WEBVTT - Questlove Supreme: Steve Rifkind Part 2

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<v Speaker 1>Quest Love Supreme is a production of iHeartRadio.

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<v Speaker 2>What if y'all it's unpaid bill Quest Love Supreme. We

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<v Speaker 2>are back with part two of the Quest Love Supreme

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<v Speaker 2>Interview with Steve Rick. You've co founded Loud Records or

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<v Speaker 2>put out some critible albums by Wu Tang, Ray Kwan, Mob, Deep,

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<v Speaker 2>and Mourn. If you haven't listened to part one, please

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<v Speaker 2>check it out. Steve talks about growing up in his

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<v Speaker 2>music industry, James Brown, coming to a bar mitzvah, his

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<v Speaker 2>relationship with Tupac, and putting out some hip hop classic

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<v Speaker 2>check it.

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<v Speaker 3>I will say that my first listen to that.

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<v Speaker 4>Album thirty six Cuban lens.

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<v Speaker 3>Oh, thirty six Chambers.

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<v Speaker 5>So the day that both Marauders and and the Wu

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<v Speaker 5>Tank comes out, and we're driving up ninety five from

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<v Speaker 5>Philly listening to this, and you know, I know it's

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<v Speaker 5>not not since Princess fan Base with the album Dirty Mind.

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<v Speaker 5>If I heard what I deem like revision on an

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<v Speaker 5>opinion of the record when I first heard the Wu

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<v Speaker 5>Tang record, and not that I was looking from like

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<v Speaker 5>a commercial standpoint or an underground standpoint, but I just

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<v Speaker 5>never heard something so dirty in my life I don't know.

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<v Speaker 5>It's like this is way too underground for regular people,

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<v Speaker 5>and yet it almost became the pinnacle of me.

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<v Speaker 3>It's weird.

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<v Speaker 5>It's like they became they became the epicenter in the

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<v Speaker 5>mainstream of the system that they were against, which you know,

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<v Speaker 5>I wasn't complainings power.

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<v Speaker 3>Oh yeah they do.

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<v Speaker 6>But I just mean they still are still they're not

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<v Speaker 6>they still not look at it.

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<v Speaker 5>I don't mean, I don't mean, like in a four

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<v Speaker 5>letter word way, like they're mainstream, right, No, But I'm

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<v Speaker 5>just saying that I there's no way you were going

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<v Speaker 5>to tell me on that first listen that this group

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<v Speaker 5>which was.

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<v Speaker 3>Going to be the alpha and the mega in the

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<v Speaker 3>epicenter of what.

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<v Speaker 4>But let me ask you a question. Sorry for cutting

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<v Speaker 4>you off when you heard when you heard Cream and

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<v Speaker 4>can it be for the first time?

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<v Speaker 3>Well yeah, well yeah, well yeah, what did I remember?

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<v Speaker 4>I remember hearing Cream for the first time in the

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<v Speaker 4>studio singles? I knew. I mean I knew actually before

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<v Speaker 4>because I was on the road. I moved to New York,

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<v Speaker 4>and I opened up the New York office, and I

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<v Speaker 4>opened up and I took an apartment in New York,

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<v Speaker 4>and now I was by Coastal. But but at the

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<v Speaker 4>end of the day when Cream came out and I

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<v Speaker 4>forget about the mess on dollar dollar bill and with

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<v Speaker 4>that meant to me or whatever. But I just knew

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<v Speaker 4>that this album there was something fucking special about it.

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<v Speaker 4>Then three months later, my office in LA was on

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<v Speaker 4>Melrose and King's Road where Cookies is literally the building

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<v Speaker 4>with Cookies is, And I'm going to the deli to

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<v Speaker 4>grab a sandwich and I see this white kid head

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<v Speaker 4>down to hear on a fucking skateboard with the old

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<v Speaker 4>Wu Tang Scully singing Wu Tank cleaning the up with

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<v Speaker 4>and I knew, get go. I said at my age,

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<v Speaker 4>now I'm sixty years old. Now, I said, when I'm

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<v Speaker 4>fucking sixty, they're still going to be around.

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<v Speaker 3>Yeah, I don't know.

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<v Speaker 5>In my mind it was just like again, I gotta

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<v Speaker 5>go back to the first Jungle Brothers record. Like the

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<v Speaker 5>Jungle Brothers first album, Straight Out the Jungle was just

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<v Speaker 5>like an inside secret for like real heads. Meanwhile, like

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<v Speaker 5>mainstream America only feels Hammer Vanilla Ice like more you.

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<v Speaker 3>Know, mainstream rappers.

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<v Speaker 4>And one question, though, yes, Jungle Brothers was on Tommy

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<v Speaker 4>Boy correct.

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<v Speaker 5>Uh no, no, no, that's day lot Soul. Jungle Brothers was

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<v Speaker 5>on Warlock and then went to Warner Brothers for the

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<v Speaker 5>second album. Okay, and I was just like, just to me,

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<v Speaker 5>I you know, once once Cream started picking them Traction,

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<v Speaker 5>I was like, wait a minute, this is almost like

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<v Speaker 5>if Straight out the Jungle by the Jungle Brothers really

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<v Speaker 5>got a chance.

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<v Speaker 3>Now.

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<v Speaker 5>I mean, there's a lot of factors into the success

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<v Speaker 5>of Wu Tang Clan, but what I was basically leading

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<v Speaker 5>up to was upon first listen of that entire record,

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<v Speaker 5>you knew you had lightning in a bottle in your possession.

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<v Speaker 4>Yeah, I knew we had Like Outcast was throwing a party.

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<v Speaker 4>When did their album came out to summer ninety four.

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<v Speaker 4>I know, I was at a party, an album release party.

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<v Speaker 4>I was with Steve Staff, okay, and I mean I

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<v Speaker 4>think I think Clark Hill was DJing. The HD record

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<v Speaker 4>came on and we're talking, and also everybody just went

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<v Speaker 4>straight to the to the dance floor and losing the

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<v Speaker 4>fucking mind. And that's when I knew that there was

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<v Speaker 4>That was like my first like I needed to see

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<v Speaker 4>it with my own eyes, right, And that's why I

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<v Speaker 4>like to be outside. So it was like at the

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<v Speaker 4>end of the day, like when I see something with

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<v Speaker 4>my eyes and that's what made me move to New

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<v Speaker 4>York and open up shop in New York. And then

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<v Speaker 4>you remember the new music seminar. Yes, right then said clock,

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<v Speaker 4>let's find the club areas. Whose area? And they let

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<v Speaker 4>me do a showcase with the Licks Twister and all

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<v Speaker 4>of New York showed up.

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<v Speaker 5>Shout out to G two Wu Tang's trustee, one of

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<v Speaker 5>their many street team people that I've associated Wu with.

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<v Speaker 5>G used to be part of the Princeton hip hop

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<v Speaker 5>circle that you know, yeah, but you know he would

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<v Speaker 5>also work the Philadelphia market like it would have like

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<v Speaker 5>his side guys also or I don't know if G

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<v Speaker 5>was part of Rifkins street promotion team or Brizes personal people,

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<v Speaker 5>but that's how I got hit to them, all right,

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<v Speaker 5>So I have to ask you the other side of

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<v Speaker 5>the coin too, because a big part of my personal

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<v Speaker 5>success was also being the guy on standby whenever somebody

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<v Speaker 5>would mess up. I e blah blah blah, it's not

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<v Speaker 5>going to make it to the show. Can you guys

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<v Speaker 5>get here in twelve hours? Uh da da da just

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<v Speaker 5>dropped out, yo, Can you guys fly in next week

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<v Speaker 5>and literally at the beginning of Wu tank Forever, I

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<v Speaker 5>swear to God, at least sixty percent of my entire

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<v Speaker 5>output of doing shows were based on Wu Tang shows

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<v Speaker 5>not attended.

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<v Speaker 3>During the during the period of ninety seven.

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<v Speaker 4>You talking about the Wu Tang grade to get some machine.

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<v Speaker 5>To starting then, but just basically, you know, like the

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<v Speaker 5>roots of mine as well have been you know, the

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<v Speaker 5>twelfth member of the Wu Tang clan, because literally is like, uh,

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<v Speaker 5>we were supposed to come or whatever designated who member

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<v Speaker 5>was supposed to show up, and okay, we'll get the

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<v Speaker 5>roots instead. So for me though in nineteen ninety seven,

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<v Speaker 5>and I have my theories about this, what are year

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<v Speaker 5>feelings on Wu Tang Forever.

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<v Speaker 4>It's a double album?

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<v Speaker 3>Right, but did you get goosebumps.

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<v Speaker 4>On certain songs? All right? The album? I mean it

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<v Speaker 4>was a double album. So, like I said, I never

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<v Speaker 4>considered myself in a and I got goosebumps on Triumph,

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<v Speaker 4>I got goosebumps. I've got the name of the kid,

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<v Speaker 4>it's yours. And there was one and then and there

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<v Speaker 4>was one more record which I would have well, I

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<v Speaker 4>really got goosebumps. But at the end of the day.

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<v Speaker 4>I put that twittergether between Wu Tang and Rage right right,

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<v Speaker 4>and you know we first million dollar hip hop video.

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<v Speaker 4>Brett Rattner directed it.

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<v Speaker 5>Oh yeah, look, no nothing is, but I just from

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<v Speaker 5>my perspective, ah that okay. So, first of all, I

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<v Speaker 5>feel like the strength of Triumph was that it was

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<v Speaker 5>the first offering. I mean, you know, it could have

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<v Speaker 5>been like name any other song that it could have

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<v Speaker 5>been dog shit, the song not actual dog shit. I mean,

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<v Speaker 5>it could have been Reunited. It could it could have

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<v Speaker 5>been whatever whatever. The first song from that album was

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<v Speaker 5>gonna come forth, was gonna be everything.

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<v Speaker 4>It Reunited was a song that it's Triumph, and right,

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<v Speaker 4>why didn't reunite it? To me? The opening Reunited, I

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<v Speaker 4>mean first, you know, was ridiculous in that. I mean

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<v Speaker 4>they started fighting. So let me just tell you where

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<v Speaker 4>I am, right, right, Dicky Passes few months before that, right,

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<v Speaker 4>m H. Me and Puff had conversations before Big Pass

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<v Speaker 4>who's gonna come first? We were Biggie and we were

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<v Speaker 4>both coming with a double album. So Big was always

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<v Speaker 4>gonna come first, right because I didn't really we didn't.

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<v Speaker 4>We weren't having radio records, right, so we have bread

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<v Speaker 4>through the video and like you said, whatever the video was,

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<v Speaker 4>the video, the video was. But to me, they were

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<v Speaker 4>a rock and roll group or they were a group. Right,

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<v Speaker 4>So the Rage tour mm hmm was right. We sold

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<v Speaker 4>date Leon records on that album if they finished that tour,

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<v Speaker 4>mm hmm, right, because we already we started in Florida

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<v Speaker 4>and we were coming up to New York, so that

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<v Speaker 4>was already home base, like and sales were going up.

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<v Speaker 4>Now we're gonna do the bump fuck you know, like

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<v Speaker 4>the mid mid Indiana right the mid mid, mid, mid, Midwest,

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<v Speaker 4>and West coast. That album would have sold twenty million

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<v Speaker 4>records and that was always my plan if we should

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<v Speaker 4>have went diamond.

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<v Speaker 5>So I agree with you, it should have went diamond.

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<v Speaker 5>I you know, I don't know the exact conditions.

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<v Speaker 3>I don't you know. I know it was a fire.

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<v Speaker 3>I always felt like, ah, whenever whenever someone gets a.

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<v Speaker 5>Good formula and they change it. I wish they didn't

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<v Speaker 5>make that record in California. I wish they would have stayed.

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<v Speaker 4>Well. The problem was, if you saw the show, Ris's

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<v Speaker 4>house got flooded. Everything was destroyed, right, so that he

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<v Speaker 4>had he had to start from scratch, anyway, and with

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<v Speaker 4>everybody having solo recket, I understand what you're saying. Right

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<v Speaker 4>with everybody, with everybody having solo records in New York,

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<v Speaker 4>you're being pulled ten different waves. Everybody's being pultended. Hot

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<v Speaker 4>they were one plant plass, plat plat, So it's like

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<v Speaker 4>they're getting so them being in one house together and

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<v Speaker 4>to create that unity how they had it on the

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<v Speaker 4>first album. Granted it wasn't hiding and it wasn't in

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<v Speaker 4>a basement right right, but the house got flooded and

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<v Speaker 4>everything was everything was destroyed.

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<v Speaker 5>Can I ask though, I kind of feel like the

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<v Speaker 5>end of that rain kind of not the end of

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<v Speaker 5>that rain, but least the stronghold of that initial period

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<v Speaker 5>was the Hot ninety seven situation.

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<v Speaker 4>Uh, with that that was a bad situation. I was

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<v Speaker 4>on my back.

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<v Speaker 3>Could you have rectified that situation?

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<v Speaker 5>Or like, how do you in terms of are you

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<v Speaker 5>the type of CEO that has to talk to the

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<v Speaker 5>artists to stop them from sabotaging their progress or whatever?

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<v Speaker 5>Or could you explain the story that whole Hot nine

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<v Speaker 5>seven situation and then like Hot ninety seven not playing

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<v Speaker 5>Wu Tang anymore, and I.

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<v Speaker 4>Wasn't I was. I was on a plane. I was

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<v Speaker 4>it was my bachelor party, Okay, I was flying from

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<v Speaker 4>Dallas to Atlanta, and you know we land and by

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<v Speaker 4>phones blowing the fuck up. But you know, I have

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<v Speaker 4>all pretty much my senior executives with me. You know.

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<v Speaker 4>It was my brother, was a partner, my best friend,

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<v Speaker 4>my childhood best friend, Rich you know, was a partner,

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<v Speaker 4>Mojo who's you know, became a brother and running promotion.

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<v Speaker 4>You know that they were all with me. And I'm

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<v Speaker 4>getting just when everybody had to, you know, not even

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<v Speaker 4>the two ways, just a page still and like what

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<v Speaker 4>the fuck's happening? And I couldn't get Risen on the phone.

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<v Speaker 4>And then Tracy, who was the program there had ninety

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<v Speaker 4>seven yes, just called me. I'm getting married for fucking days,

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<v Speaker 4>like called me and said scope fuck yourself, like you know,

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<v Speaker 4>just like I mean, if she was a dude, who

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<v Speaker 4>wouldn't want to fist, right, But she.

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<v Speaker 3>Didn't know that, you personally like she she was venting, right.

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<v Speaker 4>I don't even think she was so mad. I don't

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<v Speaker 4>even think she went to the wedding. And she was

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<v Speaker 4>invited to the wedding. Don't forget wu Tang was the

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<v Speaker 4>first rap record that ninety seven fucking played. They were

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<v Speaker 4>a dance station.

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<v Speaker 3>Hot ninety seven was also on that new Rap work Day, right,

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<v Speaker 3>more music, less rap. They were on that.

0:13:32.880 --> 0:13:34.719
<v Speaker 4>No, they weren't a rap I mean, no said it

0:13:34.800 --> 0:13:37.839
<v Speaker 4>was a dance station like right, and then Flex was

0:13:38.080 --> 0:13:40.439
<v Speaker 4>I mean, between Flex and Angie, they're the ones that

0:13:40.559 --> 0:13:43.360
<v Speaker 4>took it to a whole different place where Flex had

0:13:43.400 --> 0:13:46.360
<v Speaker 4>to show on the weekends, you know, and then think

0:13:46.679 --> 0:13:50.199
<v Speaker 4>you know, and then thank god, you know, Puff came

0:13:50.240 --> 0:13:52.120
<v Speaker 4>a flavor in the year, and there was some you know,

0:13:52.160 --> 0:13:55.040
<v Speaker 4>and then finally you know, right, and he was making

0:13:55.080 --> 0:13:59.000
<v Speaker 4>those records like so thank god for him, you know,

0:13:59.800 --> 0:14:01.840
<v Speaker 4>So there was it.

0:14:01.920 --> 0:14:06.559
<v Speaker 5>Was absolutely unrepairable. I guess for our listeners that are hearing,

0:14:07.200 --> 0:14:13.079
<v Speaker 5>you know, they're they're doing summer jam and uh, you know,

0:14:13.160 --> 0:14:15.520
<v Speaker 5>I don't know if it's ghost face or I forgot who.

0:14:15.400 --> 0:14:18.120
<v Speaker 3>Said something out of line ninety seven. They don't play

0:14:18.120 --> 0:14:19.240
<v Speaker 3>our ship, you know.

0:14:19.640 --> 0:14:23.920
<v Speaker 4>Listen, let's keep it one hundred. There were seventy five

0:14:24.000 --> 0:14:28.640
<v Speaker 4>thousand fucking people that right, right, they're making a fortune.

0:14:29.960 --> 0:14:33.000
<v Speaker 4>So we were we were on tour with Rage, right,

0:14:33.240 --> 0:14:34.720
<v Speaker 4>and at the end of it, we weren't getting paid

0:14:34.720 --> 0:14:38.680
<v Speaker 4>a lot of money yet right, yeah, really a rage

0:14:38.760 --> 0:14:42.080
<v Speaker 4>tour and and ghost you know, should he have said it?

0:14:42.440 --> 0:14:43.960
<v Speaker 5>No, but I'm about to say that don't help with

0:14:44.000 --> 0:14:48.600
<v Speaker 5>your argument, which, like, just to to be clear, artists

0:14:48.640 --> 0:14:51.360
<v Speaker 5>do not get paid for doing summer else.

0:14:51.720 --> 0:14:53.240
<v Speaker 4>No, no, but no, now they get you know, they

0:14:53.280 --> 0:14:55.480
<v Speaker 4>started getting paid a few years not a few years ago.

0:14:55.880 --> 0:14:58.000
<v Speaker 4>There's a few years after that they were getting paid

0:14:58.000 --> 0:14:58.560
<v Speaker 4>big dollars.

0:14:58.800 --> 0:15:01.320
<v Speaker 6>I see, I see your Nicki Minaj is not getting

0:15:01.320 --> 0:15:03.640
<v Speaker 6>paid these yeah, for Hot ninety seven.

0:15:03.760 --> 0:15:06.600
<v Speaker 5>Well no, I mean, but just black artists in general,

0:15:06.800 --> 0:15:09.680
<v Speaker 5>just you know, you just those radio step to black

0:15:09.760 --> 0:15:12.280
<v Speaker 5>radio that you yeah, I'll do it for free, you know,

0:15:12.320 --> 0:15:15.240
<v Speaker 5>as long as you keep playing my records. But so

0:15:15.400 --> 0:15:17.880
<v Speaker 5>there was literally absolutely no.

0:15:20.080 --> 0:15:24.760
<v Speaker 4>She no. So for a whatch they even banned all

0:15:24.880 --> 0:15:25.520
<v Speaker 4>loud records.

0:15:26.640 --> 0:15:28.760
<v Speaker 3>What yeah, this is the thing.

0:15:29.200 --> 0:15:33.000
<v Speaker 6>But this is what was happening to, right, Steve, something wrong,

0:15:34.240 --> 0:15:35.400
<v Speaker 6>That's what I mean.

0:15:35.640 --> 0:15:37.400
<v Speaker 4>I mean, me and Tracy were friends. Who else is

0:15:37.480 --> 0:15:38.320
<v Speaker 4>she gonna take that out of?

0:15:39.680 --> 0:15:42.720
<v Speaker 6>But you know, amir, this happened in Philly with beans

0:15:43.040 --> 0:15:48.120
<v Speaker 6>like it I had with Foxy Brown with death Jam

0:15:48.200 --> 0:15:50.120
<v Speaker 6>when she cussed out Kobe and they said we pay

0:15:50.280 --> 0:15:51.920
<v Speaker 6>ain't playing these records for a minute like that.

0:15:52.720 --> 0:15:53.480
<v Speaker 3>I did not know that.

0:15:53.680 --> 0:15:58.600
<v Speaker 5>Okay, So with actually you mentioned Puff, I was gonna

0:15:58.680 --> 0:16:05.480
<v Speaker 5>ask with the with the opening sketch of side three

0:16:05.760 --> 0:16:09.520
<v Speaker 5>or side two of the Purple tape of Ray Kwan

0:16:09.600 --> 0:16:11.920
<v Speaker 5>when they kind of, you know, draw a line in

0:16:12.000 --> 0:16:16.280
<v Speaker 5>the sand with bad Boy and Wu Tang, I e

0:16:16.680 --> 0:16:20.320
<v Speaker 5>the I guess by that point in ninety five, Bad

0:16:20.360 --> 0:16:23.720
<v Speaker 5>Boys establishing himself as more of a mainstream.

0:16:25.160 --> 0:16:28.160
<v Speaker 3>Middle on the aisle.

0:16:29.600 --> 0:16:31.640
<v Speaker 4>I mean no, I mean, look, we got to give credit,

0:16:31.680 --> 0:16:34.880
<v Speaker 4>what credits to I mean, Puff had everybody. I mean

0:16:35.000 --> 0:16:37.320
<v Speaker 4>he he had the palm the world in the palm

0:16:37.400 --> 0:16:39.800
<v Speaker 4>of his hands. He was coming with it hit and

0:16:40.160 --> 0:16:44.120
<v Speaker 4>you know what what ray Go said, you know, being

0:16:44.160 --> 0:16:46.080
<v Speaker 4>Puff spoke. He goes, what was that about? I said,

0:16:46.400 --> 0:16:49.160
<v Speaker 4>I don't know, you know, I have no idea, but

0:16:49.280 --> 0:16:52.240
<v Speaker 4>I go, let's just keep it. We're in two totally

0:16:52.240 --> 0:16:54.840
<v Speaker 4>different lanes. We're not even in the same freeway, like

0:16:55.600 --> 0:16:57.640
<v Speaker 4>you know, I'm just using New York like you know,

0:16:57.680 --> 0:16:59.560
<v Speaker 4>we're on the northern state. They're on the I E.

0:16:59.800 --> 0:17:02.160
<v Speaker 4>You know, And it's just like I'm not trying to

0:17:02.200 --> 0:17:07.560
<v Speaker 4>compete and think he's making radio radio records. We're still

0:17:07.640 --> 0:17:11.920
<v Speaker 4>making records for the street, and I'm not like I'm

0:17:11.960 --> 0:17:14.360
<v Speaker 4>trying to help Puff get as much as he possibly

0:17:14.440 --> 0:17:18.720
<v Speaker 4>can like so and you know, and they worked it

0:17:18.760 --> 0:17:19.680
<v Speaker 4>out a few months later.

0:17:19.840 --> 0:17:22.080
<v Speaker 3>So I always wanted to know what the response was,

0:17:22.119 --> 0:17:22.919
<v Speaker 3>because you know, I.

0:17:23.280 --> 0:17:26.400
<v Speaker 4>Yeah, no, wh when Shulk said fuck New York or whatever,

0:17:26.600 --> 0:17:28.840
<v Speaker 4>whatever the hell he said, it's the sorta wars right

0:17:28.920 --> 0:17:33.040
<v Speaker 4>that that that's when we all they all reunited again, right,

0:17:33.600 --> 0:17:35.440
<v Speaker 4>And that was that was like two weeks after we

0:17:35.520 --> 0:17:36.960
<v Speaker 4>came out with the album Wow.

0:17:37.200 --> 0:17:40.960
<v Speaker 3>So were you there for hip Hop's funeral? I was there?

0:17:41.640 --> 0:17:43.520
<v Speaker 4>No, I wasn't there with my son was just born.

0:17:43.600 --> 0:17:45.840
<v Speaker 4>So I pretty much was taking.

0:17:49.080 --> 0:17:51.080
<v Speaker 6>Can I ask a question real quick about these records

0:17:51.160 --> 0:17:54.240
<v Speaker 6>since you have such not made for radio records, but

0:17:54.400 --> 0:17:56.040
<v Speaker 6>yet and still it seems like you got to a

0:17:56.160 --> 0:17:59.600
<v Speaker 6>stride where y'all were picking like amazing singles I had.

0:18:00.160 --> 0:18:02.160
<v Speaker 4>I had the best an our step to this day.

0:18:02.960 --> 0:18:05.520
<v Speaker 4>That person there was a it was a team. Who

0:18:05.600 --> 0:18:08.760
<v Speaker 4>was was a guy name of Maddie who actually discobbed Bigie.

0:18:08.800 --> 0:18:14.280
<v Speaker 4>He worked at Yes Right was a guy right Scott

0:18:14.359 --> 0:18:17.520
<v Speaker 4>Free started off as my assistant and he got himself

0:18:18.359 --> 0:18:23.240
<v Speaker 4>into an r quickly stretched Armstrong who had the stretch

0:18:23.240 --> 0:18:32.320
<v Speaker 4>of babidosh. Yeah, and then he was he was the

0:18:32.400 --> 0:18:35.119
<v Speaker 4>first one. And then the guy named is Sean C.

0:18:35.320 --> 0:18:42.280
<v Speaker 5>King Yes, yeah, yes, yes, speaking of Maddie C my deep,

0:18:43.600 --> 0:18:48.240
<v Speaker 5>I remember getting shook one's part one. How in the

0:18:48.359 --> 0:18:53.000
<v Speaker 5>world did you guys manage to on the second go

0:18:53.200 --> 0:18:58.920
<v Speaker 5>round again capsure lightning in the bottom like the Street Team.

0:18:59.680 --> 0:19:03.080
<v Speaker 4>So I was saying, the streets don't lie. The record

0:19:03.200 --> 0:19:05.520
<v Speaker 4>was cool, it did what it was supposed to do,

0:19:06.480 --> 0:19:09.719
<v Speaker 4>but it wasn't a fucking smash. And we came in there,

0:19:09.840 --> 0:19:14.520
<v Speaker 4>you know, and I said, Mattie, what are we gonna do?

0:19:14.880 --> 0:19:19.359
<v Speaker 4>You know, you know, we're cool, but this is not

0:19:19.480 --> 0:19:23.000
<v Speaker 4>going to drive any anything home. And he goes, as

0:19:23.040 --> 0:19:25.719
<v Speaker 4>a matter of fact, Havoc just did a remix last night.

0:19:25.760 --> 0:19:29.280
<v Speaker 4>Here it is, and you heard it, and we heard it.

0:19:29.480 --> 0:19:31.320
<v Speaker 4>And I was on my way to how can I

0:19:31.400 --> 0:19:34.840
<v Speaker 4>be down? And I had a walkman, not even at

0:19:34.880 --> 0:19:36.800
<v Speaker 4>this man, I had a walk man. And I was

0:19:36.840 --> 0:19:40.720
<v Speaker 4>in a car with them stretching Barbido and I was

0:19:40.800 --> 0:19:43.360
<v Speaker 4>on my me and Barbido. I used to play basketball,

0:19:43.760 --> 0:19:46.960
<v Speaker 4>and there was like some type of celebrity game mhm,

0:19:47.240 --> 0:19:50.959
<v Speaker 4>and they lost their mind. And you know they were

0:19:51.000 --> 0:19:53.520
<v Speaker 4>they were the first one to play it. They played it,

0:19:53.600 --> 0:19:57.800
<v Speaker 4>we gave it the flex. This is September October. And

0:19:57.920 --> 0:20:02.439
<v Speaker 4>then when we came back after Christmas, it's the biggest

0:20:02.480 --> 0:20:03.160
<v Speaker 4>record in New York.

0:20:03.720 --> 0:20:06.399
<v Speaker 5>So but I'm saying, in your mind, it wasn't like,

0:20:07.320 --> 0:20:09.080
<v Speaker 5>oh well that didn't make it all right? What else

0:20:09.119 --> 0:20:13.440
<v Speaker 5>you guys got? Like no, I think another an R

0:20:13.600 --> 0:20:16.320
<v Speaker 5>or CEO would have just been like, oh well that's

0:20:16.359 --> 0:20:17.160
<v Speaker 5>still born.

0:20:17.080 --> 0:20:20.240
<v Speaker 3>So what else? What else is down the pike? But

0:20:21.119 --> 0:20:25.119
<v Speaker 3>now it's just when the data song like that.

0:20:25.760 --> 0:20:28.680
<v Speaker 4>Well, when they when they came to the office, I

0:20:28.800 --> 0:20:33.600
<v Speaker 4>knew they were the perfect bike. Who is your first child?

0:20:34.040 --> 0:20:36.639
<v Speaker 4>And I got my first check and my first plaque

0:20:36.640 --> 0:20:38.960
<v Speaker 4>and everything else like that. But you know, when you

0:20:39.040 --> 0:20:41.159
<v Speaker 4>give a jab, you got to come with a cross

0:20:41.280 --> 0:20:45.600
<v Speaker 4>or a hook right fuck right away? Right So Who

0:20:46.280 --> 0:20:50.359
<v Speaker 4>definitely shook people and got everybody's attention. But when we

0:20:50.480 --> 0:20:54.320
<v Speaker 4>came with Bob, that's when everybody we knew. Everybody knew

0:20:54.320 --> 0:20:56.520
<v Speaker 4>that Lad was for real and I still had the

0:20:56.600 --> 0:21:00.080
<v Speaker 4>marketing cope. So the bigger lab got the bigger the

0:21:00.160 --> 0:21:02.320
<v Speaker 4>marketing company that the bigger the marketing company, the more

0:21:02.359 --> 0:21:05.480
<v Speaker 4>people wanted to be a lab. And we were like

0:21:06.000 --> 0:21:08.959
<v Speaker 4>we were like three for three. You know, well met

0:21:09.080 --> 0:21:10.720
<v Speaker 4>cap we made a little bit of money, but it

0:21:11.080 --> 0:21:12.600
<v Speaker 4>just did a little over one hundred, but you know,

0:21:12.760 --> 0:21:15.119
<v Speaker 4>lick it and go go. But the licksid three hundred thousand.

0:21:16.160 --> 0:21:20.440
<v Speaker 4>We did two million on the first record, and you know,

0:21:20.720 --> 0:21:23.159
<v Speaker 4>and Mob did you know they won't planting them on

0:21:23.200 --> 0:21:24.960
<v Speaker 4>the first alt So even with.

0:21:25.040 --> 0:21:28.600
<v Speaker 5>You knowing, like because me, you know, I knew of

0:21:28.960 --> 0:21:33.600
<v Speaker 5>and I had the fourth and Broadway Mob d from

0:21:33.600 --> 0:21:36.639
<v Speaker 5>the back, Yeah, yeah, hit back and all that stuff like,

0:21:37.040 --> 0:21:39.960
<v Speaker 5>but in your mind you were like, yeah, these guys

0:21:39.960 --> 0:21:41.000
<v Speaker 5>are going to still be a thing.

0:21:42.520 --> 0:21:45.520
<v Speaker 4>Yeah. I mean they came to the office they want

0:21:45.520 --> 0:21:46.880
<v Speaker 4>I don't know if they were gonna smoke a cigarette.

0:21:46.880 --> 0:21:48.159
<v Speaker 4>They were gonna smoke a blump. But they went to

0:21:48.240 --> 0:21:51.320
<v Speaker 4>the bathroom and this is in like, you know, a

0:21:51.440 --> 0:21:56.119
<v Speaker 4>corporate building, right, and they lit pro Proudigy wasn't there

0:21:56.160 --> 0:21:58.480
<v Speaker 4>because he was sick that time. It was having and

0:22:00.080 --> 0:22:03.200
<v Speaker 4>you know some of the guys twelve guys and the

0:22:03.320 --> 0:22:06.760
<v Speaker 4>sprinklers just went off. I said, they're a perfect follow

0:22:06.840 --> 0:22:08.119
<v Speaker 4>up to That's.

0:22:10.920 --> 0:22:13.520
<v Speaker 5>So you there still had to be an edge or

0:22:13.560 --> 0:22:18.920
<v Speaker 5>a rot or an element of of your groups that authenticity.

0:22:21.320 --> 0:22:22.320
<v Speaker 3>I see, I see.

0:22:22.840 --> 0:22:25.119
<v Speaker 6>Do you mind telling us like a prodigy story just

0:22:25.160 --> 0:22:27.119
<v Speaker 6>because you know, we were one of the last shows

0:22:27.160 --> 0:22:28.919
<v Speaker 6>that he did before we lost him.

0:22:30.119 --> 0:22:31.720
<v Speaker 4>He was like a I mean, he was a brother

0:22:31.800 --> 0:22:36.720
<v Speaker 4>to me. I mean, just like he had such a good,

0:22:37.000 --> 0:22:41.280
<v Speaker 4>good soul and you know, he just wanted to learn,

0:22:41.320 --> 0:22:43.879
<v Speaker 4>and he was like a sponge. I think his oldest

0:22:43.920 --> 0:22:48.120
<v Speaker 4>son or is my oldest son that I think they're

0:22:48.160 --> 0:22:52.200
<v Speaker 4>like four or five months apart. And he would say,

0:22:52.600 --> 0:22:56.720
<v Speaker 4>is your son coming to the office. I'm like, I

0:22:56.760 --> 0:22:58.520
<v Speaker 4>don't know why he was. I need to come up,

0:22:58.560 --> 0:23:01.119
<v Speaker 4>and I got my kid with me. You know, if

0:23:01.160 --> 0:23:02.800
<v Speaker 4>he was coming up, that means he must have been

0:23:02.840 --> 0:23:05.080
<v Speaker 4>going over some artwork or whatever he was going through.

0:23:05.840 --> 0:23:08.120
<v Speaker 4>So we were fortunate enough, you know, to have a nanny.

0:23:08.520 --> 0:23:11.280
<v Speaker 4>So I'm like, I'll make sure you see what time

0:23:11.280 --> 0:23:12.760
<v Speaker 4>are you going to be here? So I just had

0:23:12.760 --> 0:23:15.960
<v Speaker 4>to get approval for my wife and you know, and

0:23:16.080 --> 0:23:21.119
<v Speaker 4>then nanny would watch, you know, both babies, you know,

0:23:21.240 --> 0:23:25.920
<v Speaker 4>and he and he was appreciated, like and you know,

0:23:26.600 --> 0:23:29.560
<v Speaker 4>we could have arguments and say fuck you, to each other.

0:23:30.320 --> 0:23:33.880
<v Speaker 4>But at the end of the day we would both say,

0:23:33.920 --> 0:23:35.399
<v Speaker 4>you know, but I love you and you know, And

0:23:35.480 --> 0:23:38.440
<v Speaker 4>it wasn't like we were just fighting for what we felt.

0:23:38.480 --> 0:23:40.840
<v Speaker 4>And it was never about money. It was always about

0:23:40.920 --> 0:23:42.840
<v Speaker 4>maybe a single or a tour or something like that.

0:23:42.960 --> 0:23:45.119
<v Speaker 4>It's not like we already spent this and we're not

0:23:45.240 --> 0:23:48.840
<v Speaker 4>going It was just it was about passion and really

0:23:49.200 --> 0:23:51.520
<v Speaker 4>what was going to get to the next level.

0:23:53.000 --> 0:23:56.440
<v Speaker 5>After the jay Z incident in two thousand and one,

0:23:57.520 --> 0:24:01.440
<v Speaker 5>did you like, how does a lead we'll CEO respond

0:24:01.520 --> 0:24:05.000
<v Speaker 5>to that to like your back just get the next

0:24:05.040 --> 0:24:05.639
<v Speaker 5>record ready?

0:24:07.200 --> 0:24:10.800
<v Speaker 3>Actually, wait, can you explain the situation to me? You

0:24:10.880 --> 0:24:13.119
<v Speaker 3>know again, I was in.

0:24:13.240 --> 0:24:17.240
<v Speaker 4>LA for the summer. I remember getting the call and

0:24:17.359 --> 0:24:19.840
<v Speaker 4>I wanted to call Bain. I'm like, where the fuck

0:24:19.920 --> 0:24:21.399
<v Speaker 4>did you get that picture? Like how did you get

0:24:21.440 --> 0:24:22.400
<v Speaker 4>the picture? Right?

0:24:22.880 --> 0:24:31.080
<v Speaker 3>So, oh, we're going to get you know, want to

0:24:31.080 --> 0:24:34.080
<v Speaker 3>get on this show? Yeah? I got the t on

0:24:34.160 --> 0:24:35.359
<v Speaker 3>that join all right.

0:24:37.000 --> 0:24:41.240
<v Speaker 4>So so so at the end, at the end of

0:24:41.320 --> 0:24:43.840
<v Speaker 4>the day, it's like, man, like, let's just get to

0:24:43.920 --> 0:24:45.760
<v Speaker 4>work and not even about this and Jay or whatever.

0:24:45.960 --> 0:24:48.520
<v Speaker 4>It's like, what's it saying? Sticks and stones may break

0:24:48.560 --> 0:24:51.840
<v Speaker 4>your bones? But names will never army. So I mean, yeah,

0:24:52.080 --> 0:24:53.600
<v Speaker 4>we got one on the chin, but you know what,

0:24:53.680 --> 0:24:55.520
<v Speaker 4>we're still standing. And it's not how many times you fall,

0:24:55.640 --> 0:24:56.520
<v Speaker 4>how many times you get up.

0:25:01.240 --> 0:25:06.280
<v Speaker 3>Why did you decide to sell the label in ninety.

0:25:06.119 --> 0:25:10.760
<v Speaker 4>Nine because I wanted, I you know, when I was

0:25:10.800 --> 0:25:14.119
<v Speaker 4>selling to Sony, we willing to be the third major

0:25:14.520 --> 0:25:18.320
<v Speaker 4>in the Sony system, right Columbia Epic and now it

0:25:18.400 --> 0:25:22.760
<v Speaker 4>is going to be us And and it really wasn't

0:25:22.760 --> 0:25:25.040
<v Speaker 4>about the money. It was more about my ego, which

0:25:25.520 --> 0:25:26.760
<v Speaker 4>you know, was fucked up. I was like, all right,

0:25:26.760 --> 0:25:30.280
<v Speaker 4>we're going to be the third major, and I'm going

0:25:30.359 --> 0:25:31.920
<v Speaker 4>to be able to have this be on the same

0:25:31.960 --> 0:25:34.919
<v Speaker 4>playing field as Jimmy as you know, as every as

0:25:34.960 --> 0:25:38.040
<v Speaker 4>everybody else, because I always felt we weren't on the

0:25:38.080 --> 0:25:40.560
<v Speaker 4>same playing field. And it ended up being the biggest

0:25:40.600 --> 0:25:41.320
<v Speaker 4>mistake of my life.

0:25:43.560 --> 0:25:46.960
<v Speaker 3>So you left in ninety nine. So like the whole

0:25:48.320 --> 0:25:52.120
<v Speaker 3>Project Pat period, and that that whole.

0:25:51.960 --> 0:25:54.280
<v Speaker 4>Came three six Mathia're like, we broke three six Mathild,

0:25:54.280 --> 0:25:59.280
<v Speaker 4>We broke Project Pat, we broke Flip pun Past. During

0:25:59.359 --> 0:26:02.720
<v Speaker 4>that time, we had Murder music. Divina was before Divina

0:26:02.800 --> 0:26:06.439
<v Speaker 4>was like ninety five ninety six but ninety eight, right

0:26:06.480 --> 0:26:12.639
<v Speaker 4>around the fun time, so that you know, and it

0:26:12.920 --> 0:26:15.520
<v Speaker 4>was just I never played a corporate game before. You know,

0:26:15.680 --> 0:26:18.520
<v Speaker 4>we went from a staff of thirty people to the coolest,

0:26:19.080 --> 0:26:23.639
<v Speaker 4>most creative company out there on both aspects, on the

0:26:23.720 --> 0:26:26.800
<v Speaker 4>marketing side of things and then on the record side

0:26:26.800 --> 0:26:28.719
<v Speaker 4>of things. You know, we did the deal and next

0:26:28.760 --> 0:26:30.359
<v Speaker 4>thing you know, I have the staff at three hundred people,

0:26:31.080 --> 0:26:33.440
<v Speaker 4>and I'm like, what the fuck is this? Like there

0:26:33.520 --> 0:26:36.800
<v Speaker 4>was this woman God bless us soul. Her name was

0:26:36.880 --> 0:26:39.120
<v Speaker 4>Toba Hoffman, and you know, she was in the sixties,

0:26:39.200 --> 0:26:41.480
<v Speaker 4>calling me mister rifkin I'm thirty five years old, thirty

0:26:41.520 --> 0:26:44.320
<v Speaker 4>six years old, Like please don't call me mister Rifkett,

0:26:44.359 --> 0:26:48.000
<v Speaker 4>you know, and she was just and I knew then

0:26:48.119 --> 0:26:49.960
<v Speaker 4>it was like how much how much time do we

0:26:50.000 --> 0:26:52.200
<v Speaker 4>have left in this fucking deal? And it was just

0:26:52.320 --> 0:26:55.600
<v Speaker 4>like I was stuck for three years. I started having

0:26:55.640 --> 0:26:57.760
<v Speaker 4>panic attacks and anxiety attacks. I was like, I just

0:26:57.800 --> 0:26:59.359
<v Speaker 4>couldn't wait to get the fuck out. And it was

0:26:59.400 --> 0:27:03.520
<v Speaker 4>the first time I didn't know which way to look

0:27:03.520 --> 0:27:05.760
<v Speaker 4>because I thought I was getting hit every which way

0:27:05.760 --> 0:27:07.640
<v Speaker 4>I got from corporate.

0:27:09.680 --> 0:27:12.960
<v Speaker 5>Now there's another Philadelphia connection that you kind of have.

0:27:14.960 --> 0:27:18.680
<v Speaker 5>My good friend Charles Stone the third, who directed many

0:27:18.720 --> 0:27:25.960
<v Speaker 5>of Roots Video, made his debut with the Street classic

0:27:26.080 --> 0:27:30.520
<v Speaker 5>called Paid Him Full, which is I believe one of

0:27:31.119 --> 0:27:32.200
<v Speaker 5>your first loud film.

0:27:32.600 --> 0:27:35.159
<v Speaker 3>Could you talk about the process of getting into the movies.

0:27:37.960 --> 0:27:40.239
<v Speaker 4>Again, I didn't want to be in it. We were

0:27:40.320 --> 0:27:44.040
<v Speaker 4>doing all we were doing all of Mirror Max's marketing

0:27:44.880 --> 0:27:47.480
<v Speaker 4>through the marketing company. Now you know, we're branching out.

0:27:47.920 --> 0:27:53.199
<v Speaker 4>Now I have every film studio MGM, Mirror Max, Warner Brothers,

0:27:54.080 --> 0:27:56.840
<v Speaker 4>plus the records and the Street Team. Marketing went to

0:27:56.920 --> 0:28:00.080
<v Speaker 4>Corporate America and I sold twenty five percent comp me

0:28:00.160 --> 0:28:01.800
<v Speaker 4>to a company called in a Public at that time,

0:28:01.880 --> 0:28:05.720
<v Speaker 4>which was the largest advertising holding company in the world. Okay,

0:28:06.280 --> 0:28:09.080
<v Speaker 4>so Merri Max wants There's a guy named Scott Lambert

0:28:09.160 --> 0:28:10.879
<v Speaker 4>who was an agent William Marris, who was just a

0:28:11.000 --> 0:28:15.000
<v Speaker 4>really good good friend, a really good friend of mine.

0:28:15.520 --> 0:28:18.640
<v Speaker 4>And he says, Merri Max wants to do urban films,

0:28:18.720 --> 0:28:21.320
<v Speaker 4>like I can get you a three picture deal. And

0:28:21.400 --> 0:28:24.680
<v Speaker 4>I'm like, huh, you know, he's like he was a

0:28:25.280 --> 0:28:27.880
<v Speaker 4>brother to me. I'm like, got it, that's not gonna happen.

0:28:27.880 --> 0:28:30.280
<v Speaker 4>Why would they give me a three picture deal? So

0:28:31.000 --> 0:28:34.560
<v Speaker 4>he sets up a meeting. I don't want to say hard.

0:28:34.720 --> 0:28:37.520
<v Speaker 4>I think it was Bob winste but I couldn't. I

0:28:38.000 --> 0:28:40.000
<v Speaker 4>couldn't stand Bob. I already had a fight with him

0:28:40.040 --> 0:28:41.520
<v Speaker 4>once and I beat this ship out of him.

0:28:42.520 --> 0:28:49.160
<v Speaker 3>He meantphis, Oh yeah, yeah, all right, we have those

0:28:49.280 --> 0:28:50.280
<v Speaker 3>questions too, like.

0:28:52.440 --> 0:28:54.400
<v Speaker 4>I mean, he mean, he was just a fucking prick.

0:28:54.640 --> 0:28:57.480
<v Speaker 4>I mean, but when the big earthquake in La happened,

0:28:57.560 --> 0:29:00.480
<v Speaker 4>my office was destroyed. I had to send a reported

0:29:00.880 --> 0:29:03.479
<v Speaker 4>because I don't give a fuck who died, who did who?

0:29:03.600 --> 0:29:03.640
<v Speaker 5>That?

0:29:04.160 --> 0:29:05.760
<v Speaker 4>And I said this, I said, the next time I

0:29:05.840 --> 0:29:08.760
<v Speaker 4>see you, I promise you to smack the ship. And

0:29:08.840 --> 0:29:11.080
<v Speaker 4>I hung it and I hung up the phone. A

0:29:11.200 --> 0:29:13.880
<v Speaker 4>year and a half later, my son is four weeks old.

0:29:14.000 --> 0:29:16.360
<v Speaker 4>He was born in June tenth July, fourth weekend, nineteen

0:29:16.440 --> 0:29:18.760
<v Speaker 4>ninety five. I'm pulling off. I took a house in

0:29:18.760 --> 0:29:21.040
<v Speaker 4>the Hamptons, and there's a guess. I go to take

0:29:21.040 --> 0:29:22.560
<v Speaker 4>a piss and there he is here, has no idea

0:29:22.600 --> 0:29:28.480
<v Speaker 4>who the fuck I am? Steve. I smacked him in

0:29:28.480 --> 0:29:29.440
<v Speaker 4>the face, I said.

0:29:31.040 --> 0:29:34.640
<v Speaker 5>And that is our promo, Ladies and gentlemen, Steve will

0:29:34.720 --> 0:29:38.239
<v Speaker 5>be on quest Lops Supreme smacking motherfuckers up.

0:29:38.480 --> 0:29:41.760
<v Speaker 3>I likes it. I like it a lot back, not

0:29:41.960 --> 0:29:43.120
<v Speaker 3>just any kind in the hand.

0:29:44.040 --> 0:29:47.840
<v Speaker 4>So now I got it. So now we're doing a

0:29:47.920 --> 0:29:53.600
<v Speaker 4>presentation with the Vina you mentioned. So we're coming and

0:29:55.080 --> 0:29:58.800
<v Speaker 4>my brother says, merrim Max is coming with Off. By

0:29:58.880 --> 0:30:01.640
<v Speaker 4>the time we land was it was Dimension, which was

0:30:01.680 --> 0:30:04.600
<v Speaker 4>the sister label to Merri Max. It was like the

0:30:04.720 --> 0:30:08.280
<v Speaker 4>Indy side said, Jonathan, you're full of ship. We land

0:30:08.320 --> 0:30:11.600
<v Speaker 4>and get to the hotel. There's a fucking contract. I

0:30:11.640 --> 0:30:13.680
<v Speaker 4>don't know if my brother fortd my fucking signature. I

0:30:13.720 --> 0:30:16.640
<v Speaker 4>don't even remember signing the deal. And next thing you know,

0:30:16.680 --> 0:30:18.640
<v Speaker 4>I have a three picture This will happen within a week,

0:30:19.120 --> 0:30:21.440
<v Speaker 4>a three picture deal. And they threw crazy fucking money

0:30:21.480 --> 0:30:26.360
<v Speaker 4>at us. And then Brett Rattener says, Dame has an

0:30:26.400 --> 0:30:30.000
<v Speaker 4>incredible story, right, But I go, who's gonna produced it?

0:30:30.040 --> 0:30:31.720
<v Speaker 4>I don't know nothing about I don't even have to

0:30:31.720 --> 0:30:33.680
<v Speaker 4>produce a record, like I'm going to now produce a

0:30:33.760 --> 0:30:36.560
<v Speaker 4>fucking movie. He was, No, you gotta hire this guy Ron.

0:30:37.560 --> 0:30:41.640
<v Speaker 4>We hired this guy Rock and and and the rest

0:30:41.720 --> 0:30:44.560
<v Speaker 4>is history. And they you know, I'm not gonna the

0:30:44.640 --> 0:30:46.600
<v Speaker 4>only thing that I did is we had the deal,

0:30:47.120 --> 0:30:49.800
<v Speaker 4>but this was I gotta give credit to day Ding

0:30:49.880 --> 0:30:53.120
<v Speaker 4>did everything he pictured. He did everything. I'm not trying

0:30:53.160 --> 0:30:55.800
<v Speaker 4>to take his thunder. I mean he did everything. And

0:30:56.320 --> 0:30:58.440
<v Speaker 4>you know, I just went for a ride. When he

0:30:58.480 --> 0:31:01.520
<v Speaker 4>asked me to take my name as executive producer, I

0:31:01.640 --> 0:31:04.840
<v Speaker 4>was taking my name off anyway. Was based on a

0:31:04.840 --> 0:31:07.000
<v Speaker 4>true story and I didn't want any fucking heads people

0:31:07.080 --> 0:31:07.680
<v Speaker 4>just coming.

0:31:07.480 --> 0:31:09.360
<v Speaker 3>At it right, coming at you right.

0:31:09.480 --> 0:31:11.400
<v Speaker 4>Yeah, So I was taking my name off anyway. I

0:31:11.480 --> 0:31:12.760
<v Speaker 4>was like, that's not a problem.

0:31:13.720 --> 0:31:17.800
<v Speaker 5>We now live in a time in which the African

0:31:18.920 --> 0:31:23.800
<v Speaker 5>renaissance has truly arrived with like African music and African

0:31:23.880 --> 0:31:25.840
<v Speaker 5>artists getting mainstream success.

0:31:25.960 --> 0:31:28.360
<v Speaker 3>But you know, I know that you.

0:31:30.080 --> 0:31:31.680
<v Speaker 5>I mean, I won't say a risk, but you were

0:31:31.800 --> 0:31:35.400
<v Speaker 5>actually ahead of the game. And I believe you signed

0:31:35.680 --> 0:31:36.080
<v Speaker 5>a Kon?

0:31:36.600 --> 0:31:41.680
<v Speaker 3>Is you not? What was it about Akon? And you

0:31:41.880 --> 0:31:43.840
<v Speaker 3>signed him early, like back in two thousand and four,

0:31:44.000 --> 0:31:44.760
<v Speaker 3>two thousand and five.

0:31:44.920 --> 0:31:47.720
<v Speaker 4>I believe that he was right when I left Glad,

0:31:47.760 --> 0:31:52.400
<v Speaker 4>I started SRC Records right right, So I signed Banner.

0:31:53.640 --> 0:31:57.000
<v Speaker 4>I'm a banner A yeah, yeah, I'm a basketball guy

0:31:57.520 --> 0:32:03.480
<v Speaker 4>and I break my nose playing basketball. And the macho

0:32:03.520 --> 0:32:05.800
<v Speaker 4>guy that I am like, all I really want to

0:32:05.800 --> 0:32:09.800
<v Speaker 4>do is cry, but my son is watching and I

0:32:09.880 --> 0:32:11.720
<v Speaker 4>want to show him, like I have blood all over me,

0:32:11.800 --> 0:32:13.760
<v Speaker 4>and I want to show him that it's okay to

0:32:13.920 --> 0:32:17.200
<v Speaker 4>like get hit and you don't have to cry. Meanwhile,

0:32:17.240 --> 0:32:19.200
<v Speaker 4>I'm seeing three of everything. It's like, you know, if

0:32:19.200 --> 0:32:21.320
<v Speaker 4>the basket's over there, I shot the ball over there

0:32:21.800 --> 0:32:24.440
<v Speaker 4>right like then, I literally just I never felt paying

0:32:24.480 --> 0:32:27.880
<v Speaker 4>like and I just passed out. And when they were

0:32:27.920 --> 0:32:33.880
<v Speaker 4>taking me to the hospital, Kenny Burns with huh and Kenny,

0:32:34.480 --> 0:32:37.280
<v Speaker 4>he goes, you got to hear this, and I'm like,

0:32:37.360 --> 0:32:39.400
<v Speaker 4>what the fuck is this? And there was only one

0:32:39.480 --> 0:32:42.120
<v Speaker 4>record that I wanted to hear. And I mean, there's

0:32:42.160 --> 0:32:43.720
<v Speaker 4>only one record that I said, just keep on playing

0:32:43.720 --> 0:32:46.040
<v Speaker 4>it over and over and over again. And my philosophy

0:32:46.280 --> 0:32:48.600
<v Speaker 4>was like I never considered myself an A and R guy,

0:32:48.760 --> 0:32:50.000
<v Speaker 4>Like it was always about the team.

0:32:50.560 --> 0:32:54.080
<v Speaker 6>Wait, Kenny Burns said that, No, I said.

0:32:54.280 --> 0:32:57.200
<v Speaker 4>Kenny had the tape and then he played with me.

0:32:58.000 --> 0:33:00.280
<v Speaker 4>We were playing ball, and now I went to the

0:33:00.360 --> 0:33:02.320
<v Speaker 4>hospital to get my nose ticks.

0:33:02.520 --> 0:33:04.360
<v Speaker 6>Okay, I'm just I'm just tripping at Undy Burns. As

0:33:04.360 --> 0:33:05.800
<v Speaker 6>a part of the Akon story, this is amazing.

0:33:05.840 --> 0:33:11.520
<v Speaker 4>Okay, So in those days, I flew private MHM, and

0:33:11.720 --> 0:33:13.720
<v Speaker 4>I just didn't know if I was laughed to fly.

0:33:13.800 --> 0:33:14.800
<v Speaker 4>I don't know what the hell was the matter with

0:33:14.840 --> 0:33:16.960
<v Speaker 4>my nose. I could have been like a full you

0:33:17.040 --> 0:33:19.640
<v Speaker 4>know rain. Now I don't know what the fuck you know?

0:33:19.720 --> 0:33:21.560
<v Speaker 4>They said they broke my nose and I couldn't really

0:33:21.600 --> 0:33:25.440
<v Speaker 4>fly for twenty four hours for effect. So I just said,

0:33:25.440 --> 0:33:27.640
<v Speaker 4>we're going to Atlanta set of New York, and I

0:33:27.760 --> 0:33:31.280
<v Speaker 4>met the vine I at aicon. The rest was history,

0:33:31.320 --> 0:33:35.440
<v Speaker 4>and I pretty much did the same thing. Universal laughed

0:33:35.440 --> 0:33:36.720
<v Speaker 4>in my face. I said, this is gonna be the

0:33:36.720 --> 0:33:39.640
<v Speaker 4>biggest office in my career, and they said, oh, this

0:33:39.680 --> 0:33:43.600
<v Speaker 4>is couna be biggeran war. I'm like yeah, and they laughed,

0:33:43.640 --> 0:33:45.400
<v Speaker 4>and I got so fucking mad. I was like, you

0:33:45.440 --> 0:33:49.320
<v Speaker 4>know what, fuck you guys. And I had There's somebody

0:33:49.360 --> 0:33:51.040
<v Speaker 4>that was with me at LAB who started off as

0:33:51.120 --> 0:33:53.600
<v Speaker 4>an intern in the street team guy and then he

0:33:53.800 --> 0:33:56.240
<v Speaker 4>just grew and grew and grew with me, and then

0:33:56.280 --> 0:33:59.040
<v Speaker 4>when I started SC he became he was because I

0:33:59.040 --> 0:34:00.320
<v Speaker 4>gave him a piece of a company me and he

0:34:00.440 --> 0:34:04.560
<v Speaker 4>was my president. Got the name of his wife was

0:34:04.640 --> 0:34:07.520
<v Speaker 4>pregnant at the time, and I said, God, you do

0:34:07.640 --> 0:34:11.320
<v Speaker 4>the East in the South, I'll do the West in

0:34:11.400 --> 0:34:13.799
<v Speaker 4>the Midwest. And we didn't have a video. We didn't

0:34:13.800 --> 0:34:15.920
<v Speaker 4>have anything. He took a kN and I took a

0:34:16.080 --> 0:34:19.640
<v Speaker 4>conm boo, and I mean, we may believe whoo was

0:34:19.719 --> 0:34:20.920
<v Speaker 4>a kon and.

0:34:21.160 --> 0:34:29.919
<v Speaker 5>We wait, wow, this is like the Little Richard James

0:34:29.960 --> 0:34:35.239
<v Speaker 5>Brown situation. We're both Little Richard and James Brown. We're

0:34:35.280 --> 0:34:36.480
<v Speaker 5>touring as Little Richard.

0:34:38.080 --> 0:34:40.520
<v Speaker 3>I didn't okay, oh it.

0:34:42.000 --> 0:34:45.120
<v Speaker 4>So we had no video. Nobody knew what any kind

0:34:45.120 --> 0:34:49.960
<v Speaker 4>of looked like. And at the at the end of day,

0:34:50.360 --> 0:34:53.400
<v Speaker 4>the record broke in Albuquerque, New Mexico, and so like

0:34:53.520 --> 0:35:00.239
<v Speaker 4>so like you know, I fly fly into me York

0:35:00.239 --> 0:35:01.680
<v Speaker 4>with the record club locked up with style.

0:35:01.880 --> 0:35:03.200
<v Speaker 3>I was about to say, was locked up.

0:35:03.280 --> 0:35:05.880
<v Speaker 4>Okay, right, I come to New York and this is

0:35:05.880 --> 0:35:09.160
<v Speaker 4>where you know Republic was known for doing their research.

0:35:09.800 --> 0:35:13.560
<v Speaker 4>I should you not. There's a fucking report like like

0:35:13.680 --> 0:35:19.200
<v Speaker 4>this must have been fifty pages on every storm in

0:35:19.320 --> 0:35:22.080
<v Speaker 4>Albuquerque and util. You wouldn't believe how many fucking stores

0:35:22.120 --> 0:35:25.040
<v Speaker 4>that were, you know, between Target and Walmart, and the

0:35:25.160 --> 0:35:29.200
<v Speaker 4>ship's going through the roof. So wise and We're like,

0:35:29.480 --> 0:35:32.120
<v Speaker 4>what the fuck is going on? You know, and I'm like,

0:35:33.120 --> 0:35:35.319
<v Speaker 4>I'm trying to bring it east and you know now,

0:35:35.600 --> 0:35:40.120
<v Speaker 4>you know, and we had to change out philosophy because

0:35:40.560 --> 0:35:43.880
<v Speaker 4>Republic was a radio company. They didn't understand street records.

0:35:44.840 --> 0:35:50.360
<v Speaker 4>So I had a cover like like Philly came in, Boston,

0:35:50.440 --> 0:35:53.080
<v Speaker 4>came in Connecticut, came in, Miami, came in you know,

0:35:53.320 --> 0:35:56.160
<v Speaker 4>New York was the last one to come in, you know.

0:35:56.280 --> 0:35:58.920
<v Speaker 4>And then who was Mother's Day? And I get a

0:35:58.960 --> 0:36:00.640
<v Speaker 4>phone call from somebody who goes, what the fuck did

0:36:00.680 --> 0:36:02.600
<v Speaker 4>you do in Brooklyn? I'm like, what are you talking about?

0:36:03.840 --> 0:36:06.320
<v Speaker 4>We're talking about Akon, you know. And the truth is

0:36:06.400 --> 0:36:10.640
<v Speaker 4>I really didn't do anything. We just we surrounded New

0:36:10.760 --> 0:36:13.640
<v Speaker 4>York where it would just have to leak in and

0:36:13.840 --> 0:36:16.920
<v Speaker 4>with the King's plasm mall. You know, the record was

0:36:16.960 --> 0:36:21.399
<v Speaker 4>being played every fucking call, you know. That Monday, Abro

0:36:21.520 --> 0:36:23.360
<v Speaker 4>calls me up and he says, we're adding the record,

0:36:23.520 --> 0:36:26.480
<v Speaker 4>you know. And then two weeks later, like the research

0:36:27.160 --> 0:36:30.000
<v Speaker 4>was like number one requested in like top three call out.

0:36:30.960 --> 0:36:34.680
<v Speaker 4>I mean, the record broke and the right it was

0:36:34.760 --> 0:36:38.520
<v Speaker 4>the first the first week, I think we scanned three

0:36:38.640 --> 0:36:41.040
<v Speaker 4>thousand records. It was the lowest sound scanning record I

0:36:41.120 --> 0:36:44.520
<v Speaker 4>ever had in my life. First week, but each week

0:36:45.440 --> 0:36:48.160
<v Speaker 4>it didn't go three thousand to fifteen hundred. They stayed

0:36:48.160 --> 0:36:51.080
<v Speaker 4>at three thousand, three thousand, two hundred, three thousand, one hundred.

0:36:51.520 --> 0:36:54.200
<v Speaker 4>And when that fucking thing just took off, I mean,

0:36:54.880 --> 0:36:58.000
<v Speaker 4>by by the fall, we were at sixty thousand a

0:36:58.080 --> 0:37:01.839
<v Speaker 4>week and we didn't even come up lonely yet.

0:37:03.640 --> 0:37:04.680
<v Speaker 3>So tired of that record.

0:37:04.760 --> 0:37:05.120
<v Speaker 4>Good God.

0:37:07.520 --> 0:37:10.520
<v Speaker 3>I have a confessor about Lockdown. I have an professor

0:37:10.560 --> 0:37:11.239
<v Speaker 3>about Locked Up.

0:37:11.320 --> 0:37:14.000
<v Speaker 5>And this is before the error sizam where you can't

0:37:14.760 --> 0:37:19.080
<v Speaker 5>find out who the artist is. I swear to God

0:37:19.640 --> 0:37:26.160
<v Speaker 5>for a good twenty one seconds, For good twenty.

0:37:25.960 --> 0:37:35.160
<v Speaker 3>One seconds, I said, holy shit, roberta flex of the scene, yo.

0:37:39.400 --> 0:37:44.200
<v Speaker 4>But yeah, but Locked Up with styles Pete was those storymix.

0:37:45.280 --> 0:37:49.960
<v Speaker 3>I didn't hear his verse, but A Kon's voice was

0:37:50.080 --> 0:37:53.200
<v Speaker 3>so I can't describe it.

0:37:53.360 --> 0:37:56.320
<v Speaker 6>It's such a compliment to Acon, such a compliment.

0:37:56.680 --> 0:38:00.360
<v Speaker 5>Yeah, and I'm saying it's androgynist, but I literally it

0:38:00.440 --> 0:38:03.480
<v Speaker 5>was a woman singing, and because it was done in

0:38:03.600 --> 0:38:08.200
<v Speaker 5>such a rich alto, and I never heard this voice before.

0:38:09.440 --> 0:38:13.879
<v Speaker 5>For twenty seconds, I was like, hey, rich it could happen.

0:38:13.960 --> 0:38:20.120
<v Speaker 5>I was like, if and Aretha Franklin working together, I was, yo, shot,

0:38:20.200 --> 0:38:22.320
<v Speaker 5>let me find out that that's.

0:38:22.520 --> 0:38:24.880
<v Speaker 3>ROBERTA Flag is about to come back like a motherfucker.

0:38:30.560 --> 0:38:33.960
<v Speaker 5>Okay, wait before I let you go, there's one question

0:38:34.080 --> 0:38:38.279
<v Speaker 5>I always ask of every label CEO, Can you tell

0:38:38.400 --> 0:38:43.200
<v Speaker 5>me three x that you almost signed that were close

0:38:43.239 --> 0:38:44.480
<v Speaker 5>but no Cigars.

0:38:45.560 --> 0:38:45.880
<v Speaker 7>Jay Z?

0:38:46.840 --> 0:38:48.320
<v Speaker 3>You could have you could have signed jay Z.

0:38:49.160 --> 0:38:53.359
<v Speaker 4>B mvus hated me so much and because we took

0:38:53.440 --> 0:38:55.960
<v Speaker 4>him for so much money, they didn't want to give

0:38:56.000 --> 0:38:58.080
<v Speaker 4>us any more money to sign JA. I go back

0:38:58.120 --> 0:39:00.520
<v Speaker 4>with Dane since he's fifteen sixteen years old when he

0:39:00.560 --> 0:39:01.800
<v Speaker 4>was managing Original Flavor.

0:39:02.120 --> 0:39:05.839
<v Speaker 3>Wow, Wow, so that's dope.

0:39:06.520 --> 0:39:07.200
<v Speaker 1>So Jay.

0:39:09.239 --> 0:39:11.640
<v Speaker 4>He wasn't an act, but he was to me one

0:39:11.680 --> 0:39:14.560
<v Speaker 4>of the best executives, you know, IRV Gotti when he

0:39:14.640 --> 0:39:16.680
<v Speaker 4>had Mike Geronimo. We tried to get the.

0:39:16.719 --> 0:39:17.799
<v Speaker 3>Records ship.

0:39:19.680 --> 0:39:22.160
<v Speaker 4>And we'll tell you this, whatever reason we couldn't get

0:39:22.160 --> 0:39:25.200
<v Speaker 4>the sample cleared and then BMB is saying, you're wasting

0:39:25.280 --> 0:39:28.520
<v Speaker 4>your time. And this was literally I just signed my DAP.

0:39:28.800 --> 0:39:31.759
<v Speaker 4>They said, you're wasting your time and we're not going

0:39:31.800 --> 0:39:34.120
<v Speaker 4>to give you the money to do it find something else.

0:39:34.719 --> 0:39:37.080
<v Speaker 4>So if I didn't deal with Mike, I'm sure would

0:39:37.200 --> 0:39:38.200
<v Speaker 4>ended up being with me.

0:39:39.080 --> 0:39:43.680
<v Speaker 5>Are you talking about Master I See or the single

0:39:43.760 --> 0:39:46.520
<v Speaker 5>that he had that was more puffy ish? No, the

0:39:46.560 --> 0:39:50.319
<v Speaker 5>first single, the first Master I See, that's a goddamn masterpiece.

0:39:52.880 --> 0:39:58.880
<v Speaker 3>Oh wow, jay Z and then m and you got

0:39:58.920 --> 0:39:59.799
<v Speaker 3>a chance to sign him.

0:40:00.520 --> 0:40:00.759
<v Speaker 1>Yeah.

0:40:00.800 --> 0:40:04.160
<v Speaker 4>But but the thing was this, if he stayed with

0:40:04.320 --> 0:40:06.719
<v Speaker 4>us and I had to do with Paul Rosenberg a

0:40:06.760 --> 0:40:10.880
<v Speaker 4>few weeks ago, he wouldn't have been Eminem four hundred

0:40:10.880 --> 0:40:13.080
<v Speaker 4>million records later, right, he would have been eminent. He

0:40:13.080 --> 0:40:15.880
<v Speaker 4>would have been Eminem fifty million records. He was an

0:40:15.960 --> 0:40:18.640
<v Speaker 4>underground rapper, you know. And you talk about Genie and

0:40:18.680 --> 0:40:24.000
<v Speaker 4>no Battle, right, so you're talking about him and Dray

0:40:24.200 --> 0:40:27.040
<v Speaker 4>just creating magic that that you know, he would have

0:40:27.120 --> 0:40:32.319
<v Speaker 4>been Bob Deep. He would have been Wu your pun.

0:40:32.440 --> 0:40:33.799
<v Speaker 4>We had a pop record on. I was still how

0:40:33.840 --> 0:40:35.759
<v Speaker 4>to play it, but you know he would have been

0:40:36.400 --> 0:40:37.960
<v Speaker 4>just in that length. That was the only thing we

0:40:38.040 --> 0:40:38.520
<v Speaker 4>knew how to do.

0:40:41.760 --> 0:40:45.239
<v Speaker 3>Wow, So I know that you know what.

0:40:45.360 --> 0:40:47.440
<v Speaker 5>The thing is also interesting about your story is the

0:40:47.480 --> 0:40:50.120
<v Speaker 5>fact that how the lineage goes down from your grandfather,

0:40:50.239 --> 0:40:53.920
<v Speaker 5>your father, you and now your your son is an MC.

0:40:54.080 --> 0:40:54.400
<v Speaker 3>Correct.

0:40:55.320 --> 0:40:59.920
<v Speaker 4>So my youngest both my sons played ball, you know,

0:41:01.120 --> 0:41:04.120
<v Speaker 4>one played college, another one played for a famous high

0:41:04.120 --> 0:41:06.040
<v Speaker 4>school out in LA and he didn't want to go

0:41:06.120 --> 0:41:09.399
<v Speaker 4>to college, and out of nowhere, he just started rapping

0:41:10.880 --> 0:41:14.640
<v Speaker 4>and he put out a record and shouldn't put the

0:41:14.640 --> 0:41:16.279
<v Speaker 4>record out of himself, and he did you know, a

0:41:16.320 --> 0:41:19.600
<v Speaker 4>few hundred thousand streams. Flex played the record on his own.

0:41:21.160 --> 0:41:25.720
<v Speaker 3>Without knowing the connection, no knowing knowing the connection.

0:41:26.640 --> 0:41:29.520
<v Speaker 4>But it was during the holidays, so he hit a

0:41:29.560 --> 0:41:33.680
<v Speaker 4>two week run and he was going to music school

0:41:33.920 --> 0:41:36.480
<v Speaker 4>in Florida full sale, and it was just you know,

0:41:37.960 --> 0:41:41.080
<v Speaker 4>my son, he doesn't want to read it. He needs

0:41:41.160 --> 0:41:45.120
<v Speaker 4>to see it and feel it. So he lost his

0:41:45.360 --> 0:41:51.040
<v Speaker 4>love from doing like real school work. That's not him.

0:41:52.600 --> 0:41:55.320
<v Speaker 4>So you know, he has twelve twelve of his friends

0:41:55.560 --> 0:41:59.120
<v Speaker 4>like his crew. They're rolling in the NBA. So he's

0:41:59.160 --> 0:42:03.040
<v Speaker 4>going to be an intern for Rich Paul starting December.

0:42:04.480 --> 0:42:07.799
<v Speaker 3>The way you're talking about basketball, I feel like your

0:42:07.880 --> 0:42:09.479
<v Speaker 3>true passion is owning a team.

0:42:09.840 --> 0:42:13.200
<v Speaker 4>Or now I've lost so much money in basketball. I mean,

0:42:13.320 --> 0:42:16.480
<v Speaker 4>I'll I'm just I'm just a fan now that that's

0:42:16.560 --> 0:42:19.280
<v Speaker 4>all I'm I've lost tensive millions of dollars.

0:42:19.960 --> 0:42:22.799
<v Speaker 3>Did you try to No, never try to own a team.

0:42:22.920 --> 0:42:25.600
<v Speaker 4>But like my philosophy in life, and this is what

0:42:25.680 --> 0:42:27.160
<v Speaker 4>I've learned from my dad. If I can help one

0:42:27.719 --> 0:42:29.880
<v Speaker 4>one person and save their life and put him in

0:42:29.880 --> 0:42:31.759
<v Speaker 4>the right direction, then I did my job on her.

0:42:32.200 --> 0:42:36.960
<v Speaker 4>No money, could you know that feeling of saving somebody?

0:42:37.640 --> 0:42:40.160
<v Speaker 4>You can't put a price on that. And you know,

0:42:40.600 --> 0:42:44.120
<v Speaker 4>so when me and my wife split, my kids are

0:42:44.160 --> 0:42:49.280
<v Speaker 4>into racial okay, and they all came out different complexion,

0:42:49.320 --> 0:42:52.080
<v Speaker 4>all three of them, you know, and one came out

0:42:52.560 --> 0:42:57.759
<v Speaker 4>really like skinning, like Jack the Rapper. So when we split,

0:42:57.960 --> 0:43:02.120
<v Speaker 4>she moved to Florida and there's an area called Delery

0:43:02.200 --> 0:43:05.840
<v Speaker 4>Beach and in this one area in Dowery Beach is

0:43:05.880 --> 0:43:10.400
<v Speaker 4>probably the most gang affected in all the flower in

0:43:10.480 --> 0:43:12.520
<v Speaker 4>a five block radius. And there was a gym there

0:43:13.640 --> 0:43:16.400
<v Speaker 4>and she threw him in there, and she goes, you

0:43:16.480 --> 0:43:19.400
<v Speaker 4>got to learn how to stand on your own. And

0:43:19.480 --> 0:43:22.120
<v Speaker 4>she wouldn't let me go to any games. And then

0:43:22.239 --> 0:43:24.640
<v Speaker 4>finally like I didn't know what au was or anything

0:43:24.760 --> 0:43:28.600
<v Speaker 4>like that, and then I don't know where I think

0:43:28.640 --> 0:43:30.200
<v Speaker 4>she was coming out to. I don't know where she

0:43:30.280 --> 0:43:31.400
<v Speaker 4>was going but she goes, oh, you got to pick

0:43:31.440 --> 0:43:33.479
<v Speaker 4>the ballots at two o'clock as a game at twelve,

0:43:34.440 --> 0:43:37.360
<v Speaker 4>I get there one to watch the game, and I

0:43:37.440 --> 0:43:40.320
<v Speaker 4>knew he was gifted and then, but I didn't know

0:43:40.360 --> 0:43:42.520
<v Speaker 4>that he had two of the games at night, you know,

0:43:42.640 --> 0:43:45.000
<v Speaker 4>one at six and one and nine. I was in

0:43:45.120 --> 0:43:50.000
<v Speaker 4>heaven and I just started going to the games, and

0:43:50.600 --> 0:43:52.719
<v Speaker 4>you know, they respected him for who he was, and

0:43:52.800 --> 0:43:54.680
<v Speaker 4>I just minded my own business. I wasn't gonna try

0:43:54.719 --> 0:43:57.759
<v Speaker 4>and buy a team. But I didn't know that he

0:43:57.960 --> 0:44:00.080
<v Speaker 4>was eleven and he was playing on a fourteen on

0:44:00.200 --> 0:44:05.040
<v Speaker 4>the team and they didn't win a game. Right but now,

0:44:06.640 --> 0:44:08.960
<v Speaker 4>and he wasn't talking to me with me and his

0:44:09.160 --> 0:44:12.120
<v Speaker 4>mom separating, but now he was back in my life.

0:44:13.440 --> 0:44:14.960
<v Speaker 4>And I said to the coach, I said, the season

0:44:15.000 --> 0:44:19.680
<v Speaker 4>can't be over, and he still, well, you know it's over.

0:44:19.880 --> 0:44:22.719
<v Speaker 4>I'm like, you got to find something. I go, he was, well,

0:44:22.719 --> 0:44:25.399
<v Speaker 4>there's a tournament next week for twelve and under team.

0:44:25.520 --> 0:44:27.359
<v Speaker 4>I said, well, alex is eleven. How old to say?

0:44:27.480 --> 0:44:30.319
<v Speaker 4>And like, we end up putting six guys on the team.

0:44:30.360 --> 0:44:32.439
<v Speaker 4>He goes, who will, coach? I said, I will. He says,

0:44:32.440 --> 0:44:35.440
<v Speaker 4>what do you know about basketball? I said enough, I

0:44:35.520 --> 0:44:40.200
<v Speaker 4>should you not? I go seventy and oh that whole

0:44:40.239 --> 0:44:45.480
<v Speaker 4>fucking song seven zero. So Florida is known for football.

0:44:45.600 --> 0:44:48.040
<v Speaker 4>I know nothing about football. Half my team of professional

0:44:48.080 --> 0:44:51.080
<v Speaker 4>football players right now. So they were just the best

0:44:51.160 --> 0:44:54.280
<v Speaker 4>athletes in the world. And I just had him pressed

0:44:54.760 --> 0:44:56.200
<v Speaker 4>and they could all shoot the shit out of the

0:44:56.239 --> 0:44:58.959
<v Speaker 4>ball and jump and they were how old was Alas?

0:44:59.200 --> 0:45:01.680
<v Speaker 4>He was eleven to twelve at that time, right, yeah?

0:45:02.960 --> 0:45:06.000
<v Speaker 4>And I really thought I was going to become a

0:45:06.080 --> 0:45:10.880
<v Speaker 4>professional basketball coach, like I had him traveling. We won States,

0:45:10.920 --> 0:45:13.759
<v Speaker 4>we won Nationals, we won the World Games, and I

0:45:13.840 --> 0:45:15.560
<v Speaker 4>just thought I'm taking on challenges. And then I get

0:45:15.560 --> 0:45:17.480
<v Speaker 4>a phone called to buy a tournament, which is like

0:45:17.560 --> 0:45:21.880
<v Speaker 4>a record convention, And just like one thing led to another,

0:45:22.000 --> 0:45:24.080
<v Speaker 4>and I mean, I lost my shirt. But at the

0:45:24.200 --> 0:45:27.279
<v Speaker 4>end of the day, that is my happiness. Music, right,

0:45:27.440 --> 0:45:30.399
<v Speaker 4>Music is the closest thing to God right right, make

0:45:30.440 --> 0:45:32.920
<v Speaker 4>your laughing and make you cry, just your memories, It

0:45:33.120 --> 0:45:38.520
<v Speaker 4>just it touches your soul. Sure, and basketball just it

0:45:38.680 --> 0:45:42.440
<v Speaker 4>just touches me too. Where I get fucking crazy, do you.

0:45:42.880 --> 0:45:48.520
<v Speaker 3>Still get an itching or like just one more hit?

0:45:49.200 --> 0:45:52.840
<v Speaker 3>Metaphorically speaking as in drugs not like a hit single,

0:45:52.960 --> 0:45:56.640
<v Speaker 3>but just is I mean, are you addicted at all

0:45:56.719 --> 0:46:00.560
<v Speaker 3>to the adrenaline? Yeah, I'm finding that rare Jim.

0:46:00.920 --> 0:46:03.799
<v Speaker 4>So I got. I got this kid right now, same

0:46:03.800 --> 0:46:08.759
<v Speaker 4>as Take forty five from San Diego, California, eighteen years old,

0:46:09.120 --> 0:46:17.239
<v Speaker 4>self contained, produces himself. He had eight monthly uses on

0:46:17.360 --> 0:46:21.520
<v Speaker 4>Spotify and now he's closing in and I want to

0:46:21.560 --> 0:46:27.400
<v Speaker 4>say a little under two hundred thousand. He had twenty

0:46:27.440 --> 0:46:29.880
<v Speaker 4>five who was on TikTok and we're closing in on

0:46:29.960 --> 0:46:33.320
<v Speaker 4>three hundred thousand files and all this kid is just

0:46:33.400 --> 0:46:35.400
<v Speaker 4>keep on putting out music and putting out music, and

0:46:35.520 --> 0:46:39.040
<v Speaker 4>his energy is fucking ridiculous. And people will say to me,

0:46:39.560 --> 0:46:44.840
<v Speaker 4>it's you know, it's nothing what people are used to

0:46:45.120 --> 0:46:48.040
<v Speaker 4>be putting out. But you know what, my old day,

0:46:48.120 --> 0:46:49.640
<v Speaker 4>one of my old day in our guys on the

0:46:49.719 --> 0:46:54.080
<v Speaker 4>West Coast brought it to me and it's it's it's different.

0:46:54.280 --> 0:46:58.680
<v Speaker 4>He's self contained. And each day we're going up slowly

0:46:59.040 --> 0:47:00.759
<v Speaker 4>and he's gonna break. I just don't know when I

0:47:00.760 --> 0:47:03.480
<v Speaker 4>don't know how to read records. Yeah, but the adrenaline

0:47:03.520 --> 0:47:05.359
<v Speaker 4>that I get every day and just seeing it if

0:47:05.400 --> 0:47:09.000
<v Speaker 4>we're up ten streams or a thousand streams, or getting

0:47:09.040 --> 0:47:11.640
<v Speaker 4>on a new playlist I have. I was sick for

0:47:11.680 --> 0:47:13.759
<v Speaker 4>a while. I had a mess heart attack eight years ago.

0:47:14.920 --> 0:47:17.920
<v Speaker 4>That's why you lost the weight. No, I just was

0:47:17.920 --> 0:47:19.960
<v Speaker 4>away because I don't want to get another heart attack.

0:47:20.239 --> 0:47:22.880
<v Speaker 6>That's what That's what I'm meant, that's what I'm in.

0:47:24.480 --> 0:47:28.120
<v Speaker 4>So yeah, I was sent three times.

0:47:28.600 --> 0:47:30.360
<v Speaker 6>Oh man, what was that like?

0:47:30.560 --> 0:47:32.320
<v Speaker 3>Was it just overworking? Was it stress?

0:47:33.440 --> 0:47:36.120
<v Speaker 4>It was never going to the doctor and not taking

0:47:36.120 --> 0:47:39.040
<v Speaker 4>care of myself. If I went to a doctor and said, hey,

0:47:39.040 --> 0:47:41.640
<v Speaker 4>your blood pressure is high, you gotta do something. You

0:47:41.680 --> 0:47:43.520
<v Speaker 4>gotta lose ten times. You gotta do this, you gotta

0:47:43.600 --> 0:47:47.840
<v Speaker 4>do that. But it was I'm not blaming my x y,

0:47:47.880 --> 0:47:49.680
<v Speaker 4>I'm not blaming anybody. It was just me not taking

0:47:49.719 --> 0:47:51.880
<v Speaker 4>care of myself. You could say stress, you could say that.

0:47:51.960 --> 0:47:53.640
<v Speaker 4>You could say that, but it was just you got

0:47:53.760 --> 0:47:55.040
<v Speaker 4>to know your body and you got to just take

0:47:55.080 --> 0:47:55.680
<v Speaker 4>care of yourself.

0:47:55.840 --> 0:47:58.120
<v Speaker 3>You know, you got to make yourself a priority.

0:47:58.160 --> 0:47:58.800
<v Speaker 4>And that's what it is.

0:47:59.040 --> 0:48:01.640
<v Speaker 3>Yeah, you know you are learning that in the pandemic.

0:48:02.400 --> 0:48:02.799
<v Speaker 3>Thank god.

0:48:03.640 --> 0:48:06.719
<v Speaker 4>No, you can't be a victim. And you know, and

0:48:07.000 --> 0:48:09.120
<v Speaker 4>just like who wants to hear a victim story?

0:48:10.120 --> 0:48:15.319
<v Speaker 5>At least not of your own self, so you don't

0:48:15.320 --> 0:48:17.640
<v Speaker 5>feel like a stranger in the strange land in terms

0:48:17.680 --> 0:48:18.120
<v Speaker 5>of like.

0:48:18.840 --> 0:48:20.759
<v Speaker 4>Yeah, I do, I have no idea? What the fuck?

0:48:20.920 --> 0:48:21.120
<v Speaker 3>Okay?

0:48:21.239 --> 0:48:21.399
<v Speaker 6>Good?

0:48:21.880 --> 0:48:25.720
<v Speaker 4>I mean, I have no truth. I call the Empire

0:48:25.800 --> 0:48:28.320
<v Speaker 4>distributes us guys. Who is the smartest guy in the

0:48:28.440 --> 0:48:30.880
<v Speaker 4>music business. I don't want to bother him, so I

0:48:30.960 --> 0:48:33.239
<v Speaker 4>speak to him, like what can I do today? Like

0:48:33.760 --> 0:48:37.200
<v Speaker 4>I used to make a clall shoot, right, two hundred

0:48:37.480 --> 0:48:39.560
<v Speaker 4>people be some mix guys by streeting guys.

0:48:40.480 --> 0:48:40.600
<v Speaker 3>Right.

0:48:40.760 --> 0:48:43.320
<v Speaker 4>I got five guys, right, and they all work with me?

0:48:43.400 --> 0:48:45.319
<v Speaker 4>Who are all at the DSPs. I mean I sit

0:48:45.440 --> 0:48:47.799
<v Speaker 4>here like just twiddling my fucking thumbs and I'll take

0:48:47.800 --> 0:48:48.680
<v Speaker 4>a nap at three o'clock.

0:48:52.800 --> 0:48:56.440
<v Speaker 3>But I'm just saying that today, Like how is it

0:48:56.560 --> 0:49:01.759
<v Speaker 3>different now promoting? Especially with the internet at the helm

0:49:02.360 --> 0:49:05.280
<v Speaker 3>you have no word of the internet in the early nineties.

0:49:05.080 --> 0:49:08.360
<v Speaker 4>But you have nobody promotes to Like you can't promote,

0:49:08.719 --> 0:49:11.440
<v Speaker 4>you can't promote Spotify the record. They don't want the

0:49:11.480 --> 0:49:14.160
<v Speaker 4>record on the radio yet. So my day was today.

0:49:14.360 --> 0:49:18.839
<v Speaker 4>I got him a booking agent at UTA, right, mm hmm.

0:49:19.120 --> 0:49:22.040
<v Speaker 4>And I was really excited to do your thing. So

0:49:22.800 --> 0:49:26.440
<v Speaker 4>I went to lunch, made a few calls, and just

0:49:26.520 --> 0:49:28.680
<v Speaker 4>thinking about the podcast all day.

0:49:30.960 --> 0:49:33.200
<v Speaker 3>Sound like freedom to make That's a dope day.

0:49:34.880 --> 0:49:36.960
<v Speaker 5>Wait a minute, I'm gonna get crushed if I don't

0:49:37.000 --> 0:49:38.560
<v Speaker 5>ask one to asker roth question.

0:49:38.960 --> 0:49:41.719
<v Speaker 3>Oh all right, could you talk about your your your

0:49:42.040 --> 0:49:44.720
<v Speaker 3>work with and Scooter?

0:49:45.080 --> 0:49:47.040
<v Speaker 4>I mean at as great as the ASHU was. I

0:49:47.080 --> 0:49:51.680
<v Speaker 4>know he's from Pennsylvania, you know, right. The guy the

0:49:51.800 --> 0:49:54.239
<v Speaker 4>name of Jerry Clark introduced me to Scooter. I was

0:49:54.320 --> 0:49:56.840
<v Speaker 4>in Atlanta and Scooter, I think was still in college

0:49:57.200 --> 0:50:01.040
<v Speaker 4>mm hm. And he just reminded me a little of myself.

0:50:01.160 --> 0:50:02.719
<v Speaker 4>I thought he was a little bit more full of shit,

0:50:03.800 --> 0:50:06.560
<v Speaker 4>but I thought he was brilliant. And I offered him

0:50:06.560 --> 0:50:10.120
<v Speaker 4>to become president of company with no experience huh.

0:50:10.640 --> 0:50:12.640
<v Speaker 3>And he gave Scooter his start.

0:50:13.440 --> 0:50:14.640
<v Speaker 4>I gave Scooter his first record.

0:50:14.719 --> 0:50:14.839
<v Speaker 6>Yip.

0:50:15.520 --> 0:50:17.080
<v Speaker 3>Yeah, shit.

0:50:18.280 --> 0:50:20.040
<v Speaker 5>Now I feel like there's a question that I should

0:50:20.080 --> 0:50:24.040
<v Speaker 5>be asking that I don't know to ask, because again

0:50:24.120 --> 0:50:26.280
<v Speaker 5>you keep on pulling these historical.

0:50:26.760 --> 0:50:28.680
<v Speaker 4>I gave so this, this is what I'm proud of.

0:50:28.760 --> 0:50:32.360
<v Speaker 4>I gave Scooter his his first record deal with I

0:50:32.440 --> 0:50:36.280
<v Speaker 4>gave guy Siri. I got him his first deal with Henji,

0:50:36.360 --> 0:50:38.640
<v Speaker 4>and evil ly with Ruber and Rodriguez at Pendelum America.

0:50:39.480 --> 0:50:43.240
<v Speaker 3>Wait what so I just didn't start at Maverick.

0:50:43.920 --> 0:50:45.000
<v Speaker 4>Guy was eighteen years old.

0:50:45.920 --> 0:50:47.920
<v Speaker 3>You gave oh shit, Okay.

0:50:47.719 --> 0:50:49.480
<v Speaker 4>No, I didn't. I didn't sign him. I made the

0:50:49.520 --> 0:50:50.080
<v Speaker 4>deal for guy.

0:50:50.680 --> 0:50:55.040
<v Speaker 3>So guy was was managing Henji. Yeah, e belie at

0:50:55.080 --> 0:50:55.880
<v Speaker 3>the age of eighteen.

0:50:56.600 --> 0:50:58.840
<v Speaker 4>Yeah, you're I think at the age of sixty. And

0:50:58.960 --> 0:51:01.480
<v Speaker 4>I begged him to go lists an independent record company

0:51:01.520 --> 0:51:02.320
<v Speaker 4>and he said no.

0:51:04.480 --> 0:51:09.000
<v Speaker 3>Wow, okay, all right, gods another So it was another one.

0:51:09.000 --> 0:51:11.839
<v Speaker 3>I want one more at like, give me some more.

0:51:12.040 --> 0:51:15.680
<v Speaker 3>Start bragging. Brag on yourself. This is minory moment.

0:51:16.280 --> 0:51:19.160
<v Speaker 4>I mean, I can't brag on myself. But you know Scooter,

0:51:19.280 --> 0:51:20.880
<v Speaker 4>I opened him to become president of s r C.

0:51:21.040 --> 0:51:23.320
<v Speaker 4>He said no. I said the guy, let's start a

0:51:23.360 --> 0:51:25.640
<v Speaker 4>record company. He said no, And I made the deal

0:51:26.400 --> 0:51:31.880
<v Speaker 4>and then on and that's you know, and then me

0:51:32.120 --> 0:51:34.239
<v Speaker 4>you know me raz and fetch up you know those

0:51:34.440 --> 0:51:35.879
<v Speaker 4>you got it them?

0:51:37.040 --> 0:51:39.000
<v Speaker 6>Can I ask you an awkward question that probably nobody

0:51:39.160 --> 0:51:41.719
<v Speaker 6>ever asked? Was it ever awkward to have that many

0:51:41.760 --> 0:51:43.040
<v Speaker 6>five percent on the labels?

0:51:47.000 --> 0:51:54.680
<v Speaker 3>Thank you good night, Dante? Also, I mean the black.

0:51:54.560 --> 0:51:56.200
<v Speaker 6>Maid has got it the White Maiden's Devil.

0:51:56.760 --> 0:51:58.879
<v Speaker 4>They were all on my wedding. I mean I never

0:51:58.920 --> 0:52:02.399
<v Speaker 4>thought about it, just now, like and it never came

0:52:02.520 --> 0:52:03.080
<v Speaker 4>to my you.

0:52:03.120 --> 0:52:05.680
<v Speaker 6>Know, I also asked that to know. I wanted to

0:52:05.760 --> 0:52:07.719
<v Speaker 6>know at some point, where the where did they stop

0:52:07.760 --> 0:52:09.719
<v Speaker 6>because I feel like also at a certain point you're

0:52:09.719 --> 0:52:10.759
<v Speaker 6>helping to make money too, so.

0:52:10.920 --> 0:52:15.440
<v Speaker 3>You don't how much. But that's interesting. Yeah, you never

0:52:15.840 --> 0:52:16.200
<v Speaker 3>with the bag.

0:52:17.560 --> 0:52:20.400
<v Speaker 4>The only one that we had issues with was that press.

0:52:21.160 --> 0:52:24.319
<v Speaker 3>Oh yeah, I forgot about the press.

0:52:24.840 --> 0:52:28.640
<v Speaker 4>But at the end of the day, I probably handled

0:52:28.680 --> 0:52:31.800
<v Speaker 4>it wrong. It was my my ego was hurt. It

0:52:31.920 --> 0:52:33.400
<v Speaker 4>was like, how the fuck are they not trust me?

0:52:35.160 --> 0:52:35.920
<v Speaker 3>Are you serious?

0:52:39.760 --> 0:52:39.960
<v Speaker 4>Yeah?

0:52:40.080 --> 0:52:42.520
<v Speaker 3>I mean I mean were the first record? Were you

0:52:42.600 --> 0:52:43.520
<v Speaker 3>there for the second album?

0:52:44.320 --> 0:52:44.360
<v Speaker 4>No?

0:52:45.560 --> 0:52:50.359
<v Speaker 5>I can tell okay, Oh no, I wish I wish

0:52:50.400 --> 0:52:52.600
<v Speaker 5>that second that second album should have blown up, and

0:52:52.680 --> 0:52:53.040
<v Speaker 5>it didn't.

0:52:54.080 --> 0:52:55.640
<v Speaker 4>But you know, but then you look at you know,

0:52:56.200 --> 0:53:01.239
<v Speaker 4>m p any up. You know it's just like those

0:53:01.280 --> 0:53:03.839
<v Speaker 4>are records to this day, you know that still give

0:53:03.920 --> 0:53:04.560
<v Speaker 4>me goosebumps.

0:53:05.520 --> 0:53:09.000
<v Speaker 3>Yeah, stay around forever. No, I mean, this is the

0:53:09.080 --> 0:53:10.839
<v Speaker 3>first time I think you and I are talking, man,

0:53:10.920 --> 0:53:14.040
<v Speaker 3>But I've heard them, but stand up.

0:53:14.239 --> 0:53:17.080
<v Speaker 5>Things about you and you know, all the respect that

0:53:17.160 --> 0:53:20.239
<v Speaker 5>you had, and this is like a long, long, long, long,

0:53:20.320 --> 0:53:24.040
<v Speaker 5>overdue conversation. Man, I thank you for coming on the show.

0:53:24.400 --> 0:53:25.600
<v Speaker 4>You in New York? Are you? And l A?

0:53:26.320 --> 0:53:29.440
<v Speaker 3>I'm currently in New York. The next time we got

0:53:29.560 --> 0:53:31.799
<v Speaker 3>to go to dinner, no doubt, no doubt.

0:53:32.200 --> 0:53:39.359
<v Speaker 7>Well that's right, you got a daughter too, Right, where

0:53:39.360 --> 0:53:40.439
<v Speaker 7>do you guys want to go for dinner?

0:53:40.480 --> 0:53:41.520
<v Speaker 1>I'll set it up and.

0:53:45.440 --> 0:53:48.400
<v Speaker 3>Wait, So good Bill, nothing, no questions.

0:53:49.000 --> 0:53:52.320
<v Speaker 7>Well, I just I mean, Steve, it sounds like like

0:53:52.440 --> 0:53:55.080
<v Speaker 7>you made a lot of close friends and and a

0:53:55.120 --> 0:53:57.840
<v Speaker 7>lot of people hate you, which makes you an authentic Steve.

0:53:58.000 --> 0:54:02.520
<v Speaker 7>So congratulations on that. And but what a great career

0:54:02.600 --> 0:54:06.840
<v Speaker 7>I mean, no, just just too much, too much to process.

0:54:07.120 --> 0:54:07.600
<v Speaker 3>Incredible.

0:54:07.680 --> 0:54:10.759
<v Speaker 5>Yeah, I really wish I was there at Radio City

0:54:10.840 --> 0:54:14.360
<v Speaker 5>for that night at uh celebration.

0:54:14.920 --> 0:54:17.920
<v Speaker 4>That night was so fucking special. I mean it was.

0:54:19.440 --> 0:54:22.680
<v Speaker 4>I mean, I think it was Ex's last performance. It was,

0:54:23.520 --> 0:54:25.439
<v Speaker 4>and it was right before everything shut down.

0:54:26.000 --> 0:54:28.400
<v Speaker 3>Yep, yep, it was amazing.

0:54:28.480 --> 0:54:30.560
<v Speaker 4>I was in a radio City would never be the

0:54:30.600 --> 0:54:34.640
<v Speaker 4>same after that. They they never saw so many people

0:54:34.960 --> 0:54:36.600
<v Speaker 4>backstage and in their life.

0:54:37.920 --> 0:54:40.600
<v Speaker 3>I also wanted to know how that was organized and

0:54:40.640 --> 0:54:40.920
<v Speaker 3>what not.

0:54:43.920 --> 0:54:47.719
<v Speaker 5>Well on behalf of Siga, Steven and Bill and Fan

0:54:47.800 --> 0:54:52.600
<v Speaker 5>Diegelo and Laya, the Great, the Great Steve Rifkin.

0:54:53.239 --> 0:54:55.280
<v Speaker 3>Yes, thank you, Supreme.

0:54:57.040 --> 0:54:58.719
<v Speaker 4>This was amazing. Oh I didn't talk too much.

0:54:59.080 --> 0:55:02.000
<v Speaker 3>No, we live for Rabbit, Holy trust?

0:55:02.080 --> 0:55:02.440
<v Speaker 4>What is that?

0:55:03.840 --> 0:55:04.600
<v Speaker 3>What are those works?

0:55:04.600 --> 0:55:05.160
<v Speaker 2>They go together?

0:55:05.280 --> 0:55:05.879
<v Speaker 4>Talk too much?

0:55:06.000 --> 0:55:06.440
<v Speaker 3>We don't know.

0:55:07.960 --> 0:55:11.360
<v Speaker 5>So until next time, ladies and gentlemen, and I promise

0:55:11.400 --> 0:55:22.760
<v Speaker 5>you that I will have better camera working and Steve

0:55:22.880 --> 0:55:25.279
<v Speaker 5>look professional. I'm just I feel like a drunk here.

0:55:25.480 --> 0:55:28.880
<v Speaker 5>But anyway, thank you for doing our shows.

0:55:29.800 --> 0:55:32.239
<v Speaker 7>You're getting You're not a drunk, but you're getting high

0:55:32.280 --> 0:55:32.640
<v Speaker 7>too much.

0:55:36.280 --> 0:55:37.919
<v Speaker 3>All right, We'll see you on the next go around.

0:55:37.960 --> 0:55:39.280
<v Speaker 3>Thank you very much, ladies and gentlemen.

0:55:39.360 --> 0:55:47.040
<v Speaker 1>This West Love Supreme is a production of iHeart Cream.

0:55:50.400 --> 0:55:53.640
<v Speaker 1>For more podcasts from iHeart Radio, visit the iHeart Radio app,

0:55:53.880 --> 0:55:56.920
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.