Speaker 1: Look out. It's only films to be buried with. Hello,
Speaker 1: and welcome to films to be buried with. My name
Speaker 1: is Brett Goldstein. I'm a comedian and actor, a writer,
Speaker 1: a director, a screen protector, and I love films. As
Speaker 1: Nicholas Chamfort once said, the most wasted of all days
Speaker 1: is one without laughter or a screening of a Muppet
Speaker 1: Christmas Carol. That is so true. Every week I'm vote
Speaker 1: a special guest over. I tell them they've died. Then
Speaker 1: I get them to discuss their life through the films
Speaker 1: that meant the most of them. Previous guests include Barry Jenkins,
Speaker 1: Sharon Stone, Mark Frost, and even Clad Blamballs. But this
Speaker 1: week it's the amazing DJ and music legend. It's mister
Speaker 1: DJ Yoda. Head over to the Patreon at Patreon dot com,
Speaker 1: forward slash Brett Goldstein, where you get an extra twenty
Speaker 1: minutes of chat with DJ Yoda. You get beginnings, you
Speaker 1: get endings, you get secrets, you get the whole episode, uncut,
Speaker 1: ad free and as a video. Check it out over
Speaker 1: at Patreon dot com forward slash Brett Goldstein. So DJ Yoda.
Speaker 1: DJ Yoda is an award winning hip hop turn table list.
Speaker 1: He's a DJ, he's a music and video maker. He's
Speaker 1: got a new album out right now. It's called prom No.
Speaker 1: You should give it a bloody listen, shouldn't you. We've
Speaker 1: never met before. We recorded this on Zoom. He was
Speaker 1: fucking brilliant. I thought, oh, why do I like this guy?
Speaker 1: Because he loves twin pigs. It turns out, you know,
Speaker 1: he's a good guy, do you know what I mean?
Speaker 1: That's it. Anyway, we recorded this on Zoom. We had
Speaker 1: a great old time and I really think you're gonna
Speaker 1: like this one. So that is it for now. I
Speaker 1: very much hope you enjoy episode two hundred and twenty
Speaker 1: four of Films to be Buried With. Hello, and welcome
Speaker 1: to Films to be Buried With. It is a Brett
Speaker 1: Goldstein and I am joined today by a DJ, a musician,
Speaker 1: a superstar, a legend, a mapeteer, a alumni, a world traveler,
Speaker 1: a world beater, a conqueror, a legend, and a person Wow,
Speaker 1: and also a man. Please welcome to the show. It's
Speaker 1: the incredible. I can't believe he's here. He's really here.
Speaker 1: It's mister DJ Yoder. Hey, world beater. That's my favorite
Speaker 1: one world beater. I'm such a world beater. R I
Speaker 1: Why am I always doing that? Mister DJ Yoda, Hello you.
Speaker 1: I'm very well, thank you. Things are good over here. Yes,
Speaker 1: thanks for doing the show. How are you, Bret? I'm
Speaker 1: all right, thank you. You were just about to say
Speaker 1: this and I said save it. I said save it
Speaker 1: for the pod. For God's sakes, I looked you up
Speaker 1: obviously on the on the wikipedes, and turns out you
Speaker 1: went to war At University before me. But seeming he
Speaker 1: did the same thing I did. And you will say Djo, which,
Speaker 1: oh yeah, it was still a thing when I went there.
Speaker 1: Mojo was still a thing madea was still a thing
Speaker 1: like Mojo dates you because Mojo was originally an acid
Speaker 1: jazz night, just that alone. Just like, hey, I was
Speaker 1: DJing at that acid jazz night at university. Just like
Speaker 1: I don't think it remained that when I was there.
Speaker 1: It wasn't. I don't know what it was. It was
Speaker 1: that was partly my doing. Yeah, Like I mean, it's
Speaker 1: you know, like the cool thing about having gone to
Speaker 1: Warwick University, which is, let's face it, quite as many
Speaker 1: people being stared. Yeah, exactly. The thing that worked for
Speaker 1: me about that was there was no one else trying
Speaker 1: to do what I was doing there, Like there's no
Speaker 1: other hip hop DJs at Warrett University, so I had
Speaker 1: no competition and that gave me full free reign to
Speaker 1: be a resident at that Mojo night and dj every week.
Speaker 1: That was where I got all my practice DJing in
Speaker 1: front of crowds and warming up for bigger DJ's. And
Speaker 1: I think if I'd have gone to Manchester or Bristol
Speaker 1: or one of these all the places Brighton, there would
Speaker 1: be so much competition that I wouldn't have had that
Speaker 1: amazing head start. So that's what I credited for. So
Speaker 1: you turned it into a hip hop note, it was
Speaker 1: as jazzy tended to hip hop. Yeah, it was a
Speaker 1: bit of everything. It was. It was funk and you
Speaker 1: know this, this was like drum and bass was just starting.
Speaker 1: I remember that, and that was a massive deal. Just
Speaker 1: get played drumming bass at the end of the night.
Speaker 1: Every other week was pressure, which was the drumm and
Speaker 1: bass note. That's right, Yeah, that not exists when you
Speaker 1: with it. Yeah I did. Yeah, yeah, I was involved
Speaker 1: in that too, but that was for the hardcore drum
Speaker 1: and bass heads. I just flirted with it. That was
Speaker 1: the one. Yeah, how did you get into all of
Speaker 1: this that you were worried going? This is this is
Speaker 1: a bit of me this How was that if you
Speaker 1: were the only one? Oh yeah, Well, my parents both
Speaker 1: worked in music. My dad was a manager and my
Speaker 1: mum was a record worked for a record producer, and
Speaker 1: so I grew up my dad's record collection was in
Speaker 1: my bedroom. So I literally grew up with records all
Speaker 1: around me. And you know, I was literally like on
Speaker 1: the set of music videos and at gigs and everything
Speaker 1: at the age of seven and eight and all that stuff.
Speaker 1: So it was that's what was around me. We had
Speaker 1: Top of the Pops on and the radio, and I
Speaker 1: just you know, it was there was never other way,
Speaker 1: any other way it was going to go. I was
Speaker 1: surrounded by by music. But then I think that like
Speaker 1: the hip hop thing, kind of that kind of time
Speaker 1: in the late eighties when every pop song had like
Speaker 1: a cheesy hip hop remix with all samples and scratching
Speaker 1: and beats everything, and that's the stuff that kind of
Speaker 1: jumped out to me. And the idea of sampling and
Speaker 1: putting in little bits from kind of from film essentially. Yeah,
Speaker 1: from from Dodgers, film, TV and TV commercials and cartoons
Speaker 1: or just any audio that you thought that you were
Speaker 1: inspired by it. And the idea that you could cut
Speaker 1: bits out and stick them on top of other things
Speaker 1: and create these collages. That was what appealed to me.
Speaker 1: Yeah that's cool. What were you doing at university? What
Speaker 1: was your course at Uni? I studied English and American
Speaker 1: literature with film studies. Right, I did a bit of that,
Speaker 1: didn't I. So did you have the crazy Spanish guy
Speaker 1: with your film studies? Of course? What was his name?
Speaker 1: And believe it, I'm trying to remember, Like I can't remember.
Speaker 1: He had a Spanish name and he was a Spanish guy.
Speaker 1: I mean, none of them liked me. I could tell
Speaker 1: you that. I can tell you that not a single
Speaker 1: lecture or at university likes me. You're a difficult student,
Speaker 1: I was. Yeah, I was. I would probably be described
Speaker 1: as challenging. Yeah yeah, yeah, Well you know that the
Speaker 1: film side of what I did was interesting because you know,
Speaker 1: I never even liked set out to be a DJ.
Speaker 1: It was never really kind of, oh, this is what
Speaker 1: I want to do for work. I just was djaying
Speaker 1: because that's what I love doing. And I would always
Speaker 1: do that. I In fact, even when I left university,
Speaker 1: I had other jobs. I worked in film for a bit,
Speaker 1: and I was thinking, I'll keep djaying as like a hobby,
Speaker 1: so that way it won't ruin the passion that I've got.
Speaker 1: But it just got so ridiculous because I was ended
Speaker 1: up djaying around the country on a Wednesday and Thursday
Speaker 1: night and then trying to get into work for the
Speaker 1: next morning. I just thought, this is crazy, Like, I
Speaker 1: guess I'm destined to do this, so I gave into it.
Speaker 1: Do you still, having done this for many years now
Speaker 1: love it? How much of it feels like a job
Speaker 1: now that's like, yeah, I've got to do this fucking stuff.
Speaker 1: And how much of it is still basing the djaying itself,
Speaker 1: Like whenever I'm behind turntables and DJA, I'm happy. Whether
Speaker 1: I'm in front of ten thousand people or in front
Speaker 1: of two people or alone, I just djaying makes me happy.
Speaker 1: And even if I'm feeling sick, whatever's going on, the
Speaker 1: stuff that can be quite hard is the travel and
Speaker 1: the politics and the logistics and all the boring stuff.
Speaker 1: But the djaying itself, no, you know, even if no
Speaker 1: one wanted to see me DJ ever again, Karen doing
Speaker 1: it for myself because that's what I like doing. I
Speaker 1: love that. I think, you know, there's obviously parallels with
Speaker 1: stand up, with the traveling and the stuff. But you
Speaker 1: can't do stand up on your right. That's the upside
Speaker 1: of DJ. It is it's fucking great with a crap,
Speaker 1: but you could, as they deal on your own, but
Speaker 1: stand up is it's pretty tricky. But but you know
Speaker 1: that the like, the closest job to what I do
Speaker 1: is stand up, And I know a lot of stand
Speaker 1: up comedians, and the lifestyle is the same, and so
Speaker 1: much of the work things are the same. I mean
Speaker 1: that the parallels are kind of they're going forever, the
Speaker 1: way you construct your sets, everything. And actually, I think
Speaker 1: there's a lot to be said for performing to hardly anyone. Yes,
Speaker 1: I think it's I think it's important. I think everyone
Speaker 1: needs to do it a lot. It's humbling, it's good practice.
Speaker 1: You know, all this stuff is necessary. I mean, I
Speaker 1: wouldn't want everyone every gig to be like yeah, of course,
Speaker 1: but you know, if that happens to me once every
Speaker 1: couple of months, I'm good with it. I've made my
Speaker 1: peace with that. Well, you know, it's interesting. I haven't
Speaker 1: said this out, you know, I've thought this vaguely, but
Speaker 1: when I watch musicians in bars or something, when people
Speaker 1: are just playing music in bands, I always think fucking hell.
Speaker 1: I would the fact that quite often you can be
Speaker 1: somewhere and someone is own stage performing and everyone is
Speaker 1: ignoring it, everyone is talking, everyone is You just think, god,
Speaker 1: fucking I've been going in stage, Like in stand up
Speaker 1: you'd be like, what a fuck's going on over there?
Speaker 1: You know what I mean? Like, you know what gigs
Speaker 1: are the most like that. It's like when you're playing
Speaker 1: to the most number of people, Like I played to
Speaker 1: thirty thousand people once and no one even cared that
Speaker 1: there was a DJ play. You know, it's much more
Speaker 1: fun to DJ to one hundred people than twenty thousand. Interesting, Well,
Speaker 1: because I was going to say, isn't it more like
Speaker 1: stand up in with DJ? With what you do is
Speaker 1: you can see a crowd react to you, what you
Speaker 1: play next, what you change, and you can there's that
Speaker 1: thing of you can see people dancing, you can see
Speaker 1: people stop dancing. You can be like, oh fuck, I'm losing.
Speaker 1: Am I bring them back with this bit? And exactly.
Speaker 1: And that's the same with comedy too, because you've got
Speaker 1: the laughter of something to gauge what you're doing. But yeah,
Speaker 1: I think to be able to see the whites of
Speaker 1: their eyes, it's way better. I don't like the gigs
Speaker 1: where I feel very distant from the crowd. And you know,
Speaker 1: when I first started out, even in the days of
Speaker 1: war at UNI, it was more the case that the
Speaker 1: superstar DJ thing hadn't really happened yet, and it was
Speaker 1: more the case that the DJ was amongst the crowd
Speaker 1: out and not on a stage that you would be
Speaker 1: much more like in the corner of a room and
Speaker 1: not everyone could see you, and you were kind of
Speaker 1: amongst everyone. And I really preferred that. I never really
Speaker 1: got into what I do to be in the spotlight.
Speaker 1: I don't really couldn't care less about that side of it.
Speaker 1: I happily DJ behind the curtain if I could. It
Speaker 1: doesn't make any difference. The fact that people are looking
Speaker 1: is okay, but it's not certainly not what I'm in
Speaker 1: it for. Love that you never get caught up in there, No,
Speaker 1: it's not. That's not a side of things that I'm
Speaker 1: interested in. You know. I think they're there are so
Speaker 1: many different ways to do these jobs. And some people
Speaker 1: are in DJing just to become famous or to make
Speaker 1: a brand, or to make money. And you know, that's
Speaker 1: one side of the spectrum. As far as I'm concerned.
Speaker 1: That other side is just doing stuff that you think
Speaker 1: is cool and if other people pick up on it,
Speaker 1: then great, and if they don't, it doesn't matter. Brilliant.
Speaker 1: I've forgotten to tell you something that I should have said,
Speaker 1: probably before we reminisced you died. You're dead? Oh shit, Yeah,
Speaker 1: it's a nightmare. Your your spark. What what do you
Speaker 1: think about that? How do you? How do you die?
Speaker 1: What do I think about it? Yeah? Did you? How
Speaker 1: did you die? How did I die? Well? I mean,
Speaker 1: if we're going to be realistic about it, I probably
Speaker 1: died in some kind of travel accident. I would have
Speaker 1: thought it would either be a train, yeah, derail train,
Speaker 1: or a crash plane or a car crash that I
Speaker 1: think these seem the most realistic for me. I mean,
Speaker 1: obviously you get to chigs, say which made of transport
Speaker 1: do you want to die? Is this a choice and
Speaker 1: not something that's just the most likely thing to happen?
Speaker 1: However you interpret it, But yeah, I interpret it as
Speaker 1: what's probably going to happen, not not the choice. I
Speaker 1: mean my choice is I died peacefully in my sleep.
Speaker 1: It's very boring. One vehicle do you want to die?
Speaker 1: And then a train or a plane or a I mean,
Speaker 1: let's just go train. Why not train? I was thinking,
Speaker 1: train doesn't. No, it doesn't. You get you get a
Speaker 1: lot of car and plane crashes. Let's go train. Why
Speaker 1: not keep things original? You want the carriage, lots of
Speaker 1: people on it, lots of people daling with you. I mean,
Speaker 1: what do you want here? Mass death or just you're
Speaker 1: in a late night one on your own and people
Speaker 1: are spared. I just have four people, please, do you
Speaker 1: want to choose them? Or four randoms? Yeah? Four randoms?
Speaker 1: Four randoms and the train water just come off the rails. Yeah.
Speaker 1: Just something quick, please, like something where something smashes into it.
Speaker 1: So it's just instant, that's what christ what's spassing into
Speaker 1: this train? Another train with thousands of people? You're a month.
Speaker 1: I love a helicopter that's gone out of control. Okay,
Speaker 1: so so it's kind of an action movie death. Yeah,
Speaker 1: helicopter hit the train. Two people on a helicopter six,
Speaker 1: six dead seven include dead, I'm afraid, Yeah, you got it?
Speaker 1: Yeahinting the picture, Okay, well it's spectacular, spectacular. Do you
Speaker 1: worry about death, mister, No, I'm not a big thinker
Speaker 1: about future or past. I'm very much I'm like a goldfish.
Speaker 1: I've got absolutely shit memory, like not even funny, it's
Speaker 1: it's it's actually a problem for me. But like, I
Speaker 1: don't really remember school at all, A really adapt very
Speaker 1: few memories of childhood. So I literally can't think about
Speaker 1: the past much. And I don't see the point of
Speaker 1: sitting around worrying about the future and death. I just
Speaker 1: kind of yeah, I'm like a goldfish. Did you do
Speaker 1: looks of drugs or did you experience of trauma in
Speaker 1: your childhood and that's why you blocked it out? Literally neither,
Speaker 1: Like yeah not never been a drugs person, and I
Speaker 1: had a very pleasant childhood. So yeah, as far as
Speaker 1: you remim exactly as maybe it's all hidden down so deep,
Speaker 1: I don't know about it. Yeah, and it's coming up. Yeah,
Speaker 1: it's still a very you know, zenim Buddhis sounds very
Speaker 1: sensible to be living entirely in the present. That's what
Speaker 1: we're meant to do, isn't it. I think I think
Speaker 1: we're supposed to do that because you can concentrate on
Speaker 1: what's actually going on. I just think like it's, you know,
Speaker 1: one thing, thinking about the future and worrying about it.
Speaker 1: If it's stuff that you've got control over. But if
Speaker 1: you don't let it be, what are you going to do? Dude?
Speaker 1: God bless. What do you think happens when you die?
Speaker 1: If you ever think about it? Not very much. I
Speaker 1: think that like your energy kind of dissipates in a
Speaker 1: physical way. I think that as you decompose you trees
Speaker 1: grow out of you and stuff. But I don't believe
Speaker 1: in much more than that, you know, I think I think,
Speaker 1: I do think there's kind of like an energy that
Speaker 1: moves around between us all, but not much more than that.
Speaker 1: So I wouldn't describe myself as like full on atheist,
Speaker 1: but I'm neither of my full on religious person either. Well,
Speaker 1: news for you, there is a God, there is a
Speaker 1: good that, there is a heaven, and he is very
Speaker 1: annoyed with your attitude towards him to this point. There
Speaker 1: is a heaven you are very workom and it's filled
Speaker 1: with your favorite thing. What's your favorite thing American breakfast cereal.
Speaker 1: Fucking great. It is absolutely made out of American breakfast cereal.
Speaker 1: There's the lucky chance, there's your cheerios, there's your Coco pops.
Speaker 1: Yeahs crunch cinema tast crunch. Yeah, and then it is everywhere.
Speaker 1: The packets make up the seats. They're just served all day.
Speaker 1: Oh god, I really like this heaven as well. Anyway,
Speaker 1: they're delighted to see they're all the American breakfast cereals
Speaker 1: are and they want to know about your life, but
Speaker 1: they want to know about it through the medium of film.
Speaker 1: The first thing they ask is, what's the first film
Speaker 1: you remember seeing, mister t j Ada. The first film
Speaker 1: I remember seeing is Snow White and the Seven Dwarfs. Yeah,
Speaker 1: how old are you? I'm not that old that I
Speaker 1: was there the like for the original release of Premier,
Speaker 1: which was Yeah, which is probably getting on for a
Speaker 1: hundred years ago. Yeah, did you see that at Homer
Speaker 1: at the cinema? I remember that was my first cinema
Speaker 1: trip with my mum. I do kind of vaguely remember.
Speaker 1: I don't remember the specific cerve, I remember the feeling.
Speaker 1: I remember being scared of the old Witchy Lady with
Speaker 1: the Apple. Yeah, you know, I don't remember much more that.
Speaker 1: I was probably about five or six, I reckon, but
Speaker 1: that's definitely my first cinema remembering you now, I had
Speaker 1: a younger brother. I have a younger brother. Didn't have
Speaker 1: a younger brother. Yeah, sorry, sounding really dark because it
Speaker 1: was obviously the days of VHS. We had a bunch
Speaker 1: of movies on video at home that were on rotation,
Speaker 1: and I remember what those few were for the for
Speaker 1: several years, you know, and that was What's Up? Doc
Speaker 1: with Barbara streisand High Anxiety, the mel Brooks film, all
Speaker 1: the Marx Brothers movies we used to watch and repeat,
Speaker 1: and Parent Trapped, the original Sixties Parents, Yeah, which I'm
Speaker 1: sure just like my dad probably fancied Hailey. Yeah. Yeah,
Speaker 1: So those those were the films that were repeat when
Speaker 1: I was a kid, so they kind of those are
Speaker 1: the films that remind me of childhood. That's very great.
Speaker 1: What about being scared? You were scared of the Witch
Speaker 1: in no way. What's the film that scared you the most?
Speaker 1: And do you like it being scared? I've got a
Speaker 1: funny relationship with horror films because I would say that
Speaker 1: on the whole. I don't like horror as a genre,
Speaker 1: and most horror I don't have any interest in. But
Speaker 1: then all my favorite films are horror films, incredible, So
Speaker 1: I think that like when when horror gets it right,
Speaker 1: I love it. Most of the time it doesn't get
Speaker 1: it right. That's that's my kind of feeling about the genre.
Speaker 1: When you say I'm not interested in it, because do
Speaker 1: you not? Is it that you don't like being scared
Speaker 1: or it's literally just shit? Win's really shit to you both, folks.
Speaker 1: I don't really like, I don't really get the idea
Speaker 1: of wanting to be scared watching a film. I don't.
Speaker 1: That's not my favorite kind of like emotion to escape into. That.
Speaker 1: That's not a very relaxing time. It's stressful. Yeah. Yeah.
Speaker 1: And when I think of like your average horror film,
Speaker 1: I think of like something that's like number five, six
Speaker 1: or seven in a series, and generally that's the kind
Speaker 1: of shit that I don't care about. But then yeah,
Speaker 1: like I would say that the film that I kind
Speaker 1: of think of that scared me the most might be
Speaker 1: Silence of the Lambs or seven, and both of those films,
Speaker 1: like absolutely Love and the Shining too, you know, like
Speaker 1: that's that's terrifying film and also one of my favorites.
Speaker 1: So when horror gets it right, I really like it.
Speaker 1: And then I think there's kind of like bits of
Speaker 1: horror in more psychological thrillery stuff like I love Jacob's
Speaker 1: Ladder with Tim Robert film I've always did that, and
Speaker 1: The Lost Boys with for like eighties Vampire Nous that's
Speaker 1: kind of scary. So there's yeah, there's definitely stuff that
Speaker 1: I like that that has that in it, but on
Speaker 1: the whole, not my back. So which is your favorite one?
Speaker 1: I go Silence to the Lambs. Silence the Lambs ticks
Speaker 1: a lot of boxes for me. Great film, romantic comedy film.
Speaker 1: From what about crying? You were crying an average amount?
Speaker 1: I wouldn't say I cry more or less than most people.
Speaker 1: I cry a healthy amount in life or films. I
Speaker 1: don't like crying every day, but trying now I think
Speaker 1: it's I think it's healthy to cry, not too much.
Speaker 1: But you know, but actually, when I started thinking about
Speaker 1: movies that made me cry, two very recent things came
Speaker 1: to mind. For some reason, I don't know why, because
Speaker 1: I I just couldn't think of anything older that made
Speaker 1: me cry. It was hard to think of it. But
Speaker 1: I loved my eyes out during Worst Person in the World,
Speaker 1: which I think that might be my favorite film of
Speaker 1: the year actually this year. I just really loved that film.
Speaker 1: I just thought I was so invested in the characters
Speaker 1: and it was such a good story and it was
Speaker 1: just very emotional. It got me, you know. So I
Speaker 1: loved that. And the other one that I remember crying
Speaker 1: a lot it recently was Manchester by the Sea. Yeah
Speaker 1: fair enough. Again, just kind of like tugged on the
Speaker 1: heartstrings a lot. That one. Have a question for you,
Speaker 1: with all the sampling that you didn't do, do you
Speaker 1: find yourself you're watching films, so you did your brain go, oh,
Speaker 1: I should get that line, I should get that bit.
Speaker 1: I should Is it always on? So very long ago,
Speaker 1: I just developed this way of experiencing media where I'm
Speaker 1: just constantly tuned in to the stuff that I want
Speaker 1: to sample, and it's like it runs concurrently alongside my
Speaker 1: enjoyment of whatever it is I'm experiencing. So I can
Speaker 1: sit there and watch a film, but as soon as
Speaker 1: they mentioned Yoda in it, or turntables or whatever it is,
Speaker 1: it just clicks, you know, in my head, and I'm like,
Speaker 1: and so the notes section of my phone is just
Speaker 1: this kind of mental list of twenty two minutes seventeen
Speaker 1: into this, like this episode of this. You know, Like
Speaker 1: that's just the way that I function. I can't turn
Speaker 1: that thing off. Maybe that is like a comedy in
Speaker 1: terms of your comedy brain is always picking out things
Speaker 1: that happen or things, but you're still the mediums. You're
Speaker 1: experiencing things in life, and even though you're experiencing them,
Speaker 1: you're also thinking, oh, this is material. That's yeah. Yeah, yeah,
Speaker 1: so it is the two things run alongside, and yeah,
Speaker 1: that's definitely the way that I function. Then, incidentally, they're
Speaker 1: like Manchester by the Sea. Just whilst I mentioned it.
Speaker 1: That also taps into a very specific genre of movie
Speaker 1: that I hands down love, which is all Boston related movies.
Speaker 1: I just for some reason, every Boston film is awesome,
Speaker 1: that's funny, and they get it. Yeah you understand that. Yeah,
Speaker 1: there's no bad Busting film. I mean there's no bad
Speaker 1: Boston films, especially when they're like if they're setting the
Speaker 1: full as well, that really helps if they're not sitting. Yeah,
Speaker 1: there is a summer busting film. Well, that's a good point. Yeah,
Speaker 1: Buston seems perpetually in him it is, which I like
Speaker 1: because that's my favorite season. I like the Boston accent.
Speaker 1: I just love all those you know, good Will, Hunting,
Speaker 1: the Town, Social Network counts. Yes, yeah, Departed, The Departed.
Speaker 1: One about a film that you love. It's not critically acclaimed,
Speaker 1: most people don't like it, but you think it's fucking great, right,
Speaker 1: This is like most films that I love, So I
Speaker 1: pretty much going forever with that answer, Like, yeah, I
Speaker 1: don't even know where to start, because I like some
Speaker 1: arter shit and I know, like I love it, I
Speaker 1: know it's not for everyone else. So there's there's many
Speaker 1: genres of ships movie that I like great, I would
Speaker 1: not recommend for anyone else. I am a huge fan
Speaker 1: of anything kind of high school related dross set in
Speaker 1: high schools. If there's nerds, jocks, yeah, and lockers and
Speaker 1: you know, all that stuff I'm in especially eighties related
Speaker 1: as well. So there's some pretty deep stuff like that that, like,
Speaker 1: I would not recommend anyone watching the film Lucas, for instance,
Speaker 1: exactly obscure eighties high school stuff. Give me some more
Speaker 1: that can't hardly Wait, yes, with Jennifer love Hewett. It's
Speaker 1: just I mean that is like I love that film
Speaker 1: and it's it's a crap even like pitch Perfect. Pitch Perfect. Okay,
Speaker 1: it's better quality than those other two that I said,
Speaker 1: but it's not like on the in the grand scheme
Speaker 1: of things, I couldn't recommend it as like a kind
Speaker 1: of amazing, incredible invention of a film. But I like
Speaker 1: Dude Wears My Car, Howard and Uma. I like talking animals,
Speaker 1: so like air Bud, Yeah, that's great Ran for a
Speaker 1: long look, I think I think there's yeah, there's a
Speaker 1: lot of it's diminishing returns as you'd expect. And then
Speaker 1: I also like the other genre that like is like
Speaker 1: Arnie in comedies and jingle all the way. Yeah, another pervert.
Speaker 1: I'm just looking for a Tobo man dol. Yeah. So
Speaker 1: like I say that movies that you're are supposed to
Speaker 1: be bad that you love is like, that's my whole
Speaker 1: thing for sure. Can we choose Lucas as your choice?
Speaker 1: What about a film that you used to love but
Speaker 1: you've watched recently and you've thought, this doesn't this doesn't
Speaker 1: work for me anymore. For whatever reason. I think there
Speaker 1: is a lot of the eighties movies that I grew
Speaker 1: up with as a kid dated badly. I recently we
Speaker 1: rewatched The Goonies, which I loved as a kid. About
Speaker 1: watching it now, it just it felt chaotic, really, It
Speaker 1: felt like it felt like the kids were out of
Speaker 1: control and the director didn't manage to like rain it
Speaker 1: in and it was just, yeah, it was chaos and
Speaker 1: not in a good way. And of those eighties, you know,
Speaker 1: I love all the John Hughes films. That's that's what
Speaker 1: I grew up on. But I think if you go
Speaker 1: back and watch sixteen Candles or The Breakfast Club, they're problematic.
Speaker 1: They are problematic now, which is sad, but they haven't dated. Well,
Speaker 1: do you have children? May Do you have kids in
Speaker 1: your life? Yes? I do? So is that why when
Speaker 1: you're watching goon is he like fucking hell, this is
Speaker 1: so stressful just fucking behave Yes? Possibly my age now,
Speaker 1: like the time of life I'm in that like when
Speaker 1: you're like in your mid forties, the last thing you
Speaker 1: need is like a bunch of kids screaming at you.
Speaker 1: So yeah, where the parents exactly? These people need discipline
Speaker 1: any time it is what are you doing looking for
Speaker 1: one life? Winnie in bed? That's right? What is it
Speaker 1: the film that means the most to you? Not necessarily
Speaker 1: the film itself is that great, but the experience you
Speaker 1: had around seeing the film would always make it special
Speaker 1: to you. Mister dj Idea, Well, I mean the one
Speaker 1: that came straight to mind for this was actually a
Speaker 1: Star Wars film. It was The Phantom Menace, which was
Speaker 1: the first of the second trilogy. Yeah, the Bad Ones exactly,
Speaker 1: and I just there was a lot of anticipation at
Speaker 1: that point. There had been no Star Wars, proper Star
Speaker 1: Wars since Return of the Jedi, so it was a
Speaker 1: big deal and it was a big deal for me,
Speaker 1: and you know, like, I'm not actually an uber Star
Speaker 1: Wars nerd at all, And in fact, it's from it's
Speaker 1: from that point that my interest in Star Wars kind
Speaker 1: of started declining. And it was because of that film.
Speaker 1: That film was such a crushing disappointment and it was
Speaker 1: so confusing. It was so confusing to me because it
Speaker 1: would have been built up and I was like, this
Speaker 1: is going to be the best thing in the world,
Speaker 1: and there were like elements that were kind of cool
Speaker 1: about it, but I just remember processing it for a
Speaker 1: long time afterwards, thinking and the more I thought about it,
Speaker 1: I was like, this just wasn't good. It was such
Speaker 1: a disappointment. And I very amiably saw it in Vancouver,
Speaker 1: of all places, that's just where I was at the
Speaker 1: time that it came out, and we bought tickets early.
Speaker 1: Were you talk, No, I was just traveling around the
Speaker 1: world at that point. I'd taken a year out and
Speaker 1: was just all over the place. I was with a
Speaker 1: good friend and we were both excited to bought tickets
Speaker 1: for The Phantom Menace. There was a massive long queue
Speaker 1: around the block, even for the people that had their tickets,
Speaker 1: So we got to the back of that line, and
Speaker 1: I remember when we got into the movie theater, I
Speaker 1: feel like it's going to be a rush to get
Speaker 1: the good seats, that's what's going on here. But everyone
Speaker 1: qued in and just went straight to the food concession.
Speaker 1: It was so American, even was Canada. Everyone was just
Speaker 1: like they were rushing to go get the food. And
Speaker 1: we actually got to go into the get the good
Speaker 1: seats first. I remember that about it, But yeah, a
Speaker 1: memorable experience. What's the good seats? Well, what are the
Speaker 1: good seats. I liked the middle. I'm a noble man. Yeah,
Speaker 1: I'm a middle man. I trying to remember which film
Speaker 1: it was. There's one film that was totally ruined for
Speaker 1: me by sitting at the front on the left. I
Speaker 1: just felt like just the bottom quarter of that film,
Speaker 1: you know what it was? Now, Yeah, I'm a middle
Speaker 1: middle of the cinema. Gup had to do that once
Speaker 1: in the Imax and it was like fucking now, front
Speaker 1: Road at Imax. I did one of my av shows
Speaker 1: at the Imax in Waterloo, So it's like djaying because
Speaker 1: because half the shows that I do they're working with
Speaker 1: film and mixing and scratching film. And I did that
Speaker 1: with the Imax screen there and that was epic to
Speaker 1: get to do that. But I remember people sitting in
Speaker 1: the front thinking, that's going to be a weird view.
Speaker 1: Where are you when you're doing that? Are you at
Speaker 1: the bat? Are you in the No, I stand in
Speaker 1: front of your screen. I'm in front of the screen.
Speaker 1: I've experimented with this a lot over the years, but
Speaker 1: the way that it works is for people to be
Speaker 1: able to see the correlation between what I'm doing live
Speaker 1: and the screen. So even if I'm kind of obscuring
Speaker 1: the screen. I'm better off still in front of it.
Speaker 1: It's a funny thing with those shows because you can
Speaker 1: kind of explain it to people in words, but it
Speaker 1: doesn't mean anything until you've seen it. Like I can
Speaker 1: say I scratch movies, but that doesn't mean anything until
Speaker 1: you see a movie being scratched, even if it's on
Speaker 1: YouTube for a minute, and then you're like, oh, okay,
Speaker 1: I'm want to come to anything. I like that you've
Speaker 1: described it in the same way they tried to advertise
Speaker 1: the Matrix, which is no one could explain it to you.
Speaker 1: You have to see it for yourself. That's how they
Speaker 1: advertise the matrix. Yeah, I believe so that was the
Speaker 1: That was that I can explain the Matrix to you
Speaker 1: without you needing to see it. Well, apparently you can't.
Speaker 1: You have to see it for yourself. They really underestimated you.
Speaker 1: What the thing with the Fact of Men is. We've
Speaker 1: talked about it. I'm sure one of these episodes people
Speaker 1: have mentioned it, but it is so insane with all
Speaker 1: the build up and what everyone believes that was is
Speaker 1: that the opening screwl says the taxation roots and you're like, yeah,
Speaker 1: and then it's a lot of diplomacy in that film.
Speaker 1: Too much, too much kids here, No one came the
Speaker 1: tax What a miss What a misfire that turned out
Speaker 1: to be? And tax and you I kind of lost
Speaker 1: interest in all the Star Wars stuff. I'm watching it
Speaker 1: still and there are moments, but on the whole my
Speaker 1: child has been ruined. They've really just desecrated the whole thing.
Speaker 1: Do you want to change your name? I wanted to
Speaker 1: change my name fifteen years ago. I'm waiting past that now. Yeah,
Speaker 1: I'm stuck with the name, the names, the names here.
Speaker 1: But yeah, it has done anything wrong. Yeah it is
Speaker 1: still good. Yeah, okay, but it work for now until
Speaker 1: they do the Yoda series. Yeah, let's wait till the
Speaker 1: Yoda series. Yeah. Good. Idea. What is the film you
Speaker 1: most relate to, the film I most relate to. I'm
Speaker 1: going to choose a serious Man, the Coen Brothers film
Speaker 1: Serious Man, the one that is about like the trials
Speaker 1: of job or job where terrible, terrible things happened to him. Oh, yes,
Speaker 1: terrible basedly and it's like it's an updated reason of job.
Speaker 1: The story. Oh, I didn't know that. I didn't know
Speaker 1: the job part of it. I'm not up on my
Speaker 1: old testament. So you relate to the film Terrible Things
Speaker 1: Happened to a Man. Yeah, but maybe it's not the
Speaker 1: terrible Things Happening to impart that I'm relating to the most.
Speaker 1: The part I'm relating to is it's a very evocative
Speaker 1: visual setup of a Jewish man growing up in the suburbs,
Speaker 1: and it's just so spot on. There's so many things
Speaker 1: in it, and they really focus in on the kind
Speaker 1: of disgustingness of it. There's a lot of hacking, coughs
Speaker 1: and flegm and just like you know, a lot of
Speaker 1: just like Ikey just it's just an icky, horrible, awkward, gross,
Speaker 1: difficult kind of environment that he's in. And I can
Speaker 1: just get it. I just watched that whole film. It's like, yeah,
Speaker 1: this is I recognize all these people. This is the
Speaker 1: thing you blocked ever in your childhood. Is the sound
Speaker 1: of coughing and flem Yeah you cut it. You watch
Speaker 1: that film? The sound the sound, yeah, exactly, not just
Speaker 1: the sound. It's yeah, it's just a brilliant film. I
Speaker 1: absolutely love Current Brothers and that's a really that's one
Speaker 1: that people don't talk about very much, and I can.
Speaker 1: There's just something that clicks with me with that film.
Speaker 1: It just really I do really relate to its speaking
Speaker 1: of covering up in flam what is the sexiest film
Speaker 1: of all time? What a segue can I'm going to
Speaker 1: go for ice wide shot? Is it? Is? It? Explain?
Speaker 1: Sometimes it veers a bit too over into darkness and weirdness.
Speaker 1: Admitting weirdness. You tell me. It's a very It's just
Speaker 1: a very sexy film. It's funny because I'm not a
Speaker 1: massive fan of Tom Cruise or Nicole Kidman, but they
Speaker 1: work in that film. It's Kubrick that makes it work,
Speaker 1: I think, And it's just the intimacy of it. It's
Speaker 1: a very sexual film. What can I say? I need
Speaker 1: to see this film again because it keeps coming up
Speaker 1: in any story. Yes, you know what, I did a
Speaker 1: real U turn on it. The first time I saw it.
Speaker 1: I wasn't convinced, but I think I was too young
Speaker 1: for it. When I rewatched it again recently, I was like,
Speaker 1: as an older person, now this is making a lot
Speaker 1: more sense to me. In this whole film. It's very psychological,
Speaker 1: kind of sexual in a psychological way, And yeah, I
Speaker 1: do you turns on films quite a lot, actually thinking
Speaker 1: about it, mainly with Tarantino films. I always kind of like,
Speaker 1: have one opinion of a Tarantino film, then rewatch it
Speaker 1: and completely change my mind. That's good though, that's cool.
Speaker 1: I think consistent. No, it means it's good to have.
Speaker 1: It means you're a different It means you're a different person.
Speaker 1: Do you change and films change? Have you? I think
Speaker 1: that's good, isn't it? Yeah? I definitely need to see it.
Speaker 1: I always chat again because I'm sure I was too young.
Speaker 1: You know. My memory of it is that it was
Speaker 1: quite boring, and I definitely didn't think it was sexy.
Speaker 1: I remember being like this sexy filmmate's sexy walking down
Speaker 1: street with this one planet. There's subcategories to this. What
Speaker 1: it's called traveling beyond is worrying? Why I don't? What's
Speaker 1: the film? You found a rousing? You weren't sure you should?
Speaker 1: I have a big problem with this question. I feel like, first,
Speaker 1: it feels like a trap for pedophiles. That's my first
Speaker 1: absolutely words question. Yeah, yeah, it does. And if and
Speaker 1: I'm not, I'd like to make it clear that I'm
Speaker 1: not one. First, Yeah, and second of all, I feel
Speaker 1: like the only kind of acceptable answer would be animation
Speaker 1: for a cartoon. And I've never been aroused by a cartoon,
Speaker 1: not a Jessica Rabbit or anything that feels wrong as well.
Speaker 1: It just it reminds me of the question. You get
Speaker 1: a lot in music interviews about guilty pleasures, and I
Speaker 1: really just don't believe in the concept. I don't think
Speaker 1: there should be such thing as a pleasure that you
Speaker 1: should feel guilty about. I think either you own the
Speaker 1: thing that you like or you don't, but to feel
Speaker 1: ashamed of it, it's not cool. So I want to
Speaker 1: fuck cartoon. There's nothing wrong. I can fuck a cartoon. Yeah,
Speaker 1: I mean's as long as you're not hurting anyone, then
Speaker 1: go ahead into it. Yeah, so you have no answer,
Speaker 1: You have no no troubling answer that one. Yeah, exactly,
Speaker 1: loudd bonus. That will never be sure. I reject your question.
Speaker 1: I respect it. Listen, you're a Buddhist. You live in
Speaker 1: the present, and when you get bonus, you've been them.
Speaker 1: You've got me down to a team. That's what it's
Speaker 1: going to go on my gravestone. He's a serious man
Speaker 1: with no shaving his bonus what is objectively, objectively the
Speaker 1: greatest film of all time. You probably have to remind
Speaker 1: people this all the time, but remind me the subjectively
Speaker 1: and objectively difference. The difference is this. It might not
Speaker 1: be your favorite, it might not be the film you'd
Speaker 1: take to say to a desert island. It might not
Speaker 1: be a film you want to watch every day, but
Speaker 1: it's aliens come and they go, show me the pinnacle
Speaker 1: of cinema. Right, Okay, I would say, don't look now,
Speaker 1: but don't look now. But I don't want to watch
Speaker 1: don't look now every day. But I go, that's the
Speaker 1: fucking pinnacle of cinema. Yeah, so it's not my personal choice.
Speaker 1: So does this mean the thing that I think the
Speaker 1: most other people would like? No, it's the thing that
Speaker 1: you think this represents the best, the pinnacle of movies,
Speaker 1: cinema what cinema can Okay, that's really hard. I mean
Speaker 1: it's hard because it's only hard because my obvious answers
Speaker 1: for it are obvious. They're just too boring. And I
Speaker 1: don't like a boring answer. I would like to have, like,
Speaker 1: come up something more interesting. But you know, the Godfather,
Speaker 1: Godfather Part two, like you know, but which which when
Speaker 1: you're pressing me on that probably too and I'm not
Speaker 1: even sure I'm stuck on I mean, I could go
Speaker 1: to Shining for this. That's an incredible example of Yeah,
Speaker 1: let me do that because Godfather is just too boring.
Speaker 1: Good Fellows or Godfather seem like an obvious thing to me,
Speaker 1: but I think good Fellers is more the correct answer. Yeah, well,
Speaker 1: that's interesting. I mean, they're both. I put them both
Speaker 1: up there for different reasons. But the reason that I'm
Speaker 1: struggling is because I'm not getting a chance to mention
Speaker 1: my favorite director of all because it's not coming under
Speaker 1: any of this. This is the one where I want
Speaker 1: to be able to say something by my favorite director,
Speaker 1: which is David Lynch, and hey, I'm with you, Hey,
Speaker 1: but I just can't. I'm well aware of the fact
Speaker 1: that it's not for everyone. Yeah, but in this category
Speaker 1: you could maybe put the Elephant Man. I don't know,
Speaker 1: that's the one I'd go with. I feel like he
Speaker 1: wasn't quite David Lynch at that point. He was getting there.
Speaker 1: Have you read his semi autobiography, Yes, I mean yeah,
Speaker 1: I'd say he had a walked down a street in
Speaker 1: London and then he was suddenly possessed by the spirit
Speaker 1: of Victorian England. I'd say he was pretty David Lynchstead. Okay,
Speaker 1: I get it, but the things that make him Lynch
Speaker 1: you can't spot them as much in that film as
Speaker 1: you can in later films. Yeah, but then we're getting
Speaker 1: into the like, you know, sticking to this question because
Speaker 1: I think I'll come back to Lynch. I need to.
Speaker 1: I need to crowbar Lynch in somehow. But I just
Speaker 1: feel like this isn't the I'm really stuck between a
Speaker 1: lot of things, because then I would also maybe say
Speaker 1: pick a Mask Brothers film for this one hasn't been
Speaker 1: out before it. I think I want to say duck
Speaker 1: Soup because I just feel like it's so much more
Speaker 1: timeless than anything else that I've been talking about. And
Speaker 1: it doesn't matter if you're eight or eighty, where you're from,
Speaker 1: if you're an alien from another planet, that's something that
Speaker 1: can represent what we do. So let me just having
Speaker 1: gone through all the obvious stuff, let me just randomly
Speaker 1: say duck Soup. Love it great? As what is the
Speaker 1: film you could or have? What's the most times? Again,
Speaker 1: this is why I'm not I could answer tons of
Speaker 1: different things, but I reckon I'm going to go Big Lebowski,
Speaker 1: which is quite an obvious one as well, but it
Speaker 1: it bears repeating, and the reason that it bears repeating
Speaker 1: is that a lot of the joy in it comes
Speaker 1: from repetition. I think a lot of Coen Brothers comedy
Speaker 1: comes from just repeating the same line again and again,
Speaker 1: or the same fitting thing happening again and again and again,
Speaker 1: and it just becomes funny and funnier, which is why
Speaker 1: you can rewatch that film again and again. And on
Speaker 1: a deeper level, this really plays into music as well,
Speaker 1: and hip hop and just making music out of loops,
Speaker 1: and I think there's a whole art in just duplication,
Speaker 1: just repeating stuff, and that really interests me. And you
Speaker 1: really see that in Coen Brothers humor and especially in
Speaker 1: Big Lebowski. So yeah, I think that's the one that
Speaker 1: I would go straight to. But I also want to
Speaker 1: just give honorable shout outs for Ferris Bueller's Day Off,
Speaker 1: which is I could watch that forever and never get bored. Weirdly,
Speaker 1: like gross, point blank, really random one, but I just
Speaker 1: I just always happy. It's one of those things that
Speaker 1: that la confidential, those are two films that I just
Speaker 1: I will always watch and never get bored off, So
Speaker 1: I have to shout those out in that same breath.
Speaker 1: They're films that you've used samples from that sort of
Speaker 1: feel embedded in your head, that now feel like something
Speaker 1: else because you've turned them into something else. I don't
Speaker 1: go back and listen to stuff that I do. As
Speaker 1: soon as I've made it, I never listen to it
Speaker 1: again because I would just I can only hear the
Speaker 1: problems with it, and nothing's ever perfect. So you have
Speaker 1: to kind of when you're making stuff, you make a
Speaker 1: cut off point. You're like, I stopped here because otherwise
Speaker 1: that way licensanity, you know, So once it's done, is
Speaker 1: your kind of point settling pains? Or is it because
Speaker 1: you have genuine deadlow it's self imposed and it's also
Speaker 1: probably way too early. Like I'm of the school of like,
Speaker 1: just get the idea out in a messy way and
Speaker 1: then move on. So sometimes I actually need other people
Speaker 1: around me to say, no, hang on, can you just
Speaker 1: refine this a little bit so it it's not a
Speaker 1: complete shocking mess. So I do. Yeah, I like to
Speaker 1: just get the idea out, move on, and then never
Speaker 1: listen to it again. That's the way to do stuff.
Speaker 1: So if I have sample movies that stuff isn't I'm
Speaker 1: not constantly exposed to it. Interesting, this will makes sense
Speaker 1: to me. Good. I don't watch stuff, and I do
Speaker 1: love listen. I'm a huge comedy of repetition guy. When
Speaker 1: I wrote with Kevin Tate, I mean our favorite thing
Speaker 1: was just Nan saying one word repeatedly and seeing we
Speaker 1: could get it to say. I mean, that's just when
Speaker 1: we did the live show, she said I'm dead dead,
Speaker 1: I'm dead dead, having managed to street out before. I mean,
Speaker 1: it seems a pretty based level of humor, but I
Speaker 1: love it, just just repeating something again and again and again.
Speaker 1: Did you see any of Natasha and Ellie's comedy thing on?
Speaker 1: So I'm just thinking about the bit when they do
Speaker 1: the kind of daytime cookery show and they're applauding the
Speaker 1: just goes on and on and on, just applauding this
Speaker 1: really kind of ridge looking salmon meal. Yeah it's a minute.
Speaker 1: I really lie enough that too, really really spots. Don't
Speaker 1: like to be negative, do it quick? What's the worst
Speaker 1: film you've ever seen? The Shadow starring Alec Baldwin just good.
Speaker 1: It's just the one I remember hating in the cinema
Speaker 1: the most. But I think there was like this period
Speaker 1: of superhero movies before Marvel, like early nineties, where they
Speaker 1: just hadn't quite got the superhero thing down yet. And
Speaker 1: also in that era was the Rocket here and Dick Tracy. Well,
Speaker 1: you seem to like all these bills for me, Like
Speaker 1: I just I remember saying at one point I hate
Speaker 1: superhero movies, and it took Iron Man and everything onwards
Speaker 1: to change my mind about that. Dick Tracy is great.
Speaker 1: I mean I haven't seen it in years. That's it
Speaker 1: doesn't stand the standard test of time. Maybe it could be.
Speaker 1: It does have an iced teas on it, so it
Speaker 1: gets a point for that. Yeah, I loved that film.
Speaker 1: Maybe don't know that. I'm scared to watch it. You're
Speaker 1: you're you're funny, you do funny stuff. What's the film
Speaker 1: that made you laugh the most? Mister djo Oh brother
Speaker 1: where art? Now? You loved Brother Love David Lynch and
Speaker 1: the cod Brothers those are the two. But oh brother,
Speaker 1: where Art? Just Yeah, it's just the it's the way
Speaker 1: the way the words work in it. You know, there's
Speaker 1: just so many quotables and everyone plays their part perfectly.
Speaker 1: It's just to me. That's I absolutely love that. That's
Speaker 1: my idea of funny, very nice, very nice. Can I
Speaker 1: argue with bit mister Djo, you've been excellent. However, you're
Speaker 1: on a train when your way to a gig. There
Speaker 1: were six hundred people on the train. Could have been
Speaker 1: just you, but you decided to bring six people strangers,
Speaker 1: random strangers you brought along. And meanwhile, Bruce Willis was
Speaker 1: fighting a man in a helicopter and there are two
Speaker 1: men in the helicopter. He was wrestling a drawing the helicopter.
Speaker 1: He jumped out. It's fine, he landed softly, but the
Speaker 1: helicopter headed towards the train, crashed directly into the train.
Speaker 1: The whole thing exploded in a massive fireball. To be fair,
Speaker 1: it looks quite cool, but when you think about it,
Speaker 1: A tragic lass of seven eight nine lives apologized walking past.
Speaker 1: I was walking past looking for Bruce Whitnis because I
Speaker 1: was had a pilgrimage. And then see this massive explosion.
Speaker 1: I go, Bruce must have been here. And I walk
Speaker 1: past and go, oh, hang on a second, that looks
Speaker 1: like DJ Yoda ash and I come over, You're an
Speaker 1: absolute state. You're embedded in part of the chair. I
Speaker 1: have to get a drill. I have to pull the
Speaker 1: chair out, and they have to smash you up with
Speaker 1: a sledgehammer to get bits off you are anyway, you're
Speaker 1: a mess. I get what I can. I stuff it
Speaker 1: in the coffin that I brought with me. You know
Speaker 1: what I'm like. And coffin's absolutely full. It's full of
Speaker 1: metal and bits of you and bits of train and
Speaker 1: a helicopters. Way too graph anyway the way whoa, it's
Speaker 1: your choice. Anyway, you're in the comic. There's only enough
Speaker 1: for room. There's not much for him. There's only enough
Speaker 1: that I can slide one DVD into the side with
Speaker 1: you to take across to the other side. And when
Speaker 1: you're there, it's Maybe night every night. What film are
Speaker 1: you taking to show the American breakfast cereals when it
Speaker 1: is your Maybe night, mister DJ Yoda, that's Twin Peaks,
Speaker 1: fire Walk with Me? Yes, David Lynch, Let's do it
Speaker 1: scary the people of Heaven? One film A. Why is
Speaker 1: David Lynch? Just everything he says the coolest thing that
Speaker 1: you've ever heard anyone say? Because he's the greatest, It's
Speaker 1: the best, He's just it, just lives it like you're
Speaker 1: a Buddhist. Tell me this Joda. Is there anything that
Speaker 1: people should look out for watch for, get tickets for
Speaker 1: go to in the coming months. I am about to
Speaker 1: release my fifth album comes out in November eighteenth, and
Speaker 1: it's called prom Night and a lot of work has
Speaker 1: gone into this, so I'm excited to release it. And
Speaker 1: will you never listen to it again? No answer the
Speaker 1: next question, I'm already onto the next one. Cool And
Speaker 1: was this a project which you had an arbitrary deadline
Speaker 1: you gave yourself and then someone said you should do
Speaker 1: a bit more worthily or did you go that's it
Speaker 1: is that I just made the call on this one myself.
Speaker 1: I reached a point where I was happy and I'm
Speaker 1: very proud of this project, very exciting. Okay, thank you
Speaker 1: for this. I've really enjoyed it an me too. Thank
Speaker 1: you for your time. Have a wonderful death. Look forward
Speaker 1: to your album and listening to it posthumously. Good words
Speaker 1: end on. Thank you, Brat, Good day to you, sir.
Speaker 1: So that was episode two hundred and twenty four. Head
Speaker 1: over to the Patreon at patreon dot com, Forward Slashbreak,
Speaker 1: obsting for the extra twenty minutes of chat, secrets and
Speaker 1: video with DJDA, head to Apple Podcast. Give us a
Speaker 1: five star rating. But right about the film that means
Speaker 1: the most to you and why it's a lovely thing
Speaker 1: to read, and my neighbor more fucking loves it when
Speaker 1: you do that. So thank you, Thank you for everyone
Speaker 1: who's listening. I hope you're all well. Thank you to
Speaker 1: Dj Yoda for giving me his time. Thank you to
Speaker 1: scrubys Pit and the Distraction Pieces Network. Thanks to Buddy
Speaker 1: Piece for producing it. Thanks to ACAS for hosting it.
Speaker 1: Thanks to Adam Richardson for the graphics and least a
Speaker 1: lad them for the photography. Come and join me next week.
Speaker 1: We got a good one next week. Oh my god,
Speaker 1: you're gonna love it. We got Chloe Pets next week.
Speaker 1: Oh yeah, that's right, Chloe Pets is on next week.
Speaker 1: You're gonna love it. So I very much hope you're
Speaker 1: all well. And that is it for now. In the meantime,
Speaker 1: have a lovely week, and please, now more than ever,
Speaker 1: be excellent to each other. It was acrust. Embody was untrust.
Speaker 1: It was accustombody that he was accustom