WEBVTT - S2E6 - Iron Sisters

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<v Speaker 1>Well, good morning, afternoon, dum. It is often for me.

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<v Speaker 1>I know, it's tricky, isn't it. At the time difference,

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<v Speaker 1>It's like, I don't know why it can't just be

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<v Speaker 1>the same time. Everybody doesn't make any sense, I know, right,

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<v Speaker 1>especially with daylight savings time, it's just all over the place.

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<v Speaker 1>Who knows. I can't even did we go back, we

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<v Speaker 1>went forward? I think you went back, but you went

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<v Speaker 1>back like a few days after we did over here,

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<v Speaker 1>and so it's just it's all occurdfuffle. It's very confusing,

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<v Speaker 1>very unnecessarily confused. I have a watch upstairs somewhere that

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<v Speaker 1>has the world time on it, so I can adjust

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<v Speaker 1>it and I can see what the time is another

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<v Speaker 1>time zones, which is super useful, but I have to

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<v Speaker 1>keep it in the correct time as well, and if

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<v Speaker 1>I don't do that then it's just useless. So well,

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<v Speaker 1>that's brilliant, yeah, um, speaking of speaking of indeed, what

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<v Speaker 1>are we diving into today? Let's have a little look.

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<v Speaker 1>See it's season two, episode six, entitled The Iron Sisters.

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<v Speaker 1>This this end on My Birthday? O no way that dead? Yeah.

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<v Speaker 1>February six, Written by Alison Reimer, directed by Michael Roll,

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<v Speaker 1>I don't know why I just called him Michael, It

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<v Speaker 1>says Mike. I think we all called him Mike, but

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<v Speaker 1>I just added Michael. Sorry Mike. Directed by Mike Role.

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<v Speaker 1>What are we in forecap? And what are we getting

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<v Speaker 1>into today? Let's see Isabel's secret maybe revealed. Clary and

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<v Speaker 1>Isabel head to the Citadel looking for answers to help

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<v Speaker 1>get answers to what Valentine may be planning. Isabel and

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<v Speaker 1>Clary are sent on a mission to visit the Iron Sisters.

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<v Speaker 1>Once they're more truths may be revealed than Izzy and

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<v Speaker 1>Clary planned. On a mission of their own. Simon and

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<v Speaker 1>Maya are determined to find Luke, who is still missing

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<v Speaker 1>after the demon attack at the Institute. Meanwhile, Magnus and

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<v Speaker 1>Alec finally go on their first date. So much happens,

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<v Speaker 1>so much happens. Wow, So what are you doing in

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<v Speaker 1>this episode? Nothing? I was just thinking that, I guess

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<v Speaker 1>I do nothing this episode. I remember there I we

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<v Speaker 1>did a deleted scene with a Lissa, which was awesome

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<v Speaker 1>because she played Lindsay and we had this whole sort

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<v Speaker 1>of weird flirty scene on camera, which is really good

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<v Speaker 1>fun to do because she's a great actor. But it

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<v Speaker 1>got deleted, so I think I think, LISTA, you're not alone.

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<v Speaker 1>I think both of our scenes got deleted from this

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<v Speaker 1>might be the This might honestly be the episode. And

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<v Speaker 1>me scampoard a little. There's me telling you not to

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<v Speaker 1>do something. I think this is weapons cleaning, I really do.

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<v Speaker 1>I think that's what I do all episode. This is

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<v Speaker 1>a light episode for me, but it's dull, like you

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<v Speaker 1>guys roll off doing stuff like where did you fit?

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<v Speaker 1>We'll get to it, but like you weren't even in Toronto.

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<v Speaker 1>I don't think so. I was just like a week

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<v Speaker 1>and a half to sort of on my own. We well,

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<v Speaker 1>if some of us were, amarand and I were. We

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<v Speaker 1>were at the Castle of north of the city, where

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<v Speaker 1>they also filmed a lot of the X Men movies

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<v Speaker 1>and the Rocky Horror Picture Show remake and a lot

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<v Speaker 1>of other things. It's just this, yeah, and the new

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<v Speaker 1>Gotham Knights on the c W. I think shot there

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<v Speaker 1>a lot. It's a it's this one castle that's up

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<v Speaker 1>sort of up in the kind of fancier part of

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<v Speaker 1>the city, a little bit north of where we lived.

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<v Speaker 1>Interesting I am in this episode, like three, It just

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<v Speaker 1>whis post the whole thing barely in it. Um, so

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<v Speaker 1>we get to admire everyone else's performances, which I'm really

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<v Speaker 1>looking forward to fabulous, insanely jealous that I'm not in

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<v Speaker 1>this episode, but there you are. Oh, here's a here's

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<v Speaker 1>a little book to screen tidbit. So Lisa Barry, who

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<v Speaker 1>we adore from Supernatural and Everything Else, also one of

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<v Speaker 1>the loveliest human beings have come across. She plays Sister Cleophus,

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<v Speaker 1>who in the books, Sister Cleophus is Luke's mother, but

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<v Speaker 1>in this we've made it Luke's sister. I think they

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<v Speaker 1>just like the name clear is better to be honest, Yeah,

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<v Speaker 1>to be honest, and that's entirely fair. What was her

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<v Speaker 1>name in the book? Her name in the book was

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<v Speaker 1>a Matis m also pretty good, also pretty solid. Stattle

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<v Speaker 1>Hunters just have badass names. I gotta say, Yeah, you

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<v Speaker 1>do have good names. Wasn't one of these one of

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<v Speaker 1>these eight? So the episode is playing now, um and

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<v Speaker 1>they're doing the big wire work fight scene. Wasn't one

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<v Speaker 1>of these women pregnant? Am I losing my mind? Or

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<v Speaker 1>was one of these women pregnant when they did this? No?

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<v Speaker 1>I think you're right, but I think it might have

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<v Speaker 1>been one of the stunt doubles. Oh wow. Okay, I

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<v Speaker 1>don't remember, but I remember I remember hearing about that.

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<v Speaker 1>I don't know, but I just remember how excited Darren

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<v Speaker 1>was about this fight scene and about how they planned it.

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<v Speaker 1>Because they had to do the wire I think this

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<v Speaker 1>was one of the first times when we finally had

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<v Speaker 1>our full green screen stage because they had to do

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<v Speaker 1>they couldn't hang the wires in the castle, obviously, because

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<v Speaker 1>it's an old castle and it's you I'm not safe

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<v Speaker 1>to throw people around on it. But they they were

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<v Speaker 1>able to do it on our green screen and then

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<v Speaker 1>transfer that giant stunt with them clashing in the air.

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<v Speaker 1>Because these what what you're seeing here is all these

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<v Speaker 1>women in white robes, and it's a bit it's a

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<v Speaker 1>bit confusing if you don't know. But the Iron Sisters

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<v Speaker 1>are basically like the warrior Nuns of the Shadow World,

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<v Speaker 1>as it were. They create all of our gear and

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<v Speaker 1>garb and our weapons and all that stuff. They commit

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<v Speaker 1>their entire lives to forging Atomus into learning how to

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<v Speaker 1>handle this supernatural medal because it kills demons. It's an

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<v Speaker 1>angelically aligned element. I don't really remember this episode. If

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<v Speaker 1>I'm honest, I'm like, yeah, I'm on. I'm on I

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<v Speaker 1>cor or equal duty throughout this so I get to

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<v Speaker 1>clean messy swords and that's that's it. That's me. Oh

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<v Speaker 1>this is uh, this is the episode as well, whereas

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<v Speaker 1>he's like, hey, Clary, do you want to come on

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<v Speaker 1>mission with me and not you? Jason? Yeah, why don't

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<v Speaker 1>I get taken on this mission because you're on equal duty?

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<v Speaker 1>Oh yeah, that's right, You're still in the doghouse. That's right,

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<v Speaker 1>I'm in the doghouse, remember, And we have our two

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<v Speaker 1>favorite vampires having a conversation. Yep, I forget. Did Simon's

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<v Speaker 1>mom meet Rafael yet it's happening right now. Actually yeah.

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<v Speaker 1>Last episode, Simon told his mom I'm a vampire and

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<v Speaker 1>she laughed and was like, no, it's fine. And then

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<v Speaker 1>Rafael showed up and has 'encantered her and he was, hey,

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<v Speaker 1>I'm your band manager. Ah, that's right. She is great stuff,

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<v Speaker 1>great stuff. The dynamic between these three is always so good,

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<v Speaker 1>Like they have this sort of constant air of like danger,

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<v Speaker 1>like impending doom between the three of them, and they

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<v Speaker 1>managed to make that last for like three seasons, which

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<v Speaker 1>is crazy. Yeah, Well, if you think about it, if

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<v Speaker 1>any of any scenario, the stakes are the highest. They're

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<v Speaker 1>arguably because his mom is human and it's at the

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<v Speaker 1>blink of an eye she could be not human. Yeah,

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<v Speaker 1>steaks pun intended? No, I know, That's what I was

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<v Speaker 1>wondering if you were going to jump onto up with

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<v Speaker 1>that one. And I was like, I'm gonna leave it

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<v Speaker 1>just in case this was an accidental part. You do puns,

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<v Speaker 1>You make puns, make puns. Do puns? Perform puns so

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<v Speaker 1>often that they're now seeping their way into your subconscious

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<v Speaker 1>everyday life. My god, the poor guys on your set.

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<v Speaker 1>How many eight seventies puns have you found? Ah? Very few,

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<v Speaker 1>maybe about five, And I don't remember any of them

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<v Speaker 1>at the moment, but but I've managed to find them.

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<v Speaker 1>I was having a steak dinner once and I went

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<v Speaker 1>like this, I sort of raised the steak above my

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<v Speaker 1>head on the plate and then what are you doing?

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<v Speaker 1>And when I'm raising the steaks, name that. Wow? Did

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<v Speaker 1>it make them laugh or they all tried to kill you? Yet?

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<v Speaker 1>Half laugh? Half grown? Yeah? Okay, cool. Do you have

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<v Speaker 1>someone tasting your water? Like every time someone brings you water?

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<v Speaker 1>Like I don't know it. This was this was a

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<v Speaker 1>heavy pun day. So I think they might try and

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<v Speaker 1>poison me. Nah, not yet. I'm taking my chances. Mhma.

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<v Speaker 1>Good for you. We tried it, just never took. I

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<v Speaker 1>think we accidentally made you immune to a bunch of

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<v Speaker 1>different poisons. She's dealing with the yin fan as well.

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<v Speaker 1>When do we get to the yin fin thing? Wait

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<v Speaker 1>a second, we have alder Tree and Isabelle, so Clary

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<v Speaker 1>isabel how a scene where isabel was checking in and

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<v Speaker 1>being like, hey, are you okay? How you doing? Your

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<v Speaker 1>mom just died? And Claire is going no, I don't care.

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<v Speaker 1>I have to stay on mission, and as he goes

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<v Speaker 1>I can take Alec and Clary kind of snapster and

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<v Speaker 1>says no, Alec isn't the doghouse too. Yeah, you spend

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<v Speaker 1>a lot of time in the doghouse. We now have

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<v Speaker 1>a scene with alder Tree and Isabelle where she goes, hey,

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<v Speaker 1>I'm going on mission. Can I get some more drugs? Please? Yeah? Um?

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<v Speaker 1>He's asking her in return to the infan just by

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<v Speaker 1>on Clary because they're afraid that Clary may also have

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<v Speaker 1>demon blood and planting a seed of doubt, asking me

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<v Speaker 1>to sly On Clary, sply, my god, spy, You're asking

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<v Speaker 1>me to spy on Clary for drugs. That's not ideal.

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<v Speaker 1>It's not not ideal. But Aldo Tree knows his his tactics,

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<v Speaker 1>and Simon's moving back to the boat and he's not wrong.

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<v Speaker 1>I mean, he's wrong for like buying secrets with drugs.

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<v Speaker 1>That's a horrible thing to do. But like the baseline

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<v Speaker 1>of suspicion, he's kind of correct about like I came

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<v Speaker 1>into you my one scene in this episode, I came

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<v Speaker 1>into I'm gonna stop mentioning it probably at no point,

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<v Speaker 1>so just gear up because I'm gonna keep bitching about

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<v Speaker 1>the fact that I'm not in this episode at all.

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<v Speaker 1>I wonder if I kissed someone off. Do you think

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<v Speaker 1>I pissed someone up? Like I made someone cross at

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<v Speaker 1>me and like one of the writers maybe or someone

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<v Speaker 1>and they were like, funck, Jason, he's going to clean

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<v Speaker 1>swords and that's it. I don't think so. Not Alison,

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<v Speaker 1>at least, because Allison wrote this episode. It seemed very sweetheart.

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<v Speaker 1>I'm sorry if I Alison, and that's why this episode

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<v Speaker 1>I apologize. Six years later, I apologize. Um, oh, it's

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<v Speaker 1>it just keeps going. I need like a like a

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<v Speaker 1>clicker to pause it when I stopped paying attention, or

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<v Speaker 1>like I feel like Samsung came up with an idea

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<v Speaker 1>a while ago that if your if your eyes drifted

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<v Speaker 1>off the screen, it would it would stop playing, or

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<v Speaker 1>you could like scroll with your eyes it would see

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<v Speaker 1>when your eyes got to the bottom or whatever. And

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<v Speaker 1>it never really took off, or maybe it did have Samsung.

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<v Speaker 1>I don't know, Um one of that is relevant to

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<v Speaker 1>the podcast. That's just where my head is at. I've

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<v Speaker 1>had too much coffee and that's where I'm at. Hey, listen,

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<v Speaker 1>I've had multiple cans of this today, so I'm just no,

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<v Speaker 1>it's Celsius White Claude, not in the morning. He came

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<v Speaker 1>half work in an hour, I listen. I don't know.

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<v Speaker 1>I don't know how you get by. Everyone has a different,

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<v Speaker 1>different vice. Whatever you need, I get it. You know

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<v Speaker 1>mine is caffeine and apples. Pretty much caffeine and apples.

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<v Speaker 1>So it hasn't really changed. No, speaking of what else

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<v Speaker 1>has it changed. Simon is stuck in the boat base

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<v Speaker 1>and again, and it's calling Clary to check in, not

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<v Speaker 1>telling her what's going on. Of course, because they're best friends.

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<v Speaker 1>Why would they tell each other everything? It would make

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<v Speaker 1>life so much easier. But now there he's now going

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<v Speaker 1>on mission to find Luke, and I'm going with, oh, yeah,

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<v Speaker 1>because Luke went missing at the end of the last

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<v Speaker 1>episode and then and then appear it's naked Joel LaBelle,

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<v Speaker 1>Sassy Lavelle had a boy. He this I'm going to

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<v Speaker 1>screenshot that face. This is the sassist I've ever seen him,

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<v Speaker 1>and they send that to him. This is so funny.

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<v Speaker 1>That is my new favorite. That's it's that's going to

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<v Speaker 1>be when he calls me. That's what that's going to

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<v Speaker 1>look like. I'm so exciting. Yeah, it's like, oh, what

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<v Speaker 1>you're concerned about Luke? Now. Honestly, this relationship, these relationships

0:11:17.080 --> 0:11:20.280
<v Speaker 1>in general, these like the sort of power struggle men.

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<v Speaker 1>It's all like very soft and in love and in taste,

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<v Speaker 1>but then also every now and then a little bravado

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<v Speaker 1>gets into it. I love it. I think it's absolutely brilliant.

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<v Speaker 1>I also love all the down world politics and interactions

0:11:31.840 --> 0:11:34.120
<v Speaker 1>that we get to see throughout the series. The shadow

0:11:34.160 --> 0:11:36.679
<v Speaker 1>Hunters are one thing, but the different politics between different

0:11:36.679 --> 0:11:38.520
<v Speaker 1>creatures and how they work and how they interact and

0:11:38.559 --> 0:11:43.400
<v Speaker 1>the difference between the sort of ingrained assumed differences and

0:11:43.440 --> 0:11:47.200
<v Speaker 1>assumed feuds and then assumed you know, the political ones,

0:11:47.280 --> 0:11:49.959
<v Speaker 1>and then as the story come, Yeah, the difference in

0:11:50.040 --> 0:11:53.080
<v Speaker 1>the political and the biological I guess right, Like, especially

0:11:53.120 --> 0:11:55.600
<v Speaker 1>with the whales and the vampire, biologically are very different

0:11:55.760 --> 0:11:58.480
<v Speaker 1>creatures that sort of survive in similar ways they ended up.

0:11:59.040 --> 0:12:00.199
<v Speaker 1>I think if you were to look at it sort

0:12:00.200 --> 0:12:03.520
<v Speaker 1>of from an evil evolutionary standpoint, they would almost be

0:12:03.559 --> 0:12:06.440
<v Speaker 1>like competitors with each other, um, sort of living in

0:12:06.480 --> 0:12:09.080
<v Speaker 1>the same sort of area. And then the politics, the

0:12:09.120 --> 0:12:13.160
<v Speaker 1>politics were taught, right, so there's like the instinctual rivalry

0:12:13.160 --> 0:12:18.240
<v Speaker 1>and then there's the taught the secondary rivalry. Also Maya's

0:12:18.240 --> 0:12:21.199
<v Speaker 1>Rene Jane eyre is that reference is that of note

0:12:21.320 --> 0:12:23.160
<v Speaker 1>to us? I think it's a book thing. It's a

0:12:23.160 --> 0:12:25.280
<v Speaker 1>book that needs a book thing. I think Maya is

0:12:25.360 --> 0:12:28.640
<v Speaker 1>reading that book. Yeah, she's just she's into books. Oh,

0:12:28.760 --> 0:12:31.400
<v Speaker 1>I see it's in the books of our show that

0:12:31.440 --> 0:12:33.600
<v Speaker 1>she's reading that book. It's a book within a book.

0:12:33.840 --> 0:12:35.680
<v Speaker 1>It's a book within a book. We put a book

0:12:35.720 --> 0:12:39.000
<v Speaker 1>within a book, got it? Jeffs get rights for things

0:12:39.000 --> 0:12:41.520
<v Speaker 1>like Jane Eyre ever, I think Jane Eyre might be

0:12:42.120 --> 0:12:43.920
<v Speaker 1>what's it called. I don't know, I know what you're

0:12:43.920 --> 0:12:45.719
<v Speaker 1>trying to say, and I also can't think of the

0:12:45.760 --> 0:12:49.080
<v Speaker 1>word anyway. It's beyond it's so old that is no

0:12:49.120 --> 0:12:51.360
<v Speaker 1>longer copy written. I think got it, got it, got it?

0:12:51.760 --> 0:12:54.719
<v Speaker 1>There you go. Now, next we have naked Isaiah run

0:12:54.720 --> 0:12:58.240
<v Speaker 1>into the woods looking at a deer. It's kind of hungry.

0:12:58.559 --> 0:13:03.800
<v Speaker 1>He's gonna eat a dear for that. Venison is no no,

0:13:04.720 --> 0:13:07.959
<v Speaker 1>but shout out to folks. I was going to say

0:13:08.000 --> 0:13:12.040
<v Speaker 1>that looks awesome, yeah, or Isaiah really going for it

0:13:12.080 --> 0:13:16.920
<v Speaker 1>here with the contortions, Wow, that's really something. Okay, the

0:13:17.000 --> 0:13:19.280
<v Speaker 1>birds in the trees that kind of fly away as

0:13:19.280 --> 0:13:21.440
<v Speaker 1>he hits, do you think that was happenstance that they

0:13:21.480 --> 0:13:24.440
<v Speaker 1>caught it? Or do you think that's folks? I honestly

0:13:24.480 --> 0:13:26.880
<v Speaker 1>don't know. I mean, if you got there early in

0:13:26.880 --> 0:13:28.360
<v Speaker 1>the morning, you knew the birds are going to be there,

0:13:28.360 --> 0:13:32.000
<v Speaker 1>and you shot off like a blank or like you

0:13:32.000 --> 0:13:33.720
<v Speaker 1>know what I mean, like they do it for like

0:13:33.800 --> 0:13:36.520
<v Speaker 1>pheasant hunting. Here you've got like they're called beaters. I've

0:13:36.559 --> 0:13:39.040
<v Speaker 1>never been pheasant hunting, but I hear tell that they've

0:13:39.040 --> 0:13:40.880
<v Speaker 1>got beaters, and you go and they've got like sticks,

0:13:40.920 --> 0:13:42.600
<v Speaker 1>and they bring the dogs and they bark and they

0:13:42.600 --> 0:13:44.000
<v Speaker 1>make a lot of noise, and then all the birds

0:13:44.240 --> 0:13:46.600
<v Speaker 1>leave the trees. So I would assume that you could

0:13:46.640 --> 0:13:48.400
<v Speaker 1>do something like that, But then I would also assume

0:13:48.440 --> 0:13:51.280
<v Speaker 1>that there's probably some sort of legality of protection of

0:13:51.320 --> 0:13:53.360
<v Speaker 1>these poor animals. Like first thing in the morning, they're

0:13:53.360 --> 0:13:55.280
<v Speaker 1>just getting scared shipless by someone trying to make a

0:13:55.320 --> 0:13:58.600
<v Speaker 1>TV show. I'm just getting credit fleep with that. Then yeah,

0:13:58.679 --> 0:14:01.240
<v Speaker 1>let's say, fleep did it that way? Nobody gets in trouble.

0:14:02.480 --> 0:14:05.360
<v Speaker 1>Magnus is making a grocery list, by the way, I

0:14:05.440 --> 0:14:08.400
<v Speaker 1>keep saying, crops of him in grays and he looks fantastic,

0:14:08.440 --> 0:14:11.480
<v Speaker 1>and so does it's a Harry. It's strange to see

0:14:11.559 --> 0:14:13.920
<v Speaker 1>him with his hair down though, you know, like we

0:14:13.960 --> 0:14:15.640
<v Speaker 1>either saw him on set or he was wearing a hat.

0:14:15.880 --> 0:14:19.000
<v Speaker 1>We very rarely saw him. He loves a hat, so

0:14:19.040 --> 0:14:20.800
<v Speaker 1>it's very rare that I saw him without a hot on.

0:14:21.160 --> 0:14:23.120
<v Speaker 1>So it's like watching a different It's like watching a

0:14:23.160 --> 0:14:25.600
<v Speaker 1>stranger kind of who looks exactly like my body. It's interesting.

0:14:25.760 --> 0:14:28.440
<v Speaker 1>He's a chameleon. Oh what I love about this? I

0:14:28.520 --> 0:14:32.320
<v Speaker 1>called you an emergency. I'm not okay because you're not okay. Okay,

0:14:32.520 --> 0:14:36.520
<v Speaker 1>he knows that Alec is upset because he accidentally kills

0:14:36.560 --> 0:14:41.640
<v Speaker 1>because he ripped someone's heart out, understand and totally totally fair.

0:14:42.080 --> 0:14:43.640
<v Speaker 1>Even if that was on purpose, I feel like you

0:14:43.640 --> 0:14:45.720
<v Speaker 1>would say, like if you're the worst kind of person

0:14:46.400 --> 0:14:48.600
<v Speaker 1>and you're like, yeah, today's heart ripping day, I feel

0:14:48.640 --> 0:14:52.480
<v Speaker 1>like you'd still have some concerns of that. Like that

0:14:52.560 --> 0:14:54.440
<v Speaker 1>was a little much, actually, that one. Yeah, that was

0:14:54.480 --> 0:14:56.680
<v Speaker 1>a little like I never saw a Hannibal Lecter ripped

0:14:56.680 --> 0:14:59.080
<v Speaker 1>someone's heart out, you know what I mean? Although I

0:14:59.080 --> 0:15:01.120
<v Speaker 1>guess he must have done. He must have done. I mean,

0:15:01.160 --> 0:15:03.360
<v Speaker 1>unless you're, like you know, Ed Dean or Jeffrey Dahmer,

0:15:03.400 --> 0:15:05.720
<v Speaker 1>I think probably have a little bit of remorse. Agreed,

0:15:06.440 --> 0:15:10.120
<v Speaker 1>maya reachion? Now, Yeah, what's she doing? What's going on here?

0:15:10.440 --> 0:15:13.600
<v Speaker 1>She's a she's checking out our fellow asignment here. Oh

0:15:13.640 --> 0:15:15.240
<v Speaker 1>I missed the boat Basin. That was one of my

0:15:15.280 --> 0:15:19.240
<v Speaker 1>favorite set. It was good set, like a full practical

0:15:19.320 --> 0:15:20.920
<v Speaker 1>set as well. It just is what it is, and

0:15:21.000 --> 0:15:23.200
<v Speaker 1>it was just kind of there for three seasons. It

0:15:23.280 --> 0:15:25.520
<v Speaker 1>was just like this little it was because it's literally

0:15:25.560 --> 0:15:28.520
<v Speaker 1>on the back of our studios. So for everyone who

0:15:28.560 --> 0:15:31.200
<v Speaker 1>wasn't there except for Cat and I, for everyone listening

0:15:31.240 --> 0:15:34.320
<v Speaker 1>who didn't come to the studio day after day for

0:15:34.560 --> 0:15:37.040
<v Speaker 1>four years. Studio let's say it was like a big

0:15:37.040 --> 0:15:38.760
<v Speaker 1>square like this, and then Studio I was on this

0:15:38.800 --> 0:15:40.400
<v Speaker 1>side and Studio he was on this Side's all in

0:15:40.400 --> 0:15:42.960
<v Speaker 1>the same warehouse, and then behind it on this side

0:15:43.000 --> 0:15:44.800
<v Speaker 1>sort of there was like train tracks back here that

0:15:44.840 --> 0:15:47.240
<v Speaker 1>were never really used except for when we were right

0:15:47.280 --> 0:15:50.360
<v Speaker 1>there filming, and then the longest trains in the history

0:15:50.360 --> 0:15:54.040
<v Speaker 1>of mankind would blow past us. There was like those towers,

0:15:54.040 --> 0:15:56.360
<v Speaker 1>those big staff towers that we call the Raccoon towers

0:15:56.400 --> 0:15:58.400
<v Speaker 1>because the family Raccoons lived up there, and then next

0:15:58.440 --> 0:16:00.720
<v Speaker 1>to that was the boat based and just a big

0:16:00.720 --> 0:16:03.720
<v Speaker 1>like sheds they turned into a boat basin. There you go,

0:16:03.960 --> 0:16:09.040
<v Speaker 1>that's the geographical layout of our studio. You're welcome. Welcome

0:16:09.080 --> 0:16:12.760
<v Speaker 1>to Shadow Hunters geography with don Um Simon and I

0:16:12.800 --> 0:16:17.000
<v Speaker 1>have never met before. And she goes, wait, how do

0:16:17.040 --> 0:16:20.040
<v Speaker 1>you know? How do you know, Luke? And then a

0:16:20.120 --> 0:16:25.880
<v Speaker 1>budding friendship is born as they to fledgling down rollers

0:16:26.320 --> 0:16:29.040
<v Speaker 1>go to find their adoptive father, a little little lesson

0:16:29.040 --> 0:16:32.400
<v Speaker 1>in wearabolfing and a little lesson in uh Simon Luke

0:16:32.440 --> 0:16:36.920
<v Speaker 1>history m Vampire. I mean, yeah, you guys are on

0:16:36.960 --> 0:16:40.160
<v Speaker 1>green screen here when you arrive at We did this

0:16:40.200 --> 0:16:42.440
<v Speaker 1>on green screen. I think we did this as a

0:16:42.880 --> 0:16:44.160
<v Speaker 1>you know those pickups we used to do at the

0:16:44.240 --> 0:16:46.400
<v Speaker 1>end of the season, and we did a million little

0:16:46.400 --> 0:16:48.320
<v Speaker 1>pieces of all the green screen stuff. I think that

0:16:48.360 --> 0:16:51.000
<v Speaker 1>was one of those days. I don't think we had

0:16:51.040 --> 0:16:52.880
<v Speaker 1>the stage yet. I don't think we ended up with

0:16:52.920 --> 0:16:55.280
<v Speaker 1>the full stage yet. And in fact, all of that

0:16:55.320 --> 0:16:58.040
<v Speaker 1>screen screen does the hands and that all that statute,

0:16:58.040 --> 0:17:01.720
<v Speaker 1>that's all. That's all fully. Yeah, it looks great, good job,

0:17:02.680 --> 0:17:05.000
<v Speaker 1>and then they just appear. Welcome to a bunch of

0:17:05.119 --> 0:17:07.680
<v Speaker 1>swords and spears to our threats. Just another power that

0:17:07.720 --> 0:17:11.679
<v Speaker 1>we never really explained. We've never really seen the spears before. No,

0:17:12.240 --> 0:17:14.720
<v Speaker 1>they end up being if you remember we used those

0:17:14.720 --> 0:17:17.359
<v Speaker 1>in season three, they end up being the Seely the

0:17:17.440 --> 0:17:20.080
<v Speaker 1>sely ones, that's what they end up being. I remember,

0:17:20.119 --> 0:17:21.919
<v Speaker 1>because I had that, I had to stop on my

0:17:22.040 --> 0:17:25.000
<v Speaker 1>forearm for a bit and like one of those things

0:17:25.040 --> 0:17:27.399
<v Speaker 1>that you get to that stage of like of stunts

0:17:27.440 --> 0:17:29.680
<v Speaker 1>where you sort of get a little cocky with yourself,

0:17:29.880 --> 0:17:32.240
<v Speaker 1>which is where I was, and they were like, do

0:17:32.240 --> 0:17:33.879
<v Speaker 1>you want to do you want an armbracer? And I

0:17:33.920 --> 0:17:36.280
<v Speaker 1>was like, I want to embracer. No way is Aaron

0:17:36.359 --> 0:17:38.239
<v Speaker 1>wearing What is my stuntuble wearing one? They were like no.

0:17:38.480 --> 0:17:40.000
<v Speaker 1>I was like, then no, I don't want it. Aaron

0:17:40.080 --> 0:17:42.240
<v Speaker 1>did it three times and I did it forty times

0:17:42.240 --> 0:17:44.240
<v Speaker 1>and didn't think about it. So I had like a

0:17:44.280 --> 0:17:47.000
<v Speaker 1>golf ball. It looked like it was hiding underneath my

0:17:47.119 --> 0:17:49.960
<v Speaker 1>arms every time, and every time, your adrenaline is going,

0:17:49.960 --> 0:17:52.280
<v Speaker 1>your blood's going every time. To the stunt team, I'm like,

0:17:52.600 --> 0:17:54.600
<v Speaker 1>getting there, going really go for it, like because you

0:17:54.640 --> 0:17:56.119
<v Speaker 1>don't really feel it at the time, and then the

0:17:56.200 --> 0:18:02.479
<v Speaker 1>next day I'm like, so fain. Anyway, that was those spears.

0:18:02.520 --> 0:18:07.400
<v Speaker 1>We'll talk about that much later. Much like that. Thank

0:18:07.400 --> 0:18:10.439
<v Speaker 1>you for the audio example of your Yeah, that's what

0:18:10.520 --> 0:18:13.760
<v Speaker 1>I sounded like, just flesh on wood, but the wood

0:18:13.800 --> 0:18:16.359
<v Speaker 1>was hitting me and I what just happened there was

0:18:16.400 --> 0:18:19.159
<v Speaker 1>I need my need, my desk. We don't do that

0:18:35.400 --> 0:18:37.879
<v Speaker 1>while you're recovering from your wounds. Let's go back to

0:18:37.960 --> 0:18:42.600
<v Speaker 1>this episode and the our ancestors are interrogating these ladies

0:18:42.720 --> 0:18:45.400
<v Speaker 1>trying to figure out why they're they're they're asking questions

0:18:45.400 --> 0:18:49.199
<v Speaker 1>about Valentine a lot of furtive glances because oh guess what,

0:18:49.280 --> 0:18:52.360
<v Speaker 1>I'm Yes, I'm his daughter, but I'm not him, going

0:18:52.400 --> 0:18:55.439
<v Speaker 1>in truthful? Right? So cool? What is it? It was

0:18:55.480 --> 0:18:57.760
<v Speaker 1>cold as well? I remember you telling me this was cold, right,

0:18:58.720 --> 0:19:01.480
<v Speaker 1>It actually wasn't so had we thought it was gonna

0:19:01.480 --> 0:19:04.320
<v Speaker 1>be freezing because we shot this in October. But you know,

0:19:04.480 --> 0:19:06.919
<v Speaker 1>as you know, there's there's a difference in October in

0:19:07.160 --> 0:19:11.360
<v Speaker 1>Toronto versus October in other places, and sometimes it's incredibly warm, um,

0:19:11.640 --> 0:19:14.200
<v Speaker 1>in which case this it actually was, and they actually

0:19:14.240 --> 0:19:17.879
<v Speaker 1>filled a physical fountain that existed there. Um. But you know,

0:19:17.920 --> 0:19:21.000
<v Speaker 1>it's supposed to be a pool that's five six ft deep, um,

0:19:21.080 --> 0:19:24.119
<v Speaker 1>but this pool was maybe about two ft deep maybe,

0:19:25.000 --> 0:19:27.159
<v Speaker 1>So we had to pretend to be floating in this

0:19:27.600 --> 0:19:30.919
<v Speaker 1>you know, bottomless pit of a pool without hitting the

0:19:30.960 --> 0:19:36.800
<v Speaker 1>tarp that was touching our feet. What scenes man? Yeah, oh,

0:19:36.840 --> 0:19:39.760
<v Speaker 1>just just a little purity trial, which you know, Clary

0:19:39.800 --> 0:19:42.359
<v Speaker 1>and Isabella are both slightly worried about. It's like the

0:19:42.400 --> 0:19:44.720
<v Speaker 1>COVID test of the time. You know, it's like you

0:19:44.880 --> 0:19:47.159
<v Speaker 1>just go, I don't think I've got anything going on,

0:19:47.200 --> 0:19:50.880
<v Speaker 1>but I hope, but it's probably worth checking out. It's

0:19:51.080 --> 0:19:54.200
<v Speaker 1>just for a second. Also, huge shout out to our

0:19:54.240 --> 0:19:59.400
<v Speaker 1>construction team because they actually welded this bridge that goes

0:19:59.440 --> 0:20:02.240
<v Speaker 1>into the pool. Um you see it for a brief

0:20:02.280 --> 0:20:05.800
<v Speaker 1>moment before scene of view. And yeah, the the little

0:20:05.800 --> 0:20:09.880
<v Speaker 1>separdge that goes into the pool of the Purity Clarity

0:20:10.080 --> 0:20:15.080
<v Speaker 1>pool thing that was built by our team from from scratch. Wow.

0:20:15.560 --> 0:20:19.560
<v Speaker 1>M solid work. Solid. Now, speaking of solid work, let's

0:20:19.560 --> 0:20:23.040
<v Speaker 1>watch this scene between you and uh Nick Segar. Look

0:20:23.040 --> 0:20:27.919
<v Speaker 1>at those two steely glances who honestly like there was

0:20:27.960 --> 0:20:30.960
<v Speaker 1>so much dure attention in this one. It's wild from

0:20:31.000 --> 0:20:34.159
<v Speaker 1>both of us. Both of us will go it's too much,

0:20:34.800 --> 0:20:38.119
<v Speaker 1>it hurts. He's an intimidating man, is Nick Saga, Not

0:20:38.520 --> 0:20:40.399
<v Speaker 1>when he's acting, not in real life real life? Is

0:20:40.400 --> 0:20:42.720
<v Speaker 1>a big or softie. Yeah, but it's it's his eye

0:20:42.720 --> 0:20:47.320
<v Speaker 1>contact and his focus is amazing. That slap, that shoulder

0:20:47.359 --> 0:20:53.919
<v Speaker 1>slap is wild. I remember that. I remember this scene.

0:20:54.000 --> 0:20:56.480
<v Speaker 1>This is when they play pool. This is a good scene.

0:20:56.560 --> 0:21:01.040
<v Speaker 1>This is Maleck's first date. Yeah, like seeing the Hunter's

0:21:01.080 --> 0:21:03.200
<v Speaker 1>Moon enough, we haven't seen it kind of happening. We've

0:21:03.200 --> 0:21:05.600
<v Speaker 1>seen it during the day when it's quiet. Yeah, we've

0:21:05.600 --> 0:21:07.280
<v Speaker 1>really only seen it for the fight scene. I think,

0:21:07.640 --> 0:21:10.720
<v Speaker 1>look at cute little Alec on his first date being

0:21:10.760 --> 0:21:14.600
<v Speaker 1>a nervous fun fact about fake beer on set. There's

0:21:14.600 --> 0:21:16.920
<v Speaker 1>a scene later on with Anna, like much much later

0:21:16.960 --> 0:21:20.239
<v Speaker 1>on in the series with Anna where we couldn't really

0:21:20.280 --> 0:21:22.119
<v Speaker 1>get through it because Alberta was singing and he had

0:21:22.160 --> 0:21:24.040
<v Speaker 1>his ear wig in and which is a little a

0:21:24.040 --> 0:21:26.480
<v Speaker 1>little speaker in his ear so when he's supposed to

0:21:26.520 --> 0:21:28.600
<v Speaker 1>stop when the music stops, and the music didn't stop,

0:21:28.840 --> 0:21:31.359
<v Speaker 1>so he just kept singing. But everything else sort of

0:21:31.359 --> 0:21:33.280
<v Speaker 1>the action has started moving, so we kept laughing and whatever,

0:21:33.280 --> 0:21:35.320
<v Speaker 1>and we had to anyway, long story short, it was

0:21:35.560 --> 0:21:37.640
<v Speaker 1>not Alberto's fault, but we had to keep drinking the beer.

0:21:37.920 --> 0:21:39.399
<v Speaker 1>So I kept drinking the beer and kept drinking the

0:21:39.400 --> 0:21:41.960
<v Speaker 1>beer and it makes you really gassy. I didn't know

0:21:42.000 --> 0:21:44.439
<v Speaker 1>this at the time. I thought I had appendicitis. I

0:21:44.480 --> 0:21:46.240
<v Speaker 1>like I think I told Silk. I was like, dude,

0:21:46.200 --> 0:21:48.040
<v Speaker 1>I gotta go to my trailer and sought out some

0:21:48.080 --> 0:21:53.879
<v Speaker 1>business and then graphic warning, I farted like nothing like

0:21:53.520 --> 0:21:55.800
<v Speaker 1>it like it was like nothing that's ever happened in

0:21:55.840 --> 0:21:59.080
<v Speaker 1>my entire I levitated for about ten seconds. It was nuts.

0:21:59.520 --> 0:22:02.480
<v Speaker 1>It was really nuts. So that's what fake be it

0:22:02.480 --> 0:22:05.040
<v Speaker 1>does to you, folks. Just so you know, if you

0:22:05.080 --> 0:22:06.320
<v Speaker 1>ever want to look at your actors and go, look,

0:22:06.320 --> 0:22:08.400
<v Speaker 1>they're having a great time, they're drinking, chances are they've

0:22:08.400 --> 0:22:10.480
<v Speaker 1>probably got some tummy pain. So it's not as fun

0:22:10.480 --> 0:22:14.320
<v Speaker 1>as you think. Little insight into movie making for you

0:22:14.000 --> 0:22:19.760
<v Speaker 1>and BTS secret for all of you at home. I'm

0:22:19.800 --> 0:22:22.040
<v Speaker 1>running out of BTS stories is the thing. And now

0:22:22.040 --> 0:22:23.840
<v Speaker 1>I want to tell the gross ones like I'm running

0:22:23.840 --> 0:22:27.800
<v Speaker 1>out of You may not have family friendly BTS stories,

0:22:27.800 --> 0:22:29.880
<v Speaker 1>and I'm gonna have to tell the poop ones. Now. Yeah,

0:22:29.920 --> 0:22:32.439
<v Speaker 1>well that's okay. I think they'll be appreciated either way.

0:22:32.640 --> 0:22:35.439
<v Speaker 1>But I do have to say, Matt and Harry and

0:22:35.520 --> 0:22:38.160
<v Speaker 1>you as well are all very good at pool, so

0:22:38.240 --> 0:22:40.040
<v Speaker 1>this scene is quite well. So they always seem to

0:22:40.080 --> 0:22:43.760
<v Speaker 1>put a pool playing scene into any show. We had

0:22:43.800 --> 0:22:46.840
<v Speaker 1>one recently a few a few weeks ago here and

0:22:48.119 --> 0:22:51.680
<v Speaker 1>called a thing in eighteen seventy. Apparently they make those

0:22:51.680 --> 0:22:55.919
<v Speaker 1>pool balls so circular. I don't know about all that. Okay,

0:22:56.080 --> 0:22:58.960
<v Speaker 1>what do they make them out of? I would I

0:22:59.000 --> 0:23:00.760
<v Speaker 1>assume isn't that what they'm it out of? Oh yeah,

0:23:00.760 --> 0:23:02.720
<v Speaker 1>that makes sense. Yeah, yeah, that makes sense. They probably

0:23:02.720 --> 0:23:05.080
<v Speaker 1>would make of polish woods. You're right, that makes sense.

0:23:05.119 --> 0:23:07.800
<v Speaker 1>Maybe I think that limestone now and I was like,

0:23:07.800 --> 0:23:10.040
<v Speaker 1>I don't think they have, or like, they wouldn't be Marvel.

0:23:10.119 --> 0:23:12.439
<v Speaker 1>That would be too expensive to look it up. I

0:23:12.480 --> 0:23:15.080
<v Speaker 1>do know a little BTS thing. When they do a

0:23:15.080 --> 0:23:18.120
<v Speaker 1>pool scene on set, they also have little foamy rubbery

0:23:18.160 --> 0:23:21.280
<v Speaker 1>balls that are quiet because so if you're doing dialogue

0:23:21.280 --> 0:23:25.399
<v Speaker 1>while you're shooting pool, it doesn't go over everything phonolic resin.

0:23:26.119 --> 0:23:28.560
<v Speaker 1>So there you go. And originally they were made out

0:23:28.560 --> 0:23:31.080
<v Speaker 1>of ivory, I think, and stopped doing that because it

0:23:31.119 --> 0:23:33.560
<v Speaker 1>was to do with poaching. But yeah, somebody's rich in

0:23:33.600 --> 0:23:38.080
<v Speaker 1>Texas in seventy if we have a yeah some ivory

0:23:38.119 --> 0:23:41.480
<v Speaker 1>in eighteen seventy, good lord, all right. Also, this Malik

0:23:41.520 --> 0:23:43.960
<v Speaker 1>date is adorable and I love it's so cute. They

0:23:43.960 --> 0:23:45.720
<v Speaker 1>do such a good job with each other. They do.

0:23:46.000 --> 0:23:47.280
<v Speaker 1>You can just watch it all day. I just want

0:23:47.320 --> 0:23:52.000
<v Speaker 1>a whole episode of that. Yeah, it spin off m ah.

0:23:52.000 --> 0:23:54.239
<v Speaker 1>And then the awkward car ride when you barely know

0:23:54.359 --> 0:23:56.639
<v Speaker 1>someone and yet you're trying to in a car that

0:23:56.680 --> 0:23:59.760
<v Speaker 1>smells like gas. Although actually season two they kind of

0:23:59.760 --> 0:24:03.720
<v Speaker 1>fixed that a little and it was less toxic um.

0:24:03.920 --> 0:24:06.320
<v Speaker 1>Is that true. I again don't really ever spend it.

0:24:06.400 --> 0:24:08.320
<v Speaker 1>I spent like one day in it in season three

0:24:08.400 --> 0:24:12.680
<v Speaker 1>when we had like a Scooby Doo murder mystery mission. Yeah,

0:24:12.800 --> 0:24:14.919
<v Speaker 1>but I don't remember. I think it still smelled like gas.

0:24:14.960 --> 0:24:16.840
<v Speaker 1>I just think it had aired out a bit over

0:24:16.880 --> 0:24:20.440
<v Speaker 1>three years, yeah, right, like they just left it, left

0:24:20.440 --> 0:24:23.040
<v Speaker 1>it somewhere. But that's I mean, there's a leaking something

0:24:23.080 --> 0:24:26.960
<v Speaker 1>in there for short and sleaking just like gas fumes

0:24:26.960 --> 0:24:29.680
<v Speaker 1>into the body of this truck. God, I love that truck.

0:24:29.720 --> 0:24:32.360
<v Speaker 1>I want he should have bought it. I know one

0:24:32.359 --> 0:24:33.880
<v Speaker 1>of these days we're going to be watching a movie

0:24:33.960 --> 0:24:36.000
<v Speaker 1>or a TV show and it's going to be there,

0:24:35.520 --> 0:24:38.840
<v Speaker 1>and we're going to be on set again in Toronto.

0:24:38.960 --> 0:24:41.640
<v Speaker 1>And because in the same wee all out our old

0:24:41.680 --> 0:24:44.240
<v Speaker 1>car and Alberts got it. Imagine like I was thinking

0:24:44.240 --> 0:24:46.560
<v Speaker 1>about this earlier in the boat basin. I don't know

0:24:46.600 --> 0:24:48.520
<v Speaker 1>if we spoke about do we speak about pocket cookies

0:24:48.560 --> 0:24:53.359
<v Speaker 1>when we had him one cookies? So we Alberta and

0:24:53.400 --> 0:24:57.320
<v Speaker 1>I especially we would at lunch we would steal as

0:24:57.359 --> 0:24:59.000
<v Speaker 1>many cookies as we get our hands on, and then

0:24:59.040 --> 0:25:00.879
<v Speaker 1>we would put them in the pocket of our costumes.

0:25:01.200 --> 0:25:03.600
<v Speaker 1>So like you know, in between scenes, like you want

0:25:03.600 --> 0:25:05.639
<v Speaker 1>a pocket cookie and you just open your jacket like

0:25:05.680 --> 0:25:09.440
<v Speaker 1>it's some weird like shady like watch salesman down in alley,

0:25:09.440 --> 0:25:10.639
<v Speaker 1>you'd be like, you want a pocket cookie, and you

0:25:10.640 --> 0:25:13.280
<v Speaker 1>don't be jacket. There's like a different variety. The issue

0:25:13.280 --> 0:25:15.479
<v Speaker 1>with that is we very often forget at the end

0:25:15.480 --> 0:25:17.080
<v Speaker 1>of the day, take our costume off. Then I get

0:25:17.080 --> 0:25:20.760
<v Speaker 1>my costume back and it's been washed or it's just

0:25:20.800 --> 0:25:22.960
<v Speaker 1>been in the rain or like it's been out, it's

0:25:23.000 --> 0:25:27.119
<v Speaker 1>been whatever, and there's like a melted, disgusting mush of

0:25:27.200 --> 0:25:29.280
<v Speaker 1>like old cookie that's been there for weeks and weeks

0:25:29.320 --> 0:25:32.639
<v Speaker 1>and weeks, which is my fault. It's my doing. So

0:25:32.680 --> 0:25:36.359
<v Speaker 1>again pro tip for you set guys, make sure you

0:25:36.400 --> 0:25:38.760
<v Speaker 1>eat your pocket cookies. Make sure waste not want not.

0:25:38.880 --> 0:25:40.640
<v Speaker 1>Make sure you eat your pocket cookies, otherwise you're gonna

0:25:40.720 --> 0:25:45.080
<v Speaker 1>end up with gross, soapy flavored dough. Did you ever

0:25:45.160 --> 0:25:49.760
<v Speaker 1>eat old pocket cookie? When I ate an old one? Definitely, yeah,

0:25:49.800 --> 0:25:52.240
<v Speaker 1>where I would I either thought it was a fresh

0:25:52.280 --> 0:25:55.639
<v Speaker 1>pocket cookie that I got from that lunch or curiosity

0:25:55.640 --> 0:25:56.679
<v Speaker 1>got the better of me, and I was like, I

0:25:56.720 --> 0:25:58.680
<v Speaker 1>gotta try, I gotta try. I gotta see if it's

0:25:58.680 --> 0:26:00.600
<v Speaker 1>still good. I gotta see a Toronto me and cookies

0:26:00.640 --> 0:26:03.960
<v Speaker 1>will stand the test of time. Um, No, they don't.

0:26:05.600 --> 0:26:08.400
<v Speaker 1>Good to know, we're to the wise on we get

0:26:08.400 --> 0:26:10.840
<v Speaker 1>to hear a nice little backstory about how Claire and

0:26:10.880 --> 0:26:13.880
<v Speaker 1>Simon met. How can you not fall in love with Simon? Honestly?

0:26:16.000 --> 0:26:19.919
<v Speaker 1>I love the way she says Jess Whitland, and I

0:26:20.000 --> 0:26:28.119
<v Speaker 1>was so rude, so rude many listen here, who goes

0:26:28.320 --> 0:26:30.280
<v Speaker 1>to ten the first time they meet someone and just

0:26:30.320 --> 0:26:32.480
<v Speaker 1>beats the ship out of someone? You know what I mean?

0:26:32.640 --> 0:26:34.560
<v Speaker 1>She threw a window. I didn't even know the girl.

0:26:35.160 --> 0:26:37.720
<v Speaker 1>I mean, she did think, you know, there was something

0:26:37.720 --> 0:26:40.000
<v Speaker 1>going on, I think, but I didn't. She acted on

0:26:40.080 --> 0:26:42.760
<v Speaker 1>thoughts but not facts. You know what I'm saying. You

0:26:42.760 --> 0:26:44.320
<v Speaker 1>know what I'm saying, not saying that I'm the bad

0:26:44.320 --> 0:26:46.440
<v Speaker 1>guy in that situation, because she definitely lost her friend

0:26:46.440 --> 0:26:49.879
<v Speaker 1>and I was definitely involved in some way. But if

0:26:49.880 --> 0:26:52.199
<v Speaker 1>she'd have let me explain what she did, Nay, she did,

0:26:52.320 --> 0:26:54.320
<v Speaker 1>Nay let me explain. And I got prone to a

0:26:54.320 --> 0:26:59.040
<v Speaker 1>window very true, what a show. We're back at a date?

0:26:59.280 --> 0:27:01.720
<v Speaker 1>Does he get drunk in this episode? I think this

0:27:01.720 --> 0:27:04.960
<v Speaker 1>is one more strange drunk alic. That's right, because he

0:27:05.080 --> 0:27:09.240
<v Speaker 1>doesn't he say, don't they do the numbers thing? Oh,

0:27:09.320 --> 0:27:12.200
<v Speaker 1>this is the numbers conversations. We're just about to get

0:27:12.240 --> 0:27:15.479
<v Speaker 1>to it right now. Yeah, you guys are sharply dressed.

0:27:15.480 --> 0:27:18.639
<v Speaker 1>These are They're very like brides maybe, but you would

0:27:18.640 --> 0:27:22.560
<v Speaker 1>look beautiful together at someone's wedding dressed in these. Oh

0:27:23.000 --> 0:27:25.040
<v Speaker 1>you know what's funny, we actually took a picture in

0:27:25.080 --> 0:27:29.520
<v Speaker 1>the castle. Um like the shining twins in these stresses

0:27:30.400 --> 0:27:32.480
<v Speaker 1>just ruined that aesthetic for me. Now all I can

0:27:32.520 --> 0:27:34.359
<v Speaker 1>see is the shining twins. Like what I saw is

0:27:34.400 --> 0:27:37.040
<v Speaker 1>my two friends who look fantastic, and then you just

0:27:37.160 --> 0:27:38.919
<v Speaker 1>fucking ruined that for me. And now I see a

0:27:38.960 --> 0:27:41.439
<v Speaker 1>horror movie. And you know what, I don't want my

0:27:41.440 --> 0:27:43.600
<v Speaker 1>mind to be changed. You've just ruined it forever. That's

0:27:43.640 --> 0:27:44.879
<v Speaker 1>what I'm going to see when I look at you

0:27:45.080 --> 0:27:48.000
<v Speaker 1>and Emerald, whether you're together or individual, I'm just going

0:27:48.040 --> 0:27:51.680
<v Speaker 1>to see horror movie from now on. Anyway, when he

0:27:51.720 --> 0:27:54.439
<v Speaker 1>looked at me, no, no, I care about you. Guys

0:27:54.920 --> 0:27:59.760
<v Speaker 1>are used to ah, goodness again doing so well A

0:27:59.800 --> 0:28:02.840
<v Speaker 1>fact is just killing it in this episode with all

0:28:02.920 --> 0:28:06.000
<v Speaker 1>this and how pale am I, Oh my gosh, I

0:28:06.000 --> 0:28:08.960
<v Speaker 1>had not seen the sun in so A lot of

0:28:09.000 --> 0:28:12.639
<v Speaker 1>studio work, a lot of studio work there, so we

0:28:12.680 --> 0:28:16.320
<v Speaker 1>can see your abs through the dress there. Solid work.

0:28:16.440 --> 0:28:18.080
<v Speaker 1>The hard work with new No is really paying on

0:28:18.560 --> 0:28:20.280
<v Speaker 1>thanks to new No on that one, and a full,

0:28:20.480 --> 0:28:24.280
<v Speaker 1>a full like Kira knightley atonement moment coming out of

0:28:24.320 --> 0:28:28.040
<v Speaker 1>the solid work that one. You can see both of

0:28:28.080 --> 0:28:29.840
<v Speaker 1>your hands on the floor of the pool though, which

0:28:29.880 --> 0:28:32.399
<v Speaker 1>is funny. You can see both of your hands on

0:28:32.440 --> 0:28:37.439
<v Speaker 1>the pool after the ship. Why did it go like

0:28:37.480 --> 0:28:41.360
<v Speaker 1>all black and bubbly? Oh because she's on there, She's

0:28:41.400 --> 0:28:43.640
<v Speaker 1>on the infant and that's right, so she had to

0:28:43.720 --> 0:28:47.959
<v Speaker 1>almost chance. The Iron Sisters are doing zero to help zero.

0:28:48.200 --> 0:28:50.600
<v Speaker 1>They are doing no help water. See there is like

0:28:50.640 --> 0:28:52.760
<v Speaker 1>I'm not letting my friend drown. I don't care about

0:28:52.760 --> 0:28:56.720
<v Speaker 1>your hands. Let's go being an awards. Being in water

0:28:57.080 --> 0:29:00.880
<v Speaker 1>in scenes is fun for the first two takes, and

0:29:00.920 --> 0:29:04.120
<v Speaker 1>then it's dreadful. I used to joke with the writers

0:29:04.200 --> 0:29:07.240
<v Speaker 1>because every single season they would do something to me

0:29:07.600 --> 0:29:10.440
<v Speaker 1>with water, whether it was this or the rain in

0:29:10.520 --> 0:29:13.320
<v Speaker 1>season one, or the ice skating or the underwater and

0:29:13.480 --> 0:29:15.760
<v Speaker 1>you know season two and three. It always made me laugh.

0:29:15.760 --> 0:29:17.320
<v Speaker 1>I'm like, what what's your what's your throwing out at

0:29:17.320 --> 0:29:19.960
<v Speaker 1>this time? Let's go well, I mean we were in

0:29:19.960 --> 0:29:22.040
<v Speaker 1>a we were submerged in a pool, like you were

0:29:22.080 --> 0:29:23.640
<v Speaker 1>at the bottom with weights on your feet, and I

0:29:23.680 --> 0:29:25.480
<v Speaker 1>had to dive in and come and get you. That's

0:29:25.680 --> 0:29:28.080
<v Speaker 1>that's like a semi scary experience as well. Then you're

0:29:28.080 --> 0:29:29.719
<v Speaker 1>sort of getting to the point there and like we

0:29:29.720 --> 0:29:31.280
<v Speaker 1>were well looked after and we had divers in this

0:29:31.440 --> 0:29:33.240
<v Speaker 1>and the other, but you are getting to that point

0:29:33.280 --> 0:29:36.520
<v Speaker 1>there of like what if something goes wrong here? If

0:29:36.520 --> 0:29:38.160
<v Speaker 1>something goes wrong in a stunt, you're punched in the

0:29:38.200 --> 0:29:41.440
<v Speaker 1>face and you know, something happens, it's a fairly minimal

0:29:41.520 --> 0:29:44.880
<v Speaker 1>and very healable. But like we're literally underwater, something goes

0:29:44.920 --> 0:29:49.640
<v Speaker 1>wrong here, you're forty seconds, about eight seconds for me

0:29:49.640 --> 0:29:51.240
<v Speaker 1>because I was smoking at the time, so it's about

0:29:51.280 --> 0:29:54.520
<v Speaker 1>eight seconds for me. And then I'm just unconscious. But

0:29:54.600 --> 0:29:58.080
<v Speaker 1>I had the lung capacity of like a tree frog.

0:29:58.280 --> 0:30:00.200
<v Speaker 1>I don't know. Just something smart. You did, all right?

0:30:00.280 --> 0:30:02.080
<v Speaker 1>They did that breath test with us. I did do.

0:30:02.200 --> 0:30:04.160
<v Speaker 1>I did do okay, thank you that sweet of you. Yeah,

0:30:04.200 --> 0:30:05.600
<v Speaker 1>I felt like I did pretty good, but I was

0:30:05.680 --> 0:30:09.160
<v Speaker 1>I was. It still wasn't great considering my lung capacity

0:30:09.200 --> 0:30:11.680
<v Speaker 1>wasn't great. But they go, what did we miss? Oh?

0:30:11.920 --> 0:30:15.000
<v Speaker 1>They accused Izzy of something and she's like, I don't

0:30:15.000 --> 0:30:18.960
<v Speaker 1>know what you're talking about. Oh, they just they just

0:30:19.040 --> 0:30:22.000
<v Speaker 1>healed me. Oh you didn't know that, you fin was

0:30:22.000 --> 0:30:23.520
<v Speaker 1>made out of vampire venom And she said no, I

0:30:23.560 --> 0:30:28.800
<v Speaker 1>didn't know that. Ah. Shoot, the betrayal goodness. Can't vampires

0:30:28.960 --> 0:30:31.040
<v Speaker 1>in the dark and where wolves see in the dark,

0:30:31.480 --> 0:30:34.520
<v Speaker 1>you know, she would think maybe he still has some

0:30:34.720 --> 0:30:37.920
<v Speaker 1>you know, carry over human habits. Old old habits die hard,

0:30:37.960 --> 0:30:42.680
<v Speaker 1>you know for a while. That's true. Also, both the

0:30:42.720 --> 0:30:46.880
<v Speaker 1>actor Alberto and Alicia are not were wolves nor vampires,

0:30:46.920 --> 0:30:48.680
<v Speaker 1>so they can't see in the dark. So this might

0:30:48.720 --> 0:30:50.920
<v Speaker 1>just have been a little movie magic. I guess we

0:30:50.960 --> 0:30:53.320
<v Speaker 1>didn't have the budget to fly in real wear wolves

0:30:53.360 --> 0:30:59.040
<v Speaker 1>for this. What and then charity, I'll look at that.

0:30:59.200 --> 0:31:02.640
<v Speaker 1>I can't tell little friendship, Yeah, communicating. Oh we get

0:31:02.680 --> 0:31:05.920
<v Speaker 1>a little Maya flashback too. Oh and young Luke as

0:31:05.960 --> 0:31:10.640
<v Speaker 1>a patrolman in his uniform. Oh, I remember reading this

0:31:10.720 --> 0:31:13.240
<v Speaker 1>scene made me cry in the table rain. This is

0:31:13.240 --> 0:31:15.960
<v Speaker 1>a cool episode. I love it. The flashbacks on our

0:31:15.960 --> 0:31:18.160
<v Speaker 1>show that they're not like in season one they were

0:31:18.160 --> 0:31:21.040
<v Speaker 1>a bit more stylized because it was Luke telling a story.

0:31:21.320 --> 0:31:23.040
<v Speaker 1>But with the way they tell the flashbacks now, it's

0:31:23.080 --> 0:31:25.920
<v Speaker 1>it's slightly different, just enough, there's a bit of a hue,

0:31:26.280 --> 0:31:29.960
<v Speaker 1>but it still feels like our show doesn't pull you out. Yeah,

0:31:30.000 --> 0:31:32.480
<v Speaker 1>I'm with you. I sometimes I feel like it's it's

0:31:32.520 --> 0:31:34.480
<v Speaker 1>kind of cheating when you watch a flashback and it's

0:31:34.520 --> 0:31:36.479
<v Speaker 1>like in black and white and we're like, we get it.

0:31:36.960 --> 0:31:39.520
<v Speaker 1>I understand this is not current events, like I understand

0:31:39.560 --> 0:31:41.960
<v Speaker 1>what's going on, unless it's an integral part of the

0:31:42.000 --> 0:31:44.560
<v Speaker 1>story that ends up sort of lining up with the

0:31:44.600 --> 0:31:47.600
<v Speaker 1>black and white momentum. Is a good example of that.

0:31:47.640 --> 0:31:50.240
<v Speaker 1>But like sometimes I feel like it's cheating, And sometimes

0:31:50.280 --> 0:31:52.240
<v Speaker 1>I feel like, yeah, you've done this with the storytelling

0:31:52.240 --> 0:31:54.040
<v Speaker 1>and the performers are doing it and we don't need

0:31:54.320 --> 0:31:57.000
<v Speaker 1>it to be sort of spoon fed as much. I

0:31:57.000 --> 0:31:59.520
<v Speaker 1>don't know, but she's doing Wow, she's doing a great

0:31:59.560 --> 0:32:03.160
<v Speaker 1>job in this ale. Sure you break my heart heartbreaking.

0:32:03.640 --> 0:32:05.880
<v Speaker 1>They allay is such a good job with their physicality.

0:32:05.920 --> 0:32:08.280
<v Speaker 1>All the folks who played werewolves on our show. Yeah,

0:32:08.280 --> 0:32:12.200
<v Speaker 1>you're right, it's just individual enough, but just just has

0:32:12.200 --> 0:32:14.880
<v Speaker 1>a through line enough that they're all the same creature,

0:32:15.760 --> 0:32:19.080
<v Speaker 1>but they're all individual personalities within that creature as well,

0:32:19.200 --> 0:32:21.040
<v Speaker 1>and they do do a great job with this physicality.

0:32:21.200 --> 0:32:24.880
<v Speaker 1>Congratulations guys, and shout out to Nancy for this wig

0:32:24.920 --> 0:32:28.320
<v Speaker 1>on Alicia. Yeah, if you wouldn't have known. Yeah, there's

0:32:28.360 --> 0:32:31.240
<v Speaker 1>no way. It's awesome. Oh we're back in the woods

0:32:31.320 --> 0:32:33.400
<v Speaker 1>and back to the day. Oh, this is the Numbers conversation.

0:32:33.960 --> 0:32:36.560
<v Speaker 1>This is the Numbers conversation. Who says I'm worded out?

0:32:36.840 --> 0:32:40.440
<v Speaker 1>He's like, he goes, I'm a virgin? That what? But

0:32:40.600 --> 0:32:43.680
<v Speaker 1>he knew he was a virgin virgin shadow. I thought

0:32:43.760 --> 0:32:46.000
<v Speaker 1>it was a joke. I always thought that was a

0:32:46.080 --> 0:32:49.280
<v Speaker 1>joke and it was meant to both get Alec there

0:32:49.520 --> 0:32:52.080
<v Speaker 1>and piss jas off a little. I always thought that

0:32:52.080 --> 0:32:55.560
<v Speaker 1>that line was was him kidding, but also maybe not.

0:32:55.640 --> 0:32:58.320
<v Speaker 1>I don't know. It's the only real people to ask

0:32:58.360 --> 0:33:01.480
<v Speaker 1>about that. Matt and Harry's my to be the writers.

0:33:02.080 --> 0:33:06.280
<v Speaker 1>I just all of the Mallet conversations are written so beautifully.

0:33:06.280 --> 0:33:08.920
<v Speaker 1>It's it's such a healthy relationship and the way they

0:33:09.000 --> 0:33:12.760
<v Speaker 1>just handle things and talk things out. It's so nice

0:33:12.800 --> 0:33:14.960
<v Speaker 1>to see. Yeah, I think that's why so many people

0:33:15.000 --> 0:33:16.440
<v Speaker 1>fell in love with them. And a lot of it too.

0:33:16.560 --> 0:33:18.040
<v Speaker 1>I mean, the writers did a good job, but Matt

0:33:18.080 --> 0:33:20.480
<v Speaker 1>and Harry had so much input on this and really

0:33:21.000 --> 0:33:26.120
<v Speaker 1>finessing it. How many here we go? To be fair,

0:33:27.000 --> 0:33:30.040
<v Speaker 1>that's a big number. I mean, he's been alive for

0:33:30.080 --> 0:33:33.160
<v Speaker 1>six hundred years though. All right, let's do the maths

0:33:33.160 --> 0:33:39.320
<v Speaker 1>on this real quick. I'm just curious now. So six, Oh, yeah,

0:33:39.800 --> 0:33:43.680
<v Speaker 1>that's fair. What's the number? I'm not going to say

0:33:43.720 --> 0:33:46.440
<v Speaker 1>because I don't I don't think that If you feel

0:33:46.480 --> 0:33:48.240
<v Speaker 1>like you want to do that math out there, then fine,

0:33:48.320 --> 0:33:51.680
<v Speaker 1>But I don't think discussing people's sexual or romantic pass

0:33:51.840 --> 0:33:54.280
<v Speaker 1>is necessarily appropriate, and it's not something I want to

0:33:54.360 --> 0:33:58.880
<v Speaker 1>encourage necessarily that. But I was like, I saw a number,

0:33:58.920 --> 0:34:00.240
<v Speaker 1>and I was like, I kind of get it. Either

0:34:00.280 --> 0:34:02.800
<v Speaker 1>I did my maths wrong, or he's a handsome dude.

0:34:02.880 --> 0:34:06.040
<v Speaker 1>That makes sense. Look suffice it to say, none of

0:34:06.080 --> 0:34:11.239
<v Speaker 1>that matters because their love and that is you know,

0:34:11.280 --> 0:34:14.759
<v Speaker 1>they're committed to each other and past doesn't matter at

0:34:14.760 --> 0:34:37.799
<v Speaker 1>that point. What matters it's the relationship you're in, man.

0:34:38.000 --> 0:34:40.560
<v Speaker 1>Speaking of relationships you're in, Jason is in a very

0:34:40.560 --> 0:34:44.719
<v Speaker 1>committed relationship with these rags and the equal Although that

0:34:44.800 --> 0:34:47.919
<v Speaker 1>leather apron looks really good on you, thanks, it works

0:34:47.960 --> 0:34:51.080
<v Speaker 1>for you, honestly, sometimes because the costumes are in such

0:34:51.280 --> 0:34:54.120
<v Speaker 1>there's there's such an aesthetic to what we were wearing,

0:34:54.239 --> 0:34:57.160
<v Speaker 1>the very similar for a lot of it. Just sometimes

0:34:57.200 --> 0:34:59.960
<v Speaker 1>wearing something completely different. Fun Like it's just a fun

0:35:00.360 --> 0:35:02.040
<v Speaker 1>like I'm just wearing an apron and you're like, this

0:35:02.160 --> 0:35:03.879
<v Speaker 1>is a cool, weird bit of costume that I get

0:35:03.880 --> 0:35:06.160
<v Speaker 1>to like play around with and just you know, mess

0:35:06.200 --> 0:35:08.480
<v Speaker 1>with and whatever. It's good fun and we get to

0:35:08.520 --> 0:35:10.480
<v Speaker 1>have a little fight here. I don't know, I can't

0:35:10.520 --> 0:35:14.160
<v Speaker 1>remember why he's playing this to me, just rubbing it in. Yeah,

0:35:14.160 --> 0:35:17.120
<v Speaker 1>I think he likes this little power play. Just think

0:35:18.840 --> 0:35:22.120
<v Speaker 1>really enjoys it. Yeah that's fair. I hate that. I

0:35:22.120 --> 0:35:24.080
<v Speaker 1>don't know if it's age man, but I agree with

0:35:24.160 --> 0:35:26.759
<v Speaker 1>him in this conversation. Not in a lot of what

0:35:26.800 --> 0:35:28.680
<v Speaker 1>he does, but in this conversation I kind of get it,

0:35:29.080 --> 0:35:30.759
<v Speaker 1>Like is he getting a kick out of it or

0:35:30.800 --> 0:35:33.200
<v Speaker 1>is the real reality? Like his jobs to keep shadow

0:35:33.239 --> 0:35:34.920
<v Speaker 1>Onto safe and to do that, they need to know

0:35:34.920 --> 0:35:36.879
<v Speaker 1>everything about their shadow. And you know what I mean,

0:35:36.920 --> 0:35:39.160
<v Speaker 1>Like if you were a marine and someone lied on

0:35:39.200 --> 0:35:43.000
<v Speaker 1>their form and like said they didn't have epilepsy or something,

0:35:43.040 --> 0:35:44.600
<v Speaker 1>and you're out on patrol and one of you guys

0:35:44.600 --> 0:35:45.880
<v Speaker 1>has a fit and you're like, all of a sudden,

0:35:45.920 --> 0:35:48.160
<v Speaker 1>we're a guy down who has a machine gun in

0:35:48.200 --> 0:35:50.600
<v Speaker 1>his hand or something like that, Like there's a danger.

0:35:51.120 --> 0:35:53.160
<v Speaker 1>I think you need to be responsible enough to tell

0:35:53.880 --> 0:35:56.200
<v Speaker 1>the people around even if we were on set as actors,

0:35:56.200 --> 0:35:58.040
<v Speaker 1>if we were on set and we had like an

0:35:58.040 --> 0:36:00.680
<v Speaker 1>issue that would potentially endanger other people or their jobs

0:36:00.719 --> 0:36:04.920
<v Speaker 1>or their livelihoods, or their physical safety or their mental safety. Yeah,

0:36:04.960 --> 0:36:06.920
<v Speaker 1>I think it's your responsibility to tell them. Right, we

0:36:07.040 --> 0:36:09.399
<v Speaker 1>talk about trust all the time. I think I sort

0:36:09.400 --> 0:36:11.960
<v Speaker 1>of get what he's doing here. Oh I love this

0:36:12.000 --> 0:36:16.520
<v Speaker 1>scene with Lisa Luke's family trying to care about it. Yeah.

0:36:17.120 --> 0:36:19.560
<v Speaker 1>I love that. Clear he just keeps finding family throughout

0:36:19.600 --> 0:36:21.640
<v Speaker 1>this It's it's a really nice thing. As someone who

0:36:21.640 --> 0:36:23.279
<v Speaker 1>felt so alone in the world, you know what it

0:36:23.440 --> 0:36:25.920
<v Speaker 1>is picking them up because none of these new people

0:36:26.120 --> 0:36:28.320
<v Speaker 1>talk to any of the old people. Because what we

0:36:28.440 --> 0:36:31.640
<v Speaker 1>say in reality is like don't trust me, save yourself,

0:36:31.880 --> 0:36:34.960
<v Speaker 1>run away, whatever you can do. Don't join this fucking team.

0:36:35.000 --> 0:36:38.239
<v Speaker 1>It's a nightmare. It's a nightmare. Like and anyone who

0:36:38.520 --> 0:36:40.560
<v Speaker 1>you notice, the guys who have foresight, like the Silent

0:36:40.560 --> 0:36:42.520
<v Speaker 1>Brothers and stuff, they will keep their distance. They're like,

0:36:42.600 --> 0:36:44.319
<v Speaker 1>peace out, man, We're going to hang out in this

0:36:44.440 --> 0:36:49.279
<v Speaker 1>like skull ridden horrible but equally gigantic and kind of

0:36:49.520 --> 0:36:52.360
<v Speaker 1>gothically beautiful basement. That's where we're going to stay because

0:36:52.360 --> 0:36:55.160
<v Speaker 1>we know what happens in the future and that we

0:36:55.160 --> 0:36:58.160
<v Speaker 1>don't want any part of it exactly. Oh and then

0:36:58.200 --> 0:37:03.360
<v Speaker 1>I forgot. We get this little um tutorial, the magic

0:37:03.440 --> 0:37:07.080
<v Speaker 1>mural with the mortal instruments, which we have not seen

0:37:07.160 --> 0:37:09.719
<v Speaker 1>up until this point. No, we even't even really talks

0:37:09.719 --> 0:37:11.920
<v Speaker 1>about the more instruments, Like I think this is sort

0:37:11.920 --> 0:37:13.960
<v Speaker 1>of the first time with gearing up the end of

0:37:13.960 --> 0:37:16.839
<v Speaker 1>this season for the first time in this but any

0:37:16.920 --> 0:37:19.120
<v Speaker 1>think we've even really talked about what the more instruments are.

0:37:20.160 --> 0:37:21.879
<v Speaker 1>Sward the mirror in the cup. Oh, now we're back

0:37:21.920 --> 0:37:24.919
<v Speaker 1>with Luke. Come on, Luke, you got this. Hold it together, man,

0:37:25.080 --> 0:37:27.279
<v Speaker 1>Keep it together. Makes you wonder how many times you

0:37:27.280 --> 0:37:29.120
<v Speaker 1>know when you're camping and you hear something in the woods,

0:37:29.320 --> 0:37:34.360
<v Speaker 1>you just kind of go wear a wolves where regular wolf.

0:37:34.360 --> 0:37:37.360
<v Speaker 1>The wolves look so good. Oh my god, the teeth.

0:37:37.920 --> 0:37:39.239
<v Speaker 1>I think that was one of the only times he

0:37:39.280 --> 0:37:42.080
<v Speaker 1>got to use his teeth. Mhm. I think that might

0:37:42.120 --> 0:37:44.200
<v Speaker 1>be the one shot because then they made Joel use

0:37:44.280 --> 0:37:50.080
<v Speaker 1>them later. Yeah, poor Joe ah Man. This wolf Simon

0:37:50.160 --> 0:37:52.560
<v Speaker 1>is always the one when somebody's having a problem to go, hey,

0:37:52.680 --> 0:37:54.560
<v Speaker 1>I'm going to talk you down from this right now.

0:37:55.120 --> 0:37:57.799
<v Speaker 1>He just ser that's what he's good at. Like he's

0:37:57.840 --> 0:38:00.360
<v Speaker 1>got the speed and the blood law still all that

0:38:00.640 --> 0:38:04.600
<v Speaker 1>ship now, but like his real superpower is his words.

0:38:04.600 --> 0:38:06.840
<v Speaker 1>Like Jay doesn't really get to experience that until literally

0:38:06.840 --> 0:38:09.759
<v Speaker 1>the last episode, but he does. It's like, hey, I'm

0:38:09.760 --> 0:38:13.040
<v Speaker 1>going to tell you this beautiful memory and completely so

0:38:13.120 --> 0:38:16.160
<v Speaker 1>I he writes the graphic novel. Oh so this was

0:38:16.200 --> 0:38:19.520
<v Speaker 1>something that I I didn't understand that they changed the

0:38:19.560 --> 0:38:22.279
<v Speaker 1>mythology of how the sword works from the book. And

0:38:22.360 --> 0:38:25.359
<v Speaker 1>in the book, the mythology is that it it is

0:38:25.480 --> 0:38:28.759
<v Speaker 1>used as to to activate the Wish, but they made

0:38:28.800 --> 0:38:31.880
<v Speaker 1>it in our show that it was a weapon that

0:38:32.000 --> 0:38:36.200
<v Speaker 1>could kill all downwolders. Um it was I think originally

0:38:36.239 --> 0:38:38.200
<v Speaker 1>supposed to be a weapon that could kill all demons,

0:38:38.680 --> 0:38:41.120
<v Speaker 1>but they expanded it so that Valentine had a reason

0:38:41.160 --> 0:38:44.040
<v Speaker 1>to use it to destroy the world. It's you know,

0:38:44.080 --> 0:38:46.480
<v Speaker 1>it's a it's a ticking time mom. In other words,

0:38:47.040 --> 0:38:48.960
<v Speaker 1>we change the mythology, and it's sort of difficult to

0:38:49.080 --> 0:38:52.400
<v Speaker 1>reconcile with the book in a lot of ways. But yeah,

0:38:52.440 --> 0:38:54.239
<v Speaker 1>it made it work in the end. I guess it

0:38:54.360 --> 0:38:56.360
<v Speaker 1>made it work in the end. That's what matters. Speaking

0:38:56.360 --> 0:39:00.160
<v Speaker 1>of Clary's just finding out about No, this is the

0:39:00.160 --> 0:39:01.839
<v Speaker 1>first time you use it. You this is the first

0:39:01.880 --> 0:39:04.439
<v Speaker 1>time you show someone, right, Yeah, this is the first

0:39:04.440 --> 0:39:06.680
<v Speaker 1>time I show her the run. But this is the

0:39:06.719 --> 0:39:08.640
<v Speaker 1>first time I know what it can do, and or

0:39:08.719 --> 0:39:10.800
<v Speaker 1>what the Mortal Sword can do. Oh, look, is he

0:39:10.920 --> 0:39:15.600
<v Speaker 1>gonna is He's gonna use the listening room, the far

0:39:15.680 --> 0:39:19.480
<v Speaker 1>away listening room, far away listening room. Yeah, this the

0:39:19.520 --> 0:39:23.239
<v Speaker 1>spying room. We just got one for everything. Well if

0:39:23.280 --> 0:39:27.120
<v Speaker 1>only we had one for logic, right, and maybe we

0:39:27.080 --> 0:39:30.040
<v Speaker 1>would't end up in all these problems communication common sense,

0:39:30.640 --> 0:39:33.080
<v Speaker 1>A common sense room. The amount of time they asked

0:39:33.120 --> 0:39:35.160
<v Speaker 1>us what room we would like as our characters, and

0:39:35.200 --> 0:39:37.640
<v Speaker 1>we were like one for the wings or like whatever

0:39:37.680 --> 0:39:40.319
<v Speaker 1>we should say common sense, that's true. They're I'm going

0:39:40.400 --> 0:39:46.160
<v Speaker 1>to start saying that again, folks is killing it this up.

0:39:46.640 --> 0:39:49.279
<v Speaker 1>They've done a really really good job with this. Yeah,

0:39:49.280 --> 0:39:52.839
<v Speaker 1>because it's amazing how much as actors, mostly because we

0:39:52.880 --> 0:39:55.040
<v Speaker 1>know we weren't there, you can then sort of see

0:39:55.040 --> 0:39:58.400
<v Speaker 1>the little bits of disparity between like our bodies and

0:39:58.440 --> 0:40:00.719
<v Speaker 1>then the background or whatever whatever the new thing is

0:40:00.760 --> 0:40:03.200
<v Speaker 1>that's there. But I think what they do that so

0:40:03.239 --> 0:40:07.680
<v Speaker 1>good is really minimize those opportunities where you can tell

0:40:07.719 --> 0:40:10.640
<v Speaker 1>the difference because there are some like even just me

0:40:10.680 --> 0:40:12.520
<v Speaker 1>watching the show, they've been not this episode because some

0:40:12.560 --> 0:40:16.080
<v Speaker 1>barely Inette told you, I mentioned it again, Um, but

0:40:16.160 --> 0:40:19.279
<v Speaker 1>they there are a few instances where I've watched the

0:40:19.280 --> 0:40:21.960
<v Speaker 1>show and gone, I remember going to that place, like

0:40:22.000 --> 0:40:24.000
<v Speaker 1>I don't. I genuinely don't remember being there, and it's

0:40:24.000 --> 0:40:26.680
<v Speaker 1>because I wasn't working there. I wasn't there, and they

0:40:26.719 --> 0:40:28.960
<v Speaker 1>just did it down good job making it look like

0:40:28.960 --> 0:40:32.279
<v Speaker 1>I was there, did a fantastic job. And then we

0:40:32.320 --> 0:40:34.760
<v Speaker 1>have a lovely scene with you know, the kids bringing

0:40:34.800 --> 0:40:40.160
<v Speaker 1>Luke back convincing him. So but surely we need to truly,

0:40:40.200 --> 0:40:44.560
<v Speaker 1>you're the only sensible adult in this show. Yeah for real. Yeah,

0:40:44.600 --> 0:40:47.240
<v Speaker 1>but he does do a good job at losing it. Isaiah,

0:40:47.320 --> 0:40:49.120
<v Speaker 1>he does. He doesn't I've ever seen of him later

0:40:49.160 --> 0:40:51.839
<v Speaker 1>on in three Oh Man, like when he comes up

0:40:51.840 --> 0:40:54.759
<v Speaker 1>when he like the hinges come loose, fun Like it's

0:40:54.800 --> 0:40:57.320
<v Speaker 1>so good to watch. You get to learn a lot

0:40:57.560 --> 0:40:59.480
<v Speaker 1>acting in some ways. It's kind of like sports, Like

0:40:59.560 --> 0:41:02.200
<v Speaker 1>the best like the best scene partners are the people

0:41:02.239 --> 0:41:04.239
<v Speaker 1>who are better than you, or you consider better than you,

0:41:04.400 --> 0:41:07.600
<v Speaker 1>or more experienced or more versed in a certain area

0:41:07.600 --> 0:41:09.319
<v Speaker 1>of whatever it is. Like it's like a tennis partner.

0:41:09.320 --> 0:41:10.879
<v Speaker 1>You're not going to get better unless you face someone

0:41:10.880 --> 0:41:13.359
<v Speaker 1>who's better than you and sort of figure out like

0:41:13.400 --> 0:41:15.680
<v Speaker 1>how to how to do that dance with them kind

0:41:15.719 --> 0:41:18.799
<v Speaker 1>of thing. And then like Isaiah that that scene in

0:41:18.840 --> 0:41:21.520
<v Speaker 1>particular where he starts to go off the rails and

0:41:21.560 --> 0:41:24.440
<v Speaker 1>season three and would able to sort of sit back

0:41:24.480 --> 0:41:26.319
<v Speaker 1>and go, wow, holy ship, like there's a bunch of

0:41:26.320 --> 0:41:30.600
<v Speaker 1>things that I'm stealing, just like my little bag of

0:41:30.640 --> 0:41:34.000
<v Speaker 1>tricks I'm having that that's it wasn't And another good

0:41:34.040 --> 0:41:38.840
<v Speaker 1>Malax scene, ms, stay no, you're not two different guys.

0:41:39.280 --> 0:41:40.680
<v Speaker 1>We've got to get better at this. You and I

0:41:40.800 --> 0:41:43.239
<v Speaker 1>like when the good scenes come on, get so cut

0:41:43.480 --> 0:41:46.080
<v Speaker 1>entirely forget that we're doing a podcast, like all the

0:41:46.120 --> 0:41:48.200
<v Speaker 1>only thing that reminds me. I'm looking up at my

0:41:48.200 --> 0:41:50.640
<v Speaker 1>my iPad and then I sort of see this, like

0:41:50.680 --> 0:41:52.720
<v Speaker 1>and my instinct is to be like, oh wait because

0:41:52.719 --> 0:41:54.239
<v Speaker 1>it's in the way, and I'm like, oh, that's why

0:41:54.280 --> 0:42:00.200
<v Speaker 1>I'm at work. I'm doing a job right now. Ki

0:42:00.640 --> 0:42:03.320
<v Speaker 1>they kiss. Yeah, I'm just sitting here cheering because Alec

0:42:03.440 --> 0:42:05.160
<v Speaker 1>is about to leave. And then it comes back. It's like, no,

0:42:05.480 --> 0:42:08.439
<v Speaker 1>I don't care. We're not too different. This is this

0:42:08.480 --> 0:42:11.919
<v Speaker 1>is what's meant to be. They take effort and I'm

0:42:12.000 --> 0:42:14.839
<v Speaker 1>willing to do it. That's all you want to hear

0:42:14.880 --> 0:42:19.319
<v Speaker 1>from someone, you know. Oh, that's right, I remember the

0:42:19.440 --> 0:42:23.160
<v Speaker 1>ending of this. I remember the ending of this scene. Ah,

0:42:23.440 --> 0:42:26.120
<v Speaker 1>nothing like your brother coming a cock block you by

0:42:26.120 --> 0:42:29.759
<v Speaker 1>turning up at your boyfriend's apartment. Jesus Jakes, what were

0:42:29.760 --> 0:42:33.120
<v Speaker 1>you thinking, Well, you can't really go to the Jade Wolf.

0:42:33.960 --> 0:42:36.319
<v Speaker 1>Can't go to the Jade Wolf obviously, can't stay at

0:42:36.320 --> 0:42:40.120
<v Speaker 1>the institute anymore. Wow, those are really Jason's two options.

0:42:40.200 --> 0:42:44.480
<v Speaker 1>That's really quite sad. Well, I mean, let's you want

0:42:44.520 --> 0:42:47.920
<v Speaker 1>to go to Raphael's apartment, but I really don't think Yeah,

0:42:48.400 --> 0:42:49.920
<v Speaker 1>I don't think so. I don't think I would be

0:42:49.920 --> 0:42:54.520
<v Speaker 1>super welcome there either. Yeah, I the seely Glades. Probably not.

0:42:55.520 --> 0:42:57.759
<v Speaker 1>They're not a fan of us either. Definitely not me.

0:42:58.640 --> 0:43:01.000
<v Speaker 1>I forgot about this for time. We see Clary get

0:43:01.080 --> 0:43:06.600
<v Speaker 1>jealous because she and sees Simon and Maya. Yeah, you're right,

0:43:06.600 --> 0:43:10.040
<v Speaker 1>because we're still brother and sister at this point. Right. Wow,

0:43:10.080 --> 0:43:12.120
<v Speaker 1>this guys on that goes on for longer than I thought.

0:43:13.960 --> 0:43:18.799
<v Speaker 1>From the episode eleven of season one, I think it's

0:43:18.840 --> 0:43:23.520
<v Speaker 1>all of season two. No, is that true until the

0:43:23.640 --> 0:43:30.200
<v Speaker 1>very end? No, that's not true. That's not true because no, wait, huh,

0:43:30.600 --> 0:43:33.360
<v Speaker 1>it's a good better season two. It's a it's a

0:43:33.440 --> 0:43:35.759
<v Speaker 1>decent way through season two ship. Yeah you're right, because

0:43:35.760 --> 0:43:40.160
<v Speaker 1>the midway through a bit oh ship. Yeah, yeah, you're right. Wow,

0:43:40.440 --> 0:43:42.759
<v Speaker 1>we really hung onto this storyline longer than we should.

0:43:42.800 --> 0:43:46.680
<v Speaker 1>I just bat everywhere I mean to be. It's been

0:43:46.719 --> 0:43:50.640
<v Speaker 1>a good podcast for me that hopefully that video is

0:43:50.640 --> 0:43:52.280
<v Speaker 1>not the one that we end up getting on Instagram.

0:43:52.680 --> 0:43:56.280
<v Speaker 1>I started it by talking about the world's longest part

0:43:56.280 --> 0:43:58.560
<v Speaker 1>that I've ever done, and I'm ending it by spitting

0:43:58.560 --> 0:44:02.080
<v Speaker 1>all over myself. Good Lord put a mess to be

0:44:02.200 --> 0:44:05.400
<v Speaker 1>fair in the books. It lasts for about five books.

0:44:05.640 --> 0:44:08.600
<v Speaker 1>I remember you saying this, Yeah, that's that's it's that's

0:44:08.600 --> 0:44:11.120
<v Speaker 1>a lot. It's a lot because they find out at

0:44:11.120 --> 0:44:12.960
<v Speaker 1>the end of book one, and I think it's not

0:44:13.080 --> 0:44:17.400
<v Speaker 1>till book five or six that they find out. Does

0:44:17.440 --> 0:44:20.560
<v Speaker 1>the audience Do the readers know that they found out

0:44:21.920 --> 0:44:25.000
<v Speaker 1>and they're like making out and stuff. Yeah, that's a

0:44:25.160 --> 0:44:27.480
<v Speaker 1>that's a long time. That's a long time for this

0:44:27.760 --> 0:44:29.719
<v Speaker 1>because I sort of figured like, at least if the

0:44:29.719 --> 0:44:32.120
<v Speaker 1>reader knows, they're like, oh, it's okay, don't worry, You're

0:44:32.120 --> 0:44:35.040
<v Speaker 1>allowed to be in love and just swim fighting these

0:44:35.080 --> 0:44:40.319
<v Speaker 1>instincts or whatever that they don't know either. Yeah, it's

0:44:40.360 --> 0:44:45.000
<v Speaker 1>not till because then then Clary has a whole, Like

0:44:45.040 --> 0:44:48.960
<v Speaker 1>the whole Clary Sebastian thing is a lot more because

0:44:49.160 --> 0:44:53.040
<v Speaker 1>you know, there's it's still not Jason and Simon is

0:44:53.080 --> 0:44:55.440
<v Speaker 1>off on his own. I think, so I'm in Isabella

0:44:55.520 --> 0:44:58.200
<v Speaker 1>together in the books at that point, more close to it,

0:44:58.800 --> 0:45:01.239
<v Speaker 1>and then she meets the Bastion and she's like, you

0:45:01.360 --> 0:45:03.280
<v Speaker 1>sort of remind me of this guy that I loved,

0:45:03.840 --> 0:45:05.759
<v Speaker 1>but he turned out to be my brother, so maybe

0:45:05.800 --> 0:45:08.160
<v Speaker 1>I'll fall in love with you instead, and that just

0:45:08.239 --> 0:45:11.560
<v Speaker 1>the way. Now, I was just watching the last thirty

0:45:11.560 --> 0:45:13.680
<v Speaker 1>seconds of this, and I remember this scene happening either,

0:45:13.920 --> 0:45:15.920
<v Speaker 1>and I'm not sure I saw what I saw. It

0:45:16.000 --> 0:45:17.839
<v Speaker 1>kind of came out the corner of my eye. Does

0:45:17.880 --> 0:45:20.640
<v Speaker 1>she get stabbed? Hold on? Sorry, I'm still in the

0:45:20.680 --> 0:45:25.279
<v Speaker 1>scene with Isabelle and alder Tree where she's like, what

0:45:25.480 --> 0:45:29.239
<v Speaker 1>the hell? Oh yeah, I almost died, almost drowned at

0:45:29.239 --> 0:45:31.520
<v Speaker 1>the citadel because he didn't tell me. And then he

0:45:31.840 --> 0:45:37.000
<v Speaker 1>pulls information out of her because he's again holding the drugs. Yeah,

0:45:37.800 --> 0:45:40.040
<v Speaker 1>he's so good at the subtlety of this too. He

0:45:40.160 --> 0:45:42.279
<v Speaker 1>just kind of holds it and looks at it. And yes,

0:45:42.320 --> 0:45:45.400
<v Speaker 1>Cleophus does get stabbed because no, no, no, it's the

0:45:45.440 --> 0:45:50.280
<v Speaker 1>other one. It's not Cleophus. No, yeah, it's it's um Magdali.

0:45:51.239 --> 0:45:54.520
<v Speaker 1>That's wait, does she stabbed her own? I heard, sister? Yeah,

0:45:54.600 --> 0:45:58.080
<v Speaker 1>why does this happen? I think it's because somebody's threatening Clary.

0:45:58.280 --> 0:46:02.680
<v Speaker 1>Oh no, because she's a circle member, oh ship, Yeah,

0:46:02.760 --> 0:46:06.279
<v Speaker 1>because that one times back. I remember that. Yeah, I

0:46:06.440 --> 0:46:11.160
<v Speaker 1>remember that happening at all. Mom, looks, sister, that's what

0:46:11.239 --> 0:46:16.680
<v Speaker 1>I said, sister, Yeah, I just have an accent. O. Wow.

0:46:17.160 --> 0:46:20.440
<v Speaker 1>Well on that note, wow wow, we did a real

0:46:20.480 --> 0:46:23.200
<v Speaker 1>good job there. I'm proud of us, super proud of us.

0:46:24.080 --> 0:46:27.640
<v Speaker 1>Lights from this episode. What was your favorite part? Ah,

0:46:28.000 --> 0:46:31.680
<v Speaker 1>just my stellar performance in all the scenes that I

0:46:31.719 --> 0:46:38.440
<v Speaker 1>was in. I think that they really utilized my I

0:46:38.480 --> 0:46:40.680
<v Speaker 1>think that's what it was. No, I like, I like

0:46:40.800 --> 0:46:43.359
<v Speaker 1>the flashback. I think Alicia did a really amazing job

0:46:43.360 --> 0:46:46.799
<v Speaker 1>in that, and so did Isaiah. That little bond and

0:46:47.040 --> 0:46:49.359
<v Speaker 1>watching what someone goes through the night they find out

0:46:49.800 --> 0:46:52.520
<v Speaker 1>was really quite harrowing. So that was probably my favorite party.

0:46:52.800 --> 0:46:55.920
<v Speaker 1>That's great. I don't know, I gotta shout out folks, VFX,

0:46:56.040 --> 0:47:00.160
<v Speaker 1>I gotta shout out all of the Malik date us

0:47:00.239 --> 0:47:03.279
<v Speaker 1>makes my heart so great. It was really weird and

0:47:04.320 --> 0:47:08.879
<v Speaker 1>hopefully we'll see a lot more of that the future. Yeah,

0:47:08.960 --> 0:47:12.120
<v Speaker 1>fingers crossed. We don't know. It honestly turns out that,

0:47:12.160 --> 0:47:14.640
<v Speaker 1>like there's whole chunks of this show that I don't remember,

0:47:15.320 --> 0:47:17.359
<v Speaker 1>actual bits of it that I don't remember filming. Its

0:47:19.480 --> 0:47:22.120
<v Speaker 1>no memory whatsoever. And maybe it's because we didn't have

0:47:22.160 --> 0:47:24.600
<v Speaker 1>a fight scene, like because I can connect them to

0:47:24.719 --> 0:47:27.239
<v Speaker 1>like the stunt or the fight or like whatever it was. No,

0:47:27.360 --> 0:47:30.640
<v Speaker 1>that can't be true, because the story points that I remember,

0:47:30.680 --> 0:47:32.120
<v Speaker 1>I think it's just because I had sort of a

0:47:32.160 --> 0:47:35.279
<v Speaker 1>fairly flustered story in this one. I think also we

0:47:35.280 --> 0:47:37.480
<v Speaker 1>were so busy and the pace got so quick at

0:47:37.520 --> 0:47:39.320
<v Speaker 1>a certain point, we were just in a in a

0:47:39.440 --> 0:47:41.520
<v Speaker 1>routine and a machie happens to me on every series

0:47:41.560 --> 0:47:44.439
<v Speaker 1>they do. I'll be watching it back and going, oh,

0:47:44.480 --> 0:47:47.800
<v Speaker 1>I totally forgot this scene because you do you block it?

0:47:47.920 --> 0:47:49.799
<v Speaker 1>We didn't block sho on Shadow and did we know?

0:47:49.920 --> 0:47:52.239
<v Speaker 1>We just didn't know it was episode by episode. Did

0:47:52.239 --> 0:47:55.400
<v Speaker 1>you do you block shoot on Walker independence We did

0:47:55.520 --> 0:47:59.399
<v Speaker 1>on our first well, our episode two, three and four

0:47:59.440 --> 0:48:01.840
<v Speaker 1>because we were two and three had the same director,

0:48:01.960 --> 0:48:03.880
<v Speaker 1>and then episode four we were kind of waiting for

0:48:03.920 --> 0:48:06.200
<v Speaker 1>our sound stages to be ready because they were still

0:48:06.200 --> 0:48:08.640
<v Speaker 1>building our sets, so we had to kind of crossboards

0:48:08.640 --> 0:48:11.319
<v Speaker 1>and things. And so for anyone who doesn't know, block

0:48:11.360 --> 0:48:14.040
<v Speaker 1>shooting is when you take a chunk of whatever it is,

0:48:14.040 --> 0:48:17.080
<v Speaker 1>So it's anything two episodes and above. So some block

0:48:17.120 --> 0:48:19.680
<v Speaker 1>shooting is episode one and two, three and four, or

0:48:19.680 --> 0:48:21.480
<v Speaker 1>five and six, so on, so forth. Some of them

0:48:21.560 --> 0:48:23.640
<v Speaker 1>is the first half of the season, the second half

0:48:23.640 --> 0:48:25.719
<v Speaker 1>of the season, sometimes three episodes, you know whatever, And

0:48:25.760 --> 0:48:27.839
<v Speaker 1>it's a convenient way of scheduling things because you can

0:48:27.880 --> 0:48:29.480
<v Speaker 1>put all the bits in the same location in the

0:48:29.480 --> 0:48:32.640
<v Speaker 1>same place. However, for an actor sometimes that can be

0:48:32.719 --> 0:48:35.399
<v Speaker 1>especially when it's on a series where you do each

0:48:35.440 --> 0:48:37.200
<v Speaker 1>episode is sort of a little chunk of the story,

0:48:37.200 --> 0:48:39.840
<v Speaker 1>little chapter of the story that can get a little confusing,

0:48:39.840 --> 0:48:42.239
<v Speaker 1>where you're chopping backwards and forwards between these big plot

0:48:42.239 --> 0:48:44.360
<v Speaker 1>points that happened at the end of episodes, and that

0:48:44.360 --> 0:48:46.400
<v Speaker 1>can get a little trickier. So it's it's sort of

0:48:46.440 --> 0:48:49.560
<v Speaker 1>similar to how you would shoot a movie in its entirety, um,

0:48:49.600 --> 0:48:52.560
<v Speaker 1>except you don't know how and the series is not

0:48:52.560 --> 0:48:54.799
<v Speaker 1>written yet. It was a lot more hours of a

0:48:54.960 --> 0:48:57.520
<v Speaker 1>story that you have to remember at that point, but

0:48:57.840 --> 0:49:01.160
<v Speaker 1>they can give hours of story. Next uppisode is actually

0:49:01.600 --> 0:49:05.399
<v Speaker 1>I think one of our first, um big fight scenes

0:49:05.440 --> 0:49:09.280
<v Speaker 1>together that you and I did all of Really, yeah,

0:49:09.320 --> 0:49:12.000
<v Speaker 1>I think what episode is it? When I went to seven,

0:49:12.680 --> 0:49:15.080
<v Speaker 1>which I think had something to do with a roof

0:49:15.160 --> 0:49:20.600
<v Speaker 1>and some shale. What our camera operators would always outcry

0:49:20.719 --> 0:49:23.000
<v Speaker 1>when ever there was a hard day on set is

0:49:23.040 --> 0:49:29.279
<v Speaker 1>that very iconic moan we should have had Glenn do

0:49:29.360 --> 0:49:32.160
<v Speaker 1>it when he was on the podcast. That's true, we

0:49:32.160 --> 0:49:35.040
<v Speaker 1>should have it's also yeah, it's the date with Sarah

0:49:35.080 --> 0:49:40.719
<v Speaker 1>as well. Oh yeah, the Jace Simon Double Day Shots episode,

0:49:40.760 --> 0:49:47.319
<v Speaker 1>wasn't it. I just finished working with Jeff shots on Walker. Yeah. Yeah,

0:49:47.440 --> 0:49:50.040
<v Speaker 1>he came and did um did one of our episodes

0:49:50.080 --> 0:49:55.640
<v Speaker 1>just a few ago, and he was so good. Yeah. Yeah. Yeah. Anyway,

0:49:56.120 --> 0:49:58.560
<v Speaker 1>on that note, looking forward to the next episode, We've

0:49:58.560 --> 0:50:00.200
<v Speaker 1>got lots to talk about. Thank you all for the sening.

0:50:00.239 --> 0:50:03.480
<v Speaker 1>As always, take her We'll be back next week, Kyle,

0:50:03.600 --> 0:50:11.000
<v Speaker 1>thanks for listening. Return to the Shadows as hosted and

0:50:11.120 --> 0:50:14.440
<v Speaker 1>executive produced by me Dominic. Sherwood and Katherine McNamara are

0:50:14.520 --> 0:50:18.400
<v Speaker 1>executive producers Langley. Our senior producers are Liz Hayes and

0:50:18.480 --> 0:50:21.920
<v Speaker 1>Diego Tapia. Our producer is Hannah Harris and Kristin Vermeilia,

0:50:22.120 --> 0:50:25.800
<v Speaker 1>and our intern is Sam Katz. Original music by Alex Kinzy,

0:50:25.880 --> 0:50:29.120
<v Speaker 1>performed by Alex Kinzy and Katherine McNamara, and the episode

0:50:29.200 --> 0:50:30.640
<v Speaker 1>was mixed by Seth Lanski.