WEBVTT - The Loneliest and the Most Abstract Sense

0:00:00.680 --> 0:00:04.840
<v Speaker 1>It's eleven fifty p m. In the snowy autumnal forest

0:00:04.920 --> 0:00:26.319
<v Speaker 1>of Cruise, AWA, and you're listening Tonight Call. Welcome to

0:00:26.480 --> 0:00:30.840
<v Speaker 1>Night Call, a podcast for your strange days and lonely nights.

0:00:31.400 --> 0:00:34.360
<v Speaker 1>My name is Emily Rashida. I'm in New York and

0:00:34.479 --> 0:00:36.839
<v Speaker 1>with me on the other end of the line on

0:00:36.880 --> 0:00:43.560
<v Speaker 1>the other coast are Molly Lambert and Tess Lynch. Hey, Hey, gang, guys,

0:00:44.520 --> 0:00:48.920
<v Speaker 1>getting back in the groove. Still yeah, welcome, welcome back again.

0:00:49.120 --> 0:00:56.880
<v Speaker 1>Still always be celebrating every week. It's the eternal return.

0:00:57.560 --> 0:00:59.800
<v Speaker 1>Give us a call, guys at to four oh for six.

0:01:01.160 --> 0:01:03.080
<v Speaker 1>You can also text us at the same number or

0:01:03.160 --> 0:01:06.520
<v Speaker 1>email us at night Call podcast at Gmail. No topic

0:01:06.680 --> 0:01:09.800
<v Speaker 1>is too weird, well summer and that's okay. We screen

0:01:09.880 --> 0:01:13.000
<v Speaker 1>those out, so go nuts. Well, we'll just group chat

0:01:13.040 --> 0:01:18.120
<v Speaker 1>about them the necessarily, but yeah, but some of them will.

0:01:18.200 --> 0:01:19.840
<v Speaker 1>But we will never make fun of you for asking

0:01:19.880 --> 0:01:22.680
<v Speaker 1>like a question. Now, and you can be anonymous, Yeah,

0:01:22.720 --> 0:01:25.679
<v Speaker 1>you can always be anonymous. Ask us stuff or tell

0:01:25.760 --> 0:01:28.240
<v Speaker 1>us things that you think will be interested in. So

0:01:28.640 --> 0:01:31.880
<v Speaker 1>we all were very very sad, as was pretty much

0:01:31.920 --> 0:01:34.679
<v Speaker 1>all of l A and many people who enjoyed the

0:01:34.680 --> 0:01:37.920
<v Speaker 1>writing of Jonathan Gold to find that he had passed away.

0:01:38.000 --> 0:01:40.440
<v Speaker 1>Um this past weekend. By the time you listen to this,

0:01:40.520 --> 0:01:42.200
<v Speaker 1>that the news will be a week old. But um,

0:01:42.319 --> 0:01:44.760
<v Speaker 1>Jonathan Gold meant a lot to each of us. I

0:01:44.800 --> 0:01:47.080
<v Speaker 1>think we all had kind of different personal connections to

0:01:47.160 --> 0:01:50.720
<v Speaker 1>him and his writing, and he was one of the most,

0:01:50.800 --> 0:01:53.480
<v Speaker 1>if not the most talented food writer. He was. He

0:01:53.520 --> 0:01:56.000
<v Speaker 1>had his beginnings as a music writer at l a weekly,

0:01:56.520 --> 0:02:00.200
<v Speaker 1>and he was also just a very generous person when

0:02:00.200 --> 0:02:03.720
<v Speaker 1>it came to encouraging younger writers. Um. I was looking

0:02:03.720 --> 0:02:06.600
<v Speaker 1>through my old g chats and I found one with

0:02:06.680 --> 0:02:09.359
<v Speaker 1>Molly from ten years ago when she was telling me

0:02:09.680 --> 0:02:12.680
<v Speaker 1>that Jonathan Gold had gotten in touch with her and uh,

0:02:12.800 --> 0:02:15.040
<v Speaker 1>we were all kind of like scrambling for jobs and

0:02:15.200 --> 0:02:18.240
<v Speaker 1>it meant so much, and I was like, who's Jonathan Gold.

0:02:18.600 --> 0:02:21.200
<v Speaker 1>It was so weird reading a g chat from ten

0:02:21.280 --> 0:02:23.720
<v Speaker 1>years ago because I didn't know. I mean, I was like,

0:02:23.800 --> 0:02:25.680
<v Speaker 1>on some level aware we could do that, but you

0:02:25.680 --> 0:02:28.000
<v Speaker 1>were like, hey, here's the g chat from when you

0:02:28.040 --> 0:02:31.160
<v Speaker 1>were going to meet Jonathan at a restaurant top lunch,

0:02:31.680 --> 0:02:33.720
<v Speaker 1>and you were so nervous that I was reading it.

0:02:33.760 --> 0:02:36.000
<v Speaker 1>I was like, this is very weird. Also weird that

0:02:36.040 --> 0:02:40.480
<v Speaker 1>the chat mentioned Mama Mia and turtles, and Molly saved

0:02:40.480 --> 0:02:42.840
<v Speaker 1>a turtle from crossing the road that same day. But

0:02:42.880 --> 0:02:45.560
<v Speaker 1>that's beside the point. I want to know how how

0:02:45.639 --> 0:02:48.239
<v Speaker 1>you first got in touch with Jonathan and how you

0:02:48.320 --> 0:02:51.280
<v Speaker 1>got that connection. He's a family friend and my friend

0:02:51.360 --> 0:02:55.000
<v Speaker 1>Vanessas and she told me that she had been at

0:02:55.000 --> 0:02:57.160
<v Speaker 1>a dinner with him, her family and his family had

0:02:57.160 --> 0:02:59.480
<v Speaker 1>dinner together a lot, and that she had mentioned me

0:02:59.560 --> 0:03:02.519
<v Speaker 1>and he had been like, oh, you know, Molly Lambert.

0:03:02.600 --> 0:03:06.760
<v Speaker 1>I was like, why how does he know who I am? Um?

0:03:06.800 --> 0:03:11.280
<v Speaker 1>But he read my old blog, this recording um, which

0:03:11.320 --> 0:03:14.360
<v Speaker 1>was really cool, and you know, I was doing it

0:03:14.400 --> 0:03:18.520
<v Speaker 1>for free, so it was obviously like very gratifying to

0:03:18.560 --> 0:03:20.480
<v Speaker 1>hear that somebody who was a huge hero of mine

0:03:20.720 --> 0:03:22.720
<v Speaker 1>like liked what I was doing at all, and it

0:03:22.800 --> 0:03:25.640
<v Speaker 1>really like gave me a lot of it get pushed

0:03:25.680 --> 0:03:27.480
<v Speaker 1>me through just like several more years of like not

0:03:27.520 --> 0:03:30.679
<v Speaker 1>getting paid to write because I was like, hopefully I'm

0:03:30.720 --> 0:03:36.000
<v Speaker 1>doing something that like somebody will want someday professional acceptance

0:03:36.120 --> 0:03:39.920
<v Speaker 1>from the people work up to. Yeah. I mean he's

0:03:39.920 --> 0:03:42.640
<v Speaker 1>such like a sweet person and so generous and like

0:03:42.680 --> 0:03:44.720
<v Speaker 1>a lot of people have said this, but like he

0:03:44.880 --> 0:03:47.040
<v Speaker 1>and Lorio Chowa, who was the editor of The l

0:03:47.040 --> 0:03:48.960
<v Speaker 1>A Weekly for a really long time, we're just like

0:03:49.200 --> 0:03:53.280
<v Speaker 1>so welcoming to young writers, which is like not how

0:03:53.320 --> 0:03:56.120
<v Speaker 1>most people are at all, you know. And they were

0:03:56.160 --> 0:04:00.080
<v Speaker 1>so like genuinely interested in like nurturing people's talent and

0:04:00.160 --> 0:04:02.520
<v Speaker 1>like encouraging people to write about things they were actually

0:04:02.520 --> 0:04:05.360
<v Speaker 1>interested in. Um. And one of the things that sucks

0:04:05.360 --> 0:04:07.960
<v Speaker 1>so bad about The l A Weekly getting bought by

0:04:08.040 --> 0:04:10.680
<v Speaker 1>this right wing company and firing everybody and becoming sort

0:04:10.680 --> 0:04:13.200
<v Speaker 1>of a zombie version of itself is like there are

0:04:13.200 --> 0:04:16.400
<v Speaker 1>really just no local publications left in l A that

0:04:16.520 --> 0:04:19.159
<v Speaker 1>cover the kinds of things that like Jonathan Gold covered,

0:04:19.320 --> 0:04:22.440
<v Speaker 1>you know, and there are lots of great writers in

0:04:22.560 --> 0:04:25.400
<v Speaker 1>l A that, you know, want to write about l

0:04:25.440 --> 0:04:27.279
<v Speaker 1>A and have things to say and maybe don't have

0:04:27.320 --> 0:04:29.760
<v Speaker 1>a place to do that because there's so much national news.

0:04:29.839 --> 0:04:32.560
<v Speaker 1>It's like, you know, very difficult to get people to

0:04:32.560 --> 0:04:34.960
<v Speaker 1>care about local stories. But local news is so important,

0:04:35.000 --> 0:04:37.640
<v Speaker 1>and I feel like what made him such a great

0:04:38.000 --> 0:04:41.680
<v Speaker 1>voice is that it was so local and so specific. Yeah,

0:04:42.360 --> 0:04:45.120
<v Speaker 1>I mean, between him and Laurie, I feel like if

0:04:45.160 --> 0:04:48.440
<v Speaker 1>there was enough of a nurturing If there wasn't enough

0:04:48.800 --> 0:04:52.360
<v Speaker 1>funding and just like enough space, you could even easily

0:04:52.400 --> 0:04:58.880
<v Speaker 1>imagine many more kind of mentors and editors and just

0:04:58.880 --> 0:05:03.760
<v Speaker 1>just like I don't know, uh, intellectual, I don't even

0:05:03.839 --> 0:05:06.000
<v Speaker 1>know what you would call what they do. They're just

0:05:06.040 --> 0:05:09.520
<v Speaker 1>like the people who care about writers in Los Angeles

0:05:09.560 --> 0:05:13.160
<v Speaker 1>and want there to be a really strong community and

0:05:13.200 --> 0:05:16.520
<v Speaker 1>tradition of writing about Los Angeles, whether they're actually doing

0:05:16.560 --> 0:05:18.800
<v Speaker 1>reporting or if you're writing about culture or food or

0:05:18.839 --> 0:05:21.320
<v Speaker 1>And there's something about that where maybe it's because there's

0:05:21.400 --> 0:05:23.600
<v Speaker 1>less of us, are the people that are really competitive

0:05:23.640 --> 0:05:25.880
<v Speaker 1>and petty or you're all like only trying to make

0:05:25.960 --> 0:05:28.440
<v Speaker 1>TV and film, you know, but like there's something about

0:05:28.480 --> 0:05:30.920
<v Speaker 1>just journalism in Los Angeles where it's like everybody, because

0:05:30.920 --> 0:05:34.320
<v Speaker 1>we're so spread out, everyone just like bands together and

0:05:34.600 --> 0:05:39.000
<v Speaker 1>encourages each other, uh, you know, and and it's nice.

0:05:39.160 --> 0:05:42.120
<v Speaker 1>And I have met a lot of people doing the

0:05:42.160 --> 0:05:44.680
<v Speaker 1>boycott l A Weekly stuff, um, a lot of great

0:05:44.680 --> 0:05:48.159
<v Speaker 1>writers and people like Jeff Weiss obviously we've known for

0:05:48.160 --> 0:05:50.800
<v Speaker 1>a long time who covers local rap in l A.

0:05:50.920 --> 0:05:52.800
<v Speaker 1>And a lot of stuff that ends up becoming a

0:05:52.839 --> 0:05:55.560
<v Speaker 1>big story later, you know, because nothing starts as like

0:05:55.600 --> 0:05:58.799
<v Speaker 1>a big story. Things start as like people start locally,

0:05:59.600 --> 0:06:04.359
<v Speaker 1>um and Captain Spires, Yeah, Katherine Spires, who was the

0:06:04.400 --> 0:06:06.800
<v Speaker 1>food reviewer after Jonathan Gold in the l A Weekly,

0:06:06.839 --> 0:06:09.200
<v Speaker 1>who I think is just like brilliant and a great writer.

0:06:09.440 --> 0:06:13.800
<v Speaker 1>And there's all these people and there's just no publications

0:06:14.279 --> 0:06:16.520
<v Speaker 1>serving that need. And yeah, I think we all just

0:06:16.560 --> 0:06:18.240
<v Speaker 1>probably grew up thinking of like, oh, it would be

0:06:18.279 --> 0:06:20.280
<v Speaker 1>great to work at a magazine and have like a

0:06:20.279 --> 0:06:24.159
<v Speaker 1>magazine family, you know, like a Mary Tyler Moore thing

0:06:24.240 --> 0:06:26.240
<v Speaker 1>of just like a group of people that are all

0:06:26.640 --> 0:06:30.560
<v Speaker 1>interested in what each other are doing, and competitive, and

0:06:30.680 --> 0:06:33.400
<v Speaker 1>like a healthy way that is good for the greater,

0:06:33.520 --> 0:06:37.160
<v Speaker 1>good for the work everybody's doing, right, competitive and a

0:06:37.240 --> 0:06:39.120
<v Speaker 1>like you want to be better because your peers are

0:06:39.160 --> 0:06:41.000
<v Speaker 1>doing so well, not in a like you don't want

0:06:41.000 --> 0:06:44.200
<v Speaker 1>anyone to succeed because that you can't wait, which is like,

0:06:44.960 --> 0:06:46.599
<v Speaker 1>you know what a lot of things feel like because

0:06:46.600 --> 0:06:49.880
<v Speaker 1>everything is so bad in journalism. I was just going

0:06:49.960 --> 0:06:53.680
<v Speaker 1>to ask, what if you guys had any favorite Jonathan

0:06:53.760 --> 0:06:59.400
<v Speaker 1>Gold reviews or pieces or moments or anything like when

0:06:59.440 --> 0:07:03.800
<v Speaker 1>you first discovered him. Yeah, I mean, I you know,

0:07:03.880 --> 0:07:07.240
<v Speaker 1>I grew up reading him in the weekly, and getting

0:07:07.240 --> 0:07:09.960
<v Speaker 1>the weekly it was like a religious experience, you know,

0:07:10.080 --> 0:07:12.560
<v Speaker 1>like it would come out. It was before the Internet,

0:07:12.600 --> 0:07:15.559
<v Speaker 1>before I think there were just calendars even for things.

0:07:16.320 --> 0:07:18.080
<v Speaker 1>You know. I would go look through show listings and

0:07:18.120 --> 0:07:20.640
<v Speaker 1>be like, someday I'll be old enough to get into

0:07:20.680 --> 0:07:26.640
<v Speaker 1>these class believably too soon, you were. Even then, I

0:07:26.680 --> 0:07:28.680
<v Speaker 1>was still excited about it. I was like, you know,

0:07:28.880 --> 0:07:30.760
<v Speaker 1>like cut out the schedules and put them on my wall.

0:07:30.800 --> 0:07:32.640
<v Speaker 1>But yeah, I would just like devour the whole thing,

0:07:32.960 --> 0:07:36.360
<v Speaker 1>you know. I would read the old comics and the

0:07:36.440 --> 0:07:40.640
<v Speaker 1>back page classifieds and all the phone sax ads for

0:07:40.920 --> 0:07:43.040
<v Speaker 1>the whole thing. Yeah, I mean for me having moved there,

0:07:43.080 --> 0:07:46.320
<v Speaker 1>not growing up with the weekly, but it being there

0:07:46.840 --> 0:07:49.520
<v Speaker 1>when I moved at seventeen years old and being a

0:07:49.520 --> 0:07:52.160
<v Speaker 1>college student and also really not having that much money.

0:07:52.360 --> 0:07:56.160
<v Speaker 1>There's a lot to be said for reading you can do,

0:07:56.280 --> 0:07:58.840
<v Speaker 1>and journalism you can read, and any kind of writing

0:07:59.160 --> 0:08:02.280
<v Speaker 1>that was free. But yeah, but it was I mean,

0:08:02.360 --> 0:08:06.760
<v Speaker 1>just the whole all weekly model has obviously kind of collapsed,

0:08:06.800 --> 0:08:08.640
<v Speaker 1>you know, And part of it is because you know

0:08:08.640 --> 0:08:10.720
<v Speaker 1>somebody who's saying they were, like, journalism is not dying,

0:08:10.760 --> 0:08:14.440
<v Speaker 1>like rich people are killing it. It's not passively dying.

0:08:14.640 --> 0:08:18.600
<v Speaker 1>People are stuff. People still want to know about shows

0:08:18.640 --> 0:08:21.880
<v Speaker 1>and places to eat. There's obviously a huge audience for that.

0:08:21.920 --> 0:08:25.120
<v Speaker 1>People spend tons of money on that stuff every year.

0:08:25.160 --> 0:08:27.840
<v Speaker 1>It's just that on a local level, it's not being

0:08:27.960 --> 0:08:30.040
<v Speaker 1>valued or it's not it's not going to make you

0:08:30.080 --> 0:08:33.760
<v Speaker 1>a billion dollars, so therefore it's not considered worth anything. Yeah,

0:08:33.920 --> 0:08:36.880
<v Speaker 1>I mean news newsroom resources are spread so thin and

0:08:36.920 --> 0:08:39.960
<v Speaker 1>there's so much there's such a glut of national news

0:08:40.120 --> 0:08:43.640
<v Speaker 1>that people don't want to cover local news because they

0:08:43.679 --> 0:08:46.679
<v Speaker 1>have to cover the national news. But you know, obviously,

0:08:46.720 --> 0:08:49.760
<v Speaker 1>like there is a big news story in l A

0:08:49.920 --> 0:08:52.960
<v Speaker 1>yesterday with a hostage situation at a Trader Joe's. That

0:08:53.000 --> 0:08:55.240
<v Speaker 1>was was a few days ago, but it was the

0:08:55.320 --> 0:09:01.480
<v Speaker 1>same day, a really bad day, and I'll uh yeah,

0:09:01.480 --> 0:09:02.960
<v Speaker 1>but people are saying, like, the only place you can

0:09:03.000 --> 0:09:05.240
<v Speaker 1>find information about this right now is like on Twitter.

0:09:05.480 --> 0:09:07.719
<v Speaker 1>You know. Well, I mean, I think that's the one

0:09:07.720 --> 0:09:10.880
<v Speaker 1>thing about l A coverage is that you can find

0:09:10.880 --> 0:09:13.440
<v Speaker 1>a lot of good stuff in a hyper hyperlocal sense,

0:09:13.800 --> 0:09:15.600
<v Speaker 1>you know. I mean the East Sider was covering it.

0:09:15.679 --> 0:09:18.199
<v Speaker 1>The east Sider covers just a small group of neighborhoods

0:09:18.280 --> 0:09:21.680
<v Speaker 1>and the Sider. I know, you've got to they're friendly

0:09:21.679 --> 0:09:23.320
<v Speaker 1>East Sider. But I think one of the great things

0:09:23.360 --> 0:09:26.880
<v Speaker 1>just going back to Jonathan Gold, Um, I didn't start

0:09:27.120 --> 0:09:29.120
<v Speaker 1>like I I was looking at the l a weekly

0:09:29.200 --> 0:09:32.559
<v Speaker 1>for like just mostly the like creepy porn and the

0:09:32.720 --> 0:09:37.080
<v Speaker 1>like terrifying news stories. I was like death Murder, like

0:09:37.160 --> 0:09:41.400
<v Speaker 1>it's free paperback. Thank used to write on Attack. Yeah, yeah,

0:09:41.880 --> 0:09:44.959
<v Speaker 1>those are my stops. But I after Molly was like, oh,

0:09:45.080 --> 0:09:48.160
<v Speaker 1>you know, Jonathan Gold emailed me. I looked him up

0:09:48.160 --> 0:09:50.240
<v Speaker 1>and I was like this is this is amazing. So

0:09:50.440 --> 0:09:52.200
<v Speaker 1>I came to him kind of late. It was only

0:09:52.360 --> 0:09:54.719
<v Speaker 1>ten years ago, but um, I mean, I think one

0:09:54.720 --> 0:09:57.320
<v Speaker 1>of the best things that he did was to push

0:09:57.400 --> 0:09:59.480
<v Speaker 1>you out of your neighborhood and out of you know,

0:09:59.760 --> 0:10:03.480
<v Speaker 1>your regular haunts and and to you know, I probably

0:10:03.520 --> 0:10:06.200
<v Speaker 1>wouldn't have gone to the San Gabriel Valley ten years

0:10:06.240 --> 0:10:08.000
<v Speaker 1>ago to just be like, oh, I just want to

0:10:08.040 --> 0:10:10.719
<v Speaker 1>try like this little restaurant. It's like forty minute drive.

0:10:10.760 --> 0:10:13.000
<v Speaker 1>I'm just gonna go and try it, or like going,

0:10:13.040 --> 0:10:15.560
<v Speaker 1>you know, driving to Encino and like you know, taking

0:10:15.559 --> 0:10:18.320
<v Speaker 1>the time to kind of like find these places that

0:10:18.360 --> 0:10:21.520
<v Speaker 1>he would recommend oftentimes I thought he was wrong. I'm

0:10:21.559 --> 0:10:23.920
<v Speaker 1>just gonna say it. I was like, I'm not I'm

0:10:23.960 --> 0:10:25.920
<v Speaker 1>not feeling that you're not going to have the like

0:10:26.040 --> 0:10:28.760
<v Speaker 1>blood cubes or whatever, not gonna have the blood cubes.

0:10:28.840 --> 0:10:30.600
<v Speaker 1>I think it was I think I even can blame

0:10:30.679 --> 0:10:33.680
<v Speaker 1>him for pie and burger, which I still everyone does

0:10:33.720 --> 0:10:35.599
<v Speaker 1>but me. But look, I'm gonna it's my hill to

0:10:35.679 --> 0:10:39.040
<v Speaker 1>die and burgers only know because of Jonathan Golden. I've

0:10:39.040 --> 0:10:41.120
<v Speaker 1>never eaten there, but I'm just like, like, I know

0:10:41.200 --> 0:10:43.520
<v Speaker 1>that name because of like, well, you would like the

0:10:43.600 --> 0:10:47.680
<v Speaker 1>vibe anyway, because it's really great. But I don't think

0:10:47.760 --> 0:10:50.640
<v Speaker 1>I mean I So I was saying like coming there

0:10:50.840 --> 0:10:53.000
<v Speaker 1>as a newcomer to the city but not having a

0:10:53.000 --> 0:10:56.280
<v Speaker 1>lot of money, and and just like also not being

0:10:56.400 --> 0:10:59.160
<v Speaker 1>honestly that psyched about Los Angeles when I moved there,

0:10:59.320 --> 0:11:03.120
<v Speaker 1>I the tables have turned. I told you, I've told

0:11:03.120 --> 0:11:05.440
<v Speaker 1>you guys. You know, like I I thought that I

0:11:05.440 --> 0:11:06.920
<v Speaker 1>was going to move to New York and I was

0:11:06.960 --> 0:11:09.200
<v Speaker 1>going to go to film school in New York, and

0:11:09.240 --> 0:11:11.000
<v Speaker 1>that did not end up happening. I ended up coming

0:11:11.000 --> 0:11:12.840
<v Speaker 1>to l A instead, and so I definitely had a

0:11:12.840 --> 0:11:16.320
<v Speaker 1>period of like it's so spread out, like every single

0:11:16.400 --> 0:11:19.680
<v Speaker 1>complaint that everybody's ever had about l A. And I

0:11:19.760 --> 0:11:22.560
<v Speaker 1>think that Jonathan Gult writing which I immediately just like

0:11:23.280 --> 0:11:26.160
<v Speaker 1>I can't remember not reading it as soon as I

0:11:26.200 --> 0:11:28.280
<v Speaker 1>got there. I think there was something where when it's

0:11:28.320 --> 0:11:34.880
<v Speaker 1>something as kind of um uh, deceiving the deceivingly minute

0:11:34.960 --> 0:11:38.080
<v Speaker 1>as food or or contained as food, you can find it.

0:11:38.080 --> 0:11:40.520
<v Speaker 1>It's it's more approachable. So it's like I can't learn

0:11:40.640 --> 0:11:43.760
<v Speaker 1>everything about everything in Los Angeles and the entire history

0:11:43.800 --> 0:11:45.760
<v Speaker 1>of it, but I can start by learning about the

0:11:45.800 --> 0:11:48.439
<v Speaker 1>food and what food you can get in each neighborhood,

0:11:48.559 --> 0:11:51.080
<v Speaker 1>and and what these different cultures are that like have

0:11:51.280 --> 0:11:54.160
<v Speaker 1>formed this history, this like food history in these different

0:11:54.160 --> 0:11:56.640
<v Speaker 1>areas of Los Angeles. And that kind of became a

0:11:56.679 --> 0:11:59.680
<v Speaker 1>way for me to make sense of what arriving there

0:11:59.840 --> 0:12:03.440
<v Speaker 1>was just like this Hodgepodge and I posted h I

0:12:03.559 --> 0:12:06.640
<v Speaker 1>posted his review of Oky Dog, which I've always loved.

0:12:06.640 --> 0:12:09.360
<v Speaker 1>I always remember the line about like not being able

0:12:09.400 --> 0:12:10.960
<v Speaker 1>to eat it unless you have the time of a

0:12:11.000 --> 0:12:15.120
<v Speaker 1>sixteen year old. But that's how I felt about Los Angeles.

0:12:15.679 --> 0:12:18.560
<v Speaker 1>Moving there, is like it was so overwhelming. I ate

0:12:18.640 --> 0:12:21.360
<v Speaker 1>so much junk food, and horrible stuff like okay dog

0:12:21.720 --> 0:12:23.839
<v Speaker 1>and every single hot dog in Los Angeles, I think

0:12:23.880 --> 0:12:27.760
<v Speaker 1>at some point and uh, and kind of found a

0:12:27.800 --> 0:12:30.600
<v Speaker 1>way to find the joy and being like overwhelmed by

0:12:30.600 --> 0:12:33.360
<v Speaker 1>the unfamiliar. Yeah, I mean again, it's like he and

0:12:33.400 --> 0:12:35.880
<v Speaker 1>I talked about it because we're both locals, and it's

0:12:35.920 --> 0:12:37.600
<v Speaker 1>like one of the things I loved about the way

0:12:37.640 --> 0:12:39.960
<v Speaker 1>he wrote was that he didn't write about Los Angeles

0:12:40.520 --> 0:12:42.960
<v Speaker 1>to address like an He didn't write about it in

0:12:42.960 --> 0:12:45.120
<v Speaker 1>a way that's like for people who don't know, or

0:12:45.160 --> 0:12:47.080
<v Speaker 1>he wasn't like trying to convince you that it's good.

0:12:47.160 --> 0:12:50.520
<v Speaker 1>He's like everybody who lives here who's like a regular

0:12:50.559 --> 0:12:52.720
<v Speaker 1>person knows it's good. It's only people who come from

0:12:52.760 --> 0:12:54.800
<v Speaker 1>other places and tell us what they think it's like

0:12:55.640 --> 0:12:57.760
<v Speaker 1>in an annoying way. It's like, yeah, yeah, we know

0:12:57.880 --> 0:13:00.800
<v Speaker 1>there's a lot of like people who want to be actors,

0:13:00.800 --> 0:13:02.480
<v Speaker 1>but there's also a lot of people who are just

0:13:02.520 --> 0:13:07.280
<v Speaker 1>like regular working class people who live all over Los Angeles.

0:13:07.559 --> 0:13:10.320
<v Speaker 1>And food is like a way that people, you know,

0:13:10.480 --> 0:13:13.640
<v Speaker 1>bond and socialized. Well, speaking of that, speaking of how

0:13:14.559 --> 0:13:17.440
<v Speaker 1>and I just say something really hatery really quickly, and

0:13:17.480 --> 0:13:19.840
<v Speaker 1>I'll keep this. I'll I'll tell you guys who I'm

0:13:19.880 --> 0:13:21.800
<v Speaker 1>talking about when I when we go up the air.

0:13:22.480 --> 0:13:25.720
<v Speaker 1>I was talking to somebody who lives partially in Los

0:13:25.720 --> 0:13:30.959
<v Speaker 1>Angeles and um, we're talking about Jonathan Gold. And she

0:13:31.400 --> 0:13:34.480
<v Speaker 1>has a job in the entertainment business and said that

0:13:34.559 --> 0:13:37.200
<v Speaker 1>nobody that she worked with, who are all people who

0:13:37.280 --> 0:13:40.720
<v Speaker 1>came out there to work in the entertainment business somewhat

0:13:40.760 --> 0:13:43.360
<v Speaker 1>recently in the last few years, Uh, none of them

0:13:43.440 --> 0:13:46.600
<v Speaker 1>knew who Jonathan Gold was, uh and didn't understand why

0:13:46.640 --> 0:13:49.400
<v Speaker 1>he was important. And this is just like again, like

0:13:49.600 --> 0:13:53.240
<v Speaker 1>he contains this microcosm of every single problem or thing

0:13:53.320 --> 0:13:55.600
<v Speaker 1>that that is in Los Angeles. Because that just made

0:13:55.640 --> 0:13:57.800
<v Speaker 1>me feel like, you don't know who Jonathan Gold is,

0:13:57.840 --> 0:14:00.560
<v Speaker 1>Like you're not You're you don't care about living in

0:14:00.600 --> 0:14:04.520
<v Speaker 1>Los Angeles. I feel like like, especially being a privileged

0:14:04.600 --> 0:14:09.400
<v Speaker 1>person with a in entertainment industry income, you're not going

0:14:09.440 --> 0:14:11.080
<v Speaker 1>to find out about let You're not going to go

0:14:11.120 --> 0:14:12.960
<v Speaker 1>and read some of his old columns or something like.

0:14:13.000 --> 0:14:14.840
<v Speaker 1>I feel a lot of rich people who moved to

0:14:15.000 --> 0:14:17.720
<v Speaker 1>l A aren't interested in like in particiscattering l A

0:14:17.679 --> 0:14:20.480
<v Speaker 1>anticipating they just want to turn it into like what

0:14:20.640 --> 0:14:23.000
<v Speaker 1>they wanted to do, which is why then when like

0:14:23.080 --> 0:14:25.120
<v Speaker 1>the hills are on fire and they're like, we didn't

0:14:25.120 --> 0:14:27.680
<v Speaker 1>move to New York for this, I'm always like, go home,

0:14:27.760 --> 0:14:32.280
<v Speaker 1>go back home, don't come here, but also don't come here.

0:14:32.280 --> 0:14:34.720
<v Speaker 1>We're full exactly. Okay, Emily, you can take a night

0:14:34.760 --> 0:14:43.360
<v Speaker 1>call about food. Hey, night call, ladies. It's PM in

0:14:43.520 --> 0:14:46.320
<v Speaker 1>Hot Austin, Texas, and I've got a question for you.

0:14:46.920 --> 0:14:50.440
<v Speaker 1>My name is Maggie, and I just found out what

0:14:51.360 --> 0:14:54.960
<v Speaker 1>muck bang is in the U K B A n G.

0:14:55.480 --> 0:14:58.720
<v Speaker 1>It might be nuke thing, and I want to know

0:14:58.760 --> 0:15:02.200
<v Speaker 1>what you girls think of it it because I think

0:15:02.400 --> 0:15:08.240
<v Speaker 1>it's horrifying and I also feel that it's a tool

0:15:08.360 --> 0:15:12.600
<v Speaker 1>that anorexics could use to, you know, essentially get their

0:15:12.600 --> 0:15:16.320
<v Speaker 1>fixed without eating food. Um. Yeah, So if you guys

0:15:16.360 --> 0:15:19.480
<v Speaker 1>can weigh in on muk bang or muke than, I

0:15:19.520 --> 0:15:25.440
<v Speaker 1>appreciate that. Thanks. Bye. Had you guys heard about muck

0:15:25.520 --> 0:15:31.080
<v Speaker 1>bang or muck bang before, but I've heard of like

0:15:31.480 --> 0:15:36.760
<v Speaker 1>I feel like eating interviews or feeder porn. Yes, I

0:15:36.760 --> 0:15:40.600
<v Speaker 1>would say, first, I don't think that it would be

0:15:40.640 --> 0:15:42.960
<v Speaker 1>something that you would use for eating disorders, because like,

0:15:43.040 --> 0:15:45.320
<v Speaker 1>doesn't seeing someone eat just make you want to eat.

0:15:45.640 --> 0:15:47.720
<v Speaker 1>Like when people see someone smoke on screen, it makes

0:15:47.760 --> 0:15:49.280
<v Speaker 1>them want to smoke. It doesn't make them go like,

0:15:49.640 --> 0:15:54.160
<v Speaker 1>oh god, you're saying, it's not it's like the opposite. Yeah,

0:15:54.200 --> 0:15:57.400
<v Speaker 1>I think. I think when I when I saw that

0:15:57.520 --> 0:15:59.600
<v Speaker 1>she before I looked it up, I thought that she

0:15:59.680 --> 0:16:03.200
<v Speaker 1>was talking about one of these like kinds of calorie

0:16:03.480 --> 0:16:07.960
<v Speaker 1>free noodles that you can get. Yeah, yeah, me too, zoodles. Yeah,

0:16:08.040 --> 0:16:09.840
<v Speaker 1>And I was thinking, it's like that kind of thing

0:16:09.840 --> 0:16:11.800
<v Speaker 1>that just fills up your stomach. But no, it's it's

0:16:11.920 --> 0:16:14.720
<v Speaker 1>so so can some of these people eating like a

0:16:14.880 --> 0:16:18.760
<v Speaker 1>grip of spaghetti on camera and camera with its streamed

0:16:18.800 --> 0:16:22.400
<v Speaker 1>live to write and people it's not it's not competitive eating.

0:16:22.440 --> 0:16:25.480
<v Speaker 1>It's like just people doing like a live stream like

0:16:25.480 --> 0:16:30.400
<v Speaker 1>a twitch of them eating. Well this on on the Wikipedia,

0:16:30.440 --> 0:16:35.320
<v Speaker 1>it says that the hosts call themselves b j's Broadcast Jockeys,

0:16:35.600 --> 0:16:37.760
<v Speaker 1>and they interact with people who are watching the broadcast

0:16:37.760 --> 0:16:40.560
<v Speaker 1>through chatting. Bj bj is sometimes claim to be the

0:16:40.600 --> 0:16:44.240
<v Speaker 1>audiences avatar and will exactly follow what people ask them

0:16:44.240 --> 0:16:46.400
<v Speaker 1>to do. So in that sense, I kind of could

0:16:46.560 --> 0:16:50.320
<v Speaker 1>see someone with an eating disorder be like stuff yourself

0:16:50.480 --> 0:16:52.800
<v Speaker 1>like eat pizza like I could see that. Well, that's

0:16:52.840 --> 0:16:55.800
<v Speaker 1>feeder porn, right, it is feeder porn. I mean, is

0:16:55.920 --> 0:16:58.920
<v Speaker 1>everything that involves live streaming yourself like a form of

0:16:58.960 --> 0:17:03.560
<v Speaker 1>cam girling? I am? I mean, how far do you

0:17:03.560 --> 0:17:06.840
<v Speaker 1>want to stretch the definition? I mean I guess not, Like,

0:17:06.880 --> 0:17:09.159
<v Speaker 1>how is it different from like somebody being like, here's

0:17:09.200 --> 0:17:12.240
<v Speaker 1>me playing video games, like watch me play video games,

0:17:12.240 --> 0:17:15.119
<v Speaker 1>which like tons of people watch. I mean, I remember

0:17:15.119 --> 0:17:17.400
<v Speaker 1>where I was when I worked at a camera store

0:17:17.400 --> 0:17:20.280
<v Speaker 1>and one of my one of my coworkers, would like

0:17:20.880 --> 0:17:22.879
<v Speaker 1>you borrow the cameras on the weekend to help his

0:17:22.960 --> 0:17:25.679
<v Speaker 1>friends shoot these videos. I think he did some for

0:17:25.800 --> 0:17:29.639
<v Speaker 1>suicide girls, which dates this, but um where it was

0:17:29.720 --> 0:17:33.440
<v Speaker 1>just like videos of girls smoking, like that was it? Okay,

0:17:33.480 --> 0:17:35.280
<v Speaker 1>Well that's a fetish. So I'm sure there's people who

0:17:35.359 --> 0:17:37.240
<v Speaker 1>have a fetish for like girls eating, but this doesn't

0:17:37.280 --> 0:17:39.399
<v Speaker 1>even sound like it's just hot girls. It's just like

0:17:40.800 --> 0:17:42.760
<v Speaker 1>they thought it was like for people who live alone

0:17:42.800 --> 0:17:44.600
<v Speaker 1>and are lonely and want to like feel like they're

0:17:44.600 --> 0:17:48.040
<v Speaker 1>sharing meals with somebody. I mean, to be fair, When

0:17:48.040 --> 0:17:51.160
<v Speaker 1>I was in college and I was living by myself,

0:17:51.240 --> 0:17:55.000
<v Speaker 1>which was great, but I would cook and then I

0:17:55.000 --> 0:17:57.520
<v Speaker 1>would eat and I was like, it felt like I

0:17:57.560 --> 0:18:01.040
<v Speaker 1>had to either be like watching TV on the internet

0:18:01.040 --> 0:18:04.600
<v Speaker 1>because you're like it's kind of weird, just like and focus.

0:18:04.680 --> 0:18:07.680
<v Speaker 1>It's like too much focused. So I could see how like,

0:18:07.800 --> 0:18:09.199
<v Speaker 1>you know, if you just set it up like a

0:18:09.200 --> 0:18:11.639
<v Speaker 1>bunch of people eating with all their webcams, just like

0:18:11.680 --> 0:18:14.919
<v Speaker 1>we're sitting down eating having a virtual potluck. Like a

0:18:14.960 --> 0:18:17.160
<v Speaker 1>lot of people also just like to have that sort

0:18:17.200 --> 0:18:20.399
<v Speaker 1>of para social company if you are alone, which is

0:18:20.400 --> 0:18:23.320
<v Speaker 1>why people like leave the TV on. That's why people

0:18:23.359 --> 0:18:28.919
<v Speaker 1>like twitch is so popular. It's also like people like podcasts. Hey,

0:18:29.040 --> 0:18:31.400
<v Speaker 1>it's that thing too of being like they are speaking

0:18:31.480 --> 0:18:35.360
<v Speaker 1>just to me and then we are also come up

0:18:35.400 --> 0:18:39.000
<v Speaker 1>again in our final topic for today, I was gonna say, yeah,

0:18:39.160 --> 0:18:43.160
<v Speaker 1>but but we when we were doing girls and Hoodies,

0:18:43.280 --> 0:18:46.280
<v Speaker 1>we would get some super creeps who would just be like,

0:18:46.560 --> 0:18:49.959
<v Speaker 1>I like your cough, remember that, People who were like

0:18:50.080 --> 0:18:51.840
<v Speaker 1>I like it when you clear your throat, And I

0:18:51.920 --> 0:18:56.000
<v Speaker 1>was like, don't work that. Those were all the YouTube comments. Yeah,

0:18:56.040 --> 0:18:59.840
<v Speaker 1>that's the things I didn't even know you could sexualize,

0:18:59.880 --> 0:19:02.480
<v Speaker 1>like somebody like sneezing, but like, of course you can,

0:19:02.640 --> 0:19:05.280
<v Speaker 1>so like I wouldn't be surprised if people like were

0:19:05.480 --> 0:19:08.399
<v Speaker 1>into eating videos for reasons other than just wanting to

0:19:08.400 --> 0:19:11.600
<v Speaker 1>have a friend to eat with. Biological functions can be

0:19:11.640 --> 0:19:13.920
<v Speaker 1>really big triggers for people who don't have a lot

0:19:13.960 --> 0:19:16.679
<v Speaker 1>of like really intimate time with other people, Like if

0:19:16.680 --> 0:19:20.960
<v Speaker 1>you're not in a close relationship with somebody or living

0:19:21.000 --> 0:19:25.320
<v Speaker 1>with your family. I think that sometimes hearing, like if

0:19:25.359 --> 0:19:27.280
<v Speaker 1>you happen to be standing in a train or something

0:19:27.320 --> 0:19:30.680
<v Speaker 1>and you hear somebody cough, Are you still hear somebody

0:19:30.840 --> 0:19:33.400
<v Speaker 1>sniffle or something? Sometimes it can be alarming because you're

0:19:33.440 --> 0:19:34.960
<v Speaker 1>just like, oh my god, I haven't heard another human

0:19:34.960 --> 0:19:38.560
<v Speaker 1>sound in a second. I think especially in like bigger

0:19:38.560 --> 0:19:41.760
<v Speaker 1>cities too. In um in college, there was this girl

0:19:41.800 --> 0:19:43.800
<v Speaker 1>who wrote an op ed for the paper that was

0:19:43.840 --> 0:19:48.879
<v Speaker 1>called touch the Loneliest and most abstract sense. What we'll

0:19:48.920 --> 0:19:51.600
<v Speaker 1>talk about that after the podcast. I just I always

0:19:51.600 --> 0:19:53.960
<v Speaker 1>think about it. It was like, you know, a girl's

0:19:54.000 --> 0:19:56.879
<v Speaker 1>like freshman year like essay about like sometimes you just

0:19:56.920 --> 0:19:59.760
<v Speaker 1>touch someone's hand, and like, isn't it weird to touch

0:19:59.800 --> 0:20:05.720
<v Speaker 1>some I totally agree. I'm not a fan. You crave

0:20:05.800 --> 0:20:07.960
<v Speaker 1>it so badly, but then when you get it, you're

0:20:08.000 --> 0:20:11.639
<v Speaker 1>like why can't I have this? Today's episode is sponsored

0:20:11.680 --> 0:20:15.280
<v Speaker 1>by song Finch. Song Finch is a personalized gifting company

0:20:15.320 --> 0:20:18.200
<v Speaker 1>that brings stories, feelings, and memories to life through one

0:20:18.200 --> 0:20:22.000
<v Speaker 1>of a kind songs. With personalized songs starting at and

0:20:22.000 --> 0:20:25.600
<v Speaker 1>delivered within seven days, their community of professional songwriters will

0:20:25.640 --> 0:20:28.600
<v Speaker 1>handcraft the best gift you can give. So I don't

0:20:28.680 --> 0:20:32.720
<v Speaker 1>know if you guys remember, but Molly and Emily and

0:20:32.760 --> 0:20:35.720
<v Speaker 1>I got to make a song with song Finch a

0:20:35.760 --> 0:20:38.720
<v Speaker 1>while ago, and I think I can say that it

0:20:38.800 --> 0:20:43.280
<v Speaker 1>remains maybe like one of the best online buying experiences

0:20:43.359 --> 0:20:46.680
<v Speaker 1>of our lives. Yeah, it's the best service anyone's ever used.

0:20:46.840 --> 0:20:49.760
<v Speaker 1>I've recommended it to so many people because I don't

0:20:49.800 --> 0:20:52.199
<v Speaker 1>feel like there's anything like it. It's I've listened to

0:20:52.240 --> 0:20:56.159
<v Speaker 1>our song probably a hundred times. Yeah, it's such a

0:20:56.160 --> 0:20:59.439
<v Speaker 1>good gift idea because it's very funny and you can

0:20:59.480 --> 0:21:02.720
<v Speaker 1>listen to it again. It's funny and good. And I

0:21:02.760 --> 0:21:05.080
<v Speaker 1>mean that what we asked for was something that was

0:21:05.119 --> 0:21:08.920
<v Speaker 1>like funny, casual and silly. But I can imagine, you know,

0:21:09.119 --> 0:21:12.920
<v Speaker 1>going all sorts of other directions that really whatever you want,

0:21:13.000 --> 0:21:16.560
<v Speaker 1>they will do for you. You basically give some information

0:21:16.600 --> 0:21:19.000
<v Speaker 1>about what kind of song you want, either for yourself

0:21:19.119 --> 0:21:21.280
<v Speaker 1>or for a gift for a friend. You can give

0:21:21.400 --> 0:21:26.679
<v Speaker 1>names information. You basically work with this songwriter UM to

0:21:26.920 --> 0:21:29.720
<v Speaker 1>make you a personalized song, and then it lives on

0:21:29.760 --> 0:21:31.840
<v Speaker 1>its own U r L and the song Finch page

0:21:31.880 --> 0:21:35.199
<v Speaker 1>so you can download it, visit it whenever the tide

0:21:35.520 --> 0:21:38.560
<v Speaker 1>pulls you. There. Um, you can read all your lyrics,

0:21:38.720 --> 0:21:41.960
<v Speaker 1>learn about your songwriter. Our songwriter was really really cool,

0:21:42.000 --> 0:21:44.320
<v Speaker 1>and we're going to play a clip from our song

0:21:44.480 --> 0:21:46.280
<v Speaker 1>in a minute, so you guys get a sense of

0:21:46.320 --> 0:21:48.760
<v Speaker 1>how awesome it is. Um. But yeah, they have a

0:21:48.760 --> 0:21:52.359
<v Speaker 1>bunch of different options. The foundation option is nine dollars.

0:21:52.560 --> 0:21:56.479
<v Speaker 1>But um, so today we are offering our listeners twenty

0:21:56.520 --> 0:21:59.920
<v Speaker 1>dollars off their personalized song from scratch. There a bunch

0:22:00.000 --> 0:22:02.640
<v Speaker 1>of different options on song Finch. So the personalized song

0:22:02.680 --> 0:22:05.920
<v Speaker 1>from scratch is what we chose. You use promo call

0:22:06.200 --> 0:22:10.080
<v Speaker 1>promo code call at song finch dot com to redeem

0:22:10.080 --> 0:22:13.480
<v Speaker 1>it and then you just get started on making your

0:22:13.520 --> 0:22:17.560
<v Speaker 1>own amazing song. Yeah. It's a great birthday present. It's

0:22:17.600 --> 0:22:20.520
<v Speaker 1>a really it's a good wedding present. It is really

0:22:20.560 --> 0:22:23.600
<v Speaker 1>good for like Mother's Day or Father's Day. Yeah, there

0:22:23.760 --> 0:22:25.560
<v Speaker 1>really a lot of things that you might need a

0:22:25.560 --> 0:22:29.040
<v Speaker 1>song for. Song Finches here a bad day, a bad day,

0:22:29.119 --> 0:22:31.679
<v Speaker 1>you can do a really sad song about your friend's

0:22:31.720 --> 0:22:35.600
<v Speaker 1>bad day. Just make someone up with a song. Um,

0:22:35.640 --> 0:22:38.120
<v Speaker 1>do you guys want to hear a part of our song? Yeah?

0:22:38.160 --> 0:22:54.680
<v Speaker 1>Play it, play it. We're back like we never lived,

0:22:55.400 --> 0:23:07.040
<v Speaker 1>never lived never never sold it breathest, weving night cok God,

0:23:08.080 --> 0:23:17.360
<v Speaker 1>webingnac than God. Do research. Yeah, and she's gonna plan

0:23:19.119 --> 0:23:21.760
<v Speaker 1>Molly love the Valley, send you articles the freaking out

0:23:22.080 --> 0:23:25.400
<v Speaker 1>Emily at the remedy from a music critic. She could

0:23:25.440 --> 0:23:31.639
<v Speaker 1>be a vocans vocal bright. We just tell it like

0:23:31.760 --> 0:23:35.920
<v Speaker 1>it's gonna be, so it still holds up. It's still

0:23:36.400 --> 0:23:38.440
<v Speaker 1>pretty much the best song ever write, pretty much the

0:23:38.480 --> 0:23:44.639
<v Speaker 1>best song anyone's ever doing research. Um yeah, So anyway,

0:23:44.680 --> 0:23:47.440
<v Speaker 1>we're big, We're huge. We're song finch heads over here.

0:23:47.560 --> 0:23:50.080
<v Speaker 1>So again, go to song finch dot com, enter the

0:23:50.119 --> 0:23:53.760
<v Speaker 1>promo code call and get twenty dollars off your personalized

0:23:53.800 --> 0:23:58.720
<v Speaker 1>song from scratch. Maybe she should watch more eating videos. Yeah, exactly, guys,

0:23:59.200 --> 0:24:02.720
<v Speaker 1>we do in eating too. Absolutely how much. Let's let's

0:24:02.880 --> 0:24:09.600
<v Speaker 1>let's sell to the wants to sponsor wants to sponsor it. Yeah,

0:24:09.680 --> 0:24:12.680
<v Speaker 1>we're probably opening ourselves up to a world of you

0:24:12.760 --> 0:24:15.000
<v Speaker 1>know what, though, I don't think if we get an

0:24:15.040 --> 0:24:18.440
<v Speaker 1>indecent proposal that somebody is like, eat this raman for

0:24:18.520 --> 0:24:20.439
<v Speaker 1>a million dollars, we're all going to do it. Well,

0:24:20.480 --> 0:24:22.239
<v Speaker 1>we have to make sure it's not poisoned. And then

0:24:22.280 --> 0:24:25.480
<v Speaker 1>I'm speaking of eating, of consuming things that turn out

0:24:25.520 --> 0:24:33.920
<v Speaker 1>to be poisoned. Oh yes, Sorry to Bother You. This movie, um,

0:24:34.560 --> 0:24:37.840
<v Speaker 1>so Sorry to Bother You is still in the process

0:24:37.960 --> 0:24:41.119
<v Speaker 1>of being rolled out to multiple heaters, so check your

0:24:41.160 --> 0:24:44.840
<v Speaker 1>local list. It's across this land spreading like a disease,

0:24:44.920 --> 0:24:47.240
<v Speaker 1>which I love. I mean, it really is. Like I so,

0:24:47.400 --> 0:24:49.720
<v Speaker 1>it's a film by Boots Riley, who it's his first film,

0:24:49.800 --> 0:24:51.320
<v Speaker 1>but he's a musician and he has a band called

0:24:51.359 --> 0:24:57.680
<v Speaker 1>the Coup Bear, a guy, super progressive, lefty socialist type dude. Um,

0:24:58.440 --> 0:25:01.560
<v Speaker 1>and I have never I think maybe since Get Out,

0:25:01.760 --> 0:25:05.160
<v Speaker 1>and I hate it. There's already been a controversy about

0:25:05.680 --> 0:25:09.200
<v Speaker 1>comparing the two, Like obviously we can have to wildly

0:25:09.280 --> 0:25:14.600
<v Speaker 1>creative debut films by black directors. Uh, we don't have

0:25:14.640 --> 0:25:16.359
<v Speaker 1>to compare them directly to each other, but just in

0:25:16.520 --> 0:25:20.000
<v Speaker 1>terms of like how much I've had people g chat

0:25:20.119 --> 0:25:22.960
<v Speaker 1>me or text me and say, oh my god, I

0:25:23.040 --> 0:25:24.840
<v Speaker 1>saw Sorry to Body, just like out of the blue,

0:25:24.880 --> 0:25:26.680
<v Speaker 1>people I haven't talked to for a really long time.

0:25:27.280 --> 0:25:29.800
<v Speaker 1>It's like a viral movie. Everybody who sees it tells

0:25:29.840 --> 0:25:31.800
<v Speaker 1>everybody else to go see it. I saw it this

0:25:31.880 --> 0:25:34.440
<v Speaker 1>weekend and the theater was totally packed, and I was

0:25:34.600 --> 0:25:37.960
<v Speaker 1>just exciting that this movie was getting a packed theater.

0:25:38.160 --> 0:25:41.120
<v Speaker 1>I mean, yeah, I think it's a very different movie

0:25:41.160 --> 0:25:44.200
<v Speaker 1>from Get Out, Um, but it is also sort of

0:25:44.240 --> 0:25:48.520
<v Speaker 1>a horror comedy, uh, a dark satire of what is

0:25:48.600 --> 0:25:51.040
<v Speaker 1>going on. What's crazy to me is that apparently he

0:25:51.119 --> 0:25:57.359
<v Speaker 1>wrote the screen plan but yes, and that was after

0:25:58.000 --> 0:25:59.960
<v Speaker 1>I think there was a New York Times article about

0:26:00.000 --> 0:26:01.920
<v Speaker 1>it that it sounds like we've all maybe read. But

0:26:02.080 --> 0:26:05.280
<v Speaker 1>he was he wrote the screenplay, and then he snuck

0:26:05.400 --> 0:26:09.680
<v Speaker 1>into a like NAPA Food and Wine private event because

0:26:09.760 --> 0:26:13.080
<v Speaker 1>he wanted to give it to like Vigo Mortenson, but

0:26:13.400 --> 0:26:18.840
<v Speaker 1>right and then he Vigo was like no, and then

0:26:18.920 --> 0:26:22.840
<v Speaker 1>he emailed Vigo's resume. Well he may have been like

0:26:23.000 --> 0:26:25.040
<v Speaker 1>I don't know, because I think like nobody you know.

0:26:25.280 --> 0:26:27.480
<v Speaker 1>And and Boots Riley has been like I didn't expect

0:26:27.520 --> 0:26:30.000
<v Speaker 1>anyone to take it, because it's like if a musicians like, hey,

0:26:30.000 --> 0:26:33.040
<v Speaker 1>I have a screenplay, like everyone should run away. But

0:26:33.160 --> 0:26:38.120
<v Speaker 1>then after Viego passed, he emailed Colin Firth's wife because

0:26:38.440 --> 0:26:41.000
<v Speaker 1>I guess maybe Colin Firth was a fan of the coup,

0:26:41.600 --> 0:26:44.280
<v Speaker 1>and Colin Firth was like, I don't know, and then

0:26:44.440 --> 0:26:46.800
<v Speaker 1>he I think the first person he got was David

0:26:46.880 --> 0:26:50.080
<v Speaker 1>Cross because they did a benefit together and David Cross

0:26:50.160 --> 0:26:52.000
<v Speaker 1>is like, I'll do it, and then he Cross needs

0:26:52.320 --> 0:26:57.359
<v Speaker 1>so bad really, and then Patton Oswald and then uh,

0:26:57.560 --> 0:27:00.440
<v Speaker 1>and then Dave Eggers like made and published this greenplay

0:27:00.600 --> 0:27:03.159
<v Speaker 1>as a book for mc sweeney's and now it's here.

0:27:03.200 --> 0:27:05.600
<v Speaker 1>But it feels as though it could have happened, Like

0:27:05.720 --> 0:27:07.840
<v Speaker 1>it feels as if someone wrote this like last month,

0:27:08.040 --> 0:27:10.280
<v Speaker 1>and stuff has been happening for a long time. I

0:27:10.359 --> 0:27:13.080
<v Speaker 1>think one of the amazing things I've seen him say

0:27:13.119 --> 0:27:15.199
<v Speaker 1>on Twitter like he's a good fellow on Twitter right now,

0:27:15.240 --> 0:27:17.120
<v Speaker 1>even though most of it is him retweeting people who

0:27:17.119 --> 0:27:18.800
<v Speaker 1>are like, oh my god, I'm all sorry to bother you,

0:27:19.200 --> 0:27:22.320
<v Speaker 1>but he is answering some people's questions and it's pretty interesting.

0:27:22.720 --> 0:27:24.840
<v Speaker 1>And one thing was somebody asked him, like, did you

0:27:24.960 --> 0:27:27.840
<v Speaker 1>write in that there were these tensities all over Oakland,

0:27:27.960 --> 0:27:29.639
<v Speaker 1>because like that's the thing now, but I know that

0:27:29.680 --> 0:27:31.200
<v Speaker 1>you wrote the script a long time ago, and he

0:27:31.359 --> 0:27:33.480
<v Speaker 1>was like, originally it was sort of like, oh, five

0:27:33.520 --> 0:27:35.919
<v Speaker 1>years in the future kind of postal apocalyptic type thing.

0:27:36.520 --> 0:27:38.560
<v Speaker 1>And then it was like, well, no, they actually just

0:27:38.720 --> 0:27:41.040
<v Speaker 1>like ended up being there, and we've used the actual

0:27:41.119 --> 0:27:44.800
<v Speaker 1>tensities that are in Oakland. I just assumed intense tensities

0:27:44.840 --> 0:27:47.760
<v Speaker 1>in Oakland always because we do in Los Angeles. I

0:27:47.840 --> 0:27:51.600
<v Speaker 1>think I think that they're more like there are more

0:27:51.680 --> 0:27:55.159
<v Speaker 1>of them now. Well, the Bay Area is obviously they

0:27:55.240 --> 0:27:57.560
<v Speaker 1>have all the same problems that l A has in

0:27:57.880 --> 0:28:00.080
<v Speaker 1>and they're bringing bringing some of them here now with

0:28:00.200 --> 0:28:03.680
<v Speaker 1>tech and stuff. Uh, but you know, this is the

0:28:03.760 --> 0:28:07.040
<v Speaker 1>movie about tech that needed to be made. Uh. I

0:28:07.200 --> 0:28:09.359
<v Speaker 1>was so stoked coming out of it. And I was like,

0:28:10.080 --> 0:28:15.440
<v Speaker 1>somebody made a postmodernist movie about something, you know, because

0:28:15.480 --> 0:28:17.600
<v Speaker 1>I was like, I was like it reminded me of

0:28:17.680 --> 0:28:19.600
<v Speaker 1>some other things like that, of like being John Malkovic

0:28:19.680 --> 0:28:21.000
<v Speaker 1>and stuff. But I was like, not all of those

0:28:21.040 --> 0:28:23.760
<v Speaker 1>movies were just about like, you know, man pain, and

0:28:23.920 --> 0:28:25.840
<v Speaker 1>this is like a movie that actually has like a

0:28:26.000 --> 0:28:29.639
<v Speaker 1>point and a purpose and it uses all those techniques,

0:28:30.000 --> 0:28:32.600
<v Speaker 1>but it all feels very just like yeah, it's like

0:28:32.720 --> 0:28:35.560
<v Speaker 1>one degree removed from how insane everything is. And then

0:28:36.640 --> 0:28:40.400
<v Speaker 1>uh yeah, and it's just creative, like I mean, it's

0:28:40.480 --> 0:28:43.440
<v Speaker 1>really I think, I think pulling off the thing where

0:28:43.480 --> 0:28:45.360
<v Speaker 1>you do have a point to make and you are

0:28:45.640 --> 0:28:49.120
<v Speaker 1>making a statement and a very political statement, but also

0:28:49.760 --> 0:28:55.040
<v Speaker 1>being really creative and funny, funny and like staying light

0:28:55.160 --> 0:28:57.800
<v Speaker 1>on your feet and continue, that's like a hard thing

0:28:57.880 --> 0:28:59.840
<v Speaker 1>to pull off. I think it's a super hard thing

0:28:59.880 --> 0:29:02.920
<v Speaker 1>to pull off. I mean, all the performances are so great.

0:29:03.560 --> 0:29:07.280
<v Speaker 1>I love Tessa Thompson. I think the best line in

0:29:07.360 --> 0:29:11.440
<v Speaker 1>it is when when he's he's introducing her, her name

0:29:11.560 --> 0:29:14.160
<v Speaker 1>is Detroit and they were like other people in the

0:29:14.200 --> 0:29:16.240
<v Speaker 1>car like Detroit and she's like, my parents wanted to

0:29:16.320 --> 0:29:20.080
<v Speaker 1>name me something that sounded American, you know. I was like, wow,

0:29:20.200 --> 0:29:23.320
<v Speaker 1>it's that's just perfect. Obviously all of the names are

0:29:23.440 --> 0:29:26.720
<v Speaker 1>a prime, isn't there Also at some point um in

0:29:26.840 --> 0:29:30.840
<v Speaker 1>like a propaganda video, it's it's like directed by Michelle Dongrey,

0:29:31.360 --> 0:29:36.120
<v Speaker 1>which yeah, yeah. That two felt like sort of like

0:29:36.240 --> 0:29:38.360
<v Speaker 1>it was like a movie like just a huge leap

0:29:38.480 --> 0:29:42.280
<v Speaker 1>forward for that kind of like postmodern joke exactly everything

0:29:42.680 --> 0:29:45.680
<v Speaker 1>movie movie. Yeah, but I feel like something, Yeah, I

0:29:45.720 --> 0:29:48.040
<v Speaker 1>feel like we shouldn't give too much way. I saw

0:29:48.080 --> 0:29:50.960
<v Speaker 1>some between the other point the other day there's like

0:29:51.160 --> 0:29:53.960
<v Speaker 1>what's the what's the expiration date on talking about the ending?

0:29:54.000 --> 0:29:55.840
<v Speaker 1>I sorry to bother you, because it is. It does

0:29:55.920 --> 0:29:59.240
<v Speaker 1>have an insane ending that I somehow managed to partially

0:29:59.320 --> 0:30:01.240
<v Speaker 1>forget and to all the trailer started coming out for

0:30:01.280 --> 0:30:03.840
<v Speaker 1>a theatrical release because I saw this at Sundance and

0:30:03.920 --> 0:30:06.600
<v Speaker 1>then I was like, I was totally I mean, it

0:30:06.680 --> 0:30:10.480
<v Speaker 1>was one of my favorite films there obviously, and I

0:30:10.600 --> 0:30:12.400
<v Speaker 1>remember a lot of like there was kind of a

0:30:12.480 --> 0:30:15.360
<v Speaker 1>muted reaction among not everybody. I mean a lot of

0:30:15.400 --> 0:30:18.239
<v Speaker 1>people there were very stoked on it, but there were

0:30:18.280 --> 0:30:19.560
<v Speaker 1>a lot of people who are like, it's too much

0:30:19.640 --> 0:30:21.800
<v Speaker 1>for me, And I'm like, I feel like, though, like

0:30:22.040 --> 0:30:27.480
<v Speaker 1>we want this much stuff. Um. But I had kind of,

0:30:27.680 --> 0:30:31.520
<v Speaker 1>for whatever reason, I guess this time, like forgotten or

0:30:31.560 --> 0:30:33.400
<v Speaker 1>made myself forget about the ending of it. And then

0:30:33.400 --> 0:30:36.200
<v Speaker 1>I remembered it a month before and just started laughing

0:30:36.280 --> 0:30:39.360
<v Speaker 1>to myself because it's so insane. I was like laughing

0:30:39.440 --> 0:30:41.880
<v Speaker 1>my brains out the whole movie, and not just because

0:30:41.960 --> 0:30:44.000
<v Speaker 1>when I first walked into the theater, they were showing

0:30:44.040 --> 0:30:46.000
<v Speaker 1>the trailer for A Star was Born, and I went

0:30:46.120 --> 0:30:49.720
<v Speaker 1>like ha. I was just like I can't wait for

0:30:49.800 --> 0:30:52.320
<v Speaker 1>that movie. I don't know either. I was just laughing.

0:30:53.160 --> 0:30:55.680
<v Speaker 1>I know, the trailer is just amazing. I hadn't seen

0:30:55.720 --> 0:30:58.320
<v Speaker 1>it big, and I was just laughing so hard. When

0:30:58.360 --> 0:31:04.080
<v Speaker 1>Bradley Cooper shows up, look at all, looking all Chris Christophers, Um,

0:31:05.280 --> 0:31:07.680
<v Speaker 1>everybody should go out and see Sorry, I see it.

0:31:07.840 --> 0:31:11.160
<v Speaker 1>It's also a real I mean I I rarely go

0:31:11.320 --> 0:31:14.240
<v Speaker 1>to the theater to see movies on opening weekend, and

0:31:14.680 --> 0:31:17.160
<v Speaker 1>this I was very glad I did because it was

0:31:17.200 --> 0:31:20.600
<v Speaker 1>great to see it with a crowd, and everybody should

0:31:20.600 --> 0:31:24.960
<v Speaker 1>go see it and about it. Don't don't leave the

0:31:25.080 --> 0:31:28.160
<v Speaker 1>theater right away, because that happened in my theater and

0:31:28.240 --> 0:31:30.560
<v Speaker 1>I was like, no, yeah, don't do it. I hate

0:31:30.600 --> 0:31:33.320
<v Speaker 1>to have to say that. Armie Hammer was amazing. He

0:31:33.560 --> 0:31:40.480
<v Speaker 1>was I know, but you know he's been he's been difficult.

0:31:40.560 --> 0:31:42.720
<v Speaker 1>And then I was like, god, damn it, he's perfect.

0:31:42.800 --> 0:31:49.240
<v Speaker 1>And um, speaking of group experiences, you know, speaking of

0:31:49.760 --> 0:31:53.360
<v Speaker 1>having a TV family, that you feels as real as

0:31:53.400 --> 0:31:58.680
<v Speaker 1>real people. Um. I wanted to talk about terrace House

0:31:59.040 --> 0:32:01.280
<v Speaker 1>before I left because I had just gotten into it

0:32:01.360 --> 0:32:03.239
<v Speaker 1>and was like, what is this thing that I've been

0:32:03.280 --> 0:32:06.040
<v Speaker 1>watching and it's your vander pump Rules. It kind of

0:32:06.160 --> 0:32:09.800
<v Speaker 1>has become that I feel like it's my Maide in Chelsea. Um,

0:32:10.000 --> 0:32:12.720
<v Speaker 1>for you, it's it's a little chillen than than vander

0:32:12.760 --> 0:32:14.959
<v Speaker 1>Pump Rules. I think vander Pump Roules definitely has more

0:32:14.960 --> 0:32:18.720
<v Speaker 1>of like a it's got that cokey glaze on it,

0:32:20.120 --> 0:32:22.440
<v Speaker 1>people yell at each other. Made in Chelsea is like

0:32:22.520 --> 0:32:25.040
<v Speaker 1>people are very polite because they're so posh and British.

0:32:25.080 --> 0:32:27.280
<v Speaker 1>They would never like raise their voices, you know. So

0:32:27.440 --> 0:32:29.720
<v Speaker 1>even when they're being very mean, they're like, you know,

0:32:29.760 --> 0:32:32.040
<v Speaker 1>a count in it, they would never say in it

0:32:32.120 --> 0:32:36.280
<v Speaker 1>because that's not posh. Um. But so terrace House, which

0:32:36.400 --> 0:32:40.120
<v Speaker 1>I think the week that this comes out, there will

0:32:40.120 --> 0:32:43.840
<v Speaker 1>be new episodes on Netflix, so you have enough time

0:32:44.520 --> 0:32:47.600
<v Speaker 1>to binge watch the first two parts of the current

0:32:47.680 --> 0:32:51.280
<v Speaker 1>season opening New Doors, um and terrace House is a

0:32:51.320 --> 0:32:54.880
<v Speaker 1>reality show Japanese reality show that is on Netflix and

0:32:55.000 --> 0:32:56.920
<v Speaker 1>it is also I think broadcast on for the TV

0:32:57.000 --> 0:32:59.960
<v Speaker 1>in Japan. You and Brian Phillips are the only people

0:33:00.000 --> 0:33:01.880
<v Speaker 1>only know who watch it, but you both watch it

0:33:02.000 --> 0:33:05.120
<v Speaker 1>so much or no, Lindsay Webber too, Lindsay Webber, Yeah,

0:33:05.160 --> 0:33:07.160
<v Speaker 1>I mean I I know a handful of people who do.

0:33:07.800 --> 0:33:10.640
<v Speaker 1>Uh yeah. Bryan Phillips has been posting a lot of

0:33:10.720 --> 0:33:13.840
<v Speaker 1>like Terrace House jips as they relate to soccer, which

0:33:13.880 --> 0:33:16.440
<v Speaker 1>I feel like is a very specific ben diagram. There

0:33:16.480 --> 0:33:19.480
<v Speaker 1>are so many. There's a really really good um Twitter

0:33:19.560 --> 0:33:22.120
<v Speaker 1>account that's terrace House out of context that just has

0:33:22.200 --> 0:33:26.520
<v Speaker 1>the subtitled like especially of the commentators. So so I'll

0:33:26.560 --> 0:33:28.320
<v Speaker 1>explain the show for those who haven't seen it. It's

0:33:28.400 --> 0:33:31.840
<v Speaker 1>just a reality show about um. They explained the premise

0:33:31.880 --> 0:33:34.920
<v Speaker 1>in every episode, like six people are chosen to live

0:33:34.960 --> 0:33:36.640
<v Speaker 1>in a house. To live in a house, all they

0:33:36.720 --> 0:33:41.160
<v Speaker 1>provide the house and two cars and basically people just

0:33:41.320 --> 0:33:44.000
<v Speaker 1>live their normal lives, like including having jobs. They don't

0:33:44.040 --> 0:33:46.680
<v Speaker 1>give them money, they just give them a place to live.

0:33:47.040 --> 0:33:49.680
<v Speaker 1>They have to buy their own groceries and stuff. Um,

0:33:50.320 --> 0:33:51.920
<v Speaker 1>but you know they get to live in this fabulous

0:33:51.920 --> 0:33:55.920
<v Speaker 1>house and be on TV and um it's uh so

0:33:56.040 --> 0:34:00.800
<v Speaker 1>it's about thirty forty minutes per episode, and the seasons

0:34:00.800 --> 0:34:02.720
<v Speaker 1>instead of just having one cast that stays there the

0:34:02.880 --> 0:34:05.520
<v Speaker 1>entire time. People can decide to leave at certain points

0:34:05.600 --> 0:34:07.920
<v Speaker 1>and then they're replaced by somebody else. So it's kind

0:34:07.920 --> 0:34:09.959
<v Speaker 1>of the feeling of like actually living in a house

0:34:10.160 --> 0:34:12.480
<v Speaker 1>with housemates and then somebody decides to move out, and

0:34:12.520 --> 0:34:15.120
<v Speaker 1>then you get a new roommate and and they is it.

0:34:16.120 --> 0:34:20.799
<v Speaker 1>Is it boring? Well, you are kind of amused by

0:34:20.840 --> 0:34:22.640
<v Speaker 1>it when you start watching it, because you're like, wow,

0:34:22.760 --> 0:34:25.520
<v Speaker 1>this is so chill, Like I I love what counts

0:34:25.560 --> 0:34:28.280
<v Speaker 1>for a conflict in this, you know, like like somebody

0:34:28.560 --> 0:34:31.480
<v Speaker 1>is gossipated about how somebody's hot pot isn't as good

0:34:31.560 --> 0:34:34.279
<v Speaker 1>as they expected it to be, or something, um like

0:34:34.760 --> 0:34:37.640
<v Speaker 1>very very low stick stuff. But then I think, because

0:34:38.360 --> 0:34:41.680
<v Speaker 1>it's almost like by turning down the volume, you start

0:34:41.719 --> 0:34:45.640
<v Speaker 1>to be attuned to these little subtle dynamics and personality

0:34:45.719 --> 0:34:47.520
<v Speaker 1>traits that I think that normally you don't get to

0:34:47.600 --> 0:34:53.360
<v Speaker 1>really think about in much noisier and edited um reality shows.

0:34:53.480 --> 0:34:56.040
<v Speaker 1>It sounds like it really replicates the stress of living

0:34:56.080 --> 0:35:00.200
<v Speaker 1>in like a coopy environment people and I hate like

0:35:00.320 --> 0:35:02.839
<v Speaker 1>I I have had roommates in the past when all

0:35:02.880 --> 0:35:05.959
<v Speaker 1>of the experiences have been terrible, but in general. Having

0:35:06.080 --> 0:35:09.000
<v Speaker 1>grown up as an only child, it's incredibly stressful to me.

0:35:09.080 --> 0:35:12.200
<v Speaker 1>I think I feel like you can relate. Not a fan. Yeah,

0:35:12.280 --> 0:35:15.320
<v Speaker 1>it's just a lot like even the slightest thing like

0:35:15.400 --> 0:35:17.359
<v Speaker 1>that feeling of like somebody looked at me weird as

0:35:17.360 --> 0:35:19.520
<v Speaker 1>I went up to my room after the kitchen, like,

0:35:19.560 --> 0:35:21.319
<v Speaker 1>I bet they hate me. I bet they're thinking about

0:35:21.400 --> 0:35:23.520
<v Speaker 1>me and how much they wish I would move out

0:35:23.560 --> 0:35:27.160
<v Speaker 1>in their gospel. I was watching Interview with the Vampire

0:35:27.480 --> 0:35:29.200
<v Speaker 1>the other day and I was like, this movie is

0:35:29.200 --> 0:35:34.080
<v Speaker 1>about cohabitating for like hundreds of years, and how that's

0:35:34.120 --> 0:35:37.200
<v Speaker 1>what it's like to live with people. It's just like weird. Yeah,

0:35:37.239 --> 0:35:39.480
<v Speaker 1>I mean I do think it's like in real roommate situations,

0:35:39.520 --> 0:35:41.960
<v Speaker 1>the things that bother you aren't necessarily like the big

0:35:42.080 --> 0:35:45.720
<v Speaker 1>crazy things. It's like some weird, little annoying things somebody

0:35:45.800 --> 0:35:48.439
<v Speaker 1>does over and over again, and eventually you're like, I'm

0:35:48.480 --> 0:35:51.160
<v Speaker 1>going to kill this person. It's when people leave glasses

0:35:51.200 --> 0:35:53.560
<v Speaker 1>of water all over the house and then deny that.

0:35:53.680 --> 0:35:57.200
<v Speaker 1>It's Oh, I'm a person in my relationship who does

0:35:57.239 --> 0:36:02.240
<v Speaker 1>that because I need new Water's so weird because every

0:36:02.360 --> 0:36:04.920
<v Speaker 1>room in these in the corner of every room is

0:36:04.960 --> 0:36:06.600
<v Speaker 1>like this glass of water. You have no idea when

0:36:06.640 --> 0:36:08.680
<v Speaker 1>it's from right, Like that seems like a real terrorist

0:36:08.719 --> 0:36:14.640
<v Speaker 1>housey conflict, Like while they're cleaning up after themselves, like

0:36:14.760 --> 0:36:19.000
<v Speaker 1>the water thing, I feel like it's very sure. So

0:36:19.320 --> 0:36:22.239
<v Speaker 1>I'm like, I'm so the current season takes place in

0:36:22.320 --> 0:36:26.200
<v Speaker 1>this like semi rural like kind of ski resort type town.

0:36:26.680 --> 0:36:28.279
<v Speaker 1>But then I went back and I'm watching Boys and

0:36:28.320 --> 0:36:31.520
<v Speaker 1>Girls in the City, which is two seasons earlier and

0:36:31.640 --> 0:36:35.200
<v Speaker 1>just takes place in Tokyo, and those kids are like

0:36:35.440 --> 0:36:37.520
<v Speaker 1>they've been the waves of it, but like they tend

0:36:37.600 --> 0:36:40.800
<v Speaker 1>to trend very sloppy MESSI millennials. Yeah, I feel like

0:36:40.920 --> 0:36:44.160
<v Speaker 1>there was a shift after maybe Jersey Shore. No shade

0:36:44.200 --> 0:36:47.279
<v Speaker 1>to our friend Nicole, who I love, but of the

0:36:47.400 --> 0:36:51.359
<v Speaker 1>like the grossness of the living spaces in Jersey Shore

0:36:51.800 --> 0:36:55.080
<v Speaker 1>eventually just started stressing me out so badly. And then

0:36:55.120 --> 0:36:57.480
<v Speaker 1>I felt like I noticed a shift of maybe other

0:36:57.760 --> 0:37:00.720
<v Speaker 1>reality stars being like, oh, I can't be that gross,

0:37:00.840 --> 0:37:03.240
<v Speaker 1>Like things got cleaned up. If you think of early

0:37:03.360 --> 0:37:07.280
<v Speaker 1>Real World too, it was like, really is what happens

0:37:07.320 --> 0:37:09.359
<v Speaker 1>when six people are picked to live in a house.

0:37:09.520 --> 0:37:12.279
<v Speaker 1>It's like it's the tragedy of the comments. Everybody's like

0:37:12.360 --> 0:37:15.760
<v Speaker 1>somebody else was supposed to clean the living room. Whatever

0:37:15.840 --> 0:37:18.719
<v Speaker 1>does discussion of like house cleanliness makes me want to

0:37:18.800 --> 0:37:21.040
<v Speaker 1>talk about since we don't have a lot of time,

0:37:21.040 --> 0:37:23.480
<v Speaker 1>but I just want to highlight this character that has

0:37:23.520 --> 0:37:25.960
<v Speaker 1>been really on my mind lately, and she left the

0:37:26.000 --> 0:37:29.160
<v Speaker 1>show recently and where I am in Boys and Girls

0:37:29.200 --> 0:37:32.160
<v Speaker 1>in the City, I mean, it's not summing. She's an

0:37:32.160 --> 0:37:37.000
<v Speaker 1>aspiring actress from Osaka, shout out to Osaka and uh.

0:37:37.480 --> 0:37:42.000
<v Speaker 1>She she brings the drama she does. And I was

0:37:42.120 --> 0:37:44.759
<v Speaker 1>so refreshed by her because everybody on this season had

0:37:44.800 --> 0:37:47.000
<v Speaker 1>been kind of boring up until when she showed up,

0:37:47.320 --> 0:37:49.239
<v Speaker 1>and I was like, Oh, she's fun. She's like a

0:37:49.320 --> 0:37:52.640
<v Speaker 1>little more like direct with people and tells them that

0:37:52.680 --> 0:37:54.879
<v Speaker 1>they need to clean up like on her first day,

0:37:55.080 --> 0:37:58.360
<v Speaker 1>and all this other stuff. And I've been reading the

0:37:58.600 --> 0:38:01.160
<v Speaker 1>reddit for terrorist how as I go through this and

0:38:01.239 --> 0:38:04.800
<v Speaker 1>trying to protect myself from spoilers and realize that like

0:38:04.960 --> 0:38:09.000
<v Speaker 1>almost everybody thinks that she's just a complete sociopath and

0:38:09.600 --> 0:38:14.000
<v Speaker 1>her last her last uh kind of blowout before she

0:38:14.120 --> 0:38:17.680
<v Speaker 1>leaves is genuinely scary. She has this thing where she

0:38:17.760 --> 0:38:21.960
<v Speaker 1>gets drunk and you can see like this raged thing

0:38:22.080 --> 0:38:24.359
<v Speaker 1>turn on in her where it's like it's like her

0:38:24.440 --> 0:38:28.520
<v Speaker 1>personality leaves her body. And the commentators that like comment

0:38:28.600 --> 0:38:30.360
<v Speaker 1>throughout the episode, which is the other reason why the

0:38:30.400 --> 0:38:33.759
<v Speaker 1>shows so weird. There's comment. You know, it's incredible. It

0:38:33.880 --> 0:38:37.080
<v Speaker 1>is the smartest thing. It makes it so that you

0:38:37.280 --> 0:38:39.960
<v Speaker 1>really feel like you could binge five episodes because you

0:38:40.080 --> 0:38:42.760
<v Speaker 1>have a break because you're like talking to your friends

0:38:42.880 --> 0:38:45.520
<v Speaker 1>about the show. Are they going to wash that dish

0:38:45.640 --> 0:38:49.000
<v Speaker 1>or what we'll find out? It's it's really yeah, it's

0:38:49.040 --> 0:38:52.840
<v Speaker 1>so addictive. But anyway, I actually like talk to my

0:38:52.960 --> 0:38:55.719
<v Speaker 1>therapist about Natchan not to me because I was like

0:38:56.400 --> 0:38:58.680
<v Speaker 1>I had this like experience where I was like, oh,

0:38:58.800 --> 0:39:00.920
<v Speaker 1>finally somebody who feels like I feel like I can

0:39:01.520 --> 0:39:03.720
<v Speaker 1>like get with her, like I understand her thought process,

0:39:03.880 --> 0:39:05.960
<v Speaker 1>Like everything she did, even if it was bad, made

0:39:06.000 --> 0:39:08.640
<v Speaker 1>total sense to me. And then everybody was like, she's

0:39:08.680 --> 0:39:12.160
<v Speaker 1>a ceopath, she's a psycho. You know, some people just

0:39:12.400 --> 0:39:15.759
<v Speaker 1>don't like a bossy lady, and it sounds like she

0:39:15.880 --> 0:39:18.120
<v Speaker 1>came in with a strong personality and tell people just

0:39:18.200 --> 0:39:20.959
<v Speaker 1>didn't like that. There's a type a type a lady.

0:39:21.239 --> 0:39:23.640
<v Speaker 1>But It is interesting because in reality shows it's not

0:39:23.760 --> 0:39:26.840
<v Speaker 1>always the leader types who succeed. Test says the world's

0:39:27.520 --> 0:39:30.520
<v Speaker 1>foremost scholar on Survivor, It's well, if you bring too

0:39:30.600 --> 0:39:34.040
<v Speaker 1>much attention to yourself competitive situation and you're putting a

0:39:34.080 --> 0:39:36.439
<v Speaker 1>target on your back, right, it's often like the people

0:39:36.480 --> 0:39:38.279
<v Speaker 1>that you think are gonna win or like be the

0:39:38.360 --> 0:39:41.719
<v Speaker 1>best at it, like they are perceived as threatening by

0:39:41.760 --> 0:39:43.840
<v Speaker 1>other people and taking down and the person who like

0:39:44.360 --> 0:39:46.400
<v Speaker 1>is behind the scenes stirring the pot and being like,

0:39:46.880 --> 0:39:48.600
<v Speaker 1>you go, you should be mad at them for this.

0:39:48.800 --> 0:39:50.840
<v Speaker 1>That generally ends up success. That's on a on a

0:39:50.960 --> 0:39:55.759
<v Speaker 1>like vote amount kind OF's there, yeah, but people will

0:39:55.920 --> 0:39:58.600
<v Speaker 1>kind of decide it's their time to go, usually when

0:39:59.239 --> 0:40:02.839
<v Speaker 1>they don't have to boyfriend or girlfriend and they are

0:40:02.920 --> 0:40:05.080
<v Speaker 1>not interested in anybody else in the house or like

0:40:05.200 --> 0:40:08.560
<v Speaker 1>their romantic prospects are over. It sounds kind of like

0:40:08.920 --> 0:40:12.920
<v Speaker 1>the Japanese version of the long forgotten favorite starting over

0:40:13.000 --> 0:40:15.360
<v Speaker 1>house that I feel like I've talked about on podcast,

0:40:16.200 --> 0:40:18.120
<v Speaker 1>Just when people wanted to start over and they'd all

0:40:18.160 --> 0:40:19.879
<v Speaker 1>moved together into this house, and then when they felt

0:40:19.920 --> 0:40:22.360
<v Speaker 1>like they had like their ship together and they figured

0:40:22.400 --> 0:40:25.840
<v Speaker 1>out like a halfway House. No, it was starting almost

0:40:25.840 --> 0:40:28.480
<v Speaker 1>like people at all moments in their lives. I mean

0:40:28.560 --> 0:40:30.759
<v Speaker 1>that is kind of what Terrace House is accept it's

0:40:30.760 --> 0:40:35.279
<v Speaker 1>mostly twentysomethings. Um. Yeah, wow, I've heard we should all

0:40:35.320 --> 0:40:38.560
<v Speaker 1>watch Love Island. Oh yeah, I'll watch. Love has been

0:40:38.600 --> 0:40:41.440
<v Speaker 1>saying Love Island. He just has been doing tweets that

0:40:41.480 --> 0:40:46.360
<v Speaker 1>are like straight people are insane. Yeah, that's agree. Do

0:40:46.480 --> 0:40:49.480
<v Speaker 1>you guys remember a show, another like mostly forgotten reality

0:40:49.520 --> 0:40:54.919
<v Speaker 1>show called Forever Eden. Yes, I didn't. I didn't watch

0:40:55.080 --> 0:40:57.400
<v Speaker 1>much of it, but there's still a seed of whatever

0:40:57.520 --> 0:41:00.719
<v Speaker 1>it was that was like in the it like kind

0:41:00.719 --> 0:41:03.799
<v Speaker 1>of theoretically never ends, like it just keeps. I mean

0:41:03.840 --> 0:41:06.120
<v Speaker 1>it did end because it wasn't very popular, I know

0:41:06.200 --> 0:41:10.000
<v Speaker 1>what you want. The premise was that that it would

0:41:10.040 --> 0:41:13.279
<v Speaker 1>just keep going until everybody found you know, I was

0:41:13.320 --> 0:41:16.480
<v Speaker 1>a big fan of Utopia Utopia Do And when they

0:41:16.520 --> 0:41:18.480
<v Speaker 1>canceled Utopia, I was like, I hope they just keep

0:41:18.560 --> 0:41:20.840
<v Speaker 1>living on this commune and then we find them like

0:41:20.880 --> 0:41:24.480
<v Speaker 1>twenty years later and they've just made a society outside society.

0:41:24.880 --> 0:41:26.799
<v Speaker 1>You guys, we have to wrap it up. But I'm

0:41:26.880 --> 0:41:29.320
<v Speaker 1>thinking that because we're talking about this, that we should

0:41:29.440 --> 0:41:33.320
<v Speaker 1>ask our call our our listeners to be our callers

0:41:33.480 --> 0:41:35.560
<v Speaker 1>and call to four oh four six Night with your

0:41:35.640 --> 0:41:39.040
<v Speaker 1>favorite reality shows, whether or not there could be a

0:41:39.120 --> 0:41:44.680
<v Speaker 1>reality show that goes on forever. And and yeah, I

0:41:44.760 --> 0:41:46.879
<v Speaker 1>was gonna say if you if you've watched terrace House,

0:41:47.000 --> 0:41:49.440
<v Speaker 1>is not Sumi a sociopath? And what you would like

0:41:49.560 --> 0:41:52.239
<v Speaker 1>to see us eat? And for how much? Yeah, mook,

0:41:52.280 --> 0:41:54.759
<v Speaker 1>bang we're taking bits. We're taking bits on the book. Bang.

0:41:55.680 --> 0:41:57.920
<v Speaker 1>I don't like blue cheese or olives, so those are

0:41:58.040 --> 0:42:00.440
<v Speaker 1>off the table. Molly doesn't eat meat, but she will

0:42:00.480 --> 0:42:02.759
<v Speaker 1>eat fish. I don't know what Emily dietary restrict You

0:42:02.760 --> 0:42:04.680
<v Speaker 1>don't like cheese either, Emily, I can't have cheese. But

0:42:04.800 --> 0:42:07.640
<v Speaker 1>everything else all right? Any much? What anything else is okay?

0:42:07.760 --> 0:42:09.640
<v Speaker 1>All these rules are off the table. If the prices,

0:42:09.880 --> 0:42:14.080
<v Speaker 1>the prices, throw it all that. Thank you so much

0:42:14.160 --> 0:42:16.160
<v Speaker 1>for listening. You can give us a pill at one

0:42:16.200 --> 0:42:18.960
<v Speaker 1>two four oh for six Night with your nightcall, follow

0:42:19.080 --> 0:42:24.360
<v Speaker 1>us on Facebook, Instagram, Twitter, and thank you as always

0:42:24.440 --> 0:42:27.920
<v Speaker 1>to our producer Ben Hassley here, Yes, thank you and

0:42:28.320 --> 0:42:32.640
<v Speaker 1>awesome everybody next week see it or by