1 00:00:04,440 --> 00:00:05,360 Speaker 1: Who wants to start? 2 00:00:07,080 --> 00:00:11,000 Speaker 2: I'm not starting today, So it seems to be like 3 00:00:11,000 --> 00:00:15,800 Speaker 2: a standing rule for like every single other episode. 4 00:00:15,640 --> 00:00:18,920 Speaker 3: In the past, every single or every other I guess 5 00:00:18,960 --> 00:00:19,360 Speaker 3: it's a rule. 6 00:00:19,400 --> 00:00:21,279 Speaker 2: I didn't know it was a rule. So I'm starting. 7 00:00:22,800 --> 00:00:30,280 Speaker 2: I'm not welcome to the like the Hollywood Handbook. Sure, 8 00:00:30,680 --> 00:00:37,600 Speaker 2: it's a moment of radical honesty. It is the fourth Turning. 9 00:00:37,640 --> 00:00:39,960 Speaker 2: As we've we've been talking about it, talking about how 10 00:00:39,960 --> 00:00:44,880 Speaker 2: it's the fourth turning episode. Yes, sometimes feels just like 11 00:00:44,920 --> 00:00:47,080 Speaker 2: the third Turning in terms of like, who is like 12 00:00:47,120 --> 00:00:49,800 Speaker 2: starting the episode? So like it's interesting about the fourth 13 00:00:49,800 --> 00:00:53,200 Speaker 2: Turning is that some things don't change, like something stake. 14 00:00:53,280 --> 00:00:56,760 Speaker 4: Obviously the lines are blurred as far as like there's 15 00:00:56,800 --> 00:01:01,520 Speaker 4: still third Turning elements present, right, and even in the 16 00:01:01,560 --> 00:01:04,920 Speaker 4: next first Turning. I think we're starting to feel a 17 00:01:05,160 --> 00:01:08,399 Speaker 4: little bit of where we're headed, But primarily it's the 18 00:01:08,440 --> 00:01:09,240 Speaker 4: fourth Turning. 19 00:01:11,200 --> 00:01:12,520 Speaker 2: Do these caps were you? 20 00:01:13,480 --> 00:01:16,440 Speaker 1: What's going on with this? Why are they so sharp? 21 00:01:16,560 --> 00:01:17,640 Speaker 1: I've been thinking about this. 22 00:01:18,080 --> 00:01:20,440 Speaker 2: Why do they make that sharp? Now I have to 23 00:01:20,480 --> 00:01:24,200 Speaker 2: put my mouth and I put my tongue inside. No, 24 00:01:24,280 --> 00:01:27,080 Speaker 2: I know, I'm watching the water out with the back 25 00:01:27,120 --> 00:01:28,920 Speaker 2: of my tongue. I cut my tongue. 26 00:01:29,040 --> 00:01:36,160 Speaker 4: I'm watching my kid with the fucking can, break the 27 00:01:36,280 --> 00:01:41,680 Speaker 4: piece off, put it inside. So it's like choking hazards surrounded. 28 00:01:41,280 --> 00:01:42,600 Speaker 2: By razor blades. 29 00:01:43,880 --> 00:01:47,360 Speaker 1: Now, she shouldn't have had a soda can, but like 30 00:01:47,480 --> 00:01:48,280 Speaker 1: you get that. 31 00:01:48,320 --> 00:01:54,160 Speaker 4: I'm I'm responsible now for like their whole entire day. 32 00:01:54,400 --> 00:01:58,840 Speaker 3: Can you imagine you are responsible for your kid's day. 33 00:01:59,040 --> 00:02:03,480 Speaker 2: I don't know that. It's sound right, every day? 34 00:02:03,800 --> 00:02:04,280 Speaker 3: Every day? 35 00:02:04,320 --> 00:02:05,120 Speaker 2: What about right now? 36 00:02:05,160 --> 00:02:07,400 Speaker 1: I'm here, who's with your kid? 37 00:02:08,480 --> 00:02:09,640 Speaker 3: Dude? Yeah? 38 00:02:09,919 --> 00:02:13,520 Speaker 1: Right, Like, who's my kid right now? I hope you 39 00:02:13,520 --> 00:02:14,520 Speaker 1: don't have a soda can? 40 00:02:14,560 --> 00:02:16,919 Speaker 2: Whoever it is being there and like the kid being 41 00:02:17,720 --> 00:02:23,720 Speaker 2: taken care of ninety percent of the times. Somehow that's not. 42 00:02:23,960 --> 00:02:26,680 Speaker 4: I'm fucking up, yes, because some of the time they 43 00:02:26,680 --> 00:02:27,560 Speaker 4: have a soda can. 44 00:02:27,800 --> 00:02:29,400 Speaker 3: Yes, unsupervised. 45 00:02:30,600 --> 00:02:34,040 Speaker 1: I'm like I could see, I could see the can. 46 00:02:35,080 --> 00:02:36,000 Speaker 3: I just was like. 47 00:02:37,520 --> 00:02:41,840 Speaker 1: I have been like so sleepy, like I have been tired, 48 00:02:42,320 --> 00:02:43,360 Speaker 1: seepy tired. 49 00:02:43,480 --> 00:02:46,600 Speaker 3: Tell me about it, seepy, seepy, tell me about it. Oh, 50 00:02:47,480 --> 00:02:48,639 Speaker 3: tell me more about it. 51 00:02:48,840 --> 00:02:52,680 Speaker 1: And it's no, tell me about it. I I care 52 00:02:52,960 --> 00:02:53,799 Speaker 1: that I am. 53 00:02:54,160 --> 00:02:54,919 Speaker 3: Tell me more. 54 00:02:55,400 --> 00:03:02,720 Speaker 1: I've been like almost falling to sleep really all the time. Wow, 55 00:03:02,919 --> 00:03:03,639 Speaker 1: I want to. 56 00:03:03,520 --> 00:03:10,080 Speaker 2: See the past movie. Okay, okay, the movie. 57 00:03:11,360 --> 00:03:15,680 Speaker 1: In the movie, I'm goddamn sleep. 58 00:03:15,919 --> 00:03:17,200 Speaker 3: Okay. Well, here's the thing. 59 00:03:18,200 --> 00:03:21,120 Speaker 5: I don't know if I'm have I even been in produced. 60 00:03:22,040 --> 00:03:22,640 Speaker 1: I don't know. 61 00:03:23,520 --> 00:03:23,920 Speaker 3: I don't think. 62 00:03:24,400 --> 00:03:25,200 Speaker 2: What do you want to do? 63 00:03:25,360 --> 00:03:25,959 Speaker 1: What do you want? 64 00:03:26,080 --> 00:03:26,480 Speaker 3: No, I don't. 65 00:03:26,560 --> 00:03:29,680 Speaker 5: I don't have to actually prefer that people don't recognize me. No, 66 00:03:30,200 --> 00:03:32,800 Speaker 5: it's better to not be recognized. I like not being recognized. 67 00:03:32,880 --> 00:03:35,640 Speaker 5: I like it's I appreciate. 68 00:03:35,120 --> 00:03:39,320 Speaker 4: The any Just I said, I wasn't gonna start. You 69 00:03:39,800 --> 00:03:42,640 Speaker 4: like opportunity to start, right. 70 00:03:42,880 --> 00:03:45,760 Speaker 5: Well, I just I just appreciate the anonymity. Everyone's always 71 00:03:45,760 --> 00:03:47,920 Speaker 5: looking at me to do everything. Have you tried? 72 00:03:49,000 --> 00:03:49,560 Speaker 3: Now go with me? 73 00:03:49,640 --> 00:03:49,800 Speaker 2: Here? 74 00:03:50,120 --> 00:03:51,640 Speaker 3: Have you tried coffee? 75 00:03:52,560 --> 00:03:53,080 Speaker 2: That can't? 76 00:03:53,720 --> 00:03:57,680 Speaker 1: You're so shocked the fucking thing, You're gonna actually cut 77 00:03:57,720 --> 00:03:59,320 Speaker 1: your whole head off. 78 00:04:01,440 --> 00:04:05,440 Speaker 2: I mean, I'm gonna guy of every of all these cups. 79 00:04:05,720 --> 00:04:07,400 Speaker 2: Why do they make it so sharp? And I have 80 00:04:07,480 --> 00:04:10,760 Speaker 2: to wrap my entire mouth around it? No, I hit 81 00:04:10,840 --> 00:04:11,520 Speaker 2: my head. 82 00:04:11,600 --> 00:04:15,320 Speaker 3: Straw paper right, yeah. 83 00:04:14,280 --> 00:04:16,880 Speaker 4: Yeah, it's a paper straw that I'm by the way 84 00:04:17,040 --> 00:04:20,920 Speaker 4: choking on while I'm like clanking my teeth against this big, 85 00:04:21,000 --> 00:04:21,760 Speaker 4: wide class. 86 00:04:21,800 --> 00:04:24,760 Speaker 1: I could barely get my mouth around. And it's sharp, 87 00:04:24,839 --> 00:04:27,640 Speaker 1: by the way, and it's. 88 00:04:26,800 --> 00:04:29,279 Speaker 3: Hot right right right. 89 00:04:29,520 --> 00:04:31,600 Speaker 4: Sometimes I guess Bobby would wake me up because it's 90 00:04:31,600 --> 00:04:32,680 Speaker 4: so fucking hot. 91 00:04:33,080 --> 00:04:33,960 Speaker 1: Be awake with a. 92 00:04:33,839 --> 00:04:40,000 Speaker 5: Burn sometimes get dangerous chemical it's ice. I don't we're 93 00:04:40,040 --> 00:04:42,080 Speaker 5: not shaking, right, maybe a fist I just didn't. We're 94 00:04:42,120 --> 00:04:43,279 Speaker 5: actually maybe a fist bump. 95 00:04:43,400 --> 00:04:50,200 Speaker 3: I can't okay, correct, you want to? No? No, because 96 00:04:50,240 --> 00:04:51,800 Speaker 3: why can't we just make eye contact and. 97 00:04:51,720 --> 00:04:55,120 Speaker 1: Say introduce me? And it's like I've been making eye 98 00:04:55,200 --> 00:04:56,680 Speaker 1: contact but just from the side. 99 00:04:57,160 --> 00:04:59,720 Speaker 3: No. Well, I'm getting both eyes because. 100 00:04:59,520 --> 00:05:01,440 Speaker 1: I want to, because I need it. I want to 101 00:05:01,440 --> 00:05:02,200 Speaker 1: be facing the mic. 102 00:05:02,720 --> 00:05:04,800 Speaker 3: I'm getting this. I'm getting both eyes. 103 00:05:06,520 --> 00:05:08,760 Speaker 2: Put my hand out to shake my father in law's 104 00:05:08,760 --> 00:05:11,880 Speaker 2: hands over the weekend and he gave me a fist 105 00:05:11,920 --> 00:05:15,680 Speaker 2: bump instead for the first time in seventeen years. What's 106 00:05:15,720 --> 00:05:16,400 Speaker 2: going on here? 107 00:05:18,320 --> 00:05:20,479 Speaker 5: And he was shaking your hand during like COVID But 108 00:05:20,560 --> 00:05:21,440 Speaker 5: that's fourth turning. 109 00:05:21,960 --> 00:05:23,560 Speaker 1: That's fourth turning right. 110 00:05:28,240 --> 00:05:32,080 Speaker 2: Hat yeah, yes, to honor this moment, the father in 111 00:05:32,120 --> 00:05:36,000 Speaker 2: law of f thise bump moment. And they're they I 112 00:05:36,000 --> 00:05:39,080 Speaker 2: guess they need me to invent a new everything, new cans, 113 00:05:39,200 --> 00:05:43,640 Speaker 2: new cups, new hat get everything. 114 00:05:43,839 --> 00:05:46,920 Speaker 1: Just smooth and narrow is what we need for ours, 115 00:05:47,000 --> 00:05:48,800 Speaker 1: you know what I mean? We had it with the bottle, 116 00:05:48,920 --> 00:05:52,080 Speaker 1: didn't We didn't we have it with the bottle. 117 00:05:52,279 --> 00:05:55,880 Speaker 2: We needed we needed something like better than the like? 118 00:05:56,279 --> 00:05:58,480 Speaker 2: You know? Was that not enough for us? 119 00:05:59,040 --> 00:06:02,080 Speaker 3: We're only the more. That's the thing. Always more, it's more, 120 00:06:02,120 --> 00:06:02,880 Speaker 3: it's more, it's more. 121 00:06:04,040 --> 00:06:07,719 Speaker 1: It's the greed of these companies. Yeah, absolutely corporate. 122 00:06:07,760 --> 00:06:10,920 Speaker 5: And tell me about it. Tell me about it, No, seriously, 123 00:06:10,960 --> 00:06:11,720 Speaker 5: tell me about it. 124 00:06:11,800 --> 00:06:15,159 Speaker 1: Well, I'm so cpy now, No I can't. I can't begin. 125 00:06:15,440 --> 00:06:17,479 Speaker 3: Well, come on, tell me about it. You teased it. 126 00:06:17,520 --> 00:06:20,960 Speaker 4: Tell me about the companies and you and take your 127 00:06:21,000 --> 00:06:22,479 Speaker 4: pick by the way, right right? 128 00:06:22,680 --> 00:06:26,320 Speaker 1: Do you think, oh this one's good. Well, they're so 129 00:06:26,440 --> 00:06:27,480 Speaker 1: hungry for money. 130 00:06:27,760 --> 00:06:29,719 Speaker 3: You mean to tell me that make a wish foundation 131 00:06:29,960 --> 00:06:30,960 Speaker 3: hungry for money? 132 00:06:31,880 --> 00:06:33,560 Speaker 1: No, ask them if they have enough. 133 00:06:33,640 --> 00:06:34,240 Speaker 3: Can't pay them? 134 00:06:34,839 --> 00:06:36,880 Speaker 1: Here's a quick test. Yeah, call them and ask them 135 00:06:36,920 --> 00:06:37,720 Speaker 1: if they have enough? 136 00:06:37,720 --> 00:06:40,520 Speaker 2: And did ever you feel like you have enough? Not 137 00:06:41,560 --> 00:06:44,760 Speaker 2: so cost intensive? Do we ever to suggest that? 138 00:06:47,880 --> 00:06:50,800 Speaker 4: How about to make a reasonable wish company? Make a 139 00:06:50,960 --> 00:06:52,960 Speaker 4: reasonable wish The. 140 00:06:52,960 --> 00:06:54,720 Speaker 3: Frugal wish if you will. 141 00:06:54,839 --> 00:06:59,360 Speaker 5: Sure ye want to reasonable all these companies with such 142 00:06:59,360 --> 00:07:01,280 Speaker 5: a broad brush. 143 00:07:01,320 --> 00:07:02,320 Speaker 3: You know, that's all it was. 144 00:07:02,400 --> 00:07:05,240 Speaker 2: But maybe Batman, the entire city needs to shut down. 145 00:07:05,320 --> 00:07:08,520 Speaker 2: So I become Batman today and we're just going with this. 146 00:07:10,160 --> 00:07:11,720 Speaker 2: This is the conversation. 147 00:07:12,880 --> 00:07:13,840 Speaker 3: Tell me about it. 148 00:07:15,040 --> 00:07:15,640 Speaker 2: I'm sleeping. 149 00:07:16,560 --> 00:07:21,760 Speaker 4: Yeah, well, and something is having that effect on us. 150 00:07:21,960 --> 00:07:24,800 Speaker 4: Have you never heard of something or someone it's not 151 00:07:24,840 --> 00:07:27,680 Speaker 4: the hat, It's not the hat. 152 00:07:28,400 --> 00:07:29,760 Speaker 3: It's me, say it's me. 153 00:07:29,920 --> 00:07:33,119 Speaker 2: You see about these new hats hata see the hat 154 00:07:34,120 --> 00:07:37,800 Speaker 2: hat pack you're reading? Wait? Wait, wait you heard about 155 00:07:37,800 --> 00:07:38,320 Speaker 2: it before? 156 00:07:38,640 --> 00:07:39,360 Speaker 1: You already knew? 157 00:07:39,720 --> 00:07:42,360 Speaker 3: I did. I knew. I've been knowing, been knowing about 158 00:07:42,320 --> 00:07:44,880 Speaker 3: having Remember the Remember. 159 00:07:44,560 --> 00:07:47,960 Speaker 1: When everyone you had one of these? Everyone had a shirt, 160 00:07:48,000 --> 00:07:49,200 Speaker 1: said one man, wolf pack. 161 00:07:49,440 --> 00:07:53,280 Speaker 5: Absolutely, I was wearing mine as recently as last week. 162 00:07:53,360 --> 00:07:55,560 Speaker 2: For when people are like, well, where are your friends? 163 00:07:55,880 --> 00:07:58,640 Speaker 2: Ye aren't you supposed to have two friends at least? 164 00:07:59,360 --> 00:08:03,320 Speaker 2: And and you'res and you're missing your third one. 165 00:08:03,200 --> 00:08:06,200 Speaker 5: Mom and dad, two friends. We're all everybody comes to 166 00:08:06,240 --> 00:08:07,160 Speaker 5: this world two friends. 167 00:08:07,240 --> 00:08:08,600 Speaker 2: Every family is a wolf pack. 168 00:08:09,200 --> 00:08:13,120 Speaker 4: That's actually what every family you are. We begin in 169 00:08:13,200 --> 00:08:15,560 Speaker 4: a wolf pack and we end in a wolf pack. 170 00:08:16,240 --> 00:08:18,880 Speaker 4: It's like first year with your mom and dad, and 171 00:08:18,960 --> 00:08:22,600 Speaker 4: then later the two murderers who take your life. Yes, 172 00:08:23,240 --> 00:08:25,440 Speaker 4: but we always start that finish. 173 00:08:25,560 --> 00:08:28,240 Speaker 5: Yes, doctor and nurse who are trying to save your 174 00:08:28,240 --> 00:08:30,040 Speaker 5: life at the hospital. 175 00:08:29,720 --> 00:08:33,600 Speaker 4: Doctor and nurse, and then the two hit meno orderlies. 176 00:08:33,640 --> 00:08:37,640 Speaker 2: And it's the same. It turns out it's to say, 177 00:08:37,640 --> 00:08:40,400 Speaker 2: a doctor and nurse. Doctor, this is my I cannot operate. 178 00:08:41,080 --> 00:08:41,839 Speaker 3: This was a doctor. 179 00:08:41,920 --> 00:08:43,040 Speaker 2: I cannot operate. 180 00:08:43,600 --> 00:08:48,840 Speaker 1: I am polyiachi. Doctor, I cannot operate on this man. 181 00:08:48,920 --> 00:08:53,439 Speaker 1: I am polyiachi. So we do sort of philosophize a 182 00:08:53,480 --> 00:08:53,920 Speaker 1: little bit. 183 00:08:54,040 --> 00:08:56,800 Speaker 4: And the one man wolf pack is obviously something that 184 00:08:56,920 --> 00:09:00,800 Speaker 4: was impactful, but I thought we could improve on it 185 00:09:00,840 --> 00:09:05,959 Speaker 4: by becoming a hat pack, which is something the fourth 186 00:09:05,960 --> 00:09:07,040 Speaker 4: turning is going to need. 187 00:09:07,240 --> 00:09:09,480 Speaker 5: Sure, sure, sure, a community of hat. 188 00:09:09,760 --> 00:09:16,320 Speaker 3: Hat where the hat? I mean my hair's done, but 189 00:09:16,640 --> 00:09:16,960 Speaker 3: I mean I. 190 00:09:18,720 --> 00:09:21,599 Speaker 2: Basically agree your hair is done. 191 00:09:25,480 --> 00:09:29,560 Speaker 5: Take a hat over, Okay, yeah, I'll take a hat, Kevin, 192 00:09:30,600 --> 00:09:31,559 Speaker 5: Thank you, Kevin. 193 00:09:31,880 --> 00:09:33,079 Speaker 2: The hat that's from the hat. 194 00:09:33,240 --> 00:09:36,920 Speaker 3: I try to stay company. 195 00:09:37,040 --> 00:09:41,320 Speaker 2: And so now that makes you remember there was rat pack. 196 00:09:44,080 --> 00:09:47,040 Speaker 2: Peter and Joey Bishop were out there. 197 00:09:47,440 --> 00:09:50,000 Speaker 1: Do you remember Perry como hitting people and. 198 00:09:50,679 --> 00:09:54,040 Speaker 3: No, I don't actually tell tell me about. 199 00:09:53,800 --> 00:09:56,920 Speaker 4: Breaking all the plates in a restaurant, tell me about it. 200 00:09:57,520 --> 00:10:01,800 Speaker 4: They were these guys, I mean you want they were swinging, 201 00:10:02,200 --> 00:10:02,440 Speaker 4: you know. 202 00:10:03,920 --> 00:10:08,120 Speaker 6: But I do like all this, Okay, sure, yeah, pipe 203 00:10:08,600 --> 00:10:13,040 Speaker 6: swing pipes at the restaurant, swinging pipes and swinging some 204 00:10:13,240 --> 00:10:14,600 Speaker 6: major pipes. 205 00:10:14,240 --> 00:10:19,040 Speaker 3: Like okay, yes, okay, okay. 206 00:10:19,679 --> 00:10:24,880 Speaker 4: But their vocal ability also I would classify as pipes. 207 00:10:25,520 --> 00:10:28,160 Speaker 1: They played the organ as well, sure organ. 208 00:10:28,000 --> 00:10:32,599 Speaker 5: Okay, pipe organ, Portland organ and the pipe organ okay. 209 00:10:31,160 --> 00:10:32,960 Speaker 1: The Portland pipe organ. 210 00:10:33,040 --> 00:10:39,079 Speaker 5: Yeah, absolutely, Yeah, I gotta say I'm the organ coast. 211 00:10:39,400 --> 00:10:40,679 Speaker 2: That's what I call a nude beach. 212 00:10:40,840 --> 00:10:41,400 Speaker 3: Okay. 213 00:10:41,520 --> 00:10:44,280 Speaker 5: And what do you call the what's an Oregon trail? 214 00:10:44,520 --> 00:10:46,360 Speaker 5: Is that sort of like happy trails? 215 00:10:46,840 --> 00:10:47,240 Speaker 2: It is? 216 00:10:47,400 --> 00:10:49,120 Speaker 1: Yeah, snail trail? 217 00:10:49,320 --> 00:10:54,400 Speaker 4: Okay, all right, I talk about this ship on the show, 218 00:10:55,760 --> 00:10:58,280 Speaker 4: and I like that about human biology. 219 00:10:58,480 --> 00:11:00,120 Speaker 5: The thing I like about you too, is that you 220 00:11:00,160 --> 00:11:02,800 Speaker 5: talk about it. You cover everything and there's nothing off 221 00:11:03,040 --> 00:11:08,280 Speaker 5: every inch, every no, you cover everything inch of everything 222 00:11:08,440 --> 00:11:08,960 Speaker 5: is covered. 223 00:11:09,040 --> 00:11:11,520 Speaker 1: No bone left unturned, you know what I mean? 224 00:11:11,600 --> 00:11:16,440 Speaker 4: We really do look no skin left behind and where yes, 225 00:11:16,760 --> 00:11:19,200 Speaker 4: we will talk every. 226 00:11:19,160 --> 00:11:25,040 Speaker 5: Cell skin on ones behind huh, I left behind as well. 227 00:11:26,080 --> 00:11:28,280 Speaker 4: Kevin's going not when I'm done with it, I'm going, Kevin, 228 00:11:28,320 --> 00:11:31,280 Speaker 4: don't say. 229 00:11:31,480 --> 00:11:37,000 Speaker 2: Kevin's don't because I want to ask what you mean? 230 00:11:37,200 --> 00:11:39,120 Speaker 1: Yeah, No, that's going to get us out of I 231 00:11:39,160 --> 00:11:39,520 Speaker 1: do want. 232 00:11:39,679 --> 00:11:41,720 Speaker 3: I want to know what Kevin talking. 233 00:11:41,440 --> 00:11:43,760 Speaker 1: About it about? Kevin, tell me about it. When you're 234 00:11:44,120 --> 00:11:46,400 Speaker 1: no skin left, I mean, like. 235 00:11:46,720 --> 00:11:47,720 Speaker 2: Now what I'm done with it? 236 00:11:47,800 --> 00:11:54,040 Speaker 4: Yeah, but that part, But I'm like, what is what 237 00:11:54,080 --> 00:11:54,640 Speaker 4: do you mean? 238 00:11:54,679 --> 00:11:56,839 Speaker 3: Because my brain is going places I don't know I 239 00:11:56,960 --> 00:11:57,360 Speaker 3: should go. 240 00:11:57,480 --> 00:12:02,599 Speaker 2: So every inch right of them, it is being removed 241 00:12:02,640 --> 00:12:03,360 Speaker 2: by you. 242 00:12:03,400 --> 00:12:05,520 Speaker 3: Wow, it is being removed. All right? 243 00:12:05,840 --> 00:12:07,800 Speaker 5: All right, Well, I don't want to get too into 244 00:12:07,800 --> 00:12:09,959 Speaker 5: that because it could get dark and we don't want 245 00:12:09,960 --> 00:12:10,600 Speaker 5: to go blue. 246 00:12:10,800 --> 00:12:15,800 Speaker 2: You know, talks about the art of frittage. I don't 247 00:12:15,800 --> 00:12:16,640 Speaker 2: even know what that is. 248 00:12:17,280 --> 00:12:22,320 Speaker 3: Frittage. I dated a guy named Fritage. Okay, Yeah, he 249 00:12:22,440 --> 00:12:25,480 Speaker 3: was a studio exec. Yeah I shouldn't have him now. 250 00:12:25,559 --> 00:12:26,679 Speaker 1: Oh okay? 251 00:12:27,120 --> 00:12:30,040 Speaker 4: And what was his what was his take about this 252 00:12:30,160 --> 00:12:31,720 Speaker 4: all this strike everything? 253 00:12:31,840 --> 00:12:33,520 Speaker 3: He was sort of like, get him back to work. 254 00:12:34,200 --> 00:12:36,520 Speaker 1: People do want to go. He actually drove past the 255 00:12:36,559 --> 00:12:37,800 Speaker 1: picket people. 256 00:12:37,679 --> 00:12:47,200 Speaker 4: You know, murderer Carol Lamberghe Lamborghinie. Yeah, Carol Lamborghini got 257 00:12:47,360 --> 00:12:49,360 Speaker 4: actually in a lot of trouble for saying people want 258 00:12:49,400 --> 00:12:50,319 Speaker 4: to go back to work. 259 00:12:50,360 --> 00:12:52,520 Speaker 1: But it's not that controversial. 260 00:12:52,640 --> 00:12:53,199 Speaker 2: They do. 261 00:12:54,480 --> 00:12:55,720 Speaker 1: Forage feels the same. 262 00:12:56,280 --> 00:12:58,440 Speaker 5: Does He drove past the pick and was like, it's over, 263 00:12:58,920 --> 00:13:02,679 Speaker 5: it's done. We get it, now go home. Yeah, he 264 00:13:02,800 --> 00:13:05,319 Speaker 5: drove past and we. 265 00:13:05,360 --> 00:13:08,240 Speaker 2: Get could get fageage? 266 00:13:08,400 --> 00:13:13,559 Speaker 5: What's that the rise of ftage? I mean maybe it 267 00:13:13,559 --> 00:13:16,880 Speaker 5: could be a thing. I I feel uncomfortable being here. 268 00:13:16,880 --> 00:13:18,880 Speaker 3: I have to say, yeah. 269 00:13:18,720 --> 00:13:19,240 Speaker 1: I feel. 270 00:13:22,600 --> 00:13:23,040 Speaker 3: Comfortable. 271 00:13:23,160 --> 00:13:26,120 Speaker 1: I'm uncomfortable being here and having you here as well. 272 00:13:26,200 --> 00:13:28,400 Speaker 3: Yeah, everything's making what's making you feel good? 273 00:13:30,640 --> 00:13:37,600 Speaker 1: Just go sleep in the movie after the hats making 274 00:13:37,640 --> 00:13:38,240 Speaker 1: me feel good? 275 00:13:38,280 --> 00:13:41,679 Speaker 3: An original thought from you? Okay, yeah, original. 276 00:13:41,200 --> 00:13:44,080 Speaker 4: Hats making me feel good? Right, Yeah, that's the one 277 00:13:44,120 --> 00:13:45,320 Speaker 4: thing I know does work. 278 00:13:45,880 --> 00:13:50,080 Speaker 2: I'm just we talked about the rat pack. Then there's 279 00:13:50,080 --> 00:13:50,880 Speaker 2: this other pack. 280 00:13:51,120 --> 00:13:52,240 Speaker 1: Okay, here we go. 281 00:13:53,920 --> 00:13:56,160 Speaker 2: You think the rat Pack again. 282 00:13:56,080 --> 00:13:57,760 Speaker 1: Don't make him start. 283 00:13:57,800 --> 00:14:01,719 Speaker 2: This is a new nude pat and their name is 284 00:14:02,640 --> 00:14:03,240 Speaker 2: brat Pack. 285 00:14:05,000 --> 00:14:07,400 Speaker 3: The pack's got another name and it's packing it. 286 00:14:07,520 --> 00:14:12,160 Speaker 2: And that was that guy who remember he punched the air. 287 00:14:12,600 --> 00:14:16,840 Speaker 2: What was that guy's name? Oh, my God, and judge 288 00:14:17,240 --> 00:14:21,800 Speaker 2: judge pack. Yes, it was a bit of a judge pass. 289 00:14:22,240 --> 00:14:27,040 Speaker 2: Judge smells some okay, and he he's hitting people. 290 00:14:26,800 --> 00:14:29,760 Speaker 1: Too, smell what the judges. 291 00:14:29,960 --> 00:14:32,840 Speaker 2: And he's even punching the air and he just held 292 00:14:32,840 --> 00:14:34,120 Speaker 2: it up there right right. 293 00:14:34,640 --> 00:14:38,160 Speaker 4: He was able to freeze in air with a big punch. 294 00:14:38,720 --> 00:14:41,280 Speaker 4: But would not want to be the sky in that situation. 295 00:14:42,120 --> 00:14:43,800 Speaker 5: Could just I don't want to sew you guys down 296 00:14:43,840 --> 00:14:46,400 Speaker 5: because you do me a solid tell me about it. 297 00:14:46,520 --> 00:14:47,680 Speaker 2: I want you so. 298 00:14:50,400 --> 00:14:56,000 Speaker 3: You send right now. You can't not or you cannot. 299 00:14:55,080 --> 00:15:01,800 Speaker 2: My life is telling stories, and and as much as 300 00:15:01,800 --> 00:15:07,800 Speaker 2: I want to to tell you a story that would 301 00:15:09,000 --> 00:15:13,640 Speaker 2: make you die, I don't want to die as much 302 00:15:13,680 --> 00:15:17,560 Speaker 2: as I want to tell you that aren't here. Yes, 303 00:15:19,400 --> 00:15:23,920 Speaker 2: I cannot kill for the button men, for solidarity. It 304 00:15:24,040 --> 00:15:29,320 Speaker 2: is my given purpose this day. I will not be 305 00:15:29,400 --> 00:15:34,120 Speaker 2: telling any story for any money. 306 00:15:35,040 --> 00:15:36,720 Speaker 1: I dated a girl named Solidarity. 307 00:15:37,520 --> 00:15:38,840 Speaker 3: Really what was she like? 308 00:15:40,440 --> 00:15:40,720 Speaker 4: You know? 309 00:15:40,880 --> 00:15:45,360 Speaker 2: It was solid? Solid and dirty? 310 00:15:46,360 --> 00:15:48,800 Speaker 3: Dirty dirty, very. 311 00:15:51,960 --> 00:15:53,240 Speaker 1: It got very dirty. 312 00:15:53,560 --> 00:15:55,360 Speaker 3: Noah, you get that. I get that. 313 00:15:55,360 --> 00:15:58,840 Speaker 5: That's kind of amazing, solid stand up girl and gets dirty? 314 00:15:58,960 --> 00:16:00,360 Speaker 5: Or was she physically dirty? 315 00:16:00,400 --> 00:16:02,840 Speaker 1: Are we talking about again? Most of it was online 316 00:16:03,320 --> 00:16:03,800 Speaker 1: most of the. 317 00:16:03,760 --> 00:16:07,280 Speaker 3: Relations Again, you hadn't mentioned that previously. 318 00:16:08,240 --> 00:16:11,960 Speaker 4: Well, it may have been a listening era on the 319 00:16:12,120 --> 00:16:13,800 Speaker 4: behalf of some of the people in the room. 320 00:16:14,680 --> 00:16:17,520 Speaker 5: Okay, but yeah, a lot of it was are you 321 00:16:17,560 --> 00:16:21,960 Speaker 5: coming at me? But are you coming or coming at me? 322 00:16:22,800 --> 00:16:27,080 Speaker 1: No? No, no, Together, we are taking this journey. 323 00:16:27,200 --> 00:16:27,440 Speaker 4: You know. 324 00:16:28,000 --> 00:16:31,840 Speaker 1: I just feel like I'm being what I already said. Yeah, 325 00:16:31,960 --> 00:16:32,360 Speaker 1: it was. 326 00:16:32,640 --> 00:16:36,520 Speaker 4: It was primarily a cyber relationship. 327 00:16:36,840 --> 00:16:38,920 Speaker 3: I would love to hear more about this, but I'd 328 00:16:39,000 --> 00:16:40,960 Speaker 3: really rather you send it to me in one sheet. 329 00:16:41,200 --> 00:16:43,440 Speaker 1: Yeah, so that. I have been trying to put this 330 00:16:43,560 --> 00:16:48,120 Speaker 1: together because I do think when when as soon as Yeah, 331 00:16:48,240 --> 00:16:52,960 Speaker 1: this could make an amazing commercial for something commercial. 332 00:16:53,200 --> 00:16:54,080 Speaker 2: Yes, that is. 333 00:16:54,360 --> 00:16:57,000 Speaker 4: I don't see it as a TV show. I don't 334 00:16:57,000 --> 00:16:59,360 Speaker 4: see it in the film. Hey, speaking of commercial, you 335 00:16:59,360 --> 00:17:00,520 Speaker 4: want to do commercial for the hat? 336 00:17:01,000 --> 00:17:02,360 Speaker 1: Sure? How much? 337 00:17:02,480 --> 00:17:05,240 Speaker 3: Okay? Sandwich? 338 00:17:06,720 --> 00:17:08,359 Speaker 1: Sandwich is a sandwich these days? 339 00:17:09,080 --> 00:17:14,280 Speaker 5: Twenty K twenty k at least. Things Inflation is a bitch. 340 00:17:15,520 --> 00:17:21,160 Speaker 2: That's so interesting. It's the way that money fans out 341 00:17:21,720 --> 00:17:22,000 Speaker 2: but it. 342 00:17:22,080 --> 00:17:23,960 Speaker 3: Doesn't fall out. But it doesn't fall out. 343 00:17:24,200 --> 00:17:26,000 Speaker 1: Yeah, there's a little clip inside. 344 00:17:26,640 --> 00:17:27,200 Speaker 2: I like it. 345 00:17:27,400 --> 00:17:27,639 Speaker 3: You know. 346 00:17:28,119 --> 00:17:31,280 Speaker 4: At one point my wife tried to convince me to 347 00:17:31,280 --> 00:17:32,719 Speaker 4: buy a more attractive wallet. 348 00:17:32,760 --> 00:17:36,840 Speaker 1: But I just couldn't give up the function here, you know. 349 00:17:37,520 --> 00:17:41,080 Speaker 2: Because as soon as this is over right, the number 350 00:17:41,080 --> 00:17:42,480 Speaker 2: of ideas, I. 351 00:17:42,440 --> 00:17:45,440 Speaker 3: Mean, I've got the commercial. Am I allowed to pitch 352 00:17:45,480 --> 00:17:46,280 Speaker 3: the commercial here? 353 00:17:46,359 --> 00:17:46,560 Speaker 4: Now? 354 00:17:46,680 --> 00:17:48,560 Speaker 2: We can tell to do it because I'd like to. 355 00:17:48,680 --> 00:17:53,600 Speaker 1: Actually, I wouldn't mind, you know, in service again the 356 00:17:53,680 --> 00:17:56,840 Speaker 1: hat pack off the ground, not that it's not already there. 357 00:17:58,080 --> 00:18:00,119 Speaker 1: I don't let a little cash in your pocket a 358 00:18:00,119 --> 00:18:01,280 Speaker 1: big commercial for it. 359 00:18:01,320 --> 00:18:02,960 Speaker 3: Well you've already said wear it. 360 00:18:03,160 --> 00:18:03,639 Speaker 2: Wear is it? 361 00:18:03,720 --> 00:18:04,200 Speaker 1: Good night? 362 00:18:04,720 --> 00:18:07,560 Speaker 3: Good nights for good nights, like at the end of 363 00:18:07,560 --> 00:18:07,960 Speaker 3: a date. 364 00:18:08,080 --> 00:18:10,120 Speaker 2: Good nights at the good nights? 365 00:18:10,160 --> 00:18:13,080 Speaker 4: Yeah, yeah, yeah, at the end of the date, the 366 00:18:13,200 --> 00:18:17,600 Speaker 4: date of the following Saturday in which a particular show airs. 367 00:18:17,680 --> 00:18:20,120 Speaker 5: We're not I don't know are we allowed to talk 368 00:18:20,119 --> 00:18:22,680 Speaker 5: about shows. 369 00:18:24,560 --> 00:18:27,960 Speaker 2: We're just we're literally a bunch of all facing the 370 00:18:28,000 --> 00:18:32,280 Speaker 2: same direction and waving and saying good night, okay, all right, 371 00:18:32,720 --> 00:18:35,000 Speaker 2: and it's been amazing. 372 00:18:35,160 --> 00:18:37,440 Speaker 1: Yeah, hugging wearing. 373 00:18:37,160 --> 00:18:41,200 Speaker 2: A T shirt that says you're welcome for what your g. 374 00:18:41,520 --> 00:18:49,520 Speaker 1: Smith is fucking blowing that fang, blowing that old horn. 375 00:18:49,840 --> 00:18:51,040 Speaker 3: Yeah. Well, here's the thing. 376 00:18:51,080 --> 00:18:53,520 Speaker 5: I've got the commercial at the ready, I'm doing a 377 00:18:53,560 --> 00:18:54,840 Speaker 5: pivot of sorts. 378 00:18:55,440 --> 00:19:00,600 Speaker 3: I'm going to do a pivot. What's that? Oh, kind 379 00:19:00,600 --> 00:19:02,560 Speaker 3: of like the Pino people. 380 00:19:06,400 --> 00:19:13,040 Speaker 5: It's a TV channel, Okay, hot Pack, Knapsack, balld sack, 381 00:19:14,080 --> 00:19:14,800 Speaker 5: ball sack. 382 00:19:17,320 --> 00:19:20,159 Speaker 4: Yeah. Well, I mean here we are saying, you know, 383 00:19:20,520 --> 00:19:25,040 Speaker 4: celebrating ourselves really for being willing to talk about so 384 00:19:25,240 --> 00:19:28,320 Speaker 4: many parts of the human body, and we needed a 385 00:19:28,400 --> 00:19:34,040 Speaker 4: guess to mention the ball send. It's really showing me 386 00:19:34,080 --> 00:19:35,640 Speaker 4: what a hypocrite I've been. 387 00:19:36,600 --> 00:19:39,639 Speaker 5: Yeah, I mean it's it's actually an appreciated apology. 388 00:19:40,080 --> 00:19:41,160 Speaker 3: Because I've been listening to you. 389 00:19:41,080 --> 00:19:44,080 Speaker 2: Feel like you understand the concept because I was really 390 00:19:44,119 --> 00:19:46,560 Speaker 2: allowed to get to the Brat Pack. And there's an 391 00:19:46,760 --> 00:19:49,720 Speaker 2: entire there's an entire pack that came after that and 392 00:19:49,880 --> 00:19:53,639 Speaker 2: proceeds with the advent of the Fourth. 393 00:19:54,200 --> 00:19:56,840 Speaker 1: There's not even other members of the Brat Pack as well. 394 00:19:57,080 --> 00:19:57,679 Speaker 3: Might I get. 395 00:19:57,640 --> 00:20:05,119 Speaker 4: Baldie Ringworm, you know, Moldy Ringworm, Andrew mcbarfby make barf 396 00:20:05,160 --> 00:20:06,920 Speaker 4: what mc barf me? 397 00:20:07,400 --> 00:20:09,840 Speaker 3: Mc barf meey okay, Okay, yeah, no, I've met him. 398 00:20:09,840 --> 00:20:15,600 Speaker 5: I've met Ali who Pep pep all right, and Derek Dookie. 399 00:20:16,600 --> 00:20:19,760 Speaker 4: Yeah, they were actually they were the you know, the 400 00:20:19,800 --> 00:20:22,040 Speaker 4: garbage pail kids and the brat Pack were. 401 00:20:21,920 --> 00:20:23,200 Speaker 1: Popular at the same time. 402 00:20:23,320 --> 00:20:25,800 Speaker 4: Sure, and I don't think it's a coincidence that they 403 00:20:25,840 --> 00:20:29,480 Speaker 4: both sort of capitalized on disgusting. 404 00:20:29,000 --> 00:20:31,480 Speaker 1: Versions of names that we were already familiar with. 405 00:20:31,760 --> 00:20:33,880 Speaker 5: R Well, I don't think it's any coincidence that two 406 00:20:33,920 --> 00:20:36,439 Speaker 5: of the members of the brat Pack passed away and 407 00:20:36,480 --> 00:20:37,360 Speaker 5: then we had. 408 00:20:37,280 --> 00:20:39,040 Speaker 2: At the same time at each other's hand. 409 00:20:39,040 --> 00:20:44,000 Speaker 5: And yeah, yeah, it was a death pack they had made. 410 00:20:44,119 --> 00:20:45,359 Speaker 1: It was a formal duel. 411 00:20:45,840 --> 00:20:48,800 Speaker 3: Yeah, you know what's that. 412 00:20:48,560 --> 00:20:50,080 Speaker 2: They were part of the packed. 413 00:20:49,800 --> 00:20:53,080 Speaker 3: Pack pack Packed packed. 414 00:20:52,800 --> 00:20:55,320 Speaker 2: Package pack And I know, I love the direction that 415 00:20:55,359 --> 00:20:57,680 Speaker 2: you went with the ad. Yeah, can I just add 416 00:20:57,680 --> 00:20:59,720 Speaker 2: this this one note that could think it would be 417 00:20:59,800 --> 00:21:03,560 Speaker 2: really interesting? Sure, hat pack, fat stack? 418 00:21:06,119 --> 00:21:08,040 Speaker 5: Okay, and then he reaches for his wallet and then 419 00:21:08,040 --> 00:21:11,040 Speaker 5: we see the cash fan. Maybe is that something you 420 00:21:11,040 --> 00:21:11,920 Speaker 5: feel like you could do. 421 00:21:12,520 --> 00:21:17,200 Speaker 2: Just establishing the connection between hat packs and then a 422 00:21:17,320 --> 00:21:18,040 Speaker 2: fat stack. 423 00:21:18,840 --> 00:21:23,480 Speaker 1: Well, it's like when you hat pack with facts, that's 424 00:21:23,520 --> 00:21:25,840 Speaker 1: a rap? Like is that something? 425 00:21:26,840 --> 00:21:27,720 Speaker 3: Say that again for me? 426 00:21:28,040 --> 00:21:30,760 Speaker 1: A hat pack with facts that's a rap. 427 00:21:30,800 --> 00:21:34,959 Speaker 5: I know, with fats or with facts fact facts. 428 00:21:35,200 --> 00:21:39,520 Speaker 4: Yeah, hat pack is standing in for clapback in this instance, 429 00:21:40,640 --> 00:21:42,360 Speaker 4: and I may have chosen the wrong. 430 00:21:42,200 --> 00:21:43,480 Speaker 1: Place to put hat pack. 431 00:21:43,720 --> 00:21:47,520 Speaker 4: Yeah, when you clap back with hat, So when you 432 00:21:47,560 --> 00:21:49,480 Speaker 4: clap back with hats, that's a pack. 433 00:21:49,760 --> 00:21:55,719 Speaker 5: That's okay. I think you've got something there, okay, commercial, 434 00:21:55,960 --> 00:21:57,760 Speaker 5: I think you've got something there. But what are the 435 00:21:57,840 --> 00:21:59,840 Speaker 5: visuals on that one? I don't really see the visuals 436 00:21:59,840 --> 00:22:00,200 Speaker 5: for here. 437 00:22:00,320 --> 00:22:05,040 Speaker 1: I'll give you the visuals right here. And that's it. 438 00:22:04,359 --> 00:22:07,840 Speaker 2: Your thumb and forefinger, they have stuff on. 439 00:22:07,840 --> 00:22:08,479 Speaker 1: The running it. 440 00:22:08,640 --> 00:22:10,040 Speaker 2: Yeah, wipe it off. 441 00:22:10,240 --> 00:22:12,760 Speaker 3: I got blood, yes, okay. 442 00:22:13,080 --> 00:22:18,399 Speaker 1: Smear blood across the bill. You go. When you clap 443 00:22:18,440 --> 00:22:19,560 Speaker 1: back with hats. 444 00:22:20,440 --> 00:22:21,080 Speaker 2: That's a pack. 445 00:22:21,680 --> 00:22:25,199 Speaker 3: And then I'm still we're ideally yeah, you're bleeding. I'm 446 00:22:25,200 --> 00:22:25,680 Speaker 3: still believing. 447 00:22:25,800 --> 00:22:27,480 Speaker 2: A zipper up there too, so you can zip and 448 00:22:27,560 --> 00:22:29,720 Speaker 2: unzip the a. 449 00:22:29,760 --> 00:22:31,000 Speaker 3: Storage function in the bill. 450 00:22:31,119 --> 00:22:33,280 Speaker 2: You're gonna yeah, the bill is going to open up. 451 00:22:33,440 --> 00:22:37,360 Speaker 1: The bill will be a pocket. Yeah, zip pockets. 452 00:22:37,119 --> 00:22:40,359 Speaker 2: So you can put fat stacks in there. That's why 453 00:22:40,400 --> 00:22:41,240 Speaker 2: they call it a bill. 454 00:22:41,280 --> 00:22:47,400 Speaker 3: Okay, okay, all right, or big bills. Williams. We're talking 455 00:22:47,400 --> 00:22:50,200 Speaker 3: about Variety and Variety magazine. 456 00:22:50,280 --> 00:22:53,119 Speaker 2: Yes, I well sure, First of all, why do they 457 00:22:53,200 --> 00:22:57,119 Speaker 2: call it that it's always about the same ships, like 458 00:22:57,160 --> 00:23:03,440 Speaker 2: one topic, always about TV. Variety of talk about like cars. 459 00:23:02,960 --> 00:23:04,480 Speaker 3: That's a variety of faces. 460 00:23:05,240 --> 00:23:09,160 Speaker 1: They would only have to do one issue about something else. Yes, 461 00:23:09,760 --> 00:23:11,760 Speaker 1: for me to for me to celebrate the. 462 00:23:11,680 --> 00:23:17,000 Speaker 5: Title something like cars, something like cars, the greater gas stations, Yeah, 463 00:23:17,359 --> 00:23:18,800 Speaker 5: gas stations. 464 00:23:18,320 --> 00:23:24,200 Speaker 1: Gas stations. An even better one, sh. 465 00:23:23,000 --> 00:23:25,080 Speaker 3: The cost of shades curtains in your home. 466 00:23:25,440 --> 00:23:29,000 Speaker 2: I mean it's definitely similar cars. Definitely similar to my suggestion, 467 00:23:29,080 --> 00:23:29,920 Speaker 2: shades in your home. 468 00:23:30,000 --> 00:23:33,160 Speaker 3: You said, yeah, what are you guys working on anything? 469 00:23:33,800 --> 00:23:36,080 Speaker 1: A lot of movies and TV stuff, A lot of 470 00:23:36,119 --> 00:23:40,560 Speaker 1: stuff that I mean, we're working. 471 00:23:40,920 --> 00:23:44,560 Speaker 3: We're Yeah, so you guys are actually working on. 472 00:23:44,720 --> 00:23:51,359 Speaker 2: I have sworn a pledge of the name solidarity, and 473 00:23:51,480 --> 00:23:53,919 Speaker 2: so I am not allowed to tell anyone about the 474 00:23:53,960 --> 00:23:59,639 Speaker 2: work that I am doing every day more than ever. 475 00:24:00,000 --> 00:24:06,200 Speaker 1: And I'm most of my work is meeting with struck companies, okay, 476 00:24:07,119 --> 00:24:11,240 Speaker 1: and just kind of be like we're doing that, right. 477 00:24:12,080 --> 00:24:16,560 Speaker 5: The hush hush hush, right, right, right, come on, come on, 478 00:24:16,680 --> 00:24:17,440 Speaker 5: come on, how long. 479 00:24:17,480 --> 00:24:19,119 Speaker 2: We're really gonna go all that? 480 00:24:19,359 --> 00:24:23,520 Speaker 1: Come on, we can do one, right, right, Let's do 481 00:24:23,600 --> 00:24:27,040 Speaker 1: a tiny one. And I feel like a smart I 482 00:24:27,200 --> 00:24:28,960 Speaker 1: nothing you know, not a. 483 00:24:29,520 --> 00:24:32,159 Speaker 5: Company reached out to you, You're like not interested in 484 00:24:32,240 --> 00:24:33,000 Speaker 5: working with them. 485 00:24:32,880 --> 00:24:34,680 Speaker 1: Because they don't have any fucking juice. 486 00:24:34,760 --> 00:24:35,080 Speaker 2: Juice. 487 00:24:35,640 --> 00:24:37,720 Speaker 3: Yeah, it's juice you're after. 488 00:24:38,040 --> 00:24:39,840 Speaker 1: Yeah, yeah, I'm thirsty p juice. 489 00:24:40,040 --> 00:24:43,680 Speaker 3: Yeah. Do you ever feel like paper isn't worth the squeeze? 490 00:24:44,920 --> 00:24:47,560 Speaker 2: I have never had that experience. 491 00:24:49,080 --> 00:24:50,080 Speaker 3: What a blessed life? 492 00:24:50,600 --> 00:24:50,959 Speaker 2: Juice? 493 00:24:51,040 --> 00:24:55,360 Speaker 4: Well, the squeeze, the squeeze itself, to me is kind 494 00:24:55,359 --> 00:24:56,160 Speaker 4: of pleasurable. 495 00:24:56,680 --> 00:24:58,840 Speaker 1: Like so, I'm always. 496 00:24:58,520 --> 00:25:00,399 Speaker 2: Like, what do you mean? What do you mean? Juice 497 00:25:00,440 --> 00:25:00,760 Speaker 2: is a. 498 00:25:00,760 --> 00:25:04,080 Speaker 3: Bonus icing on the cake that is the squeeze? 499 00:25:04,160 --> 00:25:06,399 Speaker 1: Yea, yeah, I was going to be squeezed them anyway. 500 00:25:06,480 --> 00:25:10,000 Speaker 2: You squeeze the icing too out of the piping bag 501 00:25:10,600 --> 00:25:14,120 Speaker 2: if you can put basically anything icing is also worth 502 00:25:14,200 --> 00:25:14,919 Speaker 2: the squeeze. 503 00:25:16,200 --> 00:25:16,800 Speaker 3: That's steep. 504 00:25:17,000 --> 00:25:17,800 Speaker 1: I found it, have you? 505 00:25:17,880 --> 00:25:20,840 Speaker 4: I mean you brought it up? Do you think that 506 00:25:20,960 --> 00:25:22,480 Speaker 4: the juice isn't worth the squeeze? 507 00:25:22,520 --> 00:25:24,800 Speaker 3: Feeling so antagonistic? I mean I don't. 508 00:25:27,200 --> 00:25:28,200 Speaker 2: In the piping bag? 509 00:25:28,359 --> 00:25:28,760 Speaker 3: What's that? 510 00:25:28,840 --> 00:25:31,040 Speaker 2: If you put corn kernels in the piping bag, like 511 00:25:31,040 --> 00:25:33,359 Speaker 2: people only use it for icing cake. 512 00:25:33,240 --> 00:25:35,520 Speaker 3: You could grind up that, you could pure the corn, 513 00:25:35,840 --> 00:25:36,160 Speaker 3: but you. 514 00:25:36,119 --> 00:25:38,439 Speaker 2: Want that I put the whole kernels in there, and 515 00:25:38,440 --> 00:25:41,119 Speaker 2: it basically with a really tiny opening. It basically is 516 00:25:41,160 --> 00:25:42,800 Speaker 2: a gun basically. 517 00:25:42,359 --> 00:25:44,040 Speaker 1: Shoots out like a gatling gun. 518 00:25:44,200 --> 00:25:48,760 Speaker 2: Yeah. Shooting cakes, Yeah, oh my god, yeah, I do. Still, 519 00:25:48,800 --> 00:25:50,719 Speaker 2: I haven't gone beyond pointing it at cakes. 520 00:25:50,800 --> 00:25:54,199 Speaker 1: Well, Kevin. Kevin, Kevin says that shooting cakes is like 521 00:25:54,240 --> 00:25:55,840 Speaker 1: his mad you. 522 00:25:55,800 --> 00:25:57,440 Speaker 3: Know, yeah, Kevin. 523 00:25:58,760 --> 00:25:59,720 Speaker 2: Skin left on the thing. 524 00:26:00,240 --> 00:26:01,200 Speaker 3: What do you mean by that? 525 00:26:01,440 --> 00:26:03,439 Speaker 7: I shoot the cake and I say the juice is 526 00:26:03,480 --> 00:26:04,560 Speaker 7: worth the squeeze? 527 00:26:04,680 --> 00:26:09,200 Speaker 2: No, oh, Kevin, Kevinllywood. 528 00:26:10,040 --> 00:26:12,119 Speaker 7: This week on the Patreon, The Boys and Duct, the 529 00:26:12,160 --> 00:26:15,040 Speaker 7: first seven members of the Hat Pack. On the pro Version, 530 00:26:15,400 --> 00:26:18,600 Speaker 7: Seawn talks to Leslie Arfin about the movie Permanent Midnight 531 00:26:18,680 --> 00:26:21,560 Speaker 7: on his show's subtitles on and the flager Ones are 532 00:26:21,600 --> 00:26:25,360 Speaker 7: mostly talking all things basketball. Also make sure to check 533 00:26:25,400 --> 00:26:29,560 Speaker 7: out Carl Tart's new fantasy football podcast, Foosballs on the 534 00:26:29,600 --> 00:26:32,679 Speaker 7: Headgum Network, and it also has videos and some bonus 535 00:26:32,720 --> 00:26:36,160 Speaker 7: episodes on the Patreon. Plus, he a Hollywood Handbook live 536 00:26:36,200 --> 00:26:39,120 Speaker 7: and live streaming show at the Dynasty Typewriter in Los 537 00:26:39,119 --> 00:26:42,800 Speaker 7: Angeles tonight with special guest Claudia Adherity to take a 538 00:26:42,880 --> 00:26:44,640 Speaker 7: Link is in the episode description. 539 00:26:45,160 --> 00:26:45,920 Speaker 2: Check out all these. 540 00:26:45,800 --> 00:26:49,080 Speaker 7: Shows and the video of today's episode with Ego at 541 00:26:49,080 --> 00:26:56,480 Speaker 7: patreon dot com. Slash the flager onesyood Hamoollywood. 542 00:26:57,200 --> 00:26:59,359 Speaker 2: So they did a variety magazine about you? 543 00:26:59,640 --> 00:27:02,800 Speaker 1: Yeah, the whole magazine again, not. 544 00:27:02,840 --> 00:27:05,439 Speaker 4: A lot of variety if we're just talking about the 545 00:27:05,480 --> 00:27:08,560 Speaker 4: whole time. Hey, hey, don't remind me of this podcast. 546 00:27:08,800 --> 00:27:11,840 Speaker 5: I'm actually pretty no. Hold on, there's some interesting ship 547 00:27:11,920 --> 00:27:12,880 Speaker 5: to be said about me. 548 00:27:13,240 --> 00:27:15,719 Speaker 4: I'm not saying it's not interesting. I'm saying it's not 549 00:27:15,760 --> 00:27:16,720 Speaker 4: a variety. 550 00:27:17,440 --> 00:27:19,320 Speaker 2: Can we pull it up please? Yep? 551 00:27:19,520 --> 00:27:21,440 Speaker 1: Oh my gosh, let me see the thing. 552 00:27:22,359 --> 00:27:23,760 Speaker 2: Variety magazine. 553 00:27:24,000 --> 00:27:28,720 Speaker 1: Okay, I say, hell. 554 00:27:28,440 --> 00:27:37,880 Speaker 2: That's not you. That's Cecily Strong and there's you. Yeah, 555 00:27:37,920 --> 00:27:39,600 Speaker 2: and it's the two of you. 556 00:27:39,720 --> 00:27:41,880 Speaker 1: Oh what Cecily wear the hat? 557 00:27:41,920 --> 00:27:44,160 Speaker 5: Do you think I think she would wear that hat? 558 00:27:44,920 --> 00:27:48,520 Speaker 5: I think we get her to wear that, Kevin? 559 00:27:51,080 --> 00:27:54,120 Speaker 2: Okay, Uh, it's you standing next to each other. You 560 00:27:54,160 --> 00:27:57,840 Speaker 2: look taller than her, which is crazy because Cecily is 561 00:27:57,880 --> 00:27:59,359 Speaker 2: a gangly ass. 562 00:28:01,720 --> 00:28:05,680 Speaker 5: I am, I'm I'm not taller than her. I had 563 00:28:05,720 --> 00:28:07,320 Speaker 5: on giant heels. 564 00:28:08,040 --> 00:28:11,840 Speaker 2: Giant heels. Your thing about yea giant heels and like 565 00:28:12,160 --> 00:28:15,000 Speaker 2: making them install a fire hydrant for you. 566 00:28:15,280 --> 00:28:16,520 Speaker 3: I did. I did? 567 00:28:16,640 --> 00:28:17,400 Speaker 1: That was crazy? 568 00:28:17,520 --> 00:28:17,960 Speaker 3: Well, I did. 569 00:28:18,040 --> 00:28:18,960 Speaker 2: It's not a very. 570 00:28:21,800 --> 00:28:23,200 Speaker 3: I wanted to show off my skills. 571 00:28:23,200 --> 00:28:23,520 Speaker 5: I did. 572 00:28:23,560 --> 00:28:25,359 Speaker 3: I wanted to show off my balancing skills. 573 00:28:25,480 --> 00:28:26,359 Speaker 2: You can't see that. 574 00:28:27,880 --> 00:28:30,520 Speaker 4: Well, you do effectively see it, though, I mean it 575 00:28:30,600 --> 00:28:33,560 Speaker 4: changes your muscle tone and stuff to balance on a fire. 576 00:28:35,480 --> 00:28:38,680 Speaker 2: And it says you say goodbye, I say hello. 577 00:28:39,560 --> 00:28:42,880 Speaker 3: Okay, yeah, people, it does say. 578 00:28:42,720 --> 00:28:44,840 Speaker 2: That which of you is saying which thing? 579 00:28:45,280 --> 00:28:49,400 Speaker 1: I'm saying hello and you're on the wrong side? 580 00:28:49,960 --> 00:28:50,320 Speaker 3: Yeah? 581 00:28:50,480 --> 00:28:53,920 Speaker 4: Can we can we flip the image, Kevin that I 582 00:28:53,920 --> 00:28:55,480 Speaker 4: can make some sense of this, and. 583 00:28:55,440 --> 00:29:00,400 Speaker 2: It's basically about the palace coup that you executed. Yeah, 584 00:29:01,400 --> 00:29:04,760 Speaker 2: double the palace on Strong. 585 00:29:04,840 --> 00:29:07,200 Speaker 4: Yeah, popped into the hospital room dressed as in order, 586 00:29:11,640 --> 00:29:14,680 Speaker 4: I mean life of Cecily Strong. 587 00:29:15,640 --> 00:29:18,520 Speaker 5: I mean, yeah, they should have moved that graphic over there. 588 00:29:18,920 --> 00:29:21,200 Speaker 5: I did get a text message from somebody asking me 589 00:29:21,280 --> 00:29:22,040 Speaker 5: if I was leaving. 590 00:29:22,160 --> 00:29:25,000 Speaker 1: She was Cecily weak as a kitten when you were finished. 591 00:29:27,960 --> 00:29:33,280 Speaker 4: Sap the life out of her. I have to read 592 00:29:33,280 --> 00:29:35,600 Speaker 4: the whole thing. What are the important lessons? I want 593 00:29:35,600 --> 00:29:36,560 Speaker 4: an important lesson. 594 00:29:36,640 --> 00:29:38,479 Speaker 3: You gotta know when to leave the party. 595 00:29:39,000 --> 00:29:42,360 Speaker 5: Larry King, God, Larry King Live said that I was 596 00:29:42,480 --> 00:29:44,680 Speaker 5: just felt like that was Larry king Live. 597 00:29:45,840 --> 00:29:48,040 Speaker 2: Just when the moment was right. 598 00:29:48,320 --> 00:29:53,960 Speaker 1: He said, I do, yes, and he died not one second. 599 00:29:54,400 --> 00:29:57,520 Speaker 2: And he also said I do A few times. I 600 00:29:57,600 --> 00:30:00,240 Speaker 2: do multiple marriage. 601 00:30:01,360 --> 00:30:04,320 Speaker 5: Are we gonna shame this dead man for having been 602 00:30:04,320 --> 00:30:06,719 Speaker 5: married to many women? 603 00:30:07,280 --> 00:30:09,840 Speaker 2: You know? Absolutely time loser. 604 00:30:09,920 --> 00:30:11,760 Speaker 1: And I don't even think two times accurate? 605 00:30:12,960 --> 00:30:15,480 Speaker 3: Who got n he's been married twice? 606 00:30:16,400 --> 00:30:19,760 Speaker 1: No, just engaged once fingers crossed. 607 00:30:21,160 --> 00:30:26,240 Speaker 2: He crossed his fingers that I saw he was lying. 608 00:30:28,320 --> 00:30:29,440 Speaker 3: They were crossed the whole time. 609 00:30:29,440 --> 00:30:32,800 Speaker 5: He said that you want some lessons I wouldn't mind getting. 610 00:30:33,120 --> 00:30:36,040 Speaker 5: I gotta know when to leave the party. Gotta know 611 00:30:36,080 --> 00:30:38,080 Speaker 5: when to leave the party, don't. 612 00:30:38,120 --> 00:30:41,120 Speaker 3: You're out of here? Well, we're just getting started. 613 00:30:41,160 --> 00:30:43,600 Speaker 5: This isn't the time that you don't know when it's 614 00:30:43,920 --> 00:30:46,120 Speaker 5: an instinctual thing, that's what your instincts told you to do. 615 00:30:46,240 --> 00:30:49,720 Speaker 1: Just now you know, I don't know. 616 00:30:50,600 --> 00:30:51,840 Speaker 3: Okay, all right. 617 00:30:52,280 --> 00:30:55,680 Speaker 2: We do need some of this because you were able to, 618 00:30:56,400 --> 00:31:00,080 Speaker 2: you know, gently nudge Cecily Strong out of the rotation. 619 00:31:00,240 --> 00:31:03,320 Speaker 1: Were dome boys out of the studio. 620 00:31:04,440 --> 00:31:07,760 Speaker 2: Like we we have do like here's what I here's 621 00:31:07,760 --> 00:31:11,320 Speaker 2: what I'm looking at. I wander into this new studio 622 00:31:11,640 --> 00:31:14,240 Speaker 2: that they built over there the other day, I'm thinking 623 00:31:14,280 --> 00:31:18,400 Speaker 2: of starting to raise a fuss about me getting to 624 00:31:18,480 --> 00:31:22,560 Speaker 2: record my show with Sean and there instead of been here. Okay, 625 00:31:22,600 --> 00:31:25,560 Speaker 2: it's bigger. They don't let me do it. 626 00:31:26,440 --> 00:31:29,560 Speaker 4: Yes, that's the biggest thing for me. It's like, what 627 00:31:29,840 --> 00:31:34,560 Speaker 4: exactly are you trying to keep me from by forbidding 628 00:31:34,600 --> 00:31:36,360 Speaker 4: me to record in that studio. 629 00:31:36,360 --> 00:31:39,720 Speaker 5: But it's their studio, your Hollywood hands. It's like this, 630 00:31:40,280 --> 00:31:41,960 Speaker 5: this is this is Taylor made for. 631 00:31:42,240 --> 00:31:43,320 Speaker 1: I gotta tell you this. 632 00:31:44,160 --> 00:31:47,280 Speaker 4: You pointed the screen and and and I've been fooled 633 00:31:47,320 --> 00:31:48,080 Speaker 4: by this as well. 634 00:31:48,120 --> 00:31:50,080 Speaker 1: And you think, oh, that's a permanent. 635 00:31:51,920 --> 00:31:54,800 Speaker 5: I can see the grids there that allow them to 636 00:31:54,840 --> 00:31:56,600 Speaker 5: remove it when they're done with you. 637 00:31:56,840 --> 00:31:59,040 Speaker 2: They do take it, they take it to a crew coming. 638 00:31:59,160 --> 00:32:00,960 Speaker 3: I was wondering why you had a book. 639 00:32:00,920 --> 00:32:06,200 Speaker 5: Poverty, God damn wrecking poverty in your very own Hollywood handbooks. 640 00:32:06,720 --> 00:32:08,600 Speaker 2: Studio book is what not to Do? 641 00:32:09,000 --> 00:32:14,040 Speaker 5: Yeah, snitching also up there, none of neither Don't I 642 00:32:14,120 --> 00:32:14,680 Speaker 5: Feel Love? 643 00:32:14,800 --> 00:32:16,200 Speaker 3: Whatnot? That is the what not to do? 644 00:32:17,200 --> 00:32:18,960 Speaker 2: No Poverty. 645 00:32:20,360 --> 00:32:24,000 Speaker 4: These are all Adam Connover's books, and he reads. 646 00:32:24,400 --> 00:32:28,160 Speaker 5: He starts every episode he reads and every time, same books. 647 00:32:28,440 --> 00:32:32,120 Speaker 3: Ye, big fan, Adam. I don't use to run anything 648 00:32:32,120 --> 00:32:32,360 Speaker 3: for me. 649 00:32:34,360 --> 00:32:41,480 Speaker 2: For me, Adam blessed life, Adam enrichings. 650 00:32:41,920 --> 00:32:45,280 Speaker 3: Everything is that smile genuine? 651 00:32:46,200 --> 00:32:48,640 Speaker 2: Was I smiling? Oh that's so crazy. I didn't even 652 00:32:48,680 --> 00:32:50,360 Speaker 2: know it was so genuine. I didn't even know. 653 00:32:51,640 --> 00:32:54,400 Speaker 1: Isaay dropped the eye. How can we get Adam? 654 00:32:54,600 --> 00:32:55,560 Speaker 2: Adam runs everything? 655 00:32:55,720 --> 00:32:59,600 Speaker 1: Please, let's get let's put him in charge of some more. 656 00:33:00,040 --> 00:33:02,760 Speaker 2: And I would think of making a big stink about 657 00:33:02,760 --> 00:33:04,840 Speaker 2: going into that other studio and the only show they 658 00:33:04,920 --> 00:33:07,280 Speaker 2: let record in there that I know of. What's the 659 00:33:07,360 --> 00:33:10,360 Speaker 2: name of that show. It's called the Recap Show, and 660 00:33:10,400 --> 00:33:14,520 Speaker 2: it's about the soccer team, the soccer team, and they 661 00:33:14,560 --> 00:33:15,080 Speaker 2: host it. 662 00:33:15,280 --> 00:33:19,120 Speaker 3: The soccer team. Yea, which soccer team. There's a few 663 00:33:19,240 --> 00:33:20,400 Speaker 3: soccer teams. 664 00:33:21,160 --> 00:33:24,480 Speaker 2: For me, women's soccer team. For me, it's just a 665 00:33:24,520 --> 00:33:28,680 Speaker 2: soccer team. Yeah, oh, that's the women's soccer team. No, 666 00:33:28,840 --> 00:33:30,480 Speaker 2: that's actually you see everyone. 667 00:33:30,680 --> 00:33:33,640 Speaker 5: You just see all of us as equal, which is great. Yeah, yeah, 668 00:33:33,760 --> 00:33:34,520 Speaker 5: we're all equal. 669 00:33:34,640 --> 00:33:38,480 Speaker 2: Yeah, that's why I should get to play on it. 670 00:33:38,600 --> 00:33:41,880 Speaker 4: Yeah yeah, But that's a great philosophy. 671 00:33:42,840 --> 00:33:45,040 Speaker 2: And yet they seem to be thinking of them as 672 00:33:45,120 --> 00:33:46,960 Speaker 2: unequal to me and only allowed to be in that 673 00:33:47,000 --> 00:33:49,160 Speaker 2: studio even though they don't even play on this freaking 674 00:33:49,240 --> 00:33:50,000 Speaker 2: team anymore. 675 00:33:50,560 --> 00:33:53,920 Speaker 1: Right, I'm thinking of making a big fuss about me. 676 00:33:54,240 --> 00:33:54,680 Speaker 1: And that's. 677 00:33:56,840 --> 00:33:59,080 Speaker 2: The team was not successful. 678 00:34:00,080 --> 00:34:02,040 Speaker 3: I mean they went pretty far. 679 00:34:02,560 --> 00:34:06,440 Speaker 1: No, I mean maybe on a plane. 680 00:34:08,600 --> 00:34:11,120 Speaker 3: I get it almost doesn't count. Almost doesn't count. 681 00:34:11,160 --> 00:34:13,520 Speaker 2: And I look, that's what happens when you get in 682 00:34:13,600 --> 00:34:18,399 Speaker 2: business with this company had gone. Sorry, I called it. 683 00:34:18,440 --> 00:34:20,920 Speaker 2: As soon as they said that they were doing a 684 00:34:20,960 --> 00:34:28,360 Speaker 2: recap show. I said, we're not seeing the second round. Wow, 685 00:34:28,480 --> 00:34:29,200 Speaker 2: that's what I said. 686 00:34:29,320 --> 00:34:32,200 Speaker 4: They know, and by the way, like and now they're 687 00:34:32,239 --> 00:34:35,719 Speaker 4: pivoting to come after that. Yeah, sorry, they're people going 688 00:34:35,880 --> 00:34:38,359 Speaker 4: to come after come after the hat Pack. And they 689 00:34:38,400 --> 00:34:40,840 Speaker 4: said that they're not even going to talk about about 690 00:34:40,880 --> 00:34:43,680 Speaker 4: the games anymore. They're going to launch something called Modern 691 00:34:43,760 --> 00:34:44,600 Speaker 4: Day Soccerates. 692 00:34:46,800 --> 00:34:51,239 Speaker 1: And it's just it's like a soccer style jersey, like 693 00:34:51,280 --> 00:34:53,880 Speaker 1: a T shirt jersey that says. 694 00:34:53,760 --> 00:35:01,319 Speaker 4: Modern days, like modern day Soccer and like that's so 695 00:35:01,880 --> 00:35:04,880 Speaker 4: it has so many more layers than hat Pack. I 696 00:35:04,920 --> 00:35:07,680 Speaker 4: don't know how we compete unless we can get in 697 00:35:07,719 --> 00:35:09,520 Speaker 4: that studio and some of that. 698 00:35:09,640 --> 00:35:12,080 Speaker 5: You know, what would you do though, you don't think 699 00:35:12,480 --> 00:35:13,080 Speaker 5: nuts in there? 700 00:35:13,120 --> 00:35:18,040 Speaker 2: What would I do in the studio? It would be wrecked. 701 00:35:19,440 --> 00:35:23,759 Speaker 1: Everything in this fucking studio, Dude, I would be. 702 00:35:24,800 --> 00:35:27,239 Speaker 5: I don't want to play on your parade. But all 703 00:35:27,280 --> 00:35:32,640 Speaker 5: you had was hat pack brings facts. Can't clap. That's 704 00:35:32,719 --> 00:35:40,600 Speaker 5: not what he said. Sorry, Sorry, I apologize, I apologize. 705 00:35:40,600 --> 00:35:41,800 Speaker 3: It was like hat if. 706 00:35:41,640 --> 00:35:46,040 Speaker 5: You clap back back with the hat, hats, that's that's 707 00:35:46,200 --> 00:35:51,520 Speaker 5: facts and then and then practice and then a practice facts. 708 00:35:52,480 --> 00:35:54,280 Speaker 5: My thing is, why don't you guys try to involve 709 00:35:55,200 --> 00:35:57,080 Speaker 5: I don't. I feel like you guys need a spokesperson. 710 00:35:57,080 --> 00:35:57,600 Speaker 5: It can't be me. 711 00:35:57,840 --> 00:35:59,880 Speaker 2: That's your thing, you're going to be. 712 00:36:00,320 --> 00:36:03,720 Speaker 5: I don't want to be the variety. 713 00:36:08,360 --> 00:36:09,560 Speaker 2: It's called variety. 714 00:36:09,719 --> 00:36:13,120 Speaker 4: Actually, it's all versatility, more than one thing. 715 00:36:13,760 --> 00:36:24,080 Speaker 2: Range Media, it's called Range Partners, yes, Hollywood power player. Yeah. 716 00:36:24,760 --> 00:36:29,520 Speaker 5: I just think maybe it's called representation. 717 00:36:30,000 --> 00:36:34,160 Speaker 2: Range are Media, Yes. 718 00:36:35,360 --> 00:36:36,279 Speaker 3: By Mackenzie. 719 00:36:36,719 --> 00:36:41,359 Speaker 2: Not Mackenzie, although she is friends with and I did 720 00:36:41,440 --> 00:36:43,520 Speaker 2: recently say on a different show in the studio that 721 00:36:43,600 --> 00:36:45,719 Speaker 2: I wasn't sure if she was still my agent or not, 722 00:36:45,960 --> 00:36:49,319 Speaker 2: and that did get back to her and she did say, yes, 723 00:36:49,600 --> 00:36:53,319 Speaker 2: I am still representing you. If you're interested. But I'm 724 00:36:53,320 --> 00:36:55,000 Speaker 2: not an agent anymore. 725 00:36:55,480 --> 00:36:56,960 Speaker 5: You just found that out. You found that out. 726 00:36:56,960 --> 00:37:00,000 Speaker 2: But I'm a manager named at Range Media, at Range 727 00:37:00,160 --> 00:37:01,360 Speaker 2: Media Partners. 728 00:37:01,160 --> 00:37:02,720 Speaker 3: Arrange Media common partner. 729 00:37:02,800 --> 00:37:06,120 Speaker 2: Yes, it's called Range Range Media. 730 00:37:06,480 --> 00:37:10,840 Speaker 5: Yes, pull out two little guns partners Rain, Hey. 731 00:37:10,920 --> 00:37:14,600 Speaker 1: And her reaching out to you. And that is Susie 732 00:37:14,600 --> 00:37:15,200 Speaker 1: like a fox. 733 00:37:15,320 --> 00:37:20,160 Speaker 2: Yes, evidence Fox, evidence of his influences Fox. 734 00:37:20,520 --> 00:37:23,880 Speaker 5: That's okay, Hey, she's Susie like a fox. 735 00:37:24,640 --> 00:37:25,839 Speaker 3: You ever say that to her? 736 00:37:26,320 --> 00:37:30,640 Speaker 4: I haven't had the occasion to speak to her quite 737 00:37:30,680 --> 00:37:32,800 Speaker 4: some time, both. 738 00:37:32,640 --> 00:37:34,440 Speaker 5: At a party, and every time you'd come around, she 739 00:37:34,560 --> 00:37:36,440 Speaker 5: started to find her half. 740 00:37:36,239 --> 00:37:40,200 Speaker 4: And calling her name, you know, the etcetera, or just 741 00:37:40,480 --> 00:37:44,600 Speaker 4: you know that clinking in the bottom of the glass 742 00:37:44,640 --> 00:37:45,640 Speaker 4: just as I arrived. 743 00:37:45,800 --> 00:37:53,239 Speaker 5: Hologram two pack to Too Bad to two Pack PA 744 00:37:53,920 --> 00:37:58,520 Speaker 5: endorsing the hat pack. Hologramma t Pack endorsing the hat pack. 745 00:37:59,680 --> 00:38:02,319 Speaker 2: Okay, that could be really good. What are some of 746 00:38:02,640 --> 00:38:03,800 Speaker 2: Kevin's really into. 747 00:38:03,560 --> 00:38:05,080 Speaker 1: This flat duck? 748 00:38:06,200 --> 00:38:07,920 Speaker 3: What about ben Aflac. 749 00:38:07,600 --> 00:38:10,000 Speaker 2: Ben Afflac this, I would love. 750 00:38:11,840 --> 00:38:14,120 Speaker 3: Ben do that for me. I don't know that. 751 00:38:14,360 --> 00:38:17,680 Speaker 2: So I'm a little concerned that we have accidentally, instead 752 00:38:17,719 --> 00:38:20,960 Speaker 2: of promoting the hat pack, we have gone two steps 753 00:38:21,480 --> 00:38:26,319 Speaker 2: and are just promoting the company Aflac Right if Ben, 754 00:38:26,560 --> 00:38:31,160 Speaker 2: if we're if our characters for spokesperson's name is Ben Aflac. 755 00:38:31,560 --> 00:38:33,920 Speaker 4: What about an a flat commercial where it's Ben a 756 00:38:34,040 --> 00:38:37,359 Speaker 4: Flac eating eating a roast duck. 757 00:38:38,200 --> 00:38:41,239 Speaker 1: Okay, and it's sort of his announcement, his coming out party. 758 00:38:41,719 --> 00:38:43,440 Speaker 2: Sorry the ducks cook? 759 00:38:43,760 --> 00:38:45,160 Speaker 1: You know now it's now. 760 00:38:45,040 --> 00:38:47,719 Speaker 5: It's coming out as a carnivore. 761 00:38:48,239 --> 00:38:49,480 Speaker 3: Is that well? 762 00:38:49,520 --> 00:38:53,399 Speaker 1: But also saying like, you know that was a sports 763 00:38:53,440 --> 00:38:59,840 Speaker 1: press for a very long time. Ben's kind of ducks 764 00:39:00,360 --> 00:39:04,400 Speaker 1: is cooked? That could be a lot dialogue. Do that 765 00:39:04,520 --> 00:39:08,000 Speaker 1: during the strike, Let's do that. So he goes that 766 00:39:08,120 --> 00:39:09,480 Speaker 1: ducks goose is cooked. 767 00:39:09,719 --> 00:39:13,439 Speaker 2: Okay, but but it's not. None of this is like. 768 00:39:13,880 --> 00:39:14,480 Speaker 3: It's not good. 769 00:39:14,680 --> 00:39:16,400 Speaker 2: Yeah, and maybe it's. 770 00:39:16,280 --> 00:39:17,839 Speaker 1: Like Cruise. 771 00:39:19,760 --> 00:39:20,439 Speaker 3: Going something. 772 00:39:20,480 --> 00:39:21,480 Speaker 1: Talk to me goose? 773 00:39:23,280 --> 00:39:27,120 Speaker 2: Right, Tom, why do they do that? You want to 774 00:39:27,400 --> 00:39:31,160 Speaker 2: you want everything you can. 775 00:39:31,880 --> 00:39:34,880 Speaker 5: What's the budget for this commercial? You have, Tom, Cruise, you. 776 00:39:35,080 --> 00:39:37,080 Speaker 2: Already did it. They already shot the movie. 777 00:39:37,360 --> 00:39:40,799 Speaker 1: You want the best version of it. And then let's 778 00:39:40,840 --> 00:39:42,120 Speaker 1: talk about the budget. 779 00:39:42,239 --> 00:39:43,719 Speaker 3: Talking about we don't want to get my money in 780 00:39:43,800 --> 00:39:44,000 Speaker 3: the way. 781 00:39:44,160 --> 00:39:46,920 Speaker 4: It's you know, like now we're making a reasonable wish 782 00:39:46,960 --> 00:39:49,840 Speaker 4: all of a sudden, it's like, no, let's not make. 783 00:39:51,960 --> 00:39:52,520 Speaker 1: Your version. 784 00:39:52,600 --> 00:39:56,440 Speaker 2: What are some songs Kevin that Pa Kevin's always talking 785 00:39:56,480 --> 00:40:00,320 Speaker 2: about this stuff's the main expert on this stuff. Maybe Mama, 786 00:40:00,400 --> 00:40:04,520 Speaker 2: dear mama, dear mama. Okay, I know, I know. 787 00:40:06,560 --> 00:40:10,319 Speaker 5: Said that the mom was part of the original pack, right, 788 00:40:11,520 --> 00:40:12,080 Speaker 5: I just know. 789 00:40:12,120 --> 00:40:14,960 Speaker 4: Like so that passion starts, I'm going, all right, new drink, 790 00:40:15,320 --> 00:40:17,360 Speaker 4: and then he starts saying the ingredients of the drink. 791 00:40:17,760 --> 00:40:20,839 Speaker 4: But what if he's going, all right, new pack, one 792 00:40:20,880 --> 00:40:21,480 Speaker 4: part hat? 793 00:40:21,920 --> 00:40:22,319 Speaker 2: Mm hmm. 794 00:40:24,120 --> 00:40:26,880 Speaker 3: Okay, all right, I'm here. I'm here, and I'm. 795 00:40:26,760 --> 00:40:29,239 Speaker 1: One part hat, one part two parts pack. 796 00:40:30,200 --> 00:40:36,400 Speaker 2: Okay, yeah, one part hat. But it's not too far 797 00:40:37,120 --> 00:40:37,959 Speaker 2: Rember the hat. 798 00:40:38,360 --> 00:40:38,640 Speaker 3: Huh. 799 00:40:40,120 --> 00:40:43,040 Speaker 5: Yeah, I'm having trouble. But I mean, listen, you guys 800 00:40:43,040 --> 00:40:45,160 Speaker 5: are onto something. I think what you're doing is really beautiful. 801 00:40:45,160 --> 00:40:49,160 Speaker 1: I know, yeah, you're a huge piece of it. 802 00:40:49,320 --> 00:40:50,719 Speaker 3: Are you looking up two pres. 803 00:40:50,480 --> 00:40:52,480 Speaker 2: With They's exactly what I'm looking at? 804 00:40:53,640 --> 00:40:56,440 Speaker 4: Well, I mean obviously he also did changes, right, So 805 00:40:56,560 --> 00:40:59,319 Speaker 4: like what if it's like the hat, Like what if 806 00:40:59,360 --> 00:41:01,839 Speaker 4: it's like we're in the fourth turning, like we're going 807 00:41:01,840 --> 00:41:04,760 Speaker 4: through changes, Like one of the changes we're gonna start. 808 00:41:04,560 --> 00:41:09,520 Speaker 2: Wearing Okay, here we go, ready had him up. Oh 809 00:41:09,880 --> 00:41:12,040 Speaker 2: I don't like that all hats on me. 810 00:41:13,840 --> 00:41:16,919 Speaker 3: That's why I'm not even trying. That's why. 811 00:41:17,160 --> 00:41:19,600 Speaker 5: That's why I hat your pack. And that's your version 812 00:41:19,600 --> 00:41:20,120 Speaker 5: of this, why. 813 00:41:23,880 --> 00:41:31,520 Speaker 2: That's why I had your pack California hat, you. 814 00:41:29,640 --> 00:41:37,280 Speaker 3: Hat, just throw it. I ain't mad at at your hat. 815 00:41:37,960 --> 00:41:38,920 Speaker 2: I ain't hat at you. 816 00:41:40,600 --> 00:41:41,200 Speaker 1: I ain't. 817 00:41:41,280 --> 00:41:44,480 Speaker 2: That's that we have to work that hard. Yeah, keep 818 00:41:44,480 --> 00:41:45,160 Speaker 2: your hat up. 819 00:41:45,080 --> 00:41:47,440 Speaker 3: Of course, keeping your hat up. 820 00:41:48,120 --> 00:41:52,239 Speaker 2: Yeah, really nice. And he's out there, he's wearing the 821 00:41:52,280 --> 00:41:52,960 Speaker 2: hat to. 822 00:41:53,080 --> 00:41:55,840 Speaker 1: Hat and pack in l A and let's give him like, 823 00:41:58,480 --> 00:41:58,839 Speaker 1: well that. 824 00:41:58,800 --> 00:42:01,520 Speaker 3: Could sound that could say, don't like your packing heat. 825 00:42:02,520 --> 00:42:06,480 Speaker 2: Right, and you don't want to want to back a hat. 826 00:42:08,200 --> 00:42:11,640 Speaker 3: Toad l X And then which point you're going? 827 00:42:11,800 --> 00:42:16,360 Speaker 2: I wonder like, I don't really want like bald guys 828 00:42:16,360 --> 00:42:18,640 Speaker 2: to be be like a hat that's just for guys 829 00:42:18,680 --> 00:42:21,200 Speaker 2: that like are like bald like that. So what if 830 00:42:21,280 --> 00:42:24,200 Speaker 2: like we've sort like your hair, I think it's maybe 831 00:42:24,280 --> 00:42:28,840 Speaker 2: done for you. Hang on, if we expect your hair 832 00:42:29,040 --> 00:42:33,760 Speaker 2: on t pack two hats? 833 00:42:33,800 --> 00:42:37,439 Speaker 4: Obviously visually I love this, but I think that one 834 00:42:37,440 --> 00:42:42,640 Speaker 4: of probably the largest hat consumers in the world is 835 00:42:42,680 --> 00:42:46,920 Speaker 4: the bald community. It's just would rather not alienate them immediately. 836 00:42:49,640 --> 00:42:52,520 Speaker 2: It just doesn't really I don't want it to be 837 00:42:53,040 --> 00:42:55,520 Speaker 2: just for like in the like, I don't want. 838 00:42:55,360 --> 00:42:57,319 Speaker 1: It just for anyone. It's not just for anyone. It's 839 00:42:57,320 --> 00:42:58,879 Speaker 1: for variety of people. That's why we got the cover 840 00:42:58,960 --> 00:42:59,720 Speaker 1: Variety magazine. 841 00:43:00,239 --> 00:43:04,000 Speaker 2: One side is one side is Ego's hair. One side is, well, 842 00:43:04,080 --> 00:43:06,479 Speaker 2: let's do, yes, do That's all I'm saying. 843 00:43:06,719 --> 00:43:11,080 Speaker 4: Do the like fifth element gary like one half I. 844 00:43:11,080 --> 00:43:14,000 Speaker 2: Don't know exactly. And the side that's hair is also 845 00:43:14,200 --> 00:43:18,840 Speaker 2: like two facetile that burnt? 846 00:43:19,360 --> 00:43:20,279 Speaker 3: Is that how you see me? 847 00:43:20,680 --> 00:43:22,560 Speaker 2: We just need to cancel it. The hair is gonna 848 00:43:22,560 --> 00:43:24,760 Speaker 2: look so good, right, we. 849 00:43:24,640 --> 00:43:28,680 Speaker 4: Want I think everyone, It's like, we want the bald 850 00:43:28,719 --> 00:43:30,520 Speaker 4: community obviously to enjoy the hat. 851 00:43:30,640 --> 00:43:32,960 Speaker 1: We want the hair having community to enjoy it. And 852 00:43:33,000 --> 00:43:39,600 Speaker 1: we do want people who are burned to also have that. 853 00:43:39,960 --> 00:43:43,440 Speaker 5: Okay, sure, a little late, a little late, they could 854 00:43:43,480 --> 00:43:46,680 Speaker 5: have used it before sunburn. They could use the hat 855 00:43:46,680 --> 00:43:48,080 Speaker 5: before and maybe you can get ahead of. 856 00:43:48,239 --> 00:43:52,840 Speaker 4: Yeah, I'm not really about victim blaming, not a huge 857 00:43:52,960 --> 00:43:55,920 Speaker 4: part of Again, that's not really like where I wanted 858 00:43:55,960 --> 00:43:59,000 Speaker 4: to go immediately upon the launch of what I think 859 00:43:59,040 --> 00:44:02,200 Speaker 4: should be a very big company that we all like 860 00:44:03,120 --> 00:44:04,759 Speaker 4: are able to participate in. 861 00:44:05,160 --> 00:44:07,560 Speaker 3: Right right? I mean and it's just the hats, right? 862 00:44:07,640 --> 00:44:08,040 Speaker 3: Is that all? 863 00:44:09,120 --> 00:44:09,480 Speaker 2: Right? Now? 864 00:44:09,560 --> 00:44:10,040 Speaker 1: What is like? 865 00:44:10,120 --> 00:44:16,080 Speaker 3: The another iteration looks like this, What am I doing? Money? Selling? 866 00:44:16,360 --> 00:44:19,960 Speaker 3: Selling things? I'm selling things. I'm selling little projects. 867 00:44:20,680 --> 00:44:24,239 Speaker 5: I'm selling projects projects we should I'm selling together on 868 00:44:24,360 --> 00:44:28,040 Speaker 5: something because but I'm not selling like items. It's like 869 00:44:28,160 --> 00:44:29,000 Speaker 5: little projects. 870 00:44:29,080 --> 00:44:31,400 Speaker 1: I P a little idea, Yeah. 871 00:44:31,120 --> 00:44:34,759 Speaker 5: No, not not Id's I P selling. 872 00:44:36,000 --> 00:44:38,320 Speaker 3: Ideas I'm selling I P. Yeah. 873 00:44:38,640 --> 00:44:41,960 Speaker 2: I wonder what about what I don't we don't need, 874 00:44:42,000 --> 00:44:46,840 Speaker 2: we don't need. I wonder if I haven't got. 875 00:44:45,840 --> 00:44:51,200 Speaker 3: He still do this t Pac thing because he's not 876 00:44:52,160 --> 00:44:53,040 Speaker 3: in his own little world. 877 00:44:53,120 --> 00:44:56,000 Speaker 5: Should know some of the songs right off the off 878 00:44:56,040 --> 00:44:58,360 Speaker 5: the bat, off the hat, off the red. 879 00:44:58,400 --> 00:45:04,560 Speaker 4: Top, off the top of the It could be off the. 880 00:45:03,200 --> 00:45:07,080 Speaker 2: Top of the pack instead of running. The title doesn't matter. 881 00:45:07,120 --> 00:45:08,640 Speaker 2: But it's featuring Notorious. 882 00:45:09,200 --> 00:45:12,440 Speaker 5: I'm wearing my hat. It says hat pack. You know 883 00:45:12,560 --> 00:45:15,239 Speaker 5: it's got a snap back, and you know that's just 884 00:45:15,280 --> 00:45:17,759 Speaker 5: straight facts. I don't know something like that. But maybe 885 00:45:17,840 --> 00:45:21,320 Speaker 5: I don't know that's that cat Pa backpack said I 886 00:45:21,320 --> 00:45:25,760 Speaker 5: said knapsack. Maybe maybe naps better because pack is backpack. 887 00:45:26,000 --> 00:45:29,000 Speaker 2: Brenda's got a I guess. 888 00:45:28,640 --> 00:45:30,279 Speaker 3: Hat, knapsack, hat back. 889 00:45:30,440 --> 00:45:32,759 Speaker 5: Okay, I'm rolling around the city, got my hat back, 890 00:45:32,880 --> 00:45:34,719 Speaker 5: got everything I need in my knapsack. 891 00:45:37,080 --> 00:45:39,640 Speaker 3: I got a gun in my back. It's a click click. 892 00:45:39,719 --> 00:45:41,960 Speaker 1: No, that's well, I'd rather not have gun. 893 00:45:42,080 --> 00:45:43,960 Speaker 3: You have a gun in your bait? 894 00:45:44,080 --> 00:45:46,799 Speaker 1: Okay, I guess click clack kind of sounds like it's 895 00:45:46,800 --> 00:45:47,880 Speaker 1: not loaded, and it's. 896 00:45:47,800 --> 00:45:51,279 Speaker 2: Something changes the pavement in the morning, And I hat 897 00:45:51,360 --> 00:45:54,279 Speaker 2: myself his life worth living? Should I? 898 00:45:54,440 --> 00:45:56,520 Speaker 3: So maybe it's I'm walking around. 899 00:45:56,840 --> 00:45:58,400 Speaker 1: Shouldn't we take it to the love shack? 900 00:45:59,360 --> 00:45:59,600 Speaker 5: Love? 901 00:45:59,760 --> 00:45:59,840 Speaker 2: No? 902 00:46:00,040 --> 00:46:02,240 Speaker 3: Oh no, love someone? I feel like the love She's 903 00:46:02,280 --> 00:46:07,239 Speaker 3: been played. Yeah, no, that was But I like you. 904 00:46:07,280 --> 00:46:08,960 Speaker 3: I like your pitch. I liked your pitch. I liked 905 00:46:09,000 --> 00:46:11,040 Speaker 3: your pitch. I just said I feel like I can see. 906 00:46:11,120 --> 00:46:12,560 Speaker 3: I think we can beat it. We can beat it. 907 00:46:12,560 --> 00:46:13,680 Speaker 2: It's lame. It was a joke. 908 00:46:13,800 --> 00:46:16,160 Speaker 3: You can beat it. We could beat it all right, 909 00:46:18,480 --> 00:46:19,359 Speaker 3: my knapsack. 910 00:46:23,200 --> 00:46:23,439 Speaker 2: Yeah? 911 00:46:23,560 --> 00:46:25,640 Speaker 3: Are you just looking at two pack songs? 912 00:46:27,280 --> 00:46:27,520 Speaker 4: Now? 913 00:46:27,600 --> 00:46:33,960 Speaker 2: I'm on lyrics. Some of these are giving me trouble. 914 00:46:34,360 --> 00:46:41,239 Speaker 2: I'm tired of being poor and even worse. I'm pack. Yeah, 915 00:46:41,440 --> 00:46:43,200 Speaker 2: you know, I don't want. 916 00:46:43,160 --> 00:46:45,080 Speaker 3: To be you know, you actually get a writer for 917 00:46:45,120 --> 00:46:45,680 Speaker 3: the commercial. 918 00:46:45,719 --> 00:46:48,319 Speaker 4: But I mean, yeah, I'd love to get a writer 919 00:46:48,480 --> 00:46:50,600 Speaker 4: for the commercial, and I'd love for it not to 920 00:46:50,640 --> 00:46:54,279 Speaker 4: be Kevin, because he just keeps harping on. 921 00:46:54,200 --> 00:46:57,840 Speaker 1: The fact that hat pack kind of rhymes with ass slap. 922 00:46:58,560 --> 00:47:04,200 Speaker 5: And tell me I'm wrong hat pack asked slap sure 923 00:47:04,480 --> 00:47:06,880 Speaker 5: kind of rhymes if we're supposed kind of keep. 924 00:47:06,800 --> 00:47:10,520 Speaker 2: Saying don't day l y d l y l y 925 00:47:11,200 --> 00:47:14,880 Speaker 2: about the concept that half pack kind of sounds like 926 00:47:14,920 --> 00:47:17,400 Speaker 2: as lab and then he says, don't date l y. 927 00:47:17,520 --> 00:47:23,040 Speaker 5: Yeah, key, it's appealing, keV, what's kind of It's not 928 00:47:23,080 --> 00:47:26,759 Speaker 5: the Kevin. I remember, this town changes people though let's 929 00:47:26,760 --> 00:47:27,360 Speaker 5: speak on it. 930 00:47:27,560 --> 00:47:30,759 Speaker 3: No one else wants to say it, but this changes that. 931 00:47:30,880 --> 00:47:34,040 Speaker 1: Actually has a big impact on people, and someone like Kevin. 932 00:47:34,239 --> 00:47:37,400 Speaker 2: Kevin is saying he has an impact, a big impact, 933 00:47:38,400 --> 00:47:40,080 Speaker 2: specifically one part of people. 934 00:47:40,239 --> 00:47:43,040 Speaker 5: Yeah, yeah, it's always a big impact. 935 00:47:43,680 --> 00:47:44,800 Speaker 1: That's what I've been told. 936 00:47:44,960 --> 00:47:48,800 Speaker 2: Deep says, You're like movies will show you a deep impact. 937 00:47:52,080 --> 00:47:55,960 Speaker 3: Kevin. That's not the Kevin. Last time I saw him, that. 938 00:47:57,120 --> 00:47:59,480 Speaker 2: Guye Christian. 939 00:47:59,600 --> 00:48:04,000 Speaker 1: I mean they say it. You know, it doesn't change 940 00:48:04,000 --> 00:48:06,920 Speaker 1: you this town. It shows people. 941 00:48:06,760 --> 00:48:08,480 Speaker 3: Who you're really really Yeah, And. 942 00:48:08,680 --> 00:48:11,040 Speaker 1: I think that this has been dormant in him for 943 00:48:11,080 --> 00:48:11,560 Speaker 1: some time. 944 00:48:12,160 --> 00:48:14,600 Speaker 5: Is he doing porn now? I'm just gonna ask out right. 945 00:48:14,680 --> 00:48:16,040 Speaker 5: I know I could have done that a better way 946 00:48:16,080 --> 00:48:19,719 Speaker 5: and coded it and coded it, coded it. 947 00:48:20,520 --> 00:48:23,600 Speaker 4: You know, he's been asking to have his own shingle 948 00:48:23,719 --> 00:48:26,000 Speaker 4: on the Patreon and I have a feeling that it 949 00:48:26,080 --> 00:48:29,200 Speaker 4: is for that style of content. 950 00:48:29,800 --> 00:48:31,160 Speaker 7: It's called the shingle Tingle. 951 00:48:32,080 --> 00:48:37,319 Speaker 2: God a vertical. Oh, very vertical, he says, yeah, he 952 00:48:37,400 --> 00:48:41,719 Speaker 2: makes him vertical. keV what horizontal? 953 00:48:42,480 --> 00:48:42,719 Speaker 6: Oh? 954 00:48:43,040 --> 00:48:47,440 Speaker 5: No, this is just not the Kevin. I remember this town, 955 00:48:48,239 --> 00:48:48,799 Speaker 5: be really nice? 956 00:48:48,840 --> 00:48:51,440 Speaker 2: You speak Christian vertical. 957 00:48:52,560 --> 00:48:56,080 Speaker 3: Secuting people. He used to be a Christian. 958 00:48:56,640 --> 00:48:57,440 Speaker 1: No, he was. 959 00:48:57,520 --> 00:49:01,200 Speaker 4: He was so he was so present in his faith, 960 00:49:02,000 --> 00:49:06,400 Speaker 4: and I found that to be so kind of charming 961 00:49:06,560 --> 00:49:11,200 Speaker 4: from him, and to have made such a hard turn 962 00:49:11,280 --> 00:49:14,160 Speaker 4: all the way and say, like, now, the only time 963 00:49:14,560 --> 00:49:17,960 Speaker 4: you know that I talk about Jesus Christ is when 964 00:49:18,000 --> 00:49:19,279 Speaker 4: I'm making her yell it out. 965 00:49:21,160 --> 00:49:24,000 Speaker 5: And in that case, he's not even talking about Jesus Christ. 966 00:49:24,239 --> 00:49:27,240 Speaker 5: She's yelling it out. And what's he doing saying nothing? 967 00:49:27,320 --> 00:49:29,359 Speaker 5: That's right, that's right, Jesus. 968 00:49:29,120 --> 00:49:32,040 Speaker 1: They see God when they're on my vertical doing the horizontal. Mom. 969 00:49:32,120 --> 00:49:36,440 Speaker 2: But it's like and he says he does christenings break 970 00:49:36,480 --> 00:49:38,640 Speaker 2: a champagne bottle on it like a boat. 971 00:49:39,160 --> 00:49:41,320 Speaker 3: Oh no, this have. 972 00:49:44,880 --> 00:49:46,879 Speaker 5: I hate to see this changing. That's why I moved 973 00:49:46,920 --> 00:49:48,440 Speaker 5: to New York. That's why I moved to New York. 974 00:49:48,640 --> 00:49:49,440 Speaker 2: That's why. 975 00:49:49,960 --> 00:49:51,120 Speaker 1: That's why it's more sense. 976 00:49:51,320 --> 00:49:53,640 Speaker 5: Yes, concrete jungle where dreams are made of. I had 977 00:49:53,680 --> 00:49:54,080 Speaker 5: to get there. 978 00:49:54,840 --> 00:49:57,920 Speaker 2: I was just really are made of there though, that 979 00:49:58,040 --> 00:50:00,520 Speaker 2: really is dreams are act made. 980 00:50:00,560 --> 00:50:03,759 Speaker 1: No, it's where dreams are made, I know. 981 00:50:03,920 --> 00:50:06,439 Speaker 2: And that's where it is, you know, it's where they're 982 00:50:06,960 --> 00:50:09,160 Speaker 2: where they're made, where there are made. 983 00:50:09,200 --> 00:50:12,759 Speaker 5: Where the area of which they are made. And that's 984 00:50:12,840 --> 00:50:16,680 Speaker 5: the location, honestly, And so you're really fortunate to be 985 00:50:16,760 --> 00:50:17,080 Speaker 5: out there. 986 00:50:17,160 --> 00:50:17,399 Speaker 3: Yeah. 987 00:50:17,440 --> 00:50:18,840 Speaker 1: The first rule of real estate. 988 00:50:19,000 --> 00:50:19,759 Speaker 3: The first rule of. 989 00:50:19,760 --> 00:50:25,200 Speaker 5: Real estate is location, location, where dreams are made. 990 00:50:25,360 --> 00:50:27,440 Speaker 3: Yeah, tell me more. I actually want to hear more 991 00:50:27,440 --> 00:50:33,719 Speaker 3: about that, right, yeah, okay, yeah, I'm curious. Okay. Bye,