WEBVTT - Cord Jefferson

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<v Speaker 1>When I say your name, there's this kind of like

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<v Speaker 1>starry eyed thing that they get, which I think is

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<v Speaker 1>the confluence of having been educated and entertained like your film,

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<v Speaker 1>and they're just like, oh my god, like you really

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<v Speaker 1>whoa Like they have a very visceral response to you.

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<v Speaker 2>That's a delight to hear the fact that the movie's

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<v Speaker 2>sticking with people. To me, that's the testament of quality

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<v Speaker 2>of how frequently I think of something after I've consumed it.

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<v Speaker 2>So it's nice to hear.

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<v Speaker 1>Yeah, And I think it's a marker of something that

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<v Speaker 1>is actually sustainable. I heard a great story about Bob

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<v Speaker 1>Dylan remarking to his son as his son had sold

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<v Speaker 1>I think six million records or something with a lot

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<v Speaker 1>of records, maybe more than a Dylan record had sold.

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<v Speaker 1>And Dylan's response was great, now do it for thirty years. Yeah, Hello,

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<v Speaker 1>I'm mini driver.

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<v Speaker 3>I've always loved Prust's questionnaire.

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<v Speaker 1>It was originally in nineteenth century parlor game where players

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<v Speaker 1>would ask each other thirty five questions aimed at revealing

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<v Speaker 1>the other player's true nature. In asking different people the

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<v Speaker 1>same set of questions, you can make observations about which

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<v Speaker 1>truths appear to be universal, And it made me wonder,

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<v Speaker 1>what if these questions were just a jumping off one,

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<v Speaker 1>what greater depths would be revealed if I asked these

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<v Speaker 1>questions as conversation starters. So I adapted Prus's questionnaire and

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<v Speaker 1>I wrote my own seven questions that I personally think

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<v Speaker 1>are pertinent to a person's story. They are when and

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<v Speaker 1>where were you happiest? What is the quality you like

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<v Speaker 1>least about yourself? What relationship, real or fictionalized, defines love

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<v Speaker 1>for you? What question would you most like answered, What person, place,

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<v Speaker 1>or experience has shaped you the most?

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<v Speaker 3>What would be your last meal?

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<v Speaker 1>And can you tell me something in your life that's

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<v Speaker 1>grown out of a personal disaster? And I've gathered a

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<v Speaker 1>group of really remarkable people, ones that I am honored

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<v Speaker 1>and humbled to have had the chance to engage with.

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<v Speaker 1>You may not hear their answers to all seven of

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<v Speaker 1>these questions. We've whittled it down to which questions felt

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<v Speaker 1>closest to their experience or the most surprising, or created

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<v Speaker 1>the most fertile ground to connect. My guest today is

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<v Speaker 1>the Academy Award winning writer and director Cord Jefferson. Cord

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<v Speaker 1>created the movie American fiction, the cracklingly smart film, which

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<v Speaker 1>expands and updates Personval ever its two thousand and one

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<v Speaker 1>novel Erasure. Now, if you listen to this show regularly,

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<v Speaker 1>you'll know it's not really a setup for any kind

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<v Speaker 1>of promo. But what it does offer, and what Cord

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<v Speaker 1>so brilliantly explores in our chat, is the opportunity to

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<v Speaker 1>investigate the way of the creative heart and to consciously

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<v Speaker 1>reveal that, well, it ain't all roses. He introduced me

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<v Speaker 1>to the idea of the third place problem, which observes

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<v Speaker 1>that we are missing spaces outside of our home and

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<v Speaker 1>places of work to interact with and build community. We

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<v Speaker 1>also talked about a shared love of spectacle cuisine, which

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<v Speaker 1>is a genre I've just created, And you're allowed me

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<v Speaker 1>to tell a story about this guy who once used

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<v Speaker 1>a live crab of a seafood tower to try and

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<v Speaker 1>clip the end of his cigar. This is one of

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<v Speaker 1>the most honest and raw conversations that I've had about life,

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<v Speaker 1>the space we take up and are inherited, trauma, and

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<v Speaker 1>the lives of our generationally distant parents. It was an

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<v Speaker 1>honor and a privilege to talk.

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<v Speaker 3>Where and when were you.

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<v Speaker 2>Happiest right now, in this very moment. I'm in New

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<v Speaker 2>York City in a hotel, and I think that I am.

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<v Speaker 2>I'm the happiest now that I've ever been a happiest.

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<v Speaker 2>Happiness has been a very elusive thing for me for

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<v Speaker 2>a very long time. Yeah, I always assumed that contentment

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<v Speaker 2>wasn't going to be a thing for me, that I

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<v Speaker 2>was always going to be sort of like searching and struggling,

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<v Speaker 2>and that was just that was just my temperament, I thought,

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<v Speaker 2>And that was just going to be you know, other

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<v Speaker 2>people could be happy and I was just not going

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<v Speaker 2>to be one of those people. And I just kind

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<v Speaker 2>of grinded it out like that for decades. And in

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<v Speaker 2>twenty eighteen, I was thirty six, and it was the

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<v Speaker 2>worst year of my life, truly, you know, shockingly, because

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<v Speaker 2>on the surface, everything was going well. It was my

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<v Speaker 2>career was flourishing, and I was making all this money,

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<v Speaker 2>more money than I ever made before, and I was,

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<v Speaker 2>you know, working on all these great projects. But you know,

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<v Speaker 2>behind the scenes, I was just always miserable. I would

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<v Speaker 2>cry in the shower and sort of like I have

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<v Speaker 2>to pull all my car over to the side of

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<v Speaker 2>the road because I was weeping, and I just generally

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<v Speaker 2>felt miserable, and I felt like this is unsustainable. It

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<v Speaker 2>felt like I can't keep living like this and being

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<v Speaker 2>miserable like this, And you know, I knew that somehow

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<v Speaker 2>I I was going to destroy my life if I

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<v Speaker 2>didn't sort of get some help, and so I decided

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<v Speaker 2>to go to therapy in twenty eighteen. I've basically been

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<v Speaker 2>going to weekly therapy, if not more since since then,

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<v Speaker 2>so it'll be seven years next year. And also when

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<v Speaker 2>I turned forty on my fortieth birthday, my gift to

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<v Speaker 2>myself was that I started taking zoloft. I started taking

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<v Speaker 2>an antidepressant and anti anxiety medication, which has kind of

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<v Speaker 2>changed my life in a very real way. And so

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<v Speaker 2>all of a sudden, for the past year or so,

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<v Speaker 2>I've taken a step back and realize, like, oh, is

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<v Speaker 2>this Maybe this is what happiness feels like. I think

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<v Speaker 2>that maybe I feel happy for the first time in

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<v Speaker 2>my adult life. It's a strange feeling, because sometimes, you know,

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<v Speaker 2>I wake up sort of I have this muscle memory of, well,

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<v Speaker 2>it's time to wake up and realize why you're miserable today,

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<v Speaker 2>and sort of that instinct I still have that sometimes,

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<v Speaker 2>But then I sit there and I realized that, well,

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<v Speaker 2>there's no reason to be miserable today, Like things are

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<v Speaker 2>going pretty well, and yeah there's challenges here and there,

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<v Speaker 2>of course, but it's no longer the kind of gloom

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<v Speaker 2>that just kind of was hanging over me constantly. And

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<v Speaker 2>so I think that at the age of yeah, at

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<v Speaker 2>the age of forty two, I finally feel like I'm

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<v Speaker 2>the happiest I've ever been, which is it's exciting to

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<v Speaker 2>have finally reached this position because especially when I had

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<v Speaker 2>sort of resigned myself to the idea that it would

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<v Speaker 2>never happen for me.

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<v Speaker 3>Wow, was it a conscious thing?

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<v Speaker 1>Like when you were younger, did you really have a

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<v Speaker 1>kind of executive chat with yourself that was like, look,

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<v Speaker 1>you and me called we're never going to be happy,

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<v Speaker 1>and this is just how it is, and I'm going

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<v Speaker 1>to do all this other stuff, but happiness is not

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<v Speaker 1>anything I'm going to set my coordinates for. Like, was

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<v Speaker 1>it that conscious?

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<v Speaker 2>Yeah, we always think that we're hiding stuff from our parents,

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<v Speaker 2>but it's kind of silly and sort of like when

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<v Speaker 2>you get older to think that you could hide anything

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<v Speaker 2>from your parents. Really, your parents know you so well,

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<v Speaker 2>and when I was nineteen, my mother said to me,

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<v Speaker 2>I think that you have clinical depression. And I said,

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<v Speaker 2>I get out of bed, I go to school, I

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<v Speaker 2>hold down a job, I exercise, Like all these things

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<v Speaker 2>that I had been taught were sort of like hallmarks

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<v Speaker 2>of a depressive. I was like, that doesn't bear any

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<v Speaker 2>resemblance to my life, and so I think that you're

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<v Speaker 2>you know, you're wrong. But what I did say was like, yeah,

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<v Speaker 2>I think that I have a gloomy temperament from time

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<v Speaker 2>to time, and I certainly think that I'm a cynic

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<v Speaker 2>in many ways. But you know, to me, that was

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<v Speaker 2>just I was just a young realist and this the

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<v Speaker 2>world is hell and the world is pain, and I thought,

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<v Speaker 2>you know, I really wanted to be in like a

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<v Speaker 2>French new wave movie and like smoking cigarettes and kind

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<v Speaker 2>of nihilistic, and I thought that that was kind of cool.

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<v Speaker 2>And it was like, that's okay, if this is how

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<v Speaker 2>it's going to be, because you know, you have an

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<v Speaker 2>artistic temperament, we'll say, and kind of it's okay, you're

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<v Speaker 2>kind of grumpy and you know, surly, I would say,

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<v Speaker 2>but I thought that that was okay. I sort of

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<v Speaker 2>had this foolish idea that I think a lot of

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<v Speaker 2>young aspiring artists do, which is that you know, art

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<v Speaker 2>comes from your pain and your misery. You know, that's

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<v Speaker 2>where the good stuff comes from, is from being upset

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<v Speaker 2>all the time, and that you know, happy art is

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<v Speaker 2>boring art, and that kind of thing. And I think

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<v Speaker 2>that it was okay to me because it felt like

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<v Speaker 2>that was my heroes. My heroes were like Miles Davis,

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<v Speaker 2>like these surly artists who were sort of like mean

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<v Speaker 2>to people and self destructive, and it was like, that's

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<v Speaker 2>who I want to be like. And so to me,

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<v Speaker 2>it felt like it was a fair deal with myself

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<v Speaker 2>that you're going to be unhappy, but you're also going

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<v Speaker 2>to sort of live a creative life, and a lot

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<v Speaker 2>of creative people are unhappy, and so that's okay. And

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<v Speaker 2>so I did, actually, you know, have a conversation with

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<v Speaker 2>myself and just think like that's okay, because I think

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<v Speaker 2>that there's also this thing that like it means that

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<v Speaker 2>you see something that other people don't. There's James Baldwin

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<v Speaker 2>quote that I'm going to paraphrase where he says, to

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<v Speaker 2>be black and halfway conscious in the United States is

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<v Speaker 2>to be in a near constant state of rage. And

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<v Speaker 2>I think that that was sort of like another thing

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<v Speaker 2>that it just felt like, you know, ignorance is bliss,

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<v Speaker 2>and so it felt like, you know, the stupid happy

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<v Speaker 2>people were sort of like the ones that I didn't

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<v Speaker 2>want to be like and that I wanted to separate

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<v Speaker 2>myself from. And so I was somebody who was thoughtful

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<v Speaker 2>and considered the world and paid attention, and so because

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<v Speaker 2>of that, I was also destined to just be miserable

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<v Speaker 2>all the time. And yeah, I was just a stupid kid,

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<v Speaker 2>you know, you realize now and I'm forty two. I

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<v Speaker 2>used to think that I didn't want to live to

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<v Speaker 2>turn forty. I was like, you know, after fortyes boring,

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<v Speaker 2>like you got to get the good stuff when you're young,

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<v Speaker 2>Like who cares when you're forty five? Like how lame

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<v Speaker 2>must life be when you're that age? And I think

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<v Speaker 2>that now. The thing that I've realized when I finally

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<v Speaker 2>sort of met this therapist to one of the things

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<v Speaker 2>that I was dealing with in twenty eighteen was that

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<v Speaker 2>my mother had died in twenty sixteen and I was

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<v Speaker 2>still grieving her, and I wasn't really doing what I

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<v Speaker 2>needed to do to process that grief. And so when

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<v Speaker 2>I went and met my therapist, he told me, I

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<v Speaker 2>think that you have clinical depression. That was the first

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<v Speaker 2>thing that he said, Well, actually that's not It was

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<v Speaker 2>very funny that he said that because my first session

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<v Speaker 2>with him, I came in and I tried to explain

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<v Speaker 2>why I wanted to meet him, and then I just

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<v Speaker 2>started crying, and I cried as I spoke for about

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<v Speaker 2>five to ten minutes, and then he goes, you know what,

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<v Speaker 2>I think that you might be depressed, And it turned

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<v Speaker 2>out that it was exactly right. Yeah, And I said

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<v Speaker 2>the same thing that I said to my mother. You know,

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<v Speaker 2>I exercise, I get out of bed. And he said,

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<v Speaker 2>you know, the same way that there's highly functioning alcoholics,

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<v Speaker 2>there's highly functioning drug addicts, like there's highly functioning depressives too.

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<v Speaker 2>So it's not that you don't have this just because

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<v Speaker 2>you're able to achieve those things. It means that imagine

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<v Speaker 2>what you could achieve if you didn't have this thing

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<v Speaker 2>hanging over your head all the time. That's how you

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<v Speaker 2>should look at it. And so that was really eye

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<v Speaker 2>opening for me. And then beyond that, I've realized like

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<v Speaker 2>learning to sort of like get over my issues and

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<v Speaker 2>taking the meds and doing the work in therapy. The

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<v Speaker 2>work has gotten better because I'm happy, you know, like

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<v Speaker 2>my creativity I feel like is skyrocketed now that I'm

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<v Speaker 2>sort of not dealing with that stuff anymore, because you know,

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<v Speaker 2>it opened up a world of new emotions to me, firstly,

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<v Speaker 2>and then secondly, it's just made me more pleasant to

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<v Speaker 2>be around, and it's made me more excited to be

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<v Speaker 2>around other people, and it's made me more excited to

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<v Speaker 2>talk to collaborators and to work in an environment in

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<v Speaker 2>which I'm having a healthy creative relationship with a lot

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<v Speaker 2>of different people. Like it's just if anything that's put

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<v Speaker 2>my creativity I feel like on a high speed rail.

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<v Speaker 2>And so it was just I'm really really happy that

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<v Speaker 2>I didn't self destruct before I reached this point because

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<v Speaker 2>it's been just so eye opening and so thrilling. It

0:11:47.600 --> 0:11:49.480
<v Speaker 2>feels like I've been reborn in some ways and I

0:11:49.520 --> 0:11:51.640
<v Speaker 2>have a second opportunity of life. It really does.

0:11:52.400 --> 0:11:55.400
<v Speaker 3>Wow, I'm so glad that you're happiest now.

0:11:55.720 --> 0:11:56.240
<v Speaker 2>Thanks.

0:11:57.240 --> 0:12:02.360
<v Speaker 1>Yeah, so interesting, Like you don't strike me as yeah, yeah,

0:12:02.400 --> 0:12:04.120
<v Speaker 1>but I love that he lives inside of you.

0:12:04.280 --> 0:12:06.600
<v Speaker 2>But that's because I learned. I got really good at

0:12:06.640 --> 0:12:09.400
<v Speaker 2>suppressing it. You know, I got really good at playing

0:12:10.120 --> 0:12:13.000
<v Speaker 2>playing the game. I got really good being able to

0:12:13.000 --> 0:12:16.040
<v Speaker 2>walk into a room and convince people that I was, like, yeah,

0:12:16.080 --> 0:12:18.280
<v Speaker 2>I'm the happiest guy in the room. That was like

0:12:18.320 --> 0:12:20.960
<v Speaker 2>a real quality that I had. But that made it

0:12:21.000 --> 0:12:23.480
<v Speaker 2>even worse, you know, because then nobody really knew how

0:12:23.520 --> 0:12:25.360
<v Speaker 2>I felt. And that's why I would cry alone, is

0:12:25.400 --> 0:12:28.720
<v Speaker 2>because I was never actually sharing my honest self with anybody.

0:12:28.760 --> 0:12:31.400
<v Speaker 2>I was always hiding it, and so that just augmented

0:12:31.440 --> 0:12:32.839
<v Speaker 2>the problems that I was already having.

0:12:37.679 --> 0:12:40.320
<v Speaker 1>So what is the quality you like least about yourself

0:12:41.080 --> 0:12:43.679
<v Speaker 1>if you've been kind of excavating them?

0:12:44.080 --> 0:12:45.600
<v Speaker 3>How to access the happier bit.

0:12:46.080 --> 0:12:49.760
<v Speaker 2>I'm very very self critical. I really am my own

0:12:49.800 --> 0:12:53.600
<v Speaker 2>harshest critic. I find it difficult to appreciate myself. I

0:12:53.640 --> 0:12:56.680
<v Speaker 2>find it difficult to accept my faults. I find it

0:12:56.720 --> 0:13:00.760
<v Speaker 2>difficult to forgive myself for making mistakes. A large part

0:13:00.760 --> 0:13:03.400
<v Speaker 2>of my therapy is spent going over my relationship with

0:13:03.400 --> 0:13:07.600
<v Speaker 2>my father, and he looms so large in my life

0:13:07.600 --> 0:13:10.680
<v Speaker 2>and so large in my psyche, and he was a

0:13:10.760 --> 0:13:14.520
<v Speaker 2>very demanding figure. It's very hard on us high expectations.

0:13:15.240 --> 0:13:17.760
<v Speaker 2>And I was sitting with a friend a couple of

0:13:17.840 --> 0:13:20.120
<v Speaker 2>years ago, another friend who's going over sort of like

0:13:20.240 --> 0:13:23.600
<v Speaker 2>dealing with her own issues with her parents. And I

0:13:23.640 --> 0:13:25.560
<v Speaker 2>was telling her that I'm embarrassed at how much I

0:13:25.559 --> 0:13:28.320
<v Speaker 2>criticized myself. And I said, you know, I have a problem.

0:13:28.559 --> 0:13:30.120
<v Speaker 2>I've never been a person that can sort of like

0:13:30.160 --> 0:13:32.120
<v Speaker 2>wake up and go back to sleep. Like that's rare

0:13:32.160 --> 0:13:36.440
<v Speaker 2>for me, because when I wake up, there's always a

0:13:36.480 --> 0:13:38.640
<v Speaker 2>voice in my head going, you better get your ass

0:13:38.640 --> 0:13:41.720
<v Speaker 2>out of bed. You know, you better get to work,

0:13:41.800 --> 0:13:45.040
<v Speaker 2>like you're lazy, You're not working hard enough. What's going on?

0:13:45.160 --> 0:13:47.480
<v Speaker 2>What's wrong with you? Like everybody out there is going

0:13:47.520 --> 0:13:50.320
<v Speaker 2>to sort of like beat you. And I told her this,

0:13:50.360 --> 0:13:52.600
<v Speaker 2>and she said, you should ask yourself, why is that

0:13:52.679 --> 0:13:56.320
<v Speaker 2>voice speaking to you in the second person. Why wouldn't

0:13:56.360 --> 0:13:58.240
<v Speaker 2>you say I need to get out of bed. Why

0:13:58.280 --> 0:14:00.640
<v Speaker 2>are you saying you need to get out of it right?

0:14:00.840 --> 0:14:04.600
<v Speaker 2>Why is that kind of disembodied that way? And I realized, like, oh,

0:14:04.760 --> 0:14:07.679
<v Speaker 2>because it's probably my father's voice. It's not me speaking

0:14:07.679 --> 0:14:10.880
<v Speaker 2>to myself. It's sort of like me replicating the conversations

0:14:10.880 --> 0:14:12.679
<v Speaker 2>I had with my father in my own head, and

0:14:12.720 --> 0:14:16.600
<v Speaker 2>so I have adopted that criticism and sort of started

0:14:16.600 --> 0:14:20.240
<v Speaker 2>criticizing myself, and it's frustrating, but it's also there's also

0:14:20.320 --> 0:14:22.600
<v Speaker 2>part of me that's like, maybe it's useful I will

0:14:23.360 --> 0:14:26.480
<v Speaker 2>distill my relationship with my father into this story that

0:14:27.200 --> 0:14:29.760
<v Speaker 2>I had, actually I think like suppressed for a long time,

0:14:29.800 --> 0:14:31.680
<v Speaker 2>but it's come up in the recent years and I

0:14:31.720 --> 0:14:34.360
<v Speaker 2>think about it often. I used to play a lot

0:14:34.400 --> 0:14:37.400
<v Speaker 2>of soccer when I was a kid, and my parents

0:14:37.440 --> 0:14:40.560
<v Speaker 2>got me private coaching lessons with this guy on the weekends,

0:14:41.000 --> 0:14:44.400
<v Speaker 2>and so on Saturdays I would go and sometimes there'd

0:14:44.480 --> 0:14:46.840
<v Speaker 2>be two of us. Sometimes there'd be three or four

0:14:46.880 --> 0:14:50.040
<v Speaker 2>of us, but at the end of every session you

0:14:50.080 --> 0:14:52.000
<v Speaker 2>would have a scrimmage, and so if it was four

0:14:52.040 --> 0:14:53.920
<v Speaker 2>of us, would be two on two. But that day

0:14:53.960 --> 0:14:55.280
<v Speaker 2>there was just two of us, so we did one

0:14:55.320 --> 0:14:58.440
<v Speaker 2>on one. And I'm from Arizona, so it's you know,

0:14:58.440 --> 0:15:01.600
<v Speaker 2>one hundred and eleven degrees in the summertime. It's Saturday.

0:15:01.960 --> 0:15:05.560
<v Speaker 2>I've been out here running like so hot, I'm so tired,

0:15:06.120 --> 0:15:09.200
<v Speaker 2>and I'm playing against this kid. As he's dribbling the

0:15:09.240 --> 0:15:11.560
<v Speaker 2>ball toward me, I hear this voice out of nowhere

0:15:11.600 --> 0:15:15.720
<v Speaker 2>scream beat him, beat him, he's tired, beat him. And

0:15:15.800 --> 0:15:18.280
<v Speaker 2>I look to the side and my father has shown

0:15:18.360 --> 0:15:21.440
<v Speaker 2>up early and he's rooting for the other boy in

0:15:21.480 --> 0:15:25.720
<v Speaker 2>the scrimmage, like my own dad has shown up to

0:15:25.720 --> 0:15:30.720
<v Speaker 2>like cheer against me at this game. And so I

0:15:30.720 --> 0:15:33.680
<v Speaker 2>can't even remember what happened, but you know, practice is over.

0:15:34.120 --> 0:15:36.320
<v Speaker 2>I remember sitting in the car next to him and

0:15:36.440 --> 0:15:38.680
<v Speaker 2>we're like driving in silence. I'm so mad at him,

0:15:38.720 --> 0:15:42.400
<v Speaker 2>I'm embarrassed, I'm angry, and we're driving along in silence,

0:15:42.440 --> 0:15:44.120
<v Speaker 2>and at a certain point he turns to me and

0:15:44.160 --> 0:15:46.520
<v Speaker 2>he said, nobody in life is going to be harder

0:15:46.560 --> 0:15:49.080
<v Speaker 2>on you than I am, and that's going to make

0:15:49.120 --> 0:15:51.920
<v Speaker 2>you strong. That's going to make you resilient, and it's

0:15:51.960 --> 0:15:55.400
<v Speaker 2>going to make you strong. And looking back on that,

0:15:55.760 --> 0:15:57.680
<v Speaker 2>I am incredibly resilient. I know.

0:15:57.800 --> 0:15:59.800
<v Speaker 3>But perhaps does he get to take the credit.

0:16:00.000 --> 0:16:01.920
<v Speaker 2>I'm not trying to say that this is like a

0:16:02.040 --> 0:16:05.680
<v Speaker 2>rosy story that I look back on fondly. It's certainly

0:16:05.760 --> 0:16:08.600
<v Speaker 2>a painful story in some ways. But what I'm saying

0:16:08.680 --> 0:16:12.680
<v Speaker 2>is I do believe that there was something in there

0:16:12.720 --> 0:16:15.600
<v Speaker 2>that has helped me. You know, you have to injure

0:16:15.640 --> 0:16:17.800
<v Speaker 2>your muscles for your muscles to grow, so like you

0:16:17.880 --> 0:16:19.680
<v Speaker 2>have to go through pain in order to sort of

0:16:19.760 --> 0:16:22.040
<v Speaker 2>get stronger in some ways. And it is a quality

0:16:22.040 --> 0:16:24.200
<v Speaker 2>that I think every artist needs to have, especially like

0:16:24.960 --> 0:16:29.280
<v Speaker 2>you really need to have just an undefeatable resilience. You

0:16:29.360 --> 0:16:31.240
<v Speaker 2>just need to wake up every day and say, like,

0:16:31.360 --> 0:16:34.080
<v Speaker 2>I don't care if all of these people said no

0:16:34.200 --> 0:16:36.600
<v Speaker 2>to me. I'm going to keep going. And so look,

0:16:37.000 --> 0:16:39.360
<v Speaker 2>I think that there's probably other healthier ways to learn

0:16:39.400 --> 0:16:41.480
<v Speaker 2>that lesson, but I developed it in the way that

0:16:41.560 --> 0:16:43.720
<v Speaker 2>I developed it. And so you know, as much as

0:16:43.760 --> 0:16:45.400
<v Speaker 2>I look at those moments and I'm like I wish

0:16:45.480 --> 0:16:48.400
<v Speaker 2>that we would have gone about that differently, I can't

0:16:48.440 --> 0:16:50.160
<v Speaker 2>look at it and say that it hasn't helped me

0:16:50.200 --> 0:16:51.640
<v Speaker 2>in some way. Does that make sense?

0:16:52.320 --> 0:16:52.680
<v Speaker 3>It does.

0:16:53.840 --> 0:16:54.040
<v Speaker 2>Yeah.

0:16:54.080 --> 0:16:56.240
<v Speaker 1>There was a dark night of the soul with my father,

0:16:56.440 --> 0:17:00.160
<v Speaker 1>who said a lot of stuff as fathers to, but

0:17:00.240 --> 0:17:04.600
<v Speaker 1>I do remember on one agonizing occasion, well, I again

0:17:04.720 --> 0:17:08.080
<v Speaker 1>just didn't really want to hear this particular thing was he.

0:17:08.080 --> 0:17:11.680
<v Speaker 3>Said, It's all a gift. It's all this agony.

0:17:11.480 --> 0:17:15.520
<v Speaker 1>All of this failure, all of this self pity, all

0:17:15.560 --> 0:17:18.840
<v Speaker 1>of this heartbreak, it is all a gift and all

0:17:18.920 --> 0:17:21.800
<v Speaker 1>your job is is to calibrate yourself to be able

0:17:21.840 --> 0:17:24.439
<v Speaker 1>to take that gift and turn into something else. And

0:17:24.480 --> 0:17:27.359
<v Speaker 1>it's brutal, but it was true. I think there was

0:17:27.359 --> 0:17:30.040
<v Speaker 1>a kind of way. I think it's often with our parents.

0:17:30.119 --> 0:17:33.000
<v Speaker 1>It could have been more kindly offered, but it is

0:17:33.040 --> 0:17:33.560
<v Speaker 1>all a gift.

0:17:34.119 --> 0:17:36.199
<v Speaker 2>I agree with that. I think that you have to

0:17:36.240 --> 0:17:37.000
<v Speaker 2>be able to.

0:17:38.760 --> 0:17:58.359
<v Speaker 1>Adapt what relationship, real or fictionalized, defines love for you.

0:17:59.160 --> 0:18:01.720
<v Speaker 2>Have you ever seen a film Cold War? Oh?

0:18:01.840 --> 0:18:02.240
<v Speaker 3>Yeah?

0:18:02.920 --> 0:18:05.040
<v Speaker 2>Cold War for me is the love story that I

0:18:05.080 --> 0:18:07.359
<v Speaker 2>think is the one that struck me as being the

0:18:08.520 --> 0:18:10.960
<v Speaker 2>one that I find like most romantic, despite the fact

0:18:11.000 --> 0:18:13.480
<v Speaker 2>that it's incredibly dark and sad. In case people haven't

0:18:13.480 --> 0:18:16.800
<v Speaker 2>seen Cold War, it's a Polish film about the Cold

0:18:16.840 --> 0:18:20.719
<v Speaker 2>War from the forties to the sixties, and it's this couple.

0:18:20.760 --> 0:18:22.399
<v Speaker 2>They sort of fall in love and I believe that

0:18:22.440 --> 0:18:25.359
<v Speaker 2>he's a bandleader and she's a singer, or maybe he's

0:18:25.440 --> 0:18:27.399
<v Speaker 2>just a musician and she's a singer. I don't remember,

0:18:27.440 --> 0:18:31.800
<v Speaker 2>but they fall in love and they decide one day

0:18:31.840 --> 0:18:35.000
<v Speaker 2>that they're going to run away to West Berlin and

0:18:35.080 --> 0:18:36.879
<v Speaker 2>I think they're doing a show in East Berlin, and

0:18:36.880 --> 0:18:39.000
<v Speaker 2>they decide they're going to flee to West Berlin, and

0:18:39.880 --> 0:18:42.440
<v Speaker 2>that night when he decides to flee, she doesn't show up,

0:18:42.480 --> 0:18:44.479
<v Speaker 2>and so he tries to go by himself, and I

0:18:44.560 --> 0:18:47.480
<v Speaker 2>believe he gets conn I can't remember. But anyway, circumstance

0:18:47.720 --> 0:18:50.240
<v Speaker 2>and time takes them apart and they come back together,

0:18:50.359 --> 0:18:52.360
<v Speaker 2>and then time takes them apart again when they find

0:18:52.400 --> 0:18:55.440
<v Speaker 2>each other another time. You know, they are both in relationships.

0:18:55.520 --> 0:18:58.639
<v Speaker 2>She's now married, he's got a new woman that he's dating.

0:18:58.960 --> 0:19:01.560
<v Speaker 2>But then they meet each other my hamp and stance

0:19:01.600 --> 0:19:04.000
<v Speaker 2>again and it's like he says to her, you are

0:19:04.000 --> 0:19:06.480
<v Speaker 2>the woman of my life. And despite the fact that

0:19:06.480 --> 0:19:08.800
<v Speaker 2>they haven't seen each other in like seven or eight years,

0:19:08.840 --> 0:19:11.600
<v Speaker 2>he's like, I still love you. And then they're taking

0:19:11.600 --> 0:19:13.840
<v Speaker 2>a part again. And I just think that that, to

0:19:13.920 --> 0:19:16.560
<v Speaker 2>me is like the endurance of that part of that

0:19:16.720 --> 0:19:21.560
<v Speaker 2>is appealing to me, because you know, I think that

0:19:21.600 --> 0:19:25.720
<v Speaker 2>when you join this industry that we are in, you

0:19:25.880 --> 0:19:28.479
<v Speaker 2>kind of almost literally are joining the circus. You know,

0:19:28.600 --> 0:19:31.639
<v Speaker 2>it's like you're on the road, you're traveling all the time,

0:19:31.760 --> 0:19:34.480
<v Speaker 2>you're not in one place for a very long and

0:19:34.560 --> 0:19:37.639
<v Speaker 2>so you really need to sort of know that the

0:19:37.680 --> 0:19:39.720
<v Speaker 2>people in your life are going to still love you

0:19:39.880 --> 0:19:43.640
<v Speaker 2>even if you're gone for six months or two years,

0:19:43.680 --> 0:19:47.479
<v Speaker 2>Like you can come back and feel like, you know,

0:19:47.520 --> 0:19:50.239
<v Speaker 2>you haven't forgotten about me, and I haven't forgotten about you,

0:19:50.280 --> 0:19:52.359
<v Speaker 2>and like the love that we had still endures, and

0:19:52.400 --> 0:19:55.000
<v Speaker 2>the feelings that I had about you still endure. And

0:19:55.040 --> 0:19:58.000
<v Speaker 2>I think that that, to me has always felt like

0:19:58.800 --> 0:20:00.879
<v Speaker 2>the most beautiful love story is that sort of like

0:20:00.960 --> 0:20:03.240
<v Speaker 2>time and circumstance can come in and take you away

0:20:03.240 --> 0:20:06.600
<v Speaker 2>from each other, but despite the fact, like there's still

0:20:06.600 --> 0:20:09.560
<v Speaker 2>a flame there. I just think that that's so beautiful.

0:20:10.040 --> 0:20:13.040
<v Speaker 1>I think it's Harboca something like that. I remember going

0:20:13.080 --> 0:20:15.840
<v Speaker 1>to see his movies as a kid in London and

0:20:16.040 --> 0:20:18.439
<v Speaker 1>Harville Pavlakowski.

0:20:17.760 --> 0:20:19.600
<v Speaker 2>Public Cloud Pavlakowski.

0:20:19.680 --> 0:20:24.680
<v Speaker 1>Okay, butchering the Polish. Yeah, I love that. Love is

0:20:24.880 --> 0:20:27.440
<v Speaker 1>so why I love the vendors as well. The love

0:20:27.480 --> 0:20:31.000
<v Speaker 1>that exists out of time, the love that exists out

0:20:31.000 --> 0:20:36.560
<v Speaker 1>of temporal restraint conditions, the idea truly what the meaning

0:20:36.680 --> 0:20:40.160
<v Speaker 1>for me of love is love it exists outside of

0:20:40.480 --> 0:20:42.320
<v Speaker 1>everything else or the conditions of the world.

0:20:42.680 --> 0:20:43.840
<v Speaker 3>I think that's really beautiful.

0:20:44.040 --> 0:20:47.560
<v Speaker 1>Yeah, I agree with that, even though it is it

0:20:47.600 --> 0:20:49.919
<v Speaker 1>is impractical to not be married to the person that

0:20:50.000 --> 0:20:50.360
<v Speaker 1>you love.

0:20:51.000 --> 0:20:54.280
<v Speaker 2>Yeah, but I think that that's the perfect summation of

0:20:54.320 --> 0:20:57.440
<v Speaker 2>it is that I think that's love is just impractical.

0:20:57.520 --> 0:21:00.639
<v Speaker 2>And I think that a lot of you know, the

0:21:00.680 --> 0:21:03.159
<v Speaker 2>reasons that sort of like people get in relationships or

0:21:03.200 --> 0:21:07.680
<v Speaker 2>marriages so frequently are practical. It's like, well, this makes sense.

0:21:07.720 --> 0:21:10.159
<v Speaker 2>You know, this person is in close proximity to me,

0:21:10.520 --> 0:21:12.520
<v Speaker 2>we live in the same town, we go to the

0:21:12.560 --> 0:21:13.120
<v Speaker 2>same church.

0:21:13.200 --> 0:21:13.280
<v Speaker 3>Like.

0:21:13.280 --> 0:21:14.679
<v Speaker 2>I just think that there's a lot of sort of

0:21:14.720 --> 0:21:17.119
<v Speaker 2>like calculations that people do where they're like, yeah, this

0:21:17.240 --> 0:21:19.200
<v Speaker 2>makes sense, and this is why I'm going to get

0:21:19.240 --> 0:21:21.480
<v Speaker 2>married to this person. And I think that for me,

0:21:21.800 --> 0:21:25.400
<v Speaker 2>sort of real love as I define it, is about impracticality.

0:21:25.440 --> 0:21:28.000
<v Speaker 2>It's like, yeah, I know that that doesn't make sense

0:21:28.119 --> 0:21:30.040
<v Speaker 2>that I'm married to this person, but I still love

0:21:30.119 --> 0:21:32.679
<v Speaker 2>my boyfriend from eight years ago, right, But you know

0:21:33.400 --> 0:21:36.520
<v Speaker 2>that's because love is confusing and mysterious and impractical.

0:21:37.200 --> 0:21:39.400
<v Speaker 3>I agree. I agree.

0:21:39.960 --> 0:21:43.480
<v Speaker 1>I fell in love with Addison while completely and utterly

0:21:44.320 --> 0:21:48.280
<v Speaker 1>heartbroken and shredded and ruined so much that I didn't

0:21:48.359 --> 0:21:51.040
<v Speaker 1>think that it was love until later, and then I

0:21:51.119 --> 0:21:54.639
<v Speaker 1>realized that's exactly what it was the most impossible, the

0:21:54.680 --> 0:21:59.399
<v Speaker 1>most impractical, the most implausible version of actually loving someone.

0:21:59.640 --> 0:22:00.400
<v Speaker 2>Yeah.

0:22:00.440 --> 0:22:02.120
<v Speaker 3>God, I want to go back and watch that film there.

0:22:02.280 --> 0:22:05.200
<v Speaker 2>It's amazing. Highly recommend it. Yeah, it's so beautiful.

0:22:09.720 --> 0:22:11.760
<v Speaker 3>What question would you most like answered?

0:22:12.440 --> 0:22:14.400
<v Speaker 2>That's a good one. What do people say to this one?

0:22:14.560 --> 0:22:16.520
<v Speaker 3>I'll tell you. I'll tell you a couple of things.

0:22:17.080 --> 0:22:17.439
<v Speaker 2>Yeah.

0:22:17.560 --> 0:22:19.840
<v Speaker 1>A lot of people want to know what happens when

0:22:19.880 --> 0:22:22.760
<v Speaker 1>you die, and they want to know of the people

0:22:22.800 --> 0:22:26.440
<v Speaker 1>that they love if they will see them again. That's

0:22:26.520 --> 0:22:30.600
<v Speaker 1>probably the number one. The second is Aliens m h.

0:22:31.440 --> 0:22:34.479
<v Speaker 1>And my absolute favorite of all time is Jamila Jamil,

0:22:34.840 --> 0:22:38.360
<v Speaker 1>who said, does anybody really enjoy reverse Cowgirl?

0:22:42.440 --> 0:22:43.960
<v Speaker 2>I've worked with Jamila that sounds like.

0:22:44.080 --> 0:22:48.440
<v Speaker 3>Yeah, a good place together. It made me laugh so hard.

0:22:49.800 --> 0:22:52.720
<v Speaker 2>Yeah, yeah, I feel the way about having sex in

0:22:52.760 --> 0:22:54.800
<v Speaker 2>the shower. I don't think anybody actually.

0:22:54.720 --> 0:22:57.280
<v Speaker 1>By the way, I said that on a list of

0:22:57.480 --> 0:22:59.560
<v Speaker 1>things that I love and things that I hate, and

0:22:59.600 --> 0:23:01.840
<v Speaker 1>I was like, the idea of sex in the shower

0:23:01.920 --> 0:23:03.320
<v Speaker 1>versus sex in the.

0:23:03.280 --> 0:23:07.320
<v Speaker 3>Shower, Yeah, exactly fucking rotten. I got a harsh response.

0:23:07.359 --> 0:23:09.440
<v Speaker 3>But it's a way to do it's.

0:23:09.240 --> 0:23:12.000
<v Speaker 2>Not fun, it's not and you think it's going to be,

0:23:12.040 --> 0:23:12.439
<v Speaker 2>but it's not.

0:23:13.000 --> 0:23:15.800
<v Speaker 3>It sounds fun. Well, you don't have to I know.

0:23:15.760 --> 0:23:18.000
<v Speaker 2>I'm going to answer it. I was worried that everybody

0:23:18.119 --> 0:23:20.520
<v Speaker 2>just must say the same thing, so I would, I think,

0:23:20.680 --> 0:23:23.639
<v Speaker 2>alter the what happens when we die? And this is

0:23:23.680 --> 0:23:26.280
<v Speaker 2>going to be unfair because it's going to be two questions.

0:23:26.280 --> 0:23:31.480
<v Speaker 2>It is is God real? And if so, what does

0:23:31.560 --> 0:23:34.159
<v Speaker 2>God want from us? I just think that there's just

0:23:34.240 --> 0:23:39.320
<v Speaker 2>so much tumultuousness these days, and I think that we're

0:23:39.320 --> 0:23:41.440
<v Speaker 2>in a crisis right now as human beings. I think

0:23:41.440 --> 0:23:43.800
<v Speaker 2>we're in a crisis of meaning. Do you know the

0:23:43.840 --> 0:23:45.960
<v Speaker 2>third place problem? Have you? Have you heard about this?

0:23:46.600 --> 0:23:46.679
<v Speaker 1>No?

0:23:46.880 --> 0:23:47.240
<v Speaker 3>What is it?

0:23:48.000 --> 0:23:51.439
<v Speaker 2>So? The third place problem is the world used to

0:23:51.440 --> 0:23:53.520
<v Speaker 2>be filled with all these third places, right And I

0:23:53.560 --> 0:23:57.400
<v Speaker 2>think that England beats America this way because I think

0:23:57.440 --> 0:23:59.720
<v Speaker 2>you still have like pub culture, you know, which is

0:23:59.760 --> 0:24:02.040
<v Speaker 2>sort of like a very real thing still there. But

0:24:02.040 --> 0:24:03.800
<v Speaker 2>in America the third place was like, well, your first

0:24:03.800 --> 0:24:06.840
<v Speaker 2>place is home, your second places work, and then the

0:24:06.840 --> 0:24:11.359
<v Speaker 2>third place used to be like church or your bowling league,

0:24:11.440 --> 0:24:14.840
<v Speaker 2>Like what are these places that you're going to to

0:24:14.960 --> 0:24:17.480
<v Speaker 2>actually commune with other people that have nothing to do?

0:24:17.560 --> 0:24:20.320
<v Speaker 2>With your family life at home or your work life.

0:24:20.720 --> 0:24:22.439
<v Speaker 2>And there used to be sort of like all of

0:24:22.480 --> 0:24:25.040
<v Speaker 2>these things that people participated in. They used to go

0:24:25.080 --> 0:24:27.520
<v Speaker 2>to church a lot, They used to be part of

0:24:27.560 --> 0:24:28.720
<v Speaker 2>these social groups.

0:24:28.840 --> 0:24:31.800
<v Speaker 3>Yeah, be part of a community exactly.

0:24:31.920 --> 0:24:34.679
<v Speaker 2>And so now we're seeing all of these kinds of

0:24:34.680 --> 0:24:38.440
<v Speaker 2>social groups contract. Church attendance's way down. People don't even

0:24:38.440 --> 0:24:40.960
<v Speaker 2>really go into the office anymore. So like the first

0:24:40.960 --> 0:24:43.600
<v Speaker 2>and second place, it's just one. Your home is your office,

0:24:43.800 --> 0:24:46.360
<v Speaker 2>So you're not even getting out to go hang out

0:24:46.359 --> 0:24:49.160
<v Speaker 2>in an office with your coworkers anymore. And so we're

0:24:49.160 --> 0:24:51.840
<v Speaker 2>in this place where I think people have really lost

0:24:53.280 --> 0:24:57.080
<v Speaker 2>faith and institutions, they've lost hope in the future. Young

0:24:57.119 --> 0:24:59.720
<v Speaker 2>people are seeing like the world literally melt. I just

0:24:59.800 --> 0:25:02.800
<v Speaker 2>think that we've reached this place where people have lost

0:25:03.600 --> 0:25:06.320
<v Speaker 2>faith in everything and lost meaning. There's no meaning for

0:25:06.480 --> 0:25:09.520
<v Speaker 2>people and things anymore. And so I think that once

0:25:09.520 --> 0:25:11.960
<v Speaker 2>we have that, especially in America, people don't even believe

0:25:11.960 --> 0:25:14.439
<v Speaker 2>in America anymore. It's like what even is that, Like

0:25:14.480 --> 0:25:17.160
<v Speaker 2>we don't even believe in the country as a sort

0:25:17.200 --> 0:25:19.399
<v Speaker 2>of like whole anymore. And we look at people as

0:25:19.480 --> 0:25:21.960
<v Speaker 2>saying like, well, we've started dividing it into like red

0:25:21.960 --> 0:25:24.040
<v Speaker 2>states and blue states as opposed to just sort of

0:25:24.080 --> 0:25:28.240
<v Speaker 2>like an entire continuous nation. And so I think that

0:25:28.880 --> 0:25:31.159
<v Speaker 2>for me, it's like I just really want something to

0:25:31.160 --> 0:25:34.119
<v Speaker 2>give people meaning again. I'm hopeful that we can find

0:25:34.200 --> 0:25:36.760
<v Speaker 2>some sort of semblance of national or sort of like

0:25:36.840 --> 0:25:39.639
<v Speaker 2>global meaning and global sort of like hope.

0:25:39.760 --> 0:25:41.720
<v Speaker 1>Is that why you'd like to know if God Israel?

0:25:41.760 --> 0:25:44.280
<v Speaker 1>Because God could potentially be that meaning?

0:25:44.520 --> 0:25:46.439
<v Speaker 2>Yeah, because I'm just like, what do you want from us?

0:25:46.480 --> 0:25:49.760
<v Speaker 2>Man or woman? What are you really trying to do here?

0:25:49.880 --> 0:25:51.800
<v Speaker 2>Even if it's just like, well, it's just an experiment

0:25:51.840 --> 0:25:53.560
<v Speaker 2>to see if you guys can get along, Like even

0:25:53.560 --> 0:25:56.440
<v Speaker 2>that is a semblance of a way forward.

0:25:56.280 --> 0:26:00.560
<v Speaker 1>It's really interesting is that idea of like, without cultural splicity,

0:26:01.119 --> 0:26:08.480
<v Speaker 1>you lose meaning that when you literally filay out a

0:26:08.560 --> 0:26:12.040
<v Speaker 1>version of coming together, whether that's literal or figurative, you

0:26:12.080 --> 0:26:13.120
<v Speaker 1>do you lose meaning.

0:26:13.160 --> 0:26:15.360
<v Speaker 3>The center will not hold absolutely.

0:26:15.600 --> 0:26:18.400
<v Speaker 2>And I think that that, to me has become one

0:26:18.440 --> 0:26:21.800
<v Speaker 2>of our primary difficulties as a species these days, is

0:26:21.920 --> 0:26:24.359
<v Speaker 2>just I agree, total lack of meaning.

0:26:24.960 --> 0:26:29.440
<v Speaker 1>I agree, And you know what my little microcosmic observance,

0:26:29.760 --> 0:26:32.359
<v Speaker 1>I mean, from where I live, moving into a place

0:26:32.400 --> 0:26:36.880
<v Speaker 1>that has community. You've been to where I live in California,

0:26:36.960 --> 0:26:40.880
<v Speaker 1>and that that little enclave, the way in which we

0:26:41.000 --> 0:26:43.760
<v Speaker 1>check in on each other, and you do your elderly

0:26:44.119 --> 0:26:48.040
<v Speaker 1>neighbors shopping, and there are kids who are the naughty

0:26:48.080 --> 0:26:51.520
<v Speaker 1>kids and the people that drive too fast, and everybody

0:26:51.840 --> 0:26:57.119
<v Speaker 1>connects around these things, good, bad and different, annoying, happy, joyful.

0:26:57.640 --> 0:27:02.240
<v Speaker 1>The weddings, the funerals, the memorial the walks, the sadness,

0:27:02.240 --> 0:27:04.480
<v Speaker 1>the seeing somebody crying in the street, all of that

0:27:04.600 --> 0:27:09.960
<v Speaker 1>stuff has refashioned me. Just my being in that community

0:27:10.040 --> 0:27:13.240
<v Speaker 1>for the twenty four years that I've lived there. It

0:27:13.480 --> 0:27:16.200
<v Speaker 1>radically changed the way that I interacted with the rest

0:27:16.240 --> 0:27:18.080
<v Speaker 1>of the world. It radically changed the way that I

0:27:18.119 --> 0:27:20.200
<v Speaker 1>was alone in a hotel room in a foreign city,

0:27:20.600 --> 0:27:24.680
<v Speaker 1>which has always been sort of overwhelming and other and strange.

0:27:24.720 --> 0:27:29.320
<v Speaker 1>And I've long since thought that community building is the

0:27:29.359 --> 0:27:33.240
<v Speaker 1>way in which we get back that, not dismantling communities

0:27:33.240 --> 0:27:36.720
<v Speaker 1>because of our differences, but rather the commonality of living

0:27:36.760 --> 0:27:38.439
<v Speaker 1>next door to someone, even if you don't agree with

0:27:38.480 --> 0:27:42.560
<v Speaker 1>their politics. There is something I don't know. I chat

0:27:42.600 --> 0:27:47.120
<v Speaker 1>with my neighbor who's a Trump supporter, about our kids

0:27:47.200 --> 0:27:49.719
<v Speaker 1>and swimming and how cold the ocean is and the

0:27:49.720 --> 0:27:52.600
<v Speaker 1>weather and wather they'll be waves, and we have a

0:27:52.640 --> 0:27:57.280
<v Speaker 1>really cordial relationship that makes me feel like there is

0:27:57.320 --> 0:27:59.680
<v Speaker 1>a way of communicating that we've just forgotten about.

0:28:00.000 --> 0:28:03.560
<v Speaker 2>Absolutely, and there's purpose in that. You found purpose in

0:28:04.640 --> 0:28:07.080
<v Speaker 2>building a community and taking care of others and seeing

0:28:07.080 --> 0:28:08.720
<v Speaker 2>the good and sort of like your neighbor. I think

0:28:08.720 --> 0:28:12.199
<v Speaker 2>that that, to me, that's all we really need. You know,

0:28:12.200 --> 0:28:15.520
<v Speaker 2>it's not like curing cancer. It's like that's all just

0:28:15.560 --> 0:28:18.159
<v Speaker 2>like just a small semblance of something that's like, you

0:28:18.240 --> 0:28:19.920
<v Speaker 2>know what, here's what you can do in your life

0:28:19.960 --> 0:28:22.240
<v Speaker 2>that takes you out of your own head, that forces

0:28:22.280 --> 0:28:24.639
<v Speaker 2>you to think about others for a second, that forces

0:28:24.680 --> 0:28:26.400
<v Speaker 2>you to sort of like leave your home and sort

0:28:26.400 --> 0:28:29.399
<v Speaker 2>of like participate in something that to me is all

0:28:29.760 --> 0:28:32.760
<v Speaker 2>it's just small adjustments. But we've all become so addicted

0:28:32.800 --> 0:28:34.800
<v Speaker 2>to the internet and so closed off from the rest

0:28:34.840 --> 0:28:37.520
<v Speaker 2>of the world that it becomes difficult to see outside

0:28:37.520 --> 0:28:39.040
<v Speaker 2>of your own brain sometimes.

0:28:39.240 --> 0:28:43.120
<v Speaker 1>And yet it actually is actionable, like so much is

0:28:43.200 --> 0:28:46.320
<v Speaker 1>not shit that we can change, and that actually it

0:28:46.360 --> 0:28:49.680
<v Speaker 1>actually is something that you can go, Yeah, maybe I'm

0:28:49.680 --> 0:28:51.840
<v Speaker 1>going to go and I don't know, knock on my

0:28:51.840 --> 0:28:54.640
<v Speaker 1>neighbor's door. I think there's kind of incremental ways.

0:28:55.080 --> 0:28:56.880
<v Speaker 3>Yeah, out of the isolation.

0:28:57.600 --> 0:28:58.240
<v Speaker 2>Absolutely.

0:29:02.880 --> 0:29:06.480
<v Speaker 1>Can you tell me what person, place, or experience most

0:29:06.520 --> 0:29:07.520
<v Speaker 1>altered your life.

0:29:08.080 --> 0:29:12.400
<v Speaker 2>My father, hands down. He's still alive, he's still with us,

0:29:12.640 --> 0:29:15.040
<v Speaker 2>and he has by far had the most profound impact

0:29:15.080 --> 0:29:19.000
<v Speaker 2>on me, as I've in great ways in ways that

0:29:19.040 --> 0:29:21.600
<v Speaker 2>I really dislike about myself. And you know, much of

0:29:21.600 --> 0:29:24.200
<v Speaker 2>what I've been trying to undo in therapy is lessons

0:29:24.200 --> 0:29:26.160
<v Speaker 2>than my father taught me, not just sort of like

0:29:26.200 --> 0:29:28.640
<v Speaker 2>the self criticism and stuff and the demanding nature that

0:29:28.680 --> 0:29:31.800
<v Speaker 2>he had over us, but also the way that I

0:29:31.920 --> 0:29:36.600
<v Speaker 2>learned to be a man from my father was my

0:29:36.760 --> 0:29:39.760
<v Speaker 2>dad was very you know, being a man meant being

0:29:39.880 --> 0:29:44.840
<v Speaker 2>very stoic, very emotionally distant. You never let anybody see

0:29:44.880 --> 0:29:47.560
<v Speaker 2>you cry, You never let anybody see that you're having

0:29:47.640 --> 0:29:50.080
<v Speaker 2>a bad day. Nobody wants to hear you complain, like

0:29:50.200 --> 0:29:52.760
<v Speaker 2>suffer in silence and move forward. And my dad was

0:29:52.800 --> 0:29:57.760
<v Speaker 2>a Vietnam veteran, and so you know, he did two

0:29:57.840 --> 0:30:00.480
<v Speaker 2>tours in Vietnam and came back with pretty bad pe PTSD.

0:30:01.040 --> 0:30:03.920
<v Speaker 2>But they didn't really have a vocabulary for PTSD. Then

0:30:04.080 --> 0:30:06.160
<v Speaker 2>nobody even really knew what that was. They called it

0:30:06.240 --> 0:30:08.959
<v Speaker 2>shell shock, you know, And so he came back and

0:30:09.080 --> 0:30:12.880
<v Speaker 2>just white knuckled it for decades. And so growing up

0:30:12.960 --> 0:30:15.680
<v Speaker 2>I just there was a real emotional distance with my

0:30:15.720 --> 0:30:18.560
<v Speaker 2>father and I never saw him cry. He never spoke

0:30:18.560 --> 0:30:21.760
<v Speaker 2>about his emotions. Really, it was always closed off. And

0:30:21.840 --> 0:30:24.640
<v Speaker 2>so I that sort of led to me growing up

0:30:24.680 --> 0:30:27.080
<v Speaker 2>that way, and I, as I said earlier, I was

0:30:27.120 --> 0:30:31.160
<v Speaker 2>just very emotionally shut off, tamped everything down until it

0:30:31.160 --> 0:30:34.480
<v Speaker 2>would explode sometimes in sort of like bouts of rage.

0:30:34.520 --> 0:30:36.400
<v Speaker 2>And that to me has been the sort of like

0:30:36.480 --> 0:30:40.480
<v Speaker 2>biggest unburdening of my life is when I learned to

0:30:40.520 --> 0:30:42.400
<v Speaker 2>be open and honest with people and just sort of

0:30:42.400 --> 0:30:44.480
<v Speaker 2>tell people how I was actually feeling. Like the hardest

0:30:44.520 --> 0:30:46.440
<v Speaker 2>thing in the world for me, a thing that I

0:30:46.440 --> 0:30:50.600
<v Speaker 2>could have never said ever, even five years ago, was

0:30:50.680 --> 0:30:53.240
<v Speaker 2>you hurt my feelings, Like saying to somebody like you

0:30:53.320 --> 0:30:56.000
<v Speaker 2>hurt saying something as simple as like that hurt my feelings,

0:30:56.800 --> 0:30:59.240
<v Speaker 2>because I would have been like, a man doesn't say that.

0:31:00.240 --> 0:31:03.920
<v Speaker 2>Man says you hurt my feelings, because that's expressing some

0:31:04.040 --> 0:31:05.160
<v Speaker 2>sense of vulnerability.

0:31:05.400 --> 0:31:08.480
<v Speaker 1>Just being able to do it differently, whether it's recognizing

0:31:08.560 --> 0:31:11.680
<v Speaker 1>that the voice in your head is your father's voice

0:31:11.760 --> 0:31:14.920
<v Speaker 1>and allowing that to peter out, or being able to

0:31:14.920 --> 0:31:17.840
<v Speaker 1>say to someone that hurt my feelings. Do you feel

0:31:18.280 --> 0:31:21.080
<v Speaker 1>triumphants the wrong word? But do you feel that you

0:31:21.160 --> 0:31:22.600
<v Speaker 1>have carved a different pathway?

0:31:23.120 --> 0:31:25.840
<v Speaker 2>Yeah? Oh yeah. And again I'm really happy that I

0:31:25.880 --> 0:31:27.800
<v Speaker 2>did it when I did, because I think that it

0:31:27.800 --> 0:31:29.680
<v Speaker 2>could have gone very poorly. It could have gone the

0:31:29.680 --> 0:31:31.520
<v Speaker 2>other way if I didn't learn that. Like I said,

0:31:31.560 --> 0:31:33.800
<v Speaker 2>I really do think that I was going to explode

0:31:33.800 --> 0:31:38.719
<v Speaker 2>my life in some way. Yeah. I feel of every

0:31:39.080 --> 0:31:43.760
<v Speaker 2>professional accomplishment I've had in the past six years, nothing

0:31:44.040 --> 0:31:50.160
<v Speaker 2>is more valuable to me than the emotional strides that

0:31:50.200 --> 0:31:54.600
<v Speaker 2>I've made. It's the biggest growth and most important growth

0:31:54.640 --> 0:31:56.640
<v Speaker 2>I've ever had in my life. And yeah, I would

0:31:56.680 --> 0:31:58.920
<v Speaker 2>say triumphant is the right word. It does feel like

0:32:00.080 --> 0:32:02.600
<v Speaker 2>because you know, people can't get out of their own

0:32:02.640 --> 0:32:04.480
<v Speaker 2>way sometimes. And I will say, the thing that I

0:32:04.520 --> 0:32:08.080
<v Speaker 2>think is one of the most impressive things about my

0:32:08.280 --> 0:32:12.200
<v Speaker 2>father is that, at the age of eighty one, last year,

0:32:12.240 --> 0:32:14.120
<v Speaker 2>I finally got him to start going to therapy.

0:32:14.240 --> 0:32:14.560
<v Speaker 3>Wow.

0:32:15.000 --> 0:32:17.480
<v Speaker 2>And so he now goes to therapy as an eighty

0:32:17.520 --> 0:32:20.680
<v Speaker 2>two year old man and is trying to work through

0:32:20.680 --> 0:32:22.440
<v Speaker 2>the stuff that he didn't work through for the previous

0:32:22.480 --> 0:32:24.520
<v Speaker 2>sixty years of his life. And I think that it's

0:32:24.560 --> 0:32:29.120
<v Speaker 2>so hard. It is so hard to admit that you

0:32:29.240 --> 0:32:31.480
<v Speaker 2>are going through some stuff and that you need some help.

0:32:31.520 --> 0:32:34.640
<v Speaker 2>That is a very very difficult to admit. It's very

0:32:34.640 --> 0:32:38.440
<v Speaker 2>difficult to admit, especially for men. It's especially difficult for

0:32:38.480 --> 0:32:41.440
<v Speaker 2>black men to admit this. And it's especially if difficult

0:32:41.480 --> 0:32:45.440
<v Speaker 2>for a black man born in the nineteen forties to say, like,

0:32:45.520 --> 0:32:48.000
<v Speaker 2>I need some emotional help and I'm not doing well.

0:32:48.080 --> 0:32:51.480
<v Speaker 2>And so I am just so incredibly proud of him,

0:32:51.760 --> 0:32:54.360
<v Speaker 2>and he's told me that it's helping him, and so

0:32:54.600 --> 0:32:56.800
<v Speaker 2>it does feel triumphant. I think that it is. It's

0:32:56.800 --> 0:32:58.920
<v Speaker 2>a triumphant thing for somebody to be able to do that.

0:32:59.400 --> 0:32:59.960
<v Speaker 3>I agree.

0:33:00.200 --> 0:33:03.760
<v Speaker 1>And at eighty two, like my mom had started a

0:33:03.800 --> 0:33:07.200
<v Speaker 1>new business a couple of weeks before she died, Like

0:33:07.680 --> 0:33:12.000
<v Speaker 1>I think the idea of time running out, there's always time.

0:33:12.200 --> 0:33:15.920
<v Speaker 1>There's always time, absolutely till that very last moment.

0:33:28.600 --> 0:33:30.120
<v Speaker 3>Okay, what would be your last meal?

0:33:32.160 --> 0:33:40.200
<v Speaker 2>Martini? Two glasses, that should be a Caesar salad, and

0:33:40.240 --> 0:33:41.200
<v Speaker 2>a seafood tower.

0:33:41.760 --> 0:33:46.720
<v Speaker 1>Now do you like the grandiosity of the Seafood Tower

0:33:47.040 --> 0:33:49.320
<v Speaker 1>as much as the seafood because.

0:33:49.640 --> 0:33:53.920
<v Speaker 2>I do, yes. I think that more more is more.

0:33:54.080 --> 0:33:57.080
<v Speaker 2>I think there should be more spectacle in our food,

0:33:57.200 --> 0:34:01.040
<v Speaker 2>in our di I like a table side caesar where

0:34:01.040 --> 0:34:03.200
<v Speaker 2>they make the dressing in front of you with the

0:34:03.320 --> 0:34:06.040
<v Speaker 2>egg and the thing. I like when they flombay things

0:34:06.080 --> 0:34:08.319
<v Speaker 2>next to the table and they fire like. I like that.

0:34:08.400 --> 0:34:10.760
<v Speaker 1>I like it when they roll trolleys and it clackety

0:34:10.800 --> 0:34:14.320
<v Speaker 1>can't the restaurant and there's gonna be a show exactly.

0:34:14.360 --> 0:34:17.040
<v Speaker 2>That is my favorite thing. And so I like the

0:34:17.080 --> 0:34:19.799
<v Speaker 2>grandiosity of the Seafood Tower while also just sort of

0:34:19.840 --> 0:34:22.879
<v Speaker 2>like really loving seafood. There's like a decadence to it.

0:34:22.880 --> 0:34:27.239
<v Speaker 2>It's both elegant but also you're tearing tails off with

0:34:27.280 --> 0:34:29.720
<v Speaker 2>your bare hands and stuff, so it gets kind of messy,

0:34:29.760 --> 0:34:32.360
<v Speaker 2>and like it's just it's a good meal to share.

0:34:32.560 --> 0:34:34.560
<v Speaker 2>I think that every meal it's really fun to be

0:34:34.640 --> 0:34:36.760
<v Speaker 2>there with a group of people and be sharing that.

0:34:36.760 --> 0:34:38.160
<v Speaker 2>That's my go to God.

0:34:38.239 --> 0:34:39.280
<v Speaker 3>That's so good.

0:34:39.600 --> 0:34:43.000
<v Speaker 1>And I'm going to tell you here in London they're

0:34:43.000 --> 0:34:45.839
<v Speaker 1>not afraid of a spectacle. Eye witnessed the Seafood Tower

0:34:45.880 --> 0:34:49.000
<v Speaker 1>the other day, complete with dripping seaweed and like it was.

0:34:49.040 --> 0:34:53.320
<v Speaker 1>It was immense, and there was a tear that had

0:34:53.480 --> 0:34:57.560
<v Speaker 1>two live crabs on it and they had rubber bands

0:34:57.600 --> 0:34:58.040
<v Speaker 1>on that.

0:34:58.200 --> 0:35:00.839
<v Speaker 3>It just was awful. It was like the circus at.

0:35:01.000 --> 0:35:03.680
<v Speaker 1>The table, and I wanted to free the crabs and

0:35:03.840 --> 0:35:06.800
<v Speaker 1>I wanted to grab them, get them down the toilet

0:35:06.920 --> 0:35:10.920
<v Speaker 1>out into the world. And this now felt like I

0:35:11.040 --> 0:35:13.640
<v Speaker 1>was back in Dekenzie in London with this guy. He

0:35:13.719 --> 0:35:16.400
<v Speaker 1>got out a cigar and he took the rubber band

0:35:16.560 --> 0:35:19.400
<v Speaker 1>off the crab claw, and I think he wanted His

0:35:19.520 --> 0:35:22.120
<v Speaker 1>idea was that the crab was going to cut the

0:35:22.200 --> 0:35:25.120
<v Speaker 1>cigar for him, but the crab just took the cigar.

0:35:25.840 --> 0:35:28.120
<v Speaker 1>And so now you've got a crab with a cigar,

0:35:28.560 --> 0:35:30.960
<v Speaker 1>and now the guy's trying to light the cigar in

0:35:31.040 --> 0:35:33.520
<v Speaker 1>the restaurant with all the people and like the weight.

0:35:33.800 --> 0:35:36.560
<v Speaker 1>Now people are looking, oh no, this is going very bad.

0:35:36.640 --> 0:35:37.560
<v Speaker 3>What's going to happen?

0:35:38.280 --> 0:35:40.960
<v Speaker 1>And it was so funny because the waiters and the

0:35:40.960 --> 0:35:42.640
<v Speaker 1>staff who'd been all with the pomp and the s

0:35:42.640 --> 0:35:44.239
<v Speaker 1>arema and the whole thing, they literally had to come

0:35:44.280 --> 0:35:46.960
<v Speaker 1>and kind of confiscate everything off this guy, like no

0:35:47.080 --> 0:35:49.359
<v Speaker 1>cigar get rid of the light up, put the rubber band,

0:35:49.400 --> 0:35:51.080
<v Speaker 1>no crabs for you, goodbye?

0:35:51.640 --> 0:35:52.680
<v Speaker 3>They shut it down.

0:35:52.920 --> 0:35:53.480
<v Speaker 2>I love it.

0:35:53.480 --> 0:35:56.440
<v Speaker 3>It was for about thirty seconds. It was absolutely mayhem.

0:35:56.840 --> 0:35:58.680
<v Speaker 2>That may have been my father. Actually I should check

0:35:58.680 --> 0:36:03.600
<v Speaker 2>and see if he's dad.

0:36:03.600 --> 0:36:04.360
<v Speaker 3>Were you in London?

0:36:06.200 --> 0:36:07.759
<v Speaker 2>Oh my god, I could see him doing that.

0:36:13.000 --> 0:36:13.760
<v Speaker 3>In your life.

0:36:13.840 --> 0:36:17.200
<v Speaker 1>Can you tell me something that has grown out of

0:36:17.239 --> 0:36:18.440
<v Speaker 1>a personal disaster?

0:36:19.000 --> 0:36:24.719
<v Speaker 2>Yes, So in my film. There's a scene in the

0:36:24.719 --> 0:36:28.600
<v Speaker 2>film in American Fiction where two brothers are speaking and

0:36:29.080 --> 0:36:31.279
<v Speaker 2>one of them tells his older brother, you know, this

0:36:31.320 --> 0:36:33.120
<v Speaker 2>brother has just come out of the closet is gay.

0:36:33.200 --> 0:36:35.920
<v Speaker 2>He's in his mid forties, he's married with children, and

0:36:36.000 --> 0:36:38.200
<v Speaker 2>he's finally decided to come out as a gay man.

0:36:38.280 --> 0:36:41.759
<v Speaker 2>And so he's really exploring his new life. And their

0:36:41.800 --> 0:36:44.600
<v Speaker 2>father has died about seven years prior, and so he

0:36:44.640 --> 0:36:46.759
<v Speaker 2>says to his brother, I've been thinking of a lot

0:36:46.800 --> 0:36:49.719
<v Speaker 2>about how dad died not knowing that I'm gay, and

0:36:49.800 --> 0:36:51.719
<v Speaker 2>it makes me really sad that he never knew the

0:36:51.760 --> 0:36:54.560
<v Speaker 2>sort of fullness of me. And his brother says, well,

0:36:54.600 --> 0:36:56.400
<v Speaker 2>what if he had known and rejected you for it?

0:36:56.440 --> 0:36:58.120
<v Speaker 2>And he says, well, I wouldn't have cared, because he

0:36:58.120 --> 0:37:02.279
<v Speaker 2>would at least know me. And that's what's important and

0:37:03.040 --> 0:37:05.960
<v Speaker 2>that I put in there, because that is a speech

0:37:06.000 --> 0:37:08.439
<v Speaker 2>that I wish I would have given myself about my mother.

0:37:09.040 --> 0:37:13.720
<v Speaker 2>And I'm not gay, but my mother died not knowing

0:37:14.120 --> 0:37:16.399
<v Speaker 2>the fullness of me. There was stuff that I kept

0:37:16.400 --> 0:37:18.880
<v Speaker 2>from her. I have tattoos, and my mother didn't know

0:37:18.880 --> 0:37:20.960
<v Speaker 2>that I had tattoos until about three or four months

0:37:21.000 --> 0:37:23.880
<v Speaker 2>before she died, because I was so nervous because I

0:37:23.920 --> 0:37:26.640
<v Speaker 2>knew that she would disapprove and she didn't love tattoos,

0:37:26.960 --> 0:37:29.319
<v Speaker 2>and so I was so nervous about showing her that

0:37:29.320 --> 0:37:34.040
<v Speaker 2>I had tattoos. And I finally showed her, and you know,

0:37:34.400 --> 0:37:38.120
<v Speaker 2>she didn't care. Of course she didn't care. She's unconditional love.

0:37:38.160 --> 0:37:41.200
<v Speaker 2>Because my mother was disowned by her family for marrying

0:37:41.200 --> 0:37:44.839
<v Speaker 2>my father because he's black, and so I never met

0:37:44.880 --> 0:37:47.319
<v Speaker 2>my grandparents. My mother didn't speak to her father until

0:37:47.320 --> 0:37:49.359
<v Speaker 2>he was on his deathbed, and she said to me once,

0:37:49.360 --> 0:37:51.319
<v Speaker 2>she said, I've tried to think of something that you

0:37:51.360 --> 0:37:53.759
<v Speaker 2>could do that would make me not want to talk

0:37:53.800 --> 0:37:56.440
<v Speaker 2>to you anymore. She said, I've thought of you murdering people,

0:37:56.719 --> 0:37:59.799
<v Speaker 2>and like the idea of like you doing even the

0:37:59.800 --> 0:38:02.759
<v Speaker 2>world things in the world. There was still no way

0:38:02.800 --> 0:38:04.879
<v Speaker 2>that I could ever stop talking to you or stop

0:38:04.960 --> 0:38:07.439
<v Speaker 2>loving you, she said, even in that, and she said,

0:38:07.520 --> 0:38:10.560
<v Speaker 2>especially not for marrying somebody with a different skin color

0:38:10.600 --> 0:38:14.239
<v Speaker 2>than you. But that didn't penetrate. And I still hit

0:38:14.320 --> 0:38:16.279
<v Speaker 2>a lot of myself from my mom, because I hit

0:38:16.320 --> 0:38:18.080
<v Speaker 2>a lot of things from everybody. As I said, I

0:38:18.120 --> 0:38:20.239
<v Speaker 2>was a stoic and I didn't talk about my emotions

0:38:20.239 --> 0:38:23.320
<v Speaker 2>and I sort of like never actually grappled with my feelings,

0:38:23.360 --> 0:38:27.480
<v Speaker 2>and so that to me, you know, it took me

0:38:27.520 --> 0:38:30.120
<v Speaker 2>a while. She died in twenty sixteen. I started really

0:38:30.120 --> 0:38:32.799
<v Speaker 2>taking care of my mental health in twenty eighteen, and

0:38:33.800 --> 0:38:37.360
<v Speaker 2>one of the things that I thought about was the

0:38:37.440 --> 0:38:40.000
<v Speaker 2>fact that I was encountering all these new emotions and

0:38:40.040 --> 0:38:42.840
<v Speaker 2>I was learning all this stuff about myself and learning

0:38:42.880 --> 0:38:44.560
<v Speaker 2>why I did the things that I did, like what

0:38:44.680 --> 0:38:48.400
<v Speaker 2>made me feel the way that I felt. And it

0:38:48.520 --> 0:38:50.719
<v Speaker 2>was like wonderful because I was like, oh my God,

0:38:50.840 --> 0:38:52.799
<v Speaker 2>like I said, it's like a renaissance. Like I'm like,

0:38:52.880 --> 0:38:54.879
<v Speaker 2>my mind is open to all these new things about

0:38:54.880 --> 0:38:57.879
<v Speaker 2>myself that I'd never considered before. My relationship with my father,

0:38:57.960 --> 0:39:00.560
<v Speaker 2>my relationship with my siblings, like all of this stuff

0:39:00.640 --> 0:39:02.080
<v Speaker 2>was sort of all of a sudden, It felt like

0:39:02.120 --> 0:39:04.440
<v Speaker 2>I was firing on all cylinders and learning all this

0:39:04.480 --> 0:39:09.760
<v Speaker 2>stuff about myself, and it was exciting. But then I

0:39:09.840 --> 0:39:15.759
<v Speaker 2>remember being overwhelmed at this moment in time where I realized, like,

0:39:15.840 --> 0:39:18.160
<v Speaker 2>but my mom's never going to know this version of me.

0:39:19.400 --> 0:39:23.200
<v Speaker 2>She's only going to know the guy that was like

0:39:23.680 --> 0:39:28.239
<v Speaker 2>emotionally closed off and withholding, and she's never going to

0:39:28.360 --> 0:39:31.480
<v Speaker 2>know me at my fullest. And that made me so sad.

0:39:32.080 --> 0:39:34.200
<v Speaker 2>It made me so sad that I hadn't done the

0:39:34.280 --> 0:39:37.920
<v Speaker 2>work early enough to let her see me at my best,

0:39:37.960 --> 0:39:40.600
<v Speaker 2>to allow her to see me at a time when

0:39:40.640 --> 0:39:43.440
<v Speaker 2>I feel like I've finally become the person that I've

0:39:43.440 --> 0:39:45.320
<v Speaker 2>been trying to be my whole life, you know, and

0:39:45.360 --> 0:39:48.759
<v Speaker 2>it took me forty two years to get here. But

0:39:49.680 --> 0:39:52.360
<v Speaker 2>she's never going to see it, and it makes me sad.

0:39:52.600 --> 0:39:55.319
<v Speaker 1>Yeah, but you know what as a mother, As a mother,

0:39:55.600 --> 0:39:58.840
<v Speaker 1>I can say, without a shadow of debt, the fact

0:39:58.840 --> 0:40:02.280
<v Speaker 1>that you did it at all is all that matters.

0:40:03.440 --> 0:40:06.640
<v Speaker 1>She would not want you burdened with the idea that

0:40:06.680 --> 0:40:09.799
<v Speaker 1>she had to know that you did that. Yeah, she

0:40:09.840 --> 0:40:10.960
<v Speaker 1>would just want you to do it.

0:40:11.440 --> 0:40:13.040
<v Speaker 2>Yeah, that's the best way to look at it. And

0:40:13.080 --> 0:40:15.279
<v Speaker 2>I obviously get very emotional about it, but you know what,

0:40:15.280 --> 0:40:18.759
<v Speaker 2>the thing that you're saying is true because it is like, yeah,

0:40:18.800 --> 0:40:21.360
<v Speaker 2>as I said, I've never felt happier, I've never felt better.

0:40:21.440 --> 0:40:24.239
<v Speaker 2>And it makes sense that you know that she was

0:40:24.280 --> 0:40:26.800
<v Speaker 2>the catalyst for that because it's what she always wanted

0:40:26.800 --> 0:40:29.600
<v Speaker 2>for me. You know. It's like looking back, like I said,

0:40:29.640 --> 0:40:31.719
<v Speaker 2>like she told me when I was nineteen, I think

0:40:31.760 --> 0:40:35.360
<v Speaker 2>you have depression, and eventually I sort of really forced

0:40:35.360 --> 0:40:38.400
<v Speaker 2>myself to deal with that and encounter that. So she

0:40:38.600 --> 0:40:41.200
<v Speaker 2>was the catalyst in many ways, and so it was

0:40:41.360 --> 0:40:43.360
<v Speaker 2>tragedy but it led to triumph.

0:40:44.080 --> 0:40:48.600
<v Speaker 3>Yeah. Yeah, well what a place to wind up.

0:40:48.880 --> 0:40:50.160
<v Speaker 2>I love this. This is great.

0:40:50.400 --> 0:40:54.200
<v Speaker 1>I can't thank you enough for your your candor and

0:40:54.239 --> 0:40:55.359
<v Speaker 1>your kindness.

0:40:55.719 --> 0:40:58.279
<v Speaker 2>It's such an honor, it's such an honestly.

0:40:57.880 --> 0:41:00.800
<v Speaker 1>It's it's so brilliant to hear it, like I always

0:41:00.800 --> 0:41:02.839
<v Speaker 1>feel that, like to feel the shared space with someone

0:41:02.840 --> 0:41:05.319
<v Speaker 1>that you're speaking to, like the overlaps. Like Addison loves

0:41:05.360 --> 0:41:09.160
<v Speaker 1>these ven diagrams. He's always making ven diagrams of our relationship.

0:41:10.000 --> 0:41:11.680
<v Speaker 3>What is him and what is me?

0:41:11.840 --> 0:41:15.200
<v Speaker 1>And what is our overlap, but it's so amazing when

0:41:15.360 --> 0:41:18.719
<v Speaker 1>talking to people like you who trigger thoughts that I

0:41:18.760 --> 0:41:21.160
<v Speaker 1>know I'll be thinking about this for a while. I

0:41:21.200 --> 0:41:24.360
<v Speaker 1>know I'll revisit it and ponder things that you've said,

0:41:24.400 --> 0:41:25.920
<v Speaker 1>and it's so amazing.

0:41:26.000 --> 0:41:27.719
<v Speaker 3>So thank you, so so much.

0:41:28.000 --> 0:41:29.799
<v Speaker 2>It's a true one. It's been a real delight to

0:41:29.840 --> 0:41:31.840
<v Speaker 2>speak with you. You're one of my favorite people that

0:41:31.840 --> 0:41:36.080
<v Speaker 2>I've met in recent years. You're very thoughtful and honest,

0:41:36.320 --> 0:41:38.279
<v Speaker 2>and I could just talk to you all day.

0:41:38.320 --> 0:41:41.040
<v Speaker 3>So thank you, Thank you. Courd.

0:41:43.920 --> 0:41:47.160
<v Speaker 1>Mini Questions is hosted and written by Me Mini Driver,

0:41:48.040 --> 0:41:52.200
<v Speaker 1>Executive produced by Me and Aaron Kaufman, with production support

0:41:52.280 --> 0:41:56.640
<v Speaker 1>from Jennifer Bassett, Zoe Denkler and Ali Perry. The theme

0:41:56.719 --> 0:42:01.440
<v Speaker 1>music is also by Me and additional music by Aaron Kaufman.

0:42:02.080 --> 0:42:07.680
<v Speaker 1>Special banks to Jim Nikolay Addison, O'Day, Henry Driver, Lisa Castello,

0:42:08.000 --> 0:42:11.719
<v Speaker 1>Annik Oppenheim, a, Nique Muller and Annette Wolfe, A W

0:42:11.840 --> 0:42:16.520
<v Speaker 1>K p R. Will Pearson, Nikki Etor, Morgan Levoy and

0:42:16.719 --> 0:42:18.280
<v Speaker 1>Mangesh her Ticke Adore