1 00:00:05,760 --> 00:00:07,920 Speaker 1: Hey, welcome to Stuff to Blow your mind. My name 2 00:00:07,960 --> 00:00:10,879 Speaker 1: is Robert Lamb and I'm Joe McCormick, and it's Saturday. 3 00:00:10,960 --> 00:00:14,120 Speaker 1: We are headed vault. Word. What's in the vault today? Well, 4 00:00:14,160 --> 00:00:17,079 Speaker 1: this time the vault is full of sex spots. Joe. Yeah. 5 00:00:17,120 --> 00:00:19,920 Speaker 1: So this is an episode that I recorded with Christian 6 00:00:20,000 --> 00:00:25,960 Speaker 1: back in UHR. And this one was a really interesting 7 00:00:26,040 --> 00:00:27,760 Speaker 1: to want to do. This is one that we we've 8 00:00:27,760 --> 00:00:30,720 Speaker 1: actually run into cases where someone has suggested it and 9 00:00:30,720 --> 00:00:33,040 Speaker 1: then we get to point back and say, ah, actually, 10 00:00:33,200 --> 00:00:35,599 Speaker 1: here it is. Here's everything you probably want to know 11 00:00:35,920 --> 00:00:38,400 Speaker 1: and a few things you don't want to know about 12 00:00:38,479 --> 00:00:43,479 Speaker 1: the idea of robots that are being created, that are 13 00:00:43,520 --> 00:00:47,440 Speaker 1: being conceived and maybe created in the future. Uh that 14 00:00:47,520 --> 00:00:51,960 Speaker 1: are that are created for human sexual reasons. And I 15 00:00:52,000 --> 00:00:55,680 Speaker 1: mean and it really it runs the gamut from from 16 00:00:55,960 --> 00:01:00,160 Speaker 1: ideas that are rather exploitive than kind of disturbing to 17 00:01:00,600 --> 00:01:03,440 Speaker 1: things that actually sound like they will have a you know, 18 00:01:03,480 --> 00:01:08,600 Speaker 1: positive effect on society, the idea of therapeutic robots. So 19 00:01:08,840 --> 00:01:11,960 Speaker 1: anyway we we present it to you, let you dive in, 20 00:01:12,040 --> 00:01:14,280 Speaker 1: and then you can let us know how you feel 21 00:01:14,280 --> 00:01:17,639 Speaker 1: about these ideas. All right, Well, without any further Ado. 22 00:01:17,760 --> 00:01:24,760 Speaker 1: Let's get into this vault episode. Welcome to Stuff to 23 00:01:24,840 --> 00:01:33,680 Speaker 1: Blow Your Mind from how Stuff Works dot com. Hey, 24 00:01:33,800 --> 00:01:35,560 Speaker 1: welcome to Stuff to Blow Your Mind. My name is 25 00:01:35,640 --> 00:01:39,080 Speaker 1: Robert Lamb and my name is Christian Seger. So hey, 26 00:01:39,160 --> 00:01:42,120 Speaker 1: if this is an episode that you are listening to, 27 00:01:42,280 --> 00:01:45,480 Speaker 1: maybe with your kids, or maybe you're concerned about the 28 00:01:45,520 --> 00:01:47,720 Speaker 1: company that you're listening to it in, we should just 29 00:01:47,800 --> 00:01:49,200 Speaker 1: let you know up front. This is gonna be a 30 00:01:49,240 --> 00:01:51,360 Speaker 1: little bit of a more graphic episode of Stuff to 31 00:01:51,360 --> 00:01:53,880 Speaker 1: Blow Your Mind. Be uh, based on the title. You 32 00:01:53,960 --> 00:01:56,400 Speaker 1: probably know that already, but we just wanted to give 33 00:01:56,440 --> 00:01:58,680 Speaker 1: you a heads up because we know that a lot 34 00:01:58,720 --> 00:02:01,120 Speaker 1: of families right into us and say, hey, I really 35 00:02:01,120 --> 00:02:03,560 Speaker 1: like listening to the show. I listened to it on 36 00:02:03,600 --> 00:02:06,000 Speaker 1: the way to school in the morning with my daughter. Um, 37 00:02:06,080 --> 00:02:07,960 Speaker 1: this might not be the episode to do that. Yeah, 38 00:02:08,000 --> 00:02:09,560 Speaker 1: you might give this one a skip in that case. 39 00:02:09,600 --> 00:02:13,000 Speaker 1: Now that being said, we're we're gonna tackle the topic 40 00:02:13,040 --> 00:02:16,280 Speaker 1: of sex spots in this episode, and we are, as usual, 41 00:02:16,320 --> 00:02:19,000 Speaker 1: we're going to do our best to to demystify the 42 00:02:19,000 --> 00:02:21,560 Speaker 1: topic of bit we're gonna explore. Yes, we're gonna talk 43 00:02:21,560 --> 00:02:26,040 Speaker 1: about some of the in many cases trashier um examples 44 00:02:26,040 --> 00:02:28,080 Speaker 1: of this show up in our science fiction. We're going 45 00:02:28,120 --> 00:02:31,200 Speaker 1: to talk about some definite opposition to the idea of 46 00:02:31,200 --> 00:02:33,920 Speaker 1: sex spots, but we're also going to explore some territory 47 00:02:33,960 --> 00:02:36,880 Speaker 1: that I was really fascinated with that where where we 48 00:02:36,919 --> 00:02:40,600 Speaker 1: see a more positive vision of what a sex spot 49 00:02:40,800 --> 00:02:45,040 Speaker 1: or sexual interaction between humans and machines might consist, of 50 00:02:46,040 --> 00:02:50,160 Speaker 1: visions of this that are beneficial, even therapeutic. Yeah, exactly. 51 00:02:50,200 --> 00:02:52,040 Speaker 1: I think that's the real hook here, and the thing 52 00:02:52,080 --> 00:02:54,400 Speaker 1: that I didn't know a lot about going into the research, 53 00:02:54,520 --> 00:02:58,680 Speaker 1: which is that there are a lot of uh of 54 00:02:58,720 --> 00:03:01,720 Speaker 1: these robots being bill and there's a lot of research 55 00:03:01,800 --> 00:03:07,040 Speaker 1: going into their construction that's healing basically for human beings 56 00:03:07,040 --> 00:03:09,320 Speaker 1: in a variety of ways. And we'll get into that now. 57 00:03:09,320 --> 00:03:12,560 Speaker 1: Before we get into the science, we should just take 58 00:03:12,560 --> 00:03:14,679 Speaker 1: a few moments to talk about some of the examples 59 00:03:14,680 --> 00:03:17,040 Speaker 1: that we've seen, and there are many different examples of 60 00:03:17,080 --> 00:03:20,320 Speaker 1: sex spots in science fiction. I mean, whenever we start 61 00:03:20,360 --> 00:03:25,240 Speaker 1: thinking about artificial humans, and certainly we've dreamed about artificial 62 00:03:25,320 --> 00:03:28,280 Speaker 1: humans since ancient times, they factored into our many of 63 00:03:28,280 --> 00:03:33,679 Speaker 1: our myth cycles. We we inherently deal with our anxiety 64 00:03:33,720 --> 00:03:37,680 Speaker 1: about technology and our anxiety about human nature in dreaming 65 00:03:37,760 --> 00:03:41,280 Speaker 1: up these various examples. So a few that come to mind. 66 00:03:41,480 --> 00:03:44,520 Speaker 1: There's a wonderful novel titled The Wind Up Girl. Uh. 67 00:03:44,520 --> 00:03:48,440 Speaker 1: And this was by Paulo Baca Galupi. And this is 68 00:03:48,920 --> 00:03:51,240 Speaker 1: this coming concerned you know, sort of your sort of 69 00:03:51,240 --> 00:03:54,640 Speaker 1: your typical sex bot scenario. We have a pleasure body 70 00:03:54,640 --> 00:03:58,560 Speaker 1: of some kind, a feminine robot that is made for 71 00:03:58,760 --> 00:04:03,120 Speaker 1: male pleasure, that escapes, goes rogue, you know, has a 72 00:04:03,200 --> 00:04:06,360 Speaker 1: has a struggle for independence. It's a really good book. Uh, 73 00:04:06,680 --> 00:04:09,160 Speaker 1: but it does explore kind of a classic trope here 74 00:04:09,280 --> 00:04:12,360 Speaker 1: that is a very common trope in sci fi now 75 00:04:12,640 --> 00:04:14,320 Speaker 1: now that I think about it, and especially looking at 76 00:04:14,320 --> 00:04:17,040 Speaker 1: a lot of our examples here with things that are 77 00:04:17,080 --> 00:04:21,119 Speaker 1: really kind of popular right now, like Humans or Westworld, right, 78 00:04:21,160 --> 00:04:24,200 Speaker 1: like the other shows that are all exploring that same idea. Yeah, 79 00:04:24,200 --> 00:04:27,000 Speaker 1: both great shows. And you can and it's obvious why 80 00:04:27,120 --> 00:04:29,479 Speaker 1: this is such a powerful trope because you get to 81 00:04:29,520 --> 00:04:33,040 Speaker 1: explore not only are concerns about technology and the future 82 00:04:33,040 --> 00:04:36,240 Speaker 1: of technology, but also about about what it means to 83 00:04:36,320 --> 00:04:39,159 Speaker 1: be to be female in today's world. And and uh 84 00:04:39,480 --> 00:04:43,039 Speaker 1: and in various feminine issues that you can explore through this. Uh, 85 00:04:43,080 --> 00:04:46,679 Speaker 1: this fantastic vision. Yeah. The other recent one that really 86 00:04:46,720 --> 00:04:48,520 Speaker 1: gripped a lot of people's attention. I thought it was 87 00:04:48,640 --> 00:04:50,880 Speaker 1: maybe the best movie that came out that year was 88 00:04:51,120 --> 00:04:55,840 Speaker 1: XM Gonna Yes. Alex Garland's XM Gonna Wow. Uh definitely 89 00:04:56,360 --> 00:05:00,760 Speaker 1: Uh talked about the issues surrounding sex, but was more 90 00:05:00,800 --> 00:05:05,800 Speaker 1: about I guess the like emotional availability of AI. And 91 00:05:05,839 --> 00:05:07,880 Speaker 1: this is something that like we've actually off air been 92 00:05:07,920 --> 00:05:10,000 Speaker 1: kind of talking about, like how it relates to this 93 00:05:10,080 --> 00:05:13,880 Speaker 1: topic is um For instance, that Spike Jones movie Her, 94 00:05:14,960 --> 00:05:17,640 Speaker 1: which I haven't seen but I don't think, actually features 95 00:05:17,640 --> 00:05:21,440 Speaker 1: a robot in it, but it's sort of the same idea. 96 00:05:21,480 --> 00:05:25,159 Speaker 1: It's like, can an artificial intelligence convince you that it's 97 00:05:25,240 --> 00:05:29,520 Speaker 1: real enough that you have you're an emotionally engaging relationship 98 00:05:29,600 --> 00:05:31,680 Speaker 1: with it. Yeah, this is, of course, is the whole 99 00:05:31,680 --> 00:05:35,560 Speaker 1: topic undo itself, Like to what degree we in view 100 00:05:36,000 --> 00:05:39,479 Speaker 1: a non living thing with life, even if it's not 101 00:05:39,520 --> 00:05:42,640 Speaker 1: a robot, even if it is a doll or a 102 00:05:42,680 --> 00:05:45,680 Speaker 1: toy painting. I mean, we have this fabulous ability to 103 00:05:45,760 --> 00:05:49,600 Speaker 1: anthropomorphize just about anything, to have it lead you put 104 00:05:49,600 --> 00:05:51,800 Speaker 1: a smiley face on something and it will create we 105 00:05:51,839 --> 00:05:55,080 Speaker 1: will instantly have this smidgeon at least a smidgeon of 106 00:05:55,120 --> 00:05:57,920 Speaker 1: investment in that thing as a person. Well, and that 107 00:05:57,960 --> 00:06:01,120 Speaker 1: goes way back. You've got notes here to the Greek 108 00:06:01,240 --> 00:06:05,040 Speaker 1: myth of Hefestus, right, or as I usually call him, Vulcan, 109 00:06:05,160 --> 00:06:08,680 Speaker 1: because I think that's Vulcan's what the Roman version of that. Yeah, 110 00:06:08,839 --> 00:06:11,240 Speaker 1: you have Vulcans, the Roman version and uh yeah, and 111 00:06:11,320 --> 00:06:14,760 Speaker 1: if you've ever rolled through Birmingham, Alabama, they have a 112 00:06:14,800 --> 00:06:18,719 Speaker 1: big statue of Vulcan. Wait, is that right? That's true? Yeah, yeah, yeah, 113 00:06:18,720 --> 00:06:24,239 Speaker 1: why because it was like a steel working town. Okay, so, 114 00:06:23,320 --> 00:06:26,719 Speaker 1: uh so Vulcan plays a role in in my personal 115 00:06:26,800 --> 00:06:30,160 Speaker 1: history as well. But yeah, this in myth, he created 116 00:06:30,200 --> 00:06:34,200 Speaker 1: a series of life sized golden maids, among various other models. 117 00:06:34,200 --> 00:06:37,159 Speaker 1: So he was kind of a mad scientist of Greek 118 00:06:37,160 --> 00:06:39,280 Speaker 1: and Roman myth. But you can see they're like going 119 00:06:39,360 --> 00:06:42,280 Speaker 1: that far back that we human beings were thinking about 120 00:06:42,320 --> 00:06:46,080 Speaker 1: in our culture and our storytelling, like how we were 121 00:06:46,120 --> 00:06:50,960 Speaker 1: going to try to replicate the human experience in machines 122 00:06:51,160 --> 00:06:54,239 Speaker 1: or in I believe the terminology that was used referring 123 00:06:54,279 --> 00:06:59,240 Speaker 1: to Vulcan and Hefestus was biotechnique. Yeah, yeah, that's right, 124 00:06:59,240 --> 00:07:02,080 Speaker 1: and there's a wonderful Ian magazine, aren't on that. I'll 125 00:07:02,080 --> 00:07:03,640 Speaker 1: try to include a link to that and some of 126 00:07:03,640 --> 00:07:05,880 Speaker 1: the other articles who were mentioning here in the landing 127 00:07:05,880 --> 00:07:07,440 Speaker 1: page for this episode of Stuff to Blow your Mind 128 00:07:07,480 --> 00:07:10,760 Speaker 1: dot Com. Also, obviously many people out there probably thinking 129 00:07:10,800 --> 00:07:14,720 Speaker 1: of Darryl Hannah's character Priss from Blade Runner, which is 130 00:07:14,760 --> 00:07:17,760 Speaker 1: referred to as a basic pleasure model. Although so it's funny. 131 00:07:17,760 --> 00:07:21,120 Speaker 1: I was reading an Ionine article yesterday that's all about 132 00:07:21,200 --> 00:07:24,400 Speaker 1: what what we're talking about right now, the fictionalized versions 133 00:07:24,400 --> 00:07:27,040 Speaker 1: of sex spots. There's a lot of argumentation in the 134 00:07:27,080 --> 00:07:32,440 Speaker 1: commentary about whether Priss counted because replicants are technically organic individuals. 135 00:07:33,760 --> 00:07:36,280 Speaker 1: I think she counts. Yeah, yeah, there there's that whole 136 00:07:36,320 --> 00:07:38,400 Speaker 1: Once you get into the whole android replicant thing, it 137 00:07:38,440 --> 00:07:41,680 Speaker 1: gets a little, uh, a little hazy. Now, anybody out 138 00:07:41,680 --> 00:07:43,080 Speaker 1: there is a fan of Rick and Morty, there was 139 00:07:43,080 --> 00:07:46,280 Speaker 1: an episode titled Raising gas Orpazorp that included a sex 140 00:07:46,280 --> 00:07:49,040 Speaker 1: spot that I haven't seen that one. Yeah, that that 141 00:07:49,160 --> 00:07:52,840 Speaker 1: Morty ends up acquiring and has a brief addiction to. 142 00:07:53,440 --> 00:07:55,840 Speaker 1: So we might come back to that vision of a 143 00:07:55,880 --> 00:07:58,000 Speaker 1: sex spot here in the future. But that kind of 144 00:07:58,040 --> 00:08:01,320 Speaker 1: leads us into some of the more exploited visions. I 145 00:08:01,320 --> 00:08:04,679 Speaker 1: guess you can say, the sort of heavy metal visions 146 00:08:04,760 --> 00:08:07,440 Speaker 1: of the sex spot. Um, what what was the name 147 00:08:07,480 --> 00:08:10,960 Speaker 1: of the artist that you you sent me yesterday? There's 148 00:08:10,960 --> 00:08:13,680 Speaker 1: this guy. So heavy Metal Magazine is what we're referring to, 149 00:08:13,800 --> 00:08:16,840 Speaker 1: which is, if you're unfamiliar with it, is an American 150 00:08:17,520 --> 00:08:20,840 Speaker 1: magazine that specializes in comics that are sort of like 151 00:08:21,600 --> 00:08:26,200 Speaker 1: R rated fantasy sci fi comics. Uh. And the cover 152 00:08:26,400 --> 00:08:30,160 Speaker 1: art is usually pretty salacious. And Robert found this one 153 00:08:30,280 --> 00:08:32,160 Speaker 1: artist who has done quite a number of covers for 154 00:08:32,240 --> 00:08:37,920 Speaker 1: them that specializes in sexualized female robots. Oh yeah, this 155 00:08:37,960 --> 00:08:42,720 Speaker 1: would be, of course, be Japanese artist Hajjimie Sori Yama. Okay, yeah, 156 00:08:42,760 --> 00:08:44,800 Speaker 1: and this is this is one of the Remember when 157 00:08:44,800 --> 00:08:48,560 Speaker 1: I first got online really the first year of college, 158 00:08:48,640 --> 00:08:51,200 Speaker 1: last year of high school, I ended up introducing myself 159 00:08:51,240 --> 00:08:54,480 Speaker 1: to a number of fantasy artists that that I was 160 00:08:54,640 --> 00:08:58,040 Speaker 1: instantly taken with. And uh and I remember encountering this 161 00:08:58,080 --> 00:09:00,520 Speaker 1: guy's work and it's it's I catch ing, but it's 162 00:09:00,520 --> 00:09:03,280 Speaker 1: all of like sexy robot pinop dolls, like that's his 163 00:09:03,280 --> 00:09:07,000 Speaker 1: his thing, and that's certainly a vision of the sex spot, 164 00:09:07,040 --> 00:09:09,120 Speaker 1: the fimbot that you know, whatever you want to call them, 165 00:09:09,160 --> 00:09:12,040 Speaker 1: whatever they're calling your particular uh sci fi property that 166 00:09:12,160 --> 00:09:15,240 Speaker 1: we see time and time again. Um, like a property 167 00:09:15,240 --> 00:09:17,480 Speaker 1: that I think back to is nineteen eight seven's Cherry 168 00:09:17,480 --> 00:09:20,920 Speaker 1: two thousand starring Melanie Griffith. I have never seen that, 169 00:09:21,000 --> 00:09:23,880 Speaker 1: and I you know, I've always kind of heard about 170 00:09:23,880 --> 00:09:26,320 Speaker 1: it on the fringe of things, but yeah, it really 171 00:09:26,440 --> 00:09:28,920 Speaker 1: hit my radar doing the research for this episode. Yeah, 172 00:09:29,000 --> 00:09:31,640 Speaker 1: it's it's definitely one that falls more into the you know, 173 00:09:31,679 --> 00:09:34,640 Speaker 1: exactly what you'd expect from a nineteen eighties film, so 174 00:09:34,679 --> 00:09:36,480 Speaker 1: it has a sex about it. I suppose like she 175 00:09:36,520 --> 00:09:38,880 Speaker 1: can't complain too much about her daughter doing these fifties 176 00:09:38,880 --> 00:09:41,440 Speaker 1: shades of gray movies. Then if like daughter can just 177 00:09:41,480 --> 00:09:43,480 Speaker 1: be like, well you were in Cherry two thousand, Yes, 178 00:09:43,520 --> 00:09:45,600 Speaker 1: but she was not Cherry two thousand, Oh she was. 179 00:09:45,640 --> 00:09:47,959 Speaker 1: She was just she's like a human bounty hunt. Okay, 180 00:09:48,000 --> 00:09:50,200 Speaker 1: I didn't know that, all right, Um, you know what 181 00:09:50,440 --> 00:09:52,000 Speaker 1: is not on the list that it just like popped 182 00:09:52,000 --> 00:09:53,680 Speaker 1: into my head. I can't believe we forgot about this. 183 00:09:54,000 --> 00:09:56,679 Speaker 1: The Stepford Wives Yeah, the Stepford Wives a big one 184 00:09:56,720 --> 00:09:59,079 Speaker 1: that and it ties in directly with some of the 185 00:09:59,360 --> 00:10:01,760 Speaker 1: fears and eggs ideas they were going to discuss here, 186 00:10:01,800 --> 00:10:07,520 Speaker 1: because it's men making robot women to be their perfect wives. Yeah. Uh, 187 00:10:07,559 --> 00:10:12,080 Speaker 1: there's Jude Law as Jigglo Joe in the movie AI. Uh, 188 00:10:12,120 --> 00:10:14,800 Speaker 1: one of the rare examples of a male sex spot 189 00:10:14,880 --> 00:10:19,440 Speaker 1: in popular culture. On Buffy the Vampire Slayer, they made 190 00:10:19,480 --> 00:10:24,960 Speaker 1: several sex spots, including one of Buffy for Spike, which 191 00:10:25,040 --> 00:10:30,000 Speaker 1: really there's some really dicey sexual relationship stuff that goes 192 00:10:30,040 --> 00:10:32,960 Speaker 1: on in that show towards the end of the later seasons, 193 00:10:33,000 --> 00:10:37,000 Speaker 1: and that's one of them. Um. And then the comics, Uh, 194 00:10:37,040 --> 00:10:39,440 Speaker 1: there's this comic called Autumn Lends that's coming out right 195 00:10:39,480 --> 00:10:41,560 Speaker 1: now that I really enjoy. It's by Kurt Busick and 196 00:10:41,600 --> 00:10:44,960 Speaker 1: Benjamin Dewey and Uh. In the second arc, the characters 197 00:10:45,040 --> 00:10:50,280 Speaker 1: encounter these statue esque naked robot women who once served 198 00:10:50,320 --> 00:10:54,360 Speaker 1: this like long forgotten civilization as sex slaves, and when 199 00:10:54,400 --> 00:10:57,160 Speaker 1: one of the characters tries to force himself upon them, 200 00:10:57,480 --> 00:11:00,560 Speaker 1: they rebel and it's it's really it's a really interesting 201 00:11:00,600 --> 00:11:03,560 Speaker 1: take on this whole thing that we're gonna be talking 202 00:11:03,600 --> 00:11:06,160 Speaker 1: about today, but um, I highly recommended if you're into 203 00:11:06,160 --> 00:11:08,520 Speaker 1: comics check that out. So obviously, some of these visions 204 00:11:08,559 --> 00:11:11,320 Speaker 1: of the sex spot are are more fantastic than others, 205 00:11:11,320 --> 00:11:13,839 Speaker 1: and some are more serious than others in their commentary. 206 00:11:14,080 --> 00:11:17,480 Speaker 1: But ultimately it's all sort of circling around our our 207 00:11:17,559 --> 00:11:21,520 Speaker 1: legitimate concerns about ourselves and technology. So what what are 208 00:11:21,559 --> 00:11:24,440 Speaker 1: we afraid of? What? What indeed are we very right 209 00:11:24,480 --> 00:11:26,880 Speaker 1: to be concerned about? Uh? You know, we see this 210 00:11:26,920 --> 00:11:30,920 Speaker 1: continuing trope of the human abuse of robots mirroring our 211 00:11:30,960 --> 00:11:33,319 Speaker 1: own abuse of each other. If we create robots in 212 00:11:33,360 --> 00:11:35,760 Speaker 1: our image, then are we destined to exploit them, to 213 00:11:35,800 --> 00:11:39,280 Speaker 1: abuse them, and even further objectify and to humanize each 214 00:11:39,320 --> 00:11:42,680 Speaker 1: other based on this model? And I also can't help 215 00:11:42,960 --> 00:11:46,560 Speaker 1: but feel that female sex spots and fiction especially tend 216 00:11:46,559 --> 00:11:50,160 Speaker 1: to serve, as you know, as commentaries on product femininity. 217 00:11:50,400 --> 00:11:53,840 Speaker 1: Uh the the all too frequent portrayal of human females 218 00:11:53,920 --> 00:11:57,640 Speaker 1: as mere sex objects, devoid of nuanced personality or identity. 219 00:11:57,679 --> 00:11:59,800 Speaker 1: And we didn't plan it out this way, but actually 220 00:12:00,080 --> 00:12:03,160 Speaker 1: so coming out this week along with this episode, we're 221 00:12:03,160 --> 00:12:07,920 Speaker 1: doing an episode on the science of ovulation and how 222 00:12:07,960 --> 00:12:13,680 Speaker 1: that plays into marketing femininity. Uh and and so it's 223 00:12:13,720 --> 00:12:16,360 Speaker 1: it's interesting to do these two episodes side by side 224 00:12:16,360 --> 00:12:18,680 Speaker 1: and sort of see the parallels. Yeah, there's always this 225 00:12:18,720 --> 00:12:22,200 Speaker 1: weird synchronicity between the episodes, it seems. So why don't 226 00:12:22,240 --> 00:12:25,800 Speaker 1: we get into the current state of you know what. 227 00:12:26,040 --> 00:12:28,240 Speaker 1: Some of you out there are probably like, well, wait, what, 228 00:12:28,480 --> 00:12:31,880 Speaker 1: Like there's all these pop culture versions that you just mentioned, 229 00:12:31,880 --> 00:12:35,880 Speaker 1: but where are these sexpots you speak of now? Right? UM, 230 00:12:35,920 --> 00:12:38,480 Speaker 1: I would just first like to very quickly go over 231 00:12:39,600 --> 00:12:44,120 Speaker 1: a short history of sex toys in terms of you 232 00:12:44,160 --> 00:12:46,400 Speaker 1: know where we're at with that. These are tens of 233 00:12:46,440 --> 00:12:48,640 Speaker 1: thousands of years old. You know, most people don't know that. 234 00:12:48,679 --> 00:12:52,880 Speaker 1: They probably think it's relatively recent invention. The oldest dildough 235 00:12:53,000 --> 00:12:57,000 Speaker 1: is more than twenty thousand years old. Vibrators began as 236 00:12:57,120 --> 00:13:01,199 Speaker 1: medical devices that midwives and physicians use to treat illnesses 237 00:13:01,480 --> 00:13:04,480 Speaker 1: such as hysteria through what they referred to as pelvic 238 00:13:04,520 --> 00:13:08,640 Speaker 1: massage or manual stimulation. The first one of these was 239 00:13:08,679 --> 00:13:13,080 Speaker 1: introduced in seventeen thirty four. That's that goes far back. Uh. 240 00:13:13,120 --> 00:13:15,680 Speaker 1: And it wasn't into the late eighteen hundreds when powered 241 00:13:15,800 --> 00:13:19,160 Speaker 1: vibrators were available to doctors, and then by they were 242 00:13:19,160 --> 00:13:24,240 Speaker 1: available directly to consumers. And then you know, nowadays people 243 00:13:24,240 --> 00:13:27,040 Speaker 1: think about computer driven sex toys. That goes back to 244 00:13:27,120 --> 00:13:31,000 Speaker 1: the mid nineteen seventies. Yes, I mean, certainly, sexuality is 245 00:13:31,040 --> 00:13:34,480 Speaker 1: always a huge aspect of human behavior, even if we 246 00:13:34,520 --> 00:13:38,040 Speaker 1: want to push it to the background. So it has 247 00:13:38,040 --> 00:13:41,160 Speaker 1: a tendency to be at the forefront of any technological 248 00:13:41,240 --> 00:13:44,280 Speaker 1: advancement or any kind of new enterprise. I think it's 249 00:13:44,360 --> 00:13:48,319 Speaker 1: just yeah, worth like reminding ourselves, like, hey, this isn't new. 250 00:13:48,559 --> 00:13:50,840 Speaker 1: This has been around for a long time. What we're 251 00:13:50,880 --> 00:13:54,920 Speaker 1: discussing here is really just like the latest iteration of 252 00:13:54,960 --> 00:13:57,640 Speaker 1: this and what does that say about us? Yeah, and 253 00:13:57,679 --> 00:14:00,920 Speaker 1: it's not a situation where suddenly sexually minded individuals are 254 00:14:00,920 --> 00:14:03,599 Speaker 1: at the forefront, uh, you know, pushing and meddling with 255 00:14:03,640 --> 00:14:08,760 Speaker 1: the technology. They've always been there. Uh So, just to 256 00:14:08,840 --> 00:14:10,680 Speaker 1: give a brief idea of the future so that we 257 00:14:10,720 --> 00:14:13,679 Speaker 1: can we can backtrack and discuss the present. There was 258 00:14:13,720 --> 00:14:17,079 Speaker 1: an interesting Pew Research Center paper that came out in 259 00:14:17,120 --> 00:14:21,880 Speaker 1: two thousand fourteen titled Digital Life in AI Robotics in 260 00:14:21,920 --> 00:14:24,520 Speaker 1: the Future of Jobs. Now. For the most part, this 261 00:14:24,960 --> 00:14:29,160 Speaker 1: article did not go into the use of sexual robots. 262 00:14:29,640 --> 00:14:32,080 Speaker 1: But there is one part where this guy by the 263 00:14:32,160 --> 00:14:35,800 Speaker 1: name of Stow Boyd, whose lead researcher for Giga o 264 00:14:36,000 --> 00:14:40,000 Speaker 1: M Research futurists. He predicted quote Pizzas will not be 265 00:14:40,080 --> 00:14:42,600 Speaker 1: delivered by teenagers hoping for a tip. Food will be 266 00:14:42,680 --> 00:14:46,080 Speaker 1: raised by robotic vehicles, even in small plot urban farms. 267 00:14:46,080 --> 00:14:48,240 Speaker 1: That will become the norm since so many people will 268 00:14:48,280 --> 00:14:51,000 Speaker 1: have lost their jobs to bots. Your X rays will 269 00:14:51,040 --> 00:14:53,520 Speaker 1: be reviewed by a battery of Watson Grade A eyes, 270 00:14:53,920 --> 00:14:57,360 Speaker 1: and humans will only be pulled in when the machines disagree. 271 00:14:57,840 --> 00:15:01,120 Speaker 1: Robotics sex partners will be commonplace. Although the source of 272 00:15:01,200 --> 00:15:05,160 Speaker 1: scorn and division the way that critics today bemoans selfies 273 00:15:05,200 --> 00:15:08,000 Speaker 1: as an indicator of all that's wrong with the world. 274 00:15:08,720 --> 00:15:10,680 Speaker 1: So I think that's an interesting take on it. I 275 00:15:10,800 --> 00:15:14,920 Speaker 1: definitely agree with him that on the scorn and division, 276 00:15:15,000 --> 00:15:17,920 Speaker 1: and that is going to be a you know, really 277 00:15:17,960 --> 00:15:20,480 Speaker 1: the big divide that we're going to speak about today 278 00:15:20,520 --> 00:15:23,720 Speaker 1: in terms of what's going on with this technology. I 279 00:15:23,800 --> 00:15:26,600 Speaker 1: don't I don't see it as being analogous to selfies, 280 00:15:26,640 --> 00:15:31,200 Speaker 1: though I think it's a little more extreme than that. Yeah, 281 00:15:31,360 --> 00:15:33,000 Speaker 1: I think time and time again we have to come 282 00:15:33,000 --> 00:15:36,120 Speaker 1: back to examples of what the what the current technology is. 283 00:15:36,520 --> 00:15:40,160 Speaker 1: So today we have a number of different sexual devices, 284 00:15:40,240 --> 00:15:42,160 Speaker 1: sexual toys of your world that are on the market, 285 00:15:42,520 --> 00:15:45,000 Speaker 1: and many of them are very high selling. That being said, 286 00:15:45,280 --> 00:15:49,000 Speaker 1: sex toys continue and perhaps will always be, uh that 287 00:15:49,160 --> 00:15:52,200 Speaker 1: the punchline of many a jail. Yeah right, exactly. Yeah, 288 00:15:52,240 --> 00:15:55,160 Speaker 1: we were talking about this earlier that it's like, uh, 289 00:15:55,200 --> 00:15:57,160 Speaker 1: you know, this is the stuff of like late night 290 00:15:57,200 --> 00:16:00,600 Speaker 1: talk show hosts, like making a throwaway Joe here there. 291 00:16:00,640 --> 00:16:03,200 Speaker 1: It's something everybody can kind of relate to and laugh 292 00:16:03,240 --> 00:16:05,680 Speaker 1: at and laugh at themselves about. Right, And then at 293 00:16:05,680 --> 00:16:07,560 Speaker 1: the same time, many of the people who are laughing 294 00:16:07,560 --> 00:16:09,840 Speaker 1: and some that are not laughing are still going to 295 00:16:09,920 --> 00:16:12,320 Speaker 1: perhaps go online and order one of these devices for 296 00:16:12,360 --> 00:16:15,360 Speaker 1: their personal use. Yeah. So we're a far cry, though, 297 00:16:15,440 --> 00:16:18,920 Speaker 1: from having a robotic humanoid body that that moves like 298 00:16:19,040 --> 00:16:22,360 Speaker 1: we do, but roboticists continue to make strides in this area. 299 00:16:22,560 --> 00:16:26,120 Speaker 1: So everyone's seeing videos of the various of Boston Dynamics robots, 300 00:16:26,160 --> 00:16:28,240 Speaker 1: you know, and they're often kind of fearsome. They look 301 00:16:28,320 --> 00:16:31,760 Speaker 1: like mechanical jumping horses. I gets. So we should probably 302 00:16:31,800 --> 00:16:34,400 Speaker 1: clarify what this is. Maybe not everybody out there is 303 00:16:34,400 --> 00:16:36,160 Speaker 1: familiar with this. So this is what the last year 304 00:16:36,200 --> 00:16:39,160 Speaker 1: and a half Boston Dynamics is like continually releasing these 305 00:16:39,240 --> 00:16:42,120 Speaker 1: kind of like press release videos of these robots that 306 00:16:42,160 --> 00:16:46,040 Speaker 1: they're working on that basically look like robot pack mules. Yeah, 307 00:16:46,080 --> 00:16:47,960 Speaker 1: and that's kind of the cell, right that there robotic 308 00:16:47,960 --> 00:16:50,760 Speaker 1: pack mules that can that would have a military application, 309 00:16:50,840 --> 00:16:54,480 Speaker 1: that can go over diverse terraine. So we can look 310 00:16:54,520 --> 00:16:57,360 Speaker 1: to those and obviously these are not sexy, these are 311 00:16:57,400 --> 00:17:00,480 Speaker 1: not these are not devices where you say, hey, that's 312 00:17:00,520 --> 00:17:04,520 Speaker 1: the future of sexual robotics right there, but they do 313 00:17:04,640 --> 00:17:09,880 Speaker 1: demonstrate the strides that we're making and creating robots that 314 00:17:09,920 --> 00:17:13,600 Speaker 1: can move in reality, that can that can that can 315 00:17:13,640 --> 00:17:17,040 Speaker 1: actually interact with the world physically and any of There 316 00:17:17,040 --> 00:17:19,360 Speaker 1: are other areas where the technology continues to impress, So 317 00:17:19,440 --> 00:17:24,400 Speaker 1: we know robot assisted surgery VR, haptic feedback, and there 318 00:17:24,480 --> 00:17:27,280 Speaker 1: is this, uh, this field of that's sometimes referred to 319 00:17:27,320 --> 00:17:31,480 Speaker 1: as tele del donis uh where they're utilizing all this 320 00:17:31,560 --> 00:17:37,000 Speaker 1: technology for more advanced sexual devices and sex toys. This 321 00:17:37,040 --> 00:17:41,120 Speaker 1: is basically across long distances right right. Like one example 322 00:17:41,200 --> 00:17:44,359 Speaker 1: of this is uh uh Frixtion, I believe is the 323 00:17:44,400 --> 00:17:46,879 Speaker 1: name of how you pronounced the product, and they use 324 00:17:46,920 --> 00:17:51,840 Speaker 1: haptic sensors and robotic accessories to enable remote control sex. Okay, 325 00:17:51,880 --> 00:17:54,200 Speaker 1: so let's take a quick break and when we get back, 326 00:17:54,240 --> 00:17:56,840 Speaker 1: now that we've covered sort of, you know, up to 327 00:17:57,400 --> 00:18:00,320 Speaker 1: the current state of affairs with sex spots, we're going 328 00:18:00,359 --> 00:18:03,440 Speaker 1: to talk about the off the shelf on the market 329 00:18:03,560 --> 00:18:12,520 Speaker 1: robot Roxy. Alright, we're back. So yeah, let's talk about 330 00:18:12,600 --> 00:18:15,560 Speaker 1: Roxy a little bit. Roxy is I think a it's 331 00:18:15,560 --> 00:18:18,000 Speaker 1: an important example to hit, but it's also such a 332 00:18:19,800 --> 00:18:24,240 Speaker 1: uh problematic example because it it represents some of the 333 00:18:24,640 --> 00:18:28,359 Speaker 1: more notorious aspects of sexual robot. So we learned about 334 00:18:28,440 --> 00:18:31,320 Speaker 1: Roxy from Eon magazine, which if if you're a long 335 00:18:31,320 --> 00:18:33,439 Speaker 1: time listener, you know that we read quite a bit 336 00:18:33,480 --> 00:18:37,520 Speaker 1: of it. Uh. It's a robot companion. Uh. It doesn't 337 00:18:37,600 --> 00:18:42,199 Speaker 1: quite produce the Uncanny Valley effect, you know, unlike um, 338 00:18:42,240 --> 00:18:45,639 Speaker 1: those actroids that you sometimes see that are created in 339 00:18:45,640 --> 00:18:49,160 Speaker 1: like Japanese commercials or something like that. But they come 340 00:18:49,359 --> 00:18:52,159 Speaker 1: Roxy comes in a variety of models, and some of 341 00:18:52,200 --> 00:18:54,879 Speaker 1: them actually have personalities. So there's a little bit of 342 00:18:54,920 --> 00:18:59,040 Speaker 1: programming that goes into this. Uh. It includes the regular Roxy. 343 00:18:59,320 --> 00:19:05,200 Speaker 1: There is also mature Martha Young Yoko and Frigid Farrah. 344 00:19:05,280 --> 00:19:08,320 Speaker 1: And that's where I got a little I got a 345 00:19:08,320 --> 00:19:10,720 Speaker 1: little creeped out personally, because the idea of frigid fare 346 00:19:10,840 --> 00:19:14,439 Speaker 1: is it's like she plays hard to get, she's you know, 347 00:19:14,520 --> 00:19:18,840 Speaker 1: not necessarily interested in having sex with you. And that's 348 00:19:18,880 --> 00:19:22,040 Speaker 1: a little that's where there's some weird lines. I think, Yeah, 349 00:19:22,280 --> 00:19:24,960 Speaker 1: this this is, you know, an obvious example of something 350 00:19:24,960 --> 00:19:27,640 Speaker 1: will come back to the idea that you have NNE 351 00:19:27,840 --> 00:19:32,320 Speaker 1: creating female robots for a male audience, and they've got 352 00:19:32,400 --> 00:19:36,840 Speaker 1: very specific fetish very stereotypical betrayals and um and sort 353 00:19:36,880 --> 00:19:40,199 Speaker 1: of male approved models of what a female is, very 354 00:19:40,240 --> 00:19:42,880 Speaker 1: simplistic models. Yeah. Oh, and I should clarify to young 355 00:19:43,000 --> 00:19:47,000 Speaker 1: Yoko is not although we are going to talk about 356 00:19:47,080 --> 00:19:50,840 Speaker 1: pedophile sex spots. Young Yoko is supposed to be over 357 00:19:50,880 --> 00:19:55,159 Speaker 1: the age of eighteen personality wise. But basically this roxy 358 00:19:55,520 --> 00:19:58,359 Speaker 1: robot sounds kind of like Sirian the way that it 359 00:19:58,400 --> 00:20:01,240 Speaker 1: talks back to you. There urpist is to pride more 360 00:20:01,280 --> 00:20:04,000 Speaker 1: than sex. The idea is that they're your true companion 361 00:20:04,040 --> 00:20:07,560 Speaker 1: and you can talk to them before and after sex. Uh. 362 00:20:07,600 --> 00:20:10,640 Speaker 1: And and given that you've got all the personalities chosen here. 363 00:20:10,720 --> 00:20:13,439 Speaker 1: You know, what, what does this tell us about the 364 00:20:13,480 --> 00:20:17,720 Speaker 1: future proliferation of these sex spots? Uh? And here's where 365 00:20:17,720 --> 00:20:22,680 Speaker 1: it gets real weird. Aon says that the person who 366 00:20:22,760 --> 00:20:27,800 Speaker 1: created roxy it was originally created as the recreation of 367 00:20:27,840 --> 00:20:31,080 Speaker 1: a friend that was lost in nine eleven, and then 368 00:20:31,200 --> 00:20:35,119 Speaker 1: that developed into this consumer oriented sex spot. Well, and 369 00:20:35,160 --> 00:20:39,040 Speaker 1: then I've also read that that the technology behind Roxy 370 00:20:39,119 --> 00:20:42,359 Speaker 1: started out as a as an inquiry into creation of 371 00:20:42,359 --> 00:20:46,360 Speaker 1: a robot home care nurse. So now I'm wondering if 372 00:20:46,359 --> 00:20:49,400 Speaker 1: there's just like these different urban myths about Roxy. Well, now, 373 00:20:49,440 --> 00:20:52,560 Speaker 1: I I I wrote a little bit years ago where 374 00:20:52,560 --> 00:20:54,919 Speaker 1: I ended up touching on Roxy and uh, and I 375 00:20:54,960 --> 00:20:58,760 Speaker 1: believe the home care nurse thing is is legit. But 376 00:20:59,000 --> 00:21:01,479 Speaker 1: I guess it comes down to the evolution of an idea, 377 00:21:01,600 --> 00:21:04,879 Speaker 1: the evolution of of figuring out how to commercially apply 378 00:21:05,000 --> 00:21:09,240 Speaker 1: your technology. So what starts as an as an intention 379 00:21:09,280 --> 00:21:12,560 Speaker 1: to create a robotic nurse, uh, may end up going 380 00:21:12,600 --> 00:21:16,240 Speaker 1: through some changes until suddenly you're producing a sex doll. Well, 381 00:21:16,240 --> 00:21:19,639 Speaker 1: like you said, with all technological developments, that kind of 382 00:21:19,680 --> 00:21:23,000 Speaker 1: the pioneering end of it is sexual in nature. I mean, 383 00:21:23,080 --> 00:21:27,120 Speaker 1: look at the Internet. Yeah, exactly. Now we mentioned sex dolls. 384 00:21:27,160 --> 00:21:29,080 Speaker 1: Of course, sex dolls have been around for some time, 385 00:21:29,720 --> 00:21:32,960 Speaker 1: and it's been proven that individuals can at least find 386 00:21:33,040 --> 00:21:36,199 Speaker 1: some sort of detached pleasure or even an imaginative bond 387 00:21:36,480 --> 00:21:40,680 Speaker 1: with even just a non robotic semblance of a human. 388 00:21:41,280 --> 00:21:44,560 Speaker 1: I always think back to a wonderful BBC documentary titled 389 00:21:44,600 --> 00:21:46,919 Speaker 1: Guys and Dolls that came out. God, it must have 390 00:21:46,920 --> 00:21:48,600 Speaker 1: been this. I think it maybe ten years old. Now 391 00:21:49,480 --> 00:21:51,399 Speaker 1: you can find I think you can find most of 392 00:21:51,400 --> 00:21:55,680 Speaker 1: it on YouTube and other such websites. But they profiled 393 00:21:55,720 --> 00:21:58,800 Speaker 1: a handful of real doll owners. These are, of course 394 00:21:58,840 --> 00:22:04,080 Speaker 1: anatomically correct life size human replicants. So are they built 395 00:22:04,240 --> 00:22:08,280 Speaker 1: for the purpose of sexes. They're built with that purpose 396 00:22:08,520 --> 00:22:13,200 Speaker 1: exclusively in mind. But is this documentary explored the individuals 397 00:22:13,359 --> 00:22:17,000 Speaker 1: in their bond with these things ranged immensely so there 398 00:22:17,080 --> 00:22:19,000 Speaker 1: was there's like a there's one guy in it that's 399 00:22:19,040 --> 00:22:21,560 Speaker 1: hanging him up on hooks, and another that just seems 400 00:22:21,600 --> 00:22:24,080 Speaker 1: to obsessively collect him and has some stack like kindling 401 00:22:24,119 --> 00:22:27,040 Speaker 1: and his crawl space, and those are some examples that 402 00:22:27,280 --> 00:22:30,520 Speaker 1: you know, maybe hit the creep level of for a 403 00:22:30,560 --> 00:22:33,200 Speaker 1: lot of people. But then there's this one guy who 404 00:22:33,240 --> 00:22:38,080 Speaker 1: seems to have a largely, if not exclusively, emotional relationship 405 00:22:38,600 --> 00:22:41,760 Speaker 1: with his doll, and he's going through like separation, anxiety 406 00:22:41,920 --> 00:22:43,919 Speaker 1: over having he's having to move and he's having to 407 00:22:43,960 --> 00:22:49,159 Speaker 1: ship it, and so it's it. It doesn't. It does 408 00:22:49,200 --> 00:22:51,080 Speaker 1: a good job of just showing you, all right, yeah, 409 00:22:51,160 --> 00:22:53,119 Speaker 1: you can have something like a real doll, but then 410 00:22:53,160 --> 00:22:56,159 Speaker 1: the varying levels of engagement with it, the way people 411 00:22:56,200 --> 00:23:00,639 Speaker 1: anthropomorphize it is going to vary from person to person. Yeah, so, 412 00:23:00,720 --> 00:23:02,560 Speaker 1: I mean, I guess like if you want to step 413 00:23:02,560 --> 00:23:04,160 Speaker 1: back at it and look at it like a very 414 00:23:04,280 --> 00:23:06,720 Speaker 1: simple sense here and and pardon me if this is 415 00:23:06,760 --> 00:23:10,199 Speaker 1: a little vulgar, but uh, it sounds like we're somewhere 416 00:23:10,240 --> 00:23:12,639 Speaker 1: between that movie her I referred to earlier, where like 417 00:23:13,640 --> 00:23:16,760 Speaker 1: nobody is needed. It's just an emotional relationship with an 418 00:23:16,920 --> 00:23:22,399 Speaker 1: artificial consciousness and like a fleshlight, right, um, a fleshlight. 419 00:23:22,480 --> 00:23:24,760 Speaker 1: Just to explain, because this will come up again, is 420 00:23:25,280 --> 00:23:29,320 Speaker 1: a popular sex toy with a male market. Yeah, exactly, 421 00:23:29,840 --> 00:23:33,359 Speaker 1: um so, And that's kind of where we're going to 422 00:23:33,440 --> 00:23:38,000 Speaker 1: find criticism on both sides about this. Is like arguments 423 00:23:38,000 --> 00:23:41,160 Speaker 1: about why we shouldn't make sex spots and arguments about 424 00:23:41,160 --> 00:23:45,879 Speaker 1: why we should because there's this broad spectrum, right, um speaking, 425 00:23:45,920 --> 00:23:48,159 Speaker 1: which have you seen the movie Dead Girl before? I 426 00:23:48,200 --> 00:23:49,720 Speaker 1: have not. I'm familiar with it. I think is one 427 00:23:49,760 --> 00:23:51,960 Speaker 1: that would always show up on Netflix formula. Yeah, it's that. 428 00:23:52,080 --> 00:23:55,240 Speaker 1: I saw it on Netflix. It's not about sex spots, 429 00:23:55,320 --> 00:23:58,159 Speaker 1: but it's, um, it's related to this. I don't want 430 00:23:58,200 --> 00:24:00,960 Speaker 1: to give too much away, but a sense actually these 431 00:24:01,000 --> 00:24:04,800 Speaker 1: guys find a woman's dead body, but the body doesn't 432 00:24:04,920 --> 00:24:08,399 Speaker 1: rot at all, like she's inanimate, but she's not dead. 433 00:24:09,240 --> 00:24:12,680 Speaker 1: So it's a zombie film kind of yeah. Uh, and 434 00:24:13,040 --> 00:24:15,280 Speaker 1: it goes where you would expect it to go based 435 00:24:15,280 --> 00:24:19,199 Speaker 1: on what we're talking about. Anyways, it seemed related to 436 00:24:19,240 --> 00:24:21,439 Speaker 1: this alright. Well, on that note, let's get into the 437 00:24:21,440 --> 00:24:24,000 Speaker 1: case against sex spots. I feel like this is a 438 00:24:24,000 --> 00:24:26,479 Speaker 1: good place to start because it's going to tie in 439 00:24:26,600 --> 00:24:29,159 Speaker 1: more directly with some of those sci fi ideas that 440 00:24:29,160 --> 00:24:33,200 Speaker 1: we explored already. So you have one individual in particular 441 00:24:33,359 --> 00:24:36,440 Speaker 1: with it's worth mentioning here, and that's Dr Kathleen Richardson. 442 00:24:36,840 --> 00:24:40,960 Speaker 1: She's a robot ethicist at de Montfort University in Leicester, 443 00:24:41,280 --> 00:24:44,720 Speaker 1: and she heads the Campaign Against Sex Robots or c 444 00:24:44,920 --> 00:24:48,600 Speaker 1: a s R. And she makes a number of arguments, 445 00:24:48,880 --> 00:24:52,000 Speaker 1: basically has a manifesto. Yeah, and so look, we should 446 00:24:52,000 --> 00:24:56,080 Speaker 1: clarify like like this appeared to me to start off 447 00:24:56,119 --> 00:24:59,520 Speaker 1: as a long academic paper which is, you know, well written, 448 00:25:00,080 --> 00:25:03,600 Speaker 1: but now it's like it's this whole web presence with 449 00:25:03,760 --> 00:25:07,359 Speaker 1: sort of action items to it. Um And she calls 450 00:25:07,400 --> 00:25:11,480 Speaker 1: basically for an organized approach against the development of sex 451 00:25:11,600 --> 00:25:14,800 Speaker 1: robots as a necessary response for humanity. And she says 452 00:25:15,119 --> 00:25:17,600 Speaker 1: the reason why is that sex robots, in her mind, 453 00:25:18,119 --> 00:25:23,959 Speaker 1: reflect human principles of dignity, mutuality, and freedom, and that 454 00:25:24,040 --> 00:25:28,800 Speaker 1: by creating these bots, it's a representation of violence, discrimination, 455 00:25:28,840 --> 00:25:32,680 Speaker 1: and coercion. So we are manifesting kind of like the 456 00:25:32,680 --> 00:25:36,919 Speaker 1: worst parts of ourselves in making these sex spots. And 457 00:25:37,000 --> 00:25:40,560 Speaker 1: she also argues that the development of sex spots further 458 00:25:40,680 --> 00:25:44,439 Speaker 1: sexually objectifies women and children. She says the vision for 459 00:25:44,520 --> 00:25:49,520 Speaker 1: sex spots is underscored by reference to the prostitute John Exchange, 460 00:25:49,560 --> 00:25:52,800 Speaker 1: which relies on recognizing only the needs and wants of 461 00:25:52,800 --> 00:25:55,480 Speaker 1: the buyers of sex, while the sellers of sex are 462 00:25:55,520 --> 00:25:59,280 Speaker 1: not attributed subjectively and they're reduced to you know, a 463 00:25:59,400 --> 00:26:02,440 Speaker 1: thing and object like a robot. She argues that the 464 00:26:02,480 --> 00:26:05,439 Speaker 1: development of sex robots and the ideas to support their 465 00:26:05,480 --> 00:26:08,600 Speaker 1: production show the immense horrors still present in the world 466 00:26:08,600 --> 00:26:12,119 Speaker 1: of prostitution, which is built on the perceived inferiority of 467 00:26:12,119 --> 00:26:15,600 Speaker 1: women and children, and therefore justifies their use of sex objects. 468 00:26:15,640 --> 00:26:18,720 Speaker 1: Also that the development of sex robots will further reduce 469 00:26:18,840 --> 00:26:22,360 Speaker 1: human empathy and that can only be developed by an 470 00:26:22,359 --> 00:26:26,360 Speaker 1: experience of a mutual relationship. And that's a that one 471 00:26:26,400 --> 00:26:28,600 Speaker 1: ties in nicely to you and Joe's recent episodes on 472 00:26:28,640 --> 00:26:32,000 Speaker 1: animal empathy and the human Absolutely. Yeah. She goes on 473 00:26:32,040 --> 00:26:34,920 Speaker 1: to challenge the view that the development of adult and 474 00:26:35,080 --> 00:26:37,919 Speaker 1: child sex robot robots will have a positive benefit to 475 00:26:37,960 --> 00:26:43,160 Speaker 1: society but instead further reinforced power relations of inequality and violence. 476 00:26:43,320 --> 00:26:46,280 Speaker 1: Will get into what she's arguing about in a little bit, Yeah, 477 00:26:46,320 --> 00:26:49,719 Speaker 1: And then finally she says, you know, they take issue 478 00:26:50,040 --> 00:26:53,800 Speaker 1: with arguments that propose that sex robots could help reduce 479 00:26:53,840 --> 00:26:58,879 Speaker 1: sexual exploitation and violence toward prostituted persons. Uh, this is 480 00:26:58,920 --> 00:27:01,359 Speaker 1: pointing to all the evidence that shows how technology and 481 00:27:01,400 --> 00:27:05,119 Speaker 1: the sex trade co exists and reinforce each other, creating 482 00:27:05,200 --> 00:27:08,560 Speaker 1: more demands subsequently for human bodies. And we're gonna talk 483 00:27:08,560 --> 00:27:10,240 Speaker 1: about that a little bit too, especially in the case 484 00:27:10,240 --> 00:27:14,280 Speaker 1: of pedophilia. Now. Dr Kate Devlin, who's a researcher at 485 00:27:14,280 --> 00:27:18,280 Speaker 1: Goldsmith University of London UH their Department of Computing. She 486 00:27:18,400 --> 00:27:21,320 Speaker 1: took some issue with this in a September two thousand 487 00:27:21,400 --> 00:27:25,200 Speaker 1: sixteen interview with The Guardian. So she countered that that 488 00:27:25,440 --> 00:27:27,879 Speaker 1: this argument as a whole dismisses the fact that women, 489 00:27:28,240 --> 00:27:32,320 Speaker 1: not men, are quote more likely to purchase artificial non 490 00:27:32,440 --> 00:27:37,000 Speaker 1: human substitutes such as vibrators. Yeah. She also says that 491 00:27:37,040 --> 00:27:40,119 Speaker 1: the campaign against sex robots this is to distinguish this 492 00:27:40,200 --> 00:27:45,320 Speaker 1: is Kate Devlin talking against Kathleen Richardson UH. She says 493 00:27:45,359 --> 00:27:48,840 Speaker 1: that it rests on a parallel parallel that's drawn between 494 00:27:48,840 --> 00:27:52,600 Speaker 1: sex robots and female sex workers. And Devlin sees sex 495 00:27:52,720 --> 00:27:57,200 Speaker 1: robots as being potentially useful, especially if they're using machine 496 00:27:57,280 --> 00:28:00,119 Speaker 1: learning and bio feedback, in the sense that they can 497 00:28:00,200 --> 00:28:05,800 Speaker 1: quote provide adaptive, personal, fulfilling sexual experiences and in that 498 00:28:05,840 --> 00:28:09,600 Speaker 1: way they could be used for therapeutic reasons. She also 499 00:28:09,640 --> 00:28:14,520 Speaker 1: says sex look, sex is part of humanity's mental processes 500 00:28:14,640 --> 00:28:19,080 Speaker 1: and it's fundamental to our human conditions, so it's worth 501 00:28:19,119 --> 00:28:23,480 Speaker 1: considering how our bodily. Interactions like this make changes to 502 00:28:23,520 --> 00:28:28,240 Speaker 1: our brain and how that has bearing on our cognitive processes. 503 00:28:28,280 --> 00:28:32,040 Speaker 1: So there's a lot here that she's arguing that says like, yeah, like, 504 00:28:32,080 --> 00:28:36,600 Speaker 1: I understand your argument, Kathleen Richardson about you know, a 505 00:28:36,640 --> 00:28:40,200 Speaker 1: campaign against sexual robots. But there's some potential benefits here 506 00:28:40,200 --> 00:28:42,880 Speaker 1: too that you seem to be ignoring. Yeah, yeah, she 507 00:28:43,120 --> 00:28:46,040 Speaker 1: I think she makes a strong counter argument here, you know, saying, hey, 508 00:28:46,080 --> 00:28:49,480 Speaker 1: would a woman be disinterested in buying a human replica 509 00:28:49,680 --> 00:28:55,080 Speaker 1: or just a robotic sexual stimulations system because the the 510 00:28:55,120 --> 00:28:58,560 Speaker 1: market information would tend to say no, that women already 511 00:28:58,560 --> 00:29:03,040 Speaker 1: buy uh sexual technology, so why not the next generation 512 00:29:03,080 --> 00:29:06,520 Speaker 1: of sexual technology? Yeah? Absolutely, Now, indeed, there is this 513 00:29:06,600 --> 00:29:10,200 Speaker 1: problem that technology in general is often made by men 514 00:29:10,400 --> 00:29:13,160 Speaker 1: for men. Uh. And we can see examples of this 515 00:29:13,800 --> 00:29:18,640 Speaker 1: well beyond the scope of of sexual devices. The artificial heart, 516 00:29:18,720 --> 00:29:23,240 Speaker 1: for example, uh it's it's sizing has long best fit 517 00:29:23,320 --> 00:29:26,880 Speaker 1: the dimensions of an adult human males chest it it 518 00:29:26,920 --> 00:29:30,520 Speaker 1: wasn't until later that companies like SynCardia eventually rolled out 519 00:29:30,520 --> 00:29:34,480 Speaker 1: a size more suitable for a for adult females and children. 520 00:29:34,800 --> 00:29:38,120 Speaker 1: Another thing worth noting here, too is that newer forms 521 00:29:38,160 --> 00:29:43,200 Speaker 1: of sex toys are created specifically for sharing between couples, 522 00:29:43,200 --> 00:29:46,480 Speaker 1: so it's not necessarily male oriented. But here's the thing. 523 00:29:46,760 --> 00:29:50,800 Speaker 1: They're either marketed to couples or two men, not directly 524 00:29:50,840 --> 00:29:53,920 Speaker 1: to women, even though, as Devlin says, women are the 525 00:29:53,920 --> 00:29:57,760 Speaker 1: ones primarily using sex toys. So sex technology is definitely 526 00:29:57,840 --> 00:30:02,360 Speaker 1: being created from a dominant hoosexual male perspective here. And 527 00:30:02,880 --> 00:30:07,560 Speaker 1: even if sex spots aren't conscious, they're externally made to 528 00:30:07,960 --> 00:30:12,160 Speaker 1: look like people, right uh, specifically women who are owned 529 00:30:12,160 --> 00:30:15,520 Speaker 1: by heterosexual men. So maybe if we thought broader about 530 00:30:15,520 --> 00:30:18,800 Speaker 1: our sex spots, we could alleviate these long running human 531 00:30:18,840 --> 00:30:21,600 Speaker 1: problems the same way I like to think of it, 532 00:30:21,680 --> 00:30:26,520 Speaker 1: looking back to the vibrator and how it basically changed completely, 533 00:30:26,640 --> 00:30:30,520 Speaker 1: like the way that medicine was approaching things like hysteria. Yeah, 534 00:30:30,560 --> 00:30:33,200 Speaker 1: I mean it comes down to the fact that you 535 00:30:33,200 --> 00:30:35,720 Speaker 1: can you can go out to buy a sex um 536 00:30:35,960 --> 00:30:38,720 Speaker 1: toy and you can get something, Yes, it definitely looks 537 00:30:38,720 --> 00:30:40,400 Speaker 1: like a replica of a human body part, but you 538 00:30:40,400 --> 00:30:43,040 Speaker 1: can also get things that can easily be mistaken for 539 00:30:43,280 --> 00:30:46,880 Speaker 1: other household gadgets totally um. For instance, I U I 540 00:30:47,000 --> 00:30:49,959 Speaker 1: travel with an aero press, which is a coffee making device. 541 00:30:50,520 --> 00:30:55,000 Speaker 1: But it is a cylindrical gadget. It's like a like 542 00:30:55,040 --> 00:30:59,200 Speaker 1: a a French press that like is uh compartmentalized. Yeah, 543 00:30:59,240 --> 00:31:02,280 Speaker 1: it's basically like a plastic cylinder with a plunger that 544 00:31:02,320 --> 00:31:04,240 Speaker 1: goes in it and to press the coffee out the 545 00:31:04,280 --> 00:31:06,280 Speaker 1: other side. And I travel with it because it's a 546 00:31:06,280 --> 00:31:09,480 Speaker 1: great way to ensure good coffee on the go. But 547 00:31:09,640 --> 00:31:12,120 Speaker 1: it inevitably it looks like something like it could be 548 00:31:12,200 --> 00:31:16,400 Speaker 1: some sort of sexual and it's getting scanned through t s. A. Yeah, 549 00:31:16,400 --> 00:31:21,480 Speaker 1: our dogs have these toys called go Nuts. The company 550 00:31:21,600 --> 00:31:24,239 Speaker 1: is called go Nuts, uh, and they make these like 551 00:31:24,560 --> 00:31:29,840 Speaker 1: really sturdy rubbery dog chew toys. Because I've got two 552 00:31:29,880 --> 00:31:32,240 Speaker 1: pit bull mixes, so they just like destroy anything I 553 00:31:32,320 --> 00:31:34,920 Speaker 1: give them. And one of them is like a long 554 00:31:35,440 --> 00:31:38,400 Speaker 1: shaft like looking thing and the other one looks like 555 00:31:38,440 --> 00:31:42,400 Speaker 1: a doughnut. And the day that they got sent to 556 00:31:42,480 --> 00:31:45,200 Speaker 1: my wife's office, you know, she she works for a 557 00:31:45,200 --> 00:31:47,880 Speaker 1: big company security screens all the mail that goes through, 558 00:31:47,880 --> 00:31:49,880 Speaker 1: and she's just laughing. She's like, can you imagine with 559 00:31:49,880 --> 00:31:52,960 Speaker 1: the security people downstairs think as this stuff is going 560 00:31:52,960 --> 00:31:55,080 Speaker 1: through their X ray machine. The good news here, though, 561 00:31:55,160 --> 00:31:58,680 Speaker 1: is that this all means plausible deniability for any actual 562 00:31:58,720 --> 00:32:03,000 Speaker 1: sex device that has some degree of of of design 563 00:32:03,040 --> 00:32:06,440 Speaker 1: ambiguity about it. Now, in two thousand and ten, there 564 00:32:06,480 --> 00:32:07,840 Speaker 1: was a Dutch paper that came out and this was 565 00:32:07,840 --> 00:32:10,320 Speaker 1: written for the United Nations, and it was titled gender 566 00:32:10,320 --> 00:32:13,720 Speaker 1: Dimensions of Product Design and that it highlighted a quote 567 00:32:13,840 --> 00:32:17,280 Speaker 1: male gender bias in mini tech products and as well 568 00:32:17,320 --> 00:32:19,680 Speaker 1: as just a disconnect from the view of gender as 569 00:32:19,720 --> 00:32:23,880 Speaker 1: a spectrum. Uh, and that observationally, um, all of this 570 00:32:23,960 --> 00:32:29,160 Speaker 1: is influenced by biology, culture, and situation. So even I 571 00:32:29,160 --> 00:32:30,720 Speaker 1: guess the idea here is that even if you get 572 00:32:30,720 --> 00:32:34,320 Speaker 1: beyond the fact that it's it's largely men designing technology 573 00:32:34,400 --> 00:32:38,520 Speaker 1: for men or men designing technology for women, there's also 574 00:32:38,560 --> 00:32:42,920 Speaker 1: not necessarily that nuanced an idea of what what constitutes 575 00:32:43,040 --> 00:32:47,840 Speaker 1: gender in the human reality. Yeah, and you know, male 576 00:32:47,920 --> 00:32:51,080 Speaker 1: thinking has dominated the development of TVs and GPS devices, 577 00:32:51,400 --> 00:32:54,680 Speaker 1: So can we really expect anything better from physical and 578 00:32:54,720 --> 00:32:59,440 Speaker 1: conceptual design for sexual robotic systems? And then we've got 579 00:32:59,560 --> 00:33:03,440 Speaker 1: David Levy here, uh, and he I'm gonna let you 580 00:33:03,520 --> 00:33:06,720 Speaker 1: introduce this, but man, he wrote this really fascinating pieces. 581 00:33:06,800 --> 00:33:10,800 Speaker 1: It seems like he's written multiple pieces specifically about ethics 582 00:33:10,800 --> 00:33:12,840 Speaker 1: and robots. Yeah, this guy, this would be a good 583 00:33:12,840 --> 00:33:14,800 Speaker 1: place if you want to do a deeper dive into 584 00:33:14,960 --> 00:33:17,400 Speaker 1: some of these topics. That he's a British author, chess 585 00:33:17,400 --> 00:33:20,600 Speaker 1: master and CEO of Intelligent Toys Limited UH and he 586 00:33:20,960 --> 00:33:24,280 Speaker 1: wrote about much of these issues in the Ethics of 587 00:33:24,440 --> 00:33:28,080 Speaker 1: Robot Prostitutes from his UH that's featured in the book 588 00:33:28,200 --> 00:33:31,480 Speaker 1: Robot Ethics, published in two thousand eleven. And he argued 589 00:33:31,520 --> 00:33:34,200 Speaker 1: that sex spots only really become a problem when they're 590 00:33:34,240 --> 00:33:38,760 Speaker 1: bestowed with artificial consciousness, thus elevating them from mere artifact 591 00:33:38,840 --> 00:33:43,200 Speaker 1: to something more, something at least mimicking personhood. Yeah. So 592 00:33:43,240 --> 00:33:45,880 Speaker 1: the gist here of Levy's argument is that as long 593 00:33:45,920 --> 00:33:50,520 Speaker 1: as sex spots are artifacts without any artificial consciousness, there's 594 00:33:50,520 --> 00:33:53,640 Speaker 1: no ethical implications and having sex with them or using 595 00:33:53,680 --> 00:33:55,840 Speaker 1: them for prostitution. Now, if we go back, I would 596 00:33:55,880 --> 00:33:59,080 Speaker 1: imagine Dr Kathleen Richardson would take umbradge with that. But 597 00:33:59,600 --> 00:34:02,280 Speaker 1: he said, as you know, as long as there's no 598 00:34:03,120 --> 00:34:06,640 Speaker 1: artificial consciousness, we're okay. But if they do have a consciousness, 599 00:34:06,760 --> 00:34:09,799 Speaker 1: then that's when we get into illegal and ethical implications, 600 00:34:10,000 --> 00:34:12,120 Speaker 1: and not just for ourselves, but then we've got to 601 00:34:12,160 --> 00:34:15,839 Speaker 1: think about the robots. Do they get rights? Do they 602 00:34:15,960 --> 00:34:21,640 Speaker 1: have legal and ethical rights that are implied by their consciousness? Yeah, 603 00:34:21,640 --> 00:34:24,000 Speaker 1: this isn't This is a whole can of worms here 604 00:34:24,080 --> 00:34:26,520 Speaker 1: because on one hand, it gets into the whole question 605 00:34:26,560 --> 00:34:28,840 Speaker 1: of what is consciousness. We can't even define what it 606 00:34:28,920 --> 00:34:31,680 Speaker 1: is for humans, how do we define in robots? And 607 00:34:31,719 --> 00:34:34,400 Speaker 1: then it makes you ask questions about any and everything 608 00:34:35,120 --> 00:34:38,799 Speaker 1: where there's a potential like faking of consciousness, Like when 609 00:34:38,800 --> 00:34:40,760 Speaker 1: do I start have when I have to start becoming 610 00:34:40,760 --> 00:34:46,440 Speaker 1: concerned about MPC characters and video games, um, virtual individuals, 611 00:34:46,480 --> 00:34:48,840 Speaker 1: Like if you have if you have an MPC in 612 00:34:48,880 --> 00:34:51,480 Speaker 1: a video game that like it has a very realistic 613 00:34:51,520 --> 00:34:54,640 Speaker 1: betrayal to your your violence and you're you know, running 614 00:34:54,640 --> 00:34:57,000 Speaker 1: around gun toting whatever the behaviors in the video games. 615 00:34:57,360 --> 00:34:59,480 Speaker 1: Like at what point does it become kind of creepy? 616 00:34:59,800 --> 00:35:02,279 Speaker 1: That essentially I think the argument that West world tries 617 00:35:02,320 --> 00:35:06,640 Speaker 1: to make a season, right, Yeah, like insert Westworlds as 618 00:35:06,719 --> 00:35:11,319 Speaker 1: potential commentary on that question. One one more thought on this, 619 00:35:11,480 --> 00:35:14,520 Speaker 1: uh was reading an article Indian magazine and this is 620 00:35:14,560 --> 00:35:19,800 Speaker 1: a sex spot Slaves. Sociologist Lee Reich has this excellent quote, 621 00:35:20,120 --> 00:35:22,879 Speaker 1: but even if sex spots are not currently conscious, they 622 00:35:22,920 --> 00:35:26,200 Speaker 1: do have the external markings of personhood, and we are 623 00:35:26,200 --> 00:35:29,799 Speaker 1: programming them to be person alike. Indeed, we are programming 624 00:35:29,840 --> 00:35:32,680 Speaker 1: them to be like a specific type of person, the 625 00:35:32,719 --> 00:35:36,080 Speaker 1: type of woman who can be owned by a heterosexual man. 626 00:35:37,440 --> 00:35:42,040 Speaker 1: So now we've heard many of the arguments against sex spots, 627 00:35:42,200 --> 00:35:44,120 Speaker 1: when we've set up kind of where we're at with 628 00:35:44,160 --> 00:35:46,719 Speaker 1: the technology, let's take a quick break and when we 629 00:35:46,719 --> 00:35:48,680 Speaker 1: get back, we're gonna come back in on this and 630 00:35:48,680 --> 00:35:51,359 Speaker 1: we're gonna talk about the argument for sex spots and 631 00:35:51,400 --> 00:35:59,960 Speaker 1: how they could be beneficial to humanity. All Right, we're back, 632 00:36:00,480 --> 00:36:02,640 Speaker 1: So in this next little bit, we're going to talk 633 00:36:02,680 --> 00:36:07,520 Speaker 1: about the victimization reduction argument for sex spots, And just 634 00:36:07,600 --> 00:36:10,719 Speaker 1: a quick warning, we're going to briefly discuss pedophilia here, 635 00:36:10,760 --> 00:36:12,880 Speaker 1: So if you really don't want to hear that, you know, 636 00:36:12,920 --> 00:36:15,920 Speaker 1: skip ahead a little bit on your device. We're we're 637 00:36:15,920 --> 00:36:19,080 Speaker 1: gonna discuss it with decorum here. But it does play 638 00:36:19,120 --> 00:36:24,440 Speaker 1: a role in this discussion. So a point of contentions, 639 00:36:24,520 --> 00:36:27,560 Speaker 1: as referenced already, is the argument that a robotic sex 640 00:36:27,560 --> 00:36:30,719 Speaker 1: spot would absorb the violence and abuse that a human 641 00:36:30,760 --> 00:36:33,919 Speaker 1: would otherwise suffer, and this would apply to both well, 642 00:36:33,920 --> 00:36:37,799 Speaker 1: really to to all individuals male female, um or a 643 00:36:37,880 --> 00:36:41,160 Speaker 1: child or I've also seen the argument, uh for animals 644 00:36:41,160 --> 00:36:43,240 Speaker 1: as well. So if you could have a robot stand 645 00:36:43,280 --> 00:36:46,560 Speaker 1: in and absorb that abuse, like better a robot than 646 00:36:46,600 --> 00:36:50,959 Speaker 1: an actual human like that, that's a problematic argument. Yeah, 647 00:36:50,960 --> 00:36:53,200 Speaker 1: but that is an argument that some people make, right. 648 00:36:53,239 --> 00:36:55,880 Speaker 1: I don't think there are many people out there who 649 00:36:55,880 --> 00:36:58,640 Speaker 1: would who would argue with the statement that if a 650 00:36:58,760 --> 00:37:02,239 Speaker 1: robot could suffer something rather than a human that would 651 00:37:02,239 --> 00:37:06,200 Speaker 1: be preferable. Well, depending on whether or not it has consciousness. Yeah, 652 00:37:06,200 --> 00:37:08,320 Speaker 1: well then then we get into that whole can of worms. 653 00:37:08,360 --> 00:37:12,000 Speaker 1: But there's a as I say, it's it's a problematic argument, 654 00:37:12,040 --> 00:37:15,880 Speaker 1: but it's it's one worth discussing, especially as it relates 655 00:37:15,880 --> 00:37:19,719 Speaker 1: to people with pedophilic impulses um. There's a great deal 656 00:37:19,760 --> 00:37:22,320 Speaker 1: of work that has gone into this topic over the years, 657 00:37:22,920 --> 00:37:25,399 Speaker 1: and we could easily do a whole episode on it, 658 00:37:25,600 --> 00:37:28,400 Speaker 1: though it would be rather down or of an episode. 659 00:37:28,719 --> 00:37:32,920 Speaker 1: There's no known medical or psychiatric cure for pedophilia, and 660 00:37:32,960 --> 00:37:36,160 Speaker 1: our methods of dealing with such individuals as often crude. 661 00:37:37,400 --> 00:37:40,479 Speaker 1: But we do have men such as Shin Takachi who's 662 00:37:40,520 --> 00:37:44,200 Speaker 1: abuse a Japanese man profiled in the in the Atlantic 663 00:37:44,440 --> 00:37:46,879 Speaker 1: in two thousands sixteen. And this is a guy who 664 00:37:46,920 --> 00:37:50,400 Speaker 1: struggles with an attraction to children as well as the 665 00:37:50,520 --> 00:37:55,239 Speaker 1: knowledge the resolve that his attraction is just incompatible with reality. 666 00:37:55,440 --> 00:37:58,399 Speaker 1: And that's the ultimate tragedy here, right, is that these 667 00:37:58,400 --> 00:38:02,719 Speaker 1: are individuals who are born with this, this drive, this inclination, 668 00:38:03,480 --> 00:38:09,040 Speaker 1: and it's completely incompatible with our world. It is, it's 669 00:38:09,080 --> 00:38:14,399 Speaker 1: completely reprehensible. And some of these individuals realize this enter 670 00:38:14,520 --> 00:38:18,880 Speaker 1: and do not act on their impulses. So what um, 671 00:38:18,920 --> 00:38:22,080 Speaker 1: what this man, what Takagi is has been working on 672 00:38:22,640 --> 00:38:27,640 Speaker 1: is creating sex dolls look like children, shifting them out 673 00:38:28,120 --> 00:38:32,359 Speaker 1: around the world to individuals who claim to need them. 674 00:38:32,680 --> 00:38:36,000 Speaker 1: But because what are the other options. There's cognitive behavioral therapy, 675 00:38:36,040 --> 00:38:39,600 Speaker 1: there's chemical castration, but a two thousand seven meta analysis 676 00:38:39,600 --> 00:38:42,399 Speaker 1: from the Mayo Clinic found that no current method can 677 00:38:42,440 --> 00:38:47,279 Speaker 1: actually quote alter the pedophiles basic sexual orientation toward children. Right, 678 00:38:47,320 --> 00:38:49,200 Speaker 1: So you end up with this argument, which is sort 679 00:38:49,239 --> 00:38:53,400 Speaker 1: of like, if you have these child sex spots, is 680 00:38:53,480 --> 00:38:59,239 Speaker 1: that a safer outlet for pedophiles or the the the 681 00:38:59,400 --> 00:39:02,440 Speaker 1: sort of flip side to that is, is that going 682 00:39:02,440 --> 00:39:05,359 Speaker 1: to aggravate their sense of frustration so that they act 683 00:39:05,360 --> 00:39:08,399 Speaker 1: out on real human beings even more right, And there's 684 00:39:08,400 --> 00:39:11,200 Speaker 1: no evidence to show that his approach works, but it 685 00:39:11,280 --> 00:39:14,200 Speaker 1: is difficult to gauge because things I already mentioned. There's 686 00:39:14,320 --> 00:39:15,960 Speaker 1: a lot of research, but a lot of the research 687 00:39:16,040 --> 00:39:19,320 Speaker 1: is based on actual offenders, not people who managed to 688 00:39:19,560 --> 00:39:22,880 Speaker 1: stay off impulses. But what research there is tends to 689 00:39:22,920 --> 00:39:26,880 Speaker 1: imply that such a doll might have really a reinforcing effect. Now, 690 00:39:26,960 --> 00:39:29,840 Speaker 1: of course, there are several different categories for pedophiles, but 691 00:39:30,040 --> 00:39:34,480 Speaker 1: a University of Toronto forensic psychologists and sexologist Michael Setto 692 00:39:34,680 --> 00:39:39,560 Speaker 1: speculates that there might be two broader distinctions among pedophiles. 693 00:39:39,600 --> 00:39:42,239 Speaker 1: So for one group, a doll or robot might serve 694 00:39:42,280 --> 00:39:44,919 Speaker 1: to keep them from seeking out chop pornography or become 695 00:39:44,960 --> 00:39:49,640 Speaker 1: abusers themselves. For others, though, it just might aggravate their impulses. Yeah, 696 00:39:49,640 --> 00:39:53,480 Speaker 1: so this this is very problematic. Uh, And I think 697 00:39:53,520 --> 00:39:58,400 Speaker 1: to like I'm imagining you, the listener, are probably struggling 698 00:39:58,440 --> 00:40:01,520 Speaker 1: with one concept here that we're sort of it's sort 699 00:40:01,520 --> 00:40:03,359 Speaker 1: of like the unspoken thing in the room, right, which 700 00:40:03,440 --> 00:40:08,080 Speaker 1: is the idea that pedophilia is inherent, it's not it's natural, 701 00:40:08,560 --> 00:40:13,160 Speaker 1: and it's part of this person's you know, biology, and 702 00:40:13,239 --> 00:40:18,759 Speaker 1: not something that's learned. And uh, you know, either way, though, 703 00:40:19,080 --> 00:40:23,160 Speaker 1: the research shows that it is different extremely difficult or 704 00:40:23,160 --> 00:40:26,480 Speaker 1: if not impossible to cure in the individual. So so 705 00:40:26,560 --> 00:40:29,960 Speaker 1: what do you do. We're left without the technology of 706 00:40:30,000 --> 00:40:33,919 Speaker 1: the medical expertise to quote unquote fix someone like this. 707 00:40:34,360 --> 00:40:37,719 Speaker 1: Then does that mean that a robotic doll would have 708 00:40:37,760 --> 00:40:39,480 Speaker 1: a place? And I have to say, you know, like 709 00:40:39,560 --> 00:40:43,360 Speaker 1: as sort of creepy as it is to read about 710 00:40:43,719 --> 00:40:47,439 Speaker 1: two Kagi, at least seems to be taking his impulses 711 00:40:47,480 --> 00:40:50,879 Speaker 1: and doing something productive with them, right, at least he's 712 00:40:50,880 --> 00:40:54,399 Speaker 1: trying to like turn it around, uh, into something that 713 00:40:55,280 --> 00:40:58,000 Speaker 1: has a benefit I guess to society, or at least 714 00:40:58,120 --> 00:41:02,759 Speaker 1: reduces danger to society. Um. But when you, like you 715 00:41:02,800 --> 00:41:06,560 Speaker 1: read about in this Atlantic article his workshop. He's got 716 00:41:06,560 --> 00:41:10,040 Speaker 1: this mountain workshop that's up in the woods, and all 717 00:41:10,080 --> 00:41:13,120 Speaker 1: of his employees have to be former military, specifically because 718 00:41:13,120 --> 00:41:15,200 Speaker 1: of the kind of chemicals that he's using in order 719 00:41:15,239 --> 00:41:20,280 Speaker 1: to create like, um, like more realistic skin. Uh. And 720 00:41:21,320 --> 00:41:26,080 Speaker 1: we should talk about this ceremony. So apparently because they're Japanese. Uh, 721 00:41:26,120 --> 00:41:28,840 Speaker 1: there's the special ceremony that's sort of along the lines 722 00:41:28,920 --> 00:41:33,279 Speaker 1: of Shinto animism that's performed for the dolls, specifically at 723 00:41:33,280 --> 00:41:36,680 Speaker 1: a shrine when their owners don't want them anymore because 724 00:41:36,719 --> 00:41:38,719 Speaker 1: they think of them as having I don't know if 725 00:41:38,840 --> 00:41:41,920 Speaker 1: soul isn't the right word, but but that there is 726 00:41:42,000 --> 00:41:43,960 Speaker 1: some kind of essence to them that you don't just 727 00:41:44,040 --> 00:41:46,520 Speaker 1: take this thing and throw it in the trash. Yeah, 728 00:41:46,520 --> 00:41:48,560 Speaker 1: he says in the article quote it's a common belief 729 00:41:48,600 --> 00:41:52,080 Speaker 1: in Japan that dolls are mirrors, that dolls show their 730 00:41:52,080 --> 00:41:56,839 Speaker 1: owners true self. So, again, a problematic scenario to look at, 731 00:41:56,960 --> 00:41:59,920 Speaker 1: but one that that is core to both the arguments 732 00:42:00,040 --> 00:42:04,480 Speaker 1: for and against sex robots. Right, and then this leads 733 00:42:04,520 --> 00:42:08,120 Speaker 1: us right back to Dr Kate Devlin, who was, you know, 734 00:42:08,160 --> 00:42:13,560 Speaker 1: the person who originally argued against the case against sex robots. Yeah, 735 00:42:13,560 --> 00:42:15,279 Speaker 1: and this brings us into what I think is the 736 00:42:15,320 --> 00:42:18,120 Speaker 1: most the most fascinating area, uh, that we're going to 737 00:42:18,200 --> 00:42:21,759 Speaker 1: talk about here today, and that's the therapy angle. So 738 00:42:21,880 --> 00:42:24,520 Speaker 1: she argues that sex spots would essentially be sex toys 739 00:42:24,520 --> 00:42:27,799 Speaker 1: that benefit from machine learning and bio feedback. And she 740 00:42:27,920 --> 00:42:30,279 Speaker 1: also points out that despite all of our sci fi 741 00:42:30,400 --> 00:42:34,200 Speaker 1: visions of humanoid sex robots. There's no reason they these 742 00:42:34,239 --> 00:42:36,320 Speaker 1: things would need to have a human form or a 743 00:42:36,400 --> 00:42:39,319 Speaker 1: human face. Again, we've already as we've already said, a 744 00:42:39,320 --> 00:42:41,640 Speaker 1: great many sex toys do not even look like parts 745 00:42:41,640 --> 00:42:45,080 Speaker 1: of a human, much less a human being. Um she 746 00:42:45,080 --> 00:42:49,040 Speaker 1: She points out specifically that for female females, there is 747 00:42:49,120 --> 00:42:52,040 Speaker 1: I think it's called the rabbit is u is, a 748 00:42:52,160 --> 00:42:54,560 Speaker 1: vibrator device that does not look like a part of 749 00:42:54,719 --> 00:42:57,600 Speaker 1: the male or female anatomy. And then the flesh light, 750 00:42:57,640 --> 00:43:00,520 Speaker 1: which we already mentioned. There apparently some models that do 751 00:43:00,600 --> 00:43:04,160 Speaker 1: look like replicas of human of human anatomy, but others 752 00:43:04,160 --> 00:43:08,480 Speaker 1: that don't, others that have more fantastic or abstract appearances. 753 00:43:08,520 --> 00:43:10,840 Speaker 1: So you could put these together and you could easily 754 00:43:10,880 --> 00:43:15,360 Speaker 1: imagine a sexual robot that either does not look like 755 00:43:15,400 --> 00:43:17,840 Speaker 1: a gendered human or even like maybe looks like a 756 00:43:17,880 --> 00:43:20,960 Speaker 1: spider or something. Yeah. Yeah, Like it could could sort 757 00:43:20,960 --> 00:43:24,080 Speaker 1: of be anything that could be like a rumba. Yeah, 758 00:43:24,320 --> 00:43:27,160 Speaker 1: rumba might be something. I don't know why I was 759 00:43:27,200 --> 00:43:30,239 Speaker 1: going this way, but like somebody might particularly want like 760 00:43:30,840 --> 00:43:34,480 Speaker 1: a kind of whale, like like a smallish whale. Yeah, 761 00:43:34,600 --> 00:43:36,520 Speaker 1: and I mean the thing is we can say, oh, 762 00:43:36,560 --> 00:43:39,360 Speaker 1: that's repellant. Who would want to have, you know, sexual 763 00:43:39,400 --> 00:43:43,800 Speaker 1: contact with an inhuman machine. But again, we are already 764 00:43:43,800 --> 00:43:47,759 Speaker 1: doing it. The market research shows that that individuals have 765 00:43:48,000 --> 00:43:52,560 Speaker 1: been using non human sexual machines for some time now, 766 00:43:54,200 --> 00:43:56,080 Speaker 1: so it's not out of keeping with human behavior. And 767 00:43:56,080 --> 00:43:59,120 Speaker 1: so there's a lot of applications here that Devil is saying, right, like, 768 00:43:59,160 --> 00:44:01,200 Speaker 1: we could use this to treat a lot of different 769 00:44:01,880 --> 00:44:05,520 Speaker 1: ailments that humans are suffering from. That's right. So there's 770 00:44:05,520 --> 00:44:07,759 Speaker 1: the treatment of sex offenders, which we've already touched on, 771 00:44:08,360 --> 00:44:10,799 Speaker 1: UH couples therapy, which I think is interesting. You made 772 00:44:10,800 --> 00:44:13,160 Speaker 1: a point earlier about so many of the current devices 773 00:44:13,200 --> 00:44:17,520 Speaker 1: are made for for a couple to UH to use together, 774 00:44:18,280 --> 00:44:22,839 Speaker 1: sometimes across vast distances. Then this is a big one, 775 00:44:22,960 --> 00:44:28,279 Speaker 1: the restoration of sexual confidence following trauma and or injury. Now, 776 00:44:28,280 --> 00:44:30,000 Speaker 1: this is a topic we touched on some in our 777 00:44:30,480 --> 00:44:32,799 Speaker 1: our episode that we did where we interviewed Mary Roach 778 00:44:32,920 --> 00:44:37,319 Speaker 1: about about the surgical repair of genitalia, specifically soldiers who 779 00:44:37,360 --> 00:44:40,680 Speaker 1: have suffered you know, grievous wounds to that area of 780 00:44:40,680 --> 00:44:43,080 Speaker 1: the academy. That's an episode we should definitely put in 781 00:44:43,120 --> 00:44:46,040 Speaker 1: the links on the Landing page because it's related. Yeah, 782 00:44:46,239 --> 00:44:49,040 Speaker 1: and uh and and indeed, I believe Walter Reed Hospital 783 00:44:49,080 --> 00:44:51,520 Speaker 1: came up in that episode as well. They have a 784 00:44:51,560 --> 00:44:55,640 Speaker 1: sexual health and intimacy service that focuses on education and therapy. 785 00:44:56,280 --> 00:44:59,040 Speaker 1: And there's a great Atlantic article about this from last 786 00:44:59,120 --> 00:45:01,920 Speaker 1: year that folk this is on the broader topic. But 787 00:45:01,920 --> 00:45:04,360 Speaker 1: but the author points out that the department in question 788 00:45:04,440 --> 00:45:08,560 Speaker 1: features quote de facto sex classes that include sex toys 789 00:45:08,640 --> 00:45:12,000 Speaker 1: aimed at stimulating different parts of the body. So the 790 00:45:12,040 --> 00:45:15,440 Speaker 1: main aim here is individuals who have experienced genital or 791 00:45:15,480 --> 00:45:18,280 Speaker 1: spinal cord injuries. Uh, they may have lost their ability 792 00:45:18,320 --> 00:45:21,200 Speaker 1: to have an orgasm themselves, and they have to adapt 793 00:45:21,280 --> 00:45:24,000 Speaker 1: to their new bodies and a new approach to physical 794 00:45:24,040 --> 00:45:28,479 Speaker 1: intimacy with with their spouse or with you know, with 795 00:45:28,480 --> 00:45:31,479 Speaker 1: with new relationships in their lives. Now, in this case, 796 00:45:31,520 --> 00:45:35,160 Speaker 1: we're talking specifically about veterans who are maybe lost a 797 00:45:35,200 --> 00:45:38,120 Speaker 1: limb or something like that, or or but there's there's 798 00:45:38,160 --> 00:45:40,920 Speaker 1: some cases where sex therapy like this is needed for 799 00:45:41,000 --> 00:45:44,680 Speaker 1: other people as well. Yeah, and indeed, also memory impairing 800 00:45:44,719 --> 00:45:49,120 Speaker 1: injuries and just basic trauma that stems from combat can 801 00:45:49,160 --> 00:45:52,600 Speaker 1: disrupt an individual sex lift. So you need not even 802 00:45:52,640 --> 00:45:55,000 Speaker 1: have a physical injury for this kind of therapy to 803 00:45:55,000 --> 00:45:57,880 Speaker 1: be necessary. And so the question is could a sex 804 00:45:58,000 --> 00:46:01,839 Speaker 1: robot aid in this kind of of work as well. Now, 805 00:46:01,920 --> 00:46:05,960 Speaker 1: Delvin also hits on general sex therapy and says that, 806 00:46:06,040 --> 00:46:09,000 Speaker 1: you know, VR therapy is already a big deal. And 807 00:46:09,040 --> 00:46:12,000 Speaker 1: she also mentions that VR therapy is already already a 808 00:46:12,040 --> 00:46:13,440 Speaker 1: thing and it is only going to become more of 809 00:46:13,440 --> 00:46:16,040 Speaker 1: a of a big deal in the future. And uh. 810 00:46:16,040 --> 00:46:18,400 Speaker 1: And then there's this idea of the use of of 811 00:46:18,520 --> 00:46:22,960 Speaker 1: sex spots to potentially allow individuals to explore gender or 812 00:46:23,000 --> 00:46:28,319 Speaker 1: sexual orientation or just sexuality um as a whole. And 813 00:46:28,400 --> 00:46:30,799 Speaker 1: in this the role of the sex spot would very 814 00:46:30,920 --> 00:46:34,799 Speaker 1: closely mimic the role of a sex surrogate. So this 815 00:46:34,840 --> 00:46:37,680 Speaker 1: is a thing that already exists. Uh. And you can 816 00:46:37,760 --> 00:46:41,200 Speaker 1: look this up. Uh, this is not prostitution. Surrogates are 817 00:46:41,239 --> 00:46:46,120 Speaker 1: members of the International Professional Surrogates Association and they only 818 00:46:46,160 --> 00:46:49,080 Speaker 1: work with people who have been referred to them by psychotherapist. 819 00:46:49,520 --> 00:46:53,160 Speaker 1: According to an interview in the two thousand three Salon article, 820 00:46:53,320 --> 00:46:56,960 Speaker 1: I was a middle aged version Los Angeles surrogate partner 821 00:46:57,120 --> 00:47:02,680 Speaker 1: Dr Vina Blanchard. Uh. He works generally works with older virgins. 822 00:47:02,760 --> 00:47:06,799 Speaker 1: They account for her practice. And these patients are, you know, 823 00:47:06,840 --> 00:47:10,400 Speaker 1: are men who have encountered limiting obstacles to experiencing sex. 824 00:47:10,600 --> 00:47:14,080 Speaker 1: They didn't develop the interpersonal skills necessary, etcetera. And the 825 00:47:14,320 --> 00:47:17,520 Speaker 1: exact reasons, you know, very quite a bit, encompassing everything 826 00:47:17,560 --> 00:47:21,239 Speaker 1: from extreme shyness to history of sexual abuse. They're often 827 00:47:21,239 --> 00:47:24,520 Speaker 1: played by feelings of shame and that they need someone 828 00:47:24,640 --> 00:47:27,319 Speaker 1: to help them break through it all. All right, So 829 00:47:27,440 --> 00:47:31,560 Speaker 1: I've got a personal story here that I can absolutely 830 00:47:31,600 --> 00:47:39,080 Speaker 1: see applications. Okay, uh, I had a nightmarish temp job 831 00:47:39,239 --> 00:47:42,360 Speaker 1: in my early twenties. I don't think I've told you 832 00:47:42,400 --> 00:47:44,880 Speaker 1: about this before. Um So, I was tempting in my 833 00:47:44,920 --> 00:47:46,960 Speaker 1: early twenties. This was when I was living in Boston, 834 00:47:47,400 --> 00:47:49,520 Speaker 1: and one of my assignments was to work for a 835 00:47:49,560 --> 00:47:55,600 Speaker 1: week for a psychotherapist whose job it was to basically 836 00:47:56,000 --> 00:48:00,520 Speaker 1: review and interview sex offenders and decide whether or not 837 00:48:00,560 --> 00:48:03,400 Speaker 1: they should be released from prison into the general population, 838 00:48:03,680 --> 00:48:06,839 Speaker 1: like whether or not their sentence was was up, they 839 00:48:06,880 --> 00:48:10,040 Speaker 1: had been quote unquote reformed, and the job that was 840 00:48:10,080 --> 00:48:14,439 Speaker 1: assigned to me was to This was a while ago. 841 00:48:14,560 --> 00:48:18,240 Speaker 1: I literally listened to Cassette tapes that they would record 842 00:48:18,760 --> 00:48:22,560 Speaker 1: of their sessions and transcribe everything. And so I did 843 00:48:22,600 --> 00:48:25,200 Speaker 1: this for a week straight in the middle of a 844 00:48:25,320 --> 00:48:28,200 Speaker 1: very cold winter in Boston. It's a long community. It 845 00:48:28,239 --> 00:48:32,920 Speaker 1: was in Quincy, and uh wow, like it was just 846 00:48:33,000 --> 00:48:36,239 Speaker 1: like getting like this toxic sludge dumped into your head, 847 00:48:36,320 --> 00:48:39,280 Speaker 1: you know. And I remember that last day, like knowing 848 00:48:39,320 --> 00:48:41,239 Speaker 1: it was over, just standing there at the end of 849 00:48:41,280 --> 00:48:43,360 Speaker 1: the day, waiting for the shuttle to pick me up 850 00:48:43,400 --> 00:48:46,160 Speaker 1: to take me to the train and just crying. Uh. 851 00:48:46,200 --> 00:48:49,480 Speaker 1: And so I think about you know, not not just 852 00:48:49,680 --> 00:48:54,560 Speaker 1: virgins or or maybe pedophiles or even veterans who need 853 00:48:54,880 --> 00:48:59,160 Speaker 1: some help with you know, these potentially debilitating sexual I 854 00:48:59,239 --> 00:49:03,120 Speaker 1: don't know issues that they're having, but but all of 855 00:49:03,160 --> 00:49:06,000 Speaker 1: this stuff is it's very real in my head based 856 00:49:06,040 --> 00:49:09,200 Speaker 1: on that one week experience. Yeah, yeah, I mean that 857 00:49:09,200 --> 00:49:12,080 Speaker 1: sounds like it definitely definitely, I mean I had an 858 00:49:12,080 --> 00:49:15,200 Speaker 1: impact on your your psyche to to have to absorb 859 00:49:15,280 --> 00:49:18,839 Speaker 1: all that. Yeah, yeah, but it Yeah, I can see 860 00:49:18,840 --> 00:49:23,160 Speaker 1: that the definitely applications uh here as well. Now surrogates, 861 00:49:23,800 --> 00:49:26,960 Speaker 1: as we've been talking about, their their intimacy coaches and therapists, 862 00:49:27,239 --> 00:49:30,319 Speaker 1: and they don't always have sex with clients. So there 863 00:49:30,360 --> 00:49:35,200 Speaker 1: is much about imparting relationship skills, providing human combassion, and 864 00:49:35,520 --> 00:49:38,520 Speaker 1: also just creating an open, honest line of communication, breaking 865 00:49:38,560 --> 00:49:41,120 Speaker 1: through in the case of especially in the case of 866 00:49:41,360 --> 00:49:45,560 Speaker 1: the virgins, breaking through the shame. And I can see 867 00:49:45,600 --> 00:49:49,040 Speaker 1: where this could this could definitely be an area for 868 00:49:49,560 --> 00:49:54,880 Speaker 1: sex robots in the future. You know, So sexual abuse 869 00:49:55,400 --> 00:49:58,520 Speaker 1: or any kind of sort of sexual dysfunction as we 870 00:49:58,600 --> 00:50:03,760 Speaker 1: see it, especially in sort of psychoanalytical terms, right are 871 00:50:04,600 --> 00:50:06,440 Speaker 1: it seems to be something that sort of breeds a 872 00:50:06,560 --> 00:50:09,960 Speaker 1: vicious cycle. Uh, you know, like the people who are 873 00:50:10,120 --> 00:50:14,480 Speaker 1: hurt or tend to then go on to hurt others. 874 00:50:14,520 --> 00:50:19,520 Speaker 1: So in this instance, like I'm I'm seeing like the surrogates, 875 00:50:19,680 --> 00:50:22,400 Speaker 1: you wouldn't want to be in that situation. But the 876 00:50:22,480 --> 00:50:26,640 Speaker 1: sex robots, again, as long as they're not artificially conscious, 877 00:50:27,200 --> 00:50:29,440 Speaker 1: they could serve a role to sort of put a 878 00:50:29,440 --> 00:50:32,319 Speaker 1: halt to that vicious circle. Yeah. Yeah. And and also 879 00:50:32,440 --> 00:50:34,560 Speaker 1: just the idea you think about this idea that there 880 00:50:34,840 --> 00:50:38,719 Speaker 1: are people out there who have trouble developing relationships, that 881 00:50:38,800 --> 00:50:41,759 Speaker 1: they don't have the social tools perhaps or there there's 882 00:50:41,760 --> 00:50:43,920 Speaker 1: some sort of trauma holding them back from having the 883 00:50:43,960 --> 00:50:47,040 Speaker 1: kind of interpersonal relationships that can lead to sexual contact 884 00:50:47,040 --> 00:50:50,239 Speaker 1: when they are their individual Should they should they just 885 00:50:50,320 --> 00:50:54,160 Speaker 1: live out their lives without sexual contact? Are they aren't? 886 00:50:54,560 --> 00:50:56,319 Speaker 1: Do they have like on some level, do they have 887 00:50:56,360 --> 00:51:00,759 Speaker 1: a right to have sex with a robotic device or 888 00:51:00,800 --> 00:51:03,799 Speaker 1: machine or robotic humanoid if such a thing can be 889 00:51:04,239 --> 00:51:08,080 Speaker 1: made available within an ethical framework that works well. And 890 00:51:08,160 --> 00:51:10,480 Speaker 1: let's remember, let's go back to what we said earlier, 891 00:51:10,480 --> 00:51:14,000 Speaker 1: which is that sexuality and sex are part of the 892 00:51:14,080 --> 00:51:19,120 Speaker 1: human condition and our brains are absolutely affected by them. 893 00:51:19,239 --> 00:51:23,760 Speaker 1: So why not have this technology that would allow those 894 00:51:23,760 --> 00:51:27,840 Speaker 1: people to experience the human condition like the rest of us. Yeah, 895 00:51:27,920 --> 00:51:30,319 Speaker 1: and this this all forces me to sort of try 896 00:51:30,360 --> 00:51:33,799 Speaker 1: to imagine this future sex spot. Like on one hand, 897 00:51:33,840 --> 00:51:38,080 Speaker 1: imagine like a purely the therapeutic one. So you have 898 00:51:38,160 --> 00:51:40,359 Speaker 1: to go to a therapist, to human therapist to be 899 00:51:40,400 --> 00:51:44,400 Speaker 1: you know, prescribed your sex spot and they come to 900 00:51:44,400 --> 00:51:47,360 Speaker 1: you and it's not about just simply fulfilling some physical 901 00:51:47,440 --> 00:51:52,160 Speaker 1: need or even an emotional need, but allowing a transformation, 902 00:51:52,239 --> 00:51:54,560 Speaker 1: like getting you to a point to where you are 903 00:51:55,040 --> 00:51:58,239 Speaker 1: comfortable with your own sexuality, comfortable comfortable with just human 904 00:51:58,280 --> 00:52:03,200 Speaker 1: sexuality in general, that you are more capable of of 905 00:52:03,320 --> 00:52:08,160 Speaker 1: healthy human sexual relationships and on the other hand, like 906 00:52:08,160 --> 00:52:12,080 Speaker 1: a purely hedonistic level, a mechanical room. But we're Spider 907 00:52:12,560 --> 00:52:15,160 Speaker 1: that just when when called, you know, crawls out of 908 00:52:15,160 --> 00:52:17,600 Speaker 1: a box in your closet and does what needs to 909 00:52:17,640 --> 00:52:20,440 Speaker 1: be done and sleep at night. Right, that's very transmetropolitan. 910 00:52:20,480 --> 00:52:24,720 Speaker 1: I'm imagining Spider Jerusalem has something like that in his closet. Yeah, yeah, 911 00:52:24,760 --> 00:52:27,520 Speaker 1: but not too far from you know, other topics that 912 00:52:27,560 --> 00:52:30,920 Speaker 1: we've talked about in the past, especially when you add 913 00:52:31,040 --> 00:52:35,320 Speaker 1: in sort of like a bioengineering into the mix. Yeah, alright, 914 00:52:35,360 --> 00:52:38,680 Speaker 1: so there you have it. Sex spots again, something we 915 00:52:38,760 --> 00:52:41,440 Speaker 1: just see time and time again in sci fi. That's 916 00:52:41,440 --> 00:52:43,640 Speaker 1: really become part of our pop culture. But I don't 917 00:52:43,680 --> 00:52:46,200 Speaker 1: think most of us take time to really break it 918 00:52:46,239 --> 00:52:49,000 Speaker 1: down and think about the components, think about the pros 919 00:52:49,080 --> 00:52:51,919 Speaker 1: and the cons. Certainly some of these I thought about before, 920 00:52:51,960 --> 00:52:54,759 Speaker 1: but other aspects, especially the whole therapeutic aspect, I've never 921 00:52:54,800 --> 00:52:57,560 Speaker 1: really given any consideration. I think with the surge of 922 00:52:57,640 --> 00:53:01,680 Speaker 1: Westworld last year, like this kind of thing has become 923 00:53:01,719 --> 00:53:05,239 Speaker 1: maybe water cooler talk, but not to the extent of 924 00:53:05,320 --> 00:53:08,000 Speaker 1: like the research that we did here really looking at 925 00:53:08,040 --> 00:53:11,239 Speaker 1: like the pros and cons and how it's beneficial or 926 00:53:11,280 --> 00:53:14,680 Speaker 1: how the theory, the philosophical approach to it, of how 927 00:53:14,680 --> 00:53:17,520 Speaker 1: it could potentially sort of show the worst of humanity 928 00:53:17,560 --> 00:53:19,839 Speaker 1: as well. That's the part I think that like West 929 00:53:19,880 --> 00:53:23,040 Speaker 1: World's really honing in on. But I don't know, like 930 00:53:23,080 --> 00:53:25,279 Speaker 1: has West World? I can't really remember, and I don't 931 00:53:25,280 --> 00:53:27,800 Speaker 1: think this is spoilers, but like, was there an instance 932 00:53:27,800 --> 00:53:30,200 Speaker 1: of somebody who visited the park who needed that kind 933 00:53:30,239 --> 00:53:34,520 Speaker 1: of therapeutic help and going to one of the brothels. 934 00:53:34,920 --> 00:53:37,840 Speaker 1: I feel like it might have come up, just you know, 935 00:53:37,880 --> 00:53:39,880 Speaker 1: in the margins, but I don't remember it being a 936 00:53:39,920 --> 00:53:44,520 Speaker 1: major character of all because because ultimately, like how how 937 00:53:44,800 --> 00:53:47,840 Speaker 1: dramatic is that? Right? Right? You want? You wanted to 938 00:53:47,880 --> 00:53:51,960 Speaker 1: explore the cases of of abuse or the cases of love, 939 00:53:52,000 --> 00:53:54,160 Speaker 1: because that those are the two big trends we see. 940 00:53:54,400 --> 00:53:58,360 Speaker 1: Either someone either is abusive to a feminine sexual robot 941 00:53:58,719 --> 00:54:00,799 Speaker 1: or they fall in love with it. Uh, there's not 942 00:54:00,880 --> 00:54:04,520 Speaker 1: a lot of in Obviously, there's a lot more space 943 00:54:04,960 --> 00:54:08,760 Speaker 1: in the human condition for sexual contact to take place 944 00:54:08,800 --> 00:54:11,680 Speaker 1: as a broader spectrum, so it seems like it should 945 00:54:11,719 --> 00:54:14,360 Speaker 1: be present as well in our consideration of sex spots. 946 00:54:14,440 --> 00:54:16,560 Speaker 1: Maybe that's something Season two will get into. I mean, 947 00:54:16,800 --> 00:54:20,960 Speaker 1: I'm not sure. All right, Well, everyone listening to this 948 00:54:21,000 --> 00:54:24,000 Speaker 1: episode is a human being, so I'm sure everyone has 949 00:54:24,040 --> 00:54:29,239 Speaker 1: thoughts on the current technology, uh where we're headed with it, 950 00:54:29,360 --> 00:54:32,799 Speaker 1: as well as all the various fantastic and and maybe 951 00:54:32,840 --> 00:54:35,520 Speaker 1: even more hard boiled sci fi visions of what sex 952 00:54:35,560 --> 00:54:37,920 Speaker 1: spots might consist of. Yeah, and we hope we didn't, 953 00:54:37,920 --> 00:54:40,080 Speaker 1: you know, disturb you too much with getting into some 954 00:54:40,160 --> 00:54:43,279 Speaker 1: graphic territory here, but this seemed like a topic that 955 00:54:43,360 --> 00:54:47,120 Speaker 1: was worth really diving into and relevant to not only 956 00:54:47,160 --> 00:54:50,360 Speaker 1: popular culture but modern technology. All right, Now, as we 957 00:54:50,400 --> 00:54:52,680 Speaker 1: close out here, we've been we we like to highlight 958 00:54:52,760 --> 00:54:57,360 Speaker 1: various nonprofits and and and helpful organizations. Given the some 959 00:54:57,480 --> 00:54:59,080 Speaker 1: of the subject matter we've talked about here, we just 960 00:54:59,120 --> 00:55:02,359 Speaker 1: wanted to mention RAIN. That's r ai N in there, 961 00:55:02,400 --> 00:55:05,520 Speaker 1: the Rape Abuse and Incest National Network. You can find 962 00:55:05,560 --> 00:55:08,600 Speaker 1: them online, but you can also call them seven on 963 00:55:08,640 --> 00:55:11,880 Speaker 1: your phone at one eight hundred six five six hope 964 00:55:12,160 --> 00:55:16,680 Speaker 1: or hundred six five six four six seven three. And 965 00:55:16,760 --> 00:55:20,640 Speaker 1: also we're still celebrating Tripod month here at how stuff works. 966 00:55:20,760 --> 00:55:23,439 Speaker 1: If you're not familiar with what that is, podcasts around 967 00:55:23,440 --> 00:55:25,879 Speaker 1: the world are sharing one another's feeds, and the way 968 00:55:25,880 --> 00:55:28,960 Speaker 1: that they're doing that is on social media, letting everybody 969 00:55:29,000 --> 00:55:32,759 Speaker 1: know what they're listening to using the hashtag tripod that's 970 00:55:32,880 --> 00:55:35,839 Speaker 1: t r y pod uh. And the one that I'd 971 00:55:35,840 --> 00:55:37,839 Speaker 1: like to include here is I just got back from 972 00:55:37,840 --> 00:55:40,280 Speaker 1: south By Southwest and I saw a couple of live 973 00:55:40,760 --> 00:55:45,319 Speaker 1: performances of the podcast Recode Decode uh, and they did 974 00:55:45,320 --> 00:55:47,560 Speaker 1: some pretty cool stuff that I think if you're a 975 00:55:47,600 --> 00:55:49,200 Speaker 1: fan of Stuff to Blow your Mind, you might be 976 00:55:49,280 --> 00:55:52,040 Speaker 1: interested in. Yeah, and hey, you get on social media 977 00:55:52,080 --> 00:55:55,279 Speaker 1: everyone out there and use the the hashtag tripod with 978 00:55:55,360 --> 00:55:57,680 Speaker 1: a Y to just list some of your favorite podcast 979 00:55:57,760 --> 00:56:00,440 Speaker 1: I'm not saying list us you can you want, but 980 00:56:00,640 --> 00:56:02,680 Speaker 1: also listened the other things that you listen to, the 981 00:56:02,719 --> 00:56:04,200 Speaker 1: other shows that get you through the day. We've had 982 00:56:04,239 --> 00:56:06,200 Speaker 1: a couple of people who have who've done some really 983 00:56:06,239 --> 00:56:10,640 Speaker 1: nice hashtag tripods for us Specifically, I've seen some really 984 00:56:10,640 --> 00:56:13,120 Speaker 1: cool stuff on Instagram where they take pictures of oh, 985 00:56:13,360 --> 00:56:15,880 Speaker 1: they listen to us. Yeah, that's a that's a clever idea. 986 00:56:16,480 --> 00:56:18,320 Speaker 1: All right. In the meantime, head on over to stuff 987 00:56:18,360 --> 00:56:20,200 Speaker 1: to Blow your Mind dot com. That's what you'll find 988 00:56:20,239 --> 00:56:22,960 Speaker 1: all the podcast episodes. The landing page for this episode, 989 00:56:23,360 --> 00:56:25,799 Speaker 1: you will find links out to our various social media 990 00:56:25,840 --> 00:56:30,520 Speaker 1: accounts such as Facebook, Twitter, Tumbler, Instagram, and who knows 991 00:56:30,560 --> 00:56:32,319 Speaker 1: what else. Who knows what the future will bring. Yeah, 992 00:56:32,360 --> 00:56:33,680 Speaker 1: and if you just want to write us the old 993 00:56:33,680 --> 00:56:36,080 Speaker 1: fashioned way, we are at blow the mind at how 994 00:56:36,120 --> 00:56:48,240 Speaker 1: stuff works dot com. For more on this and thousands 995 00:56:48,239 --> 00:56:50,600 Speaker 1: of other topics. Is that how stuff works dot com. 996 00:56:56,800 --> 00:57:07,880 Speaker 1: Bla Busy Presents or footbot prop