WEBVTT - Ana Huang: Consultant by Day, Erotic Romance Author by Night

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<v Ana Huang>Welcome back to she Pivots. This is Ana Huang.

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<v Emily Tisch Sussman>Welcome back to She Pivots, the podcast where women share

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<v Emily Tisch Sussman>bold career moves and personal turning points that changed everything.

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<v Emily Tisch Sussman>I'm your host, Emily Tish Sussman. Picture this. It's the

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<v Emily Tisch Sussman>late twenty teens, and somewhere inside a geopolitical consulting firm,

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<v Emily Tisch Sussman>there's a woman in press relations doing very stable work

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<v Emily Tisch Sussman>that you can speak openly to your parents about over

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<v Emily Tisch Sussman>dinner and every morning before that job even starts, she's

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<v Emily Tisch Sussman>up writing romance novels under a name nobody in her

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<v Emily Tisch Sussman>real life knows. That woman is today's guest, Ana Huang.

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<v Emily Tisch Sussman>She's a number one New York Times bestselling author. Her

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<v Emily Tisch Sussman>romance books have sold more than twenty five million copies

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<v Emily Tisch Sussman>and been translated into thirty four languages. Her Twisted series

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<v Emily Tisch Sussman>pulled in over two billion views on book Talk and

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<v Emily Tisch Sussman>now it's headed to Netflix. And she got here through

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<v Emily Tisch Sussman>a childhood writing assignment that was meant to help her

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<v Emily Tisch Sussman>improve her English. And at two am moment in a

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<v Emily Tisch Sussman>tiny New York apartment where she asks herself, is this

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<v Emily Tisch Sussman>what I want? We're going all the way back to

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<v Emily Tisch Sussman>little Ana, growing up a first generation American child to

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<v Emily Tisch Sussman>Chinese immigrants, and we go all the way up to

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<v Emily Tisch Sussman>finding her passion for writing, building a dedicated following in

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<v Emily Tisch Sussman>the romance genre, and her new book King of Gluttney

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<v Emily Tisch Sussman>that was just released this April. This is Ana Huang

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<v Emily Tisch Sussman>and this is how she pivots. What is your name

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<v Emily Tisch Sussman>and what do you do?

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<v Ana Huang>My name is Ana Huang and I am a contemporary romance author.

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<v Emily Tisch Sussman>Incredible, We're going to go all the way back to

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<v Emily Tisch Sussman>little Ana. Tell us about growing up. Tell us about

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<v Emily Tisch Sussman>your family.

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<v Ana Huang>I was born in New York, but I grew up

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<v Ana Huang>In Miami. Chinese immigrant family. And I think I really

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<v Ana Huang>started loving reading and writing when I was small. When

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<v Ana Huang>I was in kindergarten, I had to take English as

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<v Ana Huang>second language classes, which I didn't know because I was

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<v Ana Huang>the only Chinese kid in my class and so I

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<v Ana Huang>was the only one in my ESL class. And I

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<v Ana Huang>was just like, Oh, this guy just like comes every

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<v Ana Huang>week and I get to chat with him in English

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<v Ana Huang>about everything. And I had no idea it was to

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<v Ana Huang>like help me improve my language skills. And my mom

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<v Ana Huang>at the same time she was like, hey, like, why

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<v Ana Huang>don't you write me a different story every day in English?

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<v Ana Huang>And in my mind, I was like, Oh, my mom

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<v Ana Huang>loves my stories. I'm gonna write her story every day.

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<v Ana Huang>And that was sort of how I actually got into

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<v Ana Huang>the whole loving books thing. And she really nourished that.

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<v Ana Huang>She took me to the library every weekend. It was

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<v Ana Huang>so funny because I remember I was eight years old

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<v Ana Huang>and I told her. I was like, oh, Mom, like,

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<v Ana Huang>I think I really want to be an author. And

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<v Ana Huang>she looked at me and she was like, hmmm, I

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<v Ana Huang>don't know. She's like, I love that as a hobby,

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<v Ana Huang>but as a job, I think you need something more

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<v Ana Huang>like financially stable. So for the longest time, I just

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<v Ana Huang>did it for fun. Yeah, it was like my creative outlet.

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<v Emily Tisch Sussman>Just to back up for a second, how did your

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<v Emily Tisch Sussman>family end up in a community where you were the

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<v Emily Tisch Sussman>only Chinese family or just student?

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<v Ana Huang>Yeah, so Miami has a very large Latin community, not

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<v Ana Huang>as many Asians in the school district that I happened

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<v Ana Huang>to be in. I just happened to be one of

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<v Ana Huang>the very few Asian students there, which was fine, you know,

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<v Ana Huang>I learned to adapt, but it also meant that my

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<v Ana Huang>family had to be very conscious about keeping me in

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<v Ana Huang>touch with my culture. At home, they only spoke to

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<v Ana Huang>me in Chinese and they didn't speak to me in English.

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<v Ana Huang>And even now sometimes when I meet their friends, they're like, wow,

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<v Ana Huang>they're like, your daughter speaks Chinese so well, like like

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<v Ana Huang>my like my children also grow up in America and

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<v Ana Huang>they like barely understand it. But that was something that

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<v Ana Huang>was really important to them.

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<v Emily Tisch Sussman>So that was a really conscious choice. Like what were

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<v Emily Tisch Sussman>some of the other ways that your family kept you

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<v Emily Tisch Sussman>grounded in the Chinese heritage.

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<v Ana Huang>I mean, they really kept to their traditions. I do

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<v Ana Huang>think especially as over time went on, they did become

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<v Ana Huang>like a little bit more westernized, you know, they adopted

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<v Ana Huang>a bit more, they kind of melded Asian and Western traditions.

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<v Ana Huang>But for us, it was always you know, like the

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<v Ana Huang>foods that we ate, the traditions that we had every

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<v Ana Huang>Sunday we would go to dim sum at home. We

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<v Ana Huang>practiced a lot of things I think are very important

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<v Ana Huang>in Chinese culture, just like the way that we treat

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<v Ana Huang>our elder sort of like all of the TV shows

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<v Ana Huang>that we watched were all of these dramas that were

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<v Ana Huang>from Hong Kong, you know that they installed specifically so

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<v Ana Huang>that they can watch Hong Kong dramas in the US,

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<v Ana Huang>and so I grew up in that sort of environment,

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<v Ana Huang>and it was really interesting to me because I feel

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<v Ana Huang>like when I talked to a lot of other people

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<v Ana Huang>that also come from different cultural backgrounds, it's almost like

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<v Ana Huang>a switch. Like when I am at school with my friends,

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<v Ana Huang>I feel very American, and I am American because I

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<v Ana Huang>grew up here, But then when I went home, I

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<v Ana Huang>kind of feel like almost a different person, just because

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<v Ana Huang>the way that I interact with them is so different

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<v Ana Huang>than how I would interact with my non Asian friends.

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<v Emily Tisch Sussman>You brought up the idea to your mom that you

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<v Emily Tisch Sussman>might think that you might want to be an author

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<v Emily Tisch Sussman>when you were eight. What were some other things that

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<v Emily Tisch Sussman>you thought you might want to be when you grew.

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<v Ana Huang>Okay, I will tell you this much. I was very

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<v Ana Huang>influenced by the media that I consumed, and so when

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<v Ana Huang>I watched the Double Wars product, I was like, I'm

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<v Ana Huang>going to be a magazine editor, Miranda Priestley, that's going

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<v Ana Huang>to be me. And then it was this like science

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<v Ana Huang>fiction show called mun X. It was sort of like

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<v Ana Huang>a live action X Men almost that I was obsessed

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<v Ana Huang>with when I was in middle school, and I looked

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<v Ana Huang>at it and I was like, I'm going to be

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<v Ana Huang>a geneticist. That was completely not realistic because I'm not

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<v Ana Huang>that great a science, and so I switched back and forth.

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<v Ana Huang>But I have always been really drawn to things in

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<v Ana Huang>the arts and culture, you know, Like I loved interior design.

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<v Ana Huang>I loved fashion, Like the backlog of Vogue and Allure

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<v Ana Huang>magazines that I had starting from when I was like twelve.

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<v Ana Huang>My mom was like, Ana, you got to throw some

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<v Ana Huang>of these away, like you're not reading this old Vogue

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<v Ana Huang>from like two thousand, and I'm like, how do you

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<v Ana Huang>know that? I remember one day. Yeah, I was like,

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<v Ana Huang>maybe one day I need to go back and reference

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<v Ana Huang>this article from like May two thousand. You don't know.

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<v Ana Huang>I ended up in college. Actually I settled on international

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<v Ana Huang>relations instead.

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<v Emily Tisch Sussman>The very clear line from Miranda Priestley to geneticist.

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<v Ana Huang>To a natural pipeline, you know. But no, I decided

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<v Ana Huang>to do international relations because I really loved travel. I

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<v Ana Huang>was probably the only girl in my middle school class

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<v Ana Huang>that insisted my mom subscribe me to Conde Nast Traveler and

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<v Ana Huang>Travel and Leisure. That was pretty precocious, and I loved it.

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<v Ana Huang>I loved reading the story, seeing the world, Like I

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<v Ana Huang>hadn't traveled much at the time, but it was something

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<v Ana Huang>that always just really fascinated me. And so when I

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<v Ana Huang>went to college and was really thinking, like, Okay, what

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<v Ana Huang>is something I can do that has a very solid

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<v Ana Huang>foundation in the sense that my family would be like, Okay,

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<v Ana Huang>this is something that is like more financially stable. Plus

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<v Ana Huang>it's something that I personally would be interested in. And

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<v Ana Huang>I think international relations. Yes, it's travel, but I also

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<v Ana Huang>loved the idea of like connecting with people of different

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<v Ana Huang>cultures and having that through line, and so that was

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<v Ana Huang>what I did for a long time.

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<v Emily Tisch Sussman>Yeah, how much did your parents approval matter to you?

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<v Emily Tisch Sussman>Like did you have to like keep going back and

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<v Emily Tisch Sussman>checking when you took jobs? Like how much did that

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<v Emily Tisch Sussman>still play in? It?

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<v Ana Huang>Did matter for sure? I mean I think every kid

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<v Ana Huang>wants their parents to be proud of them, but especially

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<v Ana Huang>I think in my culture it was a pretty important thing.

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<v Ana Huang>And I think I felt maybe a stillin pressure because

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<v Ana Huang>I was the first person in my family to go

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<v Ana Huang>to college and I felt like, you know, they moved

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<v Ana Huang>to the US, and they sacrificed so much for me

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<v Ana Huang>to have this education and all of the experiences that

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<v Ana Huang>I had, and you know, to send me off to college.

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<v Ana Huang>I don't want to go into a field where if

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<v Ana Huang>they feel like they've wasted like all this time and

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<v Ana Huang>money to send me to something that they're not proud of.

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<v Ana Huang>But for me, I didn't necessarily have to check with

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<v Ana Huang>them on jobs. It was more like, okay, Like in

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<v Ana Huang>my mind, I was already self censoring myself. I already

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<v Ana Huang>knew and then once I decided on something, I just

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<v Ana Huang>had to sell it to them in a way that

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<v Ana Huang>I knew they would be more open to the storyteller.

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<v Emily Tisch Sussman>From the beginning exactly.

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<v Ana Huang>I was like, well, I was like, mom, international relations,

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<v Ana Huang>the federal government job is very stable. And then she's like, okay, okay,

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<v Ana Huang>She's like so one day secretary of State, and I

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<v Ana Huang>was like, sure.

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<v Emily Tisch Sussman>Yeah, we'll keep it in the range of possibilities, not

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<v Emily Tisch Sussman>zero percent. So what were like the actual jobs that

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<v Emily Tisch Sussman>you did in.

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<v Ana Huang>Yeah, well, okay, so it was a lot. So I

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<v Ana Huang>actually I didn't go straight into international relations because after college,

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<v Ana Huang>I wanted to go to grad school first, and so

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<v Ana Huang>I wanted a little bit of a gap year in

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<v Ana Huang>between undergrad and grad school. So I actually spent a

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<v Ana Huang>year teaching second grade in DC, and it was more

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<v Ana Huang>of like a national service thing, like I did a

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<v Ana Huang>lot of education based work, like for volunteer work in college.

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<v Ana Huang>So that was just for a year, and then after

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<v Ana Huang>that I worked for the Singapore Embassy in DC for

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<v Ana Huang>a little bit, sort of in their cultural departments. It

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<v Ana Huang>was a lot of admin stuff I did, like a

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<v Ana Huang>lot of the passports, a lot of the consort of stuff.

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<v Ana Huang>I also helped the Social secretary put on a lot

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<v Ana Huang>of the diplomatic events and all of that, which was

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<v Ana Huang>really fun for me. And then after I was there

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<v Ana Huang>for a little bit, I went to grad school at

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<v Ana Huang>Georgetown where I got my master's in international politics. And

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<v Ana Huang>then after I graduated from there, I moved to New

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<v Ana Huang>York and I actually ended up working in the press

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<v Ana Huang>communications department of a geopolitical consulting company. What I really

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<v Ana Huang>wanted to do. I wanted to be in the Foreign service,

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<v Ana Huang>but I decided to switch to the private sector after

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<v Ana Huang>the twenty sixteen election.

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<v Emily Tisch Sussman>And then you know, Ana's dreamed to become an author

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<v Emily Tisch Sussman>got filed away under someday and she went looking for

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<v Emily Tisch Sussman>something her family can be proud of. She ended up

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<v Emily Tisch Sussman>in international relations, a master's from Georgetown, a consulting firm

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<v Emily Tisch Sussman>in New York. The whole time, though she's still writing,

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<v Emily Tisch Sussman>she just kept it a secret. You were writing the

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<v Emily Tisch Sussman>whole time under a side name and sharing your work

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<v Emily Tisch Sussman>on Whatpad. Yeah, under a username, not  telling your family.

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<v Ana Huang>No, that was oh my god. This was before AO three. Really.

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<v Ana Huang>That was like in the two thousand Swatpad was like

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<v Ana Huang>the place to be and that was teenage me and

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<v Ana Huang>it was such a formative experience for me actually, because

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<v Ana Huang>for the longest time I always told myself, I was like,

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<v Ana Huang>I never want to write for money, Like I know,

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<v Ana Huang>I told my parents I watched me an author. But

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<v Ana Huang>then I was like, I don't know, Like I kind

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<v Ana Huang>of love the act of just writing for myself. It

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<v Ana Huang>was therapy for me. It was a creative outlet, and

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<v Ana Huang>I was afraid that if it became my job that

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<v Ana Huang>I wouldn't love it anymore, and so it became my thing.

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<v Ana Huang>But then I discovered what Pad. I was what like

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<v Ana Huang>sixteen maybe. When I found it, I was like, all

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<v Ana Huang>of these stories are so interesting. I can just write

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<v Ana Huang>whatever I want. And I decided to upload one story

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<v Ana Huang>just to get feedback, and it actually ended up doing

0:10:29.080 --> 0:10:31.520
<v Ana Huang>really well. Like I had some stories go viral on there,

0:10:31.840 --> 0:10:33.440
<v Ana Huang>but for me, it was still for fun, you know,

0:10:33.520 --> 0:10:35.800
<v Ana Huang>like I never thought like, oh, I'm gonna make this

0:10:35.880 --> 0:10:40.120
<v Ana Huang>into her career until much later, much later. But I

0:10:40.120 --> 0:10:42.720
<v Ana Huang>think it was very formative for me because it really

0:10:43.360 --> 0:10:46.559
<v Ana Huang>taught me how to write in a way that I

0:10:46.600 --> 0:10:48.719
<v Ana Huang>think will keep people coming back from more because it's

0:10:48.760 --> 0:10:50.400
<v Ana Huang>kind of more of a serial up, like you upload

0:10:50.440 --> 0:10:52.440
<v Ana Huang>one chapter at a time so they can't be really

0:10:52.480 --> 0:10:56.000
<v Ana Huang>boring or else people get bored, and then they'll also comment,

0:10:56.160 --> 0:10:58.439
<v Ana Huang>and you know, you have that interaction with your readers,

0:10:58.440 --> 0:11:00.840
<v Ana Huang>and I think that really informed the way that I

0:11:00.880 --> 0:11:01.920
<v Ana Huang>interact with my viewers.

0:11:01.960 --> 0:11:04.840
<v Emily Tisch Sussman>Now, okay, so when did you start telling people in

0:11:04.840 --> 0:11:06.360
<v Emily Tisch Sussman>your lives that you were writing.

0:11:06.640 --> 0:11:09.240
<v Ana Huang>You mean as a professional writer or no.

0:11:09.000 --> 0:11:11.280
<v Emily Tisch Sussman>No, even like Wattpad or I was like, when did

0:11:11.320 --> 0:11:13.319
<v Emily Tisch Sussman>you start telling people in your lives but you kept writing?

0:11:13.520 --> 0:11:15.640
<v Ana Huang>Yeah? So in my personal life, I never told them

0:11:15.679 --> 0:11:19.000
<v Ana Huang>about Wattpad that was my little secret like you and my

0:11:19.040 --> 0:11:20.800
<v Ana Huang>parents did it. Now, I just did it for fun,

0:11:20.840 --> 0:11:22.679
<v Ana Huang>like I had online friends, but people in my real

0:11:22.720 --> 0:11:25.600
<v Ana Huang>life did not know. I think maybe I first started

0:11:25.600 --> 0:11:29.120
<v Ana Huang>telling people in grad school because I did end publishing

0:11:29.120 --> 0:11:30.760
<v Ana Huang>and now it's been unpublished, but what are the stories

0:11:30.760 --> 0:11:32.360
<v Ana Huang>I put on whatpat I published it for a very

0:11:32.360 --> 0:11:33.840
<v Ana Huang>short time because I was like, oh, well, I'm in

0:11:33.840 --> 0:11:35.760
<v Ana Huang>grad school, I can't work full time. I need some

0:11:35.840 --> 0:11:37.960
<v Ana Huang>extra income, and so that's what I did. I just

0:11:38.000 --> 0:11:39.200
<v Ana Huang>I was like, well, I write your roote the story,

0:11:39.240 --> 0:11:41.000
<v Ana Huang>so I might as well just publish it. And it

0:11:41.000 --> 0:11:44.040
<v Ana Huang>actually did help me. It did pretty well for something

0:11:44.040 --> 0:11:45.360
<v Ana Huang>that I had no clue what I was doing at

0:11:45.360 --> 0:11:46.880
<v Ana Huang>the time. So I told a couple of people. I

0:11:46.920 --> 0:11:48.920
<v Ana Huang>never told them what the title of the book was

0:11:49.280 --> 0:11:51.240
<v Ana Huang>or what I wrote it under. And like I said,

0:11:51.280 --> 0:11:53.160
<v Ana Huang>it's since been unpublished because I wrote that when I

0:11:53.160 --> 0:11:54.920
<v Ana Huang>was a teenager, and looking back, I'm like, this is

0:11:54.960 --> 0:11:57.080
<v Ana Huang>not like the best work that I could have done.

0:11:57.320 --> 0:11:59.000
<v Emily Tisch Sussman>What does it mean to be published, like when you

0:11:59.000 --> 0:11:59.800
<v Emily Tisch Sussman>say you published it?

0:11:59.840 --> 0:12:02.640
<v Ana Huang>So for that it was just self published that book.

0:12:02.679 --> 0:12:04.000
<v Ana Huang>It was you know, you can go on Amazon, you

0:12:04.040 --> 0:12:05.520
<v Ana Huang>can go on KDP, and you can just like self

0:12:05.559 --> 0:12:07.720
<v Ana Huang>publish a book and then people can find it. So

0:12:07.800 --> 0:12:10.679
<v Ana Huang>that was a very low key event, and then I

0:12:10.760 --> 0:12:13.360
<v Ana Huang>unpublished it years later when I was like, oh, this

0:12:13.440 --> 0:12:18.280
<v Ana Huang>could be better. I didn't actually tell people that I

0:12:18.400 --> 0:12:23.240
<v Ana Huang>was seriously considering writing until after the pandemic. I think

0:12:23.240 --> 0:12:25.880
<v Ana Huang>for the longest time. There was actually a long stretch

0:12:25.960 --> 0:12:28.960
<v Ana Huang>where I couldn't read or write for fun in my twenties,

0:12:29.160 --> 0:12:31.400
<v Ana Huang>just because I had grad school. Like, I was so

0:12:31.520 --> 0:12:33.640
<v Ana Huang>busy with work. I had all of this reading that

0:12:33.679 --> 0:12:37.000
<v Ana Huang>I needed to do for school, and so I dropped

0:12:37.000 --> 0:12:38.679
<v Ana Huang>out of it for a long time. But then when

0:12:38.800 --> 0:12:41.040
<v Ana Huang>the pandemic came, I was a home I had nothing

0:12:41.040 --> 0:12:43.600
<v Ana Huang>else to do, so I was like, Okay, time for

0:12:43.640 --> 0:12:45.440
<v Ana Huang>me to get back into my hobby. And that was

0:12:45.440 --> 0:12:48.840
<v Ana Huang>when I really rediscovered my love for books and for writing.

0:12:49.280 --> 0:12:52.400
<v Ana Huang>I published in twenty twenty my debut adult romance, and

0:12:52.440 --> 0:12:54.600
<v Ana Huang>then my breakout novel came in twenty twenty one, and

0:12:54.640 --> 0:12:57.120
<v Ana Huang>it's kind of been off to the races, I guess.

0:13:00.160 --> 0:13:03.319
<v Emily Tisch Sussman>The opportunity to really get into writing again and let

0:13:03.320 --> 0:13:07.280
<v Emily Tisch Sussman>her taste and style develop. She finally shared her identity

0:13:07.280 --> 0:13:10.439
<v Emily Tisch Sussman>with her family and friends, shattering her double life as

0:13:10.440 --> 0:13:13.280
<v Emily Tisch Sussman>she doubled down on her passion. In a minute, we'll

0:13:13.280 --> 0:13:15.400
<v Emily Tisch Sussman>ask Ana what it was like to go all in

0:13:15.440 --> 0:13:19.200
<v Emily Tisch Sussman>on writing, why she chose the romance genre, telling her

0:13:19.240 --> 0:13:22.200
<v Emily Tisch Sussman>parents she was quitting her job, and why her mom

0:13:22.280 --> 0:13:26.760
<v Emily Tisch Sussman>is explicitly not allowed to read Ana's books be right back.

0:13:40.040 --> 0:13:42.320
<v Emily Tisch Sussman>Once you started writing again, did you go back to

0:13:42.320 --> 0:13:44.160
<v Emily Tisch Sussman>like the same genres you had been writing? Did you

0:13:44.200 --> 0:13:46.600
<v Emily Tisch Sussman>try different genres? Like how did you decide what you

0:13:46.640 --> 0:13:48.359
<v Emily Tisch Sussman>were going to write and public?

0:13:49.040 --> 0:13:51.640
<v Ana Huang>So I have always been a romance lover, even from

0:13:51.679 --> 0:13:53.320
<v Ana Huang>when I was young, maybe a little too young, But

0:13:53.559 --> 0:13:56.080
<v Ana Huang>I think the only difference is that when I was younger,

0:13:56.120 --> 0:13:57.920
<v Ana Huang>I was writing a lot of fly A obviously, because

0:13:57.960 --> 0:13:59.440
<v Ana Huang>I was in the Ya mange, like I was writing

0:13:59.480 --> 0:14:01.559
<v Ana Huang>about people on high school. I was writing about teenagers.

0:14:01.600 --> 0:14:03.760
<v Ana Huang>They were not spicy at all. They were just sort

0:14:03.800 --> 0:14:05.800
<v Ana Huang>of like cute, little high school stories. And by the

0:14:05.800 --> 0:14:07.520
<v Ana Huang>time I got back to writing in the Pandemic, I

0:14:07.559 --> 0:14:11.080
<v Ana Huang>was obviously much older. I was reading kind of more adult,

0:14:11.160 --> 0:14:13.880
<v Ana Huang>mature books, and so that was where you saw the line.

0:14:13.920 --> 0:14:16.319
<v Ana Huang>It's like everything I had written before that was very

0:14:16.440 --> 0:14:18.960
<v Ana Huang>YA and then starting in twenty twenty, it started to

0:14:19.040 --> 0:14:23.280
<v Ana Huang>get gradually more mature in adult and like spicier in

0:14:23.320 --> 0:14:25.640
<v Ana Huang>a way. And that's really the only difference. Like I've

0:14:25.680 --> 0:14:29.960
<v Ana Huang>never really tried writing outside of the romance genre. I

0:14:30.040 --> 0:14:32.440
<v Ana Huang>might in the future, but that's still my first love.

0:14:33.120 --> 0:14:35.080
<v Emily Tisch Sussman>Do you remember when you took up the pen or

0:14:35.120 --> 0:14:38.480
<v Emily Tisch Sussman>the keyboard. Yeah, and you thought, okay, am I rusty?

0:14:38.760 --> 0:14:41.000
<v Ana Huang>Oh yeah, for sure. And honestly sometimes it still happens,

0:14:41.000 --> 0:14:42.480
<v Ana Huang>like every time I start a new book, I'm like,

0:14:42.520 --> 0:14:44.560
<v Ana Huang>have I forgotten how to write a book? Like I

0:14:44.640 --> 0:14:47.000
<v Ana Huang>know I've done this before in my lives. That's so hard.

0:14:47.440 --> 0:14:49.240
<v Ana Huang>I think it actually is a muscle, Like I think

0:14:49.280 --> 0:14:51.360
<v Ana Huang>writing is a muscle, and you can train yourself to

0:14:52.040 --> 0:14:54.400
<v Ana Huang>be better and faster at it. But I remember, like

0:14:54.440 --> 0:14:56.360
<v Ana Huang>in twenty twenty, I was writing and I was sort

0:14:56.360 --> 0:14:59.440
<v Ana Huang>of like, oh my god, like I don't actually know

0:14:59.440 --> 0:15:01.880
<v Ana Huang>where I'm going, but this is fun. And I will

0:15:01.920 --> 0:15:04.920
<v Ana Huang>say that was way back then before I learned like

0:15:04.960 --> 0:15:06.840
<v Ana Huang>all of these courses you can take and podcasts you

0:15:06.840 --> 0:15:08.360
<v Ana Huang>can take, and all of these things that you can

0:15:08.440 --> 0:15:11.160
<v Ana Huang>learn about writing, craft and marketing. So there's something to

0:15:11.200 --> 0:15:13.560
<v Ana Huang>be said about not knowing what you don't know. So

0:15:13.600 --> 0:15:15.000
<v Ana Huang>for me, it was just like, Okay, I'm going to

0:15:15.080 --> 0:15:16.840
<v Ana Huang>sit here and I'm just going to tell the story

0:15:16.880 --> 0:15:18.880
<v Ana Huang>how I feel it needs to be told. And it

0:15:18.920 --> 0:15:21.120
<v Ana Huang>was actually a lot easier back then because there were

0:15:21.200 --> 0:15:23.000
<v Ana Huang>fewer eyes on me, Like there are practically no eyes

0:15:23.040 --> 0:15:25.080
<v Ana Huang>on me, So I had a lot of freedom to

0:15:25.080 --> 0:15:26.880
<v Ana Huang>do what I wanted. Now it's a little different.

0:15:27.280 --> 0:15:28.720
<v Emily Tisch Sussman>You say that you know you were kind of like

0:15:28.760 --> 0:15:31.040
<v Emily Tisch Sussman>pulling from the age of experience that you were, like

0:15:31.080 --> 0:15:33.600
<v Emily Tisch Sussman>from yade to adult. How much were you pulling from

0:15:33.640 --> 0:15:36.160
<v Emily Tisch Sussman>your own experiences then and how much do you now?

0:15:36.760 --> 0:15:40.000
<v Ana Huang>I think definitely my earlier books were much more heavily

0:15:40.040 --> 0:15:43.960
<v Ana Huang>based on my experiences, Like not totally, but my debut

0:15:44.040 --> 0:15:46.080
<v Ana Huang>series it's about a group of friends that meet during

0:15:46.080 --> 0:15:48.600
<v Ana Huang>study of broad in Shanghai, and I studied broad in Shanghai,

0:15:48.840 --> 0:15:51.800
<v Ana Huang>so obviously there's a lot of correlation there, and obviously

0:15:51.800 --> 0:15:54.720
<v Ana Huang>it's been dramatized for fiction, but a lot of it

0:15:54.960 --> 0:15:57.560
<v Ana Huang>was experiences that I had when I was traveling, and

0:15:57.600 --> 0:15:59.760
<v Ana Huang>even now, in a lot of my books, there are

0:16:00.080 --> 0:16:02.920
<v Ana Huang>little bits and pieces of things that I experience in

0:16:02.960 --> 0:16:05.240
<v Ana Huang>real life, or glimpses of people that I know in

0:16:05.240 --> 0:16:07.400
<v Ana Huang>real life that have been changed in some way, but

0:16:07.480 --> 0:16:10.480
<v Ana Huang>they still inform my writing. And I know there's this

0:16:10.600 --> 0:16:12.640
<v Ana Huang>saying that they're like, write what you know, and I

0:16:12.680 --> 0:16:14.400
<v Ana Huang>do write what I know, But at the same time,

0:16:14.400 --> 0:16:16.640
<v Ana Huang>I'm like, you have to expand past that a little bit,

0:16:16.720 --> 0:16:19.640
<v Ana Huang>because if you only write what you know, then that's

0:16:19.800 --> 0:16:22.200
<v Ana Huang>pretty limiting sometimes, I feel.

0:16:22.600 --> 0:16:25.000
<v Emily Tisch Sussman>So, at what point did you say, I'm going to

0:16:25.040 --> 0:16:26.640
<v Emily Tisch Sussman>do it under my own name, which first of all

0:16:26.680 --> 0:16:28.880
<v Emily Tisch Sussman>was different for you. And when am I going to

0:16:29.040 --> 0:16:30.880
<v Emily Tisch Sussman>start identifying myself as an author?

0:16:31.720 --> 0:16:34.440
<v Ana Huang>I think that and a wrong name. I kind of

0:16:34.720 --> 0:16:36.920
<v Ana Huang>just went for it, you know, like I was like, Okay, well,

0:16:36.960 --> 0:16:40.360
<v Ana Huang>obviously I can't publish a quote unquote serious book under

0:16:40.480 --> 0:16:42.720
<v Ana Huang>I don't know, like some screen name that I put

0:16:42.760 --> 0:16:44.520
<v Ana Huang>when I was like a teenager, right, so I had

0:16:44.520 --> 0:16:46.480
<v Ana Huang>to pick something, and that was what I stuck with.

0:16:46.560 --> 0:16:49.040
<v Ana Huang>And then as an author, it actually took me a

0:16:49.040 --> 0:16:51.720
<v Ana Huang>while because it felt really weird to say like, I'm

0:16:51.720 --> 0:16:54.880
<v Ana Huang>an author. Especially when I started. I was doing both

0:16:54.920 --> 0:16:56.840
<v Ana Huang>my day job and writing at the same time, right,

0:16:56.920 --> 0:16:58.920
<v Ana Huang>so it was not my identity. I would be like, oh,

0:16:59.000 --> 0:17:00.760
<v Ana Huang>it's just something I do for fun, and that's how

0:17:00.800 --> 0:17:03.280
<v Ana Huang>I described it for the longest time. And obviously now

0:17:03.320 --> 0:17:05.040
<v Ana Huang>like I do tell people like I'm an author because

0:17:05.080 --> 0:17:06.720
<v Ana Huang>this is what this is what actually what I do.

0:17:06.840 --> 0:17:09.320
<v Ana Huang>But it took a couple of years for my mind

0:17:09.359 --> 0:17:11.399
<v Ana Huang>to really make that shift and being like, oh, like

0:17:11.480 --> 0:17:14.480
<v Ana Huang>I am actually like an author, like this is not

0:17:14.880 --> 0:17:17.119
<v Ana Huang>just a hobby or something that I'm like doing on

0:17:17.160 --> 0:17:19.440
<v Ana Huang>the side or whatever, like this is a real thing.

0:17:20.200 --> 0:17:23.119
<v Emily Tisch Sussman>So where were you in that when your book blew up? Like,

0:17:23.160 --> 0:17:25.600
<v Emily Tisch Sussman>were you still working at your international policy job? Oh?

0:17:25.640 --> 0:17:27.680
<v Ana Huang>Yeah, I was. I was still in my day jobs.

0:17:27.720 --> 0:17:29.520
<v Ana Huang>I would wake up early every morning and maybe have

0:17:29.640 --> 0:17:30.800
<v Ana Huang>like an hour or two in the morning where I

0:17:30.800 --> 0:17:32.600
<v Ana Huang>would write, and then I'd come home and I would write.

0:17:32.640 --> 0:17:35.120
<v Ana Huang>And no one at my job knew really until I quit,

0:17:35.440 --> 0:17:37.399
<v Ana Huang>and they asked, you know, like well, where are you going,

0:17:37.480 --> 0:17:39.879
<v Ana Huang>like what are you doing now? And I was like oh,

0:17:40.160 --> 0:17:43.159
<v Ana Huang>because none of them really read in this genre or

0:17:43.160 --> 0:17:44.800
<v Ana Huang>really understand. I was sort of like, oh, you know,

0:17:44.880 --> 0:17:47.199
<v Ana Huang>like I'm going to be a writer or like, you know,

0:17:47.280 --> 0:17:50.040
<v Ana Huang>I write fiction. I didn't tell them what my name was.

0:17:50.240 --> 0:17:52.280
<v Ana Huang>Some of them were little like, oh, they seemed a

0:17:52.320 --> 0:17:54.840
<v Ana Huang>little concerned. I remember one of them, They're like, are

0:17:54.840 --> 0:17:56.840
<v Ana Huang>you going to be able to pay your rent? And

0:17:56.920 --> 0:17:58.520
<v Ana Huang>I'm like, think, I'll be fine.

0:17:59.040 --> 0:18:01.040
<v Emily Tisch Sussman>, So I'm nervous to hear about your conversation with

0:18:01.080 --> 0:18:02.840
<v Emily Tisch Sussman>your mom. How did you tell your mom?

0:18:02.960 --> 0:18:05.880
<v Ana Huang>Okay? See, I was smart about that because I waited

0:18:06.359 --> 0:18:09.520
<v Ana Huang>a very long time until I achieved like a certain

0:18:09.560 --> 0:18:11.719
<v Ana Huang>level of success and then I went to her and

0:18:11.760 --> 0:18:14.920
<v Ana Huang>I was like, so much. I'm actually quitting my job

0:18:15.160 --> 0:18:17.800
<v Ana Huang>and I'm becoming an author. She was like, are you sure,

0:18:17.840 --> 0:18:20.159
<v Ana Huang>But I was like, I actually make more writing than

0:18:20.200 --> 0:18:22.080
<v Ana Huang>I do at my day job, and I know I

0:18:22.080 --> 0:18:24.600
<v Ana Huang>can make even more than that if I have the

0:18:24.640 --> 0:18:27.439
<v Ana Huang>time to devote fully to this career, you know, And

0:18:27.480 --> 0:18:29.639
<v Ana Huang>it was it was a conversation, you know. I think

0:18:29.800 --> 0:18:31.960
<v Ana Huang>in the beginning she was still you know how mothers are, like,

0:18:32.000 --> 0:18:34.440
<v Ana Huang>no matter how old you are or how much you've done,

0:18:34.520 --> 0:18:36.760
<v Ana Huang>like they'll always be your mom, And so she was

0:18:36.800 --> 0:18:40.040
<v Ana Huang>a little concerned. But I think over time she saw

0:18:40.280 --> 0:18:43.040
<v Ana Huang>the success that I've seen and how much I enjoyed

0:18:43.080 --> 0:18:45.040
<v Ana Huang>the job, and I think I'm I got to the

0:18:45.080 --> 0:18:46.640
<v Ana Huang>point where I was old enough that she was like, Okay,

0:18:46.640 --> 0:18:48.400
<v Ana Huang>I think you actually know what you're doing, Like this

0:18:48.440 --> 0:18:52.359
<v Ana Huang>isn't some young flight of fancy, Like you have a

0:18:52.359 --> 0:18:54.080
<v Ana Huang>good head on your shoulders and I trust you. And

0:18:54.119 --> 0:18:56.520
<v Ana Huang>now she's like thrilled. She's like, yeah, my daughter was

0:18:56.520 --> 0:18:58.600
<v Ana Huang>like didn't author, Yeah.

0:18:58.040 --> 0:18:59.200
<v Emily Tisch Sussman>Do your parents read your books?

0:18:59.200 --> 0:19:02.640
<v Ana Huang>Oh? No, not allowed? Not allowed. Actually at my Twisted Love,

0:19:02.800 --> 0:19:04.840
<v Ana Huang>like the dedication, it was like dedicated to my mom.

0:19:04.840 --> 0:19:06.680
<v Ana Huang>And I was like, mom, please like close this book

0:19:06.760 --> 0:19:08.239
<v Ana Huang>right now, like you're not allowed to read it.

0:19:08.600 --> 0:19:10.760
<v Emily Tisch Sussman>This is as far as you are allowed exactly.

0:19:10.840 --> 0:19:13.480
<v Ana Huang>Oh my god, that would be so uncomfortable. I'm comfortable.

0:19:13.520 --> 0:19:17.080
<v Ana Huang>My books are pretty spicy. Yeah so, but no, but

0:19:17.160 --> 0:19:19.080
<v Ana Huang>she does buy all of them, but she she doesn't

0:19:19.119 --> 0:19:21.120
<v Ana Huang>read them, at least she told me she hasn't read them.

0:19:21.280 --> 0:19:21.399
<v Emily Tisch Sussman>So

0:19:21.920 --> 0:19:25.280
<v Emily Tisch Sussman>exactly, she told you exactly, she's like passing around dollar friends.

0:19:25.280 --> 0:19:26.800
<v Ana Huang>Oh god, no, oh my god.

0:19:26.960 --> 0:19:32.560
<v Emily Tisch Sussman>I love this. Ana did something almost no other author

0:19:32.680 --> 0:19:35.600
<v Emily Tisch Sussman>was doing at the time. She went all in on

0:19:35.640 --> 0:19:41.199
<v Emily Tisch Sussman>a brand new app called TikTok Okay. So you started

0:19:41.200 --> 0:19:44.280
<v Emily Tisch Sussman>to self publish in twenty nineteen, and then you went

0:19:44.359 --> 0:19:47.800
<v Emily Tisch Sussman>all in on TikTok before most people understood book talk

0:19:48.040 --> 0:19:50.879
<v Emily Tisch Sussman>at all. How did you find it? How did it

0:19:50.920 --> 0:19:53.479
<v Emily Tisch Sussman>align for you? Like you really blew up with the genre?

0:19:53.800 --> 0:19:56.439
<v Ana Huang>Yes, I did. So that was sort of where my

0:19:56.520 --> 0:19:59.520
<v Ana Huang>background in marketing and communications really came in. I have

0:19:59.520 --> 0:20:01.760
<v Ana Huang>a lot of sn so while I was doing my

0:20:01.840 --> 0:20:05.359
<v Ana Huang>day job, and this was before lockdown, A was also

0:20:05.400 --> 0:20:09.480
<v Ana Huang>really interested in travel blogging and Instagram and photography. So

0:20:09.880 --> 0:20:12.159
<v Ana Huang>I did that just for fun and as part of that,

0:20:12.359 --> 0:20:14.720
<v Ana Huang>I had to really stay on top of social media,

0:20:14.760 --> 0:20:16.719
<v Ana Huang>like back then, like Instagram was the biggest thing, right

0:20:16.840 --> 0:20:19.359
<v Ana Huang>it was Instagram and Pinterest and blogs, and so I

0:20:19.400 --> 0:20:22.439
<v Ana Huang>was already really enmeshed in that sort of creator world.

0:20:22.920 --> 0:20:26.800
<v Ana Huang>And I remember starting in like twenty nineteen, but really

0:20:26.840 --> 0:20:30.200
<v Ana Huang>like twenty twenty, I started to see more people talking

0:20:30.200 --> 0:20:32.359
<v Ana Huang>about TikTok. I mean, it's nowhere near what it is today,

0:20:32.440 --> 0:20:34.080
<v Ana Huang>but I was part of all of these author groups

0:20:34.080 --> 0:20:37.159
<v Ana Huang>and want authors. She's like, I'm seeing so much traction

0:20:37.320 --> 0:20:39.040
<v Ana Huang>on TikTok. And this was before people even knew what

0:20:39.080 --> 0:20:40.520
<v Ana Huang>it was, but they were like, TikTok, really, what is

0:20:40.520 --> 0:20:41.960
<v Ana Huang>that a new platform? I don't want to learn a

0:20:41.960 --> 0:20:44.320
<v Ana Huang>new platform. And for me, I had a little resistance

0:20:44.320 --> 0:20:46.440
<v Ana Huang>to it too, because I didn't want to be on video.

0:20:46.840 --> 0:20:49.160
<v Ana Huang>At the time, I was still anonymous and that people

0:20:49.160 --> 0:20:51.040
<v Ana Huang>have never seen my face, and I was like, I

0:20:51.040 --> 0:20:52.800
<v Ana Huang>don't want to show my face, Like I don't want

0:20:52.800 --> 0:20:55.359
<v Ana Huang>to be on video. I'm very comfortable with the Instagram

0:20:55.400 --> 0:20:58.399
<v Ana Huang>model of like creative photography, and like I knew that

0:20:58.440 --> 0:21:00.840
<v Ana Huang>world and I liked it, but I was like, you

0:21:00.880 --> 0:21:03.479
<v Ana Huang>know what, like let me create a TikTok account just

0:21:03.520 --> 0:21:05.359
<v Ana Huang>to see right, And so for the longest time I

0:21:05.359 --> 0:21:07.000
<v Ana Huang>created account and I was just sort of watching it.

0:21:07.040 --> 0:21:09.439
<v Ana Huang>I wasn't really doing anything. But then I started to

0:21:09.560 --> 0:21:12.920
<v Ana Huang>slowly like dip my toe into the community. And this

0:21:13.080 --> 0:21:15.120
<v Ana Huang>was way back in the day. I mean twenty twenty.

0:21:15.240 --> 0:21:17.679
<v Ana Huang>I could count the number of Romance Book accounts on

0:21:17.720 --> 0:21:20.720
<v Ana Huang>like one hand. Back then, it was all like ya, fantasy,

0:21:20.920 --> 0:21:22.960
<v Ana Huang>like that was the big thing. But it was a

0:21:23.000 --> 0:21:25.320
<v Ana Huang>really great community. I started to get more and more

0:21:25.359 --> 0:21:28.639
<v Ana Huang>comfortable being on camera. I learned the way that people

0:21:28.760 --> 0:21:31.119
<v Ana Huang>spoke on their sort of what the community rules are,

0:21:31.160 --> 0:21:33.840
<v Ana Huang>and I developed a really good community. And when I

0:21:33.920 --> 0:21:36.719
<v Ana Huang>decided to write Twisted Love, which is my breakout book,

0:21:36.920 --> 0:21:41.080
<v Ana Huang>I remember I first realized that TikTok could really drive

0:21:41.320 --> 0:21:43.480
<v Ana Huang>that marketing and sales is when I put the pre

0:21:43.600 --> 0:21:45.080
<v Ana Huang>order for Twisted Love up and then I made a

0:21:45.080 --> 0:21:47.920
<v Ana Huang>TikTok about it, like a ten second TikTok, and then

0:21:48.000 --> 0:21:50.159
<v Ana Huang>overnight I got like one hundred preorders, which for me

0:21:50.240 --> 0:21:52.320
<v Ana Huang>at the time was like a lot. Like that was

0:21:52.359 --> 0:21:53.720
<v Ana Huang>a lot of pre orders for me, and I was like,

0:21:53.760 --> 0:21:56.080
<v Ana Huang>oh my god. All I did was make a video

0:21:56.200 --> 0:21:58.800
<v Ana Huang>that took me like five minutes to make, and that

0:21:58.960 --> 0:22:01.280
<v Ana Huang>was when I really just to like go all in.

0:22:01.760 --> 0:22:03.840
<v Emily Tisch Sussman>And what did that mean, Like what did marketing through

0:22:03.880 --> 0:22:04.840
<v Emily Tisch Sussman>TikTok look like?

0:22:05.480 --> 0:22:07.919
<v Ana Huang>So I think the thing about marketing through TikTok for

0:22:08.000 --> 0:22:11.520
<v Ana Huang>me is I never wanted to be like, oh, chere's

0:22:11.560 --> 0:22:13.760
<v Ana Huang>my book, you should buy it. You know, like that's

0:22:13.840 --> 0:22:16.479
<v Ana Huang>not what works on the platform. It has to be

0:22:16.480 --> 0:22:18.560
<v Ana Huang>something a little bit more organic. So for me, it

0:22:18.720 --> 0:22:20.919
<v Ana Huang>was a lot of things. It was like behind the scenes,

0:22:20.960 --> 0:22:22.399
<v Ana Huang>like back in the day, I would ask people I

0:22:22.440 --> 0:22:24.960
<v Ana Huang>was trying to choose, like the cover models for my book,

0:22:25.000 --> 0:22:26.960
<v Ana Huang>and then I would make videos. I'd be like, oh, like,

0:22:27.000 --> 0:22:29.040
<v Ana Huang>which cover model do you think would be best for

0:22:29.040 --> 0:22:31.280
<v Ana Huang>the book? I talk about my writing process, I talk

0:22:31.320 --> 0:22:34.040
<v Ana Huang>about things that are not necessarily about my books but

0:22:34.160 --> 0:22:36.840
<v Ana Huang>are relevant to the community. It would be memes, so

0:22:37.240 --> 0:22:39.399
<v Ana Huang>like basically everything book is related. And yes, like I

0:22:39.440 --> 0:22:41.600
<v Ana Huang>did sell for some of them, but not always. It

0:22:41.640 --> 0:22:43.920
<v Ana Huang>was more about just being a part of the community

0:22:43.920 --> 0:22:46.080
<v Ana Huang>and being in conversation with people. So like by the

0:22:46.080 --> 0:22:48.240
<v Ana Huang>time that the book did come out, I had a

0:22:48.280 --> 0:22:50.280
<v Ana Huang>group of people that were there to support me in

0:22:50.320 --> 0:22:52.640
<v Ana Huang>the way that I supported them. And also I did

0:22:52.640 --> 0:22:54.600
<v Ana Huang>send out like a lot of early copies to book

0:22:54.640 --> 0:22:56.800
<v Ana Huang>talkers at the time, which I think was really helpful.

0:22:57.359 --> 0:23:00.440
<v Emily Tisch Sussman>You've described self publishing as running a small business, yes,

0:23:00.680 --> 0:23:02.360
<v Emily Tisch Sussman>that you had a leg of on because of your

0:23:02.359 --> 0:23:06.479
<v Emily Tisch Sussman>marketing experience. So how much did the former career end

0:23:06.560 --> 0:23:09.360
<v Emily Tisch Sussman>up fueling the pivot into being an author? Quite a bit?

0:23:09.480 --> 0:23:12.480
<v Ana Huang>Actually, I think I am a little different from a

0:23:12.520 --> 0:23:15.040
<v Ana Huang>lot of authors and that I really enjoy marketing because

0:23:15.080 --> 0:23:17.600
<v Ana Huang>of my background. But I think, you know, when people

0:23:17.680 --> 0:23:20.280
<v Ana Huang>say I want to be an author, they think, okay,

0:23:20.320 --> 0:23:22.480
<v Ana Huang>like all you have to do is write, And that's

0:23:22.520 --> 0:23:25.320
<v Ana Huang>not true, right, Like, especially when you're a self published author,

0:23:25.359 --> 0:23:27.720
<v Ana Huang>you have to do everything. You have to do the

0:23:27.800 --> 0:23:29.720
<v Ana Huang>back end, the admin, you have to do, the marketing,

0:23:29.760 --> 0:23:31.760
<v Ana Huang>you have to do the publishing, all of that. And

0:23:31.840 --> 0:23:33.679
<v Ana Huang>I think a lot of people don't know that. But

0:23:33.760 --> 0:23:36.399
<v Ana Huang>because of my background, like I have a lot of

0:23:36.440 --> 0:23:39.199
<v Ana Huang>experience in a lot of those fields and I actually

0:23:39.200 --> 0:23:41.520
<v Ana Huang>do enjoy it, And so for me, it was a

0:23:41.640 --> 0:23:43.600
<v Ana Huang>very natural pivot. I was like, I can take all

0:23:43.640 --> 0:23:45.400
<v Ana Huang>of these things that I learned on my old job

0:23:45.440 --> 0:23:48.120
<v Ana Huang>and sort of my old hobbies and just apply them

0:23:48.280 --> 0:23:50.880
<v Ana Huang>to this new field. I had a lot of fun,

0:23:50.960 --> 0:23:51.200
<v Ana Huang>to be.

0:23:51.160 --> 0:23:56.919
<v Emily Tisch Sussman>Honest, Suddenly Ana wasn't writing for a few hundred people,

0:23:57.160 --> 0:24:01.600
<v Emily Tisch Sussman>she was writing for millions. And when big publishers came knocking,

0:24:01.760 --> 0:24:05.040
<v Emily Tisch Sussman>she did something most first time authors would never dare

0:24:05.080 --> 0:24:08.800
<v Emily Tisch Sussman>to do. She said, no, well hear why she turned

0:24:08.840 --> 0:24:26.040
<v Emily Tisch Sussman>them down. Just after the break you did self published?

0:24:26.080 --> 0:24:28.000
<v Emily Tisch Sussman>Can you talk about what that decision was like? And

0:24:28.080 --> 0:24:30.640
<v Emily Tisch Sussman>also what does it literally mean to have self published

0:24:30.640 --> 0:24:31.040
<v Emily Tisch Sussman>a book?

0:24:31.720 --> 0:24:34.760
<v Ana Huang>So basically the main types is self publishing and then

0:24:34.880 --> 0:24:37.320
<v Ana Huang>the traditional publishing that most people know is like you

0:24:37.400 --> 0:24:40.160
<v Ana Huang>sign with the publisher like Simon and Schuster, Penguin, Random House,

0:24:40.200 --> 0:24:43.719
<v Ana Huang>or HarperCollins, and they will handle the entire process right

0:24:43.720 --> 0:24:45.800
<v Ana Huang>like they'll pay you in advance and then they'll take

0:24:45.800 --> 0:24:49.000
<v Ana Huang>care of everything like the production, the bookstore, distribution, all

0:24:49.040 --> 0:24:51.560
<v Ana Huang>of that. Self publishing is literally like you do it

0:24:51.600 --> 0:24:53.440
<v Ana Huang>all on your own. A lot of people how they

0:24:53.440 --> 0:24:56.320
<v Ana Huang>do it. Like I said, Amazon is the biggest marketplace

0:24:56.560 --> 0:24:59.240
<v Ana Huang>for I think indie authors. Obviously there are other platforms,

0:24:59.240 --> 0:25:01.240
<v Ana Huang>but that's really where a lot of the readers are.

0:25:01.600 --> 0:25:03.560
<v Ana Huang>And so when you're done with your book, you can

0:25:03.560 --> 0:25:06.560
<v Ana Huang>literally upload it to Amazon and they'll be live. And

0:25:06.640 --> 0:25:08.520
<v Ana Huang>obviously it's up to you to drive people to the

0:25:08.520 --> 0:25:11.120
<v Ana Huang>page to tell me the book. But self publishing it's

0:25:11.119 --> 0:25:13.440
<v Ana Huang>like you get all of the creative control, you get

0:25:13.560 --> 0:25:17.840
<v Ana Huang>all of the royalties, you know. For me, I actually

0:25:17.880 --> 0:25:21.280
<v Ana Huang>never thought about doing traditional publishing because I really wanted

0:25:21.320 --> 0:25:23.919
<v Ana Huang>creative control. I was like, I don't want people telling

0:25:23.960 --> 0:25:26.719
<v Ana Huang>me what I can and cannot write, Like I want

0:25:26.760 --> 0:25:29.040
<v Ana Huang>to do things the way that I want to do them.

0:25:29.280 --> 0:25:31.359
<v Ana Huang>I looked up all the guides online on how to

0:25:31.400 --> 0:25:33.679
<v Ana Huang>do it. I listened to all the podcasts. I'm a

0:25:33.680 --> 0:25:35.639
<v Ana Huang>big learner, like I love learning things.

0:25:35.920 --> 0:25:36.959
<v Emily Tisch Sussman>I'm sure they came knocking.

0:25:37.440 --> 0:25:41.280
<v Ana Huang>They did, and it's funny because I will say they

0:25:41.400 --> 0:25:45.679
<v Ana Huang>came in. I mean, now it is very common for

0:25:45.800 --> 0:25:48.680
<v Ana Huang>publishers to pick up a previously self published author. It's

0:25:49.000 --> 0:25:51.320
<v Ana Huang>almost become like a model in a way. But back

0:25:51.359 --> 0:25:55.439
<v Ana Huang>then in twenty twenty one, twenty twenty two, almost unheard of,

0:25:55.520 --> 0:25:57.280
<v Ana Huang>Like it was pretty Verbonan. It was sort of like, oh,

0:25:57.280 --> 0:25:59.720
<v Ana Huang>like if yourself published a book, you know, like you can't.

0:25:59.680 --> 0:26:00.800
<v Emily Tisch Sussman>What you're like, real?

0:26:00.880 --> 0:26:03.679
<v Ana Huang>Oh yeah, exactly. But I remember I got an agent,

0:26:03.920 --> 0:26:05.680
<v Ana Huang>and my agent came to me and it was actually

0:26:05.720 --> 0:26:08.000
<v Ana Huang>two separate offers. I had one offer for the UK

0:26:08.560 --> 0:26:11.399
<v Ana Huang>and Commonwealth, and then I had one for North America,

0:26:11.440 --> 0:26:13.920
<v Ana Huang>like US and Canada in the UK one. I was like, okay,

0:26:14.000 --> 0:26:17.159
<v Ana Huang>I would love more international distribution, and that was a

0:26:17.200 --> 0:26:20.040
<v Ana Huang>pretty easy yes. North America, I was like, ugh, I

0:26:20.080 --> 0:26:22.480
<v Ana Huang>don't know. I actually said no when they first offered

0:26:22.480 --> 0:26:24.480
<v Ana Huang>because I was like, I may honestly like I make

0:26:24.520 --> 0:26:26.280
<v Ana Huang>so much now printing my own books. I was like,

0:26:26.320 --> 0:26:28.280
<v Ana Huang>they can never give me an advance that will match

0:26:28.280 --> 0:26:29.879
<v Ana Huang>what I'm making now, And how do I know that

0:26:29.880 --> 0:26:31.439
<v Ana Huang>they're going to buy this book and they're not going

0:26:31.520 --> 0:26:32.879
<v Ana Huang>to do anything with it, so it's just going to

0:26:32.960 --> 0:26:35.240
<v Ana Huang>sit on shelves, right, which was a real concern that

0:26:35.320 --> 0:26:37.400
<v Ana Huang>I had. So I said no. And then they came

0:26:37.440 --> 0:26:40.560
<v Ana Huang>back maybe two months later and they said, okay, if

0:26:40.640 --> 0:26:42.879
<v Ana Huang>you signed with us, Barnes and Noble really wants to

0:26:42.880 --> 0:26:45.600
<v Ana Huang>stop more of your books. But they can't now because

0:26:45.680 --> 0:26:47.760
<v Ana Huang>I'm not traditionally published, so it would be so much

0:26:47.760 --> 0:26:50.920
<v Ana Huang>more expensive for them to buy books for me. They're like,

0:26:50.920 --> 0:26:53.359
<v Ana Huang>if you sign with us, we can guarantee that Barnes

0:26:53.400 --> 0:26:55.560
<v Ana Huang>and Noble will buy X amount of books of your

0:26:55.560 --> 0:26:57.880
<v Ana Huang>books and stop them in the store, right, And that's

0:26:58.000 --> 0:27:01.000
<v Ana Huang>really the one thing that's self publishers don't have as

0:27:01.080 --> 0:27:04.200
<v Ana Huang>much as traditional publishers. Is that bookstore distribution. It's really

0:27:04.200 --> 0:27:06.560
<v Ana Huang>hard to get white bookstore distribution as an indie, and

0:27:06.600 --> 0:27:08.840
<v Ana Huang>so I discussed it with my agent and finally I

0:27:08.880 --> 0:27:11.399
<v Ana Huang>was like, Okay, let's try this, and I ended up

0:27:11.400 --> 0:27:12.160
<v Ana Huang>working really well.

0:27:12.600 --> 0:27:15.440
<v Emily Tisch Sussman>You now have more than twenty five million copies sold, yeah,

0:27:15.480 --> 0:27:19.000
<v Emily Tisch Sussman>Crazy Twisted is headed to Netflix, yes, and you have

0:27:19.040 --> 0:27:22.240
<v Emily Tisch Sussman>a reader base that has a lot of passionate opinions.

0:27:22.480 --> 0:27:22.840
<v Ana Huang>Yeah.

0:27:22.880 --> 0:27:26.760
<v Emily Tisch Sussman>So how has the scale of this change your relationship

0:27:26.800 --> 0:27:27.320
<v Emily Tisch Sussman>to the writing?

0:27:27.680 --> 0:27:32.240
<v Ana Huang>Oh Man, Yeah, it's it's been kind of wild, and honestly,

0:27:32.320 --> 0:27:35.280
<v Ana Huang>it's something that I had to learn how to deal

0:27:35.320 --> 0:27:37.359
<v Ana Huang>with over the years. People always ask me, They're like,

0:27:37.400 --> 0:27:39.280
<v Ana Huang>what's the hardest book that you ever had to write?

0:27:39.400 --> 0:27:41.760
<v Ana Huang>And I was like, the book after my breakout, Twisted

0:27:41.800 --> 0:27:43.600
<v Ana Huang>Love was easy for me because, like I said, at

0:27:43.600 --> 0:27:46.240
<v Ana Huang>the time, no one was like paying attention. So I

0:27:46.280 --> 0:27:48.120
<v Ana Huang>was like, it doesn't really matter, like I can write

0:27:48.119 --> 0:27:50.960
<v Ana Huang>whatever I want. And then it blew up and trying

0:27:51.000 --> 0:27:53.600
<v Ana Huang>to write that second book was so difficult for me

0:27:53.640 --> 0:27:56.800
<v Ana Huang>because now I had all of these voices, you know,

0:27:56.920 --> 0:27:59.159
<v Ana Huang>like people making theories, and then I was like, what

0:27:59.240 --> 0:28:00.960
<v Ana Huang>if they don't like this second book, what if it's

0:28:01.000 --> 0:28:03.080
<v Ana Huang>like a one hit wonder, Like what if it flops?

0:28:03.119 --> 0:28:06.200
<v Ana Huang>I don't know. So I had like so much pressure

0:28:06.480 --> 0:28:09.800
<v Ana Huang>to write that second book. I like couldn't write it

0:28:09.840 --> 0:28:12.399
<v Ana Huang>for like a month. Obviously it's gotten better over time,

0:28:12.440 --> 0:28:15.119
<v Ana Huang>but I also had to learn how to really tune

0:28:15.119 --> 0:28:17.760
<v Ana Huang>out the noise. Like I'm not as online as much

0:28:17.800 --> 0:28:19.760
<v Ana Huang>as I used to be, just because there's like so

0:28:19.800 --> 0:28:22.320
<v Ana Huang>many opinions and I can, like the minute I go online,

0:28:22.400 --> 0:28:23.919
<v Ana Huang>I can be like, I'm just going to scroll for

0:28:24.000 --> 0:28:25.600
<v Ana Huang>ten minutes, and I end up being there on like

0:28:25.640 --> 0:28:28.040
<v Ana Huang>three hours, and it's not great for my writing, I

0:28:28.040 --> 0:28:30.359
<v Ana Huang>can tell you that much. So I had to really

0:28:30.359 --> 0:28:33.600
<v Ana Huang>put in systems to make sure that I'm insulated from

0:28:33.680 --> 0:28:35.640
<v Ana Huang>the noise. And obviously I do want to know how

0:28:35.680 --> 0:28:37.439
<v Ana Huang>my readers are responding to books and kind of what

0:28:37.480 --> 0:28:39.160
<v Ana Huang>they want. But I think at the end of the day,

0:28:39.320 --> 0:28:42.880
<v Ana Huang>as an author, it's my responsibility to kind of write

0:28:42.880 --> 0:28:45.440
<v Ana Huang>the story that I want to write in the way

0:28:45.480 --> 0:28:47.960
<v Ana Huang>that I see it because everyone will have opinions, right, Like,

0:28:48.040 --> 0:28:50.920
<v Ana Huang>you can't please everyone, It's literally impossible. So I just

0:28:50.960 --> 0:28:53.280
<v Ana Huang>have to stay true to myself at my vision.

0:28:53.840 --> 0:28:56.440
<v Emily Tisch Sussman>Yeah, that could apply in many contexts, by the way,

0:28:56.600 --> 0:28:58.120
<v Emily Tisch Sussman>but everyone has an opinion.

0:28:58.120 --> 0:29:00.400
<v Ana Huang>Exactly everyone, and sometimes I have multiple O pity and

0:29:00.440 --> 0:29:01.480
<v Ana Huang>I'm like, that's great.

0:29:01.320 --> 0:29:04.280
<v Emily Tisch Sussman>But you know exactly, but you have to trust yourself exactly.

0:29:04.720 --> 0:29:07.960
<v Emily Tisch Sussman>I know what direction I'm heading exactly. You've talked about

0:29:08.000 --> 0:29:11.120
<v Emily Tisch Sussman>why you love. Romance is a genre, yes, the guaranteed

0:29:11.160 --> 0:29:14.280
<v Emily Tisch Sussman>happy endings, and there's a big cultural movement behind romance

0:29:14.400 --> 0:29:17.440
<v Emily Tisch Sussman>right now. Do you think we're in the next wave,

0:29:18.000 --> 0:29:19.640
<v Emily Tisch Sussman>Like is it a blip or is it like here

0:29:19.680 --> 0:29:20.080
<v Emily Tisch Sussman>to stay?

0:29:20.760 --> 0:29:23.560
<v Ana Huang>I mean, romance has always been a very strong and

0:29:23.600 --> 0:29:26.120
<v Ana Huang>a very high stelling genre. I do think over the

0:29:26.120 --> 0:29:28.480
<v Ana Huang>past few years because of multiple things, right, it could

0:29:28.480 --> 0:29:31.120
<v Ana Huang>be TikTok, it could be the pandemic when everyone just

0:29:31.160 --> 0:29:33.880
<v Ana Huang>wanted sort of like escape and something happier. That has

0:29:33.960 --> 0:29:36.560
<v Ana Huang>really come together to make it boom in a way

0:29:36.600 --> 0:29:39.200
<v Ana Huang>that maybe it hasn't since the early twenty tons when

0:29:39.240 --> 0:29:41.600
<v Ana Huang>fifty Shades of Great came out. I do think that

0:29:42.000 --> 0:29:44.840
<v Ana Huang>it has staying power. I mean, it's lasted for decades

0:29:44.880 --> 0:29:47.520
<v Ana Huang>and for me, there is always room in the market

0:29:47.760 --> 0:29:51.640
<v Ana Huang>for stories about joy that center around woman and their pleasure,

0:29:52.000 --> 0:29:54.680
<v Ana Huang>and it's just something that I really love about the

0:29:54.720 --> 0:29:57.480
<v Ana Huang>genre that I think a lot of other people do too.

0:29:58.280 --> 0:30:01.360
<v Emily Tisch Sussman>You've also been vocal about representation of Asian American characters.

0:30:01.440 --> 0:30:05.400
<v Ana Huang>Yeah. So when I was growing up, I didn't see

0:30:05.480 --> 0:30:07.120
<v Ana Huang>a lot of people in media that looked like me.

0:30:07.240 --> 0:30:10.040
<v Ana Huang>We had like Lucy lu we had you know, I

0:30:10.080 --> 0:30:12.800
<v Ana Huang>loved the Babysitters Club. I loved Claudia from Babysaters Club,

0:30:12.960 --> 0:30:15.600
<v Ana Huang>And at the time, I didn't actually think about it,

0:30:15.600 --> 0:30:18.240
<v Ana Huang>like I didn't question like why she was my favorite.

0:30:18.280 --> 0:30:20.040
<v Ana Huang>I was just like, oh, like, I don't know, She's

0:30:20.080 --> 0:30:22.160
<v Ana Huang>just my favorite. Like I relate, and obviously, like as

0:30:22.200 --> 0:30:24.400
<v Ana Huang>a grown up, I can see hindsight why I would

0:30:24.440 --> 0:30:26.520
<v Ana Huang>relate so much more to them. But I think when

0:30:26.560 --> 0:30:31.080
<v Ana Huang>I started writing, I really wanted to write the stories

0:30:31.240 --> 0:30:33.600
<v Ana Huang>I always wanted to see when I was growing up,

0:30:33.960 --> 0:30:37.360
<v Ana Huang>And it was also important to me that they are

0:30:37.720 --> 0:30:40.960
<v Ana Huang>integrated in a way that felt natural in the sense

0:30:41.000 --> 0:30:44.480
<v Ana Huang>that for example, like me being Chinese American, I don't

0:30:44.480 --> 0:30:46.520
<v Ana Huang>think that's the most interesting thing about me, as I

0:30:46.560 --> 0:30:49.200
<v Ana Huang>hope like for these characters, like, yes, like their culture

0:30:49.280 --> 0:30:53.120
<v Ana Huang>informs the way that they see certain things, in how

0:30:53.160 --> 0:30:56.160
<v Ana Huang>they approached certain relationships, but the story is not about that,

0:30:56.280 --> 0:30:59.520
<v Ana Huang>right like they can have love stories just like anyone else,

0:30:59.560 --> 0:31:01.480
<v Ana Huang>like any one of any culture, and I want to

0:31:01.520 --> 0:31:03.920
<v Ana Huang>make sure that that was really present in the stories

0:31:03.960 --> 0:31:06.680
<v Ana Huang>that I write, that it was still about the romance,

0:31:06.720 --> 0:31:10.400
<v Ana Huang>about the love story, but the cultural elements and influences

0:31:10.400 --> 0:31:12.200
<v Ana Huang>are also relevant.

0:31:12.560 --> 0:31:15.560
<v Emily Tisch Sussman>You're releasing a new book today, Yes, congratulations, Thank you

0:31:15.720 --> 0:31:16.520
<v Emily Tisch Sussman>tell us about it.

0:31:16.600 --> 0:31:19.600
<v Ana Huang>Thank you. So. King of Glutney is the sixth book

0:31:19.640 --> 0:31:21.880
<v Ana Huang>in my Kings of Sin series, and the Kings of

0:31:21.920 --> 0:31:24.640
<v Ana Huang>Sin series is contemporary romances based on the Seven Deadly Sins.

0:31:24.920 --> 0:31:28.640
<v Ana Huang>This one is my first ever childhood rivals to lovers romance.

0:31:28.720 --> 0:31:31.880
<v Ana Huang>So Maya and Sebastian, their families are best friends, but

0:31:32.000 --> 0:31:35.000
<v Ana Huang>they themselves have been competing over basically everything since they

0:31:35.040 --> 0:31:38.240
<v Ana Huang>were kids, like Gray's jobs, accomplishments, and then in this book,

0:31:38.280 --> 0:31:40.760
<v Ana Huang>they are forced to work together on this like huge

0:31:40.800 --> 0:31:43.640
<v Ana Huang>project which they're not very happy about. A lot of

0:31:43.640 --> 0:31:46.840
<v Ana Huang>feelings arise, both old and new. There's a tiny little

0:31:46.840 --> 0:31:50.560
<v Ana Huang>bit suspense subplot as well to keep things interesting. Yes,

0:31:50.720 --> 0:31:52.800
<v Ana Huang>I really love them. I think for people that love

0:31:52.800 --> 0:31:55.480
<v Ana Huang>a yearning hero, this one is for them. And I

0:31:55.520 --> 0:31:57.360
<v Ana Huang>was a little nervous going into it because Gluttey is

0:31:57.360 --> 0:31:59.320
<v Ana Huang>a hard stin to make appealing.

0:32:00.000 --> 0:32:04.440
<v Emily Tisch Sussman>I'm super sexy. I hope I succeeded. How has the

0:32:04.480 --> 0:32:06.520
<v Emily Tisch Sussman>release of the book today been different for you than

0:32:06.600 --> 0:32:07.400
<v Emily Tisch Sussman>last books?

0:32:07.920 --> 0:32:10.600
<v Ana Huang>I mean, release days are always sort of a whirlwind

0:32:10.720 --> 0:32:14.920
<v Ana Huang>for me, and I think it's just been really incredible

0:32:15.040 --> 0:32:18.520
<v Ana Huang>to see the response to this book. Readers feel like

0:32:18.640 --> 0:32:20.840
<v Ana Huang>they really connected to this one and sort of to

0:32:20.920 --> 0:32:24.880
<v Ana Huang>their romance, and so it's just been really joyful all around.

0:32:25.640 --> 0:32:28.200
<v Emily Tisch Sussman>What do you technically do on release days?

0:32:28.520 --> 0:32:31.640
<v Ana Huang>I should be better about celebrating things. I'm not. But

0:32:31.880 --> 0:32:35.200
<v Ana Huang>usually I love a good spa day, so I actually

0:32:35.800 --> 0:32:38.840
<v Ana Huang>have a spa day after this, and usually I just

0:32:38.880 --> 0:32:41.160
<v Ana Huang>treat myself to like a nice meal, like you know,

0:32:41.240 --> 0:32:43.680
<v Ana Huang>a nice massage, and I try to take it easy.

0:32:43.880 --> 0:32:47.280
<v Ana Huang>I try to stay off my phone. Obviously, I have

0:32:47.360 --> 0:32:50.040
<v Ana Huang>to like respond to text and stuff, but I try

0:32:50.080 --> 0:32:51.400
<v Ana Huang>to be out in the city so that I'm not

0:32:51.440 --> 0:32:54.240
<v Ana Huang>just sitting at my desk like refreshing everything. Yeah.

0:32:54.240 --> 0:32:55.520
<v Emily Tisch Sussman>Are they sound like do they like that? No?

0:32:55.680 --> 0:32:57.920
<v Ana Huang>Exactly, I'm like, Okay, how's it going? Are there any

0:32:57.920 --> 0:32:59.560
<v Ana Huang>tech issues? I just have to be doing stuff so

0:32:59.560 --> 0:33:01.080
<v Ana Huang>I'm not over thinking everything that.

0:33:01.440 --> 0:33:04.520
<v Emily Tisch Sussman>Totally makes sense. Is there something that at the time

0:33:04.600 --> 0:33:06.440
<v Emily Tisch Sussman>could be something we've talked about, could be something different

0:33:06.560 --> 0:33:08.560
<v Emily Tisch Sussman>that at the time you saw as a real low

0:33:08.600 --> 0:33:11.360
<v Emily Tisch Sussman>point for you, and now, in hindsight, you see it

0:33:11.400 --> 0:33:13.480
<v Emily Tisch Sussman>as having really launched you to the success you are today.

0:33:14.120 --> 0:33:17.600
<v Ana Huang>I would say when I first moved to New York,

0:33:17.680 --> 0:33:20.640
<v Ana Huang>those first couple of years, not that I was necessarily unhappy,

0:33:20.720 --> 0:33:22.440
<v Ana Huang>but I was in my late twenties and I was

0:33:22.480 --> 0:33:24.000
<v Ana Huang>doing the job and it was fine, but I was

0:33:24.000 --> 0:33:26.479
<v Ana Huang>sort of like, I don't know, like it felt like

0:33:26.680 --> 0:33:30.440
<v Ana Huang>the success that I had always wanted or like that

0:33:30.520 --> 0:33:32.840
<v Ana Huang>sort of like big success, right that like my mom

0:33:32.880 --> 0:33:34.920
<v Ana Huang>would always talk about whatever, Like it just felt so

0:33:35.040 --> 0:33:37.320
<v Ana Huang>far away from me at that point, and like New

0:33:37.360 --> 0:33:39.200
<v Ana Huang>York is so expensive, and I was living in this

0:33:39.280 --> 0:33:42.080
<v Ana Huang>tiny apartment with two roommates and whatever, and I was like,

0:33:42.080 --> 0:33:43.479
<v Ana Huang>oh my god. I was like, is this like all

0:33:43.480 --> 0:33:45.560
<v Ana Huang>there is to life? Think, you know what I mean.

0:33:45.640 --> 0:33:48.120
<v Ana Huang>So I would like sometimes spiral out a little bit

0:33:48.120 --> 0:33:50.400
<v Ana Huang>where I'm like, where am I in the right job?

0:33:50.560 --> 0:33:55.240
<v Ana Huang>Like what is it about this that I'm actually excited about? Right?

0:33:55.280 --> 0:33:57.600
<v Ana Huang>So I had a lot of those like existential crises,

0:33:57.720 --> 0:33:59.720
<v Ana Huang>which I think really led me to where I am today.

0:33:59.760 --> 0:34:03.080
<v Ana Huang>Because now I'm like, yeah, like, obviously this is not

0:34:03.200 --> 0:34:05.480
<v Ana Huang>always an easy job, but it is something that I

0:34:05.520 --> 0:34:08.840
<v Ana Huang>am really excited and happy about. And I always ask myself,

0:34:08.840 --> 0:34:11.480
<v Ana Huang>I'm like, even if I you know, I don't have

0:34:11.560 --> 0:34:13.680
<v Ana Huang>any of this, you know, the New York Times bestseller

0:34:13.760 --> 0:34:15.680
<v Ana Huang>all of this, I'm like, what I still want to write?

0:34:15.719 --> 0:34:17.040
<v Ana Huang>And the answer is still yes.

0:34:17.600 --> 0:34:21.360
<v Emily Tisch Sussman>Were you able to find any versions of happiness that

0:34:21.600 --> 0:34:23.319
<v Emily Tisch Sussman>in the old job, like in the old version of.

0:34:23.239 --> 0:34:26.240
<v Ana Huang>Your No, I mean it was. It wasn't awful or anything.

0:34:26.280 --> 0:34:28.560
<v Ana Huang>I mean, I loved my team. I think I had.

0:34:28.800 --> 0:34:31.040
<v Ana Huang>I probably had a better social life back then, because

0:34:31.120 --> 0:34:32.600
<v Ana Huang>you know, it was like clock in, clock out, and

0:34:32.640 --> 0:34:35.600
<v Ana Huang>then I could do whatever I wanted. And I definitely

0:34:35.640 --> 0:34:37.880
<v Ana Huang>had a fun time living in my late twenties in

0:34:37.880 --> 0:34:39.680
<v Ana Huang>New York. But I think it was you know when

0:34:39.680 --> 0:34:41.720
<v Ana Huang>you lie awake late at night, at like two am,

0:34:41.920 --> 0:34:43.919
<v Ana Huang>and you're just sort of like thinking, and so those

0:34:43.920 --> 0:34:45.560
<v Ana Huang>are like the things I would be thinking about at

0:34:45.560 --> 0:34:47.520
<v Ana Huang>like two in the morning, and I'm like, is this

0:34:47.760 --> 0:34:49.759
<v Ana Huang>really what I see myself doing for the rest of

0:34:49.760 --> 0:34:50.160
<v Ana Huang>my life?

0:34:51.200 --> 0:34:52.839
<v Emily Tisch Sussman>What is your version of success now?

0:34:53.680 --> 0:34:58.840
<v Ana Huang>I think for me success now is actually freedom, Like

0:34:58.960 --> 0:35:02.840
<v Ana Huang>the time freedom the freedom to do the things that

0:35:02.920 --> 0:35:06.960
<v Ana Huang>I want and not so much tied into sort of

0:35:07.400 --> 0:35:10.279
<v Ana Huang>accolades or finances the way that it was I think

0:35:10.280 --> 0:35:11.200
<v Ana Huang>in the early years.

0:35:11.440 --> 0:35:13.600
<v Emily Tisch Sussman>You know, do you have a version of success for

0:35:13.640 --> 0:35:14.920
<v Emily Tisch Sussman>your books and for your stories?

0:35:15.600 --> 0:35:19.040
<v Ana Huang>Yeah, I mean I think for me, I mean, they've

0:35:19.040 --> 0:35:21.720
<v Ana Huang>honestly gone beyond what I ever I thought they would,

0:35:22.040 --> 0:35:24.560
<v Ana Huang>and you know, I obviously would love to see them

0:35:24.600 --> 0:35:27.680
<v Ana Huang>on the big screen and for them to come to life.

0:35:27.840 --> 0:35:29.839
<v Ana Huang>But for me, I think one of the things that

0:35:29.920 --> 0:35:32.239
<v Ana Huang>has always stuck with me most beyond all of like

0:35:32.320 --> 0:35:35.000
<v Ana Huang>the bestseller lists and all of that, is when I

0:35:35.040 --> 0:35:38.080
<v Ana Huang>meet readers and they say your book has helped me

0:35:38.239 --> 0:35:41.040
<v Ana Huang>through like a really hard time in my life, or

0:35:41.440 --> 0:35:44.000
<v Ana Huang>this is you know, sort of like what kept me

0:35:44.080 --> 0:35:47.560
<v Ana Huang>going and brought me joy. And it's really those moments

0:35:47.600 --> 0:35:49.480
<v Ana Huang>that really stuck with me the most.

0:35:49.800 --> 0:35:53.080
<v Emily Tisch Sussman>You know, do you have dream actors to play your characters?

0:35:54.000 --> 0:35:57.359
<v Ana Huang>So I don't. I'm really bad at fancasting, but I

0:35:57.400 --> 0:36:01.000
<v Ana Huang>actually almost want to have new faces away that like

0:36:01.320 --> 0:36:03.600
<v Ana Huang>this will be their breakout role, you know what I mean.

0:36:03.760 --> 0:36:06.719
<v Ana Huang>I think there's so much untopped great talent out there.

0:36:06.880 --> 0:36:09.600
<v Ana Huang>I'm really excited to see can we consider this an

0:36:09.640 --> 0:36:12.800
<v Ana Huang>open call for new talent. Yes, yes, and if anyone

0:36:12.920 --> 0:36:16.960
<v Ana Huang>has any recommendations or fancast I am also open tearing them.

0:36:17.400 --> 0:36:19.880
<v Emily Tisch Sussman>Love that. Yes, let's get it. Let's get some RECs

0:36:19.880 --> 0:36:23.560
<v Emily Tisch Sussman>going exactly. Let's introduce someone to the world. Yes, yes,

0:36:23.800 --> 0:36:24.839
<v Emily Tisch Sussman>give them new opportunities.

0:36:24.840 --> 0:36:25.760
<v Ana Huang>I love it amazing.

0:36:25.920 --> 0:36:28.160
<v Emily Tisch Sussman>Ye, any platform we can create that can give people

0:36:28.239 --> 0:36:33.000
<v Emily Tisch Sussman>new opportunities, particularly women, All in for truly all in? Well,

0:36:33.120 --> 0:36:35.000
<v Emily Tisch Sussman>do you think you'll pivot again? Is this the thing

0:36:35.000 --> 0:36:36.680
<v Emily Tisch Sussman>you'll be doing for the rest of your life? You know?

0:36:36.840 --> 0:36:40.480
<v Ana Huang>I mean for now? I don't see myself doing anything else.

0:36:40.719 --> 0:36:42.719
<v Ana Huang>Asking me again in ten years, I don't know. But

0:36:42.920 --> 0:36:45.200
<v Ana Huang>I do really love it. I mean, I've loved books,

0:36:45.239 --> 0:36:47.160
<v Ana Huang>and I've loved reading and writing since I was a kid.

0:36:47.200 --> 0:36:49.840
<v Ana Huang>So I think, no matter what happens, It'll always be

0:36:49.920 --> 0:36:51.360
<v Ana Huang>a part of my life in some way or another.

0:36:51.760 --> 0:36:53.800
<v Emily Tisch Sussman>Well, is there anything we haven't covered that we should?

0:36:54.360 --> 0:36:56.520
<v Ana Huang>No? I mean no, this has been so much fun

0:36:56.680 --> 0:36:59.640
<v Ana Huang>chatting with you. You have been so well prepared and comprehensive.

0:37:00.440 --> 0:37:01.560
<v Emily Tisch Sussman>We cover a lot of ground too.

0:37:01.600 --> 0:37:04.279
<v Ana Huang>Yes, No, this is amazing. Thank you so much for

0:37:04.320 --> 0:37:04.799
<v Ana Huang>having me.

0:37:05.040 --> 0:37:07.000
<v Emily Tisch Sussman>Oh, I'm so honored to be here, priest spa like

0:37:07.160 --> 0:37:09.640
<v Emily Tisch Sussman>you fit us in. I think it's a good sign

0:37:09.640 --> 0:37:10.920
<v Emily Tisch Sussman>that you didn't think this was going to be too

0:37:11.000 --> 0:37:13.600
<v Emily Tisch Sussman>stressful so you can unwind later. You're like, yeah, yeah,

0:37:13.600 --> 0:37:14.400
<v Emily Tisch Sussman>this is good vibes.

0:37:14.560 --> 0:37:16.600
<v Ana Huang>Na Me. I've listened to your past episodes and it's

0:37:16.640 --> 0:37:19.120
<v Ana Huang>always always a good vibe.

0:37:18.120 --> 0:37:20.160
<v Emily Tisch Sussman>So thank you for coming in.

0:37:20.320 --> 0:37:22.600
<v Ana Huang>Thank you, thank you so much, such a pleasure.

0:37:24.600 --> 0:37:27.520
<v Emily Tisch Sussman>For years, Ana was scared to make writing her job.

0:37:27.719 --> 0:37:30.120
<v Emily Tisch Sussman>She figured it the second it became work, she'd stop

0:37:30.200 --> 0:37:32.520
<v Emily Tisch Sussman>loving it. So when I asked her if all of

0:37:32.520 --> 0:37:36.200
<v Emily Tisch Sussman>it disappeared tomorrow, the best seller list, the Netflix deal,

0:37:36.320 --> 0:37:40.000
<v Emily Tisch Sussman>all of that, would she still write? She didn't even hesitate.

0:37:40.400 --> 0:37:43.359
<v Emily Tisch Sussman>Of course, it was a yes. The one thing she

0:37:43.480 --> 0:37:46.640
<v Emily Tisch Sussman>was too afraid to risk pursuing turned out to be

0:37:46.680 --> 0:37:49.520
<v Emily Tisch Sussman>the one thing she couldn't give up, and the part

0:37:49.560 --> 0:37:52.080
<v Emily Tisch Sussman>of herself that she hid from people in her life

0:37:52.239 --> 0:37:55.640
<v Emily Tisch Sussman>ended up building a huge online community of millions of

0:37:55.719 --> 0:37:59.840
<v Emily Tisch Sussman>passionate readers. Ana's new book, King of Gluttney is out now.

0:38:00.400 --> 0:38:03.120
<v Emily Tisch Sussman>Her mom will buy the book. Her mom will not

0:38:03.400 --> 0:38:06.120
<v Emily Tisch Sussman>be allowed to read it, but that doesn't mean you can't.

0:38:06.760 --> 0:38:12.320
<v Emily Tisch Sussman>That's all for today. See you next Wednesday. Thanks for listening.

0:38:12.400 --> 0:38:15.440
<v Emily Tisch Sussman>To she pivots. If you like this episode, follow the

0:38:15.480 --> 0:38:18.080
<v Emily Tisch Sussman>show so you never miss a pivot story and share

0:38:18.120 --> 0:38:19.879
<v Emily Tisch Sussman>it with one woman in your life who might need

0:38:19.920 --> 0:38:22.640
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0:38:22.719 --> 0:38:26.120
<v Emily Tisch Sussman>join our community, follow us on Instagram at she pivots

0:38:26.200 --> 0:38:30.040
<v Emily Tisch Sussman>the podcast our Subscribe to our substack for exclusive content

0:38:30.080 --> 0:38:33.239
<v Emily Tisch Sussman>and behind the scenes conversations. You can also find us

0:38:33.239 --> 0:38:38.480
<v Emily Tisch Sussman>at shepivotspod dot com. This episode was produced and edited

0:38:38.480 --> 0:38:41.880
<v Emily Tisch Sussman>by Paige Davis Jeannotte, with sound editing and mixing by

0:38:41.960 --> 0:38:45.880
<v Emily Tisch Sussman>Nina Pollock. Logistics and planning by Emma Stopek and Kendall Krupkin.

0:38:46.239 --> 0:38:49.719
<v Emily Tisch Sussman>Research by Christine Dickason. She Pivots is proud to be

0:38:49.760 --> 0:38:53.680
<v Emily Tisch Sussman>a part of the iHeart Podcast Network. I endorse She

0:38:54.120 --> 0:39:02.200
<v Emily Tisch Sussman>Pivots