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Speaker 1: Hello the Internet, and welcome to season three twelve, episode

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Speaker 1: four of Guys.

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Speaker 2: Wait, wasn't just three eleven?

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Speaker 1: What's what's going on here? Oh? Somewhere in the mix

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Speaker 1: that somebody came in the doc changed it to three twelve.

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Speaker 1: This three eleven erasure? Yeah, will not stand. Okay, wait

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Speaker 1: are we doing this?

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Speaker 2: We're keeping this?

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Speaker 1: I think we should keep it. Okay, there's a conspiracy

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Speaker 1: to paper over yeah, season three eleven. Like it's the

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Speaker 1: thirteenth floor elevator. Yeah, come on, super producer Victor apparently,

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Speaker 1: I mean, you know we're gonna have to dig into

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Speaker 1: his anti three eleven buy it? Anyways, I think? Yeah,

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Speaker 1: so who knows when they crossed paths and wronged super

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Speaker 1: producer Victor, But it definitely happened. Anyways. It's season three eleven,

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Speaker 1: episode four of production of iHeart Radio. This is a

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Speaker 1: podcast where we take a deep dive into America's shared consciousness.

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Speaker 1: That it is Thursday, November second, twenty twenty three. Oh yeah,

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Speaker 1: this is our first full leap after Halloween. Yeah, a

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Speaker 1: happy day after Halloween? Yeah, you exactly are two days?

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Speaker 1: But yes, you know.

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Speaker 2: What is today? It's National Men Make Dinner Day. Wow. Wow,

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Speaker 2: a quality on the way. Just one day, just one day.

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Speaker 2: Make men make dinner today this first Thursday November. Then

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Speaker 2: it's National Devil deg Day. I'm with that national broadcast tour.

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Speaker 1: Probably tied together a little bit, maybe the main course

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Speaker 1: dark with a bag salad.

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Speaker 2: And then also, oh, Jack, this was for you National

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Speaker 2: Ohio Day and All Soul's Day. I don't know all

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Speaker 2: I know it's All Saints Day and Day of the Dead.

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Speaker 2: Oh this is apparently about Oh this is some religious

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Speaker 2: about purgatory. And then to that, I say, who's to

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Speaker 2: say this isn't purgatory?

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Speaker 1: Aha? Uh huh? And happy all say is all Souls

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Speaker 1: Day with your spirit. My name is Jack O'Brien.

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Speaker 2: AKA.

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Speaker 1: It's what it's and it's now or never. These pants

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Speaker 1: won't stay dry forever. I'll just blame the stain on

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Speaker 1: water us. It's what it's. You'rerethra like an open highway.

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Speaker 1: I just had to get to the urethra leg and

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Speaker 1: open a highway. Wow. Courtesy a Lacaroni on the discord,

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Speaker 1: and I'm thrilled to be joined by the way. That

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Speaker 1: song it's my life. Usually when when there's a song

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Speaker 1: that I have to do for an Aka four. I'll

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Speaker 1: go back and listen, and I'm always like, man, that

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Speaker 1: that song actually is really good, Like there's something about

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Speaker 1: this production like that when I listened to it as

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Speaker 1: a song really stands out and I'm like, you know,

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Speaker 1: there's some good song right this one? No such luck.

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Speaker 1: I was like, what the fuck is jump On Jovie

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Speaker 1: doing with his vocals and this ship. He's like he

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Speaker 1: sounds like he's doing like a joke about like yarling voices.

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Speaker 1: It sounds like he's like making fun of the singer

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Speaker 1: of Nickelback. But anyways, we.

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Speaker 2: Love you John, We love you Joanni.

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Speaker 1: Thrilled to be joined as always by my co host

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Speaker 1: mister Miles grad.

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Speaker 2: WHOA, there, eleven is the season of the t d Z. WHOA,

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Speaker 2: that's an intentional use of a redundant the waiting pumpkin.

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Speaker 2: You get the T and t DZ is for the

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Speaker 2: and you still did the tv TZ get it. Thank

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Speaker 2: you for that. Giving all respect to the Omaha Nobraska

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Speaker 2: rap rock reggae band three eleven.

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Speaker 1: Okay, that is you wait. They were not white supremacist

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Speaker 1: Who's namek no right there.

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Speaker 2: They were very clear They're like, we have nothing. First

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Speaker 2: of all, what the fuck are y'all talking about? I

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Speaker 2: think it was like the room number of their band

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Speaker 2: room in high school. Yeah, I think I had something

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Speaker 2: to do with the high school and not. That's why

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Speaker 2: I remember I was about to go to three eleven

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Speaker 2: show and I was like, wait, I just want to

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Speaker 2: make sure I'm not gonna be around some weird skinhead people.

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Speaker 2: But they've been pretty clear like no, we're not about

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Speaker 2: this shit ever. So please please miss us with all

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Speaker 2: of these readings into the name.

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Speaker 1: Well Miles, we are thrilled to be joined by a

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Speaker 1: wildly talented musician. Yeah, it's always fun to have a

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Speaker 1: wildly talented musician on when we off key. I'm singing

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Speaker 1: off key John b Joby covers about kissing my pants.

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Speaker 3: Or the mouth trumpet. That was pretty good. The mouth trumpet.

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Speaker 1: You are here with one of the best mouth trumpet

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Speaker 1: tears in these United States. Wildly talented vocalist, songwriter, composer,

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Speaker 1: whose most recent album was named among the best albums

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Speaker 1: of the year by band Camp and The Sunday Times.

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Speaker 1: She's performed on stages all over the world. YEP, now

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Speaker 1: she's here listening to us sing badly. She's also the

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Speaker 1: host of a podcast, radio series and live show called Movement.

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Speaker 1: Please welcome the brilliantly talented mcleadella.

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Speaker 2: Hell, what's up.

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Speaker 3: Oh, I'm so happy to be here with y'all today.

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Speaker 1: So good to have you, so good to have you.

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Speaker 2: How's how's the weather in the Bay Area. You're coming

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Speaker 2: to us from the Bay correct?

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Speaker 3: Yeah, I mean every day is more or less the same,

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Speaker 3: like wake up in the upper fifties, in the about

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Speaker 3: seventy by the end, you know, but and then cold

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Speaker 3: at night.

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Speaker 1: Did you grow up in the bank, No, I.

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Speaker 3: Grew up in a lot of places. I grew up

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Speaker 3: in like well, the long list. I can do it

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Speaker 3: in one breath.

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Speaker 1: Okay, we go, okay A.

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Speaker 3: Dusseldorf, Washington, d C, Cedar, Rapids, Iowa, Iowa City, Iowa, Brooklyn, Jackensville, Gainesville, Miami,

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Speaker 3: London for just a semester, but it was pretty formative.

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Speaker 3: New have in Seattle and San Francisco almost twenty years. Yeah, yeah, yeah,

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Speaker 3: for twenty years now, almost twenty years, almost one years.

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Speaker 1: So that's a that's a real testament to San Francisco

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Speaker 1: stands out among the pack. I finally won you over

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Speaker 1: after all that wandering, not Cedar Rapids with the Quaker

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Speaker 1: factory there.

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Speaker 3: I remember the Quaker factory. I absolutely remember that. No,

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Speaker 3: we didn't. We didn't know anybody else in this whole

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Speaker 3: country except my dad's college professor, and he said, come

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Speaker 3: on out and live with us, and so we spent

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Speaker 3: some time in Cedar Rapids, Iowa. It was very, very

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Speaker 3: it was interesting.

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Speaker 1: It was interesting, I'm sure.

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Speaker 2: Yeah, coming from Ethiopia to Iowa, that seems like a

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Speaker 2: bit of a you're hitting the switch there and culture.

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Speaker 2: Yeah right, yeah.

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Speaker 3: This is a sort of that sound over and over again.

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Speaker 2: Yeah right right, record scratch, amazing.

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Speaker 1: Your dad was presumably a good student. None of my

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Speaker 1: college professors were ever like, come live with me.

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Speaker 2: They're like, wait, you're the guy that was always smelling

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Speaker 2: like two day old beer.

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Speaker 1: Old beer. This guy who like seemed perpetually hungover. We

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Speaker 1: were actually like wondering how it was medically possible that

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Speaker 1: you were that hungover all the time? Wait, wasn't that

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Speaker 1: everybody in college? I was? I was particularly bad, Like

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Speaker 1: I didn't stand up very much because of how hungover

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Speaker 1: I was.

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Speaker 3: You had that extra lean in the seat like you

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Speaker 3: were all the way back, like almost laying.

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Speaker 2: Down almost fetal in one of those like lecture all chairs.

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Speaker 3: I can see it now, I can see it now. Yes,

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Speaker 3: my dad was a genius. He is he is a genius.

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Speaker 3: He speaks six languages. He's like, he's he is truly

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Speaker 3: truly amazing. That's very amazing person.

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Speaker 4: Yeah amazing. Well, we only speaks one language, so yeah,

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Speaker 4: sucks same. Yeah, and my dad only speaks Philadelphian.

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Speaker 3: Wait what's Philadelphian?

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Speaker 2: Like?

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Speaker 1: What is a phrase of Philadelphia sassage? You say sassage

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Speaker 1: and should say wood, although my dad doesn't. I actually

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Speaker 1: can't tell. Like sometimes people will be like, oh, your

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Speaker 1: parents have like a Philadelphia accent, and I can't hear

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Speaker 1: it because, like all other voices are built out of

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Speaker 1: their voices in my brain. So I'm like, do they?

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Speaker 1: But yeah, no, he he's pretty like he's not deep Philly, Like, yeah,

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Speaker 1: what's all how you doing? Let's get some wood?

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Speaker 3: Yet?

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Speaker 1: Yet?

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Speaker 5: No?

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Speaker 3: Wait, I literally have.

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Speaker 2: Yet?

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Speaker 1: Or like a.

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Speaker 2: Ys is that Pittsburgh Pittsburgh?

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Speaker 1: And people will tell you that Pittsburgh accents are very

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Speaker 1: different from Philadelphia accents, and maybe if you are a

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Speaker 1: lifelong connoisseur of the two, but there are some strain specifics,

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Speaker 1: particulars of the Pittsburgh accent where they'll say anymore, they'll

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Speaker 1: leave a hanging anymore that doesn't relate to anything. They'll say,

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Speaker 1: do you guys eat anymore? Or something like that. It

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Speaker 1: doesn't really make sense. But other than that, like it's

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Speaker 1: very they're very similar. They are part of the same

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Speaker 1: accent tree.

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Speaker 2: Yeah, beautiful, lovely, most lovely accents. Yeah, your dad did

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Speaker 2: call uh this podcast a jawn, I remember he's yeah,

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Speaker 2: all right, Well, McClean, we are gonna get to know

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Speaker 2: you a little bit better in a moment.

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Speaker 1: First, we're gonna tell our listeners a couple of things

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Speaker 1: we're talking about today. Joe Biden has apparently created some

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Speaker 1: guardrails around AI technology because he saw the latest Mission

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Speaker 1: Impossible movie. Like, that's straight up what happened. Is the

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Speaker 1: leader of the free world, folks, the leader of the

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Speaker 1: free world, and his media diet included the most s

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Speaker 1: reason Mission a Possible movie, and he was like, we

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Speaker 1: gotta do something. And that is both amazing and also

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Speaker 1: not uncommon at all for US presidents. So we're going

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Speaker 1: to take a look back at some other policies that

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Speaker 1: we got because of you know, just movies that president

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Speaker 1: some dude saw something because they were just like something

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Speaker 1: was on HBO no.

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Speaker 2: Way character Matthew Broderck is playing I don't care get

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Speaker 2: him up here.

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Speaker 1: Yeah, the genocidal rhetoric is getting more and more mainstream,

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Speaker 1: and there there's just wild ship being said on on

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Speaker 1: the fringes too, but like like Vivik Ramaswami, he said

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Speaker 1: some some of the just fouls ship I've ever seen

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Speaker 1: on like mainstream media outlets and kind of got away

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Speaker 1: with it. And then there's just all sorts of shit

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Speaker 1: happening and with like comedians and just like I don't know, Lindsay.

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Speaker 2: Graham make it some really weird, very odd equivocations.

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Speaker 1: But yeah, yeah, talk about that. Just the Islamophobia is

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Speaker 1: really out of control right now and no nobody really

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Speaker 1: seems to want to talk about it, so we will.

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Speaker 1: We'll also talk about Mariah Carey's newest video, ushering in

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Speaker 1: the Christmas season.

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Speaker 2: Love a segue like the unaddressed rampant Islamophobia in the

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Speaker 2: United States and Mariah Carey, Yeah, oh silly excited Christmas.

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Speaker 1: Shit, all of that plenty more, But before we get

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Speaker 1: to it, mcleet. We do like to ask our guests,

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Speaker 1: what is something from your search history?

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Speaker 3: My search history right now is pretty much just music, music, music, music.

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Speaker 3: I go down rabbit holes of music and cause it's

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Speaker 3: like I'm always trying to find new immigrant musicians for

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Speaker 3: the podcast. But if you think about it, like where

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Speaker 3: do you find music? You find it in like certain

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Speaker 3: you know, magazines or really from your friends like but

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Speaker 3: the but I just go down rabbit holes. I just

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Speaker 3: love going down rabbit hole. So I've I guess I

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Speaker 3: was like, well, I think Instagram counts as like search history,

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Speaker 3: So I was searching for like this wonderful Indian musician

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Speaker 3: called Ganayeva. I've been looking at Alo Black and Leila

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Speaker 3: Mcalla and just like I just go down rabbit holes

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Speaker 3: of music. So that that's what I got for you.

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Speaker 1: I thought I thought you were saying at first that

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Speaker 1: your search history was literally music, music, music, music, and

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Speaker 1: I was going to try that and see what I got.

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Speaker 1: I'll try I'll test it out and let you guys

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Speaker 1: know what the first result of.

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Speaker 2: Right I've there, do you like, what do you when

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Speaker 2: you say rabbit hole? Because like I kind of do

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Speaker 2: the same thing when I'm like on a music app

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Speaker 2: where sometimes if I like an artist and it says

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Speaker 2: other artists like this, I just never stopped clicking those

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Speaker 2: to see where it takes me because I was always like,

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Speaker 2: I remember in the days of my Space, when I

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Speaker 2: was really into a musician, and faithfully music pages on

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Speaker 2: my Space, he be like, and my influences are, and

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Speaker 2: they would just give you a huge block of names.

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Speaker 2: I would always use that to kind of put me

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Speaker 2: on to new stuff. But is that sort of what's

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Speaker 2: your methodology here?

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Speaker 3: I use the algorithms, but I also like to see

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Speaker 3: who's friends with who. So you see people commenting on

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Speaker 3: each other's posts a lot, right, And that's sort of

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Speaker 3: interesting because I like the way that you see communities overlap.

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Speaker 3: I'm like, who is interacting with whom, who's building community

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Speaker 3: with whom?

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Speaker 1: Like what?

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Speaker 3: And then and then that leads me to a lot

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Speaker 3: of other music as well.

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Speaker 2: And then then from there you got to do a

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Speaker 2: little background to be like, Okay, are you do you

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Speaker 2: qualify in the Are you in the bracket of immigrant

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Speaker 2: musician in another country? So yeah, I get, I get.

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Speaker 2: I can see how the research can be exhausted.

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Speaker 3: It's a lot of it's a lot of research, but

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Speaker 3: it's fun.

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Speaker 1: Yeah.

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Speaker 3: Yeah.

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Speaker 2: Who's Who's someone that you stumbled upon that you're like, oh,

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Speaker 2: this is one of the greatest musicians that I've completely

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Speaker 2: had idea about.

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Speaker 3: I think, well, let's see through that whole process. A

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Speaker 3: little while ago, I stumbled onto an artist called Sancha

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Speaker 3: and she's a Mexican singer.

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Speaker 1: Based in La Okay.

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Speaker 3: And she's like, she could be an opera singer, she

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Speaker 3: could be like she's this like deep belting ranchera comes

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Speaker 3: from this, like you know, drag queen background. I was

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Speaker 3: just like, oh my god, I love you.

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Speaker 2: Oh wha, yeah, okay son sa n c ha two words, Okay, yeah,

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Speaker 2: I'm checking this now.

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Speaker 1: Yeah.

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Speaker 2: I love It's like my favorite thing because there's nothing

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Speaker 2: more like life affirming to hear music that excites you.

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Speaker 1: You know. There's so many.

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Speaker 2: Times like you hear things you're like, Okay, that's fine,

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Speaker 2: that's fine, that's fine.

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Speaker 1: But then you hear something you're.

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Speaker 2: Like, I didn't know I was waiting to actually hear

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Speaker 2: this and I couldn't articulate it, but here it is

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Speaker 2: in front of me, and that is like, my It's

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Speaker 2: the highest of the high.

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Speaker 3: I agree, I agree, yes, indeed.

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Speaker 1: And if you had searched me music music, music, music,

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Speaker 1: you will come gotten music. Exclamation point music, exclamation point music,

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Speaker 1: exclamation point. Put another nickel in? A popular song written

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Speaker 1: by Steven Weiss and Bernie Baum and published in nineteen

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Speaker 1: fifty was.

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Speaker 3: Put a nickel in. I was gonna say, like nineteen fifteen, yeah.

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Speaker 1: I know, put another nicchol in fella exactly. Yeah, But

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Speaker 1: I guess this this was when they were just finding

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Speaker 1: out about music. The song is just them for repeating music.

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Speaker 1: This music. Holy cow. What's something you think is overrated?

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Speaker 3: Front row seats?

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Speaker 1: Mm?

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Speaker 3: Because the sound is never good in the front row.

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Speaker 3: It's never ever good. The speakers are in front, speakers

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Speaker 3: are almost right in, like above you, so the sound

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Speaker 3: doesn't come to you. And you're like, yeah, I mean

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Speaker 3: I'm being showered by the spit of the singer and

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Speaker 3: that's you know, one thing right, But that doesn't sound

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Speaker 3: that good. So I think front seats are over front

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Speaker 3: row seats are overrated.

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Speaker 4: Yeah, I got COVID from Beyonce, but man, the low

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Speaker 4: end was really all muddled though from the seats. I

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Speaker 4: don't know why I think I was right underneath the

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Speaker 4: PA system.

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Speaker 2: But yeah, I think, yes, knowing about acoustics or sonic,

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Speaker 2: you know this, the the way sound moves is so

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Speaker 2: like vital to especially going to like a big time,

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Speaker 2: like a huge festival, because a lot of times you'll

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Speaker 2: see people try and get as close to the front

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Speaker 2: as they can, but you know how they'll be like

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Speaker 2: rows of speakers to.

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Speaker 1: Like sound systems to like facilitate the crowd.

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Speaker 2: I'm like, don't go there like you're not gonna you're

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Speaker 2: gonna hear the worst version of this, like get in

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Speaker 2: front of those speakers so you're getting you can actually

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Speaker 2: hear it.

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Speaker 1: And yeah, I'm always I'm always.

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Speaker 2: Pleasantly surprised to see how people are like just going

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Speaker 2: there while leaving like the parts that the areas that

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Speaker 2: sound good available to other people.

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Speaker 1: Yeah, so do you notice do you notice that when

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Speaker 1: you're up on stage, like the people down front are

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Speaker 1: just there to like try and catch a drop of your sweat,

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Speaker 1: So I don't want to be near you.

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Speaker 2: But they all have that like that for the wrong reason.

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Speaker 2: They got a listening horn though, from like the eighteen

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Speaker 2: hundreds to be like this is how I make it

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Speaker 2: sound good because I'm too put.

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Speaker 1: A nickel in it, say music music hot, damn.

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Speaker 2: You know.

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Speaker 1: We we're all performers here, We've all been on stage,

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Speaker 1: but what I have never been a musician performing around

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Speaker 1: the world on stages around the world. Are there any

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Speaker 1: things that you notice, like about you know, how people

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Speaker 1: are transported, like how you know other than like this

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Speaker 1: is very this is great information that like front row

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Speaker 1: seats at concerts are overrated. I've never gone and sat

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Speaker 1: in the front road of concert, so this makes me

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Speaker 1: feel very confident about all my decisions and stinginess up

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Speaker 1: to this point. But anything else that you can tell

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Speaker 1: us just as a as a bet, as someone who's

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Speaker 1: been there making music that is moving people.

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Speaker 3: I think, you know the I think the thing that's

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Speaker 3: coming to my mind is like I think the audience

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Speaker 3: doesn't really like audiences don't fully understand how much of

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Speaker 3: an impact they can have on the show, Like an

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Speaker 3: audience is. You know, there's all different kinds of audiences,

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Speaker 3: And you start to notice over time you've been when

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Speaker 3: you've been to different cities over and over again, like

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Speaker 3: different cities start to have different characters. So like, you know,

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Speaker 3: New York audience is like so used to so much music,

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Speaker 3: Like they're like, okay, you got to prove it to me, right,

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Speaker 3: you know, so you have a lot of more root

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Speaker 3: work to do up top. But if you go to

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Speaker 3: an audience in like Montreal, they are just like like

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Speaker 3: it's the difference between an audience saying the same words,

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Speaker 3: show me what you can can do. But a Montreal

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00:19:01,760 --> 00:19:03,680
Speaker 3: audience will be like, show me what you could do,

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Speaker 3: and a New York audience will be like, okay, showing

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Speaker 3: what you can do.

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Speaker 1: You know.

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Speaker 3: But like the way that you the way that you

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00:19:11,000 --> 00:19:15,280
Speaker 3: give as an audience member, can totally like up the show,

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00:19:15,359 --> 00:19:18,320
Speaker 3: Like you can make the same show ten times better

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00:19:18,640 --> 00:19:21,480
Speaker 3: by putting your own kind of energy into the mix,

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Speaker 3: you know, so because then when you start to feed

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Speaker 3: off that from the stage, it just amps the whole

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00:19:26,720 --> 00:19:30,360
Speaker 3: thing up and makes it more joyful. So I would say,

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Speaker 3: like the thing that is also underrated is like hootin'

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00:19:35,000 --> 00:19:38,520
Speaker 3: and hollering from jump, Like you do that and you're

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00:19:38,560 --> 00:19:40,560
Speaker 3: gonna get a better experience.

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Speaker 2: Right yeah, and moving your But like I know in

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Speaker 2: La too, like playing shows in La and like a

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Speaker 2: lot of in the West Coast too, but La, especially

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Speaker 2: there is like a there's a cool factor too if

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Speaker 2: you're playing a show and the crowd does not know

376
00:19:52,720 --> 00:19:55,480
Speaker 2: your work and it is very it almost feels like

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Speaker 2: arms are crossed where they're like cause so many people

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Speaker 2: too are also like in bands in the audience.

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00:20:01,160 --> 00:20:02,720
Speaker 1: Like louse, you're just just better than what the folk

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Speaker 1: I can do.

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00:20:03,600 --> 00:20:06,639
Speaker 2: And then but the best thing is like when people

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00:20:06,880 --> 00:20:08,960
Speaker 2: just move, you know what I mean, even if you

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00:20:08,960 --> 00:20:10,960
Speaker 2: can't if you don't want to hoot and holler, just

384
00:20:11,000 --> 00:20:14,080
Speaker 2: a head nod, just being but uncrossing your arms. That

385
00:20:14,160 --> 00:20:17,320
Speaker 2: body language too. It does a lot for people for sure.

386
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Speaker 1: How do us audiences compared like it kind of in

387
00:20:21,520 --> 00:20:23,960
Speaker 1: the middle or are they.

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00:20:24,080 --> 00:20:27,480
Speaker 3: Oh, like like a Chicago audience is like a Montreal audience.

389
00:20:27,520 --> 00:20:29,840
Speaker 3: But I think the difference is like like if you're

390
00:20:30,160 --> 00:20:33,359
Speaker 3: performing in Ethiopia or like when I performed in Egypt

391
00:20:33,400 --> 00:20:36,800
Speaker 3: and things like that. You know, the idea there is

392
00:20:36,880 --> 00:20:42,400
Speaker 3: they will clap and you know, express themselves when it's

393
00:20:42,600 --> 00:20:45,760
Speaker 3: when it touches them and so they will tell you

394
00:20:45,800 --> 00:20:49,360
Speaker 3: they are like your living pulse on when you as

395
00:20:49,400 --> 00:20:52,439
Speaker 3: an artist are in a place that is like you

396
00:20:52,440 --> 00:20:55,240
Speaker 3: know that like electric place with a little bit of

397
00:20:55,280 --> 00:20:57,960
Speaker 3: sparkle and an extra kind of vibe like they will say,

398
00:20:58,040 --> 00:21:01,160
Speaker 3: there it is, I saw it. Now keep going there,

399
00:21:01,400 --> 00:21:06,199
Speaker 3: and it's like a so it's it just it just

400
00:21:06,440 --> 00:21:10,000
Speaker 3: it helps to bring the whole thing into ah, you know,

401
00:21:10,040 --> 00:21:11,359
Speaker 3: a flow, a flow state.

402
00:21:11,760 --> 00:21:14,280
Speaker 2: Yeah, hey, we talk about that all the time. Shut

403
00:21:14,280 --> 00:21:17,960
Speaker 2: out me, Hi chick sent me high Okay, Yeah, yeah,

404
00:21:19,000 --> 00:21:20,280
Speaker 2: it's the neurologys to.

405
00:21:21,000 --> 00:21:24,119
Speaker 1: Yea and I remember we did. We did a whole episode.

406
00:21:24,640 --> 00:21:28,160
Speaker 2: He's the neurologist who are like, yeah, yeah, like finding flow.

407
00:21:29,359 --> 00:21:31,760
Speaker 1: Yeah, a lot of research into flow state and how

408
00:21:31,760 --> 00:21:34,680
Speaker 1: to achieve that. Yeah. I just I feel like the

409
00:21:34,800 --> 00:21:37,960
Speaker 1: US probably has a little bit harder of a time.

410
00:21:38,000 --> 00:21:40,760
Speaker 1: We were just talking about this with relation to the

411
00:21:40,800 --> 00:21:45,320
Speaker 1: similarities between being sleep depraved and having like alcoholic beverages,

412
00:21:45,600 --> 00:21:49,920
Speaker 1: Like you're killing, you're making, you're you're wearing out that

413
00:21:50,359 --> 00:21:54,400
Speaker 1: inner like break pusher, the thing that pushes the brakes

414
00:21:54,480 --> 00:21:56,479
Speaker 1: and is like constantly on you being like don't move

415
00:21:56,520 --> 00:21:58,919
Speaker 1: your body like that. People people behind you were probably

416
00:21:58,960 --> 00:22:01,480
Speaker 1: watching you and judging. You know, you're on TikTok now,

417
00:22:02,480 --> 00:22:08,720
Speaker 1: yeah exactly, but yeah that's cool. What's uh, what's something

418
00:22:08,760 --> 00:22:10,280
Speaker 1: you think is underrated?

419
00:22:11,440 --> 00:22:15,800
Speaker 3: Okay? Two things stovetop espresso, which I think is just

420
00:22:16,040 --> 00:22:18,160
Speaker 3: like the percolators. They're just great.

421
00:22:18,800 --> 00:22:22,880
Speaker 2: Oh that metal thing, right, yeah yeah, the metal thing. Yeah, yeah, yeah,

422
00:22:23,000 --> 00:22:23,480
Speaker 2: I think there.

423
00:22:23,520 --> 00:22:25,760
Speaker 3: I think they're I think it's better than French press.

424
00:22:25,800 --> 00:22:28,040
Speaker 3: I think it's better than a pour over. You know,

425
00:22:28,040 --> 00:22:29,800
Speaker 3: it might not be better than like one hundred year

426
00:22:29,840 --> 00:22:32,719
Speaker 3: old French machine or something, but I think it's the

427
00:22:32,720 --> 00:22:35,520
Speaker 3: best juga too, you know. And then the other thing

428
00:22:35,600 --> 00:22:38,920
Speaker 3: I like that I think is underrated are the cheapy

429
00:22:39,080 --> 00:22:43,200
Speaker 3: headphones that you get from flight attendants on flights because

430
00:22:43,200 --> 00:22:45,400
Speaker 3: they always come in handy at the exact time when

431
00:22:45,440 --> 00:22:49,159
Speaker 3: you can't find your other shit. Oh, it's like you're like,

432
00:22:49,200 --> 00:22:51,520
Speaker 3: wait a minute, I have one of these in my purse,

433
00:22:51,600 --> 00:22:53,600
Speaker 3: and then like you need it and you have it,

434
00:22:53,960 --> 00:22:54,920
Speaker 3: and those are my two.

435
00:22:55,640 --> 00:22:59,199
Speaker 2: Yeah, it's from I'm like such a headphone nerd. Like

436
00:22:59,240 --> 00:23:02,400
Speaker 2: I'm like, I got my own cans, thank you so much,

437
00:23:03,040 --> 00:23:05,679
Speaker 2: because the fidelity is way too fucked up from my ears.

438
00:23:05,680 --> 00:23:08,560
Speaker 2: But hey, maybe maybe my mother would like it because

439
00:23:08,560 --> 00:23:10,040
Speaker 2: she doesn't care about how shit sounds.

440
00:23:10,400 --> 00:23:11,000
Speaker 1: But yeah, it is.

441
00:23:11,240 --> 00:23:12,840
Speaker 2: I never thought of it as like sort of like

442
00:23:12,880 --> 00:23:16,080
Speaker 2: having like a package of Kleenex or something too where

443
00:23:16,080 --> 00:23:18,200
Speaker 2: you're like, oh, headphones, wait, I got I know. I

444
00:23:18,200 --> 00:23:20,040
Speaker 2: have a pile of them from every flight I go

445
00:23:20,119 --> 00:23:23,560
Speaker 2: on exactly Now I will be less stuck up, and

446
00:23:23,600 --> 00:23:25,399
Speaker 2: I will accept them gleefully.

447
00:23:25,640 --> 00:23:27,840
Speaker 3: You just take them as your backup, right right.

448
00:23:28,280 --> 00:23:30,879
Speaker 1: Some of them break like one and a half uses

449
00:23:31,359 --> 00:23:34,840
Speaker 1: into a life cycle, but sometimes like that, that's not

450
00:23:34,920 --> 00:23:38,679
Speaker 1: a rule, and sometimes they'll last you a year. You know,

451
00:23:38,920 --> 00:23:42,439
Speaker 1: they'll just be you get the the real ones that

452
00:23:42,600 --> 00:23:46,080
Speaker 1: U are able to kind of stick together. I thought

453
00:23:46,080 --> 00:23:50,200
Speaker 1: stuff Top Espresso was the stuff Top Stuffing brand expanding

454
00:23:50,359 --> 00:23:53,400
Speaker 1: into the world espresso. So I'm very glad to hear

455
00:23:53,680 --> 00:23:54,919
Speaker 1: that that's not what's happening.

456
00:23:55,040 --> 00:23:58,440
Speaker 2: Just add water to like the powder there it is,

457
00:23:58,520 --> 00:24:00,119
Speaker 2: and microwave it.

458
00:24:00,280 --> 00:24:02,800
Speaker 3: My god, you thought I mean Ethiopian.

459
00:24:02,880 --> 00:24:07,000
Speaker 2: I would never serious about the coffee.

460
00:24:07,200 --> 00:24:10,680
Speaker 1: That's that's where my American brain went. Of course, of course,

461
00:24:10,960 --> 00:24:13,359
Speaker 1: of course, so it's probably comes in a box, the

462
00:24:13,440 --> 00:24:16,879
Speaker 1: stuff Top Espresso. It's like, what isle is that in?

463
00:24:18,720 --> 00:24:23,040
Speaker 1: Where do I find that? All right, Well, let's uh,

464
00:24:23,119 --> 00:24:25,639
Speaker 1: let's take a quick break and we'll come back and

465
00:24:26,280 --> 00:24:30,800
Speaker 1: talk about presidents creating foreign policy based on some movies

466
00:24:31,000 --> 00:24:46,080
Speaker 1: they just saw and we're back and yeah, So earlier

467
00:24:46,160 --> 00:24:49,600
Speaker 1: this week, Biden signed an executive order establishing new guardrails

468
00:24:49,600 --> 00:24:54,440
Speaker 1: around AI technology. I remember like when when it happened,

469
00:24:54,480 --> 00:24:57,399
Speaker 1: it being like now really like this is this is

470
00:24:57,440 --> 00:25:00,320
Speaker 1: what you're I mean? Yes, AI is like was a

471
00:25:00,320 --> 00:25:03,600
Speaker 1: big story a few months back, and there's definitely a

472
00:25:03,640 --> 00:25:05,520
Speaker 1: lot going on there and we need to be keeping

473
00:25:05,520 --> 00:25:07,520
Speaker 1: our eye on it. But this is just like the

474
00:25:07,560 --> 00:25:14,200
Speaker 1: timing seemed weird, like as there's this horrifying war happening

475
00:25:14,280 --> 00:25:18,639
Speaker 1: being waged by US ally Israel and being funded and

476
00:25:18,880 --> 00:25:23,159
Speaker 1: armed by by the US, and he's like, so this

477
00:25:23,280 --> 00:25:25,120
Speaker 1: AI stuff, am I right?

478
00:25:26,119 --> 00:25:28,800
Speaker 2: So what about student loan? Student loan forgive?

479
00:25:31,160 --> 00:25:35,160
Speaker 1: According to Joe, this was partly due to someone showing him,

480
00:25:35,240 --> 00:25:38,600
Speaker 1: first of all, a deep fake of himself of himself,

481
00:25:38,880 --> 00:25:41,359
Speaker 1: to which he responded, when the hell did I say that?

482
00:25:41,440 --> 00:25:41,640
Speaker 2: Man?

483
00:25:44,320 --> 00:25:47,080
Speaker 3: Hey you laughing? So I don't cry, I know.

484
00:25:47,560 --> 00:25:49,879
Speaker 2: And it's but the thing is, it's so it's so

485
00:25:50,520 --> 00:25:53,040
Speaker 2: believe it's you just know that happened, like I don't

486
00:25:53,040 --> 00:25:55,600
Speaker 2: even know, like you know, like one night when nice

487
00:25:56,200 --> 00:25:56,960
Speaker 2: did I say that?

488
00:25:57,240 --> 00:25:59,760
Speaker 1: Well, and he's doing it as like a folkesy like

489
00:26:00,720 --> 00:26:04,119
Speaker 1: thing where He's like, thing was so good, fooled me me.

490
00:26:04,600 --> 00:26:08,400
Speaker 1: But it's like, yeah, but right now you are struggling

491
00:26:08,720 --> 00:26:13,360
Speaker 1: with our ability to believe that you can hold it together,

492
00:26:13,520 --> 00:26:17,520
Speaker 1: so you can't make self effacing jokes in that tenor

493
00:26:18,000 --> 00:26:21,840
Speaker 1: right now, like we need you to just shit together

494
00:26:21,880 --> 00:26:25,240
Speaker 1: a little bit. Yeah, he didn't say exactly what deep

495
00:26:25,240 --> 00:26:28,359
Speaker 1: fake it was, but I do hope that it was

496
00:26:28,400 --> 00:26:32,119
Speaker 1: the one where he and Vladimir Putin are playing in

497
00:26:32,200 --> 00:26:36,680
Speaker 1: olymp biscuit cover band. But we just don't know.

498
00:26:36,200 --> 00:26:37,560
Speaker 2: What the hell did I say? I did it all

499
00:26:37,560 --> 00:26:40,920
Speaker 2: for the nookie, so I can.

500
00:26:40,880 --> 00:26:41,600
Speaker 1: Take that cookie.

501
00:26:41,600 --> 00:26:42,160
Speaker 2: What is this?

502
00:26:43,040 --> 00:26:47,560
Speaker 1: But then, according to Deputy White House Chief Bruce Reid,

503
00:26:47,800 --> 00:26:50,440
Speaker 1: who I feel like has to be on Biden's shitlist

504
00:26:50,600 --> 00:26:53,679
Speaker 1: for this one. So part of Biden's concern over a

505
00:26:53,800 --> 00:26:58,800
Speaker 1: I came after he watched Mission Impossible, Mission Colon Impossible,

506
00:26:59,119 --> 00:27:02,600
Speaker 1: m Dash, Dead Reckoning Part one. They did not put

507
00:27:02,600 --> 00:27:05,880
Speaker 1: a call in between Dead Reckoning Part one because too many,

508
00:27:06,119 --> 00:27:09,600
Speaker 1: too much punctuation, but it probably should be there. At

509
00:27:09,680 --> 00:27:14,000
Speaker 1: Camp David, he was like, yeah, I watched it with him, man,

510
00:27:14,200 --> 00:27:16,840
Speaker 1: and he turned to me and was like, oh.

511
00:27:16,720 --> 00:27:22,919
Speaker 2: No, And then I got a lot of movies to

512
00:27:22,920 --> 00:27:23,680
Speaker 2: show Joe.

513
00:27:24,440 --> 00:27:27,840
Speaker 3: Yeah, are you sure this wasn't an Onion article, right?

514
00:27:28,440 --> 00:27:33,040
Speaker 1: I know? Yeah too real. So this is a movie

515
00:27:33,119 --> 00:27:36,480
Speaker 1: in which Tom Cruise battles a computer that can literally

516
00:27:36,560 --> 00:27:41,200
Speaker 1: see into the future, and obviously a lot of people

517
00:27:41,200 --> 00:27:47,280
Speaker 1: are like Joe, Joe, Joe, Joe, Joe, Jojo. The quote

518
00:27:47,320 --> 00:27:49,120
Speaker 1: from Reid, which this is the quote that I feel

519
00:27:49,160 --> 00:27:51,560
Speaker 1: like gets his ass fire. If he hadn't already been

520
00:27:51,640 --> 00:27:54,320
Speaker 1: concerned about what could go wrong with AI before that movie,

521
00:27:54,680 --> 00:27:57,119
Speaker 1: he saw plenty more to worry about, said Reid, who

522
00:27:57,200 --> 00:28:00,320
Speaker 1: watched the film with Biden. So you have watched it

523
00:28:00,440 --> 00:28:03,600
Speaker 1: with him and was like, oh, yeah, man, he was.

524
00:28:03,800 --> 00:28:04,439
Speaker 1: He was shaking.

525
00:28:04,680 --> 00:28:06,480
Speaker 2: You think he was doing that thing like like black

526
00:28:06,520 --> 00:28:08,600
Speaker 2: people do when they watch a movie, like grabbing each

527
00:28:08,600 --> 00:28:13,879
Speaker 2: other and pushing each other the fuck. What the fuck's

528
00:28:13,920 --> 00:28:17,960
Speaker 2: going on here? He's like, Oh, sir, it's it's it's

529
00:28:18,000 --> 00:28:20,320
Speaker 2: just chat box right now. It's not doing this shit

530
00:28:20,520 --> 00:28:21,040
Speaker 2: quite yet.

531
00:28:21,359 --> 00:28:24,480
Speaker 1: I do. This does concern me because the version in

532
00:28:24,520 --> 00:28:28,920
Speaker 1: his brain that he is, you know, passing legislation against

533
00:28:29,000 --> 00:28:33,280
Speaker 1: we're trying to address, is the version of AI that

534
00:28:33,440 --> 00:28:37,760
Speaker 1: the heads of the companies who do who are creating this,

535
00:28:37,920 --> 00:28:41,680
Speaker 1: and you know, putting the money into this and releasing

536
00:28:41,720 --> 00:28:44,080
Speaker 1: the products that are using this. This is the version.

537
00:28:44,240 --> 00:28:46,520
Speaker 1: This is the danger they want us to believe him, Like,

538
00:28:46,560 --> 00:28:49,520
Speaker 1: this is the one they're always talking about, and so

539
00:28:49,560 --> 00:28:53,120
Speaker 1: it's probably not the one we actually need to worry about, right,

540
00:28:53,480 --> 00:28:56,760
Speaker 1: you know, it's like they want it to be. They're like,

541
00:28:56,800 --> 00:28:59,760
Speaker 1: we're guys, we're playing with fucking dynamite over here. This

542
00:28:59,800 --> 00:29:03,320
Speaker 1: thing is gonna turn into the T one thousand, so

543
00:29:03,360 --> 00:29:06,040
Speaker 1: you better watch out, and you also better be nice

544
00:29:06,040 --> 00:29:10,040
Speaker 1: to us because we have immense power. And he seems

545
00:29:10,080 --> 00:29:12,960
Speaker 1: to be like, yeah, I saw the movie. Man, I

546
00:29:13,000 --> 00:29:16,280
Speaker 1: got that presidential debriefing, if you know what I'm saying.

547
00:29:17,560 --> 00:29:22,800
Speaker 1: But I see the light exactly exactly. But yeah, I

548
00:29:22,840 --> 00:29:28,880
Speaker 1: mean Lewis Fertel tweeted imagining Biden watching Mission Impossible, tilting

549
00:29:28,920 --> 00:29:34,840
Speaker 1: his head to the sky and yelling fuck. But this is,

550
00:29:35,000 --> 00:29:36,920
Speaker 1: of course, far from the first time that a president

551
00:29:37,040 --> 00:29:41,280
Speaker 1: has used a dumb movie as justification for policy. A

552
00:29:41,600 --> 00:29:44,560
Speaker 1: far more reprehensible time was the time that Trump was

553
00:29:45,120 --> 00:29:49,360
Speaker 1: using scenes from Sikario two in order to defend his

554
00:29:49,480 --> 00:29:50,160
Speaker 1: border wall.

555
00:29:50,440 --> 00:29:54,200
Speaker 2: Yeah, he was like, the cars, they're just supercars.

556
00:29:54,280 --> 00:29:57,880
Speaker 1: They go faster than they're faster than our police.

557
00:29:57,840 --> 00:30:02,600
Speaker 2: The jet Yeah, it's like, what are you talking about?

558
00:30:02,680 --> 00:30:05,640
Speaker 2: They go faster than the police cars. And everyone's like,

559
00:30:05,720 --> 00:30:07,760
Speaker 2: do you know what movie came out over the holiday

560
00:30:07,760 --> 00:30:10,160
Speaker 2: break that he probably just saw. It's a Car EO

561
00:30:10,320 --> 00:30:13,160
Speaker 2: two where they had jet powered fucking smuggler cars.

562
00:30:13,440 --> 00:30:16,840
Speaker 1: Yes, of course, of course, and he had the He

563
00:30:16,920 --> 00:30:19,880
Speaker 1: probably just saw the the jet powered cars like he.

564
00:30:20,920 --> 00:30:23,640
Speaker 1: Trump is famously the guy who had like all the

565
00:30:23,720 --> 00:30:28,160
Speaker 1: boring scenes edited out of like blood Sport, so not

566
00:30:28,560 --> 00:30:31,480
Speaker 1: a movie known for like its long periods of exposition,

567
00:30:31,800 --> 00:30:33,600
Speaker 1: but he was like, this is this is too boring,

568
00:30:33,680 --> 00:30:36,040
Speaker 1: Just get to the fights. But the king of this

569
00:30:36,120 --> 00:30:40,800
Speaker 1: shit was not surprisingly because he was an actor and

570
00:30:40,840 --> 00:30:46,080
Speaker 1: probably should have remained one. Ronald Reagan, who not unlike Biden,

571
00:30:46,880 --> 00:30:49,680
Speaker 1: was way too old to have his job and also

572
00:30:49,840 --> 00:30:52,880
Speaker 1: not onlike Biden, screened a popular movie at Camp David

573
00:30:52,960 --> 00:30:57,200
Speaker 1: and promptly freaked the fuck out. That movie was War Games,

574
00:30:59,000 --> 00:31:02,800
Speaker 1: the eighties thriller starring Matthew Broderick. I don't know if

575
00:31:02,800 --> 00:31:06,800
Speaker 1: it was follow up to Ferris Bueller's Day Off or yeah, well,

576
00:31:06,920 --> 00:31:09,760
Speaker 1: Firris Bueller's Day Off was a follow up to this,

577
00:31:10,200 --> 00:31:15,280
Speaker 1: but it's about a teenager who hacks into government supercomputer,

578
00:31:15,920 --> 00:31:18,640
Speaker 1: and Reagan brought it up at a White House meeting,

579
00:31:18,760 --> 00:31:22,920
Speaker 1: asking the Chairman of the Joint Chiefs of Staff, Uh, well,

580
00:31:23,160 --> 00:31:26,640
Speaker 1: could something like this really happen? Well, that's well, is

581
00:31:26,640 --> 00:31:29,040
Speaker 1: the only word I can say, Like Ronald reckon, unfortunately,

582
00:31:29,320 --> 00:31:32,360
Speaker 1: but this actually true. This led to a revamp of

583
00:31:32,520 --> 00:31:36,240
Speaker 1: US cybersecurity policies, and clips from war games were even

584
00:31:36,280 --> 00:31:38,080
Speaker 1: shown at congressional hearings.

585
00:31:38,520 --> 00:31:43,800
Speaker 2: Oh boy, what I just yeah liked, Like, don't believe me.

586
00:31:44,360 --> 00:31:47,720
Speaker 2: Look at this freaky clip of Matthew Broaderick in a

587
00:31:47,800 --> 00:31:54,320
Speaker 2: movie story. Yeah, so this is not real. However, this

588
00:31:54,480 --> 00:31:56,320
Speaker 2: is the basis for this legislation.

589
00:31:57,000 --> 00:32:00,240
Speaker 1: So yes, even Matthew Broderick, the kid who could back

590
00:32:00,240 --> 00:32:05,280
Speaker 1: into his principal's computer and change his grades. I couldn't

591
00:32:06,080 --> 00:32:07,640
Speaker 1: get a hold of this. Yeah.

592
00:32:07,640 --> 00:32:11,280
Speaker 2: He just identifies Matthew Broderick as like a person of interest, like,

593
00:32:11,360 --> 00:32:14,000
Speaker 2: you know, like being a potential criminal. He's like, I've

594
00:32:14,080 --> 00:32:16,360
Speaker 2: seen enough, take.

595
00:32:16,120 --> 00:32:18,800
Speaker 1: This guy down. He was apparently a huge fan of

596
00:32:18,800 --> 00:32:21,480
Speaker 1: the fifties alien movie The Day of the Earth stood

597
00:32:21,480 --> 00:32:24,960
Speaker 1: Still and believed that the US and the USSR would

598
00:32:24,960 --> 00:32:28,840
Speaker 1: certainly resolve their differences and unite if only aliens invaded.

599
00:32:29,400 --> 00:32:33,120
Speaker 1: And he literally brought this theory up during a meeting

600
00:32:33,200 --> 00:32:35,000
Speaker 1: with Gorbachev, Like.

601
00:32:35,040 --> 00:32:39,160
Speaker 3: Wow, and Gorbachev is just doing his best to keep

602
00:32:39,160 --> 00:32:39,600
Speaker 3: it together.

603
00:32:39,800 --> 00:32:42,880
Speaker 2: Yeah, like probably looking around the room like he's like

604
00:32:42,880 --> 00:32:45,080
Speaker 2: like looking at his interpreter again, He's like, hold on

605
00:32:45,080 --> 00:32:53,320
Speaker 2: one more time. He said, what the fucking uh? Yes, see,

606
00:32:53,080 --> 00:32:55,280
Speaker 2: we know that I think we could be friends.

607
00:32:55,600 --> 00:32:57,520
Speaker 4: Huh when we.

608
00:32:57,560 --> 00:33:02,320
Speaker 3: Know that movies have like this proportionate effect on our narratives,

609
00:33:02,760 --> 00:33:06,080
Speaker 3: but you don't think that it's going to be so literal.

610
00:33:09,120 --> 00:33:12,400
Speaker 1: Yeah, it's like we shouldn't look there are a lot

611
00:33:12,480 --> 00:33:15,719
Speaker 1: of ways that like the young and the old overlap,

612
00:33:16,200 --> 00:33:19,840
Speaker 1: and you know, I know that I shouldn't show my

613
00:33:20,080 --> 00:33:24,600
Speaker 1: five year old Mission Impossible Dead Reckoning Part one, And

614
00:33:24,680 --> 00:33:27,920
Speaker 1: maybe we should start thinking about what media we allow

615
00:33:28,080 --> 00:33:31,160
Speaker 1: the president to see because he just might not be

616
00:33:31,240 --> 00:33:31,880
Speaker 1: ready for it.

617
00:33:32,280 --> 00:33:34,520
Speaker 2: Yeah, I mean we're fuck it man, Like if there's

618
00:33:34,520 --> 00:33:38,560
Speaker 2: some like shows man bluie rogue progressives in that administration

619
00:33:38,640 --> 00:33:40,360
Speaker 2: to be like, I don't know you said this shit

620
00:33:40,680 --> 00:33:43,960
Speaker 2: where he's like, yeah, so we're gonna fully fund Medicare

621
00:33:44,040 --> 00:33:46,600
Speaker 2: for all, Like I'm going all in on gun control.

622
00:33:46,640 --> 00:33:50,800
Speaker 2: We're doing a fault weapons band, like you said this shit, Joe. Yeah,

623
00:33:50,800 --> 00:33:52,960
Speaker 2: and he's like, okay, oh yeah, okay, that's true, that's true.

624
00:33:52,960 --> 00:33:56,400
Speaker 1: That's right. Yep, yep, yep. I'm yeah. We got to

625
00:33:56,440 --> 00:33:59,880
Speaker 1: create a media diet, like a movie playlist for his ass,

626
00:34:00,120 --> 00:34:05,560
Speaker 1: you know, because he is clearly very open to suggestion. Yeah,

627
00:34:05,640 --> 00:34:08,440
Speaker 1: if anybody has a you know, some suggestions on what

628
00:34:08,480 --> 00:34:11,880
Speaker 1: we should put on the Joe Biden movie playlist, hit

629
00:34:11,960 --> 00:34:14,440
Speaker 1: us up. Yeah, because we do have a direct line

630
00:34:14,480 --> 00:34:16,640
Speaker 1: to the White House, so yeah, we have access to

631
00:34:16,680 --> 00:34:17,319
Speaker 1: the plex server.

632
00:34:17,480 --> 00:34:19,319
Speaker 2: They use a camp dare, so we can just put

633
00:34:19,320 --> 00:34:22,000
Speaker 2: that shit right in there. And he's thinking, he's watching

634
00:34:22,000 --> 00:34:23,920
Speaker 2: a rerun of The Simpsons and it's about to be

635
00:34:24,000 --> 00:34:24,799
Speaker 2: some heavy shit.

636
00:34:25,120 --> 00:34:27,799
Speaker 3: Yeah, we can get Matthew Broderick to hack in there.

637
00:34:30,080 --> 00:34:31,719
Speaker 2: Biden's like, who did this Broaderick?

638
00:34:34,160 --> 00:34:37,880
Speaker 1: He also Reagan also famously got his Strategic Defense Initiative

639
00:34:37,920 --> 00:34:42,120
Speaker 1: idea aka star Wars from Citizens Advisory Council on National

640
00:34:42,160 --> 00:34:44,920
Speaker 1: Space Policy, which was led by two sci fi authors

641
00:34:45,320 --> 00:34:48,919
Speaker 1: and a lot of people speculated the idea for star Wars,

642
00:34:49,000 --> 00:34:51,200
Speaker 1: which was like a massive failure. He was like, we're

643
00:34:51,200 --> 00:34:54,440
Speaker 1: going to put weapons in space that can like shoot

644
00:34:54,480 --> 00:34:58,040
Speaker 1: down nuclear weapons from outer space. And they were like,

645
00:34:58,560 --> 00:35:02,920
Speaker 1: the technology for that's like one hundred two hundred years away.

646
00:35:02,960 --> 00:35:04,520
Speaker 1: And he was like, well do it.

647
00:35:04,640 --> 00:35:05,440
Speaker 2: Let's let's go.

648
00:35:05,920 --> 00:35:07,799
Speaker 1: And so they did it, and people were like, oh,

649
00:35:07,920 --> 00:35:11,000
Speaker 1: he was in this movie called Murder in the Air,

650
00:35:11,480 --> 00:35:14,520
Speaker 1: which is a nineteen forty spy adventure about a magic

651
00:35:14,600 --> 00:35:17,640
Speaker 1: machine that protected the United States from air attack. So

652
00:35:18,160 --> 00:35:23,960
Speaker 1: that's where that's coming from. And he spent trillions. Damn.

653
00:35:24,000 --> 00:35:27,080
Speaker 2: They should show Joe Biden the creator then he really

654
00:35:27,120 --> 00:35:27,520
Speaker 2: wants to go.

655
00:35:28,840 --> 00:35:29,759
Speaker 1: Creator would be good.

656
00:35:29,880 --> 00:35:33,200
Speaker 2: Yeah, that's what we need.

657
00:35:33,560 --> 00:35:36,960
Speaker 1: More death from above. Yeah, oh yeah, he just sides

658
00:35:37,000 --> 00:35:37,720
Speaker 1: with the US.

659
00:35:37,800 --> 00:35:40,239
Speaker 2: Yeah, he's like exactly, so we got to build that.

660
00:35:41,000 --> 00:35:43,880
Speaker 1: I like the first part, man, I like yeah, I

661
00:35:44,000 --> 00:35:44,479
Speaker 1: like that part.

662
00:35:45,320 --> 00:35:49,879
Speaker 2: The character Reagan Place was called Brass Bancroft. These names, yes,

663
00:35:50,000 --> 00:35:52,240
Speaker 2: so fucking wild broke.

664
00:35:52,320 --> 00:35:57,919
Speaker 1: Fuck yeah why notft? Yes, sir, Good for you man,

665
00:35:58,200 --> 00:36:02,960
Speaker 1: Good for you for you man. Love it all right,

666
00:36:03,840 --> 00:36:08,280
Speaker 1: let's talk real quick about some of the horrifying rhetoric

667
00:36:08,640 --> 00:36:11,839
Speaker 1: that we're seeing. It's becoming mainstream, you know. While Joe

668
00:36:11,880 --> 00:36:16,000
Speaker 1: Biden continues to be soft on net and Yahoo and

669
00:36:16,560 --> 00:36:20,560
Speaker 1: just basically co signed the slaughter of Palestinian people. The

670
00:36:20,640 --> 00:36:25,600
Speaker 1: rhetoric is getting just fucking out of hand and islamophobic

671
00:36:25,680 --> 00:36:27,040
Speaker 1: and incredibly dangerous.

672
00:36:27,320 --> 00:36:31,520
Speaker 2: Yeah, I like, at best, woefully disconnected from humanity and

673
00:36:31,680 --> 00:36:34,759
Speaker 2: at worst absolutely homicidal. And I just want to point

674
00:36:34,760 --> 00:36:37,240
Speaker 2: out two remarks I've heard in the last few days.

675
00:36:37,480 --> 00:36:41,120
Speaker 2: So Vivid Ramaswami, who's struggling to remain relevant in the

676
00:36:41,120 --> 00:36:45,200
Speaker 2: presidential primary, he spoke to the Republican Jewish Coalition in

677
00:36:45,280 --> 00:36:50,839
Speaker 2: Las Vegas and said, quote and he said quote, if

678
00:36:51,160 --> 00:36:53,759
Speaker 2: Israel and Massad want to take out every last leader

679
00:36:53,760 --> 00:36:56,840
Speaker 2: of Hamas wherever they may be hiding, from Doha to Dresden,

680
00:36:57,120 --> 00:36:59,919
Speaker 2: host a red wedding at the Four Seasons and cutter

681
00:37:00,680 --> 00:37:03,799
Speaker 2: the next time the leaders are in town, they should

682
00:37:03,880 --> 00:37:06,439
Speaker 2: go ahead and do it. And we're like, I'm sorry,

683
00:37:06,680 --> 00:37:09,600
Speaker 2: are we using Game of Thron's rhetoric here?

684
00:37:10,000 --> 00:37:11,640
Speaker 1: The huh?

685
00:37:11,680 --> 00:37:14,640
Speaker 2: Then he went on Pierce Morgan's show and said that

686
00:37:14,719 --> 00:37:17,680
Speaker 2: I would love nothing more than for the IDF forces

687
00:37:17,920 --> 00:37:20,200
Speaker 2: or the IDF to put the heads of the top

688
00:37:20,200 --> 00:37:23,239
Speaker 2: one hundred Hamas leaders on spikes and line them up

689
00:37:23,239 --> 00:37:26,240
Speaker 2: on the Israel Gaza border as a sign that October

690
00:37:26,280 --> 00:37:29,319
Speaker 2: seventh will never happen again. That was even too much

691
00:37:29,400 --> 00:37:33,840
Speaker 2: for Pierce Morgan somehow, what was like, Uh, what he's like?

692
00:37:33,880 --> 00:37:36,239
Speaker 2: That just sounds like pouring fuel on an out of

693
00:37:36,280 --> 00:37:39,160
Speaker 2: control fire, Like what do you like? And also these

694
00:37:39,200 --> 00:37:42,880
Speaker 2: are war crimes, like we're really raw raying this stuff

695
00:37:42,880 --> 00:37:45,719
Speaker 2: for clout and just very like I don't know what

696
00:37:45,760 --> 00:37:48,840
Speaker 2: the reaction was in the room, but I guess maybe

697
00:37:49,040 --> 00:37:50,680
Speaker 2: he's maybe I don't know if he has like a

698
00:37:50,719 --> 00:37:53,360
Speaker 2: Game of Thrones based foreign policy and everything is going

699
00:37:53,440 --> 00:37:55,160
Speaker 2: to be put through that lens as he tries to

700
00:37:55,200 --> 00:37:59,839
Speaker 2: connect with voters or something. But again, wild wild things

701
00:37:59,840 --> 00:38:02,360
Speaker 2: to say as someone who is in pursuit of the

702
00:38:03,320 --> 00:38:07,040
Speaker 2: White House. Then there was Lindsey Graham. He was on

703
00:38:07,120 --> 00:38:11,680
Speaker 2: CNN two nights ago and essentially said that the number

704
00:38:11,719 --> 00:38:16,040
Speaker 2: of civilian casualties should not deter Israel by any stretch

705
00:38:16,040 --> 00:38:18,319
Speaker 2: of the imagination. Let me play this for you really quick,

706
00:38:18,840 --> 00:38:19,879
Speaker 2: Savine character, is.

707
00:38:19,840 --> 00:38:22,359
Speaker 6: There a threshold for you? And do you think there

708
00:38:22,360 --> 00:38:25,520
Speaker 6: should be one for the United States government? And which

709
00:38:26,120 --> 00:38:29,680
Speaker 6: the US would say, let's hold off for a second

710
00:38:29,719 --> 00:38:32,440
Speaker 6: in terms of civilian casualties Is there a point at

711
00:38:32,440 --> 00:38:34,359
Speaker 6: which you would start to question a lot?

712
00:38:34,560 --> 00:38:37,319
Speaker 5: If somebody asked us after World War two, is there

713
00:38:37,320 --> 00:38:39,200
Speaker 5: a limit what you would do to make sure that

714
00:38:39,320 --> 00:38:42,279
Speaker 5: Japan and Germany don't conquer the world. Is there any

715
00:38:42,360 --> 00:38:44,920
Speaker 5: limit what Israel should do to the people who are

716
00:38:44,920 --> 00:38:48,000
Speaker 5: trying to slaughter the Jews. Answers, No, there is no limit.

717
00:38:48,040 --> 00:38:50,680
Speaker 5: But here's what you need to do. Be smart. Let's

718
00:38:50,680 --> 00:38:53,799
Speaker 5: try to limit savine casualties the best we can't. Let's

719
00:38:53,800 --> 00:38:57,160
Speaker 5: put humanitarian aid in areas that protect Danisent.

720
00:38:57,280 --> 00:38:59,719
Speaker 2: I'm all for that anyway. So he goes on to

721
00:38:59,760 --> 00:39:03,120
Speaker 2: be like it's wild to say there is no limit,

722
00:39:03,600 --> 00:39:05,239
Speaker 2: but also like you got to be careful. It's like

723
00:39:05,280 --> 00:39:07,640
Speaker 2: you can't have that both ways. First of all Instagram,

724
00:39:07,800 --> 00:39:11,560
Speaker 2: And also how are you likening the Axis powers of

725
00:39:11,640 --> 00:39:14,480
Speaker 2: World War two to the Gaza strip?

726
00:39:15,239 --> 00:39:15,719
Speaker 1: Right? Like?

727
00:39:15,960 --> 00:39:19,400
Speaker 2: Where what on earth are you talking about? And these

728
00:39:19,440 --> 00:39:23,000
Speaker 2: are the people that have they have votes, you know,

729
00:39:23,160 --> 00:39:26,319
Speaker 2: to decide what our foreign policy is. And he's out

730
00:39:26,320 --> 00:39:29,480
Speaker 2: here casually saying this kind of stuff. I mean, this

731
00:39:29,560 --> 00:39:33,040
Speaker 2: is it's just so it's just wild to see because

732
00:39:33,080 --> 00:39:35,680
Speaker 2: I feel like I think like many people were like

733
00:39:35,719 --> 00:39:38,920
Speaker 2: in some kind of Twilight Zone where like I feel

734
00:39:38,920 --> 00:39:40,920
Speaker 2: like we're they're like a lot of these politicians are

735
00:39:41,000 --> 00:39:45,200
Speaker 2: using this dusty ass propaganda playbook to manufacture consent for

736
00:39:45,320 --> 00:39:49,320
Speaker 2: further military action when so many people, myself included because

737
00:39:49,360 --> 00:39:52,240
Speaker 2: I was I was coming of age during the Second

738
00:39:52,320 --> 00:39:56,000
Speaker 2: Iraq War that I remember how everything was like, don't matter,

739
00:39:56,239 --> 00:39:59,319
Speaker 2: We're going in there and everybody's getting messed up. You

740
00:39:59,360 --> 00:40:03,000
Speaker 2: saw nine e you saw nine you saw nine eleven,

741
00:40:03,400 --> 00:40:06,920
Speaker 2: And that same way of like pointing to this like

742
00:40:07,000 --> 00:40:09,800
Speaker 2: this event to then say now everything's on the table

743
00:40:10,280 --> 00:40:13,200
Speaker 2: is horrifying, especially now because we live in an era

744
00:40:13,280 --> 00:40:17,320
Speaker 2: where you can see what the actual the the results

745
00:40:17,360 --> 00:40:18,840
Speaker 2: are of this kind of rhetoric.

746
00:40:19,120 --> 00:40:21,120
Speaker 1: And democrats y'all.

747
00:40:20,880 --> 00:40:24,760
Speaker 2: Are also doing a terrible job. The best I'm hearing

748
00:40:25,040 --> 00:40:29,320
Speaker 2: are forceful call calls for a humanitarian pause.

749
00:40:30,040 --> 00:40:32,520
Speaker 1: I mean, you even heard it in the CNN interview.

750
00:40:32,600 --> 00:40:35,400
Speaker 1: The thing that she's trying to get Lindsay Grahant or

751
00:40:35,440 --> 00:40:40,560
Speaker 1: just asking Lindsay Graham, like the humane position is would

752
00:40:40,600 --> 00:40:45,279
Speaker 1: the US or would Israel stop for a Secondly? I

753
00:40:45,360 --> 00:40:47,480
Speaker 1: believe she literally said for a second.

754
00:40:47,640 --> 00:40:50,319
Speaker 2: Right, Like, well, the and the rhetoric that you know,

755
00:40:50,400 --> 00:40:52,920
Speaker 2: you see like from a lot of the defense, like

756
00:40:52,960 --> 00:40:55,680
Speaker 2: the Hawks in Congress is sort of like, well, any

757
00:40:55,719 --> 00:40:59,279
Speaker 2: pause allows them to build up munitions or fortify their positions,

758
00:40:59,800 --> 00:41:02,160
Speaker 2: and it's like, I'm sorry, they are not out here

759
00:41:02,200 --> 00:41:04,959
Speaker 2: to take over the world. Like I get how maybe

760
00:41:05,239 --> 00:41:06,960
Speaker 2: in the forties you're like, this is what it's trying

761
00:41:06,960 --> 00:41:08,440
Speaker 2: to do. He's trying to take over the fucking world.

762
00:41:08,920 --> 00:41:11,759
Speaker 2: But this is not this situation by any stretch of

763
00:41:11,760 --> 00:41:15,240
Speaker 2: the imagination, and to liken it to that further dehumanizes

764
00:41:15,280 --> 00:41:18,360
Speaker 2: these people and allows for this kind of shit to continue.

765
00:41:18,760 --> 00:41:22,759
Speaker 2: And like everything, I feel like there's such an outsized

766
00:41:23,120 --> 00:41:27,440
Speaker 2: emphasis on what is happening with the Jewish people who

767
00:41:27,440 --> 00:41:30,160
Speaker 2: are living around the world. And I completely understand that

768
00:41:30,239 --> 00:41:36,279
Speaker 2: seeing groups of Jewish people be senselessly slaughtered is horrifying

769
00:41:36,440 --> 00:41:38,480
Speaker 2: and will put you in a position like, oh my god,

770
00:41:38,520 --> 00:41:40,319
Speaker 2: this is bringing back all kinds of things, because this

771
00:41:40,360 --> 00:41:42,200
Speaker 2: is something that is very relevant to the history of

772
00:41:42,239 --> 00:41:46,880
Speaker 2: my people. But I don't see a single thing that's

773
00:41:46,920 --> 00:41:50,719
Speaker 2: really actually centering what the experience is for Muslim people,

774
00:41:50,800 --> 00:41:53,600
Speaker 2: for Arab people, for other people who just might see

775
00:41:53,640 --> 00:41:56,920
Speaker 2: their situation unfolding in a very similar way that it

776
00:41:57,000 --> 00:42:00,440
Speaker 2: is in Gaza and the West Bank and I meanwhile,

777
00:42:00,440 --> 00:42:02,080
Speaker 2: you have people like Lindsay Grahm comme on. They're like, yeah,

778
00:42:02,080 --> 00:42:04,279
Speaker 2: it's all good man, like it doesn't matter how many

779
00:42:04,280 --> 00:42:06,920
Speaker 2: civilians die, or Vivic Ramaswami being like yeah, call me

780
00:42:07,000 --> 00:42:09,200
Speaker 2: George R. R. Martin with it Like no.

781
00:42:09,160 --> 00:42:13,359
Speaker 3: I mean the dehumanization, the devaluation of Palestinian life is

782
00:42:13,480 --> 00:42:17,680
Speaker 3: just unbelievable. And it's like you want him humanitarian aid. Yes,

783
00:42:17,760 --> 00:42:21,040
Speaker 3: we need humanitarian aid. Turn all the water, turn on

784
00:42:21,200 --> 00:42:25,000
Speaker 3: the first thing, give people clean Like that seems like

785
00:42:25,040 --> 00:42:26,920
Speaker 3: an act that you could take in a heartbeat. In

786
00:42:26,960 --> 00:42:29,000
Speaker 3: a second, they.

787
00:42:28,800 --> 00:42:31,800
Speaker 1: Claim they turned on the water, but all the pipes

788
00:42:32,200 --> 00:42:37,360
Speaker 1: they bombed everything, so you can't fucking yeah.

789
00:42:37,160 --> 00:42:38,840
Speaker 2: Well, and not to mention that like some of the

790
00:42:38,880 --> 00:42:42,600
Speaker 2: pumps require energy to move the water, and if there's

791
00:42:42,600 --> 00:42:46,879
Speaker 2: no electricity or fuel, then what And it's just wild

792
00:42:46,960 --> 00:42:49,680
Speaker 2: how you start that thing, you know, right exactly, like

793
00:42:49,880 --> 00:42:52,520
Speaker 2: using a siphoning hose or something to move water around.

794
00:42:52,600 --> 00:42:56,520
Speaker 2: And the it's just wild to see that the like

795
00:42:56,800 --> 00:42:59,960
Speaker 2: the hammer come down on people who have out loud

796
00:43:00,160 --> 00:43:03,160
Speaker 2: just called for things like a ceasefire. Yes, And I

797
00:43:03,200 --> 00:43:06,759
Speaker 2: think that's really it just shows you where like the

798
00:43:07,400 --> 00:43:10,520
Speaker 2: momentum of where this thing is going, and like where

799
00:43:10,719 --> 00:43:12,600
Speaker 2: what the media is just allowing it to be too,

800
00:43:12,680 --> 00:43:15,600
Speaker 2: Like I mean, I'm slowly starting to see more like

801
00:43:15,719 --> 00:43:19,160
Speaker 2: diverging opinions be represented on TV. But these first couple

802
00:43:19,200 --> 00:43:22,640
Speaker 2: of weeks it felt like, bro, don't even say anything

803
00:43:22,640 --> 00:43:26,960
Speaker 2: about Palestinian people, don't even try it. And that is

804
00:43:27,040 --> 00:43:32,240
Speaker 2: so so disheartening too, because after seeing what this country

805
00:43:32,280 --> 00:43:34,200
Speaker 2: went through or tried to have a reckoning with white

806
00:43:34,200 --> 00:43:38,280
Speaker 2: supremacy in twenty twenty and seemingly thinking like we understood

807
00:43:38,280 --> 00:43:40,239
Speaker 2: what oppression was, like we get to this one and

808
00:43:40,280 --> 00:43:44,160
Speaker 2: now we've gone completely in just outer space with it.

809
00:43:44,480 --> 00:43:47,320
Speaker 2: And that's what's really I think messes a lot of

810
00:43:47,320 --> 00:43:51,240
Speaker 2: people up because they're like, of course, innocent Israeli civilians

811
00:43:51,239 --> 00:43:54,320
Speaker 2: don't deserve to be killed, but how are we now

812
00:43:54,400 --> 00:43:59,120
Speaker 2: just acting like those those destroyed buildings don't have human

813
00:43:59,239 --> 00:44:02,279
Speaker 2: beings under the rubble, don't have screams coming out from

814
00:44:02,360 --> 00:44:05,040
Speaker 2: under there, that are actual legitimate human beings that had

815
00:44:05,160 --> 00:44:07,919
Speaker 2: nothing to do with what happened on October seventh.

816
00:44:07,960 --> 00:44:12,960
Speaker 3: And children have nothing to the thousands and thousands of children. Yeah,

817
00:44:13,000 --> 00:44:16,799
Speaker 3: you know, how can you say, you're targeting militants when

818
00:44:16,880 --> 00:44:18,840
Speaker 3: children are dying at these levels.

819
00:44:19,040 --> 00:44:21,520
Speaker 2: There was a there was even one of these, like

820
00:44:21,560 --> 00:44:24,520
Speaker 2: a lieutenant colonel from the IDF was on Wolf Blitzer Show,

821
00:44:25,080 --> 00:44:27,360
Speaker 2: and even Wolf Blitzer was like, so you bombed this

822
00:44:27,520 --> 00:44:31,399
Speaker 2: refugee camp and the IDF spokes were was like, well, yeah,

823
00:44:31,400 --> 00:44:34,479
Speaker 2: but there was a mosque commander in there, and they're like, yeah,

824
00:44:34,520 --> 00:44:37,120
Speaker 2: but you but you knew there were you knew there

825
00:44:37,120 --> 00:44:40,160
Speaker 2: were refugees there, like people had been displaced, and he's

826
00:44:40,160 --> 00:44:42,520
Speaker 2: like yeah, and he's like, well you drop the bomb,

827
00:44:42,920 --> 00:44:45,120
Speaker 2: keep bombed it anyway, and he's just sort of like Wolf,

828
00:44:45,719 --> 00:44:47,960
Speaker 2: that's just kind of like the tragedy of war, you know,

829
00:44:48,440 --> 00:44:51,920
Speaker 2: and just leaving it like there, and I like, just

830
00:44:51,960 --> 00:44:54,520
Speaker 2: to hear those things said out loud and not like

831
00:44:55,120 --> 00:44:57,920
Speaker 2: have any sort of real counterbalance to that is also

832
00:44:58,080 --> 00:45:00,640
Speaker 2: just it's just it's hard to watch because we see

833
00:45:00,640 --> 00:45:03,320
Speaker 2: this play out so many times in so many different

834
00:45:03,360 --> 00:45:07,080
Speaker 2: ways around the world. But yeah, it's it's so vivid

835
00:45:07,160 --> 00:45:10,600
Speaker 2: right now and you're just asking, like, it's the best

836
00:45:10,600 --> 00:45:12,960
Speaker 2: we can do is ask for a pause to the

837
00:45:13,040 --> 00:45:17,640
Speaker 2: bombing and then because that presumes that it will resume.

838
00:45:18,040 --> 00:45:21,200
Speaker 1: Yeah, just quick pause. Just let's take a let's take

839
00:45:21,239 --> 00:45:25,080
Speaker 1: a beat, you know. Yeah, that's the best that we're

840
00:45:25,200 --> 00:45:26,880
Speaker 1: we've got going in the mainstream media.

841
00:45:27,280 --> 00:45:30,799
Speaker 2: Yeah, and but yeah, and so again I think this

842
00:45:30,880 --> 00:45:32,680
Speaker 2: is and this is this goes along with you you're saying,

843
00:45:32,640 --> 00:45:34,880
Speaker 2: I'm seeing more and more people starting posting that polling

844
00:45:34,880 --> 00:45:38,399
Speaker 2: about how Joe Biden's support is cratering with so many

845
00:45:38,400 --> 00:45:41,480
Speaker 2: groups right now because of the lack of action or

846
00:45:41,920 --> 00:45:46,759
Speaker 2: just even words that seemingly come off as being acknowledging,

847
00:45:47,080 --> 00:45:49,840
Speaker 2: like the value of human life. And but hey, I

848
00:45:49,840 --> 00:45:52,319
Speaker 2: don't even know, like I guess when when the when

849
00:45:52,360 --> 00:45:55,840
Speaker 2: the war machine is like in the on position, like

850
00:45:55,840 --> 00:45:57,560
Speaker 2: like they don't give a fuck about polls or anything

851
00:45:57,600 --> 00:45:59,040
Speaker 2: or what public sentiment is.

852
00:45:59,719 --> 00:46:02,760
Speaker 1: Yeah, all right, let's uh, let's take a quick break

853
00:46:03,080 --> 00:46:18,400
Speaker 1: and we'll be right back. And we're back, and it

854
00:46:18,560 --> 00:46:25,720
Speaker 1: is time. It's is that the catchphrase of Michael Buffer,

855
00:46:25,800 --> 00:46:31,120
Speaker 1: Bruce Buffer, Bruce Buffer is the brother, right, isn't Michael.

856
00:46:30,040 --> 00:46:35,319
Speaker 1: Michael came with the let's get ready to rumble, which

857
00:46:35,400 --> 00:46:37,799
Speaker 1: I just got sued for I no longer have a job,

858
00:46:38,160 --> 00:46:40,719
Speaker 1: And then his brother came and was like, oh, you

859
00:46:40,760 --> 00:46:43,799
Speaker 1: think that's good. Well, you can hire me, and I'll

860
00:46:43,840 --> 00:46:51,240
Speaker 1: say it's time. Thank you, three claps in a hollow

861
00:46:51,360 --> 00:46:55,920
Speaker 1: empty AUDITORIM So Mariah Carey came for him, though she's

862
00:46:56,600 --> 00:46:59,640
Speaker 1: stepping on his his turf. This happens every year. It's

863
00:46:59,680 --> 00:47:04,520
Speaker 1: becoming it's become a tradition that at midnight on Halloween,

864
00:47:05,239 --> 00:47:10,160
Speaker 1: Mariah Carey drops a video that is basically her being like,

865
00:47:10,440 --> 00:47:15,000
Speaker 1: all right, it's time. It's Christmas time. Now it's November first,

866
00:47:15,120 --> 00:47:20,200
Speaker 1: November first, it's Christmas time. This is apparently the beginning

867
00:47:20,440 --> 00:47:25,719
Speaker 1: of the Christmas season. Starbucks agrees. Starbucks Holiday Cups are

868
00:47:25,800 --> 00:47:29,120
Speaker 1: hitting stores today on the second.

869
00:47:29,840 --> 00:47:33,680
Speaker 2: So, I mean, I know why, but come on, let's

870
00:47:33,719 --> 00:47:36,480
Speaker 2: have a little let's have a little bit of a

871
00:47:36,520 --> 00:47:38,919
Speaker 2: break really quick before we go dive that first into

872
00:47:38,920 --> 00:47:39,239
Speaker 2: the ship.

873
00:47:39,360 --> 00:47:43,360
Speaker 1: But okay, so they went. They went creative with the

874
00:47:43,480 --> 00:47:49,480
Speaker 1: video this year. And so it opens with a vault

875
00:47:50,400 --> 00:47:54,440
Speaker 1: in like I don't know, like an elaborate vault somewhere

876
00:47:54,440 --> 00:47:56,640
Speaker 1: in the North Pole is kind of vibe I got.

877
00:47:57,080 --> 00:48:03,360
Speaker 1: You go in the vault and there there's Jason four Keys,

878
00:48:04,000 --> 00:48:07,080
Speaker 1: ghost Face from scream YEP, by the way, goes Face

879
00:48:07,160 --> 00:48:10,479
Speaker 1: from scream a pumpkinhead goes Face from Scream, the most

880
00:48:10,520 --> 00:48:13,480
Speaker 1: popular Halloween costume I saw last night really or on

881
00:48:13,560 --> 00:48:18,080
Speaker 1: Halloween night. Yeah, Trigger treat like for ages two through

882
00:48:18,719 --> 00:48:25,759
Speaker 1: adults were creepy. Yeah, it was way the way a

883
00:48:25,760 --> 00:48:27,120
Speaker 1: two year old would walk too.

884
00:48:27,280 --> 00:48:30,160
Speaker 2: It's already like not graceful. So like add that with

885
00:48:30,320 --> 00:48:31,320
Speaker 2: like murder costume.

886
00:48:32,320 --> 00:48:37,719
Speaker 1: Yeah, Scream is in the collective bloodstream right now. But anyways, Yeah,

887
00:48:37,719 --> 00:48:40,040
Speaker 1: so we got Jason, we got ghost Face from Scream,

888
00:48:40,040 --> 00:48:44,279
Speaker 1: we got Pumpkinhead and a fourth monster who they don't

889
00:48:44,320 --> 00:48:46,879
Speaker 1: really show, so I'm assuming they didn't get the rights

890
00:48:46,920 --> 00:48:50,880
Speaker 1: to them. They are, right. And then there's Mariah Carey

891
00:48:50,880 --> 00:48:51,799
Speaker 1: in a big block of ice.

892
00:48:52,320 --> 00:48:56,080
Speaker 2: Yeah, and then she hits that whistle tone shatters the

893
00:48:56,120 --> 00:48:58,840
Speaker 2: ice block that she's encased in, like this is demolition

894
00:48:58,960 --> 00:49:03,040
Speaker 2: Man or something. And then it's like it's time. And

895
00:49:03,080 --> 00:49:05,400
Speaker 2: then we get the song and wait, wait what does

896
00:49:05,440 --> 00:49:05,920
Speaker 2: she say?

897
00:49:06,200 --> 00:49:07,000
Speaker 1: They say it.

898
00:49:07,239 --> 00:49:12,319
Speaker 2: I can't time that whist Look, nobody can hit those

899
00:49:12,320 --> 00:49:17,359
Speaker 2: whistle tonesiders. I won't even try, But I don't just

900
00:49:17,400 --> 00:49:21,160
Speaker 2: wild how it goes from the war Like Jack you're

901
00:49:21,160 --> 00:49:23,000
Speaker 2: talking about it is like you were saying, how it's

902
00:49:23,000 --> 00:49:25,080
Speaker 2: funny to think that they're all hanging out like in

903
00:49:25,160 --> 00:49:28,120
Speaker 2: this vault, like with Mariah Carey most days of the

904
00:49:28,200 --> 00:49:29,960
Speaker 2: year basically, and.

905
00:49:29,920 --> 00:49:33,760
Speaker 1: They're also using when when we find them, they are

906
00:49:34,480 --> 00:49:36,920
Speaker 1: helping her get out of the block of ice by

907
00:49:37,280 --> 00:49:41,479
Speaker 1: using HND using hair dryers on the block of ice.

908
00:49:41,800 --> 00:49:44,759
Speaker 1: So this posits a world where Jason v Borghie's and

909
00:49:44,800 --> 00:49:49,880
Speaker 1: ghost Face and all the famous slasher monsters are just

910
00:49:49,920 --> 00:49:54,279
Speaker 1: like dying to defrost her and get the holiday season started. Yeah,

911
00:49:54,440 --> 00:49:56,600
Speaker 1: so they don't stop murdering. They don't like murder.

912
00:49:56,960 --> 00:50:00,680
Speaker 2: And also that Mariah Carey does a cryo sleep from

913
00:50:01,160 --> 00:50:04,680
Speaker 2: the end of like December twenty sixth to November first, every.

914
00:50:04,600 --> 00:50:07,239
Speaker 1: Year, which would explain how she is aging backwards because

915
00:50:07,480 --> 00:50:08,400
Speaker 1: that is true. Incredible.

916
00:50:08,440 --> 00:50:11,480
Speaker 3: Yeah, she just look incredible. I think I don't even

917
00:50:11,520 --> 00:50:14,120
Speaker 3: think she's saying it's time for the holiday season. She's

918
00:50:14,160 --> 00:50:17,560
Speaker 3: saying it's time for me to have another number one

919
00:50:17,760 --> 00:50:22,120
Speaker 3: hit with that same song again. Yes, do we know

920
00:50:22,480 --> 00:50:24,839
Speaker 3: like everything every year it's number one?

921
00:50:25,280 --> 00:50:27,319
Speaker 2: Yeah? Oh yeah, do we know the economics of what

922
00:50:27,480 --> 00:50:31,719
Speaker 2: that is? Like, Like I don't. I'm so curious, Like

923
00:50:31,840 --> 00:50:33,959
Speaker 2: is charting number one? And I'm sure like you're getting

924
00:50:33,960 --> 00:50:36,200
Speaker 2: a lot of spins or whatever. It's translating to some

925
00:50:36,320 --> 00:50:39,680
Speaker 2: kind of money. But like, I wonder what exactly like

926
00:50:39,760 --> 00:50:41,640
Speaker 2: that check is looking like every year, which she's like,

927
00:50:42,520 --> 00:50:43,279
Speaker 2: I'm done with it.

928
00:50:43,880 --> 00:50:46,520
Speaker 3: I think it's but it's probably it's like the streaming.

929
00:50:46,640 --> 00:50:49,400
Speaker 3: It's enough streams that it's probably real streaming money. But

930
00:50:49,480 --> 00:50:52,040
Speaker 3: it's also like the placements.

931
00:50:52,400 --> 00:50:54,320
Speaker 2: Yeah right, oh for sure.

932
00:50:54,880 --> 00:51:00,279
Speaker 1: Okay. Article from Billboard on the third of this year,

933
00:51:00,600 --> 00:51:04,279
Speaker 1: the third day of this year, January third, twenty twenty three,

934
00:51:04,680 --> 00:51:07,800
Speaker 1: Mariah carries All I Want for Christmas is you adds

935
00:51:07,960 --> 00:51:10,360
Speaker 1: twelfth week a top hot one hundred.

936
00:51:11,200 --> 00:51:12,400
Speaker 3: That's what I'm talking about.

937
00:51:13,000 --> 00:51:16,280
Speaker 2: That is wild. She makes They say she makes around

938
00:51:16,320 --> 00:51:19,880
Speaker 2: three million dollars a year from it from that. Yeah,

939
00:51:20,080 --> 00:51:22,920
Speaker 2: just from yeah, just from that playing. Yeah, let alone

940
00:51:22,960 --> 00:51:24,799
Speaker 2: the commercials of the licensing.

941
00:51:25,520 --> 00:51:28,319
Speaker 1: They do not mark pay you for streams, so like

942
00:51:28,440 --> 00:51:31,600
Speaker 1: that's a lot of streams. That is That means that

943
00:51:31,600 --> 00:51:35,560
Speaker 1: that song is playing in a million households across America

944
00:51:35,680 --> 00:51:36,240
Speaker 1: right now.

945
00:51:36,560 --> 00:51:40,360
Speaker 3: It's probably like at any given second, it's playing somewhere.

946
00:51:40,080 --> 00:51:42,479
Speaker 1: Right yeah, oh yeah, what other song?

947
00:51:42,680 --> 00:51:44,760
Speaker 2: I mean, that's that's powerful.

948
00:51:45,160 --> 00:51:49,200
Speaker 3: He's pretty smart. I have to say, like, that's can.

949
00:51:49,040 --> 00:51:51,239
Speaker 2: You imagine like all, like the way we've shifted up

950
00:51:51,360 --> 00:51:54,320
Speaker 2: Christmas earlier and earlier and earlier, it's all because of Mariah.

951
00:51:54,400 --> 00:51:56,279
Speaker 2: She's like, no, no, no, watch this, watch this. You

952
00:51:56,280 --> 00:51:58,359
Speaker 2: want me to really mess up people's marketing plans? Drop

953
00:51:58,400 --> 00:51:59,720
Speaker 2: the video on November first?

954
00:52:00,120 --> 00:52:02,320
Speaker 3: But how we have we reached the limit? Like, there's

955
00:52:02,520 --> 00:52:05,120
Speaker 3: no way that Christmas can go before? How can Christmas

956
00:52:05,160 --> 00:52:06,040
Speaker 3: go before Halloween?

957
00:52:06,120 --> 00:52:11,960
Speaker 2: July fifth, July third? That would be total domination. And

958
00:52:12,040 --> 00:52:14,520
Speaker 2: she's like, it's July first. You know what that means?

959
00:52:14,920 --> 00:52:16,640
Speaker 2: Get ready? Just blown it up?

960
00:52:17,280 --> 00:52:17,960
Speaker 1: Oh?

961
00:52:18,000 --> 00:52:20,960
Speaker 2: But I mean the thing is too I'm despite it

962
00:52:21,000 --> 00:52:25,920
Speaker 2: being played so much. I'm not tired of it. No,

963
00:52:26,640 --> 00:52:27,759
Speaker 2: I don't know why.

964
00:52:27,960 --> 00:52:31,799
Speaker 3: Because you got a nine month break, right, you got

965
00:52:31,840 --> 00:52:34,480
Speaker 3: a nine month break. You don't have to hear it

966
00:52:34,520 --> 00:52:35,360
Speaker 3: in March. You know?

967
00:52:36,440 --> 00:52:38,160
Speaker 2: Are you a fan of All I Want for Christmases? You?

968
00:52:38,920 --> 00:52:41,920
Speaker 3: I am a fan of Mariah Carey. When her first

969
00:52:41,960 --> 00:52:45,040
Speaker 3: record came out, I was like, like, when I was

970
00:52:45,120 --> 00:52:48,640
Speaker 3: a kid, you know, huge fan and that you know

971
00:52:48,719 --> 00:52:51,080
Speaker 3: that high pitch screen. So I definitely listened to her

972
00:52:51,320 --> 00:52:53,640
Speaker 3: at a very formative time, and I just have a

973
00:52:53,640 --> 00:52:55,920
Speaker 3: lot of love for her, Like you know, maybe in

974
00:52:56,000 --> 00:52:59,120
Speaker 3: my teenage years, I you know, turned away. But and

975
00:52:59,160 --> 00:53:01,640
Speaker 3: it's not like I play her regularly, but I have

976
00:53:01,680 --> 00:53:03,520
Speaker 3: a lot of love for her and appreciation for her,

977
00:53:03,560 --> 00:53:06,439
Speaker 3: and I think she's she's I don't know, she's quite

978
00:53:06,440 --> 00:53:07,520
Speaker 3: the business woman, you know.

979
00:53:07,880 --> 00:53:11,600
Speaker 2: Oh yeah, I mean I again, I just want to

980
00:53:11,640 --> 00:53:14,800
Speaker 2: I really want to see like some forensic accounting about

981
00:53:14,800 --> 00:53:17,520
Speaker 2: like because everyone's estimating. Some people are saying she's made

982
00:53:17,600 --> 00:53:20,319
Speaker 2: sixty million dollars in total since the song has come out.

983
00:53:20,880 --> 00:53:22,319
Speaker 2: Other people are saying it's like two and a half

984
00:53:22,320 --> 00:53:25,040
Speaker 2: to three million a year. I really just want I

985
00:53:25,080 --> 00:53:26,960
Speaker 2: really want to know, Like I want to see how

986
00:53:27,000 --> 00:53:29,560
Speaker 2: Mariah Carey sees the world when it's time to dust

987
00:53:29,600 --> 00:53:33,040
Speaker 2: that this track off and be like, oh baby kid less,

988
00:53:33,719 --> 00:53:35,959
Speaker 2: just turn the money hos on please.

989
00:53:36,120 --> 00:53:39,239
Speaker 1: To quote o dB baby baby, come on, baby, come

990
00:53:39,280 --> 00:53:44,319
Speaker 1: on baby. Another song that I can still turn on

991
00:53:44,440 --> 00:53:48,480
Speaker 1: a fantasy remix. Oh my yeah, that's yeah, still goes

992
00:53:48,719 --> 00:53:51,640
Speaker 1: so hard. Yeah yeah.

993
00:53:52,560 --> 00:53:54,840
Speaker 2: What about just how are you with Christmas music in

994
00:53:54,920 --> 00:53:56,360
Speaker 2: general as a musician with.

995
00:53:56,480 --> 00:54:00,920
Speaker 3: Hey, I really don't like it? Yeah yeah, really I can't.

996
00:54:01,000 --> 00:54:03,919
Speaker 3: I can't with the Christmas music. My family really loves

997
00:54:04,000 --> 00:54:07,279
Speaker 3: it and they play a lot, like around Christmas time.

998
00:54:07,320 --> 00:54:09,160
Speaker 3: I can't get away from it with my family, but

999
00:54:10,000 --> 00:54:14,480
Speaker 3: I cannot. But that song, I don't mind the other

1000
00:54:14,640 --> 00:54:16,840
Speaker 3: The only other Christmas songs that I kind of like

1001
00:54:17,000 --> 00:54:24,279
Speaker 3: is that the otis reading Marry Christmas Baby. Yeah. You know,

1002
00:54:24,320 --> 00:54:27,520
Speaker 3: it's like you gotta have something in there that's like

1003
00:54:27,719 --> 00:54:28,640
Speaker 3: underneath it, you.

1004
00:54:28,600 --> 00:54:32,960
Speaker 2: Know exactly, because if you're just hearing like Dean Martin

1005
00:54:33,080 --> 00:54:39,960
Speaker 2: and Ship all day, yeah, I mean, hey, drunk being Crosby,

1006
00:54:39,960 --> 00:54:42,799
Speaker 2: you're cool, but like give us a little bit of soul.

1007
00:54:42,840 --> 00:54:45,120
Speaker 2: That's why I have like a little bit of Sharon Jones,

1008
00:54:45,160 --> 00:54:47,160
Speaker 2: like Holiday album that's also really good too, that you

1009
00:54:47,160 --> 00:54:48,920
Speaker 2: got It. You kind of gotta level it out with

1010
00:54:49,000 --> 00:54:53,399
Speaker 2: some you know, dap Kings sometimes too, but yeah, Jack

1011
00:54:53,520 --> 00:54:54,240
Speaker 2: got a favorite.

1012
00:54:54,560 --> 00:54:59,040
Speaker 1: The Otis Redding one is really good by the bye

1013
00:54:59,239 --> 00:55:03,759
Speaker 1: Uh Toots. Oh yeah, I love I love that one. Yeah.

1014
00:55:03,880 --> 00:55:06,080
Speaker 1: I need a little something extra.

1015
00:55:07,000 --> 00:55:10,319
Speaker 2: I think we call it seasoning, little seasoning. Yeah, I can't.

1016
00:55:10,600 --> 00:55:11,160
Speaker 2: I can't.

1017
00:55:12,719 --> 00:55:17,399
Speaker 1: The little the mayonnaise sandwiches from bing Crosby every year,

1018
00:55:17,600 --> 00:55:20,120
Speaker 1: just not getting it done for me. I like that

1019
00:55:20,280 --> 00:55:24,239
Speaker 1: one Pretenders song that's kind of about Santa Claus it's

1020
00:55:24,280 --> 00:55:28,000
Speaker 1: like a very sad song about Santa Claus. Yeah, that

1021
00:55:28,000 --> 00:55:32,400
Speaker 1: that one's really good. I like that one John Lennon song,

1022
00:55:32,760 --> 00:55:35,320
Speaker 1: Happy Christmas War is Over. I've got I've got a

1023
00:55:35,320 --> 00:55:37,399
Speaker 1: whole playlist, though, you know.

1024
00:55:37,400 --> 00:55:40,320
Speaker 2: And what's most what's the one that you're you're plugging

1025
00:55:40,320 --> 00:55:41,360
Speaker 2: your ears when you hear.

1026
00:55:42,000 --> 00:55:47,560
Speaker 3: Oh god, I don't know, maybe Blue Christmas.

1027
00:55:48,320 --> 00:55:57,480
Speaker 2: Oh yeah, yeah it does. It does feel like you

1028
00:55:57,480 --> 00:55:59,640
Speaker 2: should be drinking like gin and like out of a

1029
00:55:59,719 --> 00:56:03,520
Speaker 2: brown bag, like in like a snowy alley when you

1030
00:56:03,560 --> 00:56:05,920
Speaker 2: know what I mean, it doesn't bust up.

1031
00:56:06,680 --> 00:56:07,240
Speaker 1: Yeah, exactly.

1032
00:56:07,280 --> 00:56:11,359
Speaker 2: I don't fel like my family, my family, Yeah, yeah, Yeah.

1033
00:56:11,360 --> 00:56:13,319
Speaker 1: There's a lot of a lot of songs that were

1034
00:56:13,360 --> 00:56:16,000
Speaker 1: just like, yeah, and you can't be with the people

1035
00:56:16,040 --> 00:56:16,680
Speaker 1: you love.

1036
00:56:16,680 --> 00:56:17,000
Speaker 3: I know.

1037
00:56:17,080 --> 00:56:21,160
Speaker 2: It's actually yeah, yeah, like we're already having a hard

1038
00:56:21,160 --> 00:56:21,799
Speaker 2: time with the weather.

1039
00:56:22,320 --> 00:56:26,160
Speaker 1: You feel like that's an overserved market, guys, people people

1040
00:56:26,160 --> 00:56:27,680
Speaker 1: who can't be with the people that love.

1041
00:56:28,040 --> 00:56:30,200
Speaker 3: I'll be Home for Christmas, which is a good song,

1042
00:56:30,440 --> 00:56:32,480
Speaker 3: but oh it's so sad.

1043
00:56:32,920 --> 00:56:35,919
Speaker 1: Yeah. I do regret to inform you that I could

1044
00:56:35,920 --> 00:56:39,200
Speaker 1: listen to you sing the Otis song all day. So

1045
00:56:39,239 --> 00:56:41,880
Speaker 1: you might have album Christmas album, Christmas album.

1046
00:56:42,520 --> 00:56:44,480
Speaker 3: But you know, well, I mean then you look at

1047
00:56:44,560 --> 00:56:48,759
Speaker 3: Ryan Carrey and you're like, this is a good idea, right,

1048
00:56:48,960 --> 00:56:51,440
Speaker 3: but does it have to be does it? Here's here's

1049
00:56:51,520 --> 00:56:55,080
Speaker 3: my thing, here's my thing. It doesn't have to be Christmas.

1050
00:56:55,280 --> 00:56:59,160
Speaker 3: There's a lot of holidays, like you could write you

1051
00:56:59,200 --> 00:57:01,920
Speaker 3: could write a song. You write a Halloween song, it

1052
00:57:01,960 --> 00:57:04,080
Speaker 3: plays every Halloween. You write it like, you could do

1053
00:57:04,120 --> 00:57:07,000
Speaker 3: it with any holiday, and there would actually be less

1054
00:57:07,040 --> 00:57:10,680
Speaker 3: competition if you were doing it around like another holiday.

1055
00:57:10,760 --> 00:57:13,759
Speaker 1: Thanks. Yeah, yeah, it's a New Year New.

1056
00:57:13,719 --> 00:57:16,400
Speaker 3: Year's song, Like that's there's a in fact, I have

1057
00:57:16,480 --> 00:57:18,240
Speaker 3: a I have a New year song coming out on

1058
00:57:18,280 --> 00:57:20,520
Speaker 3: a there's an Ethiopia New Year's is like a really

1059
00:57:20,520 --> 00:57:24,120
Speaker 3: really really big holiday, and I have an Ethiopia New

1060
00:57:24,200 --> 00:57:27,840
Speaker 3: Year's song coming out for the next Ethiopian New Year's

1061
00:57:27,840 --> 00:57:32,200
Speaker 3: and I know now forever every year it will be bumped.

1062
00:57:32,560 --> 00:57:33,360
Speaker 1: Yeah exactly.

1063
00:57:33,440 --> 00:57:35,720
Speaker 2: Yeah, they're like, there you go, I found the pocket

1064
00:57:35,800 --> 00:57:37,520
Speaker 2: and here I am because I remember that was like

1065
00:57:37,680 --> 00:57:40,760
Speaker 2: it was like standard operating procedure for like pop artists

1066
00:57:40,800 --> 00:57:42,560
Speaker 2: for decades, like where's.

1067
00:57:42,280 --> 00:57:43,560
Speaker 1: Your Christmas album? In sync?

1068
00:57:44,280 --> 00:57:48,480
Speaker 2: Your Christmas album? Any Lennox and you're like, what, okay, sure,

1069
00:57:48,520 --> 00:57:51,000
Speaker 2: but yeah, give us something to give us. Someone give

1070
00:57:51,040 --> 00:57:52,760
Speaker 2: us a Halloween album.

1071
00:57:53,040 --> 00:57:57,120
Speaker 1: Halloween is probably the least underserved of all the other holidays,

1072
00:57:57,200 --> 00:58:00,360
Speaker 1: and rightly so, it is the best holiday, but it's

1073
00:58:00,400 --> 00:58:03,440
Speaker 1: still like a little thin, like after you get through

1074
00:58:03,560 --> 00:58:07,800
Speaker 1: Thriller and Monster Master Mash and like there are definitely

1075
00:58:07,800 --> 00:58:11,760
Speaker 1: the iconic hits, but it's like Christmas could have its

1076
00:58:11,800 --> 00:58:15,600
Speaker 1: own just radio station year round. Yeah it shouldn't, but

1077
00:58:15,720 --> 00:58:19,640
Speaker 1: it could easily have that. There's just no like Halloween

1078
00:58:19,800 --> 00:58:22,360
Speaker 1: is like a couple hours playlist and you're like, h

1079
00:58:22,400 --> 00:58:25,600
Speaker 1: should we do the Monster Mash again? Where we're doing

1080
00:58:25,640 --> 00:58:29,640
Speaker 1: that like Purple People Eater song that was like say

1081
00:58:29,840 --> 00:58:33,400
Speaker 1: for like kids birthday parties in the nineteen fifties, Like

1082
00:58:33,440 --> 00:58:34,600
Speaker 1: what the fuck are we doing here?

1083
00:58:35,080 --> 00:58:37,600
Speaker 3: I want to say, like there should be the Mother's

1084
00:58:37,640 --> 00:58:40,400
Speaker 3: Day and Father's Day song, so because that also would

1085
00:58:40,440 --> 00:58:42,280
Speaker 3: like that seems like I.

1086
00:58:42,240 --> 00:58:49,960
Speaker 2: Mean, Mama, yeah, Mama, you know, love you. I mean

1087
00:58:50,000 --> 00:58:52,480
Speaker 2: there's that one, but yeah, where's that one? Where's the

1088
00:58:52,480 --> 00:58:54,640
Speaker 2: one for dads? There's a lot of ones that's like

1089
00:58:54,880 --> 00:59:00,120
Speaker 2: shut out to you, dad, Butterfly kisses. Oh, it's it's

1090
00:59:00,200 --> 00:59:04,280
Speaker 2: just a dance being real schmaltzy. That one is the

1091
00:59:04,320 --> 00:59:09,080
Speaker 2: freakiest fucking song. The fuck is when you go to

1092
00:59:09,120 --> 00:59:12,439
Speaker 2: a wedding and you got the first dance to that song.

1093
00:59:13,360 --> 00:59:15,840
Speaker 2: I've been to more than one wedding where Butterfly Kisses

1094
00:59:15,920 --> 00:59:18,720
Speaker 2: was the like the bride and Father dance track, and

1095
00:59:18,720 --> 00:59:20,880
Speaker 2: I'm like, yo, this is like a little this is

1096
00:59:20,920 --> 00:59:21,520
Speaker 2: too freaky.

1097
00:59:21,600 --> 00:59:25,680
Speaker 1: Man. No, yeah, there's a good father song fire. I

1098
00:59:25,680 --> 00:59:28,520
Speaker 1: think it's called Father of the Bride by Hamilton Lighthouser

1099
00:59:28,600 --> 00:59:30,360
Speaker 1: from The Walkman. I recommend that.

1100
00:59:31,120 --> 00:59:34,000
Speaker 2: Okay, okay, all right, are they're gonna say father of Mine?

1101
00:59:35,600 --> 00:59:36,680
Speaker 1: Is that? Is that a song?

1102
00:59:37,000 --> 00:59:42,000
Speaker 2: No, it's the bride's dad, I ever clear? Father of mine?

1103
00:59:42,080 --> 00:59:43,919
Speaker 2: Oh yeah, don't where have you been?

1104
00:59:45,400 --> 00:59:49,000
Speaker 1: Okay? This one is about like unfortunately it's not interesting.

1105
00:59:49,040 --> 00:59:51,040
Speaker 1: If it's a good dad, it has to be like

1106
00:59:51,080 --> 00:59:53,520
Speaker 1: the bride's dad. The song I was talking about is

1107
00:59:54,240 --> 00:59:56,600
Speaker 1: like about a dad who's like shows up to his

1108
00:59:56,720 --> 00:59:58,720
Speaker 1: daughter's wedding and like gives a speech and he's like

1109
00:59:58,760 --> 01:00:02,000
Speaker 1: a little drunk and his like suit is like dirty,

1110
01:00:02,240 --> 01:00:05,440
Speaker 1: but it's kind of cute. Oh man, did you do

1111
01:00:05,520 --> 01:00:05,960
Speaker 1: you know?

1112
01:00:06,160 --> 01:00:08,520
Speaker 2: You know the Butterfly you've heard Butterfly Kisses.

1113
01:00:08,920 --> 01:00:13,240
Speaker 3: I mean I can hear the guy's voice, like, you know, like.

1114
01:00:13,240 --> 01:00:17,320
Speaker 1: It's like about blinking into his daughter's eyes.

1115
01:00:17,520 --> 01:00:20,320
Speaker 3: Yeah, I cannot. I cannot remember the song. And I'm

1116
01:00:20,360 --> 01:00:22,480
Speaker 3: not sure if it's because I've blocked it out or

1117
01:00:22,680 --> 01:00:24,240
Speaker 3: because I actually don't remember.

1118
01:00:24,280 --> 01:00:26,840
Speaker 2: But it's like each thing's like there's two the first lyrics,

1119
01:00:26,880 --> 01:00:29,280
Speaker 2: there's two things I know for sure. She was sent

1120
01:00:29,320 --> 01:00:32,440
Speaker 2: from heaven and she's Daddy's little girl. As I dropped

1121
01:00:32,440 --> 01:00:34,960
Speaker 2: to my knees by her bed at night, she talks

1122
01:00:35,000 --> 01:00:37,560
Speaker 2: to Jesus and I closed my eyes and I thank.

1123
01:00:37,400 --> 01:00:39,440
Speaker 1: God for all of the joy in my life. Oh

1124
01:00:39,480 --> 01:00:41,440
Speaker 1: but most of all for Butterfly.

1125
01:00:44,680 --> 01:00:47,280
Speaker 3: And that's kind of creepy somehow.

1126
01:00:47,440 --> 01:00:51,600
Speaker 1: Oh yeah, it's definitely like squarely inside the culture that

1127
01:00:51,760 --> 01:00:55,840
Speaker 1: gave us like purity promises and shit like that, you

1128
01:00:55,880 --> 01:00:56,400
Speaker 1: know what I mean?

1129
01:00:57,080 --> 01:01:00,560
Speaker 2: Yeah, because the next person, sweet sixteen, today, she's looking

1130
01:01:00,640 --> 01:01:02,080
Speaker 2: like her mama, a little.

1131
01:01:04,360 --> 01:01:07,160
Speaker 1: One part woman, the other part girl.

1132
01:01:07,720 --> 01:01:10,480
Speaker 2: Yo, easy, dad, easy dad.

1133
01:01:10,960 --> 01:01:13,520
Speaker 1: Don't let the fuck up. Don't let this guy give

1134
01:01:13,520 --> 01:01:15,520
Speaker 1: a speech at your wedding, and.

1135
01:01:15,560 --> 01:01:18,360
Speaker 3: Don't play this at a wedding, for God's sake.

1136
01:01:18,640 --> 01:01:23,280
Speaker 1: DJ it's it's like see something like daughter.

1137
01:01:23,680 --> 01:01:26,400
Speaker 2: He's like, she'll change your name today, She'll make a

1138
01:01:26,600 --> 01:01:30,400
Speaker 2: promise and I'll give her away. Standing in the bridegroom

1139
01:01:30,440 --> 01:01:32,800
Speaker 2: just staring at her. She asked me what I'm thinking,

1140
01:01:32,800 --> 01:01:35,280
Speaker 2: and I said, I'm not sure. I just feel like

1141
01:01:35,280 --> 01:01:38,440
Speaker 2: I'm losing my baby girl. Okay, Bob, thanks Bob Carlile.

1142
01:01:39,560 --> 01:01:42,560
Speaker 3: One of the ways that's her, my man, is this

1143
01:01:42,640 --> 01:01:44,360
Speaker 3: like one of the ways that we've come a long

1144
01:01:44,400 --> 01:01:49,160
Speaker 3: way around patriarchy? Like you can all like be horri No.

1145
01:01:49,320 --> 01:01:52,400
Speaker 2: Yeah, thirty years later, for sure, we're like, you don't

1146
01:01:52,440 --> 01:01:56,280
Speaker 2: own her, Bob Carlyle, Bob Carlile.

1147
01:01:55,920 --> 01:01:59,560
Speaker 1: Like that just sounds like the name of your fucking

1148
01:02:00,120 --> 01:02:03,440
Speaker 1: like typing teacher from middle school or something.

1149
01:02:03,480 --> 01:02:03,720
Speaker 2: You know.

1150
01:02:04,120 --> 01:02:07,560
Speaker 1: Yeah, yeah, yeah, Bob Carlile. Do you hear the song

1151
01:02:07,640 --> 01:02:13,800
Speaker 1: Bob Carlile wrote about his daughter. Wow, it's a banger, man, Absolutely,

1152
01:02:13,920 --> 01:02:16,400
Speaker 1: It's the most dadass name I've ever heard.

1153
01:02:19,040 --> 01:02:21,120
Speaker 2: Wow. Yeah, you just feel something coming up to Hey,

1154
01:02:21,160 --> 01:02:22,520
Speaker 2: Bob Carlile, nice to meet you.

1155
01:02:22,760 --> 01:02:24,960
Speaker 1: Carlile, nice to meet you. Keep your damn hands off

1156
01:02:24,960 --> 01:02:25,560
Speaker 1: my little girl.

1157
01:02:25,640 --> 01:02:28,080
Speaker 2: Yeah, well you know that you know that handshake, man,

1158
01:02:28,360 --> 01:02:31,280
Speaker 2: you know, and you know that handshake is compensed Satan.

1159
01:02:31,680 --> 01:02:35,040
Speaker 1: Yeah, when you shake that, he was like Bob Carlyle,

1160
01:02:35,240 --> 01:02:38,120
Speaker 1: like okay, easy man, I get it. Butterfly kiss. First

1161
01:02:38,120 --> 01:02:40,160
Speaker 1: of all, I just met you and your family. Second all,

1162
01:02:40,160 --> 01:02:42,640
Speaker 1: you're gesturing at a forty five year old woman right

1163
01:02:42,680 --> 01:02:45,640
Speaker 1: now as you say, keep my hands off your little girl.

1164
01:02:46,160 --> 01:02:51,200
Speaker 1: Weirdo mccleat hadero. What a pleasure having the daily zeitgeist?

1165
01:02:51,520 --> 01:02:55,760
Speaker 1: Where can people find you? Follow you all that good stuff?

1166
01:02:56,120 --> 01:02:59,640
Speaker 3: Find me? Follow me at macleat Music. That's my handle

1167
01:02:59,800 --> 01:03:03,240
Speaker 3: on on Instagram and all the things, and macleat music

1168
01:03:03,320 --> 01:03:06,280
Speaker 3: dot com. It's m E K l I T. And

1169
01:03:06,920 --> 01:03:09,760
Speaker 3: even if you forget, you know, remember that I live

1170
01:03:09,800 --> 01:03:12,840
Speaker 3: in San Francisco. If you google Ethiopian singer san Francisco,

1171
01:03:13,320 --> 01:03:16,960
Speaker 3: you write up, oh.

1172
01:03:16,720 --> 01:03:21,760
Speaker 1: Yeah, right, is there a work of media that you've

1173
01:03:21,760 --> 01:03:22,400
Speaker 1: been enjoying.

1174
01:03:22,840 --> 01:03:26,919
Speaker 3: I'm gonna shout out an album called ting Mong, which

1175
01:03:27,080 --> 01:03:30,520
Speaker 3: just came out by the La based band Dangae Fever,

1176
01:03:31,280 --> 01:03:35,920
Speaker 3: and uh they're great. It's like a Cambodian kind of

1177
01:03:36,040 --> 01:03:40,000
Speaker 3: throwback psychedelic rock band and the lead singer her name

1178
01:03:40,040 --> 01:03:42,560
Speaker 3: is Neimol chom Nimol. She comes from a family of

1179
01:03:42,600 --> 01:03:47,440
Speaker 3: traditional singers in Cambodia, and she is badass, Like every

1180
01:03:47,600 --> 01:03:51,480
Speaker 3: note that comes out of her mouth brings you into

1181
01:03:51,520 --> 01:03:53,800
Speaker 3: like a place where you're like, Okay, I don't know,

1182
01:03:54,240 --> 01:03:56,400
Speaker 3: I don't understand any of the lyrics, and I'm one

1183
01:03:56,480 --> 01:04:00,600
Speaker 3: hundred percent with her, like at every single song that

1184
01:04:00,680 --> 01:04:03,080
Speaker 3: she sings, every note that she plays, and Dan gay

1185
01:04:03,160 --> 01:04:05,640
Speaker 3: Fever is just like they're a treasure. They have a

1186
01:04:05,680 --> 01:04:09,000
Speaker 3: new record, ting Wong and all the songs on it

1187
01:04:09,040 --> 01:04:12,040
Speaker 3: are pretty fantastic. So yeah, that's my pick.

1188
01:04:12,400 --> 01:04:15,080
Speaker 1: Amazing, Miles, where can people find you as their working

1189
01:04:15,120 --> 01:04:16,480
Speaker 1: media you've been enjoying.

1190
01:04:16,480 --> 01:04:20,520
Speaker 2: At based platforms Miles of Gray. Find us on our

1191
01:04:20,520 --> 01:04:23,480
Speaker 2: basketball podcast, Miles and Jack Got Mad Boosties. Find me

1192
01:04:23,520 --> 01:04:27,160
Speaker 2: on My ninety Day Fiance show for twenty Day Fiance

1193
01:04:28,400 --> 01:04:31,080
Speaker 2: and also The Good Thief where it's the true crime

1194
01:04:31,080 --> 01:04:33,520
Speaker 2: show where we are in pursuit of the Greek Robin hood.

1195
01:04:33,920 --> 01:04:35,680
Speaker 2: Let's see a tweet that I like is actually an

1196
01:04:35,760 --> 01:04:39,680
Speaker 2: excerpt from a Joe Rogan interview that Ben Collins at

1197
01:04:39,680 --> 01:04:43,880
Speaker 2: one underscore and then an underscore tweeted just said how

1198
01:04:44,000 --> 01:04:47,880
Speaker 2: is this real? And this is the excerpt. It says,

1199
01:04:48,360 --> 01:04:51,160
Speaker 2: don't worry Rogan explained, I got my blood work done

1200
01:04:51,160 --> 01:04:53,320
Speaker 2: and the doctor says, you have arsenic in your blood.

1201
01:04:53,400 --> 01:04:57,040
Speaker 2: Rogan continued, I go if someone poisoning me, he said,

1202
01:04:57,080 --> 01:05:00,760
Speaker 2: it's very low levels. The doctor asked about Rogan's fish consumption,

1203
01:05:00,880 --> 01:05:04,320
Speaker 2: which revealed the problem. Which revealed the problem, Rogan told

1204
01:05:04,320 --> 01:05:07,400
Speaker 2: the doctor, Yeah, I eat like three cans of sardines

1205
01:05:07,400 --> 01:05:12,240
Speaker 2: a night. Locked Us recorded, that's a lot of sardines. Man,

1206
01:05:12,760 --> 01:05:16,240
Speaker 2: I love sardines, Rogan said, passionately. I love them, I

1207
01:05:16,280 --> 01:05:21,040
Speaker 2: really do. I've always loved sardines. Ohya, three can night.

1208
01:05:21,160 --> 01:05:25,400
Speaker 1: Huh, all right, you might have assault deficiency. Man, that's

1209
01:05:25,800 --> 01:05:26,480
Speaker 1: that's a lot.

1210
01:05:27,040 --> 01:05:29,480
Speaker 2: Holy shit, it's a lot of I mean I like sardines.

1211
01:05:29,480 --> 01:05:32,040
Speaker 1: The three cans before Betty bye. I don't know about that, but.

1212
01:05:32,080 --> 01:05:35,040
Speaker 3: Every day, Yeah, like that's what That's what you would

1213
01:05:35,040 --> 01:05:37,200
Speaker 3: You would have to crave them to do that, just

1214
01:05:37,280 --> 01:05:38,760
Speaker 3: like think about it during the day.

1215
01:05:38,840 --> 01:05:42,000
Speaker 2: I mean, that's the body craves. What's in the blood,

1216
01:05:42,080 --> 01:05:44,200
Speaker 2: they say, you know, so if you're if all your

1217
01:05:44,200 --> 01:05:47,200
Speaker 2: blood is sardines, then you're probably just powered off sardines.

1218
01:05:48,600 --> 01:05:53,360
Speaker 1: He uh, price smells really good too. Yeah, all sardines

1219
01:05:53,400 --> 01:05:54,040
Speaker 1: all the time.

1220
01:05:54,560 --> 01:05:55,160
Speaker 2: Anyways.

1221
01:05:55,480 --> 01:05:59,840
Speaker 1: Uh, you can find me on Twitter at Jack Underscore. Oh, Brian,

1222
01:06:00,280 --> 01:06:03,360
Speaker 1: I don't know what's the working media. I watched Halloween two.

1223
01:06:03,400 --> 01:06:06,840
Speaker 1: I had never seen Halloween two before. That was my

1224
01:06:06,960 --> 01:06:12,600
Speaker 1: horror movie for Halloween Evening and it was a fun time.

1225
01:06:13,080 --> 01:06:17,080
Speaker 1: I will say the Halloween films seem to positive universe

1226
01:06:17,720 --> 01:06:21,840
Speaker 1: of human beings who like a universe where human beings

1227
01:06:21,840 --> 01:06:26,920
Speaker 1: never developed peripheral vision, because there are so many moments

1228
01:06:27,120 --> 01:06:30,680
Speaker 1: where they are looking like just to the left of

1229
01:06:30,760 --> 01:06:33,760
Speaker 1: Michael Myers and have no fucking clue he's there.

1230
01:06:34,080 --> 01:06:35,840
Speaker 2: He's like tapping their shoulders like one second.

1231
01:06:35,920 --> 01:06:39,880
Speaker 1: One second. That literally happens when he comes up behind

1232
01:06:39,880 --> 01:06:42,520
Speaker 1: a girl and like puts his hand on her shoulder

1233
01:06:42,560 --> 01:06:44,760
Speaker 1: and she starts sucking on his finger because she thinks

1234
01:06:44,760 --> 01:06:47,520
Speaker 1: he's a dude that Michael Myers actually just killed.

1235
01:06:47,680 --> 01:06:51,200
Speaker 2: Oh god, yeah, how did he handle that? I don't

1236
01:06:51,200 --> 01:06:53,240
Speaker 2: think Michael Myers wasn't a creep about the whole thing.

1237
01:06:55,200 --> 01:07:00,360
Speaker 4: Also, his hands were like mad dirty yeah, without even knowing.

1238
01:07:00,400 --> 01:07:03,240
Speaker 2: I'm like, Michael Myers does not wash his fucking hands.

1239
01:07:03,280 --> 01:07:07,000
Speaker 1: Both been leaving bloody handprints everywhere. And then she's just

1240
01:07:07,080 --> 01:07:12,120
Speaker 1: like yeah, anyways, Uh, that's my pick. You can find

1241
01:07:12,320 --> 01:07:14,600
Speaker 1: me on Twitter at Jack Underscore O'Brien. You can find

1242
01:07:14,680 --> 01:07:16,760
Speaker 1: us on Twitter at Daily's Iike. Guys. We're at the

1243
01:07:16,880 --> 01:07:19,560
Speaker 1: Daily Zeitgeist on Instagram. We have a Facebook fanpage on

1244
01:07:19,560 --> 01:07:23,520
Speaker 1: a website Daily zeikeist dot com. We post our episodes

1245
01:07:23,560 --> 01:07:26,120
Speaker 1: and our footnotes where we link off to the information

1246
01:07:26,160 --> 01:07:28,640
Speaker 1: that we talked about in today's episode, as well as

1247
01:07:28,680 --> 01:07:32,320
Speaker 1: a song that we think you might enjoy. Miles, what's hong?

1248
01:07:32,440 --> 01:07:33,360
Speaker 1: Are we sending people out?

1249
01:07:33,720 --> 01:07:37,560
Speaker 2: I was actually listening to mcleat's album on a day

1250
01:07:37,680 --> 01:07:39,960
Speaker 2: like today, and there is a track on there that

1251
01:07:40,000 --> 01:07:43,640
Speaker 2: I was really fucking with. It's called sole so lay Hey.

1252
01:07:44,160 --> 01:07:48,040
Speaker 2: I love the percussion, I love the horns like Sachs

1253
01:07:48,080 --> 01:07:49,720
Speaker 2: in there with some strings.

1254
01:07:49,320 --> 01:07:54,160
Speaker 3: Too, all of the above and also bass clarinet, baby.

1255
01:07:55,640 --> 01:07:58,480
Speaker 2: Yeah. I love the textures. I love the palette that's

1256
01:07:58,520 --> 01:08:01,440
Speaker 2: being used on this track. And not to mention your

1257
01:08:01,520 --> 01:08:04,400
Speaker 2: vocals everything. So this is you, guys, y'all got to

1258
01:08:04,400 --> 01:08:06,880
Speaker 2: look it up, but this is mcleatstrack Sole so Light.

1259
01:08:07,320 --> 01:08:10,600
Speaker 1: All right, Well, we will link off to that in

1260
01:08:10,600 --> 01:08:14,760
Speaker 1: the footnote. The Daily Zeitgeist is a production of iHeartRadio.

1261
01:08:15,200 --> 01:08:17,360
Speaker 1: For more podcasts from my Heart Radio visits, the iHeart

1262
01:08:17,400 --> 01:08:19,640
Speaker 1: Radio app, Apple podcast, or wherever you listen to your

1263
01:08:19,640 --> 01:08:21,799
Speaker 1: favorite shows. That's going to do it for us this morning,

1264
01:08:22,080 --> 01:08:24,639
Speaker 1: back this afternoon to tell you what is trending, and

1265
01:08:24,720 --> 01:08:26,920
Speaker 1: we will talk to you all night like bye bye