WEBVTT - 6 | Keep Thy Heart

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<v Speaker 1>I Heeart three D audio.

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<v Speaker 2>For fall exposure. Listen with that phones.

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<v Speaker 3>Havoc Town is a production of iHeart Podcasts and Grimm

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<v Speaker 3>and Mild from Aaron Mankey Headphones recommended. Listener discretion advised.

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<v Speaker 2>See here's the October eighteen seventeen. Have sent the boys

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<v Speaker 2>to stay with my sister in Concord. I hadn't the

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<v Speaker 2>heart to tell them of their father's dire situation. Noah

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<v Speaker 2>bore her departure with a sort of grim stoicism that

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<v Speaker 2>he's never shown. Is the fever taking root? Who was

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<v Speaker 2>he putting on a brief face? I do not know.

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<v Speaker 2>He became agitated last night, threw a plate against the mantle.

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<v Speaker 2>His rage seemed to shadder along with it, and when

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<v Speaker 2>he turned to me to apologize, his eyes were filled

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<v Speaker 2>with bloody tears. Assume we will have to bind him

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<v Speaker 2>to the bed with that of the ropes. Soon, Father

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<v Speaker 2>Abbis will begin in Vain, his fight against the devil.

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<v Speaker 2>I will be there. I will be there until the

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<v Speaker 2>bitter end.

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<v Speaker 1>I don't know about you, but I could use a

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<v Speaker 1>series of drinks.

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<v Speaker 4>Better get to it, then?

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<v Speaker 5>Hold up?

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<v Speaker 4>What look it is?

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<v Speaker 2>Coming out of the old bell knap hotel with what

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<v Speaker 2>looks like a wheeltor Hey, say.

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<v Speaker 1>Too, I know he's coming over.

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<v Speaker 6>Hello ladies, Jerry.

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<v Speaker 1>Hi, what you doing at the abandoned hotel?

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<v Speaker 6>Well?

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<v Speaker 7>I was, yeah, I was just giving it a once over.

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<v Speaker 7>It's a lovely old building, isn't it. That would be

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<v Speaker 7>such a shame just to see it brought away.

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<v Speaker 4>I think, Oh, are you considering buying it?

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<v Speaker 7>Well, I think that a working hotel would fit in

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<v Speaker 7>nicely with the Havoc entertainment district. The well the Tanneris

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<v Speaker 7>and factories of my forebears feel a little how shall

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<v Speaker 7>one put it outdated?

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<v Speaker 6>Yeah?

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<v Speaker 7>If I'm going to do something with them, it wouldn't

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<v Speaker 7>be to open the back up for their intended purposes.

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<v Speaker 1>Yes, do go on?

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<v Speaker 7>Well, uh, imagine a regional hub for entertainment. I'm working

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<v Speaker 7>with the state government to loosen laws on gambon. So

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<v Speaker 7>a casino a casino, among other things, but a casino

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<v Speaker 7>as an anchor could attract a massive amount of tourism

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<v Speaker 7>to this region and to this town in particular.

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<v Speaker 4>That's pretty ambitious.

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<v Speaker 7>Well, I'm an ambitious guy.

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<v Speaker 6>What do you what are you reading?

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<v Speaker 4>Oh? Oh, nothing at all? History or which history it's

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<v Speaker 4>not important.

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<v Speaker 7>Come on, let me see.

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<v Speaker 1>Yeah, it's some spicy stuff.

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<v Speaker 7>Turns out I'm familiar with the spies. At any rate,

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<v Speaker 7>I'm late for a conference call. It was nice to

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<v Speaker 7>see you both, lovely surprise in an otherwise.

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<v Speaker 1>Dull vey, The pleasure is all ours.

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<v Speaker 4>Tomorrow night, tomorrow night.

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<v Speaker 7>Well, have a good afternoon.

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<v Speaker 1>Does he have to be rich and good looking?

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<v Speaker 4>Booze, booze?

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<v Speaker 1>I think this town could use a nice injection of energy.

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<v Speaker 1>Imagine the business from a working hotel right across the street.

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<v Speaker 4>No, it would be a bump.

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<v Speaker 1>But back to the important stuff.

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<v Speaker 4>Murder, ah, murder.

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<v Speaker 1>This must be super weird for you.

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<v Speaker 6>Huh.

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<v Speaker 1>Finally getting the inside scoop on the old family lore.

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<v Speaker 4>I mean, I knew it was messed up, but this

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<v Speaker 4>is really something else.

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<v Speaker 8>Yeah.

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<v Speaker 4>Also not thrilled about the current parallels I'm seeing with

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<v Speaker 4>their blood fever.

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<v Speaker 1>Yeah, that is troubling, double trouble.

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<v Speaker 4>Oh, filler up that a girl. I wonder how Jimbo's doing.

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<v Speaker 4>I need to call Barbara to check in. He was

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<v Speaker 4>not well when we saw him last.

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<v Speaker 1>I'm sure he'll pull through. He's a tough old bird.

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<v Speaker 6>Yeah.

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<v Speaker 4>Still, how much of that diaries left. We're getting to

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<v Speaker 4>the end of Demarus's bit. Looks like.

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<v Speaker 1>Jesus they brought the whole cavalry.

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<v Speaker 4>That's foreboding.

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<v Speaker 1>Yeah, it's probably nothing to courage.

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<v Speaker 4>Courage. WHOA, why did you shoot it?

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<v Speaker 1>I thought we were shooting it.

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<v Speaker 4>No, I'm not shooting a rocks glass full of whiskey, coward.

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<v Speaker 4>Do you want me to keep reading? Yeah?

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<v Speaker 1>And for a penny and for a bound.

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<v Speaker 4>Okay, okay, go it. The ninth of October eighteen seventeen.

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<v Speaker 2>Last night, with Noah's permission, we bound him and foot

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<v Speaker 2>to the bed with heavy rope. He has been fever

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<v Speaker 2>since the evening, the sweat pouring from him in heavy

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<v Speaker 2>red streams that steamed the bedclothes and the mattress beneath.

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<v Speaker 2>Josiah Praise. I do my best to keep them fed,

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<v Speaker 2>to put the cup to Noah's mouth. When he cries

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<v Speaker 2>out in thirst, I wipe his brow with cool cloths

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<v Speaker 2>from his sore muscles. Josiah Praise. In the middle of

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<v Speaker 2>the night, Noah screamed out for me to release him.

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<v Speaker 2>He called me any number of horrible names, cursed my

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<v Speaker 2>soul to hell for keeping him. Died down and then,

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<v Speaker 2>as if nothing had happened, he calmly asked after the

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<v Speaker 2>boys and throughout all, Josiah.

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<v Speaker 6>Praise our Father, who art in heaven. That would be

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<v Speaker 6>thy name, will be done on earth as it is

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<v Speaker 6>in heaven. Give us this day, our daily bird, and

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<v Speaker 6>forgive us our trespasses. If we forgive those who trespass

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<v Speaker 6>against us, it lead us not into temptation, but deliver.

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<v Speaker 6>What is it?

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<v Speaker 2>He is resting? We need to let him rest. The

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<v Speaker 2>devil does not rest, perhaps, but you need to eat

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<v Speaker 2>to keep up your strength. Come, no, and I prepared him, mirror.

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<v Speaker 2>The devil will still be here when you get back.

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<v Speaker 2>Very well, just a simple porridge. I've boiled water for

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<v Speaker 2>tea as well.

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<v Speaker 6>Yes, thank you, Demrs. Your demeanor tells me you have

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<v Speaker 6>something to say out worthy.

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<v Speaker 2>I will speak plainly.

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<v Speaker 6>Go on.

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<v Speaker 2>Then, this is beyond us. It has been beyond us

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<v Speaker 2>from the start. Perhaps, what do you intend to do?

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<v Speaker 6>I intend to eat and then to return to No aside.

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<v Speaker 2>Are there no more doctors, no science to help you

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<v Speaker 2>combat this?

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<v Speaker 6>Science cannot save it? Now?

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<v Speaker 1>How do you know?

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<v Speaker 6>Dread carefully to me.

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<v Speaker 2>I have dread carefully throughout all of this. I have

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<v Speaker 2>dread carefully since her families fell. I have dread carefully

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<v Speaker 2>on the earth that you have displaced, digging bodies out

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<v Speaker 2>of the church or to defile. And none of it,

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<v Speaker 2>none of your prayers, or your mutilations or madness, have

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<v Speaker 2>even slowed the progress of this vile disease. He stood

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<v Speaker 2>suddenly ho for me, eyes wide with rage and sorrow.

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<v Speaker 2>I was terrified, and yet I stood firm. I have

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<v Speaker 2>tread carefully since the day I crossed the threshold into

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<v Speaker 2>this house and became your daughter in law. I held

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<v Speaker 2>such a deep respect for you, Josiah, a man of

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<v Speaker 2>principle of vision. But now, ah, how your parishioners have

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<v Speaker 2>come to fear you more than they fear the devil.

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<v Speaker 4>Don't you see it?

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<v Speaker 2>They fear you more than the Almighty. They say that

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<v Speaker 2>you've gone bad, and you have father you have.

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<v Speaker 6>Further, will often present this madness to those who refused

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<v Speaker 6>to see God's light. My daughter, we are not judged

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<v Speaker 6>in the end by our easy acts of faith. We

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<v Speaker 6>are judged by our actions, and times such as these

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<v Speaker 6>we need help the Lord's protection. Dare you deign to

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<v Speaker 6>speak for the Lord?

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<v Speaker 2>I do not know what we expected to fight. It

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<v Speaker 2>was not Noah, bright eyed, tears rolling down his face,

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<v Speaker 2>a bittific smile on his lips, through the slinger.

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<v Speaker 8>Block sweat, My son, Oh, my son, you look father.

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<v Speaker 8>I have I seen an angel of the Lord. I

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<v Speaker 8>have instructions Father, for you. Gather amerind and garlic from

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<v Speaker 8>the woods, and with holy water, make a tea and

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<v Speaker 8>bring it to me.

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<v Speaker 6>Yes, yes, of course, demeriuse watch over him.

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<v Speaker 2>Yes I will.

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<v Speaker 6>I shall return shortly.

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<v Speaker 2>And with that he was gone. When I turned back

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<v Speaker 2>to Noah, his demeanor had changed once more. There was

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<v Speaker 2>fear there and something else, resignation. Noah, what is it?

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<v Speaker 8>We must speak quickly, my love. There was no angel,

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<v Speaker 8>There was nothing, But I must speak to you alone.

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<v Speaker 8>Your father has gone mad. You've said as much yourself.

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<v Speaker 2>We need to get you from the house. Then we

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<v Speaker 2>need to hide you somewhere, Oh.

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<v Speaker 8>Darling, No demeris this illness is taking me. It is

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<v Speaker 8>too late to do anything about it. I have been

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<v Speaker 8>gifted this moment of clarity, but it soon will pass

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<v Speaker 8>and I will be lost to this world.

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<v Speaker 4>Noah, it is done.

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<v Speaker 8>It was done when I first was bitten. It is

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<v Speaker 8>a miserable then, but I must face it, Collect the

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<v Speaker 8>boys and run far from this place, far from my father,

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<v Speaker 8>who is lost as well. In his own way. His

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<v Speaker 8>will is great and terrible love, and he will not

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<v Speaker 8>stop this insane battle that he imagines with the devil

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<v Speaker 8>until every timber in every home is consumed. I have

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<v Speaker 8>spent the last few years scratching and saving in secret

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<v Speaker 8>in the sanctuary. There is a loose board in the

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<v Speaker 8>northwest corner, a shade darker from the boards around it.

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<v Speaker 8>I have hidden funds there in a satchel, enough to

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<v Speaker 8>secure travel away and three months living wherever you go.

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<v Speaker 9>I am sorry it was not more.

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<v Speaker 8>Do not return, Do not look back.

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<v Speaker 2>Where did you cat?

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<v Speaker 8>I was going to tell you about this before the

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<v Speaker 8>sickness came to us. Why for us to give you

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<v Speaker 8>the choice to stay or to go with me, to

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<v Speaker 8>live a life away from my father. I was never

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<v Speaker 8>called to the cloth, I was forced towards it by

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<v Speaker 8>his beliefs. I wanted so much to.

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<v Speaker 2>No hear, drink drink.

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<v Speaker 8>We were never to be given a chance to forge

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<v Speaker 8>a life of our own, and so I would steal it.

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<v Speaker 8>But my chance is gone.

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<v Speaker 2>Oh no, I can't just leave you.

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<v Speaker 8>Listen, you are a widow. Now you must take the boys.

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<v Speaker 8>Do you understand this place has become a snare? Do

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<v Speaker 8>not become entrapped. The illness will end us. All promise me,

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<v Speaker 8>Promise me, I promise. Good, darling, good. I love you,

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<v Speaker 8>I love you.

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<v Speaker 2>I read more rich for your father.

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<v Speaker 4>Can you read?

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<v Speaker 6>Please?

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<v Speaker 3>Okay, all right?

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<v Speaker 9>One thing more, demeres?

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<v Speaker 2>What is it? Anything?

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<v Speaker 9>Would you loosen my behinding?

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<v Speaker 2>Something in his eye gave me pause, a twink of mischief.

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<v Speaker 2>When I spoke again, it was with great care.

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<v Speaker 9>Do they hurt ever so much?

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<v Speaker 6>Dear?

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<v Speaker 2>You've had a fits?

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<v Speaker 9>My head is so clear right now, just for a moment.

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<v Speaker 2>I'm sorry.

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<v Speaker 8>No, oh, I understand.

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<v Speaker 2>I shall return momentarily.

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<v Speaker 9>De Marius. Yes, I saw your mother last night.

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<v Speaker 2>That's not funny.

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<v Speaker 9>Noah, Oh, it was not a joke.

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<v Speaker 2>My mother has been dead for many years. Yes, did

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<v Speaker 2>you dream of her?

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<v Speaker 6>No?

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<v Speaker 2>Then, what did you mean?

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<v Speaker 9>I visited Hell last night while you slept. I saw

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<v Speaker 9>her there, half naked, tattered rags hanging from her soot

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<v Speaker 9>from the fire that took her, covering the whole of

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<v Speaker 9>her body. But it was unmistakably her. She had your eyes,

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<v Speaker 9>your wild stupid animalies wide with terror as yours are now.

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<v Speaker 9>She was screaming, de Marius, Oh, you never heard such

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<v Speaker 9>a scream. If a living woman were to scream so

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<v Speaker 9>her vocal chords would strain and snap in a cush

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<v Speaker 9>of blood. A mortal scream, the scream of continuous dying

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<v Speaker 9>without the mercy of death. You see, the flame that

0:16:30.880 --> 0:16:34.960
<v Speaker 9>took her did not stop devouring her flesh and death.

0:16:35.520 --> 0:16:40.480
<v Speaker 9>It was continuing on consuming her in great licks, her

0:16:40.520 --> 0:16:46.000
<v Speaker 9>skin peeling and crisping, great blisters of blood and puss

0:16:46.000 --> 0:16:49.920
<v Speaker 9>popping and running down her, further feeding the flame.

0:16:50.880 --> 0:16:53.400
<v Speaker 2>Stop stop you and not yourself.

0:16:54.240 --> 0:16:59.120
<v Speaker 5>I have never been more myself wife as I was

0:16:59.640 --> 0:17:03.360
<v Speaker 5>when she implored me for help, told me that she

0:17:03.400 --> 0:17:08.520
<v Speaker 5>would do anything, anything for me to lessen her torment.

0:17:11.480 --> 0:17:15.439
<v Speaker 5>She begged for me to lend my moisture to still

0:17:15.600 --> 0:17:19.640
<v Speaker 5>the flames, if only for a moment, spittle.

0:17:20.240 --> 0:17:24.840
<v Speaker 9>Piss anything, wife.

0:17:25.320 --> 0:17:27.360
<v Speaker 2>You two have taken to medis.

0:17:27.800 --> 0:17:31.960
<v Speaker 9>But I would piss upon her, not to lessen her agony,

0:17:32.440 --> 0:17:33.879
<v Speaker 9>for I was enjoying it.

0:17:34.000 --> 0:17:38.320
<v Speaker 5>So it quickened the blood in tens and oh.

0:17:37.960 --> 0:17:42.400
<v Speaker 9>How I fantasized watching her about how I would inflict

0:17:42.720 --> 0:17:48.480
<v Speaker 9>these agonies upon her daughter. How I would light my

0:17:48.640 --> 0:17:55.680
<v Speaker 9>pathetic wife, my father, my muling stinking children alight on

0:17:55.840 --> 0:17:59.960
<v Speaker 9>a great fire and feast on their burnt flat.

0:18:00.040 --> 0:18:11.480
<v Speaker 10>Yes, my darling wife seems to have had quite enough.

0:18:13.520 --> 0:18:16.879
<v Speaker 9>If you want to silence your husband, you will have

0:18:16.920 --> 0:18:20.399
<v Speaker 9>to use more force when you next bring down the

0:18:20.480 --> 0:18:22.040
<v Speaker 9>picture upon my face.

0:18:24.200 --> 0:18:27.119
<v Speaker 4>Not my husband.

0:18:27.200 --> 0:18:27.960
<v Speaker 2>My husband is.

0:18:27.960 --> 0:18:33.399
<v Speaker 10>Dead, yes, and he burns in hell with your whole mother.

0:18:34.480 --> 0:18:35.040
<v Speaker 6>What is this?

0:18:35.720 --> 0:18:41.080
<v Speaker 10>Ah ah? A mad preacher has returned to quite.

0:18:41.200 --> 0:18:46.200
<v Speaker 9>The familial scene. And what's this in your hands? This

0:18:46.240 --> 0:18:50.280
<v Speaker 9>isn't the holy water and herbs I asked for. If

0:18:50.320 --> 0:18:54.200
<v Speaker 9>I didn't know better, I'd say that case contained.

0:18:53.720 --> 0:18:55.960
<v Speaker 10>A cure far more final.

0:18:56.680 --> 0:19:02.439
<v Speaker 6>He's not himself, Yes, I see what These are the

0:19:02.520 --> 0:19:06.840
<v Speaker 6>tools of the Lord's marshal. Yes, the crucifix.

0:19:07.600 --> 0:19:10.399
<v Speaker 9>I shake with the holy terror.

0:19:10.560 --> 0:19:11.760
<v Speaker 2>What are you going to do? Father?

0:19:11.920 --> 0:19:16.200
<v Speaker 6>Stand aside to me? Isn't our hands now? You can't?

0:19:16.440 --> 0:19:20.400
<v Speaker 6>Our father are in heaven? Here we go? Hollow would

0:19:20.440 --> 0:19:21.120
<v Speaker 6>be thy name?

0:19:21.720 --> 0:19:24.040
<v Speaker 1>He is mad, just like kingdom.

0:19:24.119 --> 0:19:26.840
<v Speaker 11>Come, I will be done on earth as it is

0:19:26.880 --> 0:19:31.720
<v Speaker 11>in heaven. Because this day let us look for trespasses

0:19:31.920 --> 0:19:35.439
<v Speaker 11>weeping and those trespass against us, and lead us out

0:19:35.440 --> 0:19:39.119
<v Speaker 11>to the temptation, but delivers for mevill bell is the

0:19:39.240 --> 0:19:42.480
<v Speaker 11>kingdom and the power and the glory forever and ever.

0:19:43.040 --> 0:19:46.120
<v Speaker 2>He placed the cross down beside Noah and reached into

0:19:46.119 --> 0:19:49.239
<v Speaker 2>the bag, pulling forth the great ashwood steak that had

0:19:49.280 --> 0:19:51.400
<v Speaker 2>become the symbol of his mad belief.

0:19:52.680 --> 0:19:54.920
<v Speaker 10>Way, whatever will he do with that?

0:19:55.280 --> 0:19:59.560
<v Speaker 2>He raised it above his head to Meris, how could

0:19:59.560 --> 0:19:59.920
<v Speaker 2>you allow?

0:20:00.040 --> 0:20:02.960
<v Speaker 6>Yes, father, please.

0:20:03.359 --> 0:20:09.920
<v Speaker 2>Demaris, and brought it down into Noah's heart.

0:20:11.000 --> 0:20:20.280
<v Speaker 9>No, I suppose I'll see you both in hell.

0:20:21.600 --> 0:20:30.040
<v Speaker 6>Mm hmm ah ahmen.

0:20:32.119 --> 0:20:53.560
<v Speaker 2>And with that my life ended. Jesus, Jesus, I mean,

0:20:53.600 --> 0:20:55.439
<v Speaker 2>I don't know.

0:20:55.920 --> 0:20:58.359
<v Speaker 4>I don't know what to say that me neither.

0:20:59.840 --> 0:21:01.800
<v Speaker 1>I'm afraid to ask if there's more.

0:21:03.680 --> 0:21:08.359
<v Speaker 4>There looks to be one more entry. It's shorter, but uh,

0:21:08.800 --> 0:21:11.840
<v Speaker 4>I think I need a minute to absorb that.

0:21:12.880 --> 0:21:16.920
<v Speaker 1>Fair enough, cheers?

0:21:20.160 --> 0:21:21.880
<v Speaker 4>Maybe we should grab a bite to eat.

0:21:22.680 --> 0:21:26.280
<v Speaker 1>Yeah, yeah, yeah, I could order a pizza from Remones

0:21:27.760 --> 0:21:28.680
<v Speaker 1>no Onion's.

0:21:28.359 --> 0:21:34.639
<v Speaker 4>Right, Yeah, I'll need anything else at it. What the

0:21:34.800 --> 0:21:36.400
<v Speaker 4>hell is happening out there?

0:21:37.160 --> 0:21:37.720
<v Speaker 2>I don't know.

0:21:39.000 --> 0:21:44.480
<v Speaker 4>Huhm. Hey, there's half a dozen emergency vehicles, there's fire trucks, cops.

0:21:45.720 --> 0:21:47.800
<v Speaker 1>You want to check it out?

0:21:49.560 --> 0:21:50.359
<v Speaker 2>How can I help you.

0:21:50.640 --> 0:21:57.639
<v Speaker 1>I'll call you back. Come on, let's be tacky.

0:22:01.160 --> 0:22:02.320
<v Speaker 4>I hope everyone's okay.

0:22:02.760 --> 0:22:05.159
<v Speaker 1>I don't know. Maybe it's what we've been reading, but

0:22:05.240 --> 0:22:10.800
<v Speaker 1>I feel real dread. Yes, I'm sure it's nothing as

0:22:10.840 --> 0:22:13.920
<v Speaker 1>operatic as Noah's death, right.

0:22:14.480 --> 0:22:16.680
<v Speaker 4>I mean, we just had an axe murderer out here

0:22:16.880 --> 0:22:17.399
<v Speaker 4>last week.

0:22:17.840 --> 0:22:23.439
<v Speaker 1>Good point, Hey Bill, what's going on? I heard Old

0:22:23.480 --> 0:22:25.240
<v Speaker 1>Tom Stabanow's places on fire.

0:22:25.359 --> 0:22:27.120
<v Speaker 4>Oh my god, is he there?

0:22:27.520 --> 0:22:28.080
<v Speaker 6>I don't know.

0:22:28.440 --> 0:22:30.240
<v Speaker 1>Oh, come on, he's like two streets over.

0:22:32.000 --> 0:22:35.240
<v Speaker 4>We moved quickly, with the group all streaming out of

0:22:35.240 --> 0:22:38.840
<v Speaker 4>their homes and main street restaurants from the courthouse, where

0:22:38.840 --> 0:22:42.320
<v Speaker 4>the last of the day's business had just concluded, everyone

0:22:42.480 --> 0:22:46.280
<v Speaker 4>racing toward the great fire at Tom's. We rounded the

0:22:46.280 --> 0:22:49.400
<v Speaker 4>corner to find his house, an old saltbox style all

0:22:49.480 --> 0:22:53.000
<v Speaker 4>timber from two hundred years ago, up in flames. The

0:22:53.080 --> 0:22:56.080
<v Speaker 4>hoses were blasting water into the home trying to put

0:22:56.119 --> 0:22:57.480
<v Speaker 4>it out, when suddenly.

0:22:57.480 --> 0:22:59.480
<v Speaker 1>Oh my god, he's in there.

0:23:00.400 --> 0:23:04.240
<v Speaker 4>There stood old Tom Stabina in the top floor window,

0:23:05.000 --> 0:23:10.399
<v Speaker 4>naked and covered in soot, his hair singed off what

0:23:10.560 --> 0:23:15.359
<v Speaker 4>flesh you could still see sean a horrible bloody red

0:23:16.920 --> 0:23:20.719
<v Speaker 4>and then he's gotta gown. With an old hunting rifle,

0:23:20.760 --> 0:23:22.879
<v Speaker 4>he opened fire on the crowd.

0:23:23.480 --> 0:23:25.440
<v Speaker 10>Everybody down, down.

0:23:26.800 --> 0:23:30.800
<v Speaker 4>Everything happened in a horrible, bloody mess, people diving for

0:23:30.920 --> 0:23:34.680
<v Speaker 4>cover everywhere as Old Tom raved and shot. The fire

0:23:34.720 --> 0:23:38.560
<v Speaker 4>host suddenly unattended, wildly flying through the air, blasting water

0:23:38.640 --> 0:23:44.480
<v Speaker 4>in all directions, returned fire, and Tom disappearing back into

0:23:44.520 --> 0:23:48.400
<v Speaker 4>the window in a fine mist of pink.

0:23:48.840 --> 0:23:50.080
<v Speaker 6>Clear clear.

0:23:51.840 --> 0:23:52.560
<v Speaker 9>Is anyone hit?

0:23:52.840 --> 0:23:53.920
<v Speaker 6>Is any one hit?

0:23:54.400 --> 0:23:54.920
<v Speaker 4>Sylvie?

0:23:55.800 --> 0:23:58.400
<v Speaker 1>I'm okay, we need to get out of here.

0:23:58.760 --> 0:24:05.600
<v Speaker 4>Yeah, it was a blur. Everything felt abstract and far off.

0:24:06.400 --> 0:24:09.120
<v Speaker 4>The second time and under a month that we were

0:24:09.160 --> 0:24:14.560
<v Speaker 4>processing the horror of this violence. We held hands as

0:24:14.600 --> 0:24:18.600
<v Speaker 4>we ran away through the throngs, Sylvie's hand sweaty and

0:24:19.119 --> 0:24:22.439
<v Speaker 4>solid in my own, the only real thing in a

0:24:22.440 --> 0:24:27.280
<v Speaker 4>world that was fast becoming meaningless. And then we were

0:24:27.320 --> 0:24:36.040
<v Speaker 4>safe home at the bar, and shock in the familiar quiet.

0:24:39.520 --> 0:24:44.119
<v Speaker 2>My god, Tom, what the hell is happening?

0:24:44.160 --> 0:24:44.440
<v Speaker 4>Grid?

0:24:44.720 --> 0:24:49.040
<v Speaker 12>I think something big is coming, big, bigger than this.

0:24:49.880 --> 0:24:53.159
<v Speaker 12>I don't know, I don't know. It's a feeling, you know, dread,

0:24:53.440 --> 0:24:56.200
<v Speaker 12>just massive dread.

0:24:57.040 --> 0:24:58.400
<v Speaker 2>Tom's dead.

0:24:58.720 --> 0:25:01.159
<v Speaker 1>He's dead. He is a real piece of work. But

0:25:01.240 --> 0:25:05.399
<v Speaker 1>now he's dead. Did you see him up there? He

0:25:05.480 --> 0:25:06.159
<v Speaker 1>was insane.

0:25:06.840 --> 0:25:09.640
<v Speaker 4>It's the same look I saw in Jimbo's eyes after

0:25:09.680 --> 0:25:12.840
<v Speaker 4>the funeral when he attacked Ken. It was the look

0:25:12.840 --> 0:25:15.800
<v Speaker 4>in Bachman's eyes when he came at me with the axe.

0:25:16.720 --> 0:25:18.040
<v Speaker 2>It's what Demeras wrote about.

0:25:20.480 --> 0:25:25.760
<v Speaker 4>You said there was more, Yeah, there was another entry.

0:25:26.400 --> 0:25:29.320
<v Speaker 1>You think it'll tell us how to deal with salt this.

0:25:30.160 --> 0:25:33.800
<v Speaker 4>I mean, I can't imagine, barn Please we.

0:25:33.960 --> 0:25:36.040
<v Speaker 1>Just please please?

0:25:38.920 --> 0:25:50.080
<v Speaker 4>Huh what what it's just a paragraph? Well, uh, Josiah

0:25:50.119 --> 0:25:52.879
<v Speaker 4>has gone up the hill. He has the steak. He

0:25:53.040 --> 0:25:55.640
<v Speaker 4>is going after a Havoc. He is mad. I will

0:25:55.680 --> 0:26:02.760
<v Speaker 4>stop him, and then that's all. That's all she wrote.

0:26:02.840 --> 0:26:07.240
<v Speaker 4>I mean, the book itself goes on. After this entry

0:26:07.240 --> 0:26:10.159
<v Speaker 4>occurred the murder of Sophia Havoc at the Havoc estate.

0:26:10.600 --> 0:26:13.040
<v Speaker 4>The diary was found in the church soon after the

0:26:13.119 --> 0:26:16.520
<v Speaker 4>murder's pages torn out of the back. Josiah himself was

0:26:16.600 --> 0:26:22.880
<v Speaker 4>found in the sanctuary, hanging from the rafters of the rectory. Rush.

0:26:24.840 --> 0:26:27.280
<v Speaker 4>It looks like here, it looks like there's more about

0:26:27.320 --> 0:26:31.320
<v Speaker 4>the illness and the aftermath in the next chapter. But

0:26:32.320 --> 0:26:35.760
<v Speaker 4>oh god, Sylvie, I have to stop for now.

0:26:36.080 --> 0:26:39.040
<v Speaker 1>Yeah, I understand, it's all too much.

0:26:40.520 --> 0:26:44.480
<v Speaker 2>I don't think I can pross this anymore today.

0:26:45.320 --> 0:26:50.040
<v Speaker 4>But who's given the choice to fully disengage? As we

0:26:50.080 --> 0:26:54.920
<v Speaker 4>sat there, shells shocked, we saw the first military vehicles

0:26:55.000 --> 0:27:01.439
<v Speaker 4>roll into town, alongside numerous black SUVs. Become familiar with

0:27:01.480 --> 0:27:04.960
<v Speaker 4>those sites over the coming days. I should have been

0:27:04.960 --> 0:27:11.280
<v Speaker 4>relieved as they passed by the cavalry, but that feeling

0:27:11.640 --> 0:27:16.280
<v Speaker 4>in my gut, the dread, it only deepened.

0:27:24.200 --> 0:27:25.040
<v Speaker 1>Should I get it?

0:27:25.560 --> 0:27:35.919
<v Speaker 4>It can't be good news, You just can't might it.

0:27:36.000 --> 0:27:49.120
<v Speaker 3>Ring Havoctown was created by me Aaron Mankey. The show

0:27:49.200 --> 0:27:53.119
<v Speaker 3>was written and directed by Nicholas Takowski. This episode was

0:27:53.240 --> 0:27:57.720
<v Speaker 3>edited and sound designed by Rima lk Ali, starring Jewels

0:27:57.760 --> 0:28:02.480
<v Speaker 3>State as Corene Avis, James Kallus as Jerry Havoc, Felicia

0:28:02.560 --> 0:28:07.360
<v Speaker 3>Day as Sylvie, Harris, Ray Wise as Josiah Abbas, Crystal

0:28:07.480 --> 0:28:12.240
<v Speaker 3>Lee as Demeris, Daniel Ernesto A known as Noah Abbas,

0:28:12.280 --> 0:28:17.240
<v Speaker 3>with additional voice acting from David Caprita, Dick Terhun, Beverly

0:28:17.280 --> 0:28:21.959
<v Speaker 3>Bremer's David Davrees, and Aaron Mankey. This season is directed

0:28:22.000 --> 0:28:26.520
<v Speaker 3>by Nicholas Takoski, with assistant directors Sarah Klein and Jake Diamond,

0:28:26.800 --> 0:28:31.480
<v Speaker 3>casting by Sunday Bowling CSA and Meg Mormon CSA. Production

0:28:31.600 --> 0:28:36.000
<v Speaker 3>coordinator Wayna Calderon. Our theme song was created by Chris

0:28:36.119 --> 0:28:40.640
<v Speaker 3>Childs executive producers Aaron Mankey, Trevor Young, and Matt Frederick,

0:28:40.720 --> 0:28:45.320
<v Speaker 3>with supervising producer Rima Lkali and producers Nomes Griffin and

0:28:45.440 --> 0:28:49.240
<v Speaker 3>Jesse Funk. Havoctown is set in the Bridgewater Audio Universe,

0:28:49.280 --> 0:28:53.720
<v Speaker 3>which includes the hit fiction podcasts Bridgewater and Consumed. Learn

0:28:53.760 --> 0:28:57.520
<v Speaker 3>more about both shows, as well as Havoctown at grimandmild

0:28:57.680 --> 0:29:01.520
<v Speaker 3>dot com, and find more podcasts from iHeartRadio by visiting

0:29:01.520 --> 0:29:05.160
<v Speaker 3>the iHeartRadio app, Apple Podcasts, or wherever you listen to

0:29:05.200 --> 0:29:06.160
<v Speaker 3>your favorite shows.