WEBVTT - Listener Mail: Sacred Squirrels and More

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<v Speaker 1>Welcome Stuff to Blow your Mind, a production of I

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<v Speaker 1>Heart Radios How Stuff Works. Hey, welcome to Stuff to

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<v Speaker 1>Blow your Mind. My name is Robert Lamb and I'm

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<v Speaker 1>Joe McCormick, and we're bringing you listener mail today. Now,

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<v Speaker 1>of course we've got our trusty mail bought Carney here. Carney,

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<v Speaker 1>of course, used to be Arnie. Then he was subjected

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<v Speaker 1>to Cartesian doubt, became Carney, and then he was subjected

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<v Speaker 1>to an infestation of scugs, and now he's just full

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<v Speaker 1>of squirrels, has been for months. Uh, it's an ongoing problem.

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<v Speaker 1>But I've noticed some of these squirrels infesting Carney. While

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<v Speaker 1>they used to be more of a of a nuisance,

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<v Speaker 1>crawling throughout his gears and pulling out wires and stuff,

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<v Speaker 1>now I think they have taken on a kind of

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<v Speaker 1>a sacred or holy aura. I'm not sure what's changed

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<v Speaker 1>about them. Oh well, you know, I feel like our

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<v Speaker 1>episodes on squirrels kind of had this effect on a

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<v Speaker 1>lot of people. They transformed the lowly squirrel, the profane

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<v Speaker 1>square whirl into something of a sacred squirrel. I feel

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<v Speaker 1>like that was that was my experience, the sacred cannibal. Yeah, yeah,

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<v Speaker 1>because I before the King of Rats, the King of

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<v Speaker 1>the Rats. Yeah, I get it on a shirt at

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<v Speaker 1>our our T shirt store. But yeah, before I I

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<v Speaker 1>liked squirrels. Okay, I guess you know. I watched them,

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<v Speaker 1>but I would also like chase them away from the

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<v Speaker 1>bird feeder and all. But after our episodes, I like,

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<v Speaker 1>I really began to respect squirrels so much more I

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<v Speaker 1>would I stopped chasing them. I and now feed them

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<v Speaker 1>every day. I feed them meal worms sort of an

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<v Speaker 1>offering to them, and I just love watching them scamper

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<v Speaker 1>around and eat their meal worms and drink from the

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<v Speaker 1>bird feeder. I'm just I'm all on on squirrels. You

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<v Speaker 1>say that until they turn on you. Well, as long

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<v Speaker 1>as I keep the meal worms coming, I think I'm okay.

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<v Speaker 1>But before we get into the proper listener mail, I

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<v Speaker 1>do want to address the squirrels on Carney, and I

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<v Speaker 1>want to share with everybody, uh a sacred tradition of

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<v Speaker 1>the squirrel that um I neglected to mention in previous episodes,

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<v Speaker 1>and it concerns the Indian palm squirrel or three striped

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<v Speaker 1>palm palm squirrel of South India and Sri Lanka. This

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<v Speaker 1>is a funambulis pal marum and in Hindu traditions, the

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<v Speaker 1>palm squirrel is associated with Rama. Now Ramah some of

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<v Speaker 1>you may already be familiar, is the seventh avatar of

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<v Speaker 1>Vishnu and the title character of the epic Ramayana. And

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<v Speaker 1>in this story of the Ramayana, uh Rama's wife Sita

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<v Speaker 1>is kidnapped by the demon king Ravana and taken to

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<v Speaker 1>the island of Lanka. So he what he does. He

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<v Speaker 1>wants to get to seated back, so he assembles his

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<v Speaker 1>forces and his allies in order to defeat Ravanna and

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<v Speaker 1>bring her home, which of course means traveling to Lanka,

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<v Speaker 1>which is modern day Sri Lanka. So he has to

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<v Speaker 1>march the Nara Ape army across this this vast body

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<v Speaker 1>of water. So they need a bridge, so they build

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<v Speaker 1>one in the form of the Rama set to. So

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<v Speaker 1>the cool thing about the Rama said to is that

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<v Speaker 1>it actually exists in the form of a chain of

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<v Speaker 1>limestone shoal spread between the Indian subcontinent and Sri Lanka,

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<v Speaker 1>also known as Adams Bridge. Uh. But it's it's thought

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<v Speaker 1>to have once been a geological land bridge. So perhaps

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<v Speaker 1>maybe if sea levels were lower or something it could

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<v Speaker 1>be revealed, or if the limestone is just higher for

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<v Speaker 1>some reason. Yeah, I'd love to come back and do

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<v Speaker 1>an episode on land bridges because obviously they play an

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<v Speaker 1>important role in the movements of species, including Homo sapiens.

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<v Speaker 1>But in this myth, it involves the movement of an

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<v Speaker 1>ape army. By the way I mentioned, it is also

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<v Speaker 1>known as Adams Bridge, and I imagine a lot of

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<v Speaker 1>you might think, well, that's probably coming from Western interpretations, right,

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<v Speaker 1>but it's actually like Adam from like the first Man

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<v Speaker 1>of Genesis, and that is who it's referring to. But

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<v Speaker 1>according to what I was looking at, it's actually linked

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<v Speaker 1>to Islamic traditions and more importantly linked to the Sri

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<v Speaker 1>Lankan mountain Adam's Peak, which is a sacred mountain and Hinduism, Buddhism, Christianity,

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<v Speaker 1>and Islam, and it's said to be the footprint of

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<v Speaker 1>either Shiva, the Hindu god, or Adam or St. Thomas

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<v Speaker 1>in christian in Islamic traditions. Anyway, according to Hindu traditions, though, uh,

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<v Speaker 1>this land bridge, this bridge was constructed in order to

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<v Speaker 1>march the Ape army to Lanka, and uh, most of

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<v Speaker 1>most of the work is being done by the Vanara,

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<v Speaker 1>the apes. They're they're carrying all these heavy stones, dumping

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<v Speaker 1>them into the ocean and building this great bridge to

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<v Speaker 1>march the army across. But then there's one small squirrel

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<v Speaker 1>that tries to help as well. And so there are

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<v Speaker 1>a few different versions I ran across here of you know,

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<v Speaker 1>regarding how the squirrels trying to help. There's one where

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<v Speaker 1>the squirrels just rolling around in the sand and then

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<v Speaker 1>marching out to the you know, the farthest extent of

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<v Speaker 1>the the bridge under construction, and then shakes off the

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<v Speaker 1>sand into the water. Another one is that it just

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<v Speaker 1>kind of fills its mouth with pebbles and then arches

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<v Speaker 1>out there and drops the pebbles off the edge. This

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<v Speaker 1>is a good story. Yeah, So the so the squirrel

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<v Speaker 1>is is devoted, the squirrel is really trying to help,

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<v Speaker 1>but the apes are doing most of the work. And uh.

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<v Speaker 1>In one version, the apes just eventually they're tired of

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<v Speaker 1>the squirrel being underfoot and they're like, look, we're doing it.

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<v Speaker 1>We're dropping boulders in here, you're you're dropping pebbles, And

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<v Speaker 1>so they hurl the squirrel out of the way and

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<v Speaker 1>then the squirrel lands right in Rama's lap, and Rama

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<v Speaker 1>is is impressed by the creature's devotion. You know, it's

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<v Speaker 1>it's not so much about how much work the squirrel

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<v Speaker 1>is getting done, but just how how how eager the

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<v Speaker 1>squirrel is to help, how devoted the squirrel is. And

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<v Speaker 1>so Rama rewards the squirrel. He takes three fingers and

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<v Speaker 1>he runs them down the squirrels back. And remember this

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<v Speaker 1>species is the the three striped palm squirrel. It has

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<v Speaker 1>three stripes down its back. So this is a classic

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<v Speaker 1>ideological myth. Right, you've got you've got a a fact

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<v Speaker 1>you observe about the world. How did it get that way?

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<v Speaker 1>And this story explains how exactly the fact of course

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<v Speaker 1>here is the three stripes. Yeah, so it is the

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<v Speaker 1>mark of a god on the squirrel's back. And uh.

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<v Speaker 1>And so the idea is that it is a sacred creature.

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<v Speaker 1>It's to be protected. You're not supposed to harm the

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<v Speaker 1>squirrel and uh, you know it's typically fed by families

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<v Speaker 1>then in devotion to Rama. So I just thought that

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<v Speaker 1>was a fun little tale to share with everybody. Uh,

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<v Speaker 1>and an example of of a sacred squirrel. So the

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<v Speaker 1>next time you're you're you know, entertaining profane thoughts about

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<v Speaker 1>the squirrel. Perhaps entertain a sacred interpretation of these skurrying

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<v Speaker 1>little beasts absolutely blessed by the caress of rama. I

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<v Speaker 1>will never look at our mail bots infestation the same way.

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<v Speaker 1>It's it's all good stuff, all right. But then on

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<v Speaker 1>that note, we should probably start turn into some listener

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<v Speaker 1>mail here. Uh. And and it's actually an ideal that

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<v Speaker 1>we we have already mentioned in this episode a sacred mountain,

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<v Speaker 1>because we heard from a lot of our listeners about

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<v Speaker 1>sacred mountains and holy mountains, holy peaks and the entities

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<v Speaker 1>that might be and might be encountered there. Well, then

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<v Speaker 1>in that spirit, maybe we should go straight to a

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<v Speaker 1>few of the emails we got about sacred mountains. Of course,

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<v Speaker 1>we did a two part episode on sacred mountain traditions

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<v Speaker 1>of the world. Uh some links so some some mountaintop psychology,

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<v Speaker 1>some some high altitude low pressure uh physiology and neuroscience,

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<v Speaker 1>and just of course many great myths about the mountains

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<v Speaker 1>of the gods. And we asked for uh, the experiences

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<v Speaker 1>people out there have had with sacred mountains. Sou do

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<v Speaker 1>you want to do? This? One from Cody first, Yeah,

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<v Speaker 1>let's hear from Cody. Okay, so Cody says, perfect timing

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<v Speaker 1>of the episode. As I listened to these episodes literally

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<v Speaker 1>driving down from my climb up and ski down of

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<v Speaker 1>Mount Shasta, I have spent decades hiking, rock climbing, and

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<v Speaker 1>skiing in the Sierra Nevada and Klamath Mountains. Yosemite and

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<v Speaker 1>Shasta to me, are particularly spiritual places, even though I'm

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<v Speaker 1>not a religious or spiritual person. Both having immense senses

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<v Speaker 1>of scale and isolation mirrors religion of the mountains as

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<v Speaker 1>probably the closest thing to religion for me. Regarding feeling

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<v Speaker 1>or seeing other beings out in high elevation wilderness, I

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<v Speaker 1>haven't had any experiences at the level of the ones

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<v Speaker 1>you talked about on Everest, but in regards to thinking

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<v Speaker 1>you're seeing things that aren't there or mistaking shapes that

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<v Speaker 1>can very easily happen. In my recent Shasta climb, multiple

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<v Speaker 1>times I mistook the silhouette created by the snow and

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<v Speaker 1>rock interacting as someone pausing above me. The mixture of

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<v Speaker 1>physical exertion and lack of oxygen from elevation on the

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<v Speaker 1>brain is not something to be taken lightly. Then add

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<v Speaker 1>in the parallax trickery of huge mountainous environments. Even at

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<v Speaker 1>sea level, physical exertion will wreck cognition, and just about

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<v Speaker 1>all elite athletes will do training to combat this, such

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<v Speaker 1>as wind sprints than doing math problems. And that's all

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<v Speaker 1>before you add in any sort of less than perfect weather.

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<v Speaker 1>Being involved with the climbing and mountaineering community. Though, I

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<v Speaker 1>feel like you don't hear as much of out the

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<v Speaker 1>ie HAP condition you guys coined, and I think what

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<v Speaker 1>did that stand. I think it was something like isolated

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<v Speaker 1>high altitude psychosis or international house um uh. He continues.

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<v Speaker 1>Certainly plenty of spiritual or larger than life feelings, even

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<v Speaker 1>a few that mimic micro dosing psychoactive drugs. That's interesting.

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<v Speaker 1>Maybe those do count, But it was a shame a

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<v Speaker 1>lot of those studies had pitiful sample sizes. Considering even

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<v Speaker 1>just the number of people uh professionally guided on Everest

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<v Speaker 1>eight people, the studies shouldn't have gotten published, in my opinion.

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<v Speaker 1>While the study we looked at in the episode did

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<v Speaker 1>a sort of literature review where they looked back at

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<v Speaker 1>all the pre existing studies they could find about asking

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<v Speaker 1>mountain climbers whether they'd had any kind of experiences like this.

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<v Speaker 1>So yeah, some of the studies had small sample sizes,

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<v Speaker 1>but they looked at multiple studies. Anyway, back to Cody,

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<v Speaker 1>So Cody says, uh, glad to hear you mentioned, Marry.

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<v Speaker 1>I worked for the North Face and have gotten to

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<v Speaker 1>spend time with Conrad Anchor talking to him about his

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<v Speaker 1>experiences climbing Mirru and his many, many, many other experiences

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<v Speaker 1>in the mountains. It's particularly interesting to hear about the

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<v Speaker 1>intersection of the beliefs and traditions of those who live

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<v Speaker 1>in the Himalayas and those who go to climb in

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<v Speaker 1>those mountains. Meru in particular, was something Conrad and team

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<v Speaker 1>handled carefully since it was literally the center of the

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<v Speaker 1>universe for a lot of people on A closer to

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<v Speaker 1>home example of the spiritual rituals butting up against the

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<v Speaker 1>climbing is the closing of Devil's Tower every June for

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<v Speaker 1>Native American ceremonies. Also many other sandstone towers in the Southwest.

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<v Speaker 1>I guess he means the American Southwest are permanently closed

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<v Speaker 1>due to their spiritual significance to Native people's in terms

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<v Speaker 1>of evil mountains, and this was a question we asked you,

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<v Speaker 1>or are there any like hell mountains or devil mountains?

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<v Speaker 1>We couldn't find examples, but surely there are, uh. Cody continues.

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<v Speaker 1>In terms of evil mountains, I was also hard pressed

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<v Speaker 1>to think of one. There are certainly peaks that carry

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<v Speaker 1>a stigma or curse by how many percent of climbers

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<v Speaker 1>have perished, such as K two or how many parties

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<v Speaker 1>have been rebuffed Miru for a while, but I couldn't

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<v Speaker 1>think of a spiritually evil mountain. Side note, when you

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<v Speaker 1>guys were talking about that British Everest climber not using

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<v Speaker 1>oxygen versus today. The use of supplemental O two is

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<v Speaker 1>certainly widely used in this day, day and age of

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<v Speaker 1>high altitude mountaineering. But in this day and age of

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<v Speaker 1>mountaineering where the style of how you do something can

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<v Speaker 1>be almost as important as the climb itself, i e.

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<v Speaker 1>The use of O two does diminish the level of

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<v Speaker 1>accomplishments since it makes it easier. So the best of

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<v Speaker 1>the best and high altitude mountaineering still do not use

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<v Speaker 1>O two. I love the wide variety of topics you

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<v Speaker 1>guys cover. Well, Thank you, Cody. Yeah, that was really interesting. Yeah, absolutely.

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<v Speaker 1>I had a feeling that, you know, given our sort

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<v Speaker 1>of broad listener base, so that we had to have

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<v Speaker 1>some mountain climbers out there, and I guess it makes

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<v Speaker 1>sense that some of them may have just climbed a

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<v Speaker 1>mountain and we're just ready to to chime in. I'm

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<v Speaker 1>interested in Cody's thing about there. It's sort of being

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<v Speaker 1>a badge of honor that you can climb without OH two.

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<v Speaker 1>Of course, we're not like recommending people do that because

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<v Speaker 1>obviously that increases the risk of you know, the dangers

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<v Speaker 1>of what you're doing. And also I am I am

0:12:12.160 --> 0:12:15.120
<v Speaker 1>not qualified to make any recommendations about mountain climbs. Well, no,

0:12:15.240 --> 0:12:17.600
<v Speaker 1>I mean just generally we're not saying like, yeah, don't

0:12:17.679 --> 0:12:20.400
<v Speaker 1>use O two, you know, but if that is indeed

0:12:20.400 --> 0:12:24.240
<v Speaker 1>a sort of like it makes the achievement more in

0:12:24.320 --> 0:12:27.880
<v Speaker 1>held in higher esteem by other mountaineers and uh, mountain

0:12:27.880 --> 0:12:30.560
<v Speaker 1>climbing people. I wonder if part of that might be

0:12:30.920 --> 0:12:33.640
<v Speaker 1>that if you climb without O two, you appear to

0:12:33.679 --> 0:12:36.719
<v Speaker 1>be more likely to have these mildly altered states of

0:12:36.760 --> 0:12:40.000
<v Speaker 1>consciousness what Cody compares to being sort of like micro

0:12:40.120 --> 0:12:44.520
<v Speaker 1>dosing certain psychogenic drugs, or more likely to cause these

0:12:44.600 --> 0:12:47.880
<v Speaker 1>kind of errors of perception that that make the world

0:12:47.920 --> 0:12:50.800
<v Speaker 1>feel a bit unreal. Yeah, yeah, I wonder, I mean,

0:12:51.000 --> 0:12:53.600
<v Speaker 1>it's I guess it's likely that it's also probably just

0:12:53.640 --> 0:12:56.480
<v Speaker 1>a little bit of like the uh, you know, sort

0:12:56.520 --> 0:12:59.280
<v Speaker 1>of the heroics of the thing, right, that's obviously there.

0:12:59.320 --> 0:13:01.880
<v Speaker 1>I mean, I'm just dring if it's this other thing too, Yeah,

0:13:01.960 --> 0:13:04.240
<v Speaker 1>I could see that possibly be in the case. All right,

0:13:04.320 --> 0:13:07.040
<v Speaker 1>here's another one that comes in related to sacred mountains.

0:13:07.080 --> 0:13:10.439
<v Speaker 1>This comes to us from James. James says, Hello, Robert

0:13:10.440 --> 0:13:12.480
<v Speaker 1>and Joe. I have been a long time listener, and

0:13:12.520 --> 0:13:16.640
<v Speaker 1>believe this my first email in I have recently been

0:13:16.679 --> 0:13:19.760
<v Speaker 1>reading into the folklore of the Crow Nations and came

0:13:19.800 --> 0:13:22.160
<v Speaker 1>across the story about the Little People of the Prior

0:13:22.200 --> 0:13:25.480
<v Speaker 1>Mountains being from Oklahoma. I thought they were referring to

0:13:25.640 --> 0:13:28.880
<v Speaker 1>the Prior here since they are arguably since they're arguably

0:13:28.880 --> 0:13:31.760
<v Speaker 1>no true mountains in Oklahoma. I learned that they were

0:13:31.800 --> 0:13:34.360
<v Speaker 1>referring to one of the many mountain ranges in Montana,

0:13:34.400 --> 0:13:36.959
<v Speaker 1>where the Crown Nation is from. The Little People were

0:13:37.000 --> 0:13:41.319
<v Speaker 1>another race, standing around knee height but contained containing immense strength.

0:13:41.679 --> 0:13:44.160
<v Speaker 1>They lived in the mountains and attacked those that entered

0:13:44.160 --> 0:13:47.400
<v Speaker 1>the area. However, some were allowed to pass through if

0:13:47.440 --> 0:13:50.280
<v Speaker 1>they left an offering of beads or tobacco. Uh. The

0:13:50.320 --> 0:13:52.280
<v Speaker 1>other way to pass through was to shoot an arrow

0:13:52.320 --> 0:13:55.480
<v Speaker 1>ahead of you as you passed. The little people also

0:13:55.600 --> 0:13:58.480
<v Speaker 1>sometimes met with those that went to the mountain to fast.

0:13:58.840 --> 0:14:02.560
<v Speaker 1>One tail I found was of Chief Plenty Coups meeting

0:14:02.640 --> 0:14:06.400
<v Speaker 1>them when he was nine. In the Choctaw Nations creation story,

0:14:06.880 --> 0:14:09.559
<v Speaker 1>it says that the Chickasaw and Choctawl nations came from

0:14:09.600 --> 0:14:12.200
<v Speaker 1>a great mound, well, not a sacred mountain. The story

0:14:12.240 --> 0:14:14.680
<v Speaker 1>seems to fit with this as well. Sorry for the

0:14:14.679 --> 0:14:17.599
<v Speaker 1>long email. I only read about these stories recently, and

0:14:17.600 --> 0:14:19.840
<v Speaker 1>when your episode came out, it made me think of

0:14:19.880 --> 0:14:23.160
<v Speaker 1>the bet or Mineho phenomenon. Yeah, thank you for the

0:14:23.200 --> 0:14:28.000
<v Speaker 1>hours uh and hours and hours of informative entertainment. Best regards, James.

0:14:28.280 --> 0:14:30.440
<v Speaker 1>This is something I think maybe we uh we could

0:14:30.440 --> 0:14:32.560
<v Speaker 1>have explored more in the episode, but didn't come up

0:14:32.600 --> 0:14:35.120
<v Speaker 1>as much. Which is the idea of like myths and

0:14:35.160 --> 0:14:39.280
<v Speaker 1>religious stories that have mountains as the dwelling place. Uh,

0:14:39.360 --> 0:14:41.520
<v Speaker 1>not just of the gods, but of like other types

0:14:41.600 --> 0:14:45.160
<v Speaker 1>of people's or other beings, you know, the mountains being

0:14:45.160 --> 0:14:47.760
<v Speaker 1>a place of trolls, or the mountains being the place

0:14:47.840 --> 0:14:50.040
<v Speaker 1>of like the little people. Yeah, this is, this is

0:14:50.080 --> 0:14:52.240
<v Speaker 1>It would be an interesting avenue to explore more in

0:14:52.280 --> 0:14:55.360
<v Speaker 1>the future. I mean, I I instantly think two of

0:14:55.360 --> 0:14:59.320
<v Speaker 1>of goblins and creatures of that nature as well. All right,

0:14:59.360 --> 0:15:00.960
<v Speaker 1>we have another one here. This one comes to us

0:15:01.000 --> 0:15:04.280
<v Speaker 1>from him. I'm right Sin and says, hey, guys, I

0:15:04.320 --> 0:15:06.920
<v Speaker 1>was really surprised to not hear you touch on Mount

0:15:07.000 --> 0:15:10.600
<v Speaker 1>Sinai in the Sacred Mountains episode. I mean actual or

0:15:10.640 --> 0:15:13.720
<v Speaker 1>mythical locations that are associated with myths that have wide

0:15:13.760 --> 0:15:16.760
<v Speaker 1>cultural relevance and staying power. The first thing I think

0:15:16.800 --> 0:15:19.480
<v Speaker 1>of is Mount Sinai. I'll admit I'm biased in that

0:15:19.560 --> 0:15:22.520
<v Speaker 1>respect because I'm a former Orthodox Jew, but I understand

0:15:22.520 --> 0:15:25.280
<v Speaker 1>that it has similar or equal relevance in Christianity and

0:15:25.320 --> 0:15:27.840
<v Speaker 1>Islam as well. Maybe you didn't touch on it on

0:15:27.920 --> 0:15:31.320
<v Speaker 1>purpose because it would be too socially or politically controversial

0:15:31.320 --> 0:15:34.800
<v Speaker 1>to address Abrahamic religions as mythologies that share so many

0:15:34.800 --> 0:15:38.360
<v Speaker 1>similar themes to lots of ancient belief systems. That's actually

0:15:38.440 --> 0:15:40.840
<v Speaker 1>what I opened up the podcast hoping to hear the

0:15:40.840 --> 0:15:44.240
<v Speaker 1>main content be regardless. I really enjoyed the episode and

0:15:44.400 --> 0:15:47.520
<v Speaker 1>your show in general. Uh. Yeah, Mount Sinai is a

0:15:47.520 --> 0:15:50.040
<v Speaker 1>great one. Of course. That is for example, in the

0:15:50.040 --> 0:15:52.040
<v Speaker 1>Book of Exodus, that is where it has said that

0:15:52.360 --> 0:15:55.560
<v Speaker 1>Moses receives the Ten Commandments on top of Mount Sinai

0:15:55.760 --> 0:15:59.360
<v Speaker 1>from from God. Um, there was no reason we didn't

0:15:59.360 --> 0:16:00.920
<v Speaker 1>mention it, I think, get I think it just didn't

0:16:00.960 --> 0:16:03.480
<v Speaker 1>come up. Yeah, we we just kind of forgot to

0:16:03.680 --> 0:16:07.120
<v Speaker 1>include it, which is there. There are a whole lot

0:16:07.120 --> 0:16:09.360
<v Speaker 1>of holy mountains, so yeah, but it is true. This

0:16:09.440 --> 0:16:13.000
<v Speaker 1>is a this is a huge one of big cultural significance. Yeah.

0:16:13.080 --> 0:16:15.680
<v Speaker 1>And I do think like the story of Moses is

0:16:15.920 --> 0:16:17.840
<v Speaker 1>a sent into Mount Sinai or he you know, he

0:16:17.880 --> 0:16:21.200
<v Speaker 1>receives the Ten Commandments, and like there is something interesting

0:16:21.240 --> 0:16:23.920
<v Speaker 1>going on there with like he disappears into the mountain

0:16:24.320 --> 0:16:26.680
<v Speaker 1>and then what happens to the people while he's gone

0:16:26.680 --> 0:16:29.440
<v Speaker 1>while they turned to idol worship immediately while while he

0:16:29.480 --> 0:16:31.520
<v Speaker 1>has disappeared because they're waiting for him to come down.

0:16:31.840 --> 0:16:34.560
<v Speaker 1>Something's interesting is going on there. I haven't quite thought

0:16:34.600 --> 0:16:37.400
<v Speaker 1>about how to phrase it, but yeah, absolutely, and and

0:16:37.440 --> 0:16:39.360
<v Speaker 1>I do want to also just remind everybody, like when

0:16:39.360 --> 0:16:41.840
<v Speaker 1>we talk about myth and religion on the show. Um,

0:16:42.280 --> 0:16:44.520
<v Speaker 1>I do hope everyone understands that we you know, we

0:16:44.640 --> 0:16:48.600
<v Speaker 1>try to discuss mytho, mythology and myth as being is

0:16:48.640 --> 0:16:52.120
<v Speaker 1>having more weight than simply saying like this is a

0:16:52.160 --> 0:16:54.840
<v Speaker 1>story made up by people, you know, like, oh, yeah,

0:16:55.160 --> 0:16:58.240
<v Speaker 1>we're not using myth as a pejorative or the way

0:16:58.280 --> 0:17:00.680
<v Speaker 1>some people sometimes do. Like some will use the word

0:17:00.720 --> 0:17:04.240
<v Speaker 1>myth to mean like a thing that is a lie, right,

0:17:04.359 --> 0:17:07.560
<v Speaker 1>something like that. It's not like MythBusters, right, no, no no, no,

0:17:07.760 --> 0:17:10.159
<v Speaker 1>we're using it in the sense of like a traditional

0:17:10.280 --> 0:17:14.359
<v Speaker 1>or foundational story, often involving supernatural elements. Right. But what

0:17:14.440 --> 0:17:17.159
<v Speaker 1>a different show MythBusters would have been if that was

0:17:17.240 --> 0:17:20.240
<v Speaker 1>the cell Like we're gonna go after another myth this

0:17:20.240 --> 0:17:25.720
<v Speaker 1>this this a week, it's Prometheus the stories bs and

0:17:25.720 --> 0:17:28.120
<v Speaker 1>then they bust it somehow, I don't know. We get

0:17:28.160 --> 0:17:31.400
<v Speaker 1>some internet commenters that are like that, Like every time

0:17:31.400 --> 0:17:35.160
<v Speaker 1>we put something up about some interesting mythological topic, somebody

0:17:35.240 --> 0:17:38.760
<v Speaker 1>chimes in the comments is like fake bs made up.

0:17:39.400 --> 0:17:41.919
<v Speaker 1>Well yeah, like I think you're missing the point a

0:17:41.920 --> 0:17:44.959
<v Speaker 1>little bit. Yeah, well that that tends to happen on like,

0:17:45.440 --> 0:17:47.320
<v Speaker 1>you know, some of our social media accounts where you

0:17:47.359 --> 0:17:49.359
<v Speaker 1>maybe have people come in that don't really know the

0:17:49.359 --> 0:17:51.520
<v Speaker 1>show and then you see something where where like a

0:17:51.560 --> 0:17:54.800
<v Speaker 1>myth is referenced in the title or the description, and

0:17:54.800 --> 0:17:57.520
<v Speaker 1>then they kind of react, Yeah, you know, if you

0:17:57.560 --> 0:18:01.080
<v Speaker 1>are that person and your your yours sending no hard feelings,

0:18:01.119 --> 0:18:03.840
<v Speaker 1>but but maybe maybe think about don't do that. I mean,

0:18:03.880 --> 0:18:06.359
<v Speaker 1>certainly we always invite everyone to actually listen to the

0:18:06.400 --> 0:18:08.920
<v Speaker 1>episodes and respond to the content of the episodes. And

0:18:09.040 --> 0:18:12.359
<v Speaker 1>along those lines, I mean we we do, uh, we

0:18:12.400 --> 0:18:14.600
<v Speaker 1>do make mistakes here and there, and that's why we'd

0:18:14.600 --> 0:18:17.160
<v Speaker 1>love to hear from everybody. We we skip over things

0:18:17.160 --> 0:18:20.520
<v Speaker 1>by accident, like Mount SINAI. Uh. So you know, we're

0:18:21.359 --> 0:18:26.119
<v Speaker 1>we're we're on a continuous journey of discovery and self

0:18:26.160 --> 0:18:28.760
<v Speaker 1>improvement here and and we hope everybody else is engaging

0:18:28.760 --> 0:18:32.040
<v Speaker 1>with the world, uh with that kind of growth mindset

0:18:32.080 --> 0:18:34.600
<v Speaker 1>as well. Well. One last thing I'll say is someone

0:18:34.680 --> 0:18:38.560
<v Speaker 1>who creates nonfiction content, I will say not all omissions

0:18:38.600 --> 0:18:42.040
<v Speaker 1>are intentional omissions. So like, there's literally no way we

0:18:42.080 --> 0:18:44.159
<v Speaker 1>can talk about all the sacred mountains in the world

0:18:44.200 --> 0:18:46.159
<v Speaker 1>in our episode that was you know, a total of

0:18:46.200 --> 0:18:49.760
<v Speaker 1>however many minutes, so Uh so, I don't know. Always

0:18:49.800 --> 0:18:52.000
<v Speaker 1>keep that in mind. It's just like sometimes you just

0:18:52.040 --> 0:18:54.520
<v Speaker 1>picked the things that you pick to talk about because

0:18:54.560 --> 0:18:57.320
<v Speaker 1>they were interesting and and they're what came up. It's

0:18:57.359 --> 0:19:00.520
<v Speaker 1>not because you thought everything else should be left out right,

0:19:00.560 --> 0:19:02.680
<v Speaker 1>and then that's what listener mail episodes are ultimately four

0:19:02.760 --> 0:19:05.080
<v Speaker 1>to you know, we we hoped and expected to hear

0:19:05.119 --> 0:19:08.160
<v Speaker 1>from folks with examples of really cool traditions that we

0:19:08.680 --> 0:19:11.119
<v Speaker 1>uh you know, forgot to cover or just we're not

0:19:11.160 --> 0:19:13.760
<v Speaker 1>aware of. Like to go back to Adam's peak that

0:19:13.800 --> 0:19:16.520
<v Speaker 1>I mentioned at the top of this episode, I was

0:19:16.560 --> 0:19:20.439
<v Speaker 1>not familiar with that Sri lankin Um Holy Mountain until

0:19:20.680 --> 0:19:24.840
<v Speaker 1>looking at Following the Trail of the Squirrel. So yeah,

0:19:24.880 --> 0:19:27.679
<v Speaker 1>like I said, we're continually learning new things and trying

0:19:27.720 --> 0:19:31.040
<v Speaker 1>to share them with everybody in that spirit of open mindedness.

0:19:31.080 --> 0:19:34.240
<v Speaker 1>May we now bludge in you with an advertisement. Let's

0:19:34.240 --> 0:19:39.760
<v Speaker 1>do it, but we will be right back. Thank all right,

0:19:39.800 --> 0:19:42.239
<v Speaker 1>We're back, and uh, you know, I believe we have

0:19:42.320 --> 0:19:46.160
<v Speaker 1>some listener mail related to another recent episode, our episode

0:19:46.160 --> 0:19:48.840
<v Speaker 1>about the imp of the perverse. Right, this is the

0:19:48.920 --> 0:19:52.520
<v Speaker 1>impulse to do wrong simply for the reason that it's wrong,

0:19:52.600 --> 0:19:55.959
<v Speaker 1>and no other reason at all. Uh So this comes

0:19:56.000 --> 0:19:58.920
<v Speaker 1>to us from our listener, Miriam. Miriam says, Hi, Joe

0:19:58.960 --> 0:20:01.480
<v Speaker 1>and Robert, thank for the great episode The imp of

0:20:01.480 --> 0:20:04.280
<v Speaker 1>the Perverse. It was very interesting to consider all the

0:20:04.320 --> 0:20:07.480
<v Speaker 1>various ways this phenomenon can affect our lives. When you

0:20:07.520 --> 0:20:10.880
<v Speaker 1>talked about intrusive thoughts and the techniques that have been

0:20:10.880 --> 0:20:13.840
<v Speaker 1>shown to help some people overcome them, I was struck

0:20:13.840 --> 0:20:17.040
<v Speaker 1>by how closely it mirrored my own experience with a

0:20:17.080 --> 0:20:20.520
<v Speaker 1>form of O c D called pure Oh it differs

0:20:20.520 --> 0:20:22.840
<v Speaker 1>from traditional O c D, and of course that's an

0:20:22.840 --> 0:20:27.280
<v Speaker 1>obsessive compulsive disorder. It differs from traditional O c D

0:20:27.680 --> 0:20:31.040
<v Speaker 1>in that the compulsion triggered by the intrusive thought is

0:20:31.080 --> 0:20:34.840
<v Speaker 1>not a physical behavior such as handwashing, but the mental

0:20:35.160 --> 0:20:39.280
<v Speaker 1>checking of the thought and of the body's visceral responses

0:20:39.320 --> 0:20:42.639
<v Speaker 1>to it. When you talked about checking on intrusive thoughts

0:20:42.640 --> 0:20:45.320
<v Speaker 1>and how it leads to a positive feedback loop, I

0:20:45.359 --> 0:20:48.560
<v Speaker 1>was surprised by how closely you described this disorder without

0:20:48.640 --> 0:20:51.520
<v Speaker 1>naming it. I believe that the pure O variant of

0:20:51.520 --> 0:20:54.640
<v Speaker 1>O c D is lesser known and highly insidious, as

0:20:54.680 --> 0:20:57.720
<v Speaker 1>people can suffer tremendously for a long time without having

0:20:57.800 --> 0:21:01.639
<v Speaker 1>any visible symptoms that might more easily prompt them or

0:21:01.640 --> 0:21:05.120
<v Speaker 1>their loved ones to consider seeking professional help. I think

0:21:05.200 --> 0:21:08.439
<v Speaker 1>better awareness of this disorder could help people understand that

0:21:08.480 --> 0:21:11.320
<v Speaker 1>the techniques you described, which were exactly what I did

0:21:11.359 --> 0:21:16.200
<v Speaker 1>in therapy alongside CBT, can really can provide hugely from

0:21:16.240 --> 0:21:18.760
<v Speaker 1>intrusive thoughts if they begin to take over your life.

0:21:19.040 --> 0:21:21.040
<v Speaker 1>It's been more than a year since I've been bothered

0:21:21.080 --> 0:21:23.879
<v Speaker 1>by intrusive thoughts. I believe it's because I was able

0:21:23.920 --> 0:21:27.320
<v Speaker 1>to forge an entirely different, healthier relationship to my thoughts

0:21:27.359 --> 0:21:31.240
<v Speaker 1>thanks to practicing CBT and other techniques with my therapist.

0:21:31.480 --> 0:21:34.360
<v Speaker 1>So I just wanted to emphasize how important these concepts

0:21:34.400 --> 0:21:36.920
<v Speaker 1>are for everybody and to say thanks again for talking

0:21:37.000 --> 0:21:40.000
<v Speaker 1>about them. Cheers, Miriam. Next, Wellent, Well, thanks for sharing

0:21:40.040 --> 0:21:43.080
<v Speaker 1>that with this, Miriam. Uh. By the way, that's cognitive

0:21:43.119 --> 0:21:47.720
<v Speaker 1>behavioral therapy for anybody. Yeah yeah, yes, um yeah yeah.

0:21:47.760 --> 0:21:50.440
<v Speaker 1>And so I actually hadn't really heard of this pure

0:21:50.480 --> 0:21:52.680
<v Speaker 1>oh form of o c D before, but this is

0:21:52.760 --> 0:21:55.600
<v Speaker 1>kind of interesting. So, you know, the traditional idea of

0:21:55.600 --> 0:21:57.879
<v Speaker 1>O c D is that you know, you have repetitive

0:21:57.920 --> 0:22:02.080
<v Speaker 1>compulsive behaviors uh that are triggered by sort of loops

0:22:02.080 --> 0:22:04.080
<v Speaker 1>in your mind. You might lock the door a bunch

0:22:04.119 --> 0:22:06.400
<v Speaker 1>of times, or you might wash your hands a lot,

0:22:06.520 --> 0:22:12.320
<v Speaker 1>or click you're the clicker on your car exactly fifteen times. Yeah.

0:22:12.359 --> 0:22:14.879
<v Speaker 1>But but this is the idea that you could have

0:22:14.920 --> 0:22:18.800
<v Speaker 1>the same kind of mental impulses, uh, that that caused

0:22:18.840 --> 0:22:22.080
<v Speaker 1>you to have sort of like repetitive anxieties and and

0:22:22.080 --> 0:22:25.560
<v Speaker 1>and revisit these thoughts over and over without having external

0:22:25.640 --> 0:22:28.600
<v Speaker 1>behaviors that follow from them, and that this could allow

0:22:28.680 --> 0:22:30.760
<v Speaker 1>the behavior to to just kind of like go on

0:22:30.920 --> 0:22:34.600
<v Speaker 1>and fester without people noticing that you're having a problem. Right, Well,

0:22:34.880 --> 0:22:37.840
<v Speaker 1>I'm also really glad to hear that that that CBT

0:22:38.080 --> 0:22:41.800
<v Speaker 1>and and therapy has worked out for you. Miriam. Absolutely

0:22:42.280 --> 0:22:44.239
<v Speaker 1>all right, here's another one. This one is coming to

0:22:44.320 --> 0:22:47.240
<v Speaker 1>us from Eric. Eric writes in and says, dear mind

0:22:47.240 --> 0:22:50.280
<v Speaker 1>blowing folk, thanks for the great show. I started listening

0:22:50.359 --> 0:22:52.520
<v Speaker 1>last year and went back to the archives, all the

0:22:52.560 --> 0:22:55.320
<v Speaker 1>way back to science stuff with Allison and Robert, and

0:22:55.359 --> 0:22:59.680
<v Speaker 1>now I'm up to mid h. I mean, everybody listens

0:22:59.680 --> 0:23:02.800
<v Speaker 1>to the show differently. I tend to advise against starting

0:23:03.040 --> 0:23:05.480
<v Speaker 1>at the beginning and working your way up. I don't know,

0:23:05.520 --> 0:23:08.280
<v Speaker 1>I just I often feel like a lot of the

0:23:08.280 --> 0:23:12.160
<v Speaker 1>topics we we cover, um, the older episodes, you'd run

0:23:12.160 --> 0:23:16.359
<v Speaker 1>into potential problems of the science not being like completely

0:23:16.480 --> 0:23:19.360
<v Speaker 1>up to date. Uh. And then also, you know, we're always,

0:23:19.600 --> 0:23:23.440
<v Speaker 1>we're perpetually hopefully growing and becoming better at this whole

0:23:23.480 --> 0:23:27.840
<v Speaker 1>podcasting thing. So I also worrying, worry about like how, um,

0:23:28.240 --> 0:23:31.639
<v Speaker 1>how I come off and past episodes, you know, um,

0:23:31.800 --> 0:23:33.240
<v Speaker 1>because I feel like some of those early ones were

0:23:33.320 --> 0:23:35.040
<v Speaker 1>kind of rough. It was like a fifteen minute show

0:23:35.080 --> 0:23:38.280
<v Speaker 1>back then. I'm sure you're great, But anyway, I appreciate

0:23:38.280 --> 0:23:40.600
<v Speaker 1>anybody who enjoys the show enough that they're going back

0:23:40.600 --> 0:23:44.960
<v Speaker 1>into the back catalog anyway, um, Eric continues. In the

0:23:44.960 --> 0:23:48.760
<v Speaker 1>episode Jupiter's Children, you asked off handedly whether Ganymedes icy

0:23:48.800 --> 0:23:52.960
<v Speaker 1>surface would be slippery. The answer, in short, is probably not.

0:23:53.760 --> 0:23:56.240
<v Speaker 1>Ice on Earth is slippery because when we set foot

0:23:56.359 --> 0:23:59.000
<v Speaker 1>or skate on it, the pressure, friction and high temperature

0:23:59.000 --> 0:24:01.520
<v Speaker 1>of our shoes or eates melts a tiny amount of ice,

0:24:01.720 --> 0:24:03.600
<v Speaker 1>forming a thin layer of water that acts as a

0:24:03.640 --> 0:24:07.479
<v Speaker 1>lubricant between you and the ice. On Ganny Meat or Europa, however,

0:24:07.520 --> 0:24:10.560
<v Speaker 1>the ice would be so cold and your space suits

0:24:10.600 --> 0:24:14.119
<v Speaker 1>boots would necessarily have to be so heavily insulated that

0:24:14.200 --> 0:24:17.080
<v Speaker 1>it would not melt and would be about equivalent to

0:24:17.160 --> 0:24:20.960
<v Speaker 1>walking on low density rock or sand. Also, the gravity

0:24:21.040 --> 0:24:23.920
<v Speaker 1>is solo that you wouldn't create very much friction or pressure.

0:24:24.800 --> 0:24:29.320
<v Speaker 1>You mentioned John Scalzes The Forever War. Uh, he actually

0:24:29.359 --> 0:24:31.960
<v Speaker 1>got the science wrong on this in his novel The

0:24:32.040 --> 0:24:35.399
<v Speaker 1>recruits are training on Pluto, and he incorrectly describes the

0:24:35.400 --> 0:24:38.560
<v Speaker 1>surface as covered in frozen hydrogen. In the book, the

0:24:38.600 --> 0:24:41.920
<v Speaker 1>outsides of their suits were warm enough above roughly twenty

0:24:41.960 --> 0:24:45.840
<v Speaker 1>degrees kelvin to cause the frozen hydrogen to boil, which

0:24:45.840 --> 0:24:48.440
<v Speaker 1>made it very slippery. In reality, the surface of Pluto

0:24:48.880 --> 0:24:52.440
<v Speaker 1>is minimum thirty three degrees kelvin, which is far too

0:24:52.480 --> 0:24:56.480
<v Speaker 1>warm for either frozen or liquid hydrogen, although still ridiculously

0:24:56.560 --> 0:25:01.280
<v Speaker 1>cold enough to seasonally have nitrogen snow regin snow. Nice.

0:25:01.320 --> 0:25:03.679
<v Speaker 1>I hope this answer is not redundant, as I'm writing

0:25:03.680 --> 0:25:06.320
<v Speaker 1>about three years after the episode in question aired. All

0:25:06.359 --> 0:25:08.720
<v Speaker 1>the best wishes and keep up the good work, Eric, No,

0:25:08.880 --> 0:25:11.879
<v Speaker 1>this is great feedback. I'm glad to know that I

0:25:11.880 --> 0:25:14.840
<v Speaker 1>wouldn't fall on my butt on Ganna made. I do

0:25:14.920 --> 0:25:17.640
<v Speaker 1>remember that being a real fun part of the Forever War.

0:25:18.000 --> 0:25:20.679
<v Speaker 1>It was. It was a fun novel to read. Um.

0:25:20.960 --> 0:25:23.160
<v Speaker 1>It kind of makes me want to revisit some of

0:25:23.200 --> 0:25:27.280
<v Speaker 1>these old like Space Soldier, uh, you know, Power Armor

0:25:27.440 --> 0:25:29.399
<v Speaker 1>novels that I was really into for a while. I

0:25:29.480 --> 0:25:31.280
<v Speaker 1>was speaking of those, you know, I was just the

0:25:31.320 --> 0:25:35.120
<v Speaker 1>other day thinking about thinking about Starship Troopers because I've

0:25:35.200 --> 0:25:38.560
<v Speaker 1>never read the Heinland novel, but I recently rewatched the

0:25:38.640 --> 0:25:42.000
<v Speaker 1>movie Paul Verehoven's Starship Troopers. You know, I saw some

0:25:42.080 --> 0:25:44.679
<v Speaker 1>of our fans talking about it on the discussion module

0:25:44.720 --> 0:25:47.120
<v Speaker 1>and they were like, yeah, it's kind of bad, kind

0:25:47.119 --> 0:25:50.960
<v Speaker 1>of good. Disagree. I think it is a masterpiece. It

0:25:51.080 --> 0:25:54.479
<v Speaker 1>is one of the best satires in American film history.

0:25:54.880 --> 0:25:57.920
<v Speaker 1>It would I would be interested to to to review

0:25:57.960 --> 0:26:01.080
<v Speaker 1>it and to discuss it, because I saw it when

0:26:01.160 --> 0:26:05.959
<v Speaker 1>it first came out, and I remember disliking it. But

0:26:06.240 --> 0:26:08.280
<v Speaker 1>I have a feeling that a lot of my dislike

0:26:08.480 --> 0:26:12.880
<v Speaker 1>was me kind of uh, you know, basically buying into

0:26:13.000 --> 0:26:16.720
<v Speaker 1>this story, to my like, expecting it to be a

0:26:16.840 --> 0:26:19.960
<v Speaker 1>humans Are good, Bugs Are Bad kind of story, and

0:26:20.119 --> 0:26:22.080
<v Speaker 1>something felt kind of icky about it. It did. It

0:26:22.119 --> 0:26:24.639
<v Speaker 1>felt it felt icky, and so it was sort of

0:26:24.680 --> 0:26:27.240
<v Speaker 1>working but it was working. But at the time, I thought, well,

0:26:27.240 --> 0:26:29.920
<v Speaker 1>this this movie is broken. I feel icky after watching

0:26:30.000 --> 0:26:33.000
<v Speaker 1>this film. But no, I think it's it's like a

0:26:33.119 --> 0:26:37.240
<v Speaker 1>genius satire. It's essentially I think it is a propaganda

0:26:37.359 --> 0:26:43.119
<v Speaker 1>film made by a future fascist society. Yeah. Absolutely, Um,

0:26:43.240 --> 0:26:46.280
<v Speaker 1>I would need to reread the book because I'm I'm

0:26:46.320 --> 0:26:48.760
<v Speaker 1>a little hazy on all the details. Like the main

0:26:48.840 --> 0:26:54.439
<v Speaker 1>thing I'm remembering is the Bazukas. So there's the power arm. Oh.

0:26:54.480 --> 0:26:57.800
<v Speaker 1>I mentioned it because I thought there was power in

0:26:57.880 --> 0:27:00.680
<v Speaker 1>the novels, but not in the movies. In the movie,

0:27:00.680 --> 0:27:02.760
<v Speaker 1>as I as I remember, there's no power armor in

0:27:02.760 --> 0:27:05.280
<v Speaker 1>the movie. Right. No, that's right. They cut that part

0:27:05.320 --> 0:27:08.520
<v Speaker 1>out because it's it's straight up space marines, uh in

0:27:08.560 --> 0:27:11.560
<v Speaker 1>the in the novel right, straight up Casper van Dean,

0:27:11.680 --> 0:27:16.280
<v Speaker 1>it's all body with him. Okay, let's take a look

0:27:16.280 --> 0:27:18.080
<v Speaker 1>at the next one. How about this one from our

0:27:18.119 --> 0:27:22.400
<v Speaker 1>recurring correspondent Jesser, who's into Egyptian mythology. Oh yes, let's

0:27:22.400 --> 0:27:26.600
<v Speaker 1>hear Okay, So Jesser says, Hi, I wanted to write

0:27:26.600 --> 0:27:28.639
<v Speaker 1>in to share a couple of things related to your

0:27:28.640 --> 0:27:32.240
<v Speaker 1>recent episodes on narratives. That was the one against narratives

0:27:32.280 --> 0:27:35.400
<v Speaker 1>about the possible, you know, negative consequences of our addiction

0:27:35.440 --> 0:27:39.840
<v Speaker 1>to stories, and also about sacred mountains. So Jesser writes

0:27:40.160 --> 0:27:42.359
<v Speaker 1>in the episode You Happen to use a definition of

0:27:42.440 --> 0:27:45.880
<v Speaker 1>story based on conflict. It reminded me of an essay

0:27:45.880 --> 0:27:49.160
<v Speaker 1>I had read called The Significance of Plot Without Conflict.

0:27:49.520 --> 0:27:52.800
<v Speaker 1>It argues that the idea that story needs conflict is

0:27:52.840 --> 0:27:56.920
<v Speaker 1>a limited view of story structure prevalent in Western culture.

0:27:57.160 --> 0:28:00.880
<v Speaker 1>To demonstrate its point, it discusses the Japanese story structure

0:28:00.960 --> 0:28:05.000
<v Speaker 1>called kisho tin ketsu uh. This structure is made up

0:28:05.040 --> 0:28:11.240
<v Speaker 1>of four acts introduction, development, twist, and resolution, where the

0:28:11.320 --> 0:28:15.159
<v Speaker 1>twist acts like a non sequitur, and the resolution brings

0:28:15.200 --> 0:28:18.320
<v Speaker 1>the introduction and the twist into harmony with each other.

0:28:18.880 --> 0:28:21.760
<v Speaker 1>The example they use is a four panel comic a

0:28:21.840 --> 0:28:24.879
<v Speaker 1>girl standing at a vending machine she buys a soda.

0:28:25.280 --> 0:28:28.119
<v Speaker 1>A boy is sitting on a bench. The girl appears

0:28:28.160 --> 0:28:31.000
<v Speaker 1>and gives him a soda. The essay goes on to

0:28:31.040 --> 0:28:34.159
<v Speaker 1>suggest that the focus on stories as conflict in the

0:28:34.200 --> 0:28:38.400
<v Speaker 1>Western perspective leads people to frame things as conflicts even

0:28:38.400 --> 0:28:41.000
<v Speaker 1>when there is none. On my initial read, I was

0:28:41.080 --> 0:28:44.600
<v Speaker 1>skeptical since you could argue in Kisho tin katsu uh

0:28:44.720 --> 0:28:47.120
<v Speaker 1>that it still uses conflict, just in the form of

0:28:47.160 --> 0:28:51.080
<v Speaker 1>conflicting images instead of a literal conflict. But if the

0:28:51.200 --> 0:28:53.640
<v Speaker 1>narratives we make affects the way we see the world,

0:28:53.960 --> 0:28:57.440
<v Speaker 1>maybe by thinking that conflict is necessary to narrative, we

0:28:57.480 --> 0:29:02.840
<v Speaker 1>make ourselves more prone to see ourselves in conflict with others. Interesting.

0:29:02.880 --> 0:29:06.080
<v Speaker 1>You know, this makes me think of the Miyazaki film

0:29:06.120 --> 0:29:08.880
<v Speaker 1>My Neighbor Totoro um. I don't know to what extent

0:29:09.000 --> 0:29:11.320
<v Speaker 1>this lines up with that, but like Totoro is a

0:29:11.360 --> 0:29:14.760
<v Speaker 1>film that when I watched it before becoming a parent,

0:29:15.040 --> 0:29:17.280
<v Speaker 1>I found it kind of kind of boring and and

0:29:17.280 --> 0:29:19.320
<v Speaker 1>and long, you know, beautiful, but also just kind of

0:29:19.360 --> 0:29:22.320
<v Speaker 1>drawn out and devoid of of much in the way

0:29:22.320 --> 0:29:25.440
<v Speaker 1>of conflict. But I've kind of seen it through my

0:29:25.480 --> 0:29:28.040
<v Speaker 1>son's eyes and now I love it, you know. I

0:29:28.040 --> 0:29:30.880
<v Speaker 1>put it right up there with with NAUSICAA is my

0:29:30.920 --> 0:29:33.240
<v Speaker 1>favorite Miyazaki film. Nasca, of course, is a film that

0:29:33.320 --> 0:29:37.600
<v Speaker 1>has lots of conflict. But Totoro, I mean there's there

0:29:37.680 --> 0:29:42.800
<v Speaker 1>is the plot element about the younger the younger child

0:29:43.440 --> 0:29:46.320
<v Speaker 1>running away and there being some concern over if she's

0:29:46.360 --> 0:29:48.720
<v Speaker 1>okay and having to find her, and then there's concerns

0:29:48.720 --> 0:29:51.600
<v Speaker 1>over the mother's uh illness and her recovering from it.

0:29:51.680 --> 0:29:54.760
<v Speaker 1>So I don't know if it's completely devoid of conflict,

0:29:54.800 --> 0:29:56.720
<v Speaker 1>depending on how you want to Oh no, I I

0:29:56.840 --> 0:29:59.200
<v Speaker 1>say that's definitely not without conflict, because I mean, when

0:29:59.240 --> 0:30:02.080
<v Speaker 1>you think about the role that conflict plays in narrative,

0:30:02.120 --> 0:30:04.160
<v Speaker 1>at least the way I would see it, this is

0:30:04.160 --> 0:30:06.520
<v Speaker 1>what I think I said in the previous episode is

0:30:06.560 --> 0:30:08.960
<v Speaker 1>that you know, what it is is that a character

0:30:09.240 --> 0:30:13.720
<v Speaker 1>that you come to identify with emotionally faces some kind

0:30:13.760 --> 0:30:17.000
<v Speaker 1>of obstacle or problem that they have to overcome, and

0:30:17.040 --> 0:30:20.400
<v Speaker 1>so this is some kind of conflict. It could be

0:30:20.560 --> 0:30:24.640
<v Speaker 1>an actual fight, you know, a conflict, like a violent conflict,

0:30:24.800 --> 0:30:26.320
<v Speaker 1>but it doesn't need to be. It could just be

0:30:26.440 --> 0:30:28.880
<v Speaker 1>that there's something they want to know and they don't

0:30:28.880 --> 0:30:31.440
<v Speaker 1>know it yet, so they need to find out where

0:30:31.480 --> 0:30:34.280
<v Speaker 1>it could be that they maybe, you know, they're all

0:30:34.280 --> 0:30:37.240
<v Speaker 1>these relationship stories. They are in love with somebody or

0:30:37.280 --> 0:30:39.280
<v Speaker 1>they want to be friends with somebody or something like that,

0:30:39.400 --> 0:30:42.719
<v Speaker 1>and it's not working out at first. So conflict doesn't

0:30:42.800 --> 0:30:47.200
<v Speaker 1>to me imply necessarily like violence or anything like that.

0:30:47.240 --> 0:30:48.920
<v Speaker 1>But it's but it does kind of feel like they're

0:30:49.000 --> 0:30:51.720
<v Speaker 1>they're sort of conflict with a capital C, especially in

0:30:51.760 --> 0:30:54.160
<v Speaker 1>Western traditions, where it's got to be like that Disney

0:30:54.160 --> 0:30:58.280
<v Speaker 1>movie conflict where somebody dies or is or it's you know,

0:30:58.320 --> 0:31:00.960
<v Speaker 1>it's it's it's mythic in the sense that somebody's kidnapped

0:31:01.000 --> 0:31:03.680
<v Speaker 1>by say a tin headed demon king. But if the if,

0:31:03.720 --> 0:31:06.560
<v Speaker 1>the if the conflict is is more of you know,

0:31:06.680 --> 0:31:10.800
<v Speaker 1>subtle it's like you know, maze feelings about her mother

0:31:10.880 --> 0:31:14.160
<v Speaker 1>and totoro, uh, that sort of thing, like it's it

0:31:14.200 --> 0:31:16.640
<v Speaker 1>seems like a slightly different animal. I mean, likewise, to

0:31:16.640 --> 0:31:20.440
<v Speaker 1>go back to this example of of the girl standing

0:31:20.440 --> 0:31:22.960
<v Speaker 1>by a vending machine buying a soda, a boy setting

0:31:23.320 --> 0:31:25.240
<v Speaker 1>on a bench, and then a girl appears to give

0:31:25.280 --> 0:31:29.440
<v Speaker 1>him a soda, like arguably to their point, you know,

0:31:29.680 --> 0:31:33.520
<v Speaker 1>this could be seen as conflict like she she perhaps

0:31:33.320 --> 0:31:35.800
<v Speaker 1>it says, oh, there's somebody without a soda I should share,

0:31:36.400 --> 0:31:39.680
<v Speaker 1>and that that in and of itself, there's a problem

0:31:39.720 --> 0:31:41.840
<v Speaker 1>to resolve, problem that needs to be resolved, some sort

0:31:41.880 --> 0:31:45.240
<v Speaker 1>of growth that needs to take place within that character. Yeah,

0:31:45.280 --> 0:31:47.880
<v Speaker 1>I'm I'm totally open to the idea that there are

0:31:47.880 --> 0:31:50.960
<v Speaker 1>are other forms of narratives. I mean, I still do.

0:31:51.080 --> 0:31:54.280
<v Speaker 1>When I look at stuff like this, it does seem

0:31:54.320 --> 0:31:57.080
<v Speaker 1>to me like there is there is like empathy with

0:31:57.200 --> 0:32:00.720
<v Speaker 1>characters and a desire to resolve some kind end of obstacle.

0:32:01.000 --> 0:32:03.640
<v Speaker 1>I mean, even when I think about this, this four

0:32:03.680 --> 0:32:06.760
<v Speaker 1>panel comic, I start imagining things like that. So maybe

0:32:06.760 --> 0:32:09.400
<v Speaker 1>that's just me projecting on it, but I start to imagine,

0:32:09.840 --> 0:32:14.360
<v Speaker 1>um a subtextual conflict where the boy sitting alone on

0:32:14.400 --> 0:32:17.200
<v Speaker 1>the bench was lonely, and now this girl appears and

0:32:17.240 --> 0:32:19.760
<v Speaker 1>gives him a soda, and now there's a friendship, which

0:32:19.760 --> 0:32:22.720
<v Speaker 1>is a kind of resolution of a psychic conflict. Right,

0:32:22.880 --> 0:32:24.680
<v Speaker 1>Or if you just really you get the thing about

0:32:24.760 --> 0:32:26.959
<v Speaker 1>narrative that you can just really go hog wild with it, right,

0:32:26.960 --> 0:32:29.960
<v Speaker 1>and you can say she's a vampire. She never intended

0:32:30.000 --> 0:32:32.840
<v Speaker 1>to drink that soda. She bought that soda in order

0:32:32.880 --> 0:32:35.680
<v Speaker 1>to gain the boys trust so that she might drain

0:32:35.760 --> 0:32:38.640
<v Speaker 1>his vital essence. But I'm obviously reading way too much

0:32:38.680 --> 0:32:41.360
<v Speaker 1>into it. Well yeah, I mean, obviously we want to

0:32:41.400 --> 0:32:44.600
<v Speaker 1>read conflicts into it. But this is a really good point.

0:32:44.720 --> 0:32:48.240
<v Speaker 1>Maybe thinking of narrative in terms of conflict is somehow

0:32:48.280 --> 0:32:51.520
<v Speaker 1>limiting or or I don't know. You've definitely given me

0:32:51.600 --> 0:32:54.160
<v Speaker 1>something to think about, so thank you, Jesser. But the

0:32:54.200 --> 0:32:56.960
<v Speaker 1>email is not over. As usual, Jesser has something to

0:32:56.960 --> 0:33:01.800
<v Speaker 1>say about Egyptian mythology, so uh, the listener continues here.

0:33:01.920 --> 0:33:05.400
<v Speaker 1>You also made passing reference to cyclical and linear time,

0:33:05.520 --> 0:33:07.880
<v Speaker 1>and I can't pass up an opportunity to share a

0:33:07.920 --> 0:33:11.080
<v Speaker 1>fact about ancient Egypt. Robert, I know you love cyclical

0:33:11.120 --> 0:33:14.840
<v Speaker 1>and linear time, so strap in here. The Egyptian language

0:33:14.840 --> 0:33:19.320
<v Speaker 1>has two terms for eternity, depending on whether you were

0:33:19.320 --> 0:33:24.600
<v Speaker 1>talking about eternity in cyclical nine or linear diet time.

0:33:25.320 --> 0:33:28.800
<v Speaker 1>In the Search for God in Ancient Egypt, Jan Osman

0:33:29.160 --> 0:33:32.600
<v Speaker 1>described the dual eternity ees quote, it is often said

0:33:32.640 --> 0:33:36.280
<v Speaker 1>of nine time that it comes. It is time as

0:33:36.360 --> 0:33:40.880
<v Speaker 1>an incessantly pulsating stream of days, months, seasons, and years.

0:33:41.480 --> 0:33:46.960
<v Speaker 1>Yet time, however, remains, lasts and endures. And then Yesser says,

0:33:47.000 --> 0:33:50.560
<v Speaker 1>for bonus points, nene could be an idiophone for repetition.

0:33:51.480 --> 0:33:54.800
<v Speaker 1>An interesting yeah. In your episode about Sacred Mountains, you

0:33:54.840 --> 0:33:57.840
<v Speaker 1>mentioned the myth of king like Haon feeding human flesh

0:33:57.880 --> 0:34:00.480
<v Speaker 1>to Zeus and the evidence that sugg Us there was

0:34:00.520 --> 0:34:03.440
<v Speaker 1>once human sacrifice to Zeus on Mountain, like ka On.

0:34:04.080 --> 0:34:07.320
<v Speaker 1>Maybe the myth was a bit of pr work on

0:34:07.400 --> 0:34:10.719
<v Speaker 1>the part of the priests of Zeus like Chaos, explaining

0:34:10.800 --> 0:34:15.120
<v Speaker 1>why Zeus used to take human sacrifices, but reassuring us

0:34:15.200 --> 0:34:18.960
<v Speaker 1>that it was a mistake, not a bad theory. Yeah.

0:34:19.000 --> 0:34:21.239
<v Speaker 1>In fact, I've read about theories like this before, and

0:34:21.280 --> 0:34:23.200
<v Speaker 1>not things that are known for sure, but like the

0:34:23.239 --> 0:34:28.320
<v Speaker 1>idea that religions that have animal sacrifices often they be

0:34:28.640 --> 0:34:31.480
<v Speaker 1>over time. They came in as a sort of substitute

0:34:31.520 --> 0:34:34.719
<v Speaker 1>for a previous practice of human sacrifice, and there's often

0:34:34.880 --> 0:34:38.760
<v Speaker 1>a myth saying like why the god does not accept

0:34:38.800 --> 0:34:42.520
<v Speaker 1>human sacrifices anymore. It's like the priests are like working

0:34:42.560 --> 0:34:44.680
<v Speaker 1>over time to say like, that's not the deal anymore.

0:34:45.840 --> 0:34:48.560
<v Speaker 1>I mean, it's almost perfectly there. Again, not knowing that

0:34:48.560 --> 0:34:51.360
<v Speaker 1>this is the correct explanation, but it's a very interesting

0:34:51.400 --> 0:34:54.000
<v Speaker 1>way of interpreting, like the binding of Isaac. Yeah again

0:34:54.040 --> 0:34:55.680
<v Speaker 1>it is. We've We've discussed in the show before. It's

0:34:55.680 --> 0:35:00.400
<v Speaker 1>important to realize that that religions and mythologiculture to sans

0:35:00.400 --> 0:35:04.440
<v Speaker 1>evolved there. They are not set in stone. Okay, one

0:35:04.520 --> 0:35:07.640
<v Speaker 1>last thing from Jesser here, Jesser says. Also, the book

0:35:07.760 --> 0:35:10.080
<v Speaker 1>Banner in the Sky, written in the nineteen fifties by

0:35:10.080 --> 0:35:14.279
<v Speaker 1>the mountaineer James Ramsey Ullman, features third man syndrome as

0:35:14.320 --> 0:35:17.000
<v Speaker 1>a plot point. While climbing the mountain alone, the young

0:35:17.040 --> 0:35:20.279
<v Speaker 1>protagonist Rudy feels as though he's being followed by some

0:35:20.320 --> 0:35:23.319
<v Speaker 1>sort of demon or spirit, but as he overcomes his

0:35:23.360 --> 0:35:25.680
<v Speaker 1>initial fear, he comes to think of it as if

0:35:25.719 --> 0:35:28.840
<v Speaker 1>it's his father's ghost guiding him. I always thought it

0:35:28.880 --> 0:35:32.279
<v Speaker 1>was just symbolic, but maybe it was inspired by actual experience.

0:35:32.560 --> 0:35:34.160
<v Speaker 1>Thanks for all the work you put into making the

0:35:34.160 --> 0:35:40.000
<v Speaker 1>podcast so consistently interesting and insightful, your pseudonymous Egyptologist Jesser, Well,

0:35:40.040 --> 0:35:43.480
<v Speaker 1>thank you so much. As usual, great email. Awesome. Yeah,

0:35:43.480 --> 0:35:46.680
<v Speaker 1>I got to touch on several different episodes that we've

0:35:46.719 --> 0:35:49.839
<v Speaker 1>covered recently in that one. Alright, Well, on that note,

0:35:49.920 --> 0:35:52.120
<v Speaker 1>we're gonna take one more break, but when we come back,

0:35:52.239 --> 0:35:55.200
<v Speaker 1>we have even more listener mail to share with you.

0:35:56.440 --> 0:36:00.239
<v Speaker 1>Thank thank Alright, we're back. This one comes to us

0:36:00.280 --> 0:36:02.919
<v Speaker 1>about our Sender Raven episode or send an Owl's into

0:36:02.920 --> 0:36:06.120
<v Speaker 1>pigeon uh into this from our listener, Anna, Anna says, Hi,

0:36:06.239 --> 0:36:09.360
<v Speaker 1>Robert and Joe I love your podcast, and I'm listening

0:36:09.400 --> 0:36:12.920
<v Speaker 1>to your other podcast, Invention and enjoying that too. See

0:36:13.000 --> 0:36:15.360
<v Speaker 1>Anna's enjoying it. If you're not listening yet, you should

0:36:15.360 --> 0:36:18.560
<v Speaker 1>get on that. Go over there subscribe to Invention. Absolutely.

0:36:19.000 --> 0:36:21.680
<v Speaker 1>Uh so, Anna says, I've gotten a little behind on

0:36:21.719 --> 0:36:23.880
<v Speaker 1>my podcast. I just listen to your episode about the

0:36:23.960 --> 0:36:26.440
<v Speaker 1>use of birds as messengers. You're not that behind. That

0:36:26.520 --> 0:36:29.279
<v Speaker 1>was just like last week. Yeah. Um, I do not

0:36:29.440 --> 0:36:31.600
<v Speaker 1>know about other birds used as a messenger, but I

0:36:31.600 --> 0:36:34.880
<v Speaker 1>do remember a fact about other uses for ravens. Perhaps

0:36:34.880 --> 0:36:38.439
<v Speaker 1>other fans have emailed you about this already, they had not, Anna,

0:36:38.560 --> 0:36:42.120
<v Speaker 1>Anna says ravens are part of Vikings slash Norse mythology,

0:36:42.320 --> 0:36:45.080
<v Speaker 1>but apparently Vikings also had a real world use for

0:36:45.200 --> 0:36:48.160
<v Speaker 1>ravens too. In this case, they're short flying range that

0:36:48.239 --> 0:36:50.840
<v Speaker 1>you spoke of in the episode came to the advantage

0:36:50.840 --> 0:36:53.120
<v Speaker 1>of the Vikings. When the Vikings were out on a

0:36:53.200 --> 0:36:55.960
<v Speaker 1>long sea voyage, they would send out a raven, and

0:36:56.000 --> 0:36:58.399
<v Speaker 1>if the raven came back, they knew they were far

0:36:58.480 --> 0:37:01.040
<v Speaker 1>from land. If the raven did not come back, they

0:37:01.080 --> 0:37:03.359
<v Speaker 1>knew the raven must have landed and they would soon

0:37:03.480 --> 0:37:06.200
<v Speaker 1>find land. Maybe there is a link with the biblical

0:37:06.280 --> 0:37:08.800
<v Speaker 1>story of the arc. Perhaps Noah sent out a raven

0:37:08.840 --> 0:37:11.120
<v Speaker 1>to see if the flood was over. Remember in the

0:37:11.640 --> 0:37:13.839
<v Speaker 1>in the story of Noah's Ark, before he sends out

0:37:13.880 --> 0:37:15.759
<v Speaker 1>the doves, he sends out a raven. Then it just

0:37:15.800 --> 0:37:18.840
<v Speaker 1>never says what happened with the ravend And I just

0:37:18.880 --> 0:37:21.000
<v Speaker 1>wanted to add, yeah, this is actually a part of

0:37:21.040 --> 0:37:24.160
<v Speaker 1>the letter. I don't know if this is historically factual

0:37:24.280 --> 0:37:26.279
<v Speaker 1>or if it's just part of the legend, but either way,

0:37:26.400 --> 0:37:29.759
<v Speaker 1>the story of the discovery of Iceland or maybe not

0:37:29.800 --> 0:37:33.440
<v Speaker 1>the discovery, like the first deliberate journey to Iceland by

0:37:33.440 --> 0:37:37.120
<v Speaker 1>a Viking sea voyager, it was that ravens were used

0:37:37.160 --> 0:37:39.600
<v Speaker 1>to locate Iceland from out in the sea. And it

0:37:39.600 --> 0:37:41.880
<v Speaker 1>seems to me like that might probably work because the

0:37:41.920 --> 0:37:43.919
<v Speaker 1>idea is, you know, like you have a crow's nest

0:37:43.960 --> 0:37:46.520
<v Speaker 1>in a boat to get up there and see farther

0:37:46.640 --> 0:37:49.200
<v Speaker 1>to see if you can find land. If you allow

0:37:49.239 --> 0:37:51.239
<v Speaker 1>a bird to fly up, it can go way up

0:37:51.280 --> 0:37:53.400
<v Speaker 1>in the sky and and look around for land, and

0:37:53.440 --> 0:37:55.799
<v Speaker 1>if it sees something, then you're in luck. Sort of

0:37:55.840 --> 0:38:00.600
<v Speaker 1>like extending your crow's nest like hundreds of feet Uh. Anyway,

0:38:00.640 --> 0:38:03.880
<v Speaker 1>Anna continues. Another random fact I learned recently is that

0:38:04.200 --> 0:38:08.480
<v Speaker 1>recent research shows that all birds originally evolved from Australia.

0:38:08.760 --> 0:38:11.840
<v Speaker 1>Now I think, and I think this is actually a

0:38:11.880 --> 0:38:14.880
<v Speaker 1>typo here. I think she meant to say all songbirds

0:38:15.239 --> 0:38:17.760
<v Speaker 1>originated from Australia. Because I looked this up, I couldn't

0:38:17.760 --> 0:38:21.320
<v Speaker 1>find evidence about all birds, but all songbirds did evolve

0:38:21.360 --> 0:38:25.239
<v Speaker 1>from a common ancestor in Australia. And songbirds, of course

0:38:25.239 --> 0:38:28.800
<v Speaker 1>are a huge subset of all birds, comprising the clade Passeri.

0:38:28.880 --> 0:38:31.600
<v Speaker 1>In their line did originally come from Australia about twenty

0:38:31.600 --> 0:38:34.200
<v Speaker 1>four million years ago. So I think that's what she meant,

0:38:34.719 --> 0:38:37.160
<v Speaker 1>She continues. I learned this on a podcast by Dr

0:38:37.239 --> 0:38:41.640
<v Speaker 1>Carl Cruisel Nikki cruizal Nikki. Here in Australia, we just

0:38:41.680 --> 0:38:44.920
<v Speaker 1>call him Dr Carl. Sounds kind of sketchy, but I

0:38:44.920 --> 0:38:47.680
<v Speaker 1>looked him up and he looks legit. I like Dr Carl.

0:38:48.360 --> 0:38:50.680
<v Speaker 1>She says. He has a few podcasts, he's written something

0:38:50.719 --> 0:38:53.560
<v Speaker 1>like fifty books, and he's been declared a National Treasure

0:38:53.600 --> 0:38:57.120
<v Speaker 1>of Australia. He's even won an ig Nobel Prize. There,

0:38:58.320 --> 0:39:01.719
<v Speaker 1>I enjoy your scientific approach, an open minded skepticism. And

0:39:01.760 --> 0:39:04.200
<v Speaker 1>I think Dr Carl has some of the same approach

0:39:04.520 --> 0:39:07.000
<v Speaker 1>keep up the good work and uh uh so I

0:39:07.040 --> 0:39:09.160
<v Speaker 1>wasn't familiar with Dr Carl, but I read a bit

0:39:09.200 --> 0:39:12.720
<v Speaker 1>on him. He sounds interesting and apparently he's affected by prosopagnosia,

0:39:12.800 --> 0:39:15.719
<v Speaker 1>which we've talked about, yeah, on the show before, and

0:39:15.760 --> 0:39:19.120
<v Speaker 1>he's got like strategies for how to identify people interesting.

0:39:19.880 --> 0:39:21.800
<v Speaker 1>I should mention, as long as we're talking about that

0:39:21.840 --> 0:39:25.960
<v Speaker 1>Sender Raven episode. Somebody on the the Stuffable in your

0:39:25.960 --> 0:39:28.320
<v Speaker 1>Mind discussion module, which of course is our our Facebook

0:39:28.360 --> 0:39:32.120
<v Speaker 1>discussion group, which is really the the the only place

0:39:32.160 --> 0:39:34.879
<v Speaker 1>if you want to um, you know, interact with us

0:39:34.880 --> 0:39:37.160
<v Speaker 1>on social media or of course interact with plenty of

0:39:37.160 --> 0:39:41.800
<v Speaker 1>other listeners. But somebody brought up that Frank Herbert's Dune

0:39:41.800 --> 0:39:45.400
<v Speaker 1>features a plot element in which the Freeman, the the

0:39:45.400 --> 0:39:49.480
<v Speaker 1>the the sort of nomadic people of Iracus use bats

0:39:49.520 --> 0:39:54.080
<v Speaker 1>to send messages, and i'd completely yeah, I've read Dune

0:39:54.280 --> 0:39:57.239
<v Speaker 1>like multiple times and and it is if you listen

0:39:57.280 --> 0:39:59.600
<v Speaker 1>to the show. You know, I am usually not shy

0:39:59.719 --> 0:40:02.600
<v Speaker 1>about thrown in a Dune reference, but I completely spaced

0:40:02.640 --> 0:40:04.920
<v Speaker 1>on the bats. Totally makes sense on a Racus, they

0:40:04.920 --> 0:40:07.759
<v Speaker 1>can cross distances without the threat of worms, right if

0:40:07.800 --> 0:40:10.680
<v Speaker 1>they can fly? Yeah, but maybe we should come back

0:40:10.680 --> 0:40:12.759
<v Speaker 1>and do an add on to that episode and look

0:40:12.760 --> 0:40:15.960
<v Speaker 1>at the bats, yeah you know it or any inats

0:40:16.000 --> 0:40:17.680
<v Speaker 1>that come up, messenger bats, could you know, could it

0:40:17.680 --> 0:40:20.480
<v Speaker 1>be done? What? What? We just we should approach them

0:40:20.520 --> 0:40:22.160
<v Speaker 1>as well and sort of you know, a tack on

0:40:22.200 --> 0:40:24.920
<v Speaker 1>a segment to that episode. Speaking of things that fly.

0:40:25.120 --> 0:40:28.600
<v Speaker 1>We also got an email from a listener named Christian.

0:40:28.680 --> 0:40:32.400
<v Speaker 1>Not our former co host Christian, but a listener Christian

0:40:32.480 --> 0:40:36.279
<v Speaker 1>about Cupid's Lead arrows. That was a fun episode, Yeah, yeah,

0:40:36.320 --> 0:40:40.200
<v Speaker 1>where we talked about Cupid and this like the mythological

0:40:40.640 --> 0:40:42.960
<v Speaker 1>use of lead, and then also we just got into

0:40:43.040 --> 0:40:46.920
<v Speaker 1>lead itself. But Christian writs in and says, hey, guys,

0:40:46.960 --> 0:40:49.839
<v Speaker 1>I'm listening to Cupid's Lead an arrow and heard one

0:40:49.880 --> 0:40:51.960
<v Speaker 1>of you say that you wouldn't want a lead hammer.

0:40:52.160 --> 0:40:55.360
<v Speaker 1>In fact, I have one. What I think that was

0:40:55.480 --> 0:40:57.640
<v Speaker 1>me that said it, But I mean it makes us

0:40:57.719 --> 0:40:59.920
<v Speaker 1>lead as kind of soft. If you're beating something with

0:41:00.080 --> 0:41:02.920
<v Speaker 1>lead for a long time, would probably deformed the hammer head.

0:41:02.920 --> 0:41:04.319
<v Speaker 1>When we were talking about you have the limits of

0:41:04.440 --> 0:41:09.440
<v Speaker 1>using lead in in in weaponry, yeah, uh, anyway, Christian

0:41:09.440 --> 0:41:13.680
<v Speaker 1>continues quote. British cars from the sixties frequently had wheels

0:41:13.760 --> 0:41:17.399
<v Speaker 1>attached using a spinner basically a large single lug nut

0:41:17.480 --> 0:41:20.640
<v Speaker 1>at the center of the hub. A lead faced hammer

0:41:20.760 --> 0:41:23.760
<v Speaker 1>is used to remove the spinner by whacking the blades

0:41:23.800 --> 0:41:26.640
<v Speaker 1>that protrude out from the center of the cab. Because

0:41:26.640 --> 0:41:29.640
<v Speaker 1>the lead is soft, this doesn't damage the chrome finish

0:41:29.840 --> 0:41:33.960
<v Speaker 1>of the spinner. Okay, as always keep up the good work, Christian,

0:41:34.640 --> 0:41:37.799
<v Speaker 1>I stand corrected. Lead hammer is totally a thing there

0:41:37.800 --> 0:41:40.440
<v Speaker 1>you go, not so much for whacking skulls, but when

0:41:40.440 --> 0:41:43.600
<v Speaker 1>you need, but when you need a subtle approach as

0:41:43.680 --> 0:41:47.080
<v Speaker 1>as clearly as the case with the with these spinners.

0:41:47.360 --> 0:41:48.919
<v Speaker 1>You know, I do want to say that I'm sure

0:41:48.920 --> 0:41:51.720
<v Speaker 1>you could probably hurt somebody really bad with the lead hammer.

0:41:51.760 --> 0:41:53.880
<v Speaker 1>It's not that like it wouldn't I mean would be heavy.

0:41:53.920 --> 0:41:56.319
<v Speaker 1>You could still hurt somebody. It just probably wouldn't hold

0:41:56.360 --> 0:41:59.759
<v Speaker 1>up over time, right, And of course the weaponry and

0:42:00.320 --> 0:42:05.040
<v Speaker 1>the history of military technology, it's about usually about inflicting

0:42:05.080 --> 0:42:07.680
<v Speaker 1>the most harm and then also having uh you know,

0:42:07.760 --> 0:42:11.120
<v Speaker 1>some sort of durability to the weapons you've created, right, Okay.

0:42:11.360 --> 0:42:13.920
<v Speaker 1>Quick email from our listener Emily In response to the

0:42:14.040 --> 0:42:17.399
<v Speaker 1>bugs under the Skin episode, Emily says, Hey, I'm sure

0:42:17.480 --> 0:42:20.040
<v Speaker 1>you've been sent this already, but just in case you haven't,

0:42:20.080 --> 0:42:22.920
<v Speaker 1>regarding bugs under the skin, check this out. She sends

0:42:22.920 --> 0:42:25.440
<v Speaker 1>a link. It's a link to the story that you

0:42:25.520 --> 0:42:28.200
<v Speaker 1>may have seen already about the woman who had four

0:42:28.280 --> 0:42:32.120
<v Speaker 1>bees living under her eyelid eating her tears. Did you

0:42:32.239 --> 0:42:36.880
<v Speaker 1>come across this everywhere? Right after our episode came out? Everywhere?

0:42:37.480 --> 0:42:39.560
<v Speaker 1>I found her right up in the Atlantic by Hailey

0:42:39.640 --> 0:42:42.239
<v Speaker 1>weiss Uh. Just to read a quick quote from it,

0:42:42.960 --> 0:42:45.360
<v Speaker 1>beastings hurt like hell, but there's a reason to consider

0:42:45.400 --> 0:42:48.000
<v Speaker 1>yourself lucky if a venomous prick is the worst you've

0:42:48.000 --> 0:42:52.040
<v Speaker 1>suffered from bees. Last week, Taiwan CTS News Channel reported

0:42:52.080 --> 0:42:54.000
<v Speaker 1>the twenty nine year old woman had gone out for

0:42:54.000 --> 0:42:56.640
<v Speaker 1>a walk in the mountains and returned home with I

0:42:56.880 --> 0:42:59.920
<v Speaker 1>pain that wouldn't go away. The next day, an optimologist

0:43:00.040 --> 0:43:04.160
<v Speaker 1>hold four bees, all still alive, from under her right eyelid.

0:43:04.600 --> 0:43:07.360
<v Speaker 1>So the stories they were living under her right eyelid

0:43:07.480 --> 0:43:10.640
<v Speaker 1>and they've been feeding on her tears. A little later

0:43:10.680 --> 0:43:13.719
<v Speaker 1>in the article, quote as Hung Cheating, who treated the

0:43:13.760 --> 0:43:17.239
<v Speaker 1>woman at Fuyan University Hospital in Taiwan explained at a

0:43:17.360 --> 0:43:20.920
<v Speaker 1>press conference, these dark colored bees were ant size members

0:43:20.920 --> 0:43:24.759
<v Speaker 1>of the family known as how lick. Today, colloquially they're

0:43:24.760 --> 0:43:27.400
<v Speaker 1>called sweat bees, named after one of their favorite foods.

0:43:28.040 --> 0:43:30.920
<v Speaker 1>And apparently these insects are attracted to our protein and

0:43:31.000 --> 0:43:34.320
<v Speaker 1>sodium rich body fluids like sweat, but they like tears

0:43:34.480 --> 0:43:37.759
<v Speaker 1>even more than sweat because tears are more nutrient rich.

0:43:38.600 --> 0:43:41.720
<v Speaker 1>There's something almost mythological about this, right, just the idea

0:43:41.760 --> 0:43:44.800
<v Speaker 1>of like the bees feasting on her tears and living

0:43:44.800 --> 0:43:48.120
<v Speaker 1>in her eyes. Um Like, I think the first time

0:43:48.160 --> 0:43:50.960
<v Speaker 1>I saw it, after our episode came out, I kind

0:43:50.960 --> 0:43:53.239
<v Speaker 1>of dismissed it. I'm like, nope, that that can't be right.

0:43:53.280 --> 0:43:56.439
<v Speaker 1>That just sounds too too perfect. Somehow, it's just too

0:43:56.480 --> 0:44:01.400
<v Speaker 1>there's too much um structural integrity to the idea. It

0:44:01.680 --> 0:44:05.480
<v Speaker 1>couldn't have actually have happened, but it seems like it happened.

0:44:05.600 --> 0:44:07.799
<v Speaker 1>That it's been covered enough. Yeah, it's one of those

0:44:07.800 --> 0:44:11.279
<v Speaker 1>times where reality feels like a story. Yeah, all right.

0:44:11.360 --> 0:44:13.560
<v Speaker 1>We have a couple of bits of listener mail that

0:44:13.600 --> 0:44:17.080
<v Speaker 1>came in about our our episodes and f a of

0:44:17.239 --> 0:44:20.399
<v Speaker 1>the fundamental attribution error. Uh, those were some I think

0:44:20.440 --> 0:44:23.640
<v Speaker 1>some very thought provoking episodes and fun. I think we

0:44:23.680 --> 0:44:26.520
<v Speaker 1>really put the fun in fundamental attribution here. I think

0:44:26.560 --> 0:44:30.160
<v Speaker 1>so too, Now, quick refresher, that's just are sort of

0:44:30.239 --> 0:44:35.080
<v Speaker 1>bias or tendency to um over ascribe things to people's

0:44:35.280 --> 0:44:40.760
<v Speaker 1>fundamental internal qualities and under ascribed behaviors to people's unique

0:44:40.800 --> 0:44:44.280
<v Speaker 1>situations and moment to moment, right, Like a rough version

0:44:44.280 --> 0:44:47.719
<v Speaker 1>would be like those those people who ate those other

0:44:47.719 --> 0:44:51.359
<v Speaker 1>people in the mountains. Uh, they turned to cannibalism because

0:44:51.400 --> 0:44:54.200
<v Speaker 1>they are cannibals, as opposed to saying they turned to

0:44:54.200 --> 0:44:56.920
<v Speaker 1>cannibalism because they were in like a really harsh environmental

0:44:56.920 --> 0:45:00.359
<v Speaker 1>condition and we're in a high stress survival situation. Yeah,

0:45:00.400 --> 0:45:02.799
<v Speaker 1>and that's an extreme version. But well, and of course

0:45:02.840 --> 0:45:06.200
<v Speaker 1>all behaviors are explained by both, you know, internal qualities

0:45:06.200 --> 0:45:09.799
<v Speaker 1>and external factors, but we just tend to over emphasize

0:45:09.840 --> 0:45:13.440
<v Speaker 1>internal qualities when we assess why things happen, right, certainly

0:45:13.440 --> 0:45:17.000
<v Speaker 1>in the West. Yeah, So our listener Justin wrote in,

0:45:17.040 --> 0:45:18.920
<v Speaker 1>and first of all, Justin recommended that we do an

0:45:18.960 --> 0:45:20.920
<v Speaker 1>episode on the name of the Rose. I think that's

0:45:20.920 --> 0:45:23.880
<v Speaker 1>an interesting idea. Oh yeah, it's one of my favorite

0:45:23.920 --> 0:45:26.799
<v Speaker 1>books you've recently read. It and uh and I also

0:45:26.880 --> 0:45:29.839
<v Speaker 1>really dig the movie, and there's a new adaptation coming

0:45:29.840 --> 0:45:33.479
<v Speaker 1>out with John Taturo as a brother Williams. I can't

0:45:33.480 --> 0:45:36.040
<v Speaker 1>wait to see that. But yeah, I loved this book also.

0:45:36.080 --> 0:45:38.440
<v Speaker 1>I will say it's one of the few mystery stories

0:45:38.480 --> 0:45:42.120
<v Speaker 1>I've read where the ending solution to the mystery is

0:45:42.120 --> 0:45:45.600
<v Speaker 1>actually truly satisfying. Usually I feel like the end of

0:45:45.600 --> 0:45:47.960
<v Speaker 1>a mystery is a letdown. Uh. Not so with the

0:45:48.000 --> 0:45:50.520
<v Speaker 1>name of the Rose. But anyway, so yeah, I think

0:45:50.520 --> 0:45:52.920
<v Speaker 1>that's a great idea. We may come back to that

0:45:52.960 --> 0:45:54.920
<v Speaker 1>in the future. But then Justin wrote with it, Oh,

0:45:55.000 --> 0:45:56.479
<v Speaker 1>you know what, I put this in the wrong place

0:45:56.480 --> 0:45:58.479
<v Speaker 1>in our outline. So we do have some emails about

0:45:58.520 --> 0:46:00.640
<v Speaker 1>fundamental attribution error. Will get to in a minute. This

0:46:00.640 --> 0:46:03.759
<v Speaker 1>one actually is in response to our narrative episode. Uh,

0:46:03.800 --> 0:46:06.920
<v Speaker 1>so fa the explanation we just gave. Put that on

0:46:07.000 --> 0:46:08.919
<v Speaker 1>hold for the fun is on the way, But first

0:46:08.920 --> 0:46:11.759
<v Speaker 1>a little more narrative. Okay, So Justin Wrights, thank you

0:46:11.840 --> 0:46:14.200
<v Speaker 1>so much for your cast on storytelling. As a guy

0:46:14.239 --> 0:46:17.080
<v Speaker 1>developing new drugs to treat bacterial infections, the notion of

0:46:17.080 --> 0:46:21.640
<v Speaker 1>storytelling is heavily marketed for scientists and also for venture capitalists.

0:46:21.880 --> 0:46:26.040
<v Speaker 1>Story is important, but selectively as a tactic. Unfortunately, what

0:46:26.080 --> 0:46:29.279
<v Speaker 1>we've seen in the industry is that fundraising dollars are

0:46:29.320 --> 0:46:32.040
<v Speaker 1>flowing from venture capitalists to companies that have spent many

0:46:32.120 --> 0:46:35.480
<v Speaker 1>years and tremendous effort on developing good stories, rather than

0:46:35.520 --> 0:46:39.160
<v Speaker 1>dedicate that heavily time intensive effort on the science and

0:46:39.280 --> 0:46:42.160
<v Speaker 1>understanding of disease biology of the drug they are trying

0:46:42.160 --> 0:46:45.200
<v Speaker 1>to develop. The result of this behavior is that these

0:46:45.680 --> 0:46:50.360
<v Speaker 1>quote unquote over storied biotech companies are largely, with few exceptions,

0:46:50.520 --> 0:46:54.239
<v Speaker 1>creating drugs that are marginal improvements on existing treatments, and

0:46:54.280 --> 0:46:57.360
<v Speaker 1>because they soak up so much of the venture capital funding,

0:46:57.680 --> 0:47:01.240
<v Speaker 1>they indirectly harm more innovative company is with novel solutions

0:47:01.280 --> 0:47:05.480
<v Speaker 1>to significant and long standing, unaddressed problems in medicine. Tactically,

0:47:05.520 --> 0:47:08.520
<v Speaker 1>I've made a time for my company to delay creating

0:47:08.560 --> 0:47:11.320
<v Speaker 1>and marketing the story of our technology until the final

0:47:11.360 --> 0:47:15.240
<v Speaker 1>animal study comes in to confirm as UH as such

0:47:15.280 --> 0:47:18.120
<v Speaker 1>without reasonable doubt. Thank you so much. I hope this

0:47:18.160 --> 0:47:21.640
<v Speaker 1>was thought provoking. Best justin, Well, that's interesting justin to

0:47:21.719 --> 0:47:24.080
<v Speaker 1>hear from you in the industry. I think you're exactly

0:47:24.160 --> 0:47:27.759
<v Speaker 1>right that like of course, stories are huge in marketing,

0:47:28.400 --> 0:47:31.960
<v Speaker 1>and something I often recognize as you know, it's not

0:47:32.080 --> 0:47:34.879
<v Speaker 1>just going to be in biotechnology and uh and and

0:47:34.960 --> 0:47:37.560
<v Speaker 1>you know, developing new pharmaceuticals and all that. It's in

0:47:37.600 --> 0:47:41.680
<v Speaker 1>all kinds of industries. That I noticed that the free

0:47:41.680 --> 0:47:46.000
<v Speaker 1>market often tends to invite people to focus as much

0:47:46.120 --> 0:47:49.120
<v Speaker 1>or more on marketing a product as they do on

0:47:49.400 --> 0:47:52.319
<v Speaker 1>coming up with a good product to begin with. And

0:47:52.400 --> 0:47:54.719
<v Speaker 1>the huge part of that marketing is trying to tell

0:47:54.719 --> 0:47:57.120
<v Speaker 1>a story. Well, yeah, I mean, certainly this is the

0:47:57.160 --> 0:47:59.160
<v Speaker 1>case in advertising. I caught an ad just the other

0:47:59.239 --> 0:48:01.080
<v Speaker 1>day for a medic cation I think it was for

0:48:02.200 --> 0:48:05.640
<v Speaker 1>It was something to do with digestion and bowels and

0:48:05.640 --> 0:48:07.879
<v Speaker 1>and it was like a couple and they were trying

0:48:07.920 --> 0:48:09.799
<v Speaker 1>to decide whether to go this way or that way,

0:48:10.040 --> 0:48:12.000
<v Speaker 1>but thanks to the medication, they were able to go

0:48:12.239 --> 0:48:15.840
<v Speaker 1>across a giant rope bridge. And I mean, it's I

0:48:15.840 --> 0:48:18.480
<v Speaker 1>have to admire. It's like there's some subtle storytelling there

0:48:18.920 --> 0:48:22.480
<v Speaker 1>that makes the whole advertisement more memorable and makes you

0:48:22.600 --> 0:48:27.200
<v Speaker 1>place the problem and the solution that they're marketing within

0:48:27.239 --> 0:48:29.799
<v Speaker 1>the context of story. Well, ultimately, what a lot of

0:48:29.800 --> 0:48:34.160
<v Speaker 1>these advertisers are trying to do is not advertise the

0:48:34.239 --> 0:48:38.480
<v Speaker 1>inherent superiority of the product they're selling. They're trying to

0:48:38.560 --> 0:48:41.960
<v Speaker 1>get you to associate their brand name with a good

0:48:42.000 --> 0:48:45.080
<v Speaker 1>feeling that you got from watching a story. Yeah, and

0:48:45.120 --> 0:48:48.080
<v Speaker 1>also I can't this is kind of slightly unrelated, but

0:48:48.360 --> 0:48:51.040
<v Speaker 1>you know, it reminds me of another great or awful

0:48:51.239 --> 0:48:55.640
<v Speaker 1>use of storytelling is is in you know, scare tactics. Um,

0:48:55.760 --> 0:48:58.160
<v Speaker 1>you know, generally in the case of you know, propaganda

0:48:58.200 --> 0:49:02.239
<v Speaker 1>about uh you know, um you know, given uh, you know,

0:49:02.320 --> 0:49:05.719
<v Speaker 1>perceived threat or something that they that that people want

0:49:05.719 --> 0:49:08.080
<v Speaker 1>you to perceive as a threat, you place it within

0:49:08.120 --> 0:49:13.160
<v Speaker 1>the confines of son probably unbelievable awful story uh you know,

0:49:13.280 --> 0:49:17.120
<v Speaker 1>be it, you know, somebody taking you know, too many

0:49:17.200 --> 0:49:19.160
<v Speaker 1>drugs and trying to force their way through a keyhole

0:49:19.280 --> 0:49:21.799
<v Speaker 1>or something to that extent, you know, uh, um, you know,

0:49:21.880 --> 0:49:23.879
<v Speaker 1>or worse examples that we don't even want to get

0:49:23.880 --> 0:49:26.520
<v Speaker 1>into on the show. But uh, they're trying to use

0:49:26.560 --> 0:49:29.239
<v Speaker 1>the you know, the the dark art of narrative to

0:49:29.400 --> 0:49:33.160
<v Speaker 1>influence people's thoughts and opinions. Well. As we discussed in

0:49:33.160 --> 0:49:37.760
<v Speaker 1>the episode, Yeah, constantly, narrative is used to short circuit people,

0:49:37.920 --> 0:49:42.000
<v Speaker 1>people's better judgment or rational evaluation of evidence. I mean,

0:49:42.080 --> 0:49:44.680
<v Speaker 1>if if you don't have the evidence on your side,

0:49:44.760 --> 0:49:47.240
<v Speaker 1>just tell a good story, you might convince people. Anyway.

0:49:47.239 --> 0:49:49.400
<v Speaker 1>I'm not advising people to do that. I'm saying that

0:49:49.480 --> 0:49:51.600
<v Speaker 1>is how it often works. All right, let's get to

0:49:51.640 --> 0:49:54.319
<v Speaker 1>the fund though, let's get to the fundamental attribution error. Well,

0:49:54.360 --> 0:49:56.880
<v Speaker 1>this one combines the last two topics. So this is

0:49:57.040 --> 0:50:00.279
<v Speaker 1>uh an email about fundamental attribution error and end our

0:50:00.280 --> 0:50:04.160
<v Speaker 1>episode about narratives. So it is from Amelia. Amelia says, yes,

0:50:04.239 --> 0:50:06.560
<v Speaker 1>it's Amelia again. I think Amelia wrote us a lot

0:50:06.600 --> 0:50:10.439
<v Speaker 1>of emails about Highlander, maybe if I remember so. She says,

0:50:10.480 --> 0:50:13.120
<v Speaker 1>sorry for all the emails these last few months. I

0:50:13.239 --> 0:50:15.560
<v Speaker 1>vowed after I wrote about how Yep Okay, I vowed

0:50:15.600 --> 0:50:17.960
<v Speaker 1>after I wrote in about Highlander that i'd cut back.

0:50:18.120 --> 0:50:21.080
<v Speaker 1>It's okay, you can email UM. I don't want my

0:50:21.120 --> 0:50:23.000
<v Speaker 1>emails to get in the way of new writers or

0:50:23.000 --> 0:50:26.480
<v Speaker 1>other great ideas. However, your recent podcasts on questioning of

0:50:26.560 --> 0:50:30.319
<v Speaker 1>narrative and the phenomenon of fundamental attribution error coincide with

0:50:30.360 --> 0:50:33.160
<v Speaker 1>my specific area of study. I'll try to keep it short.

0:50:33.480 --> 0:50:36.399
<v Speaker 1>And you're against narrative podcasts, You brought up very good

0:50:36.400 --> 0:50:39.160
<v Speaker 1>points about how the role of story making can promote

0:50:39.239 --> 0:50:43.480
<v Speaker 1>faulty perceptions, for example, the notion of the isolated self

0:50:43.480 --> 0:50:47.200
<v Speaker 1>and the bias for pattern interpretation. Narrative structures can be

0:50:47.239 --> 0:50:50.960
<v Speaker 1>blamed for perpetuating concepts like these, concepts which often on

0:50:51.040 --> 0:50:55.240
<v Speaker 1>closer inspection, don't necessarily map onto our scientific knowledge. Having

0:50:55.280 --> 0:50:57.920
<v Speaker 1>said that, I want to muddy the waters by arguing

0:50:57.960 --> 0:51:04.799
<v Speaker 1>that narrative, especially fiction, builds cognitive fortitude against the FAE fallacy.

0:51:04.840 --> 0:51:08.120
<v Speaker 1>Subverting fae I argue is one of the primary reasons

0:51:08.160 --> 0:51:12.320
<v Speaker 1>we not only need narratives but continually construct them. FAE

0:51:12.520 --> 0:51:17.600
<v Speaker 1>as an evolutionary development is inhospitable if contemplating its isolating

0:51:17.680 --> 0:51:21.640
<v Speaker 1>qualities as a human being or beings incapable of escaping

0:51:21.719 --> 0:51:25.680
<v Speaker 1>FA to promote a cohesive community would, by Darwin's estimation,

0:51:25.880 --> 0:51:29.600
<v Speaker 1>fail to thrive. Narrative structures, to that end, provide an

0:51:29.600 --> 0:51:33.680
<v Speaker 1>evolutionary benefit by encouraging the unification of human minds through

0:51:33.719 --> 0:51:38.439
<v Speaker 1>the projection of self into alternative forms of perception and circumstance.

0:51:38.760 --> 0:51:41.880
<v Speaker 1>This projection is possible with nonfiction, but the array of

0:51:41.960 --> 0:51:47.439
<v Speaker 1>situational circumstances fiction permits is limited. Only by mankind's imagination.

0:51:47.920 --> 0:51:51.919
<v Speaker 1>Following that line of thought, fiction arguably encapsulates as much

0:51:51.960 --> 0:51:56.000
<v Speaker 1>of the situational human experience as can be imagined or projected.

0:51:56.480 --> 0:51:59.040
<v Speaker 1>In this sense, the more a person reads from a

0:51:59.080 --> 0:52:03.480
<v Speaker 1>fictional perspective of the stronger their capacity to cognitively navigate

0:52:03.600 --> 0:52:07.600
<v Speaker 1>past the impulse of fa intuition. It's interesting to contemplate

0:52:07.680 --> 0:52:10.920
<v Speaker 1>the evolution of myth and narrative is a cognitive defense

0:52:10.960 --> 0:52:13.680
<v Speaker 1>against f a E. Though I haven't found any hard

0:52:13.680 --> 0:52:16.920
<v Speaker 1>evidence of this anyway. Just wanted to share this idea

0:52:16.960 --> 0:52:21.240
<v Speaker 1>and happy podcasting, best Amelia. Uh, that is an interesting idea.

0:52:21.239 --> 0:52:23.719
<v Speaker 1>I mean, I'm not sure how you'd prove something like that,

0:52:23.760 --> 0:52:27.040
<v Speaker 1>but it is a sort of interpretive framework that that

0:52:27.040 --> 0:52:30.880
<v Speaker 1>that piques my interest. Yeah, what if? Uh? Fiction? Because

0:52:31.600 --> 0:52:34.560
<v Speaker 1>we should remember one thing that does appear to be

0:52:34.600 --> 0:52:36.560
<v Speaker 1>sort of true at least. There's some evidence of this

0:52:36.680 --> 0:52:41.560
<v Speaker 1>in social psychology, that that manipulating perspectives can help people

0:52:41.640 --> 0:52:45.520
<v Speaker 1>overcome fundamental attribution error, Like if you put put somebody

0:52:45.640 --> 0:52:48.920
<v Speaker 1>in somebody else's shoes, you know, almost literally, like you

0:52:48.960 --> 0:52:52.200
<v Speaker 1>give them their perspective on a situation or a room.

0:52:52.480 --> 0:52:55.839
<v Speaker 1>That's actually my new um box subscription service that I'm

0:52:55.880 --> 0:52:58.360
<v Speaker 1>offering is that you you get a copy of Moby

0:52:58.400 --> 0:53:01.359
<v Speaker 1>Dick and they come with a paradish males shoes, So

0:53:01.719 --> 0:53:05.560
<v Speaker 1>you get to read the book well literally being in

0:53:05.719 --> 0:53:08.440
<v Speaker 1>ishmail shoes. Well you all, but you do get to

0:53:08.480 --> 0:53:11.200
<v Speaker 1>be in Ishmail's shoes a little bit because you're you're

0:53:11.239 --> 0:53:14.279
<v Speaker 1>hearing his first person perspective in the story. Uh. That

0:53:14.480 --> 0:53:16.879
<v Speaker 1>is sort of what I think fiction does. I mean,

0:53:16.960 --> 0:53:19.839
<v Speaker 1>one one good quality of fiction is that it puts

0:53:19.920 --> 0:53:22.879
<v Speaker 1>you in somebody else's mind. It's an imagine to mind,

0:53:22.920 --> 0:53:24.719
<v Speaker 1>but I mean it works pretty much the same way

0:53:25.120 --> 0:53:28.200
<v Speaker 1>you inhabit this other character. You see the world from

0:53:28.239 --> 0:53:30.719
<v Speaker 1>their perspective, and then you see the way that their

0:53:30.760 --> 0:53:34.600
<v Speaker 1>reactions to things are changed and charged by circumstance. Yeah,

0:53:34.640 --> 0:53:37.359
<v Speaker 1>and you're privy to sort of a lot of things.

0:53:37.440 --> 0:53:40.200
<v Speaker 1>I mean, well, it's it's often such an interesting experience

0:53:40.239 --> 0:53:44.360
<v Speaker 1>to read a first person account that encapsulately two inside

0:53:44.360 --> 0:53:47.520
<v Speaker 1>of a you know, a very flawed character, or or

0:53:47.560 --> 0:53:51.200
<v Speaker 1>you know a character that is um uh that is

0:53:51.239 --> 0:53:55.480
<v Speaker 1>perhaps that even you know an antagonist. Uh there. I

0:53:55.480 --> 0:53:57.719
<v Speaker 1>mean another thing that I think is kind of interesting

0:53:57.800 --> 0:54:00.279
<v Speaker 1>is that what the one of the things that the

0:54:00.280 --> 0:54:05.520
<v Speaker 1>best fiction does is that it balances dispositional versus situational

0:54:05.600 --> 0:54:09.160
<v Speaker 1>factors in the characters. Like you can have sort of

0:54:09.239 --> 0:54:13.480
<v Speaker 1>one dimensional characters that are overly dispositional. They're just like

0:54:13.520 --> 0:54:16.200
<v Speaker 1>a pure quality and they always do that thing and

0:54:16.239 --> 0:54:18.640
<v Speaker 1>there's no complexity to them. And then you, on the

0:54:18.680 --> 0:54:21.000
<v Speaker 1>other hand, you've got characters that are might often be

0:54:21.040 --> 0:54:24.439
<v Speaker 1>called like ciphers, that don't really have any qualities. They're

0:54:24.440 --> 0:54:26.680
<v Speaker 1>just sort of reacting to the world in a way

0:54:26.719 --> 0:54:30.400
<v Speaker 1>that's entirely situational and they have no personality. And like,

0:54:30.480 --> 0:54:32.959
<v Speaker 1>good characters are in between these, right, Like they've got

0:54:32.960 --> 0:54:37.040
<v Speaker 1>fundamental characteristics, but they they're complex, they're nuanced, they change

0:54:37.040 --> 0:54:40.279
<v Speaker 1>according to circumstance. Yeah, you know, all this reminds me.

0:54:40.320 --> 0:54:41.719
<v Speaker 1>It's been a while since I thought about this, but

0:54:41.760 --> 0:54:43.759
<v Speaker 1>there was this was like a blog I think that

0:54:43.800 --> 0:54:47.520
<v Speaker 1>I was following years and years ago, and the individual

0:54:47.600 --> 0:54:50.400
<v Speaker 1>that that was maintaining the blog had kind of I

0:54:50.400 --> 0:54:53.560
<v Speaker 1>think that they had a very like physical career prior

0:54:54.080 --> 0:54:57.920
<v Speaker 1>and then they were blogging, you know, kind of after

0:54:58.000 --> 0:55:00.080
<v Speaker 1>that had come to a close, and then they it

0:55:00.160 --> 0:55:02.880
<v Speaker 1>they were also blogging about their reading, like they basically

0:55:03.040 --> 0:55:05.000
<v Speaker 1>it sounded like maybe the individual had not read a

0:55:05.040 --> 0:55:07.440
<v Speaker 1>lot previously and they're kind of like a late bloomer

0:55:07.840 --> 0:55:11.040
<v Speaker 1>in a literary sense. And I remember when they talked

0:55:11.080 --> 0:55:16.160
<v Speaker 1>about having read a first person narrative for the first time,

0:55:16.320 --> 0:55:19.040
<v Speaker 1>like they had not read the first person uh novel

0:55:19.600 --> 0:55:22.200
<v Speaker 1>uh and uh. At the time, I was, you know,

0:55:22.239 --> 0:55:24.200
<v Speaker 1>maybe a little I was like, what, really, had you

0:55:24.239 --> 0:55:27.160
<v Speaker 1>never you know, read that before? But but you know,

0:55:27.160 --> 0:55:28.920
<v Speaker 1>it's making me think, like what would that be, Like

0:55:29.080 --> 0:55:31.360
<v Speaker 1>I don't remember what it was like to read a

0:55:31.480 --> 0:55:34.600
<v Speaker 1>first person uh, you know, narrative for the first time.

0:55:34.640 --> 0:55:36.560
<v Speaker 1>It was just kind of like always there. But it

0:55:36.600 --> 0:55:39.240
<v Speaker 1>would be kind of magical, I guess, And I imagine

0:55:39.719 --> 0:55:42.239
<v Speaker 1>picking it up and having never read that before. We're

0:55:42.360 --> 0:55:44.080
<v Speaker 1>used to it. But it is a strange way of

0:55:44.120 --> 0:55:47.480
<v Speaker 1>inducing kind of an altered state of consciousness. It's like you,

0:55:47.480 --> 0:55:51.759
<v Speaker 1>you know, you get to transport your mind into a

0:55:51.800 --> 0:55:54.440
<v Speaker 1>certain degree. This happens with any good fiction, is that

0:55:54.760 --> 0:55:58.279
<v Speaker 1>there's sort of there's this identification process where you come

0:55:58.320 --> 0:56:01.719
<v Speaker 1>to empathize with the fictional character. Their goals sort of

0:56:01.760 --> 0:56:05.440
<v Speaker 1>become your goals, their wishes become your wishes. You feel

0:56:05.480 --> 0:56:08.239
<v Speaker 1>what they feel. But even more so in the first

0:56:08.280 --> 0:56:11.839
<v Speaker 1>person perspective than in even like a close third. Yeah,

0:56:11.880 --> 0:56:15.120
<v Speaker 1>it reminds me. I'm currently reading um Food of the

0:56:15.160 --> 0:56:18.160
<v Speaker 1>Gods by Terence McKenna, and there's a bit where he's

0:56:18.600 --> 0:56:21.840
<v Speaker 1>was talking about just how I was talking about language

0:56:21.920 --> 0:56:24.479
<v Speaker 1>and about how we're it is just invisible to us,

0:56:24.520 --> 0:56:27.319
<v Speaker 1>you know, and he's talking about other things that are

0:56:27.360 --> 0:56:30.080
<v Speaker 1>in our lives that influence our behavior, that they are

0:56:30.120 --> 0:56:32.520
<v Speaker 1>invisible to us. That with you know, we just don't

0:56:32.840 --> 0:56:34.640
<v Speaker 1>we don't think about them, we don't notice them, but

0:56:34.640 --> 0:56:38.319
<v Speaker 1>they are defining the nature of our reality. Culture is

0:56:38.360 --> 0:56:40.880
<v Speaker 1>mostly invisible and as you stop to think about it,

0:56:41.239 --> 0:56:44.680
<v Speaker 1>Uh yeah, language, language constantly amazes me. It's one of

0:56:44.719 --> 0:56:47.720
<v Speaker 1>those things that I wish every day I could remind

0:56:47.719 --> 0:56:52.440
<v Speaker 1>myself to stop and appreciate how bizarre and magical language is. Yeah,

0:56:52.480 --> 0:56:55.799
<v Speaker 1>but but it it's so easy to to just keep

0:56:55.800 --> 0:56:57.959
<v Speaker 1>going and just breathe it and breathe it out without

0:56:57.960 --> 0:57:00.839
<v Speaker 1>thinking about the breath that you're taking. All right, Well,

0:57:00.840 --> 0:57:03.440
<v Speaker 1>we're gonna go and close it out right there. That's

0:57:03.520 --> 0:57:07.439
<v Speaker 1>that's your allotment of listener mail for the month or so.

0:57:07.520 --> 0:57:10.680
<v Speaker 1>But we'll be back. And as as always, we do

0:57:10.840 --> 0:57:13.520
<v Speaker 1>not we don't have time to respond to everybody that

0:57:13.560 --> 0:57:17.040
<v Speaker 1>writes in. We we don't have the space to uh

0:57:17.120 --> 0:57:19.760
<v Speaker 1>to feature every bit of listener mail that comes in.

0:57:20.120 --> 0:57:22.040
<v Speaker 1>But we we really do appreciate it all, but we

0:57:22.080 --> 0:57:24.520
<v Speaker 1>do read it all. So so don't you know, never

0:57:24.600 --> 0:57:27.720
<v Speaker 1>feel like you're you're just throwing your missive into the

0:57:27.800 --> 0:57:30.320
<v Speaker 1>void here. Uh. And like I say, it's part of

0:57:30.600 --> 0:57:32.560
<v Speaker 1>part of our way of you know, it's it's a

0:57:32.600 --> 0:57:35.400
<v Speaker 1>communication between us and uh and our listeners. It's a

0:57:35.400 --> 0:57:38.720
<v Speaker 1>way for us to continue to grow, uh, for us

0:57:38.760 --> 0:57:41.680
<v Speaker 1>to uh, you know, correct anything that needs to be corrected. Uh.

0:57:41.960 --> 0:57:44.720
<v Speaker 1>But but generally it's more it's it's more additive in nature.

0:57:44.760 --> 0:57:47.280
<v Speaker 1>It's like we get to bring in your experiences, your

0:57:47.320 --> 0:57:52.160
<v Speaker 1>specialized knowledge and experiences uh to uh to to better

0:57:52.240 --> 0:57:55.000
<v Speaker 1>understand these topics that we're discussing on the show. Yeah,

0:57:55.040 --> 0:57:56.600
<v Speaker 1>we love all the stuff we hear from you. Also,

0:57:56.640 --> 0:57:58.600
<v Speaker 1>please keep it coming. Oh hey, and I have just

0:57:58.640 --> 0:58:00.600
<v Speaker 1>one little insert I want to throw row in here

0:58:01.000 --> 0:58:04.120
<v Speaker 1>doing this post recording, but I want to remind everybody

0:58:04.120 --> 0:58:07.600
<v Speaker 1>that the World Science Festival is coming up. Ah, yes, yeah,

0:58:07.600 --> 0:58:10.640
<v Speaker 1>the World Science Festival. This is the annual celebration of

0:58:10.720 --> 0:58:14.120
<v Speaker 1>science and the Arts, which takes place May two through

0:58:14.200 --> 0:58:17.960
<v Speaker 1>June two in New York City. So Yeah join in

0:58:18.000 --> 0:58:20.920
<v Speaker 1>for this year's festival to celebrate the hundredth anniversary of

0:58:20.960 --> 0:58:24.520
<v Speaker 1>the confirmation of Einstein's theory of relativity with over sixty

0:58:24.520 --> 0:58:26.760
<v Speaker 1>events that take science out of the lab and into

0:58:26.760 --> 0:58:30.480
<v Speaker 1>the streets, parks, museums, and premier performing arts venues of

0:58:30.520 --> 0:58:33.640
<v Speaker 1>New York City. The festival kicks off with light falls

0:58:33.680 --> 0:58:37.240
<v Speaker 1>and original work for the stage on Mayo, which will

0:58:37.240 --> 0:58:41.560
<v Speaker 1>portray Einstein's general theory of relativity, followed by eye opening discussions,

0:58:41.640 --> 0:58:46.680
<v Speaker 1>vibrant debates, mind expanding explorations, powerful theatrical works, works, insightful films,

0:58:46.760 --> 0:58:51.320
<v Speaker 1>hands on experiments, and major outdoor experiences. Again May through

0:58:51.360 --> 0:58:54.520
<v Speaker 1>June two, festivalgoers of all ages will join the world's

0:58:54.600 --> 0:58:58.120
<v Speaker 1>leading thinkers for an unforgettable celebration of science that's sure

0:58:58.200 --> 0:59:01.240
<v Speaker 1>to inspire and excite. I am going to be there

0:59:01.280 --> 0:59:03.960
<v Speaker 1>in attendance myself. In the meantime, you can check out

0:59:04.000 --> 0:59:06.560
<v Speaker 1>more episodes of Stuff to Blow Your Mind at stuff

0:59:06.560 --> 0:59:08.240
<v Speaker 1>to Blow your Mind dot com. That's where we'll find

0:59:08.240 --> 0:59:11.800
<v Speaker 1>all the episodes. Links out to uh such as two

0:59:11.800 --> 0:59:15.320
<v Speaker 1>places like our our discussion module group on Facebook. There's

0:59:15.320 --> 0:59:17.840
<v Speaker 1>also that T shirt store where you can uh you

0:59:17.880 --> 0:59:21.720
<v Speaker 1>can check out our our our various squirrel shirts that

0:59:21.960 --> 0:59:24.560
<v Speaker 1>are currently for sale. Oh and I also want to

0:59:24.600 --> 0:59:27.439
<v Speaker 1>mention at the top of this episode, I I talked

0:59:27.480 --> 0:59:31.240
<v Speaker 1>about the the sacred squirrel and Hindu traditions. I read

0:59:31.280 --> 0:59:34.400
<v Speaker 1>about that in a wonderful little book titled Sacred Animals

0:59:34.400 --> 0:59:39.400
<v Speaker 1>of India by Nandatha Krishna. Uh. It's available. Um, you

0:59:39.440 --> 0:59:41.400
<v Speaker 1>can get it online. It's available as an e book

0:59:41.480 --> 0:59:43.760
<v Speaker 1>or it's a physical book. UH, it's a it's a fun,

0:59:43.840 --> 0:59:47.200
<v Speaker 1>little little read. I highly recommend it. Awesome, huge thanks

0:59:47.240 --> 0:59:50.520
<v Speaker 1>as always to our excellent audio producers Alex Williams and

0:59:50.560 --> 0:59:52.960
<v Speaker 1>Tari Harrison. If you would like to get in touch

0:59:53.000 --> 0:59:56.760
<v Speaker 1>with us to uh let us know feedback on this episode,

0:59:56.800 --> 0:59:59.280
<v Speaker 1>to suggest a topic for us to cover in the future,

0:59:59.560 --> 1:00:01.480
<v Speaker 1>just to say hello, let us know you know, how

1:00:01.520 --> 1:00:03.560
<v Speaker 1>you found out about the show, all that kind of stuff.

1:00:03.720 --> 1:00:06.760
<v Speaker 1>You can email us at contact at stuff to Blow

1:00:06.800 --> 1:00:18.640
<v Speaker 1>your Mind dot com. Stuff to Blow Your Mind is

1:00:18.680 --> 1:00:21.000
<v Speaker 1>a production of iHeart Radios. How Stuff Works. For more

1:00:21.040 --> 1:00:23.439
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