1 00:00:00,320 --> 00:00:08,280 Speaker 1: Forever. Look mad oh, I see you? Why why? And 2 00:00:08,360 --> 00:00:16,040 Speaker 1: look over there? How is that culture? Yes? Goodness calling? 3 00:00:16,320 --> 00:00:18,720 Speaker 1: And as I just told about one seconds before we 4 00:00:18,760 --> 00:00:21,320 Speaker 1: did the countdown into the Dingdong, I have an updated 5 00:00:22,520 --> 00:00:25,400 Speaker 1: I stand Selena Gomez. Now I thought you were always 6 00:00:25,400 --> 00:00:30,560 Speaker 1: on board. Well, I always appreciated that she is catering 7 00:00:30,640 --> 00:00:33,360 Speaker 1: to what I call her army of gaze, because if 8 00:00:33,400 --> 00:00:38,840 Speaker 1: you listen to the Selena Gomez U she is knows 9 00:00:38,840 --> 00:00:41,519 Speaker 1: she has gaze of stomping. Yeah, but that's like not 10 00:00:41,680 --> 00:00:45,199 Speaker 1: specific to her. That's like every woman who sings, right, 11 00:00:45,240 --> 00:00:47,720 Speaker 1: but not actually I don't know, not every woman who 12 00:00:47,760 --> 00:00:51,240 Speaker 1: sings yeah, and that's what they're called. And that's debatable 13 00:00:51,280 --> 00:00:52,960 Speaker 1: for Selina, which I'm saying is like a part of 14 00:00:52,960 --> 00:00:54,720 Speaker 1: her appeals that she cannot say, but she and yet 15 00:00:54,760 --> 00:00:59,000 Speaker 1: she puts out these cannot she cannot it's important. But 16 00:00:59,080 --> 00:01:01,200 Speaker 1: she's really good at being a singer. She I think 17 00:01:01,240 --> 00:01:04,120 Speaker 1: she's a really good at being a celebrity that we 18 00:01:04,200 --> 00:01:06,560 Speaker 1: care about and are tuning in for because I care 19 00:01:06,640 --> 00:01:08,720 Speaker 1: so much about her. We care so much, We care deeply. 20 00:01:08,720 --> 00:01:11,440 Speaker 1: It's actually a real culture. And number nine, we care 21 00:01:11,560 --> 00:01:19,320 Speaker 1: so deeply. Now, what's your can I tell you she's 22 00:01:19,400 --> 00:01:22,760 Speaker 1: not a good singer, and she's sort of, but she 23 00:01:22,959 --> 00:01:25,360 Speaker 1: is very good. Did you see the Lose You to 24 00:01:25,440 --> 00:01:27,680 Speaker 1: Love Me? Video? I didn't, the one that was shot 25 00:01:27,720 --> 00:01:30,240 Speaker 1: on an iPhone, shot her iPhone and also look at 26 00:01:30,240 --> 00:01:32,640 Speaker 1: her now the second single is also shot on iPhone. 27 00:01:33,959 --> 00:01:37,520 Speaker 1: That's that's like her thing right now, Kay Dickinson Morning Show, 28 00:01:38,080 --> 00:01:42,560 Speaker 1: Honey Apple plus Fish, which I will also touch on that. Okay, 29 00:01:42,680 --> 00:01:46,399 Speaker 1: and but but let me just say I'm absolutely standing 30 00:01:47,840 --> 00:01:49,920 Speaker 1: Lose You to Love Me? And fact I listened to 31 00:01:49,920 --> 00:01:52,480 Speaker 1: it every day and you tweeted that yesterday on the 32 00:01:52,480 --> 00:01:55,400 Speaker 1: flight back to New York you brought your phone with 33 00:01:55,400 --> 00:01:57,160 Speaker 1: you into the toilet, into the restroom to take a 34 00:01:57,160 --> 00:01:59,320 Speaker 1: poop on planes, which is something I'm exploring now in 35 00:01:59,320 --> 00:02:01,760 Speaker 1: my late twenties, taking poops on. You've never taken a 36 00:02:01,760 --> 00:02:04,120 Speaker 1: poop on a plane. I would say that in my 37 00:02:04,320 --> 00:02:06,440 Speaker 1: life up till my late twenties, I was afraid to 38 00:02:06,480 --> 00:02:09,000 Speaker 1: take poops on. Now I'm unafraid to take poops on. 39 00:02:09,120 --> 00:02:11,240 Speaker 1: What is it the suction, it's the sound, it's just 40 00:02:11,320 --> 00:02:13,280 Speaker 1: really the sitting down of it all on the seat 41 00:02:13,320 --> 00:02:16,480 Speaker 1: that's been used by approximately a million people before me. 42 00:02:17,360 --> 00:02:19,000 Speaker 1: You know, you just gotta suck it up. You just 43 00:02:19,080 --> 00:02:22,080 Speaker 1: gotta suck it up. Um, well, not really suck it up. 44 00:02:22,080 --> 00:02:24,079 Speaker 1: You gotta poop it out, poop it out. But okay, 45 00:02:24,080 --> 00:02:26,920 Speaker 1: So anyway, not to to go, move away from graphic 46 00:02:27,000 --> 00:02:30,480 Speaker 1: content and more towards Selena. Yes, so lose you to 47 00:02:30,560 --> 00:02:34,000 Speaker 1: love me. I feel is a good song that I 48 00:02:34,040 --> 00:02:36,399 Speaker 1: love and I'm not surprised to hear it one number one. 49 00:02:36,680 --> 00:02:40,679 Speaker 1: But then you hear um, look at her now and 50 00:02:40,960 --> 00:02:44,320 Speaker 1: you have you have to respect. Okay, I haven't even 51 00:02:44,520 --> 00:02:46,320 Speaker 1: heard look at it now. Defice it to say we 52 00:02:46,400 --> 00:02:47,959 Speaker 1: have a friend, a friend of the pot has written 53 00:02:48,000 --> 00:02:51,880 Speaker 1: the third single, and someone at this table may have 54 00:02:52,240 --> 00:02:55,720 Speaker 1: caught a little sneak peek it might I might say 55 00:02:55,840 --> 00:02:57,639 Speaker 1: you might have something to look forward to. I might 56 00:02:57,680 --> 00:03:00,440 Speaker 1: say you might. I might say you might have something 57 00:03:00,480 --> 00:03:06,120 Speaker 1: to look forward to. Readers and even the guests. But 58 00:03:06,280 --> 00:03:08,200 Speaker 1: before we get into the guest, let me just touch 59 00:03:08,240 --> 00:03:09,840 Speaker 1: on one other piece of apple culture, and I want 60 00:03:09,840 --> 00:03:11,840 Speaker 1: to ask you if you've indulged in this Apple culture 61 00:03:12,680 --> 00:03:16,960 Speaker 1: ahead the Morning Show Um Kelly Clarkson's in it. Kelly 62 00:03:16,960 --> 00:03:19,200 Speaker 1: Clarkson plays a small part in an episode of the 63 00:03:19,240 --> 00:03:22,600 Speaker 1: Morning show where she sings as herself and she tells 64 00:03:22,639 --> 00:03:25,440 Speaker 1: Reese with this one's character whose name is please Hold 65 00:03:25,560 --> 00:03:31,120 Speaker 1: Hold Onto Something, Bradley Jackson, that she's a truth teller 66 00:03:31,200 --> 00:03:34,399 Speaker 1: and she stands with her. So basically, Bradley Jackson played 67 00:03:34,400 --> 00:03:38,440 Speaker 1: by Rich with This Woman is a conservative journalist who 68 00:03:38,440 --> 00:03:41,560 Speaker 1: goes a viral on Twitter. Yes, we are starting a 69 00:03:41,600 --> 00:03:46,000 Speaker 1: storyline in the year with a clip went viral, And 70 00:03:46,080 --> 00:03:48,360 Speaker 1: the Morning Show begins with a clip going viral of 71 00:03:48,400 --> 00:03:50,520 Speaker 1: Reese freaking out in the field at at some sort 72 00:03:50,520 --> 00:03:55,000 Speaker 1: of coal mine protests. And then she becomes so I 73 00:03:55,000 --> 00:03:56,280 Speaker 1: has to say one thing at least to another. She 74 00:03:56,360 --> 00:03:59,520 Speaker 1: becomes Jennifer Anderson's coast on the Morning Show. Three episodes later, 75 00:03:59,600 --> 00:04:02,240 Speaker 1: Kelly clark centners and it's saying she stands with Bradley Jackson, 76 00:04:02,240 --> 00:04:05,440 Speaker 1: who's a truth teller. So then Kelly Clarkson's playing herself 77 00:04:05,480 --> 00:04:11,120 Speaker 1: as a conservative like a sympathizer. Sympathizer, okay, And how 78 00:04:11,120 --> 00:04:14,040 Speaker 1: do you feel about singing a single from two years ago? Wait? 79 00:04:14,080 --> 00:04:20,000 Speaker 1: What did you think? Me? More heat from your baby Baby? 80 00:04:21,800 --> 00:04:23,960 Speaker 1: And I'm like, what is going on on this alternate 81 00:04:24,000 --> 00:04:27,360 Speaker 1: universe that is this? And the show is I haven't 82 00:04:27,360 --> 00:04:29,240 Speaker 1: watched more than the first episode, but it is rough 83 00:04:29,279 --> 00:04:32,720 Speaker 1: in the first episode. Have you indulged? Haven't? I haven't 84 00:04:33,440 --> 00:04:36,240 Speaker 1: done much of I haven't really touched the Apple TV stuff. 85 00:04:36,279 --> 00:04:41,359 Speaker 1: Shonda looks like shake a spear, like what is happening 86 00:04:41,360 --> 00:04:43,280 Speaker 1: on the Morning Show? But I'm still going to give 87 00:04:43,320 --> 00:04:45,320 Speaker 1: it a shot because and don't come from me for 88 00:04:45,400 --> 00:04:47,719 Speaker 1: being negative readers, because who wants to love the Morning 89 00:04:47,760 --> 00:04:50,560 Speaker 1: Show more than absolutely? Oh, we're we are. We're still 90 00:04:50,600 --> 00:04:52,240 Speaker 1: rooting for the Morning Show. We are still rooting for 91 00:04:52,240 --> 00:04:55,120 Speaker 1: the Morning Show. Is it like Network but it's Morning 92 00:04:55,200 --> 00:04:58,760 Speaker 1: It's basically it's it's literally like it's going viral like that. 93 00:04:58,760 --> 00:05:00,919 Speaker 1: That feels very network to me. You can't believe the 94 00:05:00,920 --> 00:05:02,720 Speaker 1: whole going viral of it all, but that is how 95 00:05:02,760 --> 00:05:05,200 Speaker 1: they choose to start the show. So comedere viral on Twitter, 96 00:05:05,200 --> 00:05:07,640 Speaker 1: and we're unless it's a damn front facing video, unless 97 00:05:07,640 --> 00:05:14,440 Speaker 1: it's a moment come on, okay, or if it's our guest, 98 00:05:14,560 --> 00:05:17,520 Speaker 1: damn insta, damn insta okay. And first of all, let 99 00:05:17,600 --> 00:05:21,040 Speaker 1: me say, the Morning Show is as if The Today's 100 00:05:21,080 --> 00:05:25,440 Speaker 1: Show happened to Jennifer Aniston. So imagine if Jennifer Aniston 101 00:05:25,480 --> 00:05:30,480 Speaker 1: was Savannah Guthrie. Picture that now, Picture the Morning Show that. 102 00:05:30,600 --> 00:05:33,800 Speaker 1: So she basically plays a Katie Corre Savanna Guthrie type 103 00:05:33,800 --> 00:05:36,159 Speaker 1: who wakes up to find out that her co host 104 00:05:36,200 --> 00:05:39,080 Speaker 1: has been me too, very badly and it's fired, and 105 00:05:39,080 --> 00:05:41,479 Speaker 1: so she must all yes, Steve Carrell in a very 106 00:05:41,600 --> 00:05:46,880 Speaker 1: cuckoo performance broad kind of crazy, and then they're looking 107 00:05:46,880 --> 00:05:49,800 Speaker 1: for another cost for her and Bradley Jackson played by Reese. 108 00:05:49,960 --> 00:05:54,960 Speaker 1: This goes coal Mine Viral Bradley Jackson, which is like, 109 00:05:55,320 --> 00:05:58,440 Speaker 1: how do we really flip names on their heads? Let's 110 00:05:58,520 --> 00:06:03,359 Speaker 1: name the character Brad. But anyway, then they become co 111 00:06:03,520 --> 00:06:08,120 Speaker 1: host and it goes on okay, and Kelly Clarkson cameos that, um, 112 00:06:08,400 --> 00:06:11,599 Speaker 1: I am so excited her guest is here, you are he? 113 00:06:13,040 --> 00:06:15,960 Speaker 1: I think he really touches people's hearts. He gets it. 114 00:06:16,120 --> 00:06:19,880 Speaker 1: He gets it. You know, people get people, ourselves included, 115 00:06:20,320 --> 00:06:22,159 Speaker 1: so crazy. You know, I have to do a shout 116 00:06:22,200 --> 00:06:25,440 Speaker 1: out because about two years ago, actually like a full 117 00:06:25,560 --> 00:06:30,200 Speaker 1: couple of years ago, our our Nico, our friend Nico Nico, 118 00:06:30,400 --> 00:06:35,599 Speaker 1: Our Nico said you have to get he was referring 119 00:06:35,640 --> 00:06:38,080 Speaker 1: to this person as Ben seven. He's like, you have 120 00:06:38,120 --> 00:06:40,000 Speaker 1: to give any drama on the pod, and I was like, 121 00:06:40,160 --> 00:06:42,279 Speaker 1: let me check this out. And then I checked it 122 00:06:42,279 --> 00:06:44,000 Speaker 1: out and I said, this might have to be someone 123 00:06:44,040 --> 00:06:48,520 Speaker 1: for the pod. Absolutely, and since that time we've met 124 00:06:48,560 --> 00:06:50,479 Speaker 1: and the last time and the last time we were 125 00:06:50,480 --> 00:06:52,160 Speaker 1: in the same room as him, it was at the 126 00:06:52,160 --> 00:06:56,120 Speaker 1: Bellhouse and he literally watched you and me get into 127 00:06:56,160 --> 00:06:59,000 Speaker 1: a huge verbal spat. What was the spat it was? 128 00:06:59,800 --> 00:07:02,599 Speaker 1: I said, Matt, you just screamed at me on stage 129 00:07:02,640 --> 00:07:04,680 Speaker 1: and that really hurt my feelings. And then you were like, 130 00:07:04,880 --> 00:07:08,000 Speaker 1: what what what are you talking about? It? I'm being 131 00:07:08,279 --> 00:07:11,480 Speaker 1: I'm being characterized as a huge that was not No, 132 00:07:11,560 --> 00:07:13,920 Speaker 1: it was not a bit fight. I'm not your character. 133 00:07:14,040 --> 00:07:16,560 Speaker 1: I'm not trying to portray you as anything but a friend. 134 00:07:16,640 --> 00:07:20,040 Speaker 1: And we had a very meaningful conversation. We had a 135 00:07:20,040 --> 00:07:22,760 Speaker 1: meaningful conversation. Did you witness I don't like, we don't. 136 00:07:22,800 --> 00:07:25,680 Speaker 1: He's not able to speak, but we have to bring 137 00:07:25,760 --> 00:07:27,440 Speaker 1: him in. We have to bring him in. And first 138 00:07:27,480 --> 00:07:30,360 Speaker 1: of all, I just wanted to retroactively apologize for any 139 00:07:30,440 --> 00:07:33,120 Speaker 1: kind of spat. Oh. Absolutely, and I apologize as well. 140 00:07:33,720 --> 00:07:37,640 Speaker 1: I feel as though, well, and now I'm gonna get real. Okay, 141 00:07:37,880 --> 00:07:40,880 Speaker 1: we haven't not seen each other. It was your birthday 142 00:07:40,920 --> 00:07:43,320 Speaker 1: but three days ago, and I spent it with you, 143 00:07:43,440 --> 00:07:46,440 Speaker 1: and you came to do game show, Game Show, which 144 00:07:46,840 --> 00:07:51,360 Speaker 1: shot quimby coming in April, and your episode was wonderful. 145 00:07:51,400 --> 00:07:53,040 Speaker 1: And the fact that you spent your birthday with us, 146 00:07:53,280 --> 00:07:55,480 Speaker 1: I wouldn't have been anywhere else and you flew all 147 00:07:55,520 --> 00:07:57,480 Speaker 1: the way out there just for that. And I also 148 00:07:57,520 --> 00:07:59,560 Speaker 1: think you're growing out your hair and it looks really good. 149 00:07:59,600 --> 00:08:02,160 Speaker 1: Now I hate the length. We don't Why did you 150 00:08:02,160 --> 00:08:04,320 Speaker 1: say that? Then I stand with you. Cut it. We're fighting. 151 00:08:04,400 --> 00:08:07,160 Speaker 1: Cut it, okay, um, but let's bring our guests in. 152 00:08:07,240 --> 00:08:09,520 Speaker 1: And I really want his take on because I really 153 00:08:09,560 --> 00:08:12,600 Speaker 1: I went home. I went home thinking, damn saw us fighting. 154 00:08:12,680 --> 00:08:17,720 Speaker 1: And I think that he understands relationship absolutely absolutely. I 155 00:08:17,720 --> 00:08:19,520 Speaker 1: think I think that's one thing we can say about 156 00:08:19,520 --> 00:08:23,760 Speaker 1: our guests. Understands the complexity of the human dynamic dating 157 00:08:23,760 --> 00:08:27,080 Speaker 1: an astrological sign be like, we got to talk about this, 158 00:08:27,160 --> 00:08:29,640 Speaker 1: we gotta talk about this, and so there's some dating 159 00:08:29,720 --> 00:08:32,560 Speaker 1: fun happening over here on your end, on my on 160 00:08:32,640 --> 00:08:36,240 Speaker 1: and on our guests sender. Okay, we'll talk about love lives. 161 00:08:36,280 --> 00:08:47,080 Speaker 1: Let's welcome into your ears. DAT scanner it's talk. How 162 00:08:47,080 --> 00:08:49,400 Speaker 1: do you feel about the new Celina music? I like it? 163 00:08:49,720 --> 00:08:52,600 Speaker 1: But she had met hands to myself, yes we stand. 164 00:08:53,360 --> 00:08:55,160 Speaker 1: I was like, oh this is I was still in 165 00:08:55,200 --> 00:08:58,720 Speaker 1: the closet when that came out. Wait, wait, that's fairly recently. 166 00:08:58,960 --> 00:09:00,640 Speaker 1: Low key. Yeah, I came out like three years ago. 167 00:09:02,280 --> 00:09:06,559 Speaker 1: And how old are you now? And you just folded 168 00:09:06,600 --> 00:09:08,880 Speaker 1: into it so easily that we just we let it. 169 00:09:08,960 --> 00:09:12,319 Speaker 1: We let it all out quickly, and now we're full 170 00:09:12,559 --> 00:09:18,120 Speaker 1: blown ckensie nine. Well, I got asked recently it was 171 00:09:18,160 --> 00:09:21,360 Speaker 1: like what um like on some weird I don't know. 172 00:09:21,400 --> 00:09:25,200 Speaker 1: This photographer was like, hey, what level of gay do 173 00:09:25,240 --> 00:09:27,440 Speaker 1: you feel you are? It's just I'm like doing a study. 174 00:09:27,480 --> 00:09:35,240 Speaker 1: It's an important question. Study what it was like a ten? 175 00:09:35,760 --> 00:09:40,040 Speaker 1: Like like I'm like, what, who's answering age? Like that's yeah, 176 00:09:40,080 --> 00:09:44,480 Speaker 1: I don't know, you know, she's a tens. Of course. 177 00:09:44,640 --> 00:09:46,720 Speaker 1: It's it's there long, it's it's all. And I loved 178 00:09:46,760 --> 00:09:49,240 Speaker 1: your fight. I thought it was really what you used 179 00:09:49,240 --> 00:09:52,000 Speaker 1: to words in ways that I was like, just sitting there. 180 00:09:52,120 --> 00:09:54,120 Speaker 1: I was sitting there next to I think Pat had 181 00:09:54,160 --> 00:09:57,280 Speaker 1: just honestly, that also means that you must be a 182 00:09:57,320 --> 00:10:00,599 Speaker 1: family because we felt comfortable. Yeah, I felt yeah, And 183 00:10:00,640 --> 00:10:02,760 Speaker 1: I was like I was just sitting there obviously listen 184 00:10:02,800 --> 00:10:04,839 Speaker 1: to this pod. So, but you just used words in 185 00:10:04,880 --> 00:10:07,199 Speaker 1: ways that I do not like I'll just be mad 186 00:10:07,200 --> 00:10:09,880 Speaker 1: at someone for like years and never say why. But 187 00:10:09,920 --> 00:10:12,520 Speaker 1: you were like that specific moment when you said that, 188 00:10:12,600 --> 00:10:14,600 Speaker 1: and you looked at me, I was like, Wow, that's 189 00:10:14,600 --> 00:10:17,560 Speaker 1: like really well done. He's like nailing what he's mad about. 190 00:10:19,080 --> 00:10:20,880 Speaker 1: I would think it was shocked on your end. Oh 191 00:10:20,880 --> 00:10:23,120 Speaker 1: my god. If I is a very good communicator, and 192 00:10:23,160 --> 00:10:25,120 Speaker 1: here's my thing, I can get in the moment when 193 00:10:25,120 --> 00:10:27,680 Speaker 1: I'm cornered, I can get a little bit Piscey's defensive. 194 00:10:29,080 --> 00:10:31,199 Speaker 1: What are you talking about? Okay, dude, what do you 195 00:10:31,240 --> 00:10:33,520 Speaker 1: have to clear up? Matt, I just want to clear well, 196 00:10:33,559 --> 00:10:35,160 Speaker 1: it's not a clearing up. It's just I just want 197 00:10:35,160 --> 00:10:38,800 Speaker 1: to say that Bowen and I have become very good 198 00:10:38,840 --> 00:10:43,079 Speaker 1: clear communicator and an issue we address it and if 199 00:10:43,080 --> 00:10:45,640 Speaker 1: it gets heated then that's fine, but we're addressing it, 200 00:10:45,679 --> 00:10:48,520 Speaker 1: and that in communication is a form of intimacy. Yes, 201 00:10:50,080 --> 00:10:54,319 Speaker 1: in that moment, we loved Yeah. And I also want 202 00:10:54,320 --> 00:10:57,959 Speaker 1: to say, just to clear it up, I think sometimes 203 00:10:58,360 --> 00:11:00,839 Speaker 1: when you get on stage you can get a little 204 00:11:00,840 --> 00:11:06,160 Speaker 1: carried away in the bump. And I didn't separate the 205 00:11:06,200 --> 00:11:09,440 Speaker 1: stage persona with the personal persons because let me tell 206 00:11:09,440 --> 00:11:11,480 Speaker 1: you something, when this podcast ends, you should hear my 207 00:11:11,559 --> 00:11:15,560 Speaker 1: voice gets deep. I grow a beard somewhere straight, which 208 00:11:16,000 --> 00:11:18,720 Speaker 1: actually favorite thing about you. Yeah, one of the most 209 00:11:18,840 --> 00:11:21,400 Speaker 1: iconic things about me is that I'm straight and Bowen's white. 210 00:11:21,760 --> 00:11:25,920 Speaker 1: Oh my god, these characters of Matt Rogers. I'm using 211 00:11:25,960 --> 00:11:29,120 Speaker 1: quotation marks and bo when. Yeah, it's performance, it's all 212 00:11:29,480 --> 00:11:34,319 Speaker 1: perform all performance. Oh anything anything Selena related? Oh wait, yeah, 213 00:11:36,120 --> 00:11:38,920 Speaker 1: oh god, yeah, I just I could talk about it forever. Um, 214 00:11:38,960 --> 00:11:41,880 Speaker 1: I wouldn't say I'm like a massive stand like. I 215 00:11:42,320 --> 00:11:43,880 Speaker 1: don't know if I would ever like see your live. 216 00:11:43,960 --> 00:11:46,280 Speaker 1: I don't think I necessarily need to do. That's kind 217 00:11:46,280 --> 00:11:50,760 Speaker 1: of what that's absolutely ridiculous. But um yeah, I remember 218 00:11:50,800 --> 00:11:54,160 Speaker 1: okay well as a like, I guess when did Wizards 219 00:11:54,160 --> 00:11:59,960 Speaker 1: of Waverley Place come out? I definitely watched that absolutely. 220 00:12:00,200 --> 00:12:04,000 Speaker 1: Um No, I just remember like convincing all of my 221 00:12:04,240 --> 00:12:06,320 Speaker 1: like straight friends at the time like that I thought 222 00:12:06,320 --> 00:12:09,440 Speaker 1: she was beautiful or no, I think I said hot 223 00:12:09,480 --> 00:12:12,000 Speaker 1: at the time, and I could not stop telling you 224 00:12:12,040 --> 00:12:14,800 Speaker 1: everyone how good of an actress. I thought she was 225 00:12:15,880 --> 00:12:19,120 Speaker 1: show I stand with you there. I think she's very good, 226 00:12:19,320 --> 00:12:22,000 Speaker 1: and I think it's actually kind of tragic that she 227 00:12:22,160 --> 00:12:24,760 Speaker 1: decided to go to Pop Star Round. We discussed this 228 00:12:24,840 --> 00:12:27,200 Speaker 1: sometimes we do, and we talk about how spring Breakers 229 00:12:27,320 --> 00:12:30,920 Speaker 1: is really special because of her. That moment on the 230 00:12:30,960 --> 00:12:33,280 Speaker 1: bus where she's crying. I remember I was like in 231 00:12:33,320 --> 00:12:37,080 Speaker 1: college and I was like, she's incredible. This is like 232 00:12:37,280 --> 00:12:41,080 Speaker 1: nomination No. No, I'm like, okay, I don't know about that, 233 00:12:41,120 --> 00:12:43,960 Speaker 1: but still that that movie is. I mean, you can 234 00:12:44,000 --> 00:12:50,440 Speaker 1: get you. People have been nominated for less hard facts. Also, 235 00:12:50,600 --> 00:12:52,400 Speaker 1: let me say, in the Lose You to Love Me 236 00:12:52,480 --> 00:12:57,920 Speaker 1: music video, I have not seen the video iPhone. It's 237 00:12:57,920 --> 00:13:02,319 Speaker 1: in black and white. She okay, thinking the first woman 238 00:13:02,360 --> 00:13:04,040 Speaker 1: to ever do a black and white music video to 239 00:13:04,160 --> 00:13:08,439 Speaker 1: cam arranged were happening here on the pot, yeah, or 240 00:13:08,600 --> 00:13:11,920 Speaker 1: didn't I know? I don't know her absolutely, I don't 241 00:13:11,920 --> 00:13:14,000 Speaker 1: know her ever since Billy Eilis happened. I don't know. 242 00:13:15,000 --> 00:13:18,680 Speaker 1: Just kidding a standu lord and miss her, but she does. 243 00:13:19,000 --> 00:13:22,280 Speaker 1: Selena sits in front of like, I guess what's supposed 244 00:13:22,280 --> 00:13:24,000 Speaker 1: to be like a mirror, but really is the iPhone 245 00:13:24,440 --> 00:13:27,439 Speaker 1: and she's sort of like looking in very truthfully delivers 246 00:13:27,440 --> 00:13:29,959 Speaker 1: the lyrics of the song, and I'm like, this girl 247 00:13:30,360 --> 00:13:34,319 Speaker 1: is giving you the truth, its power, power and that Okay, 248 00:13:35,280 --> 00:13:37,680 Speaker 1: I need to watch this. She was really into so 249 00:13:38,000 --> 00:13:40,080 Speaker 1: she did a few songs which I thought were great, 250 00:13:40,120 --> 00:13:43,480 Speaker 1: and she had those little Petrick Collins videos that Yeah, 251 00:13:43,640 --> 00:13:45,440 Speaker 1: that was amazing. And then what was the one like 252 00:13:45,480 --> 00:13:47,920 Speaker 1: the um it was like a year and a half 253 00:13:47,960 --> 00:13:49,679 Speaker 1: ago and you thought an album was coming and then 254 00:13:49,679 --> 00:13:52,040 Speaker 1: she's like, was it actually just kidding? Was it also 255 00:13:52,080 --> 00:13:57,920 Speaker 1: called bad Guy speaking of Billy? That's a great song 256 00:13:58,000 --> 00:14:05,920 Speaker 1: that was a yeah that thing about Yeah, that's cute 257 00:14:07,040 --> 00:14:09,800 Speaker 1: and honestly, yeah, it's very good. And also she does 258 00:14:09,840 --> 00:14:12,520 Speaker 1: serve some good videos and some interesting hairstyles, and I 259 00:14:12,559 --> 00:14:15,200 Speaker 1: love sort of the main she has right now. I 260 00:14:15,240 --> 00:14:19,040 Speaker 1: love like a middle part with thick, heavy waves, like 261 00:14:19,080 --> 00:14:27,080 Speaker 1: a sort of moment that's very gay. Length absolutely or 262 00:14:27,600 --> 00:14:32,920 Speaker 1: at all shave exactly only compliment full length or full Yeah, 263 00:14:33,840 --> 00:14:35,880 Speaker 1: only you could pull that off. Like every time, I'm like, 264 00:14:35,920 --> 00:14:38,960 Speaker 1: how do you do it? It's only you? But there 265 00:14:39,040 --> 00:14:42,280 Speaker 1: was there's Um that's the thing about Selena is and 266 00:14:42,320 --> 00:14:43,920 Speaker 1: we've talked about this. I think on our group on 267 00:14:43,960 --> 00:14:46,200 Speaker 1: our little group chat we have called well it was 268 00:14:46,240 --> 00:14:49,360 Speaker 1: called twink Corrors and then several of us have switched 269 00:14:49,360 --> 00:14:52,160 Speaker 1: over to becoming more bottoms. Since now it's called the Cord. 270 00:14:53,080 --> 00:14:55,720 Speaker 1: We are the Cord. We're getting cord, which is a 271 00:14:55,800 --> 00:14:57,840 Speaker 1: huge movement in my life, which has been I've been 272 00:14:57,840 --> 00:15:01,920 Speaker 1: discovering my buttole and it's been huge, not my butthole 273 00:15:03,360 --> 00:15:07,000 Speaker 1: than it was absolutely but anyway. Um, So we were 274 00:15:07,040 --> 00:15:10,880 Speaker 1: discussing Selena and I think Jill k and Booster said 275 00:15:11,840 --> 00:15:15,760 Speaker 1: pepposed to the group, what is Selena's most iconic vocal moment. 276 00:15:16,240 --> 00:15:17,760 Speaker 1: I think it's I mean I could have I mean 277 00:15:18,160 --> 00:15:20,960 Speaker 1: what I wanted, would I want to? I feel like 278 00:15:21,360 --> 00:15:24,080 Speaker 1: you have to give it to that. Yeah. But someone 279 00:15:24,120 --> 00:15:26,200 Speaker 1: else had like another opinion. I think it was Joel 280 00:15:26,200 --> 00:15:29,720 Speaker 1: because he's so contraring and and stupid. I like, um, 281 00:15:29,840 --> 00:15:32,320 Speaker 1: and come and get it or when you ready that's 282 00:15:32,320 --> 00:15:39,720 Speaker 1: not I forgot about that, heywood pop and we're all like, yeah, 283 00:15:40,440 --> 00:15:45,000 Speaker 1: you got you got clearly a Rihanna like that. Yeah, 284 00:15:45,160 --> 00:15:48,160 Speaker 1: Mike Well made it reject, made it reject from Rihanna. 285 00:15:48,680 --> 00:15:56,320 Speaker 1: But in that song, I like, um, it's not a 286 00:15:56,360 --> 00:16:01,760 Speaker 1: vocal thing. It's just completely produced. Also killed she did 287 00:16:01,800 --> 00:16:05,960 Speaker 1: that into the day. I feel like the new one's 288 00:16:06,040 --> 00:16:12,280 Speaker 1: very vocal. Now I listened to I'm Gonna cover it. Yeah, 289 00:16:12,760 --> 00:16:15,320 Speaker 1: there's a bunch of like bieber drama with it too. Well, 290 00:16:15,360 --> 00:16:17,960 Speaker 1: it's fully about him, and everyone's like, girl, move on. 291 00:16:18,080 --> 00:16:22,040 Speaker 1: But but now she's explained and interviews with Yes say 292 00:16:22,080 --> 00:16:25,800 Speaker 1: his name Ryan Seacrest, they she'd go out and said 293 00:16:25,800 --> 00:16:29,680 Speaker 1: in an interview with him that she wrote this song 294 00:16:30,160 --> 00:16:32,800 Speaker 1: three years ago or several years ago and just didn't 295 00:16:32,840 --> 00:16:36,320 Speaker 1: have the courage or ability to sing it until now. Wow, Okay, 296 00:16:36,480 --> 00:16:39,520 Speaker 1: she's finally down in a way that and look at 297 00:16:39,520 --> 00:16:41,640 Speaker 1: her now and look at an I hope it's about 298 00:16:41,760 --> 00:16:45,320 Speaker 1: zed like in my heart. Oh. I like her z 299 00:16:45,560 --> 00:16:50,760 Speaker 1: songs too, I'm telling you shey, Yeah, she definitely does. 300 00:16:51,400 --> 00:16:53,560 Speaker 1: Every time I see her name pop up, I listened 301 00:16:53,560 --> 00:16:55,240 Speaker 1: to the song, I at least want to be like, 302 00:16:55,440 --> 00:16:58,240 Speaker 1: what's this done? Yeah, and it's always like pretty good, 303 00:16:58,600 --> 00:17:01,200 Speaker 1: good producer, Still good girl is that song? Yes, thank 304 00:17:01,200 --> 00:17:02,880 Speaker 1: you for reminding me, because that's a very good song. 305 00:17:03,280 --> 00:17:10,600 Speaker 1: I want you to know. Okay, wait, who are your tops? Okay? 306 00:17:10,600 --> 00:17:14,280 Speaker 1: I feel like you love Lana? Yeah, and you love Brittany, Brittany, 307 00:17:14,320 --> 00:17:16,640 Speaker 1: who else, like who's in your like your little can 308 00:17:16,960 --> 00:17:24,440 Speaker 1: so my four Horsemen of the Apocalypse, Ye slayers, Slayers. Um, 309 00:17:24,480 --> 00:17:28,160 Speaker 1: it's Lana is like kind of always my number one. Yeah, 310 00:17:28,760 --> 00:17:31,359 Speaker 1: she has this. I keep thinking about it every now 311 00:17:31,400 --> 00:17:33,879 Speaker 1: and then she hits a bad note every now and 312 00:17:33,920 --> 00:17:40,680 Speaker 1: then she's just go like it happens every now and 313 00:17:40,720 --> 00:17:42,960 Speaker 1: that I want everyone to listen for it on the 314 00:17:43,000 --> 00:17:45,400 Speaker 1: records are on five and I think on this pass 315 00:17:45,480 --> 00:17:50,720 Speaker 1: record she does it once. It's like it's the best. Yeah. 316 00:17:52,760 --> 00:17:55,400 Speaker 1: I love Also that Kim Petra's is in her Charlie 317 00:17:55,560 --> 00:17:57,960 Speaker 1: XX song and she's like, hey, bitch, I'm still going 318 00:17:58,000 --> 00:18:02,000 Speaker 1: to do it. Then I just sucked him in um 319 00:18:02,240 --> 00:18:05,800 Speaker 1: on Halloween um in l A. It's only g I 320 00:18:05,800 --> 00:18:10,160 Speaker 1: me talk about an argust slowly. And also she's got 321 00:18:10,200 --> 00:18:13,399 Speaker 1: like a full relationship with Grinder. My friend Patrick Rodgers 322 00:18:13,400 --> 00:18:15,640 Speaker 1: works over their shout out to Patrick and like they 323 00:18:15,680 --> 00:18:18,720 Speaker 1: have like they are partnering together and will take over 324 00:18:18,720 --> 00:18:21,560 Speaker 1: the world absolutely as they both. I mean, Kim is 325 00:18:21,800 --> 00:18:28,680 Speaker 1: I can't wait for Grinder to pop off. Um okay, 326 00:18:28,680 --> 00:18:32,120 Speaker 1: and then I have Gaga I love thank you very much. 327 00:18:32,240 --> 00:18:36,879 Speaker 1: And then my fourth is those are good that are 328 00:18:36,920 --> 00:18:38,800 Speaker 1: really good for. Yeah, it's good for and your very 329 00:18:38,920 --> 00:18:42,600 Speaker 1: verse in your taste. Yeah, I try. So let me 330 00:18:42,640 --> 00:18:52,320 Speaker 1: ask you a question. What are you Let's get hands okay, fuck, 331 00:18:52,359 --> 00:18:54,439 Speaker 1: all right, listen, I want to know your predictions for 332 00:18:54,480 --> 00:18:58,320 Speaker 1: what's going to go down with Rihanna next. Okay, um so, 333 00:18:58,760 --> 00:19:01,520 Speaker 1: oh my, did you go to Savage? Oh my, God 334 00:19:02,520 --> 00:19:06,959 Speaker 1: ruined me. It ruined me. And um so, they they 335 00:19:07,000 --> 00:19:09,719 Speaker 1: took our phones. And I also thought I thought, like 336 00:19:09,840 --> 00:19:12,480 Speaker 1: you needed to dress up like I thought I looked great, 337 00:19:12,640 --> 00:19:15,200 Speaker 1: thank you. I thought it was red carpet. It absolutely 338 00:19:15,200 --> 00:19:19,280 Speaker 1: was not. It was like I'm just in a pink suit. Yes, 339 00:19:19,680 --> 00:19:21,680 Speaker 1: So I sit and um I wasn't allowed to bring 340 00:19:21,680 --> 00:19:24,920 Speaker 1: a guest because oh, that would be ridiculous. And they 341 00:19:25,040 --> 00:19:27,480 Speaker 1: took all of our phones. And I think all the 342 00:19:27,480 --> 00:19:31,160 Speaker 1: people who are sitting around me were literal like lingerie influencers. 343 00:19:32,040 --> 00:19:35,960 Speaker 1: So these girls were like devastated they couldn't use their phone, 344 00:19:36,000 --> 00:19:37,840 Speaker 1: like I think it ruined the entire night for them, 345 00:19:37,920 --> 00:19:40,760 Speaker 1: like they weren't watching. And also they were like, what 346 00:19:40,840 --> 00:19:46,359 Speaker 1: doesn't matter that I can see what describe this? Yeah, 347 00:19:47,119 --> 00:19:49,280 Speaker 1: before we had to wait like an hour before and 348 00:19:49,320 --> 00:19:52,080 Speaker 1: I could just watch them just like sweating and spacing, 349 00:19:52,119 --> 00:19:53,920 Speaker 1: and I was kind of like, this is super peaceful, 350 00:19:54,000 --> 00:19:57,720 Speaker 1: honestly staring at this set, which I just need to 351 00:19:57,760 --> 00:20:00,560 Speaker 1: know what that cost. Like I'm just like I'm always 352 00:20:00,560 --> 00:20:03,639 Speaker 1: curious of like a stage, Like, wow, the fuck? How 353 00:20:03,640 --> 00:20:06,280 Speaker 1: many people made this? It was insane? Like the production 354 00:20:06,400 --> 00:20:08,360 Speaker 1: was crazy. Can I ask were there like a lot 355 00:20:08,400 --> 00:20:11,040 Speaker 1: of stopdowns or was it that they just presented as 356 00:20:11,320 --> 00:20:13,240 Speaker 1: the show that we saw that there was there a 357 00:20:13,280 --> 00:20:15,960 Speaker 1: lot of resetting? It was no, they didn't. It was 358 00:20:16,280 --> 00:20:20,600 Speaker 1: literally live, like nothing was changed. I even thought because um, 359 00:20:20,720 --> 00:20:23,520 Speaker 1: because I'm a psycho. So Bella Haadie did stumble like 360 00:20:23,640 --> 00:20:28,640 Speaker 1: you could see her her little like cage. Yeah you're 361 00:20:28,640 --> 00:20:32,480 Speaker 1: listening a little girl. But she had to like rip 362 00:20:32,480 --> 00:20:34,359 Speaker 1: it out, and when I saw it, I was like, oh, 363 00:20:34,400 --> 00:20:36,680 Speaker 1: they'll cut that, and they didn't, and I was like, Okay, 364 00:20:37,320 --> 00:20:44,119 Speaker 1: it's going to show. Everyone felt comfortable, even the girls 365 00:20:44,119 --> 00:20:47,520 Speaker 1: that fall. I want all the girls that they can wear. 366 00:20:48,160 --> 00:20:51,879 Speaker 1: You can make mistakes, but I when I watched stuff, 367 00:20:52,000 --> 00:20:57,520 Speaker 1: I yell, yeah, yeah, so I'm next to you know, 368 00:20:57,640 --> 00:21:02,960 Speaker 1: like too full. And during like when Rihanna the light 369 00:21:03,040 --> 00:21:07,280 Speaker 1: hit her, I was like like I went bitch work 370 00:21:07,680 --> 00:21:09,600 Speaker 1: and all the people around me were just sitting there 371 00:21:09,640 --> 00:21:12,480 Speaker 1: like silent first trying to look good, and it was 372 00:21:12,520 --> 00:21:16,160 Speaker 1: like it was just a very interesting the whole experience. 373 00:21:16,200 --> 00:21:18,160 Speaker 1: And then I couldn't, like I just had to tell 374 00:21:18,160 --> 00:21:20,119 Speaker 1: people like yeah, it was really good, but I have nothing, 375 00:21:20,640 --> 00:21:23,440 Speaker 1: you know, no like photo or no one to enjoy 376 00:21:23,440 --> 00:21:26,359 Speaker 1: it with. Sure was the point that they were like okay, 377 00:21:26,400 --> 00:21:28,760 Speaker 1: and then we're running all these people and then they 378 00:21:28,760 --> 00:21:30,960 Speaker 1: were going to talk about it to that buzzbos because 379 00:21:31,000 --> 00:21:33,880 Speaker 1: but it worked, I think so I heard the night 380 00:21:33,920 --> 00:21:36,959 Speaker 1: after it happened, everyone was like, Okay, So it's like 381 00:21:37,960 --> 00:21:40,600 Speaker 1: it's like it's every type of model in the fucking world, 382 00:21:40,680 --> 00:21:43,400 Speaker 1: every size, every color, every shape, there's an ampute. It's 383 00:21:43,400 --> 00:21:47,960 Speaker 1: amazing thing. And then Normani was there and exactly it 384 00:21:48,000 --> 00:21:49,400 Speaker 1: was just like I was like, Okay, well I'm gonna 385 00:21:49,720 --> 00:21:51,879 Speaker 1: watch that. Yeah. I think that was definitely it. I 386 00:21:51,920 --> 00:21:55,639 Speaker 1: think that um also they knew that they had stacked it, 387 00:21:56,119 --> 00:21:59,159 Speaker 1: and that also, like I mean I assume, I mean, 388 00:21:59,240 --> 00:22:01,680 Speaker 1: Amazon knew what they were doing, d you know, and 389 00:22:01,840 --> 00:22:04,800 Speaker 1: they brought in like tons of like intense YouTubers. What 390 00:22:04,840 --> 00:22:07,120 Speaker 1: it was like James Charles was like it was very 391 00:22:07,160 --> 00:22:09,360 Speaker 1: They were like, we want the internet to hear. Yeah, yeah, 392 00:22:09,440 --> 00:22:12,680 Speaker 1: yeah it worked. But it really like when Rihanna did 393 00:22:12,680 --> 00:22:17,359 Speaker 1: the dance at the beginning, she doesn't do Coreo the documentary, 394 00:22:18,520 --> 00:22:22,880 Speaker 1: you know, before the thing, yes, Like I remember her 395 00:22:22,960 --> 00:22:24,560 Speaker 1: being like, yeah, I think I could learn it, like 396 00:22:24,720 --> 00:22:28,000 Speaker 1: two days before She's like, yeah, let's close my show. 397 00:22:28,560 --> 00:22:31,240 Speaker 1: Like but then I think what I respected the most 398 00:22:31,280 --> 00:22:33,560 Speaker 1: was that, like it was a full like dance show, 399 00:22:34,080 --> 00:22:35,879 Speaker 1: which I had never you know, I feel like I 400 00:22:35,920 --> 00:22:37,800 Speaker 1: haven't seen that since like college. I don't know what 401 00:22:37,880 --> 00:22:40,400 Speaker 1: dance shows want to do. So I was like, I mean, yeah, 402 00:22:40,400 --> 00:22:42,199 Speaker 1: I was going crazy, but the crowd, part of the 403 00:22:42,200 --> 00:22:44,600 Speaker 1: crowd was okay, what was the highlight moment for you 404 00:22:44,640 --> 00:22:46,600 Speaker 1: of the whole thing besides Rihanna? Because that was that 405 00:22:46,640 --> 00:22:50,760 Speaker 1: was amazing, but there was a moment um Okay. So 406 00:22:50,800 --> 00:22:52,920 Speaker 1: the people around me were all influencers, but the one 407 00:22:53,080 --> 00:22:56,480 Speaker 1: to my left was Dixon from nine two one oh 408 00:22:57,520 --> 00:23:00,919 Speaker 1: from the Adele video, and I know that no no 409 00:23:01,000 --> 00:23:03,200 Speaker 1: one has ever turned to him and been like I 410 00:23:03,240 --> 00:23:05,760 Speaker 1: loved tonight no to one out, but I did, like 411 00:23:05,800 --> 00:23:10,640 Speaker 1: in high School the reboot. It was right after Gossip Girl, 412 00:23:10,640 --> 00:23:12,560 Speaker 1: and I was just like, oh wait, this is incredib 413 00:23:12,600 --> 00:23:14,960 Speaker 1: now I have my l a gossip girl. I turned 414 00:23:15,040 --> 00:23:17,320 Speaker 1: him and I'm like, I said to tell you I 415 00:23:17,400 --> 00:23:20,320 Speaker 1: love nine to one, when he was like, honestly, thank 416 00:23:20,359 --> 00:23:24,040 Speaker 1: you so much. Beautiful moment, but then he didn't like 417 00:23:24,080 --> 00:23:26,800 Speaker 1: really clap her ch here the entire time, which I'm like, 418 00:23:27,200 --> 00:23:30,840 Speaker 1: he just was staring. Okay, so that's sweet, but he's 419 00:23:30,960 --> 00:23:33,959 Speaker 1: might be dead inside it like this. Yeah, I don't know. 420 00:23:34,320 --> 00:23:36,440 Speaker 1: It was like fun watching it without it being like me, 421 00:23:36,800 --> 00:23:39,880 Speaker 1: so it would be nice to have one person next 422 00:23:39,880 --> 00:23:43,280 Speaker 1: to you that got it. Oh totally. It was just 423 00:23:43,320 --> 00:23:45,240 Speaker 1: like we can't believe this, Like when Laverne Cox came 424 00:23:45,280 --> 00:23:48,760 Speaker 1: out and was kicking her heels incredibly and my job 425 00:23:48,840 --> 00:23:50,160 Speaker 1: was dropped the whole time. I was like, I can't 426 00:23:50,160 --> 00:23:52,159 Speaker 1: believe she did this. How long did this take to 427 00:23:52,200 --> 00:23:56,680 Speaker 1: set up? In Normany, she's oh my god talking about it. 428 00:23:56,840 --> 00:23:58,560 Speaker 1: I mean that's like for me, I think like the 429 00:23:58,560 --> 00:24:02,480 Speaker 1: story of twenty nineteen Normandy was the Emersion year is 430 00:24:02,520 --> 00:24:06,040 Speaker 1: not over, like just completely in the dark, like all 431 00:24:06,080 --> 00:24:08,119 Speaker 1: of a sudden that video came out and then I 432 00:24:08,160 --> 00:24:10,639 Speaker 1: was supposed to know her and I was you know, 433 00:24:11,240 --> 00:24:13,760 Speaker 1: people in the You know what's crazy is we we 434 00:24:13,760 --> 00:24:17,520 Speaker 1: were making jokes about Normany like everyone was like everyone 435 00:24:17,560 --> 00:24:19,760 Speaker 1: was like Camilla is the star. We're like, no, Normany 436 00:24:19,960 --> 00:24:22,480 Speaker 1: Norman like just thinking like, oh, Normany is like a 437 00:24:22,520 --> 00:24:25,040 Speaker 1: funny name, but no, but she's the best part of 438 00:24:25,480 --> 00:24:27,080 Speaker 1: the best part of the work from Home video for me, 439 00:24:27,480 --> 00:24:29,680 Speaker 1: without a doubt. I was never I was being pretty 440 00:24:29,680 --> 00:24:32,160 Speaker 1: earnest anytime. We were like, it's Normany you guys. Well 441 00:24:32,200 --> 00:24:34,119 Speaker 1: then I actually checked out Normandy and I was like, 442 00:24:34,160 --> 00:24:37,560 Speaker 1: oh wait, Normany might actually be that real deal. And 443 00:24:37,600 --> 00:24:42,960 Speaker 1: then once we saw I liked her features too, motivation 444 00:24:43,040 --> 00:24:45,400 Speaker 1: as a whole other lot is and you can tell 445 00:24:45,440 --> 00:24:49,399 Speaker 1: how like intense she is, Like I always like to 446 00:24:49,400 --> 00:24:52,280 Speaker 1: see bts. So I went and she's like very nervous 447 00:24:52,320 --> 00:24:54,960 Speaker 1: before everything. She's like very specific. I feel like she's 448 00:24:55,240 --> 00:24:57,920 Speaker 1: she's an artist. You saw her, you saw her m 449 00:24:57,960 --> 00:25:00,399 Speaker 1: a too. I did see her, and that was crazy 450 00:25:00,680 --> 00:25:04,439 Speaker 1: she and she really brought it the dancing. I again. 451 00:25:04,440 --> 00:25:06,119 Speaker 1: Another thing. My boyfriend was with me at that so 452 00:25:06,280 --> 00:25:09,600 Speaker 1: I could yell with someone. And he's a big Taylor Swift. Yes, 453 00:25:10,320 --> 00:25:15,680 Speaker 1: briend al we're together? Yes? Is he also loves um 454 00:25:15,760 --> 00:25:19,560 Speaker 1: well he loves Gaga, he loves he loves the girls. 455 00:25:19,840 --> 00:25:22,639 Speaker 1: The girls. Yeah, because we've had an extensive conversation. I 456 00:25:22,680 --> 00:25:26,040 Speaker 1: believe about if John Wayne was the first single for 457 00:25:29,880 --> 00:25:32,560 Speaker 1: it was yeah, I'm just john Wayne is a is 458 00:25:32,600 --> 00:25:34,840 Speaker 1: a stand up track from that album, completely agree, or 459 00:25:34,840 --> 00:25:36,560 Speaker 1: if Gypsy would have been the first one for art 460 00:25:36,560 --> 00:25:39,840 Speaker 1: pop see I think so maybe a problematic song now, 461 00:25:39,880 --> 00:25:43,240 Speaker 1: but at the time, I love Gypsy. I love it. 462 00:25:46,320 --> 00:25:51,320 Speaker 1: I love it. It really holds up and also like 463 00:25:51,640 --> 00:25:54,000 Speaker 1: Justice for g u I, which really has one of 464 00:25:54,040 --> 00:25:56,560 Speaker 1: the best music videos of all time, if no one 465 00:25:56,840 --> 00:25:59,600 Speaker 1: seems to care ahead of its time for having like 466 00:25:59,640 --> 00:26:03,480 Speaker 1: Beverly Hells Housewives play fucking lutes and ship and she's 467 00:26:03,960 --> 00:26:06,760 Speaker 1: she's like it's a wink. She's like, I wanted this 468 00:26:06,800 --> 00:26:10,240 Speaker 1: to be like obscenely funny. I wanted so dumb. And 469 00:26:10,280 --> 00:26:11,919 Speaker 1: she looks like Donna tell Of the whole time, and 470 00:26:11,960 --> 00:26:14,000 Speaker 1: she has that hair down to the ground she was 471 00:26:14,040 --> 00:26:16,960 Speaker 1: in Versachi adds at the time, yeah, it was so, 472 00:26:17,640 --> 00:26:20,360 Speaker 1: but then people hated it. People just I think that 473 00:26:20,359 --> 00:26:23,080 Speaker 1: that was just the moment for Gaga, the whole art 474 00:26:23,119 --> 00:26:25,879 Speaker 1: pop era was just the moment where people were like, Okay, 475 00:26:25,920 --> 00:26:29,600 Speaker 1: we're ready to do the backlash because once things, it's like, 476 00:26:29,760 --> 00:26:33,919 Speaker 1: you know, I always say, whenever anything like really happens 477 00:26:33,920 --> 00:26:36,840 Speaker 1: and it's beloved, I feel bad for that person almost 478 00:26:36,880 --> 00:26:39,719 Speaker 1: because it's like the backlash is coming. Remember that like 479 00:26:40,119 --> 00:26:43,080 Speaker 1: true year and a half long period where Jennifer Lawrence 480 00:26:43,160 --> 00:26:46,719 Speaker 1: was everyone's favorite thing in the world. Now it's like 481 00:26:47,119 --> 00:26:52,480 Speaker 1: exactly pizza. It was like on accident Jill or whatever, 482 00:26:53,000 --> 00:26:55,879 Speaker 1: like that's like her essence. But now it's kind of 483 00:26:55,920 --> 00:27:00,600 Speaker 1: just like everyone's like, hell, Jennifer Lawrence like exhausted, right, 484 00:27:00,640 --> 00:27:03,240 Speaker 1: And it's like, well, she's truly the same person she was, 485 00:27:04,520 --> 00:27:06,159 Speaker 1: and if anything, she's kind of like, all right, well 486 00:27:06,200 --> 00:27:08,119 Speaker 1: then buy for a little bit. You guys are annoying 487 00:27:08,119 --> 00:27:10,320 Speaker 1: as what she's allowed to do. Schumer had a really 488 00:27:10,359 --> 00:27:16,240 Speaker 1: good I've out she had a really good interview I 489 00:27:16,240 --> 00:27:18,080 Speaker 1: think it was with Vogue and she like said that 490 00:27:18,119 --> 00:27:19,480 Speaker 1: because they were like, what does it feel like to 491 00:27:19,520 --> 00:27:21,320 Speaker 1: be at the top right now? And she was like, oh, 492 00:27:21,440 --> 00:27:23,399 Speaker 1: I give myself like two more weeks and like this 493 00:27:23,440 --> 00:27:25,359 Speaker 1: is what we do to women. We'll just like you're 494 00:27:25,400 --> 00:27:27,480 Speaker 1: gonna get sick of it and then everyone's gonna hate me. 495 00:27:27,760 --> 00:27:29,760 Speaker 1: And then the Leather Special came out, and she like 496 00:27:29,800 --> 00:27:32,960 Speaker 1: pretty much it was true what happened, like everyone came 497 00:27:33,000 --> 00:27:35,720 Speaker 1: for her, which I'm like, that is now. I see 498 00:27:35,760 --> 00:27:37,280 Speaker 1: it now that has been pointed out to me. I 499 00:27:37,280 --> 00:27:41,320 Speaker 1: see it with like every female and entertainment. Okay, yeah, 500 00:27:41,320 --> 00:27:45,040 Speaker 1: we really do do this, oh baby, she called the 501 00:27:45,359 --> 00:27:49,600 Speaker 1: about like the ideal woman. How we like the parameters 502 00:27:49,640 --> 00:27:54,320 Speaker 1: constantly shifts in our culture and then we'd like put 503 00:27:54,359 --> 00:27:56,000 Speaker 1: these people up on a pot of stol and then 504 00:27:56,040 --> 00:28:00,560 Speaker 1: immediately like getting coomfortable once they're up there too long. Yeah, 505 00:28:00,600 --> 00:28:03,640 Speaker 1: that's also how you knew for a fact that Lady 506 00:28:03,640 --> 00:28:06,919 Speaker 1: Gaga was not gonna win Best Actress and like a 507 00:28:06,960 --> 00:28:08,800 Speaker 1: stars born was not going to like succeed at the 508 00:28:08,800 --> 00:28:10,600 Speaker 1: Oscars and the way they all said it would, because 509 00:28:10,600 --> 00:28:12,879 Speaker 1: it was like, it's true. It feels like with Gaga, 510 00:28:12,920 --> 00:28:16,040 Speaker 1: we can only give her like public adoration for so 511 00:28:16,080 --> 00:28:18,200 Speaker 1: long until we have to say, well she's now she's 512 00:28:18,320 --> 00:28:23,000 Speaker 1: ridiculous exactly like and once the Italian interviews came out, 513 00:28:23,040 --> 00:28:26,920 Speaker 1: it was like, okay, yeah, we're done. I am constantly 514 00:28:26,920 --> 00:28:29,400 Speaker 1: turned by her. She's not put me off at once ever, 515 00:28:29,600 --> 00:28:36,399 Speaker 1: and lately she's been amazing. We quoted the tweep before 516 00:28:35,000 --> 00:28:40,640 Speaker 1: us word for word, this is it rumors that I'm pregnant. Yeah, 517 00:28:40,800 --> 00:28:45,360 Speaker 1: I'm pregnant with hashtag LGX. When I read it first, 518 00:28:45,360 --> 00:28:47,960 Speaker 1: I was like, is this like an ad for lg 519 00:28:48,600 --> 00:28:52,200 Speaker 1: Like I was waiting late. I was like, she's about 520 00:28:52,200 --> 00:28:59,400 Speaker 1: to draw, Like what? And then that can you eat 521 00:28:59,400 --> 00:29:02,920 Speaker 1: too much Chinese Brocoli? That's my favorite? What is fortnite? 522 00:29:04,160 --> 00:29:05,880 Speaker 1: I think that she took that tweet from me? I 523 00:29:07,400 --> 00:29:13,320 Speaker 1: say that once a day. Honestly, she's all, She's always 524 00:29:13,360 --> 00:29:16,080 Speaker 1: been all. But this is actually the thing about art 525 00:29:16,080 --> 00:29:18,800 Speaker 1: proper that nobody talks about. This is like actual investigative 526 00:29:18,840 --> 00:29:22,360 Speaker 1: journalism that I'm about to come on, Come on, Sonny. 527 00:29:22,480 --> 00:29:25,040 Speaker 1: There was there was a lot of reporting at the 528 00:29:25,120 --> 00:29:30,480 Speaker 1: time from this journalist that nobody knew her name was, 529 00:29:30,520 --> 00:29:33,520 Speaker 1: like I can say that she had like some like 530 00:29:34,000 --> 00:29:39,600 Speaker 1: made up Asian name like Julie Chung's. And then all 531 00:29:39,680 --> 00:29:42,560 Speaker 1: of these articles were coming out, all these headlines were 532 00:29:42,560 --> 00:29:45,040 Speaker 1: coming on, like this is the beginning of fake news 533 00:29:45,240 --> 00:29:49,800 Speaker 1: because and all these headlights come out that say Gaga's 534 00:29:49,800 --> 00:29:53,600 Speaker 1: sales tank for art Pop Gaga like blah blah blah blah, 535 00:29:53,640 --> 00:29:56,760 Speaker 1: like a million. Gaga wasted five million dollars on a 536 00:29:56,800 --> 00:30:00,440 Speaker 1: promotional camp whenever there's a headline and you really her 537 00:30:00,520 --> 00:30:08,800 Speaker 1: name is Gaga, like like like oh the Titanical sale 538 00:30:08,800 --> 00:30:16,360 Speaker 1: disease just disgusting. Um. But it was all this false 539 00:30:16,440 --> 00:30:19,560 Speaker 1: reporting about how poorly she was doing and how much 540 00:30:19,600 --> 00:30:21,160 Speaker 1: money she wasted on the on the promo, and then 541 00:30:21,200 --> 00:30:23,400 Speaker 1: she was out here being like, guys, this none of 542 00:30:23,400 --> 00:30:25,800 Speaker 1: this is true. And then she's like, my h and 543 00:30:25,920 --> 00:30:32,280 Speaker 1: m campaign is killing my Muppet special just fucking killed 544 00:30:33,200 --> 00:30:37,400 Speaker 1: me too, like filled with anger for this reporter because 545 00:30:37,440 --> 00:30:39,840 Speaker 1: I'm like I had to defend this was probably my 546 00:30:39,960 --> 00:30:42,360 Speaker 1: last Like by that time in college, it was done 547 00:30:42,400 --> 00:30:45,960 Speaker 1: pretending to be ye if I'm defending art pop that 548 00:30:46,280 --> 00:30:48,760 Speaker 1: for me. For me, it was Circus Pay Britney Spears. 549 00:30:48,760 --> 00:30:50,000 Speaker 1: That was like the album coming and I was so 550 00:30:50,080 --> 00:30:51,480 Speaker 1: excited for it. I was like, wait a minute, like 551 00:30:51,480 --> 00:30:54,560 Speaker 1: my sister and they're like staying up listening to leaks 552 00:30:54,600 --> 00:30:59,080 Speaker 1: like I gotta but with this ball the lights killed 553 00:30:59,120 --> 00:31:04,720 Speaker 1: the light and Lason Leathery never forgot um and oh 554 00:31:06,280 --> 00:31:11,360 Speaker 1: that whole album that's her best um like themes like 555 00:31:11,400 --> 00:31:15,480 Speaker 1: it is a full creative absolutely much like my favorite 556 00:31:16,120 --> 00:31:18,960 Speaker 1: cover as well. I love that. Well, there was a 557 00:31:19,040 --> 00:31:24,560 Speaker 1: time when like everyone Pink had fun House and Brittany 558 00:31:24,560 --> 00:31:28,040 Speaker 1: head circus. This is some Kelly Clarkson tea. They wanted 559 00:31:28,080 --> 00:31:30,880 Speaker 1: All I Ever wanted to be called Masquerade and she 560 00:31:31,080 --> 00:31:33,840 Speaker 1: was like, I'm not doing that because everyone is doing 561 00:31:33,920 --> 00:31:35,600 Speaker 1: some sort of thing when we were a mask and 562 00:31:35,680 --> 00:31:39,920 Speaker 1: attack Carney. Yeah, it's like Carney, and they wanted to 563 00:31:39,960 --> 00:31:43,160 Speaker 1: be called in fact that that like album art where 564 00:31:43,440 --> 00:31:45,200 Speaker 1: on all I Ever wanted, which is like that kind 565 00:31:45,240 --> 00:31:48,160 Speaker 1: of like bright colors, Like she wasn't supposed to be 566 00:31:48,200 --> 00:31:49,600 Speaker 1: like in a leather jacket on my cover. It was 567 00:31:49,600 --> 00:31:52,880 Speaker 1: supposed to be sort of like a masquerade moment. I 568 00:31:52,880 --> 00:31:58,560 Speaker 1: would love to see Kelly Clarkson in Masquerade Vegas. It's 569 00:31:58,560 --> 00:32:01,800 Speaker 1: coming Las Vegas, Honey. First you didn't know. I didn't know. 570 00:32:01,840 --> 00:32:04,640 Speaker 1: That's amazing we got this was just announced. Oh my god, 571 00:32:04,840 --> 00:32:09,200 Speaker 1: I didn't. She's like she has money. Kelly has never 572 00:32:09,240 --> 00:32:12,560 Speaker 1: been bigger. She's like before Ellen, which I had no idea. 573 00:32:12,720 --> 00:32:17,160 Speaker 1: She has the number four rated UM daytime daytime talk 574 00:32:17,200 --> 00:32:19,160 Speaker 1: show out of all thirteen that are on the only 575 00:32:19,160 --> 00:32:20,720 Speaker 1: people that are doing better than her, and this is 576 00:32:20,760 --> 00:32:25,160 Speaker 1: consistent ratings are Ellen, Kelly, and Ryan and then Dr Phil. 577 00:32:25,680 --> 00:32:31,720 Speaker 1: She does better than everyone else. She's doing better than Wendy. 578 00:32:32,360 --> 00:32:35,080 Speaker 1: What are they to What they're doing is having the 579 00:32:35,120 --> 00:32:37,720 Speaker 1: same audience they've had for a lot. I think there's 580 00:32:37,760 --> 00:32:41,640 Speaker 1: like Regis and Kathie Lee people that are still there. Yeah, 581 00:32:42,920 --> 00:32:45,800 Speaker 1: but basically I just just just yes, give your art part. 582 00:32:45,880 --> 00:32:50,400 Speaker 1: Well no it basically the people like dug Into like 583 00:32:50,440 --> 00:32:53,640 Speaker 1: this journalist and she doesn't exist. She does not exist. 584 00:32:53,720 --> 00:32:56,200 Speaker 1: Someone like there's like there was this little shadow campaign 585 00:32:56,320 --> 00:33:01,160 Speaker 1: Russia Russia, Katie Perry stand people who like But but 586 00:33:01,280 --> 00:33:03,280 Speaker 1: the reason why those headlines were getting so much play 587 00:33:03,320 --> 00:33:04,920 Speaker 1: and the reason why the narrative became art prop as 588 00:33:04,920 --> 00:33:07,720 Speaker 1: a huge flop is because someone faked these numbers and 589 00:33:07,720 --> 00:33:10,720 Speaker 1: then like Perez Hilton would like retweet it, I know, 590 00:33:10,840 --> 00:33:13,080 Speaker 1: and there were people that, like I said, like, there 591 00:33:13,080 --> 00:33:15,720 Speaker 1: are people that are active in the backlash that want 592 00:33:15,760 --> 00:33:18,000 Speaker 1: that person to fail it. Also, I think something that 593 00:33:18,040 --> 00:33:23,040 Speaker 1: people forget is that Born this Way was huge. But 594 00:33:23,120 --> 00:33:25,400 Speaker 1: one of the reasons why it moved so many copies 595 00:33:25,560 --> 00:33:31,120 Speaker 1: and because they sold them for like yes and so 596 00:33:31,320 --> 00:33:33,680 Speaker 1: they she sold like well over a million albums in 597 00:33:33,720 --> 00:33:36,880 Speaker 1: the first week of that um period, but it wasn't 598 00:33:36,920 --> 00:33:40,800 Speaker 1: because she was There was a reason for that, and 599 00:33:40,800 --> 00:33:43,680 Speaker 1: then so any anything she had done after that was 600 00:33:43,720 --> 00:33:45,840 Speaker 1: going to look in comparison like it wasn't as big. 601 00:33:45,840 --> 00:33:49,880 Speaker 1: And also it's hard to be to follow up anything 602 00:33:49,920 --> 00:33:51,400 Speaker 1: when you're the biggest pop start in the world. That's 603 00:33:51,440 --> 00:33:53,720 Speaker 1: I think why adult take such a long time. It's 604 00:33:53,880 --> 00:33:58,160 Speaker 1: like flawless Start is like I still listen to it 605 00:33:58,360 --> 00:34:01,200 Speaker 1: for like every show. I'm like, Monster should have been 606 00:34:01,240 --> 00:34:03,680 Speaker 1: a single. As as much as I would say, as 607 00:34:03,760 --> 00:34:06,600 Speaker 1: much as I love art pop and Joanna, I've loved 608 00:34:06,640 --> 00:34:09,520 Speaker 1: all the eras. I've enjoyed all the eras, but you 609 00:34:10,000 --> 00:34:12,920 Speaker 1: and this is we have to say her name. Lorianne 610 00:34:12,960 --> 00:34:17,600 Speaker 1: Gibson is do a lot of credit for the choreography, 611 00:34:17,760 --> 00:34:22,640 Speaker 1: the iconography, the art direction, the creative direction of Gaga 612 00:34:22,719 --> 00:34:27,640 Speaker 1: in those early days. Oh I mean that video, but 613 00:34:28,560 --> 00:34:33,080 Speaker 1: yeah it is lorian Yeah, yeah, yeah, Oh my god. 614 00:34:33,239 --> 00:34:35,640 Speaker 1: And honestly, maybe that she would be nice to have 615 00:34:35,680 --> 00:34:38,279 Speaker 1: on the pop because you know what else, I fell 616 00:34:38,280 --> 00:34:41,920 Speaker 1: into a wormhole. I fell into a right, I don't know. 617 00:34:42,040 --> 00:34:44,279 Speaker 1: I think she's very busy and successful, but I fell 618 00:34:44,320 --> 00:34:47,840 Speaker 1: into a sick wormhole. Recently of making the band clips, 619 00:34:47,520 --> 00:34:55,040 Speaker 1: and she would day, I got something for you. The 620 00:34:55,120 --> 00:34:57,640 Speaker 1: scene in the boardroom when Diddy is breaking up the 621 00:34:57,680 --> 00:35:01,279 Speaker 1: band and he's like, I don't your attitude and you're 622 00:35:01,320 --> 00:35:04,120 Speaker 1: out and it's like the soundtracks and it's like close 623 00:35:04,160 --> 00:35:06,360 Speaker 1: and he was like, okay, cool, I respect your decision. 624 00:35:07,200 --> 00:35:09,480 Speaker 1: I respect that, And then the rest of the girls 625 00:35:09,520 --> 00:35:11,560 Speaker 1: are like, well, I don't know, and he would just like, well, 626 00:35:11,600 --> 00:35:13,719 Speaker 1: I'm going to leave too, and they go and she 627 00:35:13,960 --> 00:35:15,840 Speaker 1: and he turned down and he's like, okay, well you 628 00:35:15,840 --> 00:35:17,359 Speaker 1: can leave too if you want to leave. She goes, okay, 629 00:35:17,360 --> 00:35:20,600 Speaker 1: I respect your decision, and the three other ones are like, wait, 630 00:35:20,840 --> 00:35:23,120 Speaker 1: hold on, um, I don't think we're a group if 631 00:35:23,120 --> 00:35:26,160 Speaker 1: they leave, like, well, your girls are making their decisions, 632 00:35:26,160 --> 00:35:28,560 Speaker 1: so what And then they'll leave and you get an 633 00:35:28,560 --> 00:35:39,960 Speaker 1: acapella version of Dammaged Damage, damnaged glad you wait? That 634 00:35:40,040 --> 00:35:42,040 Speaker 1: was like spun on? How did you? Yeah? I had 635 00:35:42,040 --> 00:35:46,000 Speaker 1: a little spin there yet, but looking very nervous. What 636 00:35:46,080 --> 00:35:48,640 Speaker 1: does this have to do with Lorianne? She wasn't there 637 00:35:48,680 --> 00:35:50,879 Speaker 1: at the time, and she she had come and gone 638 00:35:50,880 --> 00:35:52,800 Speaker 1: out of making the band. I was just commenting that 639 00:35:52,840 --> 00:35:54,520 Speaker 1: I had fallen into making the band worm Hole. Then 640 00:35:54,560 --> 00:35:58,200 Speaker 1: I like, as of last week, okay, wow, because I 641 00:35:58,239 --> 00:35:59,880 Speaker 1: haven't seen it since it was like literally on it. 642 00:36:00,120 --> 00:36:02,439 Speaker 1: It's a trip to watch. Is each one? Is that MTV? 643 00:36:02,480 --> 00:36:06,120 Speaker 1: It was empty V Great Town was sucking obset with 644 00:36:06,160 --> 00:36:10,799 Speaker 1: that album. Oh yeah, Liquidquid Dreams, gene Bags, a mix 645 00:36:10,880 --> 00:36:20,200 Speaker 1: of destinies chat with Janet Jackson, Jennifer you got the 646 00:36:20,320 --> 00:36:26,200 Speaker 1: seas But you know that song is actually the perfect 647 00:36:26,800 --> 00:36:29,840 Speaker 1: song that that's in the closet, Bob because it's like 648 00:36:30,160 --> 00:36:36,560 Speaker 1: all these their destiny. Yeah, oh we love share missed 649 00:36:36,600 --> 00:36:39,759 Speaker 1: this album? Did I miss this album? Was? I think 650 00:36:39,760 --> 00:36:41,840 Speaker 1: you're just a touch younger than us? Maybe it was 651 00:36:42,360 --> 00:36:47,320 Speaker 1: true micro generational maybe? Okay, wait, is this the first Danity? 652 00:36:47,840 --> 00:36:53,080 Speaker 1: This is the first making the band band? Okay, yeah, 653 00:36:53,520 --> 00:36:57,319 Speaker 1: Danity Kane, I mean Danity King Girls too. But oh 654 00:36:57,400 --> 00:37:02,160 Speaker 1: Town was lemonade? Yeah, Oh Town was the first one. 655 00:37:02,320 --> 00:37:04,200 Speaker 1: And then I think that he made like a rap 656 00:37:04,239 --> 00:37:06,520 Speaker 1: group or attempted to make a rap group. Oh did 657 00:37:06,560 --> 00:37:08,840 Speaker 1: he did? Yes? Because I remember there was there was 658 00:37:08,880 --> 00:37:12,080 Speaker 1: one female rapper named Mysterious that I was like enamored with, 659 00:37:12,480 --> 00:37:14,239 Speaker 1: and then she kind of like went somewhere else and 660 00:37:14,280 --> 00:37:19,880 Speaker 1: that that group didn't happen, but Dannity Kine obviously happened. 661 00:37:20,280 --> 00:37:24,320 Speaker 1: They had some hit songs like show Stop her, show 662 00:37:24,400 --> 00:37:33,160 Speaker 1: Stopping that video, and then just they gave everyone wrong girl. 663 00:37:33,760 --> 00:37:35,960 Speaker 1: That's my favorite. Every girl has the wrong verse, like 664 00:37:36,040 --> 00:37:38,560 Speaker 1: she should have another one, and that's why it's perfect. 665 00:37:38,920 --> 00:37:41,600 Speaker 1: Like I remember there's the one, um, so there's Aubrey, 666 00:37:41,600 --> 00:37:45,480 Speaker 1: and then there was another like very blonde. Yeah, and 667 00:37:45,480 --> 00:37:47,359 Speaker 1: she looked like the girl from America's Next Time all 668 00:37:47,960 --> 00:37:52,080 Speaker 1: season two. Um, and she has like the rap songs 669 00:37:52,239 --> 00:37:55,359 Speaker 1: like she's a love it and it's like, no, that 670 00:37:55,440 --> 00:37:58,840 Speaker 1: wasn't her at all, but love it, but she delivered. 671 00:37:59,600 --> 00:38:02,360 Speaker 1: I wish. Here's the thing though, I think Andrea was 672 00:38:02,400 --> 00:38:06,200 Speaker 1: probably the best singer de Woods had had like it. 673 00:38:06,719 --> 00:38:10,680 Speaker 1: Dawn is releasing music sort of now. Dawn is out 674 00:38:10,680 --> 00:38:14,839 Speaker 1: there releasing music, and Aubrey is of course out there 675 00:38:14,880 --> 00:38:17,960 Speaker 1: saying that her soulmate is Donald Trump Jr. She's the 676 00:38:17,960 --> 00:38:24,880 Speaker 1: best stand good time. I was just like, she's just 677 00:38:25,400 --> 00:38:34,600 Speaker 1: she's clearly the star star. When she was on Celebrity Apprentice, 678 00:38:34,840 --> 00:38:38,120 Speaker 1: she was very good and yes I absolutely watched, yes, 679 00:38:38,239 --> 00:38:41,360 Speaker 1: oh yeah, I mean Bowen Yang is a famous early 680 00:38:41,920 --> 00:38:47,080 Speaker 1: Donald Trump. I love Donald Trump. No, I kind of agree. 681 00:38:47,120 --> 00:38:49,160 Speaker 1: During the first season of The Apprentice, I was like, 682 00:38:49,239 --> 00:38:51,640 Speaker 1: this is fantastic. I was like, I was really into it. 683 00:38:53,440 --> 00:38:56,640 Speaker 1: There was like one guy from Boise on its town hero. 684 00:38:57,760 --> 00:39:00,200 Speaker 1: There you wait, speking of hometown speaking ab upbringings. Let's 685 00:39:00,200 --> 00:39:03,920 Speaker 1: ask me the question. It's time to ask the question. Okay, Skinner, 686 00:39:04,040 --> 00:39:05,600 Speaker 1: what is the culture that made you stay? Culture is 687 00:39:05,680 --> 00:39:07,920 Speaker 1: for me, like this is formative, something formative that like 688 00:39:08,000 --> 00:39:09,440 Speaker 1: you grew up with that you saw. I could be 689 00:39:09,560 --> 00:39:11,840 Speaker 1: like something as broad in general as pop stars or 690 00:39:12,280 --> 00:39:18,280 Speaker 1: he's gonna be absolutely um. I think watching music video 691 00:39:19,680 --> 00:39:22,800 Speaker 1: like was a defining thing for me, like on Saturday 692 00:39:22,840 --> 00:39:25,600 Speaker 1: and Sunday mornings, and like the Lucky video is so 693 00:39:25,840 --> 00:39:28,120 Speaker 1: like in my mind, so I happened in my show, 694 00:39:28,239 --> 00:39:30,239 Speaker 1: Like I just always think about it. So I think 695 00:39:30,320 --> 00:39:33,120 Speaker 1: like music videos of that kind of like you know, 696 00:39:33,560 --> 00:39:36,600 Speaker 1: mid to late nineties, early two thousands era, it was 697 00:39:36,680 --> 00:39:39,400 Speaker 1: like very much my start. And I mean Brittany was 698 00:39:39,480 --> 00:39:42,320 Speaker 1: like my first pop star. Britney was your girl, like 699 00:39:43,000 --> 00:39:45,719 Speaker 1: went and oops I did again. I remember the copy 700 00:39:45,760 --> 00:39:47,400 Speaker 1: there was a scratch on it, like I mean just 701 00:39:47,880 --> 00:39:50,880 Speaker 1: Psycho ship. I remember the store I bought. Oops, I 702 00:39:50,960 --> 00:39:53,480 Speaker 1: did it again and maybe one more time. Yeah, I remember, 703 00:39:53,600 --> 00:39:56,279 Speaker 1: like it was like Sam Good or it was like 704 00:39:56,360 --> 00:39:59,160 Speaker 1: a virgin reference store. But I remember, I remember like 705 00:39:59,400 --> 00:40:01,960 Speaker 1: that was like iconic time when you get in the 706 00:40:02,040 --> 00:40:04,400 Speaker 1: car and go to the store and buy the album. 707 00:40:04,600 --> 00:40:07,239 Speaker 1: Oh yeah, day of or maybe your parents were picking 708 00:40:07,280 --> 00:40:09,600 Speaker 1: up at Costco. That was huge. And then so much 709 00:40:09,680 --> 00:40:11,719 Speaker 1: cardboard for no reason because they wanted it to be 710 00:40:11,840 --> 00:40:15,160 Speaker 1: like remember that, like all the cardboard and sometimes they 711 00:40:15,200 --> 00:40:17,840 Speaker 1: would like decorate it. So I saved the Britney cardboard forever. 712 00:40:18,000 --> 00:40:20,120 Speaker 1: I had all the dolls like it was. I think 713 00:40:20,160 --> 00:40:21,879 Speaker 1: that was like my first Yeah, that was my first 714 00:40:21,960 --> 00:40:25,600 Speaker 1: like entrance. And then as far as like shows, it 715 00:40:25,680 --> 00:40:28,520 Speaker 1: was like Lizzie McGuire, right, so it's like this is 716 00:40:28,600 --> 00:40:32,520 Speaker 1: so written, like the stories are all so good. Did 717 00:40:32,600 --> 00:40:35,520 Speaker 1: you did you think that when Hillary Duff like started 718 00:40:35,560 --> 00:40:37,880 Speaker 1: to do music, because there was a big narrative at 719 00:40:37,880 --> 00:40:39,840 Speaker 1: the time of like Hillary Duff is the next Britney Spears. 720 00:40:39,880 --> 00:40:41,960 Speaker 1: Did you see that for her? No? I never saw 721 00:40:42,040 --> 00:40:43,719 Speaker 1: that for her, but I loved her music. I thought 722 00:40:43,760 --> 00:40:51,520 Speaker 1: Metamorphosis was Metamorphois. Making Larry Owens sing that song on 723 00:40:52,280 --> 00:40:54,720 Speaker 1: was like I mean yeah. I think a little painful 724 00:40:54,760 --> 00:40:59,120 Speaker 1: for him, but it's okay. Yeah, yeah, I think probably 725 00:40:59,160 --> 00:41:02,040 Speaker 1: his enemy, not his favorite pop star by any means. 726 00:41:02,360 --> 00:41:04,480 Speaker 1: I saw her. She was my first concert though. I 727 00:41:04,560 --> 00:41:07,320 Speaker 1: remember going. She didn't really have any like she was 728 00:41:07,360 --> 00:41:09,840 Speaker 1: just wearing a black tank top, black jeans and a ponytail. 729 00:41:09,920 --> 00:41:12,120 Speaker 1: And I was like, Okay, she's not this isn't like, 730 00:41:12,440 --> 00:41:14,160 Speaker 1: you know, she's going to do the theatrics, which is 731 00:41:14,200 --> 00:41:17,080 Speaker 1: what I like show. So it's like, you know, she's 732 00:41:17,080 --> 00:41:19,000 Speaker 1: just this is like a fun side thing. First, she's 733 00:41:19,000 --> 00:41:21,160 Speaker 1: an actress. She's an actress. Yeah, but I loved you know, 734 00:41:21,360 --> 00:41:26,640 Speaker 1: I bought Speak Now. I even still Taylor. I'm like, no, no, no, no, wait, 735 00:41:26,680 --> 00:41:29,200 Speaker 1: speak Now by Hillary Hillary. That's like one of her 736 00:41:29,239 --> 00:41:32,239 Speaker 1: albums now or is it Speaking? It's it's it's like 737 00:41:32,400 --> 00:41:34,880 Speaker 1: something like that Speak. It might just be called Speak. 738 00:41:34,920 --> 00:41:37,000 Speaker 1: I think it Speak yea yeah, And I remember like 739 00:41:37,120 --> 00:41:42,160 Speaker 1: the cover and that's when she um those were I 740 00:41:42,320 --> 00:41:45,040 Speaker 1: feel like her Veneers all the time. Look, we we 741 00:41:45,200 --> 00:41:47,840 Speaker 1: saw a couple of years ago at Tribeca Film Festival. 742 00:41:49,560 --> 00:41:52,360 Speaker 1: She was the only celebrity we interviewed her, and she 743 00:41:52,520 --> 00:41:54,640 Speaker 1: was one of the only celebrities that that gave us 744 00:41:54,640 --> 00:41:58,200 Speaker 1: a h I don't know what she famously has. You're 745 00:41:58,200 --> 00:42:01,680 Speaker 1: gonna do something. I'm going to speak was Lindsay Elhan? 746 00:42:03,280 --> 00:42:08,520 Speaker 1: What's her metamorphosis? Breathe and breathe out dignity Hi self 747 00:42:08,560 --> 00:42:14,440 Speaker 1: titled Most Wanted is the greatest and absolutely she's like 748 00:42:14,880 --> 00:42:20,759 Speaker 1: two albums out this Linday Lohan ALBUMSKA Speak and then 749 00:42:20,840 --> 00:42:23,320 Speaker 1: her second album, of course, the a little more personal 750 00:42:23,480 --> 00:42:26,399 Speaker 1: in parentheses raw Yeah yeah, yeah yeah video where she's 751 00:42:27,120 --> 00:42:32,200 Speaker 1: a father. Remember watching that being there is belting happening 752 00:42:32,239 --> 00:42:35,040 Speaker 1: and that she was blond? Yeah she was. I was 753 00:42:35,120 --> 00:42:37,440 Speaker 1: always so mad. It's like such a I was always 754 00:42:37,440 --> 00:42:39,440 Speaker 1: so mad when they changed hair colors, like when Brittany was, 755 00:42:39,920 --> 00:42:42,560 Speaker 1: I would just be it would ruin my week, which 756 00:42:42,640 --> 00:42:45,719 Speaker 1: is probably why Brittany has to work so hard, you know, 757 00:42:45,800 --> 00:42:49,800 Speaker 1: like poor Brittany. But I'm like, like I remember in 758 00:42:49,920 --> 00:42:52,200 Speaker 1: the Blackout when I saw the cover, I was like, oh, 759 00:42:52,520 --> 00:42:55,560 Speaker 1: They're not it. I was so mad the same and 760 00:42:55,600 --> 00:42:57,279 Speaker 1: then it took me a little bit to like get 761 00:42:57,360 --> 00:42:58,840 Speaker 1: over that hump and be like, oh wait, this is 762 00:42:58,880 --> 00:43:03,960 Speaker 1: an incredible album. Album is flawless. I frequently reread the 763 00:43:04,080 --> 00:43:06,560 Speaker 1: Rolling Stone review of it. Because they're like, wait, it's 764 00:43:06,600 --> 00:43:09,239 Speaker 1: actually so good and there's a great moment and break 765 00:43:09,280 --> 00:43:12,520 Speaker 1: the ice where it's clear that she's just hearing the 766 00:43:12,600 --> 00:43:16,799 Speaker 1: song for the first time, I think, and it's like, wait, 767 00:43:17,120 --> 00:43:19,960 Speaker 1: she definitely said that the first time. They did it, 768 00:43:20,480 --> 00:43:22,280 Speaker 1: and it's just oh, it's just like the whole album. 769 00:43:22,520 --> 00:43:25,560 Speaker 1: They essentially just gave these producers like Free Reign. They 770 00:43:25,600 --> 00:43:28,439 Speaker 1: were like, whatever you want, just don't bring up what's 771 00:43:28,480 --> 00:43:30,880 Speaker 1: going on with her, and they did it. It was 772 00:43:31,920 --> 00:43:35,720 Speaker 1: Danger Danger Shellback who writes all of Taylor Swift's new stuff, 773 00:43:36,080 --> 00:43:39,239 Speaker 1: and Dr Luke that was like document the first big No, 774 00:43:39,560 --> 00:43:42,520 Speaker 1: it's it's whatever. But he touched to Charlie's Angels soundtrack. 775 00:43:42,560 --> 00:43:47,120 Speaker 1: I just saw that just well, just honestly, this is 776 00:43:47,160 --> 00:43:48,960 Speaker 1: something that bothers me on a regular basis that if 777 00:43:49,000 --> 00:43:52,080 Speaker 1: Kim Petris is on it, then Dru probably is not 778 00:43:52,200 --> 00:43:55,160 Speaker 1: far behind, which it's rough. I think it's I think 779 00:43:55,200 --> 00:43:58,799 Speaker 1: it's it's a thing about Kim that sucks. Yeah, how 780 00:43:58,960 --> 00:44:01,879 Speaker 1: is he still? Like where is he working from? I'm 781 00:44:02,000 --> 00:44:05,239 Speaker 1: just like he's he's it doesn't matter where he's working for, 782 00:44:05,360 --> 00:44:08,080 Speaker 1: He's just working. And she's still Yeah. I'm like, I 783 00:44:08,239 --> 00:44:10,640 Speaker 1: just picture him in like a game like they sent him, 784 00:44:10,840 --> 00:44:14,320 Speaker 1: you know, the vocals, and then he because Kesh is 785 00:44:14,360 --> 00:44:16,600 Speaker 1: still like it's still on that on that contract, and 786 00:44:16,719 --> 00:44:19,319 Speaker 1: she do like like two more albums before she's it's 787 00:44:19,400 --> 00:44:21,040 Speaker 1: something like that, how is the new stuff? I haven't 788 00:44:21,040 --> 00:44:22,600 Speaker 1: heard it yet. It's like she's back to making like 789 00:44:22,680 --> 00:44:27,600 Speaker 1: skank pop. Yeah. I mean the country stuff was like fun, 790 00:44:27,880 --> 00:44:29,600 Speaker 1: but I'm not a country guy, so I was like, 791 00:44:29,719 --> 00:44:33,799 Speaker 1: I like TikTok. Yeah, I mean I really loved her 792 00:44:33,840 --> 00:44:36,600 Speaker 1: first two albums. I mean, and how could you not? 793 00:44:36,960 --> 00:44:40,600 Speaker 1: But but because Cannibal, it was like, this is just 794 00:44:41,400 --> 00:44:43,480 Speaker 1: how would she beat the first one? She No, she 795 00:44:43,600 --> 00:44:46,719 Speaker 1: did it. I was just gonna say, I think Blow 796 00:44:46,800 --> 00:44:49,640 Speaker 1: is my favorite team of hers outside of um, Your 797 00:44:49,680 --> 00:44:52,120 Speaker 1: Love is My Drug. Your Love is My Drug is 798 00:44:52,160 --> 00:44:57,120 Speaker 1: like geniusly written. It's like it's perfect not to sit 799 00:44:57,200 --> 00:44:59,920 Speaker 1: here and continue to stand like Dr Luke Rain thing 800 00:45:00,040 --> 00:45:02,520 Speaker 1: he's a monster and shouldn't be around. But now those 801 00:45:02,600 --> 00:45:05,040 Speaker 1: I'm happy that she's back to doing music like that. 802 00:45:05,360 --> 00:45:09,320 Speaker 1: Although I did love um Praying and I did I 803 00:45:09,560 --> 00:45:13,759 Speaker 1: really love Woman. Yeah. I also, um, I do like 804 00:45:13,840 --> 00:45:20,200 Speaker 1: that one. It's like this funny get him yeah, yeah, yeah, 805 00:45:20,360 --> 00:45:22,920 Speaker 1: I can't help it. I heard it. I heard it 806 00:45:22,960 --> 00:45:25,279 Speaker 1: first on Instagram with like in a Spotify video, and 807 00:45:25,360 --> 00:45:27,879 Speaker 1: I was like, Okay, this is getting it, Like it's 808 00:45:27,960 --> 00:45:38,400 Speaker 1: great like this one yeah, j yes, tonic vocal delivery 809 00:45:38,480 --> 00:45:42,280 Speaker 1: of has that praying note? Has that ever been hit live? 810 00:45:42,680 --> 00:45:44,920 Speaker 1: I'm still I don't think she attempts it. Okay, and 811 00:45:45,040 --> 00:45:48,359 Speaker 1: this actually this, this hints it's crazy. I don't think. 812 00:45:49,680 --> 00:45:51,520 Speaker 1: I don't think so. Honey later has to deal with 813 00:45:51,920 --> 00:45:54,920 Speaker 1: musical notes that people cannot hit. Love that. I'm very 814 00:45:54,960 --> 00:45:58,279 Speaker 1: excited to do it. Yeah, that's unfortunately one of them 815 00:45:58,360 --> 00:46:01,759 Speaker 1: will imagine like I'm still waiting, but I will say that, like, 816 00:46:01,920 --> 00:46:04,439 Speaker 1: I guess that is a reason why I appreciate Ariana Grande, 817 00:46:04,640 --> 00:46:07,080 Speaker 1: because I do miss when these girls could fucking really 818 00:46:07,719 --> 00:46:10,440 Speaker 1: I felt that ship. The runs a very on a Grande. 819 00:46:10,560 --> 00:46:14,120 Speaker 1: I'm mostly a stand of the runs. The runs, especially 820 00:46:14,160 --> 00:46:19,360 Speaker 1: on her Christmas songs. Her last Christmas is like and 821 00:46:19,400 --> 00:46:26,440 Speaker 1: then again it's like goes everywhere and it's good exactly. 822 00:46:26,560 --> 00:46:30,680 Speaker 1: She just goes her concert when she was just touring. No, 823 00:46:30,960 --> 00:46:34,920 Speaker 1: I'm so sad I didn't the tickets were. She was 824 00:46:34,960 --> 00:46:39,400 Speaker 1: proud of that. Goddamn I dropped. I dropped dollars and 825 00:46:39,440 --> 00:46:42,640 Speaker 1: cents to see that. But I will say the live 826 00:46:42,719 --> 00:46:46,319 Speaker 1: vocals were real. Yeah. I even heard her sing seven Rings, 827 00:46:46,360 --> 00:46:47,840 Speaker 1: and I'm not thinking that's a song that's going to 828 00:46:47,920 --> 00:46:50,000 Speaker 1: sound good live. Like I remember when Lady Gaga did 829 00:46:50,080 --> 00:46:52,799 Speaker 1: like Judas live Yes and No, and I'm like, Okay, 830 00:46:52,880 --> 00:46:55,160 Speaker 1: that's not it, Like that just will never sound good live. 831 00:46:55,320 --> 00:46:57,640 Speaker 1: But she can't even sing seven rings and make it 832 00:46:57,760 --> 00:47:01,879 Speaker 1: sound good like damn because it's damn Rogerson Hammerstein. Honey, Yeah, 833 00:47:03,400 --> 00:47:05,799 Speaker 1: she's made a cent on that song. Yeah. I think 834 00:47:05,880 --> 00:47:10,520 Speaker 1: they just are like sure, like we get and they're 835 00:47:10,520 --> 00:47:13,440 Speaker 1: having a moment right now Rogers and Hammerstein. But truly 836 00:47:15,000 --> 00:47:19,839 Speaker 1: they're having them on right now Rogers, but truly, Like Chance, 837 00:47:19,880 --> 00:47:21,879 Speaker 1: the rapper has this song where it's his daughter singing 838 00:47:21,880 --> 00:47:26,080 Speaker 1: Impossible from Cinderella and then he like samples Impossible Yeah, 839 00:47:26,800 --> 00:47:29,319 Speaker 1: and then it's a uh oh, Zanies and Fools that's 840 00:47:29,320 --> 00:47:31,000 Speaker 1: what it's called. Like this, the track is called Zany's 841 00:47:31,000 --> 00:47:33,000 Speaker 1: and Fools where it's like pulled from them like that song. 842 00:47:33,080 --> 00:47:37,239 Speaker 1: It's like people are like rediscovering there's a revival of 843 00:47:37,320 --> 00:47:40,200 Speaker 1: Rogerson Hammerstein. That's like Oklahoma, like like it's happening. Well, 844 00:47:40,320 --> 00:47:42,839 Speaker 1: you know there's I'm not lying. No, no, you're not lying. 845 00:47:44,920 --> 00:47:47,000 Speaker 1: You know that there's going to be a new Cinderella 846 00:47:47,160 --> 00:47:50,960 Speaker 1: with Camilla Cabello. Yeah, absolutely, And I heard you know 847 00:47:51,000 --> 00:47:52,920 Speaker 1: who I heard is in talks to play the Wicked Stepmother. 848 00:47:53,440 --> 00:47:57,920 Speaker 1: Tell us it's in the Menzel stop and I know 849 00:47:58,040 --> 00:48:00,279 Speaker 1: he's a godmother. And I'll see you in a little 850 00:48:00,280 --> 00:48:02,399 Speaker 1: while from my I don't think so, honey. I'll see 851 00:48:02,400 --> 00:48:05,279 Speaker 1: you in a little walk Dana Mizzella, I'll see you 852 00:48:05,360 --> 00:48:07,360 Speaker 1: and I'll see you in just in about twenty minutes. 853 00:48:07,520 --> 00:48:10,719 Speaker 1: Oh okay, Wow, that's gonna be. I don't know if 854 00:48:10,760 --> 00:48:13,960 Speaker 1: I needed it under another Cinderella right now, but okay, 855 00:48:14,000 --> 00:48:15,600 Speaker 1: I'm like in for that. I heard it's going to 856 00:48:15,640 --> 00:48:23,680 Speaker 1: be a very Camilla Cinderella. Oh god, just what I wanted. Yeah, see, 857 00:48:23,800 --> 00:48:27,800 Speaker 1: I am sure about it. That's the one I like. 858 00:48:28,440 --> 00:48:32,840 Speaker 1: And I liked her fake beef with Laana. That was 859 00:48:32,920 --> 00:48:35,520 Speaker 1: my favorite was the fake beef. So Laana commented what 860 00:48:35,680 --> 00:48:41,480 Speaker 1: the hell on one of her videos, and so she 861 00:48:42,200 --> 00:48:44,600 Speaker 1: meant like, what the hell? This is amazing? Yeah yeah, 862 00:48:44,800 --> 00:48:46,799 Speaker 1: and then everybody because the video did look a lot 863 00:48:46,880 --> 00:48:50,120 Speaker 1: like Laana is like, and so everyone's like, oh my god, 864 00:48:50,200 --> 00:48:53,399 Speaker 1: Laana is coming for this, la is going to kill 865 00:48:53,840 --> 00:48:57,640 Speaker 1: Like it was my favorite. That's so so that was 866 00:48:57,719 --> 00:49:00,279 Speaker 1: like my big Camilla moment. I keep the give out. 867 00:49:00,320 --> 00:49:03,040 Speaker 1: I'm like, what the hell, I've been experiencing a lot 868 00:49:03,080 --> 00:49:05,960 Speaker 1: of Camilla lately. I've been liking her new stuff. I've 869 00:49:06,000 --> 00:49:10,279 Speaker 1: been discussing it. But to cry for Me, and then, um, 870 00:49:10,880 --> 00:49:17,360 Speaker 1: what's the other one? Easy? Easy? She's put that like 871 00:49:17,480 --> 00:49:20,000 Speaker 1: a little army of singles out like that's sort of 872 00:49:20,080 --> 00:49:22,239 Speaker 1: like EP but not yeah, which I don't know if 873 00:49:22,239 --> 00:49:24,080 Speaker 1: I like that. I'm like, I like the one, give 874 00:49:24,120 --> 00:49:28,360 Speaker 1: me one, let me have a moment when she's got speechless, liar, easy, 875 00:49:28,440 --> 00:49:30,560 Speaker 1: and cry for Me. Those are the four. So he's 876 00:49:30,960 --> 00:49:33,399 Speaker 1: and of course the song with the send to read 877 00:49:33,440 --> 00:49:36,040 Speaker 1: a song with Sean. Right on the topic of these 878 00:49:36,080 --> 00:49:39,279 Speaker 1: beefs though, it's this is they're so delicate. We're in 879 00:49:39,320 --> 00:49:41,800 Speaker 1: a really fragile place right now. Because remember when like 880 00:49:42,680 --> 00:49:44,759 Speaker 1: people saw like Casey Musgraves like to tweet that was 881 00:49:44,800 --> 00:49:47,919 Speaker 1: like dunking on Taylor Swift and everyone and everyone flipped out. 882 00:49:48,400 --> 00:49:49,839 Speaker 1: And then she was like she was like and then 883 00:49:49,920 --> 00:49:57,080 Speaker 1: Casey tweets my Twitter got hated Lie so and she's 884 00:49:57,200 --> 00:49:59,080 Speaker 1: love I love a shitty Lie and she's like and 885 00:49:59,120 --> 00:50:00,440 Speaker 1: then me and Taylor just top on the phone and 886 00:50:00,480 --> 00:50:03,279 Speaker 1: we're good. So guys like stand down. But it was 887 00:50:03,280 --> 00:50:08,080 Speaker 1: like people just people are insane. People are insane. Fans 888 00:50:08,120 --> 00:50:11,600 Speaker 1: are particularly pretty. I mean, I'm I'm I'm dating one 889 00:50:11,640 --> 00:50:14,640 Speaker 1: of them. Yeah, it's just and I'm definitely one of 890 00:50:14,719 --> 00:50:16,520 Speaker 1: the more cycle like that one. But I am gonna 891 00:50:16,520 --> 00:50:17,840 Speaker 1: I am gonna out him right now. I'm in the 892 00:50:17,880 --> 00:50:21,040 Speaker 1: out Jared right now because literally, like, um, I think 893 00:50:21,080 --> 00:50:23,440 Speaker 1: the Charlie x X album came out. He was like, 894 00:50:23,800 --> 00:50:25,960 Speaker 1: so with Jared, it's like everything is so he hates 895 00:50:26,040 --> 00:50:30,080 Speaker 1: Charlie because of what Charlie. He absolutely loves Charlie. We 896 00:50:30,160 --> 00:50:32,960 Speaker 1: even want to go see Charlie's concert and she was 897 00:50:33,080 --> 00:50:36,600 Speaker 1: everyone was apparently she had like the whole album. It 898 00:50:36,680 --> 00:50:39,440 Speaker 1: was great. Kim was there too, features the house. She 899 00:50:39,600 --> 00:50:43,480 Speaker 1: was performing at High Tops right now. Probably yeah, she's 900 00:50:43,480 --> 00:50:47,759 Speaker 1: actually as she performs, like to a point where I'm like, 901 00:50:47,760 --> 00:50:51,879 Speaker 1: you're a robot. There's Kis and every major in the world. 902 00:50:52,360 --> 00:50:55,520 Speaker 1: She always looks perfect, truly, and also the live vocals 903 00:50:56,239 --> 00:50:59,400 Speaker 1: there there there they hit, they hit hard. She is 904 00:51:00,320 --> 00:51:02,399 Speaker 1: her tits off when you see it hard to break. 905 00:51:02,480 --> 00:51:05,000 Speaker 1: I was like, yeah, bitch, it was her like, um, 906 00:51:05,800 --> 00:51:07,440 Speaker 1: why am I forgetting that? You know? She it was 907 00:51:07,480 --> 00:51:10,120 Speaker 1: like part two of her coming back on stage. Why 908 00:51:10,160 --> 00:51:19,320 Speaker 1: am I forgetting that? Term the rprise? Okay, lord m 909 00:51:19,920 --> 00:51:21,680 Speaker 1: She goes back and she like still had it. And 910 00:51:21,680 --> 00:51:23,560 Speaker 1: I'm like, you're just saying, you know, forty songs that 911 00:51:24,040 --> 00:51:27,279 Speaker 1: are all similarly hard scenes. They're all pop songs. But 912 00:51:27,600 --> 00:51:29,040 Speaker 1: um wait, I want to out Jared. I want to 913 00:51:29,080 --> 00:51:31,719 Speaker 1: say he started to stand this Charlie x X album. 914 00:51:32,080 --> 00:51:34,040 Speaker 1: This is like three weeks after Lover had come out, 915 00:51:34,120 --> 00:51:37,279 Speaker 1: and we had I hadn't been with him through the 916 00:51:37,320 --> 00:51:39,440 Speaker 1: whole process, and like it was a process. It was 917 00:51:39,480 --> 00:51:42,279 Speaker 1: for Taylor Swift fans, and it was difficult for them. 918 00:51:42,320 --> 00:51:46,680 Speaker 1: After me, I know, it's been hard. It's it's not 919 00:51:46,880 --> 00:51:51,120 Speaker 1: been the oh my god, it's not been nineteen that 920 00:51:51,239 --> 00:51:54,000 Speaker 1: I think they thought it would be. But so Charlie 921 00:51:54,080 --> 00:51:55,719 Speaker 1: x X album came out and he couldn't stop talking 922 00:51:55,760 --> 00:51:57,560 Speaker 1: about it, and I said, but Jared, what about Lover? 923 00:51:57,760 --> 00:51:59,760 Speaker 1: And he just turns to me and then the darkest 924 00:52:00,040 --> 00:52:04,520 Speaker 1: voice I've ever heard of us. He goes fuck lover 925 00:52:05,480 --> 00:52:09,440 Speaker 1: like I only had to grab my heart and I 926 00:52:09,560 --> 00:52:15,920 Speaker 1: was like, oh, I was like, that was so busy, 927 00:52:16,040 --> 00:52:18,799 Speaker 1: was throbbing. I was like, I have never I don't 928 00:52:18,840 --> 00:52:20,520 Speaker 1: even feel that way about it. But he was like, 929 00:52:21,000 --> 00:52:23,360 Speaker 1: I'm over it. And then I feel like because I 930 00:52:23,520 --> 00:52:27,399 Speaker 1: feel a lot of Taylor stands were a little exhausted 931 00:52:27,520 --> 00:52:30,480 Speaker 1: trying to pretend this album was as good as those 932 00:52:30,560 --> 00:52:33,160 Speaker 1: that have preceded it. I think they're I think I've 933 00:52:33,200 --> 00:52:34,440 Speaker 1: said this on the pod, but I think there's a 934 00:52:34,480 --> 00:52:37,520 Speaker 1: twelve song album in there that's good, but just too long, 935 00:52:39,040 --> 00:52:41,000 Speaker 1: you know. But her, some of her fans want that, 936 00:52:41,200 --> 00:52:44,600 Speaker 1: like the sixteen year old girls in Atlanta and like 937 00:52:44,719 --> 00:52:48,800 Speaker 1: they want a fort I guess my question, my question, 938 00:52:49,520 --> 00:52:54,279 Speaker 1: does she still have those teen fans? I think she absolutely? Yeah, 939 00:52:54,280 --> 00:52:57,400 Speaker 1: I think she does absolutely, she like has her and 940 00:52:57,560 --> 00:53:00,960 Speaker 1: Miley do for an Arianna, But then no one else 941 00:53:01,000 --> 00:53:03,160 Speaker 1: from like our I believe in from Marianna because I'm 942 00:53:03,160 --> 00:53:05,160 Speaker 1: telling you, I was at an Arianna concert and it 943 00:53:05,239 --> 00:53:08,680 Speaker 1: was all gay men and six year old girls. Yeah 944 00:53:08,719 --> 00:53:11,160 Speaker 1: she got gen z. Yeah she's got them. She's got 945 00:53:11,239 --> 00:53:13,360 Speaker 1: gen z. But it's it's like it's like it's like Disney. 946 00:53:13,400 --> 00:53:15,719 Speaker 1: It's like kids still watch Little Mermaid. Let's say, like 947 00:53:15,800 --> 00:53:18,520 Speaker 1: like like movies that we thought were specific to our 948 00:53:18,640 --> 00:53:21,800 Speaker 1: upbringings in terms of timing. Now it's like it's like 949 00:53:21,880 --> 00:53:25,920 Speaker 1: she she has perennial songs about adolescence that like everyone 950 00:53:26,000 --> 00:53:28,680 Speaker 1: can relate to. Taylor Taylor, Yeah, yeah, because I do 951 00:53:28,880 --> 00:53:31,040 Speaker 1: feel like this album is the first one that's like 952 00:53:31,560 --> 00:53:34,399 Speaker 1: really tried to be mature, and I feel like she's 953 00:53:34,760 --> 00:53:36,800 Speaker 1: even hinting at like I'm going to marry you in 954 00:53:36,880 --> 00:53:40,680 Speaker 1: these kinds of songs and not an acute like person way. 955 00:53:40,760 --> 00:53:47,320 Speaker 1: It's like, let's make a commitment and invest in investing 956 00:53:47,400 --> 00:53:49,320 Speaker 1: things together, and we're gonna have the same bank account. 957 00:53:49,400 --> 00:53:52,040 Speaker 1: It's like things that like kids aren't going to get 958 00:53:52,160 --> 00:53:55,799 Speaker 1: and I don't think that is sort of too far 959 00:53:55,920 --> 00:53:58,280 Speaker 1: removed from the reason why I don't think this album 960 00:53:58,400 --> 00:54:03,160 Speaker 1: has yeah, significant impact. It doesn't have legs. I mean, London, 961 00:54:03,200 --> 00:54:10,160 Speaker 1: boy is tough. I can't anytime I went to London 962 00:54:10,239 --> 00:54:12,359 Speaker 1: with my boyfriend and I couldn't. I couldn't stop saying 963 00:54:12,360 --> 00:54:16,600 Speaker 1: it ruined the trap, like anytime they were rude, because 964 00:54:16,680 --> 00:54:20,839 Speaker 1: everyone in London is so rude. This guy's start weeks 965 00:54:20,880 --> 00:54:22,440 Speaker 1: just could not stop making fun of me for my 966 00:54:22,560 --> 00:54:26,359 Speaker 1: order because I like drink a milkshake essentially hold my hand. Yeah, 967 00:54:26,400 --> 00:54:28,640 Speaker 1: I saw you and she was like, it's so good 968 00:54:28,680 --> 00:54:35,279 Speaker 1: to see someone like later in the day, so real. 969 00:54:36,320 --> 00:54:38,120 Speaker 1: But no, it would just be like this guy kept 970 00:54:38,160 --> 00:54:39,640 Speaker 1: giving ship and then right when we walked out of 971 00:54:39,680 --> 00:54:41,000 Speaker 1: the cafe, I just had to look at him and 972 00:54:41,520 --> 00:54:45,960 Speaker 1: child of English. But that is not where the most 973 00:54:46,000 --> 00:54:47,759 Speaker 1: embarrassing song on the album for me, for me and 974 00:54:48,239 --> 00:54:49,959 Speaker 1: for me, it's got to be that fucking Big Little 975 00:54:50,000 --> 00:54:53,640 Speaker 1: Lies theme knockoff, which is it's nice to have a friend. Oh, 976 00:54:54,560 --> 00:54:56,680 Speaker 1: I kind of find myself being like that's really cute. 977 00:54:56,880 --> 00:55:01,160 Speaker 1: No way, that album is tough freaking I loved reputation 978 00:55:01,200 --> 00:55:05,800 Speaker 1: and I was only fucking bops like dress is the 979 00:55:05,840 --> 00:55:11,000 Speaker 1: first time she got fucked dress dressing, um even gorgeous 980 00:55:11,040 --> 00:55:14,160 Speaker 1: is like this is I'm like my delicates a classic, 981 00:55:14,320 --> 00:55:17,840 Speaker 1: yea delicates a classic and also endgame is my fucking 982 00:55:18,000 --> 00:55:24,600 Speaker 1: like my song I'm big. When she brought in like 983 00:55:24,640 --> 00:55:28,960 Speaker 1: a kid's choir to say big even like I remember 984 00:55:28,960 --> 00:55:31,040 Speaker 1: when look what made you? Look What You Made Me do? 985 00:55:31,320 --> 00:55:33,520 Speaker 1: Came out, I was like, fuck this and now I'm 986 00:55:33,560 --> 00:55:36,280 Speaker 1: kind of like, then you saw the video. The second 987 00:55:36,440 --> 00:55:38,879 Speaker 1: video came out, I was like, oh yeah, I didn't 988 00:55:38,920 --> 00:55:41,680 Speaker 1: think there was much new in the video, but it 989 00:55:41,800 --> 00:55:44,319 Speaker 1: was a lot. I was like, she's trying, and I'm 990 00:55:44,360 --> 00:55:46,520 Speaker 1: like kind of down the bridge where all the old 991 00:55:46,640 --> 00:55:50,000 Speaker 1: like the all the old tailors are climbing that. I'm like, 992 00:55:50,040 --> 00:55:52,560 Speaker 1: how the fund did you make this? It was more like, damn, 993 00:55:52,640 --> 00:55:54,160 Speaker 1: you really went to the lab and you're like, we're 994 00:55:54,360 --> 00:55:57,560 Speaker 1: spent ten million dollars right now on this song. That's 995 00:55:57,560 --> 00:55:59,920 Speaker 1: definitely shouldn't be first single, but let's do this. I 996 00:56:00,000 --> 00:56:04,719 Speaker 1: also love the single she Can't help It. This is okay, 997 00:56:04,760 --> 00:56:06,759 Speaker 1: But you brought up something earlier that I love, like 998 00:56:07,000 --> 00:56:13,279 Speaker 1: single order, single order, hypothetical single orders, like let's talk 999 00:56:13,320 --> 00:56:16,920 Speaker 1: about never been chosen by a game man, and I 1000 00:56:17,040 --> 00:56:18,960 Speaker 1: know that we'd be right, Like I just know that 1001 00:56:19,040 --> 00:56:20,279 Speaker 1: in my heart. But it's like, this is a this 1002 00:56:20,400 --> 00:56:22,280 Speaker 1: is just a game that you can play at party's now, okay, 1003 00:56:22,360 --> 00:56:24,680 Speaker 1: this is this is the new star actress. Everybody, let's 1004 00:56:24,680 --> 00:56:29,560 Speaker 1: do one. Okay, Yeah, Aly, like here's my here's my 1005 00:56:29,640 --> 00:56:31,960 Speaker 1: thing with lover because me we can all agree with 1006 00:56:32,080 --> 00:56:34,960 Speaker 1: not it and even you need to come down from 1007 00:56:34,960 --> 00:56:37,120 Speaker 1: me is like, actually, I kind of like it as 1008 00:56:37,160 --> 00:56:40,319 Speaker 1: a second single. But here's the thing. I think when 1009 00:56:40,360 --> 00:56:43,600 Speaker 1: you listen to the album Lover, I understand that you 1010 00:56:43,680 --> 00:56:46,920 Speaker 1: want to give them something like up tempo, but represent 1011 00:56:47,080 --> 00:56:50,120 Speaker 1: the album. And so my thing is, I think the 1012 00:56:50,200 --> 00:56:53,239 Speaker 1: best song on Lover that is the most emblematic of 1013 00:56:53,320 --> 00:56:56,480 Speaker 1: Lover is Lover. And so I would have put Lover 1014 00:56:56,600 --> 00:56:58,200 Speaker 1: out as the first single. I think everyone would have 1015 00:56:58,239 --> 00:57:00,359 Speaker 1: been like, oh, this is a different direction, and for her, 1016 00:57:00,400 --> 00:57:03,520 Speaker 1: I'm into it. Yeah. That being said, I also think 1017 00:57:03,600 --> 00:57:05,239 Speaker 1: my favorite song on the whole album I don't know 1018 00:57:05,239 --> 00:57:07,000 Speaker 1: if it should have been the first single, but my 1019 00:57:07,200 --> 00:57:09,200 Speaker 1: first favorite song on the album is I Think he Knows? 1020 00:57:09,880 --> 00:57:16,800 Speaker 1: Oh yeah, okay, yeah yeah, what do you think? The 1021 00:57:16,840 --> 00:57:19,280 Speaker 1: Man is here? Here's here's my three man. The Man 1022 00:57:19,440 --> 00:57:22,280 Speaker 1: is great. It's tough to hear, but it's good. Agree 1023 00:57:22,280 --> 00:57:25,400 Speaker 1: with you, Lover, Cruel Summer, and then you need to 1024 00:57:25,440 --> 00:57:28,560 Speaker 1: calm down. As third single, maybe when you now that 1025 00:57:28,600 --> 00:57:31,080 Speaker 1: we're talking about the Man, don't you think it would 1026 00:57:31,120 --> 00:57:32,680 Speaker 1: be a little on the nose, like, oh, she's releasing 1027 00:57:32,760 --> 00:57:34,200 Speaker 1: this song as the first single, But I bet it 1028 00:57:34,240 --> 00:57:36,440 Speaker 1: would have been a huge hit. Huge, especially with a 1029 00:57:36,480 --> 00:57:38,720 Speaker 1: good video, and especially I mean she knows what she's 1030 00:57:38,760 --> 00:57:40,760 Speaker 1: doing though, because when it came out, I like all 1031 00:57:40,840 --> 00:57:44,640 Speaker 1: of the Leo articles came out Once upon a Time 1032 00:57:44,640 --> 00:57:46,240 Speaker 1: in Hollywood came out like right with it, so it's 1033 00:57:46,280 --> 00:57:48,920 Speaker 1: like everyone's like she's jabbing at Leo and she got 1034 00:57:49,000 --> 00:57:51,840 Speaker 1: so much press, so like she's just kind of always knows, 1035 00:57:52,000 --> 00:57:54,360 Speaker 1: like once she leaves a song, that's going to get 1036 00:57:54,520 --> 00:57:57,960 Speaker 1: press essentially. So I don't know, I yeah, I agree 1037 00:57:58,000 --> 00:57:59,600 Speaker 1: that Lover should have been the first single because I 1038 00:57:59,640 --> 00:58:01,840 Speaker 1: think a lot of people were, like the people who 1039 00:58:01,920 --> 00:58:06,160 Speaker 1: didn't listen to the non singles of reputation, We're like, Okay, 1040 00:58:06,240 --> 00:58:09,040 Speaker 1: she's not the Taylor I grew up with. Yeah, so 1041 00:58:09,160 --> 00:58:10,800 Speaker 1: I think it would have been a good like no, like, 1042 00:58:10,920 --> 00:58:12,520 Speaker 1: she can still do this and it is a beautiful 1043 00:58:12,560 --> 00:58:14,560 Speaker 1: song and I love the video. I think that would 1044 00:58:14,600 --> 00:58:18,400 Speaker 1: have been a nice start. Me was like it's awful, honey. Um. 1045 00:58:18,480 --> 00:58:20,240 Speaker 1: I listened to it every now and then and I'm like, oh, yeah, 1046 00:58:20,320 --> 00:58:22,439 Speaker 1: well she took out this spelling is fun part, which 1047 00:58:22,480 --> 00:58:29,480 Speaker 1: I love that. I'm just like, oh god, Taylor's I 1048 00:58:29,560 --> 00:58:34,600 Speaker 1: just have the tightest butthole when I listen to that. Yeah, 1049 00:58:34,680 --> 00:58:37,080 Speaker 1: I mean, like you're panic at the disco in this song, 1050 00:58:37,240 --> 00:58:40,520 Speaker 1: like keep that at that point. But yeah, yeah, a 1051 00:58:40,600 --> 00:58:42,920 Speaker 1: weird feature as well. I don't know if I love 1052 00:58:43,280 --> 00:58:48,760 Speaker 1: a first single as you love him. I just don't know. Ye, yeah, 1053 00:58:49,920 --> 00:58:51,919 Speaker 1: a feature on the first single is a weird move. 1054 00:58:52,040 --> 00:58:54,200 Speaker 1: It's strange. Yeah, I'm like that maybe is more of 1055 00:58:54,280 --> 00:58:55,800 Speaker 1: like a second single or I just don't think that 1056 00:58:55,880 --> 00:58:59,640 Speaker 1: song is a single. But um, but yeah, I mean, 1057 00:58:59,800 --> 00:59:02,800 Speaker 1: and I also like their voices together. Yeah, I just 1058 00:59:02,840 --> 00:59:04,560 Speaker 1: would prefer it to just as like a song in 1059 00:59:04,640 --> 00:59:07,440 Speaker 1: the album. Yeah, yeah, sure, I would agree. Yeah, just 1060 00:59:07,600 --> 00:59:09,160 Speaker 1: do it for a one more album. What had a 1061 00:59:09,200 --> 00:59:12,640 Speaker 1: flop first single? Oh, let's do it for let's well not. 1062 00:59:12,880 --> 00:59:15,360 Speaker 1: I don't consider it a flop at all, but I 1063 00:59:15,400 --> 00:59:17,480 Speaker 1: guess because we were talking about it before. Let's talk 1064 00:59:17,520 --> 00:59:21,200 Speaker 1: about Joanne's preferred delusion. I like, but I do. I 1065 00:59:21,240 --> 00:59:23,680 Speaker 1: think John Wayne is an interest scared people. I think 1066 00:59:23,720 --> 00:59:26,800 Speaker 1: perfect Delusion scared people. Yeah, yeah it was too and 1067 00:59:26,880 --> 00:59:29,000 Speaker 1: then it wasn't actually like what the album felt like 1068 00:59:29,080 --> 00:59:33,200 Speaker 1: at all. So I think my choice is either John 1069 00:59:33,240 --> 00:59:35,880 Speaker 1: Wayne or I low key love Come to Mama, Come Tom. 1070 00:59:37,400 --> 00:59:43,400 Speaker 1: But I think you know the thing is that I'm insane. No, 1071 00:59:43,560 --> 00:59:45,800 Speaker 1: I think I think John Wayne just because of that video. 1072 00:59:46,000 --> 00:59:47,880 Speaker 1: I think it's like it really is like she is 1073 00:59:47,960 --> 00:59:50,800 Speaker 1: going for this like Western Americana thing, so like I 1074 00:59:50,840 --> 00:59:53,400 Speaker 1: want to see her fully commit the first single, it's 1075 00:59:53,440 --> 00:59:55,640 Speaker 1: what the album feels like. I do love Million Reasons 1076 00:59:55,640 --> 00:59:58,840 Speaker 1: as a second single, Million Reasons, second single, John Wayne, 1077 00:59:58,960 --> 01:00:03,160 Speaker 1: Million Reasons, and then third honestly bumping up from bonus 1078 01:00:03,240 --> 01:00:05,240 Speaker 1: track Creature Girls, which I know is like to Low 1079 01:00:05,280 --> 01:00:09,160 Speaker 1: Temple Girls. I really do love that album. It's a 1080 01:00:09,160 --> 01:00:11,600 Speaker 1: great album. It's a great album. I didn't I don't 1081 01:00:11,640 --> 01:00:14,160 Speaker 1: love the cover, but that's okay. I do love the cover, 1082 01:00:14,520 --> 01:00:16,520 Speaker 1: like I think, I'm like almost do. I just think 1083 01:00:16,560 --> 01:00:18,920 Speaker 1: it's like a little I don't know, it's a little tweet, 1084 01:00:18,960 --> 01:00:20,560 Speaker 1: it's a little like yeah, I just wanted like a 1085 01:00:20,640 --> 01:00:22,640 Speaker 1: little bit more. I just I don't know with her. 1086 01:00:22,960 --> 01:00:25,120 Speaker 1: You know, do you consider Stars Born to be a 1087 01:00:25,200 --> 01:00:30,680 Speaker 1: gotta album? I do? I gotta ep sure, Yeah, Yeah, 1088 01:00:30,880 --> 01:00:32,640 Speaker 1: I don't like it. I would say it's an era, 1089 01:00:32,800 --> 01:00:35,840 Speaker 1: not an album. I agree, maybe it's definitely an era. 1090 01:00:36,040 --> 01:00:39,120 Speaker 1: The true like Monsters they say era, they say like 1091 01:00:39,200 --> 01:00:41,040 Speaker 1: Stars They're like, well, if you guys like the best 1092 01:00:41,120 --> 01:00:45,160 Speaker 1: of this era, like Stan Instagram is. I tried that 1093 01:00:45,240 --> 01:00:47,920 Speaker 1: with Kelly. I was like I was like welcome and 1094 01:00:48,120 --> 01:00:51,240 Speaker 1: I was like no, but there are definitely something that 1095 01:00:51,320 --> 01:00:56,760 Speaker 1: are like welcome, brother is It's time. But I love 1096 01:00:56,840 --> 01:00:59,880 Speaker 1: the Alley tracks, like I feel like that. I mean, 1097 01:01:00,640 --> 01:01:07,880 Speaker 1: like the Cure is, they're all just trying to be cool. 1098 01:01:10,040 --> 01:01:17,240 Speaker 1: This song in my head, I'm not mad. Yeah, the 1099 01:01:17,320 --> 01:01:20,520 Speaker 1: whole Yeah, it's just perfect. It's like nice to not 1100 01:01:20,920 --> 01:01:22,840 Speaker 1: that She's like I'm just gonna make pop. Yeah, and 1101 01:01:22,880 --> 01:01:24,760 Speaker 1: I feel like she hasn't just like done that without 1102 01:01:24,840 --> 01:01:27,440 Speaker 1: like it can be almost bad, which I think a 1103 01:01:27,520 --> 01:01:30,040 Speaker 1: lot of great pop is like almost bad. So she 1104 01:01:30,440 --> 01:01:32,480 Speaker 1: with Ali, she was able to write pop music in 1105 01:01:32,560 --> 01:01:35,640 Speaker 1: a very abstract way where like it didn't matter. Just 1106 01:01:35,760 --> 01:01:40,600 Speaker 1: write a write a good fassimile of a song. That's 1107 01:01:40,840 --> 01:01:44,280 Speaker 1: that's all that to me. Come on, I mean first 1108 01:01:44,560 --> 01:01:47,320 Speaker 1: that we were like it's smarty, like watching the movie 1109 01:01:47,360 --> 01:01:49,360 Speaker 1: and them trying to tell you that like she's gone bad, 1110 01:01:49,480 --> 01:01:52,160 Speaker 1: when I'm like, oh, this is absolutely at all. Yeah, 1111 01:01:52,360 --> 01:01:56,680 Speaker 1: Like she just really fucking she got a Grammy. I'm like, 1112 01:01:57,080 --> 01:02:01,680 Speaker 1: she didn't sell out, She's she has that bad red hair, 1113 01:02:04,080 --> 01:02:07,360 Speaker 1: like fucking healthy as fun and then they're like, we're 1114 01:02:07,400 --> 01:02:10,120 Speaker 1: gonna bring her out. She's gonna she gave her the 1115 01:02:10,160 --> 01:02:16,200 Speaker 1: Grammy in the right. How great, God, how great? My 1116 01:02:16,240 --> 01:02:20,480 Speaker 1: biggest regret um when Halsey hosted, I wrote for her, 1117 01:02:20,640 --> 01:02:23,760 Speaker 1: how great Ali sketch that just tanked it table. It 1118 01:02:23,880 --> 01:02:27,120 Speaker 1: was just her like on set and like her having 1119 01:02:27,200 --> 01:02:32,760 Speaker 1: to like her like butchering the I love that. You know, 1120 01:02:33,520 --> 01:02:36,160 Speaker 1: no one got no Everyone's like, why is this? Like, 1121 01:02:36,760 --> 01:02:41,240 Speaker 1: oh my god? The table? Did she like it? She 1122 01:02:41,880 --> 01:02:43,600 Speaker 1: like I pitched her on Tuesday and she was like 1123 01:02:43,680 --> 01:02:45,440 Speaker 1: that's really funny. Yeah. I was like I was like, 1124 01:02:45,520 --> 01:02:47,240 Speaker 1: you know that like gay people are upset, like or 1125 01:02:47,280 --> 01:02:50,080 Speaker 1: specifically like film Twitter and like stand Twitter like loves 1126 01:02:50,160 --> 01:02:52,280 Speaker 1: that moment, right. She's like, oh yeah, I gotta get it. 1127 01:02:52,320 --> 01:02:55,360 Speaker 1: I totally gets She was great and then and like 1128 01:02:55,640 --> 01:02:57,680 Speaker 1: you know, went over with her. She like did what 1129 01:02:57,800 --> 01:03:01,040 Speaker 1: she had to do at the table. But everyone was like, 1130 01:03:01,200 --> 01:03:07,360 Speaker 1: what the fuck? It's actually really culture at number seventy 1131 01:03:07,400 --> 01:03:11,200 Speaker 1: six what she had to do out of the table anyway, 1132 01:03:11,560 --> 01:03:13,200 Speaker 1: is it? How do I say? Am I saying it wrong? 1133 01:03:13,360 --> 01:03:21,840 Speaker 1: I'm kind of like I just I'm like, fully trusting 1134 01:03:21,880 --> 01:03:24,280 Speaker 1: you and that I'm like, oh, I've been spending her 1135 01:03:24,440 --> 01:03:31,080 Speaker 1: this whole Halsey. Do you know it's pronounced Charlie before 1136 01:03:31,120 --> 01:03:32,280 Speaker 1: we move on? I don't think so. I do want 1137 01:03:32,320 --> 01:03:34,240 Speaker 1: to ask, but you know, do you do how much 1138 01:03:34,320 --> 01:03:38,080 Speaker 1: research do you do for each astrological sign before you? Oh? Well, 1139 01:03:38,120 --> 01:03:40,080 Speaker 1: some I know a little bit better than I knew 1140 01:03:40,360 --> 01:03:43,400 Speaker 1: ours the most obviously so corpse, and that was just 1141 01:03:43,520 --> 01:03:46,200 Speaker 1: going to make that I love scorps Thank you. Do 1142 01:03:46,240 --> 01:03:48,920 Speaker 1: you feel that way? I do feel that way. Do 1143 01:03:49,000 --> 01:03:53,200 Speaker 1: you feel I feel that I'm not spook yoki? Yeah, 1144 01:03:53,280 --> 01:03:56,240 Speaker 1: but no exactly what we're supposed to be, like a character. Yeah, 1145 01:03:56,240 --> 01:03:58,880 Speaker 1: it's so funny. Yeah, but there were some that I 1146 01:03:58,960 --> 01:04:00,840 Speaker 1: knew a little bit just because friends, I feel like, 1147 01:04:00,880 --> 01:04:02,200 Speaker 1: I don't know if you feel this way, but I 1148 01:04:02,360 --> 01:04:05,479 Speaker 1: just know so many cancers as a Scorpio, I feel 1149 01:04:06,560 --> 01:04:09,280 Speaker 1: that exactly. So I feel like that connection is what 1150 01:04:09,360 --> 01:04:11,959 Speaker 1: almost like sold me on astrology, because I did notice 1151 01:04:12,000 --> 01:04:15,200 Speaker 1: that all the people around me were like Pisces, cancers 1152 01:04:15,640 --> 01:04:19,600 Speaker 1: and aries like everything. Oh that's interesting, and an occasional 1153 01:04:19,680 --> 01:04:22,840 Speaker 1: Gemini went, yeah, I know, I love it. And I'm 1154 01:04:23,160 --> 01:04:24,840 Speaker 1: shocked though, because I don't think a lot of Pisces 1155 01:04:24,920 --> 01:04:34,120 Speaker 1: are like big performers. I think that's literally literally next album, 1156 01:04:35,880 --> 01:04:39,080 Speaker 1: but I don't They're not usually as like extroverted. They're 1157 01:04:39,120 --> 01:04:43,280 Speaker 1: more sensitive and artistic. Yeah, exactly, like quiet, creativity and interesting. 1158 01:04:43,320 --> 01:04:47,200 Speaker 1: I wonder if it's maybe my cancer moon. Yeah. See 1159 01:04:47,280 --> 01:04:49,240 Speaker 1: that's where I think like a lot of like random 1160 01:04:49,440 --> 01:04:52,840 Speaker 1: things come from. But I don't even I don't that. 1161 01:04:53,080 --> 01:04:55,080 Speaker 1: I start to get confused. What is your what is 1162 01:04:55,120 --> 01:05:00,400 Speaker 1: your whole deal? Okay? So I'm well, it's a great 1163 01:05:00,400 --> 01:05:06,560 Speaker 1: time to be getting So I believe I am Scorpio, 1164 01:05:06,880 --> 01:05:13,840 Speaker 1: and then I'm a Capricorn rising, Gemini moon, Gemini, Gemini moone. 1165 01:05:14,040 --> 01:05:18,120 Speaker 1: There's like a lot happening here. Yeah, twisting combo, right, 1166 01:05:18,600 --> 01:05:20,959 Speaker 1: I think that means that I'm a Gemini moon Okay, 1167 01:05:21,200 --> 01:05:27,880 Speaker 1: Scorpius son Um Libra rising, Okay, I'm Pisces, Pisces rising, 1168 01:05:28,040 --> 01:05:31,360 Speaker 1: and my moon is cancer. Okay, I'm water water water 1169 01:05:31,440 --> 01:05:34,720 Speaker 1: and the rest of my chart is dripping wet, just sing. 1170 01:05:34,760 --> 01:05:39,440 Speaker 1: So I'm talking so absolutely, I'm like fucking um uh, 1171 01:05:40,000 --> 01:05:44,600 Speaker 1: I'm sucking um. Kate Bosworth when she sees Josh Dumel 1172 01:05:44,720 --> 01:05:47,640 Speaker 1: and when the date Hamilton's when a date when a 1173 01:05:47,720 --> 01:05:52,920 Speaker 1: date Hamilton's stick to her in Blue Crush, So I 1174 01:05:53,040 --> 01:05:54,760 Speaker 1: was just ready to be like, can we talk about 1175 01:05:57,600 --> 01:06:03,080 Speaker 1: Blue Crush? Crush her eyes? She's gorgeous, She's a gorgeous star. 1176 01:06:03,120 --> 01:06:04,200 Speaker 1: She only had to be in like three things and 1177 01:06:04,200 --> 01:06:06,200 Speaker 1: now she's just like at fashion shows, which I love 1178 01:06:06,280 --> 01:06:08,840 Speaker 1: that career path for a lot of people. It's so efficient. 1179 01:06:09,040 --> 01:06:12,320 Speaker 1: It's so efficient. And never forget her as the racist girlfriend. 1180 01:06:12,360 --> 01:06:16,439 Speaker 1: And remember the Titans, right, literally, never are you hanging 1181 01:06:16,480 --> 01:06:19,640 Speaker 1: out with those black people? Are you doing this? She 1182 01:06:19,840 --> 01:06:23,040 Speaker 1: ran Gosling's No, she's she's the quarterback who gets hit 1183 01:06:23,080 --> 01:06:28,000 Speaker 1: by the sorry spoiler he remember remember that we no 1184 01:06:28,120 --> 01:06:30,560 Speaker 1: longer have to watch that movie now that we're out. Yeah, 1185 01:06:31,160 --> 01:06:34,120 Speaker 1: it was so hard. Literally remember being in the theater 1186 01:06:34,240 --> 01:06:37,240 Speaker 1: being like no, exactly, I'm like, are we getting out 1187 01:06:37,280 --> 01:06:41,040 Speaker 1: of here and going to a chili? Yeah? It's like 1188 01:06:41,280 --> 01:06:43,800 Speaker 1: Track and Night at Red Robin. But literally I was like, 1189 01:06:43,840 --> 01:06:46,320 Speaker 1: who's that icont A girl playing the racist girl friend? 1190 01:06:46,600 --> 01:06:48,760 Speaker 1: That impression again? Why are you hanging out with those 1191 01:06:48,800 --> 01:06:52,400 Speaker 1: black people? Come all, let's go, we gotta go drink 1192 01:06:52,480 --> 01:06:56,080 Speaker 1: in the parking lot. I love like actresses like that 1193 01:06:56,320 --> 01:07:04,160 Speaker 1: being like racist Southern in Hidden Figures, Hidden Figures, It's like, what, like, Okay, 1194 01:07:04,200 --> 01:07:08,560 Speaker 1: bry Styles Howard and The Help being like a plan, 1195 01:07:10,800 --> 01:07:14,360 Speaker 1: they just they overacted, which is always like I love 1196 01:07:14,480 --> 01:07:18,280 Speaker 1: any anyone who just willingly just brings forth a raised eyebrow. 1197 01:07:19,320 --> 01:07:22,640 Speaker 1: I'm gonna fucking fuck it up. Damn, oh god. Bryce 1198 01:07:22,640 --> 01:07:27,120 Speaker 1: styles Howard in The Help opposite Octavia is perfect, especially 1199 01:07:27,440 --> 01:07:31,200 Speaker 1: my ship, and I think Jessica Chastin is perfect in 1200 01:07:31,280 --> 01:07:36,080 Speaker 1: that heartbreaking on Jessica. Yeah, and also you know, of 1201 01:07:36,200 --> 01:07:41,640 Speaker 1: course we have Viola. Of course fun and U with 1202 01:07:41,720 --> 01:07:45,560 Speaker 1: the curls Ring, Little Ring, Little Curly bring the culture 1203 01:07:46,480 --> 01:07:49,479 Speaker 1: one of my favorites. Have you lost your mind? Yeah? 1204 01:07:52,440 --> 01:07:58,040 Speaker 1: Sh no, good for nothing. But I stand Bryce styles 1205 01:07:58,040 --> 01:08:00,800 Speaker 1: Howard world. We have a lot, we have a lot 1206 01:08:00,840 --> 01:08:03,120 Speaker 1: of fun with Bryce Dallas on this show. But she 1207 01:08:03,240 --> 01:08:06,160 Speaker 1: does what she has to do. And the first one, 1208 01:08:06,280 --> 01:08:08,240 Speaker 1: essentially with that stupid haircut, I put her in that 1209 01:08:08,280 --> 01:08:14,680 Speaker 1: it's instantly that I will never I'll never let it go. 1210 01:08:14,880 --> 01:08:17,479 Speaker 1: That the second movie they took her out of this shoe. No, 1211 01:08:17,600 --> 01:08:19,800 Speaker 1: they and the whole joke was like she's not rain heels. 1212 01:08:19,840 --> 01:08:22,920 Speaker 1: The whole time, I'm like, no, she needs to the character. 1213 01:08:23,160 --> 01:08:24,960 Speaker 1: It's like, you know what, this is where you lost 1214 01:08:25,040 --> 01:08:31,400 Speaker 1: the gays and this reason reason shoe only watching on 1215 01:08:31,439 --> 01:08:34,040 Speaker 1: an airplane. They put her in a sensible shoe and 1216 01:08:34,080 --> 01:08:36,919 Speaker 1: they pulled her hair out of her face. Big mistake. 1217 01:08:37,960 --> 01:08:40,120 Speaker 1: Big mistake, because it's not like we didn't see her 1218 01:08:40,160 --> 01:08:42,280 Speaker 1: out run the t Rex in the first movie, so 1219 01:08:42,400 --> 01:08:44,920 Speaker 1: we know she doesn't need to wear the flats. Okay, 1220 01:08:45,000 --> 01:08:52,080 Speaker 1: those little doctor and actress also not for nothing. But 1221 01:08:52,200 --> 01:08:55,599 Speaker 1: she gives you an iconic single tear when the Dominus 1222 01:08:55,640 --> 01:08:58,519 Speaker 1: Rex has its maw next to the car and she 1223 01:08:58,640 --> 01:09:01,160 Speaker 1: turns to the camera and she just gives you one 1224 01:09:01,240 --> 01:09:03,280 Speaker 1: tier and one tier only. And I just did it 1225 01:09:03,360 --> 01:09:07,519 Speaker 1: in the room. I just cried one tier immediately, like 1226 01:09:07,640 --> 01:09:12,320 Speaker 1: Selina anders, we bring it back, that one tier. You've 1227 01:09:12,320 --> 01:09:14,920 Speaker 1: got to have that one tier. Although Constant s Wu 1228 01:09:15,160 --> 01:09:20,280 Speaker 1: has fifty in hustlers. I'm like, literally, I'm like, wait, 1229 01:09:20,760 --> 01:09:23,720 Speaker 1: don't cry anymore. I can't. It's and the way it 1230 01:09:23,840 --> 01:09:27,000 Speaker 1: was coming out was like not natural. I was like looking, 1231 01:09:27,160 --> 01:09:30,200 Speaker 1: I know, and her face just still looked perfect though, 1232 01:09:30,240 --> 01:09:32,600 Speaker 1: which I'm like, is that really crying? I guess some 1233 01:09:32,680 --> 01:09:34,639 Speaker 1: people look like that. When she did give you an iconic, 1234 01:09:34,720 --> 01:09:37,320 Speaker 1: single tier and crazy rich Asians. She did, she did? 1235 01:09:37,400 --> 01:09:40,519 Speaker 1: Wait was the scene, stunning wedding scene, the wedding. Oh, 1236 01:09:40,640 --> 01:09:43,240 Speaker 1: the wedding scene. I just got chills sticking watch it again. 1237 01:09:43,479 --> 01:09:48,240 Speaker 1: The one iconic movie. And so when is when is 1238 01:09:48,240 --> 01:09:51,000 Speaker 1: the next one coming? I don't know, but we gotta 1239 01:09:51,000 --> 01:09:52,360 Speaker 1: get you in for some we gotta get you in 1240 01:09:52,439 --> 01:09:57,160 Speaker 1: that simply for some reason, they're not like rushing it, 1241 01:09:57,360 --> 01:09:59,400 Speaker 1: like I feel like they would just on anything that 1242 01:09:59,479 --> 01:10:02,000 Speaker 1: does really where they're like, we're making every Twilight movie 1243 01:10:02,080 --> 01:10:04,439 Speaker 1: in the next three months. They are Russian because they're 1244 01:10:04,439 --> 01:10:08,640 Speaker 1: shooting the sequels back to back, but they always do 1245 01:10:08,680 --> 01:10:10,120 Speaker 1: that with the suit and it's like, okay, no, just 1246 01:10:10,280 --> 01:10:14,080 Speaker 1: like Avatar. Yeah, yeah, like Avatar. There's twelve avatars that 1247 01:10:14,160 --> 01:10:17,720 Speaker 1: we have not seen. Are you an Avatar person? I 1248 01:10:17,800 --> 01:10:20,880 Speaker 1: feel like I'm embarrassed, but yeah I saw four times 1249 01:10:21,120 --> 01:10:28,040 Speaker 1: literally read your three times your energy. Yeah. People tell 1250 01:10:28,080 --> 01:10:34,599 Speaker 1: me I like Jake Sully, Oh my god, um okay, 1251 01:10:36,600 --> 01:10:41,800 Speaker 1: the white eyes yeah big, I kind of saw by 1252 01:10:41,880 --> 01:10:48,599 Speaker 1: Leona Lewis forgotten. Yeah, I definitely like really I thought 1253 01:10:48,680 --> 01:10:51,320 Speaker 1: that that was like a mega moment. Yeah, I was 1254 01:10:51,360 --> 01:10:53,360 Speaker 1: like this is and I'm still waiting for the sequels. 1255 01:10:53,360 --> 01:10:57,880 Speaker 1: And I'm going to that amusement park. We've been out, yes, 1256 01:10:58,200 --> 01:11:01,439 Speaker 1: bitch see when to the Star Wars one? And I was, oh, yeah, 1257 01:11:01,439 --> 01:11:03,439 Speaker 1: weait I forgot you guys go to an amusement parks 1258 01:11:04,200 --> 01:11:08,599 Speaker 1: in this house, we go. We're disney Gates. Yeah, Chared's 1259 01:11:08,600 --> 01:11:11,240 Speaker 1: to disney Gate. We have annual passes. Next week to 1260 01:11:11,280 --> 01:11:13,439 Speaker 1: celebrate Game Show being wrapped, he said he made a 1261 01:11:13,479 --> 01:11:17,439 Speaker 1: reservation at Olga's Cantina and I cried. I cried, and 1262 01:11:17,520 --> 01:11:20,840 Speaker 1: that's called oh can I bring that? Sorry? Actually, that's 1263 01:11:20,840 --> 01:11:23,800 Speaker 1: been a thing I have. I haven't said that word yet, Like, 1264 01:11:23,920 --> 01:11:25,840 Speaker 1: oh my god. I almost did the other day and 1265 01:11:25,880 --> 01:11:31,599 Speaker 1: I was like, do I do this? Hope? I remember 1266 01:11:32,120 --> 01:11:34,400 Speaker 1: the first time I said it to my boyfriend. Five 1267 01:11:34,479 --> 01:11:36,439 Speaker 1: minutes later, I was in the bathroom and we were 1268 01:11:36,479 --> 01:11:39,599 Speaker 1: at like a friend's. A friend had like a gallery show, 1269 01:11:40,080 --> 01:11:42,840 Speaker 1: like a bad one too. It was just terrible. And 1270 01:11:43,160 --> 01:11:46,280 Speaker 1: someone's banging on the door and I'm like, okay, relax, 1271 01:11:46,600 --> 01:11:49,200 Speaker 1: and I opened the door and he has thrown up 1272 01:11:49,400 --> 01:11:51,160 Speaker 1: like he's so drunk at this thing. And I was like, 1273 01:11:51,720 --> 01:11:54,720 Speaker 1: I literally just said I love you, like set it back. 1274 01:11:55,240 --> 01:11:57,200 Speaker 1: He's not gonna remember now. We got to redo that. 1275 01:11:57,320 --> 01:11:59,040 Speaker 1: This is How'm gonna remember it forever. And I do 1276 01:11:59,160 --> 01:12:01,000 Speaker 1: remember it forever, but kind of funny now. And I 1277 01:12:01,040 --> 01:12:02,880 Speaker 1: had to clean up his throw up after telling him 1278 01:12:02,880 --> 01:12:04,840 Speaker 1: I love him. That's beautiful. There's been three or so, 1279 01:12:04,880 --> 01:12:06,600 Speaker 1: we're fine. Did he remember the next day that he 1280 01:12:06,680 --> 01:12:09,360 Speaker 1: did he did that? And yeah, I guess he claimed 1281 01:12:09,400 --> 01:12:10,920 Speaker 1: that he had said it before then, which I'm like, 1282 01:12:11,520 --> 01:12:15,599 Speaker 1: I wouldn't remember. He will. He doesn't listen to this podcast, 1283 01:12:15,640 --> 01:12:18,080 Speaker 1: so I couldn't talk about this. Yeah, I feel like 1284 01:12:18,240 --> 01:12:21,200 Speaker 1: I don't know. I can't gauge whether I should be 1285 01:12:21,240 --> 01:12:22,519 Speaker 1: the one to say it or he should be the 1286 01:12:22,560 --> 01:12:25,000 Speaker 1: one to say it don't matter. Yeah, I don't know 1287 01:12:25,720 --> 01:12:27,519 Speaker 1: about that. And it's like it's like it is that way, 1288 01:12:27,600 --> 01:12:29,080 Speaker 1: but it's like I don't know. We've also been dating 1289 01:12:29,120 --> 01:12:36,760 Speaker 1: for June July, August September, five months. My first point friend, 1290 01:12:36,800 --> 01:12:38,920 Speaker 1: I said it. He said it first, really quickly. In 1291 01:12:39,000 --> 01:12:42,920 Speaker 1: my heart, I'm a lesbian with relationships faster than anything. 1292 01:12:43,000 --> 01:12:44,800 Speaker 1: And then you know what's weird. Every other element of 1293 01:12:44,840 --> 01:12:47,479 Speaker 1: our relationship I feel has moved fast. But we also 1294 01:12:47,560 --> 01:12:49,840 Speaker 1: were friends for like five months because I knew you 1295 01:12:49,920 --> 01:12:52,559 Speaker 1: were like I saw Jared Kimpetri's concert. Where else am 1296 01:12:52,600 --> 01:12:55,000 Speaker 1: I going to say? Each other? So we know each 1297 01:12:55,040 --> 01:12:58,160 Speaker 1: other because my brother UM worked at this company with 1298 01:12:58,680 --> 01:13:02,160 Speaker 1: his close friend from call in l A. And so 1299 01:13:02,280 --> 01:13:04,960 Speaker 1: then a few nights I kept meeting him when I 1300 01:13:05,000 --> 01:13:07,080 Speaker 1: was in the closet even and it was so fun 1301 01:13:07,160 --> 01:13:09,000 Speaker 1: because I would just like talk to him and obviously 1302 01:13:09,120 --> 01:13:12,160 Speaker 1: like he knew, but he was just never like he's 1303 01:13:12,240 --> 01:13:14,800 Speaker 1: very perceptive. He's very perceptive, but not someone who's like 1304 01:13:14,880 --> 01:13:16,680 Speaker 1: giving you ship or like trying to like poke it. 1305 01:13:17,600 --> 01:13:19,200 Speaker 1: He would just like show up to like parties and 1306 01:13:19,240 --> 01:13:21,639 Speaker 1: always be so sweet. And then once I came out, Um, 1307 01:13:22,360 --> 01:13:24,800 Speaker 1: I saw him like a like a year ago at 1308 01:13:25,479 --> 01:13:27,840 Speaker 1: the friend we shares. I think it was her mom's 1309 01:13:27,880 --> 01:13:29,800 Speaker 1: birthday party or something, and I had just come out 1310 01:13:29,800 --> 01:13:32,439 Speaker 1: and we just had this nice conversation. It's like always 1311 01:13:32,479 --> 01:13:34,559 Speaker 1: a fondness and anytime I see him, I'm like, he's 1312 01:13:34,640 --> 01:13:38,880 Speaker 1: very easy to talk to. Ye also insanely talented writer. Um. 1313 01:13:39,360 --> 01:13:41,200 Speaker 1: But yeah, that's how we know you. And the friend 1314 01:13:41,280 --> 01:13:43,200 Speaker 1: we share is like an age. Have you met Liz 1315 01:13:43,280 --> 01:13:46,120 Speaker 1: Kanyet No, But it was just her birthday. It was 1316 01:13:46,160 --> 01:13:49,000 Speaker 1: just her birthday. Yeah, and just yeah, he said he 1317 01:13:49,080 --> 01:13:50,680 Speaker 1: was at her. He actually was at her birthday last night, 1318 01:13:50,680 --> 01:13:54,360 Speaker 1: and he said he did mushrooms and I was like, okay, yeah, 1319 01:13:54,720 --> 01:13:59,960 Speaker 1: having from I am truly I'm so scared of mushrooms 1320 01:14:00,080 --> 01:14:03,080 Speaker 1: in every way. Okay. Um, I think I did like 1321 01:14:03,280 --> 01:14:07,160 Speaker 1: kind of them. Um, but I like I've had i acid, 1322 01:14:07,439 --> 01:14:09,080 Speaker 1: you know, I had an acid moment in college and 1323 01:14:09,120 --> 01:14:11,240 Speaker 1: that was fun. But some of them now, I'm like, 1324 01:14:11,439 --> 01:14:14,639 Speaker 1: I don't know. I guess he literally he just texted 1325 01:14:14,760 --> 01:14:17,519 Speaker 1: me now that's that's the cosmics because he's he's alive. Okay, 1326 01:14:17,560 --> 01:14:20,240 Speaker 1: he's good. I was kind of gonna just check, just 1327 01:14:20,360 --> 01:14:22,960 Speaker 1: like find that out. Um yeah, I don't know. There's 1328 01:14:23,040 --> 01:14:24,640 Speaker 1: I'm just like a little scared of them in this 1329 01:14:25,160 --> 01:14:27,160 Speaker 1: totally in this time, and this time it's gonna be 1330 01:14:27,160 --> 01:14:31,360 Speaker 1: scared from New York drugs. Honestly, it's like it's do 1331 01:14:31,520 --> 01:14:34,040 Speaker 1: not do not do anything until you're ready to do that. 1332 01:14:34,439 --> 01:14:37,000 Speaker 1: That one too, it's like you can wait. I think 1333 01:14:37,040 --> 01:14:39,280 Speaker 1: I've done like partially them in college. And I was 1334 01:14:39,320 --> 01:14:41,080 Speaker 1: also like, you know, in a weird place in college. 1335 01:14:41,120 --> 01:14:43,560 Speaker 1: So I don't know. I like think my thought of 1336 01:14:43,640 --> 01:14:45,600 Speaker 1: them is weird. So I'm like, I think that you 1337 01:14:45,600 --> 01:14:47,800 Speaker 1: should wait. Especially college would have been weird because you 1338 01:14:47,840 --> 01:14:49,920 Speaker 1: were so preoccupied with the closet of it all. Yes, 1339 01:14:50,040 --> 01:14:51,880 Speaker 1: oh my god. That's the thing is you can't be 1340 01:14:52,200 --> 01:14:54,920 Speaker 1: you can't be preoccupied. You do it because I feel 1341 01:14:54,920 --> 01:14:56,320 Speaker 1: like every time I did drugs, it would just be 1342 01:14:56,439 --> 01:14:58,760 Speaker 1: like someone be like, what are you thinking about right now? 1343 01:14:59,000 --> 01:15:03,360 Speaker 1: If you'd just be sitting there, I'm gay, just thinking 1344 01:15:03,400 --> 01:15:05,120 Speaker 1: about stuff, you know, But I would just be like, 1345 01:15:05,160 --> 01:15:07,280 Speaker 1: I'm so fucking gay, like fun, Okay, Yeah, I'm like 1346 01:15:07,320 --> 01:15:11,120 Speaker 1: I gotta figure that out. And I did love it, 1347 01:15:11,600 --> 01:15:14,160 Speaker 1: and I did. Yeah, but oh my god, and boyfriend 1348 01:15:14,240 --> 01:15:16,600 Speaker 1: or three years he's a good man. Yeah, I got 1349 01:15:16,680 --> 01:15:18,839 Speaker 1: lucky on that one. I mean yeah. He's also a scorpio, 1350 01:15:18,920 --> 01:15:21,800 Speaker 1: which you know with some people go really hard on it, 1351 01:15:21,880 --> 01:15:24,639 Speaker 1: but it's fun. Some people are just like it's doomed. 1352 01:15:25,240 --> 01:15:28,160 Speaker 1: It's like, okay, like these were still you know. I 1353 01:15:28,320 --> 01:15:31,080 Speaker 1: believe and I don't. I think there's so much power 1354 01:15:31,400 --> 01:15:34,960 Speaker 1: in being the scorpio because I believe that scorpio is 1355 01:15:35,000 --> 01:15:36,680 Speaker 1: the sign that everyone comes for. I feel like, you know, 1356 01:15:36,720 --> 01:15:40,839 Speaker 1: who gets the worst rap Scorpio and Gemini and everyone's 1357 01:15:40,840 --> 01:15:42,799 Speaker 1: always like, it's so easy to come for the scorpis 1358 01:15:42,880 --> 01:15:44,840 Speaker 1: and the general geminis. But when you learned how to 1359 01:15:44,960 --> 01:15:48,360 Speaker 1: harness the scorpi and the you're the most powerful person 1360 01:15:48,439 --> 01:15:51,560 Speaker 1: in the universe. Oh my god. One thing you just 1361 01:15:51,720 --> 01:15:56,240 Speaker 1: have to stay away from. It's Leo's I feel like, 1362 01:15:58,040 --> 01:16:01,400 Speaker 1: and I'm I'm sometimes very scared of Leo Leo's freak 1363 01:16:01,760 --> 01:16:05,760 Speaker 1: Leo's that aren't tamed and untamed alliance. Oh I don't 1364 01:16:05,760 --> 01:16:10,000 Speaker 1: think Yeah, Um, that was funny. Yeah, that was the 1365 01:16:10,080 --> 01:16:12,000 Speaker 1: most interesting video to make. I was like, this seems 1366 01:16:12,080 --> 01:16:17,439 Speaker 1: like the trickiest sign to sensitive. Yeah, Virgo's and Leo's 1367 01:16:17,479 --> 01:16:20,640 Speaker 1: are tricky to me. To see more of this and 1368 01:16:20,760 --> 01:16:24,280 Speaker 1: more of our damn guest, you have to follow at 1369 01:16:24,439 --> 01:16:27,639 Speaker 1: any drama seven and he's gonna be your boss one day, 1370 01:16:27,680 --> 01:16:29,519 Speaker 1: and he's gonna be last one day. And but for 1371 01:16:29,600 --> 01:16:31,519 Speaker 1: now we have to do I don't think so, honey, Okay, Yeah, 1372 01:16:31,600 --> 01:16:34,559 Speaker 1: So this is the segment of Last Cultures. That's where 1373 01:16:34,560 --> 01:16:36,559 Speaker 1: we take one minute to ranch against something in pop 1374 01:16:36,640 --> 01:16:38,760 Speaker 1: culture that is just kind of grinding our gears. I 1375 01:16:38,880 --> 01:16:41,760 Speaker 1: did hint at mind before. Do you have one today? 1376 01:16:42,520 --> 01:16:45,040 Speaker 1: I do? But should I go firs and tradition. We 1377 01:16:45,080 --> 01:16:46,760 Speaker 1: can have you go first because is Matt Rogers. I 1378 01:16:46,760 --> 01:16:48,639 Speaker 1: don't think so. When it time starts now, I don't 1379 01:16:48,680 --> 01:16:51,479 Speaker 1: think so, honey. They gave Adina Menzel another high e 1380 01:16:51,640 --> 01:16:54,400 Speaker 1: flat to belt in the new song Into the Unknown 1381 01:16:54,560 --> 01:17:00,120 Speaker 1: and Frozen two. Okay, So Adina, girl, we love you. 1382 01:17:00,240 --> 01:17:02,960 Speaker 1: Were a huge fan. We even saw skin Tight, which 1383 01:17:03,040 --> 01:17:06,760 Speaker 1: we honey, you know what is the thing about Let 1384 01:17:06,840 --> 01:17:09,200 Speaker 1: It Go? We can't hit that note. You know what's 1385 01:17:09,200 --> 01:17:12,280 Speaker 1: sad about the narrative of Let It Go? That it's 1386 01:17:12,439 --> 01:17:14,840 Speaker 1: rarely sung correctly. I don't think so, honey, of this 1387 01:17:15,040 --> 01:17:17,599 Speaker 1: idea that it's a wealth. We tried a moment every 1388 01:17:17,640 --> 01:17:20,160 Speaker 1: time we preferred Let it Go and other songs. If 1389 01:17:20,200 --> 01:17:22,680 Speaker 1: you're a singer hired to do a job, and you're 1390 01:17:22,680 --> 01:17:24,800 Speaker 1: a professional, you hit the notes of the song. Now 1391 01:17:25,160 --> 01:17:27,200 Speaker 1: I'm reading an article and I don't think so, honey, 1392 01:17:27,200 --> 01:17:29,280 Speaker 1: of this article where she says she quote gets cocky 1393 01:17:29,800 --> 01:17:32,320 Speaker 1: and put another note in there, and krist And Anderson 1394 01:17:32,360 --> 01:17:34,080 Speaker 1: Lopez is quoted as saying, I don't know how we 1395 01:17:34,240 --> 01:17:38,320 Speaker 1: ended up here, but here we are quote and I'm sorry. 1396 01:17:38,400 --> 01:17:41,000 Speaker 1: But when I'm watching Elsa realized she's a lesbian, because 1397 01:17:41,040 --> 01:17:43,160 Speaker 1: that is what that sequence is about. I don't want 1398 01:17:43,200 --> 01:17:45,439 Speaker 1: to be worried for your life. I don't think so, honey, 1399 01:17:45,439 --> 01:17:51,400 Speaker 1: Adina Menzel, girl, you're a bass what literally knocked out? 1400 01:17:52,000 --> 01:17:59,800 Speaker 1: You're gonna get sued for that. So the key you're 1401 01:18:00,040 --> 01:18:09,519 Speaker 1: hauling alphabet a bass. And I want to make this clear. 1402 01:18:09,840 --> 01:18:13,080 Speaker 1: I love I think she's a star. I think it 1403 01:18:13,240 --> 01:18:16,520 Speaker 1: is no mistake that she's been involved in many cultural phenomenons. 1404 01:18:16,600 --> 01:18:20,479 Speaker 1: But it is distracting to watch her perform when the 1405 01:18:20,640 --> 01:18:24,720 Speaker 1: songs are too high, because you're not thinking about the performance, 1406 01:18:24,800 --> 01:18:27,160 Speaker 1: You're not thinking about what she's talking about. Especially in 1407 01:18:27,240 --> 01:18:28,840 Speaker 1: musical theater, you have to be on the journey with 1408 01:18:28,880 --> 01:18:32,200 Speaker 1: the character. You're just worried the whole time that she's 1409 01:18:32,240 --> 01:18:34,000 Speaker 1: going to make it to the end without I'm sorry, 1410 01:18:34,080 --> 01:18:41,160 Speaker 1: but killing herself. I didn't realize that, like it up, 1411 01:18:41,680 --> 01:18:44,640 Speaker 1: hold on, I literally just had it up. It's important 1412 01:18:44,720 --> 01:18:47,320 Speaker 1: that so they So they went in thinking like we're 1413 01:18:47,360 --> 01:18:49,479 Speaker 1: not going to make the same mistake we did last time, 1414 01:18:49,600 --> 01:18:55,639 Speaker 1: and like throwing this insane, unattainable note, Well this is it. Um. 1415 01:18:56,120 --> 01:18:59,080 Speaker 1: Let's see. In Frozen two, she goes for the high 1416 01:18:59,120 --> 01:19:01,920 Speaker 1: e flat again. One that she typically hits as this article, 1417 01:19:02,560 --> 01:19:04,760 Speaker 1: but as publicly missed before, like when she sang live 1418 01:19:04,800 --> 01:19:08,840 Speaker 1: in a New Year's performance. Afterwards, she posted on Twitter 1419 01:19:08,960 --> 01:19:10,880 Speaker 1: that you quote can't get it right all the time, 1420 01:19:10,920 --> 01:19:13,160 Speaker 1: but you can try your best. I don't think so hot. 1421 01:19:13,200 --> 01:19:15,240 Speaker 1: That's not There are singers who could do this in 1422 01:19:15,240 --> 01:19:18,240 Speaker 1: their sleep. But Manzel, this is the article didn't shy 1423 01:19:18,320 --> 01:19:23,840 Speaker 1: away from Arranged and Frozen two. In the sequel, she 1424 01:19:23,960 --> 01:19:27,120 Speaker 1: sings the high notes some more. Songwriters Kristen Erson Lopez 1425 01:19:27,120 --> 01:19:30,160 Speaker 1: and Robert Lopez included another e flat and equals and 1426 01:19:30,280 --> 01:19:33,760 Speaker 1: Elsa's sequel Ballot into the Unknown. They did, and I'll 1427 01:19:33,800 --> 01:19:35,439 Speaker 1: pay for that for the rest of my life and 1428 01:19:35,520 --> 01:19:37,839 Speaker 1: every other day that I can't sing it, joked Menzel 1429 01:19:37,920 --> 01:19:41,240 Speaker 1: on the Frozen to Red carpet. The songwriters told USA 1430 01:19:41,360 --> 01:19:45,280 Speaker 1: Today they knew the Tony Award winning actress could do it. Quote. 1431 01:19:45,680 --> 01:19:48,519 Speaker 1: We work very closely with Adina and make sure everything's 1432 01:19:48,560 --> 01:19:51,040 Speaker 1: cool with her, and we explore different creek keys, whatever 1433 01:19:51,120 --> 01:19:54,040 Speaker 1: feels best, and this is where we ended up somehow, 1434 01:19:54,479 --> 01:20:02,400 Speaker 1: end quote, she said. She said the reviews are good, 1435 01:20:02,880 --> 01:20:05,760 Speaker 1: said it's darker, more challenging, and that there again is 1436 01:20:05,800 --> 01:20:08,599 Speaker 1: not a traditional villain. That the villain is the feelings 1437 01:20:08,840 --> 01:20:13,840 Speaker 1: of the interior feelings. Apparently it explores themes of they 1438 01:20:13,920 --> 01:20:16,640 Speaker 1: have to go meet like another group of people, and 1439 01:20:16,720 --> 01:20:19,400 Speaker 1: they have to in meeting them, they confront things about 1440 01:20:19,439 --> 01:20:21,639 Speaker 1: their own past. And Evan rachel Wood plays their mother 1441 01:20:21,720 --> 01:20:24,280 Speaker 1: who has passed away. But I think I think there's 1442 01:20:24,280 --> 01:20:26,919 Speaker 1: like a dark truth about their family that they confront 1443 01:20:27,680 --> 01:20:30,080 Speaker 1: and apparently it's like apparently I kind of always want 1444 01:20:30,080 --> 01:20:32,760 Speaker 1: like a little witch, but yeah, no, I love but 1445 01:20:33,240 --> 01:20:35,599 Speaker 1: you know, just a little bit. And this is Adina 1446 01:20:35,640 --> 01:20:39,519 Speaker 1: Menzel's last quote that I'll say quote I get cocky 1447 01:20:39,560 --> 01:20:41,479 Speaker 1: in the studio, I start to feel good, I go 1448 01:20:41,680 --> 01:20:43,479 Speaker 1: I can hit that, and then I wake up another 1449 01:20:43,560 --> 01:20:46,599 Speaker 1: morning and I'm like, why did I do that to myself? Girl, 1450 01:20:46,760 --> 01:20:50,080 Speaker 1: just lower the key for like saying I didn't know 1451 01:20:50,160 --> 01:20:52,040 Speaker 1: it was such like a thing. But here's the thing. 1452 01:20:52,160 --> 01:20:57,800 Speaker 1: I'm still that she's not trying the head. Every time 1453 01:20:57,880 --> 01:21:00,479 Speaker 1: Adina screams these notes, I'm just like, girl, that doesn't 1454 01:21:00,520 --> 01:21:03,120 Speaker 1: sound good, and we're distracted, and it's I'm sorry, but 1455 01:21:03,240 --> 01:21:06,000 Speaker 1: it shouldn't be a narrative of let it go. That 1456 01:21:06,120 --> 01:21:09,640 Speaker 1: it is rarely sung correctly like, no one's mad at 1457 01:21:09,680 --> 01:21:11,800 Speaker 1: you if you lower the key, you sound lovely. You're 1458 01:21:11,800 --> 01:21:15,240 Speaker 1: an amazing singer, You're Adina Menzel, You're talented, and we 1459 01:21:15,360 --> 01:21:17,640 Speaker 1: love you when we stand. But like this high e 1460 01:21:17,760 --> 01:21:23,640 Speaker 1: flat is not it. But I also understand the expectation 1461 01:21:23,760 --> 01:21:27,320 Speaker 1: around this. What's this single going to be from Frozen two? Is? 1462 01:21:27,840 --> 01:21:29,880 Speaker 1: By the way, we have not heard it. Oh, they 1463 01:21:29,920 --> 01:21:33,000 Speaker 1: won't release at this time. It's like not yet, It's 1464 01:21:33,000 --> 01:21:37,120 Speaker 1: still yeah, um, but it feels like they have to 1465 01:21:37,360 --> 01:21:41,519 Speaker 1: match it, at least on some technical level with with 1466 01:21:41,720 --> 01:21:46,320 Speaker 1: with with with a Nightmare. How about this gag? How 1467 01:21:46,320 --> 01:21:49,160 Speaker 1: about to Kristen Bell this time? How about this gag? 1468 01:21:49,240 --> 01:21:51,400 Speaker 1: How about give Jonathan Groff a song? Which I heard 1469 01:21:51,439 --> 01:21:53,200 Speaker 1: he does have a song. It's an eighties rock ballad. 1470 01:21:54,160 --> 01:21:59,720 Speaker 1: I'm very excited. Yeah, oh my god, obsessed. He he's 1471 01:22:00,000 --> 01:22:04,200 Speaker 1: old that first movie. For me, I thought, you Christ, 1472 01:22:05,760 --> 01:22:07,599 Speaker 1: are you been talking about Josh Gad? I'm talking about 1473 01:22:07,680 --> 01:22:10,240 Speaker 1: Josh Okay, yeah, I'm talking about this is okay? Well, 1474 01:22:10,240 --> 01:22:15,360 Speaker 1: actually that's a loaded cast and we're adding Rachel to 1475 01:22:15,400 --> 01:22:18,160 Speaker 1: the mix and um Sterling cab Brown is also in 1476 01:22:18,200 --> 01:22:21,400 Speaker 1: the Wow, oh god, okay? Well, IV and Michel would you. 1477 01:22:21,400 --> 01:22:22,800 Speaker 1: I mean, you have to have a queer movie right there, 1478 01:22:22,920 --> 01:22:25,640 Speaker 1: if you absolutely do, Okay, I've got so that was 1479 01:22:25,680 --> 01:22:27,120 Speaker 1: my I don't think so, honey. And now we're gonna 1480 01:22:27,120 --> 01:22:29,240 Speaker 1: go on to Bowen Yanks. I don't think so, honey, 1481 01:22:29,560 --> 01:22:31,360 Speaker 1: and Bowen Yanks. I don't think so, honey. On this 1482 01:22:31,479 --> 01:22:33,599 Speaker 1: episode will start now, I don't think so, honey. Music 1483 01:22:33,640 --> 01:22:36,760 Speaker 1: that doesn't come out on a Friday. The industry made 1484 01:22:36,760 --> 01:22:39,400 Speaker 1: a huge big deal out of moving it from Tuesday 1485 01:22:39,479 --> 01:22:41,960 Speaker 1: to Friday years ago, remember that. And now we've all 1486 01:22:42,000 --> 01:22:44,559 Speaker 1: been conditioned to expect new songs to drop on Friday. 1487 01:22:44,640 --> 01:22:49,080 Speaker 1: I want I get disoriented when fucking you know, do 1488 01:22:49,200 --> 01:22:52,840 Speaker 1: Alipa puts out a song on a Thursday morning, honey? 1489 01:22:53,400 --> 01:22:55,360 Speaker 1: And then I don't know where I am, what day 1490 01:22:55,400 --> 01:22:58,000 Speaker 1: it is, what time it is, how I'm supposed to feel. 1491 01:22:58,360 --> 01:23:00,880 Speaker 1: It's really fucking up with all the seasonal change is 1492 01:23:00,920 --> 01:23:03,080 Speaker 1: happening in the midst of it all a sea now, 1493 01:23:03,320 --> 01:23:04,600 Speaker 1: and I feel like there's a trend and it's just 1494 01:23:04,760 --> 01:23:08,320 Speaker 1: really gonna fragment the whole release model of the industry 1495 01:23:08,439 --> 01:23:13,320 Speaker 1: and who suffers the consumer us bitch. I don't think so, honey, 1496 01:23:13,640 --> 01:23:17,120 Speaker 1: me having to like go to my release radar playlist 1497 01:23:17,200 --> 01:23:19,840 Speaker 1: on Spotify and seeing songs that are at least six 1498 01:23:19,960 --> 01:23:22,080 Speaker 1: days old because why it came out on a Saturday 1499 01:23:22,080 --> 01:23:25,240 Speaker 1: instead of Friday. No, this throws off everything. Nothing feels 1500 01:23:25,280 --> 01:23:27,280 Speaker 1: fresh anymore, and nothing feels new. I want to be 1501 01:23:27,360 --> 01:23:30,600 Speaker 1: surprised and delighted, and music industry, you better get it 1502 01:23:30,680 --> 01:23:38,759 Speaker 1: together or else I will sue. That's one minute culture 1503 01:23:38,920 --> 01:23:44,240 Speaker 1: number ten. Remember that. Remember that I made a big 1504 01:23:44,720 --> 01:23:47,200 Speaker 1: whole thing of making music come out on Friday. Remember that. 1505 01:23:48,760 --> 01:23:54,160 Speaker 1: Oh and that performance. She's not a dancer, but that 1506 01:23:54,280 --> 01:23:59,040 Speaker 1: was fantastic. But she always she knows her limitations and 1507 01:23:59,240 --> 01:24:01,840 Speaker 1: works all of it. She works her entire capability to 1508 01:24:01,920 --> 01:24:04,400 Speaker 1: the max. She's always got great stage and great backup, 1509 01:24:04,880 --> 01:24:08,880 Speaker 1: great concepts. Yeah, I love the Discomatics are fantastic. So 1510 01:24:09,160 --> 01:24:15,200 Speaker 1: I missed that old boyfriend though he's like British and 1511 01:24:15,439 --> 01:24:17,519 Speaker 1: he's like a kind of like British e John Mary, 1512 01:24:17,840 --> 01:24:21,720 Speaker 1: oh god chef right, Like she's tating some celebrity now right, 1513 01:24:21,800 --> 01:24:28,280 Speaker 1: she's with the air. Oh that's right, young Yeah, is one. 1514 01:24:28,439 --> 01:24:30,200 Speaker 1: She's got to be you. You know what I forgot? 1515 01:24:30,280 --> 01:24:32,800 Speaker 1: I forgot that she had one best new artist at 1516 01:24:32,800 --> 01:24:35,719 Speaker 1: the Grammys. Did she really? She won Best New Artists, 1517 01:24:35,720 --> 01:24:41,160 Speaker 1: She beat out her baby Rexa, And I remember I 1518 01:24:41,280 --> 01:24:43,799 Speaker 1: was like, huh, that's interesting. I never thought of Das. 1519 01:24:43,960 --> 01:24:45,680 Speaker 1: And then I really thought about it, and I was like, yeah, 1520 01:24:45,720 --> 01:24:48,120 Speaker 1: well new artist this year, not not too much else, 1521 01:24:48,760 --> 01:24:51,280 Speaker 1: it's going to be interesting this year. Yeah, because you 1522 01:24:51,360 --> 01:24:54,800 Speaker 1: got Billy. Can Billy be nominated? Now? Why did I 1523 01:24:54,880 --> 01:24:57,120 Speaker 1: think she was nominated last year? I mean, I am 1524 01:24:57,320 --> 01:25:00,360 Speaker 1: sure she was. She was for VM as she right, 1525 01:25:00,439 --> 01:25:03,160 Speaker 1: she wants, she wanted. She beat Lizzo for VM A thing. 1526 01:25:03,200 --> 01:25:06,200 Speaker 1: But I love Billy's acceptance video that she sent in. Yeah, 1527 01:25:06,240 --> 01:25:08,560 Speaker 1: oh my god, did you remember what it was? She 1528 01:25:08,680 --> 01:25:17,160 Speaker 1: was like, hey, guys, problematic And then she's like, I'm 1529 01:25:17,200 --> 01:25:20,720 Speaker 1: in Moscow right now, and um, I'm sorry I can't 1530 01:25:20,720 --> 01:25:23,840 Speaker 1: be there. But and then she's what she says, music 1531 01:25:23,960 --> 01:25:27,640 Speaker 1: videos and visuals have always been a huge priority for 1532 01:25:27,760 --> 01:25:33,120 Speaker 1: me totally. There was something like when we were six 1533 01:25:33,320 --> 01:25:36,000 Speaker 1: and were like panicking, white knuckling being closeted, and she 1534 01:25:36,120 --> 01:25:41,080 Speaker 1: was like, I want my concepts. I just love thinking 1535 01:25:41,120 --> 01:25:42,880 Speaker 1: of her like at a table being like for this one, 1536 01:25:43,000 --> 01:25:45,920 Speaker 1: I'm gonna cry like black tears. Yeah. Yeah, And I 1537 01:25:45,960 --> 01:25:49,240 Speaker 1: think I should pop the next video. I would love it. 1538 01:25:49,360 --> 01:25:54,000 Speaker 1: She super sweet, super sweet girl. Oh yeah you better Okay, yeah, 1539 01:25:54,080 --> 01:25:57,160 Speaker 1: I'm sure she is. She was who has been the sweetest, 1540 01:25:57,240 --> 01:26:01,400 Speaker 1: nicest celebrity you've meta? Was on I know that you 1541 01:26:01,520 --> 01:26:07,880 Speaker 1: know Megan the Yeah, Megan, the most gorgeous person you've 1542 01:26:08,040 --> 01:26:10,760 Speaker 1: ever seen in yourself. I also just loved watching you 1543 01:26:11,360 --> 01:26:16,200 Speaker 1: you get the camera was catching you standing her oh yeah, 1544 01:26:16,200 --> 01:26:18,680 Speaker 1: and Chloe and he's just staring at her. She's like, 1545 01:26:19,000 --> 01:26:21,560 Speaker 1: it was like, we love you so much, and it 1546 01:26:21,680 --> 01:26:25,240 Speaker 1: was and Chloe Chloe was. Chloe loved that week with 1547 01:26:25,360 --> 01:26:29,000 Speaker 1: Chance because Chloe loves loves Chances and then Chloe's parents 1548 01:26:29,080 --> 01:26:34,639 Speaker 1: mad Chance. He got so much like Internet, Hey, first album, 1549 01:26:34,680 --> 01:26:37,400 Speaker 1: first album, because I love that Nicky one. So that's 1550 01:26:37,439 --> 01:26:40,680 Speaker 1: my fifth Forceman of the Apocalypse on NICKI, I mean, 1551 01:26:40,760 --> 01:26:43,360 Speaker 1: we love nick and we never forget Never Never you 1552 01:26:43,479 --> 01:26:47,400 Speaker 1: can't Pink Friday. I listened to She's About to Ruin 1553 01:26:47,479 --> 01:26:49,960 Speaker 1: Everyone with Shenley and then the album There's a good 1554 01:26:50,320 --> 01:26:53,479 Speaker 1: eight song album in Queen and Queen absolutely like, um, 1555 01:26:54,360 --> 01:26:59,000 Speaker 1: Barbie Dream, Barbie Barbie Dream was Barbie Tank And then 1556 01:26:59,040 --> 01:27:03,000 Speaker 1: what was that song? Oh god, U good form good 1557 01:27:03,080 --> 01:27:05,400 Speaker 1: good for ye eat the cooking and good form. Yeah, 1558 01:27:05,479 --> 01:27:09,600 Speaker 1: I think I love that should have I'm sad that 1559 01:27:10,240 --> 01:27:11,800 Speaker 1: that should have been. Yeah, that should be qua. I 1560 01:27:11,840 --> 01:27:14,200 Speaker 1: have to say. I also love the pink print and 1561 01:27:14,320 --> 01:27:18,439 Speaker 1: I really love I love um Roman Reloaded. I mean, oh, 1562 01:27:18,640 --> 01:27:21,559 Speaker 1: I think it's great. I love her. I love her forever. 1563 01:27:23,800 --> 01:27:26,800 Speaker 1: I mean pound the Alarm is forever my alarm, Like, 1564 01:27:26,960 --> 01:27:35,120 Speaker 1: oh my god, that forever. Sometimes I haven't like like, 1565 01:27:35,280 --> 01:27:39,240 Speaker 1: oh my god, she's a great voice in the trap 1566 01:27:39,439 --> 01:27:43,360 Speaker 1: that album has and come on a cone, come on 1567 01:27:44,120 --> 01:27:53,960 Speaker 1: within with it. Can you know? That's what I think. 1568 01:27:54,080 --> 01:27:56,600 Speaker 1: Immediately when that came out and I did that, it 1569 01:27:56,680 --> 01:28:01,280 Speaker 1: was like, oh, I'm an absolutely section. I was watching 1570 01:28:01,320 --> 01:28:03,240 Speaker 1: her like eat your Hollywood Story. I remember like in 1571 01:28:03,400 --> 01:28:06,880 Speaker 1: high school, and my whole family knew I was obsessed, 1572 01:28:07,320 --> 01:28:10,840 Speaker 1: Like I was a Kendall for sure, and they have 1573 01:28:11,000 --> 01:28:13,200 Speaker 1: this ething and this person is being interviewed and they're like, 1574 01:28:13,280 --> 01:28:15,240 Speaker 1: I mean, yeah, all the people that like Nikki are 1575 01:28:15,360 --> 01:28:17,760 Speaker 1: like women, and then those are the barbies, and then 1576 01:28:17,800 --> 01:28:20,200 Speaker 1: there's the gay guys, which is the Kendalls. My family 1577 01:28:20,280 --> 01:28:23,200 Speaker 1: is all just sitting there and I'm like, yeah, I 1578 01:28:23,240 --> 01:28:27,920 Speaker 1: don't know, like stay guys like her too. That's so yeah, 1579 01:28:28,000 --> 01:28:31,080 Speaker 1: but truly a Kendal forever. I hope this retirement thing 1580 01:28:31,200 --> 01:28:35,000 Speaker 1: is just like I'm sure it's fake. Yeah, she's just 1581 01:28:35,160 --> 01:28:38,200 Speaker 1: like she works, she's a brand. She's stunting on us. 1582 01:28:38,640 --> 01:28:42,680 Speaker 1: She retired and dropped a Fendi line. She's not retired. No, 1583 01:28:44,760 --> 01:28:51,040 Speaker 1: her photo shoots Petty Petty. Absolutely. You know she was 1584 01:28:51,120 --> 01:28:53,240 Speaker 1: in her dressing room when she screams out and says 1585 01:28:53,280 --> 01:28:58,200 Speaker 1: that change it to miss Petty, change it and idea, 1586 01:28:59,400 --> 01:29:05,439 Speaker 1: and he bossed up so good. There's no wish I 1587 01:29:05,920 --> 01:29:07,920 Speaker 1: wrote it. But they're like, I'm so sad We're never 1588 01:29:08,000 --> 01:29:09,559 Speaker 1: going to get to know how many of us are 1589 01:29:10,040 --> 01:29:13,840 Speaker 1: our nicky stepsons and album because like that, someone kept 1590 01:29:13,840 --> 01:29:16,200 Speaker 1: being like, yeah, how many step sons, this nicky having 1591 01:29:16,320 --> 01:29:19,479 Speaker 1: queen And she says it a few times, but I 1592 01:29:19,560 --> 01:29:23,760 Speaker 1: love every time. It's like my son, motherfucking stepson, my son. 1593 01:29:24,520 --> 01:29:29,439 Speaker 1: Yeah you know what did so? Oh my god, I 1594 01:29:29,560 --> 01:29:31,880 Speaker 1: loved it that whole album start to finish, it's like 1595 01:29:32,160 --> 01:29:36,680 Speaker 1: just Natasha bedding Field. Yeah. Super Bases are is our 1596 01:29:36,800 --> 01:29:39,960 Speaker 1: national it is, it really is. It's actually real culture. 1597 01:29:40,040 --> 01:29:43,599 Speaker 1: Number six super Bases are national. I said that one 1598 01:29:43,680 --> 01:29:47,720 Speaker 1: with you. It's like, but now we have to have benitos. 1599 01:29:47,760 --> 01:29:50,599 Speaker 1: I don't think I think I have one. I'm just okay, yeah, okay, 1600 01:29:50,640 --> 01:29:52,720 Speaker 1: I just just go for yeah. I don't know if 1601 01:29:52,720 --> 01:29:54,320 Speaker 1: I can. You guys do it so fast and like, 1602 01:29:54,560 --> 01:29:57,320 Speaker 1: oh okay, all right, this has been skin of time. 1603 01:29:57,640 --> 01:29:59,960 Speaker 1: Honey's time starts now. I don't think so, Honey casting 1604 01:30:00,040 --> 01:30:02,320 Speaker 1: is c g I James Dean in that movie. That's 1605 01:30:02,600 --> 01:30:05,639 Speaker 1: super uncomfortable. Also, every time we see C g I people, 1606 01:30:05,680 --> 01:30:06,960 Speaker 1: it was like the last time I remember it was 1607 01:30:07,080 --> 01:30:09,200 Speaker 1: Tron and they tried to do that and then it 1608 01:30:09,320 --> 01:30:12,200 Speaker 1: was like JFK and Transformers. It always makes me uncomfortable, 1609 01:30:12,240 --> 01:30:15,240 Speaker 1: like always looks weird. They can never quite get faces 1610 01:30:15,479 --> 01:30:18,599 Speaker 1: avatar works because you know, like they're blue, but everything else, 1611 01:30:18,680 --> 01:30:20,200 Speaker 1: Like I remember they did it to Jeff Bridges and 1612 01:30:20,240 --> 01:30:22,640 Speaker 1: try to make him look young and it made me uncomfortable. 1613 01:30:23,080 --> 01:30:24,880 Speaker 1: I remember it chapter two they had some of the 1614 01:30:24,960 --> 01:30:26,720 Speaker 1: kids like look younger, and a few times I caught 1615 01:30:26,760 --> 01:30:28,240 Speaker 1: it on screen, I was like, I didn't need it, 1616 01:30:28,479 --> 01:30:30,960 Speaker 1: would have still believed they were young. M Yeah, C 1617 01:30:31,080 --> 01:30:33,400 Speaker 1: g I people. And also it's like he didn't sign 1618 01:30:33,439 --> 01:30:35,200 Speaker 1: out for that, like he died at twenty four. This 1619 01:30:35,320 --> 01:30:37,960 Speaker 1: is uncomfortable. I don't need to see him act anymore, 1620 01:30:38,040 --> 01:30:40,679 Speaker 1: like we have his movies already. Um, and I feel 1621 01:30:40,680 --> 01:30:43,200 Speaker 1: like his family if like I think he still has family, 1622 01:30:43,320 --> 01:30:46,519 Speaker 1: has to be uncomfortable with seeing him. And also how 1623 01:30:46,560 --> 01:30:48,080 Speaker 1: are you gonna do that? Like is it going to 1624 01:30:48,200 --> 01:30:50,880 Speaker 1: be his type of acting which is very different than 1625 01:30:51,040 --> 01:30:53,840 Speaker 1: we act now. And the whole thing is like I 1626 01:30:53,880 --> 01:30:57,320 Speaker 1: think it's super disrespectful to him, his legacy. It makes 1627 01:30:57,360 --> 01:30:59,960 Speaker 1: me uncomfortable cgi people. And that's when a minute I 1628 01:31:00,240 --> 01:31:08,280 Speaker 1: would agree let dead people be dead. It just makes 1629 01:31:08,320 --> 01:31:10,760 Speaker 1: me so uncomfortable because like a part of me also 1630 01:31:10,880 --> 01:31:12,880 Speaker 1: I just want to see how, like what it looks like. 1631 01:31:13,320 --> 01:31:15,240 Speaker 1: So then it's like I feel bad as a consumer 1632 01:31:15,360 --> 01:31:17,240 Speaker 1: of it because why I am curious how you're going 1633 01:31:17,280 --> 01:31:19,760 Speaker 1: to do that. It's also like that there that was 1634 01:31:19,840 --> 01:31:22,320 Speaker 1: their art, that was their legacy, and so now you know, 1635 01:31:22,439 --> 01:31:25,040 Speaker 1: you know what kind of bothers me is the huge 1636 01:31:25,200 --> 01:31:28,519 Speaker 1: hit that Higher Love is with Whitney Houston on it, 1637 01:31:28,960 --> 01:31:31,880 Speaker 1: It's like, you, guys, Whitney's dead, she let her rest. 1638 01:31:32,120 --> 01:31:34,880 Speaker 1: And also here's a question for the table, how do 1639 01:31:34,960 --> 01:31:40,120 Speaker 1: you guys feel about Robin Whitney's Robin coming out and 1640 01:31:40,240 --> 01:31:42,760 Speaker 1: talking about the fact, I would say, I'll say my 1641 01:31:42,920 --> 01:31:46,200 Speaker 1: take on it is. My take on it is. I 1642 01:31:46,400 --> 01:31:48,599 Speaker 1: kind of have a mentality now with the closet where 1643 01:31:48,640 --> 01:31:51,280 Speaker 1: it's like, we need to stop this, we need to 1644 01:31:51,439 --> 01:31:55,719 Speaker 1: stop normalizing being in the closet to advance professional careers, 1645 01:31:55,840 --> 01:31:58,360 Speaker 1: we need to start coming out and all saying what 1646 01:31:58,520 --> 01:32:00,720 Speaker 1: the real truth is. I think everyone that's in the 1647 01:32:00,800 --> 01:32:04,479 Speaker 1: closet is currently. I understand it's hard, we all know 1648 01:32:04,560 --> 01:32:08,760 Speaker 1: it's hard. But if we continue this narrative of normalizing 1649 01:32:09,080 --> 01:32:12,360 Speaker 1: being closeted to kind of do this, that's toxic because 1650 01:32:12,400 --> 01:32:15,240 Speaker 1: it is not normal to pretend it is normal to 1651 01:32:15,360 --> 01:32:18,200 Speaker 1: be yes. But but I don't think that's I'm not 1652 01:32:18,880 --> 01:32:20,920 Speaker 1: that's not my takeaway from this conversation. Well, that's that's 1653 01:32:21,120 --> 01:32:23,679 Speaker 1: my mine neither. I actually think Robin was an equal 1654 01:32:23,760 --> 01:32:26,320 Speaker 1: partner in that relationship. A lot of people are talking 1655 01:32:26,360 --> 01:32:27,960 Speaker 1: about it, and this is her truth and she should 1656 01:32:28,000 --> 01:32:31,240 Speaker 1: speak read did you read like the story that she 1657 01:32:31,400 --> 01:32:35,880 Speaker 1: tells about when Whitney ended things? Talk about it, and 1658 01:32:35,920 --> 01:32:37,920 Speaker 1: I'm already like, I mean I saw the movie and 1659 01:32:37,920 --> 01:32:42,960 Speaker 1: I'm still like very hard. God, it's really killed those women. 1660 01:32:44,080 --> 01:32:48,560 Speaker 1: It's just a um but uh, it was early like 1661 01:32:48,680 --> 01:32:51,719 Speaker 1: they had a physical relationship early on in their friendship 1662 01:32:51,760 --> 01:32:55,720 Speaker 1: and early on in Whitney's career, and Whitney decided to 1663 01:32:56,120 --> 01:32:58,520 Speaker 1: end it very early on as well, but they maintained 1664 01:32:58,680 --> 01:33:03,639 Speaker 1: very like emotional she was like her rock for years. Yeah, 1665 01:33:04,280 --> 01:33:07,880 Speaker 1: but Whitney decided to end it, and um gave Robin 1666 01:33:08,360 --> 01:33:12,240 Speaker 1: a blue Bible as like a gift and I guess 1667 01:33:12,240 --> 01:33:14,640 Speaker 1: a symbol of like, we gotta end this. And then 1668 01:33:14,680 --> 01:33:16,920 Speaker 1: she was like and then what did when you say? 1669 01:33:16,920 --> 01:33:19,639 Speaker 1: She was like, we can't, I can't, we can't keep 1670 01:33:19,680 --> 01:33:22,560 Speaker 1: this going. It was basically kind of like she was 1671 01:33:22,640 --> 01:33:24,720 Speaker 1: between the career and her and she kind of chose that. 1672 01:33:24,880 --> 01:33:27,040 Speaker 1: And also I think there was so much familiar pressure. 1673 01:33:27,080 --> 01:33:29,720 Speaker 1: And also I'm sure that there was a great deal 1674 01:33:29,760 --> 01:33:32,760 Speaker 1: of you know, not if it wasn't self hatred, then 1675 01:33:32,800 --> 01:33:34,240 Speaker 1: it was self doubt, you know what I mean. And 1676 01:33:34,720 --> 01:33:38,200 Speaker 1: so you know, also just in the black community, it's 1677 01:33:38,240 --> 01:33:41,000 Speaker 1: incredibly difficult, and I mean I think it's incredibly hard 1678 01:33:41,040 --> 01:33:44,080 Speaker 1: to be like a very feminine presenting pop star and 1679 01:33:44,160 --> 01:33:48,120 Speaker 1: then very religious that you know. Sissy is on the 1680 01:33:48,200 --> 01:33:51,040 Speaker 1: record of saying that that would have been a huge 1681 01:33:51,760 --> 01:33:54,200 Speaker 1: red line for her, and you know, she didn't have 1682 01:33:54,240 --> 01:33:56,519 Speaker 1: really a good relationship with her father, and you know, 1683 01:33:57,600 --> 01:34:00,040 Speaker 1: you know, you forget like Whitney Houston was groundbreaking in 1684 01:34:00,120 --> 01:34:04,479 Speaker 1: the mainstream, like and then when she became a movie star, 1685 01:34:04,920 --> 01:34:07,040 Speaker 1: like you know what I mean, opposite like who at 1686 01:34:07,080 --> 01:34:10,559 Speaker 1: that time was like our biggest movie star new Robert Redford. Yeah, 1687 01:34:10,920 --> 01:34:13,360 Speaker 1: that truly is. Yeah, I mean I think that we 1688 01:34:13,680 --> 01:34:17,760 Speaker 1: we don't know, but The Bodyguard was huge. Yeah, I 1689 01:34:17,800 --> 01:34:20,000 Speaker 1: think because we know it, it must be so big. 1690 01:34:20,040 --> 01:34:21,760 Speaker 1: You know, it's like because we know of the song 1691 01:34:21,880 --> 01:34:24,440 Speaker 1: and just like you know, it has to be so insane. 1692 01:34:25,000 --> 01:34:26,479 Speaker 1: But that is my take on it. I'm like, you 1693 01:34:26,560 --> 01:34:30,040 Speaker 1: know what, I'm happy that Robin is taking the narrative 1694 01:34:30,560 --> 01:34:33,000 Speaker 1: being like because because you know what, it's got to 1695 01:34:33,080 --> 01:34:35,920 Speaker 1: be very hard to be a footnote in someone else's story, 1696 01:34:36,600 --> 01:34:38,720 Speaker 1: especially someone that you really cared about who's no longer 1697 01:34:38,840 --> 01:34:42,000 Speaker 1: here and cannot speak for you or for the situation 1698 01:34:42,200 --> 01:34:44,280 Speaker 1: for themselves. So she is the only person who can 1699 01:34:44,280 --> 01:34:46,920 Speaker 1: speak truth to that. To watch all these documentaries and 1700 01:34:46,960 --> 01:34:51,160 Speaker 1: pieces and to finally to finally yeah and she yeah, 1701 01:34:51,200 --> 01:34:53,519 Speaker 1: even in white, I don't think they she wasn't interviewed 1702 01:34:53,600 --> 01:34:56,040 Speaker 1: for it, right, I don't think she's Robin was not 1703 01:34:56,160 --> 01:34:57,680 Speaker 1: in it. Yeah, but they talked about it. It's like 1704 01:34:57,760 --> 01:34:59,960 Speaker 1: the first time I had ever heard about that, which 1705 01:35:00,080 --> 01:35:02,120 Speaker 1: just I was like, I found that really alarming that 1706 01:35:02,200 --> 01:35:04,960 Speaker 1: I had never before then heard about Whitney having like 1707 01:35:05,040 --> 01:35:08,120 Speaker 1: any relationships with women. So yeah, I'm kind of glad 1708 01:35:08,120 --> 01:35:10,240 Speaker 1: that she's finally spoken on it. I feel like, you know, 1709 01:35:10,400 --> 01:35:14,320 Speaker 1: to like end the speculation, which I never like speculations, 1710 01:35:14,439 --> 01:35:17,800 Speaker 1: Like I just find that to be like super you know, 1711 01:35:17,960 --> 01:35:21,040 Speaker 1: like either closet shaming or kind of just like sketchy 1712 01:35:21,320 --> 01:35:24,600 Speaker 1: and inherently just because it's like we think this was 1713 01:35:24,640 --> 01:35:26,400 Speaker 1: going on, it's like, well, can't we just like talk 1714 01:35:26,479 --> 01:35:28,680 Speaker 1: to the human being. I honestly, I think about this. 1715 01:35:29,200 --> 01:35:31,280 Speaker 1: We've talked about it on this podcast about Shawn Mendez, 1716 01:35:31,320 --> 01:35:33,240 Speaker 1: where it's like it's like it's like now it's uncomfortable 1717 01:35:33,280 --> 01:35:36,439 Speaker 1: because it's like it's such a narrative and I'm just 1718 01:35:36,560 --> 01:35:39,040 Speaker 1: kind of like like, let things be what it is. 1719 01:35:39,479 --> 01:35:42,320 Speaker 1: Like there's a part of me that's like if if, 1720 01:35:42,520 --> 01:35:45,519 Speaker 1: if that is happening, then I feel like it's sad 1721 01:35:45,680 --> 01:35:47,840 Speaker 1: because I just don't want kids who are watching it 1722 01:35:48,120 --> 01:35:50,720 Speaker 1: to hear the narrative around it and be like, oh, 1723 01:35:50,840 --> 01:35:53,760 Speaker 1: that has to be me. It's it's it's poisonous. The 1724 01:35:53,800 --> 01:35:55,880 Speaker 1: whole thing is the shame of it. And also I'm like, 1725 01:35:56,040 --> 01:36:00,600 Speaker 1: if he is like the inner trauma facing of like 1726 01:36:00,880 --> 01:36:05,160 Speaker 1: being closeted in public, not in any way like like 1727 01:36:05,280 --> 01:36:07,400 Speaker 1: I don't know, and we genuinely don't know what I 1728 01:36:07,439 --> 01:36:09,320 Speaker 1: would just say. I would say the only thing that 1729 01:36:09,400 --> 01:36:11,200 Speaker 1: he is out about is the fact that he has 1730 01:36:12,000 --> 01:36:16,559 Speaker 1: insane anxiety. So it's like, why are why why are 1731 01:36:16,680 --> 01:36:19,400 Speaker 1: we like it's angry at this, why are we pressing 1732 01:36:19,479 --> 01:36:22,400 Speaker 1: that even more? Yeah, it's like I never find that 1733 01:36:22,520 --> 01:36:25,439 Speaker 1: to be Yeah. And also, yeah, you're like scaring everyone 1734 01:36:25,479 --> 01:36:28,240 Speaker 1: who is in the closet, and you know, like people 1735 01:36:28,280 --> 01:36:31,160 Speaker 1: who grow up not in cities and don't see gay 1736 01:36:31,240 --> 01:36:34,160 Speaker 1: people all the time. It's like funk, okay, Like he's 1737 01:36:34,160 --> 01:36:36,439 Speaker 1: getting shamed for being in the closet. But it's like, 1738 01:36:36,920 --> 01:36:40,640 Speaker 1: but I don't know if you're necessarily proving to him 1739 01:36:40,680 --> 01:36:43,800 Speaker 1: that it's great when you're out, he's attacked, Yeah, because 1740 01:36:43,840 --> 01:36:45,960 Speaker 1: the second he comes out, it's like not everyone's going 1741 01:36:46,000 --> 01:36:48,840 Speaker 1: to be like, we let me accept you a lot 1742 01:36:48,880 --> 01:36:50,080 Speaker 1: of people that are like this, but there's going to 1743 01:36:50,120 --> 01:36:52,240 Speaker 1: be some people that are like, why did you do? 1744 01:36:52,760 --> 01:36:57,960 Speaker 1: You know what I mean? He's very he is the 1745 01:36:57,960 --> 01:37:00,519 Speaker 1: biggest male pop star right now. Absolutely. Yeah. He's a 1746 01:37:00,560 --> 01:37:02,640 Speaker 1: new Bieber. So it's like if Bieber had come out. 1747 01:37:02,720 --> 01:37:05,280 Speaker 1: I'm yeah, I'm curious. I don't know. Yeh, who knows what? 1748 01:37:05,400 --> 01:37:07,000 Speaker 1: I feel bad. I feel like you have to come 1749 01:37:07,040 --> 01:37:10,160 Speaker 1: back because we so much. This is an honor. It 1750 01:37:10,240 --> 01:37:12,720 Speaker 1: really is talking about our pop with the two of you. 1751 01:37:12,840 --> 01:37:16,840 Speaker 1: This is a culture really scratched. The damn surfair. We 1752 01:37:16,880 --> 01:37:19,559 Speaker 1: need to get into the Jeff Coon's cover, which there's 1753 01:37:19,560 --> 01:37:22,040 Speaker 1: so much to be said. I mean so much. But um, so, 1754 01:37:22,520 --> 01:37:23,960 Speaker 1: are you going to be doing your show a lot 1755 01:37:24,000 --> 01:37:26,479 Speaker 1: going forward? A little bit? I'm almost It's been a year, 1756 01:37:26,560 --> 01:37:29,040 Speaker 1: so I'm kind of like almost done. I think I'm 1757 01:37:29,120 --> 01:37:31,960 Speaker 1: kind of getting getting back in and making some sketches. Um, 1758 01:37:32,040 --> 01:37:35,720 Speaker 1: I need you two and sketches immediately immediately. I don't 1759 01:37:35,720 --> 01:37:43,840 Speaker 1: know if I think cont okay, yeah, we'll find so much. 1760 01:37:44,240 --> 01:37:46,519 Speaker 1: Um but yeah, I'm doing like a few shows in 1761 01:37:46,520 --> 01:37:48,320 Speaker 1: the next month. I a few in Texas and then 1762 01:37:48,520 --> 01:37:51,240 Speaker 1: well can they find your shows on your Instagram? Did 1763 01:37:51,240 --> 01:37:56,439 Speaker 1: you plug Yeah in my Lincoln. Thank you so much 1764 01:37:58,040 --> 01:38:01,120 Speaker 1: an icon like both of you on Nick. Thank you 1765 01:38:01,200 --> 01:38:05,120 Speaker 1: for all you do. My word and actually we do, 1766 01:38:05,320 --> 01:38:13,840 Speaker 1: and every every episode with a song fro and do 1767 01:38:14,520 --> 01:38:20,120 Speaker 1: do do do? Last? I really like you? No way 1768 01:38:20,520 --> 01:38:27,080 Speaker 1: you whipping whipper okay by Forever. This has been a 1769 01:38:27,120 --> 01:38:31,479 Speaker 1: Forever Dog production executive produced by Brett Boham, Joe Cilio, 1770 01:38:31,800 --> 01:38:36,280 Speaker 1: and Alex Ramsey. For more original podcasts, please visit Forever 1771 01:38:36,400 --> 01:38:39,920 Speaker 1: Dog Podcasts dot com and subscribe to our shows on 1772 01:38:40,040 --> 01:38:44,519 Speaker 1: Apple Podcasts, Spotify, or wherever you get your podcasts. Keep 1773 01:38:44,600 --> 01:38:47,360 Speaker 1: up with the latest Forever Dog news by following us 1774 01:38:47,439 --> 01:38:51,880 Speaker 1: on Twitter and Instagram at Forever Dog Team, and liking 1775 01:38:51,960 --> 01:38:53,480 Speaker 1: our page on Facebook.