WEBVTT - Conversations Handling People's Dreams

0:00:01.800 --> 0:00:04.400
<v Speaker 1>Watch up and welcome back to another episode of No

0:00:04.480 --> 0:00:07.440
<v Speaker 1>Senner's podcast with your host. Now fuck that with your

0:00:07.520 --> 0:00:09.479
<v Speaker 1>loaw glasses, Malone.

0:00:14.280 --> 0:00:21.000
<v Speaker 2>The dog Man, We're back, all right back.

0:00:23.800 --> 0:00:27.040
<v Speaker 1>I had a dope conversation with the homie Joker Shout

0:00:27.080 --> 0:00:31.280
<v Speaker 1>out the Joker. Joker is like the most talented person

0:00:31.320 --> 0:00:36.040
<v Speaker 1>I've ever met in the music industry. Like, uh, we

0:00:36.080 --> 0:00:42.479
<v Speaker 1>shot Tupac mus Die together. We shot Nike Cortes my

0:00:42.600 --> 0:00:46.600
<v Speaker 1>night Cortez on the iPhone. He could play the drums

0:00:46.640 --> 0:00:47.920
<v Speaker 1>and rap at the same time.

0:00:48.479 --> 0:00:52.199
<v Speaker 3>You get a video. He made puppets to be in

0:00:52.200 --> 0:00:52.680
<v Speaker 3>the video.

0:00:53.080 --> 0:00:56.240
<v Speaker 1>Like, Joker is like, by far the most talented person

0:00:56.280 --> 0:01:01.279
<v Speaker 1>I've ever met in my journey, you know, in this

0:01:01.440 --> 0:01:04.839
<v Speaker 1>music industry. But we were having a really dope conversation

0:01:06.280 --> 0:01:07.880
<v Speaker 1>and it made me think that this would be a

0:01:07.880 --> 0:01:13.880
<v Speaker 1>good podcast thing to talk about. And I was explaining

0:01:13.920 --> 0:01:17.679
<v Speaker 1>to him the responsibility you have when it comes to

0:01:17.800 --> 0:01:22.520
<v Speaker 1>handling people's dreams. Like, I know you more on the

0:01:22.600 --> 0:01:25.559
<v Speaker 1>atheist side, but if you believe in God, when God

0:01:25.680 --> 0:01:31.679
<v Speaker 1>blesses you with the power to grant someone's dream, to

0:01:31.840 --> 0:01:37.039
<v Speaker 1>make a dream come true. Now, I do think the

0:01:37.080 --> 0:01:41.679
<v Speaker 1>word dream has kind of been overused. Everybody's dreaming of everything.

0:01:41.760 --> 0:01:44.200
<v Speaker 1>Now it's my dream thing. This is my dream thing.

0:01:44.760 --> 0:01:49.640
<v Speaker 3>That's just like a lazy word, like loyal. People don't

0:01:49.640 --> 0:01:50.880
<v Speaker 3>even know what that word means.

0:01:50.920 --> 0:01:56.919
<v Speaker 1>But yeah, dream specifically, whereas like people that really dream

0:01:57.040 --> 0:02:01.960
<v Speaker 1>of making it in the entertainment business or whatever it is, right,

0:02:03.320 --> 0:02:05.720
<v Speaker 1>and I was telling them a story. Shout out to Barbie.

0:02:05.800 --> 0:02:11.239
<v Speaker 1>Barbie used to She used to intern. She was kind

0:02:11.240 --> 0:02:13.880
<v Speaker 1>of like a kind of studying to be the producer

0:02:13.919 --> 0:02:18.320
<v Speaker 1>of the Note Sellers podcast. Barbie does a lot of work.

0:02:18.440 --> 0:02:21.359
<v Speaker 1>She's stay on the scene. Like, I'm so proud of her.

0:02:21.400 --> 0:02:25.520
<v Speaker 1>She definitely has the correct grind to succeed in this business.

0:02:25.520 --> 0:02:31.840
<v Speaker 1>Her work ethic is impeccable. I think her program is widespread,

0:02:32.000 --> 0:02:37.960
<v Speaker 1>Velvet productions, something like that. But we were supposed to

0:02:37.960 --> 0:02:43.120
<v Speaker 1>do an interview and something happened. I think I had

0:02:43.160 --> 0:02:45.320
<v Speaker 1>to go somewhere, I had to be I think I

0:02:45.360 --> 0:02:47.760
<v Speaker 1>had to do something for snoop or something. So I

0:02:47.800 --> 0:02:49.720
<v Speaker 1>told her, like, hey, She was like, last is I

0:02:49.720 --> 0:02:54.240
<v Speaker 1>want to get that interview done? And I was like, uh, okay, look,

0:02:54.280 --> 0:02:58.520
<v Speaker 1>if you come in the next hour, I can give

0:02:58.560 --> 0:03:01.960
<v Speaker 1>you two hours. But then I gotta go oh, and

0:03:02.639 --> 0:03:05.760
<v Speaker 1>Barbie responded, she was like, well, I think that's more

0:03:05.760 --> 0:03:08.280
<v Speaker 1>of an insult of my time, like you know, you

0:03:08.480 --> 0:03:09.760
<v Speaker 1>you you're not treating me.

0:03:09.880 --> 0:03:12.240
<v Speaker 3>Like you know, like I guess.

0:03:13.480 --> 0:03:16.079
<v Speaker 1>The point was she felt I wasn't treating her like

0:03:16.080 --> 0:03:19.000
<v Speaker 1>like she was successful because of how I was giving

0:03:19.040 --> 0:03:21.840
<v Speaker 1>her so much time right to get here and how

0:03:21.919 --> 0:03:23.320
<v Speaker 1>much time we had to do the interview.

0:03:24.520 --> 0:03:27.520
<v Speaker 3>And I was, you know, I didn't really trip. I

0:03:27.560 --> 0:03:28.160
<v Speaker 3>was like, okay.

0:03:28.360 --> 0:03:32.240
<v Speaker 1>Once she said that I wasn't really you know, being

0:03:32.320 --> 0:03:36.480
<v Speaker 1>mindful of her time or whatever whatever the actual dialogue was,

0:03:37.080 --> 0:03:38.880
<v Speaker 1>I said, okay, I said, IM gonna get with you. We

0:03:38.880 --> 0:03:41.800
<v Speaker 1>could do it another time. So one day I go

0:03:41.960 --> 0:03:45.320
<v Speaker 1>to her page and she's doing like a she she

0:03:45.440 --> 0:03:50.160
<v Speaker 1>made a post and the post was like, uh, kind

0:03:50.200 --> 0:03:52.600
<v Speaker 1>of her being derogatory, where she was like, see artists

0:03:52.600 --> 0:03:54.520
<v Speaker 1>be thinking they too big, but that's why they not

0:03:54.520 --> 0:03:56.680
<v Speaker 1>where they want to be, because of how they treat

0:03:57.120 --> 0:04:00.360
<v Speaker 1>the people that died out well, they end up being like,

0:04:00.480 --> 0:04:03.160
<v Speaker 1>you know, some pretty nasty things. And obviously I knew

0:04:03.200 --> 0:04:08.680
<v Speaker 1>she was talking about me, and I like the post

0:04:09.560 --> 0:04:14.520
<v Speaker 1>and I just put a heart in the caption and

0:04:14.560 --> 0:04:19.919
<v Speaker 1>we end up talking later and I told her, like,

0:04:19.960 --> 0:04:22.800
<v Speaker 1>you know, I'm not sure she didn't really she didn't

0:04:22.800 --> 0:04:25.920
<v Speaker 1>really rectify the post. But you know what made me

0:04:26.040 --> 0:04:29.080
<v Speaker 1>really understand why I didn't mind because I know I'm

0:04:29.120 --> 0:04:33.800
<v Speaker 1>handling her dream. Her dream is to do publicity on

0:04:34.040 --> 0:04:40.280
<v Speaker 1>entertainment at the highest level, and I take her dreams.

0:04:40.080 --> 0:04:43.600
<v Speaker 3>Serious, very serious.

0:04:43.720 --> 0:04:45.960
<v Speaker 1>Like we have been supposed to do this interview for

0:04:46.000 --> 0:04:48.640
<v Speaker 1>eight months, but you know, again, sometimes we just off

0:04:48.640 --> 0:04:50.760
<v Speaker 1>on schedule. It's not like she's hitting me every day.

0:04:51.120 --> 0:04:53.839
<v Speaker 1>Barbie is a persistent person, but you know, I'm really

0:04:53.880 --> 0:04:57.719
<v Speaker 1>trying to organize what I'm pursuing as well. But the

0:04:57.760 --> 0:05:00.680
<v Speaker 1>reason I didn't get upset at her is I know

0:05:00.839 --> 0:05:04.240
<v Speaker 1>I'm handling her dream. Now again, Glasses Malone is not

0:05:04.360 --> 0:05:08.119
<v Speaker 1>some kind of you know, i might be the best

0:05:08.120 --> 0:05:10.359
<v Speaker 1>interview on hip hop, but I'm not the greatest one.

0:05:10.520 --> 0:05:13.240
<v Speaker 1>It ain't like if you sit down and have a

0:05:13.279 --> 0:05:16.440
<v Speaker 1>conversation with me, you know you're likely to get means

0:05:16.480 --> 0:05:19.240
<v Speaker 1>and use. Everybody ain't tripping off what I'm saying. I

0:05:19.320 --> 0:05:22.120
<v Speaker 1>may be the best, you may get the best content

0:05:22.240 --> 0:05:24.560
<v Speaker 1>for me and the best material. Because I do think

0:05:24.920 --> 0:05:27.160
<v Speaker 1>that's something that I could say. Okay, Glasses, you do

0:05:27.279 --> 0:05:30.280
<v Speaker 1>have that together. But it's not the greatest thing. It's

0:05:30.320 --> 0:05:33.600
<v Speaker 1>not the most financially effective thing that's gonna work for you.

0:05:33.600 --> 0:05:35.360
<v Speaker 1>You know, you may have to work some of these

0:05:35.400 --> 0:05:40.599
<v Speaker 1>content pieces to truly benefit sure, But I also understood

0:05:40.760 --> 0:05:45.159
<v Speaker 1>Pete that I'm handling her dream and you have to

0:05:45.200 --> 0:05:49.719
<v Speaker 1>give people space to be upset when dreams are not

0:05:49.800 --> 0:05:54.600
<v Speaker 1>coming true, especially if people think you're capable of making

0:05:54.720 --> 0:05:58.040
<v Speaker 1>dreams come true. Now again, I don't think she's confused

0:05:58.080 --> 0:06:01.800
<v Speaker 1>with who I am, but I do know she my

0:06:02.000 --> 0:06:05.320
<v Speaker 1>journey in this hip hop thing. You know, she revers

0:06:05.360 --> 0:06:07.200
<v Speaker 1>it and there's a respect for it, even if she

0:06:07.320 --> 0:06:11.960
<v Speaker 1>talking shit when she's upset. But I know she respects it,

0:06:12.000 --> 0:06:13.880
<v Speaker 1>and that's why she wants to sit down and talk.

0:06:14.200 --> 0:06:16.479
<v Speaker 1>So I have to make time. But I thought that

0:06:16.520 --> 0:06:20.600
<v Speaker 1>would be a good thing to talk about. I always

0:06:20.680 --> 0:06:24.599
<v Speaker 1>notice rappers, you know, forget me using the term rappers.

0:06:24.600 --> 0:06:27.839
<v Speaker 1>I always notice entertainers feel like there's a time to

0:06:27.920 --> 0:06:32.520
<v Speaker 1>turn the start them on and off. If they're at

0:06:32.520 --> 0:06:36.280
<v Speaker 1>a public restaurant and somebody wants to take a picture

0:06:36.279 --> 0:06:39.880
<v Speaker 1>with them. You know, Game used to do that. Chuck

0:06:40.000 --> 0:06:41.520
<v Speaker 1>used to do that. Shout out to Chuck, ha Your

0:06:41.560 --> 0:06:45.120
<v Speaker 1>birthday game, my boy forty five. Thank you for everything

0:06:45.160 --> 0:06:48.279
<v Speaker 1>you did for my career. I'm saying I never will

0:06:48.279 --> 0:06:51.480
<v Speaker 1>forget it. Shout out to g right and face and

0:06:51.600 --> 0:06:53.560
<v Speaker 1>folk Scent. You know what I mean, the fire of it.

0:06:53.600 --> 0:06:58.679
<v Speaker 1>But he used to sometimes didn't want to take pictures

0:06:58.680 --> 0:07:05.000
<v Speaker 1>with fans, and I never could understand that. And you

0:07:05.040 --> 0:07:09.960
<v Speaker 1>know I've heard different entertainers. Oh well, you know, people

0:07:09.960 --> 0:07:11.560
<v Speaker 1>gotta understand I'm a regular person.

0:07:11.880 --> 0:07:15.800
<v Speaker 3>No you're not sure. No, you're not.

0:07:15.880 --> 0:07:19.840
<v Speaker 1>You're not a regular person. You are in a completely

0:07:19.920 --> 0:07:26.120
<v Speaker 1>unique situation where people celebrate you. Use the term celebrity.

0:07:26.320 --> 0:07:30.840
<v Speaker 1>That means people celebrate you. They don't just celebrate you

0:07:30.920 --> 0:07:34.200
<v Speaker 1>when you feel like being celebrated. They celebrate you all

0:07:34.240 --> 0:07:38.680
<v Speaker 1>the time, which is why your standards of existing are

0:07:38.760 --> 0:07:40.000
<v Speaker 1>higher than most people.

0:07:40.360 --> 0:07:42.120
<v Speaker 2>It's fine. I never really thought about it because the

0:07:42.160 --> 0:07:44.480
<v Speaker 2>spelling has been changed. But you have to celebrate tour

0:07:44.720 --> 0:07:45.760
<v Speaker 2>and to celebrate tea.

0:07:46.440 --> 0:07:47.120
<v Speaker 3>Thanks.

0:07:49.600 --> 0:07:55.080
<v Speaker 1>So this is no seilings. Gl My brother Peter in

0:07:55.120 --> 0:08:01.120
<v Speaker 1>the house cooking on this good Tuesday. Glad y'all here

0:08:01.120 --> 0:08:04.000
<v Speaker 1>to check this out. Make sure y'all leave a comment

0:08:04.000 --> 0:08:06.680
<v Speaker 1>if you listen to this podcast. It's I think we're

0:08:06.720 --> 0:08:09.880
<v Speaker 1>doing five or six seven thousand streams every week, but

0:08:10.240 --> 0:08:12.880
<v Speaker 1>you know downloads every week, but you're not listening to

0:08:12.920 --> 0:08:13.440
<v Speaker 1>the podcast.

0:08:13.440 --> 0:08:15.200
<v Speaker 3>I need you to listen to the podcast. I need

0:08:15.240 --> 0:08:16.040
<v Speaker 3>you to leave a comment.

0:08:16.080 --> 0:08:18.760
<v Speaker 1>I need you to start driving this podcast up if

0:08:18.760 --> 0:08:21.040
<v Speaker 1>you want to do a solid for a solid you

0:08:21.080 --> 0:08:23.360
<v Speaker 1>know what I'm saying, Just driving this podcast because I

0:08:23.400 --> 0:08:26.520
<v Speaker 1>do want it successful, and you know, I don't know

0:08:26.560 --> 0:08:28.800
<v Speaker 1>if we're gonna be, you know, back for a fifth season.

0:08:30.480 --> 0:08:32.880
<v Speaker 1>I'm just starting to like it. I you know, I

0:08:32.920 --> 0:08:34.760
<v Speaker 1>think you're finding your place in it, you know what

0:08:34.800 --> 0:08:37.840
<v Speaker 1>I'm saying. So I'm glad we did it, you know.

0:08:37.840 --> 0:08:41.280
<v Speaker 1>I mean, if this is the last season, sure, sure,

0:08:43.800 --> 0:08:48.120
<v Speaker 1>But again I think there needs to be a little

0:08:48.120 --> 0:08:53.480
<v Speaker 1>bit more respect from people that are celebrated when it

0:08:53.559 --> 0:08:56.120
<v Speaker 1>comes to handling other people's dreams.

0:08:57.720 --> 0:08:59.680
<v Speaker 2>Yeah. I mean, this is one of those things where

0:09:01.880 --> 0:09:07.240
<v Speaker 2>if it's content, that's you, you know what I mean.

0:09:07.559 --> 0:09:11.719
<v Speaker 2>It's like a you're selling a relationship more than you're

0:09:11.760 --> 0:09:15.440
<v Speaker 2>selling a product in a lot of senses. So it's

0:09:15.520 --> 0:09:17.360
<v Speaker 2>like you want to take their money. You don't want

0:09:17.360 --> 0:09:19.520
<v Speaker 2>to take their picture. That's like halving a girl. You

0:09:19.559 --> 0:09:21.439
<v Speaker 2>want to take her pussy. You don't want to take

0:09:21.480 --> 0:09:25.960
<v Speaker 2>her opinion. It's not probably gonna last real long. You know,

0:09:26.000 --> 0:09:28.120
<v Speaker 2>it's gonna be a little contentious and then it's gonna

0:09:28.559 --> 0:09:30.800
<v Speaker 2>burn itself out. So you have to be appreciative of

0:09:30.800 --> 0:09:34.160
<v Speaker 2>that relationship if you have it. You know, a lot

0:09:34.160 --> 0:09:35.720
<v Speaker 2>more people want it than have it.

0:09:37.080 --> 0:09:40.080
<v Speaker 1>And I do think the reason they want it is

0:09:40.200 --> 0:09:42.560
<v Speaker 1>all for the wrong reasons and it's not.

0:09:42.480 --> 0:09:43.600
<v Speaker 3>Going to be literally want.

0:09:45.320 --> 0:09:46.080
<v Speaker 2>So probably true.

0:09:48.800 --> 0:09:51.280
<v Speaker 1>I think a lot of like I'm starting to realize,

0:09:51.920 --> 0:09:54.120
<v Speaker 1>I think we talked about this, that people are getting

0:09:54.559 --> 0:09:58.640
<v Speaker 1>corded onto gangs, like jumped into gangs because they want

0:09:58.679 --> 0:10:02.440
<v Speaker 1>to be a rapper, and so they want the cultural

0:10:02.480 --> 0:10:05.480
<v Speaker 1>cachet that comes with being right. They may have no

0:10:05.640 --> 0:10:09.680
<v Speaker 1>other access points into street urban culture right, or they

0:10:09.679 --> 0:10:10.280
<v Speaker 1>feel like.

0:10:10.240 --> 0:10:14.640
<v Speaker 3>The movement of it all so please them, you know

0:10:14.640 --> 0:10:15.120
<v Speaker 3>what I'm saying.

0:10:15.120 --> 0:10:18.640
<v Speaker 1>So they go and join a movement that could have

0:10:19.360 --> 0:10:21.760
<v Speaker 1>true implications on if they live or die to be

0:10:22.840 --> 0:10:23.360
<v Speaker 1>old men.

0:10:24.440 --> 0:10:26.360
<v Speaker 2>I would respect him more if they just went out

0:10:26.400 --> 0:10:29.400
<v Speaker 2>and just strategically committed a crime that came with like

0:10:29.400 --> 0:10:32.199
<v Speaker 2>a twenty four to thirty six month kind of predictable

0:10:32.280 --> 0:10:35.959
<v Speaker 2>sentence and just did your time came out yeah, I'm

0:10:35.960 --> 0:10:38.640
<v Speaker 2>a feeling. Yeah, I did a couple of years whatever,

0:10:38.960 --> 0:10:41.560
<v Speaker 2>like really go for it, you know, not just like yeah,

0:10:41.600 --> 0:10:43.600
<v Speaker 2>I live thirty miles out of that neighborhood of those

0:10:43.640 --> 0:10:45.320
<v Speaker 2>guys did whoop my ass over lunch?

0:10:46.040 --> 0:10:50.079
<v Speaker 3>That is true.

0:10:51.880 --> 0:10:54.440
<v Speaker 1>You know what's funny when I think about Tupac's journey,

0:10:54.520 --> 0:10:57.240
<v Speaker 1>I genuinely now his case.

0:10:58.280 --> 0:10:59.120
<v Speaker 3>You know, his case.

0:11:00.080 --> 0:11:02.079
<v Speaker 1>It's real, you know what I mean, Like he took

0:11:02.160 --> 0:11:05.640
<v Speaker 1>a he was in a really weird case based off

0:11:05.640 --> 0:11:09.320
<v Speaker 1>his relationship and misunderstanding with some lady with a young lady.

0:11:09.360 --> 0:11:13.800
<v Speaker 1>Shout out to that lady his actual.

0:11:13.480 --> 0:11:15.120
<v Speaker 3>Case right that he went to prison over.

0:11:18.679 --> 0:11:22.880
<v Speaker 1>But I remember, you know, him going into jail and

0:11:22.920 --> 0:11:27.360
<v Speaker 1>how like messed up he was about going to jail,

0:11:27.480 --> 0:11:29.120
<v Speaker 1>like to the point where there was a time I

0:11:29.160 --> 0:11:30.760
<v Speaker 1>thought Pap was gonna tell.

0:11:31.000 --> 0:11:33.080
<v Speaker 3>He was like, you know, it wasn't.

0:11:33.120 --> 0:11:36.360
<v Speaker 1>I wasn't just there, no, he because because the case

0:11:36.559 --> 0:11:36.920
<v Speaker 1>was like.

0:11:38.559 --> 0:11:44.160
<v Speaker 3>Okay, so so of his case.

0:11:44.440 --> 0:11:48.120
<v Speaker 1>It's not a simple sexual caught a sexual case. Shout

0:11:48.120 --> 0:11:49.640
<v Speaker 1>out to the R word. I don't want to use

0:11:49.679 --> 0:11:51.520
<v Speaker 1>it because I heard they be tripping when you use

0:11:51.600 --> 0:11:57.640
<v Speaker 1>the R word. But the sexual assault case, if I

0:11:57.720 --> 0:12:03.319
<v Speaker 1>understood correctly was rooted in pop You know this girl

0:12:03.360 --> 0:12:06.880
<v Speaker 1>he was kind of messing around with. He let his friends.

0:12:06.960 --> 0:12:09.560
<v Speaker 1>He opened the door and allowed his friends to come

0:12:09.640 --> 0:12:10.760
<v Speaker 1>in and sleep with this label.

0:12:10.760 --> 0:12:11.920
<v Speaker 2>Oh conductor.

0:12:12.640 --> 0:12:13.880
<v Speaker 3>Yes. Now.

0:12:14.000 --> 0:12:16.880
<v Speaker 1>I think the lady initially didn't complain because she thought

0:12:16.960 --> 0:12:22.720
<v Speaker 1>this is what PAP wanted. And then after their relationship fizzled, right,

0:12:23.360 --> 0:12:27.040
<v Speaker 1>she decided to go to the police, like this is

0:12:27.080 --> 0:12:30.400
<v Speaker 1>what happened. Right, because the R word right, or sexual

0:12:30.400 --> 0:12:34.200
<v Speaker 1>assault is not about a woman. It's not about a

0:12:34.240 --> 0:12:36.920
<v Speaker 1>woman not saying no. That's it's not about a woman

0:12:37.360 --> 0:12:39.880
<v Speaker 1>saying no. That's not what it is. A woman needs

0:12:39.920 --> 0:12:44.640
<v Speaker 1>to say yes. Sure, she don't have to say no.

0:12:46.200 --> 0:12:50.080
<v Speaker 1>If she doesn't say yes, you can be convicted on

0:12:50.200 --> 0:12:52.920
<v Speaker 1>that level of sexual assault. So I say that to

0:12:52.960 --> 0:12:55.840
<v Speaker 1>say right. So when he was going to jail, he

0:12:55.960 --> 0:12:57.760
<v Speaker 1>was like yeah, like I was the only person that room.

0:12:57.800 --> 0:12:59.840
<v Speaker 1>It was other people there too, And I remember seeing

0:12:59.840 --> 0:13:02.560
<v Speaker 1>that like, well, that sound like he about to break.

0:13:03.440 --> 0:13:07.760
<v Speaker 1>But the point I'm getting to is when he decided

0:13:08.360 --> 0:13:11.079
<v Speaker 1>that his time in prison right because he was always reading.

0:13:11.240 --> 0:13:14.440
<v Speaker 3>I remember hearing the stories and watching him speak about it.

0:13:14.840 --> 0:13:18.000
<v Speaker 1>But when he started to make his plan about how

0:13:18.040 --> 0:13:20.319
<v Speaker 1>he was going to take over the business based off

0:13:20.360 --> 0:13:24.840
<v Speaker 1>of this experience right that he was going through currently

0:13:24.920 --> 0:13:27.200
<v Speaker 1>and everything else he'd been through, and his attitude.

0:13:27.240 --> 0:13:29.320
<v Speaker 3>He wrote it out like a.

0:13:29.240 --> 0:13:35.920
<v Speaker 1>Blueprint, came home and built a mansion, not a not

0:13:36.000 --> 0:13:38.520
<v Speaker 1>a real mansion. He bought a mansion, but he built

0:13:38.559 --> 0:13:42.360
<v Speaker 1>a proverbial mansion. Out of his career at the highest

0:13:42.440 --> 0:13:47.360
<v Speaker 1>level his music career in ten months and passed away.

0:13:49.320 --> 0:13:51.280
<v Speaker 1>All he did have a start. I mean, obviously he

0:13:51.320 --> 0:13:53.280
<v Speaker 1>had plage of records, he had a couple of things,

0:13:53.280 --> 0:13:57.360
<v Speaker 1>but he was far from being the number one rapper

0:13:57.360 --> 0:14:01.520
<v Speaker 1>in the game before that. I don't think there was

0:14:01.559 --> 0:14:05.840
<v Speaker 1>a year before that. Maybe ninety five pop could have

0:14:05.880 --> 0:14:10.680
<v Speaker 1>been top three maybe.

0:14:17.160 --> 0:14:22.680
<v Speaker 3>Maybe I know he was top five in ninety five.

0:14:23.520 --> 0:14:26.160
<v Speaker 1>I'm sure I'm comfortable saying he was top five, but

0:14:26.280 --> 0:14:28.040
<v Speaker 1>I don't know if he was top three verses in

0:14:28.120 --> 0:14:31.120
<v Speaker 1>ninety six. He became the number one five pre death Row,

0:14:31.920 --> 0:14:33.720
<v Speaker 1>pre death Row, when he was yeah when when?

0:14:34.080 --> 0:14:34.800
<v Speaker 3>When? Uh?

0:14:35.480 --> 0:14:38.160
<v Speaker 1>The album came out? They had Dear Mama. I don't

0:14:38.200 --> 0:14:40.120
<v Speaker 1>know why that album is slipping my mind. The title

0:14:40.160 --> 0:14:45.320
<v Speaker 1>of it be against the Work Okay is album number

0:14:45.320 --> 0:14:48.240
<v Speaker 1>one that he ended up doing a quarter million first week,

0:14:49.080 --> 0:14:53.240
<v Speaker 1>which is more than he did on the double CD, right,

0:14:53.400 --> 0:14:54.960
<v Speaker 1>so you know.

0:14:55.240 --> 0:14:56.000
<v Speaker 3>Big records.

0:14:56.080 --> 0:14:59.520
<v Speaker 1>Dear Mama shed so many tears, which to me got

0:14:59.560 --> 0:15:03.600
<v Speaker 1>him a differ from street following, especially on the West.

0:15:06.880 --> 0:15:09.880
<v Speaker 1>But I say that to say, like his dream was

0:15:09.920 --> 0:15:13.640
<v Speaker 1>realized in that much time, you know, right once he planned.

0:15:13.680 --> 0:15:16.600
<v Speaker 1>So back to your point where it's like, like you

0:15:16.600 --> 0:15:18.640
<v Speaker 1>would respect more of somebody, you know, if you're going

0:15:18.680 --> 0:15:20.480
<v Speaker 1>to do a crime, and then you built this as

0:15:20.520 --> 0:15:24.040
<v Speaker 1>your platform to declare how street you are and how solid.

0:15:23.640 --> 0:15:24.880
<v Speaker 3>You are, and that's.

0:15:26.520 --> 0:15:32.920
<v Speaker 1>Right, yeah, yeah, No, Pop didn't go that route, but

0:15:32.960 --> 0:15:36.840
<v Speaker 1>he did make the most out of his misfortune. And

0:15:36.880 --> 0:15:39.400
<v Speaker 1>that's what hip hop is all about, making the most.

0:15:39.520 --> 0:15:43.160
<v Speaker 1>That's what street urban culture is about finding pride in

0:15:43.200 --> 0:15:46.920
<v Speaker 1>your unfortunate situations, and in hip hop, it's about making

0:15:47.000 --> 0:15:50.640
<v Speaker 1>true art out of this this unfortunate experience, you know,

0:15:50.680 --> 0:15:52.600
<v Speaker 1>I mean using that pride, and.

0:15:52.520 --> 0:15:56.640
<v Speaker 2>That's an interesting thing. And I don't want to rabbit

0:15:56.680 --> 0:16:04.760
<v Speaker 2>hole this forever, but like I can not sympathize, I

0:16:04.760 --> 0:16:11.320
<v Speaker 2>can understand like getting totally thrown off to the point

0:16:11.320 --> 0:16:18.040
<v Speaker 2>where you might, you know, compromise your integrity through a

0:16:18.080 --> 0:16:23.280
<v Speaker 2>testimony when you get brought in on a crime that

0:16:23.320 --> 0:16:26.760
<v Speaker 2>you didn't intend to commit. You know what I'm saying

0:16:26.800 --> 0:16:29.760
<v Speaker 2>like that, that would be jarring. Like if you go out,

0:16:30.160 --> 0:16:32.160
<v Speaker 2>if you are like, I'm gonna go do that. I

0:16:32.200 --> 0:16:34.520
<v Speaker 2>know it's illegal, We're gonna go do that. Everyone, we're

0:16:34.520 --> 0:16:37.680
<v Speaker 2>doing that. I'm doing that, and then afterwards you fold

0:16:38.920 --> 0:16:41.960
<v Speaker 2>what the hell are you? But if you're like, yeah, yeah,

0:16:41.960 --> 0:16:46.600
<v Speaker 2>we're having a good time. Okay, you're facing five what like,

0:16:46.600 --> 0:16:48.040
<v Speaker 2>like that's very traumatic?

0:16:48.920 --> 0:16:55.640
<v Speaker 1>No, yeah, pos pos Po journey, you know, yeah, Po's

0:16:55.720 --> 0:17:00.400
<v Speaker 1>journey definitely had some level of trauma. But again, great

0:17:00.480 --> 0:17:05.680
<v Speaker 1>hip hop artists take ownership over trauma. Sure, I mean

0:17:05.800 --> 0:17:08.800
<v Speaker 1>modern hip hop artists seems like they're falling victim to it.

0:17:08.880 --> 0:17:13.000
<v Speaker 1>That's the thing that people celebrated then falling victim to

0:17:13.080 --> 0:17:15.840
<v Speaker 1>their trauma. But the hip hop music I grew up

0:17:15.880 --> 0:17:19.040
<v Speaker 1>on was all about taking ownership and control of trauma.

0:17:19.640 --> 0:17:21.800
<v Speaker 1>Like it was cool, like Okay, they got drugs in

0:17:21.800 --> 0:17:24.160
<v Speaker 1>my community, Well guess what, I'm finna get rich with these.

0:17:24.200 --> 0:17:25.240
<v Speaker 3>I ain't finna do them.

0:17:25.520 --> 0:17:28.840
<v Speaker 1>Versus today where it's like, you know, people are like,

0:17:29.000 --> 0:17:32.960
<v Speaker 1>oh okay, well I can't handle the stresses of this

0:17:33.240 --> 0:17:36.520
<v Speaker 1>current situation. So I'm going to do the drugs, and

0:17:36.560 --> 0:17:39.120
<v Speaker 1>I'm going to celebrate how much money I make by

0:17:39.160 --> 0:17:41.840
<v Speaker 1>how expensive the drugs are that I do.

0:17:42.200 --> 0:17:46.560
<v Speaker 2>And how relatable my plight is to other people, you know,

0:17:46.680 --> 0:17:49.360
<v Speaker 2>so to speak like that, and that's that's a generational thing.

0:17:49.440 --> 0:17:51.280
<v Speaker 2>Like I mean, I don't know why it took me

0:17:51.400 --> 0:17:54.040
<v Speaker 2>such a long time to articulate it concisely, but I

0:17:54.040 --> 0:17:59.320
<v Speaker 2>remember being at the Black Effect thing in Atlanta, and

0:17:59.400 --> 0:18:02.240
<v Speaker 2>I don't remember who was even on stage. It's just

0:18:02.280 --> 0:18:03.920
<v Speaker 2>I could hear it. We were in the back where

0:18:03.920 --> 0:18:05.720
<v Speaker 2>the food was so that I couldn't see. They're just

0:18:05.800 --> 0:18:09.800
<v Speaker 2>noise coming and it was somebody was talking about something

0:18:09.840 --> 0:18:12.680
<v Speaker 2>to like a psychiatrist on the stage about like blah

0:18:12.680 --> 0:18:14.879
<v Speaker 2>blah blah blah, the first grade. And she'said, this is

0:18:14.920 --> 0:18:18.320
<v Speaker 2>your trauma. Everyone's trauma, trauma, trauma, and this kind of

0:18:19.320 --> 0:18:23.080
<v Speaker 2>being on the wrong side of like you know, victim mentality,

0:18:23.160 --> 0:18:25.160
<v Speaker 2>whatever the hell, But there's a there's a generational difference

0:18:25.160 --> 0:18:26.720
<v Speaker 2>between how things are perceived. And I was like, I

0:18:26.720 --> 0:18:28.080
<v Speaker 2>don't want to hear about your trauma. I want to

0:18:28.080 --> 0:18:29.920
<v Speaker 2>hear about your durability. And that was what I thought

0:18:29.960 --> 0:18:33.359
<v Speaker 2>was so great about that generation. That era was the

0:18:33.359 --> 0:18:37.640
<v Speaker 2>theme was about the durability. You know, everything was like, yeah,

0:18:37.640 --> 0:18:41.240
<v Speaker 2>all this shit's happening, and I'm durable and I'm walking

0:18:41.320 --> 0:18:43.040
<v Speaker 2>through it. Now it's like, all this shit's happening and

0:18:43.080 --> 0:18:44.720
<v Speaker 2>I can't handle it. There's a different tenor to those

0:18:44.720 --> 0:18:45.200
<v Speaker 2>two things.

0:18:45.800 --> 0:18:50.400
<v Speaker 1>That's a great point. They definitely everything is about being

0:18:50.440 --> 0:18:55.320
<v Speaker 1>close to suicide today. Yeah, I wasn't celebrated when I

0:18:55.359 --> 0:18:59.000
<v Speaker 1>was growing up. It was about the durability. Well, I

0:18:59.000 --> 0:19:02.840
<v Speaker 1>mean or I throw us the crunch era, so oh yeah, yeah,

0:19:02.920 --> 0:19:05.760
<v Speaker 1>shout out to shout out to the boys from Seattle.

0:19:05.920 --> 0:19:08.679
<v Speaker 3>Uh Nirvana, Yeah, al.

0:19:08.840 --> 0:19:12.639
<v Speaker 2>Changed all of bost of those guys. Seattle Rock in

0:19:12.680 --> 0:19:16.359
<v Speaker 2>the nineties went out like south Side Houston rappers in

0:19:16.359 --> 0:19:18.040
<v Speaker 2>the two thousands, only about four left.

0:19:18.560 --> 0:19:21.040
<v Speaker 1>You know what's funny, growing up, it was considered white

0:19:21.040 --> 0:19:22.040
<v Speaker 1>to commit suicide.

0:19:23.440 --> 0:19:25.520
<v Speaker 2>Statistically, it was considered.

0:19:25.080 --> 0:19:28.640
<v Speaker 3>White, saying, ain't that crazy how that worked?

0:19:28.640 --> 0:19:30.800
<v Speaker 1>Though, Like, yeah, that was like some white people ship

0:19:31.600 --> 0:19:35.360
<v Speaker 1>mm hmm doing, Like committing suicide was the whitest thing

0:19:35.440 --> 0:19:40.800
<v Speaker 1>you could do when I grew up. Yeah, as a brother,

0:19:40.920 --> 0:19:45.040
<v Speaker 1>you were like you were told to endure, you were

0:19:45.160 --> 0:19:49.479
<v Speaker 1>supposed to endure and and and that is the driving

0:19:49.560 --> 0:19:50.680
<v Speaker 1>force that made hip hop.

0:19:50.720 --> 0:19:55.000
<v Speaker 3>Gret I agree with you there. I think people truly.

0:19:54.800 --> 0:20:00.440
<v Speaker 1>Enjoyed, you know what I mean that all this struggle,

0:20:00.520 --> 0:20:04.399
<v Speaker 1>people talking about all this misfortune, and that is the

0:20:04.440 --> 0:20:06.359
<v Speaker 1>great that's a great point about hip hop, you know

0:20:06.359 --> 0:20:08.080
<v Speaker 1>what I mean. And it is a dream come true

0:20:08.080 --> 0:20:12.159
<v Speaker 1>for the ghetto. Whereas like we can't afford the finance

0:20:13.040 --> 0:20:17.840
<v Speaker 1>Mercedes Benz, So we pushed grandfathers old and Pola out

0:20:17.880 --> 0:20:22.399
<v Speaker 1>the yard. Right, we take it apart, do all the

0:20:22.440 --> 0:20:25.359
<v Speaker 1>new interior painted. We put the wired wheels on it,

0:20:26.040 --> 0:20:31.000
<v Speaker 1>put some airport you know, landing gear on it called hydraulics,

0:20:31.240 --> 0:20:35.280
<v Speaker 1>and look, look, world, this is what we did, you

0:20:35.280 --> 0:20:38.640
<v Speaker 1>know what I mean. And I think America in the

0:20:38.680 --> 0:20:42.800
<v Speaker 1>world was like that's all right, you know, damn they

0:20:43.320 --> 0:20:46.919
<v Speaker 1>they did that with that, that's you know, even your father,

0:20:47.080 --> 0:20:49.879
<v Speaker 1>right would have to be like, no, that's okay. Like

0:20:50.320 --> 0:20:53.600
<v Speaker 1>I like how they made the most out of their circumstance,

0:20:54.720 --> 0:20:57.719
<v Speaker 1>even the broken English. Instead of you know, letting it

0:20:57.760 --> 0:21:02.760
<v Speaker 1>be a setback, letting it be a setback, right, it

0:21:02.880 --> 0:21:04.639
<v Speaker 1>was like, oh no, we're gonna take pride in the

0:21:04.680 --> 0:21:09.280
<v Speaker 1>fact our English programs are bad, and our schooling is underfunded,

0:21:09.640 --> 0:21:12.359
<v Speaker 1>and we're gonna still communicate, and we're gonna make it

0:21:12.400 --> 0:21:12.720
<v Speaker 1>cool to.

0:21:12.720 --> 0:21:14.240
<v Speaker 3>Communicate, you know.

0:21:14.240 --> 0:21:16.040
<v Speaker 1>I mean, oh, oh, you know what, all we can

0:21:16.080 --> 0:21:18.520
<v Speaker 1>afford you know, you going to school. Your parents can

0:21:18.560 --> 0:21:21.520
<v Speaker 1>only afford seven pairs of work pants because work pants

0:21:21.560 --> 0:21:24.680
<v Speaker 1>were cheap, right, the dickies were cheap. And it's like, nah,

0:21:24.680 --> 0:21:27.239
<v Speaker 1>but I'm gonna put a crease in mind and I'm

0:21:27.240 --> 0:21:29.359
<v Speaker 1>gonna cuff the bottom of them. I'm gonna put a

0:21:29.400 --> 0:21:32.240
<v Speaker 1>flare in a fashion with them. Oh, you know what,

0:21:32.280 --> 0:21:35.000
<v Speaker 1>the All Star Chuck Tator's there, twelve dollars. They're cheap,

0:21:35.000 --> 0:21:37.159
<v Speaker 1>and your your mom can get you four pair, you know,

0:21:37.200 --> 0:21:39.320
<v Speaker 1>so you have four different colors, you know what. I'm

0:21:39.359 --> 0:21:42.000
<v Speaker 1>gonna put a big lace in them, and I'm gonna

0:21:42.040 --> 0:21:45.159
<v Speaker 1>flip the tongue down like it was a pride in

0:21:45.200 --> 0:21:49.000
<v Speaker 1>that struggle. So yeah, people would still be complaining about

0:21:49.000 --> 0:21:52.840
<v Speaker 1>the struggle, but also they would take pride in the

0:21:52.880 --> 0:21:56.000
<v Speaker 1>fact that they are surviving it with another level.

0:21:57.400 --> 0:21:59.720
<v Speaker 2>And I think that that's an interesting dichotomy of always

0:21:59.760 --> 0:22:06.200
<v Speaker 2>kind of observed between even like chronologically prior eras of

0:22:06.880 --> 0:22:10.480
<v Speaker 2>like particularly black music, even like in the Islands, like

0:22:11.320 --> 0:22:13.560
<v Speaker 2>Jamaican music, you know. At the same time, it was

0:22:13.600 --> 0:22:17.920
<v Speaker 2>like there was sort of an inverse relationship between how

0:22:18.040 --> 0:22:22.320
<v Speaker 2>circumstantially downtrodden stuff was and then the music was happier,

0:22:23.280 --> 0:22:25.440
<v Speaker 2>you know, And then there was a sweet spot in

0:22:25.520 --> 0:22:31.600
<v Speaker 2>hip hop where was like, we're putting out strength and

0:22:31.640 --> 0:22:36.119
<v Speaker 2>perseverance to our people listening, but we're also going to

0:22:36.160 --> 0:22:39.240
<v Speaker 2>try to pair that with some understanding of why we're

0:22:39.480 --> 0:22:43.760
<v Speaker 2>feeling this way to listeners that are outside of our circle,

0:22:44.480 --> 0:22:45.800
<v Speaker 2>you know what I mean. And then you go into

0:22:45.880 --> 0:22:48.159
<v Speaker 2>like the suburbs where like everyone's happy and it's like

0:22:48.200 --> 0:22:51.000
<v Speaker 2>the darkest, most souicidal music you can fire in the world.

0:22:51.160 --> 0:22:53.359
<v Speaker 2>And I think part of that's the human desire to

0:22:53.400 --> 0:22:55.960
<v Speaker 2>have three hundred and sixty degrees of the emotional experience.

0:22:56.080 --> 0:22:59.159
<v Speaker 2>You have to manufacture joy, and you have to manufacture

0:22:59.480 --> 0:23:02.280
<v Speaker 2>anger sad if you aren't giving it, you know what

0:23:02.320 --> 0:23:04.439
<v Speaker 2>I mean, to a degree, I like that.

0:23:05.119 --> 0:23:09.239
<v Speaker 3>I like that. You what's your dream do you do?

0:23:09.280 --> 0:23:10.440
<v Speaker 3>You do you have a dream?

0:23:10.640 --> 0:23:13.199
<v Speaker 2>I don't have a dream no more. I used to

0:23:13.240 --> 0:23:17.720
<v Speaker 2>have some those are those are gone. I'm just I mean,

0:23:17.720 --> 0:23:21.359
<v Speaker 2>like bluntly speaking, I'm just waiting it out.

0:23:21.880 --> 0:23:23.160
<v Speaker 3>You know, it's funny. I don't.

0:23:23.400 --> 0:23:26.280
<v Speaker 1>I don't have a dream like that anymore. I really

0:23:26.280 --> 0:23:29.480
<v Speaker 1>feel like, why would I dream like? To me, a

0:23:29.560 --> 0:23:34.520
<v Speaker 1>dream should only be some things that no human has achieved. Yeah,

0:23:34.840 --> 0:23:39.160
<v Speaker 1>like a dream would be going to Mars. I don't

0:23:39.240 --> 0:23:42.640
<v Speaker 1>understand how people could dream about a car that's mass produced.

0:23:44.359 --> 0:23:47.399
<v Speaker 2>Yeah, you know what drives me insane? And I and

0:23:47.440 --> 0:23:49.560
<v Speaker 2>I've brought it up before I was I had an

0:23:49.600 --> 0:23:51.400
<v Speaker 2>interest in doing contact. If I was gonna spin off

0:23:51.400 --> 0:23:56.000
<v Speaker 2>some individual like thing, I just never did it. I'm

0:23:56.080 --> 0:24:04.160
<v Speaker 2>fascinated by just thumbing through women's profiles on dating apps

0:24:04.200 --> 0:24:06.480
<v Speaker 2>of how they describe themselves in their own words. For

0:24:06.560 --> 0:24:09.720
<v Speaker 2>the aggregate psychological intake of data that you can do

0:24:10.320 --> 0:24:17.960
<v Speaker 2>so rapidly, it's like watching a giant polling project and

0:24:18.040 --> 0:24:21.600
<v Speaker 2>fast forward. It's really And there's certain themes that I

0:24:21.760 --> 0:24:28.120
<v Speaker 2>noticed that are like perfect encapsulations of time and space

0:24:28.400 --> 0:24:31.119
<v Speaker 2>in the human experience. And one of them is what

0:24:31.320 --> 0:24:35.159
<v Speaker 2>is your dream for the next year? That they always

0:24:35.160 --> 0:24:40.199
<v Speaker 2>say the ship, And it's always some stupid fuck travel

0:24:40.240 --> 0:24:46.040
<v Speaker 2>destination they want to go to. For the backgrounds and

0:24:46.080 --> 0:24:46.560
<v Speaker 2>all of it.

0:24:47.400 --> 0:24:49.760
<v Speaker 1>I would love to one day figure out how that

0:24:49.880 --> 0:24:54.200
<v Speaker 1>became a thing. I do not remember growing up in

0:24:54.320 --> 0:24:59.720
<v Speaker 1>women traveling being a thing five years. But if you

0:24:59.800 --> 0:25:02.880
<v Speaker 1>if you you think about women culturally, and I mean

0:25:03.080 --> 0:25:05.800
<v Speaker 1>women culturally, because there's a culture.

0:25:05.480 --> 0:25:09.520
<v Speaker 3>Of being a woman, all women, and they are like.

0:25:11.119 --> 0:25:16.080
<v Speaker 1>Way more human than we are, right, like it's gonna

0:25:16.359 --> 0:25:19.720
<v Speaker 1>This is why I think they're way more human because

0:25:20.520 --> 0:25:23.320
<v Speaker 1>they are so in tune with the other what the

0:25:23.359 --> 0:25:25.440
<v Speaker 1>other one has and wants.

0:25:25.840 --> 0:25:27.560
<v Speaker 3>They are so in tune with.

0:25:27.480 --> 0:25:31.040
<v Speaker 1>It, like think about it, like girls want big titties

0:25:31.080 --> 0:25:35.919
<v Speaker 1>because they saw another girl with big titties. Girls want

0:25:36.240 --> 0:25:39.560
<v Speaker 1>girls want big booties because they've seen another girl with

0:25:39.640 --> 0:25:43.120
<v Speaker 1>big I have never looked at any man and said

0:25:43.119 --> 0:25:46.560
<v Speaker 1>to myself, I want what that person has, like it

0:25:46.640 --> 0:25:49.160
<v Speaker 1>doesn't fit me. It may not fit me. Like I've

0:25:49.200 --> 0:25:51.200
<v Speaker 1>never looked at your beard. It was like, I'm gonna

0:25:51.240 --> 0:25:52.959
<v Speaker 1>die my beard red like Pete.

0:25:55.000 --> 0:25:55.920
<v Speaker 2>That's probably good.

0:25:56.720 --> 0:26:01.159
<v Speaker 1>But women, they they create these standards that kind of

0:26:01.200 --> 0:26:06.159
<v Speaker 1>becomes the thing the whole time, like like eyelashes or traveling,

0:26:07.080 --> 0:26:11.440
<v Speaker 1>and like if you ask them past where they're talking from,

0:26:11.480 --> 0:26:12.800
<v Speaker 1>you like, well, why do you want to go there?

0:26:12.840 --> 0:26:15.840
<v Speaker 1>They don't really know anything about the police.

0:26:15.880 --> 0:26:19.479
<v Speaker 2>That is the show stopper conversation that I've had with

0:26:19.600 --> 0:26:21.960
<v Speaker 2>more girls over the last few years. I want to

0:26:22.000 --> 0:26:24.680
<v Speaker 2>go here, don't you suck traveling? No? And I save

0:26:24.880 --> 0:26:28.280
<v Speaker 2>my usual phrase that I always say, the juice isn't

0:26:28.320 --> 0:26:30.800
<v Speaker 2>worth the squeeze. I just can't believe ho you would

0:26:30.840 --> 0:26:33.520
<v Speaker 2>want to go to trouble. What's your itinerary? You just

0:26:33.560 --> 0:26:35.639
<v Speaker 2>want to sit by a pool, have a cocktail and

0:26:35.680 --> 0:26:36.439
<v Speaker 2>take a picture of it.

0:26:36.800 --> 0:26:37.159
<v Speaker 3>That's it.

0:26:37.240 --> 0:26:39.879
<v Speaker 2>You could do that at the fucking hotel up the street.

0:26:41.240 --> 0:26:44.040
<v Speaker 2>If you took four days off and went to a

0:26:44.160 --> 0:26:47.159
<v Speaker 2>nice hotel with a nice pool, and your town is

0:26:47.280 --> 0:26:49.600
<v Speaker 2>fucked off three thousand dollars for the sake of it,

0:26:50.359 --> 0:26:51.440
<v Speaker 2>you wouldn't know the difference.

0:26:53.080 --> 0:26:55.480
<v Speaker 1>Well, they would have to first admit that they are

0:26:55.520 --> 0:27:00.280
<v Speaker 1>doing things for social currency, and women truly hate to

0:27:00.400 --> 0:27:00.920
<v Speaker 1>admit that.

0:27:00.960 --> 0:27:12.680
<v Speaker 3>Weirdly, I don't know why they thanks, hey.

0:27:12.640 --> 0:27:20.560
<v Speaker 1>Hate to admit things everything. I don't know what that is, man,

0:27:20.600 --> 0:27:24.200
<v Speaker 1>but they are so busy. It's weird because they are

0:27:24.240 --> 0:27:26.080
<v Speaker 1>so envious over each other.

0:27:26.960 --> 0:27:31.360
<v Speaker 2>And the only like trace of a manifestation of that

0:27:31.359 --> 0:27:36.520
<v Speaker 2>that exists on our side. It's like, guys kind of

0:27:36.560 --> 0:27:41.159
<v Speaker 2>want I don't say, specifically, you walk by with Susie.

0:27:41.680 --> 0:27:46.679
<v Speaker 2>I want Susie, but I want a girl comparable to Susie.

0:27:46.720 --> 0:27:49.080
<v Speaker 2>That's kind of where it ends. It's like, oh, he's

0:27:49.080 --> 0:27:50.960
<v Speaker 2>got a bad matche. I want a bad bitch like that.

0:27:50.840 --> 0:27:53.560
<v Speaker 2>That's kind of the most that it happens really for

0:27:54.520 --> 0:27:58.640
<v Speaker 2>men in general speak. It's not like I really want

0:27:58.640 --> 0:28:00.000
<v Speaker 2>that guy shoes so fucking bad.

0:28:04.760 --> 0:28:09.280
<v Speaker 1>Yeah, that is not something normal. I don't know, man,

0:28:09.520 --> 0:28:11.879
<v Speaker 1>I don't know what that's about. I just don't know

0:28:11.880 --> 0:28:14.720
<v Speaker 1>how people dream about things that everybody that people have.

0:28:16.680 --> 0:28:21.280
<v Speaker 2>Yeah, I think maybe to some degree, Yeah, that that

0:28:21.520 --> 0:28:27.359
<v Speaker 2>to me that there is a huge disassociation between what

0:28:28.640 --> 0:28:32.280
<v Speaker 2>is money. All these are the things are exemplar, even money,

0:28:32.320 --> 0:28:36.119
<v Speaker 2>but people understand what money. People think money is the yield.

0:28:36.359 --> 0:28:40.400
<v Speaker 2>It isn't. Money is the metric of the yield. So

0:28:40.440 --> 0:28:44.760
<v Speaker 2>they look past what they're producing to the to the

0:28:44.880 --> 0:28:49.520
<v Speaker 2>ruler that measures how much production they made, not how

0:28:49.600 --> 0:28:52.160
<v Speaker 2>much grain did you grow. It's looking it's looking at

0:28:52.160 --> 0:28:55.120
<v Speaker 2>the height of your silo. No, the silo is just

0:28:55.160 --> 0:28:56.200
<v Speaker 2>there to measure the grain.

0:28:59.280 --> 0:29:03.640
<v Speaker 1>But they would firm for people instead of going to

0:29:03.680 --> 0:29:07.880
<v Speaker 1>grow more grain. They want the effect of people thinking

0:29:08.520 --> 0:29:10.320
<v Speaker 1>with the silo that they have more grain.

0:29:10.560 --> 0:29:14.080
<v Speaker 2>People are probably this is the equivalent of people building empty, giant,

0:29:14.320 --> 0:29:16.880
<v Speaker 2>massive monstrosity silos and people like, well, that guy.

0:29:16.800 --> 0:29:19.840
<v Speaker 1>Sure produces a lot of grain, except you don't have

0:29:19.920 --> 0:29:26.520
<v Speaker 1>the grain empty just tall. Do you think faking it

0:29:25.960 --> 0:29:29.120
<v Speaker 1>is cheaper than actually making it?

0:29:30.160 --> 0:29:34.000
<v Speaker 2>Always? Always? Even the expression fake it till you make

0:29:34.040 --> 0:29:38.640
<v Speaker 2>it fortifies that. I mean, I could to some degree

0:29:38.800 --> 0:29:42.960
<v Speaker 2>understand if you feel that you're robbed of access to

0:29:43.280 --> 0:29:48.400
<v Speaker 2>the opportunity to demonstrate your abilities. So in order to

0:29:48.440 --> 0:29:50.959
<v Speaker 2>get to the platform you can do that, you have

0:29:51.000 --> 0:29:56.320
<v Speaker 2>to kind of pull a sleight of hand to you know,

0:29:56.400 --> 0:30:01.120
<v Speaker 2>fabricate credibility. Sure, but people even doing it really for

0:30:01.160 --> 0:30:03.120
<v Speaker 2>the most part, for that purposes. It's just that they

0:30:03.160 --> 0:30:13.000
<v Speaker 2>just want to fabricate unearned respect. Mm hm.

0:30:17.360 --> 0:30:22.240
<v Speaker 3>So why do they think that challenge is easier of faking?

0:30:22.760 --> 0:30:24.040
<v Speaker 2>Faking it's always easier?

0:30:25.160 --> 0:30:27.800
<v Speaker 3>Is it always?

0:30:30.400 --> 0:30:32.000
<v Speaker 2>Always? So?

0:30:32.240 --> 0:30:37.040
<v Speaker 1>Acting like you have a dollar is easier in actually

0:30:37.080 --> 0:30:37.880
<v Speaker 1>getting a dollar?

0:30:40.760 --> 0:30:43.000
<v Speaker 2>Yeah, I'm sure there's a diminishing returns point where the

0:30:43.080 --> 0:30:48.720
<v Speaker 2>where the example is so minute, But put it this way,

0:30:50.560 --> 0:30:53.520
<v Speaker 2>it's way easier to rent a Lamborghini and drive around

0:30:53.600 --> 0:30:55.160
<v Speaker 2>town in it for the weekend than it is to

0:30:55.200 --> 0:30:55.600
<v Speaker 2>buy it.

0:31:00.120 --> 0:31:01.800
<v Speaker 3>But at that point, what's the.

0:31:07.120 --> 0:31:11.640
<v Speaker 2>You know what amazes me, there's a few like particularly,

0:31:11.680 --> 0:31:13.640
<v Speaker 2>and I don't know I know them. I can't think

0:31:13.680 --> 0:31:16.120
<v Speaker 2>of it and I can, but I recognize the license

0:31:16.160 --> 0:31:19.160
<v Speaker 2>plates of luxury car rental places. There's two or three

0:31:19.200 --> 0:31:21.840
<v Speaker 2>main ones in LA and people come in and they

0:31:21.880 --> 0:31:24.640
<v Speaker 2>do that. I'm amazed that these people don't have the

0:31:24.760 --> 0:31:28.120
<v Speaker 2>foresight as soon as I if I went to LA

0:31:28.160 --> 0:31:31.400
<v Speaker 2>and rented or Ferrari or Lamborghini or some shit, the

0:31:31.520 --> 0:31:34.719
<v Speaker 2>first thing I would do is drive around the corner,

0:31:34.840 --> 0:31:37.240
<v Speaker 2>get out of the car, and take the license frame

0:31:37.320 --> 0:31:40.000
<v Speaker 2>off so people don't think I rented it's six minutes ago.

0:31:43.560 --> 0:31:52.440
<v Speaker 2>They don't even put in that fucking effort. But they

0:31:52.480 --> 0:31:56.719
<v Speaker 2>want the credit of being perceived as being highly productive.

0:32:01.800 --> 0:32:03.280
<v Speaker 3>And I guess it could be cheaper.

0:32:03.320 --> 0:32:11.320
<v Speaker 1>But then m hm, yeah, So I guess it all

0:32:11.360 --> 0:32:14.200
<v Speaker 1>comes down to what's what's better being treated like it

0:32:14.320 --> 0:32:15.040
<v Speaker 1>or being it?

0:32:16.320 --> 0:32:19.720
<v Speaker 2>Yeah, And this is kind of like true. I've always said,

0:32:20.120 --> 0:32:21.400
<v Speaker 2>you know who the richest man of the world is,

0:32:23.040 --> 0:32:24.840
<v Speaker 2>It's President of the United States. I don't care how

0:32:24.920 --> 0:32:30.160
<v Speaker 2>much money is. No one, no one can, no one

0:32:30.200 --> 0:32:34.520
<v Speaker 2>can command the spending of money on themselves at the

0:32:34.640 --> 0:32:43.200
<v Speaker 2>rate that that guy does all day long. Elaborate if

0:32:43.240 --> 0:32:46.720
<v Speaker 2>you wanted to travel anywhere in the world as the

0:32:46.720 --> 0:32:50.120
<v Speaker 2>president of the United States with that level of security

0:32:50.680 --> 0:32:54.200
<v Speaker 2>and have that much influence over industry, because at some

0:32:54.240 --> 0:32:57.040
<v Speaker 2>point you get to where you're like a billionaire billionaire,

0:32:59.440 --> 0:33:02.720
<v Speaker 2>now you're a genda is manipulating industry. No one can

0:33:02.800 --> 0:33:04.680
<v Speaker 2>do that, like the President of the United States. They

0:33:04.720 --> 0:33:07.800
<v Speaker 2>have more capital access than anybody has.

0:33:07.720 --> 0:33:11.480
<v Speaker 3>Capital, but personal capital access.

0:33:11.920 --> 0:33:14.720
<v Speaker 2>That's that. But that goes back to that original question.

0:33:15.080 --> 0:33:18.200
<v Speaker 2>What's better to have it or to have the perception that.

0:33:18.200 --> 0:33:23.120
<v Speaker 3>You have it? So wouldn't the president be the perception

0:33:23.240 --> 0:33:23.840
<v Speaker 3>of having it?

0:33:25.560 --> 0:33:28.720
<v Speaker 2>Yes, But it's like yes and no, they do have

0:33:28.800 --> 0:33:34.280
<v Speaker 2>it because their checks don't bounce. Their checks just don't

0:33:34.320 --> 0:33:37.720
<v Speaker 2>have their own name on them.

0:33:37.720 --> 0:33:40.120
<v Speaker 1>So you spend somebody else's money, I want to spend

0:33:40.200 --> 0:33:41.040
<v Speaker 1>raids money.

0:33:42.960 --> 0:33:44.880
<v Speaker 2>I do you think of how much it would cost

0:33:45.920 --> 0:33:47.640
<v Speaker 2>to like you remember that, Like there was a period

0:33:47.640 --> 0:33:51.120
<v Speaker 2>of time where there was like pseudo death threats on

0:33:51.160 --> 0:33:53.240
<v Speaker 2>Elon Musk when he bought Twitter and people were trying

0:33:53.240 --> 0:33:55.840
<v Speaker 2>to like track his plane on the shit like that.

0:33:57.240 --> 0:34:01.160
<v Speaker 2>How much would it cost Elon to fly multiple private

0:34:01.240 --> 0:34:06.720
<v Speaker 2>jets with multiple Air Force caravans around those private jets?

0:34:06.760 --> 0:34:09.960
<v Speaker 2>Like that would cost an obscene fortune. President SATs every da.

0:34:09.880 --> 0:34:13.279
<v Speaker 3>Of the year. Oh you don't pay a bill, Yeah,

0:34:14.840 --> 0:34:15.480
<v Speaker 3>m hmm.

0:34:17.480 --> 0:34:25.920
<v Speaker 1>Yeah, true corporation business. Do you think you've ever witnessed

0:34:25.920 --> 0:34:29.759
<v Speaker 1>somebody like that takes somebody else's dreams for granted, you

0:34:29.760 --> 0:34:31.759
<v Speaker 1>you've been around a lot of people that are celebrated.

0:34:32.600 --> 0:34:34.799
<v Speaker 1>You ever you ever seen somebody and I don't want

0:34:34.840 --> 0:34:36.720
<v Speaker 1>you to air the person, That's not why I'm asking,

0:34:37.880 --> 0:34:41.080
<v Speaker 1>But you know you've been around people that are celebrated.

0:34:41.920 --> 0:34:44.200
<v Speaker 1>Like we watched the thing happen with Malcolm. Shout out

0:34:44.239 --> 0:34:46.879
<v Speaker 1>to my little bro, Malcolm Mays. We watched the thing

0:34:46.920 --> 0:34:48.920
<v Speaker 1>happened when we were in Atlanta. What was the name

0:34:48.960 --> 0:34:51.959
<v Speaker 1>of that backyard Grill, atl Shout out the Backyard Grill

0:34:52.640 --> 0:34:56.280
<v Speaker 1>atl one of my favorite food places in Atlanta.

0:34:56.320 --> 0:34:59.160
<v Speaker 3>Shout out to the owner, dope brother. You know what

0:34:59.160 --> 0:34:59.400
<v Speaker 3>I mean.

0:34:59.600 --> 0:35:04.839
<v Speaker 1>Kids, They run a business. Amazing lamb chops, amazing wings Man,

0:35:05.040 --> 0:35:06.479
<v Speaker 1>just fantastic place.

0:35:06.520 --> 0:35:10.200
<v Speaker 2>And I love they did at job of pissing off

0:35:10.320 --> 0:35:13.120
<v Speaker 2>steal and that made it all even that much better.

0:35:13.360 --> 0:35:18.800
<v Speaker 1>Yes, they did make still upset, but I was thinking,

0:35:20.120 --> 0:35:22.200
<v Speaker 1>like I felt bad because it's one thing to walk

0:35:22.280 --> 0:35:24.480
<v Speaker 1>up to Malcolm. Now, Malcolm Maye if y'all look him up,

0:35:24.480 --> 0:35:26.640
<v Speaker 1>if you listen to No Siller's podcast, he hasn't been

0:35:26.680 --> 0:35:28.160
<v Speaker 1>on here. I'm gonna make sure I call him. I

0:35:28.160 --> 0:35:30.319
<v Speaker 1>don't know why he hasn't, but we're gonna get him

0:35:30.320 --> 0:35:33.760
<v Speaker 1>on here. But Malcolm is an actor, he's a writer, producer,

0:35:33.880 --> 0:35:36.719
<v Speaker 1>just a really talented brother, you know what I mean.

0:35:37.520 --> 0:35:40.560
<v Speaker 1>But we were chilling at this restaurant out in front,

0:35:40.600 --> 0:35:47.200
<v Speaker 1>just a bunch of West Coast guys, and I tell

0:35:47.239 --> 0:35:51.439
<v Speaker 1>you how many blower wind blowers walk by here every day.

0:35:51.440 --> 0:35:52.759
<v Speaker 1>You would think it wouldn't be a leaf.

0:35:55.320 --> 0:35:57.359
<v Speaker 2>They seriously at that place.

0:35:57.719 --> 0:36:08.479
<v Speaker 1>Yeah uh, A guy asked for a drop, and that's

0:36:08.600 --> 0:36:11.480
<v Speaker 1>like business like. It's one thing to walk up to

0:36:11.600 --> 0:36:13.400
<v Speaker 1>Malcolm and say, hey, you know what, man, I like

0:36:13.480 --> 0:36:16.560
<v Speaker 1>you in Snowfall as Kevin, the character Kevin cannot take

0:36:16.600 --> 0:36:21.319
<v Speaker 1>a picture. There's nothing about me knowing Malcolm and what

0:36:21.440 --> 0:36:23.319
<v Speaker 1>I believe in my heart that would make him say no.

0:36:23.480 --> 0:36:26.279
<v Speaker 3>Like he came from the struggle, so he would be like.

0:36:27.920 --> 0:36:32.520
<v Speaker 2>Boom rolling around Miami, incredibly gracious guy.

0:36:32.680 --> 0:36:35.200
<v Speaker 1>Yeah, but it's weird when you walk up to somebody

0:36:35.239 --> 0:36:38.759
<v Speaker 1>and you start to ask them for business. And that's

0:36:38.800 --> 0:36:40.960
<v Speaker 1>where a dream can get out of control, where you

0:36:41.040 --> 0:36:44.560
<v Speaker 1>have a dream of starting a business right or creating

0:36:44.560 --> 0:36:46.960
<v Speaker 1>a brand, and you walk up to a stranger and

0:36:47.080 --> 0:36:50.680
<v Speaker 1>ask them to endorse your brand, and it's gotten so

0:36:50.880 --> 0:36:54.160
<v Speaker 1>far out of control now that people don't realize they're

0:36:54.320 --> 0:36:57.040
<v Speaker 1>asking you to endorse their brand.

0:36:59.280 --> 0:37:01.000
<v Speaker 2>Yeah, true, that's true.

0:37:01.840 --> 0:37:05.200
<v Speaker 1>But have you ever seen somebody that you thought handled

0:37:05.239 --> 0:37:08.560
<v Speaker 1>someone else's dream incorrectly? He's like, you probably shouldn't have

0:37:08.600 --> 0:37:09.160
<v Speaker 1>did it that way.

0:37:09.840 --> 0:37:12.920
<v Speaker 2>Yeah, you see that happen often in the comedy space,

0:37:13.840 --> 0:37:18.000
<v Speaker 2>the backstage world in comedy clubs in Los Angeles, the

0:37:18.080 --> 0:37:24.680
<v Speaker 2>main two or three big ones, they're like, they're like

0:37:24.719 --> 0:37:31.040
<v Speaker 2>the equivalent of being at like a tech accelerator incubator.

0:37:31.560 --> 0:37:35.239
<v Speaker 2>You know, do you have the whales back there on

0:37:35.360 --> 0:37:39.600
<v Speaker 2>certain nights who everybody knows. You've got the people who

0:37:39.600 --> 0:37:43.239
<v Speaker 2>are big in comedy making good money that everybody at

0:37:43.239 --> 0:37:45.839
<v Speaker 2>the bottom wants to be and everyone in comedy knows them.

0:37:45.880 --> 0:37:48.520
<v Speaker 2>And then you've got the everybody wants everyone who's trying

0:37:48.520 --> 0:37:49.200
<v Speaker 2>to get there.

0:37:49.800 --> 0:37:52.000
<v Speaker 1>Give me, give me the three, give me a comic

0:37:52.040 --> 0:37:54.000
<v Speaker 1>that fits all three rankings.

0:37:57.280 --> 0:38:00.120
<v Speaker 2>Top levels, like you know, like your Mic Apps or

0:38:00.200 --> 0:38:04.160
<v Speaker 2>Chappelle or whoever. Then you have guys that you some

0:38:04.200 --> 0:38:07.680
<v Speaker 2>people might know that are like openers for them or

0:38:07.719 --> 0:38:15.440
<v Speaker 2>they're just like you know, a comedian who tours around

0:38:16.000 --> 0:38:17.600
<v Speaker 2>gets a couple thousand bucks.

0:38:17.320 --> 0:38:20.800
<v Speaker 3>A week, you know, like Corey Hogan.

0:38:21.520 --> 0:38:25.319
<v Speaker 2>Sure, sure, sure, something like that. Yeah, and then but

0:38:25.480 --> 0:38:27.879
<v Speaker 2>and still has the ability to like you can make

0:38:27.920 --> 0:38:30.960
<v Speaker 2>a guy because if you like somebody, have a relationship,

0:38:31.000 --> 0:38:34.360
<v Speaker 2>you think that somebody's talented, they can come and open

0:38:34.440 --> 0:38:37.879
<v Speaker 2>for you for a while, get a few hundred bucks

0:38:37.920 --> 0:38:40.400
<v Speaker 2>to show whatever the hell, keep the lights on dimly,

0:38:41.440 --> 0:38:45.839
<v Speaker 2>but build your career. And then you've got everybody at

0:38:45.880 --> 0:38:49.080
<v Speaker 2>the bottom who wants a career. And yeah, you see

0:38:49.080 --> 0:38:51.960
<v Speaker 2>that in that world all the time, because people take

0:38:52.000 --> 0:38:56.719
<v Speaker 2>advantage of you know, I'll do any favor for you,

0:38:56.800 --> 0:39:02.719
<v Speaker 2>whatever it might be. So so you know, hey, do

0:39:02.760 --> 0:39:04.040
<v Speaker 2>this and all look out for you. They do it.

0:39:04.040 --> 0:39:06.239
<v Speaker 2>They don't look out for him. Or someone does a favor,

0:39:06.400 --> 0:39:08.359
<v Speaker 2>does a favor for this guy whatever the hell, because

0:39:08.400 --> 0:39:11.560
<v Speaker 2>he wants to kind of graceiate himself. There people make

0:39:11.600 --> 0:39:14.080
<v Speaker 2>a business of just taking favors all the time, and

0:39:14.200 --> 0:39:18.279
<v Speaker 2>fuck everybody's doing or not done because nobody's nobody is

0:39:18.360 --> 0:39:20.600
<v Speaker 2>doing it out of kindness. They want to quip pro quo.

0:39:21.120 --> 0:39:23.279
<v Speaker 2>They used see that all the time, all the time.

0:39:29.760 --> 0:39:36.160
<v Speaker 1>At which space does it become the the task of

0:39:36.239 --> 0:39:40.440
<v Speaker 1>the dreamer and the dreamer alone?

0:39:41.920 --> 0:39:48.799
<v Speaker 2>How do you mean like m okay, like like i'd

0:39:48.880 --> 0:39:50.040
<v Speaker 2>like to draw parallel.

0:39:50.920 --> 0:39:54.400
<v Speaker 1>Yeah, Like in rap it's like like one of the

0:39:54.440 --> 0:39:56.160
<v Speaker 1>hardest part. And I'll be honest with you, I don't

0:39:56.200 --> 0:39:58.200
<v Speaker 1>think this is something I ever said out loud, But

0:39:58.440 --> 0:40:01.000
<v Speaker 1>there is a weird space where like behind the scenes,

0:40:01.040 --> 0:40:03.600
<v Speaker 1>I give respect from probably some of the greatest rappers ever,

0:40:03.960 --> 0:40:06.080
<v Speaker 1>and then there's an effort that it doesn't look like

0:40:06.200 --> 0:40:10.040
<v Speaker 1>it's obviously like they're obviously like, Okay, I'm gonna help

0:40:10.120 --> 0:40:12.200
<v Speaker 1>Glasses get to where he's trying to go. If this

0:40:12.320 --> 0:40:15.279
<v Speaker 1>is his dream, I'm ann fulfill it. I'm helping fulfill it.

0:40:15.280 --> 0:40:20.640
<v Speaker 1>It's not necessarily their responsibility. So I always task myself

0:40:21.400 --> 0:40:23.920
<v Speaker 1>as like, if I want this to happen, I gotta

0:40:24.000 --> 0:40:26.640
<v Speaker 1>walk it down myself. Nobody's gonna do it for me.

0:40:27.080 --> 0:40:29.640
<v Speaker 1>But then somebody like still sees that, and he feels

0:40:29.680 --> 0:40:32.799
<v Speaker 1>the exact opposite. He like, well, these people ain't your

0:40:32.920 --> 0:40:37.600
<v Speaker 1>friend if they won't if they have opportunity and they're

0:40:37.600 --> 0:40:38.680
<v Speaker 1>not granting it to you.

0:40:40.760 --> 0:40:45.319
<v Speaker 2>It's always on the dreamer, always, And it's like in

0:40:45.320 --> 0:40:48.920
<v Speaker 2>the comedy st so it's almost equivalent to like inviting

0:40:48.960 --> 0:40:51.800
<v Speaker 2>some hot girl you're trying to fuck to some ultra

0:40:51.880 --> 0:40:55.000
<v Speaker 2>expensive dinner and she goes to dinner because she wants

0:40:55.040 --> 0:40:57.600
<v Speaker 2>the lobster and the steak that you offered her or

0:40:57.640 --> 0:40:59.839
<v Speaker 2>whatever the hell or the concert tickets or god knows what,

0:41:00.920 --> 0:41:04.600
<v Speaker 2>and then each you know, wipes software, the docton goes

0:41:04.640 --> 0:41:08.120
<v Speaker 2>home and you're like, the hell you know, So like

0:41:08.719 --> 0:41:12.680
<v Speaker 2>there is that aspect of it, and Marta kind of

0:41:12.680 --> 0:41:20.000
<v Speaker 2>goes back to, like there's always if you're trying to

0:41:20.000 --> 0:41:22.600
<v Speaker 2>do it off relationships, you're you're at the mercy of

0:41:22.840 --> 0:41:26.920
<v Speaker 2>the other side of the relationship, you know. So that's

0:41:27.560 --> 0:41:30.520
<v Speaker 2>that's a thing too. You know, it doesn't behoove you

0:41:30.600 --> 0:41:35.360
<v Speaker 2>to probably wait around for someone to make your dreams

0:41:35.360 --> 0:41:36.279
<v Speaker 2>come true for you.

0:41:39.040 --> 0:41:42.200
<v Speaker 1>Is there an incumbent responsibility on humans to make to

0:41:42.239 --> 0:41:45.600
<v Speaker 1>help other humans dreams come true? Do you feel that

0:41:45.680 --> 0:41:48.960
<v Speaker 1>way as a human like being if the verb of

0:41:49.000 --> 0:41:53.239
<v Speaker 1>being a human is being humane, to care, just care,

0:41:53.360 --> 0:41:57.800
<v Speaker 1>extending granning, you know, that type of access to dreams

0:41:57.880 --> 0:42:01.120
<v Speaker 1>if you have capability, or does it make you a

0:42:01.160 --> 0:42:02.239
<v Speaker 1>bad human if you don't.

0:42:04.480 --> 0:42:06.319
<v Speaker 2>I think there's a sweet spot. I think if you

0:42:06.520 --> 0:42:08.440
<v Speaker 2>go out of your way, not too there's a problem.

0:42:08.440 --> 0:42:09.959
<v Speaker 2>But to go out of your way to help every

0:42:09.960 --> 0:42:18.440
<v Speaker 2>single person is impossible, and you have to have something,

0:42:19.080 --> 0:42:22.080
<v Speaker 2>I mean at some point in time, like the dreamer

0:42:22.239 --> 0:42:28.799
<v Speaker 2>has to offer enough quality to the gatekeeper, not only

0:42:28.840 --> 0:42:31.480
<v Speaker 2>to make it worth the effort and time, but it's

0:42:31.480 --> 0:42:35.200
<v Speaker 2>also like he's putting his name on you, you know,

0:42:35.600 --> 0:42:38.880
<v Speaker 2>if it's just and some of that might be like

0:42:38.920 --> 0:42:40.400
<v Speaker 2>I didn't want to, you know, if I was the

0:42:40.400 --> 0:42:42.359
<v Speaker 2>guy who held all the keys, So I didn't want

0:42:42.400 --> 0:42:45.239
<v Speaker 2>to help this guy out because yeah, he's a great

0:42:45.239 --> 0:42:46.640
<v Speaker 2>friend of mine, but for what he wants to do,

0:42:46.719 --> 0:42:49.120
<v Speaker 2>he's not able to deliver like that. So now I'm

0:42:49.160 --> 0:42:52.680
<v Speaker 2>put I'm gonna damage my own credibility if I try

0:42:52.680 --> 0:42:55.960
<v Speaker 2>to help the next guy, because whoever saw what happened

0:42:55.960 --> 0:42:57.440
<v Speaker 2>the last time when I was full of it and

0:42:57.480 --> 0:42:59.840
<v Speaker 2>just kind of nepotism some guy into an opportunity that

0:42:59.840 --> 0:43:04.680
<v Speaker 2>they fucked off. So's it's hard to say. There's a

0:43:04.719 --> 0:43:05.839
<v Speaker 2>lot of gray area in there.

0:43:06.880 --> 0:43:10.839
<v Speaker 1>M You know, when we never talked about that, man

0:43:11.040 --> 0:43:13.520
<v Speaker 1>and I wouldn't say your dream is to be a comic,

0:43:13.560 --> 0:43:17.440
<v Speaker 1>but I know you take that serious. What's pretty much

0:43:17.480 --> 0:43:20.480
<v Speaker 1>the underrated part of that, that that journey that nobody

0:43:20.520 --> 0:43:23.040
<v Speaker 1>really knows if you're not in that world.

0:43:23.760 --> 0:43:26.680
<v Speaker 2>To do comedy, you have to really like it at

0:43:26.719 --> 0:43:31.440
<v Speaker 2>some point. You have to like I don't like it

0:43:31.520 --> 0:43:33.120
<v Speaker 2>so much as I think I'm good at it. There's

0:43:33.160 --> 0:43:35.560
<v Speaker 2>a big difference there between those two things. If I

0:43:35.800 --> 0:43:39.040
<v Speaker 2>liked doing it, i'd be doing it all that. I

0:43:39.080 --> 0:43:41.360
<v Speaker 2>don't like doing it the process, and I don't like

0:43:41.440 --> 0:43:43.839
<v Speaker 2>the nature of the way the industry is based off

0:43:43.840 --> 0:43:47.520
<v Speaker 2>of a lot of what I just explained. So there's

0:43:47.640 --> 0:43:50.719
<v Speaker 2>that there's a lot of people that are not good

0:43:50.719 --> 0:43:52.640
<v Speaker 2>that just like it and they just bang the door

0:43:52.680 --> 0:43:56.640
<v Speaker 2>down until it falls over, you know, and you do

0:43:56.760 --> 0:43:59.040
<v Speaker 2>you do improve there some learning curves and stuff like that.

0:44:00.200 --> 0:44:03.600
<v Speaker 2>And there's comedians I saw who used to suck and

0:44:03.640 --> 0:44:06.600
<v Speaker 2>now they still kind of suck, but they're very popular.

0:44:06.680 --> 0:44:10.680
<v Speaker 2>They just we're good enough barely to get some laughs,

0:44:10.719 --> 0:44:13.640
<v Speaker 2>and it's got a lot of those barely laughs, a

0:44:13.680 --> 0:44:17.719
<v Speaker 2>lot they ope a credit to them for going through

0:44:17.719 --> 0:44:18.640
<v Speaker 2>the process.

0:44:18.960 --> 0:44:23.520
<v Speaker 1>I always said like comedy is like a if it's

0:44:23.520 --> 0:44:27.319
<v Speaker 1>not a father, it's an uncle of hip hop's. And

0:44:27.560 --> 0:44:30.680
<v Speaker 1>I always felt like comedy led the way for what

0:44:30.760 --> 0:44:33.759
<v Speaker 1>hip hop could be right and when hip hop is

0:44:33.800 --> 0:44:38.080
<v Speaker 1>at his best is when it's funny as well. And

0:44:38.160 --> 0:44:41.680
<v Speaker 1>even in today saw that, Yeah, Russell did see that.

0:44:41.680 --> 0:44:43.600
<v Speaker 1>That's a great point. I don't even think about that's

0:44:43.600 --> 0:44:46.560
<v Speaker 1>funny how mathematically it just comes out to be right.

0:44:46.640 --> 0:44:53.320
<v Speaker 1>But I've always said, like I think comedy as a whole,

0:44:53.480 --> 0:44:56.680
<v Speaker 1>all the participants, not every single one, but as a

0:44:56.680 --> 0:45:01.719
<v Speaker 1>mask they understand. I think there's the ignorant comic who

0:45:02.800 --> 0:45:08.160
<v Speaker 1>they don't understand. They're selling funny. They're not selling jokes, sure, right,

0:45:08.160 --> 0:45:13.080
<v Speaker 1>And that's a big thing. Like, and comedy sells funny,

0:45:13.120 --> 0:45:15.520
<v Speaker 1>it doesn't sell jokes. They don't have to sell jokes.

0:45:15.760 --> 0:45:19.719
<v Speaker 1>Jokes can be funny, but life can be just as

0:45:19.719 --> 0:45:22.440
<v Speaker 1>funny and it's no joke. And I always felt like

0:45:22.480 --> 0:45:24.719
<v Speaker 1>I felt like, like when I look at the hip

0:45:24.760 --> 0:45:28.359
<v Speaker 1>hop scene today, like people dreaming of being hip hop

0:45:28.440 --> 0:45:33.120
<v Speaker 1>artists and successful rappers that they don't realize they're selling culture,

0:45:33.280 --> 0:45:37.920
<v Speaker 1>they're not selling rapso.

0:45:36.840 --> 0:45:38.799
<v Speaker 2>And like to kind of piggyback off. Like I was

0:45:38.840 --> 0:45:43.360
<v Speaker 2>saying on the on the live, Rap is the telephone wire.

0:45:43.560 --> 0:45:45.719
<v Speaker 2>Hip Hop is the conversation the two people having on

0:45:45.760 --> 0:45:50.600
<v Speaker 2>the phone. Yeah, comedy is the wire. Funny is the

0:45:50.600 --> 0:45:52.520
<v Speaker 2>conversation the two people are having on the phone.

0:45:52.960 --> 0:45:53.840
<v Speaker 3>Yeah, you know.

0:45:54.280 --> 0:46:01.560
<v Speaker 2>And to go even further, that's why Kevin Hart is

0:46:01.600 --> 0:46:02.640
<v Speaker 2>the Drake of comedy.

0:46:03.000 --> 0:46:07.920
<v Speaker 3>M Why is that break that down for me?

0:46:08.719 --> 0:46:16.560
<v Speaker 2>Because he's an extremely talented comedian the same way Drake

0:46:16.680 --> 0:46:18.760
<v Speaker 2>is an extremely talented rapper.

0:46:19.120 --> 0:46:20.120
<v Speaker 3>But he's not funny.

0:46:20.480 --> 0:46:22.439
<v Speaker 2>He's not funny, and Drake is not hip hop.

0:46:23.000 --> 0:46:27.440
<v Speaker 3>No, what is Kevin funny? Really? I mean, I think

0:46:27.480 --> 0:46:28.000
<v Speaker 3>I laugh.

0:46:28.640 --> 0:46:34.319
<v Speaker 2>He's way more likable than funny. Hmm.

0:46:36.560 --> 0:46:37.440
<v Speaker 3>I'm not mad at that.

0:46:40.800 --> 0:46:43.480
<v Speaker 2>He's you know, you know what he is. Do you

0:46:43.560 --> 0:46:46.440
<v Speaker 2>remember driving down Crunchhaw at the corner of one thirty

0:46:46.440 --> 0:46:50.680
<v Speaker 2>fifth over there the now defunct King Henry's. There was

0:46:51.080 --> 0:46:54.240
<v Speaker 2>always that christ of three hundred that had the Bentley

0:46:54.320 --> 0:46:54.759
<v Speaker 2>Kid on it.

0:46:55.000 --> 0:46:56.600
<v Speaker 3>Yeah, right there.

0:46:57.400 --> 0:47:02.240
<v Speaker 2>It's got all the shape into mentions of the Rolls Royce.

0:47:04.200 --> 0:47:10.480
<v Speaker 2>It's just a three hundred. Kevin's got all the makings,

0:47:10.880 --> 0:47:16.840
<v Speaker 2>all the makings of comedy, but it is that's not funny.

0:47:17.880 --> 0:47:21.600
<v Speaker 3>But he's likable enough to be put in position ultra.

0:47:21.440 --> 0:47:23.600
<v Speaker 2>Likable, ultra likable, and he delivers it.

0:47:25.200 --> 0:47:28.799
<v Speaker 3>I met him twice. He's really cool dude, so you

0:47:28.840 --> 0:47:30.000
<v Speaker 3>definitely want him to win.

0:47:30.880 --> 0:47:35.040
<v Speaker 2>And he's an example. He's a workhorse. His pen's not great,

0:47:35.200 --> 0:47:39.239
<v Speaker 2>his deliveries tremendous. He knows what he is and what

0:47:39.320 --> 0:47:44.120
<v Speaker 2>he isn't on stage. He does he like I go

0:47:44.200 --> 0:47:47.799
<v Speaker 2>back in life in general, you know, control your controllables,

0:47:49.080 --> 0:47:53.520
<v Speaker 2>all the stuff that he can really control around his writing.

0:47:54.360 --> 0:47:59.239
<v Speaker 2>He aces all of it out writing and so good.

0:48:00.320 --> 0:48:03.520
<v Speaker 3>I get it. I get it. What he's saying pretty

0:48:03.560 --> 0:48:05.200
<v Speaker 3>much is just a bit shallow.

0:48:06.320 --> 0:48:10.800
<v Speaker 2>Yeah, I mean, I don't think that if I read

0:48:12.480 --> 0:48:14.880
<v Speaker 2>if he transcribed his special, I just read it on

0:48:14.920 --> 0:48:16.600
<v Speaker 2>a piece of paper. I'm not probably laughing real hard.

0:48:16.600 --> 0:48:18.640
<v Speaker 2>There's a lot of other comedians where I would.

0:48:18.360 --> 0:48:23.239
<v Speaker 1>Be, Okay, I'm gonna do something again because we don't

0:48:23.280 --> 0:48:25.960
<v Speaker 1>never talk about which I can't call it your dream,

0:48:26.040 --> 0:48:30.600
<v Speaker 1>but your ability as a comic right, And I want

0:48:30.640 --> 0:48:36.000
<v Speaker 1>you to give me grades ABC D F sure of comics,

0:48:36.600 --> 0:48:39.439
<v Speaker 1>but we're not gonna do any new comics. I'm gonna

0:48:39.480 --> 0:48:44.000
<v Speaker 1>do comics that have been around fifty plus at minimum, right,

0:48:44.040 --> 0:48:44.800
<v Speaker 1>maybe longer.

0:48:46.080 --> 0:48:53.400
<v Speaker 3>Eddie Murphy Prime, Eddie Murphy.

0:48:53.960 --> 0:49:03.200
<v Speaker 2>Prime, Eddie Murphy. I haven't watched that in a long, long,

0:49:03.320 --> 0:49:06.480
<v Speaker 2>long long time. It's not fresh enough. I feel like

0:49:06.640 --> 0:49:15.759
<v Speaker 2>it's B plus A minus C, and I feel like

0:49:15.880 --> 0:49:21.520
<v Speaker 2>some of that's also comedy is interesting in a sense

0:49:21.520 --> 0:49:24.600
<v Speaker 2>to like if you do something this groundbreaking in eighty

0:49:24.640 --> 0:49:28.960
<v Speaker 2>five or six, I'm a kid. I didn't see it

0:49:29.040 --> 0:49:32.759
<v Speaker 2>till two thousand, so a lot of like not being

0:49:32.800 --> 0:49:34.520
<v Speaker 2>impressed by a four model.

0:49:34.320 --> 0:49:37.600
<v Speaker 1>T sure you didn't get the time, sure, like like

0:49:37.640 --> 0:49:40.000
<v Speaker 1>how old I was when I saw raw in real time.

0:49:40.040 --> 0:49:42.279
<v Speaker 1>I couldn't imagine what it was like to being an

0:49:42.280 --> 0:49:43.200
<v Speaker 1>adult to see that.

0:49:43.680 --> 0:49:49.320
<v Speaker 2>Because in the interim, what happened is a thousand people

0:49:50.000 --> 0:49:54.239
<v Speaker 2>ripped it off, so it's not as new and fresh

0:49:54.320 --> 0:49:57.759
<v Speaker 2>and unreal by the time I saw it. So there

0:49:57.840 --> 0:49:59.000
<v Speaker 2>is some of.

0:49:58.920 --> 0:50:01.160
<v Speaker 3>That holding back from.

0:50:02.680 --> 0:50:04.400
<v Speaker 1>A plus you would like to give him because you

0:50:04.400 --> 0:50:05.799
<v Speaker 1>didn't get a chance to see it in real time.

0:50:05.880 --> 0:50:08.600
<v Speaker 3>Eddie Murphy's my favorite comedy, Red Fox.

0:50:10.480 --> 0:50:13.440
<v Speaker 2>Oh Man, Red I haven't watched enough of his stage stuff,

0:50:13.480 --> 0:50:15.759
<v Speaker 2>but like, he's a guy that I just even on

0:50:15.840 --> 0:50:18.640
<v Speaker 2>TV every I've never seen something Red did that I

0:50:18.680 --> 0:50:23.120
<v Speaker 2>wasn't like, Wow, Like he's really funny. He's really funny.

0:50:25.640 --> 0:50:26.360
<v Speaker 3>Richard Pryor.

0:50:28.760 --> 0:50:35.320
<v Speaker 2>Richard Pryor does an amazing job of being funny and likable.

0:50:35.719 --> 0:50:37.520
<v Speaker 2>There's a lot of comedians that are really funny and

0:50:37.560 --> 0:50:41.520
<v Speaker 2>you go, God, got's an asshole. He was not one

0:50:41.520 --> 0:50:46.239
<v Speaker 2>of them. He's there's a reason why what's the name

0:50:46.280 --> 0:50:48.160
<v Speaker 2>of the white guy who had the beard was bald

0:50:48.400 --> 0:50:52.480
<v Speaker 2>who died from like way back in the day, George Carlin.

0:50:53.920 --> 0:50:59.919
<v Speaker 2>I feel like those two guys are the most why

0:51:00.160 --> 0:51:04.080
<v Speaker 2>like inspirational in the in the field. They have inspired

0:51:04.120 --> 0:51:07.120
<v Speaker 2>more comedians than anybody else, and there's a reason for it.

0:51:09.719 --> 0:51:13.080
<v Speaker 3>Mmm, what about Bernie Matt.

0:51:14.680 --> 0:51:16.120
<v Speaker 2>Most underrated comedian of all time?

0:51:16.880 --> 0:51:20.080
<v Speaker 3>Why is he the most underrated? That's that's interesting.

0:51:24.360 --> 0:51:29.319
<v Speaker 2>Because I don't think he did enough solo stuff. Every

0:51:29.320 --> 0:51:32.360
<v Speaker 2>time I see him, he's part of a compilation, whether

0:51:32.400 --> 0:51:36.160
<v Speaker 2>it was Jef Comedy Jam or whether it was Original

0:51:36.280 --> 0:51:41.239
<v Speaker 2>Kings or whatever. I don't And then he got into

0:51:41.280 --> 0:51:44.839
<v Speaker 2>TV and he passed away, you know, But like when

0:51:44.920 --> 0:51:48.359
<v Speaker 2>he's going it's unreal.

0:51:51.000 --> 0:51:57.560
<v Speaker 1>So here's here's another question. Do you respect comics that

0:51:57.640 --> 0:52:02.400
<v Speaker 1>are funny in films but they're not the best stand

0:52:02.440 --> 0:52:03.840
<v Speaker 1>up Do you have a respect for that?

0:52:06.120 --> 0:52:08.480
<v Speaker 2>I mean, I have a tongue in cheek respect for that.

0:52:08.560 --> 0:52:14.680
<v Speaker 2>I have a respect for it. It's different. It's different.

0:52:19.040 --> 0:52:22.120
<v Speaker 2>I think that there are like good stand up comedians

0:52:22.120 --> 0:52:26.520
<v Speaker 2>that don't trans real well in comedy movies. Like I

0:52:26.640 --> 0:52:28.800
<v Speaker 2>like Chappelle a lot. I've seen in a few movies.

0:52:29.280 --> 0:52:30.840
<v Speaker 3>Sure, but he's not great in films.

0:52:31.000 --> 0:52:34.120
<v Speaker 2>Yeah. One thing I'll say for sure is and it's

0:52:34.120 --> 0:52:40.080
<v Speaker 2>always like it's an old adage. Comedians can translate into

0:52:40.120 --> 0:52:44.480
<v Speaker 2>a drama movie, but a drama actor does not. Yeah,

0:52:44.520 --> 0:52:46.480
<v Speaker 2>it's not They can only go into comedy so far

0:52:46.520 --> 0:52:47.240
<v Speaker 2>before it breaks.

0:52:47.640 --> 0:52:50.839
<v Speaker 1>I think Mike ib is ready for a dramatic role. Yeah,

0:52:51.680 --> 0:52:55.000
<v Speaker 1>I think he has enough experience. It's funny because, like

0:52:55.040 --> 0:52:58.280
<v Speaker 1>I said, Mike is like one of my favorite people

0:52:58.600 --> 0:53:01.040
<v Speaker 1>in modern comedy, like just as a person to hes

0:53:01.120 --> 0:53:02.520
<v Speaker 1>just like a stand up dude, good dudes.

0:53:02.800 --> 0:53:03.000
<v Speaker 2>Cool.

0:53:05.520 --> 0:53:11.440
<v Speaker 1>But I feel like his comedy is so translatable on

0:53:11.480 --> 0:53:14.120
<v Speaker 1>the screen, but on the stage he had to find

0:53:14.160 --> 0:53:14.520
<v Speaker 1>his way.

0:53:16.400 --> 0:53:21.520
<v Speaker 3>Yeah, yeah, like Mike is like he don't. It's not

0:53:21.560 --> 0:53:23.920
<v Speaker 3>about him writing. He's just a funny person.

0:53:25.239 --> 0:53:28.160
<v Speaker 1>And I think still the stage is not necessarily about

0:53:28.160 --> 0:53:31.760
<v Speaker 1>being a funny person. It's like being a great writer

0:53:32.000 --> 0:53:35.560
<v Speaker 1>is not as important. Here's something that translated hip hop right,

0:53:35.719 --> 0:53:37.920
<v Speaker 1>And this is for all the dreamers, where it's like

0:53:38.640 --> 0:53:43.200
<v Speaker 1>Snoop is an incredible rapper. It's not an incredible writer.

0:53:45.320 --> 0:53:50.320
<v Speaker 1>He's an incredible rapper. His ability to deliver on stage

0:53:51.280 --> 0:53:53.480
<v Speaker 1>like right and and mean what he says, say what

0:53:53.520 --> 0:53:56.839
<v Speaker 1>he means and make it translatable octave and stuff makes

0:53:56.920 --> 0:53:59.440
<v Speaker 1>him one of the greatest hip hop artists in history,

0:53:59.440 --> 0:54:03.839
<v Speaker 1>you know, the greatest outside of the cultural you know, renaissance.

0:54:03.880 --> 0:54:08.440
<v Speaker 1>He is himself, but he's the exact idea. And I

0:54:08.560 --> 0:54:12.200
<v Speaker 1>noticed that in comedy there are certain guys like Marlon Wayne's.

0:54:12.440 --> 0:54:14.279
<v Speaker 1>I think I told you the last thing up he

0:54:14.320 --> 0:54:18.560
<v Speaker 1>did before this last one one he did about Chris Rock.

0:54:19.160 --> 0:54:22.600
<v Speaker 1>It's one of the funniest comedy specials I ever saw

0:54:22.719 --> 0:54:26.120
<v Speaker 1>in my entire life. But I've watched so many Marlon

0:54:26.400 --> 0:54:30.440
<v Speaker 1>Like Marlon Wayne's translate on films incredible, like he's the

0:54:30.520 --> 0:54:35.040
<v Speaker 1>corniness works like he's one of the best like I've

0:54:35.040 --> 0:54:37.279
<v Speaker 1>seen on the screens as far as funny, but like

0:54:37.360 --> 0:54:39.600
<v Speaker 1>his comedist stand up usually be kind of like, yeah,

0:54:39.640 --> 0:54:43.200
<v Speaker 1>this ain't really you know, it's a bit tongue in cheek,

0:54:43.280 --> 0:54:48.080
<v Speaker 1>But that particular comedy special is one of the funniest

0:54:49.160 --> 0:54:53.359
<v Speaker 1>comedy specials I ever saw. So again, I don't want

0:54:53.400 --> 0:54:55.839
<v Speaker 1>to talk about modern comics because we don't know. Most

0:54:55.880 --> 0:54:58.040
<v Speaker 1>likely we be doing those seilings for another five years

0:54:58.040 --> 0:55:01.160
<v Speaker 1>most likely, So I don't want to irritate somebody soul

0:55:01.239 --> 0:55:02.720
<v Speaker 1>and then they don't want to come on the show.

0:55:03.800 --> 0:55:06.640
<v Speaker 1>But I want to ask you something that's important for

0:55:06.719 --> 0:55:11.640
<v Speaker 1>me to know. If something like that, if you had

0:55:11.680 --> 0:55:13.799
<v Speaker 1>to make a choice. God loves Me. That's the name

0:55:13.840 --> 0:55:16.040
<v Speaker 1>of the Martin Wayne stand up, God Loves Me. Have

0:55:16.080 --> 0:55:17.719
<v Speaker 1>you watched it?

0:55:16.920 --> 0:55:17.400
<v Speaker 2>I haven't.

0:55:17.719 --> 0:55:22.640
<v Speaker 1>It's really fired broat it like one of the ten

0:55:22.760 --> 0:55:25.480
<v Speaker 1>funniest comedy specials I ever saw in my life. And

0:55:25.520 --> 0:55:28.480
<v Speaker 1>the way it's set up and put together, it was incredible.

0:55:28.560 --> 0:55:30.879
<v Speaker 1>Bit Marlin is the mind for it, you know. I mean,

0:55:31.200 --> 0:55:34.080
<v Speaker 1>even if to me he might have he's struggled before

0:55:34.080 --> 0:55:37.160
<v Speaker 1>on stage where you know, he's not necessarily the best.

0:55:37.200 --> 0:55:38.960
<v Speaker 1>His films are great, So you know he has the

0:55:39.000 --> 0:55:42.600
<v Speaker 1>mind because he's writing the films. But he got it

0:55:42.680 --> 0:55:46.800
<v Speaker 1>right on God Loves Me, somebody that does a stand

0:55:46.880 --> 0:55:49.680
<v Speaker 1>up like that, and and and or like let's say

0:55:49.800 --> 0:55:52.440
<v Speaker 1>Kevin Hart, this, this is Kevin Hart is probably the

0:55:52.480 --> 0:55:54.480
<v Speaker 1>greatest comic in the world today.

0:55:55.080 --> 0:55:59.920
<v Speaker 3>Greatest, not the best, right because yeah him? Right? Okay?

0:56:00.800 --> 0:56:06.000
<v Speaker 3>What is missing that would make him? What separates him?

0:56:06.320 --> 0:56:08.839
<v Speaker 1>Because I agree like Eddie Murphy is an A plus, right,

0:56:09.320 --> 0:56:11.520
<v Speaker 1>let's say Kevin Hard is probably a B minus.

0:56:13.040 --> 0:56:15.600
<v Speaker 3>What separates him from being an A plus? It's just

0:56:15.640 --> 0:56:18.640
<v Speaker 3>something that he can do? Is it? Because he can?

0:56:18.719 --> 0:56:21.200
<v Speaker 1>I know he has writers, right, He's at that level

0:56:21.239 --> 0:56:24.080
<v Speaker 1>to where he ain't writing every joke? So what's stopping

0:56:24.120 --> 0:56:26.440
<v Speaker 1>him from trans like why don't I think he's the

0:56:26.480 --> 0:56:27.720
<v Speaker 1>funniest person on earth.

0:56:29.920 --> 0:56:35.560
<v Speaker 2>Part of it might be the writers that reliance. I

0:56:35.600 --> 0:56:40.400
<v Speaker 2>think what it is is as I don't know. I

0:56:40.440 --> 0:56:43.560
<v Speaker 2>can't speculate, but I think it probably started with him

0:56:43.680 --> 0:56:50.440
<v Speaker 2>understanding my nonverbals are my strength. So he leans into that,

0:56:52.600 --> 0:56:58.000
<v Speaker 2>and then as he gets really successful. You have other writers,

0:56:58.040 --> 0:57:00.000
<v Speaker 2>and they might be good, but it's hard to say

0:57:00.040 --> 0:57:05.480
<v Speaker 2>string together a tapestry of like your jokes, their edits

0:57:05.480 --> 0:57:09.320
<v Speaker 2>by other people, other people's jokes, your refinements of theirs

0:57:09.360 --> 0:57:13.839
<v Speaker 2>to fit like it just it's just not not really

0:57:13.880 --> 0:57:17.920
<v Speaker 2>there's there's some people who just really, really really have

0:57:18.080 --> 0:57:23.600
<v Speaker 2>And we're talking again about the top Let's say, if

0:57:23.600 --> 0:57:25.240
<v Speaker 2>we expand the list, we're not gonna beer all day

0:57:25.240 --> 0:57:28.720
<v Speaker 2>with the top fifty out of fifty thousand. You know,

0:57:28.800 --> 0:57:32.160
<v Speaker 2>we're cutting it really really thin on the top line here.

0:57:32.320 --> 0:57:33.479
<v Speaker 3>Sure, so.

0:57:34.960 --> 0:57:36.280
<v Speaker 2>I can't. I've been trying to think of the name

0:57:36.280 --> 0:57:40.000
<v Speaker 2>of the guy who's the guy who played Negro Damis

0:57:40.440 --> 0:57:45.120
<v Speaker 2>in the Chapelle Show, Paul Mooney. He was the writer,

0:57:45.240 --> 0:57:46.760
<v Speaker 2>he was the writer's writer, right.

0:57:47.440 --> 0:57:50.640
<v Speaker 1>He's probably he's probably not the best delivery guy, but

0:57:50.720 --> 0:57:52.120
<v Speaker 1>his pen was nasty.

0:57:52.640 --> 0:57:55.280
<v Speaker 2>Yeah, And he sits up there on a chair and

0:57:55.400 --> 0:58:02.360
<v Speaker 2>just nonchalantly recites his written stuff and it's insane. It's

0:58:02.360 --> 0:58:09.360
<v Speaker 2>it's fantastic. It's crazy, crazy, crazy good. You know, if

0:58:09.400 --> 0:58:13.560
<v Speaker 2>you put that coming out of somebody else's mouth, it's

0:58:14.440 --> 0:58:18.880
<v Speaker 2>obviously what we saw, you know, success you said prior

0:58:18.880 --> 0:58:20.640
<v Speaker 2>and I don't know how, I don't know whose cadillog

0:58:20.680 --> 0:58:23.800
<v Speaker 2>people that he wrote for, but like that's not there.

0:58:23.840 --> 0:58:30.040
<v Speaker 2>I mean, even like good Cat, Good Dave. You know

0:58:31.400 --> 0:58:35.000
<v Speaker 2>there's other guys who there's something extra there. There really is,

0:58:35.760 --> 0:58:36.480
<v Speaker 2>you mean, like tell me.

0:58:38.520 --> 0:58:40.560
<v Speaker 3>You mean with Paul's pen or with those guys.

0:58:40.880 --> 0:58:43.080
<v Speaker 2>I'm just saying those got like that upper as of

0:58:43.080 --> 0:58:44.520
<v Speaker 2>people whose material.

0:58:44.200 --> 0:58:47.440
<v Speaker 1>Is just you know what it is too. With Cat

0:58:47.480 --> 0:58:52.320
<v Speaker 1>and Dave, they're serious. Yeah, like keV, Yeah, I think

0:58:52.320 --> 0:58:55.080
<v Speaker 1>that's kind of that you might. keV is not serious,

0:58:58.200 --> 0:59:02.800
<v Speaker 1>and keV is you know, I mean he's funny, like

0:59:02.840 --> 0:59:04.920
<v Speaker 1>he's not like I've watched him in films, you know,

0:59:05.000 --> 0:59:07.000
<v Speaker 1>he carries it enough to where he's funny enough to

0:59:07.040 --> 0:59:07.560
<v Speaker 1>make it work.

0:59:09.240 --> 0:59:13.400
<v Speaker 2>Kevin feels like he's trying to get a laugh, and

0:59:13.480 --> 0:59:14.800
<v Speaker 2>the other guys feel.

0:59:14.560 --> 0:59:19.120
<v Speaker 1>Like, I'm not writing I'm serious, I'm not even trying

0:59:19.120 --> 0:59:19.920
<v Speaker 1>to make you laugh.

0:59:20.560 --> 0:59:23.440
<v Speaker 2>Yeah. I think this is really funny. If you like it,

0:59:23.480 --> 0:59:27.400
<v Speaker 2>that's great. If not, fuck it. And they just started

0:59:27.400 --> 0:59:30.200
<v Speaker 2>with one hundred wheeled it down to the ten things

0:59:30.600 --> 0:59:32.520
<v Speaker 2>from that origin that they just were like, Okay, well

0:59:32.560 --> 0:59:34.920
<v Speaker 2>everyone else finds these ten things funny that I was

0:59:34.960 --> 0:59:37.920
<v Speaker 2>gonna say anyway, the other ninety are still funny to me,

0:59:38.120 --> 0:59:40.080
<v Speaker 2>but these ones are the most marketable for the thing

0:59:40.120 --> 0:59:40.640
<v Speaker 2>I'm selling.

0:59:41.640 --> 0:59:45.200
<v Speaker 3>I genuinely think those guys be dead serious.

0:59:45.880 --> 0:59:46.280
<v Speaker 2>They are.

0:59:46.680 --> 0:59:51.240
<v Speaker 1>Yeah, they're not joking, like I know for sure talking

0:59:51.280 --> 0:59:54.440
<v Speaker 1>to Cat like he was serious and I'm like, but

0:59:54.560 --> 0:59:57.520
<v Speaker 1>I noticed that a greatness in a lot of comics.

0:59:58.680 --> 1:00:01.920
<v Speaker 1>You know, where they they have the perfect mix. See,

1:00:02.000 --> 1:00:05.760
<v Speaker 1>I think it's somewhere between where Dave and and and

1:00:05.560 --> 1:00:11.040
<v Speaker 1>and and where Dave and and and uh and cav

1:00:11.160 --> 1:00:14.120
<v Speaker 1>is at. I mean, whereas like Eddie Murphy is right

1:00:14.160 --> 1:00:17.240
<v Speaker 1>in the middle, Martin Lawrence is right in the middle,

1:00:17.800 --> 1:00:19.960
<v Speaker 1>you know what I mean, those guys who serious but

1:00:20.000 --> 1:00:22.800
<v Speaker 1>they still know how to make fun of themselves. Dave,

1:00:23.960 --> 1:00:27.000
<v Speaker 1>Dave and Cat, you know that they do the same thing.

1:00:27.200 --> 1:00:32.520
<v Speaker 1>They are fucking serious it. Yeah, like almost believe they're

1:00:32.560 --> 1:00:36.400
<v Speaker 1>offended when you laughing at some of the ship they say, you.

1:00:36.440 --> 1:00:36.959
<v Speaker 3>Know what I'm saying.

1:00:37.400 --> 1:00:40.520
<v Speaker 1>But then you have the Cavs and and to me,

1:00:40.600 --> 1:00:43.120
<v Speaker 1>the more mainstream comics who kind of just making fun

1:00:43.160 --> 1:00:43.680
<v Speaker 1>of themselves.

1:00:44.600 --> 1:00:49.200
<v Speaker 2>Sure, sure, sure like to me and every one of

1:00:49.200 --> 1:00:51.160
<v Speaker 2>them didn't hit like that. But one of the funniest

1:00:51.160 --> 1:00:53.200
<v Speaker 2>specials I ever saw in my life, first time I

1:00:53.200 --> 1:00:57.880
<v Speaker 2>saw it was Why You're Crying by George Lopez. Mm hmm,

1:00:58.760 --> 1:01:04.200
<v Speaker 2>I was died twice. I mean like, and I'm not

1:01:04.320 --> 1:01:06.960
<v Speaker 2>the big like the biggest family. I wouldn't say if

1:01:07.000 --> 1:01:10.240
<v Speaker 2>I had to watch one special where I die, I

1:01:10.280 --> 1:01:14.640
<v Speaker 2>want to watch something by Robin Williams. But he's the

1:01:14.640 --> 1:01:17.480
<v Speaker 2>most talented to ever do it. In my opinion. His

1:01:19.040 --> 1:01:23.200
<v Speaker 2>compilation of what he does on stage hits multi dimensionally.

1:01:24.520 --> 1:01:28.200
<v Speaker 2>It's thoughtful, it's dramatic, it's all those things. He did

1:01:28.360 --> 1:01:32.240
<v Speaker 2>very very well in comedy on screen undeniably, and he

1:01:32.320 --> 1:01:34.840
<v Speaker 2>did very well in drama on screen that was not

1:01:34.960 --> 1:01:38.920
<v Speaker 2>funny in any way, shape or form, and one Academy Awards.

1:01:39.480 --> 1:01:42.480
<v Speaker 1>I think, I think once you see this Marlon Wayne special,

1:01:42.880 --> 1:01:44.480
<v Speaker 1>I want to talk to you about it if you

1:01:44.560 --> 1:01:46.919
<v Speaker 1>take some time to watch it, because I think he's

1:01:46.960 --> 1:01:50.080
<v Speaker 1>in the same vein of Kevin Hart, where you know

1:01:50.600 --> 1:01:54.960
<v Speaker 1>their comedy comes from them making fun of themselves, and

1:01:55.000 --> 1:01:58.600
<v Speaker 1>that's where you know, really the most successful comics oh

1:01:58.840 --> 1:02:03.040
<v Speaker 1>successful meaning monetized, not because there's a different reverence that

1:02:03.080 --> 1:02:06.160
<v Speaker 1>people like Dave and Cat carry that let's say Marlon,

1:02:06.640 --> 1:02:08.920
<v Speaker 1>like Marlon and keV don't have that people don't have

1:02:09.000 --> 1:02:13.320
<v Speaker 1>for them. But I think they're the most financially successful

1:02:13.320 --> 1:02:15.920
<v Speaker 1>because they don't take themselves serious.

1:02:17.000 --> 1:02:23.200
<v Speaker 2>Sure, and I think in part of that they aren't gonna,

1:02:24.680 --> 1:02:28.480
<v Speaker 2>you know, die on the hill of artistic integrity. A

1:02:28.520 --> 1:02:30.800
<v Speaker 2>lot of their stuff does come off a little bit

1:02:30.920 --> 1:02:34.800
<v Speaker 2>algorithm like, it's algorithm comedy based off of focus groups,

1:02:36.080 --> 1:02:39.480
<v Speaker 2>and that's how you make money. That's that's how you

1:02:39.800 --> 1:02:43.880
<v Speaker 2>market anything in the world. And they they do it,

1:02:43.920 --> 1:02:46.880
<v Speaker 2>and they I'll do everybody else.

1:02:50.280 --> 1:02:55.920
<v Speaker 3>Rodney Dangerfield, A B, C, D F. You know any

1:02:55.960 --> 1:02:56.480
<v Speaker 3>of this stuff.

1:02:57.240 --> 1:03:04.200
<v Speaker 2>Oh yeah, oh yeah, I'll give Rodney. I'm gonna give

1:03:04.280 --> 1:03:09.080
<v Speaker 2>him another one of those asterisks, A minus B plus

1:03:09.160 --> 1:03:11.760
<v Speaker 2>things like Eddie because it was so long ago that

1:03:11.800 --> 1:03:16.360
<v Speaker 2>by the time I saw it, the moment and the

1:03:16.400 --> 1:03:21.400
<v Speaker 2>influence polluted the observational experience. You know, he was doing

1:03:21.400 --> 1:03:23.160
<v Speaker 2>this back in the seventies. He was like the first

1:03:23.200 --> 1:03:26.520
<v Speaker 2>guy to be crude and casual on stage, like really

1:03:26.560 --> 1:03:29.120
<v Speaker 2>really groundbreaking. And he's very very funny. I mean, his

1:03:29.160 --> 1:03:31.560
<v Speaker 2>whole thing is pretty funny. That's a good stick. But

1:03:31.680 --> 1:03:35.200
<v Speaker 2>like it's different when you've seen him in ten movies

1:03:35.240 --> 1:03:38.440
<v Speaker 2>and you've seen everybody else be crude and casual and

1:03:38.800 --> 1:03:42.760
<v Speaker 2>then you see him do it first. It totally you

1:03:42.800 --> 1:03:44.040
<v Speaker 2>don't get that experience.

1:03:44.640 --> 1:03:48.240
<v Speaker 1>It's like Jake the Snake Roberts with the DDT. Yeah,

1:03:48.280 --> 1:03:51.920
<v Speaker 1>the DDT looks like nothing today, but when Jake the

1:03:51.960 --> 1:03:54.600
<v Speaker 1>Snake Roberts was doing it, it was the stone Coat stunning.

1:03:55.400 --> 1:03:59.200
<v Speaker 2>Sure, sure, and you get that. That's true a lot

1:03:59.200 --> 1:04:00.960
<v Speaker 2>in hip hop. I think hip hop does a good

1:04:01.040 --> 1:04:03.960
<v Speaker 2>job of blindly giving a lot of credit to its

1:04:04.000 --> 1:04:07.760
<v Speaker 2>early phase, you know, developers of the of the genre.

1:04:08.320 --> 1:04:11.120
<v Speaker 2>It defers to that seniority really really well as a

1:04:11.160 --> 1:04:17.040
<v Speaker 2>knee jerk reaction because it consciously or unconsciously. You can't

1:04:17.080 --> 1:04:21.760
<v Speaker 2>listen to the best rapper from nineteen eighty one in

1:04:21.800 --> 1:04:25.560
<v Speaker 2>twenty twenty four and compare them one to one. There's

1:04:25.560 --> 1:04:28.160
<v Speaker 2>too much learning curve. There's too much influence, there's too

1:04:28.200 --> 1:04:31.800
<v Speaker 2>much originality. It's same thing I like watching basketball. Coozy,

1:04:31.880 --> 1:04:36.160
<v Speaker 2>the most dynamic guard walking in nineteen sixty two. Well,

1:04:36.960 --> 1:04:39.840
<v Speaker 2>someone saw what he did, learned and refined. Someone saw

1:04:39.880 --> 1:04:42.920
<v Speaker 2>what they did. They're your four generations removed. Now you

1:04:42.920 --> 1:04:45.120
<v Speaker 2>don't appreciate. I wouldn't watch Coozy today and go, oh

1:04:45.200 --> 1:04:48.120
<v Speaker 2>my god, I gotta agree. But I would be missing

1:04:48.200 --> 1:04:50.360
<v Speaker 2>reality if I if I fail to recognize it.

1:04:54.720 --> 1:04:57.320
<v Speaker 1>There looking out for tuning into the No Senters podcast.

1:04:57.600 --> 1:05:00.960
<v Speaker 1>Please do us a favorite, subscribe, rate, comedy Share. This

1:05:01.040 --> 1:05:03.280
<v Speaker 1>episode was recorded right here on the West coast of

1:05:03.320 --> 1:05:06.760
<v Speaker 1>the USA. It produced about the Black Effect podcast Network

1:05:06.920 --> 1:05:07.920
<v Speaker 1>and iHeart Radio.

1:05:08.400 --> 1:05:08.640
<v Speaker 3>Yeah,