00:08:28,800 --> 00:08:32,720 Speaker 1: not see that coming. Looks like Luisa was right after all. 106 00:08:33,040 --> 00:08:35,760 Speaker 1: Well let's give them some privacy and head back to 107 00:08:35,800 --> 00:08:42,240 Speaker 1: the convent where Straya is about to reveal. All right, 108 00:08:42,360 --> 00:08:45,760 Speaker 1: so who's Gobby and what does she have to do 109 00:08:45,800 --> 00:08:48,320 Speaker 1: with the Calderon. Well, it's kind of a long story. 110 00:08:48,640 --> 00:08:51,880 Speaker 1: It's not like I'm late for a non conference. Okay, 111 00:08:52,200 --> 00:08:56,840 Speaker 1: I'll guess I'll start from the beginning. It all started 112 00:08:56,960 --> 00:09:01,040 Speaker 1: when Wait a second, I don't even know you. I 113 00:09:01,040 --> 00:09:03,160 Speaker 1: don't know if I can trust you. Oh. I'm not 114 00:09:03,160 --> 00:09:06,240 Speaker 1: gonna tell you the full story, not yet. The only 115 00:09:06,280 --> 00:09:07,960 Speaker 1: thing you need to know is that a few years ago, 116 00:09:08,080 --> 00:09:12,000 Speaker 1: someone I care about disappeared. Her name is Gabby and 117 00:09:12,120 --> 00:09:14,400 Speaker 1: no one knows what happened to her. But I'm convinced 118 00:09:14,559 --> 00:09:17,640 Speaker 1: that Estevan Gavon has something to do with it. That's 119 00:09:17,679 --> 00:09:19,920 Speaker 1: why I've been undercovered at like a satosa to try 120 00:09:19,920 --> 00:09:23,079 Speaker 1: to figure out what happened. Wait, so you're not really 121 00:09:23,080 --> 00:09:25,640 Speaker 1: a made Have you ever seen me clean? Have you 122 00:09:25,720 --> 00:09:28,199 Speaker 1: ever seen me pick up a damn broom? Hell? Every 123 00:09:28,240 --> 00:09:29,800 Speaker 1: time I think I'm vacuuming and I'm just in the 124 00:09:29,920 --> 00:09:35,480 Speaker 1: room making noise, it's just going gee, that's what i'd 125 00:09:35,480 --> 00:09:38,520 Speaker 1: be doing anyway. Look, I need your help. What does 126 00:09:38,559 --> 00:09:42,120 Speaker 1: this even have to do with me? They think your Gloria, 127 00:09:42,640 --> 00:09:45,400 Speaker 1: you're one of them. You can get places that I 128 00:09:45,440 --> 00:09:48,600 Speaker 1: can't get, the evidence that I've been looking for. I'm 129 00:09:48,600 --> 00:09:51,439 Speaker 1: telling you, they're bad people, and we can bring them 130 00:09:51,440 --> 00:09:54,360 Speaker 1: to justice. I've been there for three years and I've 131 00:09:54,360 --> 00:09:57,559 Speaker 1: gotten nowhere. All I found is some shady tax returns 132 00:09:57,559 --> 00:10:00,920 Speaker 1: and some offshore bank accounts. But you you can get 133 00:10:00,920 --> 00:10:06,360 Speaker 1: the real dirt. Absolutely not, Maria. You cannot keep lying 134 00:10:06,400 --> 00:10:10,280 Speaker 1: to these people. They're not people, They're monsters. Okay, I'm 135 00:10:10,280 --> 00:10:12,600 Speaker 1: not surprised to hear about what they did to your family. 136 00:10:13,000 --> 00:10:15,000 Speaker 1: I'm sure you and I are not the only people 137 00:10:15,040 --> 00:10:17,600 Speaker 1: they have heard. They don't care who they trample on 138 00:10:17,679 --> 00:10:20,640 Speaker 1: to get what they want. I don't know. Yeah, you 139 00:10:20,760 --> 00:10:23,920 Speaker 1: do know, Okay, lying about that day of baby, you 140 00:10:23,960 --> 00:10:25,680 Speaker 1: know it wasn't no baby in there had me in 141 00:10:25,760 --> 00:10:28,559 Speaker 1: there with the ob Gyn looking stupid. I know it's 142 00:10:28,600 --> 00:10:30,360 Speaker 1: a lot to ask, but what It's the only way 143 00:10:30,360 --> 00:10:38,360 Speaker 1: to get to the truth. When did you become such 144 00:10:38,400 --> 00:10:42,280 Speaker 1: an intriguing protagonist? But now it's up to Maria del 145 00:10:42,360 --> 00:10:47,520 Speaker 1: Carman to decide what to do. If you're enjoying Princess 146 00:10:47,520 --> 00:10:50,720 Speaker 1: of South Beach, please subscribe, rate, and review our show 147 00:10:50,920 --> 00:10:53,800 Speaker 1: wherever you're listening. The Princess of South Beach is a 148 00:10:53,800 --> 00:10:57,920 Speaker 1: production of I Hearts, MICHAELA Podcast Network and Sono Creative 149 00:10:57,960 --> 00:11:01,320 Speaker 1: and directed by Jasmine Romero. Written by Jasmine Romero and 150 00:11:01,400 --> 00:11:05,240 Speaker 1: Joanna Housman, with help from Daniela Serkis, Monisa Heinrix, and 151 00:11:05,360 --> 00:11:09,880 Speaker 1: Christian Hatter. Produced by Luisa Orro Casillo, Executive produced by 152 00:11:09,920 --> 00:11:13,360 Speaker 1: Connal Byrne and Gazelle Bances for iHeart by Joanna Housman 153 00:11:13,600 --> 00:11:17,720 Speaker 1: and by Jasmine Romero and Joshua Weinstein. Porsnaro. Performances in 154 00:11:17,720 --> 00:11:22,360 Speaker 1: this episode by Rachel Zegler, Raoulas Barza, Danny Pino, vanne 155 00:11:22,400 --> 00:11:28,320 Speaker 1: cole X Mayo and Carina Ortiz. Our production manager is Guerenzachitis. 156 00:11:28,360 --> 00:11:32,160 Speaker 1: Recording and engineering by Emiliano Quintaner, with sound designed by 157 00:11:32,280 --> 00:11:38,079 Speaker 1: Edwin Irigoyen, Cassandra Tinajiro, Andres Bayena, Diego Merina and Andres Coronado. 158 00:11:38,360 --> 00:11:42,240 Speaker 1: Assistant sound designed by Eric Sintheno. Casting in coordination by 159 00:11:42,280 --> 00:11:46,360 Speaker 1: Andres Chaitis Folly by Samantha Gonzalez Fong, our theme song 160 00:11:46,520 --> 00:11:50,200 Speaker 1: and original music by Rodrigo Garcia Roles and Charlie Hernandez