1
00:00:00,200 --> 00:00:02,440
Speaker 1: You hear us talk about brook Lennon dot com. I

2
00:00:02,480 --> 00:00:05,680
Speaker 1: want you to actually go online brook Lennon dot com.

3
00:00:05,760 --> 00:00:08,119
Speaker 1: That's b r okay l I N e N. I'll

4
00:00:08,160 --> 00:00:10,040
Speaker 1: tell you why you shouldn't have to go check into

5
00:00:10,039 --> 00:00:13,160
Speaker 1: a hotel to sleep in the best sheets. Vicki and

6
00:00:13,240 --> 00:00:15,960
Speaker 1: Rich who started Brooklyn, and they agree with that. They're

7
00:00:16,000 --> 00:00:19,159
Speaker 1: bringing five star hotel quality sheets to us at a

8
00:00:19,160 --> 00:00:20,840
Speaker 1: price we could afford. Did you know a lot of

9
00:00:20,880 --> 00:00:24,520
Speaker 1: this quality betting is marked up like three? It's so silly.

10
00:00:24,560 --> 00:00:27,240
Speaker 1: Take out the middleman. Get it personal with brooklyn and

11
00:00:27,280 --> 00:00:29,880
Speaker 1: dot com. They've got different colors and materials to choose from.

12
00:00:29,920 --> 00:00:33,000
Speaker 1: The sheets are so breathable and the quality is great.

13
00:00:33,080 --> 00:00:34,960
Speaker 1: The more you wash them, the softer they get. They

14
00:00:34,960 --> 00:00:37,080
Speaker 1: have other things to check out too at brook Lennon

15
00:00:37,159 --> 00:00:39,040
Speaker 1: dot com. As a matter of fact, if you use

16
00:00:39,080 --> 00:00:41,800
Speaker 1: the promo code Elvis at brook Lynnon dot com, you

17
00:00:41,840 --> 00:00:45,040
Speaker 1: get twenty dollars off and free shipping, which is totally cool.

18
00:00:45,200 --> 00:00:48,200
Speaker 1: Plus you get a risk free sixty nights satisfaction guarantee

19
00:00:48,200 --> 00:00:50,720
Speaker 1: and a lifetime warranty on all their sheets and comforters.

20
00:00:50,720 --> 00:00:52,960
Speaker 1: They're based in Brooklyn, not your typical New Yorkers. They

21
00:00:52,960 --> 00:00:55,280
Speaker 1: live in the city that never sleeps, but they're committed

22
00:00:55,280 --> 00:00:58,040
Speaker 1: to helping us get the best sleep ever. I love

23
00:00:58,120 --> 00:00:59,960
Speaker 1: my sheets from Brooklyn, and I want you to sleep

24
00:01:00,080 --> 00:01:02,080
Speaker 1: the same ones. Well, not not mine, but you know

25
00:01:02,120 --> 00:01:04,280
Speaker 1: your own. Go to Brooklyn and dot com. It's b

26
00:01:04,520 --> 00:01:06,839
Speaker 1: r O O KA l I N e N dot com.

27
00:01:06,920 --> 00:01:09,080
Speaker 1: Use the promo code Elvis get twenty dollars off in

28
00:01:09,080 --> 00:01:15,600
Speaker 1: free shipping Brooklyn and the best sheets ever. What would

29
00:01:15,600 --> 00:01:27,080
Speaker 1: you talk about on your on your podcast? Firm Represents show.

30
00:01:27,520 --> 00:01:29,920
Speaker 1: So I looked over at Scary and he was getting

31
00:01:29,920 --> 00:01:32,520
Speaker 1: ready for the fifteen minute morning show podcast. And he

32
00:01:32,600 --> 00:01:39,399
Speaker 1: has these, Daniel, he has these two huge autographed pictures

33
00:01:39,400 --> 00:01:44,080
Speaker 1: of him in their framed two of them and they

34
00:01:44,080 --> 00:01:48,720
Speaker 1: were autographed. You have autographed photos of you, Yeah, if

35
00:01:48,720 --> 00:01:50,560
Speaker 1: you'd like to see them. I posted them on my

36
00:01:50,680 --> 00:01:57,040
Speaker 1: Instagram story. It's at Radio Danielle Monaro. So check it out, Scary,

37
00:01:57,080 --> 00:02:00,920
Speaker 1: Why are you autographing and framing photos to send out?

38
00:02:01,080 --> 00:02:06,040
Speaker 1: So one of our advertisers, uh, one of our partners,

39
00:02:06,200 --> 00:02:10,800
Speaker 1: part one of our partners, Dr delar Rousseau Laser Vision Correction. Uh.

40
00:02:10,840 --> 00:02:14,040
Speaker 1: They pretty much wanted they said, Scary, we want to

41
00:02:14,200 --> 00:02:18,040
Speaker 1: blow your face up. I could see that and put

42
00:02:18,040 --> 00:02:23,040
Speaker 1: it and do and do what with the autographs? Play

43
00:02:23,080 --> 00:02:26,359
Speaker 1: your proud smiling face on our walls. Because when when

44
00:02:26,440 --> 00:02:30,120
Speaker 1: customers and potential clients, you know, people come in to

45
00:02:30,160 --> 00:02:33,160
Speaker 1: get their eyes done, they want to make the connection

46
00:02:33,280 --> 00:02:35,960
Speaker 1: between hearing the commercial on Z one hundred in New

47
00:02:36,080 --> 00:02:38,280
Speaker 1: York City, which is I'm one of the voices for

48
00:02:38,400 --> 00:02:41,080
Speaker 1: Garrett being the other one, and they want to make

49
00:02:41,120 --> 00:02:43,480
Speaker 1: that that differentiation and where they want to show the

50
00:02:43,560 --> 00:02:46,240
Speaker 1: full circle nous of we're all friends and world partners.

51
00:02:46,480 --> 00:02:49,240
Speaker 1: So I have one for their bergen Field office and

52
00:02:49,280 --> 00:02:51,120
Speaker 1: one for their New York City office. So we're showing

53
00:02:51,160 --> 00:02:56,480
Speaker 1: the full circle, fullness faces round. So I'm just going

54
00:02:56,560 --> 00:02:58,760
Speaker 1: out now. Garrett had to do the same thing. So

55
00:02:58,760 --> 00:03:02,480
Speaker 1: so where are your autographed photos already in the office? Okay,

56
00:03:02,560 --> 00:03:04,919
Speaker 1: but Scary didn't know how to print out a photo,

57
00:03:05,440 --> 00:03:09,000
Speaker 1: find find someone to frame them, and then and send

58
00:03:09,040 --> 00:03:11,360
Speaker 1: them away. Okay, I've got a run to a doctor's appointment.

59
00:03:11,639 --> 00:03:15,880
Speaker 1: Are you going to doctor pictures hanging in your doctor's office?

60
00:03:16,120 --> 00:03:18,760
Speaker 1: But what I would like, I would like an autographed

61
00:03:18,760 --> 00:03:21,040
Speaker 1: photo if you would have put in my office, would

62
00:03:21,040 --> 00:03:27,600
Speaker 1: you I would dart. I'll get one done today, would

63
00:03:27,600 --> 00:03:31,079
Speaker 1: you please? I know where'd you go? Kinkos? I went

64
00:03:31,120 --> 00:03:35,200
Speaker 1: to I went to Walgreens on my phone. It took me,

65
00:03:35,240 --> 00:03:37,040
Speaker 1: Oh my god, it took a half hour. I was

66
00:03:37,040 --> 00:03:39,160
Speaker 1: in my bed and I went to the picture that

67
00:03:39,200 --> 00:03:42,400
Speaker 1: I wanted. I clicked a bunch of things, and in

68
00:03:42,400 --> 00:03:44,560
Speaker 1: a half hour, I went to the store picked up

69
00:03:44,600 --> 00:03:47,800
Speaker 1: this eight by ten glossy photo of my head shot

70
00:03:47,880 --> 00:03:49,400
Speaker 1: my favorite part of the stories. He did it while

71
00:03:49,400 --> 00:03:51,920
Speaker 1: he was in his bid. Yeah. And then I went

72
00:03:51,960 --> 00:03:55,160
Speaker 1: over to office, the office store staples to office like

73
00:03:55,200 --> 00:03:58,480
Speaker 1: a store, and I got some frames and now I

74
00:03:58,160 --> 00:04:01,160
Speaker 1: take I mounted them and here they aren't alright. Please

75
00:04:01,200 --> 00:04:03,400
Speaker 1: don't use the terms. I was in my bed and

76
00:04:03,440 --> 00:04:06,120
Speaker 1: I mounted them. In the same sentence, do me a favor.

77
00:04:06,200 --> 00:04:08,520
Speaker 1: I've got to run. I would love an autograph from

78
00:04:08,560 --> 00:04:12,520
Speaker 1: the heart. Say something from the heart to Elvis love scary.

79
00:04:12,680 --> 00:04:15,280
Speaker 1: I want that autograph picture from my office. Okay, Well,

80
00:04:15,280 --> 00:04:17,919
Speaker 1: thanks very, I'm honored, and well I would be honored

81
00:04:17,920 --> 00:04:21,400
Speaker 1: to to disclaiming in your amount you in my office.

82
00:04:21,600 --> 00:04:24,040
Speaker 1: That's awesome. You left that a very important detail. What's that?

83
00:04:24,120 --> 00:04:26,800
Speaker 1: What where'd you buy the bed? That's the only client

84
00:04:26,880 --> 00:04:28,960
Speaker 1: you didn't mention there. I don't have any other clients

85
00:04:28,960 --> 00:04:32,200
Speaker 1: except for Delarusso in this hope you bought Richard and

86
00:04:32,480 --> 00:04:34,640
Speaker 1: I would have all right anyway, I gotta go, but

87
00:04:34,680 --> 00:04:36,599
Speaker 1: I just want to know why where I can get

88
00:04:36,600 --> 00:04:40,240
Speaker 1: my autograph Scary Jones photo. But these two are specifically

89
00:04:40,279 --> 00:04:43,960
Speaker 1: autographed to Delarus Laser. I don't want those. I want

90
00:04:43,960 --> 00:04:45,560
Speaker 1: one for me. Make a fresh one for you. Would

91
00:04:45,560 --> 00:04:47,159
Speaker 1: you like this shot of me? I have other shots,

92
00:04:47,200 --> 00:04:50,960
Speaker 1: you know. I like that. I like that one. Okay,

93
00:04:51,000 --> 00:04:53,200
Speaker 1: that's good. I mean you should be able to pick

94
00:04:53,240 --> 00:04:55,200
Speaker 1: your own head shot that you want to Scary. I

95
00:04:55,240 --> 00:04:58,240
Speaker 1: want that one. Good, I don't. I think I'm totally happy.

96
00:04:58,720 --> 00:05:00,920
Speaker 1: I'm a man of convenience. You are. I just want

97
00:05:00,960 --> 00:05:03,320
Speaker 1: whatever's first and easiest. I want that one. Okay, good,

98
00:05:03,360 --> 00:05:04,800
Speaker 1: But I want you to say something from the heart

99
00:05:04,839 --> 00:05:07,080
Speaker 1: as you autograph it. So on your wedding day, Elvis,

100
00:05:07,160 --> 00:05:09,840
Speaker 1: let's just say Scary shows up with a box and

101
00:05:09,880 --> 00:05:12,359
Speaker 1: in that box is a head shot of him. Would

102
00:05:12,360 --> 00:05:14,279
Speaker 1: you accept that? No? Because I want one now. I

103
00:05:14,279 --> 00:05:16,080
Speaker 1: can't wait for my wedding. That's not gonna happen for

104
00:05:16,120 --> 00:05:18,720
Speaker 1: him wearing a tucks for the wedding. You'll have one

105
00:05:18,720 --> 00:05:20,240
Speaker 1: to put them on. I want that. Thank you, Scary.

106
00:05:20,279 --> 00:05:22,360
Speaker 1: I gotta run. I love you. I love you. By

107
00:05:22,400 --> 00:05:26,360
Speaker 1: the way, if you want an autograph, I mean you

108
00:05:26,360 --> 00:05:27,840
Speaker 1: look at this frame. I spent a lot of money

109
00:05:27,839 --> 00:05:31,040
Speaker 1: on these pies, glass frames over weet Scary at Scary Jones,

110
00:05:31,240 --> 00:05:33,640
Speaker 1: and he too, will make his own head shot just

111
00:05:33,720 --> 00:05:36,320
Speaker 1: for you. Got quiet. And here, all of a sudden,

112
00:05:36,360 --> 00:05:38,360
Speaker 1: Elvis just walked away from the microphone. You think he's

113
00:05:38,360 --> 00:05:40,480
Speaker 1: serious about wanting that picture? By the way, hold on

114
00:05:40,839 --> 00:05:46,560
Speaker 1: three two one? Look how fest scary rand Elvis is

115
00:05:46,600 --> 00:05:53,480
Speaker 1: mill and somebody's got to control every I could have

116
00:05:53,560 --> 00:05:55,560
Speaker 1: done it too. I can go of it. I don't

117
00:05:55,560 --> 00:05:57,240
Speaker 1: know about I have to push the buttons. Yeah, you

118
00:05:57,240 --> 00:05:59,880
Speaker 1: don't have to push the buttons. Do you know what

119
00:06:00,680 --> 00:06:02,320
Speaker 1: is there any buttons to push? Over there? Right? There's

120
00:06:02,440 --> 00:06:08,240
Speaker 1: there's levels. Yeah, there's actually faders. It's funny because in

121
00:06:08,320 --> 00:06:10,480
Speaker 1: all these years of radio, I don't I think you're

122
00:06:10,520 --> 00:06:13,240
Speaker 1: the one person here that doesn't you never gotten into

123
00:06:13,279 --> 00:06:16,760
Speaker 1: the technical end. Hold on a second, you do record

124
00:06:16,760 --> 00:06:21,599
Speaker 1: yourself commercial commercials. I just realized in the history of

125
00:06:21,680 --> 00:06:25,280
Speaker 1: this morning show, we've had currently up until the next

126
00:06:25,279 --> 00:06:29,520
Speaker 1: one starts. Four female co hosts, not one of them

127
00:06:29,560 --> 00:06:32,240
Speaker 1: has known how to run a board doing editing, and

128
00:06:32,279 --> 00:06:34,240
Speaker 1: I think it's deliberate because then they get us to

129
00:06:34,240 --> 00:06:37,080
Speaker 1: do it. Well, it's that and Elvis even said, once

130
00:06:37,080 --> 00:06:38,479
Speaker 1: you learn how to do it, then they expect you

131
00:06:38,520 --> 00:06:43,600
Speaker 1: to do it. I said, because I used to run

132
00:06:43,600 --> 00:06:46,719
Speaker 1: a board in college all the time. Somebody said to

133
00:06:46,760 --> 00:06:49,560
Speaker 1: me once, don't learn how to do certain things. I'm like, why,

134
00:06:49,560 --> 00:06:51,120
Speaker 1: because then they're going to ask you to come in

135
00:06:51,160 --> 00:06:52,760
Speaker 1: and do this, and do that and do this. So

136
00:06:52,800 --> 00:06:57,120
Speaker 1: I was like, listen, you can. We'll keep that secret.

137
00:06:57,160 --> 00:06:59,400
Speaker 1: But you can't ruin our new co host Gandhi because

138
00:06:59,560 --> 00:07:02,520
Speaker 1: she Dondi can run the board. She's hosted her own

139
00:07:02,560 --> 00:07:04,800
Speaker 1: DJ shifts, which she does on a hip hop station.

140
00:07:05,360 --> 00:07:07,520
Speaker 1: She knows pro tools so she can do audio editing.

141
00:07:08,080 --> 00:07:11,480
Speaker 1: She's a full morning show producer. So don't they'll tell

142
00:07:11,520 --> 00:07:14,000
Speaker 1: her how she can't do it, like you better be careful.

143
00:07:14,080 --> 00:07:16,000
Speaker 1: Gondy gonna push you over and she's gonna take over

144
00:07:16,080 --> 00:07:19,280
Speaker 1: that board. Doesn't push people didn't know she's full ft one,

145
00:07:19,560 --> 00:07:22,200
Speaker 1: But don't tell us she should not do anything anymore

146
00:07:22,280 --> 00:07:26,880
Speaker 1: because it's fascinating that you've restricted yourself on purpose so

147
00:07:26,920 --> 00:07:29,560
Speaker 1: as to not get that. Look, look what it's done

148
00:07:29,560 --> 00:07:32,080
Speaker 1: for her. She's a co host on a massive show,

149
00:07:32,160 --> 00:07:34,960
Speaker 1: and I go, scary, could you help you? And then

150
00:07:35,000 --> 00:07:38,240
Speaker 1: I go, prody, could you help me with this? Could

151
00:07:38,240 --> 00:07:40,360
Speaker 1: you help clean up the elephant? And you do? You

152
00:07:40,400 --> 00:07:44,560
Speaker 1: help me? Kind Now? Now, Brody has a story about

153
00:07:44,600 --> 00:07:48,200
Speaker 1: a place he used to work where somebody was taught

154
00:07:48,240 --> 00:07:50,840
Speaker 1: how to do something in the bathroom or something and

155
00:07:51,160 --> 00:07:53,200
Speaker 1: would clean the bathrooms or something, and then they became

156
00:07:53,240 --> 00:07:55,440
Speaker 1: the best bathroom clean and they didn't want to let

157
00:07:55,440 --> 00:07:58,880
Speaker 1: that job go. So uh. When I used to manage restaurants,

158
00:07:59,160 --> 00:08:02,760
Speaker 1: nobody wanted to clean the bathroom, but people would get

159
00:08:02,840 --> 00:08:04,960
Speaker 1: under the false impression if they cleaned them really well,

160
00:08:05,480 --> 00:08:07,400
Speaker 1: they would have like get they would get promoted from

161
00:08:07,400 --> 00:08:09,240
Speaker 1: not having to do it. But if you do it

162
00:08:09,280 --> 00:08:11,360
Speaker 1: really well, why would I want anils to clean the bathroom?

163
00:08:11,960 --> 00:08:15,240
Speaker 1: So either I or other managers would have that same

164
00:08:15,280 --> 00:08:19,120
Speaker 1: person or people clean the bathroom. So the key really is,

165
00:08:19,600 --> 00:08:22,120
Speaker 1: don't clean the bathrooms well, so they have to get

166
00:08:22,120 --> 00:08:25,360
Speaker 1: someone else to do it. Because I I used to

167
00:08:25,360 --> 00:08:27,520
Speaker 1: clean the bathrooms. I used to clean the base and

168
00:08:27,560 --> 00:08:29,080
Speaker 1: I would clean the wall under the hand dry on

169
00:08:29,200 --> 00:08:30,840
Speaker 1: this play. I would do like all the extra stuff

170
00:08:31,240 --> 00:08:33,360
Speaker 1: and I'm like, wow, Brod, you're really gonna clean the bathrooms.

171
00:08:33,480 --> 00:08:35,080
Speaker 1: And I thought they were like, great, you can move

172
00:08:35,120 --> 00:08:37,280
Speaker 1: up to the kitchen. Now they're like, no, you're really

173
00:08:37,320 --> 00:08:39,600
Speaker 1: gonna clean in the bathrooms. I had stopped being good

174
00:08:39,600 --> 00:08:41,960
Speaker 1: to clean it exactly. You got to pretend you crap

175
00:08:42,000 --> 00:08:45,520
Speaker 1: at it. And that's because I could if I really

176
00:08:45,520 --> 00:08:47,560
Speaker 1: want to do, I could run that board. I just

177
00:08:47,559 --> 00:08:50,280
Speaker 1: have to know that boarding with the buttons and the

178
00:08:50,320 --> 00:08:54,280
Speaker 1: knobs of running the board in college. I'm sure you are.

179
00:08:54,400 --> 00:08:56,840
Speaker 1: I mean, right now, technically, Danielle can run the board

180
00:08:56,880 --> 00:08:59,080
Speaker 1: because there's really not a lot to do. There's nothing

181
00:08:59,080 --> 00:09:02,560
Speaker 1: going on right now, second standing in front. But isn't

182
00:09:02,559 --> 00:09:06,640
Speaker 1: that every every disc jockeys or a radio person's nightmare

183
00:09:07,120 --> 00:09:10,360
Speaker 1: that you keep it's dead air and you push the

184
00:09:10,360 --> 00:09:13,719
Speaker 1: button and nothing's happened and there's no music. I've had

185
00:09:13,800 --> 00:09:17,080
Speaker 1: nightmares where I've been fired because Danielle, there was twenty

186
00:09:17,120 --> 00:09:19,240
Speaker 1: seconds of dead air and you couldn't figure it out,

187
00:09:19,240 --> 00:09:21,520
Speaker 1: and you couldn't put the songs together, and why didn't

188
00:09:21,559 --> 00:09:23,959
Speaker 1: you fade? And why didn't you. I'm like, oh my god, crying.

189
00:09:24,240 --> 00:09:25,880
Speaker 1: Oh no. When I first started, I had dead air

190
00:09:25,920 --> 00:09:29,040
Speaker 1: a lot. I used to run a Sunday morning show,

191
00:09:29,520 --> 00:09:32,360
Speaker 1: like a prerecorded thing, and it was run on CDs,

192
00:09:32,440 --> 00:09:35,280
Speaker 1: and so the CDs would play and when they cut ended,

193
00:09:35,600 --> 00:09:37,600
Speaker 1: you'd have to push the button for the commercials. It

194
00:09:37,640 --> 00:09:40,959
Speaker 1: wasn't on CD, so while the CD cut was playing,

195
00:09:40,960 --> 00:09:43,360
Speaker 1: it was the case case some countdown music show. You

196
00:09:43,440 --> 00:09:46,040
Speaker 1: had like eighteen minutes before the cut on the c

197
00:09:46,200 --> 00:09:48,080
Speaker 1: D would end. So I would go on the in

198
00:09:48,120 --> 00:09:51,360
Speaker 1: the recordings in the production studio and I would edit things,

199
00:09:51,360 --> 00:09:53,000
Speaker 1: and I would write song parodies and I would do

200
00:09:53,040 --> 00:09:54,920
Speaker 1: stuff in there, and I go, oh, you know what,

201
00:09:55,160 --> 00:09:57,719
Speaker 1: I'll get back before eighteen minutes is up. And I

202
00:09:57,720 --> 00:10:00,480
Speaker 1: would go, WHOA wonder if I'm back into time and

203
00:10:00,480 --> 00:10:01,839
Speaker 1: I get out in the hallway, there'd be nothing on

204
00:10:01,880 --> 00:10:04,120
Speaker 1: the air, and I have to go running in there

205
00:10:04,120 --> 00:10:06,319
Speaker 1: and figure out what button a hit. And sometimes it

206
00:10:06,400 --> 00:10:08,960
Speaker 1: was dead air for like a couple of minutes, but

207
00:10:09,000 --> 00:10:11,280
Speaker 1: there will like there was no text message program back then,

208
00:10:11,360 --> 00:10:14,400
Speaker 1: and there was no UM. You couldn't listen on your phones,

209
00:10:15,080 --> 00:10:16,840
Speaker 1: so the boss was never up at like seven in

210
00:10:16,880 --> 00:10:19,880
Speaker 1: the morning on a Sunday, so nobody heard it. But

211
00:10:19,960 --> 00:10:21,679
Speaker 1: I didn't learn a lesson from that. It wasn't like

212
00:10:21,720 --> 00:10:24,400
Speaker 1: I did it once. I did it almost every Sunday,

213
00:10:24,679 --> 00:10:27,720
Speaker 1: almost even, and it's like you sway, you never do

214
00:10:27,760 --> 00:10:30,680
Speaker 1: it again. And got side of a patch the hallway

215
00:10:30,760 --> 00:10:34,360
Speaker 1: to Oh no, that was dead air David every Sunday. Yeah,

216
00:10:34,400 --> 00:10:37,280
Speaker 1: no nightmare there, I did it. Ohsh yeah, that's a nightmare. Okay.

217
00:10:37,320 --> 00:10:39,320
Speaker 1: You have the old place the production studio in in

218
00:10:39,960 --> 00:10:43,160
Speaker 1: our first studios was around the corner down the hall. Yes,

219
00:10:43,400 --> 00:10:44,640
Speaker 1: so if you came out that door and there was

220
00:10:44,679 --> 00:10:46,000
Speaker 1: no music, you have to run down the hall and

221
00:10:46,040 --> 00:10:51,439
Speaker 1: make a right nown. The hall was terrible, alrightntill we

222
00:10:51,480 --> 00:10:57,720
Speaker 1: got well dead air? But I st talking about have

223
00:10:57,720 --> 00:11:01,040
Speaker 1: dead air to go to the bathroom of fall right,

224
00:11:01,080 --> 00:11:02,480
Speaker 1: there was the joke, and we had some bright air.

225
00:11:02,559 --> 00:11:06,920
Speaker 1: Right there? Are you guys recording right now? We were

226
00:11:06,960 --> 00:11:08,520
Speaker 1: talking about you about Now you're in the room, so

227
00:11:08,559 --> 00:11:11,480
Speaker 1: we have to stop dead air. You ever had dead

228
00:11:11,480 --> 00:11:16,840
Speaker 1: air you left the studio? Yeah? I have Okay, what

229
00:11:16,880 --> 00:11:18,400
Speaker 1: are we doing? Where else would you have had dead

230
00:11:18,400 --> 00:11:20,920
Speaker 1: air other than the radio in front of a crowd

231
00:11:20,920 --> 00:11:24,160
Speaker 1: when you're doing a comedy show that's not dead air.

232
00:11:24,280 --> 00:11:25,959
Speaker 1: Look at this? Look how cool? Did you guys? Poppies?

233
00:11:26,000 --> 00:11:29,200
Speaker 1: Yet we got these two balloons. Danielle needs that for

234
00:11:29,240 --> 00:11:35,320
Speaker 1: her box. No no, I already mailed that something. This

235
00:11:35,360 --> 00:11:37,480
Speaker 1: has been going around the radio station for a while

236
00:11:38,400 --> 00:11:39,840
Speaker 1: as you popped out of the one. You know what

237
00:11:39,840 --> 00:11:42,960
Speaker 1: I did yesterday? I went to a live I went

238
00:11:43,000 --> 00:11:45,520
Speaker 1: to a I went to a bookstore in New York City?

239
00:11:45,559 --> 00:11:48,800
Speaker 1: Are they hiring? We looked at picture books. I did not.

240
00:11:49,360 --> 00:11:51,520
Speaker 1: I read about it as well, but I walked into

241
00:11:51,559 --> 00:11:53,880
Speaker 1: a cool bookstore in New York City and it was

242
00:11:53,920 --> 00:11:56,920
Speaker 1: a really cool vibe. And Elvis had encouraged us yesterday.

243
00:11:56,960 --> 00:11:58,600
Speaker 1: He had said, you know, everybody scho to a bookstore,

244
00:11:58,760 --> 00:12:01,040
Speaker 1: pick out a book and go read. So I decided

245
00:12:01,040 --> 00:12:02,240
Speaker 1: to let me check one out. So I had to

246
00:12:02,280 --> 00:12:04,280
Speaker 1: go somewhere, so I was early, so I figured I

247
00:12:04,320 --> 00:12:06,240
Speaker 1: would go and check out the bookstore. It was really

248
00:12:06,280 --> 00:12:08,520
Speaker 1: nice to people were very friendly, and there's lots of

249
00:12:08,520 --> 00:12:12,440
Speaker 1: books to choose from. Three different books on tattoos because

250
00:12:12,440 --> 00:12:14,280
Speaker 1: I want to get my left arm done, so I

251
00:12:14,320 --> 00:12:16,120
Speaker 1: think I found one yesterday. I definitely want to get

252
00:12:16,160 --> 00:12:18,400
Speaker 1: like a rectangle, and I want to get this thing. Now,

253
00:12:18,440 --> 00:12:20,120
Speaker 1: here's what I wanted I think I'm gonna get. I

254
00:12:20,160 --> 00:12:22,520
Speaker 1: want to get this um like it's like a flower,

255
00:12:22,800 --> 00:12:24,920
Speaker 1: and I want to put that on the inside because

256
00:12:24,920 --> 00:12:27,720
Speaker 1: I saw that on the molding up in the ceiling,

257
00:12:28,000 --> 00:12:30,199
Speaker 1: and I think that that will always remind me to

258
00:12:30,360 --> 00:12:33,280
Speaker 1: always look up and don't always keep my head down.

259
00:12:34,120 --> 00:12:36,959
Speaker 1: Huh okay, anything about that, just by a shirt that

260
00:12:37,000 --> 00:12:40,400
Speaker 1: says that or a plaque. Daniel, you play fantasy football

261
00:12:40,400 --> 00:12:43,400
Speaker 1: this year? For you? No? No, for yourself. Are you

262
00:12:43,440 --> 00:12:45,120
Speaker 1: gonna be in a part of any league? I don't know.

263
00:12:45,240 --> 00:12:49,200
Speaker 1: I don't know yet. Isn't too early to discuss that? Now,

264
00:12:49,520 --> 00:12:57,360
Speaker 1: that's right now. I'm not doing one for the morning show,

265
00:12:57,440 --> 00:12:59,760
Speaker 1: but straight and A did ask me and said, dude,

266
00:12:59,760 --> 00:13:01,840
Speaker 1: why we put one together for the station? And I

267
00:13:01,880 --> 00:13:03,960
Speaker 1: had said, we have one for the station. I run it. Yeah.

268
00:13:03,960 --> 00:13:06,880
Speaker 1: I bailed out because I I don't like arguing with

269
00:13:06,920 --> 00:13:10,080
Speaker 1: everybody here. I'd rather, you know, It's like I'd rather

270
00:13:10,160 --> 00:13:11,839
Speaker 1: just like kind of like talk to you guys as

271
00:13:11,880 --> 00:13:14,079
Speaker 1: friends and not have to like, you know, bitch and

272
00:13:14,160 --> 00:13:16,520
Speaker 1: moan about how will that change if Nate puts together

273
00:13:16,559 --> 00:13:18,000
Speaker 1: a league or I put together a league it's the

274
00:13:18,040 --> 00:13:20,040
Speaker 1: same people in the league. Is Nate trying to out

275
00:13:20,120 --> 00:13:22,000
Speaker 1: lead you? Brodie's he trying to create a league against

276
00:13:22,040 --> 00:13:24,400
Speaker 1: your league. They can go to hell. Brodie's league is

277
00:13:24,440 --> 00:13:26,079
Speaker 1: you're with the other guys, the older guys from the

278
00:13:26,120 --> 00:13:32,000
Speaker 1: older radio stage. I have league. He used to be

279
00:13:32,040 --> 00:13:35,200
Speaker 1: in it, Ronnie. Ronnie was in it, and Josh was

280
00:13:35,240 --> 00:13:38,760
Speaker 1: in it. Nate was in it. Now he's got his

281
00:13:38,800 --> 00:13:42,320
Speaker 1: own and nobody really set their lineups. And that wasn't

282
00:13:42,360 --> 00:13:45,800
Speaker 1: really engineer Jeff was in it. It's not real. And

283
00:13:45,800 --> 00:13:47,600
Speaker 1: if you guys are gonna put together a real please

284
00:13:47,720 --> 00:13:50,240
Speaker 1: You run the most annoying leagues ever. Every week. You

285
00:13:50,280 --> 00:13:53,760
Speaker 1: want to change the rules every week. You got your

286
00:13:53,840 --> 00:13:56,480
Speaker 1: dumb rules. You make, you make people. You have rules.

287
00:13:56,559 --> 00:13:58,600
Speaker 1: You have rules about the names. This is they have

288
00:13:58,679 --> 00:14:00,760
Speaker 1: to have a town name where they can't be that

289
00:14:01,640 --> 00:14:04,680
Speaker 1: you're not going to be in the same back out.

290
00:14:05,000 --> 00:14:06,760
Speaker 1: I don't have any rules in my league other than

291
00:14:06,800 --> 00:14:09,960
Speaker 1: go play. Nobody said if you guys would come up

292
00:14:09,960 --> 00:14:12,360
Speaker 1: with a really good league, We're like, everybody's gonna be

293
00:14:12,360 --> 00:14:15,320
Speaker 1: a part of it. And we had a women's league

294
00:14:15,320 --> 00:14:17,360
Speaker 1: once and I ran it. I won. Remember when I

295
00:14:17,400 --> 00:14:21,000
Speaker 1: won that? Yeah, I think it was basketball though the brackets. Yeah,

296
00:14:22,920 --> 00:14:25,960
Speaker 1: the whole boodle. Baby. I didn't know a damn thing

297
00:14:25,960 --> 00:14:28,160
Speaker 1: I was doing. But I want a Dane. You're wearing

298
00:14:28,200 --> 00:14:29,880
Speaker 1: those big earrings today? Do you have the bigger ones

299
00:14:29,880 --> 00:14:32,120
Speaker 1: at home? You do these on my midside? Can you

300
00:14:32,160 --> 00:14:35,040
Speaker 1: wear the biggest earrings you have? When? Do you could?

301
00:14:35,080 --> 00:14:37,080
Speaker 1: Why would you like me to? When do you decide

302
00:14:37,160 --> 00:14:39,480
Speaker 1: which size ear rings to use? It depends on the

303
00:14:39,520 --> 00:14:42,440
Speaker 1: outfit I am wearing and what I If it's more

304
00:14:42,440 --> 00:14:44,600
Speaker 1: of a dress down outfit, I tend to go the

305
00:14:44,640 --> 00:14:47,840
Speaker 1: midsize hoops. If it's like a hat outfit, I will

306
00:14:47,880 --> 00:14:50,360
Speaker 1: not wear hoops. And if it's unless it's a cute hat.

307
00:14:50,360 --> 00:14:54,360
Speaker 1: If it's a cute hat, I'll wear small. I Do

308
00:14:54,360 --> 00:14:56,800
Speaker 1: you ever go without any ear rings at all? Uh? No?

309
00:14:57,040 --> 00:15:00,280
Speaker 1: Usually I have at least studs in gotcha? Gotcha on

310
00:15:00,320 --> 00:15:03,560
Speaker 1: a daily on the average. How many bracelets do you

311
00:15:03,640 --> 00:15:06,200
Speaker 1: wear on your wrist? Three to five? Now? Is there

312
00:15:06,200 --> 00:15:08,000
Speaker 1: a reason why I like the number three? And I

313
00:15:08,040 --> 00:15:10,360
Speaker 1: know I like the number five? Great Tea in theory

314
00:15:10,400 --> 00:15:15,080
Speaker 1: would wear thirteen bracelets. We never knew that. Next episode

315
00:15:15,360 --> 00:15:18,200
Speaker 1: just gonna I think we're listening to fetch Hams recording

316
00:15:18,200 --> 00:15:21,200
Speaker 1: fat Ham Today. So later on Today, episode one, number

317
00:15:21,280 --> 00:15:25,160
Speaker 1: episode seven to oh no it is we have sex.

318
00:15:25,240 --> 00:15:32,680
Speaker 1: We have six seven Please listens guess one. He's a

319
00:15:32,680 --> 00:15:34,720
Speaker 1: little preview this week on the book boys. Yeah, what

320
00:15:34,760 --> 00:15:39,600
Speaker 1: are you doing? We will have Michael Rappaport. I would

321
00:15:39,640 --> 00:15:42,880
Speaker 1: like that. That's cool. Now by the President of Podcasting

322
00:15:43,480 --> 00:15:46,560
Speaker 1: three p O like, as we speak, that's cool. We

323
00:15:46,600 --> 00:15:49,880
Speaker 1: will have Mr Michael Rapport one or another. I'm jealous.

324
00:15:49,960 --> 00:15:52,480
Speaker 1: I think that's a cool, cool cool lockdam On, what

325
00:15:52,760 --> 00:15:55,120
Speaker 1: else you got going on? What else you got going on?

326
00:15:55,320 --> 00:15:58,240
Speaker 1: Michael Rapport? What else? What else? That's all we got

327
00:15:58,280 --> 00:16:00,520
Speaker 1: for the moment. What are you gonna talk to him about? Uh?

328
00:16:00,600 --> 00:16:02,360
Speaker 1: It depends on. Well, he's gonna be ranting on a

329
00:16:02,480 --> 00:16:04,480
Speaker 1: new book coming out called This Book has Balls. So

330
00:16:04,600 --> 00:16:06,560
Speaker 1: you're relaying relying on him, and we're working on our

331
00:16:06,640 --> 00:16:11,200
Speaker 1: live broadcast coming up. Yeah, that's right. Yeah, the fifteen

332
00:16:11,280 --> 00:16:12,240
Speaker 1: minute Morning Show