WEBVTT - Can one person change the criminal justice system?

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<v Speaker 1>Next Question with Katie Curic is a production of I

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<v Speaker 1>Heart Radio and Katie Kuric Media. Hi everyone, I'm Katie

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<v Speaker 1>Curic and welcome to Next Question Today civil rights lawyer

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<v Speaker 1>and activist Brian Stevenson of the Equal Justice Initiative. If

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<v Speaker 1>I've had any impact as a lawyer, if I've helped

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<v Speaker 1>anybody during my legal career, if I've made a difference

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<v Speaker 1>of representing my clients, it's not because I'm hard working,

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<v Speaker 1>it's not because I'm smart or anything like that. It's

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<v Speaker 1>because I got proximate to a condemned man and heard

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<v Speaker 1>him sing about higher ground. And that's why I talked

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<v Speaker 1>about proximity, because I think there's power when we get

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<v Speaker 1>close to the poor and excluded in the condemned. There's knowledge,

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<v Speaker 1>there's wisdom, there's insight, there's inspiration, there are portals that

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<v Speaker 1>can change the world. And later I'll speak with the

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<v Speaker 1>man who plays Brian in the new movie Just Mercy,

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<v Speaker 1>Michael b Jordan's and Jamie Fox, who portrays the client

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<v Speaker 1>whose case put Brian Stevenson on the map. Brian Stevenson

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<v Speaker 1>has been fighting this fight in the shadows for years,

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<v Speaker 1>so that's why this movie is so important. My next question,

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<v Speaker 1>what made the real Brian Stevenson the man he is today.

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<v Speaker 1>I recently had the privilege of interviewing Brian, one of

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<v Speaker 1>my personal heroes, at a dinner for the Aspen Institute

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<v Speaker 1>in New York City. Hi, everyone, good evening, It's such

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<v Speaker 1>an I began by asking him about his childhood. He

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<v Speaker 1>grew up in a small rural town in southern Delaware, poor,

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<v Speaker 1>isolated and marginalized, but surrounded by family that taught him

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<v Speaker 1>the values that have guided him his entire life. I

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<v Speaker 1>was born at the end of the Jim Crow era,

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<v Speaker 1>but you could still see the signs that said white

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<v Speaker 1>and color. And I watched my parents trying to shield

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<v Speaker 1>me from that. I mean, we don't realize that that

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<v Speaker 1>signage wasn't They weren't directions, They were actually assaults. They

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<v Speaker 1>created real injuries. My parents were humiliated every day of

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<v Speaker 1>their lives, and yet they had enough hope that they

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<v Speaker 1>actually believed that they could raise us to enter a

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<v Speaker 1>world that would be better and more just. And I

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<v Speaker 1>think it was that sense that you have to believe

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<v Speaker 1>things you haven't seen that I was constantly being taught.

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<v Speaker 1>You know, I was a young person and I became

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<v Speaker 1>a church musician, and when I first started to play,

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<v Speaker 1>you know, they didn't want me to play during the services.

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<v Speaker 1>I had to play during the testimonial and people would

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<v Speaker 1>come in and they'd give their testimonies, and sometimes they'd

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<v Speaker 1>say these heartbreaking they tell these heartbreaking stories about what

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<v Speaker 1>had happened. They didn't have a food to feed their family,

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<v Speaker 1>or something had happened and something terrible. But during those

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<v Speaker 1>testimony services, they would always in their testimony by starting

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<v Speaker 1>to sing a song. They'd start singing something like wouldn't

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<v Speaker 1>take nothing for my journey now, And there was this

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<v Speaker 1>hopefulness And I think for me, that has been the

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<v Speaker 1>greatest gift. I live in Montgomery, Alabama now, and I

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<v Speaker 1>think about the people who were there sixty years ago

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<v Speaker 1>trying to do what I do, and I realized I'm

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<v Speaker 1>standing on their shoulders, and they did so much more,

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<v Speaker 1>so much less. One of the people who did so

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<v Speaker 1>much more was so much less was Brian's grandmother, a

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<v Speaker 1>woman who was born in the eighteen eighties in Virginia,

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<v Speaker 1>who had ten children and was the matriarch of the family.

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<v Speaker 1>She was tough and strong, but Brian says her love

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<v Speaker 1>was so expansive that she had a way of making

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<v Speaker 1>each of her grandchildren feel special and seen. My grandmother

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<v Speaker 1>was the daughter of people who were enslaved. Her parents

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<v Speaker 1>were born in slavery. My great grandfather learned to read

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<v Speaker 1>as an enslaved person, even though he knew he might

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<v Speaker 1>be sold or even injured, because he had that skill.

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<v Speaker 1>And she would talk about how when emancipation came, all

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<v Speaker 1>of the uh formerly enslaved people would come to their

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<v Speaker 1>house and he would read the newspaper every night, and

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<v Speaker 1>she would sit next to him, and she would be

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<v Speaker 1>so proud that he had that ability. And even though

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<v Speaker 1>she couldn't go to school, she learned to read, and

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<v Speaker 1>she taught her daughter, my mom, how to read. And

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<v Speaker 1>we were poor and we didn't always have the things

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<v Speaker 1>that we needed. But my mother went into debt to

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<v Speaker 1>buy the World Book Encyclopedia because she wanted us to

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<v Speaker 1>have this entry into the world. And when you see

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<v Speaker 1>people making those kinds of sacrifices, affirming those kinds of values,

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<v Speaker 1>it sustained you. It energizes you. And then the last thing,

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<v Speaker 1>my my, I feel really fortunate to have been given

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<v Speaker 1>was a commitment to loving people. My my, my grandmother

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<v Speaker 1>told me, always stay on the side of love, even

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<v Speaker 1>when people treat you bad, even when people hate you,

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<v Speaker 1>even when people mistreat you. You have to stay on

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<v Speaker 1>the side of love because once you leave the side

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<v Speaker 1>of love, you give away the most important parts of yourself.

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<v Speaker 1>You become vulnerable to all of those emotions that will

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<v Speaker 1>destroy you. So you have to stay on the side

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<v Speaker 1>of love. My people, my parents, my grandparents, despite the

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<v Speaker 1>brutality and the mistreatment, didn't hate anybody. And it's a

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<v Speaker 1>precious gift that they have given me. And I've tried

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<v Speaker 1>to hold on to that gift, and it's the gift

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<v Speaker 1>I want to give to my clients and the people

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<v Speaker 1>I work with, and it has very much centered the

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<v Speaker 1>work that I've done throughout my career. So both hope

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<v Speaker 1>and love, hope and law. Yeah, and you would think

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<v Speaker 1>that a little eight year old Brian Stevenson knew he

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<v Speaker 1>wanted to be a public interest lawyer, you know, but

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<v Speaker 1>you didn't actually figure that out for quite a while.

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<v Speaker 1>You went to Harvard Law School, but you weren't particularly

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<v Speaker 1>jazzed about going and once you got there, you really

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<v Speaker 1>felt like an outsider. So at what point did you

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<v Speaker 1>feel like this is my calling, this is where I'm

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<v Speaker 1>going to commit my time and energy. Yeah, I mean

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<v Speaker 1>it was funny. I was so excited because nobody in

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<v Speaker 1>my family had gone to college. I was so excited

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<v Speaker 1>just to be in college, and I didn't think much

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<v Speaker 1>about what came next. And I was a philosophy major.

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<v Speaker 1>And it was really at the beginning of my senior

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<v Speaker 1>year that somebody came up to me and said, you know,

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<v Speaker 1>nobody is going to pay you to philosophize when you

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<v Speaker 1>graduated from college. And to be honest, that's how I

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<v Speaker 1>found my way to law school. It was very clear

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<v Speaker 1>to me, you don't need to know anything to go

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<v Speaker 1>to law school, you know. Uh, And so I signed

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<v Speaker 1>up for that. But I didn't have a real appreciation

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<v Speaker 1>of what lawyers did. I didn't I'd never met a

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<v Speaker 1>lawyer until I got to law school. And it was

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<v Speaker 1>very disoriented because I was concerned about racial inequality and

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<v Speaker 1>social injustice, and it just didn't feel connected to the

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<v Speaker 1>things I cared about, and I was really in the

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<v Speaker 1>middle of this kind of existential angst. Everything changed in

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<v Speaker 1>when Brian took a course that required him to spend

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<v Speaker 1>a month with a human rights organization providing legal services

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<v Speaker 1>to people on death row. He headed down to Atlanta

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<v Speaker 1>and into the prison system, and it was that experience

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<v Speaker 1>that really became transformative. I I went to death row,

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<v Speaker 1>I met people literally dying for legal assistance, and I

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<v Speaker 1>write about this in my book. The first person I

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<v Speaker 1>met was this condemned man. I had just been sent

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<v Speaker 1>down there to tell him that he wasn't at risk

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<v Speaker 1>of execution. And when this man came into the room,

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<v Speaker 1>he was burdened with change. He had handcuffs on his wrist,

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<v Speaker 1>he had a chain around his waist, he had shackles

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<v Speaker 1>on his ankles, and by the time they unchained him,

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<v Speaker 1>I was so nervous. I just started apologizing and I said,

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<v Speaker 1>I'm so sorry. I'm just a law student. I don't

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<v Speaker 1>know anything about the death mod And I finally said,

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<v Speaker 1>but I'm here because you're not at risk of execution

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<v Speaker 1>any time in the next year. And he was so

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<v Speaker 1>stunned by that statement. He said, wait, say that again.

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<v Speaker 1>And I said, you're not at risk of execution any

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<v Speaker 1>time in the next year. And then he said, wait, wait, wait, wait,

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<v Speaker 1>say that again. I said, you're not at risk of

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<v Speaker 1>execution any time in the next year. And this man

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<v Speaker 1>grabbed my hands and he said, thank you, thank you,

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<v Speaker 1>thank you. Said, you are the first person I've met

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<v Speaker 1>in the two years i've been on death row who's

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<v Speaker 1>not a death row prisoner or a death row guard.

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<v Speaker 1>He said, I've been talking to my wife and my kids,

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<v Speaker 1>but I haven't let them come and visit because I

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<v Speaker 1>was afraid i'd have an execution date. He said, now,

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<v Speaker 1>because of you, I'm going to see my wife. I'm

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<v Speaker 1>going to see my kids. Thank you, thank you, thank you.

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<v Speaker 1>And I couldn't believe how, even in my ignorance, being

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<v Speaker 1>proximate to that man was so transformative. And we started talking.

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<v Speaker 1>And one hour turned into two hours, and two hours

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<v Speaker 1>turned into three hours, and the guards were waiting for

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<v Speaker 1>me to finish, and they got angry that I didn't

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<v Speaker 1>finish the visit after an hour, and they came bursting

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<v Speaker 1>into the room and they couldn't do anything to me,

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<v Speaker 1>but they were mad. And they threw this man against

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<v Speaker 1>the wall and they pulled his arms back and they

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<v Speaker 1>put the handcuffs on his wrist so tightly I could

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<v Speaker 1>see the metal pinching his skin. They wrapped the chain

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<v Speaker 1>around his waist. They put the shackles on his ankles.

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<v Speaker 1>They were treating him so roughly, and I begged them

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<v Speaker 1>to be gentler, but they ignored me, and they pushed

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<v Speaker 1>the man near the door. And when he got near

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<v Speaker 1>the door, I saw this condemnment planted his feet. And

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<v Speaker 1>when he planted his feet and the guards tried to

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<v Speaker 1>shove him, he didn't move. And that's when this man

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<v Speaker 1>looked at me and he said, Brian, don't you worry

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<v Speaker 1>about this, You just come back. And then that man

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<v Speaker 1>did something I've never forgotten. He stood there and he

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<v Speaker 1>closed his eyes and he threw his head back and

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<v Speaker 1>he started to sing, and he started singing as hymn

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<v Speaker 1>I hadn't heard. He started singing, I'm pressing on the

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<v Speaker 1>upward way, new heights, time gaining every day, still praying

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<v Speaker 1>as I'm onward bound. And then he said, Lord, plant

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<v Speaker 1>my feet on higher ground. And everybody stopped. The guards recovered.

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<v Speaker 1>They started pushing him down the hall way, and you

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<v Speaker 1>could hear the change claiming, but you could hear this

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<v Speaker 1>man singing about higher ground. And when I heard that

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<v Speaker 1>man sing, everything changed for me. That was the moment

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<v Speaker 1>that I knew I wanted to help condemned people get

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<v Speaker 1>to higher ground. But more than that, I knew that

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<v Speaker 1>my journey to higher ground was tied to his. And

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<v Speaker 1>I went back to Harvard Law School completely radicalized. You

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<v Speaker 1>couldn't get me out of the law school library. I

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<v Speaker 1>needed to know everything about federalism and comedy and the

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<v Speaker 1>doctor in the jurisprudence. And that's how it happened for me.

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<v Speaker 1>I went to death Row and I met a condemned

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<v Speaker 1>man and he sang to me, and it changed my orientation,

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<v Speaker 1>It changed my path, it changed my life. Let's talk

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<v Speaker 1>about Just Mercy just for a moment, because it's coming

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<v Speaker 1>out on December, and of course that is the case

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<v Speaker 1>at the center of the your two thousand fourteen book,

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<v Speaker 1>when you defended Walter McMillan played I think so incredibly.

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<v Speaker 1>I was lucky enough to see the film Jamie Fox,

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<v Speaker 1>and I thought he did an amazing job. Michael B.

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<v Speaker 1>Jordan of course plays you. How weird was that to

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<v Speaker 1>watch that? It's pretty weird? Um, you know, I'm just

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<v Speaker 1>I'm really I feel really good about the film. I

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<v Speaker 1>was very apprehensive because Hollywood oftentimes will take a story

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<v Speaker 1>and they'll do something formulaic, and I didn't want that

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<v Speaker 1>to happen. But Michael B who's a producer on the film,

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<v Speaker 1>was really committed to doing it right. The director, Deston

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<v Speaker 1>Creton was also committed, and the whole cast came together

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<v Speaker 1>and we're really committed to doing this in a way

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<v Speaker 1>that would honor the people that I've represented. And they

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<v Speaker 1>really put their heart into it, and I feel really

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<v Speaker 1>good about the film. Why are you doing this? Why

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<v Speaker 1>am my lawyer? I don't know why? As you lowering

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<v Speaker 1>it down here in Alabama taking these cases that ain't

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<v Speaker 1>nobody gonna pay you for. When I was a teenager,

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<v Speaker 1>my grandfather was murdering over a black and white TV.

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<v Speaker 1>We kept waiting for someone to show up to help.

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<v Speaker 1>And that's when I realized that outside my community, nobody

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<v Speaker 1>cared because to them, he's just another black man killed

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<v Speaker 1>in the projects. I know what it's like to be

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<v Speaker 1>in the shadows. It is surreal, uh, to to have

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<v Speaker 1>a film come out and and and Michael B is

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<v Speaker 1>obviously so so popular and so wonderful, and and he

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<v Speaker 1>was very committed. We spent a lot of time together

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<v Speaker 1>and I just wanted to do everything he could to

0:11:23.360 --> 0:11:25.760
<v Speaker 1>get it right. And he asked me, is that, Is

0:11:25.760 --> 0:11:28.440
<v Speaker 1>there anything I need to do to kind of get ready?

0:11:28.440 --> 0:11:30.680
<v Speaker 1>I said, no, you've got it. I said, there's just

0:11:30.720 --> 0:11:33.080
<v Speaker 1>one thing you don't need to do. And I told

0:11:33.120 --> 0:11:35.360
<v Speaker 1>him the one thing you don't need to do is

0:11:35.440 --> 0:11:40.240
<v Speaker 1>to lose the black panther creed body when you play me. Uh. Uh,

0:11:40.520 --> 0:11:42.720
<v Speaker 1>you should keep don't go on a lawyer diet, don't

0:11:42.720 --> 0:11:46.480
<v Speaker 1>try to you know. Uh and so uh and so

0:11:46.600 --> 0:11:50.439
<v Speaker 1>I appreciate him holding on to all of those assets

0:11:50.480 --> 0:11:53.559
<v Speaker 1>that he brings his other roles. Uh. But no, it's

0:11:53.640 --> 0:11:55.520
<v Speaker 1>it's been great and I'm really excited for people to

0:11:55.559 --> 0:11:57.040
<v Speaker 1>see the film, and for me, it's just a way

0:11:57.040 --> 0:12:00.000
<v Speaker 1>of getting people exposed to these issues. I've always believed

0:12:00.040 --> 0:12:02.560
<v Speaker 1>that if people saw what I see on a regular basis,

0:12:02.800 --> 0:12:05.520
<v Speaker 1>they would respond the same way. And I when you

0:12:05.559 --> 0:12:08.480
<v Speaker 1>see unfairness and abuse in this conduct, people have an

0:12:08.520 --> 0:12:11.720
<v Speaker 1>instinct to respond to that. We just have not been

0:12:11.720 --> 0:12:13.880
<v Speaker 1>exposed to it, and I hope the film changes that.

0:12:14.080 --> 0:12:17.600
<v Speaker 1>It is a case study and persistence. When you represented

0:12:17.720 --> 0:12:22.480
<v Speaker 1>Walter McMillan, I mean it was years of injustice that

0:12:22.559 --> 0:12:27.760
<v Speaker 1>he had to deal with, and and of all places, Monroeville, Alabama,

0:12:27.840 --> 0:12:31.600
<v Speaker 1>the birth where Harperle and Truman Capode grew up. Of course,

0:12:31.640 --> 0:12:33.960
<v Speaker 1>the setting for To Kill a mocking Bird that must

0:12:34.000 --> 0:12:37.480
<v Speaker 1>have been strange too. It is and I think one

0:12:37.520 --> 0:12:39.360
<v Speaker 1>of the reason why I focused on that case in

0:12:39.360 --> 0:12:42.080
<v Speaker 1>the book because I do think there's an irony in

0:12:42.120 --> 0:12:44.800
<v Speaker 1>the way we tell stories about who we are, and

0:12:44.840 --> 0:12:48.280
<v Speaker 1>there's a disconnect. And people love the story of To

0:12:48.360 --> 0:12:53.480
<v Speaker 1>Kill a mocking it's a beautiful book, and yet and yet, uh,

0:12:53.520 --> 0:12:55.680
<v Speaker 1>there's a truth that we haven't dealt with. You know,

0:12:55.720 --> 0:12:59.559
<v Speaker 1>the character in that story, Tom Robinson, dies of hopelessness.

0:12:59.559 --> 0:13:03.160
<v Speaker 1>He doesn't get justice. And we probably have about two

0:13:03.240 --> 0:13:05.600
<v Speaker 1>hundred awards in this country that are named after the

0:13:05.640 --> 0:13:09.080
<v Speaker 1>fictional lawyer Atticus Finch. And the question becomes, what are

0:13:09.120 --> 0:13:12.040
<v Speaker 1>we celebrating because we didn't achieve justice for the poor,

0:13:12.120 --> 0:13:15.040
<v Speaker 1>We didn't achieve justice for the person who was condemned.

0:13:15.120 --> 0:13:19.080
<v Speaker 1>And it's not enough to just try in a world

0:13:19.200 --> 0:13:23.760
<v Speaker 1>where justice requires something more. And I think that's the disconnect.

0:13:23.800 --> 0:13:25.760
<v Speaker 1>And when I went to Monroeville and started working on

0:13:25.800 --> 0:13:27.920
<v Speaker 1>this case, everybody would say, oh, have you been to

0:13:28.040 --> 0:13:31.040
<v Speaker 1>the Killa mocking Bird Museum? And I would say, well, no,

0:13:31.320 --> 0:13:34.080
<v Speaker 1>I haven't had time because I'm representing this innocent black

0:13:34.080 --> 0:13:37.040
<v Speaker 1>man who's been wrongly convicted in this facing execution and

0:13:37.080 --> 0:13:38.600
<v Speaker 1>I'm trying to help him. And they said, well, you

0:13:38.640 --> 0:13:42.080
<v Speaker 1>need to go to the Dikilamdian Bird Museum. And we

0:13:42.120 --> 0:13:46.480
<v Speaker 1>have romanticized that story. While we have tolerated a criminal

0:13:46.520 --> 0:13:48.560
<v Speaker 1>justice system that treats you better if you're rich and

0:13:48.600 --> 0:13:51.280
<v Speaker 1>guilty then if you're poor and innocent, we have tolerated

0:13:51.640 --> 0:13:56.719
<v Speaker 1>racial bias, while we have celebrated this fictional characters resistance

0:13:56.760 --> 0:13:59.640
<v Speaker 1>to some of that bias, but not their effectiveness and

0:13:59.679 --> 0:14:03.839
<v Speaker 1>confern that bias and breaking down that kind of romanticized

0:14:04.000 --> 0:14:07.600
<v Speaker 1>narrative and actually engaging with the actual story for me

0:14:07.679 --> 0:14:10.360
<v Speaker 1>has been really important because we won't get to justice

0:14:10.880 --> 0:14:13.920
<v Speaker 1>if we live in this fantasy world, in this romanticized

0:14:13.960 --> 0:14:17.559
<v Speaker 1>world that is so evident in many places in this country.

0:14:17.880 --> 0:14:21.280
<v Speaker 1>When we come back the actual story of Walter McMillan,

0:14:21.640 --> 0:14:24.960
<v Speaker 1>as told in the new film Just Mercy, we'll talk

0:14:25.000 --> 0:14:36.320
<v Speaker 1>with Jamie Fox and Michael B. Jordan's. The movie Just

0:14:36.560 --> 0:14:40.160
<v Speaker 1>Mercy is based on Brian Stephenson's memoir. It tells the

0:14:40.200 --> 0:14:43.240
<v Speaker 1>story of a black man in Alabama named Walter McMillan,

0:14:43.640 --> 0:14:46.600
<v Speaker 1>wrongfully convicted of killing a white woman he didn't know

0:14:47.040 --> 0:14:50.920
<v Speaker 1>in a town he'd never been to. Despite the egregious

0:14:51.040 --> 0:14:57.320
<v Speaker 1>lack of evidence, in McMillan was sentenced to death risk

0:14:57.360 --> 0:15:00.600
<v Speaker 1>one from Harp. You don't know what it is, and

0:15:00.680 --> 0:15:06.400
<v Speaker 1>you're guilty from the moment you're borne. And you can

0:15:06.440 --> 0:15:08.320
<v Speaker 1>buddy up with these white folks and make him laugh

0:15:08.400 --> 0:15:10.680
<v Speaker 1>and try to make him like you whatever that is,

0:15:10.720 --> 0:15:12.880
<v Speaker 1>and he say, yes, no man, But when it's your turn,

0:15:13.000 --> 0:15:16.800
<v Speaker 1>they ain't got to have no fingerprints, no where evidence

0:15:18.320 --> 0:15:21.600
<v Speaker 1>and all the witness that God the whole thing up,

0:15:25.960 --> 0:15:28.240
<v Speaker 1>and none of that matter. When all y'all think is

0:15:28.240 --> 0:15:33.080
<v Speaker 1>is that look like a man who could kill somebody.

0:15:34.840 --> 0:15:39.080
<v Speaker 1>Walter McMillan is played by Jamie Fox. It's so familiar

0:15:39.520 --> 0:15:43.000
<v Speaker 1>because as as black man, the perception of us is, yeah,

0:15:43.040 --> 0:15:48.200
<v Speaker 1>he probably did it so easily. He's put on death

0:15:48.280 --> 0:15:52.240
<v Speaker 1>row with no trial. And there he sits in a

0:15:52.320 --> 0:15:55.840
<v Speaker 1>hopeless place because I visited death row before for another movie,

0:15:55.960 --> 0:15:57.800
<v Speaker 1>and the worst thing you can give a person and

0:15:57.920 --> 0:16:01.000
<v Speaker 1>death row is is hope. And there he sits, and

0:16:01.040 --> 0:16:03.520
<v Speaker 1>as he sits, all of a sudden, he doesn't know

0:16:03.520 --> 0:16:05.200
<v Speaker 1>it at the time, but his Angel walks in and

0:16:05.200 --> 0:16:08.480
<v Speaker 1>as Brian Stevenson, played wonderfully by Michael B. Jordan in

0:16:08.480 --> 0:16:12.880
<v Speaker 1>the movie and Uh, they set out to do something remarkable.

0:16:13.600 --> 0:16:17.000
<v Speaker 1>Michael B. Jordan not only plays Brian Stevenson, the lawyer

0:16:17.040 --> 0:16:21.600
<v Speaker 1>who successfully overturned Walter McMillan's death sentence, but he's also

0:16:21.640 --> 0:16:24.400
<v Speaker 1>a producer on the film and had a big hand

0:16:24.560 --> 0:16:27.480
<v Speaker 1>in getting it financed. As a black man in America,

0:16:27.480 --> 0:16:29.280
<v Speaker 1>I thought it was really important to be involved at

0:16:29.280 --> 0:16:32.400
<v Speaker 1>the story. Learning about Brian Stevenson at such a late age,

0:16:33.120 --> 0:16:34.800
<v Speaker 1>I felt I was shocked that he wasn't more of

0:16:34.840 --> 0:16:37.240
<v Speaker 1>a household name. When I found out about his work,

0:16:37.520 --> 0:16:39.360
<v Speaker 1>had a chance to listening and watch his ted talk,

0:16:39.440 --> 0:16:42.920
<v Speaker 1>read his memoir, I was blown away by the work

0:16:42.960 --> 0:16:45.240
<v Speaker 1>that he was doing behind closed doors without any real

0:16:45.320 --> 0:16:48.920
<v Speaker 1>true support. So I felt like I could lend myself

0:16:49.000 --> 0:16:52.760
<v Speaker 1>my platform, my medium to help telling the story and

0:16:52.760 --> 0:16:54.840
<v Speaker 1>getting his story out to the masses. The first time

0:16:54.880 --> 0:16:58.160
<v Speaker 1>I visited Death Row, I wasn't expecting to meet somebody

0:16:58.160 --> 0:17:01.760
<v Speaker 1>the same age as me, grew up on the same

0:17:01.840 --> 0:17:06.639
<v Speaker 1>music from a neighborhood just like ours. Could have been

0:17:06.680 --> 0:17:09.600
<v Speaker 1>me mama, but stepping into the role of his real

0:17:09.640 --> 0:17:14.480
<v Speaker 1>life hero Brian Stevenson, who's also soft spoken and restrained,

0:17:14.840 --> 0:17:17.359
<v Speaker 1>took a different set of acting skills for the Black

0:17:17.400 --> 0:17:21.399
<v Speaker 1>Panther star. I think emotionally, the positions that Brian Stephen

0:17:21.400 --> 0:17:25.000
<v Speaker 1>has been in throughout this movie, throughout his his time

0:17:25.080 --> 0:17:28.040
<v Speaker 1>as being a defense attorney, you know, especially in the the

0:17:28.160 --> 0:17:33.000
<v Speaker 1>Deep South, the obstacles he had to encounter, I naturally

0:17:33.000 --> 0:17:37.359
<v Speaker 1>would have reacted much different. So to know that he

0:17:37.440 --> 0:17:40.400
<v Speaker 1>is such a reserved person that he did take his

0:17:40.480 --> 0:17:42.280
<v Speaker 1>pride and his ego and put it to the side

0:17:42.320 --> 0:17:45.360
<v Speaker 1>for the betterment of his clients. Knowing that, you know him,

0:17:45.440 --> 0:17:50.840
<v Speaker 1>emotionally reacting wouldn't wouldn't get anything done in that type

0:17:50.880 --> 0:17:53.320
<v Speaker 1>of way. So he's so strategic and it's so so

0:17:53.480 --> 0:17:57.280
<v Speaker 1>methodical and how he moves Uh. You know, it was

0:17:57.320 --> 0:17:59.879
<v Speaker 1>a challenge to go again sometimes your natural reaction at

0:17:59.880 --> 0:18:03.040
<v Speaker 1>the things uh and uh and and and play a

0:18:03.160 --> 0:18:08.119
<v Speaker 1>more reserved and right And you're right. He did it

0:18:08.240 --> 0:18:11.640
<v Speaker 1>because he knew that was the means to the end

0:18:11.680 --> 0:18:14.520
<v Speaker 1>he wanted to achieve. Meanwhile, how did Michael convince you

0:18:14.600 --> 0:18:17.440
<v Speaker 1>or did did it take any convincing? It was no convincing.

0:18:17.440 --> 0:18:21.679
<v Speaker 1>I've known Mike for for a long time. His mentor

0:18:22.920 --> 0:18:25.760
<v Speaker 1>I've watched and grow up. So I was humble and

0:18:25.840 --> 0:18:27.680
<v Speaker 1>honored to get that call from him. And there was

0:18:27.760 --> 0:18:30.159
<v Speaker 1>some personal things that we talked about. But the one

0:18:30.200 --> 0:18:32.320
<v Speaker 1>thing that I could tell you that in our business

0:18:32.359 --> 0:18:35.520
<v Speaker 1>is hard to find people that stand up people. And

0:18:35.560 --> 0:18:37.400
<v Speaker 1>he says, I want you to be in this film,

0:18:37.480 --> 0:18:41.199
<v Speaker 1>And basically he was giving my u my artistic integrity

0:18:41.240 --> 0:18:43.280
<v Speaker 1>back in a sense, and and I said, hey, I'm

0:18:43.320 --> 0:18:46.720
<v Speaker 1>in with both feet because I think, what what what

0:18:46.720 --> 0:18:48.720
<v Speaker 1>What I'll say about Michael b is that it's the

0:18:48.720 --> 0:18:50.720
<v Speaker 1>biggest start in the world and he could do anything

0:18:50.760 --> 0:18:54.119
<v Speaker 1>he wants to. But I think what was amazing, what

0:18:54.400 --> 0:18:56.520
<v Speaker 1>is amazing about his career is when he laid the

0:18:56.640 --> 0:19:00.040
<v Speaker 1>DNA of narratives like this in Fruitvale Station, where he

0:19:00.119 --> 0:19:03.600
<v Speaker 1>took all of our hearts and uh and emotions and

0:19:03.600 --> 0:19:05.840
<v Speaker 1>and just and just wild us. And then to take

0:19:05.880 --> 0:19:10.480
<v Speaker 1>that same narrative to the biggest movie ever, uh, Black Panther,

0:19:10.560 --> 0:19:13.960
<v Speaker 1>where he plays kill Monger, which is supposedly the villain.

0:19:14.000 --> 0:19:16.240
<v Speaker 1>But if you listen to what he was saying, even

0:19:16.240 --> 0:19:19.920
<v Speaker 1>as a villain, his narrative for us on the biggest stage,

0:19:19.960 --> 0:19:22.399
<v Speaker 1>We're still talking about our culture and what we needed.

0:19:22.440 --> 0:19:25.760
<v Speaker 1>So now, to me, this completes an artistic sentence of

0:19:25.920 --> 0:19:29.840
<v Speaker 1>many paragraphs that he's gonna write. But Just Mercy is

0:19:29.880 --> 0:19:33.359
<v Speaker 1>the most important movie that I've ever been involved with

0:19:33.480 --> 0:19:36.919
<v Speaker 1>because of the fact of the introduction of Brian Stevenson.

0:19:37.040 --> 0:19:40.680
<v Speaker 1>Because Brian Stevenson says and deals with and talks about

0:19:40.720 --> 0:19:44.120
<v Speaker 1>every day everything that we everything that we talk about

0:19:44.119 --> 0:19:46.399
<v Speaker 1>on social media but don't know where to go. You know,

0:19:46.440 --> 0:19:48.399
<v Speaker 1>there'll be things where you're looking on social media and

0:19:48.480 --> 0:19:51.240
<v Speaker 1>you'll be so mad about I see this black team

0:19:51.400 --> 0:19:54.680
<v Speaker 1>or I see this person. These attrocities happens, and we'll

0:19:54.720 --> 0:19:57.120
<v Speaker 1>get on and we'll will comment about it. But this

0:19:57.200 --> 0:19:59.800
<v Speaker 1>gives us an opportunity to come see a movie which

0:19:59.840 --> 0:20:05.120
<v Speaker 1>is not only art, uh, but it's educational. It's inspirational.

0:20:05.480 --> 0:20:08.880
<v Speaker 1>So much perspective, doesn't he Janie, He has so much

0:20:08.920 --> 0:20:12.160
<v Speaker 1>perspective and it's so listen. I get. I would get

0:20:12.240 --> 0:20:14.879
<v Speaker 1>upset when people would say about a black man that

0:20:14.920 --> 0:20:18.520
<v Speaker 1>he speaks so well, But then I found myself saying

0:20:18.560 --> 0:20:21.439
<v Speaker 1>this about Brian Steveson, that he speaks so well, but

0:20:21.480 --> 0:20:24.919
<v Speaker 1>not speaking so well. It's what he's saying. He's telling

0:20:25.000 --> 0:20:27.199
<v Speaker 1>us about our past. He's telling us about what we

0:20:27.240 --> 0:20:30.479
<v Speaker 1>need to get, what we need to get to, and

0:20:30.520 --> 0:20:33.399
<v Speaker 1>how how bad things are. But he's saying it in

0:20:33.440 --> 0:20:37.800
<v Speaker 1>a way that everyone could be inclusive. These events happened

0:20:37.840 --> 0:20:42.960
<v Speaker 1>thirty years ago, but against the backdrop of Black Lives Matter,

0:20:43.560 --> 0:20:47.000
<v Speaker 1>and I think a modern reckoning of all these issues

0:20:47.040 --> 0:20:50.520
<v Speaker 1>and the genesis of the problem, you must feel like

0:20:50.640 --> 0:20:55.120
<v Speaker 1>this is more relevant than ever before. To really explore

0:20:55.760 --> 0:20:58.280
<v Speaker 1>how we got here, and that's what I think Brian

0:20:58.440 --> 0:21:02.760
<v Speaker 1>does so beautifully. He kind of connects threads in history

0:21:03.200 --> 0:21:09.360
<v Speaker 1>from reconstruction, Jim Crow segregation to what is modern day

0:21:09.400 --> 0:21:13.399
<v Speaker 1>segregation really de facto segregation. What the thing is that

0:21:13.440 --> 0:21:16.119
<v Speaker 1>you can see it now. You know, years back we

0:21:16.200 --> 0:21:18.040
<v Speaker 1>don't have social media, and now you can actually go

0:21:18.080 --> 0:21:21.560
<v Speaker 1>on your your phone and see atrocities today modern day

0:21:21.600 --> 0:21:24.440
<v Speaker 1>two thou nineteen in the twenty of something going bad

0:21:24.680 --> 0:21:27.399
<v Speaker 1>because of a person who's uh color of skin. You

0:21:27.440 --> 0:21:30.320
<v Speaker 1>see a young uh, you see a black man being

0:21:30.320 --> 0:21:33.199
<v Speaker 1>treated a certain way or shot and killed for a

0:21:33.280 --> 0:21:37.560
<v Speaker 1>traffic stop started off as your blinker was out something

0:21:37.640 --> 0:21:40.240
<v Speaker 1>small and he ends up dead. And then you see

0:21:40.640 --> 0:21:48.440
<v Speaker 1>someone who's not black, white carry out a crazy atrocity

0:21:48.480 --> 0:21:53.119
<v Speaker 1>and they apprehend them, they take them to get something

0:21:53.200 --> 0:21:56.240
<v Speaker 1>to eat. Brian Stevenson has been fighting this fight in

0:21:56.240 --> 0:21:59.040
<v Speaker 1>the shadows for years. So that's why this movie is

0:21:59.040 --> 0:22:01.880
<v Speaker 1>so important. Is a want. It's important for everybody rarely

0:22:01.920 --> 0:22:05.520
<v Speaker 1>behind it because I always say, what happens in the

0:22:05.520 --> 0:22:09.120
<v Speaker 1>hood usually gets to the suburbs. So eventually these types

0:22:09.160 --> 0:22:13.000
<v Speaker 1>of things will will will, We'll touch you in some

0:22:13.119 --> 0:22:17.160
<v Speaker 1>type of way. So, like I said, the movie does

0:22:17.200 --> 0:22:19.200
<v Speaker 1>something and I haven't seen a movie do, especially when

0:22:19.200 --> 0:22:21.520
<v Speaker 1>people get a chance to watch it with other people.

0:22:21.800 --> 0:22:25.199
<v Speaker 1>What are the qualities you admire most about Bryan Stevenson?

0:22:25.359 --> 0:22:29.880
<v Speaker 1>His humility, his drive, his focus, UH, his strategic way

0:22:29.880 --> 0:22:36.360
<v Speaker 1>they were in which he moves and thinks, um, his selflessness,

0:22:36.400 --> 0:22:44.840
<v Speaker 1>his um, his heart, his compassion, his persistent his unwavering persistence.

0:22:45.200 --> 0:22:48.119
<v Speaker 1>Jamie says all the time, he just doesn't fatigue. You know,

0:22:48.320 --> 0:22:52.280
<v Speaker 1>the guys NonStop from Supreme Court case at the Supreme

0:22:52.320 --> 0:22:55.600
<v Speaker 1>Court case, back to set, back to Supreme Court. You know,

0:22:55.720 --> 0:23:00.480
<v Speaker 1>he's constantly exactly what do you think me that I

0:23:00.880 --> 0:23:03.600
<v Speaker 1>just I just think his his his courage, you know,

0:23:04.320 --> 0:23:06.720
<v Speaker 1>being a young man from the South, you know, sometimes

0:23:06.720 --> 0:23:09.280
<v Speaker 1>it makes you tuck your blackness in sometimes, Like I've

0:23:09.320 --> 0:23:11.480
<v Speaker 1>been in situations where I was like, man, I don't know.

0:23:12.160 --> 0:23:14.200
<v Speaker 1>And to see someone who lives in the South and

0:23:14.359 --> 0:23:17.720
<v Speaker 1>able to speak truth to people who who don't have

0:23:17.920 --> 0:23:21.199
<v Speaker 1>a fondness of you, I think it's amazing. And I

0:23:21.240 --> 0:23:25.880
<v Speaker 1>think it's amazing too, uh that he does it, like

0:23:25.920 --> 0:23:27.960
<v Speaker 1>you told me pro pro bone on that he does

0:23:27.960 --> 0:23:32.760
<v Speaker 1>it sometimes. Um uh even now he said, he goes

0:23:32.800 --> 0:23:34.919
<v Speaker 1>through things that you know, he showed up to the

0:23:34.920 --> 0:23:37.040
<v Speaker 1>court room and the and the judge thought he was

0:23:37.160 --> 0:23:39.879
<v Speaker 1>actually you know, he thought he was on trial. He

0:23:40.000 --> 0:23:43.040
<v Speaker 1>was on trial and you're over there. So the things

0:23:43.080 --> 0:23:46.640
<v Speaker 1>that I think that that his his patience, his patience

0:23:47.080 --> 0:23:50.560
<v Speaker 1>with with the system that is flawed when it comes

0:23:50.600 --> 0:23:53.439
<v Speaker 1>to African Americans, I think it's amazing and we we

0:23:53.520 --> 0:23:56.360
<v Speaker 1>all benefit from his patients. Well, I have been such

0:23:56.400 --> 0:23:58.840
<v Speaker 1>a huge fan of his for many years, and I'm

0:23:58.880 --> 0:24:01.400
<v Speaker 1>just so happy that the two of you are going

0:24:01.480 --> 0:24:07.000
<v Speaker 1>to hopefully make him a household name. Thanks to just mercy.

0:24:07.720 --> 0:24:11.880
<v Speaker 1>Thank you, Thank you both. Up next, we'll have more

0:24:11.960 --> 0:24:15.960
<v Speaker 1>with Brian Stevenson, his latest battle against the death penalty

0:24:16.040 --> 0:24:19.960
<v Speaker 1>and how he's trying to reframe this country's historical narrative

0:24:20.440 --> 0:24:32.520
<v Speaker 1>by exhuming the ghosts of our past. Brian Stevenson is

0:24:32.560 --> 0:24:36.399
<v Speaker 1>the director of the Equal Justice Initiative. The goal of

0:24:36.600 --> 0:24:40.520
<v Speaker 1>e j I, in addition to representing the most unrepresented,

0:24:40.960 --> 0:24:44.240
<v Speaker 1>is to help people understand the true history of our country,

0:24:44.600 --> 0:24:49.280
<v Speaker 1>including its darkest chapters, through the Legacy Museum in Alabama.

0:24:49.880 --> 0:24:52.120
<v Speaker 1>But first I asked him about the recent news from

0:24:52.119 --> 0:24:56.480
<v Speaker 1>Attorney General William Barr that the Trump administration will resume

0:24:56.720 --> 0:25:00.639
<v Speaker 1>executing federal death row prisoners. You know, it's interesting is

0:25:00.680 --> 0:25:02.919
<v Speaker 1>that the federal death penalty is not well understood. Some

0:25:02.960 --> 0:25:05.760
<v Speaker 1>of the most extreme racial disparities in the death penalty

0:25:05.840 --> 0:25:09.760
<v Speaker 1>actually exists in the federal system, and we just haven't

0:25:09.800 --> 0:25:12.960
<v Speaker 1>done a very good job of creating reliability and fairness.

0:25:13.000 --> 0:25:15.240
<v Speaker 1>I think that, you know, the question of the death

0:25:15.240 --> 0:25:19.000
<v Speaker 1>penalty in this country can't be answered by asking do

0:25:19.080 --> 0:25:21.639
<v Speaker 1>people deserve to die for the crime safe committed? I

0:25:21.640 --> 0:25:24.240
<v Speaker 1>think the threshold question is do we deserve to kill?

0:25:24.960 --> 0:25:27.520
<v Speaker 1>And we have a system that is very unreliable, that

0:25:27.680 --> 0:25:31.760
<v Speaker 1>is very unfair, that is biased, that doesn't treat people

0:25:31.800 --> 0:25:34.639
<v Speaker 1>of color the same way they treat other people, that

0:25:34.720 --> 0:25:37.679
<v Speaker 1>doesn't provide people with the resources that they need. You know,

0:25:37.760 --> 0:25:40.240
<v Speaker 1>at the end of the film, I'm I'm really pleased

0:25:40.240 --> 0:25:42.280
<v Speaker 1>to have a statistic that everybody is going to see

0:25:42.280 --> 0:25:45.200
<v Speaker 1>when they see this movie, and it's a shocking statistic.

0:25:45.720 --> 0:25:49.280
<v Speaker 1>And the statistic is is that, um, we've now proven

0:25:49.359 --> 0:25:52.280
<v Speaker 1>innocent a hundred and sixty four people on death row.

0:25:52.359 --> 0:25:55.600
<v Speaker 1>That means for every nine people who have been executed

0:25:55.640 --> 0:25:58.880
<v Speaker 1>in this country, we've identified one innocent personal death row.

0:25:59.359 --> 0:26:03.480
<v Speaker 1>And when you think about that, it's completely unacceptable that

0:26:03.480 --> 0:26:06.480
<v Speaker 1>we're still trying to execute people. If we learned that

0:26:06.640 --> 0:26:09.040
<v Speaker 1>one out of nine apples in the store would kill

0:26:09.080 --> 0:26:11.440
<v Speaker 1>you if you touched it or bit into it, we

0:26:11.440 --> 0:26:14.159
<v Speaker 1>would stop selling apples. Nobody would get on a plane

0:26:14.160 --> 0:26:16.800
<v Speaker 1>if for one out of nine planes goes up and crashes,

0:26:16.800 --> 0:26:19.840
<v Speaker 1>and everybody does. But we're accepting it in the context

0:26:19.920 --> 0:26:22.680
<v Speaker 1>of the death penalty. And I think what's disappointing about

0:26:22.680 --> 0:26:25.159
<v Speaker 1>trying to resume the federal death penalty is that we

0:26:25.200 --> 0:26:27.880
<v Speaker 1>haven't done the hard work of making that death penalty

0:26:27.960 --> 0:26:31.800
<v Speaker 1>reliable and fair. And so I know that there are

0:26:31.880 --> 0:26:34.119
<v Speaker 1>lawyers who are going to be fighting against that, and

0:26:34.160 --> 0:26:38.280
<v Speaker 1>I hope this becomes just a moment in this effort,

0:26:38.320 --> 0:26:40.560
<v Speaker 1>we've seen a lot of states reject the death penalty.

0:26:40.600 --> 0:26:43.439
<v Speaker 1>There's a moratorium in California right now. The numbers of

0:26:43.480 --> 0:26:47.480
<v Speaker 1>death sentences has decreased dramatically in the last decade or so.

0:26:47.560 --> 0:26:51.960
<v Speaker 1>I think the progress that we're making will ultimately happen.

0:26:52.000 --> 0:26:54.960
<v Speaker 1>I think in a generation fifty years from now, people

0:26:54.960 --> 0:26:57.200
<v Speaker 1>will look back and say, why were they executing people

0:26:57.240 --> 0:27:00.639
<v Speaker 1>in this country fifty years ago? Let's talk about the

0:27:00.720 --> 0:27:04.320
<v Speaker 1>Legacy Museum and the Memorial for Peace and Justice in Montgomery.

0:27:04.800 --> 0:27:07.840
<v Speaker 1>The New Yorker compares the Legacy Museum to a great

0:27:07.960 --> 0:27:11.399
<v Speaker 1>legal argument, and that it relies on both emotion and

0:27:11.440 --> 0:27:16.600
<v Speaker 1>a precise accumulation of evidence. There's so many powerful things

0:27:16.720 --> 0:27:19.640
<v Speaker 1>in Montgomery that I hope everyone will get an opportunity

0:27:19.760 --> 0:27:23.159
<v Speaker 1>to see. But Brian, why was this such an important

0:27:23.280 --> 0:27:26.520
<v Speaker 1>project for you? You know? I talked about the fact

0:27:26.560 --> 0:27:29.000
<v Speaker 1>that I'm a product of Brown versus Board of Education.

0:27:29.000 --> 0:27:31.240
<v Speaker 1>I wouldn't be sitting here if lawyers hadn't come into

0:27:31.280 --> 0:27:34.280
<v Speaker 1>our community and made it possible for me to go

0:27:34.320 --> 0:27:36.159
<v Speaker 1>to high school in college. And I think it was

0:27:36.200 --> 0:27:39.159
<v Speaker 1>about twelve or thirteen years ago when I began to

0:27:39.240 --> 0:27:44.000
<v Speaker 1>think about that and I had this really chilling um thought,

0:27:44.520 --> 0:27:47.800
<v Speaker 1>And the chilling, scary thought that I had was, um,

0:27:47.960 --> 0:27:49.919
<v Speaker 1>I don't think we could win Brown versus Board of

0:27:50.000 --> 0:27:52.800
<v Speaker 1>Education today. I don't think our court would do something

0:27:52.840 --> 0:27:57.439
<v Speaker 1>that disruptive on behalf of a disenfranchised, dis empowered group.

0:27:57.600 --> 0:28:00.119
<v Speaker 1>And the reason why I don't think they would do

0:28:00.160 --> 0:28:02.600
<v Speaker 1>it is that we haven't created a narrative environment that

0:28:02.640 --> 0:28:07.440
<v Speaker 1>actually pushes our institutions to never waiver when it comes

0:28:07.480 --> 0:28:10.640
<v Speaker 1>to justice and fairness. And that's what made me think

0:28:10.680 --> 0:28:13.359
<v Speaker 1>we have to start working outside the courts to create

0:28:13.440 --> 0:28:17.120
<v Speaker 1>a healthier environment and environment that deals. Honestly, I don't

0:28:17.119 --> 0:28:19.320
<v Speaker 1>think we're free. I think we're burdened by this history

0:28:19.359 --> 0:28:22.800
<v Speaker 1>of racial inequality. I moved to Montgomery in the nineteen eighties.

0:28:22.840 --> 0:28:25.760
<v Speaker 1>There are fifty nine markers and monuments to the Confederacy

0:28:25.760 --> 0:28:30.480
<v Speaker 1>in that city. Alabama still celebrates Jefferson Davis's birthday as

0:28:30.480 --> 0:28:33.919
<v Speaker 1>a state holiday. A Confederate Memorial Day is still a

0:28:33.960 --> 0:28:37.560
<v Speaker 1>state holiday. We don't have Martin Luther King Day in Alabama.

0:28:37.600 --> 0:28:40.200
<v Speaker 1>We have Martin Luther King slash Robert E. Lee Day.

0:28:40.520 --> 0:28:43.000
<v Speaker 1>The two largest high schools in Montgomery are Robberty Lehigh

0:28:43.000 --> 0:28:47.200
<v Speaker 1>and Jefferson Davis. Hi, we've been practicing denial and silence,

0:28:47.240 --> 0:28:50.640
<v Speaker 1>and we've created this false narrative about who we are.

0:28:50.760 --> 0:28:52.800
<v Speaker 1>And I just think we're at a point in our

0:28:52.920 --> 0:28:57.360
<v Speaker 1>nation's history. But we have to change that narrative. We're

0:28:57.360 --> 0:29:01.040
<v Speaker 1>going to have to commit ourselves to true telling. South

0:29:01.080 --> 0:29:05.040
<v Speaker 1>Africa committed to truth and reconciliation after apartheid. They have

0:29:05.160 --> 0:29:07.960
<v Speaker 1>an apartheid museum that's powerful. If you go to the

0:29:07.960 --> 0:29:11.240
<v Speaker 1>Constitutional Court in Johannesburg, it's surrounded by emblems and symbols

0:29:11.240 --> 0:29:14.320
<v Speaker 1>that are designed to make sure that no one forgets

0:29:14.720 --> 0:29:17.600
<v Speaker 1>the injustice of apartheid. If you go to Berlin, you

0:29:17.640 --> 0:29:19.840
<v Speaker 1>can't go to hundred meters without seeing the markers and

0:29:19.840 --> 0:29:22.160
<v Speaker 1>the stones have been placed next to the homes of

0:29:22.240 --> 0:29:25.080
<v Speaker 1>Jewish families that were abductive during the Holocaust. The Germans

0:29:25.120 --> 0:29:28.080
<v Speaker 1>actually want you to go to the Holocaust memorial. They're

0:29:28.080 --> 0:29:29.560
<v Speaker 1>trying to change the narrative. They don't want to be

0:29:29.600 --> 0:29:32.640
<v Speaker 1>thought of as Nazis and fascists. There are no Adolf

0:29:32.680 --> 0:29:35.560
<v Speaker 1>Hitler statutes in Germany. But in this country, we haven't

0:29:35.560 --> 0:29:37.960
<v Speaker 1>talked about the native genocide. We haven't talked about slavery.

0:29:38.080 --> 0:29:40.600
<v Speaker 1>We haven't talked about Lynchia, we haven't talked about segregation,

0:29:40.880 --> 0:29:43.040
<v Speaker 1>and I think that has to change. And so we

0:29:43.160 --> 0:29:46.040
<v Speaker 1>built these sites because I believe we need an era

0:29:46.680 --> 0:29:49.560
<v Speaker 1>of truth injustice. And the thing we have to remember

0:29:50.080 --> 0:29:57.560
<v Speaker 1>is that truth and justice. Uh I just I think

0:29:57.560 --> 0:30:00.280
<v Speaker 1>that truth and justice, truth and repair, truth and reconcil lation.

0:30:00.360 --> 0:30:02.640
<v Speaker 1>I think these things are sequential. You got to tell

0:30:02.680 --> 0:30:05.520
<v Speaker 1>the truth before you get to reconciliation. And for me,

0:30:05.640 --> 0:30:08.760
<v Speaker 1>this is rooted in a desire. And I don't do

0:30:08.800 --> 0:30:11.000
<v Speaker 1>this stuff because I want to punish us for our history.

0:30:11.600 --> 0:30:15.000
<v Speaker 1>I really believe there is something that feels more like freedom,

0:30:15.040 --> 0:30:17.760
<v Speaker 1>that feels more like a quality, that feels more like

0:30:17.920 --> 0:30:20.720
<v Speaker 1>justice than what we have yet experienced in this nation.

0:30:20.760 --> 0:30:23.520
<v Speaker 1>But to get there, we're gonna have to have these conversations.

0:30:23.560 --> 0:30:25.200
<v Speaker 1>We're gonna have to talk about these things. We're gonna

0:30:25.240 --> 0:30:27.680
<v Speaker 1>have to build institutions like the ones we've hopefully built

0:30:28.160 --> 0:30:30.240
<v Speaker 1>that will motivate people to go through those spaces and

0:30:30.280 --> 0:30:32.400
<v Speaker 1>when they get to the end of the space, say

0:30:32.480 --> 0:30:35.840
<v Speaker 1>never again. When it comes to tolerating bias and bigotry

0:30:35.840 --> 0:30:38.800
<v Speaker 1>and hatred, that's the hope, and of course, the history

0:30:38.840 --> 0:30:41.720
<v Speaker 1>of lynching in this country is something that has literally

0:30:41.760 --> 0:30:45.640
<v Speaker 1>been buried from view. And that's one of the things

0:30:45.720 --> 0:30:48.320
<v Speaker 1>that was so moving for me to see the mason

0:30:48.400 --> 0:30:52.920
<v Speaker 1>jars full of soil from various lynching sites. You have

0:30:53.080 --> 0:30:56.360
<v Speaker 1>done a project where you bring the descendants of lynching

0:30:56.480 --> 0:31:00.400
<v Speaker 1>victims to the site where you believe their relatives were killed,

0:31:00.560 --> 0:31:05.440
<v Speaker 1>were murdered, hung, shot, burned, and then they collect the

0:31:05.520 --> 0:31:09.360
<v Speaker 1>soil because these people never had a proper burial and

0:31:09.480 --> 0:31:14.840
<v Speaker 1>the stories of those victims are so heartbreaking. And the

0:31:15.000 --> 0:31:19.480
<v Speaker 1>different colors of soil representing all the different regions where

0:31:19.480 --> 0:31:23.760
<v Speaker 1>these lynchings took place. I mean, it's just such a powerful,

0:31:23.880 --> 0:31:27.560
<v Speaker 1>powerful thing to see. It took my breath away, honestly.

0:31:27.840 --> 0:31:30.880
<v Speaker 1>Well for me, it's about active truth telling and I

0:31:30.960 --> 0:31:33.360
<v Speaker 1>and that's what I think, and it's sometimes hard you

0:31:33.400 --> 0:31:35.640
<v Speaker 1>have to be courageous to do it, but I think

0:31:35.800 --> 0:31:39.440
<v Speaker 1>that's the goal. I mean, we did one recently where

0:31:39.480 --> 0:31:41.760
<v Speaker 1>middle aged black woman came and what we do is

0:31:41.840 --> 0:31:43.600
<v Speaker 1>we send people to lynching sites. We give them an

0:31:43.600 --> 0:31:46.560
<v Speaker 1>empty jar, we give them a little implement to dig soil,

0:31:46.600 --> 0:31:48.200
<v Speaker 1>and they put the soil in the jar. It has

0:31:48.240 --> 0:31:50.640
<v Speaker 1>the name of the lynching victim and the date, and

0:31:50.640 --> 0:31:52.520
<v Speaker 1>then we put it in our museum and we put

0:31:52.520 --> 0:31:54.960
<v Speaker 1>it in our display. And this middle aged black woman

0:31:55.000 --> 0:31:57.720
<v Speaker 1>came and she was nervous about doing this by herself,

0:31:57.800 --> 0:32:01.440
<v Speaker 1>and her site ended up being a remote location. But

0:32:01.520 --> 0:32:04.240
<v Speaker 1>she drove down to this dirt road and got out

0:32:04.240 --> 0:32:06.360
<v Speaker 1>of her car to go. I digged the soil. She

0:32:06.440 --> 0:32:09.160
<v Speaker 1>found the tree, and she was about to start digging

0:32:09.200 --> 0:32:11.560
<v Speaker 1>when a truck drove by and there was this big

0:32:11.560 --> 0:32:13.200
<v Speaker 1>white guy in the truck and he drove by and

0:32:13.200 --> 0:32:14.880
<v Speaker 1>he saw this black woman on the side of the

0:32:15.000 --> 0:32:17.600
<v Speaker 1>road and he slowed down and he turned around and

0:32:17.640 --> 0:32:20.080
<v Speaker 1>he drove back by, and she said he stared at

0:32:20.080 --> 0:32:22.240
<v Speaker 1>her as he drove by, and then she said he

0:32:22.320 --> 0:32:24.120
<v Speaker 1>parked the truck and he got out of the truck,

0:32:24.120 --> 0:32:26.719
<v Speaker 1>big guy, and he started walking toward her, and she

0:32:26.800 --> 0:32:29.240
<v Speaker 1>was terrified. And we tell people you don't have to

0:32:29.240 --> 0:32:31.080
<v Speaker 1>explain what you're doing when you're doing this. You can

0:32:31.080 --> 0:32:32.840
<v Speaker 1>just say you're getting dirt for your garden. And that's

0:32:32.840 --> 0:32:35.080
<v Speaker 1>what she was going to do. And this big white

0:32:35.080 --> 0:32:36.760
<v Speaker 1>guy wrote walked up to her and he said, what

0:32:36.800 --> 0:32:39.040
<v Speaker 1>are you doing? And she said she was about to say,

0:32:39.080 --> 0:32:40.840
<v Speaker 1>I'm just getting dirt from my garden, and she said,

0:32:40.920 --> 0:32:43.280
<v Speaker 1>something got ahold of her. And she told that man.

0:32:43.360 --> 0:32:45.760
<v Speaker 1>She says, I'm digging soil because this is where a

0:32:45.800 --> 0:32:48.320
<v Speaker 1>black man was lynched in one and I want to

0:32:48.360 --> 0:32:51.320
<v Speaker 1>honor his life. And she says. She got so scared

0:32:51.360 --> 0:32:53.640
<v Speaker 1>that she started digging real fast, and the man just

0:32:53.680 --> 0:32:56.320
<v Speaker 1>stood there. And then the man said, does that paper

0:32:56.400 --> 0:32:58.960
<v Speaker 1>talk about the lynching? And she said it does, and

0:32:59.000 --> 0:33:00.720
<v Speaker 1>he said, can I read it? And so she gave

0:33:00.760 --> 0:33:03.280
<v Speaker 1>the man the paper and she kept digging while the

0:33:03.280 --> 0:33:05.240
<v Speaker 1>man read. And then the man put the paper down,

0:33:06.080 --> 0:33:09.600
<v Speaker 1>and he stunned her by saying, would you mind if

0:33:09.640 --> 0:33:12.080
<v Speaker 1>I helped you? And she said of course. And the

0:33:12.080 --> 0:33:14.600
<v Speaker 1>man got down on his knees, and she offered him

0:33:14.640 --> 0:33:17.120
<v Speaker 1>the implement to dig the soil. He said, no, no, no, no, no,

0:33:17.160 --> 0:33:19.760
<v Speaker 1>you keep that. I'll just use my hands. And she said,

0:33:19.800 --> 0:33:22.360
<v Speaker 1>this man started throwing his hands into the soil, and

0:33:22.440 --> 0:33:24.760
<v Speaker 1>his hands were turning black with this when he kept

0:33:24.800 --> 0:33:26.960
<v Speaker 1>throwing his hands, and there was something about the force

0:33:27.040 --> 0:33:29.600
<v Speaker 1>with which he was digging this soil that moved her.

0:33:29.960 --> 0:33:32.360
<v Speaker 1>And before she realized that, she had tears running down

0:33:32.360 --> 0:33:35.280
<v Speaker 1>her face. And the man stopped and he said, oh,

0:33:35.320 --> 0:33:38.479
<v Speaker 1>I'm sorry, I'm upsetting you. And she said no, no, no, no,

0:33:38.520 --> 0:33:41.000
<v Speaker 1>you're blessing me. And he used his hands and he

0:33:41.080 --> 0:33:42.520
<v Speaker 1>dug the soil and put it in the jar, and

0:33:42.560 --> 0:33:44.680
<v Speaker 1>she used the implement and they filled this jar and

0:33:44.680 --> 0:33:46.560
<v Speaker 1>he got teared toward the top, and she said. The

0:33:46.560 --> 0:33:49.320
<v Speaker 1>man started to slow down, and then she looked at

0:33:49.320 --> 0:33:51.800
<v Speaker 1>the man and she noticed that his shoulders were shaking,

0:33:51.960 --> 0:33:55.040
<v Speaker 1>and then she saw tears running down his face and

0:33:55.120 --> 0:33:57.080
<v Speaker 1>she stopped and she put her hand on his shoulder

0:33:57.120 --> 0:34:01.080
<v Speaker 1>and she said, are you okay? And the man said no, no, no,

0:34:01.200 --> 0:34:03.840
<v Speaker 1>I'm just so worried that it might have been my

0:34:03.880 --> 0:34:07.720
<v Speaker 1>grandfather that lynched this man. And she said they both

0:34:07.720 --> 0:34:12.040
<v Speaker 1>sat on the roadside crying, and they finished, and he

0:34:12.080 --> 0:34:13.680
<v Speaker 1>stood up and said, I want to take a picture

0:34:13.680 --> 0:34:15.160
<v Speaker 1>of you holding the jar. And she said, well, I

0:34:15.200 --> 0:34:16.839
<v Speaker 1>want to take a picture of you holding the jar.

0:34:17.680 --> 0:34:20.600
<v Speaker 1>And she brought this man back to Montgomery and they

0:34:20.640 --> 0:34:22.960
<v Speaker 1>called me into the room and she she brought me

0:34:23.000 --> 0:34:24.200
<v Speaker 1>over to him. She said, I want you to meet

0:34:24.239 --> 0:34:26.200
<v Speaker 1>my new friend. He helped me dig the sore, and

0:34:26.239 --> 0:34:29.040
<v Speaker 1>we want to put the jar on the museum exhibit together.

0:34:29.080 --> 0:34:31.319
<v Speaker 1>I said that would be beautiful, and I tell that

0:34:31.360 --> 0:34:34.239
<v Speaker 1>story because beautiful things like that don't always happen when

0:34:34.280 --> 0:34:37.240
<v Speaker 1>you do truth work. But unless we do the truth work,

0:34:37.880 --> 0:34:40.920
<v Speaker 1>we deny ourselves the opportunity for beautiful things to happen.

0:34:40.920 --> 0:34:43.600
<v Speaker 1>And that's what I hope our sites represent. I hope

0:34:43.600 --> 0:34:46.920
<v Speaker 1>that's what our work represents. It's hard, it's difficult, it's challenging,

0:34:46.920 --> 0:34:50.040
<v Speaker 1>but I think something beautiful can come from this if

0:34:50.040 --> 0:34:52.080
<v Speaker 1>we can find a way to lay down the burden

0:34:52.480 --> 0:34:55.319
<v Speaker 1>of this long history of inequality, this long history of

0:34:55.360 --> 0:34:58.040
<v Speaker 1>hatred and bigotry and racism. I really want to get

0:34:58.080 --> 0:35:00.839
<v Speaker 1>to a different place, and for me, that means being

0:35:00.840 --> 0:35:04.120
<v Speaker 1>willing to speak the truth. When it comes to talking

0:35:04.160 --> 0:35:09.200
<v Speaker 1>about his own legacy, Brian is characteristically humble. I really

0:35:09.239 --> 0:35:11.959
<v Speaker 1>do believe that if I've had any impact as a lawyer,

0:35:11.960 --> 0:35:14.239
<v Speaker 1>if I've helped anybody during my legal career, if I've

0:35:14.239 --> 0:35:17.239
<v Speaker 1>made a difference of representing my clients, it's not because

0:35:17.280 --> 0:35:19.520
<v Speaker 1>I'm hard working, it's not because I'm smart or anything

0:35:19.560 --> 0:35:22.719
<v Speaker 1>like that. It's because I got proximate to a condemned

0:35:22.719 --> 0:35:25.920
<v Speaker 1>man and heard him sing about higher ground. And that's

0:35:25.920 --> 0:35:28.360
<v Speaker 1>why I talk about proximity, because I think there's power

0:35:28.719 --> 0:35:30.880
<v Speaker 1>when we get close to the poor and excluded in

0:35:30.920 --> 0:35:36.040
<v Speaker 1>the condemned. There's knowledge, there's wisdom, there's insight, there's inspiration.

0:35:36.440 --> 0:35:39.840
<v Speaker 1>There are portals that can change the world. That word

0:35:40.160 --> 0:35:43.719
<v Speaker 1>proximate has always stuck with me, because if we're not

0:35:43.800 --> 0:35:46.840
<v Speaker 1>exposed to other people, if we don't step out of

0:35:46.880 --> 0:35:49.480
<v Speaker 1>our own bubbles and see how others live and what

0:35:49.920 --> 0:35:53.239
<v Speaker 1>they face, how will we ever learn to be more

0:35:53.280 --> 0:35:57.200
<v Speaker 1>empathetic and make the world a better place. I know

0:35:57.280 --> 0:36:00.520
<v Speaker 1>it may sound hokey, but as Brian Stevenson says, getting

0:36:00.640 --> 0:36:05.320
<v Speaker 1>proximant is quote key to our capacity to make a difference.

0:36:06.000 --> 0:36:09.400
<v Speaker 1>The movie Just Mercy, starring Michael B. Jordan's and Jamie Fox,

0:36:09.800 --> 0:36:14.239
<v Speaker 1>is in theaters this Christmas. I highly recommend it. And

0:36:14.360 --> 0:36:16.880
<v Speaker 1>that does it for this week's episode, which is actually

0:36:16.920 --> 0:36:20.439
<v Speaker 1>my last episode of our very first season. I hope

0:36:20.440 --> 0:36:23.759
<v Speaker 1>you've enjoyed listening to this podcast as much as I've

0:36:23.840 --> 0:36:26.479
<v Speaker 1>enjoyed doing it. We're gonna take a little break while

0:36:26.480 --> 0:36:30.839
<v Speaker 1>we prepare for season two coming in early gosh, can

0:36:30.880 --> 0:36:34.279
<v Speaker 1>you believe it's But don't worry, we have a few

0:36:34.280 --> 0:36:37.200
<v Speaker 1>bonus surprises coming your way, so keep an ear to

0:36:37.280 --> 0:36:40.480
<v Speaker 1>the next question. Feed over the holidays, and if you

0:36:40.560 --> 0:36:44.279
<v Speaker 1>haven't already, subscribe on Apple Podcast, the I Heart app

0:36:44.640 --> 0:36:47.520
<v Speaker 1>or wherever you listen. And by the way, if you're

0:36:47.640 --> 0:36:51.239
<v Speaker 1>overwhelmed by the tsunami of information coming at you from

0:36:51.280 --> 0:36:54.880
<v Speaker 1>your phone every single day, check out my morning newsletter

0:36:55.040 --> 0:36:58.520
<v Speaker 1>wake Up Call. Go to Katie Currek dot com to subscribe,

0:36:58.800 --> 0:37:02.800
<v Speaker 1>and of course follow me on Instagram, Facebook, Twitter and YouTube.

0:37:03.280 --> 0:37:06.400
<v Speaker 1>And one more thing before I go, I'd recommend something

0:37:06.440 --> 0:37:08.719
<v Speaker 1>else that can help you make sense of all that's

0:37:08.760 --> 0:37:12.000
<v Speaker 1>going on these days. That's Cheddars Need to Know podcast.

0:37:12.480 --> 0:37:15.720
<v Speaker 1>Every morning, host Jill and Carlo breakdown the biggest stories

0:37:15.760 --> 0:37:19.560
<v Speaker 1>making headlines, and it's all under ten minutes, from politics

0:37:19.560 --> 0:37:23.239
<v Speaker 1>and business to sports and entertainment. It's daily news with

0:37:23.280 --> 0:37:25.640
<v Speaker 1>a little humor that will make you smile. If you

0:37:25.680 --> 0:37:29.360
<v Speaker 1>haven't checked it out, you should. And so until next

0:37:29.360 --> 0:37:32.920
<v Speaker 1>time and my next question, I'm Katie Couric. Thanks for

0:37:32.960 --> 0:37:37.600
<v Speaker 1>listening everyone. Next Question with Katie Curic is a production

0:37:37.600 --> 0:37:40.600
<v Speaker 1>of I Heart Radio and Katie Curic Media. The executive

0:37:40.600 --> 0:37:43.920
<v Speaker 1>producers are Katie Curic, Lauren Bright Pacheco, Julie Douglas, and

0:37:43.960 --> 0:37:48.080
<v Speaker 1>Tyler Klang. Our show producers are Bethan Macaluso and Courtney Litz.

0:37:48.600 --> 0:37:52.160
<v Speaker 1>The supervising producer is Dylan Fagan. Associate producers are Emily

0:37:52.239 --> 0:37:56.600
<v Speaker 1>Pinto and Derek Clemens. Editing is by Dylan Fagan, Derek Clements,

0:37:56.640 --> 0:38:00.640
<v Speaker 1>and Lowell Berlante. Our researcher is Barbara Keene. For more

0:38:00.680 --> 0:38:03.520
<v Speaker 1>information on today's episode, go to Katie currek dot com

0:38:03.560 --> 0:38:06.239
<v Speaker 1>and follow us on Twitter and Instagram at Katie Curk.

0:38:12.520 --> 0:38:14.840
<v Speaker 1>For more podcasts for my heart Radio, visit the I

0:38:14.960 --> 0:38:18.000
<v Speaker 1>heart Radio app, Apple Podcasts, or wherever you listen to

0:38:18.040 --> 0:38:18.880
<v Speaker 1>your favorite shows