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Speaker 1: Hello, everybody, Welcome to another episode of I Saw What

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Speaker 1: You Did.

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Speaker 2: My name is Millie to.

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Speaker 3: Jericho, I'm Daniel Henderson, and we're.

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Speaker 1: Doing another one of these damn podcast episodes for you

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Speaker 1: all about film. So yeah, I hope you enjoy it.

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Speaker 1: Let me just tell you, I think I speak for

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Speaker 1: Danielle and I.

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Speaker 2: We got a lot of shit going on right now

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Speaker 2: in our lives.

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Speaker 4: This is some chaos to the extreme this week.

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Speaker 1: Yes, and you know, I know a lot of times

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Speaker 1: we're coming to the episode and we have, like.

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Speaker 2: You know, pretty much it's pretty easy breezy week.

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Speaker 1: We're talking about garbage trucks going fifty five down the freeway.

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Speaker 4: We're talking about sweatpans. But this can happen this week, folks.

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Speaker 1: We cannot give you the minutia of our lives because

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Speaker 1: we simply have too much shit going on.

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Speaker 4: I am in a hotel room with my cat who's

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Speaker 4: currently trying to crawl into the ice bucket, and that's

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Speaker 4: just the way it is.

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Speaker 3: And I broke my mic stand as soon as I

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Speaker 3: got here.

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Speaker 4: And there's a child that talking in the hallway who

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Speaker 4: sounds like a ghost.

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Speaker 2: So that's all I can give you.

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Speaker 3: This week, there's too much going on.

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Speaker 2: Ded Yelle cut her foot.

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Speaker 1: Basically, she's Lewis from Deliverance on the banks of the

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Speaker 1: river with her foot elevated.

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Speaker 2: I mean, it's a mess right now.

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Speaker 3: That is actually a good metaphor today.

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Speaker 4: I definitely went down a roaring rapids of a river

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Speaker 4: and just had like the mediest leg break of all time.

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Speaker 4: And now I'm just at the bottom of a gorge.

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Speaker 4: That is today in a fucking nutshell. But it's cool

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Speaker 4: because we're just going to talk about some dad stuff.

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Speaker 1: We are because guess what Father's Day is right around

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Speaker 1: the corner. It's this weekend, and you know us, we

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Speaker 1: love a good holiday.

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Speaker 2: We love a good holiday theme. So why don't.

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Speaker 1: We get into the topic this week? What is our

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Speaker 1: theme for this week?

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Speaker 3: Our theme, very aptly timed, is robot dads.

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Speaker 2: Damn.

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Speaker 1: I love a good robot dad. Yes, I've been waiting

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Speaker 1: to do this episode for months.

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Speaker 3: Very happy to be talking about these films today.

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Speaker 1: Yes, because I don't know if you've heard this or not.

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Speaker 1: You should have if you're a Stuti Premium subscriber, But

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Speaker 1: we just recently did a bonus episode all about our

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Speaker 1: favorite action movies and it's a topic that we love

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Speaker 1: to talk about. And you know, Danielle grew up watching

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Speaker 1: action movies.

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Speaker 2: Duh.

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Speaker 1: You know who her grandma is, so of course she

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Speaker 1: knows a little something about action movies. And there was

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Speaker 1: a couple of movies that, you know, I was like, oh,

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Speaker 1: should I talk about this movie right now? But I'm

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Speaker 1: like no, because I want to save it for an episode.

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Speaker 1: And that's what we got today is one of those.

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Speaker 4: I'm thrilled I did the same thing. I'm like, oh,

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Speaker 4: we could, but we should hold it well. And also

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Speaker 4: to like, for me, I love.

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Speaker 1: These two movies that we're going to talk about today

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Speaker 1: because one, I will say is definitely is an.

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Speaker 2: Actual dad, like an actual robot dad.

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Speaker 1: The other one is sort of like a dad replacement figure,

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Speaker 1: not a not a step dad necessarily maybe we don't

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Speaker 1: we don't really know, but isn't a dad like role

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Speaker 1: and is also a robot.

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Speaker 2: So let's just tell what the movies are are gonna be. Like,

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Speaker 2: is she having a stroke?

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Speaker 4: She just said this is a hard week. Maybe there

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Speaker 4: should be some medical intervention. Oh my, but there is

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Speaker 4: a scene in this film that made me say the

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Speaker 4: exact same thing. Basically out loud. So yeah, I think

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Speaker 4: we should just jump into your movie.

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Speaker 2: Let's do it. Okay, I'm going first this week, is

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Speaker 2: that right? Yeah?

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Speaker 1: Well, Happy Father's Day, Robots and non robot fathers.

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Speaker 2: My movie for the theme of robot dads.

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Speaker 1: Is a movie from nineteen ninety one, the Great Year

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Speaker 1: in nineteen ninety one. It was produced, directed, and co

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Speaker 1: written by James Cameron, and it's called Terminator to Judgment

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Speaker 1: Day one. He was progressed to destroy the future.

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Speaker 3: I don't know what it's like to try to kill

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Speaker 3: one of these things.

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Speaker 2: No, his mission, get down. He's come with me if

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Speaker 2: you want to live. Oh my god.

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Speaker 4: The fact that James Cameron also co wrote this says

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Speaker 4: a lot to me.

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Speaker 2: Listen, this is gonna have to be for a bonus episode.

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Speaker 1: But I went down this total Wikipedia research hole about

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Speaker 1: James Cameron and Lyon and Linda Hamilton about how they met,

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Speaker 1: and I was like shook. I was fucking shook by

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Speaker 1: all the information that I read.

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Speaker 4: A lot.

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Speaker 3: There's so much.

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Speaker 1: So I know this is one of the movies that

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Speaker 1: I brought up in our bonus episode about action movies,

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Speaker 1: and I think I might have I don't think I

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Speaker 1: said this in that episode, but I will say it now.

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Speaker 1: This was truly the action movie of my youth. Oh absolutely,

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Speaker 1: you could not escape this out and I know that

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Speaker 1: again this year. This whole era of the eighty nine

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Speaker 1: to ninety one ish, the Gleaming the Cube era, So

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Speaker 1: this was like a fertile time for us.

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Speaker 2: And of course this movie.

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Speaker 1: I mean I was a twelve year old girl obsessed

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Speaker 1: with guns n' Roses thank you okay, who.

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Speaker 2: Did a song called you Could Be Mine?

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Speaker 1: It was for this film, And there was a music

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Speaker 1: video starring Arnold Schwarzenegger as a terminator who shows up

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Speaker 1: but a guns n' Roses concert.

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Speaker 3: As you do, you got the pants, you got the

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Speaker 3: other pants.

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Speaker 1: You might as well show up a Roses concert exactly,

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Speaker 1: And I was like, I must see this movie at

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Speaker 1: all costs. And when I first saw it, I was

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Speaker 1: immediately obsessed with Eddie Furlong because who wouldn't that tracks?

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Speaker 1: That tracks?

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Speaker 2: Okay, think of the timeframe we're in.

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Speaker 1: I mean, listen, my friend Karen and I watched this

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Speaker 1: movie on Van Chess like every day after school for

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Speaker 1: like months, and.

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Speaker 2: Eddie Furlong was like the only guy for me.

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Speaker 1: In this era, and I became obsessed with this movie.

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Speaker 1: I loved it so much, and not just the guns

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Speaker 1: and roses and the Eddie Furlong stuff, But I came

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Speaker 1: out of it with this like newfound love. I will

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Speaker 1: say for superstar action movie hero Arnold Schwarzenegger, which is

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Speaker 1: as surprising to you as it.

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Speaker 2: Was to me.

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Speaker 4: And he was in his prime. It must live at

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Speaker 4: this moment. This is pre Governor, this is pre a

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Speaker 4: lot of shit. Yes, he was in his god damn prime.

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Speaker 4: You could tell from the minute he's squatting down in

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Speaker 4: this little circle, little fire circle that he was born into.

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Speaker 3: He was bodily and probably financially and.

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Speaker 4: Probably I don't even know why I'm talking about his finances.

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Speaker 3: He was in his prime.

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Speaker 2: This was his.

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Speaker 1: Career moment, absolutely. I mean, he had a string of

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Speaker 1: hits around this era. And here's the thing, Like, I know,

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Speaker 1: it might seem a little unconventional to talk about a

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Speaker 1: sequel right as a standalone title, but I will argue

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Speaker 1: that Terminator two was not only a better movie than

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Speaker 1: the first Terminator, but it was also more successful. I

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Speaker 1: mean it basically like it became this like pioneer film

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Speaker 1: for special effects.

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Speaker 2: It won multiple Oscars the year that it came out.

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Speaker 1: For all these sound and visual effects, and it was

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Speaker 1: the highest grossing movie that Schwarzenegger ever did, and he

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Speaker 1: was like already super famous.

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Speaker 2: But I mean this was like, you know, he was

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Speaker 2: the king really at this time.

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Speaker 1: And I'm really I feel like I'm setting my by

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Speaker 1: a side because I actually did see Terminator two.

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Speaker 2: Before I saw the first one. Okay, I did too.

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Speaker 1: I had seen maybe, you know, I can't even recall

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Speaker 1: seeing a Schwarzenegger movie on my own before seeing Terminator too.

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Speaker 1: I mean, obviously I knew that he was in Commando

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Speaker 1: and like all these other things that predated Terminator two,

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Speaker 1: but I had not.

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Speaker 2: I didn't see the first Terminator until a few years later.

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Speaker 4: Yeah, so it came out in eighty four. Was that

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Speaker 4: the first one? And I won't say I was too young,

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Speaker 4: because you know, my family doesn't act right, and they

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Speaker 4: would show me anything at any age.

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Speaker 3: But it wasn't interesting to me because I'm like, what

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Speaker 3: is it was? It wasn't.

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Speaker 4: It wasn't hard sci fi enough, but it also wasn't

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Speaker 4: like entertaining story enough for me to give a shit

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Speaker 4: when it was on TV. So it has never watched.

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Speaker 1: It, And at that time, there was a there was

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Speaker 1: a lot of action happening, like a lot of movies

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Speaker 1: coming out with like you know, different types of action

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Speaker 1: movie stars and different scenarios, and so I don't know,

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Speaker 1: like a it can get a little confusing when you've

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Speaker 1: got like Predator, Terminator Commando, Like you know, there's a

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Speaker 1: lot of like one named.

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Speaker 2: Action, one name title action movies.

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Speaker 1: But I'm just saying by revealing this information, I'm saying

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Speaker 1: that I didn't know anything about the origin story for

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Speaker 1: when I watched Terminator Too, I didn't know anything about

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Speaker 1: Skynet and all this other stuff, and I managed to

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Speaker 1: still be completely obsessed and mesmerized by it, which I

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Speaker 1: think says a lot about Terminator Too being as good

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Speaker 1: of a movie as it is. It's amazing.

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Speaker 4: I agree it says a lot because it also it

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Speaker 4: does the setup without making it so overwrought.

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Speaker 3: But then again, it's like this cannot and this cannot

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Speaker 3: be stressed enough.

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Speaker 4: This movie was at the height of special effects for

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Speaker 4: its time. Even if you look at it now and

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Speaker 4: you're like, what it was at the height of the

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Speaker 4: special effects that were available to us at that time.

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Speaker 4: So when I say to you, how shocking it was

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Speaker 4: that Arnold wasn't the bad guy and that the bad

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Speaker 4: guy ended up being that weirdly bad. Yes, blue minds

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Speaker 4: like people gasped. There were people freaking out and trying

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Speaker 4: not to reveal the secret or talk about you know,

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Speaker 4: but it was a.

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Speaker 2: Mo mean absolutely. Here's here's what I'm gonna do.

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Speaker 1: Okay, I'm going to attempt to give a very basic,

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Speaker 1: very dumb outline of the Terminator franchise, and I will

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Speaker 1: maybe spoil the first movie for you. Good, So if

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Speaker 1: you if you want to watch a movie from nineteen

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Speaker 1: eighty four and don't want spoilers, then you need to

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Speaker 1: fast forward this part or just turn off the episode

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Speaker 1: because I'm about to spoil Terminator. But I'm hoping that

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Speaker 1: this will kind of just orient what I have to

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Speaker 1: say about Terminator too.

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Speaker 2: That's far and I'm not going to get so I

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Speaker 2: don't need the Terminator complete.

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Speaker 1: It is to come into my mentions and be like

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Speaker 1: you miss the nuance of the.

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Speaker 2: Cyberdine blah blah blah. Fuck it. Like we're just gonna

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Speaker 2: give you very brief synopsis.

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Speaker 1: So the concept of Terminator is in the future quote

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Speaker 1: unquote the future, a technology firm called Cyberdyne Systems creates

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Speaker 1: this artificial intelligence slash supercomputer slash robot network which is

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Speaker 1: called sky neet Okay. It was originally supposed to be

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Speaker 1: used by the Department of Defense, but of course all

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Speaker 1: hell breaks loose, all.

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Speaker 3: Right, solid that is such a solid synopsis.

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Speaker 1: To further this a little bit more for T two,

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Speaker 1: Judgment Ay, it goes rogue, it develops its own self awareness,

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Speaker 1: and eventually it creates an nuclear war known as Judgment Eh. Okay, So,

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Speaker 1: out of the people that survive, there's a man named

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Speaker 1: John Connor who rises up and becomes a leader of

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Speaker 1: the human resistance to Skynett, and they, at some point

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Speaker 1: way in the future, way way away in the future,

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Speaker 1: they managed to battle and defeat Skynett in the year

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Speaker 1: twenty twenty nine, which is just around the corner if

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Speaker 1: you ask me. However, that did not stop Skynett from

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Speaker 1: sending Terminators aka killer cyborgs back in time to try

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Speaker 1: to kill John Connor so that they can win instead.

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Speaker 1: And in the first Terminator film, you got a young

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Speaker 1: waitress living in Los Angeles, California named Sarah Connor, who

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Speaker 1: is played by Linda Hamilton.

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Speaker 2: More about her later.

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Speaker 1: She finds out in the First Terminator that her unborn

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Speaker 1: son is John Connor. And in the first movie am

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Speaker 1: known as the t one oh one, who was played

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Speaker 1: by Arnold Schwarzenegger. He's sent to kill Sarah Connor so

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Speaker 1: she will not give birth to John Connor.

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Speaker 3: Okay, I mean that's just smart. That's very smart.

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Speaker 1: And as I will reveal in a moment, John Connor

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Speaker 1: is fucking smart.

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Speaker 2: And he sends his own motherfuckers back.

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Speaker 1: Too, because Skynet's sending all these robots back to kill

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Speaker 1: John Connor. But John Connor's like, there's some functionhit happening.

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Speaker 1: I'm gonna send one of my people back, a human

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Speaker 1: resistance fighter, to save his mom from the Terminator who's

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Speaker 1: trying to kill her. And the guy's name is Kyle Reese.

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Speaker 1: And it turns out that Kyle rees will have sex

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Speaker 1: with Sarah Connor and will effectively be John Connor's dad.

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Speaker 2: Okay, so his dad is Kyle Reese, right.

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Speaker 4: He sends his own dad back in time to create him.

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Speaker 2: Yes, that is so intense.

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Speaker 3: I don't think this movie spends enough time with that

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Speaker 3: in either. In any film.

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Speaker 1: Listen, we're talking about dads today, and I'm like, yo,

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Speaker 1: that is an origin story to end all origin stories,

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Speaker 1: if you got it, if you want to cut down

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Speaker 1: to brass tacks, because I'm like, huh, would I have

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Speaker 1: set my own dad back in time to save my

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Speaker 1: mom and I hadn't even been born yet. That's that's weird.

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Speaker 1: But now I'm fighting with my dad. I don't know,

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Speaker 1: it's very it's kind of confusing. I'm sure other people

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Speaker 1: have talked about this and can speak to it better

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Speaker 1: than I can.

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Speaker 4: But there are then diagrams and like you wouldn't believe,

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Speaker 4: I'm sure out there.

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Speaker 1: But yeah, but I have to say, rip Kyle Reese

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Speaker 1: because he's killed in the first Terminator movie. And what

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Speaker 1: ends up happening is Sarah Conner herself must smash the

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Speaker 1: terminator in a hydraulic press in a spooky warehouse.

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Speaker 4: At the end of the movie who hasn't been there

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Speaker 4: and it kills the terminator.

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Speaker 2: Okay, Arnold Schwarzenegger as the t one to one. So

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Speaker 2: now we'll.

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Speaker 1: Begin a Terminator two, and this is the scenario. Sarah

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Speaker 1: Connor has given birth and she is in full on

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Speaker 1: resistance fighter mode man she is she has been prepared

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Speaker 1: for this Judgment Day since nineteen eighty four and trying

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Speaker 1: to get her now ten year old son into the

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Speaker 1: vibe that he is going to be the leader of

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Speaker 1: the free world at some point against the robot uprising. Okay,

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Speaker 1: but at the beginning of T two Judgment Day, she

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Speaker 1: is in a state hospital. As it turns out, she

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Speaker 1: was trying to blow up a computer building or something

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Speaker 1: like that, and she got busted and now she's in

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Speaker 1: a state hospital where the psychiatrist from the first movie

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Speaker 1: is like observing her and keeping her in solitary and

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Speaker 1: all that stuff. So John Connor is ten. He's living

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Speaker 1: with foster parents in Los Angeles and he spends his

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Speaker 1: days causing trouble, stealing money out ATM Machines, riding his

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Speaker 1: dirt bike around LA with his best friend, Bobby Budnick

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Speaker 1: from Salute Your Shorts. He's living that kid life. And

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Speaker 1: wouldn't you know, Skynet is back and has sent a

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Speaker 1: new terminator to kill John Connor. And it's not the

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Speaker 1: old school model, it's an upgrade. It's a T one thousand,

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Speaker 1: who is played by Robert Patrick TV's John Dogget from

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Speaker 1: later seasons of The X Files if you didn't know,

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Speaker 1: amongst other things, but guess.

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Speaker 4: What this robot is made of liquid metal? I mean,

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Speaker 4: come on, he's fucking unstoppable. Let's just say.

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Speaker 1: They they try to blow him up and he just

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Speaker 1: like blue blue comes back together.

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Speaker 2: I mean, how the fuck this model is wild?

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Speaker 4: You can't shoot him, you can't freeze them, you can't

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Speaker 4: do anything to this dude.

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Speaker 1: Yeah, and liscut Robert Patrick is fucking selling this shit

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Speaker 1: to the hilt. He is dressed like a police officer.

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Speaker 1: He's doing permanent blue steel mode like he's just caught.

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Speaker 1: His face is like a dagger, and he is seemingly unstoppable.

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Speaker 3: And he can take on the faces of other people.

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Speaker 3: He can adapt.

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Speaker 1: Yeah, he could just like touch somebody and become that

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Speaker 1: person and then that person is dead. And he does

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Speaker 1: it multiple times in the movie. And this is where

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Speaker 1: I gotta say, I and twenty twenty one eyes. The graphics,

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Speaker 1: the effects in this movie are still killer. I was like,

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Speaker 1: I know this was nineteen ninety one, but shit like

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Speaker 1: this this still hiss Like, yes, looks great.

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Speaker 4: I'm telling you. It blew minds for a reason. Yeah,

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Speaker 4: that blade arm Blade Arms is all I want to

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Speaker 4: talk about when we talk about this movie. You see

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Speaker 4: Blade Arms several times in several iterations, and it blows

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Speaker 4: me away every time. I'm like, this motherfucker loves to

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Speaker 4: turn his arms into machetes.

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Speaker 2: Yo.

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Speaker 4: Every like even it had been a minute since I've

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Speaker 4: seen this movie, but that scene where he threw the

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Speaker 4: milk the milk carton in the kitchen, Damn T one thousand,

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Speaker 4: What the fuck was that little that pointer one where

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Speaker 4: he just like that really sharp one where he's like me,

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Speaker 4: I'm pointing at you. Oops, my whole finger just grew

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Speaker 4: by a two feet and it's sharp as shit. It's

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Speaker 4: liquid nitrogen and there's nothing you can do about it,

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Speaker 4: and you're dead.

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Speaker 2: Yeah.

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Speaker 1: And he gets up near people's eyeballs like it's like

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Speaker 1: a fucking Jallo movie. I mean, it's terrifying. I was like, damn,

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Speaker 1: don't get that razor blade near my face. But let

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Speaker 1: me just tell you, John Connor is one smart cookie,

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Speaker 1: because he fucking was like, listen, let me reprogram that's

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Speaker 1: T one oh one from the first movie to protect me.

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Speaker 1: And guess what. This guy looks exactly like ar Schwarzenegger

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Speaker 1: from the first Servedator movie.

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Speaker 2: Huh. Really interesting. And here's where I want to get

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Speaker 2: into this new Jack one oh one.

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Speaker 1: Model, Because Arnold in the first movie as the Terminator

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Speaker 1: was evil as hell. But now in this movie, he's

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Speaker 1: the good robot and he's set by John Connor to

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Speaker 1: protect John and Sarah. And first of all, this is

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Speaker 1: no ordinary machine we're talking about. Okay, he arrives naked,

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Speaker 1: as the robots do when they're traveling through time. They

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Speaker 1: show up in like a parking lot with no fucking

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Speaker 1: clothes on.

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Speaker 2: The atmosphere is hot.

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Speaker 4: You can't just you can leave with clothes, but you're

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Speaker 4: not showing up with clothes.

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Speaker 1: Well, and let me ask you, because I know that

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Speaker 1: you're a writer, and I know that you have dabbled

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Speaker 1: in science fiction, is that a common thing for time travel?

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Speaker 4: Like?

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Speaker 1: Are you not allowed to wear clothes and time travel?

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Speaker 1: Do you show up wherever you are naked for a

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Speaker 1: reason or is that just this thing?

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Speaker 4: It is dealer's choice, And I feel like like the

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Speaker 4: people who wrote look, if you're doing real sci fi,

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Speaker 4: you will find a way for people to do whatever

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Speaker 4: you fucking want.

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Speaker 3: And if you want them to wear clothes, you're.

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Speaker 4: Gonna write about them wearing clothes and showing up with

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Speaker 4: a parka on, and it's fine.

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Speaker 2: Terminator writers were.

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Speaker 4: Like, uh huh, full Nikki's we're seeing them legs. We're

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Speaker 4: gonna have them crashing down. We're one one small movement

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Speaker 4: and you're in Balls City. That was a fucking choice.

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Speaker 1: I know, because I was like, all right, James Cameron,

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Speaker 1: let me give him a little bit of something for

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Speaker 1: knowing that Arnold's body is sick as hell, and was like,

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Speaker 1: I want to see them cakes when he shows.

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Speaker 4: Up at the beginning of this movie in both movies.

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Speaker 4: In both movies, he's we got to see them.

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Speaker 1: He arrives naked at a truck stop at the beginning

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Speaker 1: of T two and he walks into this biker bar

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Speaker 1: and he comes out looking like a mother fucking badass,

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Speaker 1: to the point where they simply must play George Tharragold's

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Speaker 1: bad to the bone.

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Speaker 4: Okay, this is what I mean about James Cameron writing

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Speaker 4: this shit. There were so many like Rodney Dangerfield moments

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Speaker 4: in this movie that I never picked up on.

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Speaker 3: Before this viewing, and that is.

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Speaker 4: One of them where he's like total grandpa humor threw

401
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Speaker 4: out and I appreciated it, but.

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Speaker 3: I also noticed it.

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Speaker 1: Listen, I'm gonna I'm gonna get into the interplay between

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Speaker 1: John Connor and his friendly robot in just a second.

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Speaker 2: And this listen.

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Speaker 1: But what I'm about to say right now, this is

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Speaker 1: gonna be wildly controversial for some, but I must speak

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Speaker 1: my truth on the matter, and that is Arnold is

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Speaker 1: fucking hot as the repro good terminator.

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Speaker 3: I'm sorry, Look, don't.

411
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Speaker 4: Be sorry like you take it. You take a battie,

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Speaker 4: you make them good. What do you expect You're gonna

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Speaker 4: see them cakes, You're gonna see them thighs. He in

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Speaker 4: order to fit into the clothes that he needs to

415
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Speaker 4: wear in this film, They have him approaching a man

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Speaker 4: who's I won't even say a quarter of the size

417
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Speaker 4: of him. The pants are swimming on this man, the shirt, everything,

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Speaker 4: the jacket, because Arnold is ripped the fuck up. His

419
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Speaker 4: thighs are the size of an actual like lamppost.

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Speaker 2: They're tree trunk legs.

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Speaker 1: And listen, this was seven years, right, six or seven

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Speaker 1: years seven years between movies. Yeah, and he still looks

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Speaker 1: fucking good enough to be completely naked at a truck.

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Speaker 2: Stop and he wasn't like two Jack.

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Speaker 4: Do you know how sometimes people are like I'm gonna

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Speaker 4: do I'm muscular and.

427
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Speaker 3: I'm gonna get even more muscular.

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Speaker 4: He kind of kept it lean, like he kept it

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Speaker 4: on point absolutely and dare I say he's got a

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Speaker 4: little age in his face.

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Speaker 1: He's not like the pumping iron version of Arnold where

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Speaker 1: he's like young and cocky and like, you know, he's

433
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Speaker 1: totally stacked. He's he's stacked, but he's got a little

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Speaker 1: age to him and he's like, you know, wearing the

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Speaker 1: boots and the pants. They gave him a little personality upgrade,

436
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Speaker 1: like little John Connor's teaching him how to talk like

437
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Speaker 1: a wayward teen from La And at some point, I

438
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Speaker 1: don't know how this is possible, but he figures out

439
00:24:33,240 --> 00:24:34,040
Speaker 1: like how to.

440
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Speaker 2: Smirk and like look cool before like.

441
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Speaker 1: Doing badass action movie shit, like I'm like, wow, that

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Speaker 1: computer is amazing.

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Speaker 4: He goes from there's genuinely a point where John's crying

444
00:24:46,600 --> 00:24:48,800
Speaker 4: and he goes what is wrong with your eyes?

445
00:24:50,200 --> 00:24:54,119
Speaker 3: To like smirking and like speaking colloquialisms. This motherfucker is

446
00:24:54,200 --> 00:24:57,639
Speaker 3: he He will adapt This model might be an old model,

447
00:24:57,680 --> 00:25:00,000
Speaker 3: but he is adaptable. You can teach an old dog

448
00:25:00,240 --> 00:25:02,960
Speaker 3: new tricks, you can program an old robot in new ways.

449
00:25:03,160 --> 00:25:05,800
Speaker 1: By the end of this movie, he's like making I

450
00:25:05,840 --> 00:25:09,159
Speaker 1: gotta take a vacation jokes like thank you bars at

451
00:25:09,160 --> 00:25:11,879
Speaker 1: the end of this movie, and I'm he learned a lot.

452
00:25:13,200 --> 00:25:16,399
Speaker 4: Although I gotta say when when little baby John Connor

453
00:25:16,800 --> 00:25:22,920
Speaker 4: is teaching him some slang, I sincerely wish that later

454
00:25:23,040 --> 00:25:26,840
Speaker 4: Dickwad replaced Asta la vista baby, like that's what they

455
00:25:26,840 --> 00:25:29,399
Speaker 4: went with. But he also was like, yeah, I just

456
00:25:29,400 --> 00:25:33,120
Speaker 4: say later Dickwad, which I fucking love from this ten

457
00:25:33,160 --> 00:25:36,399
Speaker 4: year old little twerp. It was so funny and I'm like,

458
00:25:36,520 --> 00:25:39,439
Speaker 4: please just let the terminator say later, dickwad. Let that

459
00:25:39,560 --> 00:25:41,880
Speaker 4: be the catchphrase if I go back in time, if

460
00:25:41,880 --> 00:25:44,919
Speaker 4: somebody sends me back in time to impregnate my own self,

461
00:25:46,200 --> 00:25:51,639
Speaker 4: my catchphrase will be later Dickwad. Also, I cannot believe

462
00:25:51,640 --> 00:25:53,359
Speaker 4: this kid is ten in this movie.

463
00:25:53,480 --> 00:25:55,320
Speaker 2: Oh we paid attention to that this time.

464
00:25:55,320 --> 00:25:58,280
Speaker 4: I'm like, wait, he's ten and Sarah Connor is supposed

465
00:25:58,240 --> 00:25:59,280
Speaker 4: to be twenty nine.

466
00:25:59,720 --> 00:26:00,399
Speaker 2: Good lord.

467
00:26:00,520 --> 00:26:04,360
Speaker 1: I was like really, I mean, I'm like, I think

468
00:26:04,440 --> 00:26:06,880
Speaker 1: this has to be just our age right now, because

469
00:26:06,920 --> 00:26:09,240
Speaker 1: I was like, wow, they're young as shit.

470
00:26:09,520 --> 00:26:12,639
Speaker 2: You like, how is that possible? That's so crazy. I

471
00:26:12,680 --> 00:26:13,480
Speaker 2: had no clue.

472
00:26:13,480 --> 00:26:16,880
Speaker 4: I read something about because I also did a deep

473
00:26:16,960 --> 00:26:19,960
Speaker 4: dive while I had the chance for this film, and

474
00:26:20,040 --> 00:26:22,479
Speaker 4: I read something that was like Edward Furlong was so

475
00:26:22,720 --> 00:26:26,280
Speaker 4: tiny that his stunt double they used the tiny stunt

476
00:26:26,320 --> 00:26:28,000
Speaker 4: double they could find, and they still just had to

477
00:26:28,160 --> 00:26:30,760
Speaker 4: use like a They had to make the bike, the

478
00:26:30,800 --> 00:26:33,040
Speaker 4: dirt bike double size so they could like do the

479
00:26:33,080 --> 00:26:35,560
Speaker 4: perspective shift. They needed to make it look like him

480
00:26:35,600 --> 00:26:37,359
Speaker 4: because he was he was a child. He was a

481
00:26:37,400 --> 00:26:38,800
Speaker 4: tiny baby child.

482
00:26:39,119 --> 00:26:43,400
Speaker 2: Yes, yes, I mean, and he's great. He carried this shit.

483
00:26:43,600 --> 00:26:46,439
Speaker 1: I mean he was just that little shit that you expect,

484
00:26:46,520 --> 00:26:50,359
Speaker 1: a little snarky, like running around stealing money, like you know,

485
00:26:50,920 --> 00:26:52,680
Speaker 1: teaching a robot how to say no.

486
00:26:52,640 --> 00:26:56,159
Speaker 2: Problemo and like all this stuff. He was perfect for that,

487
00:26:56,280 --> 00:26:58,000
Speaker 2: I mean so perfect.

488
00:26:57,720 --> 00:26:59,359
Speaker 3: Just fearless and wonderful.

489
00:26:59,680 --> 00:27:00,720
Speaker 2: Yeah, he's great.

490
00:27:01,880 --> 00:27:04,359
Speaker 1: So I will say this too about this movie is

491
00:27:04,400 --> 00:27:07,879
Speaker 1: that at some point Sarah and John and their terminator

492
00:27:08,640 --> 00:27:10,520
Speaker 1: they're on the run from the T one thousand, but

493
00:27:10,560 --> 00:27:15,200
Speaker 1: they're also trying to get this like Cyberdyne engineer named

494
00:27:15,359 --> 00:27:20,840
Speaker 1: Miles Bennett Dyson, who is played by Eli Pope himself

495
00:27:21,280 --> 00:27:24,480
Speaker 1: Joe Morton, Olivia Pope's dad as we all.

496
00:27:24,320 --> 00:27:25,919
Speaker 3: Know him, brother from another planet.

497
00:27:26,200 --> 00:27:29,119
Speaker 2: Yes, I mean he's been in many, many things, but.

498
00:27:30,720 --> 00:27:32,040
Speaker 3: That is his crowding achievement.

499
00:27:32,520 --> 00:27:36,160
Speaker 1: Yeah, I love him as Pop Pope. He's so good

500
00:27:36,640 --> 00:27:38,880
Speaker 1: acting for the Egot at all times on that show.

501
00:27:38,920 --> 00:27:39,359
Speaker 2: I love it.

502
00:27:40,960 --> 00:27:45,320
Speaker 1: Basically, they need to go to Dyson to say, by

503
00:27:45,359 --> 00:27:48,320
Speaker 1: the way, you're responsible for the execution of the human race,

504
00:27:48,359 --> 00:27:50,239
Speaker 1: so you have to destroy the shit that you've been

505
00:27:50,240 --> 00:27:54,000
Speaker 1: working on. Okay, because what you do will eventually become

506
00:27:54,040 --> 00:27:56,720
Speaker 1: Skynett and they are responsible for a nuclear holocaust.

507
00:27:56,720 --> 00:27:59,399
Speaker 2: So let's throw your shit in a fire.

508
00:27:59,600 --> 00:28:02,240
Speaker 3: Okay, how about you end this?

509
00:28:02,359 --> 00:28:04,480
Speaker 4: And the reason he's only the only reason he's able

510
00:28:04,480 --> 00:28:08,400
Speaker 4: to even develop this technology is because when Sarah Connor

511
00:28:08,520 --> 00:28:10,160
Speaker 4: again Snake eating its own tail.

512
00:28:10,480 --> 00:28:13,320
Speaker 3: When Sarah Connor crushed the first.

513
00:28:13,080 --> 00:28:16,520
Speaker 4: One in nineteen eighty four, first Terminator, she left an

514
00:28:16,600 --> 00:28:19,239
Speaker 4: arm behind and the computer chip, and they were like,

515
00:28:19,320 --> 00:28:20,560
Speaker 4: you know, you can't believing parts.

516
00:28:20,680 --> 00:28:22,920
Speaker 3: You gotta get rid of the whole fucking the whole elephant.

517
00:28:23,520 --> 00:28:26,480
Speaker 1: Exactly exactly because he took that little arm and that

518
00:28:26,480 --> 00:28:33,480
Speaker 1: little little bitty thing, and he created a entire robot

519
00:28:33,560 --> 00:28:36,920
Speaker 1: human war, so just say, clean up your shit. Come

520
00:28:37,000 --> 00:28:41,880
Speaker 1: on the other thing that's happening. As they're trying to

521
00:28:41,880 --> 00:28:45,440
Speaker 1: out run the liquid metal cop as I've been calling

522
00:28:45,520 --> 00:28:49,080
Speaker 1: him since nineteen nine to one, they become this little

523
00:28:49,120 --> 00:28:54,680
Speaker 1: family unit, right because John's real father, Kyle Reese, dies

524
00:28:54,720 --> 00:28:59,080
Speaker 1: in the first one, but John is immediately he takes

525
00:28:59,080 --> 00:29:03,239
Speaker 1: a shine to this terminator that he sent himself, and

526
00:29:03,280 --> 00:29:06,480
Speaker 1: he starts talking to the robot and telling the robot

527
00:29:06,520 --> 00:29:10,040
Speaker 1: his problems, and they have inside jokes. I mean, at

528
00:29:10,040 --> 00:29:13,360
Speaker 1: this point, John Connor and the Terminator are starting in

529
00:29:13,440 --> 00:29:16,680
Speaker 1: like the Paper Moon sequel, okay, Like they're like they

530
00:29:16,800 --> 00:29:22,440
Speaker 1: got like a whole vibe going, and even Sarah Connor

531
00:29:22,560 --> 00:29:25,560
Speaker 1: notices and he's like and she there's this entire speech

532
00:29:25,560 --> 00:29:28,400
Speaker 1: in the film where she's like, you know, oh my god,

533
00:29:28,440 --> 00:29:31,440
Speaker 1: it's like I'm watching my son interact with this terminator

534
00:29:31,480 --> 00:29:33,600
Speaker 1: and it's like a father son thing, and it's like

535
00:29:33,640 --> 00:29:40,440
Speaker 1: this crazy circumstance, which is crazy because a dude who

536
00:29:40,480 --> 00:29:43,920
Speaker 1: looks exactly like him tried to kill her in the

537
00:29:43,960 --> 00:29:44,720
Speaker 1: first movie.

538
00:29:45,560 --> 00:29:50,040
Speaker 2: So it went from zero to one hundred real.

539
00:29:49,880 --> 00:29:52,440
Speaker 3: Quick, and she got real wistful about this shit.

540
00:29:52,520 --> 00:29:54,840
Speaker 4: She's like, this is a father who would never hit him,

541
00:29:54,840 --> 00:29:56,960
Speaker 4: And I'm like, who the fuck have you been hanging out.

542
00:29:56,800 --> 00:29:58,960
Speaker 3: With while you're trying to learn how to do combat?

543
00:30:00,000 --> 00:30:02,840
Speaker 4: We got real wistful or real quick about this killing

544
00:30:02,880 --> 00:30:05,960
Speaker 4: machine who tried to end her life ten years before.

545
00:30:06,520 --> 00:30:08,760
Speaker 2: She made that mental leap very quickly.

546
00:30:09,440 --> 00:30:14,240
Speaker 1: And of course there's a final showdown, as there always

547
00:30:14,320 --> 00:30:17,800
Speaker 1: is with the liquid metal cop and guess what, it's

548
00:30:17,840 --> 00:30:21,760
Speaker 1: in another spooky warehouse. And I'm not gonna spoil the film,

549
00:30:21,880 --> 00:30:25,000
Speaker 1: but you know this whole weird kind of father son

550
00:30:25,120 --> 00:30:28,959
Speaker 1: relationship between the Terminator and John Connor. It plays out

551
00:30:28,960 --> 00:30:32,040
Speaker 1: in this very dramatic way, and I know it's pop

552
00:30:32,080 --> 00:30:35,560
Speaker 1: culture legend at this point, but I'm still not gonna

553
00:30:35,560 --> 00:30:39,160
Speaker 1: spoil it, but I will say that you leave the

554
00:30:39,160 --> 00:30:43,320
Speaker 1: theater wondering, how did we hate this robot in the

555
00:30:43,320 --> 00:30:43,960
Speaker 1: first movie?

556
00:30:44,080 --> 00:30:47,000
Speaker 2: What a cool guy? I wish it was my dad.

557
00:30:48,080 --> 00:30:53,000
Speaker 4: Ultimate twist, Ultimate twist, And look, if your choice is

558
00:30:53,600 --> 00:30:59,320
Speaker 4: a father figure in this film is a reformed robot

559
00:30:59,640 --> 00:31:04,920
Speaker 4: or a motherfucker who can turn into a floor because

560
00:31:05,080 --> 00:31:08,520
Speaker 4: even twenty years later, when that bitch turns into a floor.

561
00:31:09,480 --> 00:31:11,760
Speaker 2: I was like, you got to be fucking kidding with

562
00:31:11,800 --> 00:31:12,280
Speaker 2: this shit.

563
00:31:13,280 --> 00:31:14,560
Speaker 3: You made the right choice.

564
00:31:14,680 --> 00:31:16,080
Speaker 2: You made the right choice.

565
00:31:16,120 --> 00:31:17,680
Speaker 3: He is too devious.

566
00:31:17,880 --> 00:31:20,479
Speaker 4: You can't have a robot dad that can just like

567
00:31:20,800 --> 00:31:23,680
Speaker 4: Wonder Twins, fucking turn into a bucket of water whenever

568
00:31:23,680 --> 00:31:24,320
Speaker 4: the shit he wants.

569
00:31:24,400 --> 00:31:26,680
Speaker 3: He's gotta be there for you in a real way.

570
00:31:26,960 --> 00:31:30,000
Speaker 1: Yeah, this two one thousand, I'm like, they're not gonna

571
00:31:30,040 --> 00:31:31,560
Speaker 1: be able to kill this motherfucker.

572
00:31:32,480 --> 00:31:33,200
Speaker 3: He's a floor.

573
00:31:33,520 --> 00:31:34,480
Speaker 2: How is that gonna happen?

574
00:31:34,520 --> 00:31:37,600
Speaker 1: He's just gonna keep turning into floors and he can

575
00:31:37,840 --> 00:31:40,680
Speaker 1: eat them up. If they just walk across the floor,

576
00:31:40,760 --> 00:31:42,440
Speaker 1: he could just chomp them.

577
00:31:42,760 --> 00:31:43,440
Speaker 2: That's how he does.

578
00:31:43,560 --> 00:31:47,440
Speaker 4: That's how he do. That's how he do. He's like, I,

579
00:31:47,600 --> 00:31:50,160
Speaker 4: dare you come close to me. I'm gonna wrap my

580
00:31:50,240 --> 00:31:53,800
Speaker 4: liquid shit around you. And now you're me like, that's

581
00:31:53,960 --> 00:31:58,840
Speaker 4: just it. Ally, that's Ali do it. It's a fuck

582
00:31:58,920 --> 00:32:02,440
Speaker 4: the fuck up again. Gotta say I left this theater

583
00:32:02,640 --> 00:32:07,080
Speaker 4: when I saw this film all those years ago. You

584
00:32:07,360 --> 00:32:10,200
Speaker 4: it was impossible for you to go into that movie

585
00:32:10,280 --> 00:32:12,200
Speaker 4: thinking there was going to be any kind of clear,

586
00:32:12,560 --> 00:32:19,040
Speaker 4: clear or clean resolution. Yeah, and this unstoppable liquid fucking

587
00:32:19,120 --> 00:32:20,120
Speaker 4: thermometer man.

588
00:32:20,800 --> 00:32:22,400
Speaker 3: He has he has it all working for him. So

589
00:32:22,400 --> 00:32:23,800
Speaker 3: all I gotta say, he's got all.

590
00:32:23,720 --> 00:32:24,880
Speaker 2: The cards, all the cards.

591
00:32:24,920 --> 00:32:27,880
Speaker 1: But you know what, this movie as an action film

592
00:32:28,240 --> 00:32:32,640
Speaker 1: so exciting. Even washing it again, all the old feelings

593
00:32:32,640 --> 00:32:35,680
Speaker 1: came back. I mean, the action sequences are incredible. The

594
00:32:35,720 --> 00:32:38,680
Speaker 1: whole chase sequence with like the dirt bike in like

595
00:32:38,720 --> 00:32:42,800
Speaker 1: the La River thing is so sick. I just I mean,

596
00:32:42,920 --> 00:32:45,800
Speaker 1: at that moment, I was like, Arnold is the King,

597
00:32:46,080 --> 00:32:49,600
Speaker 1: Like riding that motorcycle doing the like shotgun tooral thing.

598
00:32:49,640 --> 00:32:53,320
Speaker 1: I'm like, yo, my guy, he is tough as fuck

599
00:32:53,360 --> 00:32:58,360
Speaker 1: in that moment. And I obviously will mention at the

600
00:32:58,400 --> 00:33:01,040
Speaker 1: end of this Linda Hamilton.

601
00:33:00,880 --> 00:33:01,280
Speaker 3: Thank you.

602
00:33:01,400 --> 00:33:01,760
Speaker 2: Okay.

603
00:33:02,640 --> 00:33:05,480
Speaker 1: Obviously so much has been said about like her physique

604
00:33:05,480 --> 00:33:09,320
Speaker 1: in this movie, but she is a tried and true

605
00:33:09,320 --> 00:33:12,200
Speaker 1: action star. This movie proves it beyond the shadow of

606
00:33:12,240 --> 00:33:17,320
Speaker 1: a doubt. Watching her kick ass is a thrill. She

607
00:33:17,520 --> 00:33:21,840
Speaker 1: is incredible. She is the icon that we all need

608
00:33:22,360 --> 00:33:25,480
Speaker 1: and want. When she's doing pull ups in that home,

609
00:33:25,520 --> 00:33:29,320
Speaker 1: I mean I was like, yes, ma'am, I love it.

610
00:33:29,520 --> 00:33:32,960
Speaker 4: My favorite part of that scene she's she has as

611
00:33:33,000 --> 00:33:35,800
Speaker 4: a patient at this hospital turned take it off her

612
00:33:35,800 --> 00:33:39,680
Speaker 4: Mattress turned her bed frame like perpendicular to the floor

613
00:33:39,720 --> 00:33:41,920
Speaker 4: so she can do these pull ups, And then as

614
00:33:41,960 --> 00:33:44,600
Speaker 4: a psychiatrist is leaving, he's like, I don't know if

615
00:33:44,600 --> 00:33:46,200
Speaker 4: we should let them do that to the furniture. You

616
00:33:46,200 --> 00:33:48,200
Speaker 4: should give her some more thorizine. And I'm like, look

617
00:33:48,200 --> 00:33:51,000
Speaker 4: at her. Thorsy ain't gonna help you. Thorst ain't gonna

618
00:33:51,000 --> 00:33:53,760
Speaker 4: help you. You turn it over beds to get to

619
00:33:53,800 --> 00:33:58,280
Speaker 4: this business of killing robots. You can bumper for it,

620
00:33:58,320 --> 00:34:01,480
Speaker 4: full of everything you want. She is determined. She is

621
00:34:01,560 --> 00:34:03,120
Speaker 4: an incredible action star.

622
00:34:03,360 --> 00:34:06,200
Speaker 3: I think she is. Look, I think she's been done

623
00:34:06,240 --> 00:34:08,160
Speaker 3: dirty by the world, but it is.

624
00:34:09,040 --> 00:34:11,520
Speaker 4: But I do remember when this movie came out, people

625
00:34:11,520 --> 00:34:15,440
Speaker 4: could not stop talking about how her body looked. I

626
00:34:15,480 --> 00:34:18,480
Speaker 4: could not stop thinking about how mean and cool she.

627
00:34:18,520 --> 00:34:24,480
Speaker 1: Was man the whole package, like she in that out

628
00:34:24,520 --> 00:34:26,520
Speaker 1: when those outfits, when she's wearing that like tank top,

629
00:34:26,600 --> 00:34:29,759
Speaker 1: the black pants, smoking cigarettes with the aviators.

630
00:34:29,800 --> 00:34:32,600
Speaker 2: I mean, I was like, I will follow her anywhere.

631
00:34:32,920 --> 00:34:35,520
Speaker 1: She's incredible, and like, yeah, like you said, I was

632
00:34:35,560 --> 00:34:37,680
Speaker 1: reading an article about her. I think it was from

633
00:34:37,760 --> 00:34:40,080
Speaker 1: like maybe two years ago or three years ago, where

634
00:34:40,120 --> 00:34:42,520
Speaker 1: she kind of like talks about leaving the business, and

635
00:34:42,560 --> 00:34:44,640
Speaker 1: you know, I think she was offered a lot of

636
00:34:44,680 --> 00:34:46,960
Speaker 1: action movies after this, and she was just kind of like,

637
00:34:47,000 --> 00:34:49,799
Speaker 1: I don't want to be typecast, and you know, I

638
00:34:49,840 --> 00:34:53,000
Speaker 1: think that she's like she went through a lot, and

639
00:34:53,360 --> 00:34:55,840
Speaker 1: you know, I think now she's kind of done some acting.

640
00:34:55,960 --> 00:34:59,280
Speaker 1: But man, I mean she is an icon a fucking legend.

641
00:34:59,320 --> 00:35:01,960
Speaker 1: I mean, Sarah Connor is like the most one of

642
00:35:02,000 --> 00:35:07,279
Speaker 1: the most iconic action stars ever and certainly made an

643
00:35:07,280 --> 00:35:10,400
Speaker 1: impression on me when I was twelve, Like I was like, damn, like,

644
00:35:10,440 --> 00:35:12,080
Speaker 1: this is my queen.

645
00:35:12,040 --> 00:35:14,040
Speaker 3: So and I'm not even a gun person.

646
00:35:14,160 --> 00:35:17,560
Speaker 4: I could watch her one handed pump a shotgun for

647
00:35:17,719 --> 00:35:20,839
Speaker 4: seventeen hours straight, like just that.

648
00:35:21,920 --> 00:35:27,440
Speaker 1: Absolutely, the ending, which I'm not giving away, is iconic.

649
00:35:27,560 --> 00:35:31,560
Speaker 1: I was cheering, I was crying. It's this movie is incredible.

650
00:35:32,000 --> 00:35:39,480
Speaker 1: And you know, as a robot Dad, the Reprogrammed Terminator

651
00:35:40,000 --> 00:35:41,080
Speaker 1: is one of the best.

652
00:35:41,280 --> 00:35:45,080
Speaker 4: Beautiful, beautiful pick, I'm still on board. And again choice

653
00:35:45,080 --> 00:35:46,480
Speaker 4: of robot dads, I'm in.

654
00:35:51,280 --> 00:35:53,360
Speaker 2: Oh my god, I cannot wait. I canna wait for

655
00:35:53,440 --> 00:35:54,520
Speaker 2: your movie.

656
00:35:55,000 --> 00:35:56,680
Speaker 3: Okay, we're doing it. We're in it now.

657
00:35:57,360 --> 00:36:04,680
Speaker 4: So for my pick for robot Dads, our theme I

658
00:36:04,719 --> 00:36:08,080
Speaker 4: went with a movie very dear to my heart, very

659
00:36:08,120 --> 00:36:10,960
Speaker 4: important in my life. It was directed by paulver Hooven.

660
00:36:12,320 --> 00:36:16,759
Speaker 4: It was released in nineteen eighty seven, and it's called RoboCop.

661
00:36:17,360 --> 00:36:20,200
Speaker 2: We get the best of both worlds, the fastest reflexes

662
00:36:20,239 --> 00:36:23,440
Speaker 2: modern technology has to offer on more computer assistant memory,

663
00:36:23,640 --> 00:36:27,040
Speaker 2: and a lifetime on the street law enforcement programming. It

664
00:36:27,120 --> 00:36:32,040
Speaker 2: is my great pleasure to present to you RoboCop.

665
00:36:33,560 --> 00:36:36,680
Speaker 4: There are so many film podcasts out there for you

666
00:36:36,760 --> 00:36:40,480
Speaker 4: if you want to dig into paulver Hooven's incredible work

667
00:36:40,760 --> 00:36:45,360
Speaker 4: as a director. We're talking not just RoboCop, total Recall,

668
00:36:45,880 --> 00:36:50,480
Speaker 4: Basic Instinct, Show Girls, Starship Troopers. You just go right

669
00:36:50,520 --> 00:36:55,080
Speaker 4: on ahead and dig in. He was originally born in Amsterdam.

670
00:36:55,120 --> 00:36:57,080
Speaker 4: I think his dad was a hat maker. Like just

671
00:36:57,160 --> 00:36:59,600
Speaker 4: go for it, just knock yourself out, get into that life.

672
00:37:00,200 --> 00:37:04,640
Speaker 4: Talk about fucking RoboCop. And here's why I'll give you

673
00:37:04,680 --> 00:37:06,960
Speaker 4: a very brief synopsis. You know I've been trying to

674
00:37:07,000 --> 00:37:09,960
Speaker 4: do a one sentencesis synopsis synopsize.

675
00:37:10,080 --> 00:37:14,440
Speaker 3: We're doing it so a RoboCop.

676
00:37:14,520 --> 00:37:17,440
Speaker 4: The premise of RoboCop is that a cop in Detroit

677
00:37:18,160 --> 00:37:22,480
Speaker 4: gets murdered and then they slice off his face and

678
00:37:22,680 --> 00:37:26,640
Speaker 4: parts out his body and turn him into a robot

679
00:37:26,680 --> 00:37:31,440
Speaker 4: death machine for the Detroit PD. But he's also kind

680
00:37:31,480 --> 00:37:37,080
Speaker 4: of working for this evil company called Omni Consumer Products OCP. Okay,

681
00:37:37,120 --> 00:37:40,120
Speaker 4: so they kill him and they think they've wiped his memory.

682
00:37:40,239 --> 00:37:44,000
Speaker 4: They think they've just made this machine. Well, surprise, surprise.

683
00:37:44,040 --> 00:37:45,759
Speaker 4: So when we first get into this, first of all,

684
00:37:45,840 --> 00:37:48,840
Speaker 4: the cast incredible, incredible, Nancy.

685
00:37:48,600 --> 00:37:52,600
Speaker 2: Allen, Oh, Nancy Allen, What a run, What.

686
00:37:52,600 --> 00:37:53,359
Speaker 3: A run she had.

687
00:37:53,400 --> 00:37:57,000
Speaker 4: And we've talked about Nancy Allen before, we talked about Carry.

688
00:37:58,120 --> 00:38:01,880
Speaker 4: She plays a cop named Lewis and she's paired up

689
00:38:01,920 --> 00:38:05,960
Speaker 4: with Murphy, who's the RoboCup played by Peter Weller on

690
00:38:06,080 --> 00:38:09,319
Speaker 4: his first day in this new precinct. And I think

691
00:38:09,320 --> 00:38:13,560
Speaker 4: they're matched up because they have the same hairstyle. But ah,

692
00:38:14,280 --> 00:38:17,919
Speaker 4: I've been paired up with people for less. And they're

693
00:38:17,960 --> 00:38:22,359
Speaker 4: really doing this thing where they're talking about Detroit, even

694
00:38:22,400 --> 00:38:25,160
Speaker 4: though this movie is so clearly filmed in Dallas, it's

695
00:38:25,200 --> 00:38:29,920
Speaker 4: not even funny, but they're doing talking about Detroit like

696
00:38:29,960 --> 00:38:33,319
Speaker 4: it's this crime ridden cesspool and they're trying to clean

697
00:38:33,360 --> 00:38:37,040
Speaker 4: it up because you know, OCP and all these companies

698
00:38:37,600 --> 00:38:41,680
Speaker 4: want to turn downtown Detroit into like this this haven.

699
00:38:41,760 --> 00:38:44,120
Speaker 4: So they've got to clear up the crime first, and

700
00:38:44,160 --> 00:38:46,600
Speaker 4: there's so much set up this is This movie is

701
00:38:46,600 --> 00:38:49,160
Speaker 4: an hour and a half long. The first thirty minutes

702
00:38:49,200 --> 00:38:50,880
Speaker 4: are all set up like that's how important it is

703
00:38:50,920 --> 00:38:53,160
Speaker 4: to get into how crime ridden this place is.

704
00:38:53,920 --> 00:38:55,640
Speaker 3: It is wild.

705
00:38:55,680 --> 00:38:59,960
Speaker 4: So they're trying to do this structure in old Detroit

706
00:39:00,960 --> 00:39:02,319
Speaker 4: and they're kind of like, you know what we need.

707
00:39:02,320 --> 00:39:04,520
Speaker 4: We need a super cop. We need a super cop

708
00:39:04,560 --> 00:39:08,879
Speaker 4: who can handle this. So OCP who is OCP's run

709
00:39:08,880 --> 00:39:12,080
Speaker 4: by this guy named Dick Jones. He's not the first

710
00:39:12,120 --> 00:39:14,160
Speaker 4: in charge. He always he'll always remind you like he's

711
00:39:14,239 --> 00:39:16,200
Speaker 4: number two. He's like, I'm the second guy. I'm second

712
00:39:16,200 --> 00:39:20,520
Speaker 4: guy in charge. Well, Dick Jones, in a meeting right

713
00:39:20,560 --> 00:39:22,960
Speaker 4: at the top of the movie, rolls out this machine

714
00:39:23,000 --> 00:39:27,600
Speaker 4: called the ED two o nine. And the ED two

715
00:39:27,600 --> 00:39:30,920
Speaker 4: oh nine looks like a giant microphone with legs, but

716
00:39:31,000 --> 00:39:35,640
Speaker 4: it also has machine gun arms, and somehow shake goes

717
00:39:35,640 --> 00:39:37,319
Speaker 4: wrong when he tries to test it out and he

718
00:39:37,400 --> 00:39:41,520
Speaker 4: just ends up murdering an executive. No big deal, let

719
00:39:41,520 --> 00:39:44,040
Speaker 4: me roll out this machine gun. And also his name

720
00:39:44,120 --> 00:39:45,400
Speaker 4: is Ed, Like, come.

721
00:39:45,239 --> 00:39:49,080
Speaker 1: On, can you imagine if you went to work that

722
00:39:49,200 --> 00:39:52,520
Speaker 1: day and was like, Oh, we're gonna hear about this

723
00:39:52,560 --> 00:39:54,680
Speaker 1: like new product. You know, I gotta I gotta make

724
00:39:54,680 --> 00:39:59,120
Speaker 1: it to the boardroom. They're gonna have snacks. We're gonna

725
00:39:59,160 --> 00:40:01,640
Speaker 1: get a seat around this big table. And then a

726
00:40:01,960 --> 00:40:08,880
Speaker 1: fucking killing machine malfunctions and spray's bullets throughout this meeting

727
00:40:09,040 --> 00:40:09,680
Speaker 1: that I was in.

728
00:40:10,239 --> 00:40:14,400
Speaker 3: I mean like that for so long, he got shot

729
00:40:14,480 --> 00:40:16,240
Speaker 3: for so many minutes.

730
00:40:16,880 --> 00:40:21,680
Speaker 2: He did not stop. That was not supposed to be

731
00:40:21,800 --> 00:40:22,959
Speaker 2: his day at all.

732
00:40:23,440 --> 00:40:25,439
Speaker 4: And they're like, how about you get killed a lot

733
00:40:25,560 --> 00:40:28,279
Speaker 4: today instead of any of that that you were going

734
00:40:28,320 --> 00:40:31,640
Speaker 4: to do. And I love the reaction because the reaction

735
00:40:31,719 --> 00:40:33,200
Speaker 4: is just like ah fuck.

736
00:40:33,280 --> 00:40:33,839
Speaker 2: And this thing.

737
00:40:33,920 --> 00:40:37,360
Speaker 4: Standing there, this Edge nine is standing there, the machine

738
00:40:37,400 --> 00:40:40,600
Speaker 4: gun arms like plumes of smoke. That's how much this

739
00:40:40,640 --> 00:40:43,479
Speaker 4: guy got shot. Just plumes of smoke rising from these arms.

740
00:40:43,480 --> 00:40:46,080
Speaker 4: And they're like, God damn it. We wanted a cop

741
00:40:46,120 --> 00:40:49,279
Speaker 4: that was a robot. And I'm like, that dude just

742
00:40:49,320 --> 00:40:52,399
Speaker 4: gotten murdered a lot. And you're just like, so this

743
00:40:52,440 --> 00:40:57,279
Speaker 4: is where Miguel Farrer recipes steps in and is like,

744
00:40:57,360 --> 00:40:59,880
Speaker 4: look and my old job, we kind of already to

745
00:41:00,560 --> 00:41:04,200
Speaker 4: a robot cop you want in, and Dick Jones is like, yup,

746
00:41:04,320 --> 00:41:07,279
Speaker 4: sold do it. So he gets rising through the ranks

747
00:41:07,280 --> 00:41:09,279
Speaker 4: of this company pretty quickly because he's just like we've

748
00:41:09,280 --> 00:41:11,279
Speaker 4: got it done, Like the prototype is ready to go.

749
00:41:11,400 --> 00:41:14,399
Speaker 4: We're just waiting for as he puts it, a volunteer.

750
00:41:14,960 --> 00:41:17,640
Speaker 2: Yeah, he's like he's like a coked out tech bro.

751
00:41:19,200 --> 00:41:23,160
Speaker 1: He's like totally high key, but definitely like a prototype

752
00:41:23,200 --> 00:41:24,959
Speaker 1: for like a Silicon Valley.

753
00:41:24,719 --> 00:41:27,680
Speaker 4: Motherfucker he is. He's real creepy. He's like really creepy.

754
00:41:27,719 --> 00:41:31,480
Speaker 4: But he's also like he's so energetic about such bullshit

755
00:41:31,560 --> 00:41:33,360
Speaker 4: that it just makes me nervous. Like he's got that

756
00:41:33,480 --> 00:41:35,319
Speaker 4: kind of nervous energy where I'm like, you need to

757
00:41:35,360 --> 00:41:37,840
Speaker 4: calm down, Like I feel like you're gonna like jump

758
00:41:37,840 --> 00:41:39,399
Speaker 4: in the air and leap on my back.

759
00:41:39,480 --> 00:41:41,279
Speaker 3: Like I don't need this much excitement from you.

760
00:41:41,800 --> 00:41:43,960
Speaker 2: Yeah, he's like major test toosterone.

761
00:41:44,000 --> 00:41:48,960
Speaker 4: I'm like, well, he goes ahead and he's like, look,

762
00:41:50,120 --> 00:41:52,120
Speaker 4: let's go ahead and make this robot. And they need

763
00:41:52,160 --> 00:41:54,640
Speaker 4: it because there's a gang of Tufts running around the

764
00:41:54,680 --> 00:42:01,520
Speaker 4: city run by kurtwood Smith, who younger younger listeners will

765
00:42:01,520 --> 00:42:04,400
Speaker 4: know as the dad from that seventies show. But you

766
00:42:04,480 --> 00:42:07,680
Speaker 4: know what Kurt what Smith looks like, right, He's the

767
00:42:07,760 --> 00:42:11,240
Speaker 4: gang leader. His name's Clarence Bonaker. He's the gang leader.

768
00:42:11,760 --> 00:42:17,560
Speaker 4: We've also got Ray Wise again, Laura Palmer's dad, our listeners,

769
00:42:18,280 --> 00:42:20,640
Speaker 4: and Paul mccrane, who we talked about in the Fame

770
00:42:20,719 --> 00:42:23,600
Speaker 4: episode the weirdest mohawk I've ever seen.

771
00:42:24,040 --> 00:42:25,040
Speaker 2: Gomery from Fame.

772
00:42:26,000 --> 00:42:29,879
Speaker 3: This weird crew, total creepzone crew.

773
00:42:30,120 --> 00:42:32,600
Speaker 4: And then you've got this guy with this insane laugh

774
00:42:32,840 --> 00:42:36,400
Speaker 4: that is so fucking funny. So Lewis and Murphy this

775
00:42:36,480 --> 00:42:37,879
Speaker 4: is like his first day on the job, and he's

776
00:42:37,880 --> 00:42:39,960
Speaker 4: talking about how he does this gun twirl because his

777
00:42:40,040 --> 00:42:42,400
Speaker 4: kid likes it because he's a dad. He's a dad

778
00:42:42,920 --> 00:42:46,319
Speaker 4: who's a cop who goes teltwork for his family. So

779
00:42:46,360 --> 00:42:49,680
Speaker 4: they go and bust in on Bonaker and his crew,

780
00:42:49,920 --> 00:42:55,319
Speaker 4: and Murphy gets murdered so hard. First they shoot his

781
00:42:55,520 --> 00:42:59,320
Speaker 4: hand off, then they shoot his arm off, and he

782
00:42:59,520 --> 00:43:01,960
Speaker 4: has He does not scream all any of that's happening.

783
00:43:02,280 --> 00:43:05,640
Speaker 4: He only starts screaming when they start pumping bullets in him,

784
00:43:06,000 --> 00:43:09,840
Speaker 4: the way that guy in the Executive boardroom died. He's like,

785
00:43:09,920 --> 00:43:12,760
Speaker 4: my hand cool, Like I'm too shocked to say anything,

786
00:43:12,800 --> 00:43:13,160
Speaker 4: my arm.

787
00:43:13,200 --> 00:43:14,200
Speaker 3: Oh that sucks.

788
00:43:14,400 --> 00:43:18,520
Speaker 4: Ninety five bullets and he dies for like two solid

789
00:43:18,560 --> 00:43:23,080
Speaker 4: minutes on screen, and Lewis's partner is looking at him

790
00:43:23,080 --> 00:43:26,680
Speaker 4: the whole time, like, oh, dip because she wasn't there

791
00:43:26,680 --> 00:43:28,919
Speaker 4: to back him up, because she got distracted by a dick.

792
00:43:29,000 --> 00:43:30,439
Speaker 4: Look it happened to the best of us.

793
00:43:30,800 --> 00:43:35,520
Speaker 2: Look this. If she hadn't looked, this movie wouldn't exist.

794
00:43:35,719 --> 00:43:36,319
Speaker 2: Let's get sick.

795
00:43:36,440 --> 00:43:37,440
Speaker 3: Thank you, thank you.

796
00:43:37,480 --> 00:43:39,320
Speaker 4: Because she she rolled up on one of the criminals

797
00:43:39,360 --> 00:43:42,200
Speaker 4: in this warehouse while he was taking a leak and

798
00:43:42,480 --> 00:43:43,919
Speaker 4: he turned around, He's like.

799
00:43:43,840 --> 00:43:44,719
Speaker 3: Can I zip this up?

800
00:43:44,800 --> 00:43:46,399
Speaker 4: And she just had to look down, and that's when

801
00:43:46,400 --> 00:43:48,480
Speaker 4: he got her and he pushed her off side of.

802
00:43:48,440 --> 00:43:50,719
Speaker 2: This railing and she was down for the count.

803
00:43:51,000 --> 00:43:54,319
Speaker 4: So this is why RoboCop exists because she looked at

804
00:43:54,320 --> 00:43:56,160
Speaker 4: a dick. I'm going on record with it and I

805
00:43:56,160 --> 00:43:57,360
Speaker 4: don't care what you have to say.

806
00:43:57,960 --> 00:43:58,840
Speaker 2: That's how I feel.

807
00:43:59,000 --> 00:44:03,480
Speaker 4: It's fact, and Dick's come back. Dicks are prominent with RoboCop. Somehow,

808
00:44:04,640 --> 00:44:07,640
Speaker 4: Dick's are prominent. So Murphy's down for the count. We

809
00:44:07,680 --> 00:44:10,080
Speaker 4: see the light going out of his eyes. He's reliving

810
00:44:10,080 --> 00:44:12,480
Speaker 4: some of his favorite, his his you know, he's got

811
00:44:11,960 --> 00:44:16,000
Speaker 4: that that long arm of death kind of reviewing the

812
00:44:16,000 --> 00:44:18,400
Speaker 4: moments of your life. So many of the moments of

813
00:44:18,440 --> 00:44:20,520
Speaker 4: his life happened within the last day. Just to keep

814
00:44:20,600 --> 00:44:23,600
Speaker 4: us up to date. Yes, like we don't see any

815
00:44:23,640 --> 00:44:25,200
Speaker 4: childhood moments or like we know if he isn't a

816
00:44:25,200 --> 00:44:27,240
Speaker 4: dog when he was a kid. She's like, yeah, yesterday

817
00:44:27,280 --> 00:44:29,040
Speaker 4: when you left for work, Like that is what's front

818
00:44:29,040 --> 00:44:31,560
Speaker 4: of mind now that you're on this table with armless

819
00:44:31,560 --> 00:44:34,359
Speaker 4: and dying. Yes, And the next time he wakes up,

820
00:44:34,400 --> 00:44:37,840
Speaker 4: he's a damn computer and he's got people partying around

821
00:44:37,920 --> 00:44:42,759
Speaker 4: him and kissing his little roboty face and he is

822
00:44:42,880 --> 00:44:46,680
Speaker 4: just like full robot like and that old eighties style

823
00:44:46,800 --> 00:44:52,360
Speaker 4: like green grid robots, low rent, low rent. Yeah, but

824
00:44:52,480 --> 00:44:55,440
Speaker 4: he looks cool as hell. And he's got a holster

825
00:44:55,880 --> 00:44:58,319
Speaker 4: in his leg. So when he twirls his gun and

826
00:44:58,360 --> 00:45:00,279
Speaker 4: does his trick, which is how when he go back

827
00:45:00,320 --> 00:45:03,840
Speaker 4: to the precinct, that's how Lewis knows that's male partner

828
00:45:03,920 --> 00:45:06,520
Speaker 4: because he does the gun trick and he puts it

829
00:45:06,520 --> 00:45:07,960
Speaker 4: in his leg and I'm like, you know what, that's

830
00:45:08,000 --> 00:45:09,800
Speaker 4: just industrious, that's just smart thinking.

831
00:45:10,040 --> 00:45:11,160
Speaker 3: That's using the space you got.

832
00:45:11,200 --> 00:45:13,440
Speaker 1: Yeah, maybe they coked out tech bro knew what he

833
00:45:13,480 --> 00:45:13,839
Speaker 1: was doing.

834
00:45:14,200 --> 00:45:17,160
Speaker 3: Hey to admit it. Look, he takes a look and

835
00:45:17,239 --> 00:45:18,000
Speaker 3: he keeps on ticking.

836
00:45:18,640 --> 00:45:20,160
Speaker 4: We're gonna see him later in the film when he

837
00:45:20,160 --> 00:45:22,400
Speaker 4: finally takes his helmet off and it is a mess.

838
00:45:22,680 --> 00:45:23,239
Speaker 2: What they done.

839
00:45:23,239 --> 00:45:26,439
Speaker 4: They did not consider aesthetics at all when they put

840
00:45:26,440 --> 00:45:27,120
Speaker 4: this shit together.

841
00:45:27,320 --> 00:45:31,120
Speaker 1: I will say they kept his beautiful eyes Global Cops

842
00:45:31,320 --> 00:45:33,080
Speaker 1: beautiful eyes.

843
00:45:33,320 --> 00:45:36,399
Speaker 4: And then they sliced his hair right off his head,

844
00:45:36,880 --> 00:45:41,040
Speaker 4: Like your ears and your hair they gotta go. Let's

845
00:45:41,120 --> 00:45:43,360
Speaker 4: keep your eyes and most of your face, but the

846
00:45:43,400 --> 00:45:44,360
Speaker 4: rest of this year, you gotta go.

847
00:45:44,840 --> 00:45:46,880
Speaker 2: But he's he goes right out, you know.

848
00:45:46,920 --> 00:45:50,000
Speaker 4: He Look, they they set him up and they're like, look, RoboCop,

849
00:45:50,040 --> 00:45:51,839
Speaker 4: here's what he needs to survive. He needs to sit

850
00:45:51,880 --> 00:45:53,880
Speaker 4: in a high chair and eat baby food at the

851
00:45:54,000 --> 00:45:56,520
Speaker 4: end of every night. It's a special high chair we've

852
00:45:56,520 --> 00:45:59,279
Speaker 4: made for him, and he's gonna eat this slurry.

853
00:46:00,640 --> 00:46:03,920
Speaker 3: And that'll keep him going for years. That'll just keep

854
00:46:03,960 --> 00:46:05,840
Speaker 3: him looped up and ready to fucking rock.

855
00:46:06,680 --> 00:46:06,960
Speaker 2: God.

856
00:46:07,080 --> 00:46:10,920
Speaker 1: I never understood why he needed to eat organic matter,

857
00:46:11,320 --> 00:46:14,279
Speaker 1: Like can't you just like you know, skip, you just

858
00:46:14,400 --> 00:46:17,200
Speaker 1: really just have to make an adjustment. You can just

859
00:46:17,760 --> 00:46:20,400
Speaker 1: power him some different way. Baby food doesn't need to

860
00:46:20,400 --> 00:46:21,279
Speaker 1: happen unless.

861
00:46:21,000 --> 00:46:21,839
Speaker 2: I'm wrong about that.

862
00:46:22,160 --> 00:46:25,640
Speaker 1: Don't get don't come into my mentions, RoboCop fans.

863
00:46:25,920 --> 00:46:27,840
Speaker 3: All I'm saying is move some ones in two so

864
00:46:27,920 --> 00:46:29,200
Speaker 3: this man doesn't have to eat.

865
00:46:29,000 --> 00:46:33,200
Speaker 4: At all, because now that he's got the slurry?

866
00:46:34,080 --> 00:46:35,440
Speaker 2: What did I think of as a child?

867
00:46:35,520 --> 00:46:38,640
Speaker 4: Instantly that nobody could answer, especially my grandmother after the

868
00:46:38,640 --> 00:46:41,799
Speaker 4: tenth time I asked her, does RoboCop poop? She didn't know.

869
00:46:41,960 --> 00:46:43,799
Speaker 4: Nobody knows. And I'm like, how are you gonna put

870
00:46:43,840 --> 00:46:46,480
Speaker 4: this shit in him? And he's not pooping it out there?

871
00:46:46,520 --> 00:46:48,120
Speaker 3: You go not how it works.

872
00:46:48,880 --> 00:46:51,000
Speaker 4: So if they can put like a filtration system in

873
00:46:51,040 --> 00:46:53,920
Speaker 4: there for poop, they can make it so he doesn't

874
00:46:53,960 --> 00:46:56,200
Speaker 4: have to eat this shit at all. But he's loving it.

875
00:46:56,239 --> 00:46:57,719
Speaker 4: He's like, you know what, solid, I will sit in

876
00:46:57,719 --> 00:47:01,040
Speaker 4: this chair. I will recharge my organ matter and my

877
00:47:01,280 --> 00:47:03,919
Speaker 4: electronic and in my other matter.

878
00:47:04,200 --> 00:47:05,239
Speaker 2: And then he goes.

879
00:47:05,040 --> 00:47:08,040
Speaker 4: Out on the street and he starts fucking some shit

880
00:47:08,160 --> 00:47:12,160
Speaker 4: up pretty pretty early. On favorite part And I know

881
00:47:12,239 --> 00:47:15,239
Speaker 4: you know this because we literally owned the T shirt.

882
00:47:15,480 --> 00:47:17,759
Speaker 4: I do is when he's saving a woman who's being

883
00:47:17,760 --> 00:47:21,200
Speaker 4: assaulted by two men, and he rolls up, which ps

884
00:47:21,239 --> 00:47:24,120
Speaker 4: I cannot believe. He also just drives a car. He

885
00:47:24,200 --> 00:47:26,560
Speaker 4: just hops in a four Taurus like he's not a

886
00:47:26,640 --> 00:47:32,640
Speaker 4: five million dollar murder machine. The fucking RoboCop drives a

887
00:47:32,800 --> 00:47:33,600
Speaker 4: four turrets.

888
00:47:33,920 --> 00:47:34,960
Speaker 2: I didn't I've never.

889
00:47:34,840 --> 00:47:36,680
Speaker 3: Cut on to that until this viewing, and I've seen

890
00:47:36,680 --> 00:47:40,400
Speaker 3: this movie a lot. I was like, he shook me.

891
00:47:40,920 --> 00:47:43,279
Speaker 2: Could they not put like wheels on the bottom of

892
00:47:43,320 --> 00:47:45,080
Speaker 2: those feet? Thank you?

893
00:47:45,080 --> 00:47:48,080
Speaker 4: Give them some skates, give him some fucking jets, Like,

894
00:47:48,160 --> 00:47:51,520
Speaker 4: what is happening? Why does the imagination stop where it

895
00:47:51,600 --> 00:47:54,279
Speaker 4: stops with RoboCop? Is all I'm saying, because like him

896
00:47:54,280 --> 00:47:57,400
Speaker 4: getting into a fucking foid Taurus kind of takes it

897
00:47:57,440 --> 00:48:02,800
Speaker 4: a little bit off, a little shine off of that.

898
00:48:00,640 --> 00:48:07,280
Speaker 4: That aressive amount of machinery for me, not even a Maserati.

899
00:48:07,520 --> 00:48:10,239
Speaker 4: But he rows up in this four Taurus and he

900
00:48:10,280 --> 00:48:14,160
Speaker 4: sees this woman who's being held and you know, at

901
00:48:14,200 --> 00:48:17,520
Speaker 4: the risk of assault, and this guy is holding her

902
00:48:18,239 --> 00:48:19,560
Speaker 4: like you know the way when you kind of crack

903
00:48:19,640 --> 00:48:21,759
Speaker 4: someone's back and you hold them like you kind of

904
00:48:21,800 --> 00:48:25,120
Speaker 4: bar hug them from behind. So he's holding her like that.

905
00:48:25,640 --> 00:48:29,439
Speaker 4: She's in her eighties' finest and long skirt, and RoboCop

906
00:48:31,120 --> 00:48:36,439
Speaker 4: zeros in and shoots this guy through her skirt right

907
00:48:36,480 --> 00:48:42,880
Speaker 4: in the dick, and it is and remains one of

908
00:48:42,920 --> 00:48:46,040
Speaker 4: the funniest things I've ever seen on film, because then

909
00:48:46,120 --> 00:48:48,759
Speaker 4: immediately after that, he's like, you've been assaulted. I'll take

910
00:48:48,760 --> 00:48:50,799
Speaker 4: you to a rape crisis center. And I'm like, hey, wait,

911
00:48:50,840 --> 00:48:52,839
Speaker 4: let's mat that up a minute. I'm glad you're doing

912
00:48:52,880 --> 00:48:57,000
Speaker 4: your civic duty here, and you know kind of you're

913
00:48:57,480 --> 00:49:00,640
Speaker 4: administering to the emotional needs of this victim. You just

914
00:49:00,680 --> 00:49:03,799
Speaker 4: shot someone in the dick and you could not even

915
00:49:03,800 --> 00:49:04,680
Speaker 4: see his legs.

916
00:49:04,880 --> 00:49:07,800
Speaker 3: That deserves a moment. That deserves a moment.

917
00:49:08,239 --> 00:49:12,919
Speaker 1: I mean, the precision is so fine and really only

918
00:49:12,960 --> 00:49:14,880
Speaker 1: a robot dad could perfect it.

919
00:49:15,160 --> 00:49:15,520
Speaker 3: Thank you.

920
00:49:15,600 --> 00:49:19,640
Speaker 4: He has three directives as a robot dad because he's

921
00:49:19,640 --> 00:49:21,400
Speaker 4: also starting to get his memory back a little bit,

922
00:49:22,000 --> 00:49:23,840
Speaker 4: and his robot dad is like, look, I'm going to

923
00:49:23,880 --> 00:49:26,400
Speaker 4: serve the public. I'm gonna protect the innocent. I'm going

924
00:49:26,440 --> 00:49:28,520
Speaker 4: to uphold the law. That's what I'm going to do.

925
00:49:28,760 --> 00:49:31,600
Speaker 4: And if that means shooting some dicks, I'm shooting some dicks.

926
00:49:32,400 --> 00:49:37,720
Speaker 4: It's just what's up. He's not playing around, so this happens.

927
00:49:37,719 --> 00:49:40,920
Speaker 4: He's starting to kind of remember, and he's starting to

928
00:49:40,960 --> 00:49:42,400
Speaker 4: do like you. He's starting to get a name for

929
00:49:42,480 --> 00:49:46,840
Speaker 4: himself around town. He saved the mayor. The mayor was

930
00:49:46,920 --> 00:49:49,279
Speaker 4: kind of being held by this former employee, who, by

931
00:49:49,320 --> 00:49:51,960
Speaker 4: the way, has the funniest list of demands I've ever heard.

932
00:49:52,440 --> 00:49:55,600
Speaker 3: First, don't fuck with me. Second, get me a coffee.

933
00:49:57,520 --> 00:50:00,480
Speaker 4: Put that we both have a T shirt now that says,

934
00:50:00,560 --> 00:50:03,080
Speaker 4: remember when Robocops shot that dude in the dick from

935
00:50:03,120 --> 00:50:05,560
Speaker 4: Pink Bike Ralph, go for it. Check it out if

936
00:50:05,600 --> 00:50:09,080
Speaker 4: you want. That is the second T shirt I need. First,

937
00:50:09,120 --> 00:50:11,040
Speaker 4: don't fuck with me. Second, get me coffee?

938
00:50:11,160 --> 00:50:12,600
Speaker 2: Okay exactly.

939
00:50:12,680 --> 00:50:15,880
Speaker 1: I'm like, can we buy this shirt or make this

940
00:50:15,960 --> 00:50:18,560
Speaker 1: shirt or own this shirt in some way in the

941
00:50:18,600 --> 00:50:22,520
Speaker 1: next five seconds, because I will explode if I don't

942
00:50:22,520 --> 00:50:22,839
Speaker 1: have it.

943
00:50:22,960 --> 00:50:26,000
Speaker 4: I would buy them, buy the gross and wear one

944
00:50:26,360 --> 00:50:32,920
Speaker 4: literally every day for a year, only switching him out once. Yes,

945
00:50:34,640 --> 00:50:37,200
Speaker 4: I love that guy so much. I also love there's

946
00:50:37,239 --> 00:50:38,480
Speaker 4: just so many little moments in.

947
00:50:38,400 --> 00:50:40,480
Speaker 3: This movie that still make me laugh so much.

948
00:50:40,760 --> 00:50:43,080
Speaker 4: That he goes to visit these kids who are like, ooh,

949
00:50:43,120 --> 00:50:44,520
Speaker 4: a robot cop, How awesome?

950
00:50:44,760 --> 00:50:47,960
Speaker 3: And they go to Lee Ayacca Elementary.

951
00:50:47,320 --> 00:50:52,080
Speaker 2: School, Like, what really? Reach it in the bag for.

952
00:50:54,640 --> 00:50:57,480
Speaker 3: Fucking lea Coca Elementary School. Again, I don't know what

953
00:50:57,600 --> 00:50:59,920
Speaker 3: that makes me laugh because it's so eighties.

954
00:51:00,120 --> 00:51:00,960
Speaker 2: It's so eighties.

955
00:51:01,080 --> 00:51:03,719
Speaker 1: There's probably listeners right now that have no idea who

956
00:51:03,840 --> 00:51:04,759
Speaker 1: Leiococa is.

957
00:51:05,160 --> 00:51:08,360
Speaker 3: Look him up and you'll understand why this is fucking hilarious.

958
00:51:08,760 --> 00:51:09,600
Speaker 3: And then also that.

959
00:51:09,600 --> 00:51:12,839
Speaker 4: Newcom game that they have a commercial for where it's

960
00:51:12,840 --> 00:51:15,160
Speaker 4: like this family sitting around and it's almost like the

961
00:51:15,200 --> 00:51:17,959
Speaker 4: Game of Life if the Game of Life was about

962
00:51:18,000 --> 00:51:19,480
Speaker 4: trying to wipe out your family.

963
00:51:20,120 --> 00:51:22,520
Speaker 3: Yeah, so this game is just so weird.

964
00:51:23,000 --> 00:51:24,640
Speaker 2: And I also love they have a Runner.

965
00:51:24,640 --> 00:51:26,840
Speaker 4: They've got space for a Runner again hour and a

966
00:51:26,840 --> 00:51:30,280
Speaker 4: half this movie is thirty minutes a setup, an hour

967
00:51:30,320 --> 00:51:31,440
Speaker 4: of ass kicking, and.

968
00:51:31,400 --> 00:51:32,760
Speaker 3: About ten minutes of a runner.

969
00:51:32,960 --> 00:51:36,040
Speaker 4: And the Runner is this TV show where this guy

970
00:51:36,080 --> 00:51:38,319
Speaker 4: looks at the camera and he says, I'm buy that

971
00:51:38,440 --> 00:51:42,160
Speaker 4: for a dollar again, So eighties it hurts.

972
00:51:42,640 --> 00:51:42,879
Speaker 2: Yeah.

973
00:51:42,880 --> 00:51:48,080
Speaker 1: And Liza Gibbons, who plays one of the what is

974
00:51:48,120 --> 00:51:50,680
Speaker 1: it the news reporters that comes on every so often

975
00:51:52,480 --> 00:51:55,799
Speaker 1: Lisa Gibbons Entertainment Tonight for you.

976
00:51:56,200 --> 00:52:02,759
Speaker 4: Entertainment for all you eighties kids, all you eighties kids.

977
00:52:02,760 --> 00:52:06,680
Speaker 4: Poor went out for Jane, Polly and Lisa. I got

978
00:52:06,719 --> 00:52:08,640
Speaker 4: a lot of heavy lifting and you know it for

979
00:52:08,880 --> 00:52:14,120
Speaker 4: evening hours and morning morning hours as well. So Lewis

980
00:52:14,160 --> 00:52:16,759
Speaker 4: he you know, RoboCop comes back to the precinct and

981
00:52:17,280 --> 00:52:21,240
Speaker 4: Louis is like, look, your name's Murphy, and he was like, oh,

982
00:52:21,400 --> 00:52:26,279
Speaker 4: starts going on the Fritz, starts remembering shit, does like

983
00:52:26,400 --> 00:52:31,120
Speaker 4: a very existential crisis sort of tour of his old house.

984
00:52:31,760 --> 00:52:34,600
Speaker 4: He really goes through it once he really realizes who

985
00:52:34,600 --> 00:52:37,640
Speaker 4: he is. And then naturally, as you do, you get

986
00:52:37,640 --> 00:52:41,839
Speaker 4: to see RoboCop at the club because he's he's now

987
00:52:41,880 --> 00:52:43,200
Speaker 4: on the hunt for this.

988
00:52:43,280 --> 00:52:44,960
Speaker 3: Crew of guys who murdered him.

989
00:52:45,040 --> 00:52:48,160
Speaker 4: He's like seeing faces and remembering shit, and he's also

990
00:52:48,280 --> 00:52:50,840
Speaker 4: just busting into police records and being like, here, let

991
00:52:50,880 --> 00:52:54,040
Speaker 4: me download my memory real quick again eighty seven, let

992
00:52:54,040 --> 00:52:56,560
Speaker 4: me download my memory real quick. Oh, what's this face?

993
00:52:56,680 --> 00:52:58,920
Speaker 4: He belongs to this crime syndicate. Cool, now I know

994
00:52:59,120 --> 00:53:01,120
Speaker 4: where they all work, who they all work for. So

995
00:53:01,160 --> 00:53:04,480
Speaker 4: he goes to the club snatches up ray Wise. This

996
00:53:04,560 --> 00:53:06,480
Speaker 4: is while Dick Jones, by the way, is on a

997
00:53:06,560 --> 00:53:07,759
Speaker 4: fucking rampage.

998
00:53:07,800 --> 00:53:08,600
Speaker 2: He heard.

999
00:53:09,920 --> 00:53:15,200
Speaker 4: Morton, who's again Miguel Ferrer. He heard him just saying

1000
00:53:15,200 --> 00:53:17,200
Speaker 4: that he was old, and he kind of heard this

1001
00:53:17,239 --> 00:53:19,520
Speaker 4: guy talking shit about him in the bathroom. So he

1002
00:53:19,560 --> 00:53:22,200
Speaker 4: blows him up with a grenade. Who hasn't been there before?

1003
00:53:23,800 --> 00:53:27,520
Speaker 4: He sends Clarence Bondiker to blow him up with a grenade.

1004
00:53:27,800 --> 00:53:29,919
Speaker 2: So now Clarence.

1005
00:53:29,600 --> 00:53:32,840
Speaker 4: Comes face to face with fucking RoboCop and he's like, look,

1006
00:53:33,000 --> 00:53:37,800
Speaker 4: I work for Dick Jones, and Dick Jones is like, look, RoboCop,

1007
00:53:37,800 --> 00:53:40,200
Speaker 4: I know you've come here to confront me about working

1008
00:53:40,440 --> 00:53:43,480
Speaker 4: with this crime syndicate, but I've also added a little

1009
00:53:43,480 --> 00:53:46,600
Speaker 4: something to your programming where you could never arrest an

1010
00:53:46,600 --> 00:53:48,920
Speaker 4: executive of OCP.

1011
00:53:49,560 --> 00:53:51,440
Speaker 2: Dastardly, dastardly indeed.

1012
00:53:52,040 --> 00:53:55,719
Speaker 4: But without that, without that, we would not get the

1013
00:53:55,840 --> 00:54:01,200
Speaker 4: RoboCop versus ED two O nine fight so desperately deserved,

1014
00:54:01,680 --> 00:54:07,240
Speaker 4: and it comes to a shocking and untimely end because

1015
00:54:07,280 --> 00:54:10,360
Speaker 4: nobody knew that ED two nine couldn't take the stairs.

1016
00:54:12,120 --> 00:54:15,319
Speaker 4: That's how this robot goes down this machine gun arm

1017
00:54:15,400 --> 00:54:18,279
Speaker 4: killing machine is like, oh, I can't you see him

1018
00:54:18,280 --> 00:54:20,160
Speaker 4: like trying to take a little baby step and he can't.

1019
00:54:19,920 --> 00:54:21,400
Speaker 3: Do it, and then he just falls over and that's it.

1020
00:54:21,480 --> 00:54:22,440
Speaker 3: RoboCop wins.

1021
00:54:22,760 --> 00:54:28,319
Speaker 2: Yea, He's like a turtle on its back, completely fucked exact.

1022
00:54:30,480 --> 00:54:32,120
Speaker 2: It is incredible.

1023
00:54:32,160 --> 00:54:34,400
Speaker 4: I wish the guy who got shot for nine minutes

1024
00:54:34,400 --> 00:54:35,400
Speaker 4: straight knew that about him.

1025
00:54:35,440 --> 00:54:37,480
Speaker 3: Just run down some steps and you would be you'll

1026
00:54:37,520 --> 00:54:37,920
Speaker 3: be fine.

1027
00:54:38,600 --> 00:54:40,120
Speaker 2: Yeah.

1028
00:54:40,160 --> 00:54:43,720
Speaker 4: So then we get now that robo that robo CoP's

1029
00:54:43,800 --> 00:54:47,400
Speaker 4: getting his full memories back and he's in revenge mode

1030
00:54:47,680 --> 00:54:50,200
Speaker 4: and Lewis is like, cool, let's do this. So they

1031
00:54:50,200 --> 00:54:52,719
Speaker 4: go to get Clarence and there's a showdown at the

1032
00:54:52,760 --> 00:54:57,520
Speaker 4: steel Mill where they all hang out and Paul mccrary's

1033
00:54:57,600 --> 00:55:02,560
Speaker 4: character A Meal, this this is one of okay, besides

1034
00:55:03,360 --> 00:55:04,719
Speaker 4: him shooting that guy in the dick.

1035
00:55:04,960 --> 00:55:06,279
Speaker 3: This is the scene that stayed.

1036
00:55:06,040 --> 00:55:08,280
Speaker 4: With me the most as a child and an adult

1037
00:55:08,280 --> 00:55:11,240
Speaker 4: because a Meal is like cool, He's like usually drives

1038
00:55:11,280 --> 00:55:11,640
Speaker 4: the van.

1039
00:55:12,080 --> 00:55:13,200
Speaker 3: Everyone else is scattering.

1040
00:55:13,200 --> 00:55:15,680
Speaker 4: They're trying to find Robocopy as this real tender moment

1041
00:55:15,680 --> 00:55:17,560
Speaker 4: with Lewis where he's like, let me take off my

1042
00:55:17,560 --> 00:55:19,680
Speaker 4: helmet and show you my skin flaps and she's like.

1043
00:55:19,680 --> 00:55:21,480
Speaker 3: Oh, you were such a good cop.

1044
00:55:21,560 --> 00:55:27,719
Speaker 4: And then the Meal tries to run him down. And

1045
00:55:27,840 --> 00:55:31,480
Speaker 4: RoboCop is not having it, gives him the slip, and

1046
00:55:31,520 --> 00:55:36,080
Speaker 4: a meal plows face first, if a van can have

1047
00:55:36,120 --> 00:55:39,520
Speaker 4: a face, he plows face first into a that of

1048
00:55:39,640 --> 00:55:43,719
Speaker 4: toxic waste that's clearly just always hanging around steel mills.

1049
00:55:43,760 --> 00:55:47,200
Speaker 2: You know how they do, you know, always give.

1050
00:55:47,040 --> 00:55:50,040
Speaker 3: Me that that a toxic waste. As if that's not

1051
00:55:50,160 --> 00:55:50,800
Speaker 3: bad enough.

1052
00:55:51,400 --> 00:55:55,600
Speaker 4: He comes crawling out of this sludge like the toxic

1053
00:55:55,680 --> 00:55:59,720
Speaker 4: fucking avenger and is asking for help, and his friends

1054
00:55:59,760 --> 00:56:03,239
Speaker 4: will absolutely not. Dude, he is like a hanging That's

1055
00:56:03,280 --> 00:56:05,560
Speaker 4: the part that stayed with me. He's like hanging on people.

1056
00:56:05,880 --> 00:56:09,120
Speaker 4: His fingers have melted to twice the length. His face

1057
00:56:09,239 --> 00:56:12,319
Speaker 4: is super melty, and he's like help me, and ray

1058
00:56:12,320 --> 00:56:16,040
Speaker 4: Wise is like nah, and he pushes him to the ground.

1059
00:56:16,880 --> 00:56:20,960
Speaker 1: Oh man, he looks so gnarly in this scene.

1060
00:56:22,040 --> 00:56:24,319
Speaker 2: I was kind of like, yeah, I'm going back to

1061
00:56:24,400 --> 00:56:26,200
Speaker 2: the club, see you later.

1062
00:56:27,840 --> 00:56:30,239
Speaker 4: Absolutely terrible. He's like, I will not be here for

1063
00:56:30,280 --> 00:56:32,719
Speaker 4: any part of this. Yeah, it was cool knowing you.

1064
00:56:33,600 --> 00:56:35,800
Speaker 4: I'm glad we got to blow up some cars together

1065
00:56:35,880 --> 00:56:37,799
Speaker 4: with that weird cannon gun the other night.

1066
00:56:40,160 --> 00:56:41,680
Speaker 2: But like, I'm out.

1067
00:56:41,920 --> 00:56:45,120
Speaker 3: And in the end, RoboCop of course gets his man.

1068
00:56:45,920 --> 00:56:49,360
Speaker 4: Mm hm, of course. But and I'm not gonna spoil

1069
00:56:49,400 --> 00:56:50,919
Speaker 4: the end. Actually maybe I am.

1070
00:56:51,160 --> 00:56:51,760
Speaker 2: It's fine.

1071
00:56:51,920 --> 00:56:54,080
Speaker 4: Like I said, we've had a very hectic days and

1072
00:56:54,120 --> 00:56:55,560
Speaker 4: I don't even know what I'm saying right now.

1073
00:56:55,880 --> 00:57:01,160
Speaker 3: It's fine this movie, and so abruptly because he's like.

1074
00:57:01,280 --> 00:57:03,600
Speaker 4: I caught my man, and then they're like time for

1075
00:57:03,640 --> 00:57:06,080
Speaker 4: a catchphrase and he's like yep, turns, gives a little

1076
00:57:06,120 --> 00:57:08,680
Speaker 4: catchphrase and a's out wow.

1077
00:57:09,280 --> 00:57:11,040
Speaker 3: And I think what they were setting up was like

1078
00:57:11,239 --> 00:57:12,839
Speaker 3: multiple sequels in that moment.

1079
00:57:13,640 --> 00:57:15,880
Speaker 4: Yeah, Like, if you really want to know what RoboCop

1080
00:57:15,960 --> 00:57:18,120
Speaker 4: is doing after he gets down and dirty and starts

1081
00:57:18,120 --> 00:57:21,240
Speaker 4: having his memory and showing his skin flaps, you got

1082
00:57:21,240 --> 00:57:22,920
Speaker 4: to come back for part two if you wanted the

1083
00:57:22,920 --> 00:57:24,320
Speaker 4: emotional rollercoaster of this.

1084
00:57:24,960 --> 00:57:30,160
Speaker 1: RoboCop two is on one in such a fucking deep way.

1085
00:57:31,200 --> 00:57:33,280
Speaker 1: I mean, talk about a sequel, like we just talked

1086
00:57:33,280 --> 00:57:34,360
Speaker 1: about Terminator two.

1087
00:57:34,760 --> 00:57:38,640
Speaker 2: RoboCop two, man, that is an event.

1088
00:57:38,960 --> 00:57:46,080
Speaker 1: I mean, the storyline goes completely weird and like you know,

1089
00:57:46,560 --> 00:57:48,880
Speaker 1: because when this movie came out, RoboCop was like a

1090
00:57:48,920 --> 00:57:51,520
Speaker 1: fucking hero and there was like action figures and he

1091
00:57:51,600 --> 00:57:55,000
Speaker 1: was like on kids fucking sheets. I mean it was like,

1092
00:57:55,040 --> 00:57:57,560
Speaker 1: it was like a phenomenon, and of course they knew

1093
00:57:57,560 --> 00:57:59,600
Speaker 1: that shit when they did the sequel, and it was

1094
00:57:59,640 --> 00:58:01,360
Speaker 1: just really double down on it.

1095
00:58:01,400 --> 00:58:05,240
Speaker 4: And it's hilarious. It's hilarious, so fun.

1096
00:58:05,360 --> 00:58:07,480
Speaker 3: We're gonna do another action movie episode and maybe we'll

1097
00:58:07,480 --> 00:58:08,840
Speaker 3: do Bribocup too.

1098
00:58:09,040 --> 00:58:10,720
Speaker 2: Oh my god, I watched it.

1099
00:58:10,960 --> 00:58:13,720
Speaker 1: I watched it very recently, and I was like, this

1100
00:58:13,840 --> 00:58:19,240
Speaker 1: is fucking weird as shit, just weird ast shit the

1101
00:58:19,280 --> 00:58:25,040
Speaker 1: whole like little kid drug pin, little kid drug kingpin guy.

1102
00:58:25,720 --> 00:58:28,120
Speaker 1: I'm like, damn, what in the hell is this moving?

1103
00:58:29,000 --> 00:58:30,920
Speaker 1: We have to talk about it in an episode?

1104
00:58:31,000 --> 00:58:31,600
Speaker 2: Holy shit?

1105
00:58:32,080 --> 00:58:33,680
Speaker 3: Now that's all I want to talk about.

1106
00:58:33,760 --> 00:58:37,560
Speaker 4: And I haven't seen I have not seen any Terminator

1107
00:58:37,600 --> 00:58:38,680
Speaker 4: beyond Terminator Too.

1108
00:58:38,800 --> 00:58:40,800
Speaker 3: I know there's one with Christian Bale. I know they

1109
00:58:40,840 --> 00:58:41,600
Speaker 3: keep making them.

1110
00:58:42,000 --> 00:58:45,320
Speaker 2: I think one was not Matt Smith, your honey, Matt Smith.

1111
00:58:45,960 --> 00:58:47,320
Speaker 3: I know, but I still haven't.

1112
00:58:47,360 --> 00:58:47,680
Speaker 2: I don't.

1113
00:58:47,880 --> 00:58:50,560
Speaker 3: I don't like seeing Matt Smith like sweaty. I don't

1114
00:58:50,560 --> 00:58:53,080
Speaker 3: know what it is. I don't like it.

1115
00:58:53,160 --> 00:58:54,600
Speaker 4: I don't like him sweaty. I like, I'm kind of

1116
00:58:54,640 --> 00:58:58,920
Speaker 4: like in a cool British chill. When he's sweaty, I

1117
00:58:58,960 --> 00:59:01,600
Speaker 4: get very nervous because he's just he looks. Yeah, I

1118
00:59:01,600 --> 00:59:03,760
Speaker 4: don't know, I'm going to see it. I'm gonna basically

1119
00:59:03,760 --> 00:59:06,360
Speaker 4: Rewatching T two has made me want to dig back

1120
00:59:06,400 --> 00:59:06,880
Speaker 4: into this.

1121
00:59:06,840 --> 00:59:08,920
Speaker 3: Universe, and I will do the same for RoboCop.

1122
00:59:09,160 --> 00:59:11,680
Speaker 2: Yeah, me too. I actually thought that too.

1123
00:59:11,720 --> 00:59:13,560
Speaker 1: I was like, oh, I should watch like everything else

1124
00:59:13,600 --> 00:59:15,880
Speaker 1: because there was like the whole TV show about Sarah

1125
00:59:15,920 --> 00:59:20,840
Speaker 1: Cotter and that I didn't watch but need to.

1126
00:59:20,960 --> 00:59:22,960
Speaker 4: So yeah, I'm with you.

1127
00:59:22,440 --> 00:59:23,600
Speaker 2: I just dig in.

1128
00:59:24,200 --> 00:59:26,920
Speaker 1: I know, I know, and like the I think that

1129
00:59:27,000 --> 00:59:30,240
Speaker 1: the Terminator franchise went a little longer than the RoboCop did,

1130
00:59:30,240 --> 00:59:32,360
Speaker 1: but who the fuck knows there was a remake, a

1131
00:59:32,480 --> 00:59:33,600
Speaker 1: RoboCop remake.

1132
00:59:33,920 --> 00:59:36,920
Speaker 4: I never saw that, so I mean, look, we're already

1133
00:59:36,960 --> 00:59:42,240
Speaker 4: on our remake vibe, I know, having just footloosed and footloosed.

1134
00:59:42,560 --> 00:59:48,480
Speaker 2: Listen, that might have to be the next Yeah cop?

1135
00:59:49,200 --> 00:59:50,880
Speaker 3: Who plays the new RoboCop.

1136
00:59:51,280 --> 00:59:54,200
Speaker 2: God, I want to say, it's like a hot guy.

1137
00:59:55,480 --> 01:00:01,400
Speaker 1: It's like a fucking like haughty guy, like a Chris.

1138
01:00:01,800 --> 01:00:04,600
Speaker 4: Oh that's not nervous because they just don't plugging in

1139
01:00:04,680 --> 01:00:08,520
Speaker 4: Chris's and you're like, oh man, it's like.

1140
01:00:08,480 --> 01:00:12,040
Speaker 1: Wait, RoboCop, when was it twenty four, twenty four, twenty fourteen.

1141
01:00:12,320 --> 01:00:16,320
Speaker 2: Yeah it is? Is it Joel? I don't know. I

1142
01:00:16,400 --> 01:00:19,360
Speaker 2: was close. It's Joel something. I don't know who this.

1143
01:00:19,440 --> 01:00:25,520
Speaker 1: Is, Joel Edgerton, Joel Kineman, Swedish American actor.

1144
01:00:26,640 --> 01:00:28,560
Speaker 3: Oh was he that guy in The Killing?

1145
01:00:28,880 --> 01:00:30,840
Speaker 2: Did you ever see that show? He was in the

1146
01:00:30,880 --> 01:00:35,400
Speaker 2: Informer Easy Money, The Killing? That's right, Suicide Squad.

1147
01:00:36,120 --> 01:00:38,840
Speaker 4: I know who he is. All right, I'm in because

1148
01:00:38,880 --> 01:00:40,320
Speaker 4: Joel Kineman is falling.

1149
01:00:41,160 --> 01:00:44,480
Speaker 2: Yeah, that's what I'm saying. I'm like, oh, look at hello.

1150
01:00:45,120 --> 01:00:46,960
Speaker 3: I will give it a goddamn shot.

1151
01:00:47,400 --> 01:00:48,400
Speaker 2: Yeah, there you go.

1152
01:00:49,200 --> 01:00:52,040
Speaker 4: I cannot wait, and I really I think it's going

1153
01:00:52,120 --> 01:00:55,680
Speaker 4: to be the focus of my career now, to redo

1154
01:00:55,720 --> 01:01:01,080
Speaker 4: the RoboCup series in rewrite some movies in a way

1155
01:01:01,080 --> 01:01:04,240
Speaker 4: that makes me feel good about myself. Yeah, of course,

1156
01:01:04,440 --> 01:01:06,640
Speaker 4: I'm just gonna call my agent and be like, RoboCop

1157
01:01:06,760 --> 01:01:07,160
Speaker 4: do it.

1158
01:01:07,360 --> 01:01:10,960
Speaker 2: Yeah, God, I love that. I love that power.

1159
01:01:11,320 --> 01:01:13,360
Speaker 3: And she'll be like, ma'am, I am not doing that.

1160
01:01:13,440 --> 01:01:18,720
Speaker 4: You have no credentials at all write this fucking movie.

1161
01:01:18,800 --> 01:01:21,160
Speaker 1: I think your credentials was the last like thirty forty

1162
01:01:21,160 --> 01:01:21,640
Speaker 1: five minutes.

1163
01:01:21,680 --> 01:01:22,280
Speaker 2: So there you go.

1164
01:01:22,560 --> 01:01:25,120
Speaker 3: Thank you. Millie's that's a real ass friend.

1165
01:01:25,640 --> 01:01:28,280
Speaker 1: Yeah, I'm telling you listen. I had a fucking blast

1166
01:01:28,360 --> 01:01:33,520
Speaker 1: on this episode. I love Robot Dads. Both these movies

1167
01:01:33,520 --> 01:01:37,880
Speaker 1: are absolute classics. I love them to pieces, and I

1168
01:01:37,880 --> 01:01:40,240
Speaker 1: think it's perfect for Father's Day. I mean shit like

1169
01:01:40,440 --> 01:01:44,640
Speaker 1: we got. We got two robots who still managed.

1170
01:01:44,240 --> 01:01:48,640
Speaker 4: To feel and learn, learn how to feel, yeah, and

1171
01:01:48,720 --> 01:01:51,800
Speaker 4: grow and evolve. Listen to this episode with your dad

1172
01:01:51,880 --> 01:01:53,800
Speaker 4: is all we're saying. If you have one, I don't,

1173
01:01:53,840 --> 01:01:56,320
Speaker 4: I will find someone to listen to it with. I'll

1174
01:01:56,360 --> 01:01:58,160
Speaker 4: just pull someone off the street and be like, look,

1175
01:01:58,800 --> 01:02:00,840
Speaker 4: here's what's up. What kind of are you going to be?

1176
01:02:01,440 --> 01:02:03,640
Speaker 4: Are you going to be Terminator Dad or RoboCop Dad?

1177
01:02:03,680 --> 01:02:06,320
Speaker 4: Because guess what, they're both great choices. I just want

1178
01:02:06,360 --> 01:02:08,200
Speaker 4: to make sure I'm sending you out in this world prepared.

1179
01:02:08,480 --> 01:02:10,800
Speaker 4: I'm happy to do it. I'm grabbing my nearest neighbor

1180
01:02:10,840 --> 01:02:12,160
Speaker 4: and we're going to RoboCop down.

1181
01:02:12,600 --> 01:02:15,000
Speaker 2: There you go. Well, do you want to announce the

1182
01:02:15,080 --> 01:02:17,920
Speaker 2: films for next week? Yeah?

1183
01:02:18,160 --> 01:02:20,880
Speaker 4: Oh, I can't wait for you all to watch these

1184
01:02:20,920 --> 01:02:23,160
Speaker 4: films back to back as intended.

1185
01:02:24,080 --> 01:02:27,919
Speaker 3: Our first film for next week is A Woman under

1186
01:02:27,960 --> 01:02:32,600
Speaker 3: the Influence from nineteen seventy four, and your second film

1187
01:02:32,760 --> 01:02:36,840
Speaker 3: is Gaslight from nineteen forty four. Try to guess the theme.

1188
01:02:37,400 --> 01:02:38,240
Speaker 2: What could it be?

1189
01:02:38,920 --> 01:02:39,160
Speaker 1: Now?

1190
01:02:42,000 --> 01:02:43,400
Speaker 2: All right, well listen.

1191
01:02:43,840 --> 01:02:46,720
Speaker 1: If you enjoyed this episode and you for some reason

1192
01:02:46,800 --> 01:02:52,280
Speaker 1: want merch, we have merch available on the exactly Right shop.

1193
01:02:52,520 --> 01:02:55,920
Speaker 1: It's exactly rightmedia dot com.

1194
01:02:56,240 --> 01:02:56,560
Speaker 2: Do it?

1195
01:02:56,600 --> 01:03:01,120
Speaker 3: Oh me, yeah, I forgot?

1196
01:03:01,480 --> 01:03:03,880
Speaker 2: I forgot how to end this episode? Like? Oh yeah?

1197
01:03:03,880 --> 01:03:07,960
Speaker 4: We also have bonus episods. We have bonus episodes on

1198
01:03:08,000 --> 01:03:12,040
Speaker 4: stit your premium exclusively, so please do yourself a favor.

1199
01:03:12,280 --> 01:03:14,520
Speaker 4: Use our promo code. Sign up for a free month.

1200
01:03:14,760 --> 01:03:16,600
Speaker 4: Promo code is saw.

1201
01:03:16,800 --> 01:03:20,440
Speaker 1: And listen to the action movies one Super Fun. We

1202
01:03:20,560 --> 01:03:24,680
Speaker 1: talk about Arnold, We talk about the Raid. I mean, hello,

1203
01:03:25,680 --> 01:03:28,280
Speaker 1: could talk about it all day long.

1204
01:03:28,360 --> 01:03:29,280
Speaker 2: Have you seen it yet?

1205
01:03:29,320 --> 01:03:31,160
Speaker 4: Are you watching it this weekend? Watch it with your day?

1206
01:03:31,200 --> 01:03:32,840
Speaker 4: I will watch it this weekend. I'll watch it with

1207
01:03:32,880 --> 01:03:33,320
Speaker 4: my mom.

1208
01:03:33,400 --> 01:03:34,760
Speaker 2: How about that? Okay?

1209
01:03:34,960 --> 01:03:38,200
Speaker 4: Even god, zeamn better? Mother's Day is every day? Watch

1210
01:03:38,280 --> 01:03:42,280
Speaker 4: the Raid with your mom and my dad, just my

1211
01:03:42,320 --> 01:03:44,160
Speaker 4: mom and FaceTime me in.

1212
01:03:44,480 --> 01:03:46,280
Speaker 3: That's what I'm doing for Father's Day is watching The

1213
01:03:46,360 --> 01:03:47,160
Speaker 3: Raid with your mom?

1214
01:03:47,480 --> 01:03:53,160
Speaker 1: Exactly Well, he sits out on the porch watching golf.

1215
01:03:54,480 --> 01:03:56,960
Speaker 1: He will go fishing. I will be doing a badass

1216
01:03:56,960 --> 01:03:57,800
Speaker 1: thing with my mom.

1217
01:03:57,920 --> 01:03:59,120
Speaker 3: So this is all I ask.

1218
01:03:59,480 --> 01:04:02,920
Speaker 1: Danielle Well as always as a fucking pleasure. So glad

1219
01:04:02,960 --> 01:04:05,880
Speaker 1: to be here with you. So fun, and thank you

1220
01:04:06,000 --> 01:04:07,040
Speaker 1: everybody for listening.

1221
01:04:07,640 --> 01:04:08,479
Speaker 3: See you next time.

1222
01:04:14,960 --> 01:04:18,480
Speaker 4: This has been an exactly right production. Our producers Alexis Amrossi,

1223
01:04:18,640 --> 01:04:22,280
Speaker 4: Our engineers Annalise Nelson. Our social media manager is Taren Maza.

1224
01:04:22,480 --> 01:04:25,920
Speaker 4: Our theme songs by Tom bry Fogel, artwork by Garrett Ross.

1225
01:04:26,160 --> 01:04:29,160
Speaker 4: Our executive producers are Georgia hart Stark, Karen til Gareth

1226
01:04:29,160 --> 01:04:32,280
Speaker 4: and Daniell Kramer. Follow us on Instagram and Twitter at

1227
01:04:32,320 --> 01:04:35,040
Speaker 4: I saw pod email us at I saw you did

1228
01:04:35,040 --> 01:04:38,120
Speaker 4: pod at Gmail, and please don't forget to listen, subscribe,

1229
01:04:38,240 --> 01:04:41,280
Speaker 4: leave us a review on Apple Podcast, Stitcher or wherever

1230
01:04:41,360 --> 01:04:41,880
Speaker 4: you listen.

1231
01:04:55,040 --> 01:04:56,320
Speaker 3: What is wrong with your Eyes