1 00:00:01,400 --> 00:00:05,160 Speaker 1: Hey, Welcome to episode two oh seven Music Podcast, which 2 00:00:05,160 --> 00:00:07,560 Speaker 1: we're gonna talk about the best debut albums of all 3 00:00:07,560 --> 00:00:09,159 Speaker 1: time and then get into what's happening as far as 4 00:00:09,160 --> 00:00:11,920 Speaker 1: new music this week, and we'll also talk about some 5 00:00:11,960 --> 00:00:14,120 Speaker 1: of the biggest music stories of the week. It's me 6 00:00:14,240 --> 00:00:18,360 Speaker 1: Bobby and also Mike d Mike, Are you buddy? Why 7 00:00:18,360 --> 00:00:20,600 Speaker 1: don't we do First? I was reading this article from 8 00:00:20,680 --> 00:00:23,919 Speaker 1: Rolling Stone, the best debut albums of all Time. I 9 00:00:23,960 --> 00:00:27,440 Speaker 1: figured I'll just go through. I don't want to go 10 00:00:27,480 --> 00:00:30,280 Speaker 1: through all of them as far as playing clips, but 11 00:00:30,480 --> 00:00:36,159 Speaker 1: let's do the top m seven or so, Okay, how 12 00:00:36,159 --> 00:00:38,760 Speaker 1: many clips you have? I have something for each one 13 00:00:38,760 --> 00:00:43,440 Speaker 1: on the list. All twenty yeah, geez alright and number twenty. 14 00:00:44,000 --> 00:00:45,960 Speaker 1: These are the greatest debut album. What that means by 15 00:00:46,000 --> 00:00:47,400 Speaker 1: debut album is we don't even know the band. We 16 00:00:47,520 --> 00:00:48,839 Speaker 1: never heard of the band. All of a sudden, this 17 00:00:49,000 --> 00:00:52,680 Speaker 1: new band comes out and boom here they are. Uh, 18 00:00:53,000 --> 00:01:01,680 Speaker 1: Joy Division from nine I've been waiting. The album is 19 00:01:02,120 --> 00:01:05,479 Speaker 1: Unknown Pleasures. I gotta tell you don't know much about 20 00:01:05,520 --> 00:01:08,679 Speaker 1: Joy Division. You don't recognize the T shirt. It's like, uh, 21 00:01:08,800 --> 00:01:10,840 Speaker 1: it kind of looks like mountains, but it's like sound waves. 22 00:01:10,880 --> 00:01:13,360 Speaker 1: A bunch of people wear it. I probably I'm just 23 00:01:13,480 --> 00:01:17,800 Speaker 1: meaning the music. I consider myself to be pretty scholarly 24 00:01:17,880 --> 00:01:20,320 Speaker 1: with old music, are they. This is like the early 25 00:01:20,360 --> 00:01:23,560 Speaker 1: part of like punk, like new wave. That's why that's 26 00:01:23,680 --> 00:01:25,360 Speaker 1: that's not my thing, that's your thing. I knew about 27 00:01:25,360 --> 00:01:27,880 Speaker 1: it because I see people wearing the shirt and I'd 28 00:01:27,880 --> 00:01:31,280 Speaker 1: be like, I gotta take that band out. Okay, number nineteen, 29 00:01:32,120 --> 00:01:34,640 Speaker 1: which Kanye West Parks record in two thousand and four. 30 00:01:34,680 --> 00:01:39,080 Speaker 1: The college dropout was freaking great. Changed my hip hop 31 00:01:39,160 --> 00:01:44,480 Speaker 1: twenties completely. So this is Jesus Walks, which, by the way, 32 00:01:44,520 --> 00:01:46,040 Speaker 1: I went today and I was searched the new by 33 00:01:46,040 --> 00:01:47,520 Speaker 1: the way, time you hear this, the new Kanye record 34 00:01:47,560 --> 00:01:51,600 Speaker 1: maybe out maybe, but Jesus King is a new record. 35 00:01:51,880 --> 00:01:53,760 Speaker 1: And I went and searched Jesus King, and I got 36 00:01:53,800 --> 00:01:57,960 Speaker 1: a Jesus King playlist with featuring Jesus Walks from two 37 00:01:57,960 --> 00:02:00,600 Speaker 1: thousand and four. But like Through a Wire was on 38 00:02:00,640 --> 00:02:03,560 Speaker 1: the T record too, right, Yeah, this song here it 39 00:02:03,640 --> 00:02:05,720 Speaker 1: was after he had a car wreck, and he still 40 00:02:05,760 --> 00:02:08,640 Speaker 1: wrapped the whole song with his mouth wired was wired 41 00:02:08,680 --> 00:02:10,760 Speaker 1: shut and he rapped through it, and I just knew 42 00:02:10,800 --> 00:02:12,280 Speaker 1: Kanye when they came. When he brought him out, they 43 00:02:12,320 --> 00:02:14,679 Speaker 1: were like this Kanye West, he's kind of rich kid, 44 00:02:15,120 --> 00:02:17,760 Speaker 1: but he is Jay Z's producer for the Black album. Yeah. 45 00:02:18,400 --> 00:02:21,320 Speaker 1: And then obviously now I was watching interview from Apple 46 00:02:21,400 --> 00:02:27,240 Speaker 1: Music where Kanye says he's the greatest creator, creator of 47 00:02:27,280 --> 00:02:30,880 Speaker 1: all time. And I love his I love his confidence. 48 00:02:31,639 --> 00:02:34,760 Speaker 1: He got discovered like he was. He would go to 49 00:02:34,840 --> 00:02:37,560 Speaker 1: parties that Jamie fox would throw and he would just 50 00:02:37,600 --> 00:02:40,000 Speaker 1: be hanging out and like tell people, hey, I'm a 51 00:02:40,040 --> 00:02:42,359 Speaker 1: producer really Yeah, and he got Jamie FOXX on the 52 00:02:42,360 --> 00:02:45,119 Speaker 1: song on that album, The College Dropout was so good. Yeah. 53 00:02:45,880 --> 00:02:50,000 Speaker 1: Number nineteen r E M Murmur, which I was a 54 00:02:50,000 --> 00:02:52,200 Speaker 1: big r M fan. This is it's crazy that they've 55 00:02:52,240 --> 00:02:55,080 Speaker 1: came out in eighty three though, because I didn't know 56 00:02:55,240 --> 00:02:57,200 Speaker 1: r M, and I was obviously was two three years 57 00:02:57,200 --> 00:03:03,440 Speaker 1: old and eighty three. But is this Radio for Your Up? Yep? Yeah, 58 00:03:03,480 --> 00:03:06,880 Speaker 1: they're a big deal for UM in the nineties. Eddie, 59 00:03:06,880 --> 00:03:10,639 Speaker 1: did you know Radio for your Up? Marium? No, all right, 60 00:03:11,080 --> 00:03:12,680 Speaker 1: you can put it. It turned it into my comp 61 00:03:12,680 --> 00:03:14,600 Speaker 1: for a second. This was from their debut record. We're 62 00:03:14,600 --> 00:03:16,280 Speaker 1: talking about the grade. Eddie just walked up for a second, 63 00:03:16,320 --> 00:03:19,239 Speaker 1: the best debut albums of all time. No, that was 64 00:03:19,320 --> 00:03:21,840 Speaker 1: before me, That's what I and I felt like Rim 65 00:03:21,840 --> 00:03:23,720 Speaker 1: was right in my wheelhouse. But they came out in 66 00:03:23,800 --> 00:03:25,960 Speaker 1: eight three. Yeah, they were doing it while hair metal 67 00:03:26,080 --> 00:03:28,400 Speaker 1: like hair bands were big. Why I didn't know that 68 00:03:28,400 --> 00:03:31,000 Speaker 1: it was that crazy? Right, Okay, let me let me 69 00:03:31,040 --> 00:03:32,480 Speaker 1: bring this to you. I know you gotta go. But 70 00:03:32,720 --> 00:03:35,920 Speaker 1: the Beatles first record, do you know what it was? Um? 71 00:03:36,120 --> 00:03:41,200 Speaker 1: Hard Days Night, Please Please Me nineteen Sie the old 72 00:03:41,240 --> 00:03:43,440 Speaker 1: Sundy Beetles. Like when you think about this, you think 73 00:03:43,480 --> 00:03:46,920 Speaker 1: about black and white beetles, suit Beetles. Yeah, like bowl haircut. 74 00:03:47,760 --> 00:03:49,360 Speaker 1: Uh so, Twist and Shot and Love Me Do was 75 00:03:49,400 --> 00:03:53,400 Speaker 1: in that first record. You're missing a good podcast right now. 76 00:03:53,480 --> 00:03:54,760 Speaker 1: I know, man, I kind of want to stay here. 77 00:03:54,760 --> 00:03:56,480 Speaker 1: Hold on what else you got? Well, so it's the 78 00:03:56,520 --> 00:03:59,120 Speaker 1: top twenty. Rolling Stone put out the best debut of 79 00:03:59,160 --> 00:04:07,640 Speaker 1: all time, and at number sixteen is the Cars Just okay, 80 00:04:07,720 --> 00:04:09,680 Speaker 1: let me roll the fifteen. And you missed the first 81 00:04:09,680 --> 00:04:11,520 Speaker 1: part where I said we didn't even know these bands 82 00:04:11,600 --> 00:04:14,480 Speaker 1: until the stuff came out, right, So it's like boom 83 00:04:14,560 --> 00:04:18,000 Speaker 1: new band and sometimes first records okay builds the second. 84 00:04:19,160 --> 00:04:21,919 Speaker 1: I've never been an Arcade Fire guy, you seem like 85 00:04:21,960 --> 00:04:24,040 Speaker 1: you might have dabbled an Arcade Fire. For a second. 86 00:04:24,120 --> 00:04:29,520 Speaker 1: I knew they existed, huge, big loud sounds. Is this 87 00:04:29,600 --> 00:04:33,159 Speaker 1: off their first album? This is Funeral from two thousand four? 88 00:04:33,760 --> 00:04:35,600 Speaker 1: This is Funeral Funerals the record this is called Wake 89 00:04:35,680 --> 00:04:40,200 Speaker 1: Wake Up. To me, it just felt like, and I'm 90 00:04:40,200 --> 00:04:42,120 Speaker 1: not even sure where they're from, but I felt like 91 00:04:42,520 --> 00:04:45,520 Speaker 1: an American attempt at Coldplay. That's what it felt like 92 00:04:45,560 --> 00:04:47,360 Speaker 1: to me. Mike, you may look at it. They may 93 00:04:47,360 --> 00:04:49,320 Speaker 1: not even be American. They are American, and I think 94 00:04:49,360 --> 00:04:52,240 Speaker 1: they're from like Arizona or something. I felt like it 95 00:04:52,360 --> 00:04:54,560 Speaker 1: was the Monkeys to the Beatles when I heard Arcade Fire, 96 00:04:54,600 --> 00:04:56,680 Speaker 1: because they created The Monkeys as a TV show but 97 00:04:56,760 --> 00:04:58,440 Speaker 1: a band to be the American version of what the 98 00:04:58,440 --> 00:05:01,640 Speaker 1: Beatles were. Interesting. I felt Arcade Fire was that too? 99 00:05:01,720 --> 00:05:04,560 Speaker 1: Cold Play? Probably wrong? I get hey, that was never 100 00:05:04,600 --> 00:05:07,320 Speaker 1: a big Arcade Fire guy could just practice. I wasn't 101 00:05:07,320 --> 00:05:10,800 Speaker 1: exposed to them a whole lot. The Canadian way off 102 00:05:11,080 --> 00:05:16,800 Speaker 1: well in North American version better. Yeah, um, reasonable doubt 103 00:05:17,080 --> 00:05:20,440 Speaker 1: from jay Z. That was in fourteen The Pretenders in 104 00:05:20,600 --> 00:05:22,839 Speaker 1: nineteen eighty with the records The Pretenders, I'm gonna roll 105 00:05:22,839 --> 00:05:26,720 Speaker 1: through some of these real quick. Oh yeah, go make it, 106 00:05:27,120 --> 00:05:32,159 Speaker 1: nake it, make it. Uh my, no need for clips 107 00:05:32,160 --> 00:05:33,560 Speaker 1: when it run through a few of these. The Clash, 108 00:05:34,360 --> 00:05:39,440 Speaker 1: which is the Clash nineteen seventies something Nass record, Illmatic 109 00:05:39,520 --> 00:05:45,280 Speaker 1: and ninety four Patti Smith Horses and here's Glory at 110 00:05:45,320 --> 00:05:50,039 Speaker 1: number ten. You know the song? Yeah, g l r 111 00:05:50,040 --> 00:05:53,440 Speaker 1: A is that what? I don't know the song? I 112 00:05:53,480 --> 00:05:55,359 Speaker 1: think this is the Gloria that we all know, but 113 00:05:56,279 --> 00:06:00,279 Speaker 1: the Rolling Stones readid it maybe turn us up? I'm not. 114 00:06:01,800 --> 00:06:04,599 Speaker 1: I'm not calling up Patti Smith Glory. I know old 115 00:06:04,640 --> 00:06:08,840 Speaker 1: Patti Smith likes from the first record. No, no, I'm 116 00:06:08,839 --> 00:06:15,080 Speaker 1: talking about like now her like older. All right, here 117 00:06:15,120 --> 00:06:16,720 Speaker 1: we go. These are the let's get to the top 118 00:06:16,760 --> 00:06:21,120 Speaker 1: ten here and you can leave after this. I like 119 00:06:21,200 --> 00:06:25,400 Speaker 1: this the band. Do you know anything from the band? Okay, 120 00:06:25,560 --> 00:06:27,800 Speaker 1: don't play anything yet, Mike, because they come out in 121 00:06:28,800 --> 00:06:32,320 Speaker 1: obviously before we all exist. However, they have one of 122 00:06:32,400 --> 00:06:35,440 Speaker 1: the best songs. Just when people cover the song that 123 00:06:35,480 --> 00:06:38,080 Speaker 1: we're playing a second. It's so fun and you'll know 124 00:06:38,160 --> 00:06:40,200 Speaker 1: this song whenever we play it. Even the name of 125 00:06:40,200 --> 00:06:42,720 Speaker 1: the song is weird compared to when you hear the song, 126 00:06:43,600 --> 00:06:46,160 Speaker 1: but it's called music from the Big Pink. What you 127 00:06:46,240 --> 00:06:49,600 Speaker 1: gotta wonder what's the Big Pink? I don't know. I 128 00:06:49,600 --> 00:06:52,560 Speaker 1: don't know if that is right. I would think it's 129 00:06:52,560 --> 00:06:55,920 Speaker 1: a vagina when they're making a reference to and and 130 00:06:56,080 --> 00:06:59,599 Speaker 1: the song that you probably know is the Weight is 131 00:06:59,600 --> 00:07:02,120 Speaker 1: in double you E I G H T. But here's 132 00:07:02,160 --> 00:07:08,920 Speaker 1: the song, come on great huh, take a road for free, 133 00:07:09,800 --> 00:07:12,240 Speaker 1: take a load off, here's the party, but I like 134 00:07:12,320 --> 00:07:22,480 Speaker 1: to do you take load? And nobody ever knows who 135 00:07:22,480 --> 00:07:23,760 Speaker 1: sings that song or what the name of it is. 136 00:07:23,800 --> 00:07:26,880 Speaker 1: But you know their story, right. The band it's Bob 137 00:07:26,920 --> 00:07:29,800 Speaker 1: Dylan's band. So when Bob Dylan went electric, they were 138 00:07:29,840 --> 00:07:32,920 Speaker 1: his band, and then they kind of felt like Bob 139 00:07:33,000 --> 00:07:36,000 Speaker 1: was growing in a different direction and they said, guys, 140 00:07:36,080 --> 00:07:37,720 Speaker 1: we're good enough to be our own band, so let's 141 00:07:37,760 --> 00:07:41,080 Speaker 1: just be our own band called the band. I Love It. 142 00:07:41,240 --> 00:07:44,960 Speaker 1: I Shall be released ye on which Bob Dylan made 143 00:07:45,000 --> 00:07:51,440 Speaker 1: famous number eight the Strokes. This is from two thousand one. Um. 144 00:07:51,480 --> 00:07:54,920 Speaker 1: The record was called is This It? And I remember 145 00:07:54,920 --> 00:07:58,000 Speaker 1: when they came on this scene with Last Night, I 146 00:07:58,080 --> 00:08:00,000 Speaker 1: was like, holy crap, this is one of my favorit 147 00:08:00,040 --> 00:08:02,800 Speaker 1: bands ever. The Strokes. I didn't know that love them. 148 00:08:02,880 --> 00:08:06,040 Speaker 1: Do you ever see him? Yeah? Several times? Yeah, this 149 00:08:06,080 --> 00:08:07,280 Speaker 1: song was a jam. And then some day do you 150 00:08:07,320 --> 00:08:12,880 Speaker 1: have some day? Damn some day record Um a couple 151 00:08:12,880 --> 00:08:14,560 Speaker 1: of these. I'll roll through the sex pistols. They have 152 00:08:14,560 --> 00:08:18,080 Speaker 1: a number seven. Never mind the bullocks bullocks? Is a 153 00:08:18,080 --> 00:08:24,040 Speaker 1: butt or a nut? Is the nuting? I've never thought. 154 00:08:24,160 --> 00:08:27,080 Speaker 1: Mike d whispers it are there a bullet? I'm not sure, 155 00:08:27,120 --> 00:08:28,760 Speaker 1: but a bullocks? You may look that up. It's either 156 00:08:28,880 --> 00:08:30,600 Speaker 1: a butt or a ball. I've always heard in the 157 00:08:30,640 --> 00:08:35,160 Speaker 1: sense of these guys are the bullocks. They're cool? Look 158 00:08:35,200 --> 00:08:37,240 Speaker 1: up that thing. No name for clips here started the 159 00:08:37,320 --> 00:08:40,320 Speaker 1: Compton from n W to watch the movie. No, I 160 00:08:40,320 --> 00:08:43,160 Speaker 1: never saw it. You would like it. It's so did 161 00:08:43,200 --> 00:08:45,640 Speaker 1: you see the Queen movie? No? Not yet? Can they 162 00:08:45,640 --> 00:08:47,920 Speaker 1: have to do what movies do and they just jump 163 00:08:48,080 --> 00:08:51,880 Speaker 1: fast a long career and just just jump in. Her 164 00:08:51,920 --> 00:08:56,120 Speaker 1: first tape made We're Detroited, sold out and that movie 165 00:08:56,120 --> 00:08:59,199 Speaker 1: did that. Although Mike I watched that movie with Seth 166 00:08:59,280 --> 00:09:04,319 Speaker 1: Rogan in Catherine No, no least on it's called The 167 00:09:04,520 --> 00:09:08,160 Speaker 1: Long Shot. Ice Cube's son who plays Ice Cuban w 168 00:09:08,240 --> 00:09:10,200 Speaker 1: a play Seth Rogan's friend and long shot. That's awesome. 169 00:09:10,280 --> 00:09:14,440 Speaker 1: He's a real actor now. Yeah. Yeah. Velvet Underground at 170 00:09:14,600 --> 00:09:17,360 Speaker 1: number five. By the way, it's a British meeting for 171 00:09:17,480 --> 00:09:21,480 Speaker 1: testicles for it is for balls. I didn't know you 172 00:09:21,880 --> 00:09:25,160 Speaker 1: learned stuff on this podcast is great. Number four Guns 173 00:09:25,160 --> 00:09:29,480 Speaker 1: and Roses, Appetite for Destruction, Eddie canune debut record. Can 174 00:09:29,480 --> 00:09:33,480 Speaker 1: you name any song Welcome to the Jungle? Yeah, huge, dude. 175 00:09:33,800 --> 00:09:36,200 Speaker 1: I remember being a kid kid and seeing this record 176 00:09:37,000 --> 00:09:39,320 Speaker 1: and being like, what is happening here? This is crazy? 177 00:09:39,360 --> 00:09:41,440 Speaker 1: You remember the cover It was like a cross with 178 00:09:41,480 --> 00:09:44,520 Speaker 1: all their skeletons on their skulls on it. So they 179 00:09:44,559 --> 00:09:47,760 Speaker 1: had Welcome to the Jungle and had Sweet Child of Mine. Yeah, 180 00:09:47,840 --> 00:09:51,520 Speaker 1: which and Paradise City, which to me was that was 181 00:09:51,600 --> 00:09:53,440 Speaker 1: that song for me? That was that song from there. 182 00:09:54,160 --> 00:09:55,560 Speaker 1: This was the one that was the biggest to me. 183 00:09:59,440 --> 00:10:02,680 Speaker 1: Jimmy Hendr experience. Are you experienced his first record nineteen 184 00:10:02,800 --> 00:10:08,160 Speaker 1: sixty seven? You can play something from that paper? Oh wow? Yeah, 185 00:10:08,600 --> 00:10:12,680 Speaker 1: I mean this guy was Hayes. This guy was away 186 00:10:12,720 --> 00:10:16,720 Speaker 1: before his time. Did you did you watch the Andre 187 00:10:16,840 --> 00:10:19,120 Speaker 1: three thousand movie about him? Yeah? I heard it wasn't 188 00:10:19,200 --> 00:10:21,880 Speaker 1: very good. Andre three thousand wasn't a very good actor. 189 00:10:22,720 --> 00:10:26,319 Speaker 1: I liked the movie a bit, just it was cast weird. 190 00:10:27,600 --> 00:10:30,720 Speaker 1: It's cast weird. But I heard Paul McCartney even talk 191 00:10:30,760 --> 00:10:32,520 Speaker 1: about they would just took a watching Hendrick played a 192 00:10:32,559 --> 00:10:36,800 Speaker 1: small bar and they knew his special. But number two 193 00:10:36,840 --> 00:10:43,520 Speaker 1: The Ramans, The Romans ninety six, Let's go, Yeah, you 194 00:10:43,559 --> 00:10:46,600 Speaker 1: guys are nice. And then number one, which is one 195 00:10:46,600 --> 00:10:48,280 Speaker 1: that I would agree with because I freaking love it. 196 00:10:48,280 --> 00:10:50,679 Speaker 1: It's one of my favorite now as I get older. 197 00:10:51,080 --> 00:10:52,760 Speaker 1: It's right on the cut of top five records of 198 00:10:52,760 --> 00:10:57,080 Speaker 1: all time for me trying to think, so this is 199 00:10:57,120 --> 00:11:01,480 Speaker 1: the best debut albums of all time. It was one 200 00:11:01,520 --> 00:11:03,120 Speaker 1: of my top five forever and it still Maybe if 201 00:11:03,120 --> 00:11:08,280 Speaker 1: I talk about John Mayer continueum Counting Crows double album 202 00:11:08,320 --> 00:11:10,959 Speaker 1: The Count Cross the Live Wire that wasn't their debut though, 203 00:11:11,600 --> 00:11:14,840 Speaker 1: I'm talking about all albums period. Yeah, the live version, Yeah, 204 00:11:14,840 --> 00:11:18,120 Speaker 1: the Live across the Wire. Um, I guess maybe I 205 00:11:18,160 --> 00:11:20,040 Speaker 1: can do greatest hits because I put a good car. 206 00:11:20,840 --> 00:11:23,160 Speaker 1: It's I mentioned an article recent I don't want to 207 00:11:23,160 --> 00:11:24,760 Speaker 1: give it all away for you. I mentioned in an 208 00:11:24,880 --> 00:11:28,520 Speaker 1: article recently, because they showed me that they they showed 209 00:11:28,559 --> 00:11:31,560 Speaker 1: me that not to be super cheesy, but that anything 210 00:11:31,640 --> 00:11:35,600 Speaker 1: is possible, even for people like me. And I don't 211 00:11:35,640 --> 00:11:41,560 Speaker 1: really like them except for one way. What on Earth's Boys, 212 00:11:43,240 --> 00:11:45,240 Speaker 1: I saw a bunch of dorky white dudes rapping and 213 00:11:45,240 --> 00:11:46,960 Speaker 1: I was like, Oh, you can do whatever you want, 214 00:11:47,280 --> 00:11:50,080 Speaker 1: rapping and playing their own instruments. If you ever watch 215 00:11:50,120 --> 00:11:54,319 Speaker 1: some other David Lettering appearances where they're playing instruments, I 216 00:11:54,320 --> 00:11:58,439 Speaker 1: mean they're they're a punk rock band doing hip hop, 217 00:11:58,800 --> 00:12:00,360 Speaker 1: and there's a reason they were playing it on all 218 00:12:00,400 --> 00:12:02,599 Speaker 1: the stations. They were really the first band. It was 219 00:12:02,640 --> 00:12:05,360 Speaker 1: played all across the board like hip hop stations could 220 00:12:05,400 --> 00:12:08,160 Speaker 1: play them, Alternative stations could play them, pop stations could 221 00:12:08,160 --> 00:12:10,640 Speaker 1: play them, And they were the first band I've ever 222 00:12:11,000 --> 00:12:13,160 Speaker 1: You know that getting done with this is uh, brass 223 00:12:13,200 --> 00:12:20,360 Speaker 1: monkey fire for your right, No, No sleep Top, sleep Fall, 224 00:12:20,440 --> 00:12:27,360 Speaker 1: Revere Man, Girls in the Morning, Girls, and the whole record. 225 00:12:27,440 --> 00:12:29,960 Speaker 1: It's just one for me and it was way early 226 00:12:30,000 --> 00:12:31,440 Speaker 1: in my life, but I just listen to record my 227 00:12:31,440 --> 00:12:33,080 Speaker 1: whole life long. Yeah. I had an older brother, so 228 00:12:33,240 --> 00:12:35,280 Speaker 1: I learned a lot of this stuff through him. There 229 00:12:35,280 --> 00:12:38,040 Speaker 1: you go, that's the what who would you put on 230 00:12:38,080 --> 00:12:41,960 Speaker 1: this list? Is your best debut album Pearl Jam, Oh man, 231 00:12:42,000 --> 00:12:46,319 Speaker 1: you got alive. You have even flowed Jeremy Black. We're 232 00:12:46,600 --> 00:12:49,920 Speaker 1: very biased because I put John Mayer it's our band. 233 00:12:50,120 --> 00:12:53,520 Speaker 1: Room for Squares just was like, oh god dang when 234 00:12:53,559 --> 00:12:55,559 Speaker 1: some of these bands comodies of wonder Landing that's on 235 00:12:55,559 --> 00:12:57,760 Speaker 1: my favorite song. That was such a big song first record. 236 00:12:58,320 --> 00:13:00,680 Speaker 1: And but what makes a band, though, is that second album? 237 00:13:00,880 --> 00:13:03,360 Speaker 1: That first album, Yes, it's brand new, everybody loves it, 238 00:13:03,440 --> 00:13:06,199 Speaker 1: but then can you live up to that first album? 239 00:13:06,240 --> 00:13:08,040 Speaker 1: And some, I mean some of these bands just fall 240 00:13:08,080 --> 00:13:10,720 Speaker 1: out after that first album. You know, the old saying 241 00:13:10,960 --> 00:13:13,120 Speaker 1: is that you get your whole life to write your 242 00:13:13,160 --> 00:13:14,840 Speaker 1: first record and about a year to write your second, 243 00:13:16,400 --> 00:13:20,560 Speaker 1: and that's very very true. Yeah, I mean yeah, I'm 244 00:13:20,600 --> 00:13:23,440 Speaker 1: looking at the John Mayer stuff here. He had an 245 00:13:23,440 --> 00:13:26,760 Speaker 1: EP that I used to have called um before Room 246 00:13:26,800 --> 00:13:31,079 Speaker 1: for Squares came out. Inside Once Out was the name 247 00:13:31,080 --> 00:13:33,800 Speaker 1: of the EP. And what was on that Some of 248 00:13:33,800 --> 00:13:35,720 Speaker 1: the songs that ended up going like I think like neon, 249 00:13:35,880 --> 00:13:37,880 Speaker 1: like the word version of neon, like acoustic stuff, and 250 00:13:37,880 --> 00:13:40,480 Speaker 1: they didn't have any money. Um yeah, because along the 251 00:13:40,520 --> 00:13:42,240 Speaker 1: lines of like you have one year to write your 252 00:13:42,240 --> 00:13:44,360 Speaker 1: second record, is like sometimes a lot of these artists 253 00:13:44,360 --> 00:13:47,400 Speaker 1: have like stuff saved up from years that they didn't 254 00:13:47,440 --> 00:13:49,280 Speaker 1: They only use ten songs on the first record, so 255 00:13:49,320 --> 00:13:51,280 Speaker 1: they can use a lot in the second, Like like 256 00:13:51,360 --> 00:13:54,800 Speaker 1: better Man was written ten years before the band was 257 00:13:54,800 --> 00:13:57,600 Speaker 1: even formed for Pearl Jam, and like the song called 258 00:13:57,600 --> 00:14:01,240 Speaker 1: Comfortable on John Mayor's um EP that he play still 259 00:14:01,240 --> 00:14:03,440 Speaker 1: plays live at shows, but it's nowhere except for that record. 260 00:14:03,720 --> 00:14:06,800 Speaker 1: But Counting Crows they come out with August and everything after, 261 00:14:07,360 --> 00:14:09,160 Speaker 1: and that was Adam Durretts had had a lot of 262 00:14:09,200 --> 00:14:11,280 Speaker 1: those songs in the him Alaas and have brought that 263 00:14:11,360 --> 00:14:14,360 Speaker 1: over you we I learned that from another podcast we did. 264 00:14:14,400 --> 00:14:17,079 Speaker 1: He was in the Himala. Yeah, so that's the hundred 265 00:14:17,080 --> 00:14:19,080 Speaker 1: of best debut albums of all time. Eddie, thanks for 266 00:14:19,080 --> 00:14:29,400 Speaker 1: proping awesome. Thanks. Here are the big three music stories 267 00:14:29,440 --> 00:14:31,960 Speaker 1: this week. The number one album in America is Young 268 00:14:32,000 --> 00:14:34,680 Speaker 1: Boy Never Broke Again. Is that his whole name? Yeah? Oh, 269 00:14:34,720 --> 00:14:37,040 Speaker 1: that's his name. It's not young Boy the album never 270 00:14:37,080 --> 00:14:39,200 Speaker 1: Broke Again. His name is young Boy, and that's the 271 00:14:39,240 --> 00:14:43,120 Speaker 1: name of the album. Oh Man, young Boy. The album 272 00:14:43,160 --> 00:14:47,640 Speaker 1: Never Broke Again has the new number one album in America, 273 00:14:48,960 --> 00:14:52,280 Speaker 1: number Heartbreak and Do you know where I get exposed 274 00:14:52,320 --> 00:14:53,760 Speaker 1: to a lot of the new hip hop stuff is 275 00:14:53,800 --> 00:15:00,600 Speaker 1: freaking TikTok people like dancing, and they also some of 276 00:15:00,600 --> 00:15:04,640 Speaker 1: those people like they're like teenagers and their dance into 277 00:15:04,720 --> 00:15:07,560 Speaker 1: like dirty songs. He is the P word a lot 278 00:15:07,560 --> 00:15:11,720 Speaker 1: in songs and they act like that it doesn't even matter. Um. 279 00:15:11,760 --> 00:15:14,280 Speaker 1: I do love TikTok though, That's all Mike do. I 280 00:15:14,320 --> 00:15:18,280 Speaker 1: do send TikTok um. Number two is Hollywood Bleeding for 281 00:15:18,320 --> 00:15:21,600 Speaker 1: post Malone, which is record still killing It, I'm no 282 00:15:21,640 --> 00:15:30,120 Speaker 1: good at Goodbye, and then the record over It. Wait, Mike, 283 00:15:30,320 --> 00:15:32,400 Speaker 1: I think you're wrong on that record thing. I think 284 00:15:32,440 --> 00:15:34,920 Speaker 1: his name is young Boy Never Broke Again. It is Yeah, 285 00:15:34,920 --> 00:15:39,200 Speaker 1: they almost called AI young boy too. I thought it 286 00:15:39,240 --> 00:15:42,320 Speaker 1: was a young Boy. It's young Boy Never Broke Again. Duh, stupid, 287 00:15:42,880 --> 00:15:46,080 Speaker 1: Like I have any idea at all. You look that up. 288 00:15:46,120 --> 00:15:49,960 Speaker 1: But then Summer Walker has something called over it. This 289 00:15:50,040 --> 00:15:53,000 Speaker 1: is the hip hop guy haven't heard of? It is 290 00:15:53,040 --> 00:15:55,400 Speaker 1: young Boy never Broke Again? Yeah, hit me, hit me 291 00:15:55,440 --> 00:15:59,840 Speaker 1: with that. What are young Boy? No? Summer Walker? Whoever 292 00:15:59,840 --> 00:16:01,880 Speaker 1: that is over it? I don't have that. Oh you 293 00:16:01,880 --> 00:16:04,720 Speaker 1: know it's number three? Um, all right, I don't know 294 00:16:04,720 --> 00:16:06,200 Speaker 1: if it's a rock band or a hip hop guy, 295 00:16:06,360 --> 00:16:10,760 Speaker 1: google that. Jeez, remember we were cool. There's just so 296 00:16:10,760 --> 00:16:15,960 Speaker 1: many hip hop arties. All right, there's that post Malone. 297 00:16:16,000 --> 00:16:19,040 Speaker 1: The second story receives the most twenty nineteen a m 298 00:16:19,120 --> 00:16:27,640 Speaker 1: A nominations, seven of them. Oh that's the post Malone sound. Yeah, 299 00:16:30,680 --> 00:16:36,760 Speaker 1: it's like Elmer Fudd and auto tune like a little Oh. 300 00:16:36,760 --> 00:16:39,120 Speaker 1: Ariana Grandie gets six. By the way, the Ariana Grande 301 00:16:39,200 --> 00:16:44,800 Speaker 1: and Lizzo remix came out last night. Uh why man 302 00:16:44,960 --> 00:16:47,920 Speaker 1: that one? Okay town that guy to be right? Two thirds? 303 00:16:48,920 --> 00:16:52,760 Speaker 1: I like that BTS Army members. They say, well, no 304 00:16:52,800 --> 00:16:56,880 Speaker 1: doubt that that BTS. That band, aren't that whatever? The 305 00:16:56,880 --> 00:16:59,960 Speaker 1: pop group from Korea, Yeah, I have a feeling all 306 00:17:00,000 --> 00:17:03,240 Speaker 1: those retweets come from actually Korean, they're Korean fans. Yeah 307 00:17:03,320 --> 00:17:05,320 Speaker 1: that's what it is. Oh I thought they had such 308 00:17:05,359 --> 00:17:08,399 Speaker 1: a massive American following. No, it's all yeah, Korean fans. 309 00:17:08,440 --> 00:17:10,760 Speaker 1: All those like K pop bands get tons of retweets 310 00:17:10,760 --> 00:17:15,840 Speaker 1: from that. Let's see favorite male artist. There are categories 311 00:17:15,840 --> 00:17:18,439 Speaker 1: for the amas, Kane Brown, Luke Combs, and Thomas Rhett 312 00:17:19,320 --> 00:17:22,720 Speaker 1: Tough category. Although tr I don't feel as new he 313 00:17:22,800 --> 00:17:24,560 Speaker 1: has one male Vocalist of the Year at the A 314 00:17:24,720 --> 00:17:29,120 Speaker 1: m A's. But maybe the pot people he is. That's 315 00:17:29,119 --> 00:17:31,040 Speaker 1: a tough one. Between Kane I'm gonna take Thomas right 316 00:17:31,040 --> 00:17:33,439 Speaker 1: out of this because he's not that new anymore. Between 317 00:17:33,480 --> 00:17:35,480 Speaker 1: Kane Brown and Luke Combs, That's that's a tough one. 318 00:17:35,640 --> 00:17:38,680 Speaker 1: I think Luke Combs probably wins, but I don't. I 319 00:17:38,680 --> 00:17:42,320 Speaker 1: wouldn't bet money on it. Those Kane people are strong too. 320 00:17:43,200 --> 00:17:47,520 Speaker 1: Favorite female artist Kelsey, Oh, this isn't new. It's favorite 321 00:17:47,560 --> 00:17:51,280 Speaker 1: male artist period. That one that makes sense, got it? 322 00:17:51,800 --> 00:17:55,600 Speaker 1: So it's Kane Brown, Luke Combs of Thomas Rhett. It's tough. 323 00:17:55,600 --> 00:17:57,360 Speaker 1: I bet Tom. I bet Luke Combs still wins, though 324 00:17:57,480 --> 00:18:01,240 Speaker 1: he's getting very passionate. The voting based a favorite female 325 00:18:01,320 --> 00:18:04,439 Speaker 1: artist Kelsey, Marion Morris a, Carrie Underwood. Carrie has to 326 00:18:04,440 --> 00:18:08,800 Speaker 1: win that one, right, Favorite duo Country Dan and Shay, 327 00:18:08,920 --> 00:18:10,879 Speaker 1: Florida Georgia Line Rolled Dominion, Dan and She have to 328 00:18:10,880 --> 00:18:14,440 Speaker 1: win that one. Favorite album Kane Brown, Experiment, Dan and 329 00:18:14,480 --> 00:18:18,000 Speaker 1: Shay or Carrie Underwood. I think Kane Brown going that one. 330 00:18:18,920 --> 00:18:25,840 Speaker 1: Dan though, yeah, right as on ABC nove that truth hurts. 331 00:18:25,880 --> 00:18:29,399 Speaker 1: Girl who put the tweet out is getting songwriting credit. 332 00:18:30,640 --> 00:18:33,120 Speaker 1: A singer who tweeted a phrase that became the backbone 333 00:18:33,119 --> 00:18:36,280 Speaker 1: of Lizzo's hit truth Hurts, we'll be given a songwriting 334 00:18:36,320 --> 00:18:39,960 Speaker 1: credit because she tweeted out, I just took a DNA 335 00:18:40,119 --> 00:18:42,280 Speaker 1: She didn't say that melody. She tweeted out, I took 336 00:18:42,280 --> 00:18:44,880 Speaker 1: a DNA test. Turns out, Oh wait, The original one 337 00:18:45,040 --> 00:18:47,560 Speaker 1: was I just took a DNA test. Turns out I'm 338 00:18:47,600 --> 00:18:50,480 Speaker 1: a hundred percent That be right. Then her second one was, 339 00:18:50,680 --> 00:18:52,560 Speaker 1: I just took a DNA test. Turns out I'm credited 340 00:18:52,600 --> 00:18:57,280 Speaker 1: for the number one song. I just this is the 341 00:18:57,280 --> 00:19:01,760 Speaker 1: biggest part of the song, right. Yeah, I know the 342 00:19:01,800 --> 00:19:03,400 Speaker 1: song and we played all the time, but I'm saying, 343 00:19:04,280 --> 00:19:08,640 Speaker 1: obviously the hook is big. Well I'm in, but it's 344 00:19:08,680 --> 00:19:12,560 Speaker 1: that line there. Yeah, good for her. And finally we'll 345 00:19:12,640 --> 00:19:18,200 Speaker 1: end with this new music out today. Let's do Old Dominion. 346 00:19:18,200 --> 00:19:21,320 Speaker 1: They have a new record, Love Them, Love Them, Love Them. 347 00:19:21,359 --> 00:19:30,960 Speaker 1: Here is Midnight mess Around And this next song, which 348 00:19:31,000 --> 00:19:32,359 Speaker 1: I was listening to this morning because I didn't get 349 00:19:32,359 --> 00:19:34,080 Speaker 1: a chance to hear the whole record yet, I'm about to. 350 00:19:35,320 --> 00:19:37,800 Speaker 1: But that's my heart as a bar. I wondered, what 351 00:19:37,920 --> 00:19:39,399 Speaker 1: is this song about? But It's like my heart is 352 00:19:39,400 --> 00:19:46,520 Speaker 1: a bar and I'm shutting it down, closing and interesting. 353 00:19:47,119 --> 00:19:49,320 Speaker 1: I like that, closing it out. Yeah, let's have this morning. 354 00:19:49,720 --> 00:19:54,359 Speaker 1: Luke Bryan's got a new song called what she Wants Tonight. God, 355 00:19:54,960 --> 00:19:57,760 Speaker 1: she wants to burn like she's made of fox, and 356 00:19:58,000 --> 00:20:03,280 Speaker 1: she ain't going home to you drinking drop kip drops. 357 00:20:03,280 --> 00:20:07,640 Speaker 1: Still hain't a note, what's doing? What she does anders 358 00:20:07,760 --> 00:20:10,480 Speaker 1: and a pick of that she don't take No. When 359 00:20:11,240 --> 00:20:15,760 Speaker 1: she gets what she wants, she want to see. Also, 360 00:20:15,920 --> 00:20:18,840 Speaker 1: Kanye West, by the way, as of this recording right now, 361 00:20:19,200 --> 00:20:21,159 Speaker 1: there is no album. You don't have any of it. 362 00:20:22,119 --> 00:20:25,119 Speaker 1: I woke up and that's going. I can't wait to 363 00:20:25,160 --> 00:20:28,560 Speaker 1: hear the Kanye gospel hip hop record. Yeah, and there 364 00:20:28,600 --> 00:20:31,119 Speaker 1: was no gospel hipop record. No. He was on Kimmel 365 00:20:31,200 --> 00:20:34,040 Speaker 1: last night and then he tweeted early like last night 366 00:20:34,080 --> 00:20:35,600 Speaker 1: like I won't go to sleep until it is out. 367 00:20:35,640 --> 00:20:38,359 Speaker 1: Still not out as of right now. He could be 368 00:20:38,359 --> 00:20:40,639 Speaker 1: out by the time you heard this, But I mean 369 00:20:40,680 --> 00:20:42,840 Speaker 1: he's been saying this for months. I mean, there was 370 00:20:42,840 --> 00:20:44,560 Speaker 1: an album supposed to be out last year. They never 371 00:20:44,640 --> 00:20:48,280 Speaker 1: came out. Cold Play, Oh though this whole records out today. 372 00:20:48,520 --> 00:20:51,120 Speaker 1: This cole Play record just a couple of songs. Oh, 373 00:20:51,119 --> 00:20:53,680 Speaker 1: because I saw they're in the newspaper, all the newspapers 374 00:20:53,680 --> 00:20:56,080 Speaker 1: all of the world putting out their track list. Yeah, 375 00:20:56,080 --> 00:20:59,120 Speaker 1: and they sent out letters. That's cool. I like cold 376 00:20:59,119 --> 00:21:02,960 Speaker 1: Play a lot um Orphans is the as the new song? 377 00:21:11,920 --> 00:21:14,560 Speaker 1: So the record comes out number twenty? Is this the 378 00:21:14,560 --> 00:21:17,800 Speaker 1: first song from the record? Cool? Momford and Sons have 379 00:21:17,800 --> 00:21:27,879 Speaker 1: a song called Blind Leading the Blind out today. James 380 00:21:27,880 --> 00:21:30,000 Speaker 1: Blunt's got a record out today. By the way, James 381 00:21:30,040 --> 00:21:33,440 Speaker 1: Blunt is the guy that did You're Beautiful, which, by 382 00:21:33,480 --> 00:21:36,320 Speaker 1: the way, as a pretty passionate following, and it's apparently 383 00:21:36,400 --> 00:21:43,200 Speaker 1: hilarious on Twitter. He does. Yeah, here is monsters All 384 00:21:43,359 --> 00:21:48,080 Speaker 1: read a story to you. I've listened to that. That's 385 00:21:48,080 --> 00:21:53,760 Speaker 1: my jam. That's my kind of Tempo's true the time 386 00:21:53,840 --> 00:21:58,639 Speaker 1: that's gone. If you wonder what it just in a 387 00:21:59,320 --> 00:22:01,200 Speaker 1: the essence of what I listened to when I'm alone, 388 00:22:01,280 --> 00:22:03,640 Speaker 1: it's that. It's that the piano and like the vocals. 389 00:22:03,640 --> 00:22:09,840 Speaker 1: That's all I need time. How's it like that right there? 390 00:22:09,880 --> 00:22:12,480 Speaker 1: That sound is what I like. How you know how 391 00:22:12,480 --> 00:22:14,480 Speaker 1: you like the punk? Yeah? I don't know what my 392 00:22:14,520 --> 00:22:17,000 Speaker 1: mom think about me. I'm in the basement. Please give 393 00:22:17,080 --> 00:22:22,639 Speaker 1: me that's you. What's that? That was sex whistles? That's you. 394 00:22:22,640 --> 00:22:28,399 Speaker 1: You're like, oh, need's a b and I'm like help me. Uh. 395 00:22:28,840 --> 00:22:31,240 Speaker 1: En seventy five Frail State of Mind is out here 396 00:22:31,280 --> 00:22:33,040 Speaker 1: you go. Here's the song from the nineteen seventy five 397 00:22:36,640 --> 00:22:40,520 Speaker 1: and then Frank Ocean has a song. Yeah, just a song. 398 00:22:40,760 --> 00:22:47,240 Speaker 1: D h O gotta pay cable just got blue bag, 399 00:22:47,480 --> 00:22:50,119 Speaker 1: got out of peg cablue beach. There you got some 400 00:22:50,160 --> 00:22:53,480 Speaker 1: new music out today. Uh, just a little musical podcast 401 00:22:53,480 --> 00:22:55,959 Speaker 1: for you. We do have coming up as I'm looking 402 00:22:56,040 --> 00:22:59,680 Speaker 1: at the interview podcast Josh Kre tonight, which we're gonna 403 00:22:59,720 --> 00:23:03,040 Speaker 1: put up. It'll be the next podcast Josh Care songwriter 404 00:23:03,240 --> 00:23:08,320 Speaker 1: who's written things such as before he cheats, Yeah, big ones, 405 00:23:08,400 --> 00:23:11,199 Speaker 1: big ones, all right, so we'll talk to him. Also 406 00:23:11,320 --> 00:23:15,679 Speaker 1: coming up we have Blanco Brown doing a Bobby cast, 407 00:23:15,960 --> 00:23:18,200 Speaker 1: which will be interesting because that guy's life flipped upside 408 00:23:18,200 --> 00:23:20,920 Speaker 1: down real quick. Isn't all over the place all of 409 00:23:20,960 --> 00:23:24,400 Speaker 1: it like yea, all of the world doing stuff. Um, 410 00:23:24,560 --> 00:23:28,080 Speaker 1: how I gotta message. Yesterday I guess Rod or Boss 411 00:23:28,160 --> 00:23:30,720 Speaker 1: was with um. We went to the Carrie Underwood Show 412 00:23:30,720 --> 00:23:34,240 Speaker 1: in Louisville, and he was with Runaway June because they 413 00:23:34,240 --> 00:23:37,840 Speaker 1: were opening for Carrie and I guess they don't do 414 00:23:37,880 --> 00:23:43,600 Speaker 1: anything individually. However, they were debating whether or not one 415 00:23:43,640 --> 00:23:46,119 Speaker 1: of the members, Naomi should do because I was like, 416 00:23:46,160 --> 00:23:48,000 Speaker 1: I don't I don't ever want it to be like 417 00:23:48,040 --> 00:23:50,240 Speaker 1: me talking to a whole band of people. We've never 418 00:23:50,280 --> 00:23:53,240 Speaker 1: done that, Yeah, I mean it's a different dynamic. The 419 00:23:53,280 --> 00:23:55,320 Speaker 1: only time we've ever done two were the brothers from 420 00:23:55,400 --> 00:23:59,680 Speaker 1: High Valley. I think that's the only time that because 421 00:23:59,680 --> 00:24:02,200 Speaker 1: even even Low Cash we did one in Low Cash 422 00:24:02,359 --> 00:24:04,160 Speaker 1: one a little big town. They've all come in. It's 423 00:24:04,200 --> 00:24:06,000 Speaker 1: just easier to get human stories when you're talking to 424 00:24:06,040 --> 00:24:09,080 Speaker 1: a human. And so Naomi like lived in a bus 425 00:24:09,080 --> 00:24:10,359 Speaker 1: for a long time with her family. I thought it 426 00:24:10,359 --> 00:24:13,280 Speaker 1: was a really interesting story. And they were debating while 427 00:24:13,400 --> 00:24:16,080 Speaker 1: Rod was there whether she was going to come, she 428 00:24:16,119 --> 00:24:18,080 Speaker 1: should come do it because they don't do things without 429 00:24:18,080 --> 00:24:20,200 Speaker 1: the band, and he was like, of course you should 430 00:24:20,240 --> 00:24:23,240 Speaker 1: do it. What's the latest on that. I gotta take 431 00:24:23,280 --> 00:24:26,560 Speaker 1: back on that. Yeah, but I heard we're waiting on that. 432 00:24:26,800 --> 00:24:28,440 Speaker 1: You heard what if she would come to it? Just her? 433 00:24:28,480 --> 00:24:33,000 Speaker 1: But there wasn't no yet, No, everybody get on Naomi's 434 00:24:33,040 --> 00:24:35,320 Speaker 1: Instagram that you want that episode and tell her she 435 00:24:35,400 --> 00:24:39,480 Speaker 1: needs to come on the Bobby Cast. Yeah, that's right. 436 00:24:39,760 --> 00:24:42,440 Speaker 1: And you know that our big white whale is Lauren Daegle. 437 00:24:42,480 --> 00:24:45,159 Speaker 1: We keep she keeps going. Maybe and then no, I 438 00:24:45,160 --> 00:24:47,240 Speaker 1: think I heard after Thanksgiving we can make it happen, 439 00:24:47,280 --> 00:24:49,400 Speaker 1: you know what. We've heard that for about a year 440 00:24:49,440 --> 00:24:52,760 Speaker 1: at this point. But um, all good. Thank you guys 441 00:24:52,760 --> 00:24:56,520 Speaker 1: for listening to the Bobby Cast. Subscribe posted on Instagram 442 00:24:56,560 --> 00:25:01,480 Speaker 1: tag me appreciate that follow at the Bobby Cant. Thank 443 00:25:01,480 --> 00:25:05,680 Speaker 1: you very much. We'll see you next time. Hi. H 444 00:25:06,359 --> 00:25:06,719 Speaker 1: m hm